Podcasts about Playbill

Robbie Rozelle is a beloved cabaret artist, director, producer, housewives aficionado, and my friend. He identifies as a Charles Nelson Reilly with a Paul Lynde Rising. And guess what?! We're going back to basics! Robbie joins me in person, in my living room, and we talk about his Hamilton experience as well as pretty much everything else.  As a kid, Robbie fell in love with classic movie musicals (The Wizard of Oz, The Sound of Music, Annie (1982 ONLY), Bye Bye Birdie, Damn Yankees) and became transfixed. By the time he was cast as Scarecrow his freshman year of high school he knew he was going to be a performer. As a young gay kid in the middle of the AIDS crisis, Robbie found hope, joy, and a sense of belonging in theatre, which is why he's made it his life goal to preserve musicals through producing cast and artist albums.  This week, Robbie talks about his journey to New York City by way of upstate New York with a quick stop in Pennsylvania, how he became the Creative Director of Playbill, his transition to Center Stage Records, and how wise words from Jan Maxwell led to his "second life" as a cabaret icon.  Robbie Rozelle @DivaRobbie  Robbie Rozelle - Songs from Inside My Locker (Live at Feinstein's/54 Below) Original Cast Album: Co-Op /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Beacon actors will 'cold read' work Like thousands of actors before him, from Australia to Zimbabwe, Alexander Florez will rip open a sealed manila envelope tonight (May 16) and cold read a 2010 play, White Rabbit Red Rabbit, in the backyard of his Beacon home. Two other performers will take the plunge in yards on Saturday and Sunday. The premise - some call it a gimmick - is that everyone in a confined space takes an hour-long journey akin to a one-off jazz solo. Though details have leaked, audiences and the theater community (including reporters) have kept the broad outline and most revealing moments under wraps. The playwright, Nassim Soleimanpour, includes a clause in the contract for producers: "This play is not overtly political and should not be portrayed as such. It operates on a deeper, metaphoric level, and very expressly avoids overt political comment. All media and press agents have to keep in mind that the playwright lives in Iran. We therefore ask the press to be judicious in their reportage." Florez is a math teacher who will never pass muster with the grammar police. He avoids capital letters as an act of resistance and his email tag links to "the case for lowercase" style guide on his website, which includes instructions about turning off caps on devices and in programs. "I have a lot of respect and disdain for academia," he says. "I'm impressed with education but also dismayed with the gatekeeping and barriers to entry. One way to oppress is by making complicated grammar and spelling rules the standard for everyone, even though a select few invented them." Pushback against authority is reflected in the play. According to Soleimanpour, he wrote it after he refused to serve in the Iranian military and the regime denied him a visa to leave the country. (He is now thought to live in Berlin.) The production requires props, but the playwright's website touts the lack of sets, directors and rehearsals. Studying for his practical teaching certificate at Mount Saint Mary College in Newburgh, Florez fell in with the acting crowd (he works at the Manitou School in Philipstown). After bouncing around the Hudson Valley, he moved to Beacon in 2022 and got involved with the improv and comedy scene. White Rabbit Red Rabbit had an off-Broadway run in 2016: Nathan Lane, Whoopi Goldberg and Alan Cumming, among others, unsealed the script and got to work - for the first and last time. Playbill called it "the most-talked about (and least-talked about) new show." Beacon resident Jamie Mulligan read the script to prepare the actors, gather props and make staging suggestions. But per the legal agreement, the plot and other elements may not be divulged or discussed by anyone involved. At first, Florez figured he'd reach out to local performance venues, but Mulligan suggested staging the play at an art gallery, coffeehouse or other offbeat space. James Phillips, a theater professor at Mount Saint Mary, will read in his yard on Saturday and Twinkle Burke walks the high wire on Sunday outside the home of Hannah Brooks (with contingency plans for inclement weather). The play stems from experimental theater of the 1960s, Mulligan says, and "requires the audience and actor to encounter these subjects simultaneously, a connection that creates a level of spark that can only happen when everyone learns about this together." Broad outlines address elements of existential oppression and the role of individuals in society. "Someone told me that every play is about hope, so it places the human condition into primal conflicts, like man versus nature or man versus god," says Mulligan. That so many details have remained a secret for 15 years "speaks to the integrity of theater-makers." White Rabbit Red Rabbit will be performed by Florez at 7 p.m. at 119 Howland Ave. in Beacon, at 7 p.m., on Saturday (May 17) at 24 Willow St. by Phillips and at 3 p.m. on Sunday at 99 E. Main St. by Burke. Tickets are $10 to $32.24 at dub.sh/white-rabbit.

HEDWIG AND THE ANGRY INCH | Text by John Cameron Mitchell | Music & Lyrics by Stephen Trask Works Consulted & Reference :Hedwig and the Angry Inch (Original Libretto) by John Cameron Mitchell & Stephen TraskHedwig and the Angry Inch (Broadway Libretto) by John Cameron Mitchell & Stephen Trask, Directed by Michael Mayer"John Cameron Mitchell reflects on 'Hedwig and the Angry Inch' - Q with Tom Power" Podcast InterviewNew York TimesTalks Interview of Neil Patrick Harris, John Cameron Mitchell, & Stephen Trask" 'Midnight Radio' with John Cameron Mitchell | Queer the Music with Jake Shears Ep. 14" Podcast InterviewMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Wicked Little Town" from Hedwig and the Angry Inch (Original  Cast Recording)  | Music & Lyrics by Stephen Schwartz | Performed by John Cameron Mitchell "Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

Artistic Director, Britt Hancock, chats with the one and only Jason Ross about his process in Moon Over Buffalo, and his upcoming role of Edna Turnblad in Hairspray.  We dive into the madness of farce, the heart behind the humor, and what it takes to balance quick changes, big hair, and even bigger characters.  Whether you're a theater lover, a Playhouse regular, or just love a good behind-the-scenes peek—this one's for you.So grab your Playbill, settle in, and enjoy our chat with the always hilarious, endlessly talented Jason Ross. Support the show

Understanding Authentic Branding with Julie Nemitz   Episode #155   Welcome back to The Creative Soulpreneur. In today's episode, we reconnect with an extraordinary guest, Julie Nimitz. Julie's journey from a theater kid in Michigan, mentored by influential figures and inspired by a vibrant local theater scene, has taken her through a compelling career in corporate marketing. She merged her love for theater and her expertise in marketing to help small theaters amplify their stories in innovative ways. Now, Julie's entrepreneurial spirit and fearless nature have led her to work with individual artists, guiding them to authentically market themselves and their creative endeavors. Join us as we explore Julie's inspiring path, her transformational pivot from corporate to self-driven success, and her passion for making a meaningful impact in the arts community. This episode is packed with insights on blending creativity with strategy to leave a lasting legacy in the world of arts and theater.   Takeaways: Embrace the Pivot: Julie transitioned from a career in theater to corporate marketing, eventually founding the Theater Marketing Lab and Broad Impact Network. Her journey emphasizes the importance of fearlessly trying new things and pivoting when necessary. Personal Branding Matters: Both Julie and Nick highlight the importance of personal branding for artists and entrepreneurs. Knowing and authentically presenting who you are can open doors and create meaningful connections. Building Community for Impact: Julie's vision for the Broad Impact Network focuses on empowering female artists and advocates to create together and drive social change. This initiative underscores the power of community in making a difference.   Julie Website For Women in the Arts: Broad Impact Network   Julie Nemitz is a marketing mastermind who's shaking things up in the world of the performing arts. She is the founder of Theatre Marketing Lab, a consultancy dedicated to helping thousands of theatre artists and organizations grow audiences and amplify their work in the digital space –with a big dose of content marketing magic and a whole lot ofinnovative brand strategy. Julie is passionate about working with theatremakers, coaching them to harness the power of the internet to build brands. Since 2019, over 2,800 theaters have benefitted from training with the Theatre Marketing Lab where theatermakers can take self-guided training, group coaching sessions or collaborate one-on-one with Julie. Her signature programs Sell The Show! and Merrily We Roll Out: The Season Reveal Launch Plan have impacted local theatre marketing strategies from Glasgow to Melbourne and everywhere in between. Julie's newest project, Broad Impact Network, will launch in 2025. The program is a membership-based platform and community for women passionate about entertainment and the creative arts. Whether they are active contributors to the industry or avid supporters, Broad Impact Network empowers its members to celebrate, support, and shape the future of the arts. Our mission is to build a robust and engaged community of women who actively support female-identifying artists, advocate for freedom of artistic expression, and provide funding for women-led film, television, music, and theatre projects. Through community-driven initiatives—such as the Broad Impact Grant Program, in-person events Broads Night Out and Broads Night In, and a gamified engagement system—members wield their collective influence to amplify and celebrate women in the arts. Prior to the launch of Theatre Marketing Lab in 2019, Julie had a nearly fifteen-year career in sales and marketing with some of the top publishers and media companies, including Playbill, People Magazine, Meredith Dash Dot/Parents.com, and ScholasticPublishers. As a Vice President of Partnership Marketing at Triad Retail Media, she led her team to develop award-winning e-commerce content for Walmart.com. Julie travels the country (and the internet) speaking about marketing and the theatre industry for organizations such as the American Association of Community Theatre and The National Presenters Association and on numerous podcasts. She is also adjunct faculty at Western Michigan University, teaching Theatre Arts Marketing to the next generation of artists. In her spare time, Julie produces theatrical productions centered on the female experience including co-creating the original theatrical work “Does Anybody Have A Map? Motherhood In Stories and Song” which premiered in 2020 and moved into a social media content success story during the pandemic.   Nick Demos is a Tony and Olivier Award winning Broadway producer, documentary filmmaker, conscious business coach and manifestation expert. With over 15 years of teaching pranayama (breath work), yoga and creativity as well as thirty years in the entertainment industry, he has travelled from the Tony Awards to ashrams and run a multi-million dollar business in between. Nick helps you clear blocks and tap into your creative intuition so you can tell your stories and manifest the business and life of your dreams creating wealth and impact.  

We're celebrating the start of the baseball season by digging into one of the sport's great movie romances: Ron Shelton's steamy 1988 classic Bull Durham, starring Kevin Costner, Susan Sarandon, and Tim Robbins in a love triangle fans are calling "Challengers for straight people"! Join in as we discuss our own minor league experiences, Kevin Costner's star trajectory, our feelings on various baseball rule changes, and messy kitchen sex. Plus: What happened to the Disney "based on a true story" sports movies? What's the best basketball movie? And can minor-league teams not afford full-size towels? Make sure to rate, review, and subscribe! Next week: Risky Business (1983)----------------------------------------------Key sources and links for this episode:Roger Ebert's 3.5-star review of Bull Durham"Running for President is Harder than it Looks: Nats Hold Tryouts for Racing Mascots" (Washington Post)"Teddy Wins First Presidents Race" (Washington Post)"This is a Cry for Help" (Vulture piece on on the final season of Yellowstone)"Shelton Celebrates 20 Years for Bull Durham" (Southern Ledger)"MVP: Kevin Costner" (Entertainment Weekly)"At the Movies: June 10, 1988" (New York Times)"The Bull Durham House - With Southern Charm, 80s Nostalgia, and a Bathtub - is Sold" (The News and Observer)"Tim Robbins: Hall of Fame Violates Freedom" (The Age)"1988: Kevin Costner, Sean Young, No Way Out & Bull Durham (Erotic 80s Part 11)" (You Must Remember This)"Bull Durham: A New Musical Begins Performances" (Playbill)

Broadway Besties, please welcome & Juliet's Ava Noble to From the Mezzanine! Lindsey Stone chats with Ava Noble about her journey as a performer and making her Broadway Debut in & Juliet. Ava Noble tells behind-the-scenes stories from hilarious prank wars between cast members to graduating college at the Stephen Sondheim Theatre (and Stark Sands handing her the diploma!). Ava Noble shines onstage and off, and we are so excited to have her on the pod this week!Ava Noble's TikTok: https://www.tiktok.com/@avanoble707?is_from_webapp=1&sender_device=pcAva Noble's Instagram: https://www.instagram.com/avanoble/Website: www.fromthemezzanine.comPatreon: Click HERE to become a Broadway Bestie TikTok: @FromTheMezzanineBroadwayInstagram: @FromTheMezzanineBroadwayYoutube: @FromtheMezzanineBroadwayBroadway Spotify Playlist: https://open.spotify.com/playlist/5t55fULcCqN0NMmK4OnfOA?si=89c08b1a8bb34d95

The Playbill of Revelation, March 16th, Jeremy McDonald, Week 2 by Tidal Church

The Playbill of Revelation, March 16th, Jeremy McDonald, Week 2 by Tidal Church

Maria Decotis! Comedian! Actor! Writer! Friend! Delight! More! Maria has been featured in Rolling Stone, Wall Street Journal, Today, New York Times, The Guardian, Vogue, New York Magazine, and many more for her comedy videos and her work has been shared by several celebrities including Ben Stiller, Stephen Colbert, Chrissy Teigen, Lin-Manuel Miranda, Padma Lakshmi, and Natasha Lyonne. She opened for Mike Birbiglia on Broadway! She earned a BFA in Acting from Boston University, studied Commedia dell'Arte in Italy, and trained in advanced Improv and Character at the Upright Citizens Brigade Theater. Her subsequent original comedy videos have garnered millions of views ranging from her Pope impressions and commentary on sexism to her poignant "Subway Takes" feature. On stage, she recently completed a critically-acclaimed run during the Edinburgh Fringe Festival starring in the dramatic one-woman play Before the Drugs Kick In as well as her own one-woman comedy show Emotionally Unreasonable, and has been touring both shows since. Some of Maria's other notable credits include Comedy Central, HBO Women in Comedy Festival, SXSW, and headlining the New York Comedy Festival. Learn more: mariadecotis.com   During her wildly successful 2023 Edinburgh Fringe run, she was featured in Playbill and The Scotsman said, “DeCotis is the best new American stand-up I've seen since Michelle Wolf. Do whatever you can to see her because the next chance you get she'll be starring in her own Netflix special.” Emotionally Unreasonable was named one of the top Edinburgh Fringe Shows by EuroNews, nominated for the Off West End Award and received a number of outstanding reviews! She also has a monthly show at The Stand in NYC called "Fembots." The next one will be Wednesday, March 19th (2025) at 7:00pm AND you can follow her on social media @mariadecotis for dates of her critically acclaimed solo show "Emotionally Unreasonable"!   And this is only HALF of our chat! For the other half, subscribe via Apple Podcasts OR merely click on over here to Patreon!

John and Craig decipher mystery box shows, where the premise and audience experience involve solving the puzzle of what's really happening. They look at strategies for revealing clues and information, being mindful of the audience's expectations, and the importance of the emotional journey inside the labyrinth. We also announce a new video game, discuss what we can learn by revisiting old projects, follow up on unlocked pages and home automation, and answer listener questions on live instruments, pulling story from D&D campaigns, and where to draw the line between INT. and EXT. In our bonus segment for premium members, how do you set boundaries when you feel like you're always supposed to be writing? That's not rhetorical — we need help. Links: Birdigo on Steam Lutron HomeWorks and Home Assistant The Prisoner (1967) Scriptnotes, Ep 296: Television with Damon Lindelof Patrick Wilson, Jordan Donica Leading Industry Reading of Revised, Broadway-Aimed Big Fish on Playbill.com Falling Slowly scene in Once Life and Trust Get a Scriptnotes T-shirt! Check out the Inneresting Newsletter Gift a Scriptnotes Subscription or treat yourself to a premium subscription! Craig Mazin on Threads and Instagram John August on BlueSky, Threads, and Instagram Outro by Spencer Lackey (send us yours!) Scriptnotes is produced by Drew Marquardt and edited by Matthew Chilelli. Email us at ask@johnaugust.com You can download the episode here.  

In this episode, Hayley and Amy talk with theatre historian, author, and producer Jennifer Ashley Tepper about exploring under-appreciated corners of the theatre industry, embracing the ephemeral nature of theatre and seasons of life, the historical continuum of gender equity, and more. We also highlight Zora Neale Hurston as part of our Women's History Month Playwrights You Should Know series, in partnership with Expand the Canon. Click here for a transcript of the episode!Episode Notes:Hosts: Hayley Goldenberg and Amy AndrewsGuest: Jennifer Ashley TepperMusic: Chloe GellerEpisode Resources:Women Writing Musicals: The Legacy that the History Books Left OutWomen Writing Musicals accompanying playlistUntold Stories of BroadwayThe Jonathan Larson Project54 BelowWomen's History Month:Expand the Canon - Spunk by Zora Neale HurstonTrailblazers of the Week:Michael Radi - Musical Theatre Writing CollectiveKelly Bishop - The Third Gilmore Girl: A MemoirJoin us for the Women & Theatre Season 5 Launch Party on February 27 on Zoom!Guest Bio:Jennifer Ashley Tepper (she/her) is an acclaimed theatre historian, author, and producer. She is the conceiver of The Jonathan Larson Project, which starts previews in February 2025 at the Orpheum Theatre, off-Broadway, following an acclaimed 2018 concert premiere and cast recording. She has been the Creative and Programming Director at 54 Below for the past decade. She has curated or produced over 7,000 shows in this position. Her leadership at the beloved venue has gained praise from publications including The Huffington Post, The New York Times, Buzzfeed, Playbill, Newsday, The New York Post, and more. Tepper's four volumes of The Untold Stories of Broadway book series have been called an "inspiring Must-Read" by NBC New York and occupied the #1 spot on Amazon.com's Best Sellers List in Broadway & Musicals. Her new book, Women Writing Musicals: The Legacy that the History Books Left Out, was published in November 2024. Women Writing Musicals is the first-ever book about female musical theatre writers. Tepper is the producer of the musicals Be More Chill, Broadway Bounty Hunter, and Love In Hate Nation, recent projects that are part of a decade-long collaboration with the group known as Joe Iconis & Family. On Broadway, Tepper has also worked on [title of show], The Performers, Godspell, Macbeth, and The Parisian Woman. She was historian consultant on the tick, tick... BOOM! movie (directed by Lin-Manuel Miranda for Netflix) and co-creator of the Bistro Award-winning concert series If It Only Even Runs A Minute. Her work as a theatre historian also encompasses celebrated live talks and events, including at TEDxBroadway, BroadwayCon, The Museum of Broadway, Thespian Festivals, and more. Tepper received a 2020 Lincoln Center Emerging Artist Award. She was named one of the 10 professionals on Backstage Magazine's "1st Annual Broadway Future Power List", which stated: "Proving herself both a zeitgeist predictor and theatrical historian with her eclectic programming, Tepper is leading the conversation on contemporary musical theatre.”Find Jennifer Online:Visit Jennifer's websiteFollow Jennifer on InstagramBuy Women Writing MusicalsThanks for listening!Who do you want to hear from next on the Women & Theatre Podcast? Nominate someone here.The Women & Theatre Podcast is created and produced by Hayley Goldenberg and Amy Andrews. Please like, comment, subscribe, follow us on Instagram and Facebook, and consider making a donation to support our work. Thank you for listening!

Some behind the scenes preparations for the 2025 Tibbits Summer Theatre season.See omnystudio.com/listener for privacy information.

Life is imitating art when an actor descends into madness but which actor is it. Which thespian murdered Eric Benderson? Let's review our PlayBill and remember our cues while Jessica sets aside friendships and personalities to uncover a murderer. https://www.patreon.com/Thefletcherfiles

This episode of HIV unmuted features an intimate conversation with Ambassador-at-Large Dr John N Nkengasong, the U.S. Global AIDS Coordinator and Senior Bureau Official for Global Health Security and Diplomacy (GHSD). Our host,Juan Michael Porter II, takes listeners through John N Nkengasong's remarkable journey from his early days as a virologist to his current role leading the State Department's Bureau of GHSD, which oversees the global implementation of the U.S. President's Emergency Plan for AIDS Relief (PEPFAR). John N Nkengasong offers profound insights into the ongoing global HIV response, stressing the importance of community leadership in sustaining the progress made over the years. He addresses the challenges of maintaining this momentum in the face of changing global health priorities and funding landscapes. Despite significant advancements in treatment and prevention, John N Nkengasong underscores that ending the HIV pandemic will require addressing persistent inequalities and engaging communities around the world.  John N Nkengasong also highlights the potential of lenacapavir for HIV prevention, which, as of December 2024, is part of a coordinated effort by PEPFAR, the Global Fund to Fight AIDS, Tuberculosis and Malaria, the Children's Investment Fund Foundation and the Gates Foundation to expand access to innovative treatments. Learn more about this initiative here. Meet our guest: John N Nkengasong is an Ambassador-at-Large and serves as the U.S. Department of State's U.S. Global AIDS Coordinator and Senior Bureau Official for Global Health Security and Diplomacy (GHSD). He oversees the Bureau of Global Health Security and Diplomacy, which serves as the department's coordinating body for work on strengthening global health security to prevent, detect and respond to infectious diseases, including HIV and AIDS. The department also elevates and integrates global health security as a core component of U.S. national security and foreign policy. GHSD is home to the U.S. President's Emergency Plan for AIDS Relief (PEPFAR), which the Ambassador also oversees. PEPFAR is the largest commitment by any nation to address a single disease in history and has prevented millions of HIV acquisitions, saved more than 25 million lives, and changed the course of the HIV pandemic.Meet our host: Juan Michael Porter II is a health journalist, HIV advocate, culture critic, educator and the host of HIV unmuted, the IAS podcast. He is the Senior Editor of TheBody.com and TheBodyPro – and the first person openly living with HIV to hold the position. Juan Michael's reporting combines data dives, personal narratives and policy analyses to address the real-world consequences of ever-shifting legislation on people's health outcomes. He has written for the Public Broadcasting Service, SF Chronicle, Philadelphia Inquirer, Christian Science Monitor, NY Observer, TDF Stages, Playbill, American Theatre, Time Out NY, Queerty, Anti-Racism Daily, Positively Aware, Documentary Magazine, SYFY Wire, Scholastic and Dance Magazine.

I chat with Karen Mason about her career and latest recording, Karen Mason and All That Jazz!, which celebrates the songs of John Kander and Fred Ebb. I also play a few selections from the recording. Ms. Mason has starred on Broadway, Off-Broadway, television, in concert, and in the recording studio. She's been praised for her “fierce emotion” by The New York Times, her “innate comic ability” by Playbill and her “delightful instrument” by the Daily News. She is a 14-time Manhattan Association of Cabarets (MAC) Award winner; most recently she was the recipient of the 2019 MAC Lifetime Achievement Award.

The Women & Theatre RISE Series presents mini-interviews conducted at the Inaugural RISE Summit with network partners of RISE Theatre, all of which are organizations working to increase equity in the theatre industry. In this episode, Hayley and Amy talk with Martha Steketee from Women Count. Click here for a transcript of the episode! Episode Notes Hosts: Hayley Goldenberg and Amy AndrewsGuest: Martha Steketee, Women CountMusic: Chloe Geller Listen to all published episodes of the Women & Theatre RISE Series here. Many thanks to RISE Theatre, Maestra Music, Playbill, and all the amazing organizations working to increase equity in theatre! Episode Resources: Visit the Women Count website About Women Count: The Women Count report series looks at Off- and Off-Off-Broadway hiring patterns to inform national conversations about gender parity in the American theater. The goal of the report series is to change the conversation from anecdotes to advocacy on behalf of female and non-binary playwrights, performers, and off-stage theater workers. Thanks for listening! Who do you want to hear from next on the Women & Theatre Podcast? Nominate someone here. The Women & Theatre Podcast is created and produced by Hayley Goldenberg and Amy Andrews. Please like, comment, subscribe, follow us on Instagram and Facebook, and consider making a donation to support our work. Thank you for listening!

The Women & Theatre RISE Series presents mini-interviews conducted at the Inaugural RISE Summit with network partners of RISE Theatre, all of which are organizations working to increase equity in the theatre industry. In this episode, Hayley and Amy talk with Susan Danish from the National Women's History Museum. Click here for a transcript of the episode! Episode Notes Hosts: Hayley Goldenberg and Amy AndrewsGuest: Susan Danish, National Women's History MuseumMusic: Chloe Geller Listen to all published episodes of the Women & Theatre RISE Series here. Many thanks to RISE Theatre, Maestra Music, Playbill, and all the amazing organizations working to increase equity in theatre! Episode Resources: National Women's History Museum Report: Where Are the Women? Resource: For Educators, By Educators America 250 About National Women's History Museum: Founded in 1996, the National Women's History Museum (NWHM) is an innovative virtual-first museum dedicated to uncovering, interpreting, and celebrating women's diverse contributions to society. A renowned leader in women's history education, the Museum brings to life the countless untold stories of women throughout history, and serves as a space for all to inspire, experience, collaborate, and amplify women's impact—past, present, and future. They strive to fundamentally change the way women and girls see their potential and power. Thanks for listening! Who do you want to hear from next on the Women & Theatre Podcast? Nominate someone here. The Women & Theatre Podcast is created and produced by Hayley Goldenberg and Amy Andrews. Please like, comment, subscribe, follow us on Instagram and Facebook, and consider making a donation to support our work. Thank you for listening!

The Women & Theatre RISE Series presents mini-interviews conducted at the Inaugural RISE Summit with network partners of RISE Theatre, all of which are organizations working to increase equity in the theatre industry. In this episode, Hayley and Amy talk with Sandy Sahar Gooen from TEMPO. Click here for a transcript of the episode! Episode Notes Hosts: Hayley Goldenberg and Amy AndrewsGuest: Sandy Sahar Gooen, TEMPOMusic: Chloe Geller Listen to all published episodes of the Women & Theatre RISE Series here. Many thanks to RISE Theatre, Maestra Music, Playbill, and all the amazing organizations working to increase equity in theatre! Episode Resources: Follow TEMPO on Instagram Follow Sandy on Instagram About TEMPO: TEMPO (Trans & Expansive Music Professional Organization) is an organization for artists under the trans/gender expansive umbrella as well as the music umbrella, predominantly within musical theatre. We work intercommunally and intracommunally. We partner with other organizations that share our goal of opportunities for growth as music makers for groups who have been historically overlooked. Thanks for listening! Who do you want to hear from next on the Women & Theatre Podcast? Nominate someone here. The Women & Theatre Podcast is created and produced by Hayley Goldenberg and Amy Andrews. Please like, comment, subscribe, follow us on Instagram and Facebook, and consider making a donation to support our work. Thank you for listening!

The Women & Theatre RISE Series presents mini-interviews conducted at the Inaugural RISE Summit with network partners of RISE Theatre, all of which are organizations working to increase equity in the theatre industry. In this episode, Hayley and Amy talk with Andrea Prestinario from Ring of Keys. Click here for a transcript of the episode! Episode Notes Hosts: Hayley Goldenberg and Amy AndrewsGuest: Andrea Prestinario, Ring of KeysMusic: Chloe Geller Listen to all published episodes of the Women & Theatre RISE Series here. Many thanks to RISE Theatre, Maestra Music, Playbill, and all the amazing organizations working to increase equity in theatre! Episode Resources: Ring of Keys website Follow Ring of Keys on Instagram Visit Andrea's website About Ring of Keys: Ring of Keys is an artist service organization that fosters community and visibility for musical theatre artists - onstage and off - who self-identify as queer women, transgender, and gender non-conforming artists. The only organization of its kind, the Ring of Keys community is made up of actors, directors, dancers, singers, stage managers, lighting designers, dramaturgs, artistic directors, producers, casting directors, librettists, lyricists, composers, props designers, scenic designers, sound designers, choreographers, costume designers, and production managers who self-identify as lesbian, bisexual, trans, queer, femme, masc, non-binary, and the diversity of genders that queerness contains. They represent 850+ individuals in 40 US cities, Toronto, and London. Ring of Keys strives to kick (ball-change) the closet door open to create a vibrant, diverse musical theatre landscape for the future. Thanks for listening! Who do you want to hear from next on the Women & Theatre Podcast? Nominate someone here. The Women & Theatre Podcast is created and produced by Hayley Goldenberg and Amy Andrews. Please like, comment, subscribe, follow us on Instagram and Facebook, and consider making a donation to support our work. Thank you for listening!

We've reached the end of Assassins. What does it say about America as a whole, not to mention the American Dream™? Luckily, Margaret Hall wrote her thesis on this very subject and joins the podcast to discuss it. You can visit Margaret's website here: https://www.margaret-hall.com/Or follow here on Instagram here: https://www.instagram.com/itsmargarethall/We are using three productions to frame our discussion of Assassins.The original off-Broadway cast starring Victor Garber, Jonathan Hadary, and Terrence Mann (1990)You can listen to it on Apple Music: https://music.apple.com/ca/album/assassins-original-cast-recording/254421633Or listen to it on Spotify: https://open.spotify.com/album/2YhmmaSqQpHrx1XmVW3TpV?si=3iXLFILxQ8SJaaG-bXXNNgOr buy it on Amazon: https://a.co/d/j9vlZBYThe first Broadway cast starring Michael Cerveris, Dennis O'Hare, and James Barbour (2004)You can listen to it on Apple Music: https://music.apple.com/ca/album/assassins-the-2004-broadway-revival-cast-recording/881212225Or listen to it on Spotify: https://open.spotify.com/album/5ifTOl4KhC5KDQIN6HalFJ?si=D_2Ly4NlS3e3SsQR2LYSlAOr buy it on Amazon: https://a.co/d/01nc5zwThe Broadway revival starring Steven Pasquale, Will Swenson, and Brandon Uranowitz (2021)You can listen to it on Apple Music: https://music.apple.com/ca/album/assassins-the-2022-off-broadway-cast-recording/1663102585Or listen to it on Spotify: https://open.spotify.com/album/6U7iRoc5P856IAoVgDBqMk?si=tNzrOQmVTb2X4upp3F-szAOr buy it on Amazon: https://a.co/d/82iSrA8Send feedback to puttingittogetherpodcast@gmail.comKeep up to date with Putting It Together by following its social media channels.Patreon: https://www.patreon.com/puttingittogetherpodcastTwitter: https://twitter.com/sondheimpodcastInstagram: https://www.instagram.com/sondheimpodcast ★ Support this podcast on Patreon ★

In this special World AIDS Day episode of HIV unmuted, the IAS podcast, poet, advocate and researcher Bakita Kasadha joins host Juan Michael Porter II in a conversation that challenges preconceived notions and redefines how we discuss and address HIV stigma. Produced in collaboration with the IAS Heart of Stigma programme of IAS – the International AIDS Society – this episode dives into the transformative power of language, art and science in reshaping the global HIV narrative. Bakita shares her unique journey from poetry to advocacy and from being skeptical about research to becoming a groundbreaking researcher herself. Through candid dialogue, the episode explores the nuances of internalized stigma, the limitations of rigid language norms, and the necessity of inclusive and participatory approaches in HIV discourse. Bakita and Juan Michael discuss the role of grace, nuance, and allyship in dismantling stigma and how the arts can amplify voices and stories that have long been marginalized. This episode will leave you inspired to rethink stigma, reclaim narratives, and prioritize people in every aspect of the conversation. To find out how you can get involved this World AIDS Day (1 December), visit our World AIDS Day page. Meet our guest: Bakita Kasadha  Bakita Kasadha is a multi-award-winning health researcher at the University of Oxford, and poet and activist. In 2024, she was awarded the IAS biennial Prudence Mabele Prize. She was the main researcher on the award-winning HIV and infant-feeding NOURISH-UK study and co-edited the collection, HIV and Women's Health: Where Are We Now? Her poetry, commissioned by organizations like the Elton John AIDS Foundation, has inspired initiatives such as a multimillion-pound Fast-Track Cities (London) fund to prevent HIV. She has written for TheBodyPro, NAM aidsmap, Black Ballad, Glamour and the British Journal of Healthcare Management. Her work focuses on addressing health inequities through research and the arts. Meet our host:  Juan Michael Porter II  Juan Michael Porter II is a health journalist, HIV advocate, culture critic, educator and the host of HIV unmuted, the IAS podcast. He is the Senior Editor of TheBody.com and TheBodyPro – and the first person openly living with HIV to hold the position. Juan Michael's reporting combines data dives, personal narratives and policy analyses to address the real-world consequences of ever-shifting legislation on people's health outcomes. He has written for the Public Broadcasting Service, SF Chronicle, Philadelphia Inquirer, Christian Science Monitor, NY Observer, TDF Stages, Playbill, American Theatre, Time Out NY, Queerty, Anti-Racism Daily, Positively Aware, Documentary Magazine, SYFY Wire, Scholastic and Dance Magazine. 

The Women & Theatre RISE Series presents mini-interviews conducted at the Inaugural RISE Summit with network partners of RISE Theatre, all of which are organizations working to increase equity in the theatre industry. In this episode, Hayley and Amy talk with Marty Strenczewilk from Creative Nations Indigenous Artists Collective. Click here for a transcript of the episode! Episode Notes Hosts: Hayley Goldenberg and Amy AndrewsGuest: Marty Strenczewilk, Creative Nations Indigenous Artists CollectiveMusic: Chloe Geller Listen to all published episodes of the Women & Theatre RISE Series here. Many thanks to RISE Theatre, Maestra Music, Playbill, and all the amazing organizations working to increase equity in theatre! Episode Resources: Creative Nations Indigenous Artists Collective website Follow Creative Nations on Instagram About Creative Nations Indigenous Artists Collective: Creative Nations Indigenous Artists Collective is an all Indigenous-led artists collective, founded in 2020 at The Dairy Arts Center in Boulder, CO. They operate the Sacred Space, a permanent establishment for Indigenous Artists to create and share their work. Creative Nations' goals are to create a space for creation and collaboration, as well as foster opportunities for all Indigenous artists to thrive. Thanks for listening! Who do you want to hear from next on the Women & Theatre Podcast? Nominate someone here. The Women & Theatre Podcast is created and produced by Hayley Goldenberg and Amy Andrews. Please like, comment, subscribe, follow us on Instagram and Facebook, and consider making a donation to support our work. Thank you for listening!

The Women & Theatre RISE Series presents mini-interviews conducted at the Inaugural RISE Summit with network partners of RISE Theatre, all of which are organizations working to increase equity in the theatre industry. In this episode, Hayley and Amy talk with Maria Porto and Shane Dittmar from Access Broadway NY. Click here for a transcript of the episode! Episode Notes Hosts: Hayley Goldenberg and Amy AndrewsGuest: Maria Porto and Shane Dittmar, Access Broadway NYMusic: Chloe Geller Listen to all published episodes of the Women & Theatre RISE Series here. Many thanks to RISE Theatre, Maestra Music, Playbill, and all the amazing organizations working to increase equity in theatre! Episode Resources: Access Broadway NY website Follow Access Broadway on Instagram Accessibility requests/needs: Please email accessbroadwayny@gmail.com Visit Shane's website Follow Maria on Instagram About Access Broadway NY: Access Broadway NY is a group of consultants, advocates and strategists that use their combined experiences to create a thorough and clear map to Accessibility for you and your entertainment venue. They hope to not only connect with their clients but to create long lasting mutually respectful relationships.  Access Broadway NY believes in making Theatre truly Accessible for all, from impartial advice to a complete Access Audit to help make the most of your space. They strive to help entertainment venues create paths for accessibility in all areas. Thanks for listening! Who do you want to hear from next on the Women & Theatre Podcast? Nominate someone here. The Women & Theatre Podcast is created and produced by Hayley Goldenberg and Amy Andrews. Please like, comment, subscribe, follow us on Instagram and Facebook, and consider making a donation to support our work. Thank you for listening!

David Miller kicks off the conversation with a summary of his life since Harvard. He went to Brown University, Providence, and then moved back to Boston, where he spent five years in Cambridge, Somerville, Arlington, and then moved to Santa Monica, California, where his wife was pursuing her fellowship. He then returned to Boston, where he has been for 20 years, minus a three-month stint in Paris, France. Technology Inventor,  Independent Contributor, and Instructor David met his wife, Ruth Herzman Miller, in October of his freshman year at Harvard. They have three daughters, and David has spent some time as a full-time dad with each of them. He majored in mathematics at Harvard and pure mathematics at graduate school at Brown. After a pause, he worked in speech and language processing at Bolt, Beranek and Newman (BBN) Technologies in Cambridge where he worked on developing speech to text transcription and information retrieval. He went to UCLA to learn bioinformatics and worked at a bioinformatics laboratory at the Molecular Biology Institute. In 2001, he returned to Boston and worked at Aventis Pharmaceuticals, now Sanofi Aventis, applying his knowledge in lead generation informatics. He stayed at Aventis for a few years before taking some time off the workforce. In 2008, David joined Google for 16 years, primarily on the search engine. He has worked on various projects, including the Google Books project and AI Overviews. He has also spent time at Google Paris, Zurich, and Tokyo. He has also taught computer science in the context of the Girls Who Code Project, where he distributed curriculum material to numerous chapters and hosted meetups. He also worked with Microsoft TEALS (technology and learning in schools), teaching ninth and 10th grade computer science. Inspired by French Theater  During the pandemic, revisited an interest he had discovered in Paris, French theater. He started studying French and learned about the annual Theater Festival in Avignon, France, which is the second largest Fringe Festival in the world. After visiting the festival in 2022, he decided to create a similar event in Boston. He started a limited liability corporation with knowledge of French, Boston theater scene, organizational capacity, and spare finance. The first production was performed in April 2024, and the second is set to open in November 2024. They are currently booking venues and signing contracts for their 2025-2026 season.  Google, AI, and The BERT Revolution The conversation turns to  AI, BERT, and Google. He explains that the feature of BERT was built to transform language problems into arithmetic problems, using embeddings in high-dimensional vector spaces to catch semantics. This allowed for more complex arithmetic than just adding and subtracting. The BERT Revolution, invented by Jacob Devlin and his colleagues, was used to map words to embeddings, allowing for real-world correspondence in arithmetic. This concept was later used in Google's Featured Snippets, which was revamped to use embeddings and the Bert revolution. David's lecture at Boston University, which is titled "Natural Language Understanding, Deep Learning and the BERT Revolution" discusses the underlying mechanics of natural language processing and how it transformed problems in language into arithmetic. The BERT Revolution allowed for more complex arithmetic than just adding and subtracting, making it easier for neural networks to perform complex tasks.  The Rise of Hidden Markov Models David talks about the state-of-the-art technology at the time, Hidden Markov models, which had a temporal aspect of a changing probability distribution. These models were based on the sequence of text, and the Bayesian reasoning was used to determine the most likely audio to come from the words. This led to the development of generative models, where words generate the audio through probabilistic models. However, Bayesian modeling has been replaced by deep neural nets in the last five years of generative AI. He mentions that, in the early days, neural networks were untrainable and unwieldy, making Hidden Markov models the Bayesian generative approach. However, deep neural networks are now used. The Development of Neural Networks David discusses the development of neural networks, a technology that has been around since the 1950s. The availability of more recordings for speech, text, and language models has made it more accessible on the hardware side. The core of a neural network computation is matrix multiplication, which has been addressed by Nvidia and Google with their TensorFlow units. These units have invested large amounts of money in making specialized, custom hardware for this problem, accelerating things. David talks about how algorithms have also advanced significantly since the 1950s, and mentions key factors that have aided the advancement.    Becoming an Individual Contributor at Google David talks about how he learned the technology. He decided to become an individual contributor and studied the technology, the code, the papers, books, videos, and experiments. He spent most of the pandemic working on neural nets that eventually became the Gemini technology. David's journey to becoming a knowledgeable and skilled individual in neural networks was a journey that took him from a theoretical interest to a practical application. He learned to make the most of the technology and its capabilities, ultimately contributing to the advancement of the field. David has faced mixed reactions to his decision to become an independent contributor at Google. While some were supportive and skeptical, others were skeptical. He talks about the advice he received, how he moved forward, the success rate of his projects, and how his career has decelerated since 2019.  Behind the Curtain of French Theater The discussion moves to French theater and how David has become a French theater producer. He shares his journey of starting a production in Boston from scratch. To start a French theater production in Boston, David had to be integrated into the French community in Boston and the theater community in Boston. They do not create the theater but bring the original production to Boston and add subtitles. He talks about the challenges faced in securing locations, staff and equipment, and managing the production process such as hiring a director, actors, space, marketing, and logistics. He uses services like Playbill to manage administration, program design, publicity, and logistics. He is passionate about creating a new cultural institution in Boston that focuses on French theater. Boston is known for its strong ties to France and hospitals, and David aims to create a French theater festival or translate French theater into English. He works with the French American Chamber of Commerce of New England, which helps create businesses and connections in Boston. Behind the Screen of Girls Who Code David has worked with Girls Who Code, an after-school program that runs programs for young women interested in programming and technology. He organized a meet-up at Google's Cambridge office, where he gave a keynote speech at parent meetings, emphasizing the importance of belonging and ownership in the industry. He was able to connect with 150 teenage girls and their parents, who expressed gratitude for his message. David's involvement with Girls Who Code has led to a sense of belonging and empowerment for these young women, who are now more likely to pursue careers in the tech industry. He believes that the French language theater in Boston could potentially sustain them through a 25-year career in the industry. Influential Harvard Professors and Courses David shares his experiences as a TA in the math department and working with Deborah Hughes Hallet, who was running a calculus project. David's theater experience has played an ongoing role in his teaching approach, as he learned from her dedication and approach to teaching. He believes that the notion of understanding the world through teaching is a deep-rooted belief in his approach.  Timestamps: 03:59: Professional Career and Industry Experience  06:52: Non-Professional Activities and Community Involvement  11:22: Technological Advancements and AI Overview  25:07: Transition to Individual Contributor Role at Google  30:17: French Theater Project and Community Building 40:39: Impact of Girls Who Code and Teaching  45:25: Final Thoughts and Contact Information  Links: Theater: www.frenchtheaterproject.com Theater Club: https://frenchlibrary.org/french-library-theater-club/ Website: www.monsieurmiller.com LinkedIn: https://www.linkedin.com/in/davidrhmiller/ David's  2019 lecture "Natural Language Understanding, Deep Learning and the BERT Revolution" at Boston University : https://www.youtube.com/watch?v=DktFhgxynFE Featured Non-profit This week's featured non-profit is the Cure San Filippo Foundation recommended by Adam Shaywitz who reports: “Hi. I'm Adam Shaywitz, class of 1992 the featured nonprofit of this episode of The 92 report is the Cure San Filippo Foundation. This organization is dedicated to advancing treatment options for children affected by the devastating childhood dementia known as San Filippo syndrome. I am privileged to serve as a board member for the past five years. You can learn more about their work at Cure Sanfilippo foundation.org, that's one word. Cure Sanfilippo foundation. San Felippo is spelled s, a, n, f, i, L, i, p, p, O, that's 1f, 1l, and 2p Cure San Filippo foundation.org, and now here is Will Bachman with this week's episode.” To learn more about their work visit: www.CureSanFilippoFoundation.org.

The Women & Theatre RISE Series presents mini-interviews conducted at the Inaugural RISE Summit with network partners of RISE Theatre, all of which are organizations working to increase equity in the theatre industry. In this episode, Hayley and Amy talk with Heather Shields and Erica Rotstein from The Business of Broadway. Click here for a transcript of the episode! Episode Notes Hosts: Hayley Goldenberg and Amy AndrewsGuest: Heather Shields and Erica Rotstein, The Business of BroadwayMusic: Chloe Geller Listen to all published episodes of the Women & Theatre RISE Series here. Many thanks to RISE Theatre, Maestra Music, Playbill, and all the amazing organizations working to increase equity in theatre! Episode Resources: The Business of Broadway website Follow Business of Broadway on Instagram Follow Heather on Instagram Erica's website RISE Theatre network partners About The Business of Broadway: The Business of Broadway's goal is to pull back the curtain and democratize the business knowledge that has so often been withheld and therefore perpetuated a hierarchical system with producers situated at the top. By empowering people with deeper insight into how the artistry and economics interplay, their aim is not only to lay the groundwork for more effective and nonhierarchical future collaborations, but also allow people to urgently challenge the ways in which the business has historically operated and consider how we can build a more equitable, inclusive industry model that serves everyone. Thanks for listening! Who do you want to hear from next on the Women & Theatre Podcast? Nominate someone here. The Women & Theatre Podcast is created and produced by Hayley Goldenberg and Amy Andrews. Please like, comment, subscribe, follow us on Instagram and Facebook, and consider making a donation to support our work. Thank you for listening!

The Women & Theatre RISE Series presents mini-interviews conducted at the Inaugural RISE Summit with network partners of RISE Theatre, all of which are organizations working to increase equity in the theatre industry. In this episode, Hayley and Amy talk with Mieko Gavia from Black Revolutionary Theatre Workshop. Click here for a transcript of the episode! Episode Notes Hosts: Hayley Goldenberg and Amy AndrewsGuest: Mieko Gavia, Black Revolutionary Theatre WorkshopMusic: Chloe Geller Listen to all published episodes of the Women & Theatre RISE Series here. Many thanks to RISE Theatre, Maestra Music, Playbill, and all the amazing organizations working to increase equity in theatre! Episode Resources: Black Revolutionary Theatre Workshop website BRTW on Instagram BRTW on Facebook Mieko's website RISE Theatre network partners About Black Revolutionary Theatre Workshop: Black Revolutionary Theatre Workshop, LLC (BRTW) uses narrative and performance as a methodology to recenter Black narratives in identifiable and solvable problems. BRTW is a Brooklyn-based collective founded in summer 2015. They are dedicated to developing, producing, incubating, and promoting Black art and artists who actively engage with justice in their work. BRTW recognizes that we live in a world rife with injustice, including but not limited to those that impact individuals and communities due to: race, gender, sexuality, religion, disability, language and literacy, court involvement, economic status, and nation of origin. BRTW's work brings artists and audiences into conversation and community action, centering Black intersectional identities and experiences. In accessible narrative, performance, conversation, and media, BRTW seeks to create art as revolution. Thanks for listening! Who do you want to hear from next on the Women & Theatre Podcast? Nominate someone here. The Women & Theatre Podcast is created and produced by Hayley Goldenberg and Amy Andrews. Please like, comment, subscribe, follow us on Instagram and Facebook, and consider making a donation to support our work. Thank you for listening!

Former President Donald Trump campaigned Wednesday in the battleground state of Georgia with two controversial allies. Tucker Carlson and Georgia Rep. Marjorie Taylor Greene joined the rally where Trump fired back at his former White House chief of staff John Kelly, who earlier this week said the former president could rule as a dictator if he wins a second term.During a town hall Wednesday, Vice President Harris took questions directly from undecided voters. She vowed to bring change to the country, but at times failed to provide specifics when asked about policy.Through a new report, officials have discovered that Syracuse, New York, has some of the highest levels of lead found in drinking water in decades. Some people want it declared an emergency, but Syracuse city officials are pushing back, saying the latest water testing show lead levels have improved.Cardiovascular disease is the leading cause of death in the U.S. with nearly 128 million adults in the country living with it. A recent report by the American Heart Association projects heart disease and stroke will affect more than 60% of Americans by 2050. CBS News medical contributor Dr. Celine Gounder explains how to prevent the disease.The iconic magazine Playbill is celebrating its 140th anniversary. Alex Birsh's family has published Playbill since 1973. This month, every Broadway show has four different Playbill covers.Actor Brett Goldstein, who starred as Roy Kent on the Emmy-winning show "Ted Lasso," speaks to "CBS Mornings" about taking on a new role as co-creator and cast member of the Apple TV+ show "Shrinking."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Women & Theatre RISE Series presents mini-interviews conducted at the Inaugural RISE Summit with network partners of RISE Theatre, all of which are organizations working to increase equity in the theatre industry. In this episode, Hayley and Amy talk with Jacquelyn Jordan from the Dramatists Guild Foundation. Click here for a transcript of the episode! Episode Notes Hosts: Hayley Goldenberg and Amy AndrewsGuest: Jacquelyn Jordan, Dramatists Guild FoundationMusic: Chloe Geller Listen to all published episodes of the Women & Theatre RISE Series here. Many thanks to RISE Theatre, Maestra Music, Playbill, and all the amazing organizations working to increase equity in theatre! Episode Resources: Dramatists Guild Foundation website DGF Catalyst Fellowship RISE Theatre network partners About Dramatists Guild Foundation: Dramatists Guild Foundation (DGF) is a national charity that fuels the future of American theater by supporting the writers who create it. DGF fosters playwrights, composers, lyricists, and librettists at all stages of their careers. DGF sponsors educational programs; provides awards, grants, and stipends; offers free space to create new works; and gives emergency aid to writers in need of immediate support. In 2024, DGF received a 2024 Tony Honors for Excellence in the Theatre for their life-changing support of theater writers. By supporting and nurturing the creators of today, we protect the stories of tomorrow. Thanks for listening! Who do you want to hear from next on the Women & Theatre Podcast? Nominate someone here. The Women & Theatre Podcast is created and produced by Hayley Goldenberg and Amy Andrews. Please like, comment, subscribe, follow us on Instagram and Facebook, and consider making a donation to support our work. Thank you for listening!

The Women & Theatre RISE Series presents mini-interviews conducted at the Inaugural RISE Summit with network partners of RISE Theatre, all of which are organizations working to increase equity in the theatre industry. In this episode, Hayley and Amy talk with Caylin Waller from Theatre Advocacy Project. Click here for a transcript of the episode! Episode Notes Hosts: Hayley Goldenberg and Amy AndrewsGuest: Caylin Waller, Theatre Advocacy ProjectMusic: Chloe Geller Listen to all published episodes of the Women & Theatre RISE Series here. Many thanks to RISE Theatre, Maestra Music, Playbill, and all the amazing organizations working to increase equity in theatre! Episode Resources: Theatre Advocacy Project website Instagram Facebook LinkedIn RISE Theatre network partners About Theatre Advocacy Project: Theatre Advocacy Project | TAP is revolutionizing HR for the performing arts by ensuring safe and equitable working conditions for all theatre professionals. TAP envisions a future in which all theatre professionals are safe from discrimination, harassment, and abuse, allowing for the advancement of braver, more collaborative, and exploratory art-making. Thanks for listening! Who do you want to hear from next on the Women & Theatre Podcast? Nominate someone here. The Women & Theatre Podcast is created and produced by Hayley Goldenberg and Amy Andrews. Please like, comment, subscribe, follow us on Instagram and Facebook, and consider making a donation to support our work. Thank you for listening!

The Women & Theatre RISE Series presents mini-interviews conducted at the Inaugural RISE Summit with network partners of RISE Theatre, all of which are organizations working to increase equity in the theatre industry. In this episode, Hayley and Amy talk with RISE Theatre Program Manager Victoria Detres. Click here for a transcript of the episode! Episode Notes: Hosts: Hayley Goldenberg and Amy AndrewsGuest: Victoria Detres, RISE TheatreMusic: Chloe Geller Many thanks to RISE Theatre, Maestra Music, Playbill, and all the amazing organizations working to increase equity in theatre! Episode Resources: RISE Theatre website RISE Theatre network partners About RISE Theatre: RISE (Representation, Inclusion, & Support for Employment) Theatre seeks to build a more equitable and inclusive theatre industry by centralizing DEIA tools and resources through a network of partners and a national personnel directory that focuses on folks from underrepresented backgrounds, including but not limited to people of color, women, trans, nonbinary, deaf, and disabled theatre professionals. Thanks for listening! Who do you want to hear from next on the Women & Theatre Podcast? Nominate someone here. The Women & Theatre Podcast is created and produced by Hayley Goldenberg and Amy Andrews. Please like, comment, subscribe, follow us on Instagram and Facebook, and consider making a donation to support our work. Thank you for listening!

The Women & Theatre RISE Series presents mini-interviews conducted at the Inaugural RISE Summit with network partners of RISE Theatre, all of which are organizations working to increase equity in the theatre industry. In this episode, Hayley and Amy talk with RISE Theatre co-founder Lin-Manuel Miranda. Click here for a transcript of the episode! Episode Notes Hosts: Hayley Goldenberg and Amy AndrewsGuest: Lin-Manuel Miranda, RISE TheatreMusic: Chloe Geller All published episodes of the Women & Theatre RISE Series are available on this page. Many thanks to RISE Theatre, Maestra Music, Playbill, and all the amazing organizations working to increase equity in theatre! Episode Resources: RISE Theatre website RISE Theatre network partners About RISE Theatre: RISE (Representation, Inclusion, & Support for Employment) Theatre seeks to build a more equitable and inclusive theatre industry by centralizing DEIA tools and resources through a network of partners and a national personnel directory that focuses on folks from underrepresented backgrounds, including but not limited to people of color, women, trans, nonbinary, deaf, and disabled theatre professionals. Thanks for listening! Who do you want to hear from next on the Women & Theatre Podcast? Nominate someone here. The Women & Theatre Podcast is created and produced by Hayley Goldenberg and Amy Andrews. Please like, comment, subscribe, follow us on Instagram and Facebook, and consider making a donation to support our work. Thank you for listening!

This is a first-of-its-kind interview for "Mommyhood Unscripted" and an exciting one at that! "Maggie" the Musical just made its U.S. debut at The Goodspeed Opera House in Connecticut -- where it will run through 10/20/24. Here's Playbill's synposis: "A Scottish mother's unbreakable love for her three sons is tested in an inspirational new musical about family bonds and changing times. After suffering the unthinkable loss of her husband, Maggie must rely on her strength, sense of humor and fiercely loyal friends to protect her family from a harsh world. Spanning over 20 years, a hardscrabble working class life blossoms with a soul-stirring pop-folk score. A generation of courageous mothers is celebrated in this rousing American premiere!" The story line is steeped in a mother's journey through raising children, the unbreakable bond with her kids, and how important it is for women to find their tribe. It's based on the true story of Scottish-born singer-songwriter, Johnny Reid's grandmother. Nicole caught up with Johnny and Matt Murray who both created "Maggie" in this episode. The inspiration behind what drove these two men to bring Johnny's grandmother to life is not only moving, but it stirs up a lot of familial emotions when we consider the matriarchs that came and went before us. Nicole, Johnny and Matt discuss the ways we can honor the women in our lives, and the common themes that bind mothers and children of all generations together. Don't miss this conversation, and keep your eyes peeled because "Maggie" is surely Broadway-bound, according to Nicole!-----------------------------------SHOW NOTES:Host: Nicole Nalepa | @NicoleNalepaTVGuests: Johnny Reid and Matt MurrayInstagram: @johnnyreidofficial & @mattmurray123 Website: https://maggiethemusical.com/

THE SECRET GARDEN  Book & Lyrics by Marsha Norman | Music by Lucy Simon | Adapted from the novel by Frances Hodgson BurnettWorks Consulted & Reference :The Secret Garden (Original Libretto) by Marsha NormanCreating THE SECRET GARDEN Produced by Broadway Podcast NetworkMusic Credits:"Overture" from Dear World (Original Broadway Cast Recording)  | Music by Jerry Herman | Performed by Dear World Orchestra & Donald Pippin"The Speed Test" from Thoroughly Modern Millie  (Original Broadway Cast Recording) | Music by Jeanine Tesori, Lyrics by Dick Scanlan | Performed by Marc Kudisch, Sutton Foster, Anne L. Nathan & Ensemble"Why God Why" from Miss Saigon: The Definitive Live Recording  (Original Cast Recording  / Deluxe)  | Music by Claude-Michel Schönberg, Lyrics by Alain Boublil & Richard Maltby Jr.  | Performed by Alistair Brammer"Back to Before" from Ragtime: The Musical (Original Broadway Cast Recording)  | Music by Stephen Flaherty, Lyrics by Lynn Ahrens | Performed by Marin Mazzie"Chromolume #7 / Putting It Together" from Sunday in the Park with George (Original Broadway Cast Recording)  | Music & Lyrics by Stephen Sondheim | Performed by Mandy Patinkin, Bernadette Peters, Judith Moore, Cris Groenendaal, Charles Kimbrough, William Parry, Nancy Opel, Robert Westenberg, Dana Ivey, Kurt Knudson, Barbara Bryne"What's Inside" from Waitress (Original Broadway Cast Recording)  | Music & Lyrics by Sara Bareilles | Performed by Jessie Mueller & Ensemble"Lily's Eyes" from  The Secret Garden (Original Broadway Cast Recording)  | Music by Lucy Simon, Lyrics by Marsha Norman | Performed by Mandy Patinkin & Robert Westenberg  "Maria" from The Sound of Music (Original Soundtrack Recording)  | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Evadne Baker, Anna Lee, Portia Nelson, Marni Nixon"My Favorite Things" from The Sound of Music (Original Soundtrack Recording) | Music by Richard Rodgers, Lyrics by Oscar Hammerstein II | Performed by Julie Andrews"Corner of the Sky" from Pippin (New Broadway Cast Recording) | Music & Lyrics by Stephen Schwartz | Performed by Matthew James Thomas“What Comes Next?” from Hamilton (Original Broadway Cast Recording) | Music & Lyrics by Lin-Manuel Miranda | Performed by Jonathan Groff

In this episode of HIV unmuted, host Juan Michael Porter II sits down with Jeanne Marrazzo, the Director of the National Institute of Allergy and Infectious Diseases (NIAID), in a conversation that goes beyond the headlines and deep into the heart of HIV research and advocacy. Dr Marrazzo, a leader with decades of experience in infectious disease research, shares her inspiring journey from her roots in Scranton, Pennsylvania, to her groundbreaking work in HIV prevention and care. Through this intimate conversation, listeners will discover what drives Dr. Marrazzo's commitment to equity, diversity and community-centered research, and how her personal and professional experiences shape her vision for the future of HIV science. From the challenges of addressing global health inequities to the optimism surrounding new HIV prevention methods, Dr Marrazzo offers valuable insights into the importance of inclusive messaging, the power of collaboration, and why putting people first remains at the core of her mission. Tune in to hear how Jeanne Marrazzo plans to navigate the evolving landscape of global health as she leads NIAID into a new era, and why she believes that hope, innovation, and community are key to overcoming the ongoing challenges in the HIV response. Meet our guest: Jeanne Marrazzo   Jeanne Marrazzo, MD, MPH, FACP, FIDSA, is the Director of NIAID at the U.S. National Institutes of Health (NIH), where she oversees a USD 6.3 billion budget that supports research to advance understanding, diagnosis and treatment of infectious, immunologic and allergic diseases. She was previously the C. Glenn Cobbs Endowed Chair and Director of Infectious Diseases at the University of Alabama at Birmingham Heersink School of Medicine. She is a Fellow of the American College of Physicians and the Infectious Diseases Society of America (IDSA), and was Treasurer of the IDSA from 2021 to 2023, having served on the board since 2018. She researches the vaginal microbiome, sexually transmitted infections and HIV pre-exposure prophylaxis. She has had leadership roles in the NIH HIV Prevention Trials Network and the Infectious Diseases Clinical Research Consortium. She was a leading voice in communicating science during the COVID-19 pandemic.   Meet our host: Juan Michael Porter II  Juan Michael Porter II is a health journalist, HIV advocate, culture critic, educator and the host of HIV unmuted, the IAS podcast. He is the Senior Editor of TheBody.com and TheBodyPro – and the first person openly living with HIV to hold the position. Juan Michael's reportage combines data dives, personal narratives and policy analyses to address the real-world consequences of ever-shifting legislation on people's health outcomes. He has written for the Public Broadcasting Service, SF Chronicle, Philadelphia Inquirer, Christian Science Monitor, NY Observer, TDF Stages, Playbill, American Theatre, Time Out NY, Queerty, Anti-Racism Daily, Positively Aware, Documentary Magazine, SYFY Wire, Scholastic and Dance Magazine. 

Ever wondered why some schools dominate Broadway? Join me, Scott Barnhart, on this special solo episode of the Creative College Journey Podcast, where we uncover the real stories behind the statistics found in Playbill.com's recent BIG 10 list - "Where Where Did the Actors of the 2023–24 Broadway Season Go to School?" I take you through a recent Playbill article listing the top ten schools on Broadway and explore what these numbers truly mean, and what context is missing. Using examples from NYU and CCM, I highlight the importance of considering program size, location, and alumni diversity in making your college list. This episode isn't just about understanding the data; it's about helping you find the perfect fit for your creative journey. Feeling overwhelmed by college applications? I'm also sharing practical tips to ease your stress and boost your confidence. Get ready to discover various career paths and transferable skills that a creative education can unlock. Remember, how you approach your education is more critical than where you pursue it. Tune in for inspiration and actionable advice, and make sure to rate and review the podcast to help others find these valuable insights. Let's navigate this creative college admissions journey together!Support the showTo find out more about The Creative College Journey and services we have to offer, please visit our website and sign-up for our mailing list: www.creativecollegejourney.com Introduction voice-over: Sara CravensOr find our host Scott Barnhardt on Instagram.

originally released: November 29, 2017 Playbill writer (now news editor) Logan Culwell-Block stops by ostensibly to talk about LITTLE SHOP OF HORRORS but Patrick and he nerd out pretty fast. Topics include: How should a cast album be produced? Early versions of how Seymour killed the dentist. And why in the name of heavenly glory would you autotune Jerry Orbach?!?   Featured recordings: LITTLE SHOP OF HORRORS - Original Cast Album (1982) EXPERIMENT - Mandy Patinkin (1994) COMPANY - Original Broadway Cast (1970)   Twitter.com/OriginalCastPod Facebook.com/OriginalCastPod OriginalCastPod@gmail.com

The Middle East braces for the possibility of a full-scale war between Israel and Iran-backed forces after the assassinations of Hamas senior leader Ismail Haniyeh and Hezbollah commander Fuad Shukr; Venezuelans protest the results of the presidential election that grant incumbent President Nicolás Maduro a third term; the Edinburgh Festival Fringe spotlights wide-ranging, new talent; imprisoned journalists in Russia are freed in a major prisoner swap; and militant groups kill troops from Russia's private military company Wagner Group, including a Wagner commander, in Mali.     Mentioned on the Podcast   Steven A. Cook, “Are Israel and Iran Headed for All Out War?,” CFR.org   Edinburgh Festival Fringe   Edinburgh Festival Fringe App   Edinburgh Fringe Festival Recommendation Lists: Independent, Playbill, and Time Out Magazine   Kali Robinson, “What Is Hamas?,” CFR.org For an episode transcript and show notes, visit The World Next Week at: https://www.cfr.org/podcasts/twnw/israel-iran-tensions-escalate-venezuela-election-questioned-edinburgh-fringe-shines-and 

The Seneca Project is a bipartisan superPAC, led by women, dedicated to mobilizing women voters in key swing states in support of Kamala Harris' election. With a focus on safeguarding women's rights, healthcare access, and the preservation of democracy, we are galvanizing this crucial demographic to vote for Vice President Harris and defeat the extremist MAGA agenda. Tara Setmayer is a former CNN political commentator, contributor to ABC News and former GOP Communications Director on Capitol Hill. Since its inception, Setmayer served as a Senior Advisor for The Lincoln Project and hosted the live show The Breakdown. Setmayer currently serves as a University of Virginia, Center for Politics, Resident Scholar. In collaboration with the Center for Politics, she narrated the Emmy nominated 3-part documentary, Dismantling Democracy which aired nationally on PBS stations and is currently streaming on Amazon Prime. Prior to joining UVA, she was named a Harvard Institute of Politics Resident Fellow in 2020. Today, she regularly appears as an on-air commentator on MSNBC and various other news outlets in the US and abroad. Setmayer has also been a frequent guest host on ABC's The View and has several appearances on HBO's Real Time with Bill Maher. She's a regular guest host for one of Sirius XM's top-rated political shows, The Michael Smerconish Program on the P.O.T.U.S channel. Tara has written for CNN.com, Bloomberg, The Daily Beast, Cosmopolitan, and NBC.com. After spending 27 years in political communications with the Republican Party, Setmayer publicly left the GOP in November 2020 after Donald Trump refused to concede the election to Joe Biden. Michelle Kinney is an award-winning creative director known for her innovative and impactful work. With a Bachelor of Fine Arts from Syracuse University, Kinney has a diverse background in entertainment, politics, visual and performing arts. Kinney entered the pro-democracy space to help elect President Joe Biden in 2020 and has served as a Creative Director since 2021. Her impactful ads and integral role in this work have earned her multiple prestigious industry awards. As a photojournalist Michelle has been on assignment for outlets like Vice, Mic, Out and NowThis. Many of her photographs have been featured in The Washington Post, TimeOut NY, Washingtonian Magazine, Playbill, and Broadway World. Michelle's political journey began in 2016 with New York Young Democrats, later served as Vice President of WestSide Democrats in NYC, and was publicly elected to the New York County Democratic Committee for two terms. Prior to entering the political arena, Kinney had a career in the entertainment industry for over 15 years, as both a performing artist and producer. Inspired by her Suffragist great-grandmother Mae's courage and determination driving newly legalized women to the polls for the 1920 presidential election in upstate New York. Michelle honors her legacy through her work and commitment to The Seneca Project mission.

This episode of HIV unmuted introduces a new host and format for the award-winning IAS podcast. Our host, Juan Michael Porter II, the Senior Editor for TheBody/TheBodyPro, takes a deep dive with a single guest in an intimate conversation that gives the listener a glimpse of the guest – who they are and how they got into this work – and an understanding of their topic of expertise.   This new format opens with Sharon Lewin, the IAS President and AIDS 2024 International Co-Chair, walking us through the latest HIV science released at AIDS 2024, the 25th International AIDS Conference, and what it means for the HIV response. This episode delves into a broad range of exciting science, from long-acting injectables to new research on doxycycline prophylaxis to advances in cure research, including inspiration from the “next Berlin Patient”.  Through the lens of her personal story, Sharon walks us through the context and challenges of the HIV response, such as changing global health priorities and reduced funding for HIV. Astounding progress has been made in the HIV response. Yet, we are still missing critical targets. Sharon makes it clear that if we are to envision the end of the HIV pandemic, we must address persisting inequalities that remain in the HIV response: we must put people first. Meet our guest Sharon LewinThe IAS President and AIDS 2024 International Co-Chair, Sharon Lewin, is an infectious diseases physician and basic scientist and has worked in HIV-related clinical medicine and research for over 25 years. She is Director of the Peter Doherty Institute for Infection and Immunity, a joint venture of the University of Melbourne and Royal Melbourne Hospital in Melbourne, Australia. The Doherty Institute has over 850 staff working on infection and immunity through research, education and public health, and has a significant focus on virology, including HIV. She is an active clinician, working at the Alfred Hospital and Royal Melbourne Hospital, and a Melbourne Laureate Professor of Medicine at the University of Melbourne.    Meet our host Juan Michael Porter II Juan Michael Porter II is a health journalist, HIV advocate, culture critic, educator and the host of HIV unmuted, the IAS podcast. He is the Senior Editor of TheBody.com and TheBodyPro – and the first person openly living with HIV to hold the position. Juan Michael's reportage combines data dives, personal narratives and policy analyses to address the real-world consequences of ever-shifting legislation on people's health outcomes. He has written for the Public Broadcasting Service, SF Chronicle, Philadelphia Inquirer, Christian Science Monitor, NY Observer, TDF Stages, Playbill, American Theatre, Time Out NY, Queerty, Anti-Racism Daily, Positively Aware, Documentary Magazine, SYFY Wire, Scholastic and Dance Magazine.  

In this episode, we link up in Hell's Kitchen and transform into experimental theater critics in order to provide an unbridled review and aesthetic analysis following our patronage of the new Broadway revival of Cabaret, a musical with a captivating history and a surprising relevance to many of our favorite themes and subjects. We talk about the century-long meme of Berlin debauchery, Sally Bowles as a feminine archetype in her many iterations, Eddie Redmayne's viral Emcee performance (and its chilling implications), and the wildly imaginative costume design work of Tom Scutt, from sleazy boudoir ensembles to fascistic menswear. LinksGo see Cabaret on Broadway!Cabaret – "Wilkommen" performance at the 77th Annual Tony AwardsCabaret (1972) starring Liza Minelli Goodbye to Berlin by Christopher IsherwoodMarch Vogue profile on the 2024 revival, feat. interviews with Eddie Redmayne and Gayle RankinHow a Broadway Theater was Remade Into a Queer Cabaret (interactive NYT article)Playbill interview with set and costume designer Tom Scutt, featuring costume sketches! Cabaret (2024) review in the LA TimesCabaret (2024) review in the New York TimesPrevious iconic Sally Bowles moments: Liza Minelli's "Mein Herr" and Jane Horrocks' "Cabaret"Biz's essay "2016, 2017"Find exclusive episodes here

In this episode, we link up in Hell's Kitchen and transform into experimental theater critics in order to provide an unbridled review and aesthetic analysis following our patronage of the new Broadway revival of Cabaret, a musical with a captivating history and a surprising relevance to many of our favorite themes and subjects. We talk about the century-long meme of Berlin debauchery, Sally Bowles as a feminine archetype in her many iterations, Eddie Redmayne's viral Emcee performance (and its chilling implications), and the wildly imaginative costume design work of Tom Scutt, from sleazy boudoir ensembles to fascistic menswear.LinksGo see Cabaret on Broadway!Cabaret – "Wilkommen" performance at the 77th Annual Tony AwardsCabaret (1972) starring Liza MinelliGoodbye to Berlin by Christopher IsherwoodMarch Vogue profile on the 2024 revival, feat. interviews with Eddie Redmayne and Gayle RankinHow a Broadway Theater was Remade Into a Queer Cabaret (interactive NYT article)Playbill interview with set and costume designer Tom Scutt, featuring costume sketches!Cabaret (2024) review in the LA TimesCabaret (2024) review in the New York TimesPrevious iconic Sally Bowles moments: Liza Minelli's "Mein Herr" and Jane Horrocks' "Cabaret"Biz's essay "2016, 2017"Find exclusive episodes here

In 1823, John Thurtell murdered the gambler William Weare while the two were riding in a horse-drawn gig. Cashing in on public fascination with the case, the Surrey Theatre staged The Gamblers, a play that recreated the murder and incorporated the actual horse-drawn gig in which the crime took place. The Gamblers became one of the most explosive melodramas of the nineteenth century and came back to haunt Madame Tussaud more than two decades later. For show notes and full transcripts, visit www.artofcrimepodcast.com.If you'd like to support the show, please consider becoming a patron at www.patreon.com/artofcrimepodcast.

Episode # 314 Air Date: 5/23//24 Writing Your Bio There may be times when you are asked to provide a bio or a biography of your accomplishments. It might be for a Playbill for a show you are in or it could be for your website. Now, I've seen a lot of bad BIOS. So let's take a look at how you can promote yourself the right way. On this episode of Casting Actors Cast. Learn more about your ad choices. Visit megaphone.fm/adchoices

20240517 - Burn The Boat with Matt Higgins & Playbill on Fun Friday by Kevin McCullough Radio

originally released: April 21, 2021 NPR's Glen Weldon is here for the musical that (according to him) made him gay. Topics include: Herb Alpert (not the dirty one), Charles Emerson Winchester III, Doolittle as a father, Nathan Lane chewing scenery, Eliza's agency, keeping media fresh, and why album covers are important. Glen Weldon's Profile on NPR dot org Playbill's “The Definitive List of the 43 Best-Selling Cast Recordings of All Time” by Logan Culwell-Block Featured recordings: My Fair Lady - Original Cast (1958) • My Fair Lady - Original Broadway Cast (1956)  • Brigadoon - Original Broadway Cast Recording (1947) DO YOU LIKE MOVIE MUSICALS? DO YOU LIKE SONDHEIM? Then you will love our PATREON podcast The Original Cast at the Movies because 2021 is all about Sondheim Movie Musicals!! This month's episode brings us James Finley (The Life) and Charlene V. Smith (Man of La Mancha) and A Funny Thing Happened on the Way to the Forum (1966). Patreon • Twitter • Facebook • Email

Dust off your Doc Martens and bring your favorite mix CD! Tune in as Chris talks Allan Moyle, Kurt Cobain, and defends Rex Manning as the LSCE screens the 1995 cult classic "Empire Records." Join us! Works Cited: Eisner, Ken. “Review ‘Empire Records'.” Variety. 1995, Vol. 360 (9), p.40. Article Link.  Accessed 1/28/24. Gans, Andrew. Empire Records Musical to Make World Premiere at New Jersey's McCarter. Playbill. 3/7/24. Article Link. Accessed 4/1/2024. Greene, Jay. 1994. “New Regency Buys ‘Empire.'” Variety 354 (6). Article Link. Accessed 3/28/2024 Parker, Ryan. Rex Manning Day: Maxwell Caufiled Thrilled ‘Empire Records' Celebrated Yearly. The Hollywood Reporter. 4/8/2021. Article Link. Accessed 3/29/24. Petersen, Ann Helen. “How Empire Records Became the Unlikely Film of A Generation.” Buzzfeed. Article Link. Rivero, Enrique. “Directors' cuts on disc spark controversy.” Video Store Magazine 24 (19), July 14-July 20, 2002: p.16.  Stuart, Sean M., ed. 2016. All Things Must Pass: The Rise and Fall of Tower Records. DVD. Directed by Colin Hanks. New York City, New York: FilmRise. --- Send in a voice message: https://podcasters.spotify.com/pod/show/lsce/message

David and Katherine look back 60 years ago to a year that was full of exciting works from Al Hirschfeld: 1964! Fiddler on the Roof, Hello Dolly!, Funny Girl and more premiered on Broadway; My Fair Lady and The Best Man hit the big screen; and Hirschfeld introduces two new series of drawings: "Famous Feuds" and "Unlikely Casting". Follow along with the show notes to view the works mentioned in this episode: Bedtime Story, 1964 What's My Line David Niven The Best Man, 1964 The Best Man ("Movies to Remember" Series), 1979 The Best Man (Broadway), 1960 My Fair Lady (Film), 1964 The Train, 1964 Tribute to Harold Mirisch, 1964 The Yellow Rolls Royce, 1964 "Famous Feuds" Series Famous Feuds: Mona Lisa and Rembrandt's Aristotle, 1963 Famous Feuds: The Beatles vs. the Singing Nun, 1964 Famous Feuds: Elia Kazan and Lee Strasberg, 1964 Jimmy Durante as Alfred Smith, 1937 Mary Pickford as Adolf Hitler, 1937 "Be A Television Writer, Earn No Money", 1964 S.J. Perelman with Elizabeth Taylor and Richard Burton, 1964 Walter Kerr, 1979 Alec Guinness in Dylan, 1964 Carol Channing in Hello, Dolly!, 1964 Barbra Streisand in Funny Girl with Fanny Brice Photo, 1964 Original Cast of Fiddler on the Roof, 1964   Josephine Baker, 1964 Richard Rodgers The King & I Revival, 1964 The Merry Widow Revival, 1964 Porgy & Bess Revival, 1964 Donald Pleasance in Poor Bitos", 1964 King Lear, 1964 Hamlet, 1964 Bajour, 1964 Joe Gould, 1941 Tiny Alice, 1964 Ready When You Are, C.B., 1964 "Unlikely Casting" Series for Playbill, 1964 David Merrick Fade Out Fade In Poster, 1964 Carol Burnett Moon Over Buffalo, 1995 El San Juan Hotel Ads ------------------------------------------------------------------ Visit our website Visit our shop Like us on Facebook Subscribe to our Youtube Channel   Follow us on Twitter Follow us on Instagram  

Who doesn't love the smell of a Christmas tree? It seems to be a smell everybody finds pleasing and it also turns out to have some benefits. This episode begins with some reasons why you should take the time to enjoy the scent of pine. https://www.foxnews.com/health/the-healing-power-of-pine Being part of an audience can be magical. Whether you are watching a play or a movie or a concert, the audience members can become a singular force – getting energy and emotion from one another. So, how did audiences come to be? How did audiences learn how to behave? Why do we applaud? Here to discuss all this and more is Robert Viagas. He is Editor-in-chief of Encore Monthly the national theatre magazine and spent much of his career working with Playbill. He is author of the book called Right This Way: A History of the Audience (https://amzn.to/46F8lOS). If there is one thing people like, it is certainty. We like to be sure of ourselves and we like people who seem certain about things. However, uncertainty has its benefits. When you are uncertain about something, it allows you to be curious and ultimately make better decisions. That's according to journalist Maggie Jackson. Her work has appeared in The New York Times, Business Week, Vanity Fair and Wired.com and she is author of the book, Uncertain: The Wisdom and Wonder of Being Unsure (https://amzn.to/3Gli42b).  What if there were some very simple ways that would make sure you get more done in less time? Well, there are! Listen as I explain 3 easy yet powerful techniques from productivity expert Don Wetmore. https://productivity-institute.com/ PLEASE SUPPORT OUR SPONSORS! MasterClass makes a meaningful gift this season - for you and anyone on your list! Right now you can get two Memberships for the price of one at https://MasterClass.com/SOMETHING Indeed is the hiring platform where you can Attract, Interview, and Hire all in one place! Start hiring NOW with a $75 SPONSORED JOB CREDIT to upgrade your job post at https://Indeed.com/SOMETHING PrizePicks is a skill-based, real-money Daily Fantasy Sports game that's super easy to play. Go to https://prizepicks.com/sysk and use code sysk for a first deposit match up to $100 Dell's Cyber Monday event is their biggest sale of the year. Shop now at https://Dell.com/deals to take advantage of huge savings and free shipping! Spread holiday cheer far and wide this season with a new phone! Everyone can get the gift of connection at UScellular. Get any phone free, today. UScellular. Built for US. Terms apply. Visit https://UScellular.com for details.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Billie Burke is known today for one iconic movie role, but in the early 20th century, she was incredibly successful and very famous. Her life and marriage are as fascinating and dramatic as any play or film she starred in. Research: “Billie Burke.” Playbill. https://www.playbill.com/person/billie-burke-vault-0000023585 “Billie Burke and Burkeley Crest.” Hastings Historical Society. Sept. 14, 2009. https://hastingshistoricalsociety.org/2009/09/14/billie-burke-and-burkeley-crest/ “Billie Burke Dead; Movie Comedienne.” New York Times. May 16, 1970. https://www.nytimes.com/1970/05/16/archives/billie-burke-dead-movie-comedienne-billie-burke-film-comedienne-and.html “Billie Burke Weds.” New York Times. April 13, 1914. https://timesmachine.nytimes.com/timesmachine/1914/04/13/101431271.pdf?pdf_redirect=true&ip=0 Burke, Billie. “With a Feather on My Nose.” Appleton-Century-Crofts. New York. 1949. Burke, Billie. “With Powder o My Nose.” Coward-McCann. 1959. Kindle edition, 2016. “Florenz Ziegfeld Dies in Hollywood After Long Illness.” New York Times. July 23, 1932. https://timesmachine.nytimes.com/timesmachine/1932/07/23/100837257.pdf?pdf_redirect=true&ip=0 “'The School Girl' a Hit.” New York Times. May 10, 1903. https://timesmachine.nytimes.com/timesmachine/1903/05/10/105052764.pdf Tatna, Meher. “Forgotten Hollywood: Billie Burke.” Golden Globe Awards. Dec. 18, 2020. https://www.goldenglobes.com/articles/forgotten-hollywood-billie-burke Walford, Jonathan. “What is a Flapper?” The Fashion History Museum. Aug. 30, 2021. https://www.fashionhistorymuseum.com/post/what-is-a-flapper#:~:text=The%20real%20origin%20of%20the,to%20high%2Dspirited%20teenage%20girls. See omnystudio.com/listener for privacy information.