Podcasts about Cruella

Weeooweeoo breaking news! The gals are looking…gorgeous this week?? And in a segment we're calling

Send us Fan MailVillains do not need to rebuild Disneyland to make it feel cursed. Give them control over the ride names, the background music, and the menu descriptions, and suddenly every “classic” turns into a warning label. We start with a toast straight out of Disney Cruise Line lore by recreating The Darling from DeVille's Piano Lounge on the Disney Destiny, then we use that same attention to theme and tone to let the bad guys run wild.From there, we draft the takeover rules and pick our battlegrounds: Disneyland and Disney's Animal Kingdom. You'll hear our ride overlay pitches that keep the mechanics intact while flipping the story, like Kilimanjaro Safaris as Scar's Wasteland, Expedition Everest pursued by the Druun, and Flight of Passage reframed as a full-on Battle For Pandora. On the Disneyland side, Space Mountain becomes Zerg's “Totally Safe” training simulator complete with relentless monologuing, Pirates turns into Captain Hook's “respectable” maritime career pitch, and It's a Small World gets a Dr. Facilier twist that asks one question on repeat: did you read the fine print?We also take swings at shows and walkthroughs, from Scar-centered theater to a Phantasmic narration track run by Hades, plus a Maleficent-inspired castle exhibit that rewrites the whole “who is the victim?” argument. And because Disney food culture is half the fun, we rename lounges and restaurants with villain energy, including a Nomad Lounge takeover with color-changing cocktails and a Cruella dining makeover that insists the steak is totally not what you think.If you love Disney villains, theme park storytelling, Disneyland details, Animal Kingdom atmosphere, and clever menu theming, hit subscribe, share the episode with a Disney friend, and leave a review. Which villain takeover would you actually want to experience?

Har efterfølgeren til The Devil Wears Prada været 20 års ventetid værd?I denne episode af Betacritic har Jacob Ege Hinchely besøg af komiker Sofie Skriver. Sammen kigger de på to store biografhits: den aktuelle The Devil Wears Prada 2 og The Housemaid, der er ude til hjemmebiografen.The Devil Wears Prada 2 er et komediedrama og efterfølgeren til kæmpehittet fra 2006, og hele det gamle hold er tilbage. Anne Hathaway (The Dark Knight Rises, Interstellar) spiller endnu engang Andy Sachs, der sammen med Miranda Priestly, spillet af den Oscar-vindende Meryl Streep (Sophie's Choice, The Post), må navigere den kompetitive modebranche. Filmen er instrueret af David Frankel (The Devil Wears Prada, Marley & Me) og skrevet af Aline Brosh McKenna (The Devil Wears Prada, Cruella).The Housemaid er et psykologisk spændingsdrama/melodrama, der følger en ung kvinde, spillet af Sydney Sweeney (Euphoria), som får job som hushjælp hos en velhavende familie, men hurtigt opdager, at der gemmer sig mørke hemmeligheder og farlige magtspil bag den perfekte facade. I filmen medvirker også Amanda Seyfried (Mamma Mia!, Mean Girls), og filmen er instrueret af Paul Feig (Bridesmaids, A Simple Favor).Tusind tak, fordi du lytter med.

Because "3 Dalmations" just didn't have the same ring to it. Also little known fact, after this movie premiered Emma Thompson was arrested for theft because she steals every damn scene she is in. You can get in contact with us via email at themovietreepod@gmail.com or via socials.Feel free to write in with suggestions for movies you'd like to see us cover in future episodes.Also FEEL FREE TO WRITE IN WITH SUGGESTIONS FOR MOVIES YOU'D LIKE TO SEE US COVER IN FUTURE EPISODES!!We mean it. Please write in. We'll send you some free stuff.Check out our weekly videos on YouTube, TikTok and Facebook, most of them are absolute deadset bangers.If you know someone who might like this episode, or the last episode, or even any of the episodes then please hit Share on your podcast app of choice and let them know about all of the goodness that is a Movie Tree episode.As is the cliche - please like, subscribe, comment and review! Would be lovely to build on our 4 reviews we've had so far.Adios bitches. Hosted on Acast. See acast.com/privacy for more information.

This episode sees Daniel welcome to "Creatively Me" three-time Oscar nominated make-up artist Naomi Donne. Naomi's one of a kind approach to make-up in cinema combines academic training with deep research and storytelling, to forget looks that are at once subtle and unforgettable.Starting out by working at the BBC, Naomi soon began to lend her talents to some of the most beloved films of recent times, from working alongside Timothy Dalton and Daniel Craig on the "James Bond" franchise, to her regular collaborations with Emma Thompson on films like “Matilda: The Musical” and “Good Luck to You, Leo Grande”.The Academy have recognised her singular work three times, for the 2017 war-film "1917", the 2021 Disney film "Cruella" and the 2022 comic-book crime epic "The Batman".Naomi has also used her platform and talents for good, launching the YouTube series "Made Up Stories" which, featuring guests like Ruby Wax. This series sees Naomi craft stunning beauty looks for women who, because of health issues, unfortunate events or through ageism or sexism don't feel quite like themselves any more.On today's episode, Naomi details how Doctor Who became an unlikely moment of inspiration for her and her career, her work with talents like Robert Pattinson and Matt Reeves on "The Batman", and the evolution for her work on the "007" franchise.Plus she'll be sharing why working with Emma Thompson across multiple projects remains such a delight.All of this & more on today's episode of "Creatively Me".Naomi Donne - https://www.imdb.com/name/nm0232644/⁠Naomi Donne on Instagram - https://www.instagram.com/accounts/login/?next=https%3A%2F%2Fwww.instagram.com%2Fnaomidonnemakeupdesigner%2F&is_from_rleMade Up Stories by Naomi Donne on YouTube - https://www.youtube.com/c/naomidonneConnect with Daniel on Instagram - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/d.heaphymedia/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Connect with Daniel on Facebook -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠https://m.facebook.com/100067449105174/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Connect with Daniel on LinkedIn -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠https://ie.linkedin.com/in/daniel-heaphy-4984381a3⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Daniel on IMDB -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠https://www.imdb.com/name/nm13256427/?ref_=nv_sr_srsg_0_tt_1_nm_7_q_DANIEL%2520HEAPHY⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email - creativelymepodcast@gmail.com“Creatively Me” Theme Music by Bukky -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠https://open.spotify.com/artist/1v7rqTLaVA3Ce6Q9R98dSq⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Daniel Heaphy is a twenty-six years old graduate of a BA in Creative Digital Media and an MA in Film & Screen Media. He is a writer, actor, filmmaker and podcast host. His short-film work has been screened in festivals across Ireland and the UK. His debut novel for children and teens "Breanne 1975" was released in August 2024. He launched the podcast "Creatively Me" in February 2024.

Aline Brosh McKenna is the original screenwriter of THE DEVIL WEARS PRADA and the screenwriter and producer of the sequel, THE DEVIL WEARS PRADA 2, with the return of Anne Hathaway, Meryl Streep, Emily Blunt, and Stanley Tucci. She is also behind 27 DRESSES; YOUR PLACE OR MINE, CRUELLA, and CRAZY EX-GIRLFRIEND. In this interview, we talk about the development of THE DEVIL WEARS PRADA 2 and how she pitched the story outline to Meryl Streep, learning to find professional failure and bad meetings funny, writing with no attachment to the outcome, and much more. Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS, right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend, as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds, and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

Greetings from Castaway Cay! We disembark the Disney Destiny first thing tomorrow morning after spending the last five days aboard Disney’s brand new cruise ship themed to Heroes and Villains. This was also our first Disney cruise without our two boys, so we have a whole new perspective on sailing with DCL. From Dr. Facilier’s Parlor to Treble-Making with Cruella, we’ve had some really fun experiences this week and we can’t wait to share them all with you. Enjoy! This episode is sponsored by Fantastical Vacations. For free concierge vacation planning, specializing in Disney and Universal Vacations, visit https://www.fantasticalvacations.com We would love you to join us on Patreon! Thanks so much for supporting the show. We also have Addicted to the Mouse Merchandise! You can check it out at https://addictedtothemerch.com Thanks so much for listening! If you like what you hear, please subscribe and catch us every Sunday for the podcast. Join us every Sunday and Wednesday evening as we take you to Walt Disney World, Disneyland, on Disney Cruise Line, Universal Studios and everywhere in between! We can be found at www.addictedtothemouse.com and be reached at danandleslie@addictedtothemouse.com Please also connect with us here: Patreon – https://www.patreon.com/addictedtothemouse Youtube – https://www.youtube.com/@AddictedtotheMouse Facebook – https://www.facebook.com/AddictedtotheMouse/ Instagram – https://instagram.com/addictedtothemouse/ The post Our Disney Destiny Adults-Only Cruise | Trip Report appeared first on Addicted to the Mouse.

Diese Folge ist für dich, wenn du es satt hast, dich kleinzumachen.Ich nehme dich heute mit in die Energy von Cruella de Vil – Denn sie ist die Frau, die aufgehört hat, sich zu entschuldigen. Die keinen Raum mehr lässt für Projektion, für People-Pleasing, für das ewige Retten anderer auf Kosten sich selbst.In dieser Folge sprechen wir darüber:

Here we go good bois and girls, the GenreCast is back with more Heart of Stone. This week, we look at Emma Stone's turn as one of Disney's most iconic villains—Cruella. Out of the success of I, Tonya Craig Gillespie finds himself at the helm of a major franchise film. But, is this one fashionably in style or a major woof! We discuss Disney's regurgitation habits, Emma Stone's next move, needle drops, and much, much more as we drive Cruella to the analysis table. Tune in now!

“If we want things to stay as they are, things will have to change.”Costume designer Jenny Beavan joins hosts Andy Nelson and Pete Wright to discuss The Leopard, directed by Luchino Visconti—the landmark 1963 epic that showed her what period design could be.A three-time Oscar winner whose career spans A Room with a View, Mad Max: Fury Road, and Cruella, Beavan traces The Leopard back to a Soho cinema in the late sixties and the influence of a mentor who kept returning to what Piero Tosi achieved there. "He was obsessive, Piero Tosi. I don't think he was happy because it was never perfect enough. But he was one of the most incredible costume designers ever." The conversation also moves through her recent Nicholas Hytner film The Choral and the challenge of building an authentic world on nearly nothing—which turns out to be its own kind of craft lesson.Watch the conversation on YouTubeWatch & Stream The Leopard — Apple TV · Amazon · Letterboxd · TrailerAbout Jenny Beavan IMDb · InstagramReferenced in This Episode Elgar's The Dream of Gerontius — 1968 recording, Adrian Boult, Coventry CathedralSource Material The Leopard by Giuseppe Tomasi di Lampedusa — AmazonIf You Enjoyed This Conversation The Next Reel — Mad Max series The Film Board — Furiosa: A Mad Max Saga Movies We Like — Costume Designer Deborah L. Scott on The Mission Movies We Like — Costume Designer Alana Morshead on Never Let Me Go Support The Next Reel Family of Film Shows:Become a member for just $5/month or $55/yearJoin our Discord community of movie loversThe Next Reel Family of Film Shows:Cinema Scope: Bridging Genres, Subgenres, and MovementsThe Film BoardMovies We LikeThe Next ReelSitting in the DarkConnect With Us:Main Site: WebMovie Platforms: Letterboxd | FlickchartSocial Media: Facebook | Instagram | Threads | Bluesky | YouTube | PinterestYour Hosts: Andy | PeteShop & Stream:Merch Store: Apparel, stickers, mugs & moreWatch Page: Buy/rent films we've discussedOriginals: Source material from our episodesSpecial offers: Audible

Join Andrew, Gabe, Kyle, Tom, Mike, and Special Guest Maggie as they discuss two ambitious ingenues as they navigate new horizons hoping to ascend and advance! Will we be kind to Cruella? Or will The Devil Wears Prada have it's due?

Plongez dans l'histoire des grands personnages et des évènements marquants qui ont façonné notre monde ! Avec enthousiasme et talent, Franck Ferrand vous révèle les coulisses de l'histoire avec un grand H, entre mystères, secrets et épisodes méconnus : un cadeau pour les amoureux du passé, de la préhistoire à l'histoire contemporaine.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Welcome, welcome, welcome to the Distraction Pieces Podcast with Scroobius Pip!This week Pip is joined by the proper acting talent that is JOEL FRY!A delightful chat here with Joel, who we catch mere months into the second child bubble (and is holding up impressively). A quick glimpse at his IMDB will reveal an absolute avalanche of great projects that you're likely to have peeped over the years, though it may even be the case that you're only just discovering him through the latest (at time of publishing) 'Stitch Head' in which he voices 'Creature'. Whatever the case may be, it's a treat to hear the backstage banter about past and present work engagements, including working with Ben Wheatley on 'In The Earth', the move from Devon to Brixton, the science of doing nothing on camera, pandemic hangover life and acting throughout, Yesterday, cinematic universes (whether you believe in them or not!) and so much more of course. Lovely stuff. Get involved.PIP'S PATREON PAGE if you're of a supporting natureIMDBIN THE EARTHSTITCH HEADOUR FLAG MEANS DEATHPIP AT PRINCE CHARLES CINEMA!SPEECH DEVELOPMENT WEBSTOREPIP TWITCH • (music stuff)PIP INSTAGRAMPIP TWITTERPIP PATREONPIP IMDB Hosted on Acast. See acast.com/privacy for more information.

02-18-26 - BR - MIX - Hillbilly Baby Hagglers - Puppy Tossers - Brady Can't Say Cruella - 2006-2009 - BOSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

02-18-26 - BR - MIX - Hillbilly Baby Hagglers - Puppy Tossers - Brady Can't Say Cruella - 2006-2009 - BOSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of The Costume House with Spencer Williams, the doors open wide for a true legend of costume design—Jenny Beavan.The conversation begins with The Choral, Jenny's latest collaboration with director Nicholas Hytner, where she discusses crafting costumes that balance character, history, and emotional precision. But when you sit down with an icon, the conversation doesn't stop there. Spencer and Jenny also reflect on her extraordinary career, revisiting some of her most beloved and influential work including the Mad Max films, Cruella, A Room with a View, Ever After: A Cinderella Story, and more.Thoughtful, funny, and deeply inspiring, this episode is both a masterclass in costume storytelling and a celebration of a designer whose work continues to shape how we see film, character, and style.

In this episode of The Costume House with Spencer Williams, the doors open wide for a true legend of costume design—Jenny Beavan.The conversation begins with The Choral, Jenny's latest collaboration with director Nicholas Hytner, where she discusses crafting costumes that balance character, history, and emotional precision. But when you sit down with an icon, the conversation doesn't stop there. Spencer and Jenny also reflect on her extraordinary career, revisiting some of her most beloved and influential work including the Mad Max films, Cruella, A Room with a View, Ever After: A Cinderella Story, and more.Thoughtful, funny, and deeply inspiring, this episode is both a masterclass in costume storytelling and a celebration of a designer whose work continues to shape how we see film, character, and style.

Hold onto your lekku, because this week we're abandoning ship and diving straight into the Dark Side. First up, we're dissecting the brand-new trailer for Maul: Shadow Lord. Is Disney finally growing a pair and giving us a true villain protagonist, or are they just going to "Cruella-fy" our favorite horn-headed Sith? We're breaking down Maul's mysterious new "Acolyte" (could it be a canonized Darth Talon?), the "Inquisitor-lite" vibes of the new visual style, and why this show might finally bridge the 10-year gap between the Clone Wars fallout and his "ruler of the underworld" era in Solo. Then, the main event: Bogan's Advocate returns. We're putting Attack of the Clones on trial. Is it a misunderstood masterpiece of political intrigue, or just two hours of CGI sand and awkward flirting? Our guests Blake and Dan join the fray to defend the indefensible and debate whether Maul and Ahsoka could have actually saved the galaxy if they'd just stopped arguing about Anakin for five minutes. Check out the Star Wars Archives link in our description for a database of all 400+ episodes! Orbitkey Disney Collection Add a sprinkle of Disney magic to your everyday carry. The Disney x Orbitkey Collection features fun, functional accessories inspired by Disney characters, designed to make staying organised feel like magic. https://www.orbitkey.com/pages/disney?srsltid=AfmBOorl0UJrj6Skr7fWecL5ZzpxJ6tt757WShCMY3XcCGsLaXPwzBUw Kirk is on YouTube: @kirkmihelakos https://www.youtube.com/designedbykirk Darian is on YouTube: @TheManDarian https://www.youtube.com/@TheManDarian ———————————————————————— Star Wars Escape Pod

Join us as we recap and chat about Once Upon a Time Episode 5x15 "The Brothers' Jones"Did you know red peppers in jars and bowls can be seen in the background in the Underbrooke Rabbit Hole and Granny's sets?Wiki page for the episode: https://onceuponatime.fandom.com/wiki/The_Brothers_JonesLinks, articles, and videos mentioned in this episode:Lana answering a question in a way the audience did not likeJoin our Book Club and get access to exclusive content on PatreonFollow us on InstagramFollow us on TiktokFollow us on Bluesky

Is Hudson okay after the Packers lose to the Bears? Also, is this hockey brawl the best ever? We talk about Aly running a 5K, Indiana's big win over Oregon, and lots more!

As the calendar flips to a brand-new year, Jim Hill and Lauren Hersey kick things off by looking ahead to what's shaping up to be a massive 2026 for Disney merch fans. From milestone anniversaries Disney rarely shouts about to a packed slate of films and park changes, this episode breaks down why collectors should start paying attention now. And later in the show, Jim dives deep into a Disney history lesson about a beautifully ambitious animated film that failed spectacularly - and how that misfire accidentally paved the way for one of Disney's most merch-friendly franchises ever. NEWS • Why 2026 is stacked with Disney anniversaries, including Disneyland's 70th, DCA's 25th, and multiple film milestones • Major franchise birthdays like High School Musical (20), Cars (20), Zootopia (10), Moana (10), and 101 Dalmatians (65) • How Pixar's 40th anniversary and its long partnership with Disney could influence upcoming releases • A look at 2026 movies driving merch, including Toy Story 5, The Mandalorian and Grogu, and live-action Moana • Big park changes ahead, from Galaxy's Edge updates to Disneyland Paris becoming Disney Adventure World FEATURE • Why Sleeping Beauty was one of Disney's most expensive animated gambles - and why it failed at the box office • How that failure led Disney to completely rethink animation budgets and storytelling • The surprising connection between Sleeping Beauty's loss and the creation of One Hundred and One Dalmatians • How that pivot ultimately set the stage for decades of Cruella-driven merch success HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Lauren Hersey - X: @laurenhersey2 | IG: @lauren_hersey_ FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSORThis episode of I Want That Too is brought to you by Unlocked Magic, the same trusted team behind the DVC Rental Store and the DVC Resale Market. If Disney or Universal is anywhere on your 2026 radar, Unlocked Magic is a smart place to start. Their experts know the parks, the seasons, and how to help you plan without overpaying. Head to UnlockedMagic.com for great deals on theme park tickets and start planning your next trip. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sprudelwasser, Team Extensions og Cruella de Vil.

Join us as we recap and chat about Once Upon a Time Episode 5x13 "Labor of Love"Did you know this episode featured Bailee Madison's first on screen kiss?Wiki page for the episode:https://onceuponatime.fandom.com/wiki/Labor_of_LoveLinks, articles, and videos mentioned in this episode:Jonathan Whitesell IMDBKacey Rohl IMDBJoin our Book Club and get access to exclusive content on PatreonFollow us on InstagramFollow us on TiktokFollow us on Bluesky

She doesn't design clothes—she designs stories. 3-time Oscar-winning costume designer Jenny Beavan shares how storytelling, instinct, and courage—not fashion—have shaped a career spanning over 70 films. This episode focusing on her most recent film, The Choral. In this deeply inspiring conversation, Jenny reflects on growing up without television, building entire worlds from cardboard boxes, and how a single childhood encounter with Shakespeare set her life's direction. She traces her unconventional path from theatre and opera to film, revealing how saying yes to uncertainty—and embracing fear—became one of her greatest creative strengths. Together, Jenny and host Catherine Baumgardner explore the true role of costume design as invisible storytelling: creating characters audiences believe in without ever noticing the clothes. Jenny breaks down her process—from script analysis and historical research to building costumes in full 3D on mannequins—and explains why collaboration, humility, and learning every craft on the way up matter more than titles or awards. She opens up about working under extreme pressure on films like Mad Max: Fury Road and Cruella, why failure is essential to growth, and how leadership in creative fields is less about control and more about trust. Packed with life advice for artists, filmmakers, designers, and students, this episode is a masterclass in creativity, resilience, and staying curious—no matter how far you've come. The "Voice of Costume" is the first podcast created between working costume designers sharing stories, inspiration, struggles, and insights into the creative career of costume design. A behind-the-scenes podcast to showcase the voices of Costume Designers around the world. Listen in on this inspirational, one-on-one conversation with Catherine Baumgardner. Audio available wherever you get podcasts. https://voiceofcostume.com/

What's the best book-to-film adaptation, and could it be Die Hard? Sean McCaul, of Citizen By Design, calls the Bruce Willis action flick his favorite movie. And Sean is in great company, James Cameron has called Die Hard HIS favorite action movie. We also discuss Frank Lloyd Wright, terrorism, Moonlighting and Blind Date, plus 1994's The Crow. For good measure, we get into Batman and Robin and how the comic book detectives connect to Die Hard with a Vengeance, as well as Se7en. Plus, because villains are fun, we touch on Wicked and Cruella. This episode was originally released for Season 1, in July 2024.-Sean McCaul, of Citizen By Design, is a brand-focused creative who helps people bring ideas to life, crafting brands that make businesses stand out.https://citizenbydesign.com/ https://www.instagram.com/citizenbydesign/ https://www.linkedin.com/in/citizenbydesign/ -Die Hard (1988)https://www.imdb.com/title/tt0095016/ https://en.wikipedia.org/wiki/Nothing_Lasts_Forever_(Thorp_novel) -James Cameron named Die Hard his favorite action movie during Stephen Colbert's "Questionert."https://youtu.be/7x3Gp2yXuxw&t=354‍ ‍-Other movies and shows discussed:Avengers: EndgameBatman and Robin Blind DateThe CrowCruellaDeath Becomes HerDie Hard with a Vengeance First BloodPredatorPulp FictionSe7enWicked

Sam from Sam's Disney Diary joins Len and Jim to spill the (highly theatrical) tea on Disney Cruise Line's newest ship, the Disney Destiny - where character “meet-and-greets” have evolved into full-on, semi-improvised encounters that can follow you across the voyage. Then Jim heads back to where Disney's in-park 3D film history really begins, from the 1950s 3D Jamboree at Disneyland to the studio's eternal talent for repurposing anything that is not nailed down. NEWS • Taylor Swift's Eras Tour costumes will stay on display at Walt Disney Presents: One Man's Dream through January 23, 2026 • Rock 'n' Roller Coaster Starring Aerosmith plays its final riff on March 1, 2026 - with a “summer” reopen that is, as always, Disney-flexible • The Muppet Show special with Sabrina Carpenter hits Disney+ on February 4 - and may be a stealth pilot for a bigger revival • The Boathouse at Disney Springs lands as one of America's top-grossing independent restaurants - fueled by sheer, glorious volume • A reported FTC allegation about Pepsi + Walmart “pricing power” takes an extra twist once Len connects the dots to Disney's current CFO talk about dynamic pricing FEATURE • Sam breaks down how Disney Destiny's characters run “meet-and-play” moments - Pirates pub invites, Cruella's improv songwriting, and other “be here later” surprises • The ship's hero-vs-villain throughline (hello, Loki) and why it feels like Disney quietly recycled some Galactic Starcruiser know-how • The Haunted Mansion parlor sticks around - now with an in-app AR hunt to round up “escaped” ghosts • Jim rewinds to Disney's earliest 3D experiments, including Disneyland's 1956-era 3D Jamboree and the studio's short-lived 1950s 3D flirtation For this episode's full show notes, click here. HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Len Testa - IG: @len.testa | Bluesky: @lentesta.bsky.social | Website: TouringPlans.com GUEST • Sam Marraccini - IG: @samsdisneydaily | X: @SamsDisneyDiary | Website: SamsDisneyDiary.com Sam's Disney Diary+2X (formerly Twitter)+2 FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode is sponsored by Unlocked Magic - visit UnlockedMagic.com for special discounts on Disney theme park tickets for 2026. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sam from Sam's Disney Diary joins Len and Jim to spill the (highly theatrical) tea on Disney Cruise Line's newest ship, the Disney Destiny - where character “meet-and-greets” have evolved into full-on, semi-improvised encounters that can follow you across the voyage. Then Jim heads back to where Disney's in-park 3D film history really begins, from the 1950s 3D Jamboree at Disneyland to the studio's eternal talent for repurposing anything that is not nailed down. NEWS • Taylor Swift's Eras Tour costumes will stay on display at Walt Disney Presents: One Man's Dream through January 23, 2026 • Rock 'n' Roller Coaster Starring Aerosmith plays its final riff on March 1, 2026 - with a “summer” reopen that is, as always, Disney-flexible • The Muppet Show special with Sabrina Carpenter hits Disney+ on February 4 - and may be a stealth pilot for a bigger revival • The Boathouse at Disney Springs lands as one of America's top-grossing independent restaurants - fueled by sheer, glorious volume • A reported FTC allegation about Pepsi + Walmart “pricing power” takes an extra twist once Len connects the dots to Disney's current CFO talk about dynamic pricing FEATURE • Sam breaks down how Disney Destiny's characters run “meet-and-play” moments - Pirates pub invites, Cruella's improv songwriting, and other “be here later” surprises • The ship's hero-vs-villain throughline (hello, Loki) and why it feels like Disney quietly recycled some Galactic Starcruiser know-how • The Haunted Mansion parlor sticks around - now with an in-app AR hunt to round up “escaped” ghosts • Jim rewinds to Disney's earliest 3D experiments, including Disneyland's 1956-era 3D Jamboree and the studio's short-lived 1950s 3D flirtation For this episode's full show notes, click here. HOSTS • Jim Hill - IG: @JimHillMedia | X: @JimHillMedia | Website: JimHillMedia.com • Len Testa - IG: @len.testa | Bluesky: @lentesta.bsky.social | Website: TouringPlans.com GUEST • Sam Marraccini - IG: @samsdisneydaily | X: @SamsDisneyDiary | Website: SamsDisneyDiary.com Sam's Disney Diary+2X (formerly Twitter)+2 FOLLOW • Facebook: JimHillMediaNews • Instagram: JimHillMedia • TikTok: JimHillMedia SUPPORT Support the show and access bonus episodes and additional content at Patreon.com/JimHillMedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - Strong Minded Agency SPONSOR This episode is sponsored by Unlocked Magic - visit UnlockedMagic.com for special discounts on Disney theme park tickets for 2026. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. Learn more about your ad choices. Visit megaphone.fm/adchoices

Paul Chowdhry is a multi-award-winning comedian, actor, and writer—and one of the UK's top-grossing stand-ups. His Amazon Prime special Live Innit reached a global audience, and his groundbreaking performance in Saudi Arabia made headlines as the first of its kind. On screen, he has appeared in Disney's Cruella with Emma Stone, BBC One's The Cleaner alongside Helena Bonham Carter, and Sky Atlantic's Devils with Patrick Dempsey. He starred in Taskmaster (Series 3) and is a regular on The Russell Howard Hour, Live at the Apollo, and more.Chowdhry has shared stages with Dave Chappelle, Kevin Hart, Chris Rock, Bill Burr, Trevor Noah, and Ken Jeong.https://www.instagram.com/paulchowdhry/https://www.facebook.com/profile.php?id=100044282627028https://www.youtube.com/davebo1234https://x.com/paulchowdhryBetterHelp: Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://betterhelp.com/macolino⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for 10% off your first month of therapy with BetterHelp and get matched with a therapist who will listen and help #sponsoredYouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/JeffMacolino⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Me!!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/saintjmac⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/jeffmacolinopodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/saintjmac/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDB: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.imdb.com/title/tt17046562/?ref_=nm_knf_t1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@jeffmacolino⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Art Credit: Chase Henderson

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Kim takes aim at Hollywood's growing trend of rewriting villains as misunderstood victims, from Disney's Cruella to the upcoming Cinderella spinoff Steps. She argues that the cultural push to blur the line between good and evil is seeping into kids' media — turning moral clarity into moral confusion. Marc joins in, connecting the dots between “rehabilitated” villains and the left's habit of excusing real-world criminals and illegal immigrants as victims of circumstance. Together they warn that this cultural rewriting, wrapped in DEI and “equity” language, is eroding personal responsibility and moral truth. #KimOnAWhim #CultureWar

Ben Lindbergh and Meg Rowley break down Scott Boras’s Winter Meetings wordplay and discuss the Kyle Schwarber and Edwin Díaz deals, a smattering of starting-pitcher signings, the Pirates as supposed spenders, the latest on the Ippei Mizuhara TV series, a Lane Kiffin canine conspiracy, and a Johanfran Garcia nickname. Audio intro: El Warren, “Effectively Wild Theme” Audio outro: Guy Russo, “Effectively Wild Theme” Link to Boras on EW Link to Boras on Imai Link to Boras on Suárez Link to Boras on Bregman Link to Boras on Alonso Link to more on Alonso Link to “Wood” song Link to Boras on Gallen Link to Boras on Skubal Link to Boras on Bellinger Link to Bellinger quote transcription Link to quote about news timing Link to FG post on Schwarber Link to NL fWAR leaders Link to FG post on Díaz Link to Friedman’s “heavy lifting” quote Link to over/under draft results Link to Pirates offer story Link to Boras on the Pirates Link to Pirates/Marlins spending story Link to Ippei show update Link to FG post on Matz Link to MLBTR on Grissom Link to MLBTR on Ponce Link to MLBTR on Weiss Link to MLBTR on Kay Link to MLBTR on Anderson Link to HUAL on Kiffin Link to Kiffin dog story 1 Link to Kiffin dog story 2 Link to report on Juice Link to post on Juice’s account Link to Cruella de Vil wiki Link to Garcia brothers story Link to Patreon gift subs Link to Secret Santa sign-up Sponsor Us on Patreon Give a Gift Subscription Email Us: podcast@fangraphs.com Effectively Wild Subreddit Effectively Wild Wiki Apple Podcasts Feed Spotify Feed YouTube Playlist Facebook Group Bluesky Account Twitter Account Get Our Merch! var SERVER_DATA = Object.assign(SERVER_DATA || {}); Source

The drums hit before the curry cools, the Muses raise the roof, and a shadow man steals the show—Wesley's maiden voyage on Disney Destiny was packed with moments that surprised in the best ways. We're picking up where we left off last week to continue our look into Disney's newest cruise ship.We dig into Pride Lands' dinner theater, where gorgeous savannah lighting and rich design meet a sound mix that sometimes overwhelms the meal. The food is a genuine highlight—complex, abundant, and anchored by a standout shrimp curry—while we wrestle with the core question: how much concert belongs at the dinner table?Over in the Walt Disney Theatre, Disney Hercules lands with heart and swagger. Updated staging, sharp costumes, and a thoughtful new Meg song bring fresh energy without losing the movie's soul. We talk cast chemistry, why early runs improve fast, and how the Muses keep the momentum humming. Between shows, the ship's narrative threads come alive through interactive touchpoints—Loki's mischief, Cruella's flair, and especially Dr. Facilier's parlor, a 10-minute, worth-the-wait immersion that proves performance can transform a simple room into event theater.Shore days show the contrast between Castaway Cay and Lookout Key. Castaway remains the masterclass in Disney-style storytelling: visual “weenies,” intuitive flow, and that feeling of being guided from ship to sand. Lookout Key dazzles with pink sand, silky water, and quiet snorkeling spots, but it's spread out and light on narrative cues. We share what worked, what needs a Phase 2, and why both stops are worth your time for different reasons. Along the way, we trade practical tips on seating, lines, and sound, debate cruise-ship identity versus theme-park density, and spotlight Version 55.71—Wesley's passion project tracking Disney Parks changes like software updates (https://version5571.com).If you're weighing a maiden voyage, curious about Pride Lands, or planning days at Castaway and Lookout, this is your guide to the wins, the tradeoffs, and the can't-miss moments. Enjoy the ride, then tell us: would you brave the drums for that curry, and is Castaway still your number one? Subscribe, share with a Disney friend, and leave a review to help others find the show.----Adventures & Mousecapades is a passion project from Alicea & Nathan Novak - two Seattleites addicted to The Mouse. We are not affiliated with Disney, nor are we travel agents. Opinions are our own.Instagram, Threads, Facebook, Twitter: @ourmousecapadesOurMousecapades.compodcast@ourmousecapades.com

Today on Script Apart, we're off to see the wizards – the wonderful storytelling wizards, that is, behind the first ever musical we've covered on the show. In the early ‘00s, New York-born-and-raised playwright Winnie Holzman was, like the rest of the city, still reeling from the September 11 attacks that claimed 2977 lives. It wasn't just the attacks themselves that haunted her – it was the division they wrought too. Racial minorities – America's Muslim population, specifically – were scapegoated and othered. All of a sudden, a war stood on the horizon. And so, Winnie got to work with composer Stephen Schwartz on a musical that would subtly grapple with the skyrocketing racism of that moment. Soon, something Wicked was to come our way.Inspired by a book of the same name by author Gregory Maguire, Winnie and Stephen's Broadway extravaganza took one of the defining stories in cinematic history – the Wizard Of Oz – and invited audiences to look at it a little differently. What if the so-called Wicked Witch Of The West in that film – all green skin and shrill cackle – wasn't actually the terroristic threat that Dorothy and viewers thought her to be? What if there was a more tender truth to this woman, who lest we forget, in that 1939 movie, was just trying to retrieve the ruby slippers worn by her dead sister, crushed by Dorothy's house when it's transported via tornado to Oz? Chances are you know what happened next. Forbes Magazine estimates that 65m people have seen Wicked since it hit Broadway in 2003, quickly expanding around the globe. It's the fourth longest-running play in Broadway history. And now, it's a blockbuster smash too. Last year, Winnie's screen adaptation of the musical, written with my other guest today, Dana Fox, of Cruella fame, began its emerald takeover of movie theatres. That first film, simply titled Wicked and covering the first half of the stage play, was a smash. Now, Wicked For Good is here, bringing this tale to the end of its yellow brick road, and Winnie and Dana are full of emotion and reflection. In the spoiler conversation you're about to hear, they tell me about the strangeness of this movie arriving in this particular political moment. I don't know about you guys at home, but the sight in Wicked and Wicked For Good of marginalised groups – munchkins and animals – rounded up and forced from their homes in a year of ICE raids and anti-immigrant anger, struck a really heartbreaking chord for me. It's not all politics, though, I promise! We also get into the prisons of perception that Elphaba and Glinda, played by Cynthia Erivo and Ariana Grande respectively, both exist in and have to break free of in this story. And you'll also hear the pair's reflections on the huge differences between this story about the Gregory Maguire original, which saw Elphaba join an underground terror cell. Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.To get ad-free episodes and exclusive content, join us on Patreon.Get coverage on your screenplay by visiting ScriptApart.com/coverage. Hosted on Acast. See acast.com/privacy for more information.

"Let our fear be diminished by the light." PLEASE NOTE: After Day 1, this year's Advent podcast will move to its own feed: join us at dailyadvent.podbean.com or search "Daily Advent" wherever you listen.   The Rev. Spencer W. Brown is Congregation Priest Associate at Washington National Cathedral, where he joined the Canon Vicar's team in 2023. Spencer has served congregations in Texas, New Mexico, and Oklahoma. He shares his life with his husband, Lucas, and their dog, Cruella. They love watching horror movies, enjoying the outdoors, laughing and cooking with friends.   Join us every morning in Advent for this aural Advent calendar of daily reflections on fear and how it affects our relationship with God.  

Le 26 novembre 2025, c'est la sortie de Zootopie 2 au cinéma. L'occasion rêvée pour parler des animaux animés les plus célèbres de tous les temps, ceux du panthéon Disney. Pourquoi autant de films d'animation Disney comportent-ils des animaux ? Sont-ils représentés de manière réaliste ou bien de manière anthropomorphique ? Que symbolisent-ils ? Ces films sont-ils des plaidoyers pour la cause animale, une incitation pour l'être humain à les traiter comme des inférieurs, ou cela dépend-il de chaque œuvre ?Dans cet épisode, Marc et Marie-Juliette s'interrogent sur ce que disent les films Disney de notre rapport au Vivant, en particulier les animaux non-humains, durant le XXème siècle. De Dumbo aux 101 Dalmatiens en passant par Le Livre de la Jungle, la perception des autres animaux est, contrairement à ce que croiraient certaines critiques reprochant à Disney de se complaire dans la binarité, très variable entre les dessins animés et parfois même au sein d'une même œuvre..._______

In this episode, Cruella and the gang discuss government shut downs, mental health and more

It's looking like the US will limit the number of refugees to 7,500 and give priority to white people. MAGA prosecutors won't tell us about scrubbing sentencing memos for rioters who threatened Obama. Why? Puppy killer Kristi Noem refuses to pause operations in Chicago so children can trick or treat. What have we become? Let's take a look at Trump's “successful” meeting with Xi.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to Episode 175! And today we have Christian and Wally from Chad Magic! Today, we have poetic justice for a Cruella on spell table, a saga of salt about a disrespectful player stacking bulk, and when the perfect turn one happens but not for you. Also, printed sky diamonds and the colossal dreadmaw punches you in your face you little rat bitch. Go watch Chad Magic! A perfect place to start is the saltiest deck episodes that Sam and Tony played with Christian and Wally! Stay Salty! Sam, Mike, & Tony Also check out the Playing with Power Kickstarter!  ____ Buy DragonShield products and our custom sleeves from our affiliate link! Use code "staysalty" all lowercase, all one word for a discount! Find HSM merch on our website and our Bonfire site! Get HSM playmats from our friends at Jank Mats! Use our affiliate link!! Email your salty stories to thehowlingsaltmine@gmail.com! Find links to all our social media pages on our Linktree! Check out our Moxfield! Podcast art by the talented Devin Burnett! @j.d.burnett

What does it mean to truly use your voice—to tell stories, bring words to life, and inspire others even when life throws challenge's your way? My guest this week, Amber Ba'th, embodies that Unstoppable spirit. Amber is a professional voice actor, a Bible narrator for the Dwell app, and a functional nutritionist who turned a life-changing diagnosis into a deeper calling. Amber opens up about performing on stage, finding her place in the booth, and learning resilience after being diagnosed with transverse myelitis. Her story reminds us that creativity and courage don't fade—they evolve. I think you'll be moved by her honesty, her strength, and her Unstoppable commitment to sharing her voice with the world.   Highlights:   00:10 – Hear how early curiosity in theater grew into a lifelong love for performance. 03:21 – Learn how family roots in the arts shaped a career in acting and voice. 07:21 – Discover why live theater creates a unique audience experience you can't get in film. 14:03 – See how studying Theater Arts Administration opened doors beyond the stage. 17:24 – Find out what moving to LA taught her about auditions, hustle, and opportunity. 25:37 – Get the real entry point into voiceover and why COVID pushed her to record at home. 27:26 – Understand the scope and process of narrating the entire CSB Bible for the Dwell app. 32:07 – Learn how leaning into “villain” characters can expand your VO range. 35:06 – Take why acting classes matter for believable, persuasive voiceover reads. 38:05 – Hear her journey with transverse myelitis and how she reframed ability. 43:47 – See how diet changes and self-advocacy supported healing and daily function. 54:14 – Learn practical nutrition tips VO pros use to protect tone and clarity.   About the Guest:   Hi, I'm Amber Ba'th—pronounced By-ee-th! I'm a Philadelphia native with roots in Los Angeles and Washington, D.C. I earned my BFA in Theatre Arts Administration from the legendary Howard University, and from the very beginning, storytelling and performance have been a huge part of my life. Whether through stage, screen, or sound, I believe creative expression has the ability to inspire, uplift, and connect people. That belief and my faith in Christ, has guided every step of my journey in the entertainment industry.   With over 20 years of experience in theater and film, I've worn many hats—actor, voice actor, producer, company manager, and coach. My early days at Philadelphia's Freedom Theatre gave me the foundation to work on national tours and major productions, such as The Fabric of a Man (national stage and film), and the national tour of If This Hat Could Talk under Tony Award-winning director George Faison. I've also stepped in front of the camera, appearing in Ice Cube's Friday After Next and national print campaigns for McDonald's that landed me in Essence, O Magazine, and Woman's World.   Voice acting has become one of my deepest passions. I've had the privilege of lending my voice to projects for Delorean, Holler Studios, Amazon, Make Originals, and most notably, narrating the greatest story ever told for the Dwell Bible App; just to name a few. I'm known for being versatile—able to bring warmth, humor, authority, and charisma into every read. Whether a character needs to feel animated, compassionate, bold, or simply relatable, I approach every project with creative precision and care.   I've been fortunate to learn from incredible mentors like Nick Omana, Art Evans, Queen Noveen, Linda Bearman, Al Woodley, Joyce Castellanos, JD Lawrence, and Rolonda Watts, and to collaborate with talent across every corner of this industry. I'm always growing, always listening, and always grateful. My goal is not only to entertain but also to reflect God's grace through my work. Faith is my anchor—it's the reason I'm able to keep showing up in this ever-changing field with joy and purpose.   Outside of my career, I'm a mother of two, and I live with a “different ability” that has only strengthened my walk and testimony. I believe that what God has for me is for me, and I want other artists to feel empowered to claim that same truth for themselves. As someone in the faith, You are royalty—act like it, speak like it, know it. I'm here to tell stories, give voice to vision, and ultimately to help others feel seen, heard, and deeply valued in this industry.   Ways to connect with Amber:   LinkedIn- https://www.linkedin.com/in/iamamberbath/   IG- https://www.instagram.com/iamamberbath/   YouTube- YouTube.com/@iamamberbath   Website- www.iamamberbath.com     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:21 Well, hello everyone. Wherever you happen to be, I am Michael Hingson, and this is unstoppable mindset. We are really excited that you're here with us today. And we have a fascinating guest who was referred to us by another fascinating guest who is coming on unstoppable mindset, and we'll get to all that, I am sure. But Amber bath is how she pronounces her last name by eth. I'm saying that right. I assume that is correct. Oh, good. Never want to get it too wrong, you know. Anyway, Amber is a voice actor and does a lot of different things. And we learned about Amber from someone who we were referred to by Walden Hughes, that reps in yesterday USA, and Walden has been on unstoppable mindset a couple of times. Amber, do you know Walden? I know I don't. Well, then we can spread all sorts of rumors and you'll believe everyone, right, absolutely. Anyway. So anyway, what Linda Berryman, you know, so that works. Anyway, I want to welcome you to unstoppable mindset. It's really a joy and a pleasure to have you, and thank you for being here.   Amber Ba'th ** 02:42 Thank you for having me. This is such an exciting moment. Well,   Michael Hingson ** 02:46 I'm anxious to learn all about voice acting and some of those things. But why don't we start by maybe you telling us a little bit about kind of the early Amber growing up and all that sort of stuff. Well, always a good place to start. You know, a   Amber Ba'th ** 03:02 long time ago   Michael Hingson ** 03:03 in a galaxy, far, far away, yes,   Amber Ba'th ** 03:07 oh my gosh. Well, I I'm a suburbian girl here. I'm from the suburbs, actually Philadelphia. I was actually born in DC, raised in Philly, went back to DC, then moved all the way across country to La La Land. Is that where you are now, I'm not. I'm actually back in DC.   Michael Hingson ** 03:33 Go figure. Right now I'm, I'm really curious to hear the history of all these moves. But anyway, so you were raised in Philadelphia. Did you ever meet Rocky Balboa? Just checking,   Amber Ba'th ** 03:45 no, just ran the steps. You did run the steps. I did run the steps. Yeah, actually got a heat stroke. But I did. I was, I was young at the time, and it was super hot. And you know, it's like, yeah, you know, I'm gonna run the steps. Ran the steps, and just shouldn't have   Michael Hingson ** 04:04 done that, not in the middle of the day. No, when did he run them? It was in the morning, wasn't it?   Amber Ba'th ** 04:11 Yeah, he always ran in the morning. So no, I was this was in the heat of the day.   Michael Hingson ** 04:16 So huh, we all have our growth issues that we have to deal with so so you but you were raised in Philadelphia, and you went to school there and so on, and what kind of were your interests and so on, growing up   Amber Ba'th ** 04:32 theater, I was really, I mean, I come from A family who has always been in the spotlight. I had two aunts who actually had a touring show titled The sisters, the Stuart sisters. And, you know, I've always been wanting either to dance, to sing, to act. That was just. Just my thing.   Michael Hingson ** 05:02 So they you came by, it pretty honestly. Then exactly anything else. They were actors in the show.   Amber Ba'th ** 05:10 They were, yeah, one was a singer and one was an actress.   Michael Hingson ** 05:12 Yes, oh, cool, yeah. Well, and what was the show about?   Amber Ba'th ** 05:18 Actually, it was about Harriet Tubman, Sojourner, Sojourner, truth. And it was it they actually toured different toward the country and talked about the Underground Railroad and and and how they were able to escape and free other, other slaves.   Michael Hingson ** 05:42 Now that show isn't whether it's your parents or not, but that show is not on now. It's not running.   Amber Ba'th ** 05:50 This was a stage play. This was many, many years   Michael Hingson ** 05:52 ago, right, right, yeah, but they but no one has continued. I would think it would be a very valuable thing to keep around you.   Amber Ba'th ** 05:59 Would think it would be that, you know, the traditional way, but we kind of moved in different directions, you know. So   Michael Hingson ** 06:06 everything closes eventually. The fantastics eventually closed, and that was on for the longest time, yeah? Well, even cats was on for a long time. Oh, yeah. I, I think, although I don't know, but the producers, I think, has closed,   Amber Ba'th ** 06:22 yeah. And I really wanted to see that. I saw the film, but I wanted to see the stage play.   Michael Hingson ** 06:28 Oh, the stage play was much better than the film, I'm sure. You know, I don't know what it is about Matthew Broderick, but he just doesn't sound natural in films. But we went to see it. It was in August of 2001 and we were living in New Jersey, and I was in New York, because that's where we had our offices, on the 78th floor of Tower One of the World Trade Center. And on a Tuesday in 2001 in August, I went over to the theater where the producers was, and I figured, I'll see if I can get tickets. Because my wife, Karen, who was now she's my late wife. She and I were married for 40 years, and then she passed away. But anyway, we I decided that we would try to see it, and I went over to the theater, and I said, so I want to see if I can get two tickets to the producers. And I knew that the media had said all the news media said, you can't get a ticket before March of 2002 and I said, well, but the deal is that my wife is in a wheelchair. Can we by any chance get a matinee to to go see it? And the guy said, I'm sorry, there's just nothing until at least no December. And I said, Well, okay, is there any chance of any other time other than the weekend, or anything that we could get? And he said, Well, just wait a minute. And he goes away, and he comes back and he goes, What are you doing Saturday night? I went, I guess I'll go see the producers, right? And we did. We got to see the original cast, of course, Matthew Broderick, Nathan Lane and Katie Huffman, who played Ulla. And was so wonderful to see that show. We had seen Matthew Broderick and Sarah Jessica Parker in How to Succeed in Business Without Really Trying. And then we saw Nathan Lane, and A Funny Thing Happened on the Way to the Forum. So we had seen them all perform before, but that was so fun to see.   Amber Ba'th ** 08:27 That's awesome, yeah, yeah.   Michael Hingson ** 08:29 And I think that the film wasn't nearly as good as the play, but   Amber Ba'th ** 08:34 I'm sure it wasn't. So my theater is so dear to me. I I don't know, it's something about the willingness, suspension of disbelief, of breaking out of reality and just, you know, getting away from it all, and just sitting and enjoying yourself, laughing at just sometimes it can be nonsensical. Sometimes it can be sort of reality, you know, whatever, whatever genre you like, and it's nothing like being in the audience when you're when you're having when you're in there as live theater. So it's always a great opportunity to go and see a show, if you are able.   Michael Hingson ** 09:18 Why is it so much more fun, and so many people feel as you do about that, as opposed to going to a movie,   Amber Ba'th ** 09:29 it's, it's a it's a cultural thing for me, and it's immersing yourself in the culture of theater, seeing the different nuances. There's sometimes there's interaction, like, they'll break the fourth wall. Sometimes in that, in every show, is not the same. That's the great thing about theater, because you could go to a show on a Monday and then you go back to see it on a Friday, and it's like, totally different. Yeah, you.   Michael Hingson ** 10:00 It was 93 or 94 whenever they had the big baseball strike. And I went to see Damn Yankees, which has always been one of my favorite movies, because I've always been a ray Walston fan anyway, but went to see it, and during the the and I don't remember who was, who was in it, but at one point, Mr. Applegate, the devil, said, we've got to do something to to disrupt this whole baseball thing and get Joe Hardy back in line with what we want. He said, I got it. Let's organize a baseball strike right there in the middle of the theater. I mean, you know that that had to be ad libbed and just done, but it was so funny to see.   Amber Ba'th ** 10:44 Yeah, you never know what you're gonna get. You know, it's always exciting to see. And   Michael Hingson ** 10:49 I think that the reason that I like theater over over movies is, in part, you're hearing a lot more. Even though there's still audio and electronics, you're still hearing the PA system. You're not hearing the PA system as much. You're really hearing voices exactly you're hearing and seeing so many things. We did go to see Damn Yankees again a few years later, we had moved to New Jersey by that time, and Jerry Lewis was playing Mr. Applegate. Wow. It was the only time he ever did anything on Broadway and and did such a wonderful job. It was incredible, really.   Amber Ba'th ** 11:26 You know, it's the last show that I actually saw. Was Daniel at the sight and sound Oh and oh my goodness, I'm gonna go back. I'm gonna go see Noah. But I was literally sitting on the floor at the end aisle, and when the animals came out, I could actually reach out and touch them if I wanted to. But it was just so beautifully done. It was so amazing. It I can't, I can't even there are words that can't describe the the acting, the set, set design, the sound, everything about that show was amazing.   Michael Hingson ** 12:12 We went to see the Lion King. Karen's brother got us tickets. He was a certified ski guide in France, and he was coming back for the summer with his family, and got all of us tickets. So we went to see Lion King. It was a matinee on a Wednesday, and we got into the theater and the show started. And I knew kind of how it started, with the music and so on, but there's still nothing like hearing it live. But we it live. But we, we, we were listening. And then at one point, of course, the hyenas come in, and they meet with scar but in the play, in the in the musical, they come in from the back of the theater, down the stairs, and Karen, of course, being in a wheelchair, sitting in her chair on the aisle, and the hyenas are growling and they're coming by, and one of them gets right up next to her and goes, you've never seen a lady in a wheelchair jump out of her chair. Oh, it was so funny, but we were talking about it later, and she said, It wasn't long before you got completely used to all these animals, these puppets, and you didn't think of them as anything but the actual animals, wow, which, you know, you you you get in a theater, which you don't get the same in the movies at all. But it was, it was a lot of fun. We actually did get to go backstage afterward and meet some of the actors, and I actually got a chance to look at one of the animals, which was kind of fun.   Amber Ba'th ** 13:47 That's awesome, you know, I'm sorry. The other thing is that when you are in live theater, there's an intermission, and you get to actually mix and mingle with other people, other theater goers. So that's always another thing. I mean, you know, going to the movies. Yeah, you see other people walking back and forth, but they're, you know, rushing for their seat, going to the restroom, getting, you know, and going to the concessions. But there are moments where they're either taking pictures. Sometimes the cast members may come out during intermission, take pictures, and it's more of an interaction with everybody.   Michael Hingson ** 14:24 We went to see God spell once in San Diego, and what we didn't know was there was a guy out there who was coming up to people and wanting to clean their windshields and so on. And what we didn't know until later was that was the actor who played John. He was in character. He was being a servant. It was, it was great. That was so clever. That's awesome. So what did you do for college? Well, I went, as if we don't know,   Amber Ba'th ** 14:55 and I know, right? I went to Howard University. Yeah, and I majored in theater arts administration, uh huh, yeah. So it's the funny thing about that was I always, you know, was in the theater, and my mother told me, I am not paying for you to be an actor. I'm like, Well, I don't know anything else. And this particular year, when I came in, they had just started the theater arts administration program, and I said, Well, I can't do acting. I don't know anything else. This is it. And I really didn't know what that entailed until I got in and I said, Hmm, let's see I get to know the behind the scenes aspects. I can also be a producer to director. I could, you know, basically tell people what to do. That is for me,   Michael Hingson ** 15:50 there you go. So you so you got your degree in that. How come your mother wouldn't pay for you to be an actor?   Amber Ba'th ** 15:59 Because, I mean, back then it was just like, you know, that's something that that's not a real job, no. And even though she did it, they think like that, you know, that's not a real job. You know, it'll never amount to anything. You won't you get, you won't get where you want to be, you know. So I said, you know, I don't know anything else but, but this so, you know, so thank God that that was something that was there when I did come in there.   Michael Hingson ** 16:27 Well, so you, you got your degree in theater arts, production, administration, administration, and so you, you learned how to tell everybody what to do, which sounds a good thing to do, right? And so then what happened after college?   Amber Ba'th ** 16:47 Well, after college, I was I had always been one of those types that said, Oh no, I just got out of college, and maybe two days later I don't have a job, and I'm always worried about that, but I had someone, a classmate, say, You know what, I think you'd be a good fit for this. And what is she talking about? And I don't know if you recall HBO taxicab confessions, uh huh. Okay, so they actually came to DC, and, you know, they chose me. I was chosen to be their production assistant, and I was in the follow vehicle with the cab, you know, all that kind of stuff. And it was like, Okay, this is a lot. This is a lot. They never aired it because a little too risque. But, I mean, they could air it now, but, you know, and they asked me to come to LA, you know, as, and that was a funny thing, because when, before then, I said, oh gosh, I'll never go to LA. It's like Sodom and Gomorrah. And so I wound up going to LA they said, you know, I'll give you, you know, get you a round trip ticket, you know, you can either stay, you can go back, you know, giving me that option. And I took it. I took it, and it was the best thing that I've   Michael Hingson ** 18:14 ever done. What did you do when you got out here?   Amber Ba'th ** 18:17 When I got out there? I, of course, I was working with them for a little bit, and then I decided, You know what, I want to be an actress. This is what this is. I'm here. I am in Hollywood.   Michael Hingson ** 18:29 Mom, not withstanding.   Amber Ba'th ** 18:33 I said, Oh my gosh. And of course, what did I do? I got whatever most actors got was a waitress, a way a serving job, you know, just something enough that I could act flexible enough that I could actually go on auditions and things like that. And I did. I went on auditions. I met a lot of different celebrities. I was in McDonald's had their quote, unquote, adult happy meal that I actually was the poster girl for. I was like, Oh my goodness. And I was in magazines, you know, things like that. And then one day, a friend of mine who graduated with me in theater arts administration, she was actually doing a production, a touring play as the company manager, which is like a tour manager. And she she got another invite to be the company manager on TD Jason's TD Jakes show, and she really wanted to take that so the producer said, Well, you're gonna have to find a replacement. So she called me up and I started working on a show with David Talbert called the fabric of a man who had starred Shamar Moore, and we toured for. Oh, wow. This is interesting, because I didn't really think about this until I started talking. We toured until let's see 910 and I remember because something happened in Houston, Texas, and we had to refund money to all of the audience members, and we're leaving. And what I would do after each show is make sure that the hotel was was taken care of, everything was taken care of. And we went home. Everyone went to their destinations, and we went home. And that morning, I called the hotel, and he told me that different people were still there, and I'm and I just didn't understand why, you know, at the time, because it was really early in the morning in LA and so I'm calling, and I'm like, Well, what's happening? He said, You don't know what's going on. And I said, No. He said, planes are going down everywhere. And I'm like, What are you talking about? I turned on the TV, and that's when I saw the second plane going into the tower. And I just Oh my gosh, this is kind of bringing back some stuff, because I am a woman of faith, and I actually prior to us leaving for seven days, prior to us going to to to Houston. I kept having these dreams about a plane going down in a field, you know, but it would be continuous things. And then the next night, there were planes. There were planes. Looks like two planes colliding. Then there was, I saw people falling out of the sky, and I was like that, this is not making any sense. I didn't know anything. I mean, I was, I didn't know what was going on. And I just kept dreaming these dreams. This is what's happening. Then when we when we were leaving Houston, I had a dream prior to us leaving of the exact shape, color of this plane that went down in the field. And we were, I was at the airport, and I'm looking, and I'm like, okay, that's not the plane that I saw. And so I get on the I get on the plane, and as I'm about to settle in, about to, you know, leave Houston, go to LA, there's a man dressed in Arab garb with, you know, something on his head. And I don't know why I said this, but I just said, I hope he doesn't want to jack the plane. And I went to sleep, and i The dream that I had was that I really saw who was falling out of the sky, but they had on business suits. So when I called the hotel and he told me this, it, it just took over me. You know, I was in shambles. I was like, What? What did I just dream? What happened? Something is not right. I didn't know what was wrong with me at the time. I thought there was something actually wrong with me. Like, why am I dreaming this? What is happening? So that was just something that you happened to ask me the question, and that brought it back. And then I'm thinking about you, you know, so,   Michael Hingson ** 23:44 ah, you know, so many people, many people that I've talked to who didn't at first know what was happening, and they they either turn on their TV, or they were at an airport or something, and they saw the second plane hit the towers and they thought it was a movie. And I've heard so many people say that then, of course, they realized that it wasn't a movie. But you know, a lot of people just thought it was a movie at first, because nobody could imagine it. And you know, that is true. How who would have thought that somebody would deliberately crash airplanes like that into the towers and into the Pentagon? And, of course, now the the one falling out of the sky was that flight 93 in Pennsylvania, Yes, uh huh. And eventually, when you saw the plane, or whatever that was, the plane that you dreamed about, exactly, yeah, uh huh, and that's not surprising. Yeah, there are so many stories of of different things that people experienced that day. We didn't know anything about what was going on until actually we got out of the. Towers, and both towers had collapsed, and my wife was the first one who told us that aircraft had been hijacked and so on. And of course, people say to me all the time, well, of course, you didn't know because you couldn't see it. Excuse me, the last time I checked as I tell people Superman and X ray vision are fiction, and the reality is the airplane hit about 18 floors above us on the other side of the building, no one knew all the way down the stairs, the hundreds of people that I interacted with going down the stairs didn't know what happened. We figured, we figured an airplane hit the building because we were smelling burning jet fuel fumes as we were going down the stairs. So we figured an airplane hit the building. But we had no details. We had no information. Blindness. Didn't have anything to do with it at all. But yeah, it's, it's just one of those things. Well, so you were in, you were still in the business of telling people what to do, which was really good. And how did you eventually, then get into voice acting?   Amber Ba'th ** 26:04 Well, I had always first, it's funny because you people who get into voice acting, oh, I really want to get into voice acting, and they think it's just this one thing that was me. I i always like to do voices. I like to play around with different things. My favorite is the villain. I don't know what it is, but I like to play the villain. But what happened was,   Michael Hingson ** 26:30 you and Cruella de Vil, okay,   Amber Ba'th ** 26:34 it was actually covid. You know, it was. The thing was that I literally was a preschool teacher at the time. And, you know, because after I left, I left LA, I got married and I had kids, and, you know, that kind of thing. So I was back in DC, and so, you know, after that, I covid happened, and I don't want to say it forced me, but it forced me. Nudged me, you know? And I said, you know, this would be great, because different things were happening. Where I was meeting people on on an on an app called clubhouse, and I said, Oh, this is cool. And I've always loved audio dramas too. So I actually about a $40 mic. I bought an eye rig, and I just hooked it up, and I just started talking. And I was in some acting workshops, some improv workshops. I was cast in an audio drama on clubhouse, you know? So it was, I was like, Oh, this is fun, you know, I like talking to myself anyway, so why not? So I created space in my walk in closet, and there you have it.   Michael Hingson ** 28:00 And the rest, as they say, is history. That's right. So what kind of roles have you had, and what kinds of voices and so on, have you created and done?   Amber Ba'th ** 28:11 Well, I I actually, I did the Bible, you know. And whenever I tell the person I narrated the Bible, they're like, the whole Bible, yeah, the whole Bible, technically, that would be 66 books that I narrate, yeah, you know. But yeah, I did the whole Bible for a Bible app, the CSB version for the dwell app, and it was just amazing, because just a little story behind that, I was someone wanted me to narrate their book, and they said that, you know, we want you to narrate it, but we don't want to use your name. We want you to. We want to, we want to use your voice, but we want the narrow, the author to be the narrator. Is this like a ghost Narrator or something, really, that's a   Michael Hingson ** 29:10 little strange, you know? And, oh, we'll give you this   Amber Ba'th ** 29:13 amount of money. Like, okay? And then I actually was praying about it. And, you know, the Lord spoke to me, and he said, I gave you that voice. So I had to decline. And then someone else came to me to narrate a book, and they were taking forever. Oh, it's not ready yet. It's ready. It's not ready yet. And I said, look, okay, I can't do this. I had auditioned for the Bible. And normally it takes, it's like a 2448 hour turnaround time to really know if you if this is for you. Yeah, and I didn't hear anything for about maybe three weeks. And I was like, I guess they found their person. And. I get an email saying that we got good news. You just booked the CSV version. I think I dropped whatever I had in my hand and fell before and, you know, it was just, it was just amazing. So, you know, because what I what happened was I read the Bible every day, and this particular and I read it in a year. So this particular year, I decided to listen to it, and, you know? And I said, You know what, Lord, it would be cool if I could narrate this. And then I had this audition, and I was blessed to read the Bible, and I did it in less than a year.   Michael Hingson ** 30:41 Wow, yeah, it's clearly, you know, it's a long thing. Do you know who Carl Omari is? No. Carl Omari, well, he's probably most known for having recreated the Twilight Zone radio broadcasts. So he, years ago, he took all the Twilight Zone episodes. He got permission from Rod Serling estate, and he created radio broadcasts of them, but he also did the Living Bible, and he got people like Michael York to to be involved in other actors and so on. So I know having, and I own a copy, and I didn't even know about Carl doing it at the time, but it's 98 hours long. It's a long it's a big one.   Amber Ba'th ** 31:22 It's a long one. It is long. But, yeah, that was exciting. Also, I recently just narrated a book called heaven, not by Patricia Robinson, and it's very Orwellian. I should say, you know, I, as I was renarrating it, I'm like, this stuff is happening now. And she wrote it years ago. And I'm talking about, as my children would say, in the 1900s you know. So it was, it was amazing. It was amazing to do that and and I love it, but I do love animated characters. So one of the characters that I never actually thought that I was someone to do impersonations. You know, it's like I got my own voice. You don't need to do anybody else voice. But I was in a workshop for with a good friend, Chris Woodsworth, and he's over in the UK. And he said, Well, what do you like to do? And I said, I like villains. So he thought of a villain, and I never would have thought about Isma from the Emperor's New Groove, and when I was researching, when I was going over the lines, I had to stop myself, because it scared me, because I said, Wait a minute, I really sound like her.   Michael Hingson ** 32:56 All right, really creepy. We need to hear you sound like a villain.   Amber Ba'th ** 33:00 Oh, my goodness, Isma. Okay, so Isma is Cronk. Why did I think that you got this one simple thing? It's like you're a dude, a really, really big stupid monkey named Cronk. And do you want to know something else? I never licked your spinach puffs, never Oh, oh, gosh, oh, goodness. And then, you know, I love, it's the last the laugh that a villain does. I did that, you know, I, I did one. It's called a micro animation called house in the Outlands, and I played a character named sathagawa. And it was one of those, you know, one of those. It was so cool. You know,   Michael Hingson ** 33:49 I've, I've always been impressed with listening to voices and so on, and voice acting, to a large degree, one of the things that I that really made me appreciate a lot of it was, of course, James Earl Jones playing Darth Vader on Star Wars. And then I had the opportunity, while I was in New York once, to go see James Earl Jones and Christopher Plummer in Othello. What an amazing performance, because at the end, when Othello falls on his sword, you know, you know what's going to happen. People have read the play. It's not like Othello is a secret, right, right? The whole crowd just went when he did that. I mean, they were so drawn in by the power of both of their voices and the acting, which is, I've just always loved the fact that people can do that.   Amber Ba'th ** 34:48 Yeah, it's it's amazing. Sometimes I listen to myself and I'm like, That's me.   Michael Hingson ** 34:56 Well, your prejudice. So I. But still, it's just amazing how people can can do so much with with voice collecting old radio shows, as I do, it's really fascinating to to hear all the old shows and the different things that that people do, and the way they can sound so natural doing so many different kinds of voices and so on. And I think we've lost that art, to a degree, at least for a lot of people who try to go off and recreate radio shows, it sounds forced. And we've we've not been able to really train people, although I think one of the things that the radio enthusiast of Puget Sound wants to do is to actually start providing some acting classes to teach people how to use their voices in really doing radio shows, right.   Amber Ba'th ** 35:54 Yeah, yeah, you're so right. I mean, when I was I was actually a a moderator and assistant to a improv workshop coach. I always told students it is so imperative to take acting classes. I mean, I know with voiceovers, it's a lot of it's commercial and things like that, but you have to understand that when you are conveying a message, you know, I don't care how great your voice sounds, if the listener cannot feel, you cannot really get into what you're saying. Or even, let's just say it's a commercial for food. If they can't say, Okay, I gotta go and get some food. Now, you know, then you didn't do your job, right? You know? And I tried to let I said, Listen, it's not just people, you know. They will say, Oh, I'm selling burgers. No, you're not. You're not selling burgers. You know, it's people are hungry. You know, you're telling people this is what they should do because you're hungry, it's mouth watering, yeah, you know, describe what you're eating, and you have to do it in such a way, in such in such a short amount of time, that it just leaves people salivating, you know? And that's, that's what they want, that's what sells the food, the product, or or whatever, whatever it is that you are sharing. So I really tell students, please take acting classes. Yeah, you have to see it, envision it. Sometimes you got to get up and, you know, move around. Sometimes when you're doing auditions, or when you're actually doing a session or performances, you know, and nobody can see you.   Michael Hingson ** 37:50 And it's about the voice. I know that the again, reps the radio enthusiast at Puget Sound does a number of radio recreations. I participated in a couple, but one of the things that I do, and a few of the actors who have been around for a long time, Margaret O'Brien and Beverly Washburn and other people like that, before they will undertake one of the parts that they're they're asked to do in recreating a radio show, they go back and listen to the original show because they want to get into the character.   You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Show Notes We're saving orphans from crazed thrift store owners this week along side the Rescue Aid Society's very own Rescuers! As Miss Bianca seduces Bernard into heroism and Penny gets saved from Cruella 2.0, we have thoughts - on the Gabor sisters in all their marriage glory, how deeply messed up the adoption system used to be, and how brave one dragonfly can be.   Recommendations: Tom Hanks - in all forms   Next up: The Fox and the Hound (1979)   Email us at latecomers@gmail.com Our Facebook group is here for those who consent: https://www.facebook.com/groups/1754020081574479/

A Karen is going viral after she berated a family into giving her a home run ball during Friday's Marlins-Phillies game in Florida. Source: https://nypost.com/2025/09/06/sports/viral-phillies-fan-blasted-by-sportscenter-hosts-after-outburst/

The Mousedebaters talk Disney characters working in the parks. The happiest place on Earth just got a whole lot weirder. This week, the Mousedebaters crew is imagining what it would look like if Disney characters had to punch the clock and pick up shifts inside the parks. Genie takes over Jungle Cruise with hysterical one-liners, celebrity impressions, and spontaneous pyrotechnics. Cruella de Vil is swerving her way through Main Street in a motorcar that definitely wasn't approved by safety. Elsa is running the Gibson Girl Ice Cream Parlor with frosty flair, while Olaf's slinging snow cones like it's his true calling. And of course, Hades is thrilled to be your sarcastic Haunted Mansion host.But that's just the start—Tarzan's landscaping, Barbie's working the front gate, and the Ugly Stepsisters are somehow in charge of princess makeoversIt's chaos. It's hilarious. And it's exactly the kind of magical staffing nightmare only The Mousedebaters could dream up.We'll debate who thrives, who gets fired, and who needs a very strong union rep. So clock in, grab your churro, and settle in for a tour through the most questionable HR department Disney has ever seen.As always, we're a PG-13Disney pod, for grown-up ears only.

ty Durkin is celebrating a major milestone – Episode 50 of The Pop Corner! In this special episode, Matty shares heartfelt thanks to all the loyal listeners who've been with him since day one.

emocleW, emocleW, emocleW to the Distraction Pieces Podcast with Scroobius Pip!This is your bonus FRIDAY REWIND episode! Today, we catch up with Kelly Marcel, originally episode 147 from 2017-04-19.Original writeup below:This week your host Scroobius Pip is joined by none other than his old pal and script/screenwriter Kelly Marcel! A crazy story right here which Kelly unfolds for you, not before she relays how she rescued a fearless but accident prone squirrel and nursed it back to bitey and aggro health... From her days back in the book corner at school (a punishment area, not for recreation) up to her days in the video store hanging with a then fairly green Tom Hardy, and her reasons for ending up there which involved a not so supportive school system, hear how she became a full on fully qualified silver screen smash through various acting jobs (of COURSE The Bill is involved!), up to her crossing paths with the director of all directors himself Stephen Spielberg. (original write-up got cut off halfway over years of platform alterations but you get the point - it's a great episode...!)PIP'S PATREON PAGE if you're of a supporting natureIMDBSAVING MR BANKSVENOM: THE LAST DANCECRUELLAPIP TWITCH • (music stuff)PIP INSTAGRAMSPEECH DEVELOPMENT WEBSTOREPIP TWITTERPIP IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.

Adam and Dr. Drew kick things off with a discussion about the illusion of healthy eating—specifically how smoothies are often marketed as nutritious despite being loaded with sugar. They then revisit Adam's theory: sandwiches can be used as a unit of measurement for how much a mother loves her child.Later, Adam vents about his weekend haircut experience and explains how people's attitudes toward their hair can reveal narcissistic tendencies. He also shares how he silently judges others based on their personal grooming rules. Dr. Drew closes out the episode by connecting a few dots between his mother and Cruella de Vil.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Cruella and the gang discuss AI

Some people think space is the final frontier, but those people are wrong. It's actually time travel! Space, we've been there. But time travel has only happened in fiction. Still, just the thought of the possibility of rewriting the past is one we can't seem to shake, as evidenced by the movies that Hollywood continues to make about time travel — over and over and over again. Guests: Actor/comedian/writer Fortune Feimster ("FUBAR," "The Mindy Project"); writer Dana Fox ("Wicked," "Cruella"); and writer Abdullah Saeed ("Deli Boys," "Bong Appétit"). NOBODY KNOWS ANYTHING is a production of The Black List and LAist Studios, in partnership with The Ankler. Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency! Support for this podcast is also brought to you by Gordon and Dona Crawford, who believe that quality journalism makes L.A. a better place to live. New episodes premiere Tuesdays and you can listen to the show on the radio at LAist 89.3 Saturdays at 7 p.m. and Sundays at 10 p.m.

On today's Disney Podcast, we are looking at all of the details that Disney Cruise Line just released for their newest cruise ship, the Disney Destiny. The Destiny sets sail from Fort Lauderdale (Port Everglades) later this year and is themed to Heroes and Villains. From a Cruella de Vil themed lounge to a brand […] The post Diving Deep Into the Disney Destiny appeared first on Addicted to the Mouse.

Erin has some tales from her Scottsdale pit stop on the way home to New Mexico, and Bryan is having issues troubleshooting his new espresso machine. Erin breaks down how Reaganomics led to the rise in billionaires in this country, and how the widowed and divorced women of these tech company founders are using their immense wealth to help those in need. Bryan tells us about Love Is Blind's Sara Carton leaving her fiancé at the alter because of lack of knowledge and empathy regarding fundamental issues like Black Lives Matter and LGBTQ+ rights.See omnystudio.com/listener for privacy information.

We have a special episode to share today of the podcast, NOBODY KNOWS ANYTHING, a new LAist Studios podcast that gamifies the Hollywood creative process. Every week, the show puts your favorite actors, directors, and screenwriters through the wringer (a.k.a. through a series of games) to see if they've got what it takes to make it in Hollywood because the truth is, as famed screenwriter William Goldman put it, “Nobody knows anything.” In this episode, guests Fortune Feimster, Dana Fox, and Abdullah Saeed go head-to-head in a battle for points over movies about time travel, time loops, and the allure of going back in time to rewrite the future.Guests: Actor/comedian/writer Fortune Feimster ("FUBAR," "The Mindy Project"); writer Dana Fox ("Wicked," "Cruella"); and writer Abdullah Saeed ("Deli Boys," "Bong Appétit").NOBODY KNOWS ANYTHING is a production of The Black List and LAist Studios, in partnership with The Ankler. New episodes premiere Tuesdays, and you can listen to the show on the radio at LAist 89.3 or LAist.com Saturdays at 7 p.m. and Sundays at 10 p.m.