Podcasts about Paramount

The Supreme Court appears ready to let Donald Trump fire Federal Trade Commission members at will. On this week's On the Media, why the court's expansion of presidential powers would impact the entire government. Plus, how two Hollywood giants are squaring off over a massive merger. [02:47] Host Brooke Gladstone sits down with Noah Rosenblum, associate professor of law at New York University, to discuss how the Supreme Court's pending decision in Trump v. Slaughter could radically expand the president's power, and the history behind the case. [23:02] Host Micah Loewinger talks with Oliver Darcy, lead author of the newsletter Status and co-host of the podcast Power Lines, about the moguls at Netflix and Paramount Skydance battling over Warner Brothers Discovery, and what this means for the future of CNN, which is owned by Warner Brothers Discovery, and Hollywood. [37:41] Micah speaks with Joel Simon, founding director of the Journalism Protection Initiative at the Craig Newmark Graduate School of Journalism, about what happened with Blake Lively's legal team subpoenaed Perez Hilton, the gossip blogger, and why expanding the legal framework of journalistic protections is essential.  Further reading / watching:The Supreme Court Is About to Hand Trump a Cudgel in the Paramount-Netflix Fight, by Mark Joseph SternThe CNN Sacrifice, by Oliver DarcyThe O.G. News Influencer, by Joel Simon   On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

(0:00) Tucker joins the besties! (4:11) Paramount vs Netflix: bidding war over Warner Bros Discovery (25:40) What's behind the rise of Nick Fuentes and America First? (49:13) Understanding the Anti-AI sentiment (1:21:52) Tucker in 20: Venezuela, Midterm issues, fall of Europe, Qatar, Charlie Kirk investigation, leaving NATO, supporting Israel Follow Tucker: https://x.com/TuckerCarlson Check out Battalion Metals: https://battalionmetals.com Follow the besties: https://x.com/chamath https://x.com/Jason https://x.com/DavidSacks https://x.com/friedberg Follow on X: https://x.com/theallinpod Follow on Instagram: https://www.instagram.com/theallinpod Follow on TikTok: https://www.tiktok.com/@theallinpod Follow on LinkedIn: https://www.linkedin.com/company/allinpod Intro Music Credit: https://rb.gy/tppkzl https://x.com/yung_spielburg Intro Video Credit: https://x.com/TheZachEffect Referenced in the show: https://x.com/chamath/status/1999139689173749835 https://www.vulture.co/article/netflix-vs-paramount-ownership-warner-bros-discovery.html https://polymarket.com/event/who-will-close-warner-bros-acquisition?tid=1765487045602 https://www.realityslaststand.com/p/the-manufactured-rise-of-nick-fuentes https://x.com/DavidSacks/status/1997843165102100528 https://fred.stlouisfed.org/series/LNS14024887 https://www.wsj.com/business/data-centers-are-a-gold-rush-for-construction-workers-6e3c5ce0

The boys talk Chris annoyingly waking up Erik's kid, Brendan attending Tucker Carlson's Christmas party and being the first heavyweight in UFC history to land a D'Arce Choke, Paramount and Netflix's bidding war to buy Warner Bros Discovery, the new Pluribus and Stranger Things episodes, the Golden Globes holding their first ever Podcast Awards nominations and much more! Get this episode AD FREE + 2 PATREON ONLY episodes/month only at https://patreon.com/thegoldenhourpodcastQuince - Give and get timeless holiday staples that last this season with Quince. Go to http://quince.com/golden for free shipping on your order and 365-day returns.DraftKings - Download the DraftKings Pick6 app now and use code GOLDEN. That's code GOLDEN — play just $5, and get $50 in Pick6 credits.Hims - To get simple, online access to personalized, affordable care for ED, Hair Loss, Weight Loss, and more, visit https://hims.com/goldenTempo - For a limited time, Tempo is offering my listeners SIXTY PERCENT OFF your first box! Go to http://tempomeals.com/goldenSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

OA1215 - We examine why the potential merger of Warner Brothers Discovery with either Netflix or Paramount would almost be certainly illegal under better circumstances before mourning the imminent loss of the independence of the one government agency which is supposed to stop this kind of thing. What exactly is the Federal Trade Commission, and why was destroying it a top priority for Project 2025? We then take a closer look at this week's oral arguments in Trump v. Slaughter, in which the Supreme Court's MAGA majority is poised to turn the FTC and dozens of other independent agencies into tools for Trump's corruption and graft. Finally, in today's footnote: why is an actual government website hawking the Trump Gold Card, and can the President really just make up a completely new way to give anyone with one million dollars a new path to US citizenship? Trump v. Slaughter oral arguments (12/8/2025) Humphrey's Executor v. US, 295 US 602 (1935) Federal Trade Commission Act (1914) Rebecca Slaughter's SCOTUS brief Trumpcard.gov Check out the OA Linktree for all the places to go and things to do!

Technically, the Netflix / Warner Bros. news is almost a week old, but what a week it has been! And so, after some follow-up on smart shades and CES, Nilay and David talk through all that's at stake in the fight between Paramount and Netflix — and whether it's even possible for someone to win this deal. After that, Charlie Harding, co-host of Switched on Pop and honorary Vergecast intern, explains how AI is taking over the country music scene in Nashville. He also makes us a song, and it's a jam. Lastly, the hosts talk about font news (with a special guest), Brendan Carr, smart rings, garage wars, and more. Further reading: The Verge subscription turns one  Netflix is buying Warner Bros. for $83 billion  Paramount launches a hostile $108 billion bid to snatch Warner from Netflix  David Ellison pitches Paramount's $108 billion hostile bid for WBD as “pro consumer.”  Behind Paramount's Relentless Campaign to Woo Warner Discovery and President Trump New Paramount Speaks: Theatrical Films, Streaming Investment and Tech Upgrades Are Top Priorities Netflix CEO made a visit to the White House before buying Warner Bros.  Trump isn't sold on the Netflix-Warner Bros. deal Netflix's leadership thinks the Warner Bros. deal won't be like other big media mergers. Welcome to the big leagues, Netflix  There are no good outcomes for the Warner Bros. sale OpenAI's billion-dollar Disney deal puts Mickey Mouse and Marvel in Sora Get ready for an AI country music explosion Brendan Carr is a Dummy Chamberlain's new technology blocks aftermarket controllers from working with its garage door openers The Pebble Index 01 is a smart ring with a built-in microphone Calibri is too woke for the State Department | The Verge Gruber got a copy of the thing Subscribe to The Verge for unlimited access to theverge.com, subscriber-exclusive newsletters, and our ad-free podcast feed.We love hearing from you! Email your questions and thoughts to vergecast@theverge.com or call us at 866-VERGE11. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Lara and Carey discuss Netflix and Paramount's battle royale to absorb the most and become official Entity, Andy Dick turning blue in Hollywood, and one Connecticut gay's war against Solid Core.On RHOSLC, the ladies leave behind Ruby Franke's Utah for the lapping blue waves of the Aegean. The cast trip to Greece is finally here! After a two-day journey to Santorini, Angie leads her friends/hostages around the island, forcing them to appreciate the motherland at every moment. Lisa and Angie's Cold War Angie rages on as Lisa makes sure her glam cuts into every activity planned. Heather decides to lob a troll Barlow's way by buying competing Cartier watches at Duty Free for herself and Wild Rose, and Meredith buys an evil eye necklace for Heather in hopes of purchasing her peace. Bronwyn does a full 180 and recants her thoroughly modern wishes for her and Todd's marriage, declaring full monogamy to the group. Meredith and Whitney go head-to-head once more at dinner on a mountaintop, with Meredith continuing her lifelong streak of taking zero accountability.Chapters: 00:00:00 Hey Mama!! 00:02:33 Jen Shah is out of prison 00:06:22 Carey and Lara are locked in on a gay from Connecticut 00:18:22 Everything in LA is becoming the Entity 00:20:50 RHOSLC RecapListen to this episode ad-free AND get access to weekly bonus episodes + video bonus episodes by joining the SUP Patreon. Watch video episodes of the pod on Thursdays by subscribing to the SUP YouTube. Relive the best moments of this iconic podcast by following the SUP TikTok. Hosted on Acast. See acast.com/privacy for more information.

Hi. It's been an interesting day from the standpoint of news. Katy, Cody, and Jonathan discuss the continuing Kilmar Ábrego García saga, the U.S. seizure of a Venezuelan oil tanker, Paramount's attempted hostile takeover of Warner Bros. Discovery, and Sean Duffy's insistence that you stop wearing pajamas to the airport.We recorded this shortly before Kilmar Ábrego García was released from ICE custody.And as always, we recorded right before that big thing that happened.PATREON: https://patreon.com/somemorenewsMERCH: https://shop.somemorenews.comYOUTUBE MEMBERSHIP: https://www.youtube.com/channel/UCvlj0IzjSnNoduQF0l3VGng/joinFor a limited time, save on the perfect gift by visiting http://auraframes.com to get 35 dollars off Aura's best-selling Carver Mat frames – named #1 by Wirecutter – by using promo code MORENEWS at checkout. #kilmarabregogarcia #Netflix #evenmorenewsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of the Decoding TV podcast, David and Patrick discuss what's going on in the world of TV, then dive into the seventh episode of Vince Gilligan's Pluribus.What is our reaction to the big news that Netflix might acquire Warner Bros? Do we think Paramount can release 30 movies per year? Is David Ellison really just Kendall Roy? Listen to hear us discuss all these questions and more.Homework for next week:Pluribus Episode 8 (Apple TV)Fallout Season 2 Premiere (Prime Video)Shownotes:06:00 - TV NewsNetflix to Acquire Warner Bros for $72 billion of equity value.Hostile takeover bid from ParamountNetflix says it will shorten theatrical windowsParamount commits to 30 films per yearDavid Ellison's embarrassing textThe Verge did a feature on the guy operating the vomit machineDid a Pluribus ad trigger someone's psychotic episode54:00 - PluribusEpisode 7 - The GapLinks:Listen to Patrick's videogame podcast, Remap RadioSubscribe to Patrick's newsletter, CrossplaySubscribe to this podcast on YouTubeFollow this podcast on InstagramFollow this podcast on TiktokSubscribe to David's free newsletter, Decoding EverythingFollow David on InstagramFollow David on Tiktok Hosted on Acast. See acast.com/privacy for more information.

This week has been kind of … demonic?? Jodi and Nora first talk about all the hellish things they've been seeing across the internet this week, before talking about all the girls who are absolutely fighting and beefing. (4:00) Wrapping up our thoughts on Spotify Wrapped, including the results of some original data collection from our Instagram (13:05) The demonic and hellish skeleton visuals from the Zac Brown Band's Sphere residency (22:03) Abby Lee Miller's uncanny Facetune faux pas on Neil Patrick Harris (25:00) Joe Jonas ill-advisedly trying to parallel park a G Wagon on Orchard St. in the city of New York (34:57) Fraser Olender's vape-induced heart attack at BravoCon (41:35) Timothée Chalamet and Kylie Jenner's matching orange outfits at the ‘Marty Supreme' premiere and Club Chalamet's response (51:27) Zach Woods making absolutely biting TikTok videos eviscerating Quentin Tarantino for being an ass on a podcast (1:04:31) TUBI throwing their tiny little hat into the ring with Netflix and Paramount in the bid to buy Warner Bros. (1:09:50) How 50 Cent is continuing his legacy of being the world's consummate hater in the wake of Netflix's Diddy docuseries (1:13:11) Jodi and Nora share their personal obsessions Hosts: Jodi Walker and Nora Princiotti Producers: Sasha Ashall and Belle Roman Learn more about your ad choices. Visit podcastchoices.com/adchoices

There's been something of a critical mass of high-profile departures and retirement announcements at Apple in recent weeks. Plus, how will consumers be helped or hurt by a potential merger between Netflix and Warner Bros or a hostile takeover from Paramount? And McDonald's pulls an AI-generated Christmas ad because some folks on social media weren't “lovin' it.” Marketplace's Meghan McCarty Carino spoke with Joanna Stern, senior personal technology columnist at The Wall Street Journal for this week's “Tech Bytes: Week in Review.”

There's been something of a critical mass of high-profile departures and retirement announcements at Apple in recent weeks. Plus, how will consumers be helped or hurt by a potential merger between Netflix and Warner Bros or a hostile takeover from Paramount? And McDonald's pulls an AI-generated Christmas ad because some folks on social media weren't “lovin' it.” Marketplace's Meghan McCarty Carino spoke with Joanna Stern, senior personal technology columnist at The Wall Street Journal for this week's “Tech Bytes: Week in Review.”

George Clooney is JAY KELLY in Noah Baumbach's latest film…and that might be true in more ways than one. The film chronicles the career of a fictional movie star. Speaking of chronicles, we're joined by actor and filmmaker Justin Tyler, voice of the titular Derf in MaxFun's newest show, The Young Old Derf Chronicles. And we have a movie quiz about real actors playing fictional actors on film!What's GoodAlonso - “Buy a Christmas tree that's considered too big for your apartment.”Drea - Forks Out on Sesame StreetJustin - end of year check-outKevin - Paranormal Activity playITIDICNetflix/Warner Bros. Monopoly InsanityOriginal Star Wars film to be Rereleased in Theaters for 50th AnniversaryChristmas Movie MinuteThe Christmas Cup (Hallmark)She's Making a List (Hallmark)Staff PicksDrea - Goodbye JuneAlonso - The Swimmer (1968)Justin - Blue MoonKevin - Three Kings Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

This week on the New World Next Week: parents are teaching children how to bypass the new Australian social media ban; Netflix and Paramount duke it out for control of Warner Bros.; and the new US National Security Strategy changes up the grand chessboard.

It's the episode about the major media consolidation of 2025 - Paramount and Netflix are competing to feed on the corpse of Warner Bros… what're they competing for? Why do these companies keep eating one another? Will David Ellison have enough fun playing Movies? All this, and wacky tales of kung fu teachers and more therein. Get the whole episode on Patreon here! TF Merch is still available here! *MILO ALERT* Check out Milo's tour dates here: https://www.miloedwards.co.uk/liveshows Trashfuture are: Riley (@raaleh), Milo (@Milo_Edwards), Hussein (@HKesvani), Nate (@inthesedeserts), and November (@postoctobrist)

KB is BACK and kicks things off with MASSIVE Phillies news as Kyle Schwarber is BACK in Phillies Pinstripes for LIFE! He discusses the contract and why it was a super important deal for the Phillies to get done. Then Eric Fannell and Mitch Armstrong join the show from Philadelphia Wings Media Day on the horizon of the Wings season opener at home on Saturday. Then KB discusses the Eagles horrid loss to the Chargers and how they HAVE to stop the skid against the Raiders on Sunday. Follow & Subscribe to The House Show with Pat Pitts! linktr.ee/OfficialHouseShow Subscribe to From Broad Street with Love: broadstreetwithlove.substack.com/ Onboarding Form: forms.gle/mZYnkiQcGv1ZxBSg9 Voicemail Line: speakpipe.com/UndergroundSportsPhiladelphia Support Our Sponsors! The City of Vineland: Visit www.vinelandcity.org/ and stay connected with the community and learn about important announcements, programs, and services offered by the city! Vineland, New Jersey... Where It's Always Growing Season! '47 Brand Shop for your favorite sports fan and get FREE SHIPPING on ALL orders with '47 Brand! 47.sjv.io/e1Nyor Kenwood Beer Visit kenwoodbeer.com/#finder and see who has Kenwood Beer on tap in YOUR area and crack open an ice cold Kenwood Beer to celebrate the good times! (MUST be 21+ to do so and PLEASE drink responsibly.) Merch & Apparel: www.phiapparel.co/shop + Use Code "UNDERGROUND" for 10% off! Paramount+ Students get 50% off ANY Paramount+ plan when you use our link to sign up for Paramount+. Stream the NFL all season long on Paramount+ paramountplus.qflm.net/c/2698521/3247125/3065 FOCO Shop FOCO's Black Friday and Cyber Monday sale and stock up on your Forever Collectibles! foco.vegb.net/0ZyLgV Biñho Get 10% off your next purchase with code BINHOBENNETT62 from our pals at Biñho! binhoboard.com?bg_ref=pDJkDdNO1y Follow Us! Twitter: twitter.com/UndergroundPHI Instagram: www.instagram.com/undergroundphi/ TikTok: tiktok.com/@undergroundphi KB: twitter.com/KBizzl311 Watch LIVE: YouTube: www.youtube.com/@UndergroundSportsPhiladelphia FB: facebook.com/UndergroundSportsPHI Twitch: twitch.tv/UndergroundsportsPHI Intro Music: Arkells "People's Champ" Outro Music: Arkells "People's Champ" #fyp #FlyEaglesFly #GoBirds #NFL #RingTheBell #Phillies #KyleSchwarber #PhiladelphiaWings #NLL #Guests #interview #podcastcharts #download #review #subscribe

In this episode of The Brainstorm, we dive into the high-stakes battle between Netflix and Paramount over the acquisition of Warner Brothers, exploring the implications for the streaming industry. We also discuss Elon Musk's ambitious plans for space-based data centers and the potential impact on global technology infrastructure. If you know ARK, then you probably know about our long-term research projections, like estimating where we will be 5-10 years from now! But just because we are long-term investors, doesn't mean we don't have strong views and opinions on breaking news. In fact, we discuss and debate this every day. So now we're sharing some of these internal discussions with you in our new video series, “The Brainstorm”, a co-production from ARK and Wolf.financial, and sponsored by Public. Tune in every week as we react to the latest in innovation. Here and there we'll be joined by special guests, but ultimately this is our chance to join the conversation and share ARK's quick takes on what's going on in tech today.Key Points From This Episode:The episode explores the intense competition between Netflix and Paramount for the acquisition of Warner Brothers, highlighting the strategic moves and potential outcomes.Discussion centers around Elon Musk's plans for launching space-based data centers, aiming to revolutionize global data infrastructure.The conversation delves into how these acquisitions and technological advancements could reshape the streaming landscape and consumer experiences.The episode concludes with insights into the broader impact of these developments on the future of entertainment and technology sectors.To learn more about WOLF: https://wolf.financialTo learn more about Public: https://public.com/

Warner Bros Discovery, the Hollywood studio and media company, is up for grabs, and Netflix and Paramount are battling to own it. Both Netflix and Paramount are media giants with competing views of the future of the industry. So how could a media merger involving one of the most iconic Hollywood studios change entertainment as we know it? In this episode: Rani Molla (@ranimolla), Senior Tech Correspondent, Sherwood News Episode credits: This episode was produced by Sarí el-Khalili, Noor Wazwaz, and Tracie Hunte, with Phillip Lanos, Spencer Cline, Diana Ferrero, Melanie Marich, Fatima Shafiq, Farhan Rafid, and our host, Malika Bilal. It was edited by Kylene Kiang. Our sound designer is Alex Roldan. This episode was mixed by Rick Rush. Our video editors are Hisham Abu Salah and Mohannad al-Melhem. Alexandra Locke is The Take’s executive producer. Ney Alvarez is Al Jazeera’s head of audio. Connect with us: @AJEPodcasts on X, Instagram, Facebook, and YouTube

Reposted from They Did What?!, which you can find now or very soon at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcastica.com/podcast/they-did-what⁠ — Kelsey and Gen discuss Long Shot, released in 2017 and directed by Jacob LaMendola, tells the story of Juan Catalan, a Los Angeles man wrongfully accused of murder and facing a possible life sentence for a crime he did not commit. His salvation ultimately comes from a rather unexpected source: background footage captured during the filming of the HBO show Curb Your Enthusiasm. The documentary walks through how easily Catalan is swept into the criminal justice system, how thin the evidence against him actually is, and how close he comes to being convicted before a fluke of timing, geography, and television production intervenes, raising uncomfortable question about how much luck is involved in proving our innocence on any given day. Next up: “Predators”, streaming on Paramount+ as of December 8th.  Send us an email or a voice message to ⁠theydidwhat@podcastica.com⁠, connect with us on Podcastica's discord, or look out for our episode comment posts on ⁠facebook.com/groups/podcastica⁠. We'd love to hear from you! Waiting for our next episode? Leave us a rating or review wherever you get your podcasts and help more people find us to join the fun! Then explore other great shows in the Podcastica network at ⁠podcastica.com⁠!   Mentioned: Beating the (false) Rap: Life After Netflix's Long Shot ⁠https://lamag.com/news/long-shot/⁠ 60 Minutes Australia interview with Juan Catalan ⁠https://www.youtube.com/watch?v=3V5Cj8d43Yw&t=6s⁠ ⁠⁠⁠How Curb Your Enthusiasm Saved an Innocent Man from Jail ⁠https://www.youtube.com/watch?v=Od2XbwqLupQ⁠ Wrongful Conviction with Jason Flom ⁠https://podcasts.apple.com/us/podcast/wrongful-conviction/id1151670380⁠ Where Are They Now? Juan Catalan ⁠https://www.instagram.com/onlyjuanwaytothetop31?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==⁠ Todd Melnick ⁠https://www.instagram.com/toddmelnik?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw==⁠ Beth Silverman ⁠https://lacounty.gov/2025/07/14/samuel-haskell-jr-charged-with-2023-murders-of-wife-in-laws-dies-by-suicide-before-court-hearing/⁠ Support Resources: Innocence Project ⁠⁠https://innocenceproject.org/⁠⁠ Exoneration Project ⁠https://www.exonerationproject.org/⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the New World Next Week: parents are teaching children how to bypass the new Australian social media ban; Netflix and Paramount duke it out for control of Warner Bros.; and the new US National Security Strategy changes up the grand chessboard.

 Three Big Conversations: TikTok's most-used sound in 2025 was a 63-year-old love song - 8:40  Netflix and Paramount are in a bidding war for Warner Bros. - 22:38 Hollywood might be having a "God moment." - 35:52 Song of the Week: "Santa Tell Me" - by Ariana Grande - 1:02 Click here for the lyrics. In Other News: - 52:20 Taylor Swift will officially conclude her Eras era today, releasing a six-episode docuseries about her record-setting tour as well as "Taylor Swift | The Eras Tour | The Final Show," both streaming on Disney+. The Roman Catholic Archdiocese of New York took several big steps toward resolving 1,300 sex abuse claims against clergy. Australia's blanket ban of social media for all users under 16 took effect on Wednesday. Pop-folk artist Noah Kahan is dropping hints about his next album, and considering the popularity of his 2022 release Stick Season, it could be one of the biggest releases of 2026. Pantone named "Cloud Dancer"—a shade of natural white—as its color for 2026, stating that the shade represents "a calming influence in a frenetic society." Double your impact with End of Year Giving! Every dollar you give will be mathched dollar for dollar until the end of 2025! Get your question on Ask Axis! Send in your questions to ask@axis.org. For more Axis resources, go to axis.org.

TikTok's most-used sound in 2025 was a 63-year-old love song, Netflix and Paramount are in a bidding war for Warner Bros., and Hollywood might be having a "God moment."  Song of the Week: "Santa Tell Me" - by Ariana Grande Click here for the lyrics. In Other News: Taylor Swift will officially conclude her Eras era today, releasing a six-episode docuseries about her record-setting tour as well as "Taylor Swift | The Eras Tour | The Final Show," both streaming on Disney+. The Roman Catholic Archdiocese of New York took several big steps toward resolving 1,300 sex abuse claims against clergy. Australia's blanket ban of social media for all users under 16 took effect on Wednesday. Pop-folk artist Noah Kahan is dropping hints about his next album, and considering the popularity of his 2022 release Stick Season, it could be one of the biggest releases of 2026. Pantone named "Cloud Dancer"—a shade of natural white—as its color for 2026, stating that the shade represents "a calming influence in a frenetic society." Double your impact with End of Year Giving! Every dollar you give will be mathched dollar for dollar until the end of 2025! Get your question on Ask Axis! Send in your questions to ask@axis.org. For more Axis resources, go to axis.org.  

Matt and Eric bemoan Disney's huge investment in AI and Paramount's hostile bid for Warner Bros. Plus, news on 28 YEARS LATER 3, SUPERGIRL, HUNGER GAMES, and more...

Welcome to this week's cinematic briefing, where the headlines span mega-mergers, superstar news, and the return of familiar frights. We dive into reports that Netflix could be acquiring Warner Bros. Discovery, ahead of Paramount's hostile bid this week, and what a deal like that might mean for theatrical releases, theatrical windows, streaming, content strategy, and the competition. Quentin Tarantino's candid takedown of Paul Dano sparks a conversation about auteurs, legacy, and the heat of Hollywood buzz. Scarlett Johansson lands two high-profile roles—The Exorcist and The Batman Part II—prompting discussion about genre crossovers and career trajectories. We also hear chatter about Christian Bale eyeing a role in Heat 2 and what that could mean for a crime saga revival. Paramount is pushing ahead with a live-action TMNT, while rumors swirl about a Rush Hour 4 tied to surprising sources. A new Paranormal Activity is in the works with James Wan producing, signaling another scare-filled chapter. Rounding out the episode, we preview trailers for Ready or Not 2: Here I Come, A24's Mother Mary, Obsession, and How to Make a Killing.

Send us a textWe are back from hiatus and diving straight into the high-stakes world of Industry Season 3, Episode 3, "It." Join former Morgan Stanley investment bankers Jen and Kristen as we decode the finance behind the drama at the COP climate conference in Switzerland. In this episode, we break down the hypocrisy of ESG investing, the regulatory "Chinese Wall" between equity research and investment banking, and why pressuring an analyst for a buy rating isn't just frowned upon—it's illegal. We also analyze the mechanics of Petra and Harper's rogue attempt to launch a new "Leviathan" fund, fact-checking everything from non-compete clauses to Harper's strategic lie about being a former "trader" rather than a salesperson.Beyond the balance sheets, we dig into the psychological horror of the episode—from Eric's glitter-covered spiral into a midlife crisis to the trauma-bonding between Yasmin and Henry Muck. We discuss the nuances of "dad trauma," the reality of IPO lockup periods, and the cringe-worthy dynamics of pitching a non-ESG fund at a climate summit. We also explore the literary references to King Lear and Leviathan that foreshadow the power struggle between Harper, Petra, and the wealthy Otto Mostyn.Finally, we debate the double meaning of the episode title "It"—is it a reference to Stephen King horror, or simply who has the "It factor" to survive on Wall Street? We wrap up by delivering our Bullish and Bearish takes on the cast, deciding who is playing the long game and who is about to fold. Whether you're here for the technical breakdown of hedge fund marketing or the messy workplace drama, we've got the skinny on what's real and what's just Hollywood.Learn more about 9fin HERE Shop our Self Paced Courses: Investment Banking & Private Equity Fundamentals HEREFixed Income Sales & Trading HERE Wealthfront.com/wss. This is a paid endorsement for Wealthfront. May not reflect others' experiences. Similar outcomes not guaranteed. Wealthfront Brokerage is not a bank. Rate subject to change. Promo terms apply. If eligible for the boosted rate of 4.15% offered in connection with this promo, the boosted rate is also subject to change if base rate decreases during the 3 month promo period.The Cash Account, which is not a deposit account, is offered by Wealthfront Brokerage LLC ("Wealthfront Brokerage"), Member FINRA/SIPC. Wealthfront Brokerage is not a bank. The Annual Percentage Yield ("APY") on cash deposits as of 11/7/25, is representative, requires no minimum, and may change at any time. The APY reflects the weighted average of deposit balances at participating Program Banks, which are not allocated equally. Wealthfront Brokerage sweeps cash balances to Program Banks, where they earn the variable APY. Sources HERE.

Netflix anunció la compra de Warner Bros. por 83.000 millones y Paramount contraatacó con una OPA de 108.000 millones. Trump dice que decidirá él. Pero esto no es una guerra del streaming: es el final de un siglo de Hollywood.Loop Infinito, podcast de Xataka, de lunes a viernes a las 7.00 h (hora española peninsular). Presentado por Javier Lacort. Editado por Alberto de la Torre.Contacto:

News You Missed …Paramount sees Netflix's Offer and Raises

This week's a big one: the squad kicks it off with Starlink on planes, Zoox vs. Waymo, and YouTube's skinny bundle before taking the big swing — data centers in space as the emerging SpaceX-IPO narrative. Sam and Dave break down the real entrepreneurship skill: tell the huge story, earn the trust multiple, and consistently deliver “20 cents on the dollar” to keep the flywheel of cash spinning (re: Elon Musk and Sam Altman but thread lightly, you don't want to end up like Elizabeth Holmes or Sam Bankman-Fried). Jess celebrates a win with The Information after getting CNBC to correct their reporting. Then they touch on how the backlash against AI is growing as the 101 billboards fill up with more AI company ads. From Sorkin's 1929 zeitgeist to smuggling Nvidia chips into China to “IPO everything and pray the American economy survives,” it's never a dull episode with Brit, Dave, Jess, and Sam. Stay tuned for next week's 2026 predictions… and drop yours in the comments.Chapters:05:50 Netflix vs Paramount - Who's going to win the deal and is this an Inverse AOL-Time Warner?16:56 Golden Globes nominees and Disney+'s Taylor Swift docuseries17:49 Bundling unbundling YouTube's skinny bundle and sports21:29 Starlink on planes = fewer redeyes24:55 Zoox vs Waymo28:15 Space GPUs and the data centers in space33:57 The modern entrepreneurship skill: narrative flywheel41:38 Jess's and The Information's win correcting CNBC's refuted chip story46:04 AI narrative in China vs US47:16 AI backlash: energy prices, water restraints, and kid's mental health52:06 The 101 Billboard Bubble Index57:17 Will the SpaceX, OpenAI, Anduril, or Anthropic IPOs save the economy?58:30 Sorkin's book predicted the AI bubble?We're also on ↓X: https://twitter.com/moreorlesspodInstagram: https://instagram.com/moreorlessYouTube: https://youtu.be/RiKVJD_3ziMConnect with us here:1) Sam Lessin: https://x.com/lessin2) Dave Morin: https://x.com/davemorin3) Jessica Lessin: https://x.com/Jessicalessin4) Brit Morin: https://x.com/brit

This week, Emily Bazelon, John Dickerson, and David Plotz discuss what will happen as the Supreme Court considers whether a president can remove leaders of independent agencies without cause, how the overt signals about immigration and “erasure” in the new National Security Strategy are meant to stir up cultural anxiety in Europe, and the high-stakes merger drama between Netflix, Paramount, and Warner Bros. with guest Tim Wu, professor at Columbia Law School and author of the new book The Age of Extraction: How Tech Platforms Conquered the Economy and Threaten Our Future Prosperity. For this week's Slate Plus bonus episode, Emily, John, and David discuss a Consumer Reports and Groundwork Collective investigation that found Instacart quoting massive price differences for the same products, which they claim result from AI-enabled pricing experiments.   In the latest Gabfest Reads, John talks with journalist and author Andrew Ross Sorkin about his new book, 1929: Inside the Greatest Crash in Wall Street History and How It Shattered a Nation — the story of speculation, debt, and the human drives that fueled the Wall Street crash that changed everything.   Email your chatters, questions, and comments to gabfest@slate.com. (Messages may be referenced by name unless the writer stipulates otherwise.)   Podcast production by Nina Porzucki   Research by Emily Ditto You can find the full Political Gabfest show pages here.   Want more Political Gabfest? Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Political Gabfest show page on Apple Podcasts and Spotify. Or visit slate.com/gabfestplus to get access wherever you listen. Find out more about David Plotz's monthly tours of Ft. DeRussy, the secret Civil War fort hidden in Rock Creek Park.     Follow @SlateGabfest on X / https://twitter.com/SlateGabfestSlate Political Gabfest on Facebook / https://www.facebook.com/Gabfest/ Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Emily Bazelon, John Dickerson, and David Plotz discuss what will happen as the Supreme Court considers whether a president can remove leaders of independent agencies without cause, how the overt signals about immigration and “erasure” in the new National Security Strategy are meant to stir up cultural anxiety in Europe, and the high-stakes merger drama between Netflix, Paramount, and Warner Bros. with guest Tim Wu, professor at Columbia Law School and author of the new book The Age of Extraction: How Tech Platforms Conquered the Economy and Threaten Our Future Prosperity. For this week's Slate Plus bonus episode, Emily, John, and David discuss a Consumer Reports and Groundwork Collective investigation that found Instacart quoting massive price differences for the same products, which they claim result from AI-enabled pricing experiments.   In the latest Gabfest Reads, John talks with journalist and author Andrew Ross Sorkin about his new book, 1929: Inside the Greatest Crash in Wall Street History and How It Shattered a Nation — the story of speculation, debt, and the human drives that fueled the Wall Street crash that changed everything.   Email your chatters, questions, and comments to gabfest@slate.com. (Messages may be referenced by name unless the writer stipulates otherwise.)   Podcast production by Nina Porzucki   Research by Emily Ditto You can find the full Political Gabfest show pages here.   Want more Political Gabfest? Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Political Gabfest show page on Apple Podcasts and Spotify. Or visit slate.com/gabfestplus to get access wherever you listen. Find out more about David Plotz's monthly tours of Ft. DeRussy, the secret Civil War fort hidden in Rock Creek Park.     Follow @SlateGabfest on X / https://twitter.com/SlateGabfestSlate Political Gabfest on Facebook / https://www.facebook.com/Gabfest/ Learn more about your ad choices. Visit megaphone.fm/adchoices

In October 1997, newlyweds Heather and John Grossman were targeted in a drive-by shooting. They both survived but a bullet severed Heather's spinal cord, paralyzing her from the neck down.  Heather was immediately certain that ex-husband, Ron Samuels, was behind the attack. “48 Hours" Correspondent Troy Roberts reports. This classic "48 Hours" episode last aired on 5/24/2008. Watch all-new episodes of “48 Hours” on Saturdays, and stream on demand on Paramount+. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

December 10, 2025; 6pm: Americans are facing high prices. MS NOW's Ari Melber fact-checks President Trump's comments on prices and reports on how these prices are shaping voters' economic priorities. Plus, some of the richest billionaires and companies in the world are battling to take over the Warner Bros. empire. Melber reports on the latest developments and is joined by Puck's Matthew Belloni. To listen to this show and other MS podcasts without ads, sign up for MS NOW Premium on Apple Podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of TFTM Tavern News, Kyle provides an in-depth analysis of the ongoing saga involving Netflix's acquisition of Warner Bros. and the implications for the film industry. Paramount has made a shocking move to intercept Netflix's impending deal, so what does that mean for the future of Warner Bros? The episode also covers the potential impact of AI on filmmaking based on the latest news and announcements from the likes of Disney and Netflix, how Paramount is trying to save the film industry with their latest move, according to their CEO, and the broader consequences for Hollywood's own role in the film industry's downslide. Tune in to get the latest on this ongoing battle for Hollywood's soul. Chapters 00:00:00 - Introduction and Overview 00:01:00 - Netflix's Strategic Moves 00:02:00 - Impact on Traditional Media   Takeaways Netflix is making strategic moves in the entertainment industry. Traditional media faces challenges in the digital age. Major studios must adapt to survive. The digital age presents both challenges and opportunities. Netflix's strategy impacts traditional media dynamics. Adapting to digital is crucial for media survival. The entertainment landscape is rapidly changing. Netflix's moves are reshaping the industry. Traditional media must innovate to compete. The future of media is digital. Sound bites Netflix's strategic moves in entertainment. Traditional media faces digital challenges. Major studios must adapt to survive. Digital age reshapes entertainment landscape. Netflix impacts traditional media dynamics. Adapting to digital is crucial for survival. Entertainment industry is rapidly changing. Netflix reshapes media landscape. Traditional media must innovate to compete. Future of media is digital.  

DUM DUM!! (That's the Netflix sound) The streaming wars are getting hot, with Paramount/Skydance aka DADDY'S ORACLE MONEY putting in a hostile bid for Warner Bros worth over $14 billion dollars more than Netflix's offer. We'll dive deep into the whole timeline, who stands to gain what, and what we think may happen. WATCH THE LATEST EPISODE OF EMIL'S NEW SHOW! https://www.youtube.com/watch?v=2Xm3EOuXyac OUR NEW CREDIT CARD SITE IS LIVE!!! Go get that AMEX card baby! https://thecreditcardlist.com Give this video a thumbs up if you enjoyed it! And please leave us a comment! It helps us! ***Ben's new movies and tv podcast with Dillon is OUT NOW! GO WATCH the latest episode on TRIVIA: https://youtu.be/GFG3zC_GNGk?si=E1zMn38t2nWZHBxx **CHECK OUT EMIL'S LIVESTREAMS HERE: https://www.youtube.com/emilderosa Support us and get bonus content, ad-free versions and more plus your first 7 days free at https://benandemilshow.com __ SOME OTHER VIDEOS YOU MAY ENJOY: That's Cringe of Cody Ko: https://youtu.be/dTbEk0pVh2w Our AUSTIN VIDEO: https://youtu.be/yGSs56bFzRU Our episode with Kyla Scanlon: https://youtu.be/cIHWkY35cuc Big Tech is out of ideas (ft. ED ZITRON): https://youtu.be/zBvVGHZBpMw Arguing with a millionaire (ft. Chris Camillo): https://youtu.be/1ZUWTkWV_MM We bought suits HERE: https://youtu.be/_cM1XqA9n2U ***LINK TO OUR DISCORD: https://discord.gg/CjujBt8g ***Subscribe to Emil's Substack: https://substack.com/@emilderosa ***Trade with Ben at https://tradertreehouse.com __ AURA: Exclusive $35 off the Carver Mat at https://on.auraframes.com/BAES promo code BAES CASHAPP: Download Cash App Today: https://capl.onelink.me/vFut/zd0taway #cashapppod. Cash App is a financial services platform, not a bank. Banking services provided by Cash App's bank partner(s). Prepaid debit cards issued by Sutton Bank, Member FDIC. See terms and conditions at https://cash.app/legal/us/en-us/card-agreement. Direct Deposit, Overdraft Coverage and Discounts provided by Cash App, a Block, Inc. brand. Visit http://cash.app/legal/podcast for full disclosures. MIZZEN & MAIN: Get 20% off your first purchase at https://mizzenandmain.com with promo code BAES20. MOOMOO: Click this link https://start.moomoo.com/BAES to get up to $1,000 in free stock when you make a qualified deposit. Terms and Conditions apply. Securities are offered through Moomoo Financial Inc. (MFI), Member FINRA/SIPC. The creator is a paid influencer and is not affiliated with MFI and their experiences may not be representative of other moomoo users. Investing is risky. See full disclosures at https://invest.us.moomoo.com/_disclosure __ Follow us on instagram! @ benandemilshow @ bencahn @ emilderosa Learn more about your ad choices. Visit podcastchoices.com/adchoices

Studies show more students are arriving at college unable to do basic math, forcing even top universities to offer remedial classes. College admissions expert and author Jeff Selingo joins the Rundown to talk about why test scores are falling and what it means for higher education. He explains how pandemic learning loss and grading standards are reshaping who is truly ready for college. Plus, whether a traditional four-year college degree is still valuable, or if alternative paths like company-provided training programs are becoming more viable options. Netflix is set to purchase Warner Bros. for $72 billion after the company moves to separate its studios and HBO Max streaming division from its cable networks. In response, rival studio Paramount has launched a hostile takeover bid of its own. Wall Street Journal entertainment and media reporter Joe Flint joins the Rundown to discuss the differences between the Netflix and Paramount bids for WarnerMedia, the concerns and consequences of a potential streaming monopoly, and how the deal could affect jobs and the creative community in Hollywood. Plus, commentary from Jason Chaffetz, FOX News contributor and the host of the Jason In The House podcast on FOX News Radio. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Emily Bazelon, John Dickerson, and David Plotz discuss what will happen as the Supreme Court considers whether a president can remove leaders of independent agencies without cause, how the overt signals about immigration and “erasure” in the new National Security Strategy are meant to stir up cultural anxiety in Europe, and the high-stakes merger drama between Netflix, Paramount, and Warner Bros. with guest Tim Wu, professor at Columbia Law School and author of the new book The Age of Extraction: How Tech Platforms Conquered the Economy and Threaten Our Future Prosperity. For this week's Slate Plus bonus episode, Emily, John, and David discuss a Consumer Reports and Groundwork Collective investigation that found Instacart quoting massive price differences for the same products, which they claim result from AI-enabled pricing experiments.   In the latest Gabfest Reads, John talks with journalist and author Andrew Ross Sorkin about his new book, 1929: Inside the Greatest Crash in Wall Street History and How It Shattered a Nation — the story of speculation, debt, and the human drives that fueled the Wall Street crash that changed everything.   Email your chatters, questions, and comments to gabfest@slate.com. (Messages may be referenced by name unless the writer stipulates otherwise.)   Podcast production by Nina Porzucki   Research by Emily Ditto You can find the full Political Gabfest show pages here.   Want more Political Gabfest? Join Slate Plus to unlock weekly bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Political Gabfest show page on Apple Podcasts and Spotify. Or visit slate.com/gabfestplus to get access wherever you listen. Find out more about David Plotz's monthly tours of Ft. DeRussy, the secret Civil War fort hidden in Rock Creek Park.     Follow @SlateGabfest on X / https://twitter.com/SlateGabfestSlate Political Gabfest on Facebook / https://www.facebook.com/Gabfest/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Fani Willis to face Georgia Senate questions about Trump prosecution. Paramount CEO hostile takeover of Warner Bros is motivated by changing CNN to benefit Trump? White men chase down and corner a Black worker with pickup trucks. Host: Dr. Rashad Richey (@IndisputableTYT) Co-Host: Elliott Morgan (@ElliottcMorgan) *** SUBSCRIBE on ⁠⁠⁠YOUTUBE⁠⁠⁠  ☞ ⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/IndisputableTYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ FOLLOW US ON: ⁠⁠⁠FACEBOOK⁠⁠⁠  ☞ ⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/IndisputableTYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠TWITTER⁠⁠⁠  ☞     ⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.twitter.com/IndisputableTYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠INSTAGRAM⁠⁠⁠ ☞ ⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/IndisputableTYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Joe and Alex discuss the final Major Moment of Book 6, the chapter entitled "The White Tomb"! They also discussplenty of news, including Netflix purchasing Warner Bros and Paramount making a "hostile" bid to win them over.   Open News You Can Use Giveaway Major Moments - The White Tomb Bossengamot Potterwatch! Community Emails   Joe - @CustomVinylLush Alex - @AtariAlex Brent - @BrentAllenLive Show - @TalesFromGH TikTok- @TFGHshow   Tales from Godric's Hollow is your One-Stop Shop for ALL things magical in the Wizarding World of Harry Potter!   Email - TalesFromGodricsHollow@gmail.com Facebook - www.facebook.com/talesfromgodricshollow  Instagram - www.instagram.com/talesfromgodricshollow Podchaser - www.podchaser.com/TFGH   Special Shout Out to our Producers/Sponsors AND Headmistresses, The Mysteriously Haunted Headmistress of Beauxbatons Academy and our Headmistress of Ilvermorny, Kori A!   Thank you to ALL of the Patreon supporters!!! We can't do all of this without you all!   Support us on PATREON! www.Patreon.com/TalesFromGodricsHollow   Spellio Revelio and E-Mail sounds/beds came from https://musicradiocreative.com/

(December 11, 2025) How California’s county fairs have become cotton candy for fraud, theft, and mismanagement. Southern California mountain lions recommended for threatened status. Thriftmas is booming as shoppers hunt secondhand gifts to save money. Paramount wants to buy Warner Bros. What to know about the hostile takeover.See omnystudio.com/listener for privacy information.

Whether it's Netflix or Paramount many believe a Warner/Discovery sale will mark the end of Hollywood, an interesting promotion at CBS News, Zig called it on MTG, Nuzzi is nutzy, Trump pardon blows up in his face, a man of peace and the bowl system is dead.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-death-of-journalism--5691723/support.

Join host Manya Brachear Pashman for a powerful conversation about Red Alert, the Critics Choice Award-nominated Paramount+ docu-series that confronts the October 7 Hamas massacre with unflinching honesty. Producer Lawrence Bender (Pulp Fiction, Good Will Hunting) shares why this project couldn't wait—launched in real time to push back against denial, disinformation, and a world struggling to absorb the scale of the tragedy. Bender reflects on the courage and trauma of the ordinary Israelis whose stories anchor the series, including survivors like Batsheva Olami, whose resilience changed the production team forever. Hear how filming during an active war shaped the storytelling, the emotional toll on everyone involved, and why capturing these true accounts is essential to ensuring October 7 is neither minimized nor forgotten. Key Resources: AJC.org/Donate: Please consider supporting AJC's work with a year-end gift today. Right now, your gift will be matched, dollar-for-dollar, making double the impact. Every gift matters. Every dollar makes a difference in the fight for a strong and secure Jewish future. Listen – AJC Podcasts: Architects of Peace The Forgotten Exodus People of the Pod Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts or Spotify. Transcript of the Interview: [Clip from Red Alert] Manya Brachear Pashman:   Academy Award nominated film producer Lawrence Bender has quite a repertoire for both feature films and documentaries: Pulp Fiction, Inglorious Bastards, Good Will Hunting and Inconvenient Truth. In fact, his works have earned 36 Academy Award nominations.  His most recent TV miniseries is a more personal project on the second anniversary of the October 7 Hamas terror attacks on Israel, Paramount Plus began streaming a four episode series called red alert about the attack on festival goers, innocent passers by and families waking up to terrorists inside their Israeli homes that day, a tragedy that many of us, either on this podcast or listening have watched with overwhelming grief for the last two years. Lawrence is with us now to talk about how he grappled with this attack on Israel and the rise of antisemitism that followed.  Lawrence, welcome to People of the Pod. Lawrence Bender:   Thank you, Manya, it's good to be here.  Manya Brachear Pashman:   So that clip that we played at the top of this episode, it's one of the few clips in English. Most of the dialog in this show is in Hebrew with subtitles. But that scene is a woman, Bathsheba and her two daughters. They're walking across a field trying to return home, and her son has been taken. Her husband is gone. This series weaves together her story and three or four other ordinary civilians fighting for their lives on October 7, 2023. You know, as someone personally who's been immersed in this subject matter for two years, to be honest, I had to muster the energy to watch this, and I'm so glad that I did. But why are, I mean, as we're still waiting for the last hostage to be returned, why was it important for this show to air now? Lawrence Bender:   Well, thank you so much for doing this with me, and thank you for playing that clip. I have to tell you first, I love that clip. I love that scene because one of the things about the show and the stories that we portrayed is that even with the horrific things that happened on that day, people still were able to fight back. People were still able to be strong. A mother with her daughter and her infant stood in the face of a terrorist and stood him down in real life, this happened.  Now, not everybody was so fortunate, and her husband Ohad was not fortunate, and her son was taken hostage, as you mentioned, but it does show her personal power in this horrific situation. And I just thought, you know, this woman is a real hero. I've spent a lot of time with her, Batsheva Olami, she's really an extraordinary human in all ways. So thank you for playing that clip.  So in terms of the show, I felt on October 8, it's just amazing how quickly, before Israel did anything, the entire world quickly turned against the very people who were the victims and having spent subsequently, a lot of time with people on the set, because, as you mentioned, this show was about real people, and those real people spent a lot of time on the set with us. And the very people that were traumatized, felt isolated, they felt alone, and they're the very ones that need to be loved, that need to be hugged, they need to be supported. Anyway, I just felt like I needed to do something fast to try to show the world what really happened. AndRed Alert is the result of that. Manya Brachear Pashman:   Do you fear that the world has already moved on? Lawrence Bender:   Oh, that's a good question. It feels like we've passed a tipping point, actually, in terms of Jew hatred and anti-Israel and antisemitism. Even as we are now trying to have a peace process, right, that somehow we are stumbling forward, and if that's going to happen, people need to understand why we're here and why we're here happened on October 7. And if you watch the show, hopefully you're pulled into the show, and you have a, you know, you have an emotional journey, and then you understand, oh, this really happened. And you understand that's the truth. And only when you really understand the truth of October 7 do I really think that you can really get some sort of peace. Manya Brachear Pashman:   So is this different from other historical events? You know, a lot of movies and television shows commemorate historical events, like the Holocaust, for example, but they happen years later. They're made years later. I kind of call it the never forget genre. But is October 7 unique in that it's not a question of whether people will forget or move on. It's a question of whether they believe that this present is actually true. Lawrence Bender:   That's right, there's the deniers. There's people that just don't know. There's people that forgot, maybe you know, there are people who I know that I had to explain. Like, you know, it's interesting. As an example, when you see the show and you see all these Hamas terrorists invading the kibbutz, and Ohad says to her, his wife, Bathsheva, he whispers in her ear, I just saw about 20 terrorists, and someone said to me, who's not unintelligent, I didn't realize there are that many. I didn't realize that. And if you're not really paying attention, maybe you don't really know. And look, they're the haters, haters which are never going to change. But I think there's a large group of people that just don't really understand, and they're the ones that I feel we have a shot at showing this to and having a conversation with. Manya Brachear Pashman:   In fact, are you actually introducing or experimenting with a new genre of truth or facts in the face of fiction. Lawrence Bender:   I guess that's true. I mean, this just happened. And some people ask over this last, you know, when I released, and we were paramount, released the show. You know, I've been asked a question, is it too soon? And my answer is, I feel like it's not soon enough. And I felt like immediately I needed to work on something, and this is the result of that. For me, personally, there are many collaborators of people on this show that incredible Israeli partners, my American partners. I mean, there's a lot of amazing people that came together to work on this, to make this show, but we really felt like time was of the essence, because the world was shifting so quickly, we wanted this to get out there, to show the world what really happened. Manya Brachear Pashman:   One of the reasons I'm pressing you on this, this was not a fiction film. This was based in reality. You said you met Bathsheba, the actors prepared for their roles by meeting with the very real people who they were portraying in this show whose stories they were recreating. I'm curious what some of the takeaways were for you, for your colleagues, from your encounters with these victims, with these survivors, and did anything about the production ever change after they got involved? Lawrence Bender:   It was truly a life changing experience for myself, but really for everyone involved, of course, myself and my partner, Kevin Brown and Jordana Rubin, and we were basically the only non Israelis that were full time producing the show. And everyone else was a citizen of the country. Everyone else, you know, was affected dramatically, everything but from like our key grips brother ran the kibbutz Raim, where we filmed that area that was a kibbutz overrun by terrorists, right? His brother survived. So it was really like every single person at some point, you know, we call it triggered, but it really happened quite often where you have a scene and people just have to stop for a second and take a moment, whether it's an actor finishing a scene or a crew member, you know, partaking in the making of the scene. But lots of things happen. I'll tell you one story which was, you know, quite interesting. We're working at the Nova festival scene, and one of the actors, Moran, her niece, was on vacation in Greece, and her niece told her, if a red headed police woman shows up on the set, she's the one who saved my life. And indeed, her name was Bat, she showed up, and we said, we need you to meet somebody. And we FaceTimed Moran's niece with Bat, and the young lady she's like in her early 20s, said, You're the one who saved my life. You're the one I was hiding by your feet while you were firing. And we asked, Did you remember the people that you saved? And she said, I really only remember the people I didn't save. You really felt the pain that she is still at that point a year and a half later, this is. In April, May, suffering from what she went through. RPG hit nearby her. She went flying through the air. She had had half reconstructive surgery, on and on and on. It was obviously an extremely traumatic day for her to you know, a moment where there's a woman on the set whose daughter was murdered, and someone on my crew, actually, Mya Fisher, has said, you know, there's someone here I want to introduce you to. It's after lunch. And I spent some time with her, and I asked her, you know, like, how do you go? Fine, I can't, you know, I can't imagine losing my son in this way. It's just unimaginable. And I asked her, do you have a rabbi? What do you do to survive?  And it was a very difficult emotional exchange. And sometime later, she had sort of retold that encounter to somebody else on the set who came to me and said, you know that woman you're talking to. She told me what happened, you know this conversation? And she said, You know this Hollywood producer came all the way from California, she doesn't know me, from Adam, and sat down with me for an hour to hear my story, and it clearly meant a lot to her. And again, you realize that the very people who are traumatized directly are not getting the love, are so isolated and people are against them, and it made me feel even more determined to tell these stories for the world to understand.  Every day we had these type of difficult, emotional and to be honest, I was extremely honored every time I met someone. I spent every Saturday night at Hostage Square because we were making the show, I got to spend time backstage with all the families who had loved ones in the tunnels. There was a deep dive into this. Now, I have to tell you, on the other hand, the filming while a war is still going on is quite it's like things you don't have to think about normally, right? So, as an example, we were in a town and we're shooting a shootout. We're filming a shootout between the IDF actors and the Hamas actor. They're actors. I keep saying they're actors, right? Because they are actors. But the mayor and the chief of police in the town were extremely worried, because they look real, right? They look like real people. And unfortunately, the cemetery is littered with people who have been murdered and killed by the Hamas. And all the other men who are there, they have guns, they carry, and if something's happening, they're going to run towards the problem. So he's worried, what if someone walks by, or someone's up in a building. He looks down and they see an actor who looks like Hamas, they are going to shoot him. So we literally had speakers every 10 yards, like all up and down the street, and every like 15-20 minutes, saying, don't worry, in Hebrew, of course, this is a movie, everything's okay. We had a drone up in the air, never coming down, on a tether with a police officer. They're a full big screen watching case someone walks down the street.  We dressed up the Hamas actors as they're walking from the holding area to the area where they're filming, we put them in these kind of white hazmat-like suits so that they couldn't confuse them, and when they got done filming, we put them right back in these hazmat white suits and brought them back to the holding area. We all had to dress up, and we had to wear these very, very light blue shirts the entire crew, so nobody looked like anything but a crew member. It was something, right?  Manya Brachear Pashman:   I did not even think about that. I mean, I knew that you had filmed on location in Israel, and I knew you had filmed during the war. In fact, I was going to explain to listeners who don't know Red Alert is what Israelis call the sirens and the phone alerts when there are rockets being fired upon Israel and they have time to seek shelter. I was going to ask you if you had been there during a red alert and had to seek shelter, but I didn't even think about the possibility of people confusing the filming with actual war activity. I imagine you were there during a red alert, and did have to seek shelter, yes? Lawrence Bender:   so there's different types of alerts in the south. We did shoot in the guys called the Gaza envelope. We shot within less than a mile away from the Gaza border. So a scene that comes soon after the one that you showed. They're resting under a tree, and we are in the Gaza envelope. And this is a scene where they're running from the Hamas. They're running, they're bare feet, and they're out of breath, and they stop under this tree that's hot, and so forth. And you can hear, just a mile away, the war going on in Gaza. Hear the bombs and everything, and we weren't worried about we're going to be attacked, but it was eerie hearing a war go on, and we're filming a scene where they're running from that war, right?  So it was dramatic every week or so still at that point, the Hamas would lob a missile bomb into southern Israel and an alert would go off. You have 15 seconds to. Get into. So we had to bring these portable concrete safe rooms with us so that crew, at any given moment can run quickly into one of these concrete things. We couldn't always do it. So there's always this conversation, and by the way, it costs a lot of money, so everything you're always carrying these things. There's a lot of planning that went on. But I have to tell you, as an American showing up in Israel for the first time after October 7, I wasn't used to these alarms going off, so we were fortunate that while we were filming in the south, no missiles were lobbed at us. However, my first day there, I'm in a meeting on the eighth floor. It was a Friday morning. I got in there on a Thursday evening, 10 o'clock in the morning, the alarm goes up. I mean, just like that, right? And it's loud.  And you have these buzzers. Everyone's phone is buzzing, not like the Amber Alerts we have, like, really buzzing loud. And everyone stops and looks at me, and they apologize to me. They apologize and they go, Oh, we're really sorry, but it's an alert. We have to go into a safe room. Oh, don't worry, it's just from the Houthis. It takes eight minutes to get here. Now it's an intercontinental ballistic missile. These are real big missiles. They can really do bad damage. Don't worry, the Iron Dome usually gets them. It's really okay. So we go, you know, we go into and they pick up their danish and their coffee, and of course, I take out my cell phone and I'm videotaping. And then we go in there, and when it's off, we go back to the meeting. The meeting starts as if it never happened. And then they stop, and they go, Oh, how was that for you? And then I just didn't realize, what with the emotion that was going on because we're not used to having missiles shot at us. It's not normal. And I started to bubble up with emotion, and I had to, like, stop myself, I didn't want to cry in front of all these people that I barely knew. So I had to suppress my feelings. Like, don't worry, it's okay. You're having a normal reaction, right? And that happened quite often while I was there.  Now, you do get used to it. And the last night I was there, I was having dinner outside, tables outside, you know, in restaurants everywhere. So we're having a typical outside dinner, and they're handing the fish, and the alarm goes off, and we go, let's eat. And we don't go into the restaurant where they're called maamads. You don't go into the safe room. So that's kind of the quote, unquote normal life. Now you imagine here in the United States we get a missile from Mexico or Canada or wherever. No one's going to put up with that. That's just insane. It's insane what people in Israel have to go through. Manya Brachear Pashman:   it really is. But it's interesting that you've kind of adopted the nonchalance that your colleagues had at the very beginning of the trip, and wow, certainly no apologies. I want to know if there's a missile headed my way. Thank you. It does sound like October 7 changed you personally. And I'd like to know as a progressive Jew, on what level did it change you as a human being. I mean, how did it change you the most? Lawrence Bender:   I've been an active Jewish person for maybe 20, somewhere, 2025, years. I went to Israel My first time. I was ready. As far as I'm concerned. I was too old already to go for the first time. It was like 2003 I went with the Israeli policy forum, and we met with a lot of people there, and we ended up going to Ramallah, met with Abu Mazen, we went to Cairo and met with the president there, Barak, and met with a lot of people in Israel and so forth. And I've been involved one way or another for quite a while. But of course, October 7 was dramatic. Of course, I was safe in my house in Los Angeles, but I still watched in horror. And of course, October 8, it's just hard to understand what happened. It was the latent antisemitism, Jew hatred, that sits there. I still don't quite understand that.  It feels like antisemitism never went away, but it was underneath, and it just gave a good excuse to come out, and now the world is where it is. So yeah, for me, I became much more active than I was before. It became much more important to me, my Jewishness, my relationship to Israel. I want to protect Israel as much as I have that power to you know, whatever my ability is, like a lot of people, I know it's become a really important part of my existence, and it's like a new chapter in my life. I'm absolutely looking for more Jewish or Israeli projects. You know, I'm looking to do as much as possible in this area. Manya Brachear Pashman:   A number of your colleagues in Hollywood have proposed boycotting Israeli film festivals, institutions, projects, they're going the opposite direction that you are. And I'm curious if you had difficulty finding an American network to air this series, and what do you say when you confront colleagues who do want to boycott and are hostile toward Israel? Lawrence Bender:   You know, there's different groups of people. They're the true haters. I don't think that you can ever even have a conversation with them. There are people who just don't understand, and there's people you can and there are people who you know they're trying to be good people. They're trying to understand, like, What don't you understand about women being brutally raped and murdered? It's a little hard for me to understand that, actually. But there are a lot of good people who just are either confused or got too much of the wrong message.  But the one thing I would say straight up is, let's take an analogy. You know, there's very few people that I know that you see on TV, on any news show, that is very empathetic with the regime in Iran as an example, right? That means a brutal regime. If you're a liberal or if you're a conservative, there's very few people who support that regime here in this country, right? But they don't boycott their filmmakers, right? They actually give their filmmakers Academy Awards. So why is that with Israel? I feel like there's something very misguided here in Hollywood. Now, we got really lucky when it came to distribution. I just have to say, because we were supposed to go out to sell the show like it was fully financed from equity and from Keshet, who's the local Israeli. This is the biggest network in Israel, by the way. It's the biggest drama in Israel in the last decade. It really performed well there. But now we're going to go sell it here in the United States and the rest of the world, and it's early September, which is our deadline to do that, and Israel bombs Qatar, and then this boycott letter is signed. And I have to tell the investors. You know, it's like, this is not a good time. We cannot go sell. We're just gonna fail, and there's no second chances.  And you know, I was getting into dramatic arguments with my investors because they really felt strong. You got to be like that character in your show, the police officer is going to save his wife and you know, nothing's going to stop you. And I said, Yes, I'm with you. I developed that character I know in the Middle East arguments. I was at Skip Brittenham's memorial. Skip is like this beautiful man who was like the Mount Rushmore of lawyers here in LA. He's just a great human and one of those guys that wants to make deals, not just take everything and have the other guy get nothing. He was just like a he's just a real mensch, right? And well, loved anyway. Unfortunately, he passed, but I was at his memorial, and I ran into David Ellison. Now, I know David a little bit, not well, but I know him a little bit, and I also know that, you know, he loves Israel, from what I've read and so forth. And so I went up to him and said, Hey, man, we talked. I said, you got to know what I'm doing. And it probably got three words out of my mouth, and you can see him go, I'd love to see this. This sounds amazing, and sounds like it's exactly the timing we need.  And we sent him the material, and he watched every episode himself, and then he gave it to Cindy Holland, who runs paramount, plus his main person. And you know, they said, we do this. We want this. It would be an honor to be your partner in this is actually quite humbling. And it was an incredible moment for us to have David Ellison, Cindy Holland, say, hey. You know, we want this now. Then they said, We need to drop it. We want to drop all the episodes on October 7? Well, by the time they got those episodes, it was like two weeks to go before October 7, or a couple days before, because we couldn't give it to them in the midnight before October 7, obviously. And they had pretty much final picture edit, but we had temporary sound, temporary music, temporary effects, and so we had to work double triple shifts to get it done. But of course, we did. Manya Brachear Pashman:   This actually reminds me of a conversation I had with playwright, screenwriter, Oren softy for the Forgotten Exodus, which is a podcast series we did about Jews from the Middle East. He spoke about his father's side of the family, which hails from Aleppo, Syria, and he shared a lot of his frustrations with the modern anti Israel movement and sentiments in Hollywood, the protests which he's been trying to combat in theater and on the stage. And he actually said that investors had pulled out of a film project about Israel when tensions flared. So it's interesting to hear your investors took the opposite approach, but he told me in our conversations, he told me that being Jewish is about stepping up. That's how he sees it. It's about stepping up. And I'm curious if that rings true to you, and do you feel like this series and your plans to do more, is that your way of stepping up? Lawrence Bender:   Hmm, that's beautiful, and I'm so glad to hear you recount that story with him. I'd love to talk to him about that I feel like, without really understanding that it's built into me genetically, right? My grandparents, far as you go back, my family is Jewish, right? From Romania, from Hungary, from Minsk Belarus. So it's the way that you're brought up as a Jew. It's just always been a part of our lives, and we're pretty much taught that that's part of being Jewish, right? So, you know, I've always felt like it's important for me.  Now I tell you, you know, it's interesting, and I think about as we're talking so in the 90s, when I was getting started, and I was actually doing pretty well this one year, I had Good Will Hunting and Jackie Brown and a price above Rubens, those three movies, and things were going well, but I felt like something was missing in my life. And then we screened Good Will Hunting and Camp David in 1998 and it was an amazing moment. And that was like one of these light bulb moments for me. You know, I met the President and Mrs. Clinton and Madeleine Albright, Secretary of State, and Secretary of Defense, Sandy Berger and the Chief of Staff and Senate Majority Leader, and on and on, right? They're all there.    And it was Matt Damon, Ban Affleck, Gus Van Zant, Robin Williams, et cetera, et cetera, right? And I felt like these guys are making a difference, and that's what was missing in my life. And so since 1998 I've been always looking for ways that I'm and that's that's that becomes like a more of a fulfilling way of living right for myself. So yes, I would answer that. That's a long way to get to yes. Manya Brachear Pashman:   Wow, Camp David, that's awesome. Lawrence, thank you so much for joining us and for talking about the impetus behind this series. I encourage everyone to take some time, brace yourself emotionally, but do sit down and watch Red Alert. It is really quite worthwhile. Thank you so much. Lawrence Bender: Thank you. Manya Brachear Pashman:   If you missed last week's episode, be sure to tune in for my conversation with AJC colleague, Dr Alexandra Herzog, the granddaughter of Chaim Herzog, Israel's Irish born sixth president. She shared how an attempt by Dublin officials to strip her grandfather's name from a community park illustrates how criticism of Israel can veer into an effort to erase Jewish memory. As I mentioned in my conversation with Lawrence, it took some degree of wherewithal to watch Red Alert, as we've spent the last two years on this podcast speaking with the families of hostages, former hostages themselves, and survivors of the October 7 massacre. I've wanted nothing more than to make sure their voices are heard. We end this week's episode with the voice of Orna Neutra, the mother of Omer Neutra. Orna recently spoke at the AJC Long Island meeting, shortly after the return of her son's remains more than two years after his death, followed by a word from AJC Long Island Director Eric Post. Orna Neutra: When Omer was taken, our world collapsed. But something else happened too. People stood up. People showed up. And many of you here showed up. This community, the broader Long Island Jewish community, AJC, our friends, colleagues, neighbors, complete strangers, carried us. You wrote, you marched, you advocated, you pressured you called you consoled and refused to let the world look away. To our personal friends and honorees here tonight, Veronica, Laurie, and Michael, your leadership has not been symbolic. It has been practical, steady and deeply felt by our family.  Like you said, Veronica, on the first days when we were barely understanding what was going on, you connected us to Senator Schumer's office, and Michael, you helped us write a letter to the White House on October 8, and that was the first sign from hostage families that the White House received. We know that Secretary Blinken had the letter in his hands on October 8, indicating that Omer was probably a hostage.  And AJC as an organization, beyond your many actions and advocacy, I want to specifically acknowledge your DC team. It was mentioned here tonight, throughout our many, many, many visits to Capitol Hill, AJC professionals were instrumental. They arranged meetings, they walked us through endless hallways, opened doors, prepared us and stood beside us, and they're still doing that for us, and we will see them this week. Always professional, with purpose and humanity, and we will never forget that. Over these two years, we learned something essential: that when Jewish families are in danger, the responsibility belongs to all of us, across movements, across generations, across continents. This work is the work that AJC does every day. This is the work that everyone here in this room understands. Eric Post:  Since the horrors of October 7, AJC has been empowering leaders around the world to take action against antisemitism and stand with Israel. But we cannot succeed alone. Please consider supporting AJC's work with a year-end gift today. Right now, your gift will be matched, dollar-for-dollar, making double the impact.  Every gift matters. Every dollar makes a difference in the fight for a strong and secure Jewish future. Donate at AJC.org/donate – that's www - dot - AJC - dot org  slash donate.

00:00 Garmin ad: Jimmi's rookie error 01:00 How many burritos is too many? 05:33 Almost butt dialling Prof Brian Cox 08:46 How to ride faster, made simple 12:43 News quiz incoming… 13:05 $1million of fake Specialized's uncovered 18:23 Massive road bike recall 21:44 Pogacar bike auction madness 25:40 Motorbike brand turns to bicycles 27:13 Decathlon rider fined in Spain for this 29:08 World's most popular bike (according to Strava) 30:24 Which gender has less stress this year? (according to Garmin) 31:12 Netflix & Paramount v cycling coverage 37:39 Wout van Aert 45:18 a future-proofed fluff up 46:51 Unpopular Opinion: cycling needs an image overhaul 56:35 Send us your Unpopular Opinions and Questions! 56:53 New Year's resolutions and forming new habits Thanks to Garmin for supporting the podcast!  Check out How To Ride A Bike Faster, Explained For Newbies here: https://youtu.be/3Jj_1_TpFLY?si=XfA8obxfmdBPAUJu Join the Project 400 club for free here: https://www.strava.com/clubs/1329349 FULL LIST of recalled CUBE models, all sold before 30 November 2025: 826100 Cube Agree C:62 One Fog grey'n' grey 2025826200 Cube Agree C:62 Pro black line 2025826210 Cube Agree C:62 Pro polar light 'n' aqua green 2025826300 Cube Agree C:62 Race flash lime 'n' black 2025826400 Cube Agree C:62 SLX liquid red 'n' prism 2025826410 Cube Agree C:62 SLX Pigeon blue 'n' are 2025826500 Cube Agree C:62 SLT nebula 'n' white 2025894201 Cube Agree C:62 Ultegra Di2 mallorca blue 'n' white 126100 Cube Agree C:62 ONE storm 'n' grey 2026126150 Cube Agree C:62 EX topas blue 'n' white 2026126200 Cube Agree C:62 Pro black line 2026126210 Cube Agree C:62 Pro bali 'n' prism 2026126300 Cube Agree C:62 Race glacier 'n' black 2026126400 Cube Agree C:62 SLX nightshift 'n' prism 2026126410 Cube Agree C:62 SLX cosmic purple 'n' black 2026126500 Cube Agree C:62 SLT black 'n' black 2026126510 Cube Agree C:62 SLT green fusion 'n' white 2026 You can check out the video versions of the podcast, plus more videos from Cade Media here: https://www.youtube.com/@Cade_Media/videos If you'd like us to send in a question, story, some good news, things you'd like us to discuss or anything else, email us at wildonespodcast@cademedia.co.uk Thanks and see you next time. Learn more about your ad choices. Visit podcastchoices.com/adchoices

this show was another packed one. please follow @kevin27wrld

This week on reCappin', we dive into all the latest Headlines: Sydney Sweeney issues a public apology; The Met Gala announces its 2026 co-chairs — including Beyoncé; The Diddy documentary sparks major reactions, and 50 Cent is now beefing with Marlon Upcoming releases to watch:   • The Drama starring Z and Robert Pattinson — April 2026   • Black Panther 3 — February 2028 (07:25) In Hot Topics, we break down: Golden Globes & Critics' Choice nominations Netflix's potential acquisition of HBO/WB and the Paramount hostile takeover — what this means for Hollywood (32:53) Next Week's Pick: We're reCappin' the 90s rom-com classic While You Were Sleeping, stream it on Disney +! reCappin' is available on all podcast platforms — follow, rate, and review us on Apple Podcasts and Spotify. We appreciate your support! Follow us on social media: IG: @recappinpodcast Twitter: @recappinpodcast FB: ReCappin' with Delora and Ashley

Send us a textRhea is back and she's just in time to join Angelo and Jay for a discussion about the latest developments in the Warner Brothers saga.  It looked like it was going to be Netflix buying the storied company, but then, like a villain in a movie, Paramount swung back in with a hostile takeover attempt!  Things are heating up and the gang breaks it down.THEN, Mad Men made its debut on HBO, and, despite the technical glitches that made Zaslav's team look completely incompetent, it vaulted into the top ten most streamed shows of the week.  Angelo, Rhea, and Jay analyze what it is about a show that ended over a decade ago climbing its way back into the public's consciousness.ALL THAT, PLUS: British corner, Angelo's evolution on Pluribus, Jay's review of One More Shot, and much MUCH more!LISTEN NOW to stay up to date on all you need to know regarding the latest and greatest in television and the big screens.MAKE SURE TO VISIT OUR SPONSOR: Steven Singer Jewelers!The TV Show is a weekly podcast hosted by Jay Black, with regular guests Angelo Cataldi and Rhea Hughes. Each week, we dive into the new Golden Age of Television, with a discussion of the latest shows and news. 

This week on the Boxoffice podcast, presented by Christie, co-hosts Daniel Loria, Rebecca Pahle, and Chad Kennerk recap the weekend box office, as well as break down what's known and unknown about the Warner Bros. acquisition. Then in the feature segment sponsored by Christie, Rebecca talks to Allan Fernandes, product manager at Christie Digital Systems about Christie's new RGB H2 projectors, as well as Christie's variable dynamic range (VDR) technology, set to launch in early 2026.Give us your feedback on our podcast by accessing this survey: https://forms.gle/CcuvaXCEpgPLQ6d18What to Listen For00:00 Intro 01:23 Netflix's Winning Bid03:12 Paramount's Countermove05:07 Theatrical Stakes06:42 Guilds Push Back07:55 The “Sh*t Sandwich” Reality08:47 Political Opposition10:14 Industry-Wide Consolidation12:03 Sarandos' Theater Claims14:26 The 17-Day Window Problem17:03 Filmmaker Support Gaps19:12 Paramount's 30-Film Promise21:34 Preparing for Change22:18 Box Office Highlights24:13 Avatar Forecast25:32 Christie's New RGBH Projector30:47 Inside Christie VDR37:12 APAC Tech Innovation

We've got good news and bad news. The good news - BRAND NEW EPISODE OF YOUR FAVOURITE PODCAST! The bad news - it's the last official episode of the year... (note we said "official") Still still, Dan & Phil catch up and compare notes after watching the Diddy documentary, analyze Spotify Wrapped, explore the implications of the Netflix deal for Warner Bros, with the Paramount counter-bid and more! Enjoy!Subscribe and listen to 2 Broke Twimbos everywhere podcasts are available and keep up with all things 2BT via this link:2BT LinkPlease rate and review, and support us on Patreon!

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We've been talking about the Paramount Skydance/Warner Brothers Discovery/Netflix Billionaire Boys Club Spectacular for a few days now. But it's really worth digging into the details to understand how all of this could reshape our media diets – and our politics. If Netflix buys Warner Bros. Discovery, that could be very bad news for Hollywood. But if Paramount buys Warner Bros. Discovery, the Trump-supporting Ellisons would own: CBS, CNN, HBO, Paramount, DC Studios, TNT Sports, Warner Bros., Oracle and a whole bunch more. It's basically a big, complicated mess — so to unpack what it means for consumers and why on earth President Trump is involved, we spoke to Ben Smith. He's co-founder and editor-in-chief of Semafor, and host of the Mixed Signals podcast.And in headlines, Trump brings his economic message to the American people on the first stop of his affordability tour, the Supreme Court hears arguments over campaign finance limits, and will Americans follow Australia's footsteps and ban social media for children?Show Notes:Check out Mixed Signals – https://tinyurl.com/ycxvkz6fCall Congress – 202-224-3121Subscribe to the What A Day Newsletter – https://tinyurl.com/3kk4nyz8What A Day – YouTube – https://www.youtube.com/@whatadaypodcastFollow us on Instagram – https://www.instagram.com/crookedmedia/For a transcript of this episode, please visit crooked.com/whataday Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Call us and leave a voicemail at 631-377-4869 It's a So You Wanna Talk to Samson Wednesday! We start things off with a question about Utah athletics and its new partnership with private equity. Here we go! (13:00) Paramount made another bid for Warner Bros. This is getting ugly. How high will Paramount go? What will Netflix do? (21:00) What is going on with the Astros? The team just sold its minor league teams to Diamond Holdings! What does this mean? (28:00) The White Sox won the draft lottery! The Rockies, the worst team in baseball, was ineligible for the lottery! (35:00) Why are the Marlins grievances not finished yet? What is baseball waiting for? (41:00) Chris Paul bobblehead nigh was canceled. (46:00) Will a new Rays ballpark be done by the start of the 2029 season? No. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The JBP starts its latest episode with a conversation on concert etiquette (14:44) before turning to a debate on whether the gym should have a dress code (26:33). Busta Rhymes checks a content creator at an Art Basel event in Miami (42:48), a racist lady gets fired by Cinnabon (54:14), and a recap of the Cassidy & Eazy The Block Captain battle in Philly over the weekend (1:13:00). New music later this week (1:24:25) leads to a conversation on if the streets are done (1:27:35), Ice adds Snoop Dogg & Shaq to the the most famous person of all-time list (1:40:15), and how does the cast handle following a friend's significant other on Instagram (2:06:38). Also, a former escort is suing Cassie (2:14:58), more on AI music (2:50:23), Paramount has a deal in place to acquire Warner Bros. Discovery (3:04:45), and much more! Become a Patron of The Joe Budden Podcast for additional bonus episodes and visual content for all things JBP! Join our Patreon here: http://www.patreon.com/joebudden  Sleeper Picks: Joe | Ambré - "She" Ice | Tory Lanez - "Variables" Parks | Erick Sermon (feat. Method Man & Redman) - "Look At 'Em"