Podcasts about one flew over

✦ "Cinematheque," Emory's film screening series, leads us on a deep dive into the history, present, and possible futures of cinema every spring and fall. Beginning tomorrow, August 27, through December, "Cinematheque" looks back exactly 50 years to 1975, an explosive and groundbreaking year for film, with blockbusters like "Jaws," underdog hits like "One Flew Over the Cuckoo's Nest" and offbeat outsider works like "Grey Gardens." Emory film and media professors Matthew Bernstein and Dan Reynolds recently sat down with City Lights Collective Co-host Kim Drobes to detail this season's series. ✦ WABE's Sounds Like ATL documentary series explores the vibrant Atlanta music scene. Each week, it either introduces or reintroduces you to a local artist, sharing their creative process and a few live performances. You can watch, dance, and sing along on the YouTube channel, @WABEATL. Here's a preview featuring Thee Blk Pearl. ✦ City Lights Collective member and award-winning Atlanta comedian Joel Byars is one of the hardest-working people in the business. Aside from his podcast, "Hot Breath Pod," he's always hosting comedy events around town, and now, he joins us weekly to share his picks for this week's must-see comedy events. ✦ A strange realm both familiar and unsettling greets visitors in Victoria Dugger's solo exhibition, "Must Be Nice." She's been praised for the mesmerizing marriage of cuteness and grotesque in her work, which explores Blackness, femininity, disability, and domesticity. She was recently awarded the 2024 Hudgens Prize for her work. Dugger joined WABE arts reporter Summer Evans to talk about her collection currently on view at the Hudgens Center in Duluth. ✦ Over the past decade and a half, the Atlanta-based public art organization Living Walls has transformed Atlanta's streets into a vibrant gallery of murals and cultural storytelling. And now, Living Walls is all grown up and celebrating its 15th birthday with a full quinceañera at the Goat Farm on September 13. City Lights Collective producer Josh Thane spoke with creative director Tatiana Bell about why a quinceañera felt like the perfect way to honor the milestone, and how the organization continues to shape the city's creative landscape.See omnystudio.com/listener for privacy information.

This week on The Watchers, Andrea and Jodie are snowed in with Stephen King's Misery, Rob Reiner's chilling two-hander adaptation that won Kathy Bates her Oscar and taught us to fear typewriters, sledgehammers, and devoted fans bearing soup. We talk about King's real-life inspiration for the story, the long and winding road to casting Paul Sheldon, and why this movie manages to be terrifying, funny, and oddly cozy all at once.Next week, we're moving from one devoted nurse with a questionable bedside manner to another, trading Annie Wilkes for Nurse Ratched in One Flew Over the Cuckoo's Nest.If you're reading this, that means you've probably got your podcatcher of choice open right now. It would be SO helpful if you gave our little show a follow. If you like what you hear, you could even leave us a review.Recommended Reading:"Retrospective: 30 years later, ‘Misery' still loves company" - Eddie Mouradian Follow:The Watchers on Instagram (@WatchersPodNJ)Andrea on Instagram (@AQAndreaQ)Jodie on Instagram (@jodie_mim)Thanks to Kitzy (@heykitzy) for the use of our theme song, "No Book Club."

The opening of a new private clinic spurs Chris and Sophie to ask whether Transcranial Magnetic Stimulation (TMS) is real medicine or pseudoscience. How does a magnetic field stimulate the brain and how is this different from electric convulsive therapy (ECT)? Also, a brief digression on One Flew Over the Cuckoo's Nest and other classic movies Sophie has never seen.   Become a supporter of our show today either on Patreon or through PayPal! Thank you! http://www.patreon.com/thebodyofevidence/ https://www.paypal.com/donate?hosted_button_id=9QZET78JZWCZE   Email us your questions at thebodyofevidence@gmail.com.   Editor:    Robyn Flynn Theme music: “Fall of the Ocean Queen“ by Joseph Hackl Rod of Asclepius designed by Kamil J. Przybos Chris' book, Does Coffee Cause Cancer?: https://ecwpress.com/products/does-coffee-cause-cancer   Obviously, Chris is not your doctor (probably). This podcast is not medical advice for you; it is what we call information. References: 1) A study on the efficacy of ECT  by Slade et al. http://jamanetwork.com/article.aspx?doi=10.1001/jamapsychiatry.2017.1378 2) The accompany editorial on modern ECT use: Modern Electroconvulsive Therapy Vastly Improved yet Greatly Underused https://jamanetwork.com/journals/jamapsychiatry/fullarticle/2633172 3) A study on the safety of ECT: Lancet Psychiatry study 2021 https://doi.org/10.1016/s2215-0366(21)00168-1 4) Consensus statement on the use of Transcranial Magnetic stimulation (TMS)  https://doi.org/10.4088/jcp.16cs10905 5) Network meta-analysis comparing different TMS modalities https://doi.org/10.1001/jamapsychiatry.2016.3644 6) The durability of response after TMS treatment: https://doi.org/10.1016/j.brs.2018.10.001 7) RCT comparing ECT and TMS and showing ECT is more effective:  https://pubmed.ncbi.nlm.nih.gov/17202547/ 8) The older cochrane review from 2002 suggesting little benefit: https://doi.org/10.1002/14651858.CD003493

The bracket to determine the best movie of 1975 - joined by Allix⁠ and special guest Justin Purwitsky, along with listener callouts naming their favorite of 1975. See the bracket featuring the 18 movies competing, see here.Mild SPOILERS for One Flew Over the Cuckoo's Nest, Jaws, Barry Lyndon, Picnic at Hanging Rock, Monty Python and the Holy Grail, The Story of Adele H. and 3 Days of the CondorOutro is Show Me The Way To Go Home, 1925 ditty by James Campell and Reginald Connelly, 1975 cover.

The Daily Quiz - Entertainment, Society and Culture Today's Questions: Question 1: Which film won the Academy Award for Best Picture in 1998? Question 2: Who won the 2006 Academy Award for Best Leading Actor for playing the role of Idi Amin in The Last King of Scotland? Question 3: In which iconic '90s film did Tom Cruise play the role of Ethan Hunt? Question 4: Which actor has starred in films including One Flew Over the Cuckoo's Nest and Batman Returns? Question 5: Which actor has played roles in both Twin Peaks and Pulp Fiction? Question 6: Which Disney film from 1967 features a tiger trying to eat a man-cub? Question 7: Which James Bond theme song was performed by Sheena Easton? Question 8: Which actor has appeared in both Django Unchained and The Wolf of Wall Street? Question 9: Who directed the 1946 classic 'It's A Wonderful Life'? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

Greg and Dan chat with Denise Beattie and Cary Ryan of the Chillicothe Players about their two exciting upcoming productions: “2nd Street: Who Killed the Mayor?” and “One Flew Over the Cuckoo’s Nest.” The interactive murder mystery, "2nd Street: Who Killed the Mayor?", will take place on August 9th from 10 a.m. to 3 p.m. at the American Legion. This unique event features widespread participation from local Chillicothe businesses, with many playing the roles of suspects in the unfolding mystery. The second production, the critically acclaimed drama “One Flew Over the Cuckoo’s Nest,” will run August 21st through 24th at the Shore Acres Clubhouse. For tickets, showtimes, and additional details, visit www.chillicotheplayers.org.See omnystudio.com/listener for privacy information.

Mike Isaacson is the Artistic Director and Executive Producer of The Muny, the third person to hold this position in The Muny's 106 -year history. During his 14 seasons, he has produced 89 Muny shows, 37 new to The Muny stage. He is also a 9 Time Tony Award winning Broadway producer. After his first season at The Muny, The Riverfront Times wrote, “Under the leadership of executive producer Mike Isaacson the quality of Muny productions rose like the proverbial phoenix.” During his tenure, Isaacson has changed the look and feel of The Muny, overseeing a transformation in every aspect of production that culminated in 2019 with the arrival of the theatre's extraordinary James S. McDonnell stage, a state-of-the art stage house that includes revolutionary LED technology, automated sets, and a host of other innovations. In 2016, The Muny embarked on an unprecedented $100 million capital campaign, raising within 5 years a record amount for any theater in the U.S. During the COVID lock-down summer of 2020, Mike produced and created The Muny 2020 Variety Hour, five live online shows that reached a worldwide audience of more than 400,000. For the summer of 2021, The Muny was one of two theaters in the U.S. to reopen, and produced five full productions, receiving acclaim for their artistry and their presence. The 2022 season's productions received 21 nominations from the St. Louis Theatre Critics Circle, more than any other theater in St. Louis. In 2023, The Muny bested its record with 26 nominations, and for it's 2024 season, The Muny received a record 30 nominations – a record for The Muny and for the Theatre Critics Circle. During his time, The Muny's education and outreach programs have grown in number, and their artistic endeavors now incorporate all aspects of theater making – production, performance and administration. The Muny kids and teens are now recognized nationally for their excellence, inspiring a national program where teens from throughout the U.S. audition annually come to St. Louis to be a part of a Muny production. For 27 years, with his partner Kristin Caskey, Mike has produced more than 40 Broadway musicals and plays, national tours, off-Broadway plays, and London productions. This Spring on Broadway, they are producing Jason Robert Brown's The Last Five Years, co-starring Nick Jonas and Adrienne Warren. In 2023, they produced the highly acclaimed Broadway revival of Parade, starring Ben Platt and Micaela Diamond, now on a national tour. Parade also received “Best Revival of a Musical” as well as “Best Musical Revival” from both The Drama Desk and The Outer Critics Circle. In 2022, they produced Neil Simon's Plaza Suite starring Matthew Broderick and Sarah Jessica Parker, which subsequently had a record-breaking run at London's Savoy Theater. Other recent Broadway productions include David Byrne's American Utopia, for which they received a special 2021 Tony Award. It also became a multi-Emmy Award nominated film by Spike Lee for HBO, for which he also served as an executive producer. In 2015, he received the Tony® award for “Best Musical” for the ground-breaking Fun Home. Other producing highlights include Dolls House, Part 2, The Humans (2016 Tony® Award, Best Play); Bring It On The Musical (2013 Tony® nomination for Best Musical); Red (2010 Tony® Award, Best Play); Legally Blonde the Musical (2011 Olivier Award, Best Musical); Thoroughly Modern Millie (2002 Tony® Award, Best Musical); You're a Good Man, Charlie Brown; If/Then; The Seagull; Burn This, Caroline, or Change; One Flew Over the Cuckoo's Nest starring Gary Sinise, and Death of a Salesman (1999 Tony® Award). For the IPN, he served as producer for the Broadway productions of Spamalot (2005 Tony® Award, Best Musical), Ragtime (revival) and The Color Purple. All told, his productions have received more than 139 Tony® Award Nominations, and 40 Tony® Awards. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We take care of our mental health with 1975's Oscar winning classic, One Flew Over the Cuckoo's Nest.

When Masculinity Encounters the Machinery of Oppression: A Christian Reflection on One Flew Over the Cuckoo's NestWhat happens when the God-given strength of masculinity is distorted or suppressed by the world's systems? In this illuminating conversation with literature professor James St. Simon, and Cloud of Witnesses host, Jeremy Jeremiah, we journey through the themes of One Flew Over the Cuckoo's Nest—a film whose prophetic imagery speaks to the Christian soul struggling amid a culture that often denies the nobility of manhood.Through the cold, clinical corridors of Kesey's mental institution, we glimpse a microcosm of modernity's spiritual sickness. Bureaucracy replaces communion. Control supplants freedom. And like so many today, the men within its walls have forgotten their true personhood—imago Dei veiled under layers of compliance and fear. As Professor James notes, “They're losing their dignity, their soul, themselves.” This echoes the patristic warning against passions and structures that deaden the nous—the spiritual eye of the heart.Enter McMurphy—a rough, unruly figure, but one who bears an almost prophetic defiance. Though flawed, his unfiltered vitality ignites a spark in others long dormant. He calls the men to remembrance—an anámnēsis—of their dignity, their freedom, their calling as persons, not patients. His presence challenges the false peace of institutional order, much like the prophets of old who unsettled the kings of Israel.Most striking is the arc of Chief Bromden. Silent and hidden, like the hesychast in his cell, he awakens through sacrificial love. His final act—breaking free and fleeing into the dawn—is a paschal image: a resurrection from the tomb of spiritual paralysis. In this, we see not just personal liberation, but the restoration of the masculine soul through kenosis, strength expressed in silence, in sacrifice, in love. It is Christ's path, echoed in Chief's wordless ascent into freedom.We also reflect on C.S. Lewis's warning in The Abolition of Man: the tragedy of “Men Without Chests”—a condition not merely psychological, but spiritual. Without the chest—the seat of rightly ordered desire—man becomes a ghost, unable to act with either courage or compassion. This, too, afflicts both McMurphy and the society that seeks to neutralize him.Even in a work of secular art, we recognize the divine imprint—the logoi of God present in all true beauty and truth. This story, though tragic, points to higher realities: the sacrificial love that restores, the healing silence of remembrance, and the call to awaken from spiritual slumber. As Orthodox Christians, we are reminded that true masculinity is not domination, but self-emptying strength—strength crucified and risen.For those wrestling with their place in a disordered world, seeking to reclaim their God-given identity amid soulless systems, this conversation is a call to rise—to stand, like Chief, in the light of morning, and walk forward in freedom.How might Christ be calling you to remember who you are? To tear away the fog of forgetfulness and rediscover the image within? Visit Cloud of Witnesses Radio: https://cloudofwitnessesradio.com/ Questions about Orthodoxy? Please check out our friends at Ghost of Byzantium Discord server: https://discord.gg/JDJDQw6tdhPlease prayerfully consider supporting Cloud of Witnesses Radio: https://www.patreon.com/c/CloudofWitnessesRadioFind Cloud of Witnesses Radio on Instagram, X.com, Facebook, and TikTok. Thank you for journeying w/ the Saints with us!

At a time when theaters everywhere are competing with an ever-expanding array of at-home entertainment and struggling to fill seats, some artists are asking not what plays to produce but how to produce them differently. Graham Wetterhahn's answer was to found his own company, After Hours Theatre Company in Los Angeles. With a background that spans traditional theater, theme parks and digital media, he has spent recent years creating “immersive-enhanced” productions that invite audiences not just to watch a story unfold but to step directly into it.In After Hours' 2018 production of “One Flew Over the Cuckoo's Nest,” for instance, audience members were admitted to a fictional 1960s psychiatric hospital and cast as patients, free to explore hidden rooms and interact with characters for a full hour before the scripted performance even began. The production cleverly merged immersive design with a fully staged, licensed play, creating an experience that theatergoers of all stripes — and with varying levels of comfort with the notion of participation — could embrace. And it worked, selling out night after night and drawing in an audience that was overwhelmingly under 40.After Hours has gone on not only to produce a broad array of successful immersive-enhanced productions but also to organize the Los Angeles Immersive Invitational, a collegial competition that brings together the city's most adventurous immersive storytellers under one roof and gives them 48 hours to create a new 10-minute piece based on a single prompt. The L.A. Invitational just completed its fifth iteration, and After Hours is now producing Invitationals in other American cities.In this episode, Graham shares why he believes After Hours' hybrid experiences may hold the key to live theater's future, how the company has built a sustainable — if still scrappy — for-profit model, and what his journey has taught him about turning casual eventgoers into passionate theater fans.https://www.grahamwetterhahn.com/https://www.afterhourstheatre.com/

On episode 297 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson, AwardsWatch Associate Editor Sophia Ciminello and AwardsWatch contributors Dan Bayer, Josh Parham, and Jay Ledbetter to go back 50 years and take a look at the 48th Academy Awards, covering the films of 1975. On this retrospective, the AW team take a look back at what might've been the greatest Best Picture lineup of all time, featuring the films One Flew Over the Cuckoo's Nest, Barry Lyndon, Nashville, Dog Day Afternoon, and Jaws. This group of five films collectively encapsulate the type of films audiences clamored for fifty years ago and are all considered all-time classic in their own right, some being the best film within their respected director's filmography. But the interesting exercise with this line-up is looking at the lackluster films surrounding these masterful films. But this is the fun part of the process of looking back and talking about a year like this, if it is a landmark year like others in the 1970s or if it just top heavy. In their in-depth discussion, the AW team talked about the film year of 1975, briefly discuss talk about One Flew Over the Cuckoo's Nest as a Best Picture winner, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h40m. We will be back in next week for a review of the latest film from Marvel, The Fantastic Four: First Steps. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

SM Soup Movie club is here! The year is 1975 which means we discuss: One Flew Over the Cuckoo's Nest, Barry Lyndon, Dog Day Afternoon, Jaws, and Nashville. Let us know your thoughts on any of these movies.

Kirk Douglas and Michael Douglas were the driving force behind bringing "One Flew Over the Cuckoo's Nest" to the stage and screen.  Ken Kesey's popular novel is brought to life on the screen starring Jack Nicholson and Louise Fletcher.  One of the greatest movies of the 1970's is highlighted in The Actors Room podcast hosted by Jeff Torowski.

The Scariest Movie EVER Made? Well upon its initial release forty-five years ago, not many critics saw it that way INCLUDING the author of the original novel which this film was based on, Stephen King.  But over time, this psychological thriller directed by the late, great Stanley Kubrick (2001: A Space Odyssey, A Clockwork Orange, Eyes Wide Shut) has garnerned not only a devoted following but a never-ending stream of speculation about what it meant.  Many love it for the memorable main lead performance by Oscar-winner Jack Nicholson (Chinatown, One Flew Over the Cuckoos Nest, Batman)  as Jack Torrance, an aspiring writer whose family ends up situated at a VERY remote location known as the Overlook Hotel....he's an aspiring writer but as the winter progresses, he starts to lose his mind.  Also with him are his beleaguered wife Wendy played by the late, great Shelley Duvall (Popeye, 3 Women, Roxanne) and their young son Danny (Danny Lloyd) who has begun to experience a sort of psychic power known as.....THE SHINING. :o Also co-starring Scatman Crothers, Joe Turkel, and Barry Nelson, this horror classic has launched spin-off documentaries, weak imitations, and loads of memes - let's head to the Overlook Hotel! Host & Editor: Geoff GershonEditor: Ella GershonProducer: Marlene GershonSend us a texthttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

In this episode of Rewind Rethink, we check into One Flew Over the Cuckoo's Nest - a classic that still stings. Power, control, rebellion, and Jack Nicholson at full throttle. Does it hold up, or has Nurse Ratched won?

ORIGINALLY PUBLISHED JUNE 2022 Dan's pick for this month is the 1975 Milos Foreman film "One Flew Over the Cuckoo's Nest" starring Jack Nicholson. A movie that we're both...crazy about?

This episode is on the 1975 film, One Flew Over the Cuckoo's Nest. To hear the B-side, subscribe on Patreon: https://www.patreon.com/thelackpodcast

  We've all heard the sinister stories of mental healthcare's terrifying past. The Snake Pits, the cages, the overmedication, but nothing is cloaked in more mystery and dread than the ice pick lobotomy. Whether it's that terrifying scene in One Flew Over the Cuckoo's Nest or the heartbreaking story of Rosemary Kennedy, we all can conjure up a horrifying image of this barbaric procedure with little effort. The Man in the white lab coat and cap, his sunglasses gleaming, ice pick in hand. The patients with black eyes and blood mottled tears. That's gold standard nightmare fuel, and it's hard to believe any of it was real, but it was. So how did the mental health care industry end up taking a dip in the darkest of places? Well, hang on because we're going to tell you. In this week's episode we explore the history of the lobotomy, begininning with mankind's earliest attempts to sooth a savage brain, and culminating in the story of the ice pick lobotomist himself, Walter Freeman Jr.  Click To Learn More     WWBD Merch Buy your WWBD swag here!  Join the Conversation       

Welcome to Rendering Unconscious – the Gradiva award-winning podcast about psychoanalysis & culture, with me, Dr Vanessa Sinclair. https://renderingunconscious.substack.com Rendering Unconscious episode 349. RU349: MARY WILD & VANESSA SINCLAIR TALK PSYCHOANALYSTS & THERAPISTS ON FILM https://renderingunconscious.substack.com/p/ru349-mary-wild-and-vanessa-sinclair I sat down with Freudian cinephile Mary Wild to dish about shrinks on film. This episode was originally recorded for Mary's Patreon channel. Mary has just launched her own Substack. Be sure to give her a follow and support independent thinkers: https://psycstar.substack.com/about Follow her at: Patreon: https://www.patreon.com/c/marywild/posts Instagram: https://www.instagram.com/psycstar/ In this conversation, Mary and I chat about the portrayal of mental health professionals in film and TV. We discuss the accuracy and impact of these portrayals, including the stigma around mental health and the challenges faced by therapists. We analyze scenes from films like "Spellbound," "One Flew Over the Cuckoo's Nest," and "Girl, Interrupted," highlighting issues such as the misrepresentation of therapists, the impact of funding cuts on mental health services, and the societal pressures on identity and diagnosis. The conversation also touches upon the importance of making psychoanalytic concepts accessible and the role of therapists in empowering their patients. Mary Wild is the Freudian Cinephile – a pop psychoanalyst exploring film, philosophy, and the strange contours of modern life. She's been hosting the Projections series of events at the Freud Museum London for more than a decade. Join her for whimsical cinematic interpretation and witty cultural critique. No one tops Mary for psychoanalytic interpretations of cinema! Stay tuned for her forthcoming book Psychoanalysing Horror Cinema (Routledge, 2025). https://www.routledge.com/Psychoanalysing-Horror-Cinema/Wild/p/book/9781032545097?srsltid=AfmBOorqpeove7e8PlV8GNwGRfi1mes8MEdFFvN_YsbtdSrZY8qpP7-b News and events: Coming up on Thursday, June 5th Mary is hosting her next online event PROJECTIONS: Lynchian Women. Not to be missed. You know I'll be there! https://www.freud.org.uk/event/projections-lynchian-women/ Projections: Death Scenes in Cinema with Mary Wild, Begins September 21: https://www.morbidanatomy.org/classes/p/projections-death-scenes-in-cinema-with-mary-wild-september Check out our previous discussions: RU315: MARY WILD ON FEMININE JOUISSANCE & DEATH SCENES IN CINEMA RU257: MARY WILD & EMMALEA RUSSO ON JIM MORRISON, CINEMA, POETRY, PSYCHOANALYSIS, PHILOSOPHY & CULTURE RU233: MARY WILD ON DAVID BOWIE & PSYCHOANALYSING HORROR CINEMA RU208: THE MAGIC OF CINEMA & THE UNCONSCIOUS WITH MARY WILD RU158: MARY WILD ON PSYCHOANALYSIS & CINEMA, TAXIDERMY IN ALFRED HITCHCOCK'S “PSYCHO” RU68: MARY WILD, PROJECTIONS CINEPHILE ON THE FREUD NETFLIX SERIES RU49: MARY WILD, FREUDIAN CINEPHILE ON PROJECTIONS Thank you for listening to the Rendering Unconscious Podcast and for reading the Rendering Unconscious anthologies. And thank you so much for supporting this work by being a paid subscriber at the Substack. It makes my work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including all future and archival podcast episodes. https://renderingunconscious.substack.com If you would like information about entering into psychoanalytic treatment with me, joining the group I run for those who have relocated to another country, or have other questions, please feel free to contact me via vs [at] drvanessasinclair.net https://www.drvanessasinclair.net/contact/ Thank you.

Ep. 325: K.J. Relth-Miller on Cannes Classics: Red Canyon, Saïd Effendi, One Flew Over the Cuckoo's Nest, Hardboiled, Merlusse Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. I'm catching up with my conversations at the Cannes Film Festival with another all-star cast of guests. This year I sat down again with K.J. Relth-Miller of the Academy Museum in Los Angeles for our annual Cannes Classics chat. Films discussed include: Red Canyon (directed by George Sherman, presented by Quentin Tarantino), Saïd Effendi (Kameran Husni), One Flew Over the Cuckoo's Nest (Milos Forman), Hardboiled (John Woo), and Merlusse (Marcel Pagnol), with a word for the Cannes Classics documentary selection. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Denver-based punk group Dead Pioneers recently released their second album, PO$T AMERICAN, on Hassle Records. They’ve been opening for Pearl Jam on their U.S. tour this spring. KEXP’s Dusty Henry caught up with lead vocalist Gregg Deal to discuss the band’s rapid success, how their new album portrays disillusionment with modern America, and how the band reclaims and recontextualizes Indigenous representation seen in media – from Dances with Wolves through One Flew Over the Cuckoos Nest. In a divided moment in history, PO$T AMERICAN feels perfectly timed for imperfect times. “I know that there are different mediums out there that exist to create places of safety and understanding and articulation of frustration,” Deal says in the interview. “I know music is one of those places, I know art is one of those places, and I am grateful to have any part in either of those things.” Support the show: kexp.org/deeper Photo by Carlos CruzSupport the show: https://www.kexp.org/sound/See omnystudio.com/listener for privacy information.

In this episode of Popcorn & Catch-Up, we continue the 2025 season with a discussion of One Flew Over the Cuckoo's Nest.We'll be discussing the film in depth, so be sure to watch it before listening to the episode. And don't forget to let us know what you think on X/Facebook/Bluesky!Tell your friends about Popcorn & Catch-Up!Thanks for listening

Throughout his career, Ian Smile has been a graphic designer, creative director, community builder, and is currently a principal UX designer building digital products for media management and distribution for pro sports & entertainment industries. Ian and I discuss Pump Up the Volume, starring Christian Slater as a high schooler who moonlights as an underground radio personality, he's a voice for the students and somebody they relate to, even look up to. We also talk about Generation X, the punk ethos, and old school media.-After over 15 years building his career in the New York City design community, Ian Smile chased his dreams of designing skateboards, following the sunset west for the skateparks and beaches of Southern California. He was welcomed into the skate world by some of his childhood heroes and has since proudly held the position of Creative Director for both the Skateboarding Hall of Fame and CSEF College Skateboarding. https://www.threads.com/@endasheshttps://www.instagram.com/endashes/-Pump Up the Volume (1990)https://www.imdb.com/title/tt0100436/ https://www.theringer.com/2020/08/21/movies/making-of-pump-up-the-volume-30th-anniversary-christian-slater https://www.rogerebert.com/features/the-needle-drop-sessions-pump-up-the-volume-and-untamed-heart https://www.saturdayeveningpost.com/2020/08/pump-up-the-volume-still-reverberates-30-years-later/ https://variety.com/2020/tv/news/christian-slater-dirty-john-mr-robot-pump-up-the-volume-1234707369/ https://en.wikipedia.org/wiki/Soupy_Sales -Other movies and shows discussed, alphabetical listClerks (1994)The Crow (1994)Dazed and Confused (1993)Do the Right Thing (1989)Dune (1984, 2021, 2024)The Fisher King (1991)Gleaming the Cube (1989)The Legend of Billie Jean (1985)Network (1976)One Flew Over the Cuckoo's Nest (1975)Singles (1992)Slacker (1990)Sneakers (1992)Stand by Me (1986)Talk Radio (1988)Turk 182 (1985)Vanishing Point (1971)WarGames (1983)

The Daily Quiz - Entertainment, Society and Culture Today's Questions: Question 1: What is the marketing slogan of Rice Krispies? Question 2: Who is the Norse god of justice? Question 3: What device had a model called the 'Nano' released in 2005? Question 4: Which actor has featured in films including Men in Black and One Flew Over the Cuckoo's Nest? Question 5: What do people mean when type the letters 'OP' in a message on the internet? Question 6: Which actress has starred in both The Shape of Water and Vera Drake? Question 7: What is the traditional gift for a 50th wedding anniversary? Question 8: Which film contains the character 'Rev. Harry Powell'? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textChinelo Okoye is a remarkable double-board-certified nurse practitioner specializing in both adult and pediatric care. Beyond her clinical expertise, she passionately advocates for the representation of nurses in the media. As the founder of Nurse on Purpose, she works to eliminate stereotypes and showcase the intelligence, professionalism, leadership skills, and dedication to patient care that nurses embody. I had a candid conversation with Chinelo about my complacency regarding the negative portrayal of nurses. I acknowledged the hypersexualized Halloween costumes and the disheartening narratives in shows like Nurse Jackie and One Flew Over the Cuckoo's Nest, which depict nurses in such a negative light. Despite recognizing that these portrayals didn't reflect the true essence of nursing, I realized I had not actively challenged these misrepresentations—sadly, I didn't even get angry about it. What are the consequences if we choose to ignore the media's misconceptions about us? Chinelo emphasized that our ability to attract new nurses to the profession diminishes when potential candidates see these negative portrayals. Moreover, it impacts nurse retention. After all, why would a brilliant nurse remain in a field that is so inaccurately represented?Through her Nurse on Purpose podcast, Chinelo elevates the image of nursing by showcasing nurses as innovators, advocates, leaders, and entrepreneurs, demonstrating the diverse and impactful roles that real nurses play. As author Robert Byrne aptly stated, “The purpose of life is a life of purpose,” and Chinelo is undoubtedly embodying that purpose every day.In the five-minute snippet: She's in the dog house and she's not sad about it. For Chinelo's bio, visit my website (link below).Nursing is STEM coalitionContact The Conversing Nurse podcastInstagram: https://www.instagram.com/theconversingnursepodcast/Website: https://theconversingnursepodcast.comYour review is so important to this Indie podcaster! You can leave one here! https://theconversingnursepodcast.com/leave-me-a-reviewWould you like to be a guest on my podcast? Pitch me! https://theconversingnursepodcast.com/intake-formCheck out my guests' book recommendations! https://bookshop.org/shop/theconversingnursepodcast Email: theconversingnursepodcast@gmail.comThank you and I'll talk with you soon!

“Which one of you nuts has got any guts?” – One Flew Over the Cuckoo's Nest (1975)This week, we check into the ward with special guest Ben Hosley, producer of Blank Check with Griffin and David, to take on Miloš Forman's One Flew Over the Cuckoo's Nest. One of only three films to sweep the “Big Five” Oscars, this anti-establishment classic remains a cultural touchstone. We dive into Jack Nicholson's electric performance, Louise Fletcher's chilling turn as Nurse Ratched, and how the film captures the shifting American psyche of the 1970s.New audio episodes drop every Monday at 12am EST, with video premieres on YouTube the same day at 12pm EST. Follow the Show:TwitterInstagramWebsite Music by Mike Natale

It's a simple enough show this week, kids. We're just looking at a bunch of movies from half a century ago. 1975 was a game-changing year in film. Early 70s trends like blaxploitation and dystopian sci-fi were about to be swept aside, as a certain giant Spielbergian shark ushered in the blockbuster era. But meanwhile, the year still offered some genuine classics (Dog Day Afternoon, One Flew Over the Cuckoo's Nest), some cult classics (Monty Python and the Holy Grail, Rocky Horror Picture Show), some Disney for the kids (Apple Dumpling Gang, Escape to Witch Mountain), giant spiders, crazy mamas, blazing stewardesses, switchblade sisters, and plenty of Pam Grier. So pop in a Glen Campbell 8-track and cruise over to your local ugly 1970s movie theater. And grab a big box of Raisinets, even though they're lousy. The Flopcast website! The ESO Network! The Flopcast on Facebook! The Flopcast on Instagram! The Flopcast on Bluesky! The Flopcast on Mastadon! Please rate and review The Flopcast on Apple Podcasts! Email: info@flopcast.net Our music is by The Sponge Awareness Foundation! This week's promo: BatChums!      

Welcome to another Cinema Sounds & Secrets Tribute episode! This week Janet, John, (and Pen) highlight one of the most honored American screenwriters in motion picture history… Bo Goldman! Called the “the screenwriter's screenwriter” Goldman received two Academy Awards for his screenplays of One Flew Over the Cuckoo's Nest (1975) and Melvin and Howard (1980), two Golden Globe Awards, two Writers Guild of America Awards and the Guild's Lifetime Achievement Award in 1998. Listen to learn more about one of the true greats, known for films like The Rose (1979), Shoot the Moon (1982), Scent of a Woman (1992), and Meet Joe Black (1998).  To learn more about this episode and others, visit the official Cinema Sounds & Secrets website!  

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz welcomes an industry titan-- film producer and studio executive Mike Medavoy. With a career spanning over five decades, Medavoy has been closely involved with over 300 feature films, with seven winning Best Picture Oscars. From agent to studio chief to producer, his remarkable journey from Shanghai to Hollywood has shaped some of cinema's most important films, including Rocky, One Flew Over the Cuckoo's Nest, Apocalypse Now, Platoon, and Silence of the Lambs. With characteristic humility and wisdom, Medavoy shares fascinating stories from his illustrious career.Early Life and Global Upbringing (03:12)Born in Shanghai in 1941 to Russian-Ukrainian Jewish parents, Medavoy moved to Chile in 1947 before settling in California, speaking Shanghai-nese, Russian, Spanish, and English.Breaking into Hollywood (07:40)After UCLA and the US Army Reserve, Medavoy started in Universal's mailroom in 1964, making industry friendships that became the foundation of his career.From Agent to Studio Executive (11:15)Medavoy recounts transitioning from talent agent to Senior VP of Production at United Artists, where his first major film was One Flew Over the Cuckoo's Nest.United Artists and an Unprecedented Oscar Run (16:26)At UA, Medavoy helped shepherd three consecutive Best Picture winners: One Flew Over the Cuckoo's Nest, Rocky, and Annie Hall.Formation of Orion Pictures (19:43)Medavoy discusses co-founding Orion Pictures, which produced classics like Amadeus, Platoon, and The Silence of the Lambs.Stories Behind the Classics (24:26)Fascinating behind-the-scenes stories about iconic films including Platoon, Terminator, and Apocalypse Now.Advice for the Next Generation (38:56) For emerging filmmakers, Medavoy recommends "The Story of Film" as essential viewing.Throughout this conversation, Medavoy reveals himself as not just an industry treasure but a thoughtful observer of both cinema and life. His journey from immigrant roots to Hollywood exemplifies the dream many pursue but few achieve. With remarkable candor, he discusses both triumphs and regrets, offering listeners a rare glimpse into the mind of someone who has truly shaped modern cinema while remaining, as Kevin notes, "a very charming and decent human being."If you enjoyed this episode, please leave us a review or connect on social media. We look forward to bringing you more revelations from behind the scenes next time on Don't Kill the Messenger!Host: Kevin GoetzGuest: Mike MedavoyProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, Nick Nunez, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Mike Medavoy:Wikipedia: https://en.wikipedia.org/wiki/Mike_MedavoyIMDB: https://www.imdb.com/name/nm0005219/Amazon: https://www.amazon.com/Youre-Only-Good-Your-Next/dp/0743400550For more information about Kevin Goetz:Website: www.KevinGoetz360.comAudienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678Facebook, Twitter (X), Instagram: @KevinGoetz360Linked In @Kevin GoetzScreen Engine/ASI Website: www.ScreenEngineASI.com

When you're alone, and life is making you lonely, you can always go... to Release Date Rewind! Mark welcomes film fan Rudy Valdez from the west coast on the show to take a trip to Claymoore Psychiatric Hospital and celebrate the 25th anniversary of Girl, Interrupted. Move over, One Flew Over the Cuckoo's Nest guys, it's the girls' turn! Mark and Rudy rave about this powerful cast (great job, casting director Lisa Beach!), Angelina's microbangs and weird Oscar win, Whoopi's side eye, shaggy Jared Leto, and Brittany Murphy's chicken addiction.

Since 1927, the Academy of Motion Picture Arts and Sciences has awarded the Oscar for Best Actor in a Leading Role 97 times, to 86 actors – as of 2024, when we are recording this. The collective winners of the Best Actor Oscar are a Who's Who of Hollywood, legendary performers who have defined what acting and arguably even manhood look like on screen. After debating the Best Film and Best Actress Oscar winners in previous episodes, for this Patreon-sponsored episode, the Great Pop Culture Debate now turns its attention to where the boys are, as we debate the Best Oscar Winners for Best Actor. Performances discussed: Anthony Hopkins in Silence of the Lambs, Dustin Hoffman in Rain Man, Daniel Day-Lewis in There Will Be Blood, Marlon Brando in The Godfather, Gregory Peck in To Kill a Mockingbird, Sean Penn in Milk, Tom Hanks in Forrest Gump, Cillian Murphy in Oppenheimer, Tom Hanks in Philadelphia, F. Murray Abraham in Amadeus, Daniel Day-Lewis in Lincoln, James Stewart in The Philadelphia Story, Philip Seymour Hoffman in Capote, Robert De Niro in Raging Bull, Sidney Poitier in Lilies of the Field, Jack Nicholson in One Flew Over the Cuckoo's Nest. Join host Eric Rezsnyak, Patreon sponsor Stephan Nikoloff, and GPCD panelists Karissa Kloss and Kevin Dillon as they discuss 16 of the most incredible performances in Oscars history. Play along at home by finding the listener bracket here. Make a copy for yourself, fill it out, and see if your picks match up with ours! For more exclusive content, including the warm-up in which we discuss additional Oscar-winning performances we were bummed didn't make the bracket, and an extended version of the episode with 20+ more minutes of film conversation, become a Patreon supporter of the podcast today. Sign up for our weekly newsletter! Subscribe to find out what's new in pop culture each week right in your inbox! Vote in more pop culture polls! Check out our Open Polls. Your votes determine our future debates! Then, vote in our Future Topic Polls to have a say in what episodes we tackle next. Episode Credits Host: Eric Rezsnyak Panel: Karissa Kloss, Kevin Dillon Patreon Sponsor: Stephan Nikoloff Editor: Eric Rezsnyak Theme Music: “Dance to My Tune” by Marc Torch Learn more about your ad choices. Visit megaphone.fm/adchoices

Oops. We forgot to mention this was our 150th episode. Oh well! We continue our 1975 series with the Best Picture winning film One Flew Over the Cuckoo's Nest. No 70s series is complete without a Nicholson performance so we made sure to have one. Come back next week when we review one of Conor's favorite films of all time, Dog Day Afternoon!

Note: There was an issue with one of the audio tracks, so we had to use the backup recording for some of the time. It won't sound as good as our normal shows, sorry! That being said, we kick off 2025 with a look back at 50 years ago in 1975. Jeanne Dielman, the best movie of all time according to the 2022 Sight and Sound Critics Poll kicks us off. The three and a half hour film contains very little plot and even less dialogue. What did our hosts think of this classic film? Come back next week as we review One Flew Over the Cuckoo's Nest..........and maybe have our best of the year pods ready to go! Maybe!

Join Clay and Ryan, and guest commissioner Bryan Cogman, as they rank the five films nominated for Best Picture at the 48th Academy Awards, held in 1976: One Flew Over the Cuckoos Nest, Dog Day Afternoon, Nashville, Barry Lyndon, and Jaws. Did the Academy get it right the first time, or should a different film have been crowned as the Best of 1975? Listen and find out! Want to be a Booster? Get at least three bonus episodes every month by becoming a Season Ticket Holder! www.patreon.com/screendrafts

It's a meta-existential threat episode! Riker is an actor in a play written by Beverly Crusher, or is that Jonathan Frakes? Or is it the host of Beyond Belief: Fact or Fiction? This episode is written in such a delicious way, blending exposition and strange character behavior in a perception-annihilating frame of mind. I am shattered, like the fabric of reality poor Riker is experiencing, each time I watch it. Shades of One Flew Over the Cuckoo's Nest, Waiting for Godot, and The Matrix collide in a tour-de-force performance by Jonathan Frakes. Get in touch with us on BlueSky @ReEngageTNG.bsky.social!    Host: Jimmie G (@thejimmieg on IG & Twitter)  Panel: Kate Jaeger (@jaegerlicious on Twitter and IG), Greg Tito (Gregtito.com, @GregTito on Bluesky, @greg_tito on IG), and Erik Gratton (@erikfallsdown on Twitter & IG)  Audio Editor: Jimmie G (@thejimmieg on IG & Twitter)  Logo artwork: @mojojojo_97 on Twitter, mojo97.com Theme music: Ryan Marth   Next up is the s6e22 "Suspicions" hosted by Jimmie!

BOGO lobotomies at Claires :)))) Also we are talking about One Flew Over the Cuckoo's Nest by Ken Kesey, it's the bro version of Girl, Interrupted. If you want to hear about what guys do when they are all hanging out in a psych ward then this is the book for you. Join us to hear about fishing, hot ladies, and nurses trying to do their jobs.WARNING: Suicide, mental health, murder, self-harmBecome a supporter of this podcast: https://www.spreaker.com/podcast/book-cult--5718878/support.

A number of bands seem to turn a corner with their third album, and Master of Puppets is no exception.  Metallica's third album would achieve both critical and commercial success, crossing out of the new thrash metal sub-genre of hard rock to achieve multi-platinum recognition.  Lead singer and rhythm guitarist James Hetfield collaborated with drummer Lars Ulrich as the principal songwriters, creating riffs that were assembled and reassembled over time until they formed a song.  The band would then be called in to create a tile and topic for the song, at which point Hetfield would create the lyrics.Master of Puppets peaked at number 29 on the Billboard 200 albums chart.  Although glam metal was on the rise, the band avoided the over-produced, synth-laden sound popular in the era, and stuck to their signature thrash metal sound with political lyrics.  The resulting album would consolidate the thrash metal scene, and bring the sound into a more mainstream audience.Unfortunately, the album would also be the last one for which bassist Cliff Burton would be featured.  Burton died in September 1986 while the band was on tour in Sweden, and their bus was involved in an accident.Metallica would become a huge group from the late 80's onward, and this album shows the strength of the group in those years when they were just coming into the consciousness of the commercial world.Lynch brings us this highly influential thrash metal album.  Fans of the Show Julie Doran and son Zack join us in Wayne's absence for today's podcast. Welcome Home (Sanitarium)The song that concludes side 1 of the album was inspired by Ken Kesey's novel "One Flew Over the Cuckoo's Nest."  The lyrics portray the thoughts of a mental patient incorrectly institutionalized in an asylum.  The track starts slow and picks up steam as it goes.  BatteryThis title could be a reflection of the charge of assault and battery, or it could be inspired by the military hardware of an artillery battery.  There is also a connection to the original San Francisco thrash scene, centered on the Old Waldorf club on Battery Street.  Control of violent urges is a connection that runs through the piece regardless of the original inspiration.Master of PuppetsCocaine addiction is the master of puppets referenced in this title track.  Hetfield had friends experiencing drug addiction, and wrote this track from the perspective of the drug itself, taking over the lives of people.  This will be a familiar song to fans of "Stranger Things." ENTERTAINMENT TRACK:Loved By the Sun by Jon Anderson and Tangerine Dream (from the motion picture “Legend”)This fantasy film starring Tom Cruise and Mia Sara was in the theaters at this time. STAFF PICKS:Your Wildest Dreams by the Moody BluesRob starts off the staff picks with a song that singer and guitarist Justin Heyward wrote while thinking back on his first love.  It hit number 9 on the Billboard Hot 100, making this song the biggest commercial success for the Moody Blues since "Knights in White Satin."Mothers Talk by Tears for FearsBruce's staff pick was inspired by a mom telling her kids that when they make faces, they will freeze that way.  It is also inspired by an anti-nuclear cartoon called "When the Wind Blows" by Raymond Briggs.  The song was written by Roland Orzabal and Ian Stanley, and first performed in 1983.  It went to number 27 on the Billboard Hot 100. Kiss by Prince & the RevolutionJulie features a chart topping hit and lead single from Prince's eighth studio album, "Parade."  The song is more acoustic and stripped down than prior Prince hits, and Warner Bros. didn't want to release it as a single.  However, Prince insisted on both its inclusion on the album and its release as a single.Addicted to Love by Robert PalmerLynch closes out the staff picks with a song that may be more famous for its video featuring models pretending to play the instruments.  Palmer originally wanted to sing this song as a duet with Chaka Kahn, but was prevented from doing so by legal issues.   INSTRUMENTAL TRACK:Songbird by Kenny G.You just can't go wrong with a sax as we close out today's podcast.  Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

In this episode, we sit down with the one and only Michael Berryman, horror legend and star of The Hills Have Eyes, Weird Science, and One Flew Over the Cuckoo's Nest. Michael opens up about his fascinating career, his unique upbringing, and how he turned his rare medical condition into a Hollywood success story. Happy almost Halloween!Michael's Book, "It's All Good"- https://www.amazon.com/Its-all-good-Michael-Berryman-ebook/dp/B0BSQZHK32Watch the interview on PopCrimeTV: https://youtu.be/b6Ts-JmR1dU Hosted on Acast. See acast.com/privacy for more information.

Welcome to Movie Mandates, a review show in which sibling cinephiles Andrew and Keleigh force each other to watch movies according to a monthly theme!  We're continuing our celebration of movies we Shoulda Seen By Now and unsurprisingly, this week's mandated movie is another classic.  I mean, if it weren't a classic, should we really have seen it by now?  Anyway, Keleigh has mandated we watch the 70s classic, One Flew Over the Cuckoo's Nest, a movie I've seen.  Because I'm cultured and stuff. Unlike some siblings I could name! 0:00 - Trivial Trivia 12:20 - One Flew Over the Cuckoo's Nest review 56:01 - Next episode's mandated movie We'll be back in two weeks with another mandated movie.  If you'd like to watch it, click here to find where it's streaming or available to rent. By the way!  The Extra Life marathon is fast approaching!  Starting at noon PST on Saturday, Nov. 2, I will play video games for 24 hours straight to raise money for Rady Children's Hospital as part of the Extra Life charity event.  The entire marathon will be live streamed on my YouTube and Twitch channel, donations are tax deductible and every penny raised goes to helping hospitalized kids. If you'd like to donate or see what else I've got planned for the show, you can visit my donation page.  Hope to see you there! If you'd like to watch the video version of Movie Mandates, you can do so on YouTube.  Alternatively, you can listen to and audio-only version on iTunes.  New episodes of Movie Mandates drop on the first and third Wednesday of every month! Credits: Molehill Mountain is hosted by Andrew Eisen and Keleigh Eisen.  Music in the show includes "To the Top" by Silent Partner and is used with permission.  Movie Mandates logo and art by Lynndy Lee.

This is a classic from the 70s that both ghouls love, The Stepford Wives! From wiki: “The Stepford Wives is a 1975 American satirical psychological thriller film directed by Bryan Forbes. It was written by William Goldman, who based his screenplay on Ira Levin's 1972 novel of the same name. The film stars Katharine Ross as a woman who relocates with her husband (Peter Masterson) and children from New York City to the Connecticut community of Stepford, where she comes to find that the women live lives of unwavering subservience to their husbands.”Also discussed: The Entity, One Flew Over the Cuckoo's Nest, Ladybugs, Strange Darling, Girl, Interrupted, Ira Levin, William Goldman, Rosemary's Baby, and more! NEXT WEEK: Funny Games (1997)Follow them across the internet:Bloodhaus: https://www.bloodhauspod.com/https://twitter.com/BloodhausPodhttps://www.instagram.com/bloodhauspod/ Drusilla Adeline: https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/ Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/ 

This conversation with Gareth Higgins is an exploration of how storytelling, empathy, and a commitment to love can transform even the most entrenched conflicts. Gareth shares his personal journey growing up in Northern Ireland, where the dominant narrative was one of division, fear, and violence. But through the transformative power of films like 'One Flew Over the Cuckoo's Nest,' Gareth discovered the importance of seeing the humanity in those we might otherwise label as 'other.' He realized the need to become an ally - not by imposing his own vision, but by listening and allowing those he seeks to support to define what true allyship looks like. Gareth goes on to unpack a profound insight - that all conflict is rooted in fear, and beneath that fear lies love. By learning to love and accept ourselves, we open the door to a new kind of storytelling, one that moves beyond 'us vs. them' narratives and towards a vision of liberation, reconciliation, and interdependence. This conversation is a masterclass in the power of imagination, empathy, and a willingness to embrace the complexity of the human experience. Whether you're navigating personal struggles or seeking to understand the roots of societal conflict, Gareth's wisdom offers a roadmap towards a more just, compassionate, and connected world. So join us.Gareth Higgins was born in Belfast in 1975, grew up during the northern Ireland Troubles, and now lives in the US. He writes and speaks about the power of storytelling to shape our lives and world, peace and making justice, and how to take life seriously without believing your own propaganda. He has been involved in peace-building and violence reduction in northern Ireland and helping address the legacy of conflict, received a Ph.D. in Sociology from Queen's University Belfast, and helped teach the world's first graduate course in Reconciliation Studies at Trinity College Dublin. He also helped found the Wild Goose, New Story and Movies & Meaning festivals. Gareth leads retreats in North America and Ireland; and he founded The Porch Magazine. Brian McLaren says Gareth's new book How Not to be Afraid is “a beautiful book”, Kathleen Norris says it's “a necessary book”, and Micky ScottBey Jones says it's “a much-needed resource for skill-building through our fear and trauma, so that we might create the belonging and communities we desire”.  Find out more at www.hownottobeafraid.comHis newest book "A Whole Life in Twelve Movies: A Cinematic Path to a Deeper Spirituality", co-authored with Kathleen Norris explores movies and the meaning of our lives.Gareth's Book:A Whole Life in Twelve MoviesGareth's Recommendations:Sun HousePerfect DaysJoin Our Patreon for Early Access and More: PatreonConnect with Joshua: jjohnson@allnations.usGo to www.shiftingculturepodcast.com Follow on Facebook, Instagram, Twitter, or Threads at www.facebook.com/shiftingculturepodcasthttps://www.instagram.com/shiftingculturepodcast/https://twitter.com/shiftingcultur2https://www.threads.net/@shiftingculturepodcasthttps://www.youtube.com/@shiftingculturepodcastConsider Giving to the podcast and to the ministry that my wife and I do around the world. Just click on the support the show link belowSupport the show

Movie of the Year: 1996The People Vs Larry FlyntIn this episode of the Movie of the Year podcast, the hosts dive into one of the most controversial films of the 1990s: The People vs. Larry Flynt. Directed by Milos Forman and starring Woody Harrelson and Courtney Love, this 1996 biographical drama tells the story of Larry Flynt, the notorious publisher of Hustler magazine. It's more than just a courtroom drama, though—it's a deep exploration of free speech, censorship, and morality, wrapped up in a real-life story that's as outrageous as it is thought-provoking.The People vs. the Real Larry Flynt: Champion of Free Speech or Just Provocateur?The conversation kicks off with a look at the real Larry Flynt, the man who built an empire by pushing the boundaries of taste and legality. Flynt was no stranger to controversy, and the film dives headfirst into his most famous battle—his 1988 Supreme Court case, Hustler Magazine v. Falwell, which became a landmark ruling in favor of free speech.The hosts break down how the film portrays Flynt as both a larger-than-life personality and a defender of First Amendment rights. But they don't shy away from discussing Flynt's contradictions. Was he truly fighting for free speech, or was he using the legal system to justify his often offensive content? This debate adds depth to the discussion and helps paint a fuller picture of Flynt as both a cultural disruptor and a complicated figure.Woody and Courtney: A Surprising Dynamic DuoThe hosts then turn their attention to the film's two central performances: Woody Harrelson as Larry Flynt and Courtney Love as his wife, Althea Leasure. Woody Harrelson delivers a career-defining performance, bringing a surprising amount of nuance and vulnerability to a character who could have easily been portrayed as just a crude provocateur. His portrayal of Flynt showcases both the man's relentless pursuit of personal freedom and his inner turmoil.But it's Courtney Love who really grabs the spotlight in this episode's discussion. Known more for her rock star persona than her acting, Love shocked critics and audiences alike with her emotionally raw performance as Althea. The hosts explore how Love's portrayal of Althea added a layer of tragedy to the film, grounding Flynt's often chaotic life with real human emotion. The chemistry between Harrelson and Love is another highlight, bringing a sense of authenticity to their relationship and adding emotional depth to the movie.The People vs Larry Flynt's Milos Forman: Master of MavericksOf course, none of this would have worked without the direction of Milos Forman, a master of telling stories about rebellious, complex characters. The hosts dive into how The People vs. Larry Flynt fits into Forman's body of work, particularly his fascination with figures who challenge authority, like in One Flew Over the Cuckoo's Nest and Amadeus.Forman's direction is both restrained and provocative, allowing the larger themes of free speech and censorship to play out naturally through the story without hitting the audience over the head. His unique background, having lived through censorship in his native Czechoslovakia, gives him a particular sensitivity to these issues. The hosts discuss how this outsider perspective allowed Forman to bring a balanced approach to the story, making it not just a tale about a controversial publisher but a broader commentary on American freedoms.Why The People vs. Larry Flynt Still MattersAs the episode wraps up, the hosts reflect on why The People vs. Larry Flynt remains relevant today. Free speech debates haven't gone anywhere, and in many ways, they've only become more heated. The film's portrayal of the tension between personal freedom and societal standards still...

This week, we watch one of the three films to ever win the five top oscars in a given year (Picture, Director, Best Actor, Best Actress, Best Screenplay). The craft in this film is undeniable, but the impact of the film through its popularity is potentially not as great. One Flew Over the Cuckoo's Nest (1975), directed by the Milos Forman.

“One Flew Over the Cuckoo's Nest” is a powerful tale of rebellion and sacrifice, exploring the clash between individuality and oppressive institutional control in a mental ward.

Usually on the Medicare for All Podcast, we talk about people who want healthcare but can't get it, but today we're talking about people getting healthcare they have specifically refused: folks who have been involuntarily committed. For plenty of our listeners, the idea of being held against your will at a psychiatric institution feels like a nightmare from another time – something out of gothic fiction or horror movies set far in the past. But for folks struggling with mental illness in 21st century America, the terrifying prospect of psychiatric commitment is alive and well. In fact, a 2020 UCLA study found that in the 25 states where they actually keep data on this, the numbers of involuntary psych detentions have been sharply rising in recent years. Today, we're joined by two experts in this dark corner of our healthcare system to talk about why so many people are getting committed and who is reaping the benefits. https://www.youtube.com/watch?v=qjXjCSIM_2E Show Notes Originally from Massachusetts Jesse Mangan has experienced a few different psychiatric hospitalizations and has spent over two decades struggling with the impacts of those experiences, so now he produces a podcast about mental health laws called Committable. Rob Wipond is a freelance journalist who writes frequently on the interfaces between psychiatry, civil rights, policing, surveillance and privacy, and social change. His articles have been nominated for seventeen magazine and journalism awards. He is also the author of the 2023 book Your Consent Is Not Required: The Rise in Psychiatric Detentions, Forced Treatment, and Abusive Guardianships. Jesse shares how he came to have so much (unwanted) expertise in psychiatric commitments, and how he turned that experience into a podcast, Committable. He was involuntarily committed and held longer than the standard of care dictated, past the date his insurance ran out. He was finally discharged with no real discharge plan and a big bill. Rob tells us he's been writing about mental health for a couple of decades. He says that the media typically portrays people who have been committed as really out of touch with reality, but he's found that they're far more like the rest of us. He watched his dad - who had no history of mental illness - go through a catastrophic health crisis that led to a depressive episode. Rob tells us that his dad was held and treated against his will for months. This happened in Canada where healthcare is guaranteed, so it's a more complex problem than just enacting the right financing system. A lot of people tend to think of psychiatric commitment as a barbaric tactic from the bad old days – like Nurse Ratchet in One Flew Over the Cuckoo's Nest – but this is obviously a practice that continues to this day. It's more common now for people to be held for a few days, rather than months or years on end. We only have data on these commitments from 25 states, but they show that these kind of commitments are rising dramatically. Jesse explains that due to disability rights activism and investigative journalism, a number of federal cases in the 1970s established some basic due process standards for patients. At the same time the mental health system became increasingly privatized and our understanding of mental health changed dramatically. The expense of due process became a factor - as soon as a case reaches a court hearing, private providers become more likely to release the patient because of cost. State mental health laws have given a lot of authority to law enforcement and providers to detain patients on an emergency basis without a due process check until the point the facility wants to hold the patient beyond the emergency period (in many states 72 hours). The justification for holding these patients are often very vague and broad, posing a risk to many Americans. Mental healthcare in this country isn't a clearly defined system.

GGACP celebrates the birthday of comedian and radio host Jim Norton (b. July 19) by revisiting this LIVE interview (in connection with NY Comic Con) from way back in 2015. In this episode, Jim holds court on topics ranging from his friendship with Sherman (George Jefferson) Hemsley to his love of Jack Klugman to his admiration for “Midnight Cowboy” and “One Flew Over the Cuckoo's Nest.” Also, the boys break down celebrity conspiracy theories, sing the praises of character actor Frank McRae and look back at the groundbreaking shows of Norman Lear. PLUS: Moms Mabley! Iron Balls McGinty! Sammy Davis plugs “Skidoo”! Paul Lynde disses KISS! And Gilbert stakes out the Playboy mansion! Learn more about your ad choices. Visit megaphone.fm/adchoices

We're exploring all the things we got wrong about pop culture and what pop culture gets wrong about us! We begin by jumping on the JLo trash train. TikTok turned on Jenny from the Block, so now we are. The millions of dollars she spent on a bizarro vanity project pushed us over the edge. Team Ben Affleck? We discuss the nightmare that was America's Next Top Model and Tyra Banks's rein of reality tv terror. Sarah explains what Hollywood gets wrong about mental illness including Psycho, One Flew Over the Cuckoo's Nest, and A Beautiful Mind. We hear why the early 2000s were a disturbing time with celebrity gossip blogs, stars behaving badly, and digital media. We talk about Oprah's fall from Grace and the cult of personality.Listen to more podcasts like this: https://wavepodcastnetwork.comJoin our Candy Club, shop our merch, sign-up for our free newsletter, & more by visiting The Brain Candy Podcast website: https://www.thebraincandypodcast.comConnect with us on social media:BCP Instagram: https://www.instagram.com/braincandypodcastSusie's Instagram: https://www.instagram.com/susiemeisterSarah's Instagram: https://www.instagram.com/imsarahriceBCP on X: https://www.x.com/braincandypodSusie on X: https://www.x.com/susie_meisterSarah on X: https://www.x.com/ImSarahRiceSponsors:Use code WRONG at https://incogni.com/WRONG to get an exclusive 60% off an annual Incogni plan!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This episode features "One Flew Over the Songhua River" written by Qi Ran and translated by Andy Dudak. Published in the March 2024 issue of Clarkesworld Magazine and read by Kate Baker. The text version of this story can be found at: https://clarkesworldmagazine.com/qi_03_24 Support us on Patreon at https://www.patreon.com/join/clarkesworld?

April 19th, which is this Friday, marks an odd holiday known as Bicycle Day — the day, now 81 years ago, when Swiss scientist Albert Hofmann rode his bike home from work after dosing himself with his lab concoction, lysergic acid diethylamide, or LSD. The first acid trip.Hofmann's wobbly ride is what launches us into an exploration of a moment, when Ken Kesey, an evangelist of acid would emerge from a Menlo Park hospital lab, and plow through the nation's gray flannel culture in a candy colored bus. Some know Kesey as the enigmatic author behind One Flew Over the Cuckoo's Nest — others, as the driving force in The Electric Kool-Aid Acid Test, Tom Wolfe's seminal work in New Journalism. In honor of the 50th anniversary of the release of Acid Test, Brooke speaks with Wolfe and writer River Donaghey about how acid shaped Kesey, spawned the book and de-normalized American conformity.Songs:Holidays B by Ib GlindemannIm Glück by Neu!Apache '65 by Davie Allan and the ArrowsSelections from "The Acid Tests Reels" by The Merry Pranksters & The Grateful DeadAlicia by Los MonstruosThe Days Between by The Grateful Dead (Live 6/24/95)  On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.