Podcasts about minnesota press

"In the Process, I came to realize ... how nature in my own life had been such a healing force." - James Bonilla We wrap up season 11 with New York-born Puerto Rican writer and retired professor emeritus, James Bonilla. James's story is filled with transformation, healing, and wisdom. Born with congenital cataracts, at the age of nine, his right eye was injured in school by a fellow student's actions. For over ten years, James was blind. At the age of 19, doctors removed the cataracts (although the childhood injury remained). On his way home from the hospital, he remembers seeing the world in Technicolor through his own eyes. As a writer, James was comfortable writing about his identities as a Puerto Rican and a person with impaired sight. But it wasn't until he did the Process that he could accept his family's struggle with mental illness. He released patterns of shame that stemmed from his experiences of abandonment as a young child. In accepting his own mental illness, James found deeper healing of those issues through the power of nature. He realized that nature had been a constant source of healing throughout his life. Upon graduating, James felt called to share his experience healing mental illness with others. Because of his work at the Process, James emerged emboldened to share this experience in his new memoir, An Eye for An I. We hope you enjoy this inspiring conversation with James and Drew. We'll be back in early 2026 with season 12 of the Hoffman Podcast. Content Warning: This episode mentions suicide and includes intense emotional content and targeted racism. Please use your discretion. If you or someone you know is suicidal, reach out to The National Suicide Prevention Lifeline at 800-273-TALK (8255), or message the Crisis Text Line at 741741. More about James Bonilla James Francisco Bonilla is a New York-born Puerto Rican writer and retired professor emeritus of cultural competence and leadership at Hamline University in St. Paul, MN. James was born with congenital cataracts and has never had sight in his left eye. Following a racially-motivated assault at age nine, he lost much of his remaining sight in the right eye. Ten years later, a medical breakthrough restored sight to his right eye. Seeking relief and inspiration, he found unexpected solace in the natural world. This discovery led him toward both personal healing and advocacy work. Due to his experiences, James was drawn into the early disability rights movement and community organizing. This helped shape his work as a nationally recognized social justice educator and environmentalist. James received his doctoral degree from the University of Massachusetts, Amherst, School of Education in Organizational Leadership. He is a former Chair of the Faculty Advisory Committee to the National Conference on Racial & Ethnic Diversity in American Higher Education. He has made hundreds of presentations to universities, conferences, and human service organizations in the area of diversity, including outdoor education and environmental programs. His memoir, An Eye for An I: Growing Up With Blindness, Bigotry, and Family Mental Illness, was just released by the University of Minnesota Press. In it, he invites readers to empathize and consider their own potential to be of service in a broken, yet beautiful world. Read more about James' memoir on Hamline University's site. Follow James on Facebook and LinkedIn. Learn more about James here. Listen on Apple Podcasts As mentioned in this episode: Nuyorican: "The Nuyorican movement is a cultural and intellectual movement involving poets, writers, musicians, and artists who are Puerto Rican or of Puerto Rican descent, who live in or near New York City, and either call themselves or are known as Nuyoricans." Read more... Congenital Cataracts New York Association for the Blind Lisa Wenger, Hoffman teacher and coach •   Listen to Lisa on the Hoffman Podcast - The Sparkle in Her ...

Checkpoint 300, the highly securitized border facility between occupied Bethlehem and Jerusalem, is a central feature of Israeli control of Palestinian land and life. An apparatus of turnstiles, overcrowded corridors, and invasive inspections, the checkpoint regulates the movement of hundreds of thousands of Palestinians, granting access to some while excluding most. Offering a nuanced exploration of space in Checkpoint 300: Colonial Space in Palestine (U Minnesota Press, 2025), Mark Griffiths reveals Checkpoint 300 as a stark symbol of Israeli colonialism that embodies larger systems of control and violence. Griffiths's sensitive and timely work highlights the myriad ways Palestinians are affected by Israel's spatial control—whether they travel through the checkpoint or not—demonstrating how colonial infrastructures of inequity extend far beyond their physical boundaries to shape daily life. Drawing on nearly a decade of fieldwork, Griffiths examines how colonial power infiltrates family dynamics, enforces gendered mobility restrictions, shapes local economies, and extends into the global exchange of capital and security technologies. He also underscores how Palestinians endure and resist under oppressive conditions and how indigenous forms of life and living are sustained, illuminating how colonial space is contested and countered, unmade and remade. Blending meticulous research with vivid human stories to show the lived realities of borders, power, and resistance in the West Bank, Checkpoint 300 portrays the checkpoint as an entry into the ways that colonial space is formed through security infrastructure that is both the product and producer of wider geographies of oppression, complicity, and control. Mark Griffiths is reader in political geography at Newcastle University. He is coeditor of Encountering Palestine: Un/making Spaces of Colonial Violence. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Checkpoint 300, the highly securitized border facility between occupied Bethlehem and Jerusalem, is a central feature of Israeli control of Palestinian land and life. An apparatus of turnstiles, overcrowded corridors, and invasive inspections, the checkpoint regulates the movement of hundreds of thousands of Palestinians, granting access to some while excluding most. Offering a nuanced exploration of space in Checkpoint 300: Colonial Space in Palestine (U Minnesota Press, 2025), Mark Griffiths reveals Checkpoint 300 as a stark symbol of Israeli colonialism that embodies larger systems of control and violence. Griffiths's sensitive and timely work highlights the myriad ways Palestinians are affected by Israel's spatial control—whether they travel through the checkpoint or not—demonstrating how colonial infrastructures of inequity extend far beyond their physical boundaries to shape daily life. Drawing on nearly a decade of fieldwork, Griffiths examines how colonial power infiltrates family dynamics, enforces gendered mobility restrictions, shapes local economies, and extends into the global exchange of capital and security technologies. He also underscores how Palestinians endure and resist under oppressive conditions and how indigenous forms of life and living are sustained, illuminating how colonial space is contested and countered, unmade and remade. Blending meticulous research with vivid human stories to show the lived realities of borders, power, and resistance in the West Bank, Checkpoint 300 portrays the checkpoint as an entry into the ways that colonial space is formed through security infrastructure that is both the product and producer of wider geographies of oppression, complicity, and control. Mark Griffiths is reader in political geography at Newcastle University. He is coeditor of Encountering Palestine: Un/making Spaces of Colonial Violence. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Checkpoint 300, the highly securitized border facility between occupied Bethlehem and Jerusalem, is a central feature of Israeli control of Palestinian land and life. An apparatus of turnstiles, overcrowded corridors, and invasive inspections, the checkpoint regulates the movement of hundreds of thousands of Palestinians, granting access to some while excluding most. Offering a nuanced exploration of space in Checkpoint 300: Colonial Space in Palestine (U Minnesota Press, 2025), Mark Griffiths reveals Checkpoint 300 as a stark symbol of Israeli colonialism that embodies larger systems of control and violence. Griffiths's sensitive and timely work highlights the myriad ways Palestinians are affected by Israel's spatial control—whether they travel through the checkpoint or not—demonstrating how colonial infrastructures of inequity extend far beyond their physical boundaries to shape daily life. Drawing on nearly a decade of fieldwork, Griffiths examines how colonial power infiltrates family dynamics, enforces gendered mobility restrictions, shapes local economies, and extends into the global exchange of capital and security technologies. He also underscores how Palestinians endure and resist under oppressive conditions and how indigenous forms of life and living are sustained, illuminating how colonial space is contested and countered, unmade and remade. Blending meticulous research with vivid human stories to show the lived realities of borders, power, and resistance in the West Bank, Checkpoint 300 portrays the checkpoint as an entry into the ways that colonial space is formed through security infrastructure that is both the product and producer of wider geographies of oppression, complicity, and control. Mark Griffiths is reader in political geography at Newcastle University. He is coeditor of Encountering Palestine: Un/making Spaces of Colonial Violence. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

As the environmental crisis worsens, not everyone is drawing the same lessons. On the far right, xenophobic and racist ideas are increasingly dressed up as means of protecting nature. And, as scholar Alexander Menrisky posits, contemporary American culture furnishes a wealth of material for the right, from the ubiquity of apocalyptic and misanthropic ideas to concerns with Wellness and bodily purity. (Encore presentation.) Alexander Menrisky, Everyday Ecofascism: Crisis and Consumption in American Literature University of Minnesota Press, 2025 The post The Fodder of Eco-Fascism appeared first on KPFA.

For more than 150 years, Italy has been home to a resilient and evolving resistance against the pervasive influence of mafias. While these criminal organizations are renowned for their vast international business enterprises, the collective actions taken to oppose them are less known. In Opposition by Imitation: The Economics of Italian Anti-Mafia Activism (U Minnesota Press, 2025), Dr. Christina Jerne explores anti-mafia activism, revealing how ordinary people resist, counter, and prevent criminal economies from proliferating. Drawing on ethnographic fieldwork among anti-mafia alliances in Campania, Sicily, and other parts of Italy, Dr. Jerne details a particular aspect of mafia activities: providing cash relief and other forms of patronage to individuals and groups. Her research shows how activism has evolved to imitate this sustaining role. Activists are increasingly challenging mafia control both by creating alternative economies—from producing food that interrupts mafia labor practices to organizing tourism that supports anti-mafia hospitality—and by subversively adopting business tactics similar to the mafia's to compete with their social influence and legitimacy. Exposing the political implications of this mimetic opposition, Dr. Jerne points to its potential impact on crime prevention and criminalization, both in Italy and globally. Opposition by Imitation shows how these modern-day Robin Hoods are redefining collective action, taking what was controlled by the mafias and returning it to the collective. This contentious economic turn, against the backdrop of broader social movements, reveals significant political possibilities afforded by imitative opposition. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For more than 150 years, Italy has been home to a resilient and evolving resistance against the pervasive influence of mafias. While these criminal organizations are renowned for their vast international business enterprises, the collective actions taken to oppose them are less known. In Opposition by Imitation: The Economics of Italian Anti-Mafia Activism (U Minnesota Press, 2025), Dr. Christina Jerne explores anti-mafia activism, revealing how ordinary people resist, counter, and prevent criminal economies from proliferating. Drawing on ethnographic fieldwork among anti-mafia alliances in Campania, Sicily, and other parts of Italy, Dr. Jerne details a particular aspect of mafia activities: providing cash relief and other forms of patronage to individuals and groups. Her research shows how activism has evolved to imitate this sustaining role. Activists are increasingly challenging mafia control both by creating alternative economies—from producing food that interrupts mafia labor practices to organizing tourism that supports anti-mafia hospitality—and by subversively adopting business tactics similar to the mafia's to compete with their social influence and legitimacy. Exposing the political implications of this mimetic opposition, Dr. Jerne points to its potential impact on crime prevention and criminalization, both in Italy and globally. Opposition by Imitation shows how these modern-day Robin Hoods are redefining collective action, taking what was controlled by the mafias and returning it to the collective. This contentious economic turn, against the backdrop of broader social movements, reveals significant political possibilities afforded by imitative opposition. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

For more than 150 years, Italy has been home to a resilient and evolving resistance against the pervasive influence of mafias. While these criminal organizations are renowned for their vast international business enterprises, the collective actions taken to oppose them are less known. In Opposition by Imitation: The Economics of Italian Anti-Mafia Activism (U Minnesota Press, 2025), Dr. Christina Jerne explores anti-mafia activism, revealing how ordinary people resist, counter, and prevent criminal economies from proliferating. Drawing on ethnographic fieldwork among anti-mafia alliances in Campania, Sicily, and other parts of Italy, Dr. Jerne details a particular aspect of mafia activities: providing cash relief and other forms of patronage to individuals and groups. Her research shows how activism has evolved to imitate this sustaining role. Activists are increasingly challenging mafia control both by creating alternative economies—from producing food that interrupts mafia labor practices to organizing tourism that supports anti-mafia hospitality—and by subversively adopting business tactics similar to the mafia's to compete with their social influence and legitimacy. Exposing the political implications of this mimetic opposition, Dr. Jerne points to its potential impact on crime prevention and criminalization, both in Italy and globally. Opposition by Imitation shows how these modern-day Robin Hoods are redefining collective action, taking what was controlled by the mafias and returning it to the collective. This contentious economic turn, against the backdrop of broader social movements, reveals significant political possibilities afforded by imitative opposition. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

For more than 150 years, Italy has been home to a resilient and evolving resistance against the pervasive influence of mafias. While these criminal organizations are renowned for their vast international business enterprises, the collective actions taken to oppose them are less known. In Opposition by Imitation: The Economics of Italian Anti-Mafia Activism (U Minnesota Press, 2025), Dr. Christina Jerne explores anti-mafia activism, revealing how ordinary people resist, counter, and prevent criminal economies from proliferating. Drawing on ethnographic fieldwork among anti-mafia alliances in Campania, Sicily, and other parts of Italy, Dr. Jerne details a particular aspect of mafia activities: providing cash relief and other forms of patronage to individuals and groups. Her research shows how activism has evolved to imitate this sustaining role. Activists are increasingly challenging mafia control both by creating alternative economies—from producing food that interrupts mafia labor practices to organizing tourism that supports anti-mafia hospitality—and by subversively adopting business tactics similar to the mafia's to compete with their social influence and legitimacy. Exposing the political implications of this mimetic opposition, Dr. Jerne points to its potential impact on crime prevention and criminalization, both in Italy and globally. Opposition by Imitation shows how these modern-day Robin Hoods are redefining collective action, taking what was controlled by the mafias and returning it to the collective. This contentious economic turn, against the backdrop of broader social movements, reveals significant political possibilities afforded by imitative opposition. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

For more than 150 years, Italy has been home to a resilient and evolving resistance against the pervasive influence of mafias. While these criminal organizations are renowned for their vast international business enterprises, the collective actions taken to oppose them are less known. In Opposition by Imitation: The Economics of Italian Anti-Mafia Activism (U Minnesota Press, 2025), Dr. Christina Jerne explores anti-mafia activism, revealing how ordinary people resist, counter, and prevent criminal economies from proliferating. Drawing on ethnographic fieldwork among anti-mafia alliances in Campania, Sicily, and other parts of Italy, Dr. Jerne details a particular aspect of mafia activities: providing cash relief and other forms of patronage to individuals and groups. Her research shows how activism has evolved to imitate this sustaining role. Activists are increasingly challenging mafia control both by creating alternative economies—from producing food that interrupts mafia labor practices to organizing tourism that supports anti-mafia hospitality—and by subversively adopting business tactics similar to the mafia's to compete with their social influence and legitimacy. Exposing the political implications of this mimetic opposition, Dr. Jerne points to its potential impact on crime prevention and criminalization, both in Italy and globally. Opposition by Imitation shows how these modern-day Robin Hoods are redefining collective action, taking what was controlled by the mafias and returning it to the collective. This contentious economic turn, against the backdrop of broader social movements, reveals significant political possibilities afforded by imitative opposition. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

As medical advancements continue to shape the detection, diagnosis, and treatment of disability and illness, technology is often presented as a path to autonomy. Rebecca Monteleone shows how such technologies contribute to a cruel double bind, forcing disabled people to be accountable for adapting to a world built by and for nondisabled people while dismissing their lived experiences in favor of medical expertise. In the new book The Double Bind of Disability, Monteleone explores anecdotes about prenatal genetic screening, deep brain stimulation, and do-it-yourself artificial pancreas systems, exposing new relationships among disability, authority, knowledge, and responsibility. Monteleone is joined here in conversation with Ashley Shew. Rebecca Monteleone is associate professor of disability and technology at the University of Toledo and author of The Double Bind of Disability: How Medical Technology Shapes Bodily Authority.  Ashley Shew is a professor of science, technology, and society at Virginia Tech and author of Against Technoableism: Rethinking Who Needs Improvement.EPISODE REFERENCES:-Ally Day-“Transmobility: Possibilities in Cyborg (Cripborg) Bodies,” Mallory Kay Nelson, Ashley Shew, and Bethany Stevens / Catalyst: Feminism, Theory, Technoscience -Jackie Leach Scully-Dana Lewis-Biomedicalization: Technoscience, Health, and Illness in the U.S. / Adele E. Clarke, Laura Mamo, Jennifer Ruth Fosket, Jennifer R. Fishman, Janet K. Shim, editorsPraise for the book:"A generous, timely, and essential contribution to understanding the current politics that shape medical technology and disability in the context of neoliberal ableism. A book that I will be thinking-making-feeling with for many years to come!"—Laura Forlano, Northeastern University The Double Bind of Disability: How Medical Technology Shapes Bodily Authority by Rebecca Monteleone is available from University of Minnesota Press. Thank you for listening.

Today I am deeply honored to spend time with poet, activist, and scholar Jamaica Osorio. Shortly after October 7, 2023, she began to write a series of astonishing poems about the war in Gaza and the genocide. Osorio graces us with readings of some of those poems, and engages in a rich, complex, and deeply moving discussion of what went into their composition. Throughout, we talk about the power of poetry to suspend time and allow us the space to contemplate the impossible.  We talk about the nature of not knowing, of the inexpressible, and the ways certain poems can give us the strength, energy, and commitment to persist in working for the liberation of all peoples, even when dwelling in grief.Dr. Jamaica Heolimeleikalani Osorio is a Kanaka Maoli wahine artist / activist / scholar / storyteller born and raised in Pālolo Valley to parents Jonathan and Mary Osorio. Jamaica earned her PhD in English (Hawaiian literature) in 2018 from the University of Hawaiʻi at Mānoa. Currently, Jamaica is an Associate Professor of Indigenous and Native Hawaiian Politics at the University of Hawaiʻi at Mānoa. In 2020 her poetry and activism were the subject of an award-winning film, This is the Way we Rise which premiered at Sundance Film Festival in 2021.  In 2022 she was a lead artist and Co-writer of the revolutionary VR Documentary, On the Morning You Wake (To the end of the world),  that premiered at Sundance Film Festival 2022 and won the XR experience Jury award at SXSW 2022. She is a proud past Kaiāpuni student, Ford Dissertation (2017) and Post Doctoral (2022) Fellow, and a graduate of Kamehameha, Stanford University (BA) and New York University (MA). She is the author of the award winning book Remembering our Intimacies: Moʻolelo, Aloha ʻĀina, and Ea which was published in 2021 by The University of Minnesota Press. She believes in the power of aloha ʻāina and collective action to pursue liberatory, decolonial, and abolitionist futures of abundance.

What is the opposite of “big” data? In a society where households commonly store personal archives of photos, financial records, and other documents, the “little” database—the personal data collection that is stored and backed up and not accessed frequently—deserves a category of its own. In The Little Database: A Poetics of Media Formats, Daniel Scott Snelson examines globally accessible little databases, such as Textz, Eclipse, and UbuWeb, explores how digital archives dramatically transform the artifacts they host, and asks how they might help us better understand our own private collections in turn. Snelson is joined in conversation with Vicki Bennett, Craig Dworkin, and Luca Messarra.  Daniel Scott Snelson is a writer, editor, archivist, and assistant professor in the departments of English and Design Media Arts at UCLA, where he also serves as faculty with the Digital Humanities Program, the UCLA Game Lab, and the Laboratory for Environmental Narrative Strategies. He is author of multiple volumes of experimental poetry and poetics, including Elden Poem, Apocalypse Reliquary, and EXE TXT.Vicki Bennett is a multidisciplinary British artist working under the name People Like Us. Craig Dworkin is professor of English at the University of Utah.Luca Messarra is a PhD candidate in English at Stanford University, and founder of Undocumented Press.EPISODE REFERENCES:Alan LiuJerome McGann and Lisa Samuels, “deformance”We Edit Life, film (People Like Us/Vicki Bennett; partnership with Lovebytes)Vanishing Culture: A Report on Our Fragile Cultural Record (Internet Archive, 2024, eds. Luca Messarra, Chris Freeland, Juliya Ziskina)Eclipse, an image-based archive of small press poetry books and magazinesPennSound, a site distributing audio recordings of poetry readingsUbuWeb, a collection of experimental film and video artAllen Institute for AIC4/Colossal Clean Crawled CorpusChristopher KeltyLANGUAGE magazineChristian Marclay's The ClockJohanna DruckerMemory of the World archiveNot Equals language projectFuture Knowledge podcastHeated Words: Searching for a Mysterious Typeface / Rory McCartney and Charlie MorganIn Praise of Copying / Marcus BoonPraise for the book:“The Little Database is an incredibly powerful intervention into twenty-first-century experimental poetics and avant-garde media practices.”—Stephanie Boluk“The Little Database opens new ground for close reading in an environment that heavily promotes big data techniques and the neoliberal ideologies that accompany it in the new economy of attention.”—Leonardo Reviews“Snelson targets the fundamental assumption underlying much of contemporary DH work: that meaningful interpretation necessarily depends on the deployment of massive amounts of data.”—Oxford's Year's Work in Critical and Cultural Theory“This book, while short in length, is certain to be long in influence, as it lays groundwork for future scholars, artists, readers, website makers, and archivists. The twists and turns, both in methodology and in specific analyses, are far more exciting than any summary, or even multiple readings of them, could serve.”—Digital Humanities QuarterlyThe Little Database: A Poetics of Media Formats by Daniel Scott Snelson is available from University of Minnesota Press. An open-access edition is available at Manifold. 

Writer and researcher Sasha Davis speaks to This Is Hell! to talk about his new book “Replace The State: How To Change The World When Elections And Protests Fail”, published by University of Minnesota Press. The book talks about bringing new hope for social justice movements by looking to progressive campaigns that have found success by unconventional, and more direct, means since elections and protests might have become stagnated in regards to bring forth societal change. (https://www.upress.umn.edu/9781517919528/replace-the-state/) We will have new installments of Rotten History and Hangover Cure. We will also be sharing your answers to this week's Question from Hell! from Patreon. Help keep This Is Hell! completely listener supported and access bonus episodes by subscribing to our Patreon: www.patreon.com/thisishell

Writer and researcher Sasha Davis speaks to This Is Hell! to talk about his new book “Replace The State: How To Change The World When Elections And Protests Fail”, published by University of Minnesota Press. The book talks about bringing new hope for social justice movements by looking to progressive campaigns that have found success by unconventional, and more direct, means since elections and protests might have become stagnated in regards to bring forth societal change. (https://www.upress.umn.edu/9781517919528/replace-the-state/) Help keep This Is Hell! completely listener supported and access bonus episodes by subscribing to our Patreon: www.patreon.com/thisishell

What pedagogies arise from institutional betrayal? How can we do the work we love in contexts where harassment is endemic and administrative responses to it escalate the problem? What assumptions have normalized the expectation that our institutions cannot be spaces of love?In this episode, we welcome Dr. Jennifer Doyle to discuss all of these issues as they arise in her most recent book, Shadow of My Shadow (Duke University Press, 2024). This remarkable work develops from Doyle's own experience of being stalked by a student and unfurls into a bracing critique of the institutional administration of harassment cases--as well as the attachments that arise in their aftermath. This line of inquiry builds on Doyle's Campus Sex / Campus Security (Semiotexte, 2015), on how the bureaucratic management of sex on college campuses coincides with the militarization of campus police.Jennifer Doyle is a writer, arts and performance curator, sports analyst, and professor of English. She serves on the Board of Directors of Human Resources Los Angeles; her most recent co/curated exhibition is Sciencia Sexualis at the Institute for Contemporary Arts, LA (2024-2025). In addition to the books named above, Jennifer is the author of Hold It Against Me: Difficulty and Emotion in Contemporary Art (Duke University Press, 2013) and Sex Objects: Art and the Dialectics of Desire (University of Minnesota Press, 2006). She is also the voice behind the beloved soccer blog From a Left Wing (2007-2013) and, now, The Sport Spectacle.Links to recommended stuff!Esme Wang, The Collected Schizophrenias (Graywolf, 2019)Barbara Johnson, "Muteness Envy" in The Barbara Johnson Reader (Duke UP, 2014)Francois Tosquelles, Psychotherapy and Materialism, English translation (ICI Berlin Press, 2024)Camille Robcis, Disalienation (University of Chicago Press 2021)Colm Toibin, The Magician (Scribner, 2022)Alexandra Horowitz, On Looking (Scribner, 2014)

This episode features an interview with Timothy Simpson, Associate Professor in the Department of Communication at the University of Macau. Tim's interdisciplinary research focuses on Macau's urban culture, architecture, and tourism industry, tracing the city's history from a colonial Portuguese territory into one of the world's most renowned and lucrative sites of casino gaming. His most recent book is Betting on Macau: Casino Capitalism and China's Consumer Revolution, which was published in 2023 by the University of Minnesota Press as part of their “Globalization and Community” series. The book examines the function of Macau's gambling and consumer economy within the broader post-socialist transformation in China. This year, Tim is also a Research Fellow at the International Institute for Asian Studies, where he is working on a new project analyzing contemporary efforts to diversify Macau's tourism industry. Hosted on Acast. See acast.com/privacy for more information.

This Is Not My World: Art and Public Spaces in Socialist Zagreb (U Minnesota Press, 2024) examines the Group of Six Authors—a collective of young artists who staged provocative art events in the public spaces of socialist Yugoslavia during the 1970s and early 1980s. The book analyses how these spaces, which had long been forums of state ideological control, were transformed into a contested terrain in which personal creativity and new identities could emerge. Drawing on artist interviews and extensive documentation, Adair Rounthwaite situates the Group's work within broader developments in conceptualism and avant-garde theory in the second half of the 20th century, offering a richly detailed account of this fascinating episode in global art history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This Is Not My World: Art and Public Spaces in Socialist Zagreb (U Minnesota Press, 2024) examines the Group of Six Authors—a collective of young artists who staged provocative art events in the public spaces of socialist Yugoslavia during the 1970s and early 1980s. The book analyses how these spaces, which had long been forums of state ideological control, were transformed into a contested terrain in which personal creativity and new identities could emerge. Drawing on artist interviews and extensive documentation, Adair Rounthwaite situates the Group's work within broader developments in conceptualism and avant-garde theory in the second half of the 20th century, offering a richly detailed account of this fascinating episode in global art history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

This Is Not My World: Art and Public Spaces in Socialist Zagreb (U Minnesota Press, 2024) examines the Group of Six Authors—a collective of young artists who staged provocative art events in the public spaces of socialist Yugoslavia during the 1970s and early 1980s. The book analyses how these spaces, which had long been forums of state ideological control, were transformed into a contested terrain in which personal creativity and new identities could emerge. Drawing on artist interviews and extensive documentation, Adair Rounthwaite situates the Group's work within broader developments in conceptualism and avant-garde theory in the second half of the 20th century, offering a richly detailed account of this fascinating episode in global art history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

This Is Not My World: Art and Public Spaces in Socialist Zagreb (U Minnesota Press, 2024) examines the Group of Six Authors—a collective of young artists who staged provocative art events in the public spaces of socialist Yugoslavia during the 1970s and early 1980s. The book analyses how these spaces, which had long been forums of state ideological control, were transformed into a contested terrain in which personal creativity and new identities could emerge. Drawing on artist interviews and extensive documentation, Adair Rounthwaite situates the Group's work within broader developments in conceptualism and avant-garde theory in the second half of the 20th century, offering a richly detailed account of this fascinating episode in global art history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

This Is Not My World: Art and Public Spaces in Socialist Zagreb (U Minnesota Press, 2024) examines the Group of Six Authors—a collective of young artists who staged provocative art events in the public spaces of socialist Yugoslavia during the 1970s and early 1980s. The book analyses how these spaces, which had long been forums of state ideological control, were transformed into a contested terrain in which personal creativity and new identities could emerge. Drawing on artist interviews and extensive documentation, Adair Rounthwaite situates the Group's work within broader developments in conceptualism and avant-garde theory in the second half of the 20th century, offering a richly detailed account of this fascinating episode in global art history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

We're throwing it back to the 1996 cult classic film The Craft just in time for Halloween! We begin with a conversation about Hannah and Marcelle's teenage witch phases (of course they both had them), before digging into the filmic landscape of the 90s. Hannah argues that The Craft's interest in girlhood and power was a catalyst that paved the way for pop culture to come, like Buffy and Charmed and Practical Magic. Hannah then draws on Stacy Gillis and Rebecca Munford's “Genealogies and Generations: The Politics and Praxis of Third Wave Feminism" and Jessica Rosenberg and Gitana Garofalo's “Riot Grrrl: Revolutions from Within" to help understand the resonance of film. If you too went through a witch phase, or indeed are still a practicing witch, then this episode is for you!***Works CitedBastién, Angelica Jade. “The Profound, Enduring Legacy of The Craft.” Vulture 27 October 2017. https://www.vulture.com/2017/10/the-craft-its-enduring-legacy.html. Gillis, Stacy, and Rebecca Munford. “Genealogies and Generations: The Politics and Praxis of Third Wave Feminism.” Women's History Review 13.2 (2004): 165–82. https://doi-org.proxy.lib.sfu.ca/10.1080/09612020400200388 Heywood, Leslie and Jennifer Drake, eds. Introduction. Third Wave Agenda: Being Feminist, Doing Feminism. Minneapolis: University of Minnesota Press, 1997. Jacobs, Matthew and Julia Brucculieri. “Relax, It's Only Magic: An Oral History Of ‘The Craft.'” Huffpost 20 May 2016. https://www.huffpost.com/entry/the-craft-oral-history_n_5734f7c9e4b060aa7819d362. Walker, Rebecca. “Becoming the Third Wave.” Ms. Magazine January/February 1992.***To learn more about Material Girls, head to our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca. We'll be back next week with a Material Concerns episode, but until then, go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is how we produce the show and pay our team! Material Girls is a show that makes sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both.Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

We're throwing it back to the 1996 cult classic film The Craft just in time for Halloween! We begin with a conversation about Hannah and Marcelle's teenage witch phases (of course they both had them), before digging into the filmic landscape of the 90s. Hannah argues that The Craft's interest in girlhood and power was a catalyst that paved the way for pop culture to come, like Buffy and Charmed and Practical Magic. Hannah then draws on Stacy Gillis and Rebecca Munford's “Genealogies and Generations: The Politics and Praxis of Third Wave Feminism" and Jessica Rosenberg and Gitana Garofalo's “Riot Grrrl: Revolutions from Within" to help understand the resonance of film. If you too went through a witch phase, or indeed are still a practicing witch, then this episode is for you!***Works CitedBastién, Angelica Jade. “The Profound, Enduring Legacy of The Craft.” Vulture 27 October 2017. https://www.vulture.com/2017/10/the-craft-its-enduring-legacy.html. Gillis, Stacy, and Rebecca Munford. “Genealogies and Generations: The Politics and Praxis of Third Wave Feminism.” Women's History Review 13.2 (2004): 165–82. https://doi-org.proxy.lib.sfu.ca/10.1080/09612020400200388 Heywood, Leslie and Jennifer Drake, eds. Introduction. Third Wave Agenda: Being Feminist, Doing Feminism. Minneapolis: University of Minnesota Press, 1997. Jacobs, Matthew and Julia Brucculieri. “Relax, It's Only Magic: An Oral History Of ‘The Craft.'” Huffpost 20 May 2016. https://www.huffpost.com/entry/the-craft-oral-history_n_5734f7c9e4b060aa7819d362. Walker, Rebecca. “Becoming the Third Wave.” Ms. Magazine January/February 1992.***To learn more about Material Girls, head to our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca. We'll be back next week with a Material Concerns episode, but until then, go check out all the other content we have on our Patreon at Patreon.com/ohwitchplease! Patreon is how we produce the show and pay our team! Material Girls is a show that makes sense of the zeitgeist through materialist critique* and critical theory! Each episode looks at a unique object of study (something popular now or from back in the day) and over the course of three distinct segments, Hannah and Marcelle apply their academic expertise to the topic at hand.*Materialist Critique is, at its simplest possible level, a form of cultural critique – that is, scholarly engagement with a cultural text of some kind – that is interested in modes of production, moments of reception, and the historical and ideological contexts for both.Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

Charles J. Stivale (Distinguished Professor Emeritus, Wayne State University) and Dan Smith (Professor of Philosophy, Purdue University) join me to discuss: Deleuze, Gilles. 2025. On Painting. Edited by David Lapoujade, translated by Charles J. Stivale. Minneapolis: University of Minnesota Press. Although Charles is the translator of this New Book, he has been working with Dan for years on The Deleuze Seminars (website here). Dan is also the translator of Deleuze's Francis Bacon: The Logic of Sensation, which Deleuze published shortly after giving this seminar. I thank Charles for bringing him in to contribute to our discussion! From the inside flap: “ ” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Available for the first time in English: the complete and annotated transcripts of Deleuze's 1981 seminars on paintingFrom 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze's thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Charles J. Stivale (Distinguished Professor Emeritus, Wayne State University) and Dan Smith (Professor of Philosophy, Purdue University) join me to discuss: Deleuze, Gilles. 2025. On Painting. Edited by David Lapoujade, translated by Charles J. Stivale. Minneapolis: University of Minnesota Press. Although Charles is the translator of this New Book, he has been working with Dan for years on The Deleuze Seminars (website here). Dan is also the translator of Deleuze's Francis Bacon: The Logic of Sensation, which Deleuze published shortly after giving this seminar. I thank Charles for bringing him in to contribute to our discussion! From the inside flap: “ ” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Available for the first time in English: the complete and annotated transcripts of Deleuze's 1981 seminars on paintingFrom 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze's thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Charles J. Stivale (Distinguished Professor Emeritus, Wayne State University) and Dan Smith (Professor of Philosophy, Purdue University) join me to discuss: Deleuze, Gilles. 2025. On Painting. Edited by David Lapoujade, translated by Charles J. Stivale. Minneapolis: University of Minnesota Press. Although Charles is the translator of this New Book, he has been working with Dan for years on The Deleuze Seminars (website here). Dan is also the translator of Deleuze's Francis Bacon: The Logic of Sensation, which Deleuze published shortly after giving this seminar. I thank Charles for bringing him in to contribute to our discussion! From the inside flap: “ ” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Available for the first time in English: the complete and annotated transcripts of Deleuze's 1981 seminars on paintingFrom 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze's thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Charles J. Stivale (Distinguished Professor Emeritus, Wayne State University) and Dan Smith (Professor of Philosophy, Purdue University) join me to discuss: Deleuze, Gilles. 2025. On Painting. Edited by David Lapoujade, translated by Charles J. Stivale. Minneapolis: University of Minnesota Press. Although Charles is the translator of this New Book, he has been working with Dan for years on The Deleuze Seminars (website here). Dan is also the translator of Deleuze's Francis Bacon: The Logic of Sensation, which Deleuze published shortly after giving this seminar. I thank Charles for bringing him in to contribute to our discussion! From the inside flap: “ ” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Available for the first time in English: the complete and annotated transcripts of Deleuze's 1981 seminars on paintingFrom 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze's thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production?  In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production?  In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Animals are staging a revolution—they're just not telling us. From radioactive boar invading towns to jellyfish disarming battleships, Animal Revolution (U Minnesota Press, 2022) threads together news accounts and more in a powerful and timely work of creative, speculative nonfiction that imagines a revolution stirring and asks how humans can be a part of it. If the coronavirus pandemic has taught us anything, it is that we should pay attention to how we bump up against animal worlds and how animals will push back. Animal Revolution is a passionate, provocative, cogent call for us to do so. Ron Broglio reveals how fur and claw and feather and fin are jamming the gears of our social machine. We can try to frame such disruptions as environmental intervention or through the lens of philosophy or biopolitics, but regardless the animals persist beyond our comprehension in reminding us that we too are part of an animal world. Animals see our technologies and machines as invasive beings and, in a nonlinguistic but nonetheless intensive mode of communicating with us, resist our attempts to control them and diminish their habitats. In doing so, they expose the environmental injustices and vulnerabilities in our systems. A witty, informative, and captivating work—at the juncture of posthumanism, animal studies, phenomenology, and environmental studies—Broglio reminds us of our inadequacy as humans, not our exceptionalism. Ron Broglio is professor of English, director of Desert Humanities, and associate director of the Institute for Humanities Research at Arizona State University. He is author or editor of several books, including Beasts of Burden: Biopolitics, Labor, and Animal Life and Surface Encounters: Thinking with Animals and Art. Callie Smith is a poet and a PhD candidate in English at the University of Louisiana at Lafayette. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production?  In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production?  In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Animals are staging a revolution—they're just not telling us. From radioactive boar invading towns to jellyfish disarming battleships, Animal Revolution (U Minnesota Press, 2022) threads together news accounts and more in a powerful and timely work of creative, speculative nonfiction that imagines a revolution stirring and asks how humans can be a part of it. If the coronavirus pandemic has taught us anything, it is that we should pay attention to how we bump up against animal worlds and how animals will push back. Animal Revolution is a passionate, provocative, cogent call for us to do so. Ron Broglio reveals how fur and claw and feather and fin are jamming the gears of our social machine. We can try to frame such disruptions as environmental intervention or through the lens of philosophy or biopolitics, but regardless the animals persist beyond our comprehension in reminding us that we too are part of an animal world. Animals see our technologies and machines as invasive beings and, in a nonlinguistic but nonetheless intensive mode of communicating with us, resist our attempts to control them and diminish their habitats. In doing so, they expose the environmental injustices and vulnerabilities in our systems. A witty, informative, and captivating work—at the juncture of posthumanism, animal studies, phenomenology, and environmental studies—Broglio reminds us of our inadequacy as humans, not our exceptionalism. Ron Broglio is professor of English, director of Desert Humanities, and associate director of the Institute for Humanities Research at Arizona State University. He is author or editor of several books, including Beasts of Burden: Biopolitics, Labor, and Animal Life and Surface Encounters: Thinking with Animals and Art. Callie Smith is a poet and a PhD candidate in English at the University of Louisiana at Lafayette. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production?  In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Animals are staging a revolution—they're just not telling us. From radioactive boar invading towns to jellyfish disarming battleships, Animal Revolution (U Minnesota Press, 2022) threads together news accounts and more in a powerful and timely work of creative, speculative nonfiction that imagines a revolution stirring and asks how humans can be a part of it. If the coronavirus pandemic has taught us anything, it is that we should pay attention to how we bump up against animal worlds and how animals will push back. Animal Revolution is a passionate, provocative, cogent call for us to do so. Ron Broglio reveals how fur and claw and feather and fin are jamming the gears of our social machine. We can try to frame such disruptions as environmental intervention or through the lens of philosophy or biopolitics, but regardless the animals persist beyond our comprehension in reminding us that we too are part of an animal world. Animals see our technologies and machines as invasive beings and, in a nonlinguistic but nonetheless intensive mode of communicating with us, resist our attempts to control them and diminish their habitats. In doing so, they expose the environmental injustices and vulnerabilities in our systems. A witty, informative, and captivating work—at the juncture of posthumanism, animal studies, phenomenology, and environmental studies—Broglio reminds us of our inadequacy as humans, not our exceptionalism. Ron Broglio is professor of English, director of Desert Humanities, and associate director of the Institute for Humanities Research at Arizona State University. He is author or editor of several books, including Beasts of Burden: Biopolitics, Labor, and Animal Life and Surface Encounters: Thinking with Animals and Art. Callie Smith is a poet and a PhD candidate in English at the University of Louisiana at Lafayette. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Matt Rhule Takes Arrows and Fires Arrows during Post Minnesota Press Conference - October 20th, 3:00pmAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production?  In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The product of years of embedded fieldwork within Indigenous film crews in Northwestern Australia, Dreaming Down the Track: Awakenings in Aboriginal Cinema (U Minnesota Press, 2025) delves deeply into Aboriginal cinema as a transformative community process. It follows the social lives of projects throughout their production cycles, from planning and editing to screening, broadcasting, and after-images. Across its narrative sweep, this ethnography engages the film career of Kukatja elder Mark Moora to demonstrate the impact of filmmaking on how Aboriginal futures are collectively imagined and called forth. William Lempert highlights a series of awakenings through which Moora ultimately came to view cinema as a process for catalyzing his family's return to their home country of Mangkayi. This biographical media journey paints an intimate portrait of the inspiring possibilities and sobering limitations of Indigenous envisioning within settler states. Lempert traces how Moora's life and films convey a multiplicity of Aboriginal experiences across time and space, from colonial contact to contemporary life in communities like Balgo, including the continued governmental attempts to undermine them. Amid ongoing negotiations to establish the first treaties between Indigenous nations and Australian states, Dreaming Down the Track illustrates what is at stake in how Aboriginal–State relations are represented and understood, both within communities and for the broader public. Lempert stays true to Moora's insight that film can preserve community stories for generations to come, toward the aim of enacting sovereign futures. William Lempert is Osterweis Family Associate Professor of anthropology at Bowdoin College. His writing has been published in several journals, including Cultural Anthropology and American Indian Culture and Research Journal. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The product of years of embedded fieldwork within Indigenous film crews in Northwestern Australia, Dreaming Down the Track: Awakenings in Aboriginal Cinema (U Minnesota Press, 2025) delves deeply into Aboriginal cinema as a transformative community process. It follows the social lives of projects throughout their production cycles, from planning and editing to screening, broadcasting, and after-images. Across its narrative sweep, this ethnography engages the film career of Kukatja elder Mark Moora to demonstrate the impact of filmmaking on how Aboriginal futures are collectively imagined and called forth. William Lempert highlights a series of awakenings through which Moora ultimately came to view cinema as a process for catalyzing his family's return to their home country of Mangkayi. This biographical media journey paints an intimate portrait of the inspiring possibilities and sobering limitations of Indigenous envisioning within settler states. Lempert traces how Moora's life and films convey a multiplicity of Aboriginal experiences across time and space, from colonial contact to contemporary life in communities like Balgo, including the continued governmental attempts to undermine them. Amid ongoing negotiations to establish the first treaties between Indigenous nations and Australian states, Dreaming Down the Track illustrates what is at stake in how Aboriginal–State relations are represented and understood, both within communities and for the broader public. Lempert stays true to Moora's insight that film can preserve community stories for generations to come, toward the aim of enacting sovereign futures. William Lempert is Osterweis Family Associate Professor of anthropology at Bowdoin College. His writing has been published in several journals, including Cultural Anthropology and American Indian Culture and Research Journal. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

The product of years of embedded fieldwork within Indigenous film crews in Northwestern Australia, Dreaming Down the Track: Awakenings in Aboriginal Cinema (U Minnesota Press, 2025) delves deeply into Aboriginal cinema as a transformative community process. It follows the social lives of projects throughout their production cycles, from planning and editing to screening, broadcasting, and after-images. Across its narrative sweep, this ethnography engages the film career of Kukatja elder Mark Moora to demonstrate the impact of filmmaking on how Aboriginal futures are collectively imagined and called forth. William Lempert highlights a series of awakenings through which Moora ultimately came to view cinema as a process for catalyzing his family's return to their home country of Mangkayi. This biographical media journey paints an intimate portrait of the inspiring possibilities and sobering limitations of Indigenous envisioning within settler states. Lempert traces how Moora's life and films convey a multiplicity of Aboriginal experiences across time and space, from colonial contact to contemporary life in communities like Balgo, including the continued governmental attempts to undermine them. Amid ongoing negotiations to establish the first treaties between Indigenous nations and Australian states, Dreaming Down the Track illustrates what is at stake in how Aboriginal–State relations are represented and understood, both within communities and for the broader public. Lempert stays true to Moora's insight that film can preserve community stories for generations to come, toward the aim of enacting sovereign futures. William Lempert is Osterweis Family Associate Professor of anthropology at Bowdoin College. His writing has been published in several journals, including Cultural Anthropology and American Indian Culture and Research Journal. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The product of years of embedded fieldwork within Indigenous film crews in Northwestern Australia, Dreaming Down the Track: Awakenings in Aboriginal Cinema (U Minnesota Press, 2025) delves deeply into Aboriginal cinema as a transformative community process. It follows the social lives of projects throughout their production cycles, from planning and editing to screening, broadcasting, and after-images. Across its narrative sweep, this ethnography engages the film career of Kukatja elder Mark Moora to demonstrate the impact of filmmaking on how Aboriginal futures are collectively imagined and called forth. William Lempert highlights a series of awakenings through which Moora ultimately came to view cinema as a process for catalyzing his family's return to their home country of Mangkayi. This biographical media journey paints an intimate portrait of the inspiring possibilities and sobering limitations of Indigenous envisioning within settler states. Lempert traces how Moora's life and films convey a multiplicity of Aboriginal experiences across time and space, from colonial contact to contemporary life in communities like Balgo, including the continued governmental attempts to undermine them. Amid ongoing negotiations to establish the first treaties between Indigenous nations and Australian states, Dreaming Down the Track illustrates what is at stake in how Aboriginal–State relations are represented and understood, both within communities and for the broader public. Lempert stays true to Moora's insight that film can preserve community stories for generations to come, toward the aim of enacting sovereign futures. William Lempert is Osterweis Family Associate Professor of anthropology at Bowdoin College. His writing has been published in several journals, including Cultural Anthropology and American Indian Culture and Research Journal. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Olivia Miller is the new Executive Director of the Jordan Schnitzer Museum of Art at the University of Oregon. She discusses her role and talks about the recovery of a stolen de Kooning painting when she worked at the University of Arizona's Museum of Art. • https://jsma.uoregon.edu • https://artmuseum.arizona.edu/about/woman-ochres-journey Research Notes: Stacy Alaimo is the Barbara and Carlisle Moore Professor in English and a core faculty member in environmental studies at the University of Oregon. She talks about her new book "The Abyss Stares Back: Encounters with Deep-Sea Life" published by University of Minnesota Press in 2025. • https://www.upress.umn.edu/9781517918736/the-abyss-stares-back/ Undergraduate Perspectives: Payton Rosello was an English and Psychology major who graduated in June 2025. She gives her take on being a 2025 Humanities Undergraduate Archival Fellow.

On this edition of Madison BookBeat, host Sara Batkie talks with author Pernille Ipsen about the new translation of her memoir, My Seven Mothers (University of Minnesota Press.) On New Year's Eve in Copenhagen in 1972, seven women had a child together: one gave birth and six others attended. They had met a year earlier at a feminist women's camp on a small island and now, with about twenty other women's liberationists, they occupied three dilapidated apartment buildings in the center of Copenhagen. One became the country's first Women's House, the nerve center of the Women's Movement in Denmark, and the other two were women-only communal living spaces that were Pernille Ipsen's first home. In this intimate portrait of life during the exhilarating early days of women's liberation in Scandinavia and dramatic social change around the globe, she tells the stories of these seven women, her seven mothers. Recounting her mothers' history—from the passions and beliefs they shared to the political divisions over sexual identity that ultimately split them apart—Ipsen captures the individuality of each of her mothers as well as the common experiences that drew them together. As she deftly reflects the practical and emotional realities of her mothers' women-centered life, Ipsen presents an engrossing picture of intersecting lives that, half a century ago, raised questions we still grapple with today: What is a family? Who is a woman? And who gets to decide? A chronicle of gender, sexuality, and feminism as it was constructed, contested, and lived, My Seven Mothers is an eye-opening account of the challenges and possibilities connected with liberation and radical social change during the 1970s. In this time of fierce struggles over family, sexuality, and child-rearing, it reminds us that new worlds are always possible. Pernille Ipsen was professor of gender and women's studies and history at the University of Wisconsin–Madison for fifteen years and is now a full-time writer. The Danish-language version of this book, Et åbent øjeblik (An open moment), was published in 2020 and was awarded the Montana Prize for literature, one of Denmark's top literary prizes.

Across the South, asylums were built with the promise of healing — but inside their walls, countless lives were marked by fear, neglect, and cruelty. In this episode of Southern Mysteries, explore the haunting history of institutions like Broughton Hospital, Cherry Hospital, Central State, and Bryce. From mysterious deaths and forced sterilizations to the tragedy of the Eller twins and the lifetime confinement of Junius Wilson, these are the real horrors that gave rise to Southern asylum ghost stories — and the suffering that still echoes through their halls. Join the Community on Patreon: Want more Southern Mysteries? You can hear the Southern Mysteries show archive of 60+ episodes along with Patron exclusive podcast, Audacious: Tales of American Crime and more when you become a patron of the show. You can immediately access exclusive content now at patreon.com/southernmysteries

In Episode #99 Lissa talks with Author Debra J Stone about her new middle grade novel, The House on Rondo (University of Minnesota Press). Rooted in the lived histories of Minnesota's Black communities, The House on Rondo offers a deeply personal window into the destruction of a thriving neighborhood through the eyes of a young Black girl coming of age during an era of national civil rights protests. As Zenobia joins forces with her neighbor, the unforgettable former cowgirl Mrs. Ruby Pearl, to fight against the  demolition of her grandparents' home to make way for the new interstate highway, readers witness not just the heartbreak of displacement but also the power of community, protest, and memory. Our production team for this episode includes co-producers Lissa Jones and Edie French, technical director Paul Auguston, the voice Yo Derek, and our artist of inspiration Ta-coumba T. Aiken. Black Market Reads is produced by The Givens Foundation for African American Literature in partnership with iDream.tv. For more information and context visit https://blackmarketreads.com/    

Send us a textWhat happens when kindness goes wrong? When James Francisco Bonilla was legally blind, well-meaning strangers pulled him into busy intersections, walked him into call boxes, and nearly guided him off cliffs – all while trying to "help." These harrowing yet illuminating experiences form just part of his remarkable journey from a visually impaired Puerto Rican child facing racial discrimination to becoming a nationally recognized social justice educator.Born with congenital cataracts and losing most of his remaining vision after a racially motivated assault at age nine, Bonilla's world changed dramatically when groundbreaking ultrasonic surgery restored partial sight to his right eye at nineteen. This physical transformation paralleled his growing awareness of social injustice, propelling him into the early disability rights movement of the 1970s. Through sit-ins and advocacy work, he confronted systems that routinely marginalized people with disabilities – including a counselor who tried steering him toward running a newspaper kiosk rather than pursuing higher education."I was more disabled by my environment and social discrimination than by my physical blindness," Bonilla explains, challenging us to reconsider how society creates barriers beyond physical limitations. His powerful perspective emerges from navigating multiple identities: as a bilingual Puerto Rican child mistakenly placed in "slow classes" by nuns who viewed his accent as a speech impediment, as a legally blind person constantly underestimated, and as someone grappling with family mental illness.Perhaps most transformative was Bonilla's discovery of healing through nature – encounters with great horned owls and coyotes gave him "a sense that I was not alone when I felt the most alone." This connection with the natural world ultimately guided him toward both personal healing and environmental advocacy.Looking for an inspiring memoir that challenges conventional narratives about disability? Pre-order Bonilla's "An Eye for an I: Growing Up with Blindness, Bigotry and Family Mental Illness," releasing November 4th from University of Minnesota Press. As he powerfully states, "blindness didn't just happen to me, it happened for me" – a profound reframing that invites us all to reconsider our understanding of adversity, kindness, and true social justice.This podcast is a proud member of the Mayday Media Network — your go-to hub for podcast creators. Whether you're just starting a podcast and need professional production support, or you already host a show and want to join a collaborative, supportive podcast network, visit maydaymedianetwork.com to learn more. Enjoyed this episode? Stay connected with us! Follow our podcast community on Facebook, Instagram, LinkedIn, YouTube and TikTok for uplifting, inspirational, and feel-good stories. Don't forget to subscribe to our newsletter for monthly updates, behind-the-scenes insights, and more content designed to brighten your day.Support the show

A practical call to action against oppression. Across the globe, millions of people have participated in protests and marches, donated to political groups, or lobbied their representatives with the aim of creating lasting social change, overturning repressive laws, or limiting environmental destruction. Yet very little seems to improve for those affected by rapacious governments. Replace the State: How to Change the World When Elections and Protests Fail (U Minnesota Press, 2025) brings new hope for social justice movements by looking to progressive campaigns that have found success by unconventional, and more direct, means. Sasha Davis, an activist and scholar of radical environmental advocacy, focuses on the strategies of movements, many of them Indigenous, that have occupied contested sites and demonstrated their effectiveness at managing or governing them. Including case studies of resistance to development on Indigenous lands in Hawai'i, nuclear testing in the Nevada desert, and the U.S. military occupation of Okinawa, he offers insight and direction for activists, students, academics, and others dedicated to protecting and improving the well-being of their communities and beyond. It would be easy to succumb to pessimism and political apathy in the face of governing institutions that are increasingly unresponsive to calls for change and repressive in response to protest, even as they violate human rights, ignore existential climate catastrophes, and concentrate power into fewer and fewer hands. Instead, Davis finds inspiration for genuine political change through social movements that are successfully "replacing the state" and taking over the day-to-day governance of threatened places. From contesting environmental abuse to reasserting Indigenous sovereignty, these social movements demonstrate how people can collectively wrest control over their communities from oppressive governments and manage them with a more egalitarian ethics of care. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A practical call to action against oppression. Across the globe, millions of people have participated in protests and marches, donated to political groups, or lobbied their representatives with the aim of creating lasting social change, overturning repressive laws, or limiting environmental destruction. Yet very little seems to improve for those affected by rapacious governments. Replace the State: How to Change the World When Elections and Protests Fail (U Minnesota Press, 2025) brings new hope for social justice movements by looking to progressive campaigns that have found success by unconventional, and more direct, means. Sasha Davis, an activist and scholar of radical environmental advocacy, focuses on the strategies of movements, many of them Indigenous, that have occupied contested sites and demonstrated their effectiveness at managing or governing them. Including case studies of resistance to development on Indigenous lands in Hawai'i, nuclear testing in the Nevada desert, and the U.S. military occupation of Okinawa, he offers insight and direction for activists, students, academics, and others dedicated to protecting and improving the well-being of their communities and beyond. It would be easy to succumb to pessimism and political apathy in the face of governing institutions that are increasingly unresponsive to calls for change and repressive in response to protest, even as they violate human rights, ignore existential climate catastrophes, and concentrate power into fewer and fewer hands. Instead, Davis finds inspiration for genuine political change through social movements that are successfully "replacing the state" and taking over the day-to-day governance of threatened places. From contesting environmental abuse to reasserting Indigenous sovereignty, these social movements demonstrate how people can collectively wrest control over their communities from oppressive governments and manage them with a more egalitarian ethics of care. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

A practical call to action against oppression. Across the globe, millions of people have participated in protests and marches, donated to political groups, or lobbied their representatives with the aim of creating lasting social change, overturning repressive laws, or limiting environmental destruction. Yet very little seems to improve for those affected by rapacious governments. Replace the State: How to Change the World When Elections and Protests Fail (U Minnesota Press, 2025) brings new hope for social justice movements by looking to progressive campaigns that have found success by unconventional, and more direct, means. Sasha Davis, an activist and scholar of radical environmental advocacy, focuses on the strategies of movements, many of them Indigenous, that have occupied contested sites and demonstrated their effectiveness at managing or governing them. Including case studies of resistance to development on Indigenous lands in Hawai'i, nuclear testing in the Nevada desert, and the U.S. military occupation of Okinawa, he offers insight and direction for activists, students, academics, and others dedicated to protecting and improving the well-being of their communities and beyond. It would be easy to succumb to pessimism and political apathy in the face of governing institutions that are increasingly unresponsive to calls for change and repressive in response to protest, even as they violate human rights, ignore existential climate catastrophes, and concentrate power into fewer and fewer hands. Instead, Davis finds inspiration for genuine political change through social movements that are successfully "replacing the state" and taking over the day-to-day governance of threatened places. From contesting environmental abuse to reasserting Indigenous sovereignty, these social movements demonstrate how people can collectively wrest control over their communities from oppressive governments and manage them with a more egalitarian ethics of care. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics