Each week Brady Farkas talks to the people behind the scenes that make some of the biggest shows on radio run.
One team all day long? That is what Radier Nation Radio does and D'Mon Cotton is the guy that keeps it sounding fresh.
San Diego is a baseball city. Ben and Woods are must-listen radio for Padres fans. Paul Reindl is tasked with making the show sound as good as it feels to be a part of.
Communication is the key to making McElroy and Cubelic run smoothly every morning. Damian Mitchell shares how he keeps a show running smoothly when everyone is in a different place so often.
How does Tim Cates find time to get it all done and have a life? One of the busiest men in radio chats with Brady this week.
When you're producing a sports show on a news/talk station, you better be ready to pivot if you have to. Michael Coover shares what he has learned during his time at KOA.
Jarrett Carlen explains why the easiest weeks for hosts aren't always the easiest for producers and why Bickley & Marotta is the perfect fit for his skill set.
Eddie Erickson talks about the importance of building a relationship, gaining your hosts' trust, and booking guests.
JP Hovey makes Bussin' With the Boys tick. It is his job to make sure the best moments of the show find the biggest audience.
We close out the year in producers with a conversation with Ashton Rotman, a guy who wears a lot of hats for Good Karma Brands in Milwaukee.
He went from sandwich artist to producer! Rob Brenton explains why Kansas City makes it easy to create great sports radio.
Billy Gil relives the show's exit from ESPN, talks about what he has learned about being part of the cast on a big show, and explains the value of being polite.
WFNZ listeners better know Anthony Pagnotta as Flounder. He explains how he got the name and why it is good to be the butt of the jokes sometimes.
Andrew Marsh of 101 ESPN in St. Louis details the unorthodox background that has helped him thrive in the producer's chair for The Fast Lane.
Keith Britton explains how to best serve a host that doesn't always want your help and why producing is the best path to management.
The Producers Podcast is filled with advice about humility, goal setting and Madden as 104.5 The Zone's Joe Hunk joins Brady Farkas.
Outkick 360 is a true multi-platform experience. That is why it takes a very skilled hand to keep it running. Davey Hudson explains how many plates are in the air on a given day to get the show to the audience.
Producing a team's RSN TV broadcast takes a unique skill set. AJ Speaks has those skills and puts them to use for the Miami Heat.
Al Dukes is one of New York's best known producers. He shares insight from his time all over the city, including being part of every phase of WFAN mornings in the post-Imus era.
Maura Dooley has had a front row seat to all the changes in morning drive for Seattle Sports 710. She talks about producing an established show that is still in transition this week.
When ESPN3 launched, so many schools and leagues suddenly became responsible for producing their own content. Jeremy Donovan is the guy that gets Binghamton University sports content to fans.
How do you balance one of the biggest radio shows AND one of the biggest podcasts in New England? Tyler Milliken joins Brady Farkas this week.
Conner Burks is the go-to guy for Ariel Helwani. He never stops working to grow not just the MMA Hour, but also his own piece of the sports media pie.
Greg Bergman is a busy guy around ESPN Los Angeles. He talks to Brady Farkas about producing the station's iconic midday show while also serving as the APD.
Zac Blobner is a big reason behind the success of Ronnie & TKras on WDAE. In today's episode, he talks about the sports hierarchy in Tampa and how shows deal with teams being great in sports the market doesn't have a die-hard passion for.
Cam Rogers is more than a producer. He makes sure every single host at the Bleav Network has what they need to succeed, whether that means audio, a guest, or even exposure.
Greg Toohey makes things go behind the scenes at The Herd. He talks about working with a star like Colin Cowherd and how to make a show sound as great on the radio as it looks on TV.
Big Baby Dave has his hands in everything for Jomboy Media. He joins Brady Farkas to talk about how he brings a unique sound to each show he works with.
How do you go from Jerry Springer to ESPN Radio? It is the journey Nuno Teixeira made. Mike Greenberg's radio right hand shares what he learned working in two very different environments.
Jackson Safon has produced for a number of high profile digital networks. Now, as a freelancer, The Volume has put its faith in him to get the most out of Draymond Green and CC Sabathia and Ryan Ruocco trust him to make R2C2 sound its best.
Shane Riordan will be the first to admit that he doesn't know everything about sports, but he knows how to entertain. That is what makes him so valuable to Parkins & Spiegel on 670 The Score.
Declan Goff has seen his job change and evolve as he has risen the ranks at Skor North. That is why he believes every producer should work each day to diversify their skill set.
Great episode this week as Andrew Williams of SiriusXM talks about managing inexperienced talent and the process of working with shows remotely.
Steve Ceruti followed Ryen Russillo from a daily radio show to a podcasting career. How do the two worlds differ? He explained in this episode.
Brady talks to Ben Charleston who produces Mutt at Night on WEEI and the Boston Red Sox Radio Network.
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