Podcasts about Television

The fifth and final season of the beloved dramedy "The Bear" premieres on June 25. Lionel Boyce, who stars as pastry chef Marcus, discusses the final season of the show, which follows Marcus and the rest of the staff as they try to prevent the restaurant from going under.  Image courtesy of FX Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Heidi Sedra is a healthcare professional, but that didn't make her path to diagnosis and treatment any easier.  In this episode of the FSR Sarc Fighter Podcast, Heidi shares how sarcoidosis put her in the hospital -- and that's just part of the story.     SHOW NOTES Episode 48 with Dr. Jinny Tavee  https://beatsarc.podbean.com/e/episode-48-dr-jinny-tavee-is-a-neurosarcoidosis-specialist-with-a-unique-approach-to-fighting-the-disease/ MORE FROM JOHN: Cycling with Sarcoidosis http://carlinthecyclist.com/category/cycling-with-sarcoidosis/ Do you like the official song for the Sarc Fighter podcast?  It's also an FSR fundraiser! If you would like to donate in honor of Mark Steier and the song, Zombie, Here is a link to his KISS account.  (Kick In to Stop Sarcoidosis)  100-percent of the money goes to the Foundation.  https://stopsarcoidosis.rallybound.org/MarkSteier The Foundation for Sarcoidosis Research https://www.stopsarcoidosis.org/ Donate to my KISS (Kick In to Stop Sarcoidosis) fund for FSR  https://stopsarcoidosis.rallybound.org/JohnCarlinVsSarcoidosis?fbclid=IwAR1g2ap1i1NCp6bQOYEFwOELdNEeclFmmLLcQQOQX_Awub1oe9bcEjK9P1E My story on Television https://www.stopsarcoidosis.org/news-anchor-sarcoidosis/ email me  carlinagency@gmail.com #sarcoidosis #sarcoidosisawareness #kidney #dermatology        

Season 2 of Twisted Metal is revisited!Spoiler Review @1:57Rating @1:11:52Conclusion/Plugs @1:13:07Text Us Your ThoughtsHosts:Daniel Grant (Bluesky & Instagram)Ben Sit (Instagram)Show:@TDFSpoiled on Instagram, Threads, TikTok & YouTubeSubscribe & Follow HERE

Whirlpool's stock is down more than 60% over the past year and they've cut their full-year earnings forecast in half... Is one of NW Ohio's biggest employers in trouble? (at 13:30) --- Before Amazon, eBay or Temu, at-home shopping in real-time was born on Television... And QVC is celebrating their 40th anniversary this week with a live event and exclusive deals (at 23:05) --- Father's Day is Sunday... And what dad really deserves is time off to spend with his family (at 41:16)

It's (not) the end, but the moment has been prepared for! Well, not as such but a press release from the BBC confirms what we long suspected: there will not be a Christmas special nor were plans for one ever seriously pursued. Sad news to be sure, but we've cobbled together industry and wider fan reaction along with our own lengthy takes tinged with what we'd like to think is both optimism and realism. More importantly, we have former Doctor Who Magazine editor Tom Spilsbury to give us his rather more informed take on the whole situation. Brave Heart, Tegan, after all somewhere the tea is getting cold.  Links: Support Radio Free Skaro on Patreon An update on the future of Doctor Who 'Doctor Who' Set To Be Off Air For Years Amid A Creative Regeneration That's Failing To Spark Enthusiasm Among Producers Russell T Davies on Instagram: "For the record, there was no script" Russell T Davies: Doctor Who hasn't been cancelled Bad Wolf Studios post on Instagram Steven Moffat on the Doctor Who news Andy Pryor also leaving Doctor Who Variety: 'Doctor Who' Christmas Special Not Going Forward as Russell T Davies and Bad Wolf Exit Series 'Doctor Who' Christmas Special Canceled, As Russell T Davies & Bad Wolf Exit BBC Sci-Fi Series Vinay Patel on the stress of making Doctor Who BBC tendering process explained Doctor Who's Billie Piper Stunt Was Never Going to Pay Off by Kyle Anderson Doctor Who premiered on AMC+ in the US only Recovered: Doctor Who Special with Film Is Fabulous in Leicester Aug 15 The Queerest of Folk: A Life in Television by Russell T Davies due Oct 8 Big Finish: Planet Krynoid – Survivors released Big Finish: The Sixth Doctor Adventures: Reunion due Aug 2026 Big Finish: The Second Doctor Adventures: The Haunted Windmill due August 2026 Nicola Bryant did the narration for The Ultimate Evil Lifelong Doctor Who collection fetches £49,000 Sir Sherlock – The Sickle and the Sea Kickstarter, fully funded in less than a day Michael Keating obituary by Toby Hadoke Gene Shalit died Interview: Tom Spilsbury

Where is Diane Jenkins? Y&R BTG Crossover; Sienna bartends The Shadow Room; Sharon toasts Noah and supports Phyllis; Danny announces retirement from touring; Nate needs two hands; Victor gives Phyllis Arabesque; Nick attends a Narcotics Anonymous meeting; The Victor and Nikki reunion; Malcolm and Holden bond; Lily tells Billy Cane is Chancellor CEO; Matt crushes […]

Filmmaker Billy Luther talks with Sandy about his coming-of-age film, ‘Frybread Face and Me,' which was executive-produced by Taika Waititi and distributed by Ava DuVernay's company, Array, on Netflix.Written and directed by Billy, ‘Frybread Face and Me' was selected for SXSW 2023's Narrative Spotlight and TIFF 2023's Discovery and New Wave Selects. Billy's feature documentary, Miss Navajo, premiered at the 2007 Sundance Film Festival and aired nationally on PBS' Independent Lens that same year.Billy has also served as a writer and director on the hit AMC series Dark Winds, adapting Tony Hillerman's novels featuring Navajo tribal police investigations.You can watch ‘Frybread Face and Me,” ‘Miss Navajo,' and all of Billy's films for free on his website here: https://billyluther.comIf you have Netflix, go watch ‘Frybread Face and Me' right now!  Pick up the remote, click the link.  Do.  The PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

 Steve welcomes author and paranormalist Sysco Murdoch from Journey Through the Gate Paranormal Portal Podcast as they discuss classic paranormal TV. Find Sysco on YouTube: https://www.youtube.com/@journeythroughthegateBecome a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

Desperate for a new series to binge-watch or heading to the cinema for date-night? Gayle Edmunds shares her top picks of things to watch on the big and small screen with CapeTalk’s Sara-Jayne Makwala King on Weekend Breakfast.[Text Wrapping Break]This week we’re watching: Office Romance Cast:  Jennifer Lopez as Jackie Cruz, the CEO of an airline company Brett Goldstein as Daniel Blanchflower, the company's lawyer and her love interest Plot: Jennifer Lopez and Brett Goldstein star in a saucy rom-com about a secret office romance and the chaos two workaholics get into following their hearts. - netflix.comSee omnystudio.com/listener for privacy information.

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Kurt Farquhar. Television & Film Composer, Founder of Fall Crop Productions and True Music ProNotable Credits: The King of Queens, Girlfriends, The Parkers, Being Mary Jane, The Proud Family, The Neighborhood, Black LightningAwards: 10 BMI AwardsTenure: 38+ years in television Purpose of the Interview The purpose of this interview is to educate and inspire creatives, entrepreneurs, and professionals about longevity, adaptability, and wealth-building behind the scenes. Kurt Farquhar’s journey highlights how sustainable success comes from mastery of craft, relationship-building, and treating creativity as a business—not chasing visibility or fame. Rushion McDonald uses Kurt’s career as a blueprint for: Building mailbox money through residuals Staying relevant across decades of industry change Monetizing intellectual property Leveraging relationships to sustain opportunity Core Themes Discussed Longevity vs. “getting on” Behind-the-scenes success Residual income (“mailbox money”) Adaptability in changing industries Creative originality Relationship capital Diversifying income through ownership Treating art like a business Key Takeaways 1. Staying In Is Harder Than Getting In While many focus on breaking into the industry, Kurt emphasizes that lasting success requires constant reinvention. “The continuing it for the 30-plus years has been way harder than the getting in in the first.” Insight: Longevity requires discipline, humility, and evolution. 2. Behind-the-Scenes Roles Can Be More Sustainable Kurt chose composing over performing, allowing him to age into his career rather than age out of it. “In television and film… all I’ve got to say is John Williams is in his 90s and still composing.” Insight: Choose lanes that allow long-term relevance and recurring income. 3. Residual Income Is Real Wealth Rushion and Kurt discuss “mailbox money”—recurring payments from past work. “If you just had the mailbox money for King of Queens, you’d be fine.” Insight: True financial freedom comes from owning work that keeps paying. 4. Adaptability Is Non‑Negotiable Kurt has survived massive industry shifts—from analog tape to digital production—by embracing change. “Sustain that good idea, change it, polish it up, and mold it for the changing times.” Insight: Talent without adaptability becomes obsolete. 5. Originality Comes From Listening, Not Forcing a Style Kurt avoids creative stagnation by serving the story, not his ego. “I don’t come in every day trying to force the singular style I’ve done for 38 years.” Insight: Longevity depends on collaboration and humility. 6. Relationships Are Career Currency Kurt credits long-term success to consistently showing up for people—before they’re powerful. “If you only call someone once you read they’ve got something coming up, it’s already too late.” Insight: Relationships built without agenda produce lasting opportunity. 7. Saying “Yes” Creates Opportunity Kurt embraces what he calls the power of yes. “I figure I can say yes more than you and end up making more and doing better.” Insight: Opportunity favors those who remain open, prepared, and professional. 8. Ownership Multiplies Creativity Into Business Kurt built True Music Pro, a licensing library used across major networks and streaming platforms. “I realized companies were licensing more of my music than I was… so I built my own library.” Insight: Ownership turns talent into scalable income. Notable Quotes “The journey to stay in is harder than the journey to get in.” “Treat it like a business and it might treat you in kind.” “I do my job, I do it the best I can, and I move on to the next one.” “Character is character. Relationships matter.” “That success doesn’t happen by accident. It happens with care.” Overall Impact of the Interview This interview serves as a masterclass on creative longevity and wealth-building without celebrity dependency. Kurt Farquhar’s story reframes success as: Consistent excellence Relationship stewardship Business ownership Adaptability across generations It is especially powerful for: Creatives seeking sustainable careers Entrepreneurs building IP-based businesses Professionals navigating long-term relevance Anyone pursuing “quiet wealth” over public fame #SHMS #STRAW #BEST #AMISee omnystudio.com/listener for privacy information.

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Kurt Farquhar. Television & Film Composer, Founder of Fall Crop Productions and True Music ProNotable Credits: The King of Queens, Girlfriends, The Parkers, Being Mary Jane, The Proud Family, The Neighborhood, Black LightningAwards: 10 BMI AwardsTenure: 38+ years in television Purpose of the Interview The purpose of this interview is to educate and inspire creatives, entrepreneurs, and professionals about longevity, adaptability, and wealth-building behind the scenes. Kurt Farquhar’s journey highlights how sustainable success comes from mastery of craft, relationship-building, and treating creativity as a business—not chasing visibility or fame. Rushion McDonald uses Kurt’s career as a blueprint for: Building mailbox money through residuals Staying relevant across decades of industry change Monetizing intellectual property Leveraging relationships to sustain opportunity Core Themes Discussed Longevity vs. “getting on” Behind-the-scenes success Residual income (“mailbox money”) Adaptability in changing industries Creative originality Relationship capital Diversifying income through ownership Treating art like a business Key Takeaways 1. Staying In Is Harder Than Getting In While many focus on breaking into the industry, Kurt emphasizes that lasting success requires constant reinvention. “The continuing it for the 30-plus years has been way harder than the getting in in the first.” Insight: Longevity requires discipline, humility, and evolution. 2. Behind-the-Scenes Roles Can Be More Sustainable Kurt chose composing over performing, allowing him to age into his career rather than age out of it. “In television and film… all I’ve got to say is John Williams is in his 90s and still composing.” Insight: Choose lanes that allow long-term relevance and recurring income. 3. Residual Income Is Real Wealth Rushion and Kurt discuss “mailbox money”—recurring payments from past work. “If you just had the mailbox money for King of Queens, you’d be fine.” Insight: True financial freedom comes from owning work that keeps paying. 4. Adaptability Is Non‑Negotiable Kurt has survived massive industry shifts—from analog tape to digital production—by embracing change. “Sustain that good idea, change it, polish it up, and mold it for the changing times.” Insight: Talent without adaptability becomes obsolete. 5. Originality Comes From Listening, Not Forcing a Style Kurt avoids creative stagnation by serving the story, not his ego. “I don’t come in every day trying to force the singular style I’ve done for 38 years.” Insight: Longevity depends on collaboration and humility. 6. Relationships Are Career Currency Kurt credits long-term success to consistently showing up for people—before they’re powerful. “If you only call someone once you read they’ve got something coming up, it’s already too late.” Insight: Relationships built without agenda produce lasting opportunity. 7. Saying “Yes” Creates Opportunity Kurt embraces what he calls the power of yes. “I figure I can say yes more than you and end up making more and doing better.” Insight: Opportunity favors those who remain open, prepared, and professional. 8. Ownership Multiplies Creativity Into Business Kurt built True Music Pro, a licensing library used across major networks and streaming platforms. “I realized companies were licensing more of my music than I was… so I built my own library.” Insight: Ownership turns talent into scalable income. Notable Quotes “The journey to stay in is harder than the journey to get in.” “Treat it like a business and it might treat you in kind.” “I do my job, I do it the best I can, and I move on to the next one.” “Character is character. Relationships matter.” “That success doesn’t happen by accident. It happens with care.” Overall Impact of the Interview This interview serves as a masterclass on creative longevity and wealth-building without celebrity dependency. Kurt Farquhar’s story reframes success as: Consistent excellence Relationship stewardship Business ownership Adaptability across generations It is especially powerful for: Creatives seeking sustainable careers Entrepreneurs building IP-based businesses Professionals navigating long-term relevance Anyone pursuing “quiet wealth” over public fame #SHMS #STRAW #BEST #AMISupport the show: https://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Kurt Farquhar. Television & Film Composer, Founder of Fall Crop Productions and True Music ProNotable Credits: The King of Queens, Girlfriends, The Parkers, Being Mary Jane, The Proud Family, The Neighborhood, Black LightningAwards: 10 BMI AwardsTenure: 38+ years in television Purpose of the Interview The purpose of this interview is to educate and inspire creatives, entrepreneurs, and professionals about longevity, adaptability, and wealth-building behind the scenes. Kurt Farquhar’s journey highlights how sustainable success comes from mastery of craft, relationship-building, and treating creativity as a business—not chasing visibility or fame. Rushion McDonald uses Kurt’s career as a blueprint for: Building mailbox money through residuals Staying relevant across decades of industry change Monetizing intellectual property Leveraging relationships to sustain opportunity Core Themes Discussed Longevity vs. “getting on” Behind-the-scenes success Residual income (“mailbox money”) Adaptability in changing industries Creative originality Relationship capital Diversifying income through ownership Treating art like a business Key Takeaways 1. Staying In Is Harder Than Getting In While many focus on breaking into the industry, Kurt emphasizes that lasting success requires constant reinvention. “The continuing it for the 30-plus years has been way harder than the getting in in the first.” Insight: Longevity requires discipline, humility, and evolution. 2. Behind-the-Scenes Roles Can Be More Sustainable Kurt chose composing over performing, allowing him to age into his career rather than age out of it. “In television and film… all I’ve got to say is John Williams is in his 90s and still composing.” Insight: Choose lanes that allow long-term relevance and recurring income. 3. Residual Income Is Real Wealth Rushion and Kurt discuss “mailbox money”—recurring payments from past work. “If you just had the mailbox money for King of Queens, you’d be fine.” Insight: True financial freedom comes from owning work that keeps paying. 4. Adaptability Is Non‑Negotiable Kurt has survived massive industry shifts—from analog tape to digital production—by embracing change. “Sustain that good idea, change it, polish it up, and mold it for the changing times.” Insight: Talent without adaptability becomes obsolete. 5. Originality Comes From Listening, Not Forcing a Style Kurt avoids creative stagnation by serving the story, not his ego. “I don’t come in every day trying to force the singular style I’ve done for 38 years.” Insight: Longevity depends on collaboration and humility. 6. Relationships Are Career Currency Kurt credits long-term success to consistently showing up for people—before they’re powerful. “If you only call someone once you read they’ve got something coming up, it’s already too late.” Insight: Relationships built without agenda produce lasting opportunity. 7. Saying “Yes” Creates Opportunity Kurt embraces what he calls the power of yes. “I figure I can say yes more than you and end up making more and doing better.” Insight: Opportunity favors those who remain open, prepared, and professional. 8. Ownership Multiplies Creativity Into Business Kurt built True Music Pro, a licensing library used across major networks and streaming platforms. “I realized companies were licensing more of my music than I was… so I built my own library.” Insight: Ownership turns talent into scalable income. Notable Quotes “The journey to stay in is harder than the journey to get in.” “Treat it like a business and it might treat you in kind.” “I do my job, I do it the best I can, and I move on to the next one.” “Character is character. Relationships matter.” “That success doesn’t happen by accident. It happens with care.” Overall Impact of the Interview This interview serves as a masterclass on creative longevity and wealth-building without celebrity dependency. Kurt Farquhar’s story reframes success as: Consistent excellence Relationship stewardship Business ownership Adaptability across generations It is especially powerful for: Creatives seeking sustainable careers Entrepreneurs building IP-based businesses Professionals navigating long-term relevance Anyone pursuing “quiet wealth” over public fame #SHMS #STRAW #BEST #AMISee omnystudio.com/listener for privacy information.

In the latest episode of Sausage On A Fork, we're joined by Keith Jayne. Keith was an extra in Series 3 of Grange Hill but was a very recognisable face on Children's Television in the 70s and 80s. Keith tells us how an accident at home indirectly led to him attending stage school; how he wasn't supposed to be on Grange Hill and how his appearance on Murphy's Mob once affected his job as a financial advisor!

This week's episode features NBA The Run, Dungeon Clawler, Do You even Forklift?, Psyvariar 3, Necrophosis: Full Consciousness, and Star Trek: Voyager - Across the Unknown.

Many supporters of Iran's revolution believed some form of democracy should govern the country. But over the decades, the Islamic Republic's radical religious rulers have launched brutal crackdowns on social justice and political freedom. Compass Points moderator Nick Schifrin discusses how the 1979 revolution failed to live up to its promise with Yeganeh Torbati and Bozorgmehr Sharafedin. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

The U.S. and Iran both say they are inching closer to a deal to end the war that started nearly four months ago. But as with previous announcements, there are few details on the timing and execution of any agreement. White House correspondent Liz Landers reports. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

To discuss the motivations and potential outcomes of this latest attempt to end the war in Iran, Amna Nawaz spoke with Alan Eyre and Miad Maleki. Eyre was part of the Obama administration's negotiating team for the Iran nuclear deal and is now at the Middle East Institute. Maleki was born and raised in Iran and is now at the Foundation for the Defense of Democracies. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

For nearly three years, children in Gaza have grown up surrounded by war, displacement and loss. Thousands of children have been killed in Israeli strikes that followed the Hamas assault on Oct. 7. Still, the children of Gaza yearn for the chance to keep learning in classes held in tents, damaged buildings and overcrowded shelters. Ali Rogin reports. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

In this episode, Professor Mouse and the Cosmologist discuss ball in the dumbest way possible. Happy World Cup. 

WBS: Happy Pride. #365 -- The gang is at it again. Brimstone is joined by his wing-man Alex DaPonte as they chat about the car humper from My Strange Addiction, and how he is now sleeping with a different vehicle, how a famous dog from social media was stolen, and then sold to a restaurant for meat. They chat about it being Pride Month, George Lucas' new museum opening in LA, and how the Mandolorian and Grogu was not too impressed. They discuss the Pride flag changing over the years, John Lithgow winning the Best Actor Award at 80 and how a huge overhaul is coming to Walt Disney's Carousel of Progress. Brim explains what gets Within Brim's Skin.

Send us Fan MailAngelo, Rhea, and Jay are back and this week Hugh Laurie said the quiet part out loud, and the internet still hasn't recovered. After a freelance critic named Janet Murray posted on X that House has "the same narrative every episode," Laurie responded with a thread so sarcastic it went viral — cataloguing every alternative structure they tried, comparing the formula to Bach and Frida Kahlo, and closing with "I look forward to your first novel." The internet mobbed Murray immediately. But here's the thing: she's not wrong. House is formulaic — that's what procedurals are. Laurie's real defense wasn't "no it isn't." It was that if all you see is the formula, it wasn't meant for you. Is that the most honest thing a creator has ever said in public about their own work, or is it exactly what every creator thinks and should never, ever say out loud?THEN: Spielberg's Disclosure Day opens Friday. Reviews are calling it his best film in 20 years, with box office projections between $35 and $59 million. For Spielberg. Three of his last five films lost money (West Side Story, The Fabelmans, The BFG) roughly $380 million in losses combined. The Fabelmans is one of the best films of the decade and grossed $25 million total. Is Spielberg the most underrated working director in Hollywood right now?ALL THAT PLUS:  George R.R. is FROZEN OUT of The House of the Dragon, Angelo reviews Riot in Cell Block 99, we get a report from Tribeca by Keane Black, and much, MUCH more!MAKE SURE TO VISIT OUR SPONSOR: Steven Singer Jewelers!The TV Show is a weekly podcast hosted by Jay Black, with regular guests Angelo Cataldi and Rhea Hughes. Each week, we dive into the new Golden Age of Television, with a discussion of the latest shows and news.

On this special episode, we delve into early television with Professor John Wyver, whose book and conference is all about those overlooked decades of Stooky Bill, I think that's a pen, and vertical screens no bigger than a postcard. Sound familiar? 2026 is a big television centenary. On 26 January 1926, John Logie Baird gave the first public demonstration of television, showing moving images to a small gathering of scientists at his Frith Street laboratory in central London. To celebrate, Magic Rays of Light: The Early Years of Television in Britain is a new book by Professor John Wyver - writer, producer and Professor of the Arts on Screen at the University of Westminster. That university will soon be hosting a live in-person conference, The Cultures of Early Television, on 2 and 3 July at London's Portland Hall, not too far from today's BBC Broadcasting House. John Wyver is organising this, and joins us to talk us through the early years of television, the programmes available, the people behind it, what cinema made of TV, whether John Reith was a fan, how well-off were its first viewers, and much more. Plus 27 June 2026 sees the end of longwave in the UK, so we take a quick look at how it developed, and herald an event by Cray Valley Radio Society that you can listen to or go to (if you're near Eltham). It's all part of a few episodes themed on things you can go to this summer, from last episode's Asking Elvis show to next episode's Archers retrospective, via my own show An Evening of (Very) Old Radio and John Wyver's early television conference. Details of all of these in the shownotes, so read on...     SHOWNOTES: Original podcast music is by Will Farmer.  Professor John Wyver's book is Magic Rays of Light: https://www.bloomsbury.com/uk/magic-rays-of-light-9781839028205/ His conference The Cultures of Early Television is on 2-3 July 2026 at Portland Hall, London - and registration is free: https://www.westminster.ac.uk/events/the-cultures-of-early-television Paul's show is An Evening of (Very) Old Radio: The BBC Then and Now - and this summer it plays Westbury in Wiltshire and Weston-super-Mare in Somerset: paulkerensa.com/tour Mitch Benn's show is Asking Elvis. Details of where/when and how to submit a question to Elvis on Mitch's website: https://www.mitchbenn.com/asking-elvis We also mention The Archers Live at 75, on tour around the UK. More next time... https://www.fane.co.uk/the-archers A final event to mention: Cray Valley Radio Society's event you can visit - and details of their special stations - in tribute to the closure of BBC Longwave on 27 June 2026: https://cvrs.uk/event/gb198lw-radio-4-long-wave-closure/  Those blogs on the closure of R4 Longwave include this by Random Radio Jottings: https://andywalmsley.blogspot.com/2026/06/so-long-long-wave.html ...and this by the Radio Society of Great Britain: https://rsgb.org/main/radio-sport/rsgb-contest-club/bbc-long-wave-shutdown/ ...and one last longwave article: https://radioatlanticodelsur.blogspot.com/2025/06/ Our latest Substack: paulkerensa.substack.com Our Facebook group: facebook.com/groups/bbcentury Find us on BlueSky: bsky.bbcentury.social Find Paul on Instagram: instagram.com/paulkerensa Join Paul's mailing list This podcast is not made by today's BBC. It's just about the old BBC. With the loss of Paul's recent live work (blame strokes - not the band...), Patreon has become even more helpful and significant! Help keep this podcast afloat by supporting for £5/mth, and in return get extra videos, writings, readings etc: patreon.com/paulkerensa - thanks! Or support this project with a one-off tip: ko-fi.com/paulkerensa - thanks too! Please share/rate/review this podcast if you like - it all helps. Next time, Episode 123: The Archers Live at 75 with comedian and broadcaster Angela Barnes. Then we're back in our timeline in Nov 1923 for the first BBC relay station, Sheffield 6FL. More on this broadcasting history project at paulkerensa.com/oldradio

To discuss the latest developments in the conflict between the U.S. and Iran, Amna Nawaz spoke with Joel Rayburn and Suzanne Maloney. Rayburn is a retired Army colonel and is now at the Hudson Institute. Maloney served in the State Department during the George W. Bush administration and is now at the Brookings Institution. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

President Trump said he called off a third night of airstrikes on Iranian targets. In the Oval Office, he again said that a deal was close between the U.S. and Iran, and that it might be signed this weekend. Iran denied any movement toward a longer-term agreement. William Brangham reports. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Albania's Sazan Island is a jewel in the Adriatic Sea. The former Cold War-era base is now in a luscious nature preserve and an inviting prospect for real estate developers. Chief among them is Ivanka Trump and Jared Kushner. Their plans are running headlong into Albanians who want to keep what's theirs. Special correspondent Simon Ostrovsky and producer Katia Patin report. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

We’re back! It’s been a while but the Part-Time Fanboy podcast is back! This week Kristian chats with writers Shawn McBee and Maciej Jankowski about the Kickstarter campaign for their new supernatural horror comic Westron! Jan Westron is a detective who is investigating the murder of a teenage girl which has details that are startingly […]

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John Dehner was one of Hollywood's most recognizable character actors, building an impressive career across radio, film, television, and Westerns. From his memorable appearances in classic TV series and Hollywood films to his acclaimed work in radio dramas, Dehner became a familiar face and voice to generations of audiences. In this episode, we explore the life and career of John Dehner, including his early years, his transition into acting, his success in radio, and his many roles in Westerns, crime dramas, and science fiction programs. We'll also discuss his appearances on shows such as Gunsmoke, The Twilight Zone, and his lasting legacy as one of the most dependable character actors of the Golden Age of Television. Whether you're a fan of classic television, old-time radio, Westerns, or Hollywood history, this retrospective celebrates the remarkable career of John Dehner.

The Ebola outbreak in the Democratic Republic of the Congo and Uganda is escalating quickly. There are growing warnings that, without a stronger response, this Ebola outbreak could become one of the deadliest. William Brangham takes a closer look with Jeremy Konyndyk, the president of Refugees International. In 2014, he ran USAID's foreign disaster assistance when Ebola broke out in Africa. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

The U.S. is again striking targets in Iran after missile launches targeting U.S. bases in the region. President Trump revealed the U.S. has been helping stranded vessels transit the Strait of Hormuz, asserting American control over the vital waterway. Ali Rogin reports. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Saturday marks the final game of the 2026 season for the United Football League. The UFL’s United Bowl III kicks off at 2PM CDT Saturday on ABC. Spring professional football’s championship game will take place in Washington, DC at Audi Stadium.  The hometown DC Defenders (7-4) defend their 2025 UFL title against the upstart expansion Louisville Kings (also 7-4). Abundant sunshine and a steamy 90 degrees will greet the players and fans at Saturday’s championship game to end the UFL’s third season. There will likely be a good crowd of more than 15,000 in the stands (the stadium holds 20,000) and a television audience of more than 1 million watching on ABC. At some point soon, the UFL owners will meet to review the season and make decisions about the future. Let’s give a preview of what I think that meeting will entail. A review of the 2026 UFL season – the OK, the “Meh”, and the downright ugly The third year for any new business should show its owners that the venture is making positive strides.  If the business is not already profitable, the annual losses should be getting smaller by the year as the business gains favor with the buying public. For the UFL, those primary measures are home team attendance (and revenues) and national television ratings. Let’s start with the Ugly. Home attendance dropped again in 2026 Each of the eight UFL teams played five home games in the 10-game regular season. The St. Louis Battlehawks (playing in a 60,000 domed football stadium) drew more than 23,000 per game to lead the UFL in home attendance once again in 2026.  Despite the positive attendance, the cost for the lease at the Dome at America’s Center (formerly known as the Edward Jones Dome) in St. Louis is also likely the highest paid by the UFL. The expansion Louisville Kings came in second with more than 11,000 fans per home opener. Another expansion franchise, the Columbus Aviators finished third with 10,362 paying customers per home game in 2026. The other five UFL franchises failed to average 10,000 fans per game with the two Texas teams (Dallas and Houston) coming in last with 6,185 and 5,683 per game respectively. Birmingham (which plays in UAB’s home football stadium) and St. Louis played their home games in traditional football stadiums. The other six UFL franchises played the 2026 season in smaller soccer venues.  Lease costs for these soccer stadiums are lower than the cost of most traditional football stadiums.  Home television viewers are less likely to be turned-off by seeing small crowds if played in a 20,000 seat soccer stadium. The UFL home team attendance figures have declined in each of the league’s three seasons. The 2024 season produced an average of 12,800 fans. In 2025, the UFL dropped to 12,168 per game. This year’s 10,500 average marked a 14% decline from 2025. Ouch. It means that the public (even with affordable ticket prices of $20-30 available) simply is not very excited about the UFL’s on-field product. Now for the “Meh” – Television ratings in 2026 were relatively flat vs. 2025 I remember reading an article a few years ago which claimed that the UFL needed to draw more than one million television viewers per game in order to have a chance to turn a profit. Well, that didn’t happen again this year, either. The Friday night prime time game on FOX produced consistent numbers. The ratings showed a reliable audience of 600-700,000 viewers on Friday nights during the 7PM to 10PM Central time period. That may sound good until you know the rest of the story.  The FOX Friday night audience for UFL games was mired in last place all season when compared to programming on competitors CBS, NBC, and ABC. FOX Sports (a part-owner of the UFL) cannot be pleased with their investment after three seasons. Ditto for Disney’s ESPN brand. The sports giant also owns a piece of the UFL.  They televised one or more weekly UFL games via ESPN and/or corporate affiliate, ABC. The 2026 ratings for the Saturday and Sunday UFL games on ABC continue to show the highest viewership.  At least four regular season games on ABC topped the one million mark during the first nine weeks of the UFL season. That meant only 11% of the first nine weeks of UFL games in 2026 produced a television audience of one million or more. If the league’s original goal was to reach one million viewers per televised game, the UFL continues to fall woefully short of that target. The “OK” – the spring football league continues to innovate and try harder UFL ownership includes the aforementioned FOX Sports and ESPN along with Dwayne “The Rock” Johnson, his ex-wife Dany Garcia, Redbird Capital Partners, and billionaire Mike Repole. Repole bought his way into the UFL following the 2025 season.  His ownership percentage and who he purchased it from have yet to be disclosed. It has been new owner Mike Repole who pushed to move UFL teams into smaller soccer venues in 2026. He also gave the green light to relocate UFL franchises away from San Antonio, Memphis, and Detroit in favor of Columbus (OH), Louisville, and Orlando for this season. Those three non-NFL cities produced slightly improved attendance figures and saved money with significantly lower lease costs.  However, none of the three teams turned a profit based on their gate receipts. Despite his personal energy, Mike Repole’s promotional skills and tinkering with the UFL simply hasn’t paid off.  League attendance went down in 2026 while television ratings were flat. The effort is commendable. The UFL’s massive annual losses, though, continue. What should the UFL owners do at their next meeting following the 2026 season? Let’s make an assumption that the UFL loses (just my guess here) $50 million in 2026.  That would mark the third consecutive year of significant losses for the latest spring football experiment. Non-corporate UFL owners such as Dwayne Johnson and his ex-wife, Dany Garcia, should be ready to exit as owners by now. They cannot be pleased with losing millions of their own money every year.  The cash losses by the UFL show no sign of abatement should the league continue into 2027.  Johnson and Garcia lost big bucks with the XFL, too.  They have now been losing even more money with the UFL for three seasons. Why should they stick around? Redbird Capital Partners might fly away at the next owner’s meeting, too. The private equity investor claims over $10 billion in managed assets.  Redbird’s website currently displays the UFL as one of 36 different major investments for the company.  The UFL’s continuing annual losses are a negative.  Don’t be surprised if they, too, wish to move on at the next UFL owners meeting. FOX Sports may have a different perspective on the UFL. The NFL on FOX could end within the next five years at the end of the network’s latest contract. FOX Sports could, perhaps, envision the UFL becoming a potential future fall competitor for the NFL.  The fledgling American Football League of the 1960’s did it.  However, it took ten years for the NFL to eventually gobble-up their competitor. Let’s say that I’m wrong about FOX Sports’ long-term thinking on the UFL.  They really don’t need the UFL for programming and might be ready to pull the plug at the next owners meeting. How are ESPN and ABC feeling about the UFL right now? Mounting annual losses by the UFL are (effectively) petty cash for Disney.  The current spring positioning of the UFL season fills a major weekend programming need for ESPN and ABC.  There aren’t a lot of major sports events available to fill air time on ESPN from April through June. An important item to remember is that the NFL sold its NFL Network to ESPN earlier in 2026 in return for a 10% ownership stake in ESPN.  ESPN and ABC must now seriously consider doing whatever the NFL wants with respect to the UFL.  They could vote to stick with the UFL or decide to shut it down for good this summer. That leaves the enthusiastic billionaire UFL investor Mike Repole. Repole jumped into the UFL dumpster fire with both feet last year.  Most billionaires get rich by being very shrewd in business. I suspect that Mike Repole (if he sticks around for another year or more) sees the UFL eventually becoming a partner with the NFL down the road.  He appears to be a risk-taker willing to swing for the fences. Should the NFL ever decide to invest in the UFL as a spring football partner, Mike Repole’s investment gamble could pay off handsomely. Than again, the NFL has plenty of its own billionaire owners, too.  Their luxury cruise liner isn’t likely to throw a life preserver to Mike Repole or any of his other UFL ownership partners anytime soon. The UFL’s third year financial condition reminds me of a 1977 Harry Chapin song. “The Dance Band on the Titanic” featured some rather clever lyrics and an upbeat melody.  In the musical version, the ship’s band was trying to create a musical diversion just as the massive boat began to sink. One line of the song says,“The iceberg’s on the starboard bow – Won’t you dance with me?” This next meeting of the UFL owners is likely to be a dandy. The post Previewing the upcoming UFL Owners Meeting appeared first on SwampSwamiSports.com.

John Stanley chats with Rob McKnight, Nights TV expert about all things television. Listen to John Stanley live on air from 8pm Monday to Thursday on 2GB Sydney and 4BC BrisbaneSee omnystudio.com/listener for privacy information.

In 1977, a calm, otherworldly voice broke into the British evening news across five transmitters at once, identified itself as an alien envoy, and warned humanity to abandon nuclear weapons before time ran out. Was it a hoax, or first contact?EPISODE BLOG PAGE (includes sources): https://weirddarkness.com/AlienVoicesOnTVAndRadioREAD or DOWNLOAD the full transcript of this episode: https://weirddarkness.tiny.us/mrxcfak4FEATURED STORIES IN THIS EPISODE: While scientists at SETI are continually monitoring for extraterrestrial contact from the cosmos, ordinary people are already hearing from them – via radio and television. (Aliens Voices Over Radio and Television) *** 
The death of a Hollywood movie producer is still unsolved – and his spirit on the lot is still at unrest. (The Mysterious Death of Thomas Ince) *** A family moves into a new home, and it's not long before they begin hearing strange sounds coming from the home bar in their living room. (Something In That Part of the House) *** In years past, baby boys were dressed in pink. So why the change to the color blue for boys? The answer is a dark one. (Baby Blues) *** In just 30 seconds, 30 rounds were fired when the tension between a crew of thieving cowboys and vigilante lawmen came to an explosive head in the frontier town of Tombstone, Arizona. (The True Story Behind the Gunfight at the O.K. Corral)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Klaatu's speech from “The Day The Earth Stood Still” (1951)00:02:45.959 = Show Open00:04:39.005 = Alien Voices Over Radio And Television00:16:13.874 = The Mysterious Death of Thomas Ince and the Haunting of Culver Studios00:33:04.222 = Something in That Part of the House ***00:39:31.873 = Baby Blues00:45:22.653 = The True Story Behind the Gunfight at the O.K. Corral ***00:54:32.710 = Show Close*** = Begins immediately after inserted ad breakLISTEN ON PODCAST APPS: Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.com/wdapps*No AI Voices Are Used In The Narration Of This Podcast*SOURCES and RESOURCES:“The True Story Behind the Gunfight at the O.K. Corral” by Mark Oliver: http://ow.ly/RmAm30oaHWt“The Mysterious Death of Thomas Ince” by Troy Taylor: http://ow.ly/WVUu30oaHvS“Something In That Part of the House” by Haven: http://ow.ly/qMeU30oaHxn“Baby Blues” by Conny Waters: http://ow.ly/zcGj30oaI32“Alien Voices Over Radio and Television” posted at the Conspiracy Journal: https://tinyurl.com/y2ht47pt“Klaatu's Speech From ‘The Day The Earth Stood Still'”: (link no longer available)(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.Originally aired: November, 2021Weird Darkness moves across five unsettling true tales — alleged alien voices breaking into broadcast signals, the unexplained death of a Hollywood pioneer, a possessed home bar in Mexico, the superstitious roots of dressing infant boys in blue, and the bloody thirty seconds behind the O.K. Corral.It opens with the alleged extraterrestrial transmissions that have arrived through ordinary radios and televisions rather than from deep space. On November 26, 1977, at 5:12 PM, a deep, water-logged voice overrode five Southern Television transmitters across southern England, speaking over news reader Ivor Mills for five and a half minutes; the voice named itself Gramaha — also transcribed as Vrillon, Gillon, or Glon — a representative of the Ashtar Galactic Command, and warned humanity to abandon nuclear energy before the dawning New Age of Aquarius. The Independent Broadcasting Authority never logged the interruption and could not explain how its instant switch-off monitoring was bypassed. Years earlier, in July 1961, an eighteen-year-old ham radio operator named Robert P. Renaud had picked up a soft feminine voice high in the 25-meter band claiming to broadcast from a planet called Korendor, eventually trading images on his television's vidicon tube with a contact named Lin-Erri, an episode investigator Allen Griese found oddly free of showmanship or profit. A decade after Renaud, in January 1971, British UFO researcher Rex Dutta took a call on a radio talk show from a voice that registered no echo, no feedback, and no movement on the station's VU meter.From there the episode crosses to November 1924 and the death of Thomas Ince, the producer who founded Culver Studios in 1918 and earned the title Father of the Western. Ince died days after celebrating his birthday aboard William Randolph Hearst's yacht, the Oneida, on a weekend cruise to San Diego that also carried actress Marion Davies and, by rumor, Charlie Chaplin. The official account blamed acute indigestion, but Hollywood whispered that Hearst, jealous over Davies, fired a diamond-studded revolver in the dark and put a bullet meant for Chaplin into Ince's head instead. The body was cremated, no inquest was held, San Diego district attorney Chester Kemply closed the case after a single session, and gossip columnist Louella Parsons soon received a lifetime Hearst contract. Decades later, workers at Culver Studios reported a man in a bowler-type hat watching them from the catwalks during 1988 renovations, frowning, declaring that he disliked what they were doing to his studio, and walking through a wall.Next comes a listener's account of a house in Mexico, bought by the family about twenty years earlier, where a heavy tavern-style wooden bar in the living room became the source of growling, clinking glassware, and slamming cabinet doors that sounded like two animals fighting inside an empty cupboard. The housekeeper, Letty, threw the cabinet open to find nothing disturbed. Weeks later the mother and Letty dug up jars in the front yard containing rag dolls pierced with pins, buried directly on the other side of the wall behind the bar. A framed mirror reading BAR shattered at three in the morning during a housewarming party, a barred window slid open on its own after being latched, and a photograph of a single bar stool showed a clear horned, devil-like face the family begged to have deleted. Letty, it turned out, was a bruja — a witch.Color superstition drives the next story: infant boys, dressed in blue today, were once dressed in pink, and a June 1918 article in the trade journal Earnshaw's Infants' Department called pink the stronger, more decided color suited to boys and blue the daintier choice for girls. The return to blue revived a far older practice, since the ancient Egyptians and Greeks regarded blue as divine and used it to repel evil spirits, dressing pharaohs in it and, as author Douglas B. Smith recounts, painting nurseries to keep satanic spirits from slipping into young children's bodies. Boys received that protection because they were valued above girls, who were thought too unimportant for evil spirits to trouble. The same fear survives in the Evil Eye and in protective amulets like the Hamsa and the Turkish Nazar, hung in homes and cars and worked into jewelry across the Balkans and the Middle East.The episode closes behind the O.K. Corral on October 26, 1881, where thirty rounds were fired in roughly thirty seconds. Tombstone, Arizona had been founded in 1877 by prospector Ed Schieffelin, who struck a silver vein worth more than thirty-seven million dollars after being warned that all he would find out there was his own tombstone. Wyatt, Virgil, Morgan, and James Earp, joined by the gun-slinging ex-dentist Doc Holliday, clashed with the Cochise County Cowboys, a feud that hardened after Curly Bill Brocius accidentally killed city marshal Fred White in 1880 and Virgil took the post. The gunfight left Frank McLaury, Tom McLaury, and nineteen-year-old Billy Clanton dead while Ike Clanton and Billy Claiborne fled, and Judge Wells Spicer afterward released the Earps as having committed an unwise but not criminal act. The reckoning continued past the verdict, with Virgil shotgunned in the back, Morgan assassinated over a game of pool in a plot tied to Ike Clanton, and Wyatt Earp drifting west until his death in California in 1929 at the age of eighty.

We brought together members from the sound teams of some of our favourite recent streaming projects, so they could share their workflows and triumphs. Vinny Alfano worked on both Dexter: Resurrection and Emily In Paris, Ethan Beigel & Andy Sisul we co-supervising sound editors on the recent hit Spider-Noir, Christina Wen was on the faders for Love Story: John F. Kennedy Jr. & Carolyn Bessette and R. Hollis Smith wore many hats to complete to sound of Noah Kahan: Out of Body. Although these projects are all wildly different in content and genre, each presented their own unique obstacles. It is fun listening to a group of top level sound pros bounce ideas off each other for how they tackled all these challenges. This talk was produced in partnership with Impact24. ______SPONSORS: Sound Ideas works with partners across the media and creative industries to distribute professional sound libraries, and they're always looking to grow their collection. If you've created your own sound effects library, or are currently developing one, Sound Ideas is interested in acquiring high-quality collections from creators - whether it's a focused collection or a wide ranging release. They offer a trusted platform with global distribution, professional licensing, metadata support, and a team that understands the craft. If you have a sound effects library and are interested in selling it, Sound Ideas would like to hear from you. For more information, please reach out via: support@sound-ideas.com ________ Tonebenders' host, Tim Muirhead, will be hosting and moderating a FREE screening of Independence Day to mark the films 30th anniversary. In attendance will be some of the original sound crew that worked on it. This will take place in Toronto, on July 6th, starting at 6pm at the Hot Docs Theatre. After the screening I will talk with the film's Supervising Sound Editor Val Kuklowski, Foley Artist Andy Malcom and Sound Effects Editor Mark Lanza about their work on this groundbreaking film. Go to: https://www.eventbrite.ca/e/vff-mpse-present-independence-day-30th-anniversary-screening-live-qa-tickets-1984406081007?aff=erellivmlt and use the code VFFTonebenders to claim your free seats and entrance to the post screening party where there will be complimentary bites and refreshments. _________ Make sure you are up to date with everything Tonebenders is doing, from upcoming events to the latest episodes by signing up for the once-a-month Tonebenders email newsletter: https://tonebenderspodcast.com/join-our-email-list/ _______ Episode Notes: https://tonebenderspodcast.com/361-sound-immersion-in-television/ Podcast Homepage: https://tonebenderspodcast.com This episode is hosted by Timothy Muirhead

As television viewership shifts, NBCUniversal is proving that premium IP like live sports and reality television can compete with digital channels by integrating advanced programmatic ad tech. Through initiatives like real-time AI context-scanning and the Performance Insights Hub, they are closing the data loop to deliver immediate, measurable outcomes across the entire marketing funnel. Key Highlights

Artist Scott Erickson returns for a conversation about what we gain by including the messiest parts of our humanity in art that fuels our spiritual reflection, worship, and practice. Joined this time by Tim Timmerman, professor of art and design at George Fox, Scott and our hosts lift the veil on Christian art as a vocation, a ministry, and a tool for transformation.Scott Erickson creates art and moments that speak to our deepest experiences: https://www.scottericksonart.com/Tim Timmerman is a studio practitioner specializing in painting, sculpture, glass, and assemblage sculpture: https://www.georgefox.edu/academics/undergrad/departments/visual-art/faculty/tim.htmlDr. Brian Doak is an Old Testament scholar and professor: https://www.georgefox.edu/academics/undergrad/departments/religion/faculty/doak.htmlIf you enjoy listening to the George Fox Talks podcast and would like to watch, too, check out our channel on YouTube! We also have a web page that features all of our podcasts, a sign-up for our weekly email update, and publications from the George Fox University community.

It's the world's largest humanitarian crisis, yet aid groups say it has received far too little attention. As Sudan's civil war enters its fourth year, nearly two out of every five people face emergency-level hunger and humanitarian officials warn the crisis has been compounded by the closure of the Strait of Hormuz. Nick Schifrin reports. A warning, some images in this story are disturbing. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

In our news wrap Tuesday, Israel's bombing campaign against Hezbollah continued inside Lebanon, complicating prospects of a peace deal between the U.S. and Iran, protests over a proposed Ebola quarantine center for Americans in Kenya led to violent protests and Iran's soccer federation says FIFA has revoked its ticket allocation for fans to attend the team's three World Cup matches in the U.S. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

The U.S. military started what it called "self-defense strikes" against Iran for the downing of an Army helicopter near the Strait of Hormuz. President Trump said the two crew members were both "safe and uninjured" after the Apache helicopter went down while on patrol off the coast of Oman. Geoff Bennett discussed the latest with Dan Lamothe of The Washington Post. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Welcome to 1968: The Year America Came Apart. This is an episode of "The Realignment" a Hidden History Series. There are years in history that feel less like ordinary time and more like a fault line. Years where the ground beneath a nation begins to shift and the people can feel it, they may not understand what they're feeling, but they know something is changing.. For America, 1968 was one of those years. The country had already been changing throughout the 1960s. The Civil Rights Movement had challenged the old order. The war in Vietnam was growing more divisive. Cities were struggling with poverty, race, and unrest. Young Americans were beginning to question institutions their parents had trusted without hesitation. But in 1968, all of those pressures collided. And for millions of Americans, it felt as though the country itself was coming apart. I remember that year well. I graduated from high school in Houston in the spring of 1968 and entered college that September. Even in Texas, far from Washington and Chicago, there was tension in the air. Conversations about race, war, protest, and authority were no longer distant news stories. They were part of daily life. America was rapidly changing. And not everyone agreed on what that change should look like. Vietnam and the Collapse of Trust The year began with war. In January of 1968, North Vietnamese and Viet Cong forces launched what became known as the Tet Offensive. Militarily, the offensive was repelled. But politically and psychologically, it changed everything. For years, Americans had been told the war was being won. Tet suggested otherwise. Television screens suddenly filled with images of firefights in cities, American casualties, and chaos in places many Americans had never heard of before. The war no longer felt distant. It entered American living rooms every night. Trust in government began to erode. Even respected broadcaster Walter Cronkite publicly questioned whether the war could truly be won. For many Americans, confidence in leadership was beginning to collapse. Martin Luther King Jr. Then came April 4th. Dr. Martin Luther King Jr. was assassinated in Memphis, Tennessee. The murder shocked the nation. For years, King had stood as the moral voice of the Civil Rights Movement, preaching nonviolence, justice, and reconciliation. But his assassination unleashed grief, anger, and frustration across the country. Riots erupted in more than one hundred American cities. National Guard troops were deployed. Smoke rose above neighborhoods already struggling with poverty and racial division. For some Americans, the unrest confirmed fears that the country was descending into disorder. For others, the riots reflected generations of anger and inequality that had gone ignored for far too long. The divide between those perspectives would become politically important. Robert Kennedy and Lost Hope Two months later, tragedy struck again. Senator Robert F. Kennedy had emerged as a candidate who seemed capable of bridging some of America's growing divisions. He spoke openly about poverty, race, and the need to heal the country. His campaign attracted young people, minorities, working-class voters, and many Americans exhausted by the war. Then, on June 5th, moments after winning the California Democratic primary, Kennedy was assassinated in Los Angeles. Another national figure gone. Another sense of hope shattered. To many Americans, it felt as though violence and instability were becoming the defining language of the era. Protest and Disorder By the summer of 1968, protest movements were spreading across college campuses and major cities. Young Americans marched against the Vietnam War. Civil rights organizations demanded deeper reforms. Groups like the Black Panthers emerged in cities across the country, reflecting growing frustration among younger Black activists who believed nonviolence alone was no longer enough. At the same time, police departments and local governments often responded with increasing force and suspicion. The tensions could be felt even in places like Houston, where concerns about policing, activism, and racial conflict became part of the atmosphere surrounding college campuses and urban neighborhoods. Then came Chicago. During the Democratic National Convention in August, protesters flooded the streets while police battled demonstrators in scenes broadcast nationwide on live television. Americans watched officers swinging clubs, protesters bleeding in the streets, and crowds chanting: “The whole world is watching.” The Democratic Party itself appeared divided and exhausted. And millions of Americans watching from home saw chaos. George Wallace and the Politics of Backlash Into that atmosphere stepped George Wallace. Running as a third-party candidate, Wallace appealed to Americans who believed the country was moving too fast, changing too much, and losing control. His campaign focused on law and order, resistance to federal authority, opposition to unrest, and anger toward political elites. While Wallace's earlier political career had been deeply tied to segregation, by 1968 his campaign also tapped into a broader sense of cultural backlash and working-class frustration. And millions responded. Wallace carried five Southern states and won nearly ten million votes. His success revealed something both major political parties would increasingly recognize in the years ahead: A large portion of the American electorate felt alienated from the direction of the country. Nixon and the Realignment In the end, Richard Nixon won the presidency. Nixon promised stability. Order. An end to chaos. His victory represented more than a normal election. It marked the acceleration of a political realignment already underway since the Civil Rights era began reshaping American politics earlier in the decade. Southern voters were beginning to move away from the Democratic Party. Many suburban and working-class voters were becoming increasingly concerned about crime, protest movements, and cultural upheaval. Trust in institutions  government, media, universities was weakening. The coalitions that had dominated American politics since Franklin Roosevelt were beginning to fracture. And the consequences of that fracture would shape American politics for generations. Looking back now, 1968 feels like more than just a turbulent year. It feels like a turning point. A year when millions of Americans stopped believing the future would naturally bring unity and stability. The old political consensus was breaking apart. New coalitions were forming. And many of the arguments that still define American politics today, race, protest, policing, media, nationalism, cultural identity, distrust of institutions were becoming impossible to ignore. For those of us who lived through it, even as young people stepping into adulthood, the tension was real. You could feel it. And in many ways, America has been wrestling with the legacy of 1968 ever since.

Common Sense Media Founder and CEO Jim Steyer joins to discuss their latest report on how younger generations are using AI and what parents should watch out for. Also, Questlove stops by to discuss his latest musical documentary “Earth, Wind & Fire (To Be Celestial VS. That's the Weight of the World)”. Plus, catching up with hosts of “American Ninja Warrior”, Matt Iseman, Akbar Gbaja-Biamila, and Zuri Hall ahead of season 18's premiere. And, spring shoe deals and styles to help you step up your fashion game this season.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

For analysis on how the latest escalation in the Middle East will affect a host of issues in the region, Amna Nawaz speaks with Miad Maleki at the Foundation for Defense of Democracies and David Makovsky at the Washington Institute for Near East Policy. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Israel and Iran traded long-range missile strikes for the first time since the ceasefire went into effect two months ago. Both countries appear to have agreed to stop their attacks, but not before sparking fears of a return to full combat in the region. Now, Trump and regional mediators are scrambling to salvage a deal to end the war with Iran. Ali Rogin reports. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

We enter the Sony Spider-Verse once again to catch up with Ben Reilly, also known as Spider-Noir. It's been 5 years since Reilly donned the Spider mask, and his Private Investigator business is going under. But all that is about to change when a troublesome dame walks through the door. Join Couch Soup contributors Thomas Richards, Iain McParland, and Lily K for Watching Now: Spider-Noir, discussing the Amazon Prime show's ups and downs. Did we watch it in Black and White or True Color? How do we feel about this alternate universe Spidey? Are the villains too one-note to care about, and should we be crying over their demise? And, will Nic Cage go full on Nic Cage?!?! Watching Now: Spider-Noir is a Watching Now podcast from Couch Soup. Join us for reactions, reviews, and excitement about all things Spidey. We're all Marvel Maniacs, so join us for some laughs and ultra-nerdy discussion!

David Peck sits down with acclaimed actors Radha Mitchell, Ioan Gruffudd, and Bianca Wallace to discuss the tense new action-thriller Seven Snipers on Face2Face. Together they explore the film's emotional core, the psychology of survival, the lingering effects of trauma, and the complicated relationships that exist beneath the bullets and battlefield tactics. What begins as a gripping sniper thriller quickly reveals itself as a story about family, love, sacrifice, and redemption. The conversation touches on strong female characters, the realities of violence, PTSD, independent filmmaking, and why some films linger long after the credits roll. A compelling look behind the scope of one of this year's most intense action films.Seven Snipers brings together an impressive ensemble led by three accomplished performers whose careers span film, television, and independent cinema.Academy Award-nominated actor Radha Mitchell leads the film as Kris Hendricks, a retired elite sniper whose carefully constructed life is shattered when a ruthless enemy from her past resurfaces. One of Australia's most respected international actors, Mitchell is known for standout performances in Pitch Black, Finding Neverland, Phone Booth, Man on Fire, and Silent Hill. Throughout her career, she has built a reputation for portraying strong, complex, and emotionally layered characters, making her a natural fit for the heart of Seven Snipers.Joining her is acclaimed Welsh actor Ioan Gruffudd, whose extensive screen career includes memorable roles in Titanic, Black Hawk Down, King Arthur, Fantastic Four, Forever, and Harrow. A graduate of the Royal Academy of Dramatic Art (RADA), Gruffudd has earned international recognition for bringing intelligence, warmth, and depth to every role. In Seven Snipers, he plays "Milk," a loyal former member of the sniper team whose courage and humanity become central to the film's emotional core. He is also the recipient of the Welsh BAFTA's Sian Phillips Award for Outstanding Contribution to Film and Television.Rounding out the trio is Australian actor Bianca Wallace, whose work spans feature films, television, voice acting, and producing. Originally from Queensland, Wallace first began performing as a singer before transitioning into acting, earning recognition for her award-winning work in Bloodline and other film projects. In Seven Snipers, she portrays Kaldayev, a skilled member of the elite team brought together to face an increasingly dangerous threat.Together, Mitchell, Gruffudd, and Wallace help elevate Seven Snipers beyond a traditional action thriller, grounding its intense action in themes of loyalty, family, sacrifice, and survival.David Peck is a writer, speaker, and award-winning podcaster who works at the intersection of storytelling, social change, and meaningful dialogue. As the host of Face2Face and former host of Toronto Threads on 640 AM, he has published over 800 in-depth interviews with some of the world's most compelling thinkers, artists and storytellers, including Viggo Mortensen, Sarah Polley, Raoul Peck, Werner Herzog, Chris Hadfield, David Cronenberg, Jason Issacs, Gillian Anderson and Wade Davis. With a background in philosophy and international development, David brings a thoughtful, globally aware perspective to every conversation.He's a published author and experienced keynote speaker, known for creating spaces where complexity is welcomed and ideas come alive. Whether moderating panels, hosting live events, or speaking on issues ranging from ethics to media, David's work is grounded in a deep curiosity about people. At heart, he simply loves good conversation — and believes it's one of the best ways we grow, connect, and make sense of the world.For more information about David Peck's podcasting, writing and public speaking please visit his site here.F2F Music and Image Copyright: David Peck and Face2Face. Used with permission. Hosted on Acast. See acast.com/privacy for more information.

Bonus eps are when we go deep on a cultural phenomenon, text, or celebrity that's overwhelming our feeds, charming our pants off, or sparking general bewilderment. Off Campus does all three! It's a new, eight-episode hockey romance now airing on Amazon and it manages to be intermittently corny, incredibly hot, ostensibly very straight (but arguably made for the bisexual-gaze) and... does a pretty excellent job of handling of storylines involving sexual assault and physical abuse?? A wonder, truly. For the first half of the episode, we talk about the series in general: what it's about, where it's set, its worldview and understanding of romance. We talk about the basics of the plot but avoid major spoilers. Then we get detailed. We talk about bra fit. We talk about specific needle drops. We discuss what makes that scene so hot — and the way the show handles trauma and consent. If you haven't watched, I hope this ep compels you to give Off Campus a try... and if you have, WE HAVE SO MUCH MORE TO TALK ABOUT. (And if you'd like access to this paid podcast-subscriber-only episode, you can upgrade your Culture Study subscription SO EASILY here. If you have any issues, just email me at annehelenpetersen @ gmail dot com) Join the ranks of paid subscribers and get bonus content, access to the discussion threads, ad-free episodes, and the knowledge that you're supporting an indie pod trying to make its way in the world.Got a question to submit, a prompt for Ask Anne Anything, or an idea for a future episode? Tell us here.Catch up on everything else happening in the Culture Study universe here.Transcripts will be available here within 24 hours of publishing. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Victor gets Newman Enterprises back!; Sharon supports Phyllis, Daniel does not; Devon confronts Holden, and Does Stephanie have the hots for Nate?; Noah reveals The Shadow Room; Matt Clark gets his memories back; Adam and Sally bond, and Chelsea says no to another baby; and Retro Recap: Phyllis and Nick's Affair! Visit https://www.yrchat.com to chat […]

Rewind. Sandy and Terry will discuss Billy Wilder's 10 tips for screenwriters. Few screenwriters are as pedigreed as Billy Wilder, who is renowned as one of the most creative filmmakers of American cinema's Golden Age. Wilder was nominated 21 times at the Academy Awards, 13 for screenwriting and 8 for direction. He won the Best Director award for his 1945 film "The Lost Weekend" and again 15 years later for "The Apartment." Thanks to the success of "The Apartment," Wilder became the first person to win an Academy Award as a producer, director, and screenwriter for the same movie. Cameron Crowe said, “There's no better film school than listening to what Billy Wilder says.”The PAGE International Screenwriting Awards sponsors the WRITERS' HANGOUT.Executive Producer Kristin OvernCreator/Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller

There are still many ballots left to count, but from the governor's race to local tax measures and the race to replace Nancy Pelosi in the House of Representatives, we sit down with KQED's politics and government correspondent Guy Marzorati about the results of the primary so far. Links: KQED: California Primary Election Results  Some members of the KQED podcast team are represented by The Screen Actors Guild, American Federation of Television and Radio Artists, San Francisco-Northern California Local. Learn more about your ad choices. Visit megaphone.fm/adchoices

Darkness Radio Presents: In The Shadow Of Big Red Eye: Searching for Sasquatch w/Mike FamilantMike Familant is a 36-year-old EMT, firefighter, and graphic designer who has transitioned into a full-time Bigfoot researcher, producer, and lead investigator from NorthWest New Jersey.  He first got into bigfooting in 2011 on an expedition in North Florida, where he and a friend experienced rocks being thrown at them while sitting around a campfire.  Since then, he has made it his personal goal to find out exactly what is roaming the woods of America.In 2016, after becoming frustrated with the lack of true research expedition shows on TV, he created his own show, called “In the Shadow of Big Red Eye .”  The show is currently filming its 10th season.In 2018, Mike also created a docuseries called “Squatchables,” which was created for people who are just getting into bigfooting, sort of a “Bigfooting 101.”On today's Darkness Radio, we sit down with Mike to talk about his YouTube Channel, programming, his investigative style, and places he has looked for Bigfoot!  We also address some of the new techniques that Mike brings to the field that you won't hear on Television or documentaries.  We will also talk to Mike about how he has managed to combine his love of history and nature into his programming to give his audience a more well-rounded program! Learn more about Mike, his appearances, the show, and more here:  https://shadowofredeye.com/Watch episodes of "In The Shadow Of Big Red Eye" and Mike's other videos here:  https://www.youtube.com/channel/UCDlVedMt24xesCg1wTt0dOQ?app=desktopFor the best BBQ in MN, amazing entertainment, and fantastic specials at a place that treats you like family, come to Jellybean and Julia's in Coon Rapids, MN! https://jellybeanandjulias.com/Make sure you update your Darkness Radio Apple Apps!and subscribe to the Darkness Radio YouTube page:  https://www.youtube.com/@DRTimDennisDarkness Radio Hoodies! Fleece Pants! Bucket Hats! Mugs! Glasses! and MORE!There are new and different (and really cool) items all the time in the Darkness Radio Online store on our website!  Check out the Darkness Radio Store!   https://www.darknessradioshow.com/store/#paranormal  #supernatural  #metaphysical  #paranormalpodcasts  #darknessradio  #timdennis #michaelfamilant #intheshadowofbigredeye #sussexcountybigfoot #Cryptids #Cryptozoology #bigfoot #sasquatch #yeti  #baitingbigfoot #bigfootcalls #samuraichatter #treeknocks #bigfootgraves #findingbigfoot #bfro #bobo #mattmoneymaker #expeditionbigfoot #ronnyleblanc #paranormaltv #discoveryplus #Aliens  #UFO #UAP #Extraterrestrials  #Alienspaceships #conspiracytheory