Podcasts about Emancipation

In today's episode of Inside Kingston, we talk about upgrades and improvements to roadways, neighbourhood area speed limits, public art, asphalt rejuvenation, and Emancipation Day! You can learn more about everything mentioned in this week's episode here:   ✨ Projects and construction - https://cityofkingston.ca/council-and... ✨ Traffic alerts - https://CityofKingston.ca/News ✨ Neighbourhood area speed limits - https://getinvolved.cityofkingston.ca... ✨ Public Art - https://www.cityofkingston.ca/arts-cu... ✨ Asphalt rejuvenation - https://www.cityofkingston.ca/news/po... ✨ Emancipation day - https://www.cityofkingston.ca/arts-cu... Chapters: 0:00 - intro 0:11 - roadway improvements 0:52 - neighbourhood area speed limits 1:18 - traffic control box public art 1:53 - asphalt rejuvenation 2:15 - final look (emancipation day)

In this episode, Murs continues covering the first album of his Love & Rockets trilogy, "Love & Rockets Vol. 1: The Transformation," breaking down the stories behind "Westside Love", "Life & Time", and "Reach Hire." He also reflects on his relationship with Damon Dash and TDE.See Murs at Comic-Con on 7/26:https://comiccon2025.sched.com/event/271Yt/hip-hop-and-comics-cultures-combiningSee Murs at the pre-Comic-Con event at Mixed Grounds on 7/24:https://mixedgrounds.com/pages/eventsPurchase Murs' new book, Tour Story Vol. 1:https://www.johnnyplantain.com/product/tour-story-vol-1Stream 6 brand new songs from the final album in this trilogy: "Love & Rockets 3:16 (The Emancipation)"https://open.spotify.com/album/0ly6pb4WwnQlqyWPYUgToq?si=eMhKS3hCT5Sgoc2hRgGQlwBuy the new album "Love & Rockets 3:16 (The Emancipation)" now on vinyl, tape, and CD:https://www.mellomusicgroup.com/collections/mursSupport the podcast to get exclusive episodes and BRILA merch here:https://www.patreon.com/Murs316Follow us on IG:https://www.instagram.com/brilapod/ Hosted on Acast. See acast.com/privacy for more information.

“I am no longer accepting the things I cannot change. I am changing the things I cannot accept.” — Angela DavisThis sip is for every woman who's been told to shrink, silence herself, or stay small to survive. For the one who's been strong for so long, she forgot what softness feels like. For the one who's carried shame, grief, and guilt and is finally ready to set it all down.In this soul-stirring kickoff to Season 4: The Emancipation of TT, I'm inviting you behind the SIPS of my own freedom journey. From being paralyzed by perfectionism and people-pleasing, to reclaiming my power, purpose, and voice  this track is my liberation anthem.We'll sip on soulful truth, journal through what's been holding us hostage, and begin the deep work of healing what we used to hide. Because real freedom? It costs. But the return… is everything.✨ Expect to hear:The moment I knew I had to get free...for realThe difference between surviving and thriving (and how to tell which one you're doing)Soul Work prompts that help you prepare for your journey to freedomSo grab your cup and come get this pour of power, purpose, and peace. Because what came to break you...Stayed to build you! 2SIPS of T...So Nice You Gotta Sip Twice!New episodes of 2Sips of T with Tamica Tanksley are brewed fresh every Tuesday. Make sure you grab a cup and pull on up as we listen, laugh, and learn why life is sweeter in sips. Cheers! 2Sips of T — so nice, you gotta sip twice.

EMANCIPATION (EVERYTHING AFRICA) PROMO UPDATE BY DJ DELLON AKA HOTSKULL & BIGPAPA by OneVoiceFamilySoundSystem

Watch Now: https://youtu.be/TtwgcnQdVtUSee omnystudio.com/listener for privacy information.

It's been 20 years since Mariah Carey released "The Emancipation of Mimi" - the chart-dominating, career-redefining album that marked one of the most iconic comebacks in pop and R&B history. In this episode, Chris and Chantel Nicole go track by track through the 2005 classic, breaking down the vocals, production, lyrics, and legacy of each song. From "We Belong Together" to underrated deep cuts, we're giving our brutally honest takes and asking: is this really her best album ever?Join us on Patreon!: https://www.patreon.com/CCTVPOPSFollow us on social media: https://linktr.ee/cctvpops0:00 - Intro0:52 - "The Emancipation of Mimi" Album Info2:07 - Album Cover3:55 - "It's Like That" 10:30 - "We Belong Together"18:46 - "Shake It Off"23:53 - "Mine Again"28:26 - "Say Somethin'" feat. Snoop Dogg33:30 - "Stay The Night"36:40 - "Get Your Number" feat. Jermaine Dupri43:02 - "One and Only" feat. Twista47:50 - "Circles"52:16 - "Your Girl"46:10 - "I Wish You Knew"1:00:40 - "To The Floor" feat. Nelly1:03:43 - "Joy Ride"1:07:44 - "Fly Like A Bird"1:11:55 - Cut or Keep1:14:10 - Overall Thoughts & Final RatingReferences:“It's Like That” MV https://www.youtube.com/watch?v=uI2cwfluyNo&pp=ygUYbWFyaWFoIGl0J3MgbGlrZSB0aGF0IG12 “We Belong Together” MV https://www.youtube.com/watch?v=0habxsuXW4g&pp=ygUcbWFyaWFoIHdlIGJlbG9uZyB0b2dldGhlciBtdg%3D%3D “Shake It Off” MV https://www.youtube.com/watch?v=jZVdDl_asYY&pp=ygUWbWFyaWFoIHNoYWtlIGl0IG9mZiBtdg%3D%3D Calgon commercial https://youtu.be/WJsFvLBdOi0?si=FHAk30mlmbenq123 Intel commercial https://youtu.be/gENKrali-6s?si=kMoeHNBgm5SuqpxZ “Say Somethin'” MV https://www.youtube.com/watch?v=-yxHnAXZqhA&pp=ygUWbWFyaWFoIHNheSBzb21ldGhpbiBtdg%3D%3D “Get Your Number” MV https://www.youtube.com/watch?v=yvoWWtynalI&pp=ygUZbWFyaWFoIGdldCB5b3VyIG51Ym1lciBtdtIHCQnYCQGHKiGM7w%3D%3D “We Belong Together” and “Fly Like A Bird” Live at Grammys https://www.youtube.com/watch?v=5aU3G8vTglw&pp=ygUZbWFyaWFoIGZseSBsaWtlIGEgYmlyZCBtdg%3D%3D

A (relatively) in-depth analysis of American singer, songwriter, composer, and actor Isaac Hayes Jr. in (just over) forty five minutes - this is the longest Low-Noise episode to date, which seems rather fitting as Hayes is known for his lengthy musical compositions.As a successful in-house songwriter, session musician and producer, Hayes was one of the creative forces behind Stax Records in the 1960s. With his working partner David Porter he wrote the Sam & Dave hit Soul Man, widely considered to be one of the most influential songs of all time. Hayes also had a successful solo career - he released several successful albums such as Hot Buttered Soul (1969) and Black Moses (1971). Hayes also worked as a film composer.In 1997 Hayes was introduced to a new generation of fans when he provided the voice for the character of 'Chef' in the animated TV series South Park. The show ran until 2006.In this episode I am in discussion with Bhoke.Mathew Woodallhttps://www.facebook.com/share/1F15mx4ea3/https://buymeacoffee.com/lownoiseWhy buy me a coffee?Low Noise is proudly ad-free. If you would like to to say thank you for any of the content you have enjoyed (and help support the continuation of creating more), the above link provides a way to make a small donation of your choice (I also function on coffee!).Feel free to leave a note with your donation to let me know what you enjoy about the podcast or any topics you would like me to discuss in the future.

In this episode I'll be discussing the 25th anniversary of Mariah's "comeback" album Emancipation of Mini.If you want to listen to the podcast on other platforms:GoodPods:https://goodpods.app.link/8GExwJCiPNbPodcast Official Website:https://www.inthemixwithleahb.comPandora:https://www.pandora.com/podcast/in-the-mix-with-leah-b/PC:1000712709Apple:https://podcasts.apple.com/us/podcast/in-the-mix-with-leah-b/id149967Spotify:https://open.spotify.com/show/1NBzGR7hPphTP2fiPS4KTfIn The Mix With Leah B. •Spotify For Podcasters:https://podcasters.spotify.com/pod/show/inthemixxI-Heart Radio:https://www.iheart.com/podcast/269-in-the-mix-with-leah-bThe In the Mix With Leah B. Youtube Channel: https://www.youtube.com/@inthemixwithleahbpodcastIf you want to keep up with podcast on social media:TikTok:https://www.tiktok.com/@inthemixwithleahb?_t=8kXTjwYqdVG&_r=1Instagram:https://www.instagram.com/inthe_mixwithleahbThreads:https://www.threads.net/@inthe_mixwithleahbFacebook:https://www.facebook.com/InthemixwithleabPodcast Episode Requests:Podcast Episode Request Form: https://www.inthemixwithleahb.com/episode-request-formIf you want to suppprt the podcast:Buy Me A Coffee:https://www.buymeacoffee.com/inthemixxPodcast Merch:https://www.inthemixwithleahb.com/shop

In this electrifying episode of Musicians Reveal with Joe Kelley, Kirk Johnson—drummer for Prince and creative force behind Funky Bald Heads—opens up about his evolution from sideman to frontman. Recorded in 2001, this rare conversation dives into touring with Prince, crafting Emancipation, launching Kitchen Records, and forging a bold new sound. A must-listen for fans of funk, independence, and the Minneapolis music legacy.

In this unique episode, Murs takes a break from covering "Love & Rockets Vol. 1: The Transformation" to share his unbridled thoughts on colonization, immigration, and injustice as federal agents swarm his beloved Los Angeles in response to the anti-ICE rebellion happening on the streets of "South Central America."For resources, legal support, and updates on the ongoing situation in L.A., follow this FYI project:https://fyi.me/p/protectyourrightsPurchase Murs' new book, Tour Story Vol. 1:https://www.johnnyplantain.com/product/tour-story-vol-1Stream 6 brand new songs from the final album in this trilogy: "Love & Rockets 3:16 (The Emancipation)"https://open.spotify.com/album/0ly6pb4WwnQlqyWPYUgToq?si=eMhKS3hCT5Sgoc2hRgGQlwBuy the new album "Love & Rockets 3:16 (The Emancipation)" now on vinyl, tape, and CD:https://www.mellomusicgroup.com/collections/mursSupport the podcast to get exclusive episodes and BRILA merch here:https://www.patreon.com/Murs316Follow us on IG:https://www.instagram.com/brilapod/ Hosted on Acast. See acast.com/privacy for more information.

Welcome to Rendering Unconscious – the Gradiva award-winning podcast about psychoanalysis & culture, with me, Dr Vanessa Sinclair. https://renderingunconscious.substack.com RU355: TODD MCGOWAN ON PURE EXCESS: CAPITALISM & THE COMMODITY https://renderingunconscious.substack.com/p/ru355-todd-mcgowan-on-pure-excess Rendering Unconscious episode 355. Rendering Unconscious welcomes Todd McGowan back to the podcast! He's here to talk about his new book Pure Excess: Capitalism and the Commodity (2025). https://amzn.to/4lV4m9b Todd McGowan teaches theory and film at the University of Vermont. His books include The Impossible David Lynch (2007), Emancipation after Hegel: Achieving a Contradictory Revolution (2019), Embracing Alienation: Why We Shouldn't Try to Find Ourselves (2024), and Pure Excess: Capitalism and the Commodity (2025). McGowan contributed a chapter “The sex in their violence: eroticizing biopower” to the anthology On Psychoanalysis and Violence: Contemporary Lacanian Perspectives (Routledge, 2019) edited by Vanessa Sinclair and Manya Steinkoler. https://amzn.to/4nKklsi Follow RU Center for Psychoanalysis HERE: https://rucenterforpsychoanalysis.substack.com News and updates: On Wednesday, July 16th, join us for the inaugural event of RU Center for Psychoanalysis: https://rucenterforpsychoanalysis.substack.com The Queerness of Psychoanalysis: Emptiness is the Cure for Psychoanalysis: https://rucenterforpsychoanalysis.substack.com/p/join-us-for-the-inaugural-event-of This event will be recorded and the audio recording will be shared with those who registered. https://rucenterforpsychoanalysis.substack.com Sign up at eventbrite: https://www.eventbrite.com/e/the-queerness-of-psychoanalysis-emptiness-is-the-cure-for-psychoanalysis-tickets-1438613725379?aff=oddtdtcreator Everyone who becomes a paid subscriber for RU Center for Psychoanalysis will be atomically registered for the event on The Queerness of Psychoanalysis on July 16th (and all upcoming events in The Queerness of Psychoanalysis series) and will be enrolled for my 12 month course An Introduction to Psychoanalysis, which will meet once a month beginning September 13th! More info here: https://rucenterforpsychoanalysis.substack.com Thank you for listening to the Rendering Unconscious Podcast and for reading the Rendering Unconscious anthologies. And thank you so much for supporting this work by being a paid subscriber at the Substack. It makes my work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including all future and archival podcast episodes. https://renderingunconscious.substack.com Rendering Unconscious is also a book series! Rendering Unconscious: Psychoanalytic Perspectives, Politics and Poetry volumes 1:1 and 1:2 (Trapart Books, 2024) available now! https://amzn.to/400QKR7 If you would like information about entering into psychoanalytic treatment with me or have other questions, please feel free to contact me via: vs [at] drvanessasinclair.net https://www.drvanessasinclair.net/contact/ Thank you.

The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.

The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow. With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance. Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Dr. David J. Johns examines what July 4th truly means for Black Americans in 2025. Drawing from Frederick Douglass's historic speech, Dr. Johns exposes how we're living under a "tyranny of the minority" where democratic institutions suppress the people's will. From the erasure of 2020's racial reckoning to nationwide Juneteenth cancellations, this episode reveals how performative allyship crumbles when real commitment is required. Dr. Johns calls for collective liberation rooted in African ways of community building, emphasizing that our freedom has always come from organized power, not appeals to oppressors.Become a supporter of this podcast: https://www.spreaker.com/podcast/teach-the-babies-w-dr-david-j-johns--6173854/support.

Join us as we uncover the remarkable, complex life of John Laurens—soldier, diplomat, abolitionist, and one of the most passionate idealists of the American Revolution.  Gregory D. Massey speaks with us about  his acclaimed biography John Laurens and the American Revolution. Together we'll explore the fiery convictions and bold actions of a young South Carolinian who fought not only against British tyranny but also against the hypocrisy of slavery in a nation proclaiming liberty. Tell us what you think! Send us a text message!

EMANCIPATION BINGO & TISHANNA PROMO UPDATE BY BIGPAPA & DJ DARRY by OneVoiceFamilySoundSystem

There are a couple sound issues on this one, but we just did that to try to match the quality of this House episode which is... not great.Our guest, comedian and writer Alex Kennedy is great though! So listen for our thoughts on a weird episode with some really weird takes on abuse but don't worry the abuse is fake anyway! We've also got Mountainhead corner and a whole lot of talk about social media slop.It's a fun pod so listen now!

Send us a textIn this episode co-hosts Dr. Janet Price and Gregg Kaloust and guest host ChatGPT discuss Juneteenth, the Federal Holiday commemorating the day in 1865 when word of the Emancipation of American slaves finally reached Galveston, Texas. What has it meant to our country over these long years, and what does it mean now? Next up, the 4th of July. Coming soon, Oldish Book Club reading of Our Souls at Night by Kent Haruf.Support the showConnect with Janet at https://drjanetprice.comGregg has a new substack newsletter where he's publishing writings old and new: poems, short pieces, works in progress, opinions and notes.You can email Gregg at gregg@kannoncom.com Gregg is now an ambassador for Revolin Sports Pickleball Paddles. If you are in the market for a new paddle, for any playing level, Revolin is made in the USA from sustainable materials, with the finest engineering and quality. Enter the code pickleballnomad at checkout for 10% discount. Gregg wears Tyrol pickleball shoes, the only company that makes shoes just for pickleball. He has been wearing the same pair of Velocity V model shoes for almost a year, and he plays a lot! Click here to purchase Tyrol Pickleball shoes (note, if you purchase Tyrol pickleball shoes after clicking this link Oldish may receive a commission. Thanks for helping to support our podcast!)Comments, suggestion, requests: oldish@kannoncom.comThanks to Mye Kaloustian for the music.

Emancipation is the Tathagata Field, Nirvana, and Buddhaness. “Buddhism Reference” – Now Available in the TLK Bookstore;   www.lulu.com/spotlight/kwoon  How to use this study resource :  https://www.youtube.com/watch?v=suIQ89Nc3BU Buddhism resources : http://threefoldlotus.com    www.lulu.com/spotlight/kwoon  www.cafepress.com/shop/gohonzon/products PayPal.me/sifusylvain Patreon.com/TLK https://www.reddit.com/user/NaMuMyoHoRenGeKyo/ https://bsky.app/profile/sifusylvain.bsky.social

Beyonce, Destiny's Child, Solange are just some of the achievements that my guest has create in his career. Mathew talks about his book called Emancipation of Slaves Through Music, a book he wrote in part due to research of students he has collaborated with on this book.Mathew is back to talk about how music has shaped the lives of Black people thru the century's continents & human struggle to freedom. He even talks about the modern music industry & how it has shaped us as a people & culture.Mathew Knowles, Ph.D is the Founder of Music World Entertainment (MWE), one of the world's leading music and entertainment conglomerates, with record sales exceeding 300 million worldwide. Widely recognized in the entertainment industry for his effective approach to developing and promoting award-winning artists such as Destiny's Child, Beyoncé, and Solange,Mathew is a public speaker, and author of the #1 Best Selling book, The DNA of Achievers: 10 Traits of Highly Successful Professionals and Racism from the Eye of a Child. He has also been a popular keynote speaker and guest lecturer at colleges, universities and various organizations throughout the country. This includes Berklee College of Music where he was the keynote speaker for The Formation of a Star…the DNA of Achievers and panelist for The Evolving Music Industry seminar, along with other speaking engagements at Rice University, University of Southern California, The Learning Annex, Management Leadership for Tomorrow, Billboard Music & Money Symposium, The Power of Diversity Leadership Panel Discussion, E Women's Network, Circle of Sisters, Revolt Music Conference and numerous others. Knowles is also the author of the #1 best selling book, The DNA of Achievers: 10 Traits of Highly Successful Professionals.As a self-made entrepreneur from the small town of Gadsden, Alabama hebecame the top salesperson at Xerox Medical Systems and then one of the world's top entertainment managers and executives in the music industry. Knowles highly enjoys motivating and educating others by sharing his knowledge and experience.  © 2025 Building Abundant Success!!2025 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Emancipation is the experience within the realms of name and form (Nama-Rupa) of the expressed potential of the Tathagata Field. Buddhaness. “Buddhism Reference” – Now Available in the TLK Bookstore;   www.lulu.com/spotlight/kwoon  How to use this study resource :  https://www.youtube.com/watch?v=suIQ89Nc3BU Buddhism resources : http://threefoldlotus.com    www.lulu.com/spotlight/kwoon  www.cafepress.com/shop/gohonzon/products PayPal.me/sifusylvain Patreon.com/TLK https://www.reddit.com/user/NaMuMyoHoRenGeKyo/ https://bsky.app/profile/sifusylvain.bsky.social

In recognition of this month's celebrations honoring the end of legal slavery in the United States, we bring you this week a conversation on "A New Birth of Freedom: Commemorating Juneteenth in Kentucky" led by Dr. Patrick Lewis, of the Filson Historical Society, back on June 18, 2021 - the first year that Juneteenth was recognized as a federal holiday. Watch recording at https://www.youtube.com/watch?v=j8e5L7a1pME Dr. Patrick Lewis is now the President of the Filson Historical Society. A Trigg County native, he graduated from Transylvania University and holds a Ph.D. in History from the University of Kentucky. He has worked for the National Park Service and the Kentucky Historical Society. Lewis is author of For Slavery and Union: Benjamin Buckner and Kentucky Loyalties in the Civil War (2015). Emancipation in the United States was over 200 years in the making by the time the 13th Amendment officially ended human bondage in 1865. The Juneteenth National Independence Day Act was signed into law in 2021, making Juneteenth a federal holiday. But earlier versions of the holiday have been celebrated in the South since the mid-1860s. Kentucky recognized the holiday in 2005 through a proclamation by the General Assembly. In 1862, President Abraham Lincoln, born in Kentucky in 1809, signed the Emancipation Proclamation, which declared that individuals enslaved in Confederate territories were to be freed. Effective January 1, 1863, the legal status of millions of enslaved individuals in the Southern states changed, but the Proclamation depended heavily on the Union Army for enforcement, with most Southern enslavers ignoring the executive order. Beyond the Confederacy, enslaved people in Delaware, Kentucky, Maryland, and Missouri were unaffected by the Emancipation Proclamation. Being a geographic outlier from the Confederacy, Texas was especially slow and inconsistent in enforcing the Proclamation, and many African Americans remained enslaved. On June 19, 1865, Union General Gordon Granger issued General Order No. 3 and declared all persons previously enslaved in Texas to be freed. Supported by more than 2,000 federal troops, General Granger was finally prepared to enforce the emancipation of Texas's enslaved population. The following year, on the anniversary of the order, free African Americans in Texas organized celebrations to commemorate the occasion, originally calling it “Jubilee Day.” Outside of the South, Maryland and Missouri had both ended slavery within their state boundaries by early 1865. However, it wasn't until the ratification of the 13th Amendment on December 6, 1865, that slavery was fully abolished in the United States, forcing Kentucky and Delaware to recognize the freedom of their enslaved population. In Texas, joyous events commemorating the end of slavery evolved over the years with one major change: renaming the holiday Juneteenth in the 1890s. Following the Civil Rights movement of the 1960s, Juneteenth events emerged on a bigger stage throughout the country. In Louisville in 2020, local organizers, activists, and leaders created a Juneteenth festival to celebrate Black culture and resilience. Two years later in 2022, former Mayor Greg Fischer signed an ordinance that declared Juneteenth a city holiday. In Kentucky, the most widespread regional celebration of Jubilee Day is August 8th, a date originating from Paducah and Western Kentucky's diaspora. This year, the Filson is helping sponsor and support the August 8th Emancipation Day Celebration at Louisville's West End Women's Collaborative, led by Filson Community History Fellow Mariel Gardner on Friday, August 8th, 5pm - 8pm at ELAhouse, 3835 Hale Avenue Louisville, KY 40211. https://www.wewc4art.com/play Truth to Power airs every Friday at 9pm, Saturday at 11am, and Sunday at 7pm on Louisville's grassroots, community radio station, Forward Radio 106.5fm WFMP and live streams at https://forwardradio.org

Emancipation is a word that indicates separation, a turning away and a release, liberation, or, in another word, Nirvana. It is important to keep in mind that this emancipation is not given or earned; nirvana is arrived at by one's own effort and therefor one's reward manifested. “Buddhism Reference” – Now Available in the TLK Bookstore; www.lulu.com/spotlight/kwoon

the straw that broke the camels back...Recorded at the Creative Economy Practice Entertainment Hub. Learn more : https://form.typeform.com/to/a1tG9MG9.

Merriam-Webster's Word of the Day for June 19, 2025 is: emancipation • ih-man-suh-PAY-shun • noun Emancipation refers to the act of freeing someone from the restraint, control, or power of another. It is used especially for the act of freeing someone from slavery. // Jomo Kenyatta played a key role in the emancipation of Kenya from European rule in the 1960s and became the first president of the newly independent nation. See the entry > Examples: “Rappahannock County's calming beauty and rolling hills hold stories from the Civil War era waiting to be told. Howard Lambert, a Culpeper native and the first African American president of the Brandy Station Foundation, has worked tirelessly to bring these stories to life, especially those of Black Civil War soldiers. ... He also has a personal connection to the Civil War. His great-great-uncle, Fielding Turner, served in the 20th United States Colored Troops (USCT) Infantry Regiment, fighting in pivotal battles and helping to announce emancipation in Texas now commemorated as Juneteenth.” — Ayana SummerlinRosa, The Culpeper (Virginia) Star-Exponent, 11 Mar. 2025 Did you know? To emancipate someone (including oneself) is to free them from restraint, control, or the power of another, and especially to free them from bondage or enslavement. It follows that the noun emancipation refers to the act or practice of emancipating. The Emancipation Proclamation issued by Abraham Lincoln on January 1, 1863, for example, ordered that enslaved people living in the Confederate states be released from the bonds of ownership and made free people. It took more than two years for news of the proclamation to reach the enslaved communities in the distant state of Texas. The arrival of the news on June 19 (of 1865) is now celebrated as a national holiday—Juneteenth or Emancipation Day.

Continuing his coverage of the album "Love & Rockets Vol. 1: The Transformation," Murs shares the stories behind the songs "International," which stem from his many trips touring around the globe, and the classic Locksmith and Ski Beatz collaboration "S-K-I-B-E-A-T-Z"Purchase Murs' new book, Tour Story Vol. 1:https://www.johnnyplantain.com/product/tour-story-vol-1Stream 5 brand new singles from the final album in this trilogy: "Love & Rockets 3:16 (The Emancipation)"https://ffm.to/murs316Buy the new album "Love & Rockets 3:16 (The Emancipation)" now on vinyl, tape, and CD:https://www.mellomusicgroup.com/collections/mursListen to the album on Spotify:https://open.spotify.com/album/6DUdy2eiuji8JlurLj8mgEListen to the album on Apple Music:https://music.apple.com/us/album/the-final-adventure/575079049Support the podcast to get exclusive episodes and BRILA merch here:https://www.patreon.com/Murs316Follow us on IG:https://www.instagram.com/brilapod/ Hosted on Acast. See acast.com/privacy for more information.

Holidays, themes, and obsessions are powerful tools for deeply exploring a topic. For this year's Juneteenth, AKAPAD The Film offers a compelling perspective but falls short of the profound impact of 2022's Emancipation.

Send us a Question!MOVIE DISCUSSION: Kathryn joins Melvin to discuss an early 2025 critical hit, Companion! How does the film balance its mix of thriller and comedy? Are the themes heavy-handed or are they handled with maturity? At the end of the day... is it even good? Tune in and find out! Topics:(FREE PATREON EXCLUSIVE) 25-minutes discussing Thunderbolts* being a critical success but failing financially, why we think that may be, and using Felipe Rangel's "10 Biggest Reasons Thunderbolts*'s Box Office Is So Disappointing" as a jumping-off point for each possible reason. (FREE PATREON EXCLUSIVE)Companion successfully balances its thriller/horror and comedy material from start to finish.Kathryn thinks they're currently over "gender commentary" movies and explains their reasoning.There is a lot to explore in the film about independence, emancipation, and love.Companion isn't copying other movies but it comfortably wears its influences on its sleeve.Using technology to channel our sinful nature does not relinquish our responsibility to be good people.Director Drew Hancock does well to pace out revelations within the film to keep it fresh and engaging.The relationship between love, independence, and mutual understanding.The ending is clear but also open-ended in that it asserts the endless possibilities that come with independence.Recommendations:The Bay (2012) (Movie)Final Destination Bloodlines (2025) (Movie) Support the showSupport on Patreon for Unique Perks! Early access to uncut episodes Vote on a movie/show we review One-time reward of two Cinematic Doctrine Stickers & Pins Social Links: Threads Website Substack Instagram Facebook Group

Actor/Artist Mustafa Shakir speaks on starring in Netflix's Cowboy Bebop, how it felt to play the villain in the Luke Cage series, working with Will Smith & MORE!! newblerdorder.com/live ✨ Special Guest Mustafa Shakir from Netflix's Cowboy Bebop, Luke Cage, Emancipation & MORE!!

My returning guest this week is William Paris, an Assistant Professor in the department of philosophy at University of Toronto, as well as one of the cohosts on the wonderful What's Left of Philosophy Podcast. He's got a wonderful new book out called Race, Time and Utopia: Critical Theory and the Process of Emancipation and he is very much my guy for all things Utopian so I was very excited to read and discuss.Race, Time, and Utopia: https://global.oup.com/academic/product/race-time-and-utopia-9780197698877What's Left of Philosophy: https://www.leftofphilosophy.com/Music by GW RodriguezEditing by Adam WikSibling Pod:Philosophers in Space: https://0gphilosophy.libsyn.com/Support us at Patreon.com/EmbraceTheVoidIf you enjoy the show, please Like and Review us on your pod app, especially iTunes. It really helps!This show is CAN credentialed, which means you can report instances of harassment, abuse, or other harm on their hotline at (617) 249-4255, or on their website at creatoraccountabilitynetwork.org.Next Episode: The Science of Revenge with James Kimmel Jr.

Welcome to Rendering Unconscious – the Gradiva award-winning podcast about psychoanalysis & culture, with me, Dr Vanessa Sinclair. https://renderingunconscious.substack.com RU351: JULIE RESHE, TODD MCGOWAN & SIMONE A. MEDINA POLO ON DEATH & LOVE: PSYCHOANALYTIC & PHILOSOPHICAL PERSPECTIVES https://renderingunconscious.substack.com/p/ru351-julie-reshe-todd-mcgowan-and Rendering Unconscious episode 351. I sat down with Julie Reshe, Todd McGowan, and Simone A. Medina Polo to talk about their new book Death and Love: Psychoanalytic and Philosophical Perspectives (2025): https://www.routledge.com/Death-and-Love-Psychoanalytic-and-Philosophical-Perspectives/Reshe-McGowan/p/book/9781032663425 This episode centers on a new edited volume exploring the intersections of death and love, edited by Julie Reshe and Todd McGowan, to which Simone A. Medina Polo contributed. The book is dedicated to Mari Ruti, who passed away before completing her contribution. Key chapters include Lacanian perspectives, existentialist and theological analyses, and a tribute to Sabina Spielrein. Contributors explore the death drive and its implications, delving into the philosophical and psychoanalytic nuances of love and death. The conversation also touches on the challenges and significance of Spielrein's work and its impact on contemporary psychoanalysis. Julie Reshe is a leading researcher in psychoanalysis and professor of philosophy at the Global Centre for Advanced Studies (GCAS) where she directs the Institute of Psychoanalysis. She completed her PhD under the supervision of Alenka Zupančič at the Research Centre of the Slovenian Academy of Sciences and Arts. She works at the intersection of philosophy, psychoanalysis and neuroscience, and her research topics include sexuality, emotions and cognition, childhood, and trauma studies. Be sure to check out her book Negative Psychoanalysis for the Living Dead: Philosophical Pessimism and the Death Drive (2023). https://www.juliereshe.com You can support her work and gain access to the book chapters at her Patreon: https://www.patreon.com/c/juliereshe/posts Follow Julie at Instagram: https://www.instagram.com/julie.reshe/ Todd McGowan teaches theory and film at the University of Vermont. His books include The Impossible David Lynch (2007), Emancipation after Hegel: Achieving a Contradictory Revolution (2019), Embracing Alienation: Why We Shouldn't Try to Find Ourselves (2024), and Pure Excess: Capitalism and the Commodity (2025). https://vermont.academia.edu/ToddMcGowan Simone A. Medina Polo (she/her) is a philosopher and PhD candidate at the Global Centre for Advanced Studies (GCAS) for Philosophy and Psychoanalysis. Follow her at Instagram: https://www.instagram.com/pseudo_antigone/ Thank you for listening to the Rendering Unconscious Podcast and for reading the Rendering Unconscious anthologies. And thank you so much for supporting this work by being a paid subscriber at the Substack. It makes my work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including all future and archival podcast episodes. https://renderingunconscious.substack.com If you would like information about entering into psychoanalytic treatment with me, joining the group I run for those who have relocated to another country, or have other questions, please feel free to contact me via vs [at] drvanessasinclair.net https://www.drvanessasinclair.net/contact/ Thank you.

Tony comes with a new Top Five segment listing his favorite Biggie guest verses in celebration of what would've been The Notorious One's 53rd birthday. Plus, Collin Zreet provides food pairing suggestions for American Stout beers. Additional notes from the show: Jazzanova - In Between Live Mariah Carey celebrating 20 years of The Emancipation of Mimi Vicki Sometani & MAX RAD

Continuing his coverage of the album "Love & Rockets Vol. 1: The Transformation," Murs shares the stories behind the fan favorite break-up song "Remember 2 Forget" and the Tabi Bonney collab "Hip Hop & Love."Stream 4 brand new singles from the final album in this trilogy: "Love & Rockets 3:16 (The Emancipation)"https://ffm.to/murs316Buy the new album "Love & Rockets 3:16 (The Emancipation)" now on vinyl, tape, and CD:https://www.mellomusicgroup.com/collections/mursListen to the album on Spotify:https://open.spotify.com/album/6DUdy2eiuji8JlurLj8mgEListen to the album on Apple Music:https://music.apple.com/us/album/the-final-adventure/575079049Support the podcast to get exclusive episodes and BRILA merch here:https://www.patreon.com/Murs316Follow us on IG:https://www.instagram.com/brilapod/ Hosted on Acast. See acast.com/privacy for more information.

**Producer's note: This is the second episode of "Palestine and the World: History in a Time of Genocide (Denial)," a 7-part series Adnan recorded for his podcast, The Adnan Husain Show with his colleague Dr. Ariel Salzmann. All 7 parts are available right to patrons of his show and will be released individually on the free feed over the next 5 weeks. Subscribe to his show on your podcast app or watch the episode on YouTube channel linked below**  Part 2 of Palestine and the World: History in a Time of Genocide (Denial). In this episode Dr. Ariel Salzmann takes a global perspective on the failures of emancipation and liberation in the "long 19th century" from the promise of universal rights in the republican revolution in France and its continual subversion and violent suppression of resistance. The promise of emancipation from slavery, colonization, class oppression, patriarchy, minorities under nationalism, and antisemitism in Europe was systematically derailed. This process historically and its contradictions had important consequences on the shape of resistance globally and on Jewish nationalism. "The Minority Question" in the older empires, especially in the Ottoman Empire, becomes the frame for Dr. Salzmann's analysis of the fateful consequences for the Middle East. Watch the episode on our YouTube channel Like, subscribe, share and support (if you can!): www.patreon.com/adnanhusain @adnanahusain on X adnanahusain.substack.com www.youtube.com/adnanahusain786 www.adnanhusain.org  

Tracie thinks Michelle Tanner is a giant bitch, but Rich thinks that makes her a Diamond Girl. Mariah Carey celebrated the 20th anniversary of The Emancipation of Mimi with a lack luster medley. That wasn't even the cringiest thing this week, because Jordan Peterson made a public appearance. Plus, we learn a new catchphrase from Fox News.Video episodes, bonus episodes and our premium series WAWU—we're currently covering The Osbournes—are on Patreon.Pot Psych merch is available at Pipe Dreams.Check out potential drama and our Diamond Girls on our Instagram. ★ Support this podcast on Patreon ★

In this third and final episode, covering the song "Eazy-E" from "Love & Rockets Vol. 1: The Transformation," Murs points out some of the lesser-known influences that impacted him as an aspiring Hip Hop artist from South Central L.A.Stream 3 brand new singles from the final album in this trilogy: "Love & Rockets 3:16 (The Emancipation)"https://ffm.to/murs316Buy the new album "Love & Rockets 3:16 (The Emancipation)" now on vinyl, tape, and CD:https://www.mellomusicgroup.com/collections/murs Hosted on Acast. See acast.com/privacy for more information.

Welcome to the Celestial Insights Podcast, the show that brings the stars down to Earth! Each week, astrologer, coach, and intuitive Celeste Brooks of Astrology by Celeste will be your guide. Her website is astrologybyceleste.com.