Podcasts about Girl

See omnystudio.com/listener for privacy information.

"A mess of a dreamer with the nerve to adore you." This week we're deep diving "Cold As You" from Taylor Swift's self-titled debut album (2006) — and it's a heavy one. What reads on the surface as a teen heartbreak song turns out to be a meditation on indifference, power imbalance, and the particular kind of scar that forms not from cruelty, but from being simply not cared about.  Subscribe for free to get episode updates or upgrade to paid to get our After School premium content: aptaylorswift.substack.com/subscribe. After School subscribers get monthly bonus episodes, exclusive content, and early access to help shape future topics!  Stay up to date at aptaylorswift.com Mentioned in this episode: "Cold As You," Taylor Swift (2006) "Exile" (feat. Bon Iver), folklore (2020) "Teardrops on My Guitar," Taylor Swift (2006) "Honey," The Life of a Showgirl (2025) "Look What You Made Me Do," reputation (2017) Kelly Clarkson, "Walk Away" (2004) Banksy, Girl with Balloon Harry Potter and the Half-Blood Prince, J.K. Rowling Episode Highlights: [02:07] "When you take, you take the very best of me"  [11:06] "What a shame, what a rainy ending given to a perfect day"  [16:42] "You put up walls and paint them all a shade of gray"  [29:00] Bridge: "You never did give a damn thing, honey, but I cried, cried for you" [35:43] "Every smile you fake is so condescending — counting all the scars you've made" [41:59] Purpose: what this song is really about    Follow AP Taylor Swift podcast on social! TikTok → tiktok.com/@APTaylorSwift Instagram → instagram.com/APTaylorSwift YouTube → youtube.com/@APTaylorSwift Link Tree → linktr.ee/aptaylorswift Bookshop.org → bookshop.org/shop/apts Libro.fm → tinyurl.com/aptslibro Contact us at aptaylorswift@gmail.com This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.

In a preview of this week's Pop Pantheon: All Access episode, Louie is joined by cultural critic Lauren Michele Jackson to break down Olivia Rodrigo's third studio album, You Seem Pretty Sad for a Girl So in Love. To hear the rest of the this episode plus receive weekly bonus episodes of Pop Pantheon, gain access to our Discord channel and so much more, subscribe to Pop Pantheon: All Access at the Icon Tier. You can also subscribe for the audio only directly in the Apple Podcasts app.Note for iOS users: Subscribe using your desktop or mobile browser, not the iOS Patreon app, for cheaper rates on Pop Pantheon: All Access.Join Pop Pantheon: All Access, Our Patreon Channel, for Exclusive Content and MoreShop Merch in Pop Pantheon's StoreFollow Pop Pantheon on InstagramFollow DJ Louie XIV on InstagramFollow Russ on Instagram Hosted on Acast. See acast.com/privacy for more information.

Mac and Gu dive into their latest draft series! Movies, TV Shows, Music, Video Games & anything else with the word Girl or Girls in the title Steven Spielberg Movies Moons Also - Gu made a mess of his shoes Join the conversation... FacebookInstagramTwitterTikTokYouTubeRate/Review/Subscribe:Apple PodcastsSpotifyYouTubeSee omnystudio.com/listener for privacy information.

Hope your Pride month has been lovely so far! We're celebrating by discussing some of our favorite queer media and what makes it feel authentically queer.   Queer Friends | Sex Representation | Sexual Communication | Talking About Being Queer | Homophobia & Coming Out | The Tragedy of Heterosexuality by Jane Ward | Leviticus (2026) | I Saw the TV Glow (2024) | Teenage Sex and Death at Camp Miasma (2026) | Blue Moon (2025) | Present Laughter (2019) | Handsome Devil (2016) | No Ordinary Man (2020) | Rope (1948) | The Favourite (2018) | The Handmaiden (2016) | Kissing Jessica Stein (2001) | Forbidden Love (1992) | Cloudburst (2011) | D.E.B.S. (2004) | Angels in America miniseries | Fellow Travelers | Myra Breckinridge (1970) | Funeral Parade of Roses (1969) | Queens At Heart (1967) | Some Like It Hot (1959) | Sylvia Scarlett (1935) | Boy! What a Girl! (1947) | Red, White & Royal Blue | One Last Stop | I Kissed Shara Wheeler | The Pairing | I Hope We Choose Love | Detransition, Baby | Ace | TAZ: Petals to the Metal | 99 Erics | Love in a F*cked-Up World | The Seven Husbands of Evelyn Hugo | On the Move | The Wolf Suit | This Is How You Lose the Time War | In Universes | Wayfarer series | The F*ggots and Their Friends Between Revolutions | Sondheim & Magnetic Fields Credits:Music by PROTODOMEArtwork by Addison FinchBecome a patron to support the show and get access to our private Discord, monthly bonus episodes, and your name mentioned on the show.

In this episode, Julie and Sarah discuss the topic of women in the workplace. They share how attitudes have changed over time, what having female bosses looks like and how we can do better. It's an exciting episode that we can't wait to hear your thoughts on!

In this interview, I chat with Lauren Oliver about The Girl in the Lake, UVA's Division of Perceptual Studies, her research, incorporating reincarnation into the story, creating a strong sense of place, what the rest of the series will look like, what surprised her the most when writing this one, and much more. Lauren's recommended reads are: God of the Woods by Liz Moore The Dublin Murder Squad series by Tana French The Anniversary by Alex Finlay Looking for some great summer reads? Check out my printable 18-page Summer Reading Guide ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for a tip of your choice or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠for a set price here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ via credit card with over 45 new titles vetted by me that will provide great entertainment this summer - a number of books you will not see on other guides. So many fabulous books are coming out in 2026, and you can learn about a bunch of them in my guide. Thanks so much to those of you who have donated to the show. Donate to the podcast ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on Venmo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Want to know which new titles are publishing in June - October of 2026? Check out our sixth ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Literary Lookbook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠which contains a comprehensive but not exhaustive list all in one place so you can plan ahead, and we color-code by genre in this one!  Looking for something new to read? Here is my monthly ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buzz Reads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ column with five new recommendations each month. Connect with me on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  Learn more about your ad choices. Visit megaphone.fm/adchoices

A memoir titled Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice, written by Virginia Roberts Giuffre with journalist Amy Wallace, is scheduled for posthumous release on October 21, 2025, from Alfred A. Knopf (with Penguin Random House involved in audio and ebook editions). The 400‑page manuscript was completed prior to Giuffre's death by suicide in April 2025, and she had conveyed—via an email to Wallace dated April 1—that it was her “heartfelt wish” for the book to be published regardless of the outcome. Publishers describe the memoir as an unsparing and powerful narrative of trafficking, abuse, and survival, rigorously fact-checked and legally vetted, aimed at spotlighting systemic failures in human trafficking enforcement and championing justice and awareness.Of particular note, Nobody's Girl includes “intimate, disturbing, and heartbreaking new details” about Giuffre's experiences with Jeffrey Epstein, Ghislaine Maxwell, and other high-profile individuals—including Britain's Prince Andrew. This marks her first public discussion of Andrew since their 2022 out-of-court settlement, which reportedly involved a multi-million‑dollar payment. In doing so, the memoir is expected to reignite scrutiny and media attention on the allegations Andrew has long denied, resurrecting his central role in a scandal many believed had faded from the headlines.to contact me:bobbycapucci@protonmail.comsource:Prince Andrew struggling as Virginia Giuffre memoir set for release: expert | Fox News

Curated for the dancers, the dreamers, the real ones left and ready to go into the night. Inspired by true events in Cazadero. Dedicated to the loving memory of Daniel Wherrett aka DJ Dan. I miss you! # | Artist - Track 01 | You Man - Birdcage 02 | Escort - Cocaine Blues (Greg Wilson Remix) 03 | 40 Thieves - Don't Turn It Off (Greg Wilson Remix) 04 | Jamback - Positive (Extended Mix) 05 | Underworld - Two Months Off (DAVI Remix) 06 | Parcels - lightenup (Alex Metric Remix) 07 | DB Boulevard - Point of View (Sgt Slick ReCut) 08 | Mark Knight - Clap Your Hands (Extended Mix) 09 | Jitwan, Gudfella - Morning Coffee (Extended Mix) 10 | DJ Dan - Remember the Time 11 | Foo Funkers - Trouble City (Radio Edit) 12 | DJ Rolando - Knights of the Jaguar (Matt Moore Shut Up & Dance Booty) 13 | Mark Knight, Pietro, Rome Fortune - Shut It Down (Extended Mix) 14 | Curtis Mayfield - Move On Up (Harry Unsworth & Sam Curran Remix) 15 | Everything But the Girl vs The Bug Kann & The Plastic Jam - Made With Love (Joe Friend & Steve Friend Mash Edit) 16 | Nik Kershaw & Les Rhythmes Digitales - Sometimes 17 | Ben Bohmer - Fade to Blue 18 | RRP - Georgia (Myagi Remix)

Chacarerean Teatre Alejandro Dolina, Patricio Bartón, Gillespi Introducción • 0:01:19 Presentación en el Chacarerean y bienvenida Segmento Inicial • 0:01:50 Higiene personal y hábitos que favorecen bacterias • 0:02:23 Debate sobre reutilizar toallas y su lavado • 0:08:05 Limpieza del teléfono y contaminación de superficies • 0:12:58 Andar descalzo, ojotas y bacterias en los pies • 0:18:35 Ropa sucia acumulada y canastos para lavadero • 0:21:17 Frecuencia de lavado de sábanas • 0:23:45 Cepillos de dientes cerca del inodoro • 0:25:39 Regla de los cinco segundos y comida caída al piso • 0:29:07 Formas de secarse después del baño • 0:32:30 Uñas acrílicas, máquina de afeitar y tocarse la cara • 0:37:53 Encuestas absurdas y crítica a confundir opinión con verdad Segmento Dispositivo • 0:43:39 Até y Leuce, divinidades mitológicas menores • 0:45:29 Até como diosa de la ruina, la travesura y el error • 0:49:31 Intervención de Até en el nacimiento de Heracles y Euristeo • 0:52:37 Até como encarnación del error y su caída a la tierra • 0:54:09 Error, conciencia equivocada y cabezas de los hombres • 0:54:47 Leuce, el inframundo y su transformación en álamo blanco • 0:57:20 Simbolismo del álamo blanco en torno a Hércules • 0:56:47 Preferencia final por Até y anuncio de la canción "Girl" ♫ Segmento Humorístico • 1:01:19 Cómo ser un buen piloto de avión • 1:01:44 Juegos infantiles de piloto y colectivero • 1:03:45 Boeing, Airbus y automatización del vuelo • 1:06:59 Planificación de ruta y descenso • 1:08:45 Calma en vuelo, pájaros en motores y aeropuertos • 1:12:33 Meteorología, control aéreo y plan de vuelo • 1:16:39 Estado físico del piloto y examen psicofísico • 1:21:28 Emergencia por motor incendiado y aterrizaje forzoso Sordo Gancé / Trío Sin Nombre • 1:26:29 Presentación del cierre musical • 1:27:38 "Mañana campestre" ♫ • 1:30:30 "Guitarra de San Nicolás" ♫ • 1:36:31 "Un poco de amor francés" ♫ • 1:41:42 Ingreso de la trompeta de Gillespi • 1:44:14 "El cumbanchero" ♫ y despedida (Resumen generado automáticamente con IA, puede contener errores)

Hello and welcome to The Rob Burgess Show. I am, of course, your host, Rob Burgess. On this, our 301st episode, our guest is Carol Snow. Carol Snow is an American author of 10 novels, most recently, “The Girl on the Beach,” a psychological thriller set to be published on June 23. Called “an author to watch” by Booklist, recognition for Snow's previous titles includes: Target Bookmarked Breakout Selection, Amazon Editors' Pick: Best Books of the Month, and Readers' Crown Award Finalist. Foreign rights to Snow's books have been sold to publishers in Germany, Norway, Poland, Indonesia and Hungary. A former contributor to Salon's “Mothers Who Think” column, her writing has also appeared in The Los Angeles Review of Books and Park City Magazine. Carol Snow holds a BA in psychology from Brown University and an MA in teaching English from Boston College. A native of New Jersey, she has lived all over the U.S., as well as in Strasbourg, France, and London. Married with two adult children, she now splits her time between Cape Cod and Southern California. To learn more about Carol Snow and her books, please visit www.carolsnow.com. Follow her on Instagram at https://www.instagram.com/ashburgess/ and subscribe to her YouTube channel at https://www.youtube.com/channel/UCl2Bis7mhGmekVi0ZioJFOg?app=desktop Follow me on Bluesky: bsky.app/profile/robaburg.bsky.social Follow me on Mastodon: newsie.social/@therobburgessshow Check out my Linktree: linktr.ee/therobburgessshow Subscribe to my Substack: therobburgessshow.substack.com/

Welcome back to Raising Confident Girls. In this episode, Melissa Jones explores a situation many girls face during the summer: feeling left out when they see friends spending time together without them.Melissa explains why these moments can feel especially painful during the summer months when friendships become more visible through social media, changing schedules, vacations, camps, and spontaneous get-togethers. While it can be easy for girls—and parents—to assume something is wrong, Melissa shares why one painful social moment does not automatically mean a friendship is broken or that a girl is struggling socially.In this episode, we explore:• Why feelings of exclusion can feel more intense during the summer• How social media can amplify friendship worries and comparison• Why emotionally validating your daughter matters more than immediately reassuring her• How to avoid catastrophizing normal friendship ups and downs• Ways parents can support emotional resilience during social disappointments• Why helping girls build confidence beyond friendships is so important• Simple ways to encourage healthy connection and perspectiveJoin Melissa for a reassuring conversation about helping your daughter navigate friendship disappointments with confidence, emotional resilience, and connection.Download the Quick Tips PDF of today's episode for future reference.If you know a parent who could benefit from this conversation, share this episode with them! Let's work together to raise the next generation of confident girls.We are looking for special people like you to help send a Girl to camp this summer. If you feel it in your heart, please click the link here. Every donation, no matter the size helps!Melissa's Links:• Website • Instagram • Facebook• TikTok• LinkedIn

What if the thing keeping you stuck in dating isn't a lack of clarity but a fear of getting hurt?In this mini episode, Meghan explores a struggle many single women face: when healthy discernment quietly turns into self-protection. If you've ever found yourself overanalyzing, waiting for perfect peace, or avoiding vulnerability in the name of being "wise," this conversation is for you.Discover the difference between discerning God's invitation and letting fear keep you stuck. Meghan shares how the desire to avoid pain can unintentionally keep us from the very connection we're longing for and why sometimes the next faithful step is all we're being asked to take.Because sometimes the next step—not perfect certainty—is where God meets us.If dating has felt exhausting, disappointing, or overwhelming, this episode offers a compassionate invitation to trade certainty for trust, curiosity, and courage..

Topics: Chloe's first subway ride and recent interviews, Chloe's sixty-person 30's funeral in Mykonos, confrontation and letting go of grudges, Chloe's new book The Girl's Guide to Guts and A-list blurb contributorsSponsorsQuince: Go to Quince.com/taylor for free shipping on your order and 365-day returns. Now available in Canada, too.Aura House: Use code taylor at aurahouse.com for 10% off your first order.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

I'm all about people being able to do whatever they want with their bodies and their faces, and I think that the hot girl era is coming to an end. I think that we're entering our ugly girl era, and there's some really convincing science as to why this is about to happen. Today, we get into the 3 factors that led us to this tipping point, what we're going to consider beautiful next as a society, and what you can do with all of this so you can feel as good as possible in your face, your skin, and your body.

This week we interview author Mike Duran - a christian, who also writes scary stories?! - and ask him about Dracula, how to think about horror movies, and more. The post An Evening with Mike Duran appeared first on Sheologians.

Shanti enters her rock phase as she crushes on a rising punk rock star, while Antoinette defends this new generation of “aunties and uncles.” Together, we crash out over Keke Palmer and the Hot Ones white man, question whether Young M.A misrepresents the queer community, debate the Knicks vs. the Spurs, unpack the lost art of women setting each other up well, and discuss Pam Grier's orgasms that last for days. Join us.Contact Around The Way Curls:Hotline: (215) 948-2780Email: aroundthewaycurls@gmail.comPatreon: www.patreon.com/aroundthewaycurlsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, John Hampson makes his return to the show to discuss the writing and recording of the hit 2000 single from Nine Days, “If I Am.” Though the song didn't hit the massive mainstream heights of “Absolutely (Story of a Girl),” it was a successful follow-up single that remains a fan favorite to this day. Written from real-life relationship experience, the song is earnest, heartfelt, and still resonates decades later, as the muse for the lyrics is now John's wife.  Chris DeMakes A Podcast is brought to you by DistroKid, the ultimate partner for taking your music to the next level. Get 30% off your first YEAR with DistroKid by signing up at ⁠http://distrokid.com/vip/demakes For bonus episode of The After Party podcast, an extensive back catalog of past After Party episodes, early ad-free releases of new episodes of Chris DeMakes A Podcast, full video versions of episodes, and MUCH more, head to the Patreon at ⁠http://www.ChrisDeMakes.com Follow Chris DeMakes A Podcast on Instagram: ⁠https://www.instagram.com/chrisdemakesapodcast/⁠ Join the Chris DeMakes A Podcast community on Facebook: ⁠https://www.facebook.com/groups/2643961642526928/⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

You can know everything about attachment theory and still keep ending up in the same painful patterns, so what's actually different about the women who break free?Girl, this one's for you if you've read all the books, listened to all the episodes, and you still feel stuck. In this solo episode, I'm getting a little nerdy with you (let's get nerdy together) about the real difference between people who intellectually understand secure attachment and people who actually go build the healthy, loving relationship. Spoiler: it's not about looking a certain way, meeting the right person at a coffee shop, or waiting to be rescued. It's about going internal and doing the deep work — and I'm walking you through exactly what that looks like, story and all.Inside the episode:Why you are the common denominator in your relationships and why that's the most empowering truth, not the harshest oneHow to finally set down the "invisible backpack" of relational trauma you've been carrying without even realizing itThe neuroplasticity piece: how to stop merging onto the old superhighway and start paving your new, securely attached gravel road (plus the sock-stealing story that taught me what a corrective emotional experience really feels like)If you're ready to stop collecting awareness and start embodying secure attachment, the Empowered. Secure. Loved. program is your heart surgery, laser-focused, root-level work with individualized support. Spots are limited and there's a special offer this month. Book your application call using the link in the show notes, and let's get you that relationship you've always wanted. Apply for the Empowered. Secure.Loved Program Program 6.0 Here

Audrey Hepburn is the biggest star on the American stage, and her inevitable invitation to star in pictures has arrived from William Wyler, who wants her for his new film: the notoriously unfilmable 'Roman Holiday'. But Audrey's fiancé has other ideas… ⁠⁠⁠⁠⁠⁠⁠To hear more stories just like this one, sign up now at PATREON and open up a whole new world of Hollywood drama⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

How can horror writing help readers — and writers — work through psychological trauma? Why does cross-genre fiction take longer to find an audience, but pay off in the long run? Is running a direct sales store actually worth the inventory, postage, and learning curve? And how can SubStack work for fiction authors? With psychotherapist and award-winning author P.D. Alleva. In the intro, thoughts on why in-person conferences are still worth it, even when they are a challenge for sensitive introverts! and tips for making the best of conferences [Self-Publishing Show]. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why horror puts the human condition on display better than any other genre Emotional trauma as the silent psychological killer most people overlook The pros and challenges of cross-genre writing and finding your audience Practical lessons from running a direct store, including integration and signed-copy fulfilment How a 3 a.m. writing routine keeps the writing separate from the marketing and admin Serialising fiction on Substack, multiple newsletters, and avoiding paid subscriber promotions Why Facebook groups, TikTok Lives, and the three-to-one rule are working right now You can find P.D. at PDAlleva.com or on Substack. Transcript of the interview with P.D. Alleva Jo: P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. So welcome, Paul. PD: Thank you very much. Thank you for having me. This is a great opportunity. I love doing interviews, and I love talking to great people. Jo: Oh, good. Well, first up— Tell us a bit more about you and how you got into writing and being an indie author. PD: So I've been writing since I was a kid, at least second grade and more than likely even before that. I've always had that creative itch. Getting into indie author publishing, I published my first book in 2011. At the time I was also operating my own business, which took up about 24 hours of my time every single day. Then I kind of got through that and sold that in 2016, and I'm like, you know what? The time has come. I'd always written books, poetry, short stories, but never really did anything with them because I just didn't have the time. So in 2017, that's when I really came out and said, all right, the time is now. Indie publishing was doing great. The one good thing I do love about Amazon is they allowed us to come out there and start showing our craft to people. So in 2017, I just started—let's do this. Let's write full time. Let's put books out there. Let's be creative. Let's really get those juices flowing. Plus, I was getting a little bit old, and I was like, now is definitely the time to do this. Since then I've been publishing consistently, and most of my books are horror books, but I dabble. I have a sci-fi series, and I'm starting to get into psychological thrillers too. I've got a new psychological thriller that'll be published in early 2027 called Girl on a Mission. For the most part, I'm definitely into the horror genre—books, short stories, all that good fun stuff. Jo: Right, so a couple of follow-ups. You said you're a bit old. Can you give us what decade you're in at least? PD: Well, I'm 51, so born in 1971. Jo: Oh, there you go. Same age as me. PD: All right, good. See that? So we're going head-to-head there. Jo: I don't think that's old at all. Also, you mentioned you sold your business in 2016. So what was your business before? Because I think business experience is so important. PD: Agreed 100%. So I'm a psychotherapist, and I had owned a treatment centre for mental health and addiction. That was started in 2011, and in 2016 is when it sold. Since then, my wife and I started a private practice. So I still, even to this day—well, about a year and a half ago is when I stopped. I specialise in trauma, PTSD, and addiction. Trauma mostly. Most of my caseload has always been trauma, PTSD, sexual abuse, psychological abuse, war-type trauma. I was doing that mostly individually since 2016 in private practice, and I'll still go into treatment centres and see patients there too, specifically for trauma. About a year and a half ago is when I started wanting to do writing 100% full time. I thought about becoming a professor, maybe going to college, but then I wasn't sure if I wanted to get into that full time, as far as a caseload and school and everything like that. So I decided to just do group therapy, group facilitation, and I've been doing that consistently since then. It may be 15 hours a week. I do love to give back, and to me, it's more what I teach. I specialise in neuro-linguistic programming, bilateral stimulation or EMDR, hypnotherapy, science of mind concepts, psychopharmacology, biological bases of behaviour—which is pretty much how your brain works—ancient wisdom, quantum physics. I do this in a drug addiction treatment centre mostly, also mental health. And of course, just living an addictive lifestyle is traumatic, too, in and of itself. So pretty much I'm teaching them. Behaviour modification is a big part of what I'm teaching during that time. You'll see that, too, if you read my books. There's two things you can figure out from my books. You can figure out how to murder people and get away with it, and two, you can figure out how to overcome trauma as well. The whole “murder people and get away with it” comes from my upbringing. I have a very sorted past, let's put it that way. My upbringing was very different than what most people grow up in. Jo: Oh, can you give us any more than that? Now everyone's like, “Oh.” PD: “What's going on with this guy, right?” So I grew up, let's say, quote unquote, “in an Italian New York family.” Jo: Okay. All right. PD: That might give people ideas, right? Jo: That's going to give people a lot of ideas. PD: If you've ever seen the movie Goodfellas, I kind of grew up in that atmosphere, and with even some of those people too. My family had connections to those people in that movie, which I find very funny. If you watch that movie with me, you get a very different perspective on what's going on in the movie. Jo: Wow. So you're an interesting guy with an interesting background, with a very interesting backstory job as well. Some people are like, “Well, of course he's writing horror because horror is just awful and full of slasher gore and all that.” I often have to say to people who don't read horror, “Look, it's not like that.” Maybe some of it is, sure. But most of it isn't. Could you talk about how reading and writing horror can also be psychologically healthy? How do these worlds intertwine for you? PD: Well, sure. It 100% can be healthy. Especially over the last few years, there's a trend going on out there right now where people are taking their trauma and putting it into a creative process through poems, short stories, and even novels. They're taking their trauma and giving it a face, like a monster, where people are overcoming that monster within the creative process. I always say that horror is the genre that puts on display, better than any other genre out there, the human condition. Why is that? When people are in a terrifying situation, you really see who they are. You get to the heart of the matter of who that person is by putting them in these horrific but undefinable situations where it's like, what are they going to come out as? That real true personality needs to come out, and that courage comes out. That's huge in horror, and I think horror gets such a bad name. Now, I know there's the extreme horror and the splatterpunk, and that has its kind of role too in what I'm saying, but that's where horror is getting its bad reputation out there with the over-the-top type of gore. For the most part, that's a small part of the horror genre. It's a subgenre for a reason. It has its readership, and that's fine. Nothing wrong with it. I read it all the time. I find a lot of joy in it, a lot of excitement. However, for the most part, any horror novel that is not completely with the gore and stuff like splatterpunk can be seen as a psychological thriller, and a lot of psychological thrillers can be seen as a horror novel. Look at books like The Silence of the Lambs, Red Dragon. That's horrific as well, but if you read the novel, it's in there. It just gets that bad rap right now, and it's not all gore. Most horror novels that I read today are psychological horror. It's tame on the gore, and the psychological aspect is there. I always see that psychological aspect—it's like psychological trauma. Most people, even in my industry, when people are out there and you mention trauma, PTSD, they're thinking about sexual abuse, physical abuse, or war-type trauma. The silent psychological one—I once wrote an article called “Emotional Trauma: The Silent Psychological Killer.” The one that's out there is the psychological trauma, the emotional trauma that is widespread. Most people go through that, and it could even be from parent to child, and most people don't understand that that's a traumatic experience. It's like a distortion of reality that you're experiencing that then creates a belief system in your brain, and you're constantly acting out that belief system. That's where the psychological component of horror really comes out. People breaking through that psychological belief system that was created through a traumatic experience by reaching courage and coming out through a horrific situation. Jo: Yes, it really annoys me, because with romance, of course people understand that romance is a huge genre. Something like a small town sweet romance is a world away from the bully romantasy, dark, or mafia. Mafia romance is a really big thing with very dark themes. I'm like, well, how can you understand that romance is a huge genre with all these different subgenres, and not think that horror or thriller or fantasy or sci-fi all have so many different subgenres within them? I personally read a lot of supernatural horror, but rarely the slasher gore kind of stuff. So I'm really glad you said that, and hopefully more people will open up a bit more. I did also want to ask you about what you write. You write all these different things. You write standalone—I mean, often horror is standalone—but you also have some series. How do you balance it? What are the benefits of cross-genre writing, but also the challenges of it? PD: Okay. So obviously I love cross-genre writing. To me, I use fantasy to explain the supernatural elements. I blend mostly a tad of fantasy to help explain the supernatural components in my supernatural novels. When I write sci-fi, specifically sci-fi, that has the fantasy element in it too, but there's also a tad of horror in there as well. It's just who I am. When I grew up, I had a lot of different influences. I had Star Wars on one side, and then I'm watching B-rated '80s slasher films on the other side. Those two mixes just kind of followed me throughout my life, and that's why I like putting them into my novels. As I tell my patients, don't limit yourself. Never limit yourself. If you're just limiting yourself to one genre, you're missing out on so much more that's out there. So I love the blend of mixing genres. It just gets my goat each and every time. It is a challenge though. I remember when I first started getting into indie publishing, I was never big into Facebook and social media up until I started becoming an indie author. Before that, with my type of upbringing, you don't advertise yourself. You don't advertise where you're going. That's a big no-no. So I always had this aversion to social media. I'll tell you a funny story. It was the late 2000s, probably 2006. I was a full-time single father at that time, and I was living in Florida. My family—brothers and sisters-in-law—were living in New York, and my sister-in-law said, “Get a Facebook account so we can see pictures of the kids.” I said, “Oh.” I didn't want to do it, but I said, “Okay,” so I did it. And I'm thinking, looking at this Facebook thing, “How do I put pictures on here?” So I figured out how to put pictures in folders. Then I phone called her, and I'm like, “Okay, so they're on there.” And they're like, “Well, where are they?” I'm like, “I put them in these folders. You can go and look at them.” She's like, “No, you've got to post them.” That to me was like, “I'm not posting pictures of my kids.” That was a big no-no. It didn't click. When I got on there finally in 2016, 2017, I'm like, “Okay, so I need to figure out social media. As an indie author, I need to be on there, so I need to get through this aversion and get on there.” I started noticing how people are so particular with their genres. If they're reading a romance, it had to be very specific with that exact type of romance, and if you deviated from it, they're not going to like it. So that was the challenge. I was like, “All right, number one, I'm not going to dilute myself” and say, “All right, take things out of my writing or out of my novel just so I could cater to a certain type of audience.” I'm like, “I'm not going to do that.” I know with me, myself, as a reader, I'll read everything. I don't limit myself to a specific genre. I'll read psychological thrillers. I'll read romance. I've been doing that all my life. So I'm like, if there's a person like me out there—and look at this, I just met like four other people who also read cross genres—then I know that there's at least another 30,000 people, and I know that at least then there's 300,000, then there's three million people out there. So just write the books that you're writing and find your audience. Now, that takes longer. So you've got to chip away. Chip away. You're going to find readers here and there, and then that reader kind of tells a few people about you, and then you've got a few more readers. Then you keep going, and you go on these Facebook groups, and you do a whole bunch of different things, and then you gather a few more readers. Then they're telling some friends, and then you've got more. The process takes a lot longer, yes, 100% agreed, but I would say be true to yourself and you can never go wrong. Jo: Yes, I agree. I write cross-genre as well, and I've browsed your collection. Golem was the one I was like, “Ooh, yes, I like that one.” I haven't read it yet, it's on my list. I think when you're cross-genre, my people come to my store as well, and it's like, “Okay, I'm interested in lots of things, but this is the one by this author that I'm interested in.” Whereas with other authors who only write one type of thing, then I might not like any of their stuff. So I think there are definitely pros and cons and different ways into our world. I also wanted to ask you about the differences in business. Obviously you ran this treatment centre and there were physical humans on all sides, and now you've got a business as an author. So what have you learned in business from what you used to do and what you do now? PD: Okay. You're right. The treatment centre industry is very different from what I'm doing now, but it's still people. Treat those people right, have integrity. If you say you're going to do something, follow through with it. My word is my bond type of thing. That definitely has fed into the writing and publishing industry that I'm in now in a huge way. Just connecting with people is, to me, the biggest part of it. I mean, treatment centres, you've got to connect with people. When I would market the treatment centre, where would I go? I would go to hospitals, residential facilities, detoxes, and talk to them about my programme and why they should be referring clients there. It's the same thing here. Why should you be reading my books? You get there through interviews like what I'm doing here with you. Other podcasts. You get there by doing Facebook Lives, TikTok. I haven't started TikTok Lives yet, but I actually love that platform. I'm falling in love with it. IG Lives, anything like that where you're talking to people and you're making a connection with those people. Through that, I've gathered so many different types of readers who are like, “Yes, I'll give this book a shot.” And then they read it and they're like, “Hey, this is really good, and I'm going to read another book.” With my books, I have very different books. Golem is my psychological horror novel. It's my slow-burn psychological horror novel, heavily inspired by Frankenstein and the Pygmalion myth. It's my first true horror book that I published. Then there's Jigglyspot and the Zero Intellect, which is inspired by B-rated '80s horror movies and the old grindhouse movies of the '70s, and it's mind manipulation. It's just wild and bizarre. And then The Sleepy Hollow Incident is my Gothic tale—it's like a dark romance mixed in with Gothic horror. So I always try to put something for everyone that's out there. To me, when I'm writing, it's got to be about depth, psychological depth. I always refer to my books to be like peeling layers off a Texas-sized onion. The more you read, the more in-depth you get into not only the characters, but the story. It's just something that comes out of me. It's part of me. That's the way I always have to do it. I always have to put that depth in there. To me, that's good storytelling. When I grew up, I read a lot of classic literature. Yes, Edgar Allan Poe, but also Dante's Inferno, Milton's Paradise Lost, The Hunchback of Notre Dame, the Brontë sisters. Keep going. Ray Bradbury, Ayn Rand, Daphne du Maurier, Shirley Jackson. Those to me are my books that I absolutely love. So there's a sweet science in today's fast-paced, social media type of world in marrying the depth of the old classic literature and the entertainment value that is required today for being an author. There's that sweet science behind it, and I love just hitting that nail on the head every time. Jo: So did you ever pitch traditional publishing, or have you thought about going that way? Because I also find that a lot of horror actually sits very close to literary. Like, I read a lot more literary horror than I do in some of the other genres. PD: Correct. So in the beginning, yes. Not in a long time. I maybe went to a couple of indie publishers, but as far as traditional, the Big Five publishers, I have an aversion to them for a big reason. I know people who have worked in that industry that have told me some pretty bad horror stories about those places. So I haven't sent anything to that type of place in a very, very long time. Maybe close to 20 years. Indie publishers, the small presses, yes, here and there, but even then, I'm always moving at a fast pace. So if I've got a book and I'm sending it out as a query letter, by the time that query letter is even read, I'm almost done publishing. I love that aspect of it. The control of my story, where I know where this character's going. And listen, I've got my beta readers, I've got my ARC readers. They're there to tell me, “Hey, maybe you should change this or change that.” Whether I take that advice or not, of course my editor too, is really up to me. I always put out the book that I know is the one I want to read. And to me, I haven't gone wrong in doing so. I know with traditional publishing, you sometimes get too many thoughts in the pot there. Let's put it that way. Jo: Okay, so coming back to being indie then. You mentioned Amazon earlier, but you have a store where you sell direct. Many authors are doing this now, but it can be a challenge. So what have you found are the pros and cons of your direct store? What's working? Any lessons there? PD: Okay. So I use a place called Big Cartel. They're the platform where the books are on. They're hosting my website, PDAlleva.com. The big challenge was actually just starting it. It was so overwhelming. How do I put this on there? At the time, I've got all these books, so how do I present them? I'm even going to be doing another revamp with it too, because I want better pictures—taking pictures of the books, stuff like that, instead of just having the covers on there. I also have a lot of shirts that I'm selling. So I think the biggest challenge is just getting on there and starting it. Then of course, you've got to learn a whole new platform, and the mechanics, and how people are going to be downloading, and how that's done on an e-book versus a print version of the book. So it's a huge learning curve that you've really got to put your focus on and give it time. What most people like in indie publishing is signed copies. It's a huge part of indie publishing, selling those signed copies. People love a signed copy, and that's primarily what my website is for. You can order signed copies from me. I also use a place called IngramSpark, and they're more like a distributor. They're used by everyone. They've been around for a very long time. Traditional publishing uses them too, and they're just distributing your novel. I'd say about a year ago, maybe two years ago, they started where you can sell your books on discount through them as well. So I have that on my website too, where you're just clicking on the book and you're pretty much going directly to their site and you're buying paperbacks and hardbacks at a discount. That's going well too. For the most part, people are definitely coming to my site because they want the signed copies. A good thing with indie publishing is limited editions, first print copies, special editions. That type of stuff really just takes off. People love to see that, especially in the indie community. You can sell them too. I go to a few different book conventions during the year, and the limited editions are there. Like I said, people love the signed copies. They love being a part of that and getting that signed copy. They treasure it, just like I treasure my books too. I'm not referring to my books that I've written, but books that I have as well. I love my e-reader, don't get me wrong, but I still prefer the physical copy—the paperback, and even more so than the paperback, the hardback. So people love those signed copies, and that's why I created the website, to sell on there for them. Jo: Yes, I mean, we're getting to a point now though where I think some people are questioning the pros and cons of it. For example, you doing the signed copies—I don't do that from my Shopify store because I don't want to hold stock and I don't want to deal with postage. So I only do it when I do a Kickstarter. I've just finished one recently, Bones of the Deep, and I'm going up to the printer, and I'm going to sign a couple of hundred copies and then they do the postage. That's the only way I'm willing to do it because of the pain of getting books to your house, signing them, getting them in the post. So how do you manage that practically? PD: Okay, so the inventory's there. I don't go and sign everything right away. I just keep the inventory. Once somebody buys the book, then I'll pull out the book, log it and all that good fun stuff, sign it, and then ship it out immediately. Here in my country, we get discounts at the United States Post Office because they're books. So they pass that shipping cost over to the reader too, so it's a little bit cheaper for shipping. I'll just take books once or twice a week over to the United States Postal Service and ship those books out. I don't sign them until I actually get that order. Jo: How many do you have in your house? It's the holding stock of all the backlist that is the problem. PD: Ooh, gotcha. All right. That's why I have a two-car garage. But here's the thing, I won't order 500 at a time. I'll order 20 at a time. Jo: Okay. Right. PD: When I see that inventory's getting low, I'll order another 20 at a time. Jo: And you get those from IngramSpark? PD: Correct. When the new one comes out, maybe at that time I'm just selling those, bringing those to conventions that I go to. Or maybe doing a sale on those books at that time to get rid of the inventory so it's not sitting around anymore. Jo: I think that's so important. Then like you mentioned, you do T-shirts or shirts. That is also really hard because of sizing. So is that all print on demand? PD: Yes. So I don't really hold the stock on the shirts. When I get an order, whatever the size is at that time, I go directly to the place and order it. I use a place called Sublimation Station that's here in Orlando. They do great all-over print T-shirts. They're fantastic. I just did one for The Sleepy Hollow Incident. So The Sleepy Hollow Incident is one long story, and it's broken up into four books. Each book has its own. The covers are fantastic. I use a lady named Cherie Foxley. She's a phenomenal cover designer. So the shirts are, like, book one is on the front of one shirt with book two on the back, and then the second shirt is book three on the cover and book four on the back. However, I can customise those. I just did a giveaway in my Facebook group and I let people know I could customise them, and she wanted book one and book four, so I just got that and sent it out to her. Now, if people go ahead and order that on the website, I can just order it right away from them, boom, and that place will get it shipped right then and there. Jo: Right, so they do the shipping. These are all sort of practical things that people need to answer because I feel like sometimes it's like, “Oh, yes, having a direct store is great,” but there's actually quite a lot of work that goes into it, isn't there? PD: There is. There's a lot of work. You're pretty much opening almost like your own brick-and-mortar store at that point. You just don't have walk-in traffic coming in—your traffic is all coming online. So there is a lot to it, but it's worth it. If you're a self-published author or even a small indie press, it's good to have. Because like I said, people love the signed copies. Jo: When you say it's worth it, is it worth it financially or just because you like to serve the customers in that way? PD: Both. Jo: Right. So it is financially worth it for you? PD: Yes. Jo: I was talking to a friend of mine and saying, are you valuing your time in terms of things like taking the books to the post office and stuff like that? Do you find it eats into your writing at all, or do you just manage it all separately? PD: No, I manage it separately. So I'm an early morning riser. I get up at 3:00 in the morning, and that's when I write my books or do editing or brainstorming. I'm about to write a new novella now called The Adam and Eve Story, which is actually based on a little-known CIA shelved book from the 1990s called The Adam and Eve Story as well. So I've been brainstorming that, and I was doing that this morning. I get up at 3:00 a.m. and I do my writing, and by the time the kids are up and by the time the wife is up, it's like 8:00 a.m. is rolling around and I'm pretty much done at that point. Then I have my days. Tuesday I'm completely working from home and I do my thing in the morning, and then the rest of the day is marketing, fulfilling orders, stuff like that. On the days when I'm going to do group facilitation, I'll of course still get up at 3:00 o'clock in the morning, and then I'll plan out the day. I've got an hour between this group and I can go ahead and do that, and I'm already there so it's not a problem. The post office is right around the corner. You kind of figure out all the logistics for yourself. There are some days, like on Monday, I don't facilitate groups until the afternoon, so I've got the whole morning to work on marketing and do other things, and fulfilment. Then of course Saturday's a big day for that too. Jo: Oh, that's good. I feel like people always need to know how to balance their time, but it sounds like you manage, because at 3:00 a.m., as you say, there's not much else to do other than write. You mentioned marketing, and you have a Substack, pdsalternativefiction.substack.com. Talk about that and serialising fiction and how Substack works. Because I feel like a load of people are jumping in but might not necessarily know how it works, especially for fiction. PD: Correct. It is becoming quite popular out there. I think the one before that was Patreon, and Patreon is pretty big for that too, kind of the same thing. I wanted to start something and just get the work out there. I was very interested when Amazon came out a few years ago with what was called Vella. They kind of started that. I was like, “This is kind of cool.” Couple chapters at a time. I'm writing the books anyway, so why don't we kick this off and see how it goes—a type of experiment. I had a lot of fun doing it. I started on October 4th, 2024. I've done four novels so far. One is still going, which is Volume 3 of my Dark Veil serie— that's a sci-fi series. I wrote three other novels. The Hypnotist, which is a thriller, heavy on the sci-fi and a tad of horror in there too. And then I wrote Girl on a Mission, which is my psychological thriller, and then Cat Fight, which is a horror novel—all within that time. I think I finished all three of those novels in January, and then the first week of February they were all pretty much done. Now what I'm doing is, I went paid recently on the Substack. It's like everything else that's out there—chip away, chip away. I fell into that hole where they say, “Hey, we can promote you and get people to sign up for your newsletter.” And I'll be honest with you, don't do it. It's not worth it. You spend money, and what happens is they're what I refer to as dead leads. They don't click. You wind up shuffling them off after three to six months, because they're just not clicking. Everybody gets a star rating, so you know—are they clicking, are they staying on, are they not? So I got rid of pretty much all of those people, and I'll never do that again. It's got to be done organically. That's why when you read my books, especially the new books, towards the end it'll say, “Sign up for my newsletter.” I do more with that newsletter too. If you're on the free tier, every month I do a monthly newsletter, which is just me talking about updates, things going on in the publishing industry, things going on with me. My daughter puts together a weekly Horror and Sci-Fi Chronicles newsletter, which gives what's going on in new releases in the industry—sci-fi, horror, books, movies, television. She does deep dives into industry tropes, historical tidbits, and a weekly quiz. I also do a monthly Terrors and Tales newsletter. I started this last year, and it was a quarterly newsletter. It's other authors who are new, upcoming, never been published before, looking to get published. It's a chance for them to be on the newsletter where they have a flash fiction story or poem or even a short story that I publish for them. It's called the Terrors and Tales newsletter. What happened is I would put out calls for submissions. And a place called Duotrope—I don't even know who these people are, but all of a sudden I got an email from them stating, “Hey, we found that you're looking for submissions, and we posted your link. We hope you don't mind.” I'm like, “No, of course I don't mind.” I got so many submissions from that one link. I'm like, “Okay.” Do I really want to deny people? I'm not like that. I want to help promote other authors. I know what it's like when you're new and upcoming, no matter what age you are, to say, “Hey, here's a platform for you to see your stuff in print.” Obviously, I read through them just to make sure they're up to a certain standard, but for the most part, if you submit, you're getting in there. With Duotrope, I'm like, I have enough here to put out one a month. So in May 2026, the first one goes out, and then I'll have one each month until December, and then who knows? In 2027 I might go back to quarterly. I might get enough submissions to just keep it going once a month. So that's the Terrors and Tales newsletter, and it usually comes out towards the end of the month—the last two weeks. I have nothing to do with it in terms of content. None of my stories are on there. None of my poems are on there. None of my flash fiction. It's all other authors, just for them to see their name in print, see their work in print, share it with their friends, and put something on their resume, and to encourage people to keep reading and keep the craft going. Jo: When you say in print, you don't mean in physical print? PD: Oh, I mean in the newsletter. I'm sorry. Jo: I think that's important, or you're going to get a lot more submissions, and you will need to do publishing contracts and all that kind of thing. I think that's the difficult thing with a Substack newsletter approach—it's difficult to know where to categorise it. Is it marketing? Is it publishing? It's all of these things, I suppose. A bit like this podcast, it's all kinds of things. In terms of Substack actually making money on its own or leading to book sales that make money, do you think it does serve that purpose? PD: I think I've gotten more book sales through it, and also ARC readers who are enjoying the books and giving reviews. As far as the paid tiers, that's kind of a little bit slow, and that's where I'm saying chip away at it. Keep it up there. Keep it going. Over time, you're going to build that type of audience where it's going to be like, “Hey, this is financially feasible for me to continue to do this.” That's the response that I'm getting out there. Jo: Yes. Before, you mentioned you were doing Facebook Lives and you're looking at TikTok, but— Is anything else working for you in book marketing? If people have a few books and they're like, “What is working for book marketing right now?”—what do you recommend? PD: Okay. For me, the thing that has made the most sense is making sure the reader knows the book is out there through some sort of social media. I've had really good success on TikTok since the beginning of this year especially. I started it about a year ago, year and a half ago, but then my father got sick and passed away, and it was a new venture and I put it off to the side. I really got the flavour going at the beginning of this year. February, March of this year. It seems to be going really well, and I've noticed an uptick in sales from just getting the videos out there and getting it in front of people's eyes. There's an event I'm going to in August called ShiverCon, which is a pretty big event. After that event, I'm going to look to see what type of inventory I have left over from the event, and I'm going to start doing TikTok Lives. I'm very comfortable being on camera. So I'm like, “Yeah, that seems like a good way to go.” I know there's a few other horror authors who are doing it and having good success with TikTok Lives as well. A guy named Jason Davis is doing really well with TikTok Lives, and a few other authors too. I'm like, “Yes, I could definitely do that.” I want to get up to a certain number of people, and I want these events. I'm going to one in July, and then ShiverCon in August. Once those are done, I'm going to have more time to do the TikTok Lives. As far as Facebook is concerned, what I've had really great success with on Facebook is being in the groups and meeting other authors. That's not always about my book per se, but whatever books I'm reading, I'm posting my reviews about those books in those groups and meeting readers. Then obviously, they always say the three-to-one rule. Post about three different books and then post about your own book, whether you're doing a sale or a new release or a re-release or whatever. I've found success through that just by interacting with readers. When they post a book, I'll comment, “Hey, I've read that book,” or, “Hey, that book looks really cool. I like the review.” Commenting on it so you start these relationships with people who are out there in these Facebook groups. I've recently started my own Facebook reader group. I kind of go with the same thing. Last night, we did a live reading for another author. I like other authors to be on there. I always like to think, what does the reader need? What do I want to see as a reader? I would love to hear live readings from authors. So I kind of learn about them, learn about the book, and get a live reading. To me, that's a good way to go. So I started that recently, and it seems to be going well. I've got a new folk horror coming out soon, and I put out a call for ARC readers and got a fantastic response from that. That kind of drives the sales anyway, because when you get those reviews, then people see it gives credibility to the book, and then other people see it, and then they're buying it too. So that comes from the groups. There's so many wheels to spin in this industry as an indie author when you're doing this, especially when you're doing 99% of it on your own. You've got to get out there. No one's going to know your book exists if you don't get out there and tell somebody about it. Jo: Brilliant. Well, tell us— Where can people find you and your books online? PD: All right. Perfect. So obviously I'm on Amazon like everyone. Most of my books are worldwide, so you'll find them in Barnes & Noble as well. And of course, if you want the signed copies or discount print books, I always lead people straight to my website, PDAlleva.com. Then, of course, if you go to my Substack, you'll get all the updates, and you'll get all the links to purchase or find out where they are on Amazon and Barnes & Noble and things like that too. Jo: Brilliant. Well, thanks so much for your time, Paul. That was great. PD: Thank you very much for having me. It was great chatting with you. The post Writing Cross-Genre, Selling Direct, And Serialising On SubStack With P.D. Alleva first appeared on The Creative Penn.

See omnystudio.com/listener for privacy information.

If you have a daughter born between now and 2010, you'll want to listen to this episode.  We're diving into this fascinating world of Generation Alpha.  As part of our TOP % Favorite Episode series, I want to equip you with strategies and skills to have these open conversations with her not only through the summer months but throughout the year.  Hear all about this generation here!! Are you looking for ways to communicate with your girl so she can start opening up to you? Do you want to understand why is it so hard to approach your girl? Are you stuck on how to approach your teenage daughter in conversation without her freaking out?   SIGN UP FOR TALK TO YOUR TEEN GIRL FRAMEWORK!!  A 6-WEEK JOURNEY TO SHIFT HOW YOU COMMUNICATE SO SHE CAN COME TO YOU!   You'll walk away with a deeper understanding the changes happening to your girl, Equipped in your new role as COACH in this teen stage, and establish better communication pathways to connect and grow closer with your daughter   Imagine if you and your daughter can finally have conversations at a level where she doesn't need to hide anything from you! Plus, you'll get to meet other mamas who are all in the same boat.... SIGN UP HERE!      You can find me here: Work with me: www.talktoyourteengirl.com Connect: hello@jeanniebaldomero.com Instagram:   https://www.instagram.com/raisingherconfidently Free mom support community: www.raisingherconfidently.com

Welcome to Holy Girl Summer! ☀️

Dating Talk is LIVE on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/whatever

It's been about a month since I mic dropped myself off the show and went on an indefinite hiatus. Since then, I have been finding clarity and restoring my creativity in beautiful ways. As Anne Lamott says so eloquently, "Almost everything will work again if you unplug it for a few minutes, including you."While I am happily unplugged from the show, my work is alive and kicking. My NEST Group Membership is open for new members through the Summer Solstice. We have 3 spots open for new members this cohort, and we start June 22nd.Join us: https://clients.sinclairfleetwood.com/products/courses/view/1157672/?action=signupResonance Retreats have two more dates this year, and September is almost sold out. You can learn more and book your discovery call here: https://sinclairfleetwood.com/retreatsHope you're having a lazy, delicious, easy summer. See you sometime soon!

JJ Gordon tells you what to see in the theater, what to skip and what to stream at home. In this episode, he will review: I Love Boosters, Pressure, Dirty Dancing, My Girl and 61. See omnystudio.com/listener for privacy information.

Peter Filichia, James Marino, and Michael Portantiere talk about Girl, Interrupted @ The Public, Romeo & Juliet @ The Revitalized Delacorte Theater, David Copperfield @ 59e59, Camelot @ John W. Engeman Theater (Long Island), Celebrity Autobiography @ Shubert Theatre, 40th Anniversary of Jackie Mason’s The World According to Me!, 54 read more

What happens when an acclaimed author of contemporary fiction and young adult literature turns her attention to psychological suspense?Join host Dr. Katherine Hutchinson-Hayes on Murder, Mystery & Mayhem Laced with Morality as she welcomes bestselling author Carol Snow—https://www.carolsnow.com/. From her early days as a freelance writer and editor to publishing beloved novels with Berkley/Penguin, Carol has captivated readers with stories filled with humor, heart, and unforgettable characters.In this fascinating conversation, Carol shares her journey from writing contemporary fiction and award-recognized young adult novels to crafting her newest release, The Girl on the Beach, a gripping psychological thriller set against the stunning backdrop of California's coastline.Together, they discuss the art of storytelling, creating compelling characters, the transition between genres, and the inspiration behind Carol's latest suspense-filled novel. Whether you're a reader, writer, or thriller enthusiast, this episode offers a behind-the-scenes look at one author's remarkable literary journey.

Send us Fan MailWe all know it's not about what you say to her. It's the inner coherence, the calmness of vibration in your body, that shapes the interaction before your words do.One of our Guild members wrote about a moment at the gym. He saw a woman, was instantly spellbound, a little frozen. He approached, took his shot, and asked for feedback.His story is one we can all relate to — great, great desire… and the wish to connect with her with delight and transparency. Zan is so inspiring when he talks about this. But the coolest line in the world doesn't land when your body is in turmoil.Today we dive into that interior territory. How do you deal with the sheer force of your own desire? Can you align the embodied experience of your attraction so you communicate in the most compelling way?There are women here and there, and there is beauty that makes you quake. If you want to learn to walk the tightrope of your most intense feelings, a timely invitation:I'm running a small private coaching afternoon called Desire in the Afternoon. An intimate consultation about your past, present and future with desire, lust, and love.DITA is a breakthrough session for a man dedicated to finding mastery in the themes of attraction and love.Oxford — Saturday June 27. Paris — Saturday July 4.Three seats per city. Details and application here. https://desireintheafternoon.carrd.co/~ Jordan__________________________________________________#zanperrion #fearofintimacy #dating #mendating #flirting #datingadviceformen #flirttips #relationship #jealousy #attraction #menandwomen #bodylanguage ____________________________________________________Need a gunslinger? Someone who rides into town, completely solves your problem, then rides off into the sunset. Contact Zan Perrion personally to inquire about his incredibly effective one-on-one Laser Coaching. Find him here: https://arsamorata.com/gunslinger/__________________________________Get instant access to our 4 part mini-course with Zan Perrion

Liar Liar Pants On Fire! A girl I knew lied and lied. She lies about her surname, where she lived, where she worked... Why? Who remembers the two up two down houses? Bad TV adverts are getting even worse! Life, what did I envisage? What did I think life would be like as I traveled through the decades? Join me this Sunday for a good old rant!

Nine-year-old Australian girl killed in Pakistan after police open fire on family rental car; Fears of accelerated Ebola spread after deaths in eastern Congo displacement camp; And in sport, the big day arrives for the Socceroos as they take on Türkiye at the World Cup.

898. Randall Munroe joined me last October to talk about his language-themed xkcd cartoons, his simple-language project Up Goer V, his biggest pet peeve, his favorite words, and his new book "What If? 2." But I have to confess that my favorite part was his tidbits about the bee laws.Encore Episode: This episode originally aired in October of 2022.

For Ashton and his friends, the abandoned asylum had become routine. They'd spent countless nights wandering its empty halls looking for a scare, convinced the stories surrounding the building were probably exaggerated.Until one night, someone in the group heard screaming coming from upstairs.What happened after that changed the mood instantly. A friend who went to investigate began acting strangely inside the asylum's old lunchroom, refusing to leave while everyone around her realized something was seriously wrong. And by the time the group finally made it back outside, more than one person was convinced they hadn't been alone in the building after all.The unsettling part wasn't just what happened inside the asylum. It was how differently everyone remembered it afterward. #RealGhostStories #HauntedAsylum #ParanormalPodcast #GhostEncounter #ShadowFigure #AbandonedPlaces #TrueGhostStory #SupernaturalExperience #ParanormalActivity #GhostHuntingLove real ghost stories? Want even more?Become a supporter and unlock exclusive extras, ad-free episodes, and advanced access:

On today's episode, host Kate Lindsay speaks with Rachel Barker, host of Girl on Film on YouTube. The internet has been rich with horror content for decades, but only recently have iconic creepy stories and their creators finally gone mainstream. With movies like Obsession and Backrooms breaking box office records, are YouTubers the next breakout stars for Hollywood? Get more of ICYMI with Slate Plus! Join for exclusive bonus episodes of ICYMI and ad-free listening on all your favorite Slate podcasts. Subscribe from the ICYMI show page on Apple Podcasts or Spotify. Or, visit slate.com/icymiplus for access wherever you listen.This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Editorial support from A.C. Valdez. Hosted on Acast. See acast.com/privacy for more information.

On today's episode, host Kate Lindsay speaks with Rachel Barker, host of Girl on Film on YouTube. The internet has been rich with horror content for decades, but only recently have iconic creepy stories and their creators finally gone mainstream. With movies like Obsession and Backrooms breaking box office records, are YouTubers the next breakout stars for Hollywood? Get more of ICYMI with Slate Plus! Join for exclusive bonus episodes of ICYMI and ad-free listening on all your favorite Slate podcasts. Subscribe from the ICYMI show page on Apple Podcasts or Spotify. Or, visit slate.com/icymiplus for access wherever you listen.This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Editorial support from A.C. Valdez. Hosted on Acast. See acast.com/privacy for more information.

Nora and Nathan break down the third studio album from Olivia Rodrigo, 'You Seem Prrety Sad for a Girl So in Love.' They talk about why this record represents such a pivotal moment in her career (1:00), the heavy 80's and 90's rock influences that are present throughout (33:36), and what songs represent evolvement for Rodrigo versus ones that feel like a retrace of her older catalog (59:39). Hosts: Nora Princiotti and Nathan Hubbard Producer: Kaya McMullen Learn more about your ad choices. Visit podcastchoices.com/adchoices

On today's episode, host Kate Lindsay speaks with Rachel Barker, host of Girl on Film on YouTube. The internet has been rich with horror content for decades, but only recently have iconic creepy stories and their creators finally gone mainstream. With movies like Obsession and Backrooms breaking box office records, are YouTubers the next breakout stars for Hollywood? Get more of ICYMI with Slate Plus! Join for exclusive bonus episodes of ICYMI and ad-free listening on all your favorite Slate podcasts. Subscribe from the ICYMI show page on Apple Podcasts or Spotify. Or, visit slate.com/icymiplus for access wherever you listen.This podcast is produced by Vic Whitley-Berry, Daisy Rosario, and Kate Lindsay. Editorial support from A.C. Valdez.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

In the summer of 1906, a young factory worker named Grace Brown disappeared during a romantic getaway to the Adirondacks with her secret lover, Chester Gillette. Days later, her body was pulled from the depths of Big Moose Lake, launching one of America's first media frenzies. More than a century later, the mystery, the trial, and the ghostly legends surrounding the lake continue to haunt New York's North Country. HAH DISCORD - https://discord.com/invite/bJdbpH3hQm   YouTube -  https://www.youtube.com/@HauntedAmericanHistory   TikTok - @hah_podcast   hauntedamericanhistory.com   Patreon- ⁠⁠⁠⁠⁠⁠https://www.patreon.com/hauntedamericanhistory⁠⁠⁠⁠⁠⁠   LINKS FOR MY DEBUT NOVEL, THE FORGOTTEN BOROUGH Barnes and Noble -   https://www.barnesandnoble.com/w/the-forgotten-borough-christopher-feinstein/1148274794?ean=9798319693334 AMAZON: https://www.amazon.com/dp/B0FQPQD68S   Ebook GOOGLE: https://play.google.com/store/books/details?id=S5WCEQAAQBAJ&pli=1   KOBO: https://www.kobo.com/us/en/ebook/the-forgotten-borough-2?sId=a10cf8af-5fbd-475e-97c4-76966ec87994&ssId=DX3jihH_5_2bUeP1xoje_   SMASHWORD: https://www.smashwords.com/books/view/1853316   !! DISTURB ME !!       APPLE - https://podcasts.apple.com/us/podcast/disturb-me/id1841532090       SPOTIFY - https://open.spotify.com/show/3eFv2CKKGwdQa3X2CkwkZ5?si=faOUZ54fT_KG-BaZOBiTiQ       YOUTUBE - https://www.youtube.com/@DisturbMePodcast       www.disturbmepodcast.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode, Part 1 follows the disappearance of 18-year-old Anna Alessiawitz after one last summer weekend at the Jersey Shore turns into the case that exposes a monster. What starts with a girl waiting on a boardwalk bench, her shoes and purse left behind, and remains found months later behind a Burger King quickly turns into Richard Biegenwald's violent past, his shocking release from a life sentence, a witness who knew too much, and an Asbury Park apartment hiding weapons, drugs, a secret room, and a nightmare police never saw coming. Learn more about your ad choices. Visit megaphone.fm/adchoices

Link Up w/The Morning Sickness Digitally All Over:Instagram: @hms_98_official, @bosskupd, @bretvesely, @dickToledoX/Twitter: @HMSon98, @DickToledo, @bretveselyFacebook: @HMSKUPDYouTube: @hmspodcast9320, @98kupdRequest/Call in/Wakeup Song line:(IN AZ) 602.585.9800More HMS: holmbergpodcast.com, 98kupd.comEmail: dtoledo@98kupd.com, bvesely@98kupd.com, bbogen@98kupd.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Alright, my armored up sister – we have a battle all around us – what are we going to do about it? Well, here's what we're NOT called to do – we're not called to run head first into battles with the enemy.  We're not told to sneak into enemy territory and plan an attack.  We're told to put on our armor and STAND FIRM.  Do not waver.  Do not back down.  Don't give an inch of territory.  Don't settle.  STAND FIRM. Our job is to stand with our armor, eyes fixed on Jesus.  Hey Rambo, settle down!  Lone Ranger, you're not supposed to do this alone.  God has a resounding message for us throughout scripture: Exodus 14:14 – “The LORD will fight for you; you need only to be still.” Deuteronomy 1:30 – “The LORD your God… will fight for you.” Deuteronomy 3:22 – “The LORD your God himself will fight for you.” Deuteronomy 20:4 – “For the LORD your God is the one who goes with you to fight for you against your enemies.” Joshua 23:10 – “The LORD your God fights for you.” 2 Chronicles 20:15 – “The battle is not yours, but God’s.” Nehemiah 4:20 – “Our God will fight for us.” God is fighting – you are to be standing firm.  If you're in the middle of a battle, you keep standing and trust God to fight for you as he promises.  But make sure you have all your armor on! Let me tell you what is NOT part of God's armor: • Worrying • Whining • Wallowing Paul tells us there's one final thing we must do in the spiritual battle in the unseen … After all this armor, we MUST STAY IN COMMUNICATION WITH OUR COMMANDER.  All the armor in the world will do you no good if you're out Rambo-ing alone.  God isn't looking for a Lone Ranger. Ephesians 6:18, “Pray in the Spirit at all times and on every occasion.  Stay alert and be persistent in your prayers for all believers everywhere.” Oh if we truly had any idea of the power of our prayers, we would never fail to pray about anything ever again.  We just don't see how our prayers move Heaven.  We don't see how our prayers allocate God's divine power.  We don't see how an army of angels are dispatched for the battle with our prayers. Prayer is your communication with your commander.  The one who holds the battle plan, the one who sees every detail, the one who promises the victory – you have a direct line of communication with Him!  And yet here we are, God's girls with divine armor, trying to fight our battles without talking to God first. Remember when Paul writes the book of Ephesians and tells us about this Armor of God in chapter 6, he's likely chained to a literal Roman soldier, keeping him in prison.  He's looking at this soldier, recognizing piece by piece how his armor relates to everything God has given us for the battle we’re against Satan and his demons.  And he's witnessing this soldier receiving orders from his commander.  The soldier is there doing what he's been told to do.  He's not alone, he's on assignment. He's seeking his commander for his next move.  He's on the orders of a higher power than himself. Girl, you're on the orders of a higher power than yourself.  You can't afford to be running off into battles, trying things your own way, hoping to fix and save everyone, without constant communication with your Commander.  PRAY IN THE SPIRIT AT ALL TIMES AND ON EVERY OCCASION. The Greek word translated “Pray in”  means “in connection to” and “with the help of”.  This isn't about the words we are saying.  This is about HOW we are praying.  This is a connection with God through the Holy Spirit to receive divine orders. Now we can make this complicated and messy and really awkward if we want, but it doesn't have to be that way.  Some say this means you have to be speaking in tongues, but scripture tells me that praying in a language you cannot personally understand is a GIFT.  Some have that spiritual gift, while others have different spiritual gifts.  Praying in an unknown language is not a badge of spiritual superiority.  Don't make this weird.  Don't make what God has given as a gift to some as a reason to be divided or turned away. Praying in the spirit is a heart posture.  It is a yearning for God's will above your own.  It is a surrender, a submission.  It is a connection void of boxes to check and vain words to repeat.  This isn't habit or custom.  Praying in the Spirit is a connection with God through conversation. If I'm praying for you in the Spirit, it means more than just speaking your name in prayer.  It means I'm allowing the Holy Spirit to direct my prayer.  When the Holy Spirit is directing, you begin praying over things you may not even know about.  Chains to be broken that you don't even see.  Healing to happen from within.  This is an unrushed, unscripted prayer directed by the Spirit.  THAT IS WHAT WE ARE CALLED TO. Praying in the Spirit at all times and on every occasion is a continual connection with your commander.  It's seeking his plan and receiving his plan. “Pray in the Spirit”: This means praying under the influence, guidance, and power of the Holy Spirit. It involves aligning your desires with God’s will rather than just listing personal wants. “At all times”: This calls for a constant posture of awareness and communication with God. It means maintaining an open, internal dialogue with God throughout the day, not just during formal prayer times. “On every occasion”: This tells us to bring everything—both joys and crises, routine tasks and major decisions—to God. No event is too small or too large for prayer. A few weeks ago, I found myself on my knees with a woman on the busy walkways in Venice.  This was a hurting soul.  Aching as thousands of people walked by her day after day.  There she lay on her face continually in prayer, begging God for the healing of her 12 year old daughter and the rescuing of her family.  My BIG Life sister Jessica and I wrapped our arms around her, cried with her and connected with our Commander.  We prayed for her in the Spirit, meaning, we let the Holy Spirit guide us in what to pray because we didn't know how to fix her situation. Now keep in mind, there was a massive language barrier.  Yet somehow (and I know how) we were able to understand her and she was able to understand us.  Jessica prayed aloud in English, not knowing what to pray, but allowing the Spirit to guide her.  The words flowed.  Words she couldn't have orchestrated on her own.  Requests she didn't even know to make. We returned to find her the next morning in the same place, kneeling, on her face, literally begging God.  And that day, we sat with her and shared a picnic breakfast.  We treated her like a friend.  We laughed.  We connected.  We shared.  We loved.  It didn't matter who saw us.  It didn't matter what a single other soul thought.  And then we once again sought our Commander in this battle.  We prayed as the Spirit instructed. Every day since I've been on my knees for Maria and her family.  I don't need to be a Lone Ranger out fixing her situation.  My money isn't needed.  I have a direct line of communication with the Commander of Heaven's Armies, and I'm calling on him for his will, his move, his power, his healing. No Lone Ranger.  No Rambo.  Just a girl in communication with the Commander through the Holy Spirit.  And as he prompts me to pray for her, I do.  Not to check a box.  Not out of habit or routine.  But out of relationship with the One who can truly battle for her. Ephesians 6:18 in the Amplified Bible says, “With all prayer and petition pray [with specific requests] at all times [on every occasion and in every season] in the Spirit, and with this in view, stay alert with all perseverance and petition [interceding in prayer] for all God's people.” The Message translation says, “Prayer is essential in this ongoing warfare. Pray hard and long. Pray for your brothers and sisters. Keep your eyes open. Keep each other’s spirits up so that no one falls behind or drops out.” This prayer is a continuous, divinely guided LIFESTYLE rather than an occasional activity.  God really isn't interested in what you do once in a while or even what you do out of routine, he's interested in true relationship and connection with YOU!  Isn't it wild to think the Creator of the entire Universe desires a real relationship with you, and the way you have it is through continual conversation with him?! Prayer is the ultimate weapon that activates all the other pieces of spiritual armor.  Without communication with our Commander, we're just girls with all the armor, running in the wrong direction, fighting battles we have no business fighting. Let's shift from routine to lifestyle.  Move from treating prayer as a morning or evening chore to practicing it as an ongoing conversation. Let's rely on spiritual guidance.  When you don't know what to pray, pause and ask the Holy Spirit to guide your thoughts and words.  You don't have to make it weird. Let's cover all situation.  Bring your daily work, your stress, your relationships and your gratitude to God instantly as they happen. Talk to your Commander!  Don't be the Lone Ranger out trying to do this alone! Follow Pamela on Instagram – https://instagram.com/headmamapamela Or Facebook – https://www.facebook.com/pamela.crim Find out more about BIG Life – http://biglifehq.com

The Mark Thompson Show Hour 2 (6.11) We’re back with the endlessly fascinating supermodel and author Susan Holmes McKagan, who walked for Chanel, Guess, Dolce & Gabbana, Armani, and pretty much every major designer on the planet. The big question: How the hell did she not turn into a full-blown party girl in that world? Mark covers the chaotic car meetup bust in the LA Riverbed near Cypress Park — nearly 90 arrests and 72 vehicles towed — right as FIFA World Cup fever kicks off with Mexico vs South Africa. Then voice coach to the stars Roger Love joins the show. He’s worked with Bradley Cooper, Eminem, Gwen Stefani, Joaquin Phoenix, Reese Witherspoon, and Def Leppard, but his proudest achievement might be helping people overcome stuttering, which he dives into with his new documentary “Finding Your Voice.” To close it out, Mark Thompson is losing his mind over a full-blown rat infestation in his attic — the little bastards have turned his place into a rodent hotel and are destroying his gorgeous hardwood floors. Classic KFI chaos. See omnystudio.com/listener for privacy information.

DOSE: Give your liver the support that it needs with https://dosedaily.co/milehigher for 35% OFF your first month's subscription!Butcher Box: Stock up on those proteins with https://butcherbox.com/MILEHIGHER to receive sirloin tips, ground beef OR chicken wings!CashApp: Download Cash App Today: https://capl.onelink.me/vFut/0jvtwa9v #CashAppPod. Cash App is a financial services platform, not a bank. Banking services provided by Cash App's bank partner(s). Prepaid debit cards issued by Sutton Bank, Member FDIC. See terms and conditions at https://cash.app/legal/us/en-us/card-agreement. Cash App Green, overdraft coverage, borrow, cash back offers and promotions provided by Cash App, a Block, Inc. brand. Visit http://cash.app/legal/podcast for full disclosures.AuraFrames: The perfect gift https://auraframes.com/milehigher to save $25 on a Carver Mat frame! Use code MILEHIGHER at checkout!ZocDoc: Stop putting off those checkups, use https://zocdoc.com/milehigher today! Lisa Dorrian was a bright, beloved young woman spending her early 20s in her hometown of Bangor, Northern Ireland. However, in early 2005, her family noticed a shift in their daughter once she began hanging out with a new friend group, and her weekend activities changed from light partying to heavy drug use. Following a strange party in a caravan park, Lisa reportedly ran off into the night, never to be seen again. Now, over 20 years later, the theories range from drug debts to paramilitary organizations, and the question remains: what happened to Lisa Dorrian? Intro 0:00Lisa's Childhood 6:21The Troubles 8:31The Issues With Lisa Begin 18:28When it All Happened 25:06Lisa Goes Missing 28:41Joanna Starts Searching 36:56A Murder Investigation 46:32Theories Abound 1:03:52Final Thoughts & Outro 1:17:06Mile Higher Media website: https://milehigher.com/ Higher Hope Foundation: https://www.higherhope.org/ Mile Higher Merch: milehighermerch.comCheck out our other podcasts!The Sesh https://bit.ly/3Mtoz4XLights Out https://bit.ly/3n3GaoePlanet Sleep https://linktr.ee/planetsleepJoin our official FB group! https://bit.ly/3kQbAxgMHP YouTube: http://bit.ly/2qaDWGfAre You Subscribed On Apple Podcast & Spotify?!Support MHP by leaving a rating or review on Apple Podcast :) https://apple.co/2H4kh58MHP Topic Request Form: https://forms.gle/gUeTEzL9QEh4Hqz88You can follow us on all the things: @milehigherpodInstagram: http://www.instagram.com/milehigherpodYouTube: https://www.youtube.com/@MileHigherHosts:Kendall: @kendallraeonytIG: http://instagram.com/kendallraeonytYT: https://www.youtube.com/c/kendallsplaceJosh: @milehigherjoshIG: http://www.instagram.com/milehigherjoshProducers:Janelle: @janelle_fields_IG: https://www.instagram.com/janelle_fields_/Ian: @ifarmeIG: https://www.instagram.com/ifarme/Tom: @cinematomgrapherIG: https://www.instagram.com/cinematomgrapher/Podcast sponsor inquiries: adops@audioboom.com✉ Send Us Mail ✉Kendall Rae & Josh Thomas 8547 E Arapahoe Rd Ste J # 233Greenwood Village, CO 80112Music By: Mile Higher BoysYT: https://bit.ly/2Q7N5QOSpotify: https://open.spotify.com/artist/0F4ik...Sources: https://pastebin.com/PEdYCb97The creator hosts a documentary series for educational purposes (EDSA). These include authoritative sources such as interviews, newspaper articles, and TV news reporting meant to educate and memorialize notable cases in our history. Videos come with an editorial and artistic value.

Two Hot Takes host, Morgan, is joined by guest co-host Lauren!! :) We are getting into stories and problems that just want to say "Girl.." "Girly Pop" "GIRL what are you doing".. You know what we mean right? Like how else do you respond to your friend catfishing your wife to find out if she's a cheater, or your husband saying he doesnt want you to attend his military graduation, or your boyfriend crashing out on you yet still considering patching things up?! Going to need your thoughts on these. For the REST of this episode head over to Patreon: https://www.patreon.com/TwoHotTakes ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Patreon BONUS Content including FREE stories: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/TwoHotTakes ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ NEW MERCH:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://shop.twohottakes.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ WRITE IN TO US!! Our SubReddit! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.reddit.com/r/TwoHotTakes/⁠⁠⁠⁠⁠⁠⁠ Full length Video episodes available on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/TwoHotTakes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Index: 00:00 -- Start Learn more about your ad choices. Visit podcastchoices.com/adchoices

1193. Today, we talk to award-winning translator Daniel Hahn, author of "If This Be Magic," about what it really takes to translate Shakespeare, starting with the philosophical paradox at the heart of all translation: changing every single word while changing nothing at all. We look at the special challenges Shakespeare poses, including preserving rhyme and meter in languages that work completely differently.Find Daniel's book "If This Be Magic"

Audrey Hepburn has won the coveted stage role of 'Gigi' on Broadway, and is set to become its new star. But how will she adjust to life in America? And what will she do when Hollywood comes calling? ⁠⁠⁠⁠⁠⁠⁠To hear more stories just like this one, sign up now at PATREON and open up a whole new world of Hollywood drama⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In The City again features Kenny making an ass out of himself while defending against the use of his own words against him. Sure, he said he feels zero spark with the dummy who just crossed the country to be with him, but he never said the word murky, dammit! YOU WILL ALL PAY! To watch this recap on video, listen to our bonus episodes, and get ad free listening, go to Patreon.com/watchwhatcrappens. Find bonus episodes at patreon.com/watchwhatcrappens and follow us on Instagram @watchwhatcrappens @ronniekaram @benmandelker Hosted on Acast. See acast.com/privacy for more information.

Wells is entering a dark phase and no, not emotionally (well, maybe) and Brandi woke up with what can only be described as a broken hip. Oh, and the Aliens are coming! After Wells attended a sneak preview of Steven Spielberg's new movie, Disclosure Day, he has some THOUGHTS. Is Spielberg a government psyop slowly preparing us for alien contact? He thinks yes. Then, your favorite hosts bond over the undeniable greatness of cheese which leads them to ranking their favorites, debating the best burger cheeses and some how they end up at Doritos dipped in cottage cheese... It's not YFT without a few tangents! And, of course, they provide their thoughts on their favorite things this week, including: (12:39) Disclosure Day (Wells got a sneak peak!) (16:24) Girl on the Train (17:18) Office Romance (19:50) Cape Fear(24:28) Good Girls Guide to Murder (25:54) Famous by Blake Crouch (spoiler alert!) (33:47) Obsession DM us on Instagram and tell us your favorite cheese! Love ya, Fam! Thank you to our awesome sponsors: BetterHelp: You don't have to say yes to everything this summer. Find support in therapy. Sign up and get 10% off at BetterHelp.com/yft. First Leaf: Stop settling for wines that don't quite hit the mark. Head to TryFirstleaf.com/YFT to sign up and you'll get 50% OFF your first box PLUS free shipping for an entire year. Hers: Ready to reach your goals? Visit forhers.com/yft to get personalized, affordable care that gets you. Quince: Go to Quince.com/yft for free shipping on your order and 365-day returns. Now available in Canada, too! Skims: Shop Everyday Cotton, and all of my favorite bras and underwear at http://www.skims.com/ #skimspartnerZazzle: Right now, save 25% on your first order at Zazzle.com. Zenni: Go to zenni.com/podcast and use code PODCAST15 for off your first order. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to Part 1 of the Fun Girl's Summer Reset Series and we are starting with REST. Not lazy rest. Not guilty rest. Real, intentional, permission-granted rest. In this episode, Sazan shares some fun and real life updates this week (ouch!), her flexible “thermastat” structure approach to enjoy summer and ways you can re-charge this season without pressure.MORE FUN THINGS