Podcasts about minnesota press

Across the South, asylums were built with the promise of healing — but inside their walls, countless lives were marked by fear, neglect, and cruelty. In this episode of Southern Mysteries, explore the haunting history of institutions like Broughton Hospital, Cherry Hospital, Central State, and Bryce. From mysterious deaths and forced sterilizations to the tragedy of the Eller twins and the lifetime confinement of Junius Wilson, these are the real horrors that gave rise to Southern asylum ghost stories — and the suffering that still echoes through their halls. Join the Community on Patreon: Want more Southern Mysteries? You can hear the Southern Mysteries show archive of 60+ episodes along with Patron exclusive podcast, Audacious: Tales of American Crime and more when you become a patron of the show. You can immediately access exclusive content now at patreon.com/southernmysteries

Send us a textWhat happens when kindness goes wrong? When James Francisco Bonilla was legally blind, well-meaning strangers pulled him into busy intersections, walked him into call boxes, and nearly guided him off cliffs – all while trying to "help." These harrowing yet illuminating experiences form just part of his remarkable journey from a visually impaired Puerto Rican child facing racial discrimination to becoming a nationally recognized social justice educator.Born with congenital cataracts and losing most of his remaining vision after a racially motivated assault at age nine, Bonilla's world changed dramatically when groundbreaking ultrasonic surgery restored partial sight to his right eye at nineteen. This physical transformation paralleled his growing awareness of social injustice, propelling him into the early disability rights movement of the 1970s. Through sit-ins and advocacy work, he confronted systems that routinely marginalized people with disabilities – including a counselor who tried steering him toward running a newspaper kiosk rather than pursuing higher education."I was more disabled by my environment and social discrimination than by my physical blindness," Bonilla explains, challenging us to reconsider how society creates barriers beyond physical limitations. His powerful perspective emerges from navigating multiple identities: as a bilingual Puerto Rican child mistakenly placed in "slow classes" by nuns who viewed his accent as a speech impediment, as a legally blind person constantly underestimated, and as someone grappling with family mental illness.Perhaps most transformative was Bonilla's discovery of healing through nature – encounters with great horned owls and coyotes gave him "a sense that I was not alone when I felt the most alone." This connection with the natural world ultimately guided him toward both personal healing and environmental advocacy.Looking for an inspiring memoir that challenges conventional narratives about disability? Pre-order Bonilla's "An Eye for an I: Growing Up with Blindness, Bigotry and Family Mental Illness," releasing November 4th from University of Minnesota Press. As he powerfully states, "blindness didn't just happen to me, it happened for me" – a profound reframing that invites us all to reconsider our understanding of adversity, kindness, and true social justice.This podcast is a proud member of the Mayday Media Network — your go-to hub for podcast creators. Whether you're just starting a podcast and need professional production support, or you already host a show and want to join a collaborative, supportive podcast network, visit maydaymedianetwork.com to learn more. Enjoyed this episode? Stay connected with us! Follow our podcast community on Facebook, Instagram, LinkedIn, YouTube and TikTok for uplifting, inspirational, and feel-good stories. Don't forget to subscribe to our newsletter for monthly updates, behind-the-scenes insights, and more content designed to brighten your day.Support the show

A practical call to action against oppression. Across the globe, millions of people have participated in protests and marches, donated to political groups, or lobbied their representatives with the aim of creating lasting social change, overturning repressive laws, or limiting environmental destruction. Yet very little seems to improve for those affected by rapacious governments. Replace the State: How to Change the World When Elections and Protests Fail (U Minnesota Press, 2025) brings new hope for social justice movements by looking to progressive campaigns that have found success by unconventional, and more direct, means. Sasha Davis, an activist and scholar of radical environmental advocacy, focuses on the strategies of movements, many of them Indigenous, that have occupied contested sites and demonstrated their effectiveness at managing or governing them. Including case studies of resistance to development on Indigenous lands in Hawai'i, nuclear testing in the Nevada desert, and the U.S. military occupation of Okinawa, he offers insight and direction for activists, students, academics, and others dedicated to protecting and improving the well-being of their communities and beyond. It would be easy to succumb to pessimism and political apathy in the face of governing institutions that are increasingly unresponsive to calls for change and repressive in response to protest, even as they violate human rights, ignore existential climate catastrophes, and concentrate power into fewer and fewer hands. Instead, Davis finds inspiration for genuine political change through social movements that are successfully "replacing the state" and taking over the day-to-day governance of threatened places. From contesting environmental abuse to reasserting Indigenous sovereignty, these social movements demonstrate how people can collectively wrest control over their communities from oppressive governments and manage them with a more egalitarian ethics of care. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A practical call to action against oppression. Across the globe, millions of people have participated in protests and marches, donated to political groups, or lobbied their representatives with the aim of creating lasting social change, overturning repressive laws, or limiting environmental destruction. Yet very little seems to improve for those affected by rapacious governments. Replace the State: How to Change the World When Elections and Protests Fail (U Minnesota Press, 2025) brings new hope for social justice movements by looking to progressive campaigns that have found success by unconventional, and more direct, means. Sasha Davis, an activist and scholar of radical environmental advocacy, focuses on the strategies of movements, many of them Indigenous, that have occupied contested sites and demonstrated their effectiveness at managing or governing them. Including case studies of resistance to development on Indigenous lands in Hawai'i, nuclear testing in the Nevada desert, and the U.S. military occupation of Okinawa, he offers insight and direction for activists, students, academics, and others dedicated to protecting and improving the well-being of their communities and beyond. It would be easy to succumb to pessimism and political apathy in the face of governing institutions that are increasingly unresponsive to calls for change and repressive in response to protest, even as they violate human rights, ignore existential climate catastrophes, and concentrate power into fewer and fewer hands. Instead, Davis finds inspiration for genuine political change through social movements that are successfully "replacing the state" and taking over the day-to-day governance of threatened places. From contesting environmental abuse to reasserting Indigenous sovereignty, these social movements demonstrate how people can collectively wrest control over their communities from oppressive governments and manage them with a more egalitarian ethics of care. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

A practical call to action against oppression. Across the globe, millions of people have participated in protests and marches, donated to political groups, or lobbied their representatives with the aim of creating lasting social change, overturning repressive laws, or limiting environmental destruction. Yet very little seems to improve for those affected by rapacious governments. Replace the State: How to Change the World When Elections and Protests Fail (U Minnesota Press, 2025) brings new hope for social justice movements by looking to progressive campaigns that have found success by unconventional, and more direct, means. Sasha Davis, an activist and scholar of radical environmental advocacy, focuses on the strategies of movements, many of them Indigenous, that have occupied contested sites and demonstrated their effectiveness at managing or governing them. Including case studies of resistance to development on Indigenous lands in Hawai'i, nuclear testing in the Nevada desert, and the U.S. military occupation of Okinawa, he offers insight and direction for activists, students, academics, and others dedicated to protecting and improving the well-being of their communities and beyond. It would be easy to succumb to pessimism and political apathy in the face of governing institutions that are increasingly unresponsive to calls for change and repressive in response to protest, even as they violate human rights, ignore existential climate catastrophes, and concentrate power into fewer and fewer hands. Instead, Davis finds inspiration for genuine political change through social movements that are successfully "replacing the state" and taking over the day-to-day governance of threatened places. From contesting environmental abuse to reasserting Indigenous sovereignty, these social movements demonstrate how people can collectively wrest control over their communities from oppressive governments and manage them with a more egalitarian ethics of care. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

A practical call to action against oppression. Across the globe, millions of people have participated in protests and marches, donated to political groups, or lobbied their representatives with the aim of creating lasting social change, overturning repressive laws, or limiting environmental destruction. Yet very little seems to improve for those affected by rapacious governments. Replace the State: How to Change the World When Elections and Protests Fail (U Minnesota Press, 2025) brings new hope for social justice movements by looking to progressive campaigns that have found success by unconventional, and more direct, means. Sasha Davis, an activist and scholar of radical environmental advocacy, focuses on the strategies of movements, many of them Indigenous, that have occupied contested sites and demonstrated their effectiveness at managing or governing them. Including case studies of resistance to development on Indigenous lands in Hawai'i, nuclear testing in the Nevada desert, and the U.S. military occupation of Okinawa, he offers insight and direction for activists, students, academics, and others dedicated to protecting and improving the well-being of their communities and beyond. It would be easy to succumb to pessimism and political apathy in the face of governing institutions that are increasingly unresponsive to calls for change and repressive in response to protest, even as they violate human rights, ignore existential climate catastrophes, and concentrate power into fewer and fewer hands. Instead, Davis finds inspiration for genuine political change through social movements that are successfully "replacing the state" and taking over the day-to-day governance of threatened places. From contesting environmental abuse to reasserting Indigenous sovereignty, these social movements demonstrate how people can collectively wrest control over their communities from oppressive governments and manage them with a more egalitarian ethics of care. Learn more about your ad choices. Visit megaphone.fm/adchoices

A practical call to action against oppression. Across the globe, millions of people have participated in protests and marches, donated to political groups, or lobbied their representatives with the aim of creating lasting social change, overturning repressive laws, or limiting environmental destruction. Yet very little seems to improve for those affected by rapacious governments. Replace the State: How to Change the World When Elections and Protests Fail (U Minnesota Press, 2025) brings new hope for social justice movements by looking to progressive campaigns that have found success by unconventional, and more direct, means. Sasha Davis, an activist and scholar of radical environmental advocacy, focuses on the strategies of movements, many of them Indigenous, that have occupied contested sites and demonstrated their effectiveness at managing or governing them. Including case studies of resistance to development on Indigenous lands in Hawai'i, nuclear testing in the Nevada desert, and the U.S. military occupation of Okinawa, he offers insight and direction for activists, students, academics, and others dedicated to protecting and improving the well-being of their communities and beyond. It would be easy to succumb to pessimism and political apathy in the face of governing institutions that are increasingly unresponsive to calls for change and repressive in response to protest, even as they violate human rights, ignore existential climate catastrophes, and concentrate power into fewer and fewer hands. Instead, Davis finds inspiration for genuine political change through social movements that are successfully "replacing the state" and taking over the day-to-day governance of threatened places. From contesting environmental abuse to reasserting Indigenous sovereignty, these social movements demonstrate how people can collectively wrest control over their communities from oppressive governments and manage them with a more egalitarian ethics of care. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Lack of political will and corruption of the ruling class are certainly enormous obstacles but do not (fully) explain the widespread inaction against our current multidimensional crisis (ecological catastrophe, failing democracies, permanent and more destructive wars, etc.).” So opens Andrea Righi's Three Economies of Transcendence, which takes a deep philosophical dive into the fundamental dimensions of subjectivity, society, and time through the lens of transcendence. Here, Righi is joined in a wide-ranging conversation with Michael Lewis about finitude, infinitude, evolution, neoliberalism, and radical change.Andrea Righi is a cultural theorist and professor of European studies and Italian at Monash University in Melbourne, Australia. Righi is author of Three Economies of Transcendence; The Other Side of the Digital: The Sacrificial Economy of New Media; and coeditor with Cesare Casarino of Another Mother: Diotima and the Symbolic Order of Italian Feminism.Michael Lewis is senior lecturer in philosophy at University of Newcastle Upon Tyne and editor of the Journal of Italian Philosophy.EPISODE REFERENCES:René GirardAdriana CavareroEmanuele SeverinoHannah ArendtPaolo VirnoJacques LacanMinistry for the Future / Kim Stanley RobinsonFredric JamesonHardt and NegriThree Economies of Transcendence by Andrea Righi is available from University of Minnesota Press. This book is part of the Forerunners series, and an open-access edition is available to read free online at manifold.umn.edu.

A 2024 Guggenheim Fellow, Tavia Nyong'o is the William Lampson Professor of American Studies at Yale University, with award-winning books including The Amalgamation Waltz: Race, Performance, and the Ruses of Memory (University of Minnesota Press, 2009), and Afro-Fabulations: The Queer Drama of Black Life (New York University Press, 2018) . His work in critical theory and performance studies explores the intersection of history, imagination, and Black aesthetic life through the lens of performance. Tavia Nyong'o's public-facing writings have appeared in prominent publications such as Vogue, them, The Nation, n+1, Artforum, Texte Zur Kunst, Cabinet, Triple Canopy, The New Inquiry, and NPR.  and has been recognized with fellowships from prestigious foundations such as the Ford Foundation and the Alexander von Humboldt Foundation. He serves on multiple editorial boards and co-edits the Sexual Cultures book series at NYU Press with Ann Pellegrini and Joshua Chambers-Letson. Currently curating public programs at the Park Avenue Armory, Nyong'o is completing groundbreaking research on topics ranging from digital technology's cultural history to racial and sexual dissidence in art and culture. In today's conversation, we discuss his latest monograph Black Apocalypse: Afrofuturism at the End of the World (University of California Press, 2025), where he shows that the end of the world is crucial to afrofuturism and reframes the binary of afropessimism and afrofuturism to explore their similarities.

In his book Late Star Trek, Adam Kotsko analyzes the wealth of content set within Star Trek's sprawling continuity, beginning with the prequel series Enterprise, highlighting creative triumphs and the tendency for franchise faithfulness to get in the way of new ideas. Arguing against the consensus that franchises are a sign of cultural decay, Kotsko zeroes in on their status as modern myths, owned as corporate intellectual property, as a source of creative limitation. Here, Kotsko is joined in conversation with David Seitz.Adam Kotsko teaches in the Shimer Great Books School at North Central College and runs an active, free-to-read Substack. He is author of many books including Late Star Trek, Agamben's Philosophical Trajectory, Neoliberalism's Demons, and What Is Theology? David Seitz is associate professor of cultural geography at Harvey Mudd College. He is author of A Different Trek and A House of Prayer for All People.REFERENCES:Shawna KidmanFrederic JamesonAnna KornbluhChristopher L. BennettKirsten BeyerDavid MackMichael ChabonLauren Berlant / On the Inconvenience of Other PeopleStar Trek references include:Deep Space NineEnterpriseNemesisDiscoveryPraise for the book:​​”Combining the rigorous critical eye of a literary and political theorist with the encyclopedic knowledge of a devoted fan, Adam Kotsko offers an original, persuasive, ethical, funny, grim, and nevertheless hopeful examination of Star Trek's twenty-first-century incarnations. Late Star Trek is a salutary intervention, a sustained, cogent analysis of what's gone wrong, what's gone right, and what possibilities remain for creative and critical storytelling in our late-neoliberal streaming era.”—David Seitz“Adam Kotsko has written an eminently readable and deeply researched book on twenty-first-century Star Trek, providing an analysis that is both timely and long overdue. A must-read for anyone teaching, doing research on, or just thinking about this ever-growing franchise.”—Sabrina Mittermeier, coeditor of The Routledge Handbook of Star Trek and Fighting for the Future: Essays on “Star Trek: Discovery”Late Star Trek: The Final Frontier in the Franchise Era by Adam Kotsko is the inaugural volume in the University of Minnesota Press's Mass Markets series.

Shelter and Storm: At Home in the Driftless – Tamara Dean – University of Minnesota Press – 9781517918569 – Paperback – 224 pages – April 22, 2025 – $19.95 -ebook editions available at lower prices Books like Shelter and Storm are all too often errantly categorized as “regional,” both by publishers and reviewers alike. That’s […] The post Tamara Dean: Shelter and Storm: At Home in the Driftless first appeared on WritersCast.

This episode of Below the Radar B-Sides is guest hosted by Joe Clark, term assistant professor at SFU's School for the Contemporary Arts. He is joined by Benjamín Schultz-Figueroa, Assistant Professor in Film Studies at Seattle University, and author of The Celluloid Specimen: Moving Image Research into Animal Life. Together, they chat about their shared interest in non-theatrical film, and the histories and speculative futures of scientific filmmaking. Resources: Joseph Clark: https://www.josephclark.me/ Benjamín Schultz-Figueroa: https://www.benjaminschultzfigueroa.com/ The Celluloid Specimen: Moving Image Research into Animal Life: https://www.benjaminschultzfigueroa.com/the-celluloid-specimen-moving-image-research-into-animal-life Bio: Joseph Clark: Joseph Clark (PhD, Brown University) is an educator, filmmaker, researcher, and arts programmer. His research and teaching interests focus on archival and non-theatrical media, including newsreels, home movies, and sponsored film. He is the author of News Parade: The American Newsreel and the World as Spectacle (University of Minnesota Press, 2020) and the director of the short film Persistence & Loss (2021). He is a long-time member of the DOXA Documentary Film Festival Programming Committee and part of the organizing committee of the Vancouver Podcast Festival. Benjamín Schultz-Figueroa Dr. Benjamín Schultz-Figueroa is an Assistant Professor in Film Studies at Seattle University. His research focuses on the history of scientific filmmaking, nontheatrical film, and animal studies. Among other venues, his writing has been published in JCMS: Journal of Cinema and Media Studies, Film History, Journal of Environmental Media. His book The Celluloid Specimen: Moving Image Research into Animal Life is due to be published by UC Press in February, 2023. Cite this episode: Chicago Style Clark, Joseph. “The Celluloid Specimen — with Joe Clark and Benjamín Schultz-Figueroa.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, August 12, 2025. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/btr-bsides-celluloid-specimen.html.

Some attributes of the paranormal mind are dismissed as nonsense, but what can an exploration of pseudoscientific phenomena tell us about accepted scientific and cultural thought? In Parascientific Revolutions: The Science and Culture of the Paranormal, Derek Lee traces the evolution of psi epistemologies and uncovers how these ideas have migrated into scientific fields such as quantum physics and neurology, as well as diverse literary genres including science fiction, ethnic literature, and even government training manuals. Here, Lee is joined in conversation with Alicia Puglionesi.Derek Lee is author of Parascientific Revolutions: The Science and Culture of the Paranormal and assistant professor of literature at Wake Forest University.Alicia Puglionesi is a lecturer in the medicine, science, and humanities program at Johns Hopkins University and is author of Common Phantoms and In Whose Ruins: Power, Possession, and the Landscapes of American Empire and Common Phantoms: An American History of Psychic Science.REFERENCES:Society for Psychical ResearchRoger LuckhurstStargate ProjectIngo SwannStar Fire / Ingo SwannPsitronAdrian DobbsPhilip K. DickWilliam Butler YeatsJoseph E. UscinskiPraise for the book:“Derek Lee engages the ‘pseudoscience' moniker, that ultimate rhetorical insult, and seeks to replace it with a more accurate ‘parascience'—a place where science and that which is other than science meet and express themselves in literally global pathways as distinct as pulp and science fiction, environmental thought, Asian and Indigenous ways of knowing, U.S. secret espionage, and ethnic fiction. Lee shows all of this with consummate skill and rigor, pushing us beyond our present impasses. This thing is not going away. This is a revolution.”—Jeffrey J. Kripal, author of How to Think Impossibly“Derek Lee delves into the rich history of the paranormal to instigate a captivating discussion of its influence on literature and science into the twenty-first century through SF and ethnic fictions with the unproven concepts of parascience—precognition, telekinesis, clairvoyance, spectral communication, and telepathy. A classic in the making!”—Isiah Lavender III, author of Afrofuturism RisingParascientific Revolutions: The Science and Culture of the Paranormal by Derek Lee is available from University of Minnesota Press. Thank you for listening.

What if we embraced neurodivergent ways of being not as deviations to be corrected but as vital ways of inhabiting the world? What new realities might emerge? Bringing a much-needed humanistic perspective to the study of autism and other forms of neurodivergence, Counter-Cartographies: Neurodivergence and the Errancies of Performance (U Minnesota Press, 2025) offers a bold reimagining of neurological difference, moving beyond rigid diagnostic frameworks to uncover more expansive, generative modes of existence. Engaging the work of Fernand Deligny to trace how modern taxonomies of neurodivergence have hardened over time, Leon J. Hilton questions how these categories might instead serve as tools for remapping the world with neurodivergence at its center. At the heart of Counter-Cartographies is an exploration of performance and performativity that reveals how the norm of neurotypical reality is continually reinforced through acts of doing, redoing, and undoing. Charting the historical shift away from “mind” and toward “brain” and moving fluidly across disciplines—from digital art and documentary cinema to cybernetics and radical mental health movements—Hilton illuminates the deep interconnections between performance, perception, and the historical construction of the “neurotypical.” Through close readings of works by William Pope.L, Mel Baggs, Wu Tsang, and others, Hilton also examines how neurodivergence has been represented, embodied, and materialized in contemporary art and media. Restless, engrossing, and persistently attuned to moments of rupture when the neurotypical order falters, Counter-cartographies charts a path toward a more capacious, imaginative world. Leon J. Hilton is assistant professor of theatre arts and performance studies and co-convener of the Disability Studies Working Group at Brown University. He is a member of the editorial collective of the journal Social Text and on the advisory board of Spectrum Theatre Ensemble, a neurodiverse theatre company based in Providence, Rhode Island. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What if we embraced neurodivergent ways of being not as deviations to be corrected but as vital ways of inhabiting the world? What new realities might emerge? Bringing a much-needed humanistic perspective to the study of autism and other forms of neurodivergence, Counter-Cartographies: Neurodivergence and the Errancies of Performance (U Minnesota Press, 2025) offers a bold reimagining of neurological difference, moving beyond rigid diagnostic frameworks to uncover more expansive, generative modes of existence. Engaging the work of Fernand Deligny to trace how modern taxonomies of neurodivergence have hardened over time, Leon J. Hilton questions how these categories might instead serve as tools for remapping the world with neurodivergence at its center. At the heart of Counter-Cartographies is an exploration of performance and performativity that reveals how the norm of neurotypical reality is continually reinforced through acts of doing, redoing, and undoing. Charting the historical shift away from “mind” and toward “brain” and moving fluidly across disciplines—from digital art and documentary cinema to cybernetics and radical mental health movements—Hilton illuminates the deep interconnections between performance, perception, and the historical construction of the “neurotypical.” Through close readings of works by William Pope.L, Mel Baggs, Wu Tsang, and others, Hilton also examines how neurodivergence has been represented, embodied, and materialized in contemporary art and media. Restless, engrossing, and persistently attuned to moments of rupture when the neurotypical order falters, Counter-cartographies charts a path toward a more capacious, imaginative world. Leon J. Hilton is assistant professor of theatre arts and performance studies and co-convener of the Disability Studies Working Group at Brown University. He is a member of the editorial collective of the journal Social Text and on the advisory board of Spectrum Theatre Ensemble, a neurodiverse theatre company based in Providence, Rhode Island. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What if we embraced neurodivergent ways of being not as deviations to be corrected but as vital ways of inhabiting the world? What new realities might emerge? Bringing a much-needed humanistic perspective to the study of autism and other forms of neurodivergence, Counter-Cartographies: Neurodivergence and the Errancies of Performance (U Minnesota Press, 2025) offers a bold reimagining of neurological difference, moving beyond rigid diagnostic frameworks to uncover more expansive, generative modes of existence. Engaging the work of Fernand Deligny to trace how modern taxonomies of neurodivergence have hardened over time, Leon J. Hilton questions how these categories might instead serve as tools for remapping the world with neurodivergence at its center. At the heart of Counter-Cartographies is an exploration of performance and performativity that reveals how the norm of neurotypical reality is continually reinforced through acts of doing, redoing, and undoing. Charting the historical shift away from “mind” and toward “brain” and moving fluidly across disciplines—from digital art and documentary cinema to cybernetics and radical mental health movements—Hilton illuminates the deep interconnections between performance, perception, and the historical construction of the “neurotypical.” Through close readings of works by William Pope.L, Mel Baggs, Wu Tsang, and others, Hilton also examines how neurodivergence has been represented, embodied, and materialized in contemporary art and media. Restless, engrossing, and persistently attuned to moments of rupture when the neurotypical order falters, Counter-cartographies charts a path toward a more capacious, imaginative world. Leon J. Hilton is assistant professor of theatre arts and performance studies and co-convener of the Disability Studies Working Group at Brown University. He is a member of the editorial collective of the journal Social Text and on the advisory board of Spectrum Theatre Ensemble, a neurodiverse theatre company based in Providence, Rhode Island. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

What if we embraced neurodivergent ways of being not as deviations to be corrected but as vital ways of inhabiting the world? What new realities might emerge? Bringing a much-needed humanistic perspective to the study of autism and other forms of neurodivergence, Counter-Cartographies: Neurodivergence and the Errancies of Performance (U Minnesota Press, 2025) offers a bold reimagining of neurological difference, moving beyond rigid diagnostic frameworks to uncover more expansive, generative modes of existence. Engaging the work of Fernand Deligny to trace how modern taxonomies of neurodivergence have hardened over time, Leon J. Hilton questions how these categories might instead serve as tools for remapping the world with neurodivergence at its center. At the heart of Counter-Cartographies is an exploration of performance and performativity that reveals how the norm of neurotypical reality is continually reinforced through acts of doing, redoing, and undoing. Charting the historical shift away from “mind” and toward “brain” and moving fluidly across disciplines—from digital art and documentary cinema to cybernetics and radical mental health movements—Hilton illuminates the deep interconnections between performance, perception, and the historical construction of the “neurotypical.” Through close readings of works by William Pope.L, Mel Baggs, Wu Tsang, and others, Hilton also examines how neurodivergence has been represented, embodied, and materialized in contemporary art and media. Restless, engrossing, and persistently attuned to moments of rupture when the neurotypical order falters, Counter-cartographies charts a path toward a more capacious, imaginative world. Leon J. Hilton is assistant professor of theatre arts and performance studies and co-convener of the Disability Studies Working Group at Brown University. He is a member of the editorial collective of the journal Social Text and on the advisory board of Spectrum Theatre Ensemble, a neurodiverse theatre company based in Providence, Rhode Island. Learn more about your ad choices. Visit megaphone.fm/adchoices

This essay is based on the introductory chapter from a collection edited by Owen Clayton and Iain McIntyre entitled The Popular Wobbly: Selected Writings of T-Bone Slim (University of Minnesota Press, 2025). Owen Clayton is a Senior Lecturer in English literature at the University of Lincoln in England and the author of Vagabonds, Tramps, and Hobos: The Literature and Culture of U.S. Transiency, 1890–1940 and Literature and Photography in Transition, 1850–1915. Iain McIntyre is an honorary fellow with the School of Historical and Philosophical Studies, University of Melbourne, a researcher at social change website commonslibrary.org and author of Environmental Blockades: Obstructive Direct Action and the History of the Environmental Movement. Anarchist Essays is brought to you by Loughborough University's Anarchism Research Group and the journal Anarchist Studies. Follow us on Bluesky @anarchismresgroup.bsky.social Our music comes from Them'uns (featuring Yous'uns). Artwork by Sam G.  

For almost seven years after World War II, a small group of architects took on an exciting task: to imagine the spaces of global governance for a new political organization called the United Nations (UN). To create the iconic headquarters of the UN in New York City, these architects experimented with room layouts, media technologies, and design in tribunal courtrooms, assembly halls, and council chambers. The result was the creation of a new type of public space, the global interior. Assembly by Design: The United Nations and Its Global Interior (U of Minnesota Press, 2024) shows how this space leveraged media to help the UN communicate with the world. With its media infrastructure, symbols, acoustic design, and architecture, the global interior defined political assembly both inside and outside the UN headquarters, serving as the architectural medium to organize multilateral encounters of international publics around the globe. Demonstrating how aesthetics have long held sway over political work, Olga Touloumi posits that the building framed diplomacy on the ground amid a changing political landscape that brought the United States to the forefront of international politics, destabilizing old and establishing new geopolitical alliances. Uncovering previously closed institutional and family archives, Assembly by Design offers new information about the political and aesthetic decisions that turned the UN headquarters into a communications organism. It looks back at a moment of hope, when politicians, architects, and diplomats—believing that assembly was a matter of design—worked together to deliver platforms for global democracy and governance. Olga Touloumi is associate professor of architectural history at Bard College. She is coeditor of Computer Architectures: Constructing the Common Ground. Nushelle de Silva is assistant professor of architectural history at Fordham University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For almost seven years after World War II, a small group of architects took on an exciting task: to imagine the spaces of global governance for a new political organization called the United Nations (UN). To create the iconic headquarters of the UN in New York City, these architects experimented with room layouts, media technologies, and design in tribunal courtrooms, assembly halls, and council chambers. The result was the creation of a new type of public space, the global interior. Assembly by Design: The United Nations and Its Global Interior (U of Minnesota Press, 2024) shows how this space leveraged media to help the UN communicate with the world. With its media infrastructure, symbols, acoustic design, and architecture, the global interior defined political assembly both inside and outside the UN headquarters, serving as the architectural medium to organize multilateral encounters of international publics around the globe. Demonstrating how aesthetics have long held sway over political work, Olga Touloumi posits that the building framed diplomacy on the ground amid a changing political landscape that brought the United States to the forefront of international politics, destabilizing old and establishing new geopolitical alliances. Uncovering previously closed institutional and family archives, Assembly by Design offers new information about the political and aesthetic decisions that turned the UN headquarters into a communications organism. It looks back at a moment of hope, when politicians, architects, and diplomats—believing that assembly was a matter of design—worked together to deliver platforms for global democracy and governance. Olga Touloumi is associate professor of architectural history at Bard College. She is coeditor of Computer Architectures: Constructing the Common Ground. Nushelle de Silva is assistant professor of architectural history at Fordham University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

For almost seven years after World War II, a small group of architects took on an exciting task: to imagine the spaces of global governance for a new political organization called the United Nations (UN). To create the iconic headquarters of the UN in New York City, these architects experimented with room layouts, media technologies, and design in tribunal courtrooms, assembly halls, and council chambers. The result was the creation of a new type of public space, the global interior. Assembly by Design: The United Nations and Its Global Interior (U of Minnesota Press, 2024) shows how this space leveraged media to help the UN communicate with the world. With its media infrastructure, symbols, acoustic design, and architecture, the global interior defined political assembly both inside and outside the UN headquarters, serving as the architectural medium to organize multilateral encounters of international publics around the globe. Demonstrating how aesthetics have long held sway over political work, Olga Touloumi posits that the building framed diplomacy on the ground amid a changing political landscape that brought the United States to the forefront of international politics, destabilizing old and establishing new geopolitical alliances. Uncovering previously closed institutional and family archives, Assembly by Design offers new information about the political and aesthetic decisions that turned the UN headquarters into a communications organism. It looks back at a moment of hope, when politicians, architects, and diplomats—believing that assembly was a matter of design—worked together to deliver platforms for global democracy and governance. Olga Touloumi is associate professor of architectural history at Bard College. She is coeditor of Computer Architectures: Constructing the Common Ground. Nushelle de Silva is assistant professor of architectural history at Fordham University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

For almost seven years after World War II, a small group of architects took on an exciting task: to imagine the spaces of global governance for a new political organization called the United Nations (UN). To create the iconic headquarters of the UN in New York City, these architects experimented with room layouts, media technologies, and design in tribunal courtrooms, assembly halls, and council chambers. The result was the creation of a new type of public space, the global interior. Assembly by Design: The United Nations and Its Global Interior (U of Minnesota Press, 2024) shows how this space leveraged media to help the UN communicate with the world. With its media infrastructure, symbols, acoustic design, and architecture, the global interior defined political assembly both inside and outside the UN headquarters, serving as the architectural medium to organize multilateral encounters of international publics around the globe. Demonstrating how aesthetics have long held sway over political work, Olga Touloumi posits that the building framed diplomacy on the ground amid a changing political landscape that brought the United States to the forefront of international politics, destabilizing old and establishing new geopolitical alliances. Uncovering previously closed institutional and family archives, Assembly by Design offers new information about the political and aesthetic decisions that turned the UN headquarters into a communications organism. It looks back at a moment of hope, when politicians, architects, and diplomats—believing that assembly was a matter of design—worked together to deliver platforms for global democracy and governance. Olga Touloumi is associate professor of architectural history at Bard College. She is coeditor of Computer Architectures: Constructing the Common Ground. Nushelle de Silva is assistant professor of architectural history at Fordham University. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Plantation Worlds (Duke UP, 2024), Maan Barua interrogates debates on planetary transformations through the histories and ecologies of plantations. Drawing on long-term research spanning fifteen years, Barua presents a unique ethnography attentive to the lives of both people and elephants amid tea plantations in the Indian state of Assam. In the nineteenth and early twentieth centuries, nearly three million people were brought in to Assam's plantations to work under conditions of indenture. Plantations dramatically altered the region's landscape, plundered resources, and created fraught worlds for elephants and people. Their extractive logics and colonial legacies prevail as durations, forging the ambit of infrastructures, labor, habitability, and conservation in the present. And yet, as the perspectives of the Adivasi plantation worker community and lifeworlds of elephants show, possibilities for enacting a decolonial imaginary of landscape remain present amid immiseration. From the margins of the Global South, Barua offers an alternative grammar for articulating environmental change. In so doing, he prompts a rethinking of multispecies ecologies and how they are structured by colonialism and race. Maan Barua is University Lecturer in Human Geography at the University of Cambridge and author of Lively Cities: Reconfiguring Urban Ecology (University of Minnesota Press, 2023). Maan is an environmental and urban geographer whose research focuses on the economies, ontologies and politics of the living and material world. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and ecological anthropology. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

In Plantation Worlds (Duke UP, 2024), Maan Barua interrogates debates on planetary transformations through the histories and ecologies of plantations. Drawing on long-term research spanning fifteen years, Barua presents a unique ethnography attentive to the lives of both people and elephants amid tea plantations in the Indian state of Assam. In the nineteenth and early twentieth centuries, nearly three million people were brought in to Assam's plantations to work under conditions of indenture. Plantations dramatically altered the region's landscape, plundered resources, and created fraught worlds for elephants and people. Their extractive logics and colonial legacies prevail as durations, forging the ambit of infrastructures, labor, habitability, and conservation in the present. And yet, as the perspectives of the Adivasi plantation worker community and lifeworlds of elephants show, possibilities for enacting a decolonial imaginary of landscape remain present amid immiseration. From the margins of the Global South, Barua offers an alternative grammar for articulating environmental change. In so doing, he prompts a rethinking of multispecies ecologies and how they are structured by colonialism and race. Maan Barua is University Lecturer in Human Geography at the University of Cambridge and author of Lively Cities: Reconfiguring Urban Ecology (University of Minnesota Press, 2023). Maan is an environmental and urban geographer whose research focuses on the economies, ontologies and politics of the living and material world. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and ecological anthropology. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Plantation Worlds (Duke UP, 2024), Maan Barua interrogates debates on planetary transformations through the histories and ecologies of plantations. Drawing on long-term research spanning fifteen years, Barua presents a unique ethnography attentive to the lives of both people and elephants amid tea plantations in the Indian state of Assam. In the nineteenth and early twentieth centuries, nearly three million people were brought in to Assam's plantations to work under conditions of indenture. Plantations dramatically altered the region's landscape, plundered resources, and created fraught worlds for elephants and people. Their extractive logics and colonial legacies prevail as durations, forging the ambit of infrastructures, labor, habitability, and conservation in the present. And yet, as the perspectives of the Adivasi plantation worker community and lifeworlds of elephants show, possibilities for enacting a decolonial imaginary of landscape remain present amid immiseration. From the margins of the Global South, Barua offers an alternative grammar for articulating environmental change. In so doing, he prompts a rethinking of multispecies ecologies and how they are structured by colonialism and race. Maan Barua is University Lecturer in Human Geography at the University of Cambridge and author of Lively Cities: Reconfiguring Urban Ecology (University of Minnesota Press, 2023). Maan is an environmental and urban geographer whose research focuses on the economies, ontologies and politics of the living and material world. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and ecological anthropology. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

In Plantation Worlds (Duke UP, 2024), Maan Barua interrogates debates on planetary transformations through the histories and ecologies of plantations. Drawing on long-term research spanning fifteen years, Barua presents a unique ethnography attentive to the lives of both people and elephants amid tea plantations in the Indian state of Assam. In the nineteenth and early twentieth centuries, nearly three million people were brought in to Assam's plantations to work under conditions of indenture. Plantations dramatically altered the region's landscape, plundered resources, and created fraught worlds for elephants and people. Their extractive logics and colonial legacies prevail as durations, forging the ambit of infrastructures, labor, habitability, and conservation in the present. And yet, as the perspectives of the Adivasi plantation worker community and lifeworlds of elephants show, possibilities for enacting a decolonial imaginary of landscape remain present amid immiseration. From the margins of the Global South, Barua offers an alternative grammar for articulating environmental change. In so doing, he prompts a rethinking of multispecies ecologies and how they are structured by colonialism and race. Maan Barua is University Lecturer in Human Geography at the University of Cambridge and author of Lively Cities: Reconfiguring Urban Ecology (University of Minnesota Press, 2023). Maan is an environmental and urban geographer whose research focuses on the economies, ontologies and politics of the living and material world. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and ecological anthropology. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

The book, Racing Uphill: Confronting a Life with Epilepsy (U of Minnesota Press, 2025), is a memoir and an educational resource, which tells the story of an Emmy Award-winning TV news Journalist, Stacia Kalinoski. The author's aim is beyond giving an account of her experience of epilepsy, her goal is to sensitize readers and inspire epileptic patients and other people battling with ailments that carry social stigma, emphasizing the importance of taking control of one's health. In the book, Stacia Kalinoski recounts her experience of visual distortions and feelings of déjà vu and jamais vujamais vu, which are auras that often precede more severe seizures. She discusses the physical injuries and memory loss resulting from her condition, particularly from temporal lobe seizures. Stacia's narrative underscores the complexities of living with epilepsy and the potential for personal growth and empowerment through adversity. She highlights the effects of frequent episodes of seizure on maintenance of social relationships and the ability to reminisce about the past. Relating her experience, Stacia dwells on the importance of confronting the reality of living with epilepsy, she emphasizes the significance of understanding seizures to combat the stigma and fear surrounding the condition, and how surgery can improve memory loss and allow People Living with Epilepsy reconnect with their past.  Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League, published by Grin Verlag. Mariam's greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ (22) Olugbodi Mariam | LinkedIn, Mariam Olugbodi (0000-0001-5027-6644) - ORCID and User:Margob28 - Meta Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The book, Racing Uphill: Confronting a Life with Epilepsy (U of Minnesota Press, 2025), is a memoir and an educational resource, which tells the story of an Emmy Award-winning TV news Journalist, Stacia Kalinoski. The author's aim is beyond giving an account of her experience of epilepsy, her goal is to sensitize readers and inspire epileptic patients and other people battling with ailments that carry social stigma, emphasizing the importance of taking control of one's health. In the book, Stacia Kalinoski recounts her experience of visual distortions and feelings of déjà vu and jamais vujamais vu, which are auras that often precede more severe seizures. She discusses the physical injuries and memory loss resulting from her condition, particularly from temporal lobe seizures. Stacia's narrative underscores the complexities of living with epilepsy and the potential for personal growth and empowerment through adversity. She highlights the effects of frequent episodes of seizure on maintenance of social relationships and the ability to reminisce about the past. Relating her experience, Stacia dwells on the importance of confronting the reality of living with epilepsy, she emphasizes the significance of understanding seizures to combat the stigma and fear surrounding the condition, and how surgery can improve memory loss and allow People Living with Epilepsy reconnect with their past.  Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League, published by Grin Verlag. Mariam's greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ (22) Olugbodi Mariam | LinkedIn, Mariam Olugbodi (0000-0001-5027-6644) - ORCID and User:Margob28 - Meta Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The book, Racing Uphill: Confronting a Life with Epilepsy (U of Minnesota Press, 2025), is a memoir and an educational resource, which tells the story of an Emmy Award-winning TV news Journalist, Stacia Kalinoski. The author's aim is beyond giving an account of her experience of epilepsy, her goal is to sensitize readers and inspire epileptic patients and other people battling with ailments that carry social stigma, emphasizing the importance of taking control of one's health. In the book, Stacia Kalinoski recounts her experience of visual distortions and feelings of déjà vu and jamais vujamais vu, which are auras that often precede more severe seizures. She discusses the physical injuries and memory loss resulting from her condition, particularly from temporal lobe seizures. Stacia's narrative underscores the complexities of living with epilepsy and the potential for personal growth and empowerment through adversity. She highlights the effects of frequent episodes of seizure on maintenance of social relationships and the ability to reminisce about the past. Relating her experience, Stacia dwells on the importance of confronting the reality of living with epilepsy, she emphasizes the significance of understanding seizures to combat the stigma and fear surrounding the condition, and how surgery can improve memory loss and allow People Living with Epilepsy reconnect with their past.  Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League, published by Grin Verlag. Mariam's greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ (22) Olugbodi Mariam | LinkedIn, Mariam Olugbodi (0000-0001-5027-6644) - ORCID and User:Margob28 - Meta Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

The book, Racing Uphill: Confronting a Life with Epilepsy (U of Minnesota Press, 2025), is a memoir and an educational resource, which tells the story of an Emmy Award-winning TV news Journalist, Stacia Kalinoski. The author's aim is beyond giving an account of her experience of epilepsy, her goal is to sensitize readers and inspire epileptic patients and other people battling with ailments that carry social stigma, emphasizing the importance of taking control of one's health. In the book, Stacia Kalinoski recounts her experience of visual distortions and feelings of déjà vu and jamais vujamais vu, which are auras that often precede more severe seizures. She discusses the physical injuries and memory loss resulting from her condition, particularly from temporal lobe seizures. Stacia's narrative underscores the complexities of living with epilepsy and the potential for personal growth and empowerment through adversity. She highlights the effects of frequent episodes of seizure on maintenance of social relationships and the ability to reminisce about the past. Relating her experience, Stacia dwells on the importance of confronting the reality of living with epilepsy, she emphasizes the significance of understanding seizures to combat the stigma and fear surrounding the condition, and how surgery can improve memory loss and allow People Living with Epilepsy reconnect with their past.  Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League, published by Grin Verlag. Mariam's greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ (22) Olugbodi Mariam | LinkedIn, Mariam Olugbodi (0000-0001-5027-6644) - ORCID and User:Margob28 - Meta Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

The book, Racing Uphill: Confronting a Life with Epilepsy (U of Minnesota Press, 2025), is a memoir and an educational resource, which tells the story of an Emmy Award-winning TV news Journalist, Stacia Kalinoski. The author's aim is beyond giving an account of her experience of epilepsy, her goal is to sensitize readers and inspire epileptic patients and other people battling with ailments that carry social stigma, emphasizing the importance of taking control of one's health. In the book, Stacia Kalinoski recounts her experience of visual distortions and feelings of déjà vu and jamais vujamais vu, which are auras that often precede more severe seizures. She discusses the physical injuries and memory loss resulting from her condition, particularly from temporal lobe seizures. Stacia's narrative underscores the complexities of living with epilepsy and the potential for personal growth and empowerment through adversity. She highlights the effects of frequent episodes of seizure on maintenance of social relationships and the ability to reminisce about the past. Relating her experience, Stacia dwells on the importance of confronting the reality of living with epilepsy, she emphasizes the significance of understanding seizures to combat the stigma and fear surrounding the condition, and how surgery can improve memory loss and allow People Living with Epilepsy reconnect with their past.  Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League, published by Grin Verlag. Mariam's greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ (22) Olugbodi Mariam | LinkedIn, Mariam Olugbodi (0000-0001-5027-6644) - ORCID and User:Margob28 - Meta Learn more about your ad choices. Visit megaphone.fm/adchoices

The book, Racing Uphill: Confronting a Life with Epilepsy (U of Minnesota Press, 2025), is a memoir and an educational resource, which tells the story of an Emmy Award-winning TV news Journalist, Stacia Kalinoski. The author's aim is beyond giving an account of her experience of epilepsy, her goal is to sensitize readers and inspire epileptic patients and other people battling with ailments that carry social stigma, emphasizing the importance of taking control of one's health. In the book, Stacia Kalinoski recounts her experience of visual distortions and feelings of déjà vu and jamais vujamais vu, which are auras that often precede more severe seizures. She discusses the physical injuries and memory loss resulting from her condition, particularly from temporal lobe seizures. Stacia's narrative underscores the complexities of living with epilepsy and the potential for personal growth and empowerment through adversity. She highlights the effects of frequent episodes of seizure on maintenance of social relationships and the ability to reminisce about the past. Relating her experience, Stacia dwells on the importance of confronting the reality of living with epilepsy, she emphasizes the significance of understanding seizures to combat the stigma and fear surrounding the condition, and how surgery can improve memory loss and allow People Living with Epilepsy reconnect with their past.  Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League, published by Grin Verlag. Mariam's greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ (22) Olugbodi Mariam | LinkedIn, Mariam Olugbodi (0000-0001-5027-6644) - ORCID and User:Margob28 - Meta Learn more about your ad choices. Visit megaphone.fm/adchoices

When the system is stacked against you, when mainstream society sidelines you (or worse), where do you look for liberatory possibilities? Eve Dunbar describes how Ann Petry, author of the 1946 novel “The Street” as well as YA novels about Harriet Tubman and Tituba, insisted on satisfaction and not merely survival. Dunbar also talks about the value of what she calls monstrous work. Eve Dunbar, Monstrous Work and Radical Satisfaction: Black Women Writing under Segregation University of Minnesota Press, 2024 The post Radical Satisfaction appeared first on KPFA.

In Nonbinary Jane Austen, Chris Washington theorizes how Jane Austen envisions a nonbinary future that traverses the two-sex model of gender that we can supposedly see solidifying in the eighteenth century. Arguing that her writing works to abolish gender exclusivity altogether, Washington shows how she establishes a politics that ushers in a future built on plurality and possibility. Chris Washington is associate professor of English at Francis Marion University in South Carolina, USA. Washington is the editor of a recent Norton Critical Edition of Mary Shelley's The Last Man and is the author of Nonbinary Jane Austen, Romantic Revelations: Visions of Post-Apocalyptic Hope and Life in the Anthropocene (University of Toronto Press, 2019), and essays on the literature of the Romantic period and on contemporary theory and philosophy. Tristan Burke researches and teaches eighteenth and nineteenth-century literature and continental philosophy. He is the author of Byronism, Napoleonism, and Nineteenth-Century Realism: Heroes of Their Own Lives? (Routledge, 2022) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Nonbinary Jane Austen, Chris Washington theorizes how Jane Austen envisions a nonbinary future that traverses the two-sex model of gender that we can supposedly see solidifying in the eighteenth century. Arguing that her writing works to abolish gender exclusivity altogether, Washington shows how she establishes a politics that ushers in a future built on plurality and possibility. Chris Washington is associate professor of English at Francis Marion University in South Carolina, USA. Washington is the editor of a recent Norton Critical Edition of Mary Shelley's The Last Man and is the author of Nonbinary Jane Austen, Romantic Revelations: Visions of Post-Apocalyptic Hope and Life in the Anthropocene (University of Toronto Press, 2019), and essays on the literature of the Romantic period and on contemporary theory and philosophy. Tristan Burke researches and teaches eighteenth and nineteenth-century literature and continental philosophy. He is the author of Byronism, Napoleonism, and Nineteenth-Century Realism: Heroes of Their Own Lives? (Routledge, 2022) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Nonbinary Jane Austen, Chris Washington theorizes how Jane Austen envisions a nonbinary future that traverses the two-sex model of gender that we can supposedly see solidifying in the eighteenth century. Arguing that her writing works to abolish gender exclusivity altogether, Washington shows how she establishes a politics that ushers in a future built on plurality and possibility. Chris Washington is associate professor of English at Francis Marion University in South Carolina, USA. Washington is the editor of a recent Norton Critical Edition of Mary Shelley's The Last Man and is the author of Nonbinary Jane Austen, Romantic Revelations: Visions of Post-Apocalyptic Hope and Life in the Anthropocene (University of Toronto Press, 2019), and essays on the literature of the Romantic period and on contemporary theory and philosophy. Tristan Burke researches and teaches eighteenth and nineteenth-century literature and continental philosophy. He is the author of Byronism, Napoleonism, and Nineteenth-Century Realism: Heroes of Their Own Lives? (Routledge, 2022) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Nonbinary Jane Austen, Chris Washington theorizes how Jane Austen envisions a nonbinary future that traverses the two-sex model of gender that we can supposedly see solidifying in the eighteenth century. Arguing that her writing works to abolish gender exclusivity altogether, Washington shows how she establishes a politics that ushers in a future built on plurality and possibility. Chris Washington is associate professor of English at Francis Marion University in South Carolina, USA. Washington is the editor of a recent Norton Critical Edition of Mary Shelley's The Last Man and is the author of Nonbinary Jane Austen, Romantic Revelations: Visions of Post-Apocalyptic Hope and Life in the Anthropocene (University of Toronto Press, 2019), and essays on the literature of the Romantic period and on contemporary theory and philosophy. Tristan Burke researches and teaches eighteenth and nineteenth-century literature and continental philosophy. He is the author of Byronism, Napoleonism, and Nineteenth-Century Realism: Heroes of Their Own Lives? (Routledge, 2022) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In Nonbinary Jane Austen, Chris Washington theorizes how Jane Austen envisions a nonbinary future that traverses the two-sex model of gender that we can supposedly see solidifying in the eighteenth century. Arguing that her writing works to abolish gender exclusivity altogether, Washington shows how she establishes a politics that ushers in a future built on plurality and possibility. Chris Washington is associate professor of English at Francis Marion University in South Carolina, USA. Washington is the editor of a recent Norton Critical Edition of Mary Shelley's The Last Man and is the author of Nonbinary Jane Austen, Romantic Revelations: Visions of Post-Apocalyptic Hope and Life in the Anthropocene (University of Toronto Press, 2019), and essays on the literature of the Romantic period and on contemporary theory and philosophy. Tristan Burke researches and teaches eighteenth and nineteenth-century literature and continental philosophy. He is the author of Byronism, Napoleonism, and Nineteenth-Century Realism: Heroes of Their Own Lives? (Routledge, 2022) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Ungendering Menstruation by Ela Przybyło discusses why and how menstrual pain needs to be incorporated into discussions of gender, embodiment, and disability. Honing a "cranky" approach to being a menstruating body expected to accept and embrace trauma, Ungendering Menstruation examines menstrual suppression, toxicity, and the cooptation of menstrual positivity rhetoric. Drawing on their own experiences as a toxic shock survivor and a menstrual pain and period dysphoria sufferer, Ela Przybyło questions why, on what terms, and for whom menstruation has been fixed around experiences of pain. Instead, they present a vision for menstrual justice that refuses the womaning of bleeding and the further erasure, dismissal, and denial of menstrual pain as real pain. If menstruating is framed as somatechnically elective, Przybyło contends, it provides avenues for both celebrating and appreciating cultures of bleeding as well as for remaining critical of the ways in which bleeding has been used as a transphobic and sexist tool to fix gender in place. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Ungendering Menstruation by Ela Przybyło discusses why and how menstrual pain needs to be incorporated into discussions of gender, embodiment, and disability. Honing a "cranky" approach to being a menstruating body expected to accept and embrace trauma, Ungendering Menstruation examines menstrual suppression, toxicity, and the cooptation of menstrual positivity rhetoric. Drawing on their own experiences as a toxic shock survivor and a menstrual pain and period dysphoria sufferer, Ela Przybyło questions why, on what terms, and for whom menstruation has been fixed around experiences of pain. Instead, they present a vision for menstrual justice that refuses the womaning of bleeding and the further erasure, dismissal, and denial of menstrual pain as real pain. If menstruating is framed as somatechnically elective, Przybyło contends, it provides avenues for both celebrating and appreciating cultures of bleeding as well as for remaining critical of the ways in which bleeding has been used as a transphobic and sexist tool to fix gender in place. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Ungendering Menstruation by Ela Przybyło discusses why and how menstrual pain needs to be incorporated into discussions of gender, embodiment, and disability. Honing a "cranky" approach to being a menstruating body expected to accept and embrace trauma, Ungendering Menstruation examines menstrual suppression, toxicity, and the cooptation of menstrual positivity rhetoric. Drawing on their own experiences as a toxic shock survivor and a menstrual pain and period dysphoria sufferer, Ela Przybyło questions why, on what terms, and for whom menstruation has been fixed around experiences of pain. Instead, they present a vision for menstrual justice that refuses the womaning of bleeding and the further erasure, dismissal, and denial of menstrual pain as real pain. If menstruating is framed as somatechnically elective, Przybyło contends, it provides avenues for both celebrating and appreciating cultures of bleeding as well as for remaining critical of the ways in which bleeding has been used as a transphobic and sexist tool to fix gender in place. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Ungendering Menstruation by Ela Przybyło discusses why and how menstrual pain needs to be incorporated into discussions of gender, embodiment, and disability. Honing a "cranky" approach to being a menstruating body expected to accept and embrace trauma, Ungendering Menstruation examines menstrual suppression, toxicity, and the cooptation of menstrual positivity rhetoric. Drawing on their own experiences as a toxic shock survivor and a menstrual pain and period dysphoria sufferer, Ela Przybyło questions why, on what terms, and for whom menstruation has been fixed around experiences of pain. Instead, they present a vision for menstrual justice that refuses the womaning of bleeding and the further erasure, dismissal, and denial of menstrual pain as real pain. If menstruating is framed as somatechnically elective, Przybyło contends, it provides avenues for both celebrating and appreciating cultures of bleeding as well as for remaining critical of the ways in which bleeding has been used as a transphobic and sexist tool to fix gender in place. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

Ungendering Menstruation by Ela Przybyło discusses why and how menstrual pain needs to be incorporated into discussions of gender, embodiment, and disability. Honing a "cranky" approach to being a menstruating body expected to accept and embrace trauma, Ungendering Menstruation examines menstrual suppression, toxicity, and the cooptation of menstrual positivity rhetoric. Drawing on their own experiences as a toxic shock survivor and a menstrual pain and period dysphoria sufferer, Ela Przybyło questions why, on what terms, and for whom menstruation has been fixed around experiences of pain. Instead, they present a vision for menstrual justice that refuses the womaning of bleeding and the further erasure, dismissal, and denial of menstrual pain as real pain. If menstruating is framed as somatechnically elective, Przybyło contends, it provides avenues for both celebrating and appreciating cultures of bleeding as well as for remaining critical of the ways in which bleeding has been used as a transphobic and sexist tool to fix gender in place. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Over the course of two decades, publications of the Industrial Workers of the World featured the influential writings of a hobo, transient worker, columnist, poet, and songwriter named T-Bone Slim. Owen Clayton talks about Slim's focus on workers' everyday lives under capitalism, his political stances, his use of humor, and his commitment to worker organizing. Owen Clayton and Iain McIntyre, eds., The Popular Wobbly: Selected Writings of T-Bone Slim University of Minnesota Press, 2025 Owen Clayton, Vagabonds, Tramps, and Hobos: The Literature and Culture of U.S. Transiency, 1890–1940 Cambridge University Press, 2023   The post Wobbly Extraordinaire appeared first on KPFA.

Along with the rise of Mussolini's fascist regime, the interwar years in Italy also saw the widespread development of its modernist interior design and furnishing practices. While the regime's politics were overtly manifest in monumental government architecture, Furnishing Fascism: Modernist Design and Politics in Italy (University of Minnesota Press, 2025) by Dr. Ignacio G. Galán examines the subtler yet effective role of household goods and decor in the cultivation of Italy's exclusionary sense of national identity. Presenting a fresh look at the work of various architects and designers, including iconic figures such as Gio Ponti and Carlo Enrico Rava, Dr. Galán explores how seemingly neutral products of everyday life contributed to the propagation of fascist ideology. Through extensive promotion in popular magazines and department stores, on the film sets of Cinecittà Studios, and throughout the country's colonial territories, Italy's modernist design practices were part of a larger political project that aimed to produce a totalizing image of cultural hegemony. Interweaving design theory, architectural history, and media scholarship, Furnishing Fascism reexamines the period's so-called minor arts to reveal the political entanglement of modernism in early twentieth-century Italy and offers valuable insight into the complications of cultural production under the auspices of authoritarian power. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Along with the rise of Mussolini's fascist regime, the interwar years in Italy also saw the widespread development of its modernist interior design and furnishing practices. While the regime's politics were overtly manifest in monumental government architecture, Furnishing Fascism: Modernist Design and Politics in Italy (University of Minnesota Press, 2025) by Dr. Ignacio G. Galán examines the subtler yet effective role of household goods and decor in the cultivation of Italy's exclusionary sense of national identity. Presenting a fresh look at the work of various architects and designers, including iconic figures such as Gio Ponti and Carlo Enrico Rava, Dr. Galán explores how seemingly neutral products of everyday life contributed to the propagation of fascist ideology. Through extensive promotion in popular magazines and department stores, on the film sets of Cinecittà Studios, and throughout the country's colonial territories, Italy's modernist design practices were part of a larger political project that aimed to produce a totalizing image of cultural hegemony. Interweaving design theory, architectural history, and media scholarship, Furnishing Fascism reexamines the period's so-called minor arts to reveal the political entanglement of modernism in early twentieth-century Italy and offers valuable insight into the complications of cultural production under the auspices of authoritarian power. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Along with the rise of Mussolini's fascist regime, the interwar years in Italy also saw the widespread development of its modernist interior design and furnishing practices. While the regime's politics were overtly manifest in monumental government architecture, Furnishing Fascism: Modernist Design and Politics in Italy (University of Minnesota Press, 2025) by Dr. Ignacio G. Galán examines the subtler yet effective role of household goods and decor in the cultivation of Italy's exclusionary sense of national identity. Presenting a fresh look at the work of various architects and designers, including iconic figures such as Gio Ponti and Carlo Enrico Rava, Dr. Galán explores how seemingly neutral products of everyday life contributed to the propagation of fascist ideology. Through extensive promotion in popular magazines and department stores, on the film sets of Cinecittà Studios, and throughout the country's colonial territories, Italy's modernist design practices were part of a larger political project that aimed to produce a totalizing image of cultural hegemony. Interweaving design theory, architectural history, and media scholarship, Furnishing Fascism reexamines the period's so-called minor arts to reveal the political entanglement of modernism in early twentieth-century Italy and offers valuable insight into the complications of cultural production under the auspices of authoritarian power. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

As the environmental crisis worsens, not everyone is drawing the same lessons. On the far right, xenophobic and racist ideas are increasingly dressed up as means of protecting nature. And, as scholar Alexander Menrisky posits, contemporary American culture furnishes a wealth of material for the right, from the ubiquity of apocalyptic and misanthropic ideas to concerns with Wellness and bodily purity. Alexander Menrisky, Everyday Ecofascism: Crisis and Consumption in American Literature University of Minnesota Press, 2025 The post The Fodder of Eco-Fascism appeared first on KPFA.

After struggling to raise her siblings and start an art career, Wanda Gág’s life changed almost instantly with the publication of her first children’s book. Part two of her story looks at how her books sustained her financially so she could also make the art she wanted. Research: Anderson, Phil. "Gág, Wanda (1893–1946)." MNopedia, Minnesota Historical Society. http://www.mnopedia.org/person/g-g-wanda-1893-1946 Cox, Richard W. “Wanda Gág The Bite of the Picture Book.“ Minnesota History. Fall 1975. https://storage.googleapis.com/mnhs-org-support/mn_history_articles/44/v44i07p238-254.pdf?__hstc=98931905.4376bcd11fc21fde4cdd335d087cb15e.1742826273001.1742826273001.1742826273001.1&__hssc=98931905.1.1742826273001&__hsfp=979038277 Cox, Richard, and Julie L’Enfant. “Old World Symphony.” Minnesota History. Spring 1996. https://storage.googleapis.com/mnhs-org-support/mn_history_articles/55/v55i01p002-015.pdf?__hstc=98931905.4376bcd11fc21fde4cdd335d087cb15e.1742826273001.1742826273001.1742826273001.1&__hssc=98931905.1.1742826273001&__hsfp=979038277 Gág , Wanda. “Growing Pains.” Coward-McCann. 1940. https://ia801401.us.archive.org/10/items/in.ernet.dli.2015.88331/2015.88331.Growing-Pains-Diaries-And-Drawings-For-The-Years-1908-1917.pdf Gág , Wanda. “Millions of Cats.” Coward-McCann. 1928. https://www.google.com/books/edition/Millions_of_Cats/2YjWAAAAMAAJ?hl=en&gbpv=0 Gág , Wanda. “The Funny Thing.” Coward-McCann. 1991. https://www.google.com/books/edition/The_Funny_Thing/c1nhAAAAMAAJ?hl=en&gbpv=0 Gág , Wanda. “SNOW WHITE AND THE SEVEN DWARFS.” Coward-McCann. 1938. Accessed online: https://gutenberg.ca/ebooks/Gág -snow/Gág -snow-00-h-dir/Gág -snow-00-h.html Gág , Wanda. “Snippy and Snappy. Coward-McCann. 1931. Accessed online: https://gutenberg.ca/ebooks/Gág -snippy/Gág -snippy-00-h-dir/Gág -snippy-00-h.html Gregory, Alice. “Juicy As a Pear: Wanda Gág’s Delectable Books.” The New Yorker. April 24, 2014. https://www.newyorker.com/books/page-turner/juicy-as-a-pear-wanda-ggs-delectable-books?_sp=0d46b6ea-f03e-46b9-aa69-dd7bd3c6100b.1742826428861 Hurley, Beatrice J. “Wanda Gág - Artist, Author.” Elementary English, vol. 32, no. 6, 1955, pp. 347–54. JSTOR, http://www.jstor.org/stable/41384370 Keller, Sara. “Reciprocal Connections: Wanda Gág and her Hometown Community of new Ulm, Minnesota.” Kappa Omicron Nu. https://publications.kon.org/urc//v9/Interconnected-Through-Art/keller.pdf Popova, Maria. “Pioneering Early-Twentieth-Century Artist and Creative Entrepreneur Wanda Gág on Our Two Selves and How Love Lays Its Claim on Us.” The Marginalian. March 11, 2015. https://www.themarginalian.org/2015/03/11/wanda-Gág -growing-pains-me-myself/#:~:text=By%20Maria%20Popova,was%20already%20on%20her%20deathbed. Scott, Alma. “Wanda Gág : The Story of an Artist.” Kessinger Publishing. 2007. Showalter, Elaine. “These Modern Women: Autobiographical Essays from the Twenties.” Feminist Press at CUNY. 1989. “Wanda Gág.” Wanda Gág https://wandaGág house.org/wanda-Gág / Wigglesworth, Michael. “The Day of Doom.” Spiral Press. 1929. Accessed online: https://babel.hathitrust.org/cgi/pt?id=uva.x000889310&seq=9 Winnan, Audur H. “Wanda Gág .” University of Minnesota Press. 1993. See omnystudio.com/listener for privacy information.

As an artist and writer Wanda Gág is well known for her children’s books. But this first of two parts about her life covers her own unusual childhood, which went from quirky fun to intense hardship when her father died. Research: Anderson, Phil. "Gág, Wanda (1893–1946)." MNopedia, Minnesota Historical Society. http://www.mnopedia.org/person/g-g-wanda-1893-1946 Cox, Richard W. “Wanda Gág The Bite of the Picture Book.“ Minnesota History. Fall 1975. https://storage.googleapis.com/mnhs-org-support/mn_history_articles/44/v44i07p238-254.pdf?__hstc=98931905.4376bcd11fc21fde4cdd335d087cb15e.1742826273001.1742826273001.1742826273001.1&__hssc=98931905.1.1742826273001&__hsfp=979038277 Cox, Richard, and Julie L’Enfant. “Old World Symphony.” Minnesota History. Spring 1996. https://storage.googleapis.com/mnhs-org-support/mn_history_articles/55/v55i01p002-015.pdf?__hstc=98931905.4376bcd11fc21fde4cdd335d087cb15e.1742826273001.1742826273001.1742826273001.1&__hssc=98931905.1.1742826273001&__hsfp=979038277 Gág , Wanda. “Growing Pains.” Coward-McCann. 1940. https://ia801401.us.archive.org/10/items/in.ernet.dli.2015.88331/2015.88331.Growing-Pains-Diaries-And-Drawings-For-The-Years-1908-1917.pdf Gág , Wanda. “Millions of Cats.” Coward-McCann. 1928. https://www.google.com/books/edition/Millions_of_Cats/2YjWAAAAMAAJ?hl=en&gbpv=0 Gág , Wanda. “The Funny Thing.” Coward-McCann. 1991. https://www.google.com/books/edition/The_Funny_Thing/c1nhAAAAMAAJ?hl=en&gbpv=0 Gág , Wanda. “SNOW WHITE AND THE SEVEN DWARFS.” Coward-McCann. 1938. Accessed online: https://gutenberg.ca/ebooks/Gág -snow/Gág -snow-00-h-dir/Gág -snow-00-h.html Gág , Wanda. “Snippy and Snappy. Coward-McCann. 1931. Accessed online: https://gutenberg.ca/ebooks/Gág -snippy/Gág -snippy-00-h-dir/Gág -snippy-00-h.html Gregory, Alice. “Juicy As a Pear: Wanda Gág’s Delectable Books.” The New Yorker. April 24, 2014. https://www.newyorker.com/books/page-turner/juicy-as-a-pear-wanda-ggs-delectable-books?_sp=0d46b6ea-f03e-46b9-aa69-dd7bd3c6100b.1742826428861 Hurley, Beatrice J. “Wanda Gág - Artist, Author.” Elementary English, vol. 32, no. 6, 1955, pp. 347–54. JSTOR, http://www.jstor.org/stable/41384370 Keller, Sara. “Reciprocal Connections: Wanda Gág and her Hometown Community of new Ulm, Minnesota.” Kappa Omicron Nu. https://publications.kon.org/urc//v9/Interconnected-Through-Art/keller.pdf Popova, Maria. “Pioneering Early-Twentieth-Century Artist and Creative Entrepreneur Wanda Gág on Our Two Selves and How Love Lays Its Claim on Us.” The Marginalian. March 11, 2015. https://www.themarginalian.org/2015/03/11/wanda-Gág -growing-pains-me-myself/#:~:text=By%20Maria%20Popova,was%20already%20on%20her%20deathbed. Scott, Alma. “Wanda Gág : The Story of an Artist.” Kessinger Publishing. 2007. Showalter, Elaine. “These Modern Women: Autobiographical Essays from the Twenties.” Feminist Press at CUNY. 1989. “Wanda Gág.” Wanda Gág https://wandaGág house.org/wanda-Gág / Wigglesworth, Michael. “The Day of Doom.” Spiral Press. 1929. Accessed online: https://babel.hathitrust.org/cgi/pt?id=uva.x000889310&seq=9 Winnan, Audur H. “Wanda Gág .” University of Minnesota Press. 1993. See omnystudio.com/listener for privacy information.