Podcasts about Film editing

What does it mean to "edit for emotion" in a show built around crime, identity, and betrayal? Eric Litman knows — and his work on Dope Thief proves it. Eric Litman returns to the cutting room — this time, with Robert “Skid” Skidmore and co-host Christopher Angel — to share how he approached the editorial storytelling in Apple TV+'s Dope Thief, a show that lives or dies by its tonal precision and dual-lead structure. Guided by Chris's thoughtful questions, the conversation digs into Eric's instincts as an editor, the creative latitude he was given on the show, and the real collaboration that happens between editors, directors, and showrunners — all while serving a distinct visual and emotional tone.

The Art of Filmmaking: Behind the Scenes with Josh Segundo - Get Reelisms Podcast #157 Join hosts Adam Chase Rani and Christine Chen in Episode 157 of the Get Reelisms Podcast as they dive deep into the world of filmmaking! This episode features an insightful conversation with Josh, a writer-director who shares his experiences and challenges in making short films. They discuss the importance of preparation, the complexities of crowdfunding, working with friends, and the nuances of shooting during the pandemic. Josh reflects on his latest project 'Where Do We Go?' and offers valuable advice for aspiring filmmakers. Tune in for secrets, advice, and filmmaking gossip!  Hosts: Adam Rani (@adamthechase)   & Christine Chen (@cchenmtf) Guest: Josh Segundo For more information about Christine Chen: christinewchen.comFor more information go to getreelisms.com For more information on ERZULIE go to: erzuliefilm.com  WEBISODE version of the Podcastgetreelisms.com 00:00 Introduction to the Get Reelisms Podcast 00:21 Meet the Hosts and Guest 00:43 Sports Talk and Personal Stories 02:39 Filmmaking Secrets and Advice 04:25 Guest's Filmmaking Journey 05:07 Crowdfunding Challenges 06:31 Production Insights and Challenges 18:40 Post-Production Reflections 21:35 Reflections on the Short Film 22:02 Navigating Film Festivals 22:44 Dealing with Vulnerability and Screenings 24:39 Pandemic Influence and Nostalgia 27:39 Inspiration and Cinematic Techniques 29:59 Future Projects and Filmmaking Philosophy 37:12 The Importance of Collaboration 42:59 Challenges and Rewards of Filmmaking 48:47 Final Thoughts and Encouragement Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

What do a Star Wars “making of” documentary, a UBC Film Society membership, and late nights at the Norm Theatre have in common? For UBC alum Greg Ng (BA'05), they sparked a passion for film editing that's turned into a fascinating career — one that's enabled him to work on some of the biggest Hollywood horror films of recent years. In this episode, Carol and Jeevan sit down with the award-winning film editor to trace his journey into the industry. From his work on chilling features like Longlegs and The Monkey to his shaping of compelling documentaries (The Grizzlie Truth, Saints and Warriors) and acclaimed TV series (Allegiance, Bones of Crows), Greg shares insights on storytelling through editing — and why the editor's role is one of the most powerful, yet invisible, in any production.LINKSContact CarolContact JeevanFrom Here ForwardGUEST & WORKGreg NgThe MonkeyLonglegsUBC Film Production Program (00:00) - Introduction (01:42) - – What Is Film Editing? (03:18) - – Early Inspirations and Star Wars Influence (05:29) - – How Greg's Portfolio Expanded (07:26) - – How Genre Affects the Editing Process (09:32) - – Awards, Recognition, and Teamwork in Editing (11:46) - – Creative Freedom and the Editor's Role (14:59) - – Learning the Value of Collaboration (17:16) - – How “The Monkey” and “Long Legs” Came to Be (20:54) - – Editing Horror and Understanding Audience Reaction (22:03) - – Advice for Emerging Editors and Creatives (24:44) - – The Surprising Relationship Between Editing and Waffles (26:52) - – Reflections on UBC and Career Beginnings (27:14) - – Conclusion

It's the second half of our 100% Accurate Way Too Early Oscars Predictions for 2025/26. In this episode, we discuss the Supportings, Casting, Director, Picture and 12 categories in all! Cinematography - 2:16 Film Editing - 5:07 Animated 9:38 International - 13:09 Documentary - 17:51 Costume Design - 20:24 Production Design - 23:24 Supporting Actor - 29:00 Supporting Actress - 37:24 Casting - 41:17 Director - 45:00 Picture - 52:00 OUTRO - Go back and enjoy our entire Oscars Year In Preview Series as we discussed the calendar, reviewed Sundance, and previewed Cannes. Do look forward to our continuation of our Oscar Profile Movie Reviews series as we'll do film study episodes on upcoming contenders. But first, we cannot wait to review the reviewers and time the standing ovations from the 2025 Cannes Film Festival later this week. https://linktr.ee/mikemikeandoscar

Join hosts J.D. Barker, Christine Daigle, Jena Brown, and Kevin Tumlinson as they discuss the week's entertainment news, including stories about A Million Lives Book Festival, Findaway's INaudio, and Agatha Christie. Then, stick around for a chat with Joe Abercrombie!Joe Abercrombie was born in Lancaster, England, on the last day of 1974. He was educated at the stiflingly all-boy Lancaster Royal Grammar School, where he spent much of his time playing video games, rolling dice, and drawing maps of places that don't exist. He went on to Manchester University to study Psychology. The dice and the maps stopped, but the video games continued. Having long dreamed of single-handedly redefining the fantasy genre, he started to write an epic trilogy based around the misadventures of thinking man's barbarian Logen Ninefingers. The result was pompous toss, and swiftly abandoned.Joe then moved to London, lived in a slum with two men on the borders of madness, and found work making tea for minimum wage at a TV Post-Production company. Two years later he left to become a freelance film editor, and has worked since on a range of documentaries, awards shows, music videos, and concerts for artists ranging from Barry White to Coldplay.This job gave him lots of time off, and realising that he needed something more useful to do than playing video games, in 2001 he sat down once again to write an epic fantasy trilogy based around the misadventures of thinking man's barbarian Logen Ninefingers. This time, having learned not to take himself too seriously in the six years since the first effort, the results were a great deal more interesting.With heroic help and support from his family the first volume, The Blade Itself, was completed in 2004. Following a heart-breaking trail of rejection at the hands of several of Britain's foremost literary agencies, The First Law trilogy was snatched up by Gillian Redfearn of Gollancz in 2005 in a seven-figure deal (if you count the pence columns). A year later The Blade Itself was unleashed on an unsuspecting public. It now has publishers in thirty countries.  The sequels, Before They are Hanged and Last Argument of Kings were published in 2007 and 2008, when Joe was a finalist for the John W. Campbell award for best new writer.  Best Served Cold, a standalone book set in the same world, was published in June 2009, and a second standalone, The Heroes, came in January 2011 and made no. 3 on the Sunday Times Hardcover Bestseller List.  A third standalone, Red Country, was both a Sunday Times and New York Times Hardcover Bestseller in October 2012.The first part of his viking-inspired Shattered Sea series for young and old adults, Half a King, came out in July 2014, when it won the Locus award for best young adult novel.  The other two books, Half the World, and Half a War, followed in January and July 2015.His collection of short fiction, Sharp Ends was published in 2016.  A new trilogy set in the world of the First Law, The Age of Madness, began in September 2019 with A Little Hatred. The Trouble with Peace followed in September 2020, and the final part, The Wisdom of Crowds in September 2021. The first book in a new series, The Devils, will publish in May 2025.Joe now lives in Bath with his wife, Lou, his daughters Grace and Eve, and his son Teddy.  He spends most of his time writing edgy yet humorous fantasy novels…

Suddenly Something Clicked: The Languages of Film Editing and Sound Design Walter Murch The triple-Oscar winner of the Godfather films, Apocalypse Now and The English Patient presents a masterclass on movies and how they are made. Buy Here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Film Editor Matthew Barber returns to the podcast to discuss his work on “Long Bright River”, the limited series starring Amanda Seyfried that is currently streaming on Peacock. Gianni Damaia joins us again as co-host!

In this episode of PassionPod, Ali Whitaker (Head of Marketing and Publicity) and Tosca Musk (Founder and CEO of Passionflix) welcome Margie Goodspeed, the Head of Creative Post-Production at Passionflix. Margie joins us to talk all about her editing work on the first season of the 'Black Dagger Brotherhood' (releasing June 5th on PassionFlix).In their intro, Tosca shares details of her recent vacation in France and discusses her ongoing work on the 'Black Dagger Brotherhood' series, including her initial script readings (of season 2!) and additional visual effects on Season 1. Ali then shares her experience attending ApollyCon and getting to share the works of JR Ward with a brand-new audience!Margie then joins to discuss post-production process of the 'Black Dagger Brotherhood', highlighting how she managed the series' extensive scope and her evolving collaboration with Tosca. They delve into the distinctive editing and directing challenges, especially for fight scenes and deep emotional moments, and the role of music in enhancing the narrative. The episode concludes with fond memories and anecdotes from the making of previous Passionflix projects (highlighting 'Hollywood Dirt'), emphasizing their personalized approach and collaboration that drive the company's success.Do you have a question or comment you would like featured on a future episode? Leave us a message today!Call us at (770) 648-3677 or email at info@passionflix.com

"Anora" is our latest Oscar Best Picture winner. At the 97th Academy Awards, Sean Baker's film won 5 awards in total, including Best Director, Actress for Mikey Madison, Original Screenplay, and Film Editing. Co-producer Alex Coco was kind enough following the awards season to sit with us and reflect on the Best Picture win, the reaction from audiences towards the movie for good and for bad, and what the win means for the state of independent cinema moving forward, which can be listened to down below. Please be sure to check out the film, which is now available to stream on Hulu and will be available to purchase through the Criterion Collection on April 29th. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

It's a wild and woolly episode of the podcast as editors Christopher Angel and Amy Duddleston return to discuss this year's Oscar nominees for Film Editing. In all the years I've hosted these conversations, this pair has always complained about films being too long. Given that the shortest film on this list clocks in at two hours, I was anticipating some blistering critiques, but their assessments surprised me. Did we agree about all of these films on their merits? No. Was I entertained? Yes. I hope you will be as well. The 2024 Nominees for Film Editing: • “Anora” • “The Brutalist” • “Conclave” • “Emilia Pérez” • “Wicked” 

For their continued discussion of the craft categories, Nick and Sophia look at two of their favorite technical aspects in moviemaking: Cinematography and Film Editing (38:05). Listen as they talk through each nominee and share captivating facts about each production! Lol Crawley & The Brutalist featurette: https://www.youtube.com/watch?v=80zMHi_bxjM&ab_channel=VarietyFollow us on Twitter, Instagram, Bluesky, and TikTok @oscarwildpodFollow Nick @sauerkraut27Follow Sophia @sophia_cimMore content including updated predictions @ oscarwild.squarespace.comMusic: “The Greatest Adventure” by Jonathan Adamich

Episode: 3235 Gender, labor history, and the devaluation of film editing.  Today, the mother of all film editors.

We're joined by director Anthony Cousins again for an unconventional episode that will take you inside the process of making GRIND-- perhaps too inside?! One of the segments features a content moderator driven mad by the horrible videos he sees. Anthony's creating these videos for us, and we brainstorm them live on the air. So it does get a little dark! But also just lots of fun chat about the filmmaking process in general and what's up next for the lord of the bog Frogman! Theme song by Matt Glass (@glassbrain), Artwork by Felipe Sobreiro (@sobreiro) Hosted by Brea Grant (@breagrant) and Ed Dougherty (@eddied4me)Join our Patreon for extra content!

We make our final Oscar Nomination Predictions for the 97th Academy Awards, hear about Mike's dream, and laugh with us or at us, we don't care, as long as we're all laughing. Tallies & Changing Philosophies - 4:15 Best Picture & A Surprise in the 10 - 6:36 Director & Chalk Picks We Hope Happen - 24:57 Actor & Separate Surprises We Like - 27:10 Actress & A Lot of Serious Contenders In Play - 29:47 Supporting Actor & Some Vulnerable Predictions - 40:52 Supporting Actress & How We Cannot Be Surprised - 46:04 Adapted & Original Screenplay - 51:24 Cinematography & Film Editing - 57:11 Costume Design + What If The Mikes Had More Access?- 1:02:46 Make-up & Hairstyling & what looked yucky - 1:07:24 Production Design & black goo planets - 1:10:52 Original Score & worse scores you could have sex to - 1:17:38 Original Song & dance to what makes you happy - 1:19:25 Sound Design & Mike's favorite scene of the year - 1:23:25 VFX & what if they released a visual fx xenomorph into the dolby theater - 1:25:22 Documentary & how this category is cursed - 1:30:06 Animated & how it better be this 5 - 1:37:36 International Feature & frolicking arm in arm towards certain destruction - 1:39:11 OUTRO - Let us know your picks. We'll have Nomination Reactions next. Otherwise, you can hear us on WPLR 99.1 in Connecticut to discuss more about the Oscar Nominations on Wednesday morning. https://www.wplr.com/ https://linktr.ee/mikemikeandoscar

The season finale burns the story to the ground & we're left with questions: Is he 'Solo' or 'Jimmy'? Is she 'Eater' or 'Hope'? Did Bernard enjoy the barbecue? Juliette goes out while new characters go out on what our grandparents call a 'date'. Over 90 minutes of talk breaking down the episode + we ENCOURAGE Sims to buy Lotto tickets! The season 2 finale, episode 10 'Into the Fire' cooked! Listen to us celebrate and snark about the show! Apple TV+ sci-fi post-apocalyptic dystopian drama - we ask why certain changes were made. Based on Hugh Howey's Silo series of books: WOOL, SHIFT and DUST. and producer Graham Yost's television show choices! 00:00 Intro 00:38 Catfish's rating 04:25 Bubba's rating 09:56 Thank you / Subscribe, please 11:59 Better in Silo or Real World? 13:33 Best 'Silo Slam' of the Week 15:13 Episode Breakdown: Silo 17 26:00 Episode Breakdown: War 48:00 Episode Breakdown: Washington, D.C. 52:26 Silo Speculation 1:00:53 Judicial Debate: S2 MVP 1:04:28 Dumb Questions from Catfish 1:07:39 Matt Murdick's Musical Analysis 1:13:29 Feedback 1:28:35 Book vs. Show spoiler section The Rebels make their move — and so does Juliette. Directed by Amber Templemore Writing Credits Hugh Howey ... (based on the book series 'Silo' by) Graham Yost ... (created by) Aric Avelino ... (written for television by) Jeffery Wang ... (staff writer) & Jenny DeArmitt ... (staff writer) Cast Rebecca Ferguson ... Juliette Nichols Common ... Rob Sims Harriet Walter ... Martha Walker Tim Robbins ... Bernard Chinaza Uche ... Paul Billings Steve Zahn ... Solo Avi Nash ... Lukas Kyle Iain Glen ... Dr. Pete Nichols Ashley Zukerman ... Congressman (Daniel / Donald?) Jessica Henwick ... Helen Rick Gomez ... Patrick Kennedy Caitlin Zoz ... Kathleen Billings  Shane McRae ... Knox Remmie Milner ... Shirley Billy Postlethwaite ... Hank Amelie Child Villiers ... Young Juliette Alexandria Riley ... Camille Sims Olatunji Ayofe ... Teddy George Robinson ... Mark Chambers Chipo Chung ... Sandy Chrisitan Ochoa Lavernia ... Amundson Georgina Sadler ... Audrey Orlando Norman ... Rick Sara Hazemi ... Eater Angela Yeoh ... Deputy Molly Karins Reggie Absolom ... Benny Lolita Chakrabarti ... Mrs. Kyle Khairika Sinani ... Raider Jean Akie Kotabe ... Diego Music by Atli Örvarsson ... (music by) Cinematography by Mark Patten ... director of photography Film Editing by Hazel Baillie ... (edited by) Casting By Cami Patton ... (us casting) Suzanne Smith ... (as Suzanne M. Smith) (uk casting) Production Design by Gavin Bocquet Art Direction by Simon Elsley Phil Harvey ... supervising art director Daniel Swingler Olly Williams Set Decoration by Amanda Bernstein Costume Design by Charlotte Morris #silo #siloseries #silotv #siloappletv #wool #rebeccaferguson #siloappletvplus #rebeccaferguson #common #rashidajones #hughhowey #appletv #appletvplus #tv #television #scifi #tvshow

Juliette goes back to school, Lukas is up to his knees in trouble, while Bernard slides into Walker's DMs in the penultimate episode of season 2, episode 9 'The Safeguard.' Listen to us celebrate and snark about the show! Apple TV+ sci-fi post-apocalyptic dystopian drama - we ask why certain changes were made. Based on Hugh Howey's Silo series of books: WOOL, SHIFT and DUST. and producer Graham Yost's television show choices! 00:00 Intro 00:43 Loyal Listener Feedback on Ep. 9 02:45 Catfish's rating 07:39 Bubba's rating 10:03 Give us the Urgency! 14:38 We're 'on' TikTok 15:30 Better in Silo or Real World? 17:36 Best 'Silo Slam' of the Week 21:01 Episode Breakdown: Silo 17 30:55 Debate: What if Jules stays in 17? 31:52 Debate: Will 2 people go to 18? 33:27 Episode Breakdown: Lukas' Journey 43:02 Silo Speculation: What is the Safeguard? 45:06 Silo Speculation: The Algorithm Power 50:40 Episode Breakdown: Down Deep Drama 1:08:20 Judicial Debate: Bernard's Knowledge 1:10:17 Dumb Questions from Catfish 1:14:55 Matt Murdick's Musical Analysis 1:19:25 Feedback 1:33:31 Book vs. Show spoiler section Billings' faith is shaken. Lukas heads to the down deep. Knox identifies the traitor. Juliette uncovers the truth about Solo's past. Directed by Amber Templemore Writing Credits Hugh Howey ... (based on the book series 'Silo' by) Graham Yost ... (created by) Jessica Blaire ... (written for television by) Jeffery Wang ... (staff writer) & Jenny DeArmitt ... (staff writer) Cast Rebecca Ferguson ... Juliette Nichols Common ... Rob Sims Harriet Walter ... Martha Walker Tim Robbins ... Bernard Chinaza Uche ... Paul Billings Steve Zahn ... Solo Avi Nash ... Lukas Kyle Iain Glen ... Dr. Pete Nichols Rick Gomez ... Patrick Kennedy Sophie Thompson ... Gloria Hildebrandt Caitlin Zoz ... Kathleen Billings Shane McRae ... Knox Remmie Milner ... Shirley Billy Postlethwaite ... Hank Amelie Child Villiers ... Young Juliette Alexandria Riley ... Camille Sims Olatunji Ayofe ... Teddy George Robinson ... Mark Chambers Chipo Chung ... Sandy Chrisitan Ochoa Lavernia ... Amundson Georgina Sadler ... Audrey Orlando Norman ... Rick Sara Hazemi ... Eater Angela Yeoh ... Deputy Molly Karins Reggie Absolom ... Benny Lolita Chakrabarti ... Mrs. Kyle Akie Kotabe ... Diego Music by Atli Örvarsson ... (music by) Cinematography by Mark Patten ... director of photography Film Editing by Hazel Baillie ... (edited by) Casting By Cami Patton ... (us casting) Suzanne Smith ... (as Suzanne M. Smith) (uk casting) Production Design by Gavin Bocquet Art Direction by Simon Elsley Phil Harvey ... supervising art director Daniel Swingler Olly Williams Set Decoration by Amanda Bernstein Costume Design by Charlotte Morris #silo #siloseries #silotv #siloappletv #wool #rebeccaferguson #siloappletvplus #rebeccaferguson #common #rashidajones #hughhowey #appletv #appletvplus #tv #television #scifi #tvshow

Juliette meets Katniss Everdeen in a shocking Silo Season 2, Episode 8 'The Book of Quinn'! Blackmailing Bernard - who in the Down Deep will bend to his will! Can Lukas survive after he breaks the code!  Sims Family Drama meet Billings Family Drama! Listen to us celebrate and snark about the show! Apple TV+ sci-fi post-apocalyptic dystopian drama - we ask why certain changes were made. Based on Hugh Howey's Silo series of books: WOOL, SHIFT and DUST. and producer Graham Yost's television show choices! 00:00 Intro 01:04 Catfish's rating 04:43 Bubba's rating 07:50 Is Bubba too negative? 14:41 Better in Silo or Real World? 16:39 Episode Breakdown: Silo 17 24:10 Sheriff Billings has trouble at Home 28:57 Walker Betrayal 36:06 Sims Family Drama + Lukas Code Breaker 49:50 The Down Deep 58:10 Judicial Debate: Juliette's story 1:02:08 Dumb Questions from Catfish  1:07:30 54:52 Feedback 1:26:59 Book/TV Spoiler talk Juliette discovers something happened to Solo. Bernard makes an offer to Walker. Lukas meets with Salvador Quinn's descendants. Directed by Amber Templemore Writing Credits Hugh Howey ... (based on the book series 'Silo' by) Graham Yost ... (created by) Remi Aubuchon ... (written for television by) Jeffery Wang ... (staff writer) & Jenny DeArmitt ... (staff writer) Cast  Rebecca Ferguson ... Juliette Nichols Common ... Rob Sims Harriet Walter ... Martha Walker Tim Robbins ... Bernard Chinaza Uche ... Paul Billings Steve Zahn ... Solo Avi Nash ... Lukas Kyle Iain Glen ... Dr. Pete Nichols Rick Gomez ... Patrick Kennedy Sophie Thompson ... Gloria Hildebrandt Caitlin Zoz ... Kathleen Billings Shane McRae ... Knox Remmie Milner ... Shirley Billy Postlethwaite ... Hank Amelie Child Villiers ... Young Juliette Alexandria Riley ... Camille Sims Olatunji Ayofe ... Teddy George Robinson ... Mark Chambers Chipo Chung ... Sandy Chrisitan Ochoa Lavernia ... Amundson Akie Kotabe ... Diego Music by Atli Örvarsson ... (music by) Cinematography by Mark Patten ... director of photography Film Editing by Hazel Baillie ... (edited by) Casting By Cami Patton ... (us casting) Suzanne Smith ... (as Suzanne M. Smith) (uk casting) Production Design by Gavin Bocquet Art Direction by Simon Elsley Phil Harvey ... supervising art director Daniel Swingler Olly Williams Set Decoration by Amanda Bernstein Costume Design by Charlotte Morris #silo #siloseries #silotv #siloappletv #wool #rebeccaferguson #siloappletvplus #rebeccaferguson #common #rashidajones #hughhowey #appletv #appletvplus #tv #television #scifi #tvshow

Silo Season 2, Episode 7 'The Dive ' sinks Juliette to a new low 'literally' while Solo is No Mo!? Is co-host Catfish ready to say "He gone." Hank hooks a poisoner, Sims trash talks, and Bernard blusters! Listen to us celebrate and snark about the show! Apple TV+ sci-fi post-apocalyptic dystopian drama - we ask why certain changes were made. Based on Hugh Howey's Silo series of books: WOOL, SHIFT and DUST. and producer Graham Yost's television show choices! 00:00 Intro 00:47 Missing Catfish 02:05 Listeners rate Episode 7 03:18 Bubba's rating 08:21 Podcast Promotion 08:58 Parsec Passion Podcast update 10:41 Better in Silo or Real World? 12:11 Episode Breakdown: Sims Family Drama 20:01 Silo 17 sinking feeling 26:43 Walker wants Carla back! 29:45 The Down Deep Shirely and Knox Revolt 32:14 Sheriff Billings & Deputy Hank's side quest of the week 35:02 The Up Top: Bernard Strikes Back + Lukas' code breaking 42:43 Double M's Musical Analysis 46:12 Feedback 57:15 Book/TV Spoiler talk Lukas is assigned a mission. Mechanical sends a powerful message. Juliette embarks on a perilous descent-and confronts a new danger. Musical Analysis by Matt Murdick Directed by Michael Dinner Writing Credits Hugh Howey ... (based on the book series 'Silo' by) Graham Yost ... (created by) Jeffery Wang ... (written for television by) Jeffery Wang ... (staff writer) & Jenny DeArmitt ... (staff writer) Cast  Rebecca Ferguson ... Juliette Nichols Common ... Rob Sims Harriet Walter ... Martha Walker Tim Robbins ... Bernard Chinaza Uche ... Paul Billings Steve Zahn ... Solo Avi Nash ... Lukas Kyle Iain Glen ... Dr. Pete Nichols Rick Gomez ... Patrick Kennedy Sophie Thompson ... Gloria Hildebrandt Caitlin Zoz ... Kathleen Billings Shane McRae ... Knox Remmie Milner ... Shirley Billy Postlethwaite ... Hank Amelie Child Villiers ... Young Juliette Alexandria Riley ... Camille Sims Olatunji Ayofe ... Teddy George Robinson ... Mark Chambers Chipo Chung ... Sandy Chrisitan Ochoa Lavernia ... Amundson Akie Kotabe ... Diego Music by Atli Örvarsson ... (music by) Cinematography by Mark Patten ... director of photography Film Editing by Hazel Baillie ... (edited by) Casting By Cami Patton ... (us casting) Suzanne Smith ... (as Suzanne M. Smith) (uk casting) Production Design by Gavin Bocquet Art Direction by Simon Elsley Phil Harvey ... supervising art director Daniel Swingler Olly Williams Set Decoration by Amanda Bernstein Costume Design by Charlotte Morris #silo #siloseries #silotv #siloappletv #wool #rebeccaferguson #siloappletvplus #rebeccaferguson #common #rashidajones #hughhowey #appletv #appletvplus #tv #television #scifi #tvshow

Editor - Louise Ford, ACE   NOSFERATU editor Louise Ford, ACE and writer/director Robert Eggers have reunited once again to take on the not-so-simple task of remaking FW Murnau's horror classic.  Considering "Lou's" disdain for cover songs, it was important that this film could stand on its own merits and add something new to the world of cinema.  And although she has a few supernatural/horror films to her credit, "Lou" insists she doesn't seek them out.  She's just looking for great stories to tell.  With NOSFERATU, she told one. NOSFERATU - In the 1830s, estate agent Thomas Hutter travels to Transylvania for a fateful meeting with Count Orlok, a prospective client. In his absence, Hutter's new bride, Ellen, is left under the care of their friends, Friedrich and Anna Harding. Plagued by horrific visions and an increasing sense of dread, Ellen soon encounters an evil force that's far beyond her control. Louise Ford, ACE NOSFERATU is the fourth feature film Lou has edited for Robert Eggers since their first collaboration in 2008 on his short film, The Tell-Tale Heart . She edited Eggers' The Witch , The Lighthouse , and The Northman . Other films she has edited include Don't Breathe , Wildlife , and three films with the director Cory Finley - Thoroughbreds , Bad Education , and Landscape with Invisible Hand . Editing NOSFERATU In our discussion with NOSFERATU editor Louise Ford, ACE we talk about: Giving a gift to the Goths How most things are bad, especially cover songs Tapping into the footage during production Being a bastard in the cutting room Raiding the David Lynch Library The Credits Visit ExtremeMusic for all your production audio needs Check out what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

“Dune: Prophecy”, which airs its sixth episode and season finale tonight (!), is the latest example of HBO Max's commitment to prestige television. This short but ambitious series required an all-hands-on-deck approach, and Film Editors Sarah Reeves and Mark Martzell are here to share the collaborative details. We talk about doing a prequel to the movies, the challenge of the strikes on production, and - spoiler alert - we break down some specific scenes. Insights and laughs guaranteed, or your money back.

Bernard balls while morgue monologuing while the Down Deep scream "No Barricades.... at this particular level!" Silo Season 2, Episode 6 'Barricades' starts the tension building for the finale!  Listen to us celebrate and snark about the show! Apple TV+ sci-fi post-apocalyptic dystopian drama - we ask why certain changes were made. Based on Hugh Howey's Silo series of books: WOOL, SHIFT and DUST. and producer Graham Yost's television show choices! 00:00 Intro 01:16 Catfish's rating 02:44 Bubba's rating 09:38 Upcoming Podcasts 10:30 Better in Silo or Real World? 13:06 Episode Breakdown: Silo 17 14:50 Sheriff Billings & Deputy Hank + Dr. Nichols 26:00 The Down Deep Barricade Battle 38:32 The Up Top Political Fights + Lukas' code breaking 49:15 Judicial Debate: Still on Team Bernard? 51:19 Dumb Questions from Catfish  54:52 Feedback 1:12:24 Book/TV Spoiler talk Bernard enacts a plan to root out Knox, Shirley, and Walker. Billings takes a stand. Solo saves Juliette's life and wants something in return. Directed by Michael Dinner Writing Credits Hugh Howey ... (based on the book series 'Silo' by) Graham Yost ... (created by) Jeffery Wang ... (written for television by) Jeffery Wang ... (staff writer) & Jenny DeArmitt ... (staff writer) Cast  Rebecca Ferguson ... Juliette Nichols Common ... Rob Sims Harriet Walter ... Martha Walker Tim Robbins ... Bernard Chinaza Uche ... Paul Billings Steve Zahn ... Solo Avi Nash ... Lukas Kyle Iain Glen ... Dr. Pete Nichols Rick Gomez ... Patrick Kennedy Sophie Thompson ... Gloria Hildebrandt Caitlin Zoz ... Kathleen Billings Shane McRae ... Knox Remmie Milner ... Shirley Billy Postlethwaite ... Hank Amelie Child Villiers ... Young Juliette Alexandria Riley ... Camille Sims Olatunji Ayofe ... Teddy George Robinson ... Mark Chambers Chipo Chung ... Sandy Chrisitan Ochoa Lavernia ... Amundson Akie Kotabe ... Diego Music by Atli Örvarsson ... (music by) Cinematography by Mark Patten ... director of photography Film Editing by Hazel Baillie ... (edited by) Casting By Cami Patton ... (us casting) Suzanne Smith ... (as Suzanne M. Smith) (uk casting) Production Design by Gavin Bocquet Art Direction by Simon Elsley Phil Harvey ... supervising art director Daniel Swingler Olly Williams Set Decoration by Amanda Bernstein Costume Design by Charlotte Morris #silo #siloseries #silotv #siloappletv #wool #rebeccaferguson #siloappletvplus #rebeccaferguson #common #rashidajones #hughhowey #appletv #appletvplus #tv #television #scifi #tvshow

UNSTOPPABLE director Billy Goldenberg and editor Brett Reed have had a working relationship for over twenty years, going back to their time together on COYOTE UGLY (2000).  Since that film, they've logged a lot of hours as "editor and assistant" or "editor and additional editor", but their new film brings about a whole new dynamic, "director and editor". UNSTOPPABLE is the inspiring true story of Anthony Robles (Jharrel Jerome) who was born with one leg but whose indomitable spirit and unbreakable resolve empowered him to defy the odds and pursue his dreams. With the unwavering love and support of his devoted mother Judy (Jennifer Lopez) and the encouragement of his coaches, Anthony fights through adversity to earn a spot on the Arizona State Wrestling team. But it will demand everything he has, physically and mentally, to achieve his ultimate quest to become an NCAA Champion. WILLIAM GOLDENBERG, ACE While UNSTOPPABLE is Billy's first shot at directing, he is one of the most well-respected and sought-after film editors working today. He won an Academy Award, BAFTA Award, and the American Cinema Editors' (ACE) Eddie Award for his outstanding work on the 2013 Best Picture winner, Argo, directed by Ben Affleck. His recent editing credits include Air, 22 July, Unbroken, and Concussion. Goldenberg received dual Oscar nominations in 2013, also being nominated, along with editor Dylan Tichenor, for his work on Kathryn Bigelow's Zero Dark Thirty.  In 2015, Billy was again nominated for an Oscar, a BAFTA Award, and an Eddie Award for the historical thriller The Imitation Game, starring Benedict Cumberbatch and Keira Knightley.  He was previously Oscar-nominated for his editing work on Seabiscuit, and on Michael Mann's controversial film The Insider (with Paul Rubell and David Rosenbloom). Goldenberg was also part of the editing team on Mann's Heat, Ali, and Miami Vice BRETT M. REED Prior to cutting UNSTOPPABLE for Billy, Brett also collaborated with Artists Equity on Doug Liman's film THE INSTIGATORS, starring Matt Damon, Casey Affleck and Hong Chau. Additionally, he edited OLD, directed by M. Night Shyamalan for Universal Pictures, as well as several episodes of Shyamalan's television show THE SERVANT for Apple TV+.  Previously Reed cut CLOUDS directed by Justin Baldoni for Disney+; Christoph Waltz' GEORGETOWN; Automatik's DREAMLAND directed by Miles Joris-Peyrafitte and starring Margot Robbie; and Nick Hamm's bio-thriller DRIVEN, starring Erin Moriarty and Lee Pace. Brett's earlier work with Billy Goldenberg included supporting him as an Additional Editor on TRANSFORMERS: RISE OF THE BEASTS, LIVE BY NIGHT, CONCUSSION, UNBROKEN and ARGO. Reed was also a First Assistant Editor on THE AMAZING SPIDER-MAN 2, ZERO DARK THIRTY, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES, NATIONAL TREASURE, amongst others. Directing and editing UNSTOPPABLE In our discussion with Billy and Brett, we talk about: Editors as first-time directors Cutting for a director who's an Oscar-winning editor Seeing double on the wrestling mat Obsessing and finessing an L-cut Making the most of a montage The Credits Visit Extreme Music for all your production audio needs Listen to Billy talk about cutting AIR and NEWS OF THE WORLD Check out the latest features in Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

Big bully Bernard rises while Juliette collapese! Silo Season 2, Episode 5 'Descent' jumps out over the stairwell to take the show in some crazy directions! + is Solo 'Solo'? Listen to us celebrate and snark about the show! Apple TV+ sci-fi post-apocalyptic dystopian drama - we ask why certain changes were made. Based on Hugh Howey's Silo series of books: WOOL, SHIFT and DUST. and producer Graham Yost's television show choices! 00:00 Intro 01:20 Catfish's rating 04:17 Bubba's rating 08:58 Silo Speculation 10:10 Better in Silo or Real World? 14:00 Episode Breakdown 14:24 Silo 17 24:26 Sheriff Billings & Deputy Hank 28:43 Lukas' new gig 34:27 Dr. Nichols 38:24 Sims Family Drama 48:39 The Down Deepers Escape  56:51 Judicial Debate: Which loss hurt the Silo the most?  1:00:38 Dumb Questions from Catfish  1:04:41 Matt Murdick's Musical Analysis 1:07:23 Feedback 1:20:22 Book Spoiler talk Sims finds himself with a new position. Juliette learns Solo isn't being honest. Bernard and Lukas make an important discovery. Musical Analysis from Matt Murdick. Find him on Bluesky and Instagram Directed by Amber Templemore Writing Credits Hugh Howey ... (based on the book series 'Silo' by) Graham Yost ... (created by) Jenny DeArmitt ... (written for television by) Jeffery Wang ... (staff writer) & Jenny DeArmitt ... (staff writer) Cast  Rebecca Ferguson ... Juliette Nichols Common ... Rob Sims Harriet Walter ... Martha Walker Tim Robbins ... Bernard Chinaza Uche ... Paul Billings Steve Zahn ... Solo Avi Nash ... Lukas Kyle Iain Glen ... Dr. Pete Nichols Rick Gomez ... Patrick Kennedy Sophie Thompson ... Gloria Hildebrandt Caitlin Zoz ... Kathleen Billings Shane McRae ... Knox Remmie Milner ... Shirley Billy Postlethwaite ... Hank Amelie Child Villiers ... Young Juliette Alexandria Riley ... Camille Sims Olatunji Ayofe ... Teddy George Robinson ... Mark Chambers Chipo Chung ... Sandy Music by Atli Örvarsson ... (music by) Cinematography by Mark Patten ... director of photography Film Editing by Hazel Baillie ... (edited by) Casting By Cami Patton ... (us casting) Suzanne Smith ... (as Suzanne M. Smith) (uk casting) Production Design by Gavin Bocquet Art Direction by Simon Elsley Phil Harvey ... supervising art director Daniel Swingler Olly Williams Set Decoration by Amanda Bernstein Costume Design by Charlotte Morris #silo #siloseries #silotv #siloappletv #wool #rebeccaferguson #siloappletvplus #rebeccaferguson #common #rashidajones #hughhowey #appletv #appletvplus #tv #television #scifi #tvshow

“Wicked”, the Jon Chu theatrical adaptation of the stage musical, is currently in theaters and continues to dominate at the box office. Choreographer Christopher Scott and Film Editor Myron Kerstein share the challenges of bringing the extensive dance numbers from script to screen, with deep dives into “What Is This Feeling?” (bo staffs!), “Dancing Through Life” (tornado wheels!), and “No One Mourns the Wicked” (tulips!). Chris, Myron and Jon Chu previously worked together on “In the Heights”, and the strength of their collaboration is evident with this movie as well. 

Big Episode! Big Podcast! Silo Season 2, Episode 4 'The Harmonium' was an episode almost everyone loved --- but we didn't love it?! Are we as mad as Solo? Listen to us come to struggle to appreciate the show! Apple TV+ sci-fi post-apocalyptic dystopian drama - we ask why certain changes were made. Based on Hugh Howey's Silo series of books: WOOL, SHIFT and DUST. and producer Graham Yost's television show choices! 00:00 Intro 01:18 Listeners Rating the Episode  03:18 Catfish's rating 08:24 Bubba's rating 13:27 Silo Speculation 16:04 Better in Silo or Real World? 18:00 Episode Breakdown 18:41 Silo 17 26:19 Sheriff Billings & Deputy Hank 30:11 Lukas' fate 32:41 The Down Deep 38:14 The Up Top 53:39 Judicial Debate: Who will die next?  55:56 Dumb Questions from Catfish  59:30 Matt Murdick's Musical Analysis 1:03:31 Feedback 1:17:49 Book Spoiler talk Juliette sets out on a dangerous quest to retrieve a suit so she can return home and save her silo. Mechanical plans a meeting with Judge Meadows.  Directed by Aric Avelino Writing Credits Hugh Howey ... (based on the book series 'Silo' by) Graham Yost ... (created by) Sal Calleros ... (written for television by) Jeffery Wang ... (staff writer) & Jenny DeArmitt ... (staff writer) Cast Rebecca Ferguson ... Juliette Nichols Common ... Rob Sims Harriet Walter ... Martha Walker Tim Robbins ... Bernard Chinaza Uche ... Paul Billings Steve Zahn Avi Nash ... Lukas Kyle Iain Glen ... Dr. Pete Nichols Rick Gomez ... Patrick Kennedy Sophie Thompson ... Gloria Hildebrandt Caitlin Zoz ... Kathleen Billings Shane McRae ... Knox Remmie Milner ... Shirley Billy Postlethwaite ... Hank Amelie Child Villiers ... Young Juliette Alexandria Riley ... Camille Sims Tonya Moodie ... Judge Mary Meadows Olatunji Ayofe ... Teddy George Robinson ... Mark Chambers Matt Gomez Hidaka ... Cooper Music by Atli Örvarsson ... (music by) Cinematography by Mark Patten ... director of photography Film Editing by Hazel Baillie ... (edited by) Casting By Cami Patton ... (us casting) Suzanne Smith ... (as Suzanne M. Smith) (uk casting) Production Design by Gavin Bocquet Art Direction by Simon Elsley Phil Harvey ... supervising art director Daniel Swingler Olly Williams Set Decoration by Amanda Bernstein Costume Design by Charlotte Morris #silo #siloseries #silotv #siloappletv #wool #rebeccaferguson #siloappletvplus #rebeccaferguson #common #rashidajones #hughhowey #appletv #appletvplus #tv #television #scifi #tvshow

Editors - Andrew Buckland ACE and Scott Morris A COMPLETE UNKNOWN editors Andrew Buckland, ACE and Scott Morris came into James Mangold's latest film being almost completely unknown to one another.  Aside from mutual acquaintances, the two had never worked together or even met prior to this film.  In spite of this, their combined talents tackled a big film that featured forty live performances and an aggressive post schedule. Co-written and directed by James Mangold, A COMPLETE UNKNOWN takes place in the early 1960s, when 19-year-old Bob Dylan arrives in New York with his guitar and revolutionary talent, destined to change the course of American music.  Forming his most intimate relationships during his rise to fame, he grows restless with the folk movement, making a controversial choice that reverberates worldwide. ANDREW BUCKLAND, ACE Andrew Buckland ACE is an Academy Award winning film editor who won the Oscar for his work on FORD v FERRARI alongside Michael McCusker ACE.  He received his B.F.A. in Film from Purchase College before transitioning into editing. Landing his first job on Alan Pakula's THE DEVIL'S OWN, Andrew has been a part of the editorial teams on many high-profile films including Mike Nichol's CLOSER and CHARLIE WILSON'S WAR.  Andrew subsequently directed two documentary films THE LONG WALL HOME and SOMOS WICHI, which won the 2012 Documentary Expose Award at The Peace On Earth Film Festival, Chicago USA.  Andrew began his collaboration with James Mangold on KNIGHT AND DAY and THE WOLVERINE, and later edited FORD v FERRARI, and INDIANA JONES AND THE DIAL OF DESTINY. Other credits include Co-Editing Tate Taylor's THE GIRL ON THE TRAIN and Additional Editing GET ON UP. SCOTT MORRIS Scott Morris is a film editor with over 10 years' experience. He has collaborated with directors James Mangold, James Gray, Adam McKay and Gareth Edwards. In 2022 he was named one of Variety's top 10 Artisans To Watch.  His last film, THE CREATOR was nominated for two Oscars. His previous collaborations with James Gray on ARMAGEDDON TIME and AD ASTRA were selected for competition in the Cannes and Venice film festivals respectively. Ad Astra went on to be nominated for an Oscar. He worked as an additional editor on Adam McKay's film, DON'T LOOK UP. It was nominated for 4 Oscars, including Best Film Editing for Hank Corwin. Scott is a graduate of Emerson College and represented by CAA. Editing A COMPLETE UNKNOWN In our discussion with A COMPLETE UNKNOWN editors Andrew Buckland, ACE and Scott Morris, we talk about: The sounds of the city, the sounds of the sixties Nuance, nuance and more nuance Finding humanity in the cutting room Making the film "sing" Editors as voice extras The Credits Visit Extreme Music for all your production audio needs Listen to Andrew talk about his Oscar-winning work on FORD v FERRARI with Mike McCusker Check out Scott Morris' podcast for THE CREATOR Hear Andrew talk about what it was like cutting INDIANA JONES AND THE DIAL OF DESTINY Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

Editors - Claire Simpson and Sam Restivo GLADIATOR 2 editors Claire Simpson and Sam Restivo first teamed up when Sam worked as her assistant editor on the tv series RAISED BY WOLVES (2020).  From there, Claire brought Sam as her assistant to his first Ridley Scott feature, THE LAST DUEL (2021).  He would assist Claire one more time for Scott's HOUSE OF GUCCI (2021) before getting the promotion to co-editor for NAPOLEON (NAPOLEON). Released twenty-four years after the original GLADIATOR (2000) film, GLADITAOR 2 takes place sixteen years after young Lucius witnesses the death of Maximus at the hands of his uncle.  In the long-awaited sequel, Lucius must enter the Colosseum after the powerful emperors of Rome conquer his home. With rage in his heart and the future of the empire at stake, he looks to the past to find the strength and honor needed to return the glory of Rome to its people. CLAIRE SIMPSON Claire first worked for Ridley Scott on his 1987 film SOMEONE TO WATCH OVER ME.  Even though that was only her fifth film credit, she was already an Oscar-winning editor having won the big prize for cutting PLATOON (1986) the year prior.  She also cut director Oliver Stone's film SALVADOR (1986) during that time.  Claire would go on to do other films with both Oliver Stone and obviously Ridley Scott, and she would also receive an Oscar nomination for her work on the 2006 film, THE CONSTANT GARDENER. SAM RESTIVO Aside from his work with Claire Simpson and Ridley Scott, Sam has worked as an assistant editor on TV series like THE WALKING DEAD (2014) and BETTER CALL SAUL (2015) as well as being an additional editor for features such as THE GREATEST SHOWMAN (2017) and ROBIN HOOD (2018). Editing GLADIATOR 2 In our discussion with GLADIATOR 2 editors Claire Simpson and Sam Restivo, we talk about: Alternating big and small projects with Ridley Scott Working with baboons in suits How Ridley edits with a brick The built-in logic of action editing If all else fails, get a reaction from the royal box The Credits Visit ExtremeMusic for all your production audio needs Learn all about what's new with Avid Media Composer Hear Sam talk about cutting NAPOLEON Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

THE CLEANING PODCAST suggests Bernard should be shadowed by H.R. for his creepy measuring of Judge Meadows, Cooper takes a shot, while Juliette judges Solo's look. SILO season 2, episode 3 - the Apple TV+ sci-fi post-apocalyptic dystopian drama! We're conflicted as we talk the show based on Hugh Howey's Silo series of books: WOOL, SHIFT and DUST. and producer Graham Yost's at times odd television show choices! PLUS: What do you think of season 2 so far? 00:00 Intro  01:06 Rating the Episode 08:18 Silo Speculation 13:41 Better in Silo or Real World? 16:24 Episode Breakdown 50:36 Judicial Debate: Who do you root for? 54:47 Dumb Questions from Catfish 57:14 Feedback 1:11:18 Spoiler book talk  Bernard turns to Judge Meadows for help. Billings begins to wonder if he's being lied to. Juliette finally meets the man in the vault. Directed by Aric Avelino Writing Credits Hugh Howey ... (based on the book series 'Silo' by) Graham Yost ... (created by) Cassie Pappas ... (written for television by) Jeffery Wang ... (staff writer) & Jenny DeArmitt ... (staff writer) Cast Rebecca Ferguson ... Juliette Nichols Common ... Rob Sims Harriet Walter ... Martha Walker Tim Robbins ... Bernard Chinaza Uche ... Paul Billings Steve Zahn Avi Nash ... Lukas Kyle Iain Glen ... Dr. Pete Nichols Rick Gomez ... Patrick Kennedy Sophie Thompson ... Gloria Hildebrandt Caitlin Zoz ... Kathleen Billings Shane McRae ... Knox Remmie Milner ... Shirley Billy Postlethwaite ... Hank Amelie Child Villiers ... Young Juliette Alexandria Riley ... Camille Sims Tonya Moodie ... Judge Mary Meadows Olatunji Ayofe ... Teddy George Robinson ... Mark Chambers Matt Gomez Hidaka ... Cooper   Music by Atli Örvarsson ... (music by) Cinematography by Mark Patten ... director of photography Film Editing by Hazel Baillie ... (edited by) Casting By Cami Patton ... (us casting) Suzanne Smith ... (as Suzanne M. Smith) (uk casting) Production Design by Gavin Bocquet Art Direction by Simon Elsley Phil Harvey ... supervising art director Daniel Swingler Olly Williams Set Decoration by Amanda Bernstein Costume Design by Charlotte Morris #silo #siloseries #silotv #siloappletv #wool #rebeccaferguson #siloappletvplus #rebeccaferguson #common #rashidajones #hughhowey #appletv #appletvplus #tv #television #scifi #tvshow

“Landman”, the new Taylor Sheridan drama starring Billy Bob Thornton, debuted just last week on Paramount+. Film Editor Chad Galster and Score Composer Andrew Lockington are both veterans of multiple Taylor projects and veterans of the podcast: with a warm welcome, I'm excited to have them make a joint appearance on the show. (Chad was also visiting set when they ran a tanker truck into an airplane parked on the highway - that was a practical stunt!)

We're back in Silo 18, setting off sirens, hiring hecklers, SILO season 2, the Apple TV+ sci-fi post-apocalyptic dystopian drama! Sims shalln't shadow, Judge Meadow wastes liquor, while Shirley and the episode are obsessed with heat tape! ! We're conflicted as we talk the show based on Hugh Howey's Silo series of books: WOOL, SHIFT and DUST. and producer Graham Yost's at times odd television show choices! PLUS: What do you think of season 2 so far? 00:00 Intro  01:51 Rating the Episode 11:40 Silo Speculation 16:10 Better in Silo or Real World? 17:17 Episode Breakdown 49:17 Judicial Debate: Bernard's best option 51:00 Dumb Questions from Catfish 54:28 Feedback 1:04:36 Spoiler book talk  Juliette seeks refuge in an abandoned silo after a catastrophic war, believing herself to be the sole survivor, until unsettling discoveries challenge her solitude. Directed by Michael Dinner Writing Credits Hugh Howey ... (based on the book series 'Silo' by) Graham Yost ... (created by) Fred Golan ... (written for television by) Jeffery Wang ... (staff writer) & Jenny DeArmitt ... (staff writer) Cast Rebecca Ferguson ... Juliette Nichols Common ... Rob Sims Harriet Walter ... Martha Walker Tim Robbins ... Bernard Chinaza Uche ... Paul Billings Steve Zahn Avi Nash ... Lukas Kyle Iain Glen ... Dr. Pete Nichols Rick Gomez ... Patrick Kennedy Sophie Thompson ... Gloria Hildebrandt Caitlin Zoz ... Kathleen Billings Shane McRae ... Knox Remmie Milner ... Shirley Billy Postlethwaite ... Hank Amelie Child Villiers ... Young Juliette Alexandria Riley ... Camille Sims Tonya Moodie ... Judge Mary Meadows Olatunji Ayofe ... Teddy George Robinson ... Mark Chambers Matt Gomez Hidaka ... Cooper   Music by Atli Örvarsson ... (music by) Cinematography by Mark Patten ... director of photography Film Editing by Hazel Baillie ... (edited by) Casting By Cami Patton ... (us casting) Suzanne Smith ... (as Suzanne M. Smith) (uk casting) Production Design by Gavin Bocquet Art Direction by Simon Elsley Phil Harvey ... supervising art director Daniel Swingler Olly Williams Set Decoration by Amanda Bernstein Costume Design by Charlotte Morris #silo #siloseries #silotv #siloappletv #wool #rebeccaferguson #siloappletvplus #rebeccaferguson #common #rashidajones #hughhowey #appletv #appletvplus #tv #television #scifi #tvshow

After seeing the outside world, we can't wait to get back into SILO season 2, the Apple TV+ sci-fi post-apocalyptic dystopian drama! Juliette rides a swing, dives into a pool, dumps coffee on her head, and listens to music... but none of it is fun! Plus, she makes a new 'friend'?  This episode is hotter than heat tape! We're conflicted as we talk the show based on Hugh Howey's Silo series of books: WOOL, SHIFT and DUST. and producer Graham Yost's television show choices! PLUS: What do you think of season 2? 00:00 Intro  01:22 Rating the Episode 08:43 Episode Breakdown 36:01 Judicial Debate: Justice for Bernard? 47:11 Better or Worse? 48:58 Judicial Debate: Do u wanna see old silo or new silo next week? 50:46 Dumb Questions from Catfish 54:30 Matt Murdick's musical analysis 58:42 Feedback 1:03:41 Spoiler book talk  Juliette seeks refuge in an abandoned silo after a catastrophic war, believing herself to be the sole survivor, until unsettling discoveries challenge her solitude. Directed by Michael Dinner Writing Credits Hugh Howey ... (based on the book series 'Silo' by) Graham Yost ... (created by) Fred Golan ... (written for television by) Jeffery Wang ... (staff writer) & Jenny DeArmitt ... (staff writer) Cast Rebecca Ferguson ... Juliette Nichols Common ... Rob Sims Harriet Walter ... Martha Walker Tim Robbins ... Bernard Chinaza Uche ... Paul Billings Steve Zahn Avi Nash ... Lukas Kyle Iain Glen ... Dr. Pete Nichols Rick Gomez ... Patrick Kennedy Sophie Thompson ... Gloria Hildebrandt Caitlin Zoz ... Kathleen Billings Shane McRae ... Knox Remmie Milner ... Shirley Billy Postlethwaite ... Hank Amelie Child Villiers ... Young Juliette Music by Atli Örvarsson ... (music by) Cinematography by Mark Patten ... director of photography Film Editing by Hazel Baillie ... (edited by) Casting By Cami Patton ... (us casting) Suzanne Smith ... (as Suzanne M. Smith) (uk casting) Production Design by Gavin Bocquet Art Direction by Simon Elsley Phil Harvey ... supervising art director Daniel Swingler Olly Williams Set Decoration by Amanda Bernstein Costume Design by Charlotte Morris #silo #siloseries #silotv #siloappletv #wool #rebeccaferguson #siloappletvplus #rebeccaferguson #common #rashidajones #hughhowey #appletv #appletvplus #tv #television #scifi #tvshow

INTRO - Why we are exactly 75% accurate. Cinematography before that Golden Frog - 1:57 Costume Design & why the goths will not accept us - 4:13 Film Editing and a Mike 1 finally tells us how he really feels about Dune - 6:30 Makeup and Hairstyling and evil Donald Duck - 11:03 Production Design and the catacombs of what could have been - 13:39 Original Score and which makes the chores go the fastest - 16:15 Original Song and how Diane Warren gets in again - 19:15 Sound Design and how Dylan Goes Electric could be melodious - 21:18 Visual Effects and we shall divide the baby in twain - 22:36 International Feature and wishcasting for Ireland - 24:48 Documentary Feature and oops, we almost did it again - 29:30 Animated Feature and why it sucks that so many of these films are too good - 32:46 Supporting Actress and how our pandering to the Irish isn't working at all - 35:21 Supporting Actor and how this is the key to several other categories - 38:32 Original Screenplay and how this category is all over the place - 42:46 Adapted Screenplay and what the popcorn bucket loving world thinks - 45:08 Lead Actor and Mike 2's burger plan to watch The Brutalist- 47:40 Lead Actress and how we both believing a lot of hype right now - 53:58 Director and how drastically things have changed in this category - 59:53 Picture and the post election effect of it all - 1:04:58 Tallies to make us at least look like we can fake it as real pundits - 1:09:19 OUTRO - Let us know your thoughts & predictions, and if you like our show, please leave us some positive ratings and reviews. What's Coming Next from us is a bunch of Film Study Reviews, and some words of wisdom that'll makes your everyday life much better.

Send Kevin a Text MessageIn this episode of "Don't Kill the Messenger," host Kevin Goetz sits down with George Folsey Jr., the legendary film editor and producer whose illustrious career spans over five decades. Folsey Jr. has collaborated with acclaimed directors like John Landis, Eli Roth, and Paul Feig and is known for his work on films including Trading Places, An American Werewolf in London, The Blues Brothers, and Michael Jackson's groundbreaking music video, Thriller. Growing Up in Hollywood's Golden Age (02:00)George recalls his childhood experiences at MGM Studios, including encounters with stars like Judy Garland, Mickey Rooney, and Esther Williams.Learning the Craft (05:36)George discusses his entry into film editing, starting at KABC and learning from mentor Henry Berman at MGM. The Making of Trading Places (10:07)The conversation turns to Trading Places, which George considers one of his favorite projects. He discusses the challenging relationship with producer Aaron Russo and filming in Philadelphia.The Twilight Zone Tragedy (11:53)George and Kevin discuss the tragic accident on The Twilight Zone set and its impact on George's life and career.The Art of the "Fix" (15:42)George explains his approach to "fixing" troubled films, emphasizing the importance of collaboration rather than alienating the original filmmakers.The Animal House Experience (20:44)In a fascinating revelation about one of comedy's most beloved films, George discusses how Animal House was made without traditional test screenings.On Test Screenings and Audience Feedback (26:22)George strongly advocates for the test screening process, arguing that understanding audience reactions is crucial given the massive investments in both money and careers at stake. He demonstrates this philosophy in his work on Cheaper by the Dozen.Working with Michael Jackson on Thriller (37:18)George shares personal stories about working with Michael Jackson, including anecdotes about their time together during the editing of Thriller and family visits to Jackson's home.George Folsey Jr. offers a masterclass in film editing and production. His candid insights into working with directors like John Landis and Paul Feig, collaborating with Michael Jackson on Thriller, and helping shape classics like Trading Places and Animal House offer listeners a glimpse into the craft of film editing. His honest discussion of career challenges, including the Twilight Zone tragedy, and his philosophy on film editing and test screenings reveals not only his technical expertise but also his passion for storytelling and audience engagement. Host: Kevin GoetzGuest: George Folsey Jr.Producer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more info about George Folsey Jr.:Wikipedia: https://en.wikipedia.org/wiki/George_Folsey_Jr.IMDB: https://www.imdb.com/name/nm0284390/LinkedIn: https://www.linkedin.com/in/george-folsey-jr-93951283For more info about Kevin Goetz:Website: www.KevinGoetz360.comAudienceology Book: https://www.simonandschuster.com/books/Audi

This might be one of our favorite episodes ever as editor Jeff Betancourt (HAROLD AND KUMAR GO TO WHITE CASTLE, THE GRUDGE, one of Brea's GRIND segments!) tells us about his career journey and answers all of our questions about editing. Seriously, this episode is educational!!!  Follow @jeffbetancourt on instagram!!  Theme song by Matt Glass (@glassbrain), Artwork by Felipe Sobreiro (@sobreiro) Hosted by Brea Grant (@breagrant) and Ed Dougherty (@eddied4me)Join our Patreon for extra content!

PUBLIC VERSION. Academy Award winning editor Bob Murawski (ARMY OF DARKNESS, SPIDER-MAN 2, THE FIRST OMEN, HURT LOCKER) joins Adam and Joe to discuss his career journey. From his beginnings in Michigan and the connection that led to him working with Sam Raimi for decades… to how he was able to sneak in a shot from a Lucio Fulci film into one of the most famous superhero movies ever made… to transitioning from film to video editing on ARMY OF DARKNESS… to his crazy stories working with John Woo on HARD TARGET… to editing and completing Orson Welles' final film… to starting Grindhouse Releasing with the late Sage Stallone… to the nightmare of sorting through 1000's of hours of footage for HURT LOCKER (which he edited with his wife Chris) and what it was like winning an Oscar….this super-sized episode is filled with geek-tastic anecdotes and plenty of industry advice from a true hero of cinema!  Dr. Arwen provides “Hollywood Therapy” for an artist looking for advice on how to stay on track creatively and Bob even gives Joe some notes on SUITABLE FLESH!  Interested in Bob's Grindhouse Releasing? Check out the official website and ALL of the amazing titles they have to offer at: www.grindhousereleasing.com

In this episode, host Dr Pasquale Iannone looks back at some highlights from the 77th Edinburgh International Film Festival. Pasquale talks to writer-director Jack King about his film The Ceremony, the film that won EIFF's inaugural Sir Sean Connery Prize for Excellence in Feature Filmmaking. He also speaks to BAFTA-winning writer-director Daisy-May Hudson about her film Lollipop.Pasquale offers some thoughts on two of EIFF's In Conversation events, the first featuring Gaspar Noé, the innovative, boundary-pushing director of Irreversible (2002) and Enter the Void (2009), the other featuring Oscar-winning film editor Thelma Schoonmaker, best known for her long collaboration with director Martin Scorsese on films such as Raging Bull (1980), Goodfellas (1990) and, most recently, Killers of the Flower Moon (2023)

Fof of Truth: Bad Press and the Fight for Free Press In this episode of 'The Fog of Truth,' we delve into the documentary film 'Bad Press,' which highlights the significance of free press within Native American communities, specifically focusing on the Muscogee Creek Nation. The film's directors, Rebecca Lansbury Baker and Joe Peeler share their journey of making the documentary and the challenges faced by Indigenous journalists.   Introduction to the Episode with clip from the film. Discussion on the Film 'Bad Press Meet the Directors The Importance of Free Press The Making of 'Bad Press" Challenges and Trust Building  Economic Implications Fundraising for the Film Editing and Storytelling Global Relevance of the Film Shooting and Editing Dynamics Conclusion and Final Thoughts

Steve found "Dune Part II" underwhelming due to its slow pacing and lack speaking logic. Similarly, he criticized "The Acolyte" for its terrible story, terrible production, and terrible rewriting of the Jedi.

We're thrilled to welcome Lucas Harger, an esteemed film and commercial editor, whose remarkable talent shines through in his work on sports documentaries like “Clemente” and “Lions of Mesopotamia,” which recently premiered at SXSW Festival. With over a decade of experience and accolades including an Emmy award, Lucas's editing prowess crafts narratives that deeply resonate with audiences. Join us as we explore Lucas's approach to storytelling and uncover the artistry and dedication in the world of editing. About Wrapbook Wrapbook is a smart, intuitive platform that makes production payroll and accounting easier, faster, and more secure. We provide a unified payroll platform that seamlessly connects your entire team—production, accounting, cast, and crew—all in one place. Wrapbook empowers production teams to manage projects, pay cast and crew, track expenses, and generate data-driven insights, while enabling workers to manage timecards, track pay, and onboard to new projects from any device. Wrapbook brings clarity and dependability to production payroll, while increasing the productivity of your whole team. For crew: The Wrapbook app eliminates the headaches of production payroll by providing a fast, transparent, and secure solution for workers to complete startwork, submit timecards, and track pay. Trusted by companies of all sizes, Wrapbook powers payroll for some of the industry's top production companies, including SMUGGLER, Tuff, and GhostRobot. Our growing team of 250+ people includes entertainment and technology experts from SAG-AFTRA, DGA, IATSE, Teamsters, Amazon, Microsoft, Facebook, and more. Wrapbook is backed by top-tier investors, including Jeffrey Katzenberg's WndrCo, Andreessen Horowitz, and A* Capital. Get started at https://www.wrapbook.com/

Sean Albertson approaches editing film the way he does cooking a meal: Try a little of this, what should I add here, does all this work together? Sean shares his editing philosophy, working on the horror film “Imaginary,” and how he's plugging in to the industry here after his recent move to Atlanta.Mentioned this episode:What's filming in GeorgiaAJC on “Tulsa King”This episode of The Boom was produced by Kevin Rinker and Jewel Wicker. Additional production and editing by Scotty Crowe. Original music by Matt Owen. For more information, visit wabe.org/theboomSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The 96th Academy Awards have exited the building, but we're just getting started on talking Oscars 2024! We discuss the nominees and pick our own winners, while also recapping the "actual" winners from the "actual" ceremony. Will the Cinemaholics agree with the Academy, or even (gasp) each other?! Don't change the channel if you want to find out! Our intro music this week is the opening television intro for "Sickle & Ebert: If We Picked The Winners" from March 24, 1990. Links: Email your feedback for the show to cinemaholicspodcast [at] gmail.com Join our Discord! We have a Cinemaholics channel here. Follow us on Twitter: Jon Negroni, Will Ashton Check out our Cinemaholics Merch! Check out our Patreon to support Cinemaholics! Connect with Cinemaholics on Facebook and Instagram. Support our show on Patreon: https://www.patreon.com/cinemaholicsSee omnystudio.com/listener for privacy information.

Editors - Inbal B. Lessner ACE and Ben Kaplan STORMY editors Inbal B. Lessner, ACE and Ben Kaplan each brought their considerable experience in unscripted storytelling to this timely and unique perspective of a woman who dominated the headlines throughout and following the presidency of Donald Trump. Directed and produced by Sarah Gibson, STORMY follows Stormy Daniels as she navigates being a mother, artist, and advocate working hard to reinvent herself following the Stormy Daniels–Donald Trump scandal.  Judd Apatow serves as an executive producer under his Apatow Productions banner. INBAL B. LESSNER, ACE Inbal B. Lessner, ACE is an Emmy-nominated and Eddie-winning producer and editor. Prior to her work on STORMY, Inbal was most well-known for such true crime hits as Starz' Seduced: Inside the NXIVM Cult (2020) and Netflix's Escaping Twin Flames (2023), both of which she co-created alongside her filmmaking partner Cecilia Peck.  As executive producer, showrunner, and editor, Inbal steered both shows towards nominations for Best Edited Documentary (Non-Theatrical) at the ACE Eddie Awards, nabbing a win for the latter. She was previously Eddie-nominated for her work on the "Can We All Get Along" episode of CNN's The Nineties (2017). Inbal has worked in the cutting rooms of directors such as Davis Guggenheim, Nancy Schwartzman, R.J. Cutler, Kelly Duane, Tricia Regan, Jeremy Simmons, and Tracy Droz Tragos, as well as Natalie Portman's feature directorial debut. A member of the AFI Conservatory faculty, she has also been a Visiting Professor of Film Editing at UNCSA Film School and is a mentor in the Karen Schmeer Diversity in the Edit Room Program. BEN KAPLAN A multi-award nominated documentary editor with over a decade of experience in the edit suite, Ben has worked on projects for CNN, Peacock, ABC/Hulu, Viceland and MAX.  When he's not cutting docs, he's usually cutting up ingredients in the kitchen, perfecting his favorite dishes. Editing STORMY In our discussion with STORMY editors Inbal B. Lessner, ACE and Ben Kaplan, we talk about: Making the most of the Miro board "If you can't sum it up, you must cut it out". Motorboating your way to authenticity Deconstructing one documentary for another Stringing together the spine of the story The Credits Visit ExtremeMusic for all your production audio needs Check out the Frame.io blog for an enhanced transcription of The Rough Cut. Watch the ACE Invisible Art - Visible Artists Panel Hear editor Inbal B. Lessner ACE discuss cutting SEDUCED: INSIDE THE NXIVM CULT Learn all about what's new with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

Please see this encore presentation of Episode 352: Fire from the Gods How ‘Oppenheimer' Mythologizes Twentieth Century America that we did in August 2023. In March 2024, this film won the following Oscars. Best Picture, Best Director, Actor in a Leading Role, Actor in a Supporting Role, Cinematography, Original Score, and Film Editing.  This Postmodern Realities episode is a conversation with JOURNAL author Cole Burgett about his online article, “Fire from the Gods How Oppenheimer Mythologizes Twentieth Century America.”   **Editor's Note: This article contains spoilers for Oppenheimer **https://www.equip.org/articles/fire-from-the-gods-how-oppenheimer-mythologizes-twentieth-century-america/When you  support the Journal, you join the team of to help provide the resources at equip.org that minister to people worldwide. These resources include our ever growing database of over 1,500 articles, as well as our free Postmodern Realities podcast.Another way you can support our online articles is by leaving us a tip. A tip is just a small amount, like $3, $5, or $10 which is the cost for some of a latte, lunch out, or coffee drink. To leave a tip, click hereOther recent articles and Postmodern Realities podcasts featuring this author:Episode 349: Film Review ‘Indiana Jones and the Dial of Destiny'It's the Mileage: Looking Back on Forty Years with ‘Indiana Jones'-Film Review of ‘Indiana Jones and the Dial of Destiny'Episode 344 Mrs. Davis and the Crisis of Storytelling in the Twenty-First CenturyMrs. Davis TV Series Review andEpisode 340 Finding Family Among the Last of UsFinding Family Among ‘The Last of Us'Episode 335 Let Faith Oust Fact: A Review of The WhaleLet Faith Oust Fact: A Review of The WhaleEpisode 330 Finding Empathy in the Trenches: A Review of Netflix's All Quiet on the Western FrontA Review of the Oscar Winning Netflix's All Quiet on the Western Front-Finding Empathy in the TrenchesEpisode 324 The Way of Family in Avatar: the Way of WaterThe Way of Family in Avatar: the Way of Water

The 94th Academy Awards capped off a huge year for Christopher Nolan's "Oppenheimer" as it won best pitcture, best director (Nolan), best actor (Cillian Murphy), best supporting actor (Robert Downey Jr.) plus three more for seven total Oscars. But two other films that were expected to be the biggest challengers fell flat, with "Barbie" and "Killers of the Flower Moon" combining for a single Oscar. In this special episode of Streamed & Screened, Bruce Miller and Terry Lipshetz break down the surprises and snubs, talk about host Jimmy Kimmel and the pacing of the show, and even take a slight glance ahead to next year. 94TH ACADEMY AWARDS WINNERS BEST PICTURE “Oppenheimer” BEST ACTRESS Emma Stone, “Poor Things” BEST ACTOR Cillian Murphy, “Oppenheimer” SUPPORTING ACTOR Robert Downey Jr., “Oppenheimer” SUPPORTING ACTRESS Da’Vine Joy Randolph, “The Holdovers” DIRECTOR Christopher Nolan, “Oppenheimer” LIVE ACTION SHORT FILM “The Wonderful Story of Henry Sugar” SOUND “The Zone of Interest,” Tarn Willers and Johnnie Burn ORIGINAL SCORE “Oppenheimer,” Ludwig Göransson ORIGINAL SONG “What Was I Made For?” from “Barbie” VISUAL EFFECTS “Godzilla Minus One” FILM EDITING “Oppenheimer,” Jennifer Lame DOCUMENTARY SHORT FILM “The Last Repair Shop” DOCUMENTARY FEATURE “20 Days in Mariupol” CINEMATOGRAPHY “Oppenheimer,” Hoyte Van Hoytema ANIMATED SHORT FILM “WAR IS OVER! Inspired by the Music of John & Yoko” ANIMATED FILM “The Boy and the Heron” ORIGINAL SCREENPLAY “Anatomy of a Fall,” Justine Triet and Arthur Harari ADAPTED SCREENPLAY “American Fiction,” Cord Jefferson MAKEUP AND HAIRSTYLING “Poor Things,” Nadia Stacey, Mark Coulier and Josh Weston PRODUCTION DESIGN “Poor Things,” James Price, Shona Heath and Zsuzsa Mihalek COSTUME DESIGN “Poor Things,” Holly Waddington INTERNATIONAL FEATURE FILM “The Zone of Interest” (United Kingdom) Contact us! We want to hear from you! Email questions to podcasts@lee.net and we'll answer your question on a future episode! About the show Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, a longtime entertainment reporter who is now the editor of the Sioux City Journal in Iowa and Terry Lipshetz, a senior producer for Lee Enterprises based in Madison, Wisconsin.

The Oscar nominees for Film Editing compose an interesting slate of films this year, and editors Christopher Angel and Amy Duddleston return to share their insights. For those following along at home, you may be amused to know that they disagree on the merits of at least one of these movies, but they both reinforced my opinion about the one nominee I've elsewhere suggested was overrated. What drama! Join us for a listen. The 2023 Nominees for Film Editing: •"Anatomy of a Fall" •"The Holdovers" •"Killers of the Flower Moon" •"Oppenheimer" •"Poor Things"

In this Teacher As Film Editor minisode, Melissa talks about Walter Murch's term the "bad bits." Teachers are like film editors who sometimes cut out the "bad bits" of their lessons to meet the needs of their students. 

Ever wonder how directors, like this year's Oscar-nominated Martin Scorsese and Justine Triet, work with their teams to orchestrate such thought-provoking, beautiful films? Sophia and Nick are back with their favorite yearly series to explain that and much, much more. After listing all the nominees in Original Song, Original Score (21:15), Sound (46:49), Film Editing (1:10:20), and Visual Effects (1:33:03), they list fun facts from production, what their write-in votes would be, and who they think should win. Listen along to see what makes this extraordinary crop of nominees shine!Follow us on Twitter, Instagram, and TikTok @oscarwildpodFollow Sophia @sophia_cimFollow Nick @sauerkraut27More content including updated nomination predictions @ oscarwild.squarespace.comMusic: “The Greatest Adventure” by Jonathan Adamich

What Is This Episode - Top of Show . 2024 OSCAR NOMS PREDICTIONS SHOW: Best Picture or BAFTA Bashes Barbie - 3:23 (Other BAFTA Exclusive Categories) . Best Director: Get Chris to the Greek - 13:47 Screenplay Categories: The Barbie Ballyhoo - 23:15 . Film Editing - 31:15 Cinematography - 34:31 VFX - 37:30 Animated Feature - 40:26 International/Doc Feature - 43:06 . Supporting Actress/Actor - 48:00 Music Categories - 57:07 Sound Design - 1:04:07 Production Design - 1:07:40 Costume Design/MUAH - 1:09:17 Lead Actor/Actress - 1:13:33 . . Your Homework/LEAVE US 5 STARS! - 1:19:35 Words of Wisdom/What's Coming Next - 1:21:05

Now for something completely different! “Gen V” is a bombastic and provocative take on the Superhero genre, and Film Editor Maura Corey threads a needle balancing the action, the satire, and the humor from scene to scene. Gianni Damaia returns to the co-host seat, and - once again - it's a laugh-out-loud conversation that I hope you'll enjoy as much as we did.

Gail Gilbert was an award-winning film editor before going back for an MFA in Writing for the Screen + Stage at Northwestern University. Now she is fully launched in a new career as writer/director, thriving on creating stories that push the envelope in critiquing modern life. Her work challenges stereotypes of ageism and shows that life is equally wild and crazy all the way to the end.