Podcasts about minnesota press

Offering a novel approach to contemporary landscape studies, Explosivity: Following What Remains (U Minnesota Press, 2025) unearths the hidden legacies of violence that have shaped the physical and cultural environment of the San Francisco Bay area. As he sifts through the historical debris of previous centuries, Dr. Javier Arbona-Homar analyzes a series of explosions that took place between 1866 and 2011 to call attention to the scattered remnants of militarism and racialized capitalism embedded in the region's geography. From incidents involving nineteenth-century explosives manufacturing and World War II munitions loading to radical activism and contemporary television productions, Dr. Arbona-Homar locates a pattern of historical violence that refocuses the broader racial and colonial context. Citing the material, social, and political conditions that gave rise to these disparate episodes, he reviews the historic erasure of those driving forces and puts forth alternative possibilities for how such disasters might be memorialized. Synthesizing a diverse set of field research methods, including oral histories and site visits, and supplemented by specially commissioned landscape photographs by Andrea Gaffney, Explosivity presents a radical exercise in the exposition of public memory. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Offering a novel approach to contemporary landscape studies, Explosivity: Following What Remains (U Minnesota Press, 2025) unearths the hidden legacies of violence that have shaped the physical and cultural environment of the San Francisco Bay area. As he sifts through the historical debris of previous centuries, Dr. Javier Arbona-Homar analyzes a series of explosions that took place between 1866 and 2011 to call attention to the scattered remnants of militarism and racialized capitalism embedded in the region's geography. From incidents involving nineteenth-century explosives manufacturing and World War II munitions loading to radical activism and contemporary television productions, Dr. Arbona-Homar locates a pattern of historical violence that refocuses the broader racial and colonial context. Citing the material, social, and political conditions that gave rise to these disparate episodes, he reviews the historic erasure of those driving forces and puts forth alternative possibilities for how such disasters might be memorialized. Synthesizing a diverse set of field research methods, including oral histories and site visits, and supplemented by specially commissioned landscape photographs by Andrea Gaffney, Explosivity presents a radical exercise in the exposition of public memory. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Offering a novel approach to contemporary landscape studies, Explosivity: Following What Remains (U Minnesota Press, 2025) unearths the hidden legacies of violence that have shaped the physical and cultural environment of the San Francisco Bay area. As he sifts through the historical debris of previous centuries, Dr. Javier Arbona-Homar analyzes a series of explosions that took place between 1866 and 2011 to call attention to the scattered remnants of militarism and racialized capitalism embedded in the region's geography. From incidents involving nineteenth-century explosives manufacturing and World War II munitions loading to radical activism and contemporary television productions, Dr. Arbona-Homar locates a pattern of historical violence that refocuses the broader racial and colonial context. Citing the material, social, and political conditions that gave rise to these disparate episodes, he reviews the historic erasure of those driving forces and puts forth alternative possibilities for how such disasters might be memorialized. Synthesizing a diverse set of field research methods, including oral histories and site visits, and supplemented by specially commissioned landscape photographs by Andrea Gaffney, Explosivity presents a radical exercise in the exposition of public memory. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Offering a novel approach to contemporary landscape studies, Explosivity: Following What Remains (U Minnesota Press, 2025) unearths the hidden legacies of violence that have shaped the physical and cultural environment of the San Francisco Bay area. As he sifts through the historical debris of previous centuries, Dr. Javier Arbona-Homar analyzes a series of explosions that took place between 1866 and 2011 to call attention to the scattered remnants of militarism and racialized capitalism embedded in the region's geography. From incidents involving nineteenth-century explosives manufacturing and World War II munitions loading to radical activism and contemporary television productions, Dr. Arbona-Homar locates a pattern of historical violence that refocuses the broader racial and colonial context. Citing the material, social, and political conditions that gave rise to these disparate episodes, he reviews the historic erasure of those driving forces and puts forth alternative possibilities for how such disasters might be memorialized. Synthesizing a diverse set of field research methods, including oral histories and site visits, and supplemented by specially commissioned landscape photographs by Andrea Gaffney, Explosivity presents a radical exercise in the exposition of public memory. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Offering a novel approach to contemporary landscape studies, Explosivity: Following What Remains (U Minnesota Press, 2025) unearths the hidden legacies of violence that have shaped the physical and cultural environment of the San Francisco Bay area. As he sifts through the historical debris of previous centuries, Dr. Javier Arbona-Homar analyzes a series of explosions that took place between 1866 and 2011 to call attention to the scattered remnants of militarism and racialized capitalism embedded in the region's geography. From incidents involving nineteenth-century explosives manufacturing and World War II munitions loading to radical activism and contemporary television productions, Dr. Arbona-Homar locates a pattern of historical violence that refocuses the broader racial and colonial context. Citing the material, social, and political conditions that gave rise to these disparate episodes, he reviews the historic erasure of those driving forces and puts forth alternative possibilities for how such disasters might be memorialized. Synthesizing a diverse set of field research methods, including oral histories and site visits, and supplemented by specially commissioned landscape photographs by Andrea Gaffney, Explosivity presents a radical exercise in the exposition of public memory. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography

Offering a novel approach to contemporary landscape studies, Explosivity: Following What Remains (U Minnesota Press, 2025) unearths the hidden legacies of violence that have shaped the physical and cultural environment of the San Francisco Bay area. As he sifts through the historical debris of previous centuries, Dr. Javier Arbona-Homar analyzes a series of explosions that took place between 1866 and 2011 to call attention to the scattered remnants of militarism and racialized capitalism embedded in the region's geography. From incidents involving nineteenth-century explosives manufacturing and World War II munitions loading to radical activism and contemporary television productions, Dr. Arbona-Homar locates a pattern of historical violence that refocuses the broader racial and colonial context. Citing the material, social, and political conditions that gave rise to these disparate episodes, he reviews the historic erasure of those driving forces and puts forth alternative possibilities for how such disasters might be memorialized. Synthesizing a diverse set of field research methods, including oral histories and site visits, and supplemented by specially commissioned landscape photographs by Andrea Gaffney, Explosivity presents a radical exercise in the exposition of public memory. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

Offering a novel approach to contemporary landscape studies, Explosivity: Following What Remains (U Minnesota Press, 2025) unearths the hidden legacies of violence that have shaped the physical and cultural environment of the San Francisco Bay area. As he sifts through the historical debris of previous centuries, Dr. Javier Arbona-Homar analyzes a series of explosions that took place between 1866 and 2011 to call attention to the scattered remnants of militarism and racialized capitalism embedded in the region's geography. From incidents involving nineteenth-century explosives manufacturing and World War II munitions loading to radical activism and contemporary television productions, Dr. Arbona-Homar locates a pattern of historical violence that refocuses the broader racial and colonial context. Citing the material, social, and political conditions that gave rise to these disparate episodes, he reviews the historic erasure of those driving forces and puts forth alternative possibilities for how such disasters might be memorialized. Synthesizing a diverse set of field research methods, including oral histories and site visits, and supplemented by specially commissioned landscape photographs by Andrea Gaffney, Explosivity presents a radical exercise in the exposition of public memory. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Singapore, the financial center of Southeast Asia, hyperurbanization and commercial development exist alongside enduring belief in the economic power of ghosts: in their ability to control the flows of money and value and to determine the outcome of investments and wagers. Spectropolis: The Enchantment of Capital in Singapore (U Minnesota Press, 2025) explores the unlikely collusion of these two systems, demonstrating both the productive role of popular beliefs in the modern world and the surprising correlations between “late” capitalism and the workings of the spirit realm. Detailing the logic and practices of Singapore's ghost economy—from performing exorcisms on real estate development sites to offering money and commodities to the dead as a hedge against precarious real-world transactions—Joshua Comaroff shows how speculative finance, largely governed by chance and volatility, is understood via its inherently spectral qualities. Based on detailed case studies and years of extensive fieldwork, Spectropolis argues for the power of popular belief systems to theorize contemporary socioeconomic conditions and to give form to collective affect as well as shared aspirations and anxieties, often in deeply hopeful, horizontal and empowering ways. Joshua Comaroff is the assistant professor of architecture at the National University of Singapore. He is coauthor of Horror in Architecture: The Reanimated Edition (Minnesota, 2024). Alyssa Kee recently finished graduate studies at the University of Vienna. Her research interests lie in urban geography, multispecies ecologies, and urban food assemblages. She is currently in the field of Geographical Education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Singapore, the financial center of Southeast Asia, hyperurbanization and commercial development exist alongside enduring belief in the economic power of ghosts: in their ability to control the flows of money and value and to determine the outcome of investments and wagers. Spectropolis: The Enchantment of Capital in Singapore (U Minnesota Press, 2025) explores the unlikely collusion of these two systems, demonstrating both the productive role of popular beliefs in the modern world and the surprising correlations between “late” capitalism and the workings of the spirit realm. Detailing the logic and practices of Singapore's ghost economy—from performing exorcisms on real estate development sites to offering money and commodities to the dead as a hedge against precarious real-world transactions—Joshua Comaroff shows how speculative finance, largely governed by chance and volatility, is understood via its inherently spectral qualities. Based on detailed case studies and years of extensive fieldwork, Spectropolis argues for the power of popular belief systems to theorize contemporary socioeconomic conditions and to give form to collective affect as well as shared aspirations and anxieties, often in deeply hopeful, horizontal and empowering ways. Joshua Comaroff is the assistant professor of architecture at the National University of Singapore. He is coauthor of Horror in Architecture: The Reanimated Edition (Minnesota, 2024). Alyssa Kee recently finished graduate studies at the University of Vienna. Her research interests lie in urban geography, multispecies ecologies, and urban food assemblages. She is currently in the field of Geographical Education. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

In Singapore, the financial center of Southeast Asia, hyperurbanization and commercial development exist alongside enduring belief in the economic power of ghosts: in their ability to control the flows of money and value and to determine the outcome of investments and wagers. Spectropolis: The Enchantment of Capital in Singapore (U Minnesota Press, 2025) explores the unlikely collusion of these two systems, demonstrating both the productive role of popular beliefs in the modern world and the surprising correlations between “late” capitalism and the workings of the spirit realm. Detailing the logic and practices of Singapore's ghost economy—from performing exorcisms on real estate development sites to offering money and commodities to the dead as a hedge against precarious real-world transactions—Joshua Comaroff shows how speculative finance, largely governed by chance and volatility, is understood via its inherently spectral qualities. Based on detailed case studies and years of extensive fieldwork, Spectropolis argues for the power of popular belief systems to theorize contemporary socioeconomic conditions and to give form to collective affect as well as shared aspirations and anxieties, often in deeply hopeful, horizontal and empowering ways. Joshua Comaroff is the assistant professor of architecture at the National University of Singapore. He is coauthor of Horror in Architecture: The Reanimated Edition (Minnesota, 2024). Alyssa Kee recently finished graduate studies at the University of Vienna. Her research interests lie in urban geography, multispecies ecologies, and urban food assemblages. She is currently in the field of Geographical Education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

In Singapore, the financial center of Southeast Asia, hyperurbanization and commercial development exist alongside enduring belief in the economic power of ghosts: in their ability to control the flows of money and value and to determine the outcome of investments and wagers. Spectropolis: The Enchantment of Capital in Singapore (U Minnesota Press, 2025) explores the unlikely collusion of these two systems, demonstrating both the productive role of popular beliefs in the modern world and the surprising correlations between “late” capitalism and the workings of the spirit realm. Detailing the logic and practices of Singapore's ghost economy—from performing exorcisms on real estate development sites to offering money and commodities to the dead as a hedge against precarious real-world transactions—Joshua Comaroff shows how speculative finance, largely governed by chance and volatility, is understood via its inherently spectral qualities. Based on detailed case studies and years of extensive fieldwork, Spectropolis argues for the power of popular belief systems to theorize contemporary socioeconomic conditions and to give form to collective affect as well as shared aspirations and anxieties, often in deeply hopeful, horizontal and empowering ways. Joshua Comaroff is the assistant professor of architecture at the National University of Singapore. He is coauthor of Horror in Architecture: The Reanimated Edition (Minnesota, 2024). Alyssa Kee recently finished graduate studies at the University of Vienna. Her research interests lie in urban geography, multispecies ecologies, and urban food assemblages. She is currently in the field of Geographical Education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography

In Singapore, the financial center of Southeast Asia, hyperurbanization and commercial development exist alongside enduring belief in the economic power of ghosts: in their ability to control the flows of money and value and to determine the outcome of investments and wagers. Spectropolis: The Enchantment of Capital in Singapore (U Minnesota Press, 2025) explores the unlikely collusion of these two systems, demonstrating both the productive role of popular beliefs in the modern world and the surprising correlations between “late” capitalism and the workings of the spirit realm. Detailing the logic and practices of Singapore's ghost economy—from performing exorcisms on real estate development sites to offering money and commodities to the dead as a hedge against precarious real-world transactions—Joshua Comaroff shows how speculative finance, largely governed by chance and volatility, is understood via its inherently spectral qualities. Based on detailed case studies and years of extensive fieldwork, Spectropolis argues for the power of popular belief systems to theorize contemporary socioeconomic conditions and to give form to collective affect as well as shared aspirations and anxieties, often in deeply hopeful, horizontal and empowering ways. Joshua Comaroff is the assistant professor of architecture at the National University of Singapore. He is coauthor of Horror in Architecture: The Reanimated Edition (Minnesota, 2024). Alyssa Kee recently finished graduate studies at the University of Vienna. Her research interests lie in urban geography, multispecies ecologies, and urban food assemblages. She is currently in the field of Geographical Education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

In Singapore, the financial center of Southeast Asia, hyperurbanization and commercial development exist alongside enduring belief in the economic power of ghosts: in their ability to control the flows of money and value and to determine the outcome of investments and wagers. Spectropolis: The Enchantment of Capital in Singapore (U Minnesota Press, 2025) explores the unlikely collusion of these two systems, demonstrating both the productive role of popular beliefs in the modern world and the surprising correlations between “late” capitalism and the workings of the spirit realm. Detailing the logic and practices of Singapore's ghost economy—from performing exorcisms on real estate development sites to offering money and commodities to the dead as a hedge against precarious real-world transactions—Joshua Comaroff shows how speculative finance, largely governed by chance and volatility, is understood via its inherently spectral qualities. Based on detailed case studies and years of extensive fieldwork, Spectropolis argues for the power of popular belief systems to theorize contemporary socioeconomic conditions and to give form to collective affect as well as shared aspirations and anxieties, often in deeply hopeful, horizontal and empowering ways. Joshua Comaroff is the assistant professor of architecture at the National University of Singapore. He is coauthor of Horror in Architecture: The Reanimated Edition (Minnesota, 2024). Alyssa Kee recently finished graduate studies at the University of Vienna. Her research interests lie in urban geography, multispecies ecologies, and urban food assemblages. She is currently in the field of Geographical Education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/finance

In Singapore, the financial center of Southeast Asia, hyperurbanization and commercial development exist alongside enduring belief in the economic power of ghosts: in their ability to control the flows of money and value and to determine the outcome of investments and wagers. Spectropolis: The Enchantment of Capital in Singapore (U Minnesota Press, 2025) explores the unlikely collusion of these two systems, demonstrating both the productive role of popular beliefs in the modern world and the surprising correlations between “late” capitalism and the workings of the spirit realm. Detailing the logic and practices of Singapore's ghost economy—from performing exorcisms on real estate development sites to offering money and commodities to the dead as a hedge against precarious real-world transactions—Joshua Comaroff shows how speculative finance, largely governed by chance and volatility, is understood via its inherently spectral qualities. Based on detailed case studies and years of extensive fieldwork, Spectropolis argues for the power of popular belief systems to theorize contemporary socioeconomic conditions and to give form to collective affect as well as shared aspirations and anxieties, often in deeply hopeful, horizontal and empowering ways. Joshua Comaroff is the assistant professor of architecture at the National University of Singapore. He is coauthor of Horror in Architecture: The Reanimated Edition (Minnesota, 2024). Alyssa Kee recently finished graduate studies at the University of Vienna. Her research interests lie in urban geography, multispecies ecologies, and urban food assemblages. She is currently in the field of Geographical Education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Welcome to worlds where cunning foxes outsmart bears and humans, where people are turned into wolves, where ogres (stállus) terrorize communities until outwitted, where undead creatures of the sea (rávgas) lure others to their demise. These worlds are illuminated in more than 300 folktales and legends that make up the most extensive compilation of Sámi narratives recorded from Sámi storytellers ever published in English translation: Sámi Folktales from the Near and Far Worlds, originally recorded by Just Knud Qvigstad and Isak Saba and translated by Barbara Sjoholm. Sjoholm is joined here in conversation with Lise Lunge-Larsen.Barbara Sjoholm is an award-winning translator and author of many books, including From Lapland to Sápmi: Collecting and Returning Sámi Craft and Culture and The Palace of the Snow Queen: Winter Travels in Lapland and Sápmi. Among her translations are By the Fire: Sámi Folktales and Legends, collected by Emilie Demant Hatt.Lise Lunge-Larsen is the award-winning author of The Troll with No Heart in His Body and Seven Ways to Trick a Troll. She lives in Duluth, where trolls can still be found if you really look for them. Praise for the book:"Beautifully written, the introduction to Sámi Folktales from the Near and Far Worlds captivates the reader from the very beginning with poetic descriptions of the Sámi landscape, the historical context and thematic characteristics of the storytelling tradition in Sápmi, and an exploration of the relationship between Just Knud Qvigstad and Isak Saba. This book is a valuable collection of Sámi stories."—Line Esborg, Head of Norwegian Folklore Archives, University of Oslo"For decades, these stories have provided contemporary Sámi literature with drama, detail, and inspiration. This collection is a treasure trove for every writer and reader to explore, and it's a gift to the English language that these folktales are now translated."—Elin Anna Labba, author of The Home of the Drowned and The Rocks Will Echo Our Sorrow: The Forced Displacement of the Northern Sámi"The deeper you dig into this collection, the more satisfying it gets. Barbara Sjoholm's introduction is worth its weight in gold."—Lise Lunge-LarsenSámi Folktales from the Near and Far Worlds, collected by Just Knud Qvigstad and Isak Saba and translated by Barbara Sjoholm, is available from University of Minnesota Press. Thank you for listening.

The story of “The Lad who stole a Troll's Hat, a Bird and a Horse and Married the Princess” comes from “Sámi Folktales from the Near and Far Worlds” by Just Knud Qvigstad and Isak Saba as translated by Barbara Sjoholm published just yesterday through the University of Minnesota Press! We were lucky enough to receive an early edition of the book and it was a treat to look through all the different stories of the Sámi people.  This story is truly one that makes you ask: WHY and HOW instead of what since it's all technically in the title!  Show notes can be found on our website at: www.talesfromtheenchantedforest.com You can also find us on: Bluesky Instagram   Mastodon TikTok

On today's show we take a deep look into universities, and education more broadly with Tristan Ahtone, Andrew Herscher, and Robert Warrior. We focus on a  critique of land grant universities, which were built on land granted by the federal government. What we learn is that lands were stolen from Indigenous peoples through violence-based treaties and seizures. These 57 universities have used wealth derived from those initial acts of theft to buy more property, expand holdings, and enrich themselves. In contrast, we see the continued harm these universities do to Native peoples. This harm comes what Herscher calls “non-memory,” which creates knowledge that distorts and omits historical truths and impedes upon Indigenous futures. We talk about the deep damage non-memory does to education for all, and the ways people have fought back to retrieve, restore, and grow knowledge through scholar-journalist activism like the Land Grab University project.Tristan Ahtone (Kiowa) is Editor at Large at Grist and one of the foremost journalists covering Indigenous affairs in America. He previously served as Editor in Chief of the Texas Observer and Indigenous Affairs editor at High Country News. His investigations have been honored with a George Polk Award, an IRE Award, a Sigma Award, a National Magazine Award nomination, and investigative awards from the Gannett Foundation. A multiple Richard LaCourse Award winner, Ahtone was also named Journalist of the Year by Covering Climate Now in 2024. A past president of the Indigenous Journalists Association and a 2017 Nieman Fellow, he is a co-founder of the Indigenous News Alliance.Andrew Herscher's work endeavors to bring the study of architecture and cities to bear on struggles for justice, democracy, and self-determination across a range of global sites. He is the co-founder of a series of militant research collectives, including Detroit Resists, Settler Colonial City Project, and the We the People of Detroit Community Research Collective. His scholarly work include Violence Taking Place: The Architecture of the Kosovo Conflict (Stanford University Press, 2010); The Unreal Estate Guide to Detroit (University of Michigan Press, 2012); Displacements: Architecture and Refugee (Sternberg Press, 2017); The Global Shelter Imaginary: IKEA Humanitarianism and Rightless Relief (co-authored with Daniel Bertrand Monk, University of Minnesota Press, 2022); and Under the Campus, the Land: Anishinaabe Futuring, Colonial Non-Memory, and the Origin of the University of Michigan (University of Michigan Press, 2025). He is teaches at the University of Michigan in architecture, Native American and Indigenous studies, and the history of art. Robert Warrior is Hall Distinguished Professor of American Literature and Culture at the University of Kansas and a member/citizen of the Osage Nation. He is the author of Tribal Secrets: Recovering American Indian Intellectual Traditions (University of Minnesota Press, 1995) and The People and the Word: Reading Native Nonfiction (University of Minnesota Press, 2006), and coauthor of Like a Hurricane: The Indian Movement from Alcatraz to Wounded Knee (New Press, 1996), American Indian Literary Nationalism (University of New Mexico Press, 2008), and Reasoning Together: The Native Critics Collective (University of Oklahoma Press, 2009). He is past president of the American Studies Association and was the founding president of the Native American and Indigenous Studies Association (2009-10). He was the founding co-editor of Native American and Indigenous Studies (NAISA's journal) and edits the Indigenous Americas series at the University of Minnesota Press). Before moving to the University of Kansas, he taught at Stanford, the University of Oklahoma, and the University of Illinois. In 2018, he was elected to the American Academy of Arts and Sciences.

New Series: Grounding the Green Financing Series Summary This series brings together scholars researching the relationship between green finance, and the everyday experiences of violence and solidarity across the world. Green finance, understood as various models of loans and investments that ostensibly support mitigation and adaptation to climate change, is promoted by international bodies such as the United Nations and the World Bank. However, the abstraction of this language and policies involved obscures the connections to everyday practices of extraction and resistance. This series reinfuses the economics of climate change with people's histories and agencies. Therefore, anthropologists and adjacent field scholars have a particularly apt skill set for grounding the climate finance discussion in place-based, community-informed explorations across the globe.   Episode Summary In the first episode of this quarterly series, Fernando Leiva talks about his mapping of the finance-extractivism-climate-change-energy transition nexus focused on Chile, his country of origin. He identifies four areas of research into green financing as a material and cultural project : 1) the depolitization of climate change, veiling its true causes of this crisis; 2) the impacts of carbonization by dispossession and the concentration of wealth; 3) the further subordination of public policy to de-risking investments; and 4) the financialization of nature itself. Leiva presents his bestiario (bestiary) and chronology of financial products as an entry point to analyze the interactions between discourses and power relations in Chile, the birthplace of neoliberalism and other sociopolitical experiments in the last 50 years, and now a leader in the green finance economy. In his view, green finance is also a hegemonic myth project that presents the private sector as the social actor of the future, in an unequal field of cultural creation, against communities betting on collective forms of life. Leiva argues that critical scholarship is needed in these cultural battles of meaning making for the future.    Guest Fernando Leiva is a Professor of Latin American and Latino Studies at the University of Califprnia, Santa Cruz. He received his PhD in Economics from the University of Massachusetts-Amherst (1998). He is the author of Latin American Neostructuralism: The Contradictions of Post-Neoliberal Development (University of Minnesota Press, 2008) and The Left Hand of Capital: Neoliberalism and the Left in Chile (SUNY Press, 2021). For the last decade, his research deploys a Critical Cultural Political Economy Perspective that examines how semiotic and material practices co-constitute reality. He uses this approach to examine newly emerging strategies with which transnational capital aims to expand the frontiers of extractivism and craft the foundations for a new capitalist hegemonic project anchored on “eco-extractivism.” Host Jéssica Malinalli Coyotecatl-Contreras is a University of California President's Postdoctoral Fellow in the Department of Latin American and Latino Studies at UC Santa Cruz. She holds a PhD in Anthropology (UCSB, 2025) and a Master's in Social Anthropology (El Colegio de Michoacán, 2013). Her work builds on the knowledge of women and Indigenous communities, at the intersection of the (built) environment, feminist political ecology, and anti-coloniality in the Americas. Her work has been featured in peer-reviewed articles and online pieces for broader audiences. She is currently working on her first manuscript “Volcanic Sustainability: Progressive Fossil Capitalism, Violent Energy Transition, and Indigenous Futurities in Mexico.”   

The thwarted Central American revolutions during the latter half of the twentieth century marked a watershed in what had become a global anti-imperialist movement striving for a more egalitarian future. Examining a range of documentary, literary, and artistic works, including Roxanne Dunbar-Ortiz, Héctor Tobar, Jennifer Harbury, and Horacio Castellanos Moya, States of Defeat looks at how left-wing intellectuals in the United States reckoned with the fallout from these defeats through wide-ranging creative expressions of indignation, cynicism, and grief. Here, author Eric A. Vázquez is joined in conversation with Maritza E. Cardenas and Jason Ruiz.Eric A. Vázquez is assistant professor in American studies and Latina/o/x studies at the University of Iowa and author of States of Defeat: US Imaginaries of Revolutionary Central America.Jason Ruiz is director of institute for latino studies and professor of American studies at the University of Notre Dame. He is author of Americans in the Treasure House: Travel to Porfirian Mexico and the Cultural Politics of Empire and Narcomedia: Latinidad, Popular Culture, and America's War on Drugs. Maritza E. Cardenas is director of global studies and associate professor of English at the University of Arizona. She is author of Constituting Central American-Americans: Transnational Identities and the Politics of Dislocation.EPISODE REFERENCES:Blood on the Border / Roxanne Dunbar-OrtizEmpire's Workshop / Greg GrandinThe Ruse of Repair / Patricia StuelkeLas Sandinistas! / filmJesse AlemánJennifer HarburyJean DonovanRigoberta MenchúThe Tattooed Soldier / Héctor TobarHoracio Castellanos MoyaDavid StollMaría Josefina Saldaña-PortilloDon White Committee in Solidarity with the People of El Salvador archive at California State University NorthridgePRAISE FOR THE BOOK:"Insightful and brilliant, States of Defeat uses the defeat of the Central American revolutionaries by US–backed, brutal right-wing militaries to analyze the meaning of revolutionary failure for the United States."—María Josefina Saldaña-Portillo, author of Indian Given: Racial Geographies across Mexico and the United States "Eric A. Vázquez asks hard questions about what is at stake, who benefits, and what matters in the making of alliances across borders. Every chapter is rich with a nuanced account of anti-imperialist creativity and commitment."—Melani McAlister, author of Promises, Then the Storm: Notes on Memory, Protest, and the Israel–Gaza WarThe book States of Defeat: US Imaginaries of Revolutionary Central America by Eric A. Vázquez is available from University of Minnesota Press. Thank you for listening.

La psychiatrie se présente comme un espace de soin. Mais pour de nombreuses personnes qui en sont revenues, ce qu'elles ont vécu ressemble davantage à une privation de liberté qu'à une thérapie. Chambres d'isolement, hospitalisations sous contrainte, traitements imposés sans consentement — ces pratiques sont légales en France. Et elles continuent.Dans cet épisode, je plonge dans le mouvement pour l'abolition psychiatrique — pas pour dire que la souffrance psychique intense n'existe pas, mais pour poser la question que ce mouvement pose depuis des décennies : est-ce que la coercition peut être du soin ? Je reviens sur les travaux de Tina Minkowitz et sur ce que la Convention des Nations Unies relative aux droits des personnes handicapées dit sur les traitements forcés. J'explore pourquoi la réforme de l'institution — des chambres plus humaines, des durées plus courtes — ne touche pas à ce qui pose problème au fondement. Et surtout, je présente ce qui existe déjà comme alternatives : le modèle Soteria, l'Open Dialogue finlandais, le mouvement Entendre des Voix, les maisons de répit communautaires.Un épisode dense, situé politiquement, qui ne simplifie pas les tensions réelles — parce qu'elles existent — mais qui refuse aussi que ces tensions servent à maintenir le statu quo.Références citées :Minkowitz, T. (2006-2014). Travaux au sein du Comité de la CDPH / Convention relative aux droits des personnes handicapées, Nations Unies. Articles 12 et 14.Foucault, M. (1961). Histoire de la folie à l'âge classique. Gallimard.Mosher, L. R., & Menn, A. Z. (1978). Community residential treatment for schizophrenia: Two-year follow-up data. Hospital & Community Psychiatry, 29(11), 715–723.Seikkula, J., & Arnkil, T. E. (2006). Dialogical Meetings in Social Networks. Karnac Books.Romme, M., & Escher, S. (1993). Accepting Voices. Mind Publications.Contrôleur général des lieux de privation de liberté (CGLPL). Rapports annuels sur les établissements psychiatriques. Disponibles sur cglpl.fr.Basaglia, F. (1968). L'institution en négation. Éditions du Seuil.Ben-Moshe, L. (2020). Decarcerating Disability: Deinstitutionalization and Prison Abolition. University of Minnesota Press.Venez continuer la conversation sur @equilibre.therapie.paris — vos expériences, vos réactions, vos questions. Et si cet épisode a résonné, partagez-le à quelqu'un qui en a besoin.abolition psychiatrique, soins communautaires santé mentale, hospitalisation sous contrainte France, alternatives psychiatrie coercitive, Tina Minkowitz CDPH, Open Dialogue Finlande, Soteria maison, chambres isolement psychiatrique, droits patients psychiatriques, Mad Pride France, survivants psychiatrie, désinstitutionnalisation psychiatrie

This episode, first released in 2021, is a reminder that Mental Health Awareness Month requires all of us to tell our stories. We checked back in with Mindy and learned that, even though she is now retired, she continues to advocate for reforms in mental health, policy, and affordable housing. “I love being retired; I can activate for anything I want.” She is married for 55 years and retired for sixteen. Her son continues to receive the help he needs."There is no way we are going to have a better mental health system if we don't tell our stories."Mindy was a state legislator (Minnesota's House of Representatives, 1993-2013) when her son Jim's first psychotic episode manifested itself in a delusion demanding he kill her. Her seat at the table helped her to change the policies that would have barred her from saving his life. She first had to overcome her fear that Jim would be like her beloved grandmother who disappeared into a mental hospital when she was 10. Mindy was determined not to let this happen and is responsible for these reforms:·       Founded the nation's first bipartisan state mental health caucus, focusing on raising awareness, funding, and policy reform Marshall Independent+1.·       Reformed hospital release procedures and introduced legislation allowing earlier intervention for people in crisis who don't recognize they are ill Access Press.·       Advocated for mental health issues in areas such as the criminal justice system, employment, and children's health Her podcast, Schizophrenia: Three Moms in the Trenches, is a frank account by three mothers who share what it is like to live in a family where schizoid-affective disorder affects every family dynamic.Contact Information:mindygreiling@gmail.comGreiling, M. (2020). Fix What You Can: Schizophrenia and a Lawmaker's Fight for Her Son. University of Minnesota Press.Podcast: Schizophrenia: Three Moms in the Trenches

Viaje comigo, Vogel e Barbarussa pra Grécia e Roma! Link: partiu.vip/historiaecinema2026Uma das criaturas mais antigas da história da civilização humana é reinterpretada e usada como uma prova da desigualdade de gênero que, pelo menos desde a Antiguidade, ronda o mundo ocidental. Separe trinta minutos do seu dia e aprenda com o professor Vítor Soares (@profvitorsoares) sobre a história e a mitologia da górgona Medusa-Se você quiser ter acesso a episódios exclusivos e quiser ajudar o História em Meia Hora a continuar de pé, clique no link: www.apoia.se/historiaemmeiahoraConheça o meu canal!https://www.youtube.com/@profvitorsoaresConheça meu outro canal: História e Cinema!https://www.youtube.com/@canalhistoriaecinemaOuça "Reinaldo Jaqueline", meu podcast de humor sobre cinema e TV:https://open.spotify.com/show/2MsTGRXkgN5k0gBBRDV4okAssista meu outro podcast, o História pros brother!https://open.spotify.com/show/04a8C8gXTLj68lmZiQD8vmCompre o livro "História em Meia Hora - Grandes Civilizações"!https://a.co/d/47ogz6QCompre meu primeiro livro-jogo de história do Brasil "O Porão":https://amzn.to/4a4HCO8Compre a camisa do História em Meia Hora: https://www.blablalogia.com/blablalojinha/akiralampiaoh30PIX e contato: historiaemmeiahora@gmail.comApresentação: Prof. Vítor Soares.Roteiro: Prof. Vítor Soares e Prof. Victor Alexandre (@profvictoralexandre)REFERÊNCIAS USADAS:- OVÍDIO. Metamorfoses. Tradução: Domingos Paschoal Cegalla. São Paulo: Cultrix, 2010.- HESÍODO. Teogonia: a origem dos deuses. Tradução: Jaa Torrano. São Paulo: Iluminuras, 2009.- HAMILTON, Edith. Mythology. Boston: Little, Brown & Company, 1940.- HILGERT, Luiza Helena. O arcaico do contemporâneo: Medusa e o mito da mulher. Lampião — Revista de Filosofia, UFAL, v. 1, n. 1, p. 41-70, 2020.- BEAUVOIR, Simone de. O segundo sexo. Fatos e mitos. São Paulo: Difusão Europeia do Livro, 1970.- BEAUVOIR, Simone de. O segundo sexo. A experiência vivida. São Paulo: Difusão Europeia do Livro, 1967.- CIXOUS, Hélène. O riso da Medusa. In: CIXOUS, H.; CLÉMENT, C. The newly born woman. Minneapolis: University of Minnesota Press, 1986.- FREUD, Sigmund. A cabeça de Medusa. Tradução: Ernani Chaves. Clínica & Cultura, v. II, n. II, p. 91-93, 2013.- KAROGLOU, Kiki. Dangerous Beauty: Medusa in Classical Art. The Metropolitan Museum of Art Bulletin, New York, v. 75, n. 3, 2018.

In What Doesn't Kill Me Makes Me Weirder and Harder to Relate To (U Minnesota Press, 2025) an iconic rock DJ of the Twin Cities tells her harrowing story of being stalked while living her very public life What's it like to be in the public spotlight when it just might get you killed? For Mary Lucia, becoming a wildly popular rock DJ meant connecting with a multitude of fans through a shared love of music and deep cuts. But for one listener, that connection became a dangerous obsession, catapulting Lucia into the terrifying three-year nightmare that she chronicles in this raw, wry, and profoundly courageous memoir. With electrifying wit and anger, Lucia shares her experience of navigating constant terror while life absurdly goes on: interview rock stars, curate a radio show song list, judge high school battles of the band, kick a drug addiction cold turkey . . . all while fearing what might be waiting in her mailbox or who might be waiting on her front step or at her back door. Lucia was no stranger to inappropriate or weird contact from fans, but things turned sinister when ten pounds of raw meat were delivered to her at work, followed by a steady stream of ominous letters, cards, packages, and messages. When the letters included threats to her dogs' safety, she tried to get help, but without a name and return address on these communications there was nothing she could do. As the stalker's actions escalated, Lucia felt more and more isolated. Police responding to her 911 calls were insensitive and dismissive, and even her friends implied that being stalked was just a hazard of her high-profile job and her high-energy personality. No one seemed to take seriously the danger she faced. Inseparable from this ordeal is the story of how Mary Lucia became the notorious radio malcontent known by so many avid listeners. From the good, bad, and weird of growing up in her eccentric family to drugs, death, and dogs, Lucia finally shares her life on her own terms in What Doesn't Kill Me Makes Me Weirder and Harder to Relate To. Applying her signature dark humor to her own traumatic experiences, Lucia's memoir is idiosyncratic, bold, and--ironically--relatable Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In What Doesn't Kill Me Makes Me Weirder and Harder to Relate To (U Minnesota Press, 2025) an iconic rock DJ of the Twin Cities tells her harrowing story of being stalked while living her very public life What's it like to be in the public spotlight when it just might get you killed? For Mary Lucia, becoming a wildly popular rock DJ meant connecting with a multitude of fans through a shared love of music and deep cuts. But for one listener, that connection became a dangerous obsession, catapulting Lucia into the terrifying three-year nightmare that she chronicles in this raw, wry, and profoundly courageous memoir. With electrifying wit and anger, Lucia shares her experience of navigating constant terror while life absurdly goes on: interview rock stars, curate a radio show song list, judge high school battles of the band, kick a drug addiction cold turkey . . . all while fearing what might be waiting in her mailbox or who might be waiting on her front step or at her back door. Lucia was no stranger to inappropriate or weird contact from fans, but things turned sinister when ten pounds of raw meat were delivered to her at work, followed by a steady stream of ominous letters, cards, packages, and messages. When the letters included threats to her dogs' safety, she tried to get help, but without a name and return address on these communications there was nothing she could do. As the stalker's actions escalated, Lucia felt more and more isolated. Police responding to her 911 calls were insensitive and dismissive, and even her friends implied that being stalked was just a hazard of her high-profile job and her high-energy personality. No one seemed to take seriously the danger she faced. Inseparable from this ordeal is the story of how Mary Lucia became the notorious radio malcontent known by so many avid listeners. From the good, bad, and weird of growing up in her eccentric family to drugs, death, and dogs, Lucia finally shares her life on her own terms in What Doesn't Kill Me Makes Me Weirder and Harder to Relate To. Applying her signature dark humor to her own traumatic experiences, Lucia's memoir is idiosyncratic, bold, and--ironically--relatable Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In What Doesn't Kill Me Makes Me Weirder and Harder to Relate To (U Minnesota Press, 2025) an iconic rock DJ of the Twin Cities tells her harrowing story of being stalked while living her very public life What's it like to be in the public spotlight when it just might get you killed? For Mary Lucia, becoming a wildly popular rock DJ meant connecting with a multitude of fans through a shared love of music and deep cuts. But for one listener, that connection became a dangerous obsession, catapulting Lucia into the terrifying three-year nightmare that she chronicles in this raw, wry, and profoundly courageous memoir. With electrifying wit and anger, Lucia shares her experience of navigating constant terror while life absurdly goes on: interview rock stars, curate a radio show song list, judge high school battles of the band, kick a drug addiction cold turkey . . . all while fearing what might be waiting in her mailbox or who might be waiting on her front step or at her back door. Lucia was no stranger to inappropriate or weird contact from fans, but things turned sinister when ten pounds of raw meat were delivered to her at work, followed by a steady stream of ominous letters, cards, packages, and messages. When the letters included threats to her dogs' safety, she tried to get help, but without a name and return address on these communications there was nothing she could do. As the stalker's actions escalated, Lucia felt more and more isolated. Police responding to her 911 calls were insensitive and dismissive, and even her friends implied that being stalked was just a hazard of her high-profile job and her high-energy personality. No one seemed to take seriously the danger she faced. Inseparable from this ordeal is the story of how Mary Lucia became the notorious radio malcontent known by so many avid listeners. From the good, bad, and weird of growing up in her eccentric family to drugs, death, and dogs, Lucia finally shares her life on her own terms in What Doesn't Kill Me Makes Me Weirder and Harder to Relate To. Applying her signature dark humor to her own traumatic experiences, Lucia's memoir is idiosyncratic, bold, and--ironically--relatable Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In What Doesn't Kill Me Makes Me Weirder and Harder to Relate To (U Minnesota Press, 2025) an iconic rock DJ of the Twin Cities tells her harrowing story of being stalked while living her very public life What's it like to be in the public spotlight when it just might get you killed? For Mary Lucia, becoming a wildly popular rock DJ meant connecting with a multitude of fans through a shared love of music and deep cuts. But for one listener, that connection became a dangerous obsession, catapulting Lucia into the terrifying three-year nightmare that she chronicles in this raw, wry, and profoundly courageous memoir. With electrifying wit and anger, Lucia shares her experience of navigating constant terror while life absurdly goes on: interview rock stars, curate a radio show song list, judge high school battles of the band, kick a drug addiction cold turkey . . . all while fearing what might be waiting in her mailbox or who might be waiting on her front step or at her back door. Lucia was no stranger to inappropriate or weird contact from fans, but things turned sinister when ten pounds of raw meat were delivered to her at work, followed by a steady stream of ominous letters, cards, packages, and messages. When the letters included threats to her dogs' safety, she tried to get help, but without a name and return address on these communications there was nothing she could do. As the stalker's actions escalated, Lucia felt more and more isolated. Police responding to her 911 calls were insensitive and dismissive, and even her friends implied that being stalked was just a hazard of her high-profile job and her high-energy personality. No one seemed to take seriously the danger she faced. Inseparable from this ordeal is the story of how Mary Lucia became the notorious radio malcontent known by so many avid listeners. From the good, bad, and weird of growing up in her eccentric family to drugs, death, and dogs, Lucia finally shares her life on her own terms in What Doesn't Kill Me Makes Me Weirder and Harder to Relate To. Applying her signature dark humor to her own traumatic experiences, Lucia's memoir is idiosyncratic, bold, and--ironically--relatable Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Racializing the Ummah: Muslim Humanitarians Beyond Black, Brown and White (U Minnesota Press, 2026) is an ethnography of Islamic Relief (IR), the largest Islamic NGO based in the West. Racializing the Ummah explores how a Muslim organization can do good in a world that defines Muslimness as less than human. Rooted in more than a decade of international research, Rhea Rahman's study on the organization's projects, methods, and limitations reveals how racial capitalism permeates all aspects of humanitarianism. Beginning with a counterhistory of Muslims in the United Kingdom following World War II, Rahman analyzes IR's mission and transnational activities in and across places including the UK, South Africa, and Mali in the broader context of global white supremacy. She shows how IR's approaches often effectively secularize Islam to evade anti-Muslim racism and Islamophobia, implicating concepts such as the “good” Muslim aid worker, who complies with War on Terror surveillance while attending to victims of Western colonialism. Meanwhile, Rahman theorizes the tactics of aid workers on the ground, who creatively draw on an Islamic Black radical tradition to drive real change. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Racializing the Ummah: Muslim Humanitarians Beyond Black, Brown and White (U Minnesota Press, 2026) is an ethnography of Islamic Relief (IR), the largest Islamic NGO based in the West. Racializing the Ummah explores how a Muslim organization can do good in a world that defines Muslimness as less than human. Rooted in more than a decade of international research, Rhea Rahman's study on the organization's projects, methods, and limitations reveals how racial capitalism permeates all aspects of humanitarianism. Beginning with a counterhistory of Muslims in the United Kingdom following World War II, Rahman analyzes IR's mission and transnational activities in and across places including the UK, South Africa, and Mali in the broader context of global white supremacy. She shows how IR's approaches often effectively secularize Islam to evade anti-Muslim racism and Islamophobia, implicating concepts such as the “good” Muslim aid worker, who complies with War on Terror surveillance while attending to victims of Western colonialism. Meanwhile, Rahman theorizes the tactics of aid workers on the ground, who creatively draw on an Islamic Black radical tradition to drive real change. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

Racializing the Ummah: Muslim Humanitarians Beyond Black, Brown and White (U Minnesota Press, 2026) is an ethnography of Islamic Relief (IR), the largest Islamic NGO based in the West. Racializing the Ummah explores how a Muslim organization can do good in a world that defines Muslimness as less than human. Rooted in more than a decade of international research, Rhea Rahman's study on the organization's projects, methods, and limitations reveals how racial capitalism permeates all aspects of humanitarianism. Beginning with a counterhistory of Muslims in the United Kingdom following World War II, Rahman analyzes IR's mission and transnational activities in and across places including the UK, South Africa, and Mali in the broader context of global white supremacy. She shows how IR's approaches often effectively secularize Islam to evade anti-Muslim racism and Islamophobia, implicating concepts such as the “good” Muslim aid worker, who complies with War on Terror surveillance while attending to victims of Western colonialism. Meanwhile, Rahman theorizes the tactics of aid workers on the ground, who creatively draw on an Islamic Black radical tradition to drive real change. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

Racializing the Ummah: Muslim Humanitarians Beyond Black, Brown and White (U Minnesota Press, 2026) is an ethnography of Islamic Relief (IR), the largest Islamic NGO based in the West. Racializing the Ummah explores how a Muslim organization can do good in a world that defines Muslimness as less than human. Rooted in more than a decade of international research, Rhea Rahman's study on the organization's projects, methods, and limitations reveals how racial capitalism permeates all aspects of humanitarianism. Beginning with a counterhistory of Muslims in the United Kingdom following World War II, Rahman analyzes IR's mission and transnational activities in and across places including the UK, South Africa, and Mali in the broader context of global white supremacy. She shows how IR's approaches often effectively secularize Islam to evade anti-Muslim racism and Islamophobia, implicating concepts such as the “good” Muslim aid worker, who complies with War on Terror surveillance while attending to victims of Western colonialism. Meanwhile, Rahman theorizes the tactics of aid workers on the ground, who creatively draw on an Islamic Black radical tradition to drive real change. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Fiction that imagines alternate futures is often associated with the left — with writers like Octavia Butler and Ursula LeGuin. But the tropes of science fiction are well-suited to the right and, as Jordan Carroll illustrates, far right authors and aficionados have populated the ranks of speculative fiction since its inception, like ardent science fiction fan and neo-Nazi party founder James Madole. Carroll discusses the right's ongoing fight to claim the future. Jordan S. Carroll, Speculative Whiteness: Science Fiction and the Alt-Right University of Minnesota Press, 2024 Photo by Robynne O on Unsplash The post Science Fiction and the Far Right appeared first on KPFA.

Rodrigo Nunes on ecologies of organization and democratic transformation.   Shownotes Rodrigo Nunes Dr. Rodrigo Guimaraes Nunes at the University of Essex: https://www.essex.ac.uk/people/NUNES97805/Rodrigo-Guimaraes%20Nunes Rodrigo Nunes at the Pontifical Catholic University of Rio de Janeiro (PUC-Rio): http://www.fil.puc-rio.br/o-departamento/corpo-docente/rodrigo-guimaraes-nunes/ Nunes, R. (2025). Neither Vertical nor Horizontal. A Theory of Political Organization. Verso.  https://www.versobooks.com/products/772-neither-vertical-nor-horizontal Nunes, R. (forthcoming, October 2026). Anatomy of Disintegration. What Brazil Reveals About the Global Far Right. HaymarketBooks.  https://www.haymarketbooks.org/books/2881-anatomy-of-disintegration on ‘fidelity' by Alain Badiou:  Badious, A. (1988-2022). Being and Event I-III.  https://www.bloomsbury.com/uk/being-and-event-9781472511065/ on the Russian revolution:    https://www.britannica.com/event/Russian-Revolution on Democracia Real Ya!: http://www.democraciarealya.org.es/ on Juventud Sin Futuro:  https://www.youtube.com/user/JuventudSINFuturo/videos on Complexity Theory, Chaos Theory and Non-Linear Dynamic Systems: https://www.sciencedirect.com/topics/social-sciences/complexity-theory https://www.sciencedirect.com/topics/earth-and-planetary-sciences/chaos-theory Lorenz, E. N. (1975). Predictability: Does the Flap of a Butterfly's Wings in Brazil set off a Tornado in Texas?  https://drive.google.com/file/d/1wSIvtZQaoMHrKUImVBH5gqn303JX0M5n/view?usp=sharing Italian Communist Party ‘Partito Comunista Italiano (PCI):'  https://ilpartitocomunista.it/ on Circolo ARCI: https://www.arci.it/ further reading on (Italian) communist history:  Magri, L. (2019). The Tailor of Ulm: A History of Communism. Verso.  https://www.versobooks.com/products/2211-the-tailor-of-ulm?srsltid=AfmBOor6D6hcoIOngJTTcfkoWSV8uvd9Ej3goiOtBlD6rkgWEqs3Zkcg on ‘Autonomia Operaia' and the Autonomist movement in Italy in the 70s:  Wright, S. (2017). Storming Heaven. Class Composition and Struggle in Italian Autonomist Marxism.  https://www.plutobooks.com/product/storming-heaven/ on potentia/potestas see Chapter 1 ‘Towards a Theory of Political Organisation' of Rodrigo's book:  Nunes, R. (2025). Neither Vertical nor Horizontal. A Theory of Political Organization. Verso.  https://www.versobooks.com/products/772-neither-vertical-nor-horizontal on Lotta Continua and Potere Operaio: https://en.wikipedia.org/wiki/Lotta_Continua https://en.wikipedia.org/wiki/Potere_Operaio on Partito Democratico:  https://partitodemocratico.it/ Deleuze, G. & Guattari, F. (1983). Anti-Oedipus: Capitalism and Schizophrenia. University of Minnesota Press.  https://www.abebooks.com/9780816612253/Anti-Oedipus-Capitalism-Schizophrenia-Deleuze-Gilles-0816612250/plp Wright, E. O. (2010). Envisioning Real Utopias. Verso Books.  https://www.versobooks.com/en-gb/products/2143-envisioning-real-utopias?srsltid=AfmBOooibKTSQ_s7NTVZJ1Bvex4_8PNRx1KiVQV6nq6nEKRQZ6XA9PXP Related Episodes of Future Histories S04E01 | Yousaf Nishat-Botero on Ecologies of Planning and Metabolic Municipalism https://www.futurehistories.today/episoden-blog/s04/e01-yousaf-nishat-botero-on-ecologies-of-planning-and-metabolic-municipalism/ S03E59 | Cédric Durand on Ecological Planning  https://www.futurehistories.today/episoden-blog/s03/e59-cedric-durand-on-ecological-planning/ S03E52 | Alexander Neupert-Doppler zu Kairos und Verbindender Organisation  https://www.futurehistories.today/episoden-blog/s03/e52-alexander-neupert-doppler-zu-kairos-und-verbindender-organisation/ S03E51 | Aaron Benanav - Beyond Capitalism II  https://www.futurehistories.today/episoden-blog/s03/e51-aaron-benanav-beyond-capitalism-ii/ S03E50 | Aaron Benanav - Beyond Capitalism I  https://www.futurehistories.today/episoden-blog/s03/e50-aaron-benanav-beyond-capitalism-i/ S03E42 | Rüdiger Haude und Thomas Wagner zu Herrschaftsfreien Institutionen https://www.futurehistories.today/episoden-blog/s03/e42-ruediger-haude-und-thomas-wagner-zu-herrschaftsfreien-institutionen/ S03E40 | Jan Overwijk on Cybernetic Capitalism and Critical Systems Theory  https://www.futurehistories.today/episoden-blog/s03/e40-jan-overwijk-on-cybernetic-capitalism-and-critical-systems-theory/ S02E44 | Evgeny Morozov on Discovery Beyond Competition  https://www.futurehistories.today/episoden-blog/s02/e44-evgeny-morozov-on-discovery-beyond-competition/ S01E58 | Jasper Bernes on Planning and Anarchy  https://www.futurehistories.today/episoden-blog/s01/e58-jasper-bernes-on-planning-and-anarchy/ Future Histories Contact & Support If you like Future Histories, please consider supporting us on Patreon: https://www.patreon.com/join/FutureHistories Contact: office@futurehistories.today Instagram: https://www.instagram.com/futurehpodcast/ Mastodon: https://mstdn.social/@FutureHistories English webpage: https://futurehistories-international.com Episode Keywords #RodrigoNunes #JanGroos, #Interview, #UniversityofEssex, #FutureHistoriesInternational, #FutureHistories, #Organization, #Systems, #Capitalism, #Ecology, #Future, #CollectiveOrganization, #Power, #PoliticalParties, #Movements, #PlanetaryCrisis, #PoliticalOrganization, #Cybernetics, #NetworkTheory, #Leadership, #Democracy, #Strategy    

This episode engages with Glen Coulthard's 2014 book Red Skin, White Masks: Rejecting the Colonial Politics of Recognition. Coulthard weaves a rich and varied tradition of radical Indigenous thought and practice with Marxism and the anti-colonial thought of Frantz Fanon into a distinctive vision of emancipation. Together, we interrogate his claims that dispossession rather than exploitation, or the expropriation of land rather than the expropriation of labour, constitutes the paradigmatic mode of domination for colonized peoples. More than anything, we contend with the notion that state ‘recognition' is not only insufficient, but inimical to the kind of emancipatory Indigenous politics Coulthard envisions.  leftofphilosophy.com | @leftofphil | @leftofphilosophy.bsky.social References:Glen Sean Coulthard, Red Skin, White Masks: Rejecting the Colonial Politics of Recognition (Minneapolis: University of Minnesota Press, 2014).Music:“Vintage Memories” by Schematist | schematist.bandcamp.com“My Space” by Overu | https://get.slip.stream/KqmvAN

Tracing the cultural history of play--from Fluxus to SimCity Games and gamified activities have become ubiquitous in many adults' lives, and play is widely valued for fostering creativity, community, growth, and empathy. But how did we come to our current understanding of what it means to play? The Impossible Reversal: A History of How We Play charts the transformation of notions of playfulness beginning in the second half of the twentieth century, when a legion of artists, academics, and engineers developed new ways of theorizing, structuring, and designing ludic activity. Through examples ranging from experimental Fluxus games to corporate role-playing exercises and from the Easy Bake Oven to Tetris, The Impossible Reversal presents four styles of playfulness characteristic of the "era of designed play": the impossible reversal, which puts a player in a seemingly hopeless scenario they must upend with a tiny gesture; expending the secret, which involves silly rules that gain an obscure power and require players to embrace failure; simulated freedom, a satiric criticism of the ordinary world; and oblique repetition, a way of playing that stumbles toward unimaginable outcomes through simple, meaningless, and endlessly iterated acts. A unique genealogical account of play as both concept and practice, The Impossible Reversal illuminates how playfulness became essential for understanding cultural, technical, and economic production in the United States. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions. Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master's degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, and is editor of the weekly game research newsletter Game Studies Watchlist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Tracing the cultural history of play--from Fluxus to SimCity Games and gamified activities have become ubiquitous in many adults' lives, and play is widely valued for fostering creativity, community, growth, and empathy. But how did we come to our current understanding of what it means to play? The Impossible Reversal: A History of How We Play charts the transformation of notions of playfulness beginning in the second half of the twentieth century, when a legion of artists, academics, and engineers developed new ways of theorizing, structuring, and designing ludic activity. Through examples ranging from experimental Fluxus games to corporate role-playing exercises and from the Easy Bake Oven to Tetris, The Impossible Reversal presents four styles of playfulness characteristic of the "era of designed play": the impossible reversal, which puts a player in a seemingly hopeless scenario they must upend with a tiny gesture; expending the secret, which involves silly rules that gain an obscure power and require players to embrace failure; simulated freedom, a satiric criticism of the ordinary world; and oblique repetition, a way of playing that stumbles toward unimaginable outcomes through simple, meaningless, and endlessly iterated acts. A unique genealogical account of play as both concept and practice, The Impossible Reversal illuminates how playfulness became essential for understanding cultural, technical, and economic production in the United States. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions. Rudolf Thomas Inderst (*1978) enjoys video games since 1985. He received a master's degree in political science, American cultural studies as well as contemporary and recent history from Ludwig-Maximilians-University, Munich and holds two PhDs in game studies (LMU & University of Passau). Currently, he's teaching as a professor for game design and game studies at the HNU University of Applied Sciences Neu-Ulm, Germany, holds the position as lead editor at the online journal Titel kulturmagazin for the game section, and is editor of the weekly game research newsletter Game Studies Watchlist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Episode Overview In the third instalment of our series on famine and revolution, we pull away the veil of headline numbers to investigate the visceral, human reality of the Great Hunger in Ireland. This is an exploration of a land filling with desperation, where the brutal biological mechanics of what happens when the human body begins to consume itself take centre stage. We examine the fate of a terrified people, facing ruin triggered by a disease that wreaked havoc on already weak economies. From the folklore of the Fear Gorta to the harrowing clinical reports of the era, this episode explores how a society is transformed when it is blindsided by biological disaster and administrative indifference. Key Topics Covered: The Information Vacuum: Comparing our modern “Ocean of Information” to the terrifying silence of the 1840s, where the sickly sweet smell of rot was a mystery without an immediate answer. The Folklore of Famine: Why stories like Hansel and Gretel and the Navajo Dine Bahane carry the genetic memory of starvation, and the specific Irish harbinger of death: the Fear Gorta. The Structural Cage: A deep dive into the Rundale system and Gavelkind inheritance. We look at why the West was trapped in a cycle of subdivision while Ulster was shielded by the “Linen Shield” and Tenant Right. The Biology of Starvation: Using modern metabolic science and contemporary medical records to explain the “Blue Nose,” the “Sunken Orbit,” and the terrifying reality of Autophagy—the body cannibalising its own architecture. The Refeeding Trap: The physiological reason why a crust of bread could become a death sentence for a heart shrunken by atrophy. Conspicuous Consumption: The stark contrast between the “Workhouse Swineries” and the elite social calendar, including the dinner menus of the Cork Harbour Regatta. The Gregory Clause: How a single piece of legislation—the Quarter-Acre Clause—was used to engineer the clearances and force the starving into homelessness. The Ledger of the Dead: Analysis of the 1851 Census and the 20–25% demographic erasure that redefined Ireland forever. SOURCES Historical Research & Modern Analysis Delaney, Enda. (2020, December). “‘There But For The Grace of God Go I': Middle-Class Catholic Responses to Ireland's Great Famine.” The English Historical Review, Vol. 135, No. 577, pp. 1433–1460. Donnelly, James S., Jr. (2002). The Great Irish Potato Famine. Stroud: Sutton Publishing. Guinnane, Timothy W. (1994). “The Great Irish Famine and Population: The Long View.” The American Economic Review, Vol. 84, no. 2, pp. 303–08. Ó Gráda, Cormac. (2013, March). “Eating people is wrong: Famine’s darkest secret?” UCD Centre for Economic Research, Working Paper No. WP13/02. O'Riordan, Edmund. (2018, May/June). “‘Every Delicacy of the Season'—Conspicuous Consumption During the Great Hunger.” History Ireland, Vol. 26, No. 3, pp. 26–29. Poirteir, Cathal (Ed.). (1999). The Great Irish Famine. Dublin: Mercier Press. Woodham-Smith, Cecil. (1962). The Great Hunger: Ireland 1845–1849. London: Hamish Hamilton. Guinnane, Timothy W. “The Great Irish Famine and Population: The Long View.” The American Economic Review, vol. 84, no. 2, 1994, pp. 303–08. JSTOR, http://www.jstor.org/stable/2117848. Accessed 31 Mar. 2026 Scientific & Medical Analysis of Starvation Anabtawi, O., & Valente, B. (2025, August 12). “The science of starvation: This is what happens to your body when it's deprived of food.” The Conversation. Donovan, Daniel. (1848). “Observations on the Peculiar Diseases to Which the Famine of Last Year Gave Origin.” Dublin Medical Press. Keys, Ancel, et al. (1950). The Biology of Human Starvation. University of Minnesota Press. (References derived from the Minnesota Starvation Experiment). Primary Documents & Government Records Devon Commission. (1845). Report from Her Majesty’s Commissioners of Inquiry into the State of the Law and Practice in respect to the Occupation of Land in Ireland. Hansard Parliamentary Debates. (1849). HL Deb 15 June 1849 vol 106 cc285-300. (Correspondence of the Earl of Clancarty regarding Ballinasloe). O’Rourke, Canon John. (1875). The History of the Great Irish Famine of 1847. Ridgway, James. (1847). The Irish Relief Measures, Past and Future. Regional Studies & Files Best, Barbara. (2025). “Local Female Orphans and The Earl Grey Scheme 1848-1850.” Tobin, J. “The Famine in Ballyduff and the evictions of Arthur Usher Kiely.” Ballyduff Archive. University College Dublin. (2024). “Hansel and Gretel's famine folklore origins.” The Cambridge Group for the History of Population and Social Structure. Folklore & Cultural Context Dine Bahane. Navajo creation mythology regarding resource scarcity and survival. Fear Gorta (The Hungry Man). Traditional Irish folklore regarding the personification of hunger. Yoruba Mythology. Oral traditions regarding the “Leopards Famine.” The post EP068 WHEN HUNGER WALKS THE LAND appeared first on AGE OF VICTORIA PODCAST.

An expansive treatise on the power relations that govern our movement The Citizen and the Vagabond: A Politics of Mobility (U Minnesota Press, 2026) develops a theoretical approach to the study of mobility and its relationship to the production, maintenance, and transformation of social and cultural hierarchies. Expanding upon his foundational work on the subject, Tim Cresswell examines human movement from around the globe to better understand the various forms of inequality and injustice that shape our lives. Establishing a framework for movement in terms of rhythm, speed, routes, and friction, Cresswell extends these themes to address the Covid-19 pandemic and subsequent lockdowns, exploring what this turbulent period reveals to us about the politics of mobility. He demonstrates that while flexibility and ease of movement are typically considered markers of personal freedom, increased mobility brings with it new modes of control and surveillance. As he investigates the hierarchies and embodied experiences that emerge amid these tensions, Cresswell employs two figures: the citizen, whose mobility within and across borders is expected and accepted, and the vagabond, whose perpetual mobility is deemed suspect and in need of ordering. An interdisciplinary intervention into the study of mobility and citizenship, The Citizen and the Vagabond provides a new set of coordinates from which to grasp the shifting dynamics of movement and power. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

An expansive treatise on the power relations that govern our movement The Citizen and the Vagabond: A Politics of Mobility (U Minnesota Press, 2026) develops a theoretical approach to the study of mobility and its relationship to the production, maintenance, and transformation of social and cultural hierarchies. Expanding upon his foundational work on the subject, Tim Cresswell examines human movement from around the globe to better understand the various forms of inequality and injustice that shape our lives. Establishing a framework for movement in terms of rhythm, speed, routes, and friction, Cresswell extends these themes to address the Covid-19 pandemic and subsequent lockdowns, exploring what this turbulent period reveals to us about the politics of mobility. He demonstrates that while flexibility and ease of movement are typically considered markers of personal freedom, increased mobility brings with it new modes of control and surveillance. As he investigates the hierarchies and embodied experiences that emerge amid these tensions, Cresswell employs two figures: the citizen, whose mobility within and across borders is expected and accepted, and the vagabond, whose perpetual mobility is deemed suspect and in need of ordering. An interdisciplinary intervention into the study of mobility and citizenship, The Citizen and the Vagabond provides a new set of coordinates from which to grasp the shifting dynamics of movement and power. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

An expansive treatise on the power relations that govern our movement The Citizen and the Vagabond: A Politics of Mobility (U Minnesota Press, 2026) develops a theoretical approach to the study of mobility and its relationship to the production, maintenance, and transformation of social and cultural hierarchies. Expanding upon his foundational work on the subject, Tim Cresswell examines human movement from around the globe to better understand the various forms of inequality and injustice that shape our lives. Establishing a framework for movement in terms of rhythm, speed, routes, and friction, Cresswell extends these themes to address the Covid-19 pandemic and subsequent lockdowns, exploring what this turbulent period reveals to us about the politics of mobility. He demonstrates that while flexibility and ease of movement are typically considered markers of personal freedom, increased mobility brings with it new modes of control and surveillance. As he investigates the hierarchies and embodied experiences that emerge amid these tensions, Cresswell employs two figures: the citizen, whose mobility within and across borders is expected and accepted, and the vagabond, whose perpetual mobility is deemed suspect and in need of ordering. An interdisciplinary intervention into the study of mobility and citizenship, The Citizen and the Vagabond provides a new set of coordinates from which to grasp the shifting dynamics of movement and power. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography

Smell is a vital, if underappreciated, medium through which we inhabit and imagine the world. In Olfactory Worldmaking (University of Minnesota Press, 2026), Dr. Hsuan L. Hsu traces how olfactory experience communicates across visceral, material, and affective registers to offer new ways of relating, which challenge the extractive logics of racial and colonial capitalism. Blending environmental humanities, sensory studies, and critical ethnic studies, the book highlights how scent animates suppressed histories and marginalized memories. Dr. Hsu theorizes olfaction as a speculative, reparative practice. Examining projects from historical novels, memoirs, and speculative fiction to conceptual art and experimental perfumes, he reveals how these works mobilize scent to imagine alternative ways of sensing, relating, and creating more equitably livable worlds. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Smell is a vital, if underappreciated, medium through which we inhabit and imagine the world. In Olfactory Worldmaking (University of Minnesota Press, 2026), Dr. Hsuan L. Hsu traces how olfactory experience communicates across visceral, material, and affective registers to offer new ways of relating, which challenge the extractive logics of racial and colonial capitalism. Blending environmental humanities, sensory studies, and critical ethnic studies, the book highlights how scent animates suppressed histories and marginalized memories. Dr. Hsu theorizes olfaction as a speculative, reparative practice. Examining projects from historical novels, memoirs, and speculative fiction to conceptual art and experimental perfumes, he reveals how these works mobilize scent to imagine alternative ways of sensing, relating, and creating more equitably livable worlds. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Smell is a vital, if underappreciated, medium through which we inhabit and imagine the world. In Olfactory Worldmaking (University of Minnesota Press, 2026), Dr. Hsuan L. Hsu traces how olfactory experience communicates across visceral, material, and affective registers to offer new ways of relating, which challenge the extractive logics of racial and colonial capitalism. Blending environmental humanities, sensory studies, and critical ethnic studies, the book highlights how scent animates suppressed histories and marginalized memories. Dr. Hsu theorizes olfaction as a speculative, reparative practice. Examining projects from historical novels, memoirs, and speculative fiction to conceptual art and experimental perfumes, he reveals how these works mobilize scent to imagine alternative ways of sensing, relating, and creating more equitably livable worlds. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Smell is a vital, if underappreciated, medium through which we inhabit and imagine the world. In Olfactory Worldmaking (University of Minnesota Press, 2026), Dr. Hsuan L. Hsu traces how olfactory experience communicates across visceral, material, and affective registers to offer new ways of relating, which challenge the extractive logics of racial and colonial capitalism. Blending environmental humanities, sensory studies, and critical ethnic studies, the book highlights how scent animates suppressed histories and marginalized memories. Dr. Hsu theorizes olfaction as a speculative, reparative practice. Examining projects from historical novels, memoirs, and speculative fiction to conceptual art and experimental perfumes, he reveals how these works mobilize scent to imagine alternative ways of sensing, relating, and creating more equitably livable worlds. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The Inattention Economy: How Women of Color Built the Internet (U Minnesota Press, 2026) by Dr. Lisa Nakamura challenges the widespread myth that the internet was born from the labor of a handful of white male entrepreneurs, recovering the uncredited and unpaid contributions of women of color. Focusing on three key inflection points in computing—the microchip era of the 1960s and '70s, the rise of social media in the 2000s, and A.I.-fueled virtual reality in the 2020s—Dr. Nakamura illuminates these women's instrumental roles in building new technologies and making them coherent to users. From the Navajo women who manufactured the first semiconductor circuits in New Mexico to Tila Tequila, the queer Vietnamese American refugee who became the first true internet influencer in the MySpace age, to Black virtual reality creators, Dr. Nakamura highlights how women's gendered and racialized identities have uniquely positioned them to mediate the development and proliferation of new technologies. She exposes how these women have been structurally excluded from racial capitalism's benefits while their labor is considered as exploitable and inexhaustible as that of machines. Confronting this injustice, she focuses our attention on their work, which undergirds and makes possible the platforms ingrained in our daily lives. Arguing for both recognition and material compensation for these women's labor, The Inattention Economy is a powerful counterhistory of Silicon Valley and a persuasive call to imagine a different kind of internet. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The Inattention Economy: How Women of Color Built the Internet (U Minnesota Press, 2026) by Dr. Lisa Nakamura challenges the widespread myth that the internet was born from the labor of a handful of white male entrepreneurs, recovering the uncredited and unpaid contributions of women of color. Focusing on three key inflection points in computing—the microchip era of the 1960s and '70s, the rise of social media in the 2000s, and A.I.-fueled virtual reality in the 2020s—Dr. Nakamura illuminates these women's instrumental roles in building new technologies and making them coherent to users. From the Navajo women who manufactured the first semiconductor circuits in New Mexico to Tila Tequila, the queer Vietnamese American refugee who became the first true internet influencer in the MySpace age, to Black virtual reality creators, Dr. Nakamura highlights how women's gendered and racialized identities have uniquely positioned them to mediate the development and proliferation of new technologies. She exposes how these women have been structurally excluded from racial capitalism's benefits while their labor is considered as exploitable and inexhaustible as that of machines. Confronting this injustice, she focuses our attention on their work, which undergirds and makes possible the platforms ingrained in our daily lives. Arguing for both recognition and material compensation for these women's labor, The Inattention Economy is a powerful counterhistory of Silicon Valley and a persuasive call to imagine a different kind of internet. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Inattention Economy: How Women of Color Built the Internet (U Minnesota Press, 2026) by Dr. Lisa Nakamura challenges the widespread myth that the internet was born from the labor of a handful of white male entrepreneurs, recovering the uncredited and unpaid contributions of women of color. Focusing on three key inflection points in computing—the microchip era of the 1960s and '70s, the rise of social media in the 2000s, and A.I.-fueled virtual reality in the 2020s—Dr. Nakamura illuminates these women's instrumental roles in building new technologies and making them coherent to users. From the Navajo women who manufactured the first semiconductor circuits in New Mexico to Tila Tequila, the queer Vietnamese American refugee who became the first true internet influencer in the MySpace age, to Black virtual reality creators, Dr. Nakamura highlights how women's gendered and racialized identities have uniquely positioned them to mediate the development and proliferation of new technologies. She exposes how these women have been structurally excluded from racial capitalism's benefits while their labor is considered as exploitable and inexhaustible as that of machines. Confronting this injustice, she focuses our attention on their work, which undergirds and makes possible the platforms ingrained in our daily lives. Arguing for both recognition and material compensation for these women's labor, The Inattention Economy is a powerful counterhistory of Silicon Valley and a persuasive call to imagine a different kind of internet. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

The Inattention Economy: How Women of Color Built the Internet (U Minnesota Press, 2026) by Dr. Lisa Nakamura challenges the widespread myth that the internet was born from the labor of a handful of white male entrepreneurs, recovering the uncredited and unpaid contributions of women of color. Focusing on three key inflection points in computing—the microchip era of the 1960s and '70s, the rise of social media in the 2000s, and A.I.-fueled virtual reality in the 2020s—Dr. Nakamura illuminates these women's instrumental roles in building new technologies and making them coherent to users. From the Navajo women who manufactured the first semiconductor circuits in New Mexico to Tila Tequila, the queer Vietnamese American refugee who became the first true internet influencer in the MySpace age, to Black virtual reality creators, Dr. Nakamura highlights how women's gendered and racialized identities have uniquely positioned them to mediate the development and proliferation of new technologies. She exposes how these women have been structurally excluded from racial capitalism's benefits while their labor is considered as exploitable and inexhaustible as that of machines. Confronting this injustice, she focuses our attention on their work, which undergirds and makes possible the platforms ingrained in our daily lives. Arguing for both recognition and material compensation for these women's labor, The Inattention Economy is a powerful counterhistory of Silicon Valley and a persuasive call to imagine a different kind of internet. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

What would it mean to disentangle humanities scholarship from combative, extractive, and colonial ways of knowing and writing? This is the question that animates Quiet Methodologies: Humility in the Humanities (U Minnesota Press), the latest book by literary scholar and poet Suzanne Bost. Quiet Methodologies isn't a traditional work of literary scholarship. Instead, the book reaches toward alternative ways of thinking with and teaching literature, grounded in speculation and conversation. It models a quiet kind of humanities work, committed not to asserting answers but to asking questions, not to claiming mastery but to embracing uncertainty. For all its quietness, then, Quiet Methodologies is a bold and challenging work. Speaking to a moment of crisis within and beyond the academy, its provocations and explorations will be of interest to scholars and students working across humanities disciplines. In conversation with Alix Beeston, Bost shares about the literary archives and scholarly works that helped her to unlearn scholarly conventions. She sets out her vision for reimagining humanities labor in terms of ethical responsibility, receptiveness, care—and even, perhaps, love. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Welcome back, loves!The male gaze didn't begin with film, it was already centuries old by the time cameras appeared. In this episode, I trace how powerful patrons, religious institutions and elite collectors shaped beauty standards through the paintings they commissioned. From reclining Venuses to carefully staged portraits, these images didn't just depict women, they trained viewers how to look at them. But when women finally entered the art world and began painting themselves and each other, the visual language started to shift.By the end of the episode, you may never look at a painting, a movie scene, or even your own camera roll quite the same way again.Are. You. Ready?****************Sources & Further Reading:The Civil Contract of Photography, Ariella Aïsha Azoulay. 2008. Zone Books.Negotiating the Female Body in Art, Elisabeth Bronfen. 1998. University of Chicago Press.Women, Art, and Society, Whitney Chadwick. 1990. Thames & Hudson.Why Love Hurts, Eva Illouz. 2012. Polity Press.The Painting of Modern Life, T. J. Clark. 1985. Princeton University Press.The Will to Change: Men, Masculinity, and Love, bell hooks. 2004. Atria Books.Ways of Seeing, John Berger. 1972. Penguin Books.Museum Frictions, Ivan Karp & Corinne A. Kratz (eds.). 2006. Duke University Press.Women, Art, and Power, Linda Nochlin. 1988. Harper & Row.Old Mistresses: Women, Art, and Ideology, Rozsika Parker & Griselda Pollock. 1981. Routledge & Kegan Paul.Vision and Difference, Griselda Pollock. 1988. Routledge.The Burden of Representation, John Tagg. 1988. University of Minnesota Press.Visual and Other Pleasures, Laura Mulvey. 1989. Palgrave Macmillan.Gender and Art, Gill Perry. 1999. Yale University Press.Cold Intimacies, Eva Illouz. 2007. Polity Press.Art and Agency, Alfred Gell. 1998. Oxford University Press.The Linda Nochlin Reader, Linda Nochlin (ed. by Maura Reilly). 2015. Thames & Hudson.The Guerrilla Girls' Bedside Companion to the History of Western Art, Guerrilla Girls. 1998. Penguin Books.****************Peer-Reviewed Articles & Theoretical EssaysNochlin, Linda. “Why Have There Been No Great Women Artists?” 1971. ARTnews.Pollock, Griselda. “Feminist Interventions in the Histories of Art.” 1988. Various academic journals.Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” 1975. Screen.****************Paintings Mentioned:Venus of Urbino — TitianLa Fornarina — RaphaelPortrait of Eleonora di Toledo with Her Son — Agnolo BronzinoThe Arnolfini Portrait — Jan van EyckGinevra de' Benci — Leonardo da VinciPortrait of Agnolo and Maddalena Doni — RaphaelThe Birth of Venus — Sandro BotticelliDanaë — TitianDanaë — Jean-François de TroySusanna and the Elders — TintorettoGrande Odalisque — IngresLa Maja Desnuda — Francisco GoyaGirl with a Pearl Earring — VermeerThe Three Graces — RubensDiana Leaving the Bath (representing Boucher's mythological nudes)Self‑Portrait as the Allegory of Painting — Artemisia GentileschiSelf‑Portrait with Her Daughter Julie — Élisabeth Vigée Le BrunSelf‑Portrait — Judith LeysterThe Child's Bath — Mary CassattWoman at Her Toilette — Berthe MorisotThe Chess Game — Sofonisba Anguissola****************Leave Us a 5* Rating, it helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on TikTok & Subscribe to our YouTube Channel!YouTube:@beautyunlockedspodcasthourTikTok:tiktok.com/@beautyunlockedthepod****************Intro/Outro Music:“Fame Inc” by Savvier — https://icons8.com/music

What does it mean to feel outclassed by your own creations? In this episode, host Craig is joined by Christopher John Müller, translator and co-editor of the new University of Minnesota Press edition of Günther Anders' The Obsolescence of the Human, and Penn State Philosophy Professor Nicholas de Warren, to explore the life and work of one of the twentieth century's most prescient and overlooked thinkers. Together, we unpack Anders' core concepts, including Promethean shame, the phantom world of mass media, and the shadow of nuclear annihilation, tracing their remarkable relevance to our present age of AI, algorithmic frictionlessness, and digital spectacle.Buy the book: https://www.upress.umn.edu/9781517912659/the-obsolescence-of-the-human/Support the showSupport the podcast:AHRCCurrent classes at Acid Horizon Research Commons (AHRC): acidhorizonresearchcommons.comAHRC Course Archive: https://www.acidhorizonpodcast.com/ahrc-course-archivesSubmit your course proposal: acidhorizonresearchcommons@gmail.comMore LinksWebsite: https://www.acidhorizonpodcast.com/Linktree: https://linktr.ee/acidhorizonAcid Horizon on Patreon: https://www.patreon.com/acidhorizonpodcast Boycott Watkins Media: https://xenogothic.com/2025/03/17/boycott-watkins-statement/ Subscribe to us on your favorite podcast: https://pod.link/1512615438Merch: http://www.crit-drip.comSubscribe to us on your favorite podcast platform: https://pod.link/1512615438 LEPHT HAND: https://www.patreon.com/LEPHTHANDHappy Hour at Hippel's (Adam's blog): https://happyhourathippels.wordpress.com​Split Infinities (Craig's Substack): https://splitinfinities.substack.com/​Music: https://sereptie.bandcamp.com/ and https://thecominginsurrection.bandcamp.com/