Podcasts about Television

Back in the earliest days of our show, we were so smitten with a Louie-Based Lifestyle that we simply had to come back for another dip. Well it turns out they made two different Christmas episodes, so get your sleigh bells ready for a tinglin'!Today's Episode Sponsor: [Various]™THIS WEEK'S EPISODES:Life With Louie Pilot, "A Christmas Surprise for Mrs. Stillman"Life With Louie S3E10, "Family Portrait”Join our Discord! https://discord.gg/StaYgR7HW2Support us on Patreon: https://www.patreon.com/satamtuesdays Our Website: http://www.satamtuesdays.com/The Hosts: Andrew Eric Davison, Austin Bridges, Rory VoieAudio Production: Andrew Eric Davison

Send us a textWhat were our top 5 five films of 2025? Listen into our annual wrap up episode where we chat about our favourite films of the year and what we are looking forward to in 2026!Let us know what you think and chat with us on Twitter: https://twitter.com/WTF_WithUsTheme Music Credit: Ultra Lights by Stefan Kartenberg (c) copyright 2020 Licensed under a Creative Commons Attribution Noncommercial  (3.0) license. http://dig.ccmixter.org/files/JeffSpeed68/61225 Ft: Javolenus

Listeners offer their picks of what they loved and hated this year in the world of film, literature, podcasting, performance, and more. 

Join us as Walker sneaks over the Mexican border undercover, armed with a full south-of-the-border disguise and the absolute confidence that punching human traffickers will fix everything. If you've ever wondered what would happen if ICE came for Walker, this is the episode for you. See complete episode stats (# of fights, explosions, vehicle chases, roundhouse kicks & more) at roundhouseroulette.com.Share your opinions with us on Facebook, Instagram and Twitter or by emailing us at roundhouseroulette@gmail.com.If you'd like to support the show, leave us a review on Apple Podcasts. To further support our shenanigans, check out our fresh Merch or our ever evolving Patreon mayhem. Most importantly, thanks for hanging with us!

We continue with a News Hour holiday tradition in which we ask members of the armed forces to record a holiday song. For Christmas Eve, we bring you "Joy to the World." This video was produced by the Pentagon's Defense Visual Information Distribution Service. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Thousands flocked to Bethlehem's Manger Square on Christmas Eve, the spot where Christians believe Jesus was born. It's in the occupied West Bank, and celebrations were canceled over the last two years because of the Israel-Hamas war. Producer Karl Bostic looks at what life is like for Palestinians who live there. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

In our news wrap Wednesday, the Department of Justice says it's discovered over a million more documents possibly related to Jeffrey Epstein, an explosion in Moscow killed three people, investigators are searching for what caused a massive explosion at a Philadelphia-area nursing home and a powerful storm is slamming Southern California on the eve of what could be the wettest Christmas in years. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Ukraine's president has floated a possible compromise to a key Russian demand that Kyiv give up territory in eastern Ukraine. Volodymyr Zelenskyy's proposal could address one of the main sticking points that have bogged down U.S.-led negotiations, but Moscow has given no indication whether it might agree. Nick Schifrin reports. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

We discuss Yan's nerdiness, Mike reminisces about his Portuguese wedding and the ample pasteis de nata, and we all learn that DNA scientist James Watson was a real prick!Check out our merch at maxfunstore.com.Please support us at maximumfun.org/join, follow us on Instagram @tvcheffantasyleague, and leave us a 5-star review on Apple Podcasts.

https://www.tiktok.com/@grizzled_takes?lang=en https://www.tiktok.com/@malenky10?lang=en https://fydpodcast.podbean.com/ Facebook - www.facebook.com/foryourdistraction feeds.feedburner.com/foryourdistraction https://www.patreon.com/ForYourDistraction YouTube - www.youtube.com/channel/UCuEgNqvW…JPRHxHrA/featured For Your Distraction is a member of the Electronic Media Collective! To listen to us and more great shows head to electronicmediacollective.com/distraction/

Television icon Marion Ross, forever remembered as Mrs. C from Happy Days, joins Neil Haley to discuss her remarkable career and new memoir "My Days: Happy and Otherwise." Marion reveals surprising behind-the-scenes tension from Happy Days, explaining that Tom Bosley initially didn't want her as his TV wife because he came from Broadway (having won a Tony for "Fiorello") and wanted someone "more important." She candidly shares how it took a long time for them to develop a genuine friendship, though Tom was ultimately "a really nice man, a very good man." Marion explains the memoir's title reflects both her happy television success and the difficult "otherwise" period between ages 40-50 when she went through a challenging divorce.Marion discusses how her son, actor Jim Meskimen (known for the Geico George Washington commercial), literally had to convince her to write the book by bringing writer David Laurel to her house. She describes her preferred method of storytelling - being recorded in conversation rather than typing - and how the collaborative process made the memoir possible. Marion shares incredible stories from her diverse career, including performing Noel Coward's "Blithe Spirit" live on CBS with Claudette Colbert, Lauren Bacall, and Coward himself, working with Cary Grant, playing a Jewish Polish grandmother on "Brooklyn Bridge," voicing characters on SpongeBob SquarePants, and appearing as Drew Carey's mother. Now retired and living at "Happy Days Farm," Marion continues connecting with fans through book signings across the country, from San Francisco to Missouri to New York, where hundreds of devoted fans line up to meet the woman who made Mrs. C a household name.

Join us in 2026 for our Degrassi Junior High Rewatch!

Estas son las noticias del cine, series y cultura pop que no te puedes perder.

John & Heidi share funny stories of people doing weird things... plus we continue our segment #AsSeenOnTV as John chats with Rex Linn - Happys Place on NBCLearn more about our radio program, podcast & blog at www.JohnAndHeidiShow.com

Nick welcomes Hollywood Reporter TV critic Dan Fienberg back for a packed conversation that jumps from recent SNL episodes to the new documentary “Breakdown: 1975,” along with a thoughtful look at the long, influential career of Rob Reiner. Dan also unveils his picks for the Best Television of 2025, spotlighting standouts like “The Lowdown,” “Andor,” “Pluribus,” “Adolescence,” and several others that made the year feel unusually strong for TV. The show closes with pure chaos as British bon vivant and game show impresario Slap Slapply makes his triumphant return. Nick and Esmeralda Leon square off in another round of wildly unpredictable trivia, trading correct answers, bad guesses, and plenty of mock outrage. It's loud, competitive, and exactly the kind of madness Slap was built for, making it a fitting way to wrap up the year. [Ep 414]

Front Row Classics continues our holiday celebration with our friend Jessica Pickens. Brandon and Jessica are discussing their favorite versions of A Christmas Carol. The versions range from the 30s-00s and aren't confined to just feature films. Television movies & specials are also covered.

Rob Spera is a film and television director, educator, and the author of Film/TV Director's Field Manual: 70 Maxims to Change Your Filmmaking. With decades of experience directing features, episodic television, and theatre, Rob brings a deeply practical, human-centred approach to directing and leadership. In this conversation, we discuss:Why Rob describes his book as an “anti-textbook”The idea that the camera's job is to photograph subtextBuilding non-redundant frames that invite the audience to participateWhy kindness and psychological safety are essential creative toolsLetting go of control and empowering collaboratorsWhat “write what you know” really meansHow directors can practise their craft between jobsFilm/TV Director's Field Manual – available via Amazon and Rob's websiteHAPPY HOLIDAYS!This podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning Watch more on YouTube:Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentariesAll my links

God Bless Us Everyone Front Row Classics continues our holiday celebration with our friend Jessica Pickens. Brandon and Jessica are discussing their favorite versions of A Christmas Carol. The versions range from the 30s-00s and aren’t confined to just feature films. Television movies & specials are also covered. Don't forget to follow/reach us at: Website: https://linktr.ee/FrontRowClassicsTwitter: @FRNCLASSICSEmail: classicsfrn@gmail.comFacebook: https://www.facebook.com/thefrontrownetwork/Instagram: frontrowclassicspod

We have an inside look into one of Ukraine's most rapidly evolving tools in its war with Russia. Small unmanned drones have come to dominate the frontlines, long-range strikes against power facilities and the waters of the Black Sea and Mediterranean. Special correspondent Volodymyr Solohub gained rare access to a military unit that's responsible for some of Ukraine's high-profile drone strikes. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Our final bonus episode of Season 4 covers a variety of albums spanning from the 70s to the 90s.1) Marah: Let's Cut the Crap & Hook Up Later Tonight2) Fountains of Wayne: Utopia Parkway3) Isaac Hayes: ...To Be Continued4) Television: Adventure

Critic of screens large and small, Wenlei Ma joins Nic Healey on Nightlife to review the latest to watch.

In the latest episode of This Could Be a Podcast, Nathan and Bobby talk Football Rivalries, Oscar Nominees and Meeting Famous People.  

Actor Chris Chalk joins Emily and Haley to talk all things Welcome to Derry, dressing up as Spider-Man, and why you should never lie about your kayaking skills. Emily unlocks a childhood memory involving goats, Haley reveals that she is one million years old, and Chris proves he's also a great therapist. So learn how to squaredance, stay away from Snapchat, and don't do math as you enjoy Chapter 38 of How To Make It.Follow us on Instagram: @HowToMakeItPodcastSubscribe to our YouTube Channel: @HowToMakeItPodcastFollow Emily: @emilycappello_Follow Haley: @haleymuraleeFollow Chris: @mynameischrischalk

In our news wrap Monday, Denmark is pushing back against President Trump's move naming Louisiana Gov. Jeff Landry as his special envoy to Greenland, Trump announced plans for what he called a new 'Trump class' of warships, a car bomb killed a senior Russian general in Moscow and Jim Beam is pausing production at its main distillery in Kentucky for all of next year. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

For millions of Jews around the world, Hanukkah ended Monday evening at nightfall. A holiday centered on dedication and perseverance, the Festival of Lights is particularly special in Israel, and especially for survivors of Oct. 7, their families and the families of the lost. The News Hour's producer in Israel, Karl Bostic, sent this report from two kibbutzes shattered by terror, and now reviving. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Today the head of Instagram explains why Follower count still matters, the limiting of hashtags to 5, Instagram on televisions and the available data, plus a feature request that already exists in the Edits app. Links: Sign Up for The Weekly Email Roundup: NewsletterLeave a Review: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Me on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@danielhillmedia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Newman Media slams Jabot. Adam and Chelsea debate Victor; Phyllis agrees to steal the AI… again!; Nikki threatens to leave Victor; Audra’s true feelings for Kyle; Christmas in Genoa City; and Noah gets knocked out! Visit https://www.yrchat.com to chat with fun and friendly fans of The Young and the Restless. THIS WEEK: Ali’s Y&R Recap, […]

Trump's pressure on Venezuelan President Maduro mounted Sunday as the Coast Guard went after another oil tanker that U.S. officials accused of helping Venezuela circumvent sanctions. Last week, Trump announced a "total and complete blockade of all sanctioned tankers heading to and from Venezuela." John Yang speaks with Reuters national security correspondent Idrees Ali for more. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

From twinkling Christmas markets across Europe to vibrant displays of poinsettia in Mexico City, the Christmas spirit takes many forms. John Yang takes a look at how Christians around the world are celebrating the season. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Desperate for a new series to binge-watch or heading to the cinema for date-night? Gayle Edmunds shares her top picks of things to watch on the big and small screen with CapeTalk’s Sara-Jayne Makwala King on Weekend Breakfast. Weekend Breakfast with Sara-Jayne Makwala King is the weekend breakfast show on CapeTalk. This 3-hour morning programme is the perfect (and perky!) way to kickstart your weekend. Author and journalist Sara-Jayne Makwala-King spends 3 hours interviewing a variety of guests about all things cultural and entertaining. The team keeps an eye on weekend news stories, but the focus remains on relaxation and restoration. Favourites include the weekly wellness check-in on Saturdays at 7:35 am and heartfelt chats during the Sunday 9 am profile interview. Listen live on Primedia+ Saturdays and Sundays between 07:00 and 10:00 am (SA Time) to Weekend Breakfast with Sara-Jayne Makwala-King broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show, go to https://buff.ly/AgPbZi9 or find all the catch-up podcasts here https://buff.ly/j1EhEkZ Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

In our news wrap Saturday, Russian attacks on Ukraine continued amid U.S. efforts to negotiate a ceasefire, the Israeli army struck a school in Gaza that was sheltering displaced people, U.S. Central Command released video of Friday’s strikes in Syria, and an engineer from Germany became the first person who uses a wheelchair to go to space. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

John Granger Attempts to Convince Nick (and You!) That The Hallmarked Man will be Considered the Best of the Series.We review our take-away impressions from our initial reading of The Hallmarked Man. Although we enjoyed it, especially John's incredible prediction of Robin's ectopic pregnancy, neither of us came away thinking this was the finest book in the series. For Nick, this was a surprise, as enthusiastic J. K. Rowling fan that he is other than Career of Evil every book he has read has been his favourite. Using an innovative analysis of the character pairs surrounding both Cormoran and Robin, John argues that we can't really appreciate the artistry of book number eight until we consider its place in the series. Join John and Nick as they review the mysteries that remain to be resolved and how The Hallmarked Man sets readers up for shocking reveals in Strike 9 and 10!Why Troubled Blood is the Best Strike Novel:* The Pillar Post Collection of Troubled Blood Posts at HogwartsProfessor by John Granger, Elizabeth Baird-Hardy, Louise Freeman, Beatrice Groves, and Nick JefferyTroubled Blood and Faerie Queene: The Kanreki ConversationBut What If We Judge Strike Novels by a Different Standard than Shed Artifice? What About Setting Up the ‘Biggest Twist' in Detective Fiction History?* If Rowling is to be judged by the ‘shock' of the reveals in Strike 10, then The Hallmarked Man, the most disappointing book in the series even to many Serious Strikers, will almost certainly be remembered as the book that set up the finale with the greatest technical misdirection while playing fair.* The ending must be a shock, one that readers do not see coming, BUT* The author must provide the necessary clues and pointers repeatedly and emphatically lest the reader feel cheated at the point of revelation.* If the Big Mysteries of the series are to be solved with the necessary shock per both Russian Formalist and Perennialist understanding, then the answers to be revealed in the final two Strike novels, Books Two and Three of the finale trilogy, should be embedded in The Hallmarked Man.* Rowling on Playing Fair with Readers:The writer says that she wanted to extend the shelf of detective fiction without breaking it. “Part of the appeal and fascination of the genre is that it has clear rules. I'm intrigued by those rules and I like playing with them. Your detective should always lay out the information fairly for the reader, but he will always be ahead of the game. In terms of creating a character, I think Cormoran Strike conforms to certain universal rules but he is very much of this time.* On the Virtue of ‘Penetration' in Austen, Dickens, and Rowling* Rowling on the Big Twist' in Austen's Emma:“I have never set up a surprise ending in a Harry Potter book without knowing I can never, and will never, do it anywhere near as well as Austen did in Emma.”What are the Key Mysteries of the Strike series?Nancarrow FamilyWhy did Leda and Ted leave home in Cornwall as they did?Why did Ted and Joan not “save” Strike and Lucy?Was Leda murdered or did she commit suicide?If she was murdered, who dunit?If she commited suicide, why did she do it?What happened to Switch Whittaker?Cormoran StrikeIs Jonny Rokeby his biological father?What SIB case was he investigating when he was blown up?Was he the father of Charlotte's lost baby? If not, then who was?Why has he been so unstable in his relations with women post Charlotte Campbell?Charlotte CampbellWhy did her mother hate her so much?What was her relationship with her three step-fathers? Especially Dino LongcasterWho was the father of her lost child?Was the child intentionally aborted or was it a miscarriage?What was written in her “suicide note”?Was Charlotte murdered or did she commit suicide?If she was murdered, who done it?If she committed suicide, why did she do it?What happened to the billionaire lover?What clues do we get in Hallmarked Man that would answer these questions?- Strike 8 - Greatest Hits of Strikes 1-7: compilation, concentration of perumbration in series as whole* Decima/Lion - incest* Rupert's biological father not his father of record (Dino)* Sacha Legard a liar with secrets* Ryan Murphy working a plan off-stage - Charlotte's long gameStrike about ‘Pairings' in Lethal WhiteStrike continued to pore over the list of names as though he might suddenly see something emerging out of his dense, spiky handwriting, the way unfocused eyes may spot the 3D image hidden in a series of brightly colored dots. All that occurred to him, however, was the fact that there was an unusual number of pairs connected to Chiswell's death: couples—Geraint and Della, Jimmy and Flick; pairs of full siblings—Izzy and Fizzy, Jimmy and Billy; the duo of blackmailing collaborators—Jimmy and Geraint; and the subsets of each blackmailer and his deputy—Flick and Aamir. There was even the quasi-parental pairing of Della and Aamir. This left two people who formed a pair in being isolated within the otherwise close-knit family: the widowed Kinvara and Raphael, the unsatisfactory, outsider son.Strike tapped his pen unconsciously against the notebook, thinking. Pairs. The whole business had begun with a pair of crimes: Chiswell's blackmail and Billy's allegation of infanticide. He had been trying to find the connection between them from the start, unable to believe that they could be entirely separate cases, even if on the face of it their only link was in the blood tie between the Knight brothers.Part Two, Chapter 52Key Relationship Pairings in Cormoran Strike:Who Killed Leda Strike?To Rowling-Galbraith's credit, credible arguments in dedicated posts have been made that every person in the list below was the one who murdered Leda Strike. Who do you think did it?* Jonny Rokeby and the Harringay Crime Syndicate (Heroin Dark Lord 2.0),* Ted Nancarrow (Uncle Ted Did It),* Dave Polworth,* Leda Strike (!),* Lucy Fantoni (Lucy and Joan Did It and here),* Sir Randolph Whittaker,* Nick Herbert,* Peter Gillespie, and* Charlotte Campbell-RossScripted Ten Questions:1. So, Nick, back when we first read Hallmarked Man we said that there were four things we knew for sure would be said about Strike 8 in the future. Do you remember what they were?2. And, John, you've been thinking about the ‘Set-Up' idea and how future Rowling Readers will think of Hallmarked Man, even that they will think of it as the best Strike novel. I thought that was Troubled Blood by consensus. What's made you change your mind?3. So, Nick, yes, Troubled Blood I suspect will be ranked as the best of series, even best book written by Rowling ever, but, if looked at as the book that served the most critical place in setting up the finale, I think Hallmarked Man has to be considered better in that crucial way than Strike 5, better than any Strike novel. Can you think of another Strike mystery that reviews specific plot points and raises new aspects of characters and relationships the way Strike 8 does?4. Are you giving Hallmarked Man a specific function with respect to the last three books than any of the others? If so, John, what is that exactly and what evidence do we have that in Rowling's comments about reader-writer obligations and writer ambitions?5. Nick, I think Hallmarked Man sets us up to answer the Key mysteries that remain, that the first seven books left for the final three to answer. I'm going to organize those unresolved questions into three groups and challenge you to think of the ones I'm missing, especially if I'm missing a category.6. If I understand the intention of your listing these remaining questions, John, your saying that the restatement of specific plot points and characters from the first seven Strike novels in Hallmarked Man points to the possible, even probable answers to those questions. What specifically are the hallmarks in this respect of Hallmarked Man?7. If you take those four points, Nick, and revisit the mysteries lists in three categories, do you see how Rowling hits a fairness point with respect to clueing readers into what will no doubt be shocking answers to them if they're not looking for the set-ups?8. That's fun, Nick, but there's another way at reaching the same conclusions, namely, charting the key relationships of Strike and Ellacott to the key family, friends, and foes in their lives and how they run in pairs or parallel couplets (cue PPoint slides).9. Can we review incest and violence against or trafficking of young women in the Strike series? Are those the underpinning of the majority of the mysteries that remain in the books?10. Many Serious Strikers and Gonzo Galbraithians hated Striuke 8 because Hallmarked Man failed to meet expectations. In conclusion, do you think, Nick, that this argument that the most recent Strike-Ellacott adventure is the best because of how it sets us up for the wild finish to come will be persuasive -- or just annoying?On Imagination as Transpersonal Faculty and Non-Liturgical Sacred ArtThe Neo-Iconoclasm of Film (and Other Screened Adaptations): Justin requested within his question for an expansion of my allusion to story adaptations into screened media as a “neo-iconoclasm.” I can do that here briefly in two parts. First, by urging you to read my review of the first Hunger Games movie adaptation, ‘Gamesmakers Hijack Story: Capitol Wins Again,' in which I discussed at post's end how ‘Watching Movies is a a Near Sure Means to Being Hijacked by Movie Makers.' In that, I explain via an excerpt from Jerry Mander's Four Arguments for the Elimination of Television, the soul corrosive effects of screened images.Second, here is a brief introduction to the substance of the book I am working on.Rowling is a woman of profound contradictions. On the one hand, like all of us she is the walking incarnation of her Freudian family romance per Paglia, the ideas and blindspots of the age in which we live, with the peculiar individual prejudices and preferences and politics of her upbringing, education, and life experiences, especially the experiences we can call crises and consequent core beliefs, aversions, and desires. Rowling acknowledges all this, and, due to her CBT exercises and one assumes further talking therapy, she is more conscious of the elephant she is riding and pretending to steer than most of her readers.She points to this both in asides she make in her tweets and public comments but also in her descriptive metaphor of how she writes. The ‘Lake' of that metaphor, the alocal place within her from her story ideas and inspiration spring, is her “muse,” the word for superconscious rather than subconscious ideas that she used in her 2007 de la Cruz interview. She consciously recognizes that, despite her deliberate reflection on her PTSD, daddy drama, and idiosyncratic likes and dislikes, she still has unresolved issues that her non-conscious mind presents to her as story conflict for imaginative resolution.Her Lake is her persona well, the depths of her individual identity and a mask she wears.The Shed, in contrast, is the metaphorical place where Rowling takes the “stuff” given her by the creature in her Lake, the blobs of molten glass inspiration, to work it into proper story. The tools in this Shed are unusual, to say the least, and are the great markers of what makes Rowling unique among contemporary writers and a departure from, close to a contradiction of the artist you would expect to be born of her life experiences, formative crises, and education.Out of a cauldron potion made from listening to the Smiths, Siouxie and the Banshees, and The Clash, reading and loving Val McDermid, Roddy Doyle, and Jessica Mitford, and surviving a lower middle class upbringing with an emotionally barren homelife and Comprehensive education on the England-Wales border, you'd expect a Voldemort figure at Goblet of Fire's climax to rise rather than a writer who weaves archetypally rich myths of the soul's journey to perfection in the spirit with alchemical coloring and sequences, ornate chiastic structures, and a bevy of symbols visible only to the eye of the Heart.To understand Rowling, as she all but says in her Lake and Shed metaphor, one has to know her life story and experiences to “get” from where her inspiration bubbles up and, as important, you need a strong grasp of the traditionalist worldview and place of literature in it to appreciate the power of the tools she uses, especially how she uses them in combination.The biggest part of that is understanding the Perennialist definition of “Sacred Art.” I touched on this in a post about Rowling's beloved Christmas story, ‘Dante, Sacred Art, and The Christmas Pig.'Rowling has been publicly modest about the aims of her work, allowing that it would be nice to think that readers will be more empathetic after reading her imaginative fiction. Dante was anything but modest or secretive in sharing his self-understanding in the letter he wrote to Cangrande about The Divine Comedy: “The purpose of the whole work is to remove those living in this life from the state of wretchedness and to lead them to the state of blessedness.” His aim, point blank, was to create a work of sacred art, a category of writing and experience that largely exists outside our understanding as profane postmoderns, but, given Rowling's esoteric artistry and clear debts to Dante, deserves serious consideration as what she is writing as well.Sacred art, in brief, is representational work — painting, statuary, liturgical vessels and instruments, and the folk art of theocentric cultures in which even cutlery and furniture are means to reflection and transcendence of the world — that employ revealed forms and symbols to bring the noetic faculty or heart into contact with the supra-sensible realities each depicts. It is not synonymous with religious art; most of the art today that has a religious subject is naturalist and sentimental rather than noetic and iconographic, which is to say, contemporary artists imitate the creation of God as perceived by human senses rather than the operation of God in creation or, worse, create abstractions of their own internally or infernally generated ideas.Story as sacred art, in black to white contrast, is edifying literature and drama in which the soul's journey to spiritual perfection is portrayed for the reader or the audience's participation within for transformation from wretchedness to blessedness, as Dante said. As with the plastic arts, these stories employ traditional symbols of the revealed traditions in conformity with their understanding of cosmology, soteriology, and spiritual anthropology. The myths and folklore of the world's various traditions, ancient Greek drama, the epic poetry of Greece, Rome, and Medieval Europe, the parables of Christ, the plays of Shakespeare's later period, and the English high fantasy tradition from Coleridge to the Inklings speak this same symbolic language and relay the psychomachia experience of the human victory over death.Dante is a sacred artist of this type. As difficult as it may be to understand Rowling as a writer akin to Dante, Shakespeare, Homer, Virgil, Aeschylus, Spenser, Lewis, and Tolkien, her deployment of traditional symbolism and the success she enjoys almost uniquely in engaging and edifying readers of all ages, beliefs, and circumstances suggests this is the best way of understanding her work. Christmas Pig is the most obviously sacred art piece that Rowling has created to date. It is the marriage of Dantean depths and the Estecean lightness of Lewis Carroll's Alice books, about which more later.[For an introduction to reading poems, plays, and stories as sacred art, that is, allegorical depictions of the soul's journey to spiritual perfection that are rich in traditional symbolism, Ray Livingston's The Traditional Theory of Literature is the only book length text in print. Kenneth Oldmeadow's ‘Symbolism and Sacred Art' in his Traditionalism: Religion in the light of the Perennial Philosophy(102-113), ‘Traditional Art' in The Essential Seyyed Hossein Nasr(203-214), and ‘The Christian and Oriental, or True Philosophy of Art' in The Essential Ananda K. Coomaraswamy(123-152) explain in depth the distinctions between sacred and religious, natural, and humanist art. Martin Lings' The Sacred Art of Shakespeare: To Take Upon Us the Mystery of Things and Jennifer Doane Upton's two books on The Divine Comedy, Dark Way to Paradise and The Ordeal of Mercy are the best examples I know of reading specific works of literature as sacred art rather than as ‘stories with symbolic meaning' read through a profane and analytic lens.]‘Profane Art' from this view is “art for art's sake,” an expression of individual genius and subjective meaning that is more or less powerful. The Perennialist concern with art is less about gauging an artist's success in expressing his or her perception or its audience's response than with its conformity to traditional rules and its utility, both in the sense of practical everyday use and in being a means by which to be more human. Insofar as a work of art is good with respect to this conformity and edifying utility, it is “sacred art;” so much as it fails, it is “profane.” The best of modern art, even that with religious subject matter or superficially beautiful and in that respect edifying, is from this view necessarily profane.Sacred art differs from modern and postmodern conceptions of art most specifically, though, in what it is representing. Sacred art is not representing the natural world as the senses perceive it or abstractions of what the individual and subjective mind “sees,” but is an imitation of the Divine art of creation. The artist “therefore imitates nature not in its external forms but in its manner of operation as asserted so categorically by St. Thomas Aquinas [who] insists that the artist must not imitate nature but must be accomplished in ‘imitating nature in her manner of operation'” (Nasr 2007, 206, cf. “Art is the imitation of Nature in her manner of operation: Art is the principle of manufacture” (Summa Theologia Q. 117, a. I). Schuon described naturalist art which imitates God's creation in nature by faithful depiction of it, consequently, as “clearly luciferian.” “Man must imitate the creative act, not the thing created,” Aquinas' “manner of operation” rather than God's operation manifested in created things in order to produce ‘creations'which are not would-be duplications of those of God, but rather a reflection of them according to a real analogy, revealing the transcendental aspect of things; and this revelation is the only sufficient reason of art, apart from any practical uses such and such objects may serve. There is here a metaphysical inversion of relation [the inverse analogy connecting the principial and manifested orders in consequence of which the highest realities are manifested in their remotest reflections[1]]: for God, His creature is a reflection or an ‘exteriorized' aspect of Himself; for the artist, on the contrary, the work is a reflection of an inner reality of which he himself is only an outward aspect; God creates His own image, while man, so to speak, fashions his own essence, at least symbolically. On the principial plane, the inner manifests the outer, but on the manifested plane, the outer fashions the inner (Schuon 1953, 81, 96).The traditional artist, then, in imitation of God's “exteriorizing” His interior Logos in the manifested space-time plane, that is, nature, instead of depicting imitations of nature in his craft, submits to creating within the revealed forms of his craft, which forms qua intellections correspond to his inner essence or logos.[2] The work produced in imitation of God's “manner of operation” then resembles the symbolic or iconographic quality of everything existent in being a transparency whose allegorical and anagogical content within its traditional forms is relatively easy to access and a consequent support and edifying shock-reminder to man on his spiritual journey. The spiritual function of art is that “it exteriorizes truths and beauties in view of our interiorization… or simply, so that the human soul might, through given phenomena, make contact with the heavenly archetypes, and thereby with its own archetype” (Schuon 1995a, 45-46).Rowling in her novels, crafted with tools all taken from the chest of a traditional Sacred Artist, is writing non-liturgical Sacred Art. Films and all the story experiences derived of adaptations of imaginative literature to screened images, are by necessity Profane Art, which is to say per the meaning of “profane,” outside the temple or not edifying spiritually. Film making is the depiction of how human beings encounter the time-space world through the senses, not an imitation of how God creates and a depiction of the spiritual aspect of the world, a liminal point of entry to its spiritual dimension. Whence my describing it as a “neo-iconoclasm.”The original iconoclasts or “icon bashers” were believers who treasured sacred art but did not believe it could use images of what is divine without necessarily being blasphemous; after the incarnation of God as Man, this was no longer true, but traditional Christian iconography is anything but naturalistic. It could not be without becoming subjective and profane rather than being a means to spiritual growth and encounters. Western religious art from the Renaissance and Reformation forward, however, embraces profane imitation of the sense perceived world, which is to say naturalistic and as such the antithesis of sacred art. Film making, on religious and non-religious subjects, is the apogee of this profane art which is a denial of any and all of the parameters of Sacred art per Aquinas, traditional civilizations, and the Perennialists.It is a neo-iconoclasm and a much more pervasive and successful destruction of the traditional world-view, so much so that to even point out the profanity inherent to film making is to insure dismissal as some kind of “fundamentalist,” “Puritan,” or “religious fanatic.”Screened images, then, are a type of iconoclasm, albeit the inverse and much more subtle kind than the relatively traditional and theocentric denial of sacred images (the iconoclasm still prevalent in certain Reform Church cults, Judaism, and Islam). This neo-iconoclasm of moving pictures depicts everything in realistic, life-like images, everything, that is, except the sacred which cannot be depicted as we see and experience things. This exclusion of the sacred turns upside down the anti-naturalistic depictions of sacred persons and events in iconography and sacred art. The effect of this flood of natural pictures akin to what we see with our eyes is to compel the flooded mind to accept time and space created nature as the ‘most real,' even ‘the only real.' The sacred, by never being depicted in conformity with accepted supernatural forms, is effectively denied.Few of us spend much time in live drama theaters today. Everyone watches screened images on cineplex screens, home computers, and smart phones. And we are all, consequently, iconoclasts and de facto agnostics, I'm afraid, to greater and lesser degrees because of this immersion and repetitive learning from the predominant art of our secular culture and its implicit atheism.Contrast that with the imaginative experience of a novel that is not pornographic or primarily a vehicle of perversion and violence. We are obliged to generate images of the story in the transpersonal faculty within each of us called the imagination, one I think that is very much akin to conscience or the biblical ‘heart.' This is in essence an edifying exercise, unlike viewing photographic images on screens. That the novel appears at the dawn of the Modern Age and the beginning of the end of Western corporate spirituality, I think is no accident but a providential advent. Moving pictures, the de facto regime artistry of the materialist civilization in which we live, are the counter-blow to the novel's spiritual oxygen.That's the best I can manage tonight to offer something to Justin in response to more about the “neo-iconoclasm” of film This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

On 24 December 1951, in the United States, television history was made with the live broadcast of Amahl and the Night Visitors, the first opera ever composed specifically for TV.Written by acclaimed Italian composer Gian Carlo Menotti, the opera almost didn't happen. Struggling with writer's block and a looming deadline, Menotti feared he wouldn't finish, until a visit to an art gallery sparked a childhood memory and inspired the story.Broadcast live every Christmas Eve on NBC until 1966, Amahl and the Night Visitors became a much-loved holiday tradition for American audiences.Produced and presented by Gill Kearsley using a variety of archive from the 1950s through to the 2000s.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from the death of Adolf Hitler, the first spacewalk and the making of the movie Jaws, to celebrity tortoise Lonesome George, the Kobe earthquake and the invention of superglue. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: Eva Peron – Argentina's Evita; President Ronald Reagan and his famous ‘tear down this wall' speech; Thomas Keneally on why he wrote Schindler's List; and Jacques Derrida, France's ‘rock star' philosopher. You can learn all about fascinating and surprising stories, such as the civil rights swimming protest; the disastrous D-Day rehearsal; and the death of one of the world's oldest languages.(Photo: Gian Carlo Menotti in 1957. Credit: Erich Auerbach/Getty Images)

Guardian critics Ben Beaumont-Thomas, Catherine Shoard and Hannah J Davies look back at some of the best (and worst) of the year. Help support our independent journalism at theguardian.com/infocus

Every Monday and Friday for the rest of December we will publish some of our favourite audio long reads of 2025, in case you missed them, with an introduction from the editorial team to explain why we've chosen it. From April: The Black Swan follows a repentant master criminal as she sets up corrupt clients in front of hidden cameras. But is she really reformed – and is the director up to his own tricks? By Samanth Subramanian. Read by David Bateson. Help support our independent journalism at theguardian.com/longreadpod

The new documentary "Happy and You Know It" celebrates the history of children's music and musicians. Director Penny Lane discusses the documentary, and listeners share their favorite children's musician or song. "Happy and You Know It" premieres on HBO and HBO Max on December 25.

This week's episode features the exciting(?) future of Attack the Backlog, Jotunnslayer: Hordes of Hel, GIGASWORD, Montezuma's Revenge - The 40th Anniversary Edition, Kill It with Fire! 2, Desert Race Adventures, Crime Simulator, Republic of Pirates, and Winterlight - Where silence says it all. Anyway and as always, thank you for watching or listening, I hope you enjoy this here episode, and I hope you have a wonderful wonderful rest of your day. (And if you haven't already, or are a listener and not a watcher, please like, subscribe, hit the bell, and all that jazz; it may not seem like much, but it goes a long way in helping support the show and site in general. I would appreciate it greatly.)

For the final chapter, it turns out we got kind of a fun one. Not Prince Valiant fun, but just imagine us all nodding and wryly smiling at a clever bon mot. If you like chocolate or ivy league prep school slang, you should join us for Doonesbury and Cathy.Today's Episode Sponsor: 16 Easy Ways to Get Food From Dairy Queen™THIS WEEK'S EPISODES:A Doonesbury Special (1977)Cathy (1987)Join our Discord! https://discord.gg/StaYgR7HW2Support us on Patreon: https://www.patreon.com/satamtuesdaysOur Website:http://www.satamtuesdays.com/The Hosts: Andrew Eric Davison, Austin Bridges, Rory VoieAudio Production: Andrew Eric DavisonFabulous Guest: Shane Smith

Apple TV just doesn't miss! Fresh off the success of shows like Severance, the newest Apple TV hit Pluribus from Breaking Bad and Better Caul Saul creator Vince Gilligan is now streaming. Join us LIVE for our Pluribus Season 1 reviews and breakdown each week! This week, TJ Zwarych and Sean Mott of Agents of Fandom are joined by Lauren Rouse of The Direct to break down Pluribus Episodes 7 & 8. THEN stay tuned for our full breakdown of the premiere of Fallout Season 2, now streaming on Prime Video! (00:00:00) Intro(00:02:00) Whatcha Watchin? - Wake Up Dead Man, Star Wars: The Force Awakens, Percy Jackson and the Olympians(00:10:00) Fallout Spoiler-Free Reactions(00:14:00) Fallout Season 2 Interacting With the Video Games(00:16:00) Fallout Season 2 Episode 1 Breakdown(00:19:00) Lucy and The Ghoul are the Heart and Soul of Fallout(00:27:00) The Ghoul's Origin in Fallout Season 2(00:28:30) Robert House Theories in Fallout(00:33:00) Hank's Role in Fallout Season 2(00:35:00) Chris Evans Returns to the MCU in Avengers: Doomsday(00:47:00) Should Chris Evans be a Lead in Avengers: Doomsday?(00:52:00) Pluribus Episode 7 & 8 Spoiler-Free Reactions(00:57:00) Manousos' Journey in Pluribus Episode 7(01:10:00) Does Carol Care About The Others in Pluribus or is She Tricking Them?(01:17:00) Are The Others Gaining Individuality in Pluribus? Check out https://www.agentsoffandom.com for the latest TV and Movie reviews! 

Well it’s that time of the year once again. We tabulate whether the year is a good or a bad via 10 spot checks into the Zeitgeist. Movies, Video Games, and Television kick us off into seven randomly picked categories submitted by you, the dear fams of our show. Will 2025 go down in the annals of good, or will it stomp through the china shop of bad? Let’s find out one last time (in 2025) right here on Zero Credit(s).

Adam and Will meet in their cubicles to talk about the laughs and legacy of The Drew Carey Show, exploring Drew's many girlfriends, co-workers, friends and family who brought the outrageous sitcom to life for 9 seasons. Thanks to our monthly supporters Chad Droze retrodolls77 Tim Heasley

"Wow, this is your job? I didn't know that was a job! That's amazing. Can I have this job?"  That offhand epiphany neatly sums up the enviable career path of wildlife, adventure, and travel photographer Chelsea Mayer. From an early start with her mom's camera to her selection for an Ambassador mentorship, before becoming a partner photographer, with Girls Who Click, all the way through to her certifications as a 100-ton boat captain and professional divemaster, the course Chelsea plotted has made her undeniably qualified for a thriving career. In today's show, we do a deep dive into the steps she's taken to keep her career moving forward and the vital role of mentors who've kept her motivated and focused on details that count. And on the flip side, Chelsea talks about common fears and obstacles creatives must overcome to land a dream job like her current role with National Geographic Lindblad Expeditions.  "There are so many different paths to get a job in photography or adjacent to photography," Chelsea points out. Yet, as her story make crystal clear, "How do you know that you want to do it if you didn't know it exists? Guest: Chelsea Mayer Episode Timeline: 2:15: Chelsea's early interest in photography and filmmaking, then adding structure through formal education. 5:31: From a casual whale watching trip to finding a photo job on the boat. 8:26: Chelsea's involvement with the organization Girls Who Click—from ambassador to partner. 13:18: Chelsea talks about uncertainty and roadblocks in building her photo career.  15:29: Pivoting to a new opportunity to sell limited edition fine art prints due constant travel in her current job. 18:49: Overcoming a fear of public speaking in a new role at National Geographic Lindblad Expeditions. 22:04: Chelsea's gear for whale watching expeditions and underwater work.   24:48: Chelsea's disarming approach to teaching, the inspiration she draws from the outside world, and finding focus in photographing for fine art prints. 30:46: Chelsea describes a magical underwater experience with a Mola Mola.   32:48: Breaking through walls and asserting herself in a male dominated field. 36:01: Chelsea's aspirations for the future: owning a boat and teaching photography in Antarctica. 37:24: Advice for other young photographers: become undeniably qualified. Guest Bio: Chelsea Mayer is a photographer and cinematographer specializing in wildlife, adventure, and portrait photography. A California native, she attended UCLA's School of Theater, Film and Television, earning a BA in film production. After spending a few years working on films, Chelsea turned her sights seaward to work as a wildlife photographer and social media manager for local whale watching boats. In 2022, she joined National Geographic Lindblad Expeditions as a certified photo instructor, captain, and naturalist, traveling along the Pacific coast from Alaska to Baja, and to Scotland. Chelsea is a US Coast Guard-licensed 100-ton Captain, a professionally certified Divemaster, a certified naturalist for a number of organizations, and a Partner Photographer with Girls Who Click, a nonprofit mentorship organization dedicated to empowering the next generation of female nature photographers. When not on expedition or pursuing photo projects, Chelsea works as a dive supervisor, camera assistant, and safety diver for natural history film productions.  Stay Connected: Chelsea Mayer Website: https://www.chelseamayerphotography.com/ Chelsea Mayer Instagram: https://www.instagram.com/chelseamayerphotography/ Credits: Host: Derek Fahsbender Senior Creative Producer: Jill Waterman Senior Technical Producer: Mike Weinstein Executive Producer: Richard Stevens  

Col. Lawrence Wilkerson talks Russia, Ukraine, China, the collapse of Europe's economy and more. Then Junaid S Ahmad talks Pakistan, Imran Khan and why Zionism will fail. And then filmmakers Tami Gold and JT Takagi talk about Third World Newsreel and revolutionary film. For the full discussion, please join us on Patreon at - https://www.patreon.com/posts/patreon-full-jt-146035006 Lawrence Wilkerson is a retired US army colonel and former chief of staff to United States Secretary of State Colin Powell. He is an anti-war critic of U.S. foreign policy and a member of Veteran Intelligence Professionals for Sanity. Junaid S Ahmad teaches Law, Religion and Global Politics and is the Director of the Centre for the Study of Islam and Decolonization (CSID), Islamabad, Pakistan. He is a member of the International Movement for a Just World (JUST), the Movement for Liberation from Nakba (MLN) and Saving Humanity and Planet Earth (SHAPE). Tami Kashia Gold is a multidisciplinary artist, cultural worker and a professor at Hunter College CUNY. Her teaching focuses on documentary production and LGBTQ non-fiction studies. As a filmmaker, Tami has produced RFK In The Land Of Apartheid; Signed, Sealed and Delivered: Labor Struggle in the Post Office; The Last Hunger Strike: Ireland 1981; Another Brother, among others. Tami is a recipient of a Rockefeller, Guggenheim and Fulbright Fellowships; NY/NJ Video Arts Fellowships; AFI Independent Filmmakers Fellowship and Tribeca Audience Award; GLAAD Media Award; Urban Visionaries Award, Museum of Television and Radio; Excellence in the Arts Award from the Manhattan Borough President; Cine Golden Eagle Award;1st Place Athens International Film and Video Festival; HUGO Award; Gold Plaque Chicago International Film Festival; Director's Choice Award, Black Maria; Video Golden Apple Award; National Media Network Festival among others. JT Takagi (Orinne JT Takagi) is an award-winning independent filmmaker and sound recordist. Her films are primarily on Asian/Asian-American and immigrant issues and include BITTERSWEET SURVIVAL, THE #7 TRAIN, THE WOMEN OUTSIDE, and NORTH KOREA: BEYOND THE DMZ, which all aired on PBS. As a sound engineer, she has recorded for numerous public television and theatrical documentaries with Emmy and Cinema Audio Society nominations including the 2018 Oscar-nominated and Emmy-winning STRONG ISLAND by Yance Ford, BLACK PANTHERS: VANGUARD OF THE REVOLUTION, and TELL THEM WE ARE RISING by Stanley Nelson, and others. She also manages Third World Newsreel, a non-profit alternative media center, and serves on the boards of both community and national organizations working on peace and social justice. ***Please support The Katie Halper Show *** For bonus content, exclusive interviews, to support independent media & to help make this program possible, please join us on Patreon - https://www.patreon.com/thekatiehalpershow Get your Katie Halper Show Merch here! https://katiehalper.myspreadshop.com/all Follow Katie on Twitter: https://x.com/kthalps Follow Katie on Instagram: https://www.instagram.com/kthalps Follow Katie on TikTok: https://tiktok.com/@kthalps_

A new study out of India shows a bit of crossover between sarcoidosis and lung cancer.  In this episode of the FSR Sarc Fighter podcast, I'll take a look at the study and what it reveals — including a new drug, Metformin, previously used to treat Type 2 Diabetes, that may show promise based on the study's findings.  For what it's worth, I'll also share the terrors of surgery for my ruptured Achilles.       Show Notes:  Donate to FSR: https://stopsarcoidosis.rallybound.org/gratitude-and-giving-2025 FSR Biomarker Summit: https://www.stopsarcoidosis.org/fsr-convenes-global-leaders-for-landmark-clinic-alliance-meeting-and-sarcoidosis-biomarker-summit/ Sarcoidosis News Study from India: https://sarcoidosisnews.com/news/new-genetic-clues-connect-sarcoidosis-lung-cancer-risk More from FSR: https://www.stopsarcoidosis.org/fsr-receives-confirmation-from-the-department-of-labor-ensuring-patient-access-to-fmla-for-participation-in-clinical-trials/ MORE FROM JOHN: Cycling with Sarcoidosis http://carlinthecyclist.com/category/cycling-with-sarcoidosis/ Do you like the official song for the Sarc Fighter podcast?  It's also an FSR fundraiser! If you would like to donate in honor of Mark Steier and the song, Zombie, Here is a link to his KISS account.  (Kick In to Stop Sarcoidosis)  100-percent of the money goes to the Foundation.  https://stopsarcoidosis.rallybound.org/MarkSteier The Foundation for Sarcoidosis Research https://www.stopsarcoidosis.org/ Donate to my KISS (Kick In to Stop Sarcoidosis) fund for FSR  https://stopsarcoidosis.rallybound.org/JohnCarlinVsSarcoidosis?fbclid=IwAR1g2ap1i1NCp6bQOYEFwOELdNEeclFmmLLcQQOQX_Awub1oe9bcEjK9P1E My story on Television https://www.stopsarcoidosis.org/news-anchor-sarcoidosis/ email me  carlinagency@gmail.com #sarcoidosis #sarcoidosisawareness #fmla #fmlaclarification #metformin  

Send us a textIn the wake of Rob Reiner's horrific death, Angelo, Rhea, and Jay celebrate his life and work by talking about the projects of his that they loved the most.  From This is Spinal Tap to a A Few Good Men to the moving "fan film" of The Princess Bride released during covid, the first half of the show is devoted to a man who made all of our lives just a little bit brighter.THEN: It's the 20th anniversary of Jimmy Kimmel's "feud" with Matt Damon, which leads into a long conversation about our favorite running gags in TV history.  SPOILER: Angelo is not a big fan of them.All that plus a discussion of Rob Lowe's gameshow The Floor, a review of a SPANISH show on British Corner, and much MUCH more!LISTEN NOW to stay up to date on all you need to know regarding the latest and greatest in television and the big screens.MAKE SURE TO VISIT OUR SPONSOR: Steven Singer Jewelers!The TV Show is a weekly podcast hosted by Jay Black, with regular guests Angelo Cataldi and Rhea Hughes. Each week, we dive into the new Golden Age of Television, with a discussion of the latest shows and news. 

Tis' the season, the kick-off of our Year End Wrap-Up pods for the year in Film and Television. We kick things off this week with Our Favorite TV Shows of 2025 as determined by our incredible ARK of E Crew. We hope you enjoy, stay tuned for more Year-End Review pods as we move closer and closer to 2026. Music By nARK Produced By Noah Blanchard Released By The ARK of E Network Send Feedback : thearkofe@gmail.com Support / Exclusive BONUS Content : www.patreon.com/thearkofe

How much narration is too much? Is our protagonist hiding a mystery of her own? And how frequently would we visit a year-round Christmas store? Tune in to find out!Edited with thanks to Playlyst StudiosConnect with us:  Buy us a coffee at buymeacoffee.com/thepilotpodcast | Visit us at thepilotpodcast.com | Email us at askthepilotpodcast@gmail.com | Follow us @ThePilotPod on Twitter, Instagram, and TikTok | Please leave a rating and review on Apple Podcasts