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Dori Berinstein is a four-time Tony Award-winning producer, Emmy Award-winning director, and Robert Whitehead Award recipient from the Commercial Theater Institute. She began her career at Morgan Stanley in Mergers & Acquisitions before transitioning to strategic planning for NBC and Paramount. After graduate work at Harvard for Business, The Kennedy School of Government (Public Policy & the Arts), and later at the Yale School of Drama, she immersed herself in film and special effects before taking an opportunity to run a division for Walt Disney Imagineering. Dori is now producing The Prom on Broadway. Her theatre credits include Thoroughly Modern Millie, One Flew Over the Cuckoo’s Nest, The Crucible, Flower Drum Song, Legally Blonde, Who’s Afraid of Virginia Woolf? And The Prom. Her film & tv credits include Carol Channing: Larger Than Life, Marvin Hamlisch: What He Did for Love, Gotta Dance, The Last Blintz, Some Assembly Required, ShowBusiness: The Road to Broadway, Eavesdropping with Alan Cumming, and The Isaac Mizrahi Show. Interview content begins at 2:11. Connect with Dori: Instagram: @dori.berinsteindramaticforces.comConnect with The Theatre Podcast:Twitter & Instagram: @theatre_podcastFacebook.com/OfficialTheatrePodcastTheTheatrePodcast.comAlan’s personal Instagram: @alansealesJillian’s personal Instagram: @jillianhochmanEmail us at feedback@thetheatrepodcast.com. We want to know what you think.Thank you to our friends Jukebox The Ghost for our intro and outro music. You can find them on Instagram, Twitter, and Facebook @jukeboxtheghost or via the web via jukeboxtheghost.com.
In our first "Intermission Series", we ask 'What good IS sitting alone in your room?' which is what the two of us did when we watched and discussed the documentary *ShowBusiness: The Road To Broadway* and how it relates to Smash, theatre, and art in general! We'll return next week to continue Smash Season 1.
Hey! This isn't an episode! It's an announcement! Next week, instead of discussing Episode 14, we're going to give you a little preview of what we'll be offering between seasons of SMASH. We're going to watch and discuss some other Broadway related content, and discuss it both on its own merits, and in relation to SMASH. For this first of our new "Intermission Series," we'll be discussing the documentary ShowBusiness: The Road to Broadway, which tracks the 2003-2004 Broadway season. We've provided a link to watch the documentary below, if you want to be prepared for the episode on Monday. We'll be back the following week to finish out Season One, before diving more fully into our Intermission Series, as we go on semi-hiatus to prepare for the wild ride that is Season 2 of SMASH. ShowBusiness: The Road To Broadway: https://www.youtube.com/watch?v=Y7mfw_IRFl0
Producer Dori Berinstein discusses the process behind creating the film "ShowBusiness: The Road to Broadway", her unprecedented chronicle of the 2003-2004 theatrical season, including how she winnowed 250 hours of film down to less than two and why the film's narrator Alan Cumming largely ended up on the cutting room floor; talks about how she got in theatre by way of film producing, including her role as a production executive on "Dirty Dancing"; and surveys her theatrical credits from Bill Irwin and David Shiner in "Fool Moon" to her current project, "Legally Blonde". Original air date – July 20, 2007.
Producer Dori Berinstein (Tony winner for producing the 2001 revival of One Flew Over the Cuckoo’s Nest) discusses the process behind creating the film ShowBusiness: The Road to Broadway, her unprecedented chronicle of the 2003-2004 theatrical season, including how she winnowed 250 hours of film down to less than two and why the film's narrator Alan Cumming largely ended up on the cutting room floor; talks about how she got in theatre by way of film producing, including her role as a production executive on Dirty Dancing; and surveys her theatrical credits from Bill Irwin and David Shiner in Fool Moon to her current project, Legally Blonde.
Producer Dori Berinstein discusses the process behind creating the film "ShowBusiness: The Road to Broadway", her unprecedented chronicle of the 2003-2004 theatrical season, including how she winnowed 250 hours of film down to less than two and why the film's narrator Alan Cumming largely ended up on the cutting room floor; talks about how she got in theatre by way of film producing, including her role as a production executive on "Dirty Dancing"; and surveys her theatrical credits from Bill Irwin and David Shiner in "Fool Moon" to her current project, "Legally Blonde". Original air date – July 20, 2007.