Podcasts about Pulp fiction

Brian and Ed return with Episode 605 for a wide-ranging, unfiltered conversation that hits sports, pop culture, tragedy, internet madness, and the kind of stories only The Baller Lifestyle Podcast can connect. From freeway rants and nostalgic TV talk to shocking celebrity deaths, college football scandal, and modern influencer absurdity, this episode covers it all. ️ What's Covered in This Episode Opening & Housekeeping The misery of the 605 freeway and LA traffic Brian's ritualized podcast intro anxiety End-of-year mailbag reminders Patreon bonus shows and “Bonus Bri” Nostalgia & Pop Culture CHiPs, Ponch & Jon, and California Highway Patrol memories Why CHP are “revenue agents for the man” Conan O'Brien's legendary Christmas parties Why certain cultural moments feel permanently ruined after tragedy Tragedy & Heavy News The devastating murder of Rob Reiner and his wife Their son's long struggle with addiction and mental illness Why people invent conspiracies when reality is too horrific Rob Reiner's legendary legacy: All in the Family, This Is Spinal Tap, Stand By Me Misery, A Few Good Men, Seinfeld, The Shawshank Redemption Sports Talk NBA Cup Final reactions Knicks optimism and Wembanyama hype Lakers fandom without actually watching games Luka Dončić vs. Jalen Brunson Former Chargers CB Quentin Jammer admitting he played games drunk Donald Trump's historically bad Army-Navy coin toss College Football Scandal Michigan head coach Sherrone Moore fired and arrested Allegations involving a staffer, threats, and total career implosion How to destroy a dream job in record time Ann Arbor restaurants still selling menu items named after him OnlyFans DMs, zero impulse control, and CTE speculation Deaths & Remembrances Steve Taneyhill, South Carolina QB icon Paul Wiggin, Stanford coach (Band Is On the Field game) Peter Greene, actor (Pulp Fiction, The Mask) Anthony Geary, Luke of Luke & Laura (General Hospital) Carl Carlton, singer of “Bad Mama Jama” Instagram model Mary Magdalene and the dangers of extreme body modification Listener Voicemails & Emails Gym locker room insanity (food prep, blenders, hygiene crimes) Fake names for reservations (Rhett Messerly, Cliff Yeager, Carlos Von Carlos) Dodgers championship merch and terrible commemorative art iOS alarm update rage The most carefully pronounced accent in sports Internet & Culture Madness Bonnie Blue banned from Indonesia over a Bali sex stunt Sex-influencer culture and self-destruction Andy Dick's overdose scare and long history of problems Kate Winslet rejecting Eminem's extremely strange request Jelly Roll admitting sex was awful before losing 200 pounds Streaming & Entertainment The Diddy documentary and how it ruins Biggie songs forever Avatar's massive success despite zero cultural footprint Listener Notes Strong language and adult themes throughout Final Ed Daly appearance of the year Patreon subscribers get bonus content immediately after the episode Contact & Support Email: mailbag@theballerlifestyle.com Voicemail: 949-464-TBLS Patreon: patreon.com/theballerlifestylepodcast Subscribe, Rate & Review Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Dream on America, gun nuts, Stanford is an incubator of idiots, some thoughts on Peter Greene, time to get ready for the prom, some fucked up Stephen King movie, hang up on Black Phone 2, and some dime store philosophy. Stuff mentioned: Pulp Fiction (1994), Mask (1994), The Blob (1988), The Rich Man's Wife (1996), Clean, Shaven (1993), Riding the Bullet (2004), Black Phone 2 (2025), and A Nightmare on Elm Street (1984).

La sortie de Sur un air de blues avec Hugh Jackman et Kate Hudson va remettre le couvert sur le répertoire d'un des plus grands artistes pops américains, Neil Diamond. Ecrit et réalisé par le New Yorkais Craig Brewer, un disciple de Quentin Tarantino genre “j'assume ma passion référence pour le vintage”, le film raconte l'histoire vraie de deux artistes oubliés avant d'avoir été connus qui vont connaître le succès en faisant des covers de l'homme aux 50 tubes. Ça vous étonne, hein ? Et pourtant, c'est le cas, si on a surtout l'image d'un crooner, celui de Jazz Singer, un album qui a rencontré un succès considérable au début des années 80, Neil Diamond à ses débuts, est catalogué pop rock. Dans la deuxième partie des années 60, on le classe avec les Simon & Garfunkel et Leonard Cohen. On l'a oublié mais Neil Diamond a alors aligné un nombre impressionnant de tubes qui sont devenus immortels, dans leur version originale ou grâce aux artistes qui l'ont repris. Allez au hasard, on commence par cet incontournable, dans le Pulp Fiction de Tarantino … puis le fameux Believer popularisé par les Monkees, je m'en voudrais d'oublier le Song Sung Blue qui vient de donner son titre original au film … et enfin celle-ci dont UB40 a livré une version reggae 15 ans après, on était dans les années 80. Et si Neil Diamond a été chanté par tout le monde, de Frank Sinatra à U2, en passant par Joe Dassin et Elvis Presley, il a aussi donné vie à des chansons françaises dans le monde anglo-saxon comme celle de Jacques Brel … ou encore Gilbert Bécaud … Et comment l'oublier, Neil Diamond est à l'affiche de la dernière du groupe The Band de Bob Dylan en 1976, aux côtés d'Eric Clapton, Joni Mitchell ou encore Ron Wood des Rolling Stones, devant les caméras de Martin Scorsese, ça s'appelle The Last Waltz, et c'est à voir, c'est du patrimoine aujourd'hui. Enfin, je vous mets au défi de ne pas trouver dans la maison (salon, bureau, grenier) d'un ami ou membre de votre famille, un exemplaire du fameux Jonathan Livingstone Seagull, la B.O. du film signée et chantée par Neil Diamond. Tenez-vous bien, il s'en est vendu 200.000 rien qu'en Belgique durant les années 70, et après. E-Nor-Me !Sûr qu'on va écouter du Neil Diamond, en mode folk rock années 60 et 70 ou crooner, cet hiver, c'est une occasion unique de le redécouvrir, son dernier retour fracassant date des années 2000 avec l'immense succès de son album acoustique 12 songs. L'artiste s'est retiré de la vie publique il y a quelques années, annulant une tournée mondiale, après avoir fait part de sa maladie de Parkinson. Mais son catalogue folk rock, pop, crooner et symphonique est toujours aussi présent, comme en témoignent les 135 millions d'albums qu'il a vendus au cours de l'âge d'or du vinyle et de la cassette.

pWotD Episode 3147: Peter Greene Welcome to popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 608,898 views on Saturday, 13 December 2025 our article of the day is Peter Greene.Peter Greene (born Peter Green; October 8, 1965 – December 12, 2025) was an American actor. A character actor, he was generally known for portraying villains. He was best known for his roles in the 1994 films The Mask, in which he played the main antagonist Dorian Tyrell, and Pulp Fiction, where he portrayed Zed, a sadistic security guard.Greene's other credits included Laws of Gravity (1992), Judgment Night (1993), Clean, Shaven (1994), Under Siege 2: Dark Territory (1995), The Usual Suspects (1995), Kiss & Tell (1997), Blue Streak (1999), Training Day (2001), The Black Donnellys (2007), Life on Mars (2009), New York New York (2016), and The Continental (2023).This recording reflects the Wikipedia text as of 02:23 UTC on Sunday, 14 December 2025.For the full current version of the article, see Peter Greene on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Ivy.

Join host Manya Brachear Pashman for a powerful conversation about Red Alert, the Critics Choice Award-nominated Paramount+ docu-series that confronts the October 7 Hamas massacre with unflinching honesty. Producer Lawrence Bender (Pulp Fiction, Good Will Hunting) shares why this project couldn't wait—launched in real time to push back against denial, disinformation, and a world struggling to absorb the scale of the tragedy. Bender reflects on the courage and trauma of the ordinary Israelis whose stories anchor the series, including survivors like Batsheva Olami, whose resilience changed the production team forever. Hear how filming during an active war shaped the storytelling, the emotional toll on everyone involved, and why capturing these true accounts is essential to ensuring October 7 is neither minimized nor forgotten. Key Resources: AJC.org/Donate: Please consider supporting AJC's work with a year-end gift today. Right now, your gift will be matched, dollar-for-dollar, making double the impact. Every gift matters. Every dollar makes a difference in the fight for a strong and secure Jewish future. Listen – AJC Podcasts: Architects of Peace The Forgotten Exodus People of the Pod Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts or Spotify. Transcript of the Interview: [Clip from Red Alert] Manya Brachear Pashman:   Academy Award nominated film producer Lawrence Bender has quite a repertoire for both feature films and documentaries: Pulp Fiction, Inglorious Bastards, Good Will Hunting and Inconvenient Truth. In fact, his works have earned 36 Academy Award nominations.  His most recent TV miniseries is a more personal project on the second anniversary of the October 7 Hamas terror attacks on Israel, Paramount Plus began streaming a four episode series called red alert about the attack on festival goers, innocent passers by and families waking up to terrorists inside their Israeli homes that day, a tragedy that many of us, either on this podcast or listening have watched with overwhelming grief for the last two years. Lawrence is with us now to talk about how he grappled with this attack on Israel and the rise of antisemitism that followed.  Lawrence, welcome to People of the Pod. Lawrence Bender:   Thank you, Manya, it's good to be here.  Manya Brachear Pashman:   So that clip that we played at the top of this episode, it's one of the few clips in English. Most of the dialog in this show is in Hebrew with subtitles. But that scene is a woman, Bathsheba and her two daughters. They're walking across a field trying to return home, and her son has been taken. Her husband is gone. This series weaves together her story and three or four other ordinary civilians fighting for their lives on October 7, 2023. You know, as someone personally who's been immersed in this subject matter for two years, to be honest, I had to muster the energy to watch this, and I'm so glad that I did. But why are, I mean, as we're still waiting for the last hostage to be returned, why was it important for this show to air now? Lawrence Bender:   Well, thank you so much for doing this with me, and thank you for playing that clip. I have to tell you first, I love that clip. I love that scene because one of the things about the show and the stories that we portrayed is that even with the horrific things that happened on that day, people still were able to fight back. People were still able to be strong. A mother with her daughter and her infant stood in the face of a terrorist and stood him down in real life, this happened.  Now, not everybody was so fortunate, and her husband Ohad was not fortunate, and her son was taken hostage, as you mentioned, but it does show her personal power in this horrific situation. And I just thought, you know, this woman is a real hero. I've spent a lot of time with her, Batsheva Olami, she's really an extraordinary human in all ways. So thank you for playing that clip.  So in terms of the show, I felt on October 8, it's just amazing how quickly, before Israel did anything, the entire world quickly turned against the very people who were the victims and having spent subsequently, a lot of time with people on the set, because, as you mentioned, this show was about real people, and those real people spent a lot of time on the set with us. And the very people that were traumatized, felt isolated, they felt alone, and they're the very ones that need to be loved, that need to be hugged, they need to be supported. Anyway, I just felt like I needed to do something fast to try to show the world what really happened. AndRed Alert is the result of that. Manya Brachear Pashman:   Do you fear that the world has already moved on? Lawrence Bender:   Oh, that's a good question. It feels like we've passed a tipping point, actually, in terms of Jew hatred and anti-Israel and antisemitism. Even as we are now trying to have a peace process, right, that somehow we are stumbling forward, and if that's going to happen, people need to understand why we're here and why we're here happened on October 7. And if you watch the show, hopefully you're pulled into the show, and you have a, you know, you have an emotional journey, and then you understand, oh, this really happened. And you understand that's the truth. And only when you really understand the truth of October 7 do I really think that you can really get some sort of peace. Manya Brachear Pashman:   So is this different from other historical events? You know, a lot of movies and television shows commemorate historical events, like the Holocaust, for example, but they happen years later. They're made years later. I kind of call it the never forget genre. But is October 7 unique in that it's not a question of whether people will forget or move on. It's a question of whether they believe that this present is actually true. Lawrence Bender:   That's right, there's the deniers. There's people that just don't know. There's people that forgot, maybe you know, there are people who I know that I had to explain. Like, you know, it's interesting. As an example, when you see the show and you see all these Hamas terrorists invading the kibbutz, and Ohad says to her, his wife, Bathsheva, he whispers in her ear, I just saw about 20 terrorists, and someone said to me, who's not unintelligent, I didn't realize there are that many. I didn't realize that. And if you're not really paying attention, maybe you don't really know. And look, they're the haters, haters which are never going to change. But I think there's a large group of people that just don't really understand, and they're the ones that I feel we have a shot at showing this to and having a conversation with. Manya Brachear Pashman:   In fact, are you actually introducing or experimenting with a new genre of truth or facts in the face of fiction. Lawrence Bender:   I guess that's true. I mean, this just happened. And some people ask over this last, you know, when I released, and we were paramount, released the show. You know, I've been asked a question, is it too soon? And my answer is, I feel like it's not soon enough. And I felt like immediately I needed to work on something, and this is the result of that. For me, personally, there are many collaborators of people on this show that incredible Israeli partners, my American partners. I mean, there's a lot of amazing people that came together to work on this, to make this show, but we really felt like time was of the essence, because the world was shifting so quickly, we wanted this to get out there, to show the world what really happened. Manya Brachear Pashman:   One of the reasons I'm pressing you on this, this was not a fiction film. This was based in reality. You said you met Bathsheba, the actors prepared for their roles by meeting with the very real people who they were portraying in this show whose stories they were recreating. I'm curious what some of the takeaways were for you, for your colleagues, from your encounters with these victims, with these survivors, and did anything about the production ever change after they got involved? Lawrence Bender:   It was truly a life changing experience for myself, but really for everyone involved, of course, myself and my partner, Kevin Brown and Jordana Rubin, and we were basically the only non Israelis that were full time producing the show. And everyone else was a citizen of the country. Everyone else, you know, was affected dramatically, everything but from like our key grips brother ran the kibbutz Raim, where we filmed that area that was a kibbutz overrun by terrorists, right? His brother survived. So it was really like every single person at some point, you know, we call it triggered, but it really happened quite often where you have a scene and people just have to stop for a second and take a moment, whether it's an actor finishing a scene or a crew member, you know, partaking in the making of the scene. But lots of things happen. I'll tell you one story which was, you know, quite interesting. We're working at the Nova festival scene, and one of the actors, Moran, her niece, was on vacation in Greece, and her niece told her, if a red headed police woman shows up on the set, she's the one who saved my life. And indeed, her name was Bat, she showed up, and we said, we need you to meet somebody. And we FaceTimed Moran's niece with Bat, and the young lady she's like in her early 20s, said, You're the one who saved my life. You're the one I was hiding by your feet while you were firing. And we asked, Did you remember the people that you saved? And she said, I really only remember the people I didn't save. You really felt the pain that she is still at that point a year and a half later, this is. In April, May, suffering from what she went through. RPG hit nearby her. She went flying through the air. She had had half reconstructive surgery, on and on and on. It was obviously an extremely traumatic day for her to you know, a moment where there's a woman on the set whose daughter was murdered, and someone on my crew, actually, Mya Fisher, has said, you know, there's someone here I want to introduce you to. It's after lunch. And I spent some time with her, and I asked her, you know, like, how do you go? Fine, I can't, you know, I can't imagine losing my son in this way. It's just unimaginable. And I asked her, do you have a rabbi? What do you do to survive?  And it was a very difficult emotional exchange. And sometime later, she had sort of retold that encounter to somebody else on the set who came to me and said, you know that woman you're talking to. She told me what happened, you know this conversation? And she said, You know this Hollywood producer came all the way from California, she doesn't know me, from Adam, and sat down with me for an hour to hear my story, and it clearly meant a lot to her. And again, you realize that the very people who are traumatized directly are not getting the love, are so isolated and people are against them, and it made me feel even more determined to tell these stories for the world to understand.  Every day we had these type of difficult, emotional and to be honest, I was extremely honored every time I met someone. I spent every Saturday night at Hostage Square because we were making the show, I got to spend time backstage with all the families who had loved ones in the tunnels. There was a deep dive into this. Now, I have to tell you, on the other hand, the filming while a war is still going on is quite it's like things you don't have to think about normally, right? So, as an example, we were in a town and we're shooting a shootout. We're filming a shootout between the IDF actors and the Hamas actor. They're actors. I keep saying they're actors, right? Because they are actors. But the mayor and the chief of police in the town were extremely worried, because they look real, right? They look like real people. And unfortunately, the cemetery is littered with people who have been murdered and killed by the Hamas. And all the other men who are there, they have guns, they carry, and if something's happening, they're going to run towards the problem. So he's worried, what if someone walks by, or someone's up in a building. He looks down and they see an actor who looks like Hamas, they are going to shoot him. So we literally had speakers every 10 yards, like all up and down the street, and every like 15-20 minutes, saying, don't worry, in Hebrew, of course, this is a movie, everything's okay. We had a drone up in the air, never coming down, on a tether with a police officer. They're a full big screen watching case someone walks down the street.  We dressed up the Hamas actors as they're walking from the holding area to the area where they're filming, we put them in these kind of white hazmat-like suits so that they couldn't confuse them, and when they got done filming, we put them right back in these hazmat white suits and brought them back to the holding area. We all had to dress up, and we had to wear these very, very light blue shirts the entire crew, so nobody looked like anything but a crew member. It was something, right?  Manya Brachear Pashman:   I did not even think about that. I mean, I knew that you had filmed on location in Israel, and I knew you had filmed during the war. In fact, I was going to explain to listeners who don't know Red Alert is what Israelis call the sirens and the phone alerts when there are rockets being fired upon Israel and they have time to seek shelter. I was going to ask you if you had been there during a red alert and had to seek shelter, but I didn't even think about the possibility of people confusing the filming with actual war activity. I imagine you were there during a red alert, and did have to seek shelter, yes? Lawrence Bender:   so there's different types of alerts in the south. We did shoot in the guys called the Gaza envelope. We shot within less than a mile away from the Gaza border. So a scene that comes soon after the one that you showed. They're resting under a tree, and we are in the Gaza envelope. And this is a scene where they're running from the Hamas. They're running, they're bare feet, and they're out of breath, and they stop under this tree that's hot, and so forth. And you can hear, just a mile away, the war going on in Gaza. Hear the bombs and everything, and we weren't worried about we're going to be attacked, but it was eerie hearing a war go on, and we're filming a scene where they're running from that war, right?  So it was dramatic every week or so still at that point, the Hamas would lob a missile bomb into southern Israel and an alert would go off. You have 15 seconds to. Get into. So we had to bring these portable concrete safe rooms with us so that crew, at any given moment can run quickly into one of these concrete things. We couldn't always do it. So there's always this conversation, and by the way, it costs a lot of money, so everything you're always carrying these things. There's a lot of planning that went on. But I have to tell you, as an American showing up in Israel for the first time after October 7, I wasn't used to these alarms going off, so we were fortunate that while we were filming in the south, no missiles were lobbed at us. However, my first day there, I'm in a meeting on the eighth floor. It was a Friday morning. I got in there on a Thursday evening, 10 o'clock in the morning, the alarm goes up. I mean, just like that, right? And it's loud.  And you have these buzzers. Everyone's phone is buzzing, not like the Amber Alerts we have, like, really buzzing loud. And everyone stops and looks at me, and they apologize to me. They apologize and they go, Oh, we're really sorry, but it's an alert. We have to go into a safe room. Oh, don't worry, it's just from the Houthis. It takes eight minutes to get here. Now it's an intercontinental ballistic missile. These are real big missiles. They can really do bad damage. Don't worry, the Iron Dome usually gets them. It's really okay. So we go, you know, we go into and they pick up their danish and their coffee, and of course, I take out my cell phone and I'm videotaping. And then we go in there, and when it's off, we go back to the meeting. The meeting starts as if it never happened. And then they stop, and they go, Oh, how was that for you? And then I just didn't realize, what with the emotion that was going on because we're not used to having missiles shot at us. It's not normal. And I started to bubble up with emotion, and I had to, like, stop myself, I didn't want to cry in front of all these people that I barely knew. So I had to suppress my feelings. Like, don't worry, it's okay. You're having a normal reaction, right? And that happened quite often while I was there.  Now, you do get used to it. And the last night I was there, I was having dinner outside, tables outside, you know, in restaurants everywhere. So we're having a typical outside dinner, and they're handing the fish, and the alarm goes off, and we go, let's eat. And we don't go into the restaurant where they're called maamads. You don't go into the safe room. So that's kind of the quote, unquote normal life. Now you imagine here in the United States we get a missile from Mexico or Canada or wherever. No one's going to put up with that. That's just insane. It's insane what people in Israel have to go through. Manya Brachear Pashman:   it really is. But it's interesting that you've kind of adopted the nonchalance that your colleagues had at the very beginning of the trip, and wow, certainly no apologies. I want to know if there's a missile headed my way. Thank you. It does sound like October 7 changed you personally. And I'd like to know as a progressive Jew, on what level did it change you as a human being. I mean, how did it change you the most? Lawrence Bender:   I've been an active Jewish person for maybe 20, somewhere, 2025, years. I went to Israel My first time. I was ready. As far as I'm concerned. I was too old already to go for the first time. It was like 2003 I went with the Israeli policy forum, and we met with a lot of people there, and we ended up going to Ramallah, met with Abu Mazen, we went to Cairo and met with the president there, Barak, and met with a lot of people in Israel and so forth. And I've been involved one way or another for quite a while. But of course, October 7 was dramatic. Of course, I was safe in my house in Los Angeles, but I still watched in horror. And of course, October 8, it's just hard to understand what happened. It was the latent antisemitism, Jew hatred, that sits there. I still don't quite understand that.  It feels like antisemitism never went away, but it was underneath, and it just gave a good excuse to come out, and now the world is where it is. So yeah, for me, I became much more active than I was before. It became much more important to me, my Jewishness, my relationship to Israel. I want to protect Israel as much as I have that power to you know, whatever my ability is, like a lot of people, I know it's become a really important part of my existence, and it's like a new chapter in my life. I'm absolutely looking for more Jewish or Israeli projects. You know, I'm looking to do as much as possible in this area. Manya Brachear Pashman:   A number of your colleagues in Hollywood have proposed boycotting Israeli film festivals, institutions, projects, they're going the opposite direction that you are. And I'm curious if you had difficulty finding an American network to air this series, and what do you say when you confront colleagues who do want to boycott and are hostile toward Israel? Lawrence Bender:   You know, there's different groups of people. They're the true haters. I don't think that you can ever even have a conversation with them. There are people who just don't understand, and there's people you can and there are people who you know they're trying to be good people. They're trying to understand, like, What don't you understand about women being brutally raped and murdered? It's a little hard for me to understand that, actually. But there are a lot of good people who just are either confused or got too much of the wrong message.  But the one thing I would say straight up is, let's take an analogy. You know, there's very few people that I know that you see on TV, on any news show, that is very empathetic with the regime in Iran as an example, right? That means a brutal regime. If you're a liberal or if you're a conservative, there's very few people who support that regime here in this country, right? But they don't boycott their filmmakers, right? They actually give their filmmakers Academy Awards. So why is that with Israel? I feel like there's something very misguided here in Hollywood. Now, we got really lucky when it came to distribution. I just have to say, because we were supposed to go out to sell the show like it was fully financed from equity and from Keshet, who's the local Israeli. This is the biggest network in Israel, by the way. It's the biggest drama in Israel in the last decade. It really performed well there. But now we're going to go sell it here in the United States and the rest of the world, and it's early September, which is our deadline to do that, and Israel bombs Qatar, and then this boycott letter is signed. And I have to tell the investors. You know, it's like, this is not a good time. We cannot go sell. We're just gonna fail, and there's no second chances.  And you know, I was getting into dramatic arguments with my investors because they really felt strong. You got to be like that character in your show, the police officer is going to save his wife and you know, nothing's going to stop you. And I said, Yes, I'm with you. I developed that character I know in the Middle East arguments. I was at Skip Brittenham's memorial. Skip is like this beautiful man who was like the Mount Rushmore of lawyers here in LA. He's just a great human and one of those guys that wants to make deals, not just take everything and have the other guy get nothing. He was just like a he's just a real mensch, right? And well, loved anyway. Unfortunately, he passed, but I was at his memorial, and I ran into David Ellison. Now, I know David a little bit, not well, but I know him a little bit, and I also know that, you know, he loves Israel, from what I've read and so forth. And so I went up to him and said, Hey, man, we talked. I said, you got to know what I'm doing. And it probably got three words out of my mouth, and you can see him go, I'd love to see this. This sounds amazing, and sounds like it's exactly the timing we need.  And we sent him the material, and he watched every episode himself, and then he gave it to Cindy Holland, who runs paramount, plus his main person. And you know, they said, we do this. We want this. It would be an honor to be your partner in this is actually quite humbling. And it was an incredible moment for us to have David Ellison, Cindy Holland, say, hey. You know, we want this now. Then they said, We need to drop it. We want to drop all the episodes on October 7? Well, by the time they got those episodes, it was like two weeks to go before October 7, or a couple days before, because we couldn't give it to them in the midnight before October 7, obviously. And they had pretty much final picture edit, but we had temporary sound, temporary music, temporary effects, and so we had to work double triple shifts to get it done. But of course, we did. Manya Brachear Pashman:   This actually reminds me of a conversation I had with playwright, screenwriter, Oren softy for the Forgotten Exodus, which is a podcast series we did about Jews from the Middle East. He spoke about his father's side of the family, which hails from Aleppo, Syria, and he shared a lot of his frustrations with the modern anti Israel movement and sentiments in Hollywood, the protests which he's been trying to combat in theater and on the stage. And he actually said that investors had pulled out of a film project about Israel when tensions flared. So it's interesting to hear your investors took the opposite approach, but he told me in our conversations, he told me that being Jewish is about stepping up. That's how he sees it. It's about stepping up. And I'm curious if that rings true to you, and do you feel like this series and your plans to do more, is that your way of stepping up? Lawrence Bender:   Hmm, that's beautiful, and I'm so glad to hear you recount that story with him. I'd love to talk to him about that I feel like, without really understanding that it's built into me genetically, right? My grandparents, far as you go back, my family is Jewish, right? From Romania, from Hungary, from Minsk Belarus. So it's the way that you're brought up as a Jew. It's just always been a part of our lives, and we're pretty much taught that that's part of being Jewish, right? So, you know, I've always felt like it's important for me.  Now I tell you, you know, it's interesting, and I think about as we're talking so in the 90s, when I was getting started, and I was actually doing pretty well this one year, I had Good Will Hunting and Jackie Brown and a price above Rubens, those three movies, and things were going well, but I felt like something was missing in my life. And then we screened Good Will Hunting and Camp David in 1998 and it was an amazing moment. And that was like one of these light bulb moments for me. You know, I met the President and Mrs. Clinton and Madeleine Albright, Secretary of State, and Secretary of Defense, Sandy Berger and the Chief of Staff and Senate Majority Leader, and on and on, right? They're all there.    And it was Matt Damon, Ban Affleck, Gus Van Zant, Robin Williams, et cetera, et cetera, right? And I felt like these guys are making a difference, and that's what was missing in my life. And so since 1998 I've been always looking for ways that I'm and that's that's that becomes like a more of a fulfilling way of living right for myself. So yes, I would answer that. That's a long way to get to yes. Manya Brachear Pashman:   Wow, Camp David, that's awesome. Lawrence, thank you so much for joining us and for talking about the impetus behind this series. I encourage everyone to take some time, brace yourself emotionally, but do sit down and watch Red Alert. It is really quite worthwhile. Thank you so much. Lawrence Bender: Thank you. Manya Brachear Pashman:   If you missed last week's episode, be sure to tune in for my conversation with AJC colleague, Dr Alexandra Herzog, the granddaughter of Chaim Herzog, Israel's Irish born sixth president. She shared how an attempt by Dublin officials to strip her grandfather's name from a community park illustrates how criticism of Israel can veer into an effort to erase Jewish memory. As I mentioned in my conversation with Lawrence, it took some degree of wherewithal to watch Red Alert, as we've spent the last two years on this podcast speaking with the families of hostages, former hostages themselves, and survivors of the October 7 massacre. I've wanted nothing more than to make sure their voices are heard. We end this week's episode with the voice of Orna Neutra, the mother of Omer Neutra. Orna recently spoke at the AJC Long Island meeting, shortly after the return of her son's remains more than two years after his death, followed by a word from AJC Long Island Director Eric Post. Orna Neutra: When Omer was taken, our world collapsed. But something else happened too. People stood up. People showed up. And many of you here showed up. This community, the broader Long Island Jewish community, AJC, our friends, colleagues, neighbors, complete strangers, carried us. You wrote, you marched, you advocated, you pressured you called you consoled and refused to let the world look away. To our personal friends and honorees here tonight, Veronica, Laurie, and Michael, your leadership has not been symbolic. It has been practical, steady and deeply felt by our family.  Like you said, Veronica, on the first days when we were barely understanding what was going on, you connected us to Senator Schumer's office, and Michael, you helped us write a letter to the White House on October 8, and that was the first sign from hostage families that the White House received. We know that Secretary Blinken had the letter in his hands on October 8, indicating that Omer was probably a hostage.  And AJC as an organization, beyond your many actions and advocacy, I want to specifically acknowledge your DC team. It was mentioned here tonight, throughout our many, many, many visits to Capitol Hill, AJC professionals were instrumental. They arranged meetings, they walked us through endless hallways, opened doors, prepared us and stood beside us, and they're still doing that for us, and we will see them this week. Always professional, with purpose and humanity, and we will never forget that. Over these two years, we learned something essential: that when Jewish families are in danger, the responsibility belongs to all of us, across movements, across generations, across continents. This work is the work that AJC does every day. This is the work that everyone here in this room understands. Eric Post:  Since the horrors of October 7, AJC has been empowering leaders around the world to take action against antisemitism and stand with Israel. But we cannot succeed alone. Please consider supporting AJC's work with a year-end gift today. Right now, your gift will be matched, dollar-for-dollar, making double the impact.  Every gift matters. Every dollar makes a difference in the fight for a strong and secure Jewish future. Donate at AJC.org/donate – that's www - dot - AJC - dot org  slash donate.

En plenos años '90 y con el éxito de Pulp Fiction al hombro Tarantino estrenó Jackie Brown una película que no suele tener lugar entre los fans pero que nos muestra una cara distinta del director. Encontra este y mucho más contenido todos los sábados a las 13hs por www.fm913.com.ar o en Spotify

Thank you for watching! #emptyshelfgang Coasters are now exclusively available at https://thehstshow.com/ Go and grab yours now!!Check our Andre here: https://www.instagram.com/borges.andr...Follow us on Instagram!   / thehavingsa.  .Check out Adi's channel! ​⁠​    / @adisaidthat  Follow him on IG:   / adisaidthat.  .Check out his new song: https://linktr.ee/adi.avgFollow Jeh on IG: https://www.instagram.com/coach.jeh?i...Join our FPL league: https://fantasy.premierleague.com/lea...Chapters:00:00 Intro01:23 Andre's Controversial Opinion17:17 Get out vs. Pulp Fiction 19:50 About Time vs. Into The Spiderverse24:26 The Way Way Back vs. Mrs29:39 Everything Everywhere All At Once vs. The Lego Movie32:18 Blood Diamond vs. This Is The End38:45 Kung Fu Panda vs. Big Hero 641:01 The Dark Knight vs. Her44:26 Michelle vs Machine vs. Happy Feet47:48 Tale Of Two Sisters vs. Good Will Hunting 52:10 Round Two 1:11:31 Round Three1:16:29 Andre's Empty Shelf Item1:18:54 Outro

(00:00-23:49) Joey Vitale, Gabe, and Charlie Marlowe today on the program. Tim's selling his hand to make up for the Lakers/Raptors gambling loss. More than a quarter of the way thru the Blues season and Montgomery is still talking about effort. Someone better build something. Audio of Jim Montgomery on Robert Thomas sitting for most of the 3rd period. Jackson's taking a picks hiatus. Papers 7-iron update. Dirt racing. College football scheduling.(23:57-53:02) Our station is too soft. When will Army do a state of the union? Who's your favorite Canadian? Beverage alcohol. A Blues balloon party on the broadcast last night. Audio of Jim Montgomery talking effort. Jackson watched some of the game last night. His report: Not Good. The Ken Dog. Crying yourself to sleep. Gotta commit to it. Maybe it's time for the listeners to start sending in wife pictures again. Truck stop coffee and showers.(53:12-1:05:00) Is this THE jam or just A jam? Lacking in Alanis Morissette knowledge. Jim Montgomery talking about expectations and walking out of Pulp Fiction halfway through. Freaky Stephen A Smith. Doug and Jackson don't like Boise's blue turf. Maybe Mizzou can get anthracite turf.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ready for a cinematic showdown?

Send us a textIn this episode of The Avram Davidson Universe Podcast, Virgil & Bob try to figure out what the HELL is going on in “The Church of Saint Satan and Pandaemons,” originally published in Fantastic (December 1975) and later collected in The Enquiries of Doctor Eszterhazy and The Adventures of Doctor Eszterhazy.This one left them baffled, amused, and occasionally questioning their own sanity. Please comment — they need help!

For half a million years, he slept in secret, hiding among humanity. But when the Watchers come for him at sunset, it ignites a war not just of survival—but of ancient betrayal, identity, and a truth too terrifying for the world to know. He confesses to everything the FBI accuses him of — but the real reason he's in that interrogation room is something they'd never believe. | “Infiltration” by Algis Budrys (Originally published in Infinity Magazine, October 1958)MORE Stories Like This: https://www.auditoryanthology.com=====Originally aired: November 30, 2025EPISODE PAGE (includes sources): https://weirddarkness.com/infiltrationABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.#WeirdDarkness, #ColdWarSpy, #ClassicSciFi, #ExistentialHorror, #AlgisBudrys, #VintageScienceFiction, #ParanormalThriller, #NoirThriller, #HorrorPodcast, #PulpFiction

Join Trevor and his buddy Brad from the Cinema Speak podcast for a post-Thanksgiving conversation about their "Favorite Feasts" from the movies in their collections!Brad's Picks:9:15 - Inglourious Basterds (2009) and Pulp Fiction (1994)31:40 - The Substance (2024)54:00 - Signs (2002)1:12:50 - Triangle of Sadness (2022)Trevor's Picks:19:45 - Indiana Jones and the Temple of Doom (1984)48:00 - Cinderella Man (2005)1:02:15 - Deathstalker (1983) and Deathstalker 2 (19871:23:00AND ALSO, stick around for the Speed Round, wherein Brad, Travis and Trevor discuss the various titles that they didn't have time to get to in the main discussion.Check out Brad's podcast, Cinema Speak on ⁠Libsyn at ⁠Cinema Speak⁠⁠, or on ⁠⁠Twitter⁠⁠ and ⁠⁠Instagram⁠⁠. Follow us on ⁠Instagram ⁠@catchinguponcinema⁠⁠ Follow us on ⁠Twitter ⁠@CatchingCinema

In this episode, Shanté celebrates her 31st birthday by watching with Danny her favorite movie that came out the year she was born.

The Daily Quiz - Entertainment, Society and Culture Today's Questions: Question 1: Which film contains the character 'George Bailey'? Question 2: Which of these quotes is from the film 'Pirates of the Caribbean: The Curse of the Black Pearl'? Question 3: What is the name of the afternoon nap popular in Spain, which derives from a word meaning 'sixth hour'? Question 4: What does the word 'seis' mean in Spanish? Question 5: What was Brett's last supper in the film Pulp Fiction? Question 6: Which animal would you associate with the Japan Airlines logo? Question 7: What Hugely Successful Chain Of Stores First Opened Its Doors In 1954 In California? Question 8: Who is the Greek equivalent of the roman god Jupiter? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textOn this episode, (#150) Tom and Bert discuss and then select their Favorite Mafia, Gangster Movies of all time. We cover many of the Classics as far back the 1930's and up to the 2020's.The Genre of the Gangster movies is our favorite to cover because of the rewatchable factors. These are movies where you can tune in at any point and watch the balance of these movies. Lot's of Action and Mayhem!These also have a "Who's Who" list of outstanding award winning Directors and Famous Actors that make these movies memorable. The names that come to mind are Directors such as Martin Scorcese, "Goodfellas", "Casino", "The Departed" . Francis Ford Coppola, "The Godfather" Trilogy and Quentin Tarantino, "Reservoir Dogs", "Pulp Fiction" .The Actors that come to mind are Robert DeNiro, Al Pacino, Joe Pesci, Marlon Brando, James Cagney, Edward G Robinson, Samuel L Jackson and Denzel Washington  to name a few.Listen in and see what favorites of yours we selected to talk about and we get to tell you our Top 7 Movies that we enjoyed the most thru the decades.CHAPTERS:(1:06) Intro- The rise of the Mob Movies (3:37) We start the list in no particular order with "Casino" (1995)(11:10) "The Usual Suspects" (1995) plus others(18:12) "Scarface" (1932) one of our oldest movies(26:01) "On the Waterfront" (1954) Top of the class acting plus many others(35:02) "The Godfather" (1972) another all time classic and many others(52:21) "Nobody" (2021) and finally ......our Top 7 and It's a Wrap!Enjoy the Show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well

John Badham's “Saturday Night Fever” is so much more than a fun disco movie. Alex and Nick break down the film's hilarious dinner conversations, John Travolta's thrilling dance scenes, and the movie's unexpected sequences of real life. Early in the episode, Alex shares his radical theory about “Pulp Fiction” that he's been afraid to share for years.Part 9 of the WAYW New Hollywood Film Project.Follow @WAYW_Podcast on Instagram / Letterboxd / XSend mailbag questions to whatareyouwatchingpodcast@gmail.com

Send us a textAn escaped mental patient embarks on a murder spree after escaping from an institution in 1987 Oakland, CA. He encounters a group of punks and they all regale each other with tales about their shared love of movies, people, places and memories beyond our knowable universe. On Episode 695 of Trick or Treat Radio we have another Patreon Takeover, this time with EF Contentment! EF has selected the films Freaky Tales and Nightmare (1981) for us to discuss! We also talk about underdog films, video nasties, and the romantic sleaziness of big cities in the 80s. So grab your favorite 80s mixtape, equip your favorite Nazi smashing weapon, and strap on for the world's most dangerous podcast!Stuff we talk about: Patreon Takeover, EF Contentment, High Spirits, Steve Guttenberg, Liam Neeson, The Buggering, Crying Game, Neil Jordan, Blood Diner, Night Patrol, The Unknown Comic, Billy Barty, The Being, Ryan Prows, Lowlife, C.M. Punk, Justin Long, Ricardo Zarate, Mike Nichols, Bill and Ted's Bogus Journey, Stargate, DTS audio, SDDS, Brotherhood of the Wolf, Ali, The Gulp of Mexico, Skydance Paramount, Howard Dean, Mike Dukakis, Roman Polanski, G.I. Joe, “Bubba”, Univeral Healthcare, Sara Ottoman, Ryan Gosling, Half Nelson, Sugar, Anna Boden, Ryan Fleck, Freaky Tales, Captain Marvel, Go, Mystery Train, Pulp Fiction, Maniac, Scott Pilgrim vs. The World, Green Room, the punk rock hip-hop and metal scenes, Lost Boys, Ishtar, Raising Arizona, Radio Days, Tom Hanks, Sid and Nancy, Big Trouble in Little China, Breaking Away, Top 5 Underdog Movies, Roger Ebert, Repo Man, David Cronenberg, Quentin Tarantino, Megadeth, Bill and Ted's Bogus Journey, plagiarism vs. homage, Nancy Reagan, TOO $HORT, Jay Ellis, Blade, The Fury, Brian De Palma, Three Days in the Valley, Nightmare, Romano Scavolini, Video Nasty, Trick or Treats, Death Wish Club, Basket Case, Alice Sweet Alice, Astron-6, Steven Kostanski, Deathstalker, Patton Oswalt, Daniel Bernhardt, Brain Dead Studios, Once Bitten, Lake Placid, Transylvania 6-5000, Razorback, Lifeforce, Gremlins 2, The Funhouse, Demon Witch Child, Night of the Demon, Jim Carrey, and generational trauma.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Don plays in his first tournament at the Triangle Pinball Collective, our favorite new local spot! The tournament doubled as a Dune launch party — many games are played and discussed. Video coming on YouTube @BashPinball Games Discussed: Dune, Game of Thrones, Stars, Congo, 8 Ball Deluxe, Pulp Fiction, Jurassic Park, Iron Maiden, Bad Cats Merch! —> store.bashpinball.com Contact Us! –> pod@bashpinball.com Listen @ www.BashPinball.com Instagram, Youtube: @bashpinball Streaming on: twitch.tv/bashpinball Theme Song: Venus by Wren and Au Lune

You know we here at Popcorn Pulse like to be topical, like an ointment. You might attribute our successes to the placebo effect more than the listed ingredients. Also like a topical application, we might leave you feeling greasy. Because we're going to talk about Sidney Sweeney. We have a movie that came out recently, Americana[2025]. It's a sort of Western broken up into little chapters. It deals with not great people all out to get a Lakota Ghost Shirt. Think of it like Pulp Fiction's glowing briefcase if it was set in Montana or Utah. There's a bunch of characters that are lucky to hit one note. For example, … Continue reading "Popcorn Pulse 253: Sidney’s Sweeties"

Some movies are masterpieces… and some movies make us question every life choice that led us to pressing play. In this episode of Eat Sleep Nerd, we're diving deep into the worst movies we've ever seen — the cinematic disasters, dumpster fires, and so-bad-they're-almost-art films that scarred us forever. And yes, Pulp Fiction, Weapons, and Star Wars Episode 1 The Phantom Menace are on the list.From baffling plot decisions to atrocious acting to “Who approved this?” special effects, the nerd crew breaks down what really makes a movie earn a spot on the Worst Movies list. Expect strong opinions, dramatic reenactments, laughter, and trauma bonding.

AD-FREE FOR SPOTIFY PREMIUM USERS IN SELECT MARKETSCompilation of ALL of Karl Pilkington's "Karl in a Film" features. Ricky Gervais and Stephen Merchant are mesmerized by Karl's brilliant acting, seamlessly interwoven into these cinematic classics. Enjoy!CHAPTERS:The Sixth Sense (0:00)The Graduate (2:59) The Shining (6:53) Billy Elliot (12:58) Silence of the Lambs (16:19) Kes (20:27) One Flew Over the Cuckoo's Nest (24:27)Pulp Fiction (28:34) A Few Good Men (32:30) Rain Man (37:53) Scrooge (42:03) Planet of the Apes (46:44) When Harry Met Sally (52:29)

The long awaited Tarantino arc!This movie really needs no introduction, it simply changed cinema. Check out the episode Instagram-@TheMovieVaultPodEmail us- themovievaultpod@gmail.comYouTube - https://www.youtube.com/@lastresortnetworkThis episode is brought to you by Point A Insurance (formerly Hedman Anglin Agency). Contact them at 614-486-7300 for your home and auto insurance needs. If you do contact them, make sure to tell them that Ben and Zach sent you! Visit their website for more information at www.PointAInsurance.com

paypal.me/LibroTobias ko-fi.com/asier24969 Continuamos el recorrido por la filmografía de Quentin Tarantino. Tras dos obras maestras como “Reservoir Dogs” y “Pulp Fiction”, Quentin Tarantino se enfrentaba en 1997 al reto de rodar su tercera película y para ello decidió adaptar al cine la novela de 1992 de Elmore Leonard, “Rum Punch” y rendirle homenaje al cine Blaxploitation de los setenta mediante esta obra maestra rotunda titulada “Jackie Brown”. Presentación, dirección, edición y montaje: Asier Menéndez Marín Diseño logo Podcast: albacanodesigns (Alba Cano) Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Interview with THE NAKED GUN Costume Designer BETSY HEIMANN This week, we have an amazing interview with costume designer Betsy Heimann. She has worked on incredible films such as Almost Famous, Pulp Fiction, Reservoir Dogs, and Heretic! We had an amazing time getting to know her and her process and we hope you all enjoy! You can follow her on Instagram! @betsyheimann You can follow us on Instagram! Sebastian: @sebby.mp4 /// instagram.com/sebby.mp4/ Katelyn: @katelyn.mp4 /// instagram.com/katelyn.mp4/ TikTok: @ThatFilmCouple /// tiktok.com/@thatfilmcouple Twitch: @SebasParra1K /// https://www.twitch.tv/sebasparra1k Vlog Channel: @ThatFilmCouple /// https://www.youtube.com/@ThatFilmCouple Support our Podcast! Instagram: @andcutthepodcast /// instagram.com/andcutthepodcast/ https://linktr.ee/andcutpodcast Available on Spotify, Apple, Google Podcast, and most other audio platforms!

Yarbs and Will are back and today they open with the ACC's “Halloween Massacre,” Dabo's ref-blasting and why officiating needs accountability just like coaches and players. Then it's CFP rankings hysteria vs. reality, an Oregon gut-check, and a detour into band lore—from LSU's 66-year-old tuba rookie to Ohio State's family “dot the i” moment.The guys rip into the ESPN vs. YouTube TV carriage fight and the streaming sprawl that made “cutting the cord” a joke, hit NASCAR with Denny Hamlin's heartbreak, and serve up Get Off My Lawn: pharma-commercial dance numbers, and why Dallas is absolutely not “America's Team.” They also rapid-fire the week's oddities (Tom Brady's cloned dog), Tuberville's tone-deaf comments, and their 3-on-3 of most overrated movies (prepare yourself: The Dark Knight, Titanic, Pulp Fiction, The Godfather, Citizen Kane catch strays).Finally, they celebrate the Panthers' stunner over Green Bay, size up Saints-week stakes, debate Bills-Chiefs regular season vs. playoff truth, and wonder if Kyler's time in Arizona is over with Jacoby Brissett thriving. Chaos, jokes, and strong takes—exactly how Breaking Sports likes it.

Pour ce rôle, Samuel L. Jackson avait passé un premier casting. Alors quand il est rappelé pour la deuxième audition, il s'y rend confiant, pensant que c'est une formalité. Sauf qu'en déboulant au casting, il y a un autre acteur dans la salle d'attente qui lui aussi a été convoqué. Il a donc un concurrent... Dans "Ah Ouais ?", Florian Gazan répond en une minute chrono à toutes les questions essentielles, existentielles, parfois complètement absurdes, qui vous traversent la tête. Un podcast RTL Originals.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Click here to send us a message!Just in time for Halloween, we're revisiting two of our favorite classic 90's horror flicks. Fresh off an Academy Award for Pulp Fiction, Quentin Tarantino teamed with director Robert Rodriguez for From Dusk Till Dawn, starring Tarantino and George Clooney. Rodriguez would follow that up with The Faculty, from writer Kevin Williamson. With sprawling casts and self-referential scripts, these films still hold up among the best horror of the 1990's. 

When the directors of Pulp Fiction and Desperado joined forces in 1996, nobody expected the chaos that followed. From Dusk Till Dawn is part crime thriller, part vampire splatterfest, and entirely unforgettable. This week, the Born to Watch crew sinks their teeth into the film that turned George Clooney from TV doctor to Hollywood icon.Whitey, Damo and Gow hit the road to El Rey, cocked, loaded, and possibly armed with a "dick gun." The boys dive straight into the movie's outrageous tonal shift: one moment it's a gritty outlaw chase, the next it's a full-blown blood-soaked vampire brawl. Half road movie, half horror comedy, From Dusk Till Dawn remains one of cinema's wildest left-turns – and the lads can't get enough of it.They reminisce about seeing it for the first time, back when nobody knew the twist. Gow remembers sitting in a dark cinema thinking it was just a stylish Tarantino heist until all hell literally broke loose. Damo recalls wearing out the VHS tape twice in a row, and Whitey laughs about taking five unsuspecting mates to see it just to watch their jaws drop. This is movie memory at its finest: the mid-'90s, Empire magazines, no spoilers, no internet, just word-of-mouth madness.The conversation slides quickly from Clooney's charisma to Quentin Tarantino's unnerving performance as Richie Gecko, possibly his best acting turn. Damo describes him as “quiet, creepy and dangerous,” while Gow compares his brotherly chemistry with Clooney to "a bomb about to go off." The trio agree Clooney oozes movie-star presence, Harvey Keitel grounds the chaos, and Juliette Lewis somehow still looks 23 for the next 20 years.And then there's Salma Hayek. The fellas do not hold back on the famous Titty Twister dance scene, the snake, the stumble, the hips, and Tarantino's now-infamous foot fetish. Whitey confesses it's "maybe the sexiest dance in movie history," while Damo says it's proof every song has an inner stripper. The music, the lighting, the moment – pure '90s cinematic magic.Between the beer, blood, and banter, the boys celebrate everything that makes From Dusk Till Dawn such gleeful trash. They quote the immortal "Mexican or domestic?" gag, debate the "ugly snorbs" among the vampire horde, and burst into laughter, recalling Clooney's moral compass, the bad guy with the good heart. There's genuine affection for how the film refuses to play by any rules.In Film School for F-Wits, Whitey goes full academic, calling the film the "ultimate tonal shift" and challenging the others to name a movie that turns harder or faster. Damo nominates a few classics, Gow brings his rugby grand-final energy, and the chat devolves into biscuits, Monte Carlos and Venetians, proof that even when the vampires attack, Born to Watch stays on brand.From the "popcorn popping in the servo" opening to Cheech Marin's triple role and the legendary Titty Twister monologue, the episode is wall-to-wall chaos, nostalgia and laughs. By the time the guys hit The Good, the Bad and the Ugly, it's clear this flick isn't high art, but it's pure fun. A 7.2 on IMDb? The crew say it's worth every drop of blood and beer.So grab a cold one, reload your dick gun, and join Whitey, Damo and Gow as they revisit From Dusk Till Dawn, the movie that proved you never know what's lurking inside the bar until the sun goes down.#BornToWatch #FromDuskTillDawn #GeorgeClooney #QuentinTarantino #RobertRodriguez #SalmaHayek #90sMovies #MoviePodcast #FilmNerds #MovieNight

Kris and David are back to discuss the week-plus that was October 16-23, 1995. Topics of discussion include:Hulk Hogan losing his mind as Darkside Hogan on two Monday Nitros, including the infamous promo where he compared himself to O.J. Simpson just a few weeks after his acquittal in his murder trial.Ric Flair and Sting finally get on the same page as they get ready to battle Arn Anderson and Brian Pillman at Halloween Havoc.Akira Maeda issues a grandstand challenge to Keiji Muto.Televisa and AAA seemingly reaffirm Televisa's ownership stake in the promotion and what that meant for CMLL on their network.The ECW TV debut of Buh Buh Ray Dudley as well as the very first "Pulp Fiction" segment.The Halloween Scream tour bombs hard for Smoky Mountain Wrestling.Gen. Jim Cornette hypes up about the soon to be debuting Sgt. Rock.Lance Russell has his first dealings with Bob Armstrong and the SMW crew since the start of the SMW vs. USWA feud, featuring Eddie Marlin making his return to TV to avenge Randy Hales.AAA runs a show in Chicago that features Paul Heyman running the locker room and crossing paths with Sabu for the first time in several months.J.R. Benson's northern California version of Incredibly Strange Wrestling definitely lives up to it's name.In Your House 4 in Winnipeg, featuring Shawn Michaels giving up his Intercontinental Title to Dean Douglas…who then loses it to Razor Ramon.Diesel and Davey Boy Smith have a disappointing main event that motivates Vince McMahon to storm off when the PPV goes off the air.Al Snow debuts as Avatar on Raw, while Goldust makes his in-ring debut at the PPV.Exactly how badly and how egregiously the WWF handled the issue of if Michaels would wrestle on the PPV, including how much they deliberately false advertised him for the show.This was a strong show folks, so don't miss out!!!Timestamps:0:00:00 WCW1:35:34 Int'l: AJPW. NJPW, WAR, BJPW, Michinoku Pro, Wrestle Yume Factory, RINGS, CatchWA, Stu Hart, AAA, CMLL, & WWC2:15:51 Classic Commercial Break2:20:03 Halftime2:59:19 Other USA: ECW, Steel City, SMW, USWA, AAA, CWA (TX), & ISW (NorCal)4:13:44 WWFTo support the show and get access to exclusive rewards like special members-only monthly themed shows, go to our Patreon page at Patreon.com/BetweenTheSheets and become an ongoing Patron. Becoming a Between the Sheets Patron will also get you exclusive access to not only the monthly themed episode of Between the Sheets, but also access to our new mailbag segment, a Patron-only chat room on Slack, and anything else we do outside of the main shows!If you're looking for the best deal on a VPN service—short for Virtual Private Network, it helps you get around regional restrictions as well as browse the internet more securely—then Private Internet Access is what you've been looking for. Not only will using our link help support Between The Sheets, but you'll get a special discount, with prices as low as $1.98/month if you go with a 40 month subscription. With numerous great features and even a TV-specific Android app to make streaming easier, there is no better choice if you're looking to subscribe to WWE Network, AEW Plus, and other region-locked services.For the best in both current and classic indie wrestling streaming, make sure to check out IndependentWrestling.tv and use coupon code BTSPOD for a free 5 day trial! (You can also go directly to TinyURL.com/IWTVsheets to sign up that way.) If you convert to a paid subscriber, we get a kickback for referring you, allowing you to support both the show and the indie scene.You can also use code BTSPOD to save 25% on your first payment — whether paying month to month or annually — when you subscribe to Ultimate Classic Wrestling Network at ClassicWrestling.net!To subscribe, you can find us on iTunes, Google Play, and just about every other podcast app's directory, or you can also paste Feeds.FeedBurner.com/BTSheets into your favorite podcast app using whatever “add feed manually” option it has.Support this podcast at — https://redcircle.com/between-the-sheets/donationsAdvertising Inquiries: https://redcircle.com/brands

Kris and David are back to discuss the week-plus that was October 16-23, 1995. Topics of discussion include:Hulk Hogan losing his mind as Darkside Hogan on two Monday Nitros, including the infamous promo where he compared himself to O.J. Simpson just a few weeks after his acquittal in his murder trial.Ric Flair and Sting finally get on the same page as they get ready to battle Arn Anderson and Brian Pillman at Halloween Havoc.Akira Maeda issues a grandstand challenge to Keiji Muto.Televisa and AAA seemingly reaffirm Televisa's ownership stake in the promotion and what that meant for CMLL on their network.The ECW TV debut of Buh Buh Ray Dudley as well as the very first "Pulp Fiction" segment.The Halloween Scream tour bombs hard for Smoky Mountain Wrestling.Gen. Jim Cornette hypes up about the soon to be debuting Sgt. Rock.Lance Russell has his first dealings with Bob Armstrong and the SMW crew since the start of the SMW vs. USWA feud, featuring Eddie Marlin making his return to TV to avenge Randy Hales.AAA runs a show in Chicago that features Paul Heyman running the locker room and crossing paths with Sabu for the first time in several months.J.R. Benson's northern California version of Incredibly Strange Wrestling definitely lives up to it's name.In Your House 4 in Winnipeg, featuring Shawn Michaels giving up his Intercontinental Title to Dean Douglas…who then loses it to Razor Ramon.Diesel and Davey Boy Smith have a disappointing main event that motivates Vince McMahon to storm off when the PPV goes off the air.Al Snow debuts as Avatar on Raw, while Goldust makes his in-ring debut at the PPV.Exactly how badly and how egregiously the WWF handled the issue of if Michaels would wrestle on the PPV, including how much they deliberately false advertised him for the show.This was a strong show folks, so don't miss out!!!Timestamps:0:00:00 WCW1:35:34 Int'l: AJPW. NJPW, WAR, BJPW, Michinoku Pro, Wrestle Yume Factory, RINGS, CatchWA, Stu Hart, AAA, CMLL, & WWC2:15:51 Classic Commercial Break2:20:03 Halftime2:59:19 Other USA: ECW, Steel City, SMW, USWA, AAA, CWA (TX), & ISW (NorCal)4:13:44 WWFTo support the show and get access to exclusive rewards like special members-only monthly themed shows, go to our Patreon page at Patreon.com/BetweenTheSheets and become an ongoing Patron. Becoming a Between the Sheets Patron will also get you exclusive access to not only the monthly themed episode of Between the Sheets, but also access to our new mailbag segment, a Patron-only chat room on Slack, and anything else we do outside of the main shows!If you're looking for the best deal on a VPN service—short for Virtual Private Network, it helps you get around regional restrictions as well as browse the internet more securely—then Private Internet Access is what you've been looking for. Not only will using our link help support Between The Sheets, but you'll get a special discount, with prices as low as $1.98/month if you go with a 40 month subscription. With numerous great features and even a TV-specific Android app to make streaming easier, there is no better choice if you're looking to subscribe to WWE Network, AEW Plus, and other region-locked services.For the best in both current and classic indie wrestling streaming, make sure to check out IndependentWrestling.tv and use coupon code BTSPOD for a free 5 day trial! (You can also go directly to TinyURL.com/IWTVsheets to sign up that way.) If you convert to a paid subscriber, we get a kickback for referring you, allowing you to support both the show and the indie scene.You can also use code BTSPOD to save 25% on your first payment — whether paying month to month or annually — when you subscribe to Ultimate Classic Wrestling Network at ClassicWrestling.net!To subscribe, you can find us on iTunes, Google Play, and just about every other podcast app's directory, or you can also paste Feeds.FeedBurner.com/BTSheets into your favorite podcast app using whatever “add feed manually” option it has.Support this podcast at — https://redcircle.com/between-the-sheets/donationsAdvertising Inquiries: https://redcircle.com/brands

Es octubre y por alguna razón decidimos que este mes recomendaríamos películas de una de las mejores décadas (para nosotros), que fueron los 90's. Acompáñanos para hablar de cintas que seguro recuerdas y que debiste ver, y no, no vamos a caer en las típicas recomendaciones de "ve Pulp Fiction, Matrix y Fight Club". Tú también puedes apoyar la creación de este y más programas y recibir crédito (para que aumentes currículum) y otros extras exclusivos en www.patreon.com/churrosypalomitas.Puedes suscribirte en YouTube para ayudarnos a producir más contenido de calidad, así como en apoyar este proyecto donando el dinero de Jeff Bezos y a ti no te cuesta nada! Instrucciones aquí.03:58 Clerks - Detrás del mostrador06:25 My cousin Vinny - Mi primo Vinny10:25 Apóyanos en Patreon11:43 American History X - Historia Americana X14:35 Sister Act - Cambio de hábito18:29 Gracias a los Twitchers19:49 Heat - Fuego contra Fuego23:00 The Fan - El fanático27:36 Créditos finalesLista de recomendaciones: Clerks - Detrás del mostrador (Disponible en renta en Prime Video). Dos jóvenes de Nueva Jersey, sin oficio ni beneficio, dedican su día al turno en una tienda de conveniencia. ¿Qué podría salir mal? Desde juegos de hockey en la azotea, hasta amor y muerte, en lo que fue un clásico del cine independiente de la década.Esta entrega fue traída gracias a:Productora Ejecutiva: Blanca LópezCo-Productor: Dany SaadiaCo-Productor: Román RangelAgradecimiento especial a nuestros Patreons: Adriana Fernández, Agustín Galván, Cris Mendoza, Jaime Rosales, Juan Espíritu, Luiso Uribe, Zert, Álvaro Vázquez, Arturo Manrique, Fabiola Sándoval, Lau Berdejo, Marce, Alejandro Alemán, Arturo Aguilar, Enrique Vázquez, Ernesto Diezmartínez, Jorge I. Figueroa, Mariana Padilla, Tania RG y Fernando Alonso.¡Gracias a nuestros suscriptores en Twitch

In this episode I talk to my homegirl about various topics dealing with Loyalty, Trust, Power, Boundaries, Accountability, Forgiveness, and Redemption in friendships and relationships. Just like the movie, for good and for bad these things are intricately interwoven into experiences, lessons, and crazy stories that sometimes seem stranger than fiction. Make sure to listen, subscribe, rate, and review Speaking Frankly podcast on Spotify! Additionally, you can learn everything about the Speaking Frankly brand: The Podcast, The Business, & The Blog by visiting my website www.janayfrank.com And follow my journey on Instagram by following my business account @speakingfranklycoaching service & @janaydfrankThank you for listening and Speak Frankly always!!!

¡Vótame en los Premios iVoox 2025! paypal.me/LibroTobias ko-fi.com/asier24969 Continuamos el recorrido por la filmografía de Quentin Tarantino. Poco después del enorme éxito de “Pulp Fiction”, Quentin Tarantino se juntó con sus amigos Allison Anders, Alexandre Rockwell y Robert Rodríguez e hicieron realidad una idea que Rockwell tuvo en 1992. La película se compone de cuatro episodios, centrados en un hotel en plena nochevieja y con un botones muy especial como nexo de unión. Presentación, dirección, edición y montaje: Asier Menéndez Marín Diseño logo Podcast: albacanodesigns (Alba Cano) Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

2:24 - The News 7:46 - Jerks of the Week 11:18 - Wayne's World 15:30 - Chaplin 22:45 - My Cousin Vinny 23:06 - Aladdin 23:18 - The Lion King 24:16 - A Few Good Men 25:31 - Homeward Bound 27:04 - Falling Down 27:56 - My Old Ass 30:03 - Weapons 35:16 - Batman: Mask of the Phantasm 35:54 - Sleepless in Seattle 37:45 - Addams Family Values 38:07 - Schindler's List 40:04 - In the Name of the Father 42:16 - The Hudsucker Proxy 44:38 - Legend of the Red Dragon 45:21 - Pulp Fiction & Forrest Gump 49:46 - Clear and Present Danger 52:24 - The Naked Gun 1:00:21 - Caught Stealing 1:04:37 - M3gan 1:05:29 - All the President's Men 1:08:03 - Watcher 1:10:08 - Americana 1:12:31 - America's Team 1:27:50 - Casino 1:31:26 - Thank You for Smoking 1:34:11 - On Deadly Ground 1:40:10 - Bloodfist: Dragonfire 1:48:47 - Stealth Fighter

On the October 14 edition of the Music History Today podcast, Pearl Jam breaks a record, JoJo finally gets to release a record, & Pulp Fiction breathes life into older music. Also, happy birthday to Usher.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

Vincent Vega (John Travolta) and Jules Winnfield (Samuel L. Jackson) are hitmen with a penchant for philosophical discussions. In this ultra-hip, multi-strand crime movie, their storyline is interwoven with those of their boss, gangster Marsellus Wallace (Ving Rhames) ; his actress wife, Mia (Uma Thurman) ; struggling boxer Butch Coolidge (Bruce Willis) ; master fixer Winston Wolfe (Harvey Keitel) and a nervous pair of armed robbers, Pumpkin (Tim Roth) and Honey Bunny (Amanda Plummer).

Those who live in glass houses, what books are at book club? Halloween parties, what not is now a thing, saving money on coffee clothes and clutter.   Tulsa King, Pulp Fiction, espn made fun of wwe. Hell's Kitchen, When John Cena retires, high potential, Devil, it's time to start horror   Loaded water, shrimp and broccoli, sushi shrimp bowl, veggie chili. Easy lunches, pumpkin pie smoothie, creamy mushroom spaghetti.   Happy Monday stars

¡Vótame en los Premios iVoox 2025! paypal.me/LibroTobias ko-fi.com/asier24969 Continuamos el recorrido por la filmografía de Quentin Tarantino con su segunda película. En 1994 Quentin Tarantino estrenaba “Pulp Fiction”, la película que cambió el cine por su estilo posmoderno, que combinaba humor negro, violencia gráfica y una narrativa no lineal que influyó en la cultura pop y el cine independiente y lo sigue haciendo hasta nuestros días. Presentación, dirección, edición y montaje: Asier Menéndez Marín Diseño logo Podcast: albacanodesigns (Alba Cano) Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

THE GODFOCKER!!! Little Fockers Full Movie Reaction Watch Along:   / thereelrejects   Go to https://www.HelloFresh.com/REJECTS10FM now to Get 10 Free Meals + a Free Item per box for Life with active subscription! Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ With Ben Stiller killing it w/ Severance and a new Meet the Parents movie on the horizon, Aaron & John are back once more to give their Meet the Fockers Reaction, Recap, Commentary, Analysis, Breakdown, & Review! Aaron Alexander & John Humphrey are diving into Little Fockers (2010), the third film in the beloved comedy franchise following Meet the Parents and Meet the Fockers. Directed by Paul Weitz, this raunchy family comedy once again pits Greg Focker (Ben Stiller — Zoolander, Tropic Thunder, Night at the Museum) against his intimidating father-in-law Jack Byrnes (Robert De Niro — Goodfellas, Taxi Driver, The Irishman) as they prepare for Greg and Pam's twins' birthday party. The all-star ensemble cast includes Teri Polo (The West Wing, The Arrival) as Pam Byrnes, Blythe Danner (Meet the Parents, The Great Santini) as Dina Byrnes, Barbra Streisand (Funny Girl, Meet the Fockers) as Roz Focker, and Dustin Hoffman (Rain Man, The Graduate) returning as Bernie Focker. The supporting cast is packed with comedy powerhouses like Owen Wilson (Wedding Crashers, Loki) as Kevin, Harvey Keitel (Reservoir Dogs, Pulp Fiction) as a contractor, Jessica Alba (Fantastic Four, Sin City) as pharmaceutical rep Andi Garcia, and Laura Dern (Jurassic Park, Big Little Lies) as the headmistress of a prestigious school. Famous moments and highly searched scenes from Little Fockers include Greg's awkward “Godfocker” confrontation, the tension-filled hospital sequence, Jessica Alba's chaotic and seductive turn as Andi, and Jack's ongoing “circle of trust” test with Greg. While not as critically acclaimed as its predecessors, the film has gained attention as the outrageous capstone to the trilogy, bringing back the awkward humor, family chaos, and big-name star power fans expect. Join us as we break down the funniest scenes, react to the movie's wildest moments, and analyze how Little Fockers compares to Meet the Parents and Meet the Fockers! Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

"What would you do if you stumbled upon a mysterious chest behind your place of business—open it, run away, or crawl inside?"That's the bizarre question that kicks off this segment of The Ben and Skin Show. Ben Rogers, Jeff “Skin” Wade, Kevin “KT” Turner, and Krystina Ray. What starts as a casual morning stroll turns into a full-blown investigation into a suspicious box that could be a treasure chest… or a pleasure chest. KT's quick wit earns him MVP status with the line: “Or you could open it up and find out it's just sex toys in there and it'd be a pleasure chest.”From there, the gang spirals into hilarious speculation—dead bodies, Sea of Thieves gold, and even a Pulp Fiction-style Gimp scenario.

Ever been dropped into a troubled project that's already gone off the rails? Welcome to life as “The Wolf.” Inspired by the fixer from Pulp Fiction, Kim and Kate revisit one of our most popular episodes—now a PMI Global talk! —and break down how to step in, take charge, and rescue a broken project without losing your cool. Kim shares his new 3-part formula for project recovery: People first – You aren't just fixing a plan, you're fixing an organization. Calm – Calm is contagious, and you can only control yourself. Clarity & Courage – Seek out misalignment, bring truth to light, and have the guts to ask, “Does this project still make sense?” Of course, Kate keeps Kim honest, adding the perspective (and laughs) that make the tough lessons go down easy. If you've ever been handed a project that feels unsalvageable, this episode is your playbook.

Send Superchats at any time here: https://streamlabs.com/jaydyer/tip Join this channel to get access to perks: https://www.youtube.com/channel/UCnt7Iy8GlmdPwy_Tzyx93bA/join PRE-Order New Book Available in Sept here: https://jaysanalysis.com/product/esoteric-hollywood-3-sex-cults-apocalypse-in-films/ Get started with Bitcoin here: https://www.swanbitcoin.com/jaydyer/ The New Philosophy Course is here: https://marketplace.autonomyagora.com/philosophy101 Set up recurring Choq subscription with the discount code JAY44LIFE for 44% off now https://choq.com Subscribe to my site here: https://jaysanalysis.com/membership-account/membership-levels/ Follow me on R0kfin here: https://rokfin.com/jaydyer Music by Amid the Ruins 1453 https://www.youtube.com/@amidtheruinsOVERHAUL #comedy #podcast #entertainmentBecome a supporter of this podcast: https://www.spreaker.com/podcast/jay-sanalysis--1423846/support.

Send us a textA hard-boiled police detective sets out to capture an aspiring Broadway dancer who has been terrorizing the canals of Amsterdam with his killer moves. On Episode 687 of Trick or Treat Radio we are joined by our boy Joshua Libre for his Patreon Takeover and he has selected the films Amsterdamned from director Dick Maas and Staying Alive from director Sylvester Stallone for us to discuss! We also talk about Dutch horror, the real reason disco died, and what could have been if Joe Spinell was cast as a choreographer in Staying Alive! So grab your scuba gear, strut on down the street in your finest clothes, and strap on for the world's most dangerous podcast!Stuff we talk about: Horror merchandise, Chia Pets, Pennywise, Elvira, Ghostface, Jason Universe, making the pain go away, the prolific pisser, the 13th step, national hispanic heritage, Amityville, Henry: Portrait of a Serial Killer, The Good Son, Warlock, The Forgotten, Shaun of the Dead, Rare Exports, Wendigo, Bloody Homecoming, Dead Women's Hollow, Woe, The Dunwich Horror, Stitch, Chronicles of the Dead, Trancers 2, Freaked, Alex Winter, Summer School, Mask, Cher, Boone the Bounty Hunter, Journey into Darkness, The Creeping Flesh, King Kong, Victor Wong, James Hong, Pooh-niverse, Anaconda, The Bride, Bonny and Clyde, Tremors, Remo Williams, Walking Dead, Jeffrey Dean Morgan, The Johnsons, Amsterdamned, Dick Maas, James Bond, boat chases, Police Academy 5, Dark Night of the Scarecrow, The Vanishing, Huub Stapel, The Last Crusade, Lucker the Necrophagous, Staying Alive, Sylvester Stallone, Saturday Night Fever, John Travolta, The Sandlot, Kurtwood Smith, Frank Stallone, That 70s Show, Johnny Vasolino, a bulge the size of a coconut, Pulp Fiction, Norman Wexler, Bee Gees, Flashdance, Cynthia Rhodes, Joe Spinell, Fame, Xanadu, D.C. Cab, My Bodyguard, Showgirls, Waiting for Guffman, The Producers, Disco Demolition, time capsule, Weapons, Until Dawn, Peter Stormare, Sinners, Bring Her Back, Amsterdarned, Hamsterdamned, a small serving of Giallo, War of the Worlds, Mac Sabbath, The Apple, The Last Starfighter, Patreon Takeover, Superman, Toxic Avenger, Peter Dinklage, Springtime for Tony and Amsterdamned II.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Holstered Gunz is an offseason project of the Smokin Gunz Podcast where we gather to chat about some of our favorite films of all time.  A new offseason brings a new list of films for Leo and Phillip to cover and we start with the 1994 classic, Pulp Fiction.      Smokin' Gunz Podcast proudly recognizes our top fans and Patrons: Monique and Iris Ferrante Greg and Kim Nelson James Steubing Jay Washington James Palmer Alfred Rodriguez Join our team at www.Patreon.com/SmokinGunzPod   Contact us at: www.twitter.com/SmokinGunzPod www.facebook.com/SmokinGunzPod SmokinGunzPod@gmail.com

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz sits down with two-time Academy Award-nominated producer Stacey Sher, the creative force behind some of Hollywood's most unconventional and influential films. From executive producing Pulp Fiction to producing Django Unchained, Out of Sight, Erin Brockovich, Get Shorty, Reality Bites, Man on the Moon, and The Hateful Eight, Stacey has built a career through her collaborations with visionary directors like Quentin Tarantino, Steven Soderbergh, and Danny DeVito. Her work demonstrates exceptional taste and the rare ability to bridge indie passion projects with mainstream success.Lessons from a Family Crisis (09:12) Stacey opens up about her personal life during her early career, how it informed her storytelling choices, and the impact it had on her perspective of Hollywood hierarchy and loyalty.Finding Great Material Through Unconventional Methods (16:03) Stacey reveals her mentor Lynda Obst's genius strategy of scouring "Filming in the Future" columns to identify scripts with great cast attachments, which led her to discover Reservoir Dogs and meet Quentin Tarantino.Warren Beatty's Career-Defining Question (27:44) At age 26, Warren Beatty asked Stacey what kind of movies she wanted to make, leading to his profound advice: "Do you want to have various children or marry various men? Because that's the same commitment you need to have to the movies that you make."The Birth of Jersey Films and Creative Freedom (28:15) How Stacey became a founding partner with Danny DeVito and Michael Shamberg, using their discretionary fund to make blind deals with emerging talent like Quentin Tarantino before he'd directed a single frame.Hollywood's Most Beloved Collaborators (35:11) Stacey shares insights on working with industry legends: Stephen Soderbergh, Julia Roberts, George Clooney, John Travolta's generosity, and Hillary Swank's determination to use her Oscar win to get Freedom Writers made.Django Unchained and Controversial Testing (41:03) Stacey shares the remarkable story of how Django Unchained tested similarly across demographic groups, including a screening in the Deep South.Stacey demonstrates how authentic relationships, unwavering taste, and commitment to meaningful stories can create a lasting impact on cinema and culture.Host: Kevin GoetzGuest: Stacey SherProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, Nick Nunez, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Stacey Sher:Wikipedia: https://en.wikipedia.org/wiki/Stacey_SherIMDB: https://www.imdb.com/name/nm0792049/X: https://x.com/staceysher?lang=enFor more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

youre telling me a shrimp pulped this fiction Listen to an extra episode a week for $5, or all our bonus episodes for $7 or $10 at www.patreon.com/tgofv.

It's the 250th episode of the Bro Force Squad Podcast, and the guys break down their favorite movie moments of all time using the Bro Force Squad movie review criteria. Stuff discussed in this episode includes The Thin Red Line, There Will Be Blood, The Sandlot, This is the End, The Dark Knight, E.T., Pulp Fiction, Saw, Batman ‘89, 2001: A Space Odyssey, The Avengers, Star Wars A New Hope, The Lord of the Rings, Teenage Mutant Ninja Turtles Secret of the Ooze, Unknown Number the High School Catfish, Solo: A Star Wars StoryKeep up with the Bros at: https://broforcesquad.com/https://www.youtube.com/channel/UCCJML5XTKJl2OzGW5HWrJhwhttps://itunes.apple.com/us/podcast/bro-force-squad/id1158546516?mt=2https://twitter.com/BroForceSquad

Welcome to Dev Game Club, where this week we complete our series on a pair of empathy games, Papers, Please and Cart Life. We spend some more time with Melanie and her coffee hut before turning to our takeaways, shared between both games. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: Several days of Cart Life Issues covered: the tutorialization in the Melanie story, a whole functioning town, replaying the first few days, real world flexibility, entering a potential failure state, adding parenting into the mix, encountering a bug, reading deeply into the simulation, having a meaningful experience without a systemic backing, supporting the illusion of systems, being forced to have your daughter go to her dad's, bugs and not being sure, losing Andrus's cat, dream sequences, having trouble wanting to play the game, adventure game topics and language, high pressure time, topics in other games, keywords, production economy, words as an inventory, life under capitalism vs authoritarianism, depriving a character of connection, choosing coffee due to life choices, not taking baristas for granted, useful friction and life, min/maxing the simulator vs trying to experiment with it, the horror of retail, opportunities for connection, making the game or life go more quickly, getting OCD with espresso, the physical repetitive tasks, "playing anything," what motivates play and games, being naturally empathetic with the character, choosing an abstract aesthetic, production techniques for lo-fi heart and enabling creativity, being glad that such games exist, tactility of game elements, abstraction and QTEs, Easter eggs.  Games, people, and influences mentioned or discussed: BioStats, CalamityNolan, Samuel Jackson, Pulp Fiction, Twine, The Walking Dead, David Lynch, Dark Souls, Ultima (series), Her Story, Sam Barlow, Hal Barwood, Return of the Obra Dinn, Mad Libs, howling dogs, WarCraft, Gilmore Girls, The Sims (series), Skyrim, Typing Tutor, Sabrina Carpenter, Receiver, Ian Bogost, Play Anything, Power Washing Simulator, Kim Jung Gi, Sierra, The Last of Us, Cleo 5 to 7, Jeanne Dielman, Chantal Ackerman, David Cage, God of War, Outer Wilds, Passage, Brad, Jason Rohrer, N. K. Jemisin, Kirk Hamilton, Aaron Evers, Mark Garcia.  Next time: BioStats and CalamityNolan's interview with another host Twitch: timlongojr and twinsunscorp Discord  DevGameClub@gmail.com 

From the Beatles to Nirvana to Pulp Fiction and Friends, every decade used to bring a cultural reset—new sounds, new voices, new aesthetics that changed the way we dressed, talked, and thought. But for the past 25 years, that cycle stopped. Why? In this week's After Party, Jake takes us back to a time when artists shaped the culture—and breaks down how corporatization, consolidation, and the algorithm killed the artist as changemaker. Plus: a bonus section packed with receipts on music, movies, books, and the myth work we're all doing together to take it back. On Tuesday, we're bringing you a story about the Temptations and the untimely death of the great Tammi Terrell. Jake wants to know: Which musician's death is the most suspicious? Share your thoughts at 617-906-6638, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠disgracelandpod@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or on socials @disgracelandpod. To listen to an extended version of the After Party, become a Disgraceland All Access member at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. For more great Disgraceland episodes, dive into our extensive archive, including such episodes as: Episode 197 - Matthew Perry Episode 93 - Taylor Swift Episode 25 and 26 - Kurt Cobain and Courtney Love Episode 171 Public Enemy To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices