Podcasts about Andy Warhol

John Flansburgh of They Might Be Giants talks rare vinyl rarities, the chaotic story behind the new album's cover art, why re-recording old music is almost always a mistake and lots more Order the new album "The World Is to Dig" here Topics Include: Flansburgh owns roughly 2,000 records across three turntable setups at home He doesn't identify as a collector — just a serious listener His rarest record: an Andy Warhol-autographed Sticky Fingers with wild provenance photos He also owns a peeled-banana Velvet Underground and a Blonde on Blonde rarity Deep dive into what makes each of those pressings so collectible TMBG's new album title comes from a Maurice Sendak-illustrated children's book That led to a fascinating detour on painter Ad Reinhardt's secret black-on-black canvases Flansburgh has been TMBG's de facto art director for 35 years The new album's cover art was nearly a Washington Post-licensed sinkhole photo Washington Post's mass layoffs killed the deal at the last possible moment A Hudson Valley School painting of Yosemite became the actual cover Flansburgh and Linnell don't stockpile songs — cuts are made for specific artistic reasons He once had to shelve a song because Linnell came in with a nearly identical opening line TMBG song titles are uniquely searchable — except the new one referencing Wu-Tang Flansburgh is firmly against re-recording old material — cites Zappa as a cautionary tale Great discussion on remastering: Beatles got it right, Hendrix remaster was disorienting TMBG evolved from NYC performance art venues to rock clubs — crowd energy changed everything Their boutique 8-track manufacturer couldn't keep up when TMBG needed a thousand units Dolby Atmos debate: Flansburgh is skeptical, Nate makes the case for spatial audio Nate's most collectible record is a Nevermind test pressing — rejected pressings are worth more Extended & High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz sit down with Alexandra Wilson-Elizondo, the co-Chief Investment Officer of Multi-Asset Solutions at Goldman Sachs. ---

Josh and Drusilla discuss the uber chic 90's vampire flick, Nadja. From wiki: “Nadja is a 1994 American horror film written and directed by Michael Almereyda, starring Elina Löwensohn in the title role and Peter Fonda as Abraham Van Helsing.”Also discussed: the 2026 Oscars, Demons (1985), Timothee Chalamet, If I Had Legs I'd Kick You, Blue Moon (2025), Destroy All Movies, Return of the Living Dead, The Bride!, a long leftist debate, Bodies Rest in Motion, Warhol nostalgia, the 90s, The End of History, and more. NEXT WEEK: The House with Laughing Windows (1976)Bloodhaus:https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

In 1964, Lorey Kaye, a twenty-year-old from New Haven, CT, moved to Manhattan to start a new life in the big city. Lorey was a fresh-faced, dark-haired hippie, who attracted attention as much for her headstrong, determined, street smart attitude as for her striking good looks. She was hired as a waitress in a new nightclub that had just opened in Times Square – called Steve Paul’s ‘The Scene'. The club was an immediate hit with gigs by the likes of BB King, Jimi Hendrix, and Sammy Davis Jr., regular visitors like Andy Warhol and Edie Sedgwick – and Lorey was at the heart of the action. Another group, The Lovin’ Spoonful, also played there regularly, and their lead singer, John Sebastian, took a shine to her. John and Lorey started seeing each other, and Lorey became his muse, inspiring him to compose a number of the group's hit singles about her, such as ‘She's A Lady' and ‘Rain on the Roof', even mentioning her by name in some of the lyrics. Lorey and John Sebastian (1967) They got hitched in 1966 – by then Lorey had started work as an insider gossip columnist at Hit Parade magazine – and now known as Lorey Sebastian, she became a popular staple in the 1960s Greenwich Village folk-rock music scene. Lorey and John's relationship was glamorous, high-profile, and short-lived. Lorey broke up with John in 1968 when they were in Ireland. The legend is that she fell in with a group of gypsies, and felt compelled to tune in, drop out, and join them instead. It was said that John never fully recovered from the breakup. Lorey (right), with John Sebastian and Mama Cass (1967) Fast forward to the mid 1970s. Lorey was back in New York, now in her mid 30s and looking for a purpose. She'd become a member of the television and film workers union, with the vague ambition of being a still photographer on movie sets. To make a little extra money, she also did work as a crew member on sex films. It was on a Gerry Damiano movie that she met Jamie Gillis. Jamie sidled up to her, pushing her in the back, and exclaiming, “What a place to bump into a girl like you!” It was corny but it worked, and Lorey invited him back to her place. The mutual attraction was instant and sexual – but, for Jamie, there was something more this time. For a confirmed promiscuous bachelor, Jamie confided to friends that, whisper it quietly, Lorey might actually be the one. He spent time with her, encouraged her photography ambitions, taking her to exhibitions and galleries, and was tickled that one of his favorite songs, The Lovin’ Spoonful's ‘Daydream,' had been written for her. Not to suggest that Jamie's relationship with New York magazine's Insatiable Critic, Gael Greene, was over. Far from it. Even if the novelty of Jamie and Gael's physical and emotional relationship had subsided, they were still intent on documenting their lives, in and out of bed, for a proposed joint-autobiographical book. They continued to go the city's restaurants, cultural events, and glamorous parties, while Jamie spent his in-between time wrestling with whether he wanted an acting career, playing poker, going to the occasional audition, and making semi-regular starring appearances in adult films. In short, Jamie wanted to pursue Lorey, but not give up the affair with Gael. This is Part 2 of the story of Jamie Gillis and Gael Greene in 1978. Jamie This podcast is 49 minutes long. Listen to Part 1 of The Porn Star and the Foodie: Jamie Gillis & Gael Greene in 1978 here. * The post The Porn Star and the Foodie: Jamie Gillis & Gael Greene in 1978 Part 2, Lorey Sebastian – Podcast 159 appeared first on The Rialto Report.

A young, aspiring writer desperate for a break…and the legendary Andy Warhol superstar who gave him the story of a lifetime.By the mid-1980s, Holly Woodlawn, once lauded by George Cukor for her performance in the 1970 Warhol production and Paul Morrissey directed Trash, was washed up. Over. Kaput. She was living in a squalid Hollywood apartment with her dog and bottles of Chardonnay. A chance meeting with starry-eyed corn-fed Missouri-born Jeff Copeland, who moved to Hollywood with dreams of ‘making it' as a television writer, changed the course of BOTH of their lives forever.Love You Madly, Holly Woodlawn is a story of how an unlikely friendship with a young gay writer and an, ahem, mature trans actress and performer created the bestselling autobiography of 1991, A Low Life in High Heels. This book about writing a book is a celebration of chutzpa and love as Holly, the embodiment of Auntie Mame, introduces Jeff to the glamorous (and sometimes larcenous) world of a Warhol Superstar. In turn, Jeff uses his writing (and typing) talent to give Holly the second chance at fame she craved.In turns hilarious and heartwarming, Love You Madly, Holly Woodlawn is a portrait of the real Holly who loved deeply, laughed loudly, and left mayhem in her wake. Foreword by queer icon and author, Simon Doonan.Support this show http://supporter.acast.com/houseofmysteryradio. Hosted on Acast. See acast.com/privacy for more information.

From the alien drifter of The Man Who Fell to Earth to the unforgettable Goblin King of Labyrinth, David Bowie built one of the strangest and most fascinating film careers in pop history.In this episode, hosts Laura Gommans and Tom Ooms dive into David Bowie's acting career, exploring how the musician moved through cinema across four decades. They chat about what drew Bowie to the silver screen, why acting became one of his favourite side quests, and the performances that defined his screen presence.From playing Andy Warhol in Basquiat to a perfectly deadpan cameo in Zoolander, they discuss why directors kept casting Bowie, what made him so magnetically strange on camera, and which roles remain the most unforgettable—before tackling the impossible question: who could ever play Bowie in a biopic?Fill out our ⁠survey⁠ and win up to €100 worth of prizes.Get tickets to Sound And Vision: Remembering David Bowie @ LAB111Films Mentioned: The Man Who Fell to Earth (Nicolas Roeg, 1976) Christiane F. (Uli Edel, 1981) Merry Christmas Mr. Lawrence (Nagisa Oshima, 1983) The Hunger (Tony Scott, 1983) Labyrinth (Jim Henson, 1986) The Last Temptation of Christ (Martin Scorsese, 1988) Twin Peaks: Fire Walk With Me (David Lynch, 1992) Basquiat (Julian Schnabel, 1996) Zoolander (Ben Stiller, 2001)Moonage Daydream (Brett Morgen, 2022)

A Note from James:In the Blondie song “Rapture,” which was the number-one song in 1981, Debbie Harry has this famous line: “Fab Five Freddy told me everybody's fly.”So the question is—who is Fab Five Freddy?This guy is one of the central figures in the birth of hip-hop culture. Not just rap music, but the whole ecosystem: graffiti, breakdancing, fashion, DJ culture, art, film—everything that eventually turned into a massive global industry.Hip-hop today represents hundreds of billions of dollars in music, fashion, and entertainment. But in the late '70s and early '80s it was just a small creative movement happening in New York.Fab 5 Freddy helped connect all those worlds. He bridged graffiti artists, musicians, downtown art scenes, and eventually MTV.He also just wrote a book called Everybody's Fly, and it was a huge honor for me to talk with him about the origins of hip-hop and how creativity actually grows.Episode Description:Before hip-hop became a global industry, it was a loose network of DJs, graffiti artists, dancers, and musicians creating something entirely new in New York City.Fab 5 Freddy was at the center of it.In this conversation, he explains how hip-hop emerged from a mix of street culture, art scenes, punk music, and experimentation with records and sound. He discusses the origins of graffiti tagging, the rise of DJs like Grandmaster Flash, and the cultural moment when Blondie's “Rapture” helped bring hip-hop into mainstream awareness.Freddy also shares how the first hip-hop film, Wild Style, helped unify the culture's elements—music, dance, graffiti, and fashion—and introduce them to a wider audience.The conversation then turns to the modern era: AI-generated music, the attention economy of social media, and why artists today may need to slow down and develop their work before exposing it to the world.What You'll Learn:How hip-hop emerged from a mix of music, graffiti, dance, and street cultureWhy early DJs searched old records for breakbeats to create new soundsHow the film Wild Style helped define hip-hop culture for the worldWhy artists today may need to resist posting unfinished work onlineHow creativity evolves when technology disrupts the music industryTimestamped Chapters[00:02:00] The Story Behind the Title Everybody's Fly[00:03:01] A Note from James[00:04:15] Meeting Biz Markie and the Culture of Collecting Hip-Hop History[00:05:35] How Jazz, Blues, and Soul Influenced Early Hip-Hop[00:06:22] DJs Digging Through Records to Find Breakbeats[00:07:40] Grandmaster Flash and the Science of DJing[00:08:41] Why Producers Became Central to Hip-Hop Music[00:09:54] Blondie's “Rapture” and Hip-Hop's Mainstream Breakthrough[00:11:00] The Downtown Art Scene: Basquiat, Keith Haring, and Andy Warhol[00:12:24] The Origins of Graffiti and Tagging Culture[00:13:48] Graffiti as Competition and Artistic Evolution[00:15:12] Punk Rock and Hip-Hop: Parallel Cultural Revolutions[00:17:47] The Idea for the First Hip-Hop Film Wild Style[00:19:02] Bringing Breakdancing, Graffiti, and Rap Together on Film[00:21:50] Lessons Modern Artists Can Learn from Early Hip-Hop[00:22:49] Why Posting Creative Work Too Early Can Hurt It[00:24:00] Social Media, Attention, and the Speed of Culture[00:26:00] Hip-Hop's Global Influence[00:29:00] The Birth of Conscious Rap[00:31:12] Directing KRS-One's “My Philosophy” Video[00:33:00] Finding Great Hip-Hop in the Streaming Era[00:36:00] Battle Rap and Lyrical Skill[00:37:00] Artists Who Still Push the Genre Forward[00:40:11] How Rappers Make Money Today[00:43:00] What Makes an Artist Stand the Test of Time[00:47:00] Sampling, Technology, and the Evolution of Music Production[00:54:00] AI Music and the Future of Creativity[01:02:00] What “Everybody's Fly” Really MeansAdditional Resources:Fab 5 Freddyhttps://en.wikipedia.org/wiki/Fab_Five_FreddyRapturehttps://en.wikipedia.org/wiki/Rapture_(Blondie_song)Wild Stylehttps://en.wikipedia.org/wiki/Wild_StyleGrandmaster Flashhttps://en.wikipedia.org/wiki/Grandmaster_FlashKRS-Onehttps://en.wikipedia.org/wiki/KRS-OneDebbie Harryhttps://en.wikipedia.org/wiki/Debbie_HarrySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

At the St Regis, it's two, two bars in one. Our guest is well aware of that fact - preparing a perfectly executed Negroni at noon on a sun-drenched terrace… and then later that evening a Warhol-worthy cocktail set in a bespoke glass.Today I'm sitting down with Ludwig Negri, Manager of The St. Regis Bar and the Arts Bars at the St Regis Venice.He's been there since it was reopened in 2019, after honing his craft in London. We'll talk Lake Garda beginnings, Venetian lagoon botanicals, and what it really takes to build two distinct bar identities in one of the most visited hotels in the cityYou can also read about the St Regis Venice in my new book — yes, it's finally happening. A Guide to Drinking in Venice lands in April 2026. I've been hinting at it for years, and it's now available for pre-sale. Go to alushlifemanual.com/book for more details.Our cocktail of the week is the Doge's Tipple.INGREDIENTS45ml artichoke-infused Mancino Amaranto45ml Venetian bitter (we are using select, but we are gonna change soon with Bitter dei Sospiri)10ml Amaro CadelloLemon Essence spray from Essentia1 globe artichokeMETHODYou will need to infuse your vermouth with artichoke first. To do that, you need to remove the outer leaves and trim the stem of one globe artichoke, keeping only the tender, light-green leaves and heart. Then slice the artichoke into very thin pieces. Add these to the jug and then add 750ml of Mancino Amaranto, which is what the St Regis Venice uses, or any vermouth. Then let it rest 24-48 hours.Combine all ingredients in a mixing glass filled with ice.Stir until well chilledStrain into a rocks glass with iceMist with a spritz of Lemon Essence sprayYou'll find this recipe and all the cocktails of the week at alushlifemanual.com, plus links to most of the ingredients.Full Episode Details: https://alushlifemanual.com/st-regis-venice-with-ludwig-negri/-----Become a supporter of A Lush Life Manual for as little as $5 - all you have to do is go to https://substack.com/@alushlifemanual.Lush Life Merchandise is here - we're talking t-shirts, mugs, iPhone covers, duvet covers, iPad covers, and more covers for everything! And more!Produced by Simpler MediaFollow us on Twitter and InstagramGet great cocktail ideas on PinterestNew episodes every other Tuesday, usually!!

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz explain how to use prediction markets like Polymarket and Kalshi to their fullest potential. ---

This week Ken welcomes actor, musican Michael Des Barres to the show. In addition to discussing Michael's new record Kiss or Kill (available via Rum Bar Records over at Bandcamp https://rumbarrecords.bandcamp.com/album/kiss-or-kill-me) Ken and Michael discuss how you tell people you're doing in 2026, Elvis, interpretting art, being a child actor, Lonnie Donnegan, Warhol, Iggy Pop, working hard, Silverhead, Z Cars, Alf, being a juvenille deliquint on screen, To Sir with Love, going to UK Private School, I Monster, Christopher Lee, Ghoulies, how acting is just a job, the power of stripped down guitar bass and drums, when Elvis joined the Army, The '68 Comeback Special,  theories on why there are no stars anymore, Duran Duran, The Power Station, Live Aid, replacing Robert Palmer, Obsession, the mystery of WWF's Saturday Night's Main Event, performing for a billion and a half people at once with only two days of rehersal, where Michael's live long friendship with Don Johnson started, punk, delivering, being the villain, McGuyver, dressing in all black, getting recognized in public, Pamela Des Barres, knowing your lines, enjoying yourself, telling the truth, being yourself, Sidney Poitier, Sean Connery, Monty Python, and why you always keep the clothes. 

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz walk their listeners through how to invest their first $1,000. ---

Created on limited budgets but overflowing with imagination, Prestige album covers reflected the improvisational energy of the music itself. Young designers, including Andy Warhol and Reid Miles, experimented with typography, photography, and abstract visuals that gave modern jazz a modern look. These covers were more than packaging, they were part of the music's cultural revolution. Inspired by contemporary European graphic design and typography movements, Prestige's designers employed a range of radical techniques: at no other label were the visual artists given such wide creative berths.The book features more than a decade of research, hundreds of rare and meticulously photographed covers, and never-before-seen sketches and outtakes from album shoots. Each creator profile is illustrated with key visual examples, including unseen sketches, personal photographs, unpublished outtakes from album cover shoots, and design components, providing unique insight into the design process.With a foreword by Sonny Rollins and an introduction by design historian Steven Heller, WAIL captures how the sound of postwar jazz found its visual voice in 1950s New York.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

A Isabel le ha dado un ‘sthendalazo' multicolor en toda la cara y nos va a hablar de eso precisamente de películas en las que para ella el color es fundamental. Desde El Mago de Oz, hasta LA LA LAND. Pasando por las Vírgenes Suicidas de Sofía Coppola. Un recorrido por el cine que verás después de escuchar este podcast con otras gafas. Y no las de sol. Lucía vuelve a los 70's y a la Factory de Andy Warhol y nos retrata hoy a NICO, la mujer que todos tenemos en la mente en blanco y negro. Con una infancia de posguerra y precariedad, mucha precariedad, nos cuenta como se posiciona como modelo, cantante y actriz (pero de verdad, ¿eh?) en los 60 y como trabaja para comer.  Una vida compleja y como nos dice Lucía, atraída hacia lo degradado. “Enloquecer, colocarse y bajar a los infiernos”, nos cuenta. Precursora del punk y el underground. Historión de otra mujer más que mucha gente verá siempre detrás de un hombre. O de varios. _____________________________________________ Este programa y todo lo demás es posible gracias a personas como tú. Accede a todos los programas íntegros y a contenido extra en nuestro Patreon: https://patreon.com/deformesemanal Y ven a vernos a los teatros: https://linktr.ee/deformesemanalidealtotal Gracias. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:48:07 - Affaires sensibles - par : Fabrice Drouelle - Aujourd'hui dans Affaires sensibles : qui a tiré sur Andy Warhol ? Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

What if the random obsession you keep dismissing — the sourdough baking, the knitting, the gardening, the fantasy novels — isn't a distraction from your purpose, but a direct signal toward it? And what if the reason you keep squashing those pulls isn't because they're impractical, but because you've been trained to only value what can be immediately monetized?Kathryn digs into why so many gifted entrepreneurs dismiss the very things they're being called toward because they don't fit a business model, can't be packaged, or don't have an obvious through-line to income. She shares her own journey of following pulls that made no logical sense (astrology, Human Design, Gene Keys) before understanding what they were truly pointing toward, and why the greatest creators — from Warhol to Dalí — never set out to build a legacy. They just followed their obsessions.BY THE TIME YOU FINISH LISTENING TO THIS EPISODE, YOU'LL DISCOVER:Why the hits of inspiration and left-field interests popping up for you right now — the sourdough, the gardening, the herbalism, the painting — are likely your soul's gifts trying to come online, and how the habit of immediately asking "how do I monetize this?" is the exact mechanism that shuts the channel down before it can show you where it's actually leading.How Kathryn's experiential learning style — someone who graduated top of her master's program without asking a single question or being front-of-class, who traveled to a remote Philippine village to live her research rather than study it from a lab — reveals the bigger point that the way you're wired to learn, create, and show up is not a liability, and how the sourdough baker who masters their craft with no monetization plan may be five years ahead of the bread shortage they never saw coming.A reframe on consistency that has nothing to do with posting every day or showing up the same way all the time and everything to do with being in rhythm with how you're actually designed to move through seasons of go, slow, and pause, the same way a garden consistently does what it needs to do depending on the season rather than trying to bear fruit year-round.Why trying to force clarity on your creative direction or body of work — rolling on the metaphorical tennis ball until you've just irritated the knot further — is the thing preventing the insight from coming through, and how sitting in contemplation with what's arising (without rushing it to fit a package, a price point, or a five-step path) is where the real revelation lives.And while you're here, follow us on Instagram @creativelyowned for more daily inspiration on effortlessly attracting the most aligned clients without spending hours marketing your business or chasing clients. Also, make sure to tag me in your stories @creativelyowned.To get Wispr Flow the crazy handy voice-to-text AI that turns speech into clear, polished writing in every app. click here.Selling the Invisible: Exactly how to articulate the value of your cosmic genius even if your message transcends the typical “10k months” & “Make 6-figures” types of promises. Free on-demand training >>> https://www.creativelyowned.co To find out how to own your unique edge, amplify who you truly are (& get paid for it), take your business to cosmic proportions, and have fun doing it, grab it here!! https://www.creativelyowned.com/quizOffer Architect: TURN YOUR ‘INVISIBLE' WISDOM INTO A COMPELLING OFFER THAT WILL SELL WITH A SINGLE EMAIL.

Welcome back to 1987!The decade of decadence, extravagance, elegance and other words that end in -nce was powering its way towards the later end of its cultural tenure. And whilst there is no doubt that perceived wisdom (or, the internet as we now call it) would tell us that 1987 was the year of big hair, big shoulder pads, and big mobile phones, those of that were there can tell a different story too. The year of POP aspiration was also one of smoke and mirrors. The big suits and big statements across our TV and radio were often wonderfully deceptive. Whilst the music industry had loadsamoney to spend, those acts climbing the charts and filling the pages of Smash Hits were doing so often in the most homemade and, frankly subversive way possible. And in doing so, the genres were flowing, the hits were coming and our pop landscape was as colourful and diversive as we could possibly have wished for.Step forward then the leading compilation series (other slightly inferior ones were OBVIOUSLY available) to deliver its tenth volume. I know, double figures!!Now, That's What I Call Music 10 shines brightly with its neon signage casting a glittering pop beacon over the wasteland of…..(enough with the imagery, get to the songs, Ed!)Step forward the utterly imperial Pet Shop Boys, the incredibly sophisti-poptastic Curiosity Killed The Cat, the completely covered in plaster-of-Paris Hue and Cry and many other to lead the hits-filled charge into Autumn ‘87. And joining me to provide her very own unique view of this pop snapshot is TV and radio presenter Sue Charles.Join us as we find out about Sue's journey across Radio1 AND 2, from 'Newsbeat' and 'Steve Wright in the Afternoon' to reporting behind the scenes at TOTP and to becoming one of the most familiar voices and faces across BBC Wales. And of course, dive deep back into the pop culture of 1987 that includes the The Style Council, Casey Kasem, Andy Warhol, Shrewsbury(!), Sir William of Idol, Cliff, claymation Jazz, the glorious return of Squeeze and some genuine love for one of Wales' musical legends Mike Peters.All of this plus some amazing missing in action ‘87 stars and not a single mention of Michael Fish! Ain't no doubt about it, this is The Real Thing! Hosted on Acast. See acast.com/privacy for more information.

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz share their perspectives as to why people feel behind financially -- even when they're not. ---⚙️ We're thrilled to introduce the ⁠Rich Habits Money Map!⁠ If you're someone ready to automate your saving and investing, the Rich Habits way, this workflow by Sequence is for you. ⁠Click here to sign up for Sequence⁠ and gain access to our Rich Habits Money Map! ---

Celebrate National Margarita Day with a fun dive into history, pop culture, and today's famous birthdays.We rewind to Entertainment from 1966, plus wild and fascinating factoids:• The last time Great Britain was invaded• The first dog race track• The day the U.S. officially received Florida from SpainBirthday spotlights include:George Washington, Robert Young, Robert Wadlow (the tallest human ever), Guy Mitchell, Julie Walters, Kyle MacLachlan, Steve Irwin, and Drew Barrymore.We also remember the passing of Andy Warhol.   (2025)                   Music lineup features:Intro: God Did Good – Dianna Corcoran diannacorcoran.comOne Margarita – Luke BryanLightning Strikes – Lou ChristieThere Goes My Everything – Jack GreeneBirthdays: In Da Club – 50 Cent   50cent.comRock‑A‑Billy – Guy MitchellExit: First Shots on Me – Christie Lamb   christielamb.comcountryundergroundradio.comcooolmedia.comHistory & Factoids about today webpagey/

-Episode 130- This week Bryan talks about Valentines Day, Andy Warhol and birthday parties in the middle of the week. 

This week on Reelin' In The Years... The Featured Five Theme is The "Silver Spoon"... Plus, a song David Bowie wrote about actress, model, and Warhol superstar - Cyrinda Foxe... A hit by Badfinger that was first recorded at a slower tempo and was nearly not released... A song inspired by an awkward relationship between a father and his son... John Fogerty shares the story behind the 1969 CCR hit, "Fortunate Son"... That time when Roger McGuinn reunited with a few of his former Byrds bandmates... New music from The Black Crowes, and folk-pop singer/songwriter Noah Kahan... Deep cuts from Jimi Hendrix, Mavis Staples, The Rolling Stones, The Barenaked Ladies, Spin Doctors, Koko Taylor, Patti Smith, Bruce Cockburn, and more! For more info on the show, visit reelinwithryan.com

Dean Karayanis, New York Sun columnist, host of the History Author Show, and former member of Rush Limbaugh's highly overrated staff, sits in for Derek. Mondays are becoming a regular thing! Topics include highlighting the success of Angel Studios, which is out with the enjoyable “Solo Mio” starring Kevin James and will have “Young Washington” this summer. Plus, a discussion of how to look and presidents, some anecdotes, and warnings about “celebrity historians” who shade the facts. Marco Rubio tells NATO allies what they fear to hear. “Irish Twitter” gets angry at Dean for pointing out the aid and comfort so many in their country gave Nazi Germany and Hamas as they rushed to tout Seamus Culleton as an innocent Irish victim of “fascist” America, only to learn he fled his country on drug charges and abandoned his two beautiful little girls before marrying a U.S. citizen last year in hopes of avoiding deportation for overstaying his visa by 16 years. “In the future, everybody will be Hitler for 15 minutes,” with apologies to Andy Warhol, as the Democrats slowly move on from Trump being Hitler to the next Republican, as they have done since FDR likened his GOP opponent to the Fuhrer while World War II was still raging. The show closes with a word from the first president ever captured in audio, Benjamín Harrison, and another clip from the archives: President William McKinley.

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz are joined by the managing partners of NEOS Funds, Garrett Paolella and Troy Cates, to discuss how everyday investors can utilize their suite of ETFs to offset volatility in their own portfolios. ---

The Space Show Presents FRANK PIETRONIGRO, a visionary interdisciplinary artist, astronaut, polymath, educator, and author whose work, in part, explores the intersection of human creativity and space, Friday, 2-13-26Quick Summary:The Space Show featured a discussion with Frank Pietronigro, an interdisciplinary artist and artronaut who presented his vision for the Xenian node, a biologically living space habitat that would represent universal hospitality and integrate living biological systems. Frank shared his concept of the BioPixel, which would replace traditional flat screen pixels with living, biological units of information that could reflect light and video like cuttlefish skin. The discussion explored ethical considerations around living biological systems in space, with participants examining how to treat non-human life forms and the implications of sending human DNA into space. The conversation also touched on the technical aspects of creating such a living habitat, with engineer Phil Swan discussing the “biocompression algorithm” that would convert DNA into biological entities. The show concluded with a brief video presentation of Frank's artwork and projects, including his NASA-related work and concepts for space art.Detailed Summary:David, Frank, and John Jossy discussed Frank's ideas on biological living systems and the concept of the “biopixel,” which Frank explained as a living data storehouse. Frank emphasized the need to move away from the “flat black pixel” and towards a living architecture with respect for biological systems. He also mentioned his involvement in the Yuri's Night festivals at NASA Ames Research Center. David suggested that Frank explain his concepts more clearly to others, as the terminology might not be widely understood. The group briefly discussed a past experiment involving bouncing signals off the moon at a Yuri's Night event. Frank planned to share his screen during the show to present further ideas on a code of ethics for living biological systems and the Xenian node, which he related to universal hospitality.Frank discussed his concept for a living biopixel display and Xenian node that would use biological systems instead of traditional screens, incorporating living organisms like chromatophores from cuttlefish. He explained that these would create floating 3D images in a biokinetic drift environment, moving away from industrial metal-based technology to biological cultivation methods. David advised Frank to be more concise during the upcoming space show discussion.David introduced Rayme Silverberg, the founder of Paradigm Shift, who conducts research on alternative funding opportunities for museums and has developed an alternative funding model. Frank discussed the concept of artronauts, which expands the idea of astronauts to include the advocacy of culture and human spirit in space. The group explored the intersection of art and space exploration, with Frank sharing his experience working with NASA and his belief in the influence of art on engineering and design.Frank discussed his artistic and scientific research focused on creating living biological spacecraft and habitats, emphasizing the integration of art and science to enhance human space exploration. He highlighted collaborations with NASA and the development of systems to reduce stress and boredom in space environments, while also exploring the concept of biopixels and living cells as programmable elements for future space habitats. Frank referenced historical and contemporary influences, while David mentioned a previous guest who was a former hand surgeon now an architect talking about “living architecture for space.”Frank discussed the evolution of space art and the concept of biopixels, emphasizing the shift from geometric to organic structures and the need for an ethics of universal hospitality in space exploration. He shared his vision for a dynamic living space habitat and mentioned a proposal submitted to MIT. The Wisdom Team also discussed recent art projects on the moon, including Jeff Koons' digital sculpture and a digital museum, highlighting the intersection of art, technology, and science. Frank reflected on his own experiences with space art, including a drift painting experiment in 1986 and his work with the California Space Grant Program.Frank discussed his concept of drift painting, which involves creating art in weightlessness using magnetic fields as a medium. He explained that the BioPixel, a combination of biology and technology, is a futuristic concept he introduced in 2002, and he believes it will become real due to the influence of artists on scientific progress. Frank emphasized the importance of collaboration between artists and scientists in pushing the boundaries of art and technology.The team discussed the intersection of art and science, particularly focusing on how different people perceive space art and the emotional responses it evokes. Marshall shared his perspective on how space telescopes transform data into visible images, while Rayme mentioned the historical example of Andy Warhol's artwork on the moon from the Apollo 12 mission. The discussion explored how different individuals perceive art differently, with Rayme referencing Leonardo da Vinci's approach to using painting as a form of scientific study during a time when formal scientific inquiry was not established.Frank discussed his concept of BioPixels, which is currently in the conceptual stage and involves exploring mechanisms for artists to control and create with them. He emphasized the importance of sharing ideas, comparing it to the Indigenous potlatch tradition, and mentioned his collaboration with an IP attorney and genetic scientists at Stanford. David inquired about integrating Frank's BioPixel concept into life sciences, particularly in the context of human space travel and colonization, to which Frank responded with ideas about using floating text and three-dimensional video environments for storytelling in tight space capsules.Frank also discussed his proposal for the Aurelium Prize, which explores the Xenian node and biopixel concepts. He is also in negotiations with GoFundMe for funding and is working with an IP attorney to seek financial support. Frank reported that he is building relationships with genetic engineers and considering collaborating with Louis Guzman. He emphasized the importance of integrating new technologies beyond traditional metals and rare earth minerals and shared his belief in the power of serendipity in guiding scientific and artistic progress.Our team also discussed the concept of a “biopixel” as a biological unit of information, with Marshall sharing his perspective as a mathematician and engineer who appreciates the beauty in complex systems and technology. Rayme mentioned a 2005 European Space Agency study where lichens survived in space, suggesting potential for life in extreme environments. Frank raised questions about ethical standards for living biological entities in space exploration, and shared his personal journey of artistic expression and technological innovation, reflecting on whether to pursue the BioPixel project.David discussed the ethics of technology in self-driving cars and its limitations, comparing it to animal rights and consciousness. He shared his experience with science experiments involving plants and animals, highlighting the lack of consideration for plant consciousness in ethical discussions. David also touched on the ethical considerations of space exploration and the potential for extraterrestrial life, suggesting that any discovered life would likely be protected. Frank and David briefly discussed the possibility of interacting with extraterrestrial intelligence and the potential for scientific study to destroy life forms.David expressed hesitation about sharing his DNA for a biopixel art project due to unknowns, but he would consider it if it resulted in a museum exhibit on the moon. Phil discussed the complexity of DNA as a form of biological compression and suggested that artists could be inspired by the processes of life, such as protein folding. Frank appreciated the insights and suggested connecting with Phil on LinkedIn for further discussions.As we were drawing to a close, we focused on the concept of the Xenian node, a biologically alive living space habitat that is self-sustaining and interactive with its inhabitants. Frank discussed the potential for such a habitat to represent universal hospitality and the need for interdisciplinary collaboration to develop it further. The group also touched on the use of 3D printing for building homes on Earth and in space. To conclude, Frank shared a six minute video showcasing his artistic work related to space exploration and creativity.Special thanks to our sponsors:American Institute of Aeronautics and Astronautics, Helix Space in Luxembourg, Celestis Memorial Spaceflights, Astrox Corporation, Dr. Haym Benaroya of Rutgers University, The Space Settlement Progress Blog by John Jossy, The Atlantis Project, and Artless EntertainmentOur Toll Free Line for Live Broadcasts: 1-866-687-7223 (Not in service at this time)For real time program participation, email Dr. Space at: drspace@thespaceshow.com for instructions and access.The Space Show is a non-profit 501C3 through its parent, One Giant Leap Foundation, Inc. To donate via Pay Pal, use:To donate with Zelle, use the email address: david@onegiantleapfoundation.org.If you prefer donating with a check, please make the check payable to One Giant Leap Foundation and mail to:One Giant Leap Foundation, 11035 Lavender Hill Drive Ste. 160-306 Las Vegas, NV 89135Upcoming Programs:Space Show weekly schedule pending. See Upcoming Show Menu on the right side of our home page, www.thespaceshow.com. The weekly newsletter will be posted on Substack when completed. Get full access to The Space Show-One Giant Leap Foundation at doctorspace.substack.com/subscribe

"Necesitamos usar la mirada del poeta cuando paseamos por un museo". Esta frase de la gran Estrella de Diego sobrevuela todo este episodio que combina una merienda con Maruja Mallo en Galerías Preciados, la llegada súbita del feminismo a las aulas de Historia del Arte y varias referencias a Jacques Lacan.Doctora en Historia del Arte, miembro del Real Patronato del Museo del Prado, académica de número de la Real Academia de Bellas Artes de San Fernando, Medalla de Oro al Mérito en las Bellas Artes, pionera en los estudios de género en España (¡El andrógino sexuado!), comisaria de exposiciones como la reciente “Warhol, Pollock y otros espacios americanos” (Museo Thyssen, 2025)... Estrella de Diego es uno de nuestros mayores referentes: desde la academia pelea por multiplicar las miradas, trabaja para ofrecer una versión más diversa y enriquecedora de la historia del arte haciéndose preguntas y proponiendo respuestas que nos incluyen y nos apelan a todas.En este episodio grabado en directo en el Teatro del Barrio, en Madrid, charlamos con ella sobre la trascendencia de la mirada para acercarnos al arte, sobre el comercial y atormentado Andy Warhol (al hilo de la reciente reedición en Anagrama de su ensayo "Tristísimo Warhol: Cadillacs, piscinas y otros síndromes modernos"); sobre su referente, el pintor del subconsciente, Jackson Pollock; sobre la fabulosa pintora española Maruja Mallo (solitaria... pero no mucho), de la que Estrella fue amiga y a quien el Museo Reina Sofía dedica su exposición "Maruja Mallo. Máscara y compás"; sobre el ¿autoblanqueamiento? de Juan de Pareja y muchos otros temas que van surgiendo según avanzamos hasta ese final en el que Estrella señala que la sociedad debería querer mirar y conocer en lugar de reconocer y nos invita, una vez más, a ir de cruising al Museo del Prado.Nos emocionamos, nos reímos (mucho) y aprendemos bien arropados por un pocote de compacters en el episodio de nuestros sueños. ¡Disfrutadlo y compartidlo! Gracias, Estrella.

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz share their financial red flags for relationships. With Valentine's Day right around the corner, there's no better time than to have these open and honest conversations about money with your significant other.---

Learn more at TheCityLife.org

It's Andy Warhol's Frankenstein... or is it?

Baron Frankenstein creates two "zombies" and plans to mate them in order to create the master race. On this week's episode… Join the crew as we discuss Andy Warhol's horror career, running into Udo Kier in a bar, and the horniest Frankenstein movie you've ever seen, Flesh for Frankenstein (1973).    Show Notes: Housekeeping (4:20) Back of the Box/Recommendations (9:20) Spoiler Warning/Full Review (16:28) Rotten Tomatoes (1:14:20) Trivia (1:19:35) Cooter of the Week (1:23:28) What We've Been Watching (1:31:28) Hotline Scream (1:49:15)   Connect with us: Support us on Patreon Website Instagram YouTube Shop E-mail: straightchillingpodcast@gmail.com Voicemail: 904-638-3231  

WE STILL HAVE NO NAME... We spend most of this episode wrestling with what to name our new gallery space. The conversation moves through dozens of possibilities—from "Synchronicity" to "Room" to "Keyframe"—trying to find something that isn't pretentious, that wears well over time, and that captures the intersection between a photography gallery, Josh's furniture showroom, and a functional creative space. We talk about Star Wars naming, city names, and why the best names feel obvious once you hear them.Beyond the naming problem, we dig into what this space actually needs to be. Not a stark white-wall gallery, not a packed vintage shop, but something in between—a place that feels lived-in and functional while still formally presenting work. We discuss projectors versus CRT TVs, lighting strategies, and how to arrange furniture so the space encourages conversation rather than commerce. The bigger goal emerges: creating a scene in Omaha for street photographers and creative people, a place comparable to Warhol's Factory or the Neistat brothers' studio—somewhere work gets made because there's a community constantly pushing each other. We talk about curation philosophy, the difference between selling objects and presenting a way of seeing, and building trust with an audience by being selective about what gets shown. -Ai If you enjoyed this episode, please consider giving us a rating and/or a review. We read and appreciate all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt's YouTube Channel: https://geni.us/MatthewOBrienYT Matt's 2nd Channel: https://geni.us/PhotoVideosYT Alex's YouTube Channel: https://geni.us/AlexCarterYT Matt's Instagram: https://geni.us/MatthewIG Alex's Instagram: https://geni.us/AlexIG

The finest minds in video games discuss the evolution of turn-based combat, turning pixels into symphonies, and the devastating return of Violence Island. Hosted by Alex Jaffe, with Frank Cifaldi, Ash Parrish, and Brandon Sheffield. Edited by Esper Quinn, original music by Kurt Feldman. Watch episodes with full video on YouTube Discuss this episode in the Insert Credit Forums SHOW NOTES: Audacity E3 Doctor Who Doctor Manhattan Blink Tom Baker Sherlock Steven Moffat Daliens Cybermen “Do you think people are happy in this wizard kingdom?” Mega Man series Clown Man It Nicole Kidman Kid n' Play 1: What tips you off that someone discussing video games has no idea what they're talking about? (06:08) New York Times IGF Awards Call of Duty series Mega Man: Legacy Collection Batman Superman Zack Snyder Madden series Daryl Hall & John Oates - Out Of Touch 2: How have turn-based battle systems evolved over 30 years? (11:58) Clair Obscur: Expedition 33 Shin Megami Tensei series Valkyria Chronicles Final Fantasy XII Parasite Eve Mario + Rabbids: Kingdom Battle Metaphor: ReFantazio Kingdoms of the Dump The Doors - Riders On The Storm Final Fantasy X-2 3: On what occasions have you wished a game was harder? (17:27) Soulslike Gunstar Heroes Bayonetta 3 Pokemon series 4: If we were to re-establish an official video game seal of quality, what would be the qualifying criteria? (21:41) Official Nintendo Seal Steam Deck 5: Syswivv asks, what kind of video game would Andy Warhol have made? (28:08) Andy Warhol Madonna Fortnite CD-i Eric Idle Starship Titanic Harlan Ellison Harlan Ellison: I Have No Mouth, and I Must Scream CD+G Sega CD Empire (1965) Peter Molyneux MAGFest GDC Bubsy 3D: Bubsy Visits the James Turrell Retrospective James Turrell 6: Describe Bubsy 3D: Bubsy Visits the James Turrell Retrospective to Ash (32:24) Arcane Kids Donut County Bubsy series 7: What's the best use a game has ever made of being able to click in the analog stick? (34:39) The Godfather: The Game Manhunt God of War III Oedipus Yanya Caballista: City Skater Katamari Damacy Kinect Ghost (1990) Octodad: Dadliest Catch 8: Who is your favorite video game character to debut in the last ten years? (40:39) Crow Country Mara Forest Hollow Knight: Silksong Hornet Bayonetta series Bayonetta Nier: Automata 2B Indika Final Fantasy XV Prompto Argentum Ignis Scientia Overwatch Tracer Baldur's Gate III Astarion Balan Wonderworld Balan Concord LIGHTNING ROUND: Violence Island (46:02) Recommendations and Outro (01:01:52): Brandon: The Most Terrible Time in My Life (1993), Gnosia, yucca Ash: Put chili crisp on everything, Support Laid-off Vox Media Workers Frank: Lil' baby potatoes This week's Insert Credit Show is brought to you by patrons like you. Thank you. Subscribe: RSS, YouTube, Apple Podcasts, Spotify, and more!

The finest minds in video games discuss the evolution of turn-based combat, turning pixels into symphonies, and the devastating return of Violence Island. Hosted by Alex Jaffe, with Frank Cifaldi, Ash Parrish, and Brandon Sheffield. Edited by Esper Quinn, original music by Kurt Feldman. Watch episodes with full video on YouTube Discuss this episode in the Insert Credit Forums SHOW NOTES: Audacity E3 Doctor Who Doctor Manhattan Blink Tom Baker Sherlock Steven Moffat Daliens Cybermen “Do you think people are happy in this wizard kingdom?” Mega Man series Clown Man It Nicole Kidman Kid n' Play 1: What tips you off that someone discussing video games has no idea what they're talking about? (06:08) New York Times IGF Awards Call of Duty series Mega Man: Legacy Collection Batman Superman Zack Snyder Madden series Daryl Hall & John Oates - Out Of Touch 2: How have turn-based battle systems evolved over 30 years? (11:58) Clair Obscur: Expedition 33 Shin Megami Tensei series Valkyria Chronicles Final Fantasy XII Parasite Eve Mario + Rabbids: Kingdom Battle Metaphor: ReFantazio Kingdoms of the Dump The Doors - Riders On The Storm Final Fantasy X-2 3: On what occasions have you wished a game was harder? (17:27) Soulslike Gunstar Heroes Bayonetta 3 Pokemon series 4: If we were to re-establish an official video game seal of quality, what would be the qualifying criteria? (21:41) Official Nintendo Seal Steam Deck 5: Syswivv asks, what kind of video game would Andy Warhol have made? (28:08) Andy Warhol Madonna Fortnite CD-i Eric Idle Starship Titanic Harlan Ellison Harlan Ellison: I Have No Mouth, and I Must Scream CD+G Sega CD Empire (1965) Peter Molyneux MAGFest GDC Bubsy 3D: Bubsy Visits the James Turrell Retrospective James Turrell 6: Describe Bubsy 3D: Bubsy Visits the James Turrell Retrospective to Ash (32:24) Arcane Kids Donut County Bubsy series 7: What's the best use a game has ever made of being able to click in the analog stick? (34:39) The Godfather: The Game Manhunt God of War III Oedipus Yanya Caballista: City Skater Katamari Damacy Kinect Ghost (1990) Octodad: Dadliest Catch 8: Who is your favorite video game character to debut in the last ten years? (40:39) Crow Country Mara Forest Hollow Knight: Silksong Hornet Bayonetta series Bayonetta Nier: Automata 2B Indika Final Fantasy XV Prompto Argentum Ignis Scientia Overwatch Tracer Baldur's Gate III Astarion Balan Wonderworld Balan Concord LIGHTNING ROUND: Violence Island (46:02) Recommendations and Outro (01:01:52): Brandon: The Most Terrible Time in My Life (1993), Gnosia, yucca Ash: Put chili crisp on everything, Support Laid-off Vox Media Workers Frank: Lil' baby potatoes This week's Insert Credit Show is brought to you by patrons like you. Thank you. Subscribe: RSS, YouTube, Apple Podcasts, Spotify, and more!

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz poke holes in the financial advice your parents gave you that's now wrong. They then offer their own advice as we're living in an unprecedented time. ---

“Here they come, marching into American sunlight.” In Episode 33, DDSWTNP follow Mao II from this opening line into a chilling view of a mass Moonie wedding at Yankee Stadium, and on into the story of reclusive novelist Bill Gray, whose work, maybe, has a chance of deprogramming the mind and language of Karen Janney, one of the participants in that wedding – but maybe not, given the totalizing dominance by images that this novel documents. Our conversation delves into the several rich dialogues Mao II is known for, especially that about (quoting Bill) the “curious knot that binds novelists and terrorists,” the differing attempts by writers and bomb-makers to “alter the inner life of the culture” and “make raids on human consciousness” that DeLillo juxtaposes in this novel, which follows the writer from his cloying “bunker” to London, Athens, and (almost) Lebanon, while also taking in scenes from Iran, China, and the homeless encampments of lower Manhattan. Throughout we discuss the many followers of and sequels to Mao and Maoism DeLillo analyzes, all the ways his characters foolishly seek, outside the values of deep reading and the novel, scenes of “total vision” and messianic “total being,” the “lightning-lit” language of information and the terrorist's mastery of “the language of being noticed.” We examine in detail as well the effects of Andy Warhol's work as DeLillo sees it; what it means that readers never learn much at all about the content of Bill's famous novels; the commonalities he has with Rushdie, Salinger, Pynchon, and DeLillo himself; and why terrorist go-between George Haddad loves word processors so much. We also have a lot to say about the ailing, injured body and spirit of Bill Gray, as well as the simplicity of spoons and what they might teach us about objects and art. Mao II is a book that, as we say in the episode, sums up much of the DeLillo that came before it, lays the groundwork for the masterpiece to come, and contains so many of what have come to seem over the years since 1991 (and over the run of our episodes) the foundational DeLillo ideas and questions, especially ones about politics, violence, and images. Hope you'll have a listen and, if moved, tell us what you think! Texts referred to in this episode: David Cowart, Don DeLillo: The Physics of Language. Athens: U. of Georgia P., 2002. “Mao II is a sort of rest-and-motion book, to invent a category.  The first half of the book could have been called ‘The Book,' Bill Gray talking about his book, piling up manuscript pages, living in a house that operates as a kind of filing cabinet for his work and all the other work it engenders. And the second half of the book could have been called ‘The World.'  Here, Bill escapes his book and enters the world. It turns out to be the world of political violence . . . I was nearly finished with the first half of the book before I realized how the second half ought to be shaped. I was writing blind . . .” –“Don DeLillo: The Art of Fiction CXXXV,” The Paris Review 128 (1993): 274-306. Interview by Adam Begley. “I called him Bill Gray just as a provisional name,” DeLillo says. “I used to say to friends, 'I want to change my name to Bill Gray and disappear.' I've been saying it for 10 years. But he began to fit himself into the name, and I decided to leave it.” –Vince Passaro, “Dangerous Don DeLillo,” New York Times Magazine, May 19, 1991 (https://www.nytimes.com/1991/05/19/magazine/dangerous-don-delillo.html) Mark Osteen, American Magic and Dread: Don DeLillo's Dialogue with Culture. Philadelphia: U. of Pennsylvania P., 2000. Sources of interlude clips from Warhol and Moon: https://www.youtube.com/watch?v=9vCKc7r8U8Ehttps://www.youtube.com/watch?v=GiCYKJc_VwI

durée : 00:59:07 - Toute une vie - par : Matthieu Garrigou-Lagrange, Virginie Bloch-Lainé - La figure d'Andy Warhol est centrale lorsqu'il s'agit d'évoquer le destin à la fois fugace et durable du Velvet Underground. C'est Warhol qui produit leur premier album, Warhol qui pousse Nico (avec laquelle il travaille déjà) à y poser sa voix. Warhol aussi qui signe la fameuse banane. Portrait. - réalisation : Pascale Rayet - invités : Alain Cueff Historien de l'art, commissaire de la rétrospective Andy Warhol au Grand Palais en 2009 “Le Grand monde de ‘Andy Warhol”; Michel Bulteau Poète et éditeur français; Mériam Korichi Spécialiste de Spinoza, dramaturge et metteure en scène, créatrice des nuits de la philosophie; Thomas Lélu Artiste plasticien et photographe français; Cécile Guibert Essayiste, romancière et journaliste française

Adele Bertei got a Greyhound to New York in 1977 intent on joining a band. James Chance thought she “looked like a pimp” and hired her as the organist in the Contortions, an instrument she couldn't play. Her memoir No New York captures the most intoxicating times imaginable, the rise of Blondie, Talking Heads, Television, Madonna and her fellow raft of No Wave cheerleaders in pursuit of dismantling music. Highlights include … … the local priest recommending the Velvet Underground when she was 11 … “imbibe and dream”: her weekend with Lester Bangs … the rubble-filled New York wasteland of 1977, landlords setting fire to property just to claim the insurance … the No Wave circuit: crowd violence and singers who either talked or screamed .. her rivalry with Madonna: “our labels didn't want people to know we were white” … the local Cleveland “Rust Belt” - Pere Ubu, Chrissie Hynde, Devo … why Warhol, Ginsberg and Burroughs seemed laughably outmoded … Brian Eno's shopping list … the power of Tina Weymouth, Patti Smith and Debbie Harry (“sexy but with a snarl”) and why New York's venues are internationally mythical. Order Adele Bertei's ‘No New York' here: https://www.faber.co.uk/product/9780571386154-no-new-york/?srsltid=AfmBOor2IKVLRyzzZDisLz_8cTGDYIjDXphZVU9Lw5drAd4CdKR1KVhs Adele with Thomas Dolby on Whistle Test: https://www.youtube.com/watch?v=JQ3bGioFCXUHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Adele Bertei got a Greyhound to New York in 1977 intent on joining a band. James Chance thought she “looked like a pimp” and hired her as the organist in the Contortions, an instrument she couldn't play. Her memoir No New York captures the most intoxicating times imaginable, the rise of Blondie, Talking Heads, Television, Madonna and her fellow raft of No Wave cheerleaders in pursuit of dismantling music. Highlights include … … the local priest recommending the Velvet Underground when she was 11 … “imbibe and dream”: her weekend with Lester Bangs … the rubble-filled New York wasteland of 1977, landlords setting fire to property just to claim the insurance … the No Wave circuit: crowd violence and singers who either talked or screamed .. her rivalry with Madonna: “our labels didn't want people to know we were white” … the local Cleveland “Rust Belt” - Pere Ubu, Chrissie Hynde, Devo … why Warhol, Ginsberg and Burroughs seemed laughably outmoded … Brian Eno's shopping list … the power of Tina Weymouth, Patti Smith and Debbie Harry (“sexy but with a snarl”) and why New York's venues are internationally mythical. Order Adele Bertei's ‘No New York' here: https://www.faber.co.uk/product/9780571386154-no-new-york/?srsltid=AfmBOor2IKVLRyzzZDisLz_8cTGDYIjDXphZVU9Lw5drAd4CdKR1KVhs Adele with Thomas Dolby on Whistle Test: https://www.youtube.com/watch?v=JQ3bGioFCXUHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz share their biggest financial red flags and green flags. If you find yourself stacking a few of these red flags, take action to flip them green!---

In what is certainly one of the odder pop cultural moments of the 20th century famed artist Andy Warhol guest stars in the 200th episode of The Love Boat, a guest spot he requested! And if you're wondering whether Warhol is any good playing himself on a TV show, the answer is absolutely not and we wouldn't want it any other way.Before that: the Oscar noms! The trailer for Masters of the Universe! A probing question about the multiversal existence of Dan Aykroyd's Doctor Detroit! And so much more. If you don't care about any of that and want to just board the Pacific Princess skip to 1:08:52.Want your questions answered on the show? Send an email to ask.cinema.sangha@gmail.com and ask away, and ask about pretty much anything at all. Make sure your subject line contains the name of the show on which you want your question answered. One question per email, please, but feel free to send in multiple emails!Listen to our four hour extravaganza about Iron Man 3, available only to those at the $7 and above levels. You gotta revisit this one before Wonder Man!Want to show the world you support this weird podcast? Check out our supply of merch that is mostly made up of in-jokes for Derek. Click here!Spread the word! Tell your friends about us! And go to our YouTube channel and subscribe to our video feed!

Andy Warhol is one of the most recognisable artists of the 20th century, but after his death in 1987, it was what he owned that truly shocked the art world. Hidden inside his New York townhouse was a vast, obsessive, and deeply personal collection: furniture, fine art, kitsch, cookie jars, watches… and an extraordinary cache of jewellery he never wore in public. In this episode, we explore Andy Warhol the collector — from flea-market finds to Cartier, from Elsa Peretti for Tiffany to surrealist jewels by Salvador Dalí, modernist designs by Jean Després and the aquamarine parure once worn by Joan Crawford. We unpack the legendary Sotheby's auctions that followed his death, the records they broke, and the moment a second secret stash of jewels and watches was discovered hidden in false-bottom drawers. A story of taste, obsession, secrecy, and the quiet extravagance behind one of art's loudest icons. www.courtville.ie Get social with Courtville, follow us on Instagram, Facebook, and TikTok This podcast was produced for Courtville by Tape Deck

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz sit down to have an honest conversation with the CEO of Affirm, Max Levchin. To keep up with Max, consider following him on LinkedIn and X! You can also follow Affirm on X. ---We're thrilled to introduce the Rich Habits Money Map! If you're someone ready to automate your saving and investing, the Rich Habits way, this workflow by Sequence is for you. Click here to sign up for Sequence and gain access to our Rich Habits Money Map! ---

Timestamps: 0:00:46 - Wired for chaos 00:01:45 - Allen Ginsberg 00:04:00 - The documentary 00:07:14 - Anthony Bourdain 00:11:06 - Growing up in New York 00:17:18 - Warhol! 00:18:19 - Introduction to punk rock 00:22:37- First musical memory, The Clash 00:24:00 - On being a drummer first 00:24:31 - The Lower East Side in the 70s 00:36:00 - The stimulators 00:37:15 - Early recordings 00:39:25 - Having a hit out for Harley 00:44:12 - The formation of the Cro Mags 00:47:30 - The downfalls of the band 00:48:00 - Possible reunion? 00:49:51 - The night at Webster hall 1:00:21 - New cro mags music 1:01:52 - Top 5 bass players 1:06:22 - Top 5 metal records Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of Lipps Service, Scott sits down with hardcore punk icon Harley Flanagan, founder of Cro Mags, for a raw and wide ranging conversation on Lipps Service. From Harley's chaotic early life and growing up in 1970s New York City to encounters with Allen Ginsberg, Andy Warhol, and Anthony Bourdain, the interview traces the cultural collision that shaped one of hardcore's most influential figures. Harley dives into his first musical memories, discovering punk rock and The Clash, starting out as a drummer, and surviving the Lower East Side scene as it exploded. He reflects on early bands like The Stimulators, the formation of Cro Mags, and the possibility of reunions, while also discussing new Cro Mags music. The episode closes with Harley's top five bass players and top five metal records, making this a must-listen deep dive into punk, metal, and New York underground history.Timestamps: 0:00:46 - Wired for chaos 00:01:45 - Allen Ginsberg 00:04:00 - The documentary 00:07:14 - Anthony Bourdain00:11:06 - Growing up in New York00:17:18 - Warhol! 00:18:19 - Introduction to punk rock 00:22:37- First musical memory, The Clash 00:24:00 - On being a drummer first 00:24:31 - The Lower East Side in the 70s 00:36:00 - The stimulators 00:37:15 - Early recordings 00:39:25 - Having a hit out for Harley00:44:12 - The formation of the Cro Mags 00:47:30 - The downfalls of the band 00:48:00 - Possible reunion?00:49:51 - The night at Webster hall1:00:21 - New cro mags music 1:01:52 - Top 5 bass players 1:06:22 - Top 5 metal records

Send us a textA forged Warhol can fool a buyer, but it can't outrun metadata. We open the year with a case where art fraud, marital strain, and a chilling digital footprint converge: the murder of Anna Walsh and the conviction of her husband, Brian. What began with forged “Shadows” and private checks morphed into a slow-burn crisis—federal charges, stalled accountability, and a family split between Massachusetts and Washington, D.C. Anna built a new life and a new home, hoping legal closure would reunite her with her children. Instead, a New Year's dinner became the last time friends saw her alive.We chart the full arc of the Warhol scheme: the borrowed originals, the convincing reproductions, the eBay listings under Anna's name, and the LA gallery deal that unraveled when frames came off and stamps were missing. Then the focus shifts to January 2023—store receipts, hydrogen peroxide, a mask on camera, and a cascade of searches on household devices about decomposition, trash routes, and CCTV retention. There was no body to recover, but the tools seized carried her DNA, and the surveillance trail showed where the evidence went. Friends and a boyfriend added context: a woman pleading for accountability, longing for her kids, and trying to chart a path forward.The defense offered a story of sudden death and panic; the jury took six hours to return a first-degree murder verdict. We lay out why: motive grounded in control, money, and exposure; method captured by timestamps and purchase histories; and a portrait of a man whose fraud spilled from galleries into a marriage. It's a rare no-body case that underscores how search history, receipts, and cameras can replace the physical evidence we expect. Listen for a clear, human look at the choices that led here, the investigation that tied them together, and the hard questions left behind for Anna's family.If this resonated, share the episode with a friend, follow the show, and leave a review—your support helps more listeners find thoughtful, evidence-driven true crime stories.www.texaswineandtruecrime.com

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz share the three mindset traps keeping people broke in the new year.---

On this episode of Lipps Service, Scott sits down with hardcore punk icon Harley Flanagan, founder of Cro Mags, for a raw and wide ranging conversation on Lipps Service. From Harley's chaotic early life and growing up in 1970s New York City to encounters with Allen Ginsberg, Andy Warhol, and Anthony Bourdain, the interview traces the cultural collision that shaped one of hardcore's most influential figures. Harley dives into his first musical memories, discovering punk rock and The Clash, starting out as a drummer, and surviving the Lower East Side scene as it exploded. He reflects on early bands like The Stimulators, the formation of Cro Mags, and the possibility of reunions, while also discussing new Cro Mags music. The episode closes with Harley's top five bass players and top five metal records, making this a must-listen deep dive into punk, metal, and New York underground history.Timestamps: 0:00:46 - Wired for chaos 00:01:45 - Allen Ginsberg 00:04:00 - The documentary 00:07:14 - Anthony Bourdain00:11:06 - Growing up in New York00:17:18 - Warhol! 00:18:19 - Introduction to punk rock 00:22:37- First musical memory, The Clash 00:24:00 - On being a drummer first 00:24:31 - The Lower East Side in the 70s 00:36:00 - The stimulators 00:37:15 - Early recordings 00:39:25 - Having a hit out for Harley00:44:12 - The  formation of the Cro Mags  00:47:30 - The downfalls of the band 00:48:00 - Possible reunion?00:49:51 - The night at Webster hall1:00:21 -  New cro mags music 1:01:52 -  Top 5 bass players 1:06:22 - Top 5 metal records 

listen without inserted ads at www.patreon.com/dopeypodcastsend emails and voicemails to dopeypodcast@gmail.comOn this Dopey Wednesday!  We get super spiritual about fear, gratitude and love! We read spotify comments which were super sweet. And then we dive deep with legendary actor and recovering addict Ned Van Zandt. Ned takes us from snorting heroin with Andy Warhol superstars in 1978, to living at the Chelsea Hotel the exact week Sid Vicious and Nancy Spungen moved in, to fronting Sid heroin and eating at Burger King with him the day after Nancy's murder. He shares his belief about who really killed Nancy, his years shooting heroin and meth, multiple relapses, jail, and finally finding lasting recovery.Ned also talks about being Townes Van Zandt's cousin, his acclaimed one-man show “Delle Valley: A True Tale of Sex, Drugs, Rock & Roll and Redemption,” and now running the Upper West Side sober living house Transcend NYC.All this and MUCH MORE on The Wednesday Dose!   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Happy New Year, Beauties! I wanted to start 2026 by shifting focus from productivity to seeking inspiration from creative figures. Instead of advocating for work ethic and goals, I introduce you all to my 'creative board of directors' to offer perspective. Diana Vreeland, Andre Leon Talley, Zora Neale Hurston, Walt Whitemand, and Thich Nhat Hanh are the 'creative ancestors' who help guide the way I live and work. In this episode, we explore the wisdom I've gleaned from these people, from keeping one's imagination fresh like Diana Vreeland wrote about, to the importance of not shrinking oneself, as taught by Andre Leon Talley. I reflect on Andy Warhol's views on combining commerce with creativity, and highlight the spiritual resilience of writers Zora Neale Hurston and transcendentalist Walt Whitman. To conclude, I drew on the wisdom from the mindfulness teachings of Vietnamese Zen Buddhist monk Thich Nhat Hanh regarding the importance of being present. Tune in for a reminder to embrace the present moment, stay curious, and relish the current season of their lives.Rate, Subscribe & Review the Podcast on Apple Join the Naked Beauty Community on IG: @nakedbeautyplanet Thanks for all the love and support. Tag me while you're listening @nakedbeautyplanet & as always love to hear your thoughts :) Check out nakedbeautypodcast.com for all previous episodes & search episodes by topicShop My Favorite Products & Pod Discounts on my ShopMyShelfStay in touch with me: @brookedevard Hosted on Acast. See acast.com/privacy for more information.

In the mid-'90s, two high-end New York art galleries began selling one fake painting after another – works in the style of Jackson Pollock, Andy Warhol, Mark Rothko and others. It was the largest art fraud in modern U.S. history, totaling more than $80 million. Our first story looks at how it happened and why almost no one ever was punished by authorities. Our second story revisits an investigation into a painting looted by the Nazis during World War II. More than half a century later, a journalist helped track it down through the Panama Papers. This is an update of an episode that originally aired in January 2020.  Support Reveal's journalism at Revealnews.org/donatenow Subscribe to our weekly newsletter to get the scoop on new episodes at Revealnews.org/weekly Connect with us onBluesky, Facebook and Instagram Learn about your ad choices: dovetail.prx.org/ad-choices