Podcast appearances and mentions of Tatiana S Riegel

In this episode, Carolyn talks with one of the editors for the Hulu miniseries, 'Pam & Tommy'. Riegel shares how she cut some of the episodes with the help of director Craig Gillespie including a raunchy scene involving Tommy Lee's penis. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's episode of Art of the Cut, Steve talks with Tatiana S. Riegel, ACE, about her experience cutting the unusual reemerging of Disney's arch-villain origin story, Cruella. Riegel has edited numerous other films, including The Girl in the Spider's Web, Gringo, Million Dollar Arm, and I, Tonya, for which she was nominated for an Oscar and won an ACE Eddie. Cruella is her sixth feature film collaboration with Director Craig Gillespie, and she has some fantastic advice on building strong collaborative relationships. Thanks to Frame.io for their support of Art of the Cut and their pledge to keep this content coming your way. Read this interview and many others at blog.frame.io, where you'll also find expert guides, tutorials, and insights from veteran filmmakers across the film and TV industry.

Join me in a three-part tribute to film editors. Most people can name a film's director and maybe even its writer, cinematographer or composer but far fewer can name editors. But film editors can alter performances, determine pace, and affect cinematic storytelling in so many ways. To kick off this three-part series is Tatiana S. Riegel, Oscar-nominated editor of "I, Tonya."

“Eu, Tonya”, “Me chame pelo seu nome” e “Projeto Flórida” Depois de 90 premiações, os cinéfilos precisam se lembrar que, sim, existe vida após o Oscar. E os filmes que lá foram indicados existem mesmo após a cerimônia. Ainda bem! Para então lançar um manifesto à memória (por que não?) e ao bom papo sobre cinema, o Fale de Cinema apresenta um podcast extra, trazendo os filmes que seus integrantes vão levar debaixo do braço após o Oscar 2018. Puxa a cadeirinha, pega o fone de ouvido e venha fazer parte dessa discussão conosco. Este podcast é gravado e editado pela Rádio Estudantil, no qual integra sua programação. Você pode ouvi-lo pelo Soundcloud e também pelo Itunes. Nesta edição extra do Falecast, Gabriel Araújo, Henrique Persequini, Joana Saar e a convidada-já-parte-da-casa Laura Batitucci trazem o que eles vão levar consigo do Oscar 2018, comentando os altos e baixos da cerimônia e indicando os filmes que, para eles, mesmo não estando nas principais categorias, se destacaram na premiação: “Eu, Tonya”, de Craig Gillespie (09:08) Vencedor em Melhor Atriz Coadjuvante (Alisson Janney) e indicado à Melhor Atriz (Margot Robbie) e à Melhor Montagem (Tatiana S. Riegel); “Me chame pelo seu nome”, de Luca Guadagnino (20:00) Vencedor em Melhor Roteiro Adaptado (James Ivory) e indicado à Melhor Filme, Melhor Ator (Timotheé Chalamet) e Melhor Canção Original (Mystery of Love — Sufjan Stevens); “Projeto Flórida”, de Sean S. Baker (35:10) Indicado à Melhor Ator Coadjuvante (Willem Dafoe). Leia nossos textos de indicação para esses filmes aqui, aqui e aqui.

Editing is one of the most integral parts of any film, yet a good editor often doesn’t receive the level of recognition that a director, cinematographer, or composer would. To take a closer look at the often unappreciated craft Rob and Geoff sit down with one of the best film editors working today, Tatiana S. Riegel. Over her 30 year career Riegel has worked on a number of beloved films including Pulp Fiction, There Will Be Blood, and Lars and The Real Girl, and recently won an Independent Spirit Award and was nominated for an Oscar for editing I, Tonya. Riegel talks about how she fell into the business of editing, her collaborations with filmmakers like Quentin Tarantino and Craig Gillespie, and why being a successful editor comes down to being able to navigate a lot of very different personalities. She also discusses why audience screenings are so crucial to her job, and why, despite a large disparity, women have historically had more opportunities in the field editing than they have in other disciplines like cinematography or directing.

Welcome back to Geektown Radio, and this week we have a number of firsts! It's the first time for our new film reporter, Gray, to appear as co-host, and it's also the first time we've interviewed a film editor on the show!Tatiana S. Riegel is a highly experienced film & tv editor who has worked across a range of projects, from Quentin Tarantino's ‘Pulp Fiction’ and ‘Jackie Brown’ to brilliant tv series like 'Game Of Thrones' and ‘House’, to movies such as ‘The Men Who Stare at Goats’, ‘There Will Be Blood’ and ‘The Finest Hours’. Her most recent project sees her reteam with longtime collaborator, director Craig Gillespie, on the darkly-comedic biopic ‘I, Tonya’.The film is a portrait of one of the most controversial figures in sports history, and follows Tonya Harding's story from her abusive childhood to her shocking figure-skating career, all the while maintaining a tone that strikes a careful balance between pitch-black comedy and real-life tragedy. As editor, it was up to Tatiana to balance the film’s complex moving parts, setting a pace for the ambitious story while giving both the drama and the humour room to shine. Her work in the film just recently earned her an American Cinema Editors nomination.Also On This Week's Show:Gray joins us in the co-host hot seat and we chat about the tv shows and films we've been watching including 'Early Man', 'Will & Grace', 'Black Mirror' and 'The Orville', and 'iZombie'.We take a look at all the latest tv & film news, including ‘The Walking Dead’ getting a new showrunner, Channel 4 adapting Gareth Edwards ‘Monsters’, and Anne Rice’s ‘The Vampire Chronicles’ series.We give you our recommendations for upcoming TV in the next 7 days. See acast.com/privacy for privacy and opt-out information.