Podcast appearances and mentions of Annabel L Kim

Annabel Kim's second book*, Cacaphonies: The Excremental Canon of French Literature (University of Minnesota Press, 2022) digs into fecal matter as a preoccupation of modern French literature. Inspired by the author's observations of a certain "fecal blindness" among student and other readers of French literature, Cacaphonies examines a series of canonical authors and texts through the twentieth and twenty-first centuries in which shit plays a powerful role as the work and waste of bodies and a figure of radical equality. Throughout its five chapters, the book examines the writing of Louis-Ferdinand Céline, Samuel Beckett, Jean-Paul Sartre, Jean Genet, Marguerite Duras, Romain Gary, Anne Garréta, and Daniel Pennac. Reading the role that fecal matter plays in the works of these authors, Cacaphonies considers the materiality of shit in relationship to French identity, democracy, and universalism. It also explores the excrementalities of writing, literature, and literary studies more broadly. Provocative in the aesthetic and political projects it presents and interrogates, Cacaphonies is smart and engrossing, a wonderful and also really, really shitty book. *I last spoke with Annabel Kim in 2019 about her book Unbecoming Language: Anti-Identitarian French Feminsit Fictions (The Ohio State University Press, 2018). You can listen to that interview here. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Annabel Kim's second book*, Cacaphonies: The Excremental Canon of French Literature (University of Minnesota Press, 2022) digs into fecal matter as a preoccupation of modern French literature. Inspired by the author's observations of a certain "fecal blindness" among student and other readers of French literature, Cacaphonies examines a series of canonical authors and texts through the twentieth and twenty-first centuries in which shit plays a powerful role as the work and waste of bodies and a figure of radical equality. Throughout its five chapters, the book examines the writing of Louis-Ferdinand Céline, Samuel Beckett, Jean-Paul Sartre, Jean Genet, Marguerite Duras, Romain Gary, Anne Garréta, and Daniel Pennac. Reading the role that fecal matter plays in the works of these authors, Cacaphonies considers the materiality of shit in relationship to French identity, democracy, and universalism. It also explores the excrementalities of writing, literature, and literary studies more broadly. Provocative in the aesthetic and political projects it presents and interrogates, Cacaphonies is smart and engrossing, a wonderful and also really, really shitty book. *I last spoke with Annabel Kim in 2019 about her book Unbecoming Language: Anti-Identitarian French Feminsit Fictions (The Ohio State University Press, 2018). You can listen to that interview here. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Annabel Kim's second book*, Cacaphonies: The Excremental Canon of French Literature (University of Minnesota Press, 2022) digs into fecal matter as a preoccupation of modern French literature. Inspired by the author's observations of a certain "fecal blindness" among student and other readers of French literature, Cacaphonies examines a series of canonical authors and texts through the twentieth and twenty-first centuries in which shit plays a powerful role as the work and waste of bodies and a figure of radical equality. Throughout its five chapters, the book examines the writing of Louis-Ferdinand Céline, Samuel Beckett, Jean-Paul Sartre, Jean Genet, Marguerite Duras, Romain Gary, Anne Garréta, and Daniel Pennac. Reading the role that fecal matter plays in the works of these authors, Cacaphonies considers the materiality of shit in relationship to French identity, democracy, and universalism. It also explores the excrementalities of writing, literature, and literary studies more broadly. Provocative in the aesthetic and political projects it presents and interrogates, Cacaphonies is smart and engrossing, a wonderful and also really, really shitty book. *I last spoke with Annabel Kim in 2019 about her book Unbecoming Language: Anti-Identitarian French Feminsit Fictions (The Ohio State University Press, 2018). You can listen to that interview here. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Annabel Kim's second book*, Cacaphonies: The Excremental Canon of French Literature (University of Minnesota Press, 2022) digs into fecal matter as a preoccupation of modern French literature. Inspired by the author's observations of a certain "fecal blindness" among student and other readers of French literature, Cacaphonies examines a series of canonical authors and texts through the twentieth and twenty-first centuries in which shit plays a powerful role as the work and waste of bodies and a figure of radical equality. Throughout its five chapters, the book examines the writing of Louis-Ferdinand Céline, Samuel Beckett, Jean-Paul Sartre, Jean Genet, Marguerite Duras, Romain Gary, Anne Garréta, and Daniel Pennac. Reading the role that fecal matter plays in the works of these authors, Cacaphonies considers the materiality of shit in relationship to French identity, democracy, and universalism. It also explores the excrementalities of writing, literature, and literary studies more broadly. Provocative in the aesthetic and political projects it presents and interrogates, Cacaphonies is smart and engrossing, a wonderful and also really, really shitty book. *I last spoke with Annabel Kim in 2019 about her book Unbecoming Language: Anti-Identitarian French Feminsit Fictions (The Ohio State University Press, 2018). You can listen to that interview here. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Annabel Kim's second book*, Cacaphonies: The Excremental Canon of French Literature (University of Minnesota Press, 2022) digs into fecal matter as a preoccupation of modern French literature. Inspired by the author's observations of a certain "fecal blindness" among student and other readers of French literature, Cacaphonies examines a series of canonical authors and texts through the twentieth and twenty-first centuries in which shit plays a powerful role as the work and waste of bodies and a figure of radical equality. Throughout its five chapters, the book examines the writing of Louis-Ferdinand Céline, Samuel Beckett, Jean-Paul Sartre, Jean Genet, Marguerite Duras, Romain Gary, Anne Garréta, and Daniel Pennac. Reading the role that fecal matter plays in the works of these authors, Cacaphonies considers the materiality of shit in relationship to French identity, democracy, and universalism. It also explores the excrementalities of writing, literature, and literary studies more broadly. Provocative in the aesthetic and political projects it presents and interrogates, Cacaphonies is smart and engrossing, a wonderful and also really, really shitty book. *I last spoke with Annabel Kim in 2019 about her book Unbecoming Language: Anti-Identitarian French Feminsit Fictions (The Ohio State University Press, 2018). You can listen to that interview here. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Annabel Kim's second book*, Cacaphonies: The Excremental Canon of French Literature (University of Minnesota Press, 2022) digs into fecal matter as a preoccupation of modern French literature. Inspired by the author's observations of a certain "fecal blindness" among student and other readers of French literature, Cacaphonies examines a series of canonical authors and texts through the twentieth and twenty-first centuries in which shit plays a powerful role as the work and waste of bodies and a figure of radical equality. Throughout its five chapters, the book examines the writing of Louis-Ferdinand Céline, Samuel Beckett, Jean-Paul Sartre, Jean Genet, Marguerite Duras, Romain Gary, Anne Garréta, and Daniel Pennac. Reading the role that fecal matter plays in the works of these authors, Cacaphonies considers the materiality of shit in relationship to French identity, democracy, and universalism. It also explores the excrementalities of writing, literature, and literary studies more broadly. Provocative in the aesthetic and political projects it presents and interrogates, Cacaphonies is smart and engrossing, a wonderful and also really, really shitty book. *I last spoke with Annabel Kim in 2019 about her book Unbecoming Language: Anti-Identitarian French Feminsit Fictions (The Ohio State University Press, 2018). You can listen to that interview here. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

The new book ‘Cacaphonies' takes fecal matter and its place in literature seriously. In a stark challenge to the tendency to view 20th- and 21st-century French literature through sanitizing abstractions, Annabel L. Kim argues for feces as a figure of radical equality. ‘Cacaphonies' reveals the aesthetic, political, and ethical potential of shit and its capacity to transform literature and life. Here, Kim is joined in conversation by Merve Emre, Rachele Dini, and Laure Murat.Annabel L. Kim is the Roy G. Clouse associate professor of Romance Literatures and Languages at Harvard University. A specialist in 20th- and 21st-century French literature, Kim is author of ‘Unbecoming Language: Anti-Identitarian French Feminist Fictions' and ‘Cacaphonies: The Excremental Canon of French Literature.'Merve Emre is an associate professor of literature at the University of Oxford and a contributing writer at The New Yorker.Rachele Dini is senior lecturer in English and American literature at the University of Roehampton, London.Laure Murat is professor of French and Francophone Studies at UCLA's Department of European Languages & Transcultural Studies and author of several books.Episode references:Louis-Ferdinand Céline; Voyage au bout de la nuit (Journey to the End of the Night)Caca communismJean GenetKristin Ross (Fast Cars, Clean Bodies)Susan Signe MorrisonPhilip Roth (Patrimony)Anne GarrétaSamuel Beckett (Molloy)Rey ChowJames Joyce (Ulysses/Leopold Bloom)Alain Resnais (Providence)

In Unbecoming Language: Anti-Identitarian French Feminist Fictions (The Ohio State University Press, 2018), Annabel Kim tangles with the question of difference so central to French feminism, theory, and writing. In a series of literary and historical contextualizations and close readings of authors Nathalie Sarraute, Monique Wittig, and Anne Garréta, Kim tracks the work and thinking of women who wrote against difference across generations, from the 1930s to the present. Along the way, Unbecoming Language is a study of politics and poetics, an interrogation of the impossibility and possibility of subjectivities in language and literature, and a challenge to stereotypical notions of what French feminism and theory might be. Over the course of its four chapters, the book explores the work of each author while also considering these writers in relationship to one another. Rather than reading literary texts and authors through an external body of French or other “theory,” Unbecoming Language considers the theoretical work that literature does, work we can understand if we read and listen to the writing with sufficient and careful attention. And while these writers resist and shut down certain groundings of being and identity, there is a set of non-identitarian openings created in their work, and in Kim's own study, openings that bring the corpus together. A different kind of radical politics becomes apparent through unbecoming, a revolutionary hopefulness generated by imaginary worlds without feminine/feminist difference, bodies, subjects, and identities. Unbecoming Lanuguage is a smart and complicated book that will be of interest to readers of each one and all three of these authors, to anyone interested in French literary and feminist history, and to a wider field of those for whom difference remains an open and troubling theoretical and political question. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. She is the author of Future Tense: The Culture of Anticipation in France Between the Wars(2009). Her current research focuses on the history of French nuclear weapons and testing since 1945. Her most recent article, '"No Hiroshima in Africa": The Algerian War and the Question of French Nuclear Tests in the Sahara' appeared in the Spring 2019 issue of History of the Present. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca). Learn more about your ad choices. Visit megaphone.fm/adchoices

In Unbecoming Language: Anti-Identitarian French Feminist Fictions (The Ohio State University Press, 2018), Annabel Kim tangles with the question of difference so central to French feminism, theory, and writing. In a series of literary and historical contextualizations and close readings of authors Nathalie Sarraute, Monique Wittig, and Anne Garréta, Kim tracks the work and thinking of women who wrote against difference across generations, from the 1930s to the present. Along the way, Unbecoming Language is a study of politics and poetics, an interrogation of the impossibility and possibility of subjectivities in language and literature, and a challenge to stereotypical notions of what French feminism and theory might be. Over the course of its four chapters, the book explores the work of each author while also considering these writers in relationship to one another. Rather than reading literary texts and authors through an external body of French or other “theory,” Unbecoming Language considers the theoretical work that literature does, work we can understand if we read and listen to the writing with sufficient and careful attention. And while these writers resist and shut down certain groundings of being and identity, there is a set of non-identitarian openings created in their work, and in Kim’s own study, openings that bring the corpus together. A different kind of radical politics becomes apparent through unbecoming, a revolutionary hopefulness generated by imaginary worlds without feminine/feminist difference, bodies, subjects, and identities. Unbecoming Lanuguage is a smart and complicated book that will be of interest to readers of each one and all three of these authors, to anyone interested in French literary and feminist history, and to a wider field of those for whom difference remains an open and troubling theoretical and political question. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. She is the author of Future Tense: The Culture of Anticipation in France Between the Wars(2009). Her current research focuses on the history of French nuclear weapons and testing since 1945. Her most recent article, '"No Hiroshima in Africa": The Algerian War and the Question of French Nuclear Tests in the Sahara' appeared in the Spring 2019 issue of History of the Present. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca). Learn more about your ad choices. Visit megaphone.fm/adchoices

In Unbecoming Language: Anti-Identitarian French Feminist Fictions (The Ohio State University Press, 2018), Annabel Kim tangles with the question of difference so central to French feminism, theory, and writing. In a series of literary and historical contextualizations and close readings of authors Nathalie Sarraute, Monique Wittig, and Anne Garréta, Kim tracks the work and thinking of women who wrote against difference across generations, from the 1930s to the present. Along the way, Unbecoming Language is a study of politics and poetics, an interrogation of the impossibility and possibility of subjectivities in language and literature, and a challenge to stereotypical notions of what French feminism and theory might be. Over the course of its four chapters, the book explores the work of each author while also considering these writers in relationship to one another. Rather than reading literary texts and authors through an external body of French or other “theory,” Unbecoming Language considers the theoretical work that literature does, work we can understand if we read and listen to the writing with sufficient and careful attention. And while these writers resist and shut down certain groundings of being and identity, there is a set of non-identitarian openings created in their work, and in Kim’s own study, openings that bring the corpus together. A different kind of radical politics becomes apparent through unbecoming, a revolutionary hopefulness generated by imaginary worlds without feminine/feminist difference, bodies, subjects, and identities. Unbecoming Lanuguage is a smart and complicated book that will be of interest to readers of each one and all three of these authors, to anyone interested in French literary and feminist history, and to a wider field of those for whom difference remains an open and troubling theoretical and political question. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. She is the author of Future Tense: The Culture of Anticipation in France Between the Wars(2009). Her current research focuses on the history of French nuclear weapons and testing since 1945. Her most recent article, '"No Hiroshima in Africa": The Algerian War and the Question of French Nuclear Tests in the Sahara' appeared in the Spring 2019 issue of History of the Present. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca). Learn more about your ad choices. Visit megaphone.fm/adchoices

In Unbecoming Language: Anti-Identitarian French Feminist Fictions (The Ohio State University Press, 2018), Annabel Kim tangles with the question of difference so central to French feminism, theory, and writing. In a series of literary and historical contextualizations and close readings of authors Nathalie Sarraute, Monique Wittig, and Anne Garréta, Kim tracks the work and thinking of women who wrote against difference across generations, from the 1930s to the present. Along the way, Unbecoming Language is a study of politics and poetics, an interrogation of the impossibility and possibility of subjectivities in language and literature, and a challenge to stereotypical notions of what French feminism and theory might be. Over the course of its four chapters, the book explores the work of each author while also considering these writers in relationship to one another. Rather than reading literary texts and authors through an external body of French or other “theory,” Unbecoming Language considers the theoretical work that literature does, work we can understand if we read and listen to the writing with sufficient and careful attention. And while these writers resist and shut down certain groundings of being and identity, there is a set of non-identitarian openings created in their work, and in Kim’s own study, openings that bring the corpus together. A different kind of radical politics becomes apparent through unbecoming, a revolutionary hopefulness generated by imaginary worlds without feminine/feminist difference, bodies, subjects, and identities. Unbecoming Lanuguage is a smart and complicated book that will be of interest to readers of each one and all three of these authors, to anyone interested in French literary and feminist history, and to a wider field of those for whom difference remains an open and troubling theoretical and political question. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. She is the author of Future Tense: The Culture of Anticipation in France Between the Wars(2009). Her current research focuses on the history of French nuclear weapons and testing since 1945. Her most recent article, '"No Hiroshima in Africa": The Algerian War and the Question of French Nuclear Tests in the Sahara' appeared in the Spring 2019 issue of History of the Present. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca). Learn more about your ad choices. Visit megaphone.fm/adchoices

In Unbecoming Language: Anti-Identitarian French Feminist Fictions (The Ohio State University Press, 2018), Annabel Kim tangles with the question of difference so central to French feminism, theory, and writing. In a series of literary and historical contextualizations and close readings of authors Nathalie Sarraute, Monique Wittig, and Anne Garréta, Kim tracks the work and thinking of women who wrote against difference across generations, from the 1930s to the present. Along the way, Unbecoming Language is a study of politics and poetics, an interrogation of the impossibility and possibility of subjectivities in language and literature, and a challenge to stereotypical notions of what French feminism and theory might be. Over the course of its four chapters, the book explores the work of each author while also considering these writers in relationship to one another. Rather than reading literary texts and authors through an external body of French or other “theory,” Unbecoming Language considers the theoretical work that literature does, work we can understand if we read and listen to the writing with sufficient and careful attention. And while these writers resist and shut down certain groundings of being and identity, there is a set of non-identitarian openings created in their work, and in Kim’s own study, openings that bring the corpus together. A different kind of radical politics becomes apparent through unbecoming, a revolutionary hopefulness generated by imaginary worlds without feminine/feminist difference, bodies, subjects, and identities. Unbecoming Lanuguage is a smart and complicated book that will be of interest to readers of each one and all three of these authors, to anyone interested in French literary and feminist history, and to a wider field of those for whom difference remains an open and troubling theoretical and political question. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. She is the author of Future Tense: The Culture of Anticipation in France Between the Wars(2009). Her current research focuses on the history of French nuclear weapons and testing since 1945. Her most recent article, '"No Hiroshima in Africa": The Algerian War and the Question of French Nuclear Tests in the Sahara' appeared in the Spring 2019 issue of History of the Present. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca). Learn more about your ad choices. Visit megaphone.fm/adchoices

In Unbecoming Language: Anti-Identitarian French Feminist Fictions (The Ohio State University Press, 2018), Annabel Kim tangles with the question of difference so central to French feminism, theory, and writing. In a series of literary and historical contextualizations and close readings of authors Nathalie Sarraute, Monique Wittig, and Anne Garréta, Kim tracks the work and thinking of women who wrote against difference across generations, from the 1930s to the present. Along the way, Unbecoming Language is a study of politics and poetics, an interrogation of the impossibility and possibility of subjectivities in language and literature, and a challenge to stereotypical notions of what French feminism and theory might be. Over the course of its four chapters, the book explores the work of each author while also considering these writers in relationship to one another. Rather than reading literary texts and authors through an external body of French or other “theory,” Unbecoming Language considers the theoretical work that literature does, work we can understand if we read and listen to the writing with sufficient and careful attention. And while these writers resist and shut down certain groundings of being and identity, there is a set of non-identitarian openings created in their work, and in Kim’s own study, openings that bring the corpus together. A different kind of radical politics becomes apparent through unbecoming, a revolutionary hopefulness generated by imaginary worlds without feminine/feminist difference, bodies, subjects, and identities. Unbecoming Lanuguage is a smart and complicated book that will be of interest to readers of each one and all three of these authors, to anyone interested in French literary and feminist history, and to a wider field of those for whom difference remains an open and troubling theoretical and political question. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. She is the author of Future Tense: The Culture of Anticipation in France Between the Wars(2009). Her current research focuses on the history of French nuclear weapons and testing since 1945. Her most recent article, '"No Hiroshima in Africa": The Algerian War and the Question of French Nuclear Tests in the Sahara' appeared in the Spring 2019 issue of History of the Present. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca). Learn more about your ad choices. Visit megaphone.fm/adchoices

In Unbecoming Language: Anti-Identitarian French Feminist Fictions (The Ohio State University Press, 2018), Annabel Kim tangles with the question of difference so central to French feminism, theory, and writing. In a series of literary and historical contextualizations and close readings of authors Nathalie Sarraute, Monique Wittig, and Anne Garréta, Kim tracks the work and thinking of women who wrote against difference across generations, from the 1930s to the present. Along the way, Unbecoming Language is a study of politics and poetics, an interrogation of the impossibility and possibility of subjectivities in language and literature, and a challenge to stereotypical notions of what French feminism and theory might be. Over the course of its four chapters, the book explores the work of each author while also considering these writers in relationship to one another. Rather than reading literary texts and authors through an external body of French or other “theory,” Unbecoming Language considers the theoretical work that literature does, work we can understand if we read and listen to the writing with sufficient and careful attention. And while these writers resist and shut down certain groundings of being and identity, there is a set of non-identitarian openings created in their work, and in Kim’s own study, openings that bring the corpus together. A different kind of radical politics becomes apparent through unbecoming, a revolutionary hopefulness generated by imaginary worlds without feminine/feminist difference, bodies, subjects, and identities. Unbecoming Lanuguage is a smart and complicated book that will be of interest to readers of each one and all three of these authors, to anyone interested in French literary and feminist history, and to a wider field of those for whom difference remains an open and troubling theoretical and political question. Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. She is the author of Future Tense: The Culture of Anticipation in France Between the Wars(2009). Her current research focuses on the history of French nuclear weapons and testing since 1945. Her most recent article, '"No Hiroshima in Africa": The Algerian War and the Question of French Nuclear Tests in the Sahara' appeared in the Spring 2019 issue of History of the Present. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca). Learn more about your ad choices. Visit megaphone.fm/adchoices

This video contains Marie-José Mondzain's keynote lecture at the Byzantium/Modernism Symposium. Her presentation is an analysis of early-Christian image theory and the doctrine of the incarnation manifested in the work of the Russian filmmaker, Andrei Tarkovsky. This talk was translated by Annabel L. Kim, a doctoral candidate in the French Department at Yale University.