Podcasts about minnesota press

Charles J. Stivale (Distinguished Professor Emeritus, Wayne State University) and Dan Smith (Professor of Philosophy, Purdue University) join me to discuss: Deleuze, Gilles. 2025. On Painting. Edited by David Lapoujade, translated by Charles J. Stivale. Minneapolis: University of Minnesota Press. Although Charles is the translator of this New Book, he has been working with Dan for years on The Deleuze Seminars (website here). Dan is also the translator of Deleuze's Francis Bacon: The Logic of Sensation, which Deleuze published shortly after giving this seminar. I thank Charles for bringing him in to contribute to our discussion! From the inside flap: “ ” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Available for the first time in English: the complete and annotated transcripts of Deleuze's 1981 seminars on paintingFrom 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze's thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Charles J. Stivale (Distinguished Professor Emeritus, Wayne State University) and Dan Smith (Professor of Philosophy, Purdue University) join me to discuss: Deleuze, Gilles. 2025. On Painting. Edited by David Lapoujade, translated by Charles J. Stivale. Minneapolis: University of Minnesota Press. Although Charles is the translator of this New Book, he has been working with Dan for years on The Deleuze Seminars (website here). Dan is also the translator of Deleuze's Francis Bacon: The Logic of Sensation, which Deleuze published shortly after giving this seminar. I thank Charles for bringing him in to contribute to our discussion! From the inside flap: “ ” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Available for the first time in English: the complete and annotated transcripts of Deleuze's 1981 seminars on paintingFrom 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze's thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Charles J. Stivale (Distinguished Professor Emeritus, Wayne State University) and Dan Smith (Professor of Philosophy, Purdue University) join me to discuss: Deleuze, Gilles. 2025. On Painting. Edited by David Lapoujade, translated by Charles J. Stivale. Minneapolis: University of Minnesota Press. Although Charles is the translator of this New Book, he has been working with Dan for years on The Deleuze Seminars (website here). Dan is also the translator of Deleuze's Francis Bacon: The Logic of Sensation, which Deleuze published shortly after giving this seminar. I thank Charles for bringing him in to contribute to our discussion! From the inside flap: “ ” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Available for the first time in English: the complete and annotated transcripts of Deleuze's 1981 seminars on paintingFrom 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze's thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Charles J. Stivale (Distinguished Professor Emeritus, Wayne State University) and Dan Smith (Professor of Philosophy, Purdue University) join me to discuss: Deleuze, Gilles. 2025. On Painting. Edited by David Lapoujade, translated by Charles J. Stivale. Minneapolis: University of Minnesota Press. Although Charles is the translator of this New Book, he has been working with Dan for years on The Deleuze Seminars (website here). Dan is also the translator of Deleuze's Francis Bacon: The Logic of Sensation, which Deleuze published shortly after giving this seminar. I thank Charles for bringing him in to contribute to our discussion! From the inside flap: “ ” Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Available for the first time in English: the complete and annotated transcripts of Deleuze's 1981 seminars on paintingFrom 1970 until 1987, Gilles Deleuze held a weekly seminar at the Experimental University of Vincennes and, starting in 1980, at Saint-Denis. In the spring of 1981, he began a series of eight seminars on painting and its intersections with philosophy. The recorded sessions, newly transcribed and translated into English, are now available in their entirety for the first time. Extensively annotated by philosopher David Lapoujade, On Painting illuminates Deleuze's thinking on artistic creation, significantly extending the lines of thought in his book Francis Bacon.Through paintings and writing by Rembrandt, Delacroix, Turner, Cézanne, Van Gogh, Klee, Pollock, and Bacon, Deleuze explores the creative process, from chaos to the pictorial fact. The introduction and use of color feature prominently as Deleuze elaborates on artistic and philosophical concepts such as the diagram, modulation, code, and the digital and the analogical. Through this scrutiny, he raises a series of profound and stimulating questions for his students: How does a painter ward off grayness and attain color? What is a line without contour? Why paint at all?Written and thought in a rhizomatic manner that is thoroughly Deleuzian—strange, powerful, and novel—On Painting traverses both the conception of art history and the possibility of color as a philosophical concept. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production?  In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production?  In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Animals are staging a revolution—they're just not telling us. From radioactive boar invading towns to jellyfish disarming battleships, Animal Revolution (U Minnesota Press, 2022) threads together news accounts and more in a powerful and timely work of creative, speculative nonfiction that imagines a revolution stirring and asks how humans can be a part of it. If the coronavirus pandemic has taught us anything, it is that we should pay attention to how we bump up against animal worlds and how animals will push back. Animal Revolution is a passionate, provocative, cogent call for us to do so. Ron Broglio reveals how fur and claw and feather and fin are jamming the gears of our social machine. We can try to frame such disruptions as environmental intervention or through the lens of philosophy or biopolitics, but regardless the animals persist beyond our comprehension in reminding us that we too are part of an animal world. Animals see our technologies and machines as invasive beings and, in a nonlinguistic but nonetheless intensive mode of communicating with us, resist our attempts to control them and diminish their habitats. In doing so, they expose the environmental injustices and vulnerabilities in our systems. A witty, informative, and captivating work—at the juncture of posthumanism, animal studies, phenomenology, and environmental studies—Broglio reminds us of our inadequacy as humans, not our exceptionalism. Ron Broglio is professor of English, director of Desert Humanities, and associate director of the Institute for Humanities Research at Arizona State University. He is author or editor of several books, including Beasts of Burden: Biopolitics, Labor, and Animal Life and Surface Encounters: Thinking with Animals and Art. Callie Smith is a poet and a PhD candidate in English at the University of Louisiana at Lafayette. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production?  In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production?  In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Animals are staging a revolution—they're just not telling us. From radioactive boar invading towns to jellyfish disarming battleships, Animal Revolution (U Minnesota Press, 2022) threads together news accounts and more in a powerful and timely work of creative, speculative nonfiction that imagines a revolution stirring and asks how humans can be a part of it. If the coronavirus pandemic has taught us anything, it is that we should pay attention to how we bump up against animal worlds and how animals will push back. Animal Revolution is a passionate, provocative, cogent call for us to do so. Ron Broglio reveals how fur and claw and feather and fin are jamming the gears of our social machine. We can try to frame such disruptions as environmental intervention or through the lens of philosophy or biopolitics, but regardless the animals persist beyond our comprehension in reminding us that we too are part of an animal world. Animals see our technologies and machines as invasive beings and, in a nonlinguistic but nonetheless intensive mode of communicating with us, resist our attempts to control them and diminish their habitats. In doing so, they expose the environmental injustices and vulnerabilities in our systems. A witty, informative, and captivating work—at the juncture of posthumanism, animal studies, phenomenology, and environmental studies—Broglio reminds us of our inadequacy as humans, not our exceptionalism. Ron Broglio is professor of English, director of Desert Humanities, and associate director of the Institute for Humanities Research at Arizona State University. He is author or editor of several books, including Beasts of Burden: Biopolitics, Labor, and Animal Life and Surface Encounters: Thinking with Animals and Art. Callie Smith is a poet and a PhD candidate in English at the University of Louisiana at Lafayette. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production?  In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Animals are staging a revolution—they're just not telling us. From radioactive boar invading towns to jellyfish disarming battleships, Animal Revolution (U Minnesota Press, 2022) threads together news accounts and more in a powerful and timely work of creative, speculative nonfiction that imagines a revolution stirring and asks how humans can be a part of it. If the coronavirus pandemic has taught us anything, it is that we should pay attention to how we bump up against animal worlds and how animals will push back. Animal Revolution is a passionate, provocative, cogent call for us to do so. Ron Broglio reveals how fur and claw and feather and fin are jamming the gears of our social machine. We can try to frame such disruptions as environmental intervention or through the lens of philosophy or biopolitics, but regardless the animals persist beyond our comprehension in reminding us that we too are part of an animal world. Animals see our technologies and machines as invasive beings and, in a nonlinguistic but nonetheless intensive mode of communicating with us, resist our attempts to control them and diminish their habitats. In doing so, they expose the environmental injustices and vulnerabilities in our systems. A witty, informative, and captivating work—at the juncture of posthumanism, animal studies, phenomenology, and environmental studies—Broglio reminds us of our inadequacy as humans, not our exceptionalism. Ron Broglio is professor of English, director of Desert Humanities, and associate director of the Institute for Humanities Research at Arizona State University. He is author or editor of several books, including Beasts of Burden: Biopolitics, Labor, and Animal Life and Surface Encounters: Thinking with Animals and Art. Callie Smith is a poet and a PhD candidate in English at the University of Louisiana at Lafayette. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production?  In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The product of years of embedded fieldwork within Indigenous film crews in Northwestern Australia, Dreaming Down the Track: Awakenings in Aboriginal Cinema (U Minnesota Press, 2025) delves deeply into Aboriginal cinema as a transformative community process. It follows the social lives of projects throughout their production cycles, from planning and editing to screening, broadcasting, and after-images. Across its narrative sweep, this ethnography engages the film career of Kukatja elder Mark Moora to demonstrate the impact of filmmaking on how Aboriginal futures are collectively imagined and called forth. William Lempert highlights a series of awakenings through which Moora ultimately came to view cinema as a process for catalyzing his family's return to their home country of Mangkayi. This biographical media journey paints an intimate portrait of the inspiring possibilities and sobering limitations of Indigenous envisioning within settler states. Lempert traces how Moora's life and films convey a multiplicity of Aboriginal experiences across time and space, from colonial contact to contemporary life in communities like Balgo, including the continued governmental attempts to undermine them. Amid ongoing negotiations to establish the first treaties between Indigenous nations and Australian states, Dreaming Down the Track illustrates what is at stake in how Aboriginal–State relations are represented and understood, both within communities and for the broader public. Lempert stays true to Moora's insight that film can preserve community stories for generations to come, toward the aim of enacting sovereign futures. William Lempert is Osterweis Family Associate Professor of anthropology at Bowdoin College. His writing has been published in several journals, including Cultural Anthropology and American Indian Culture and Research Journal. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The product of years of embedded fieldwork within Indigenous film crews in Northwestern Australia, Dreaming Down the Track: Awakenings in Aboriginal Cinema (U Minnesota Press, 2025) delves deeply into Aboriginal cinema as a transformative community process. It follows the social lives of projects throughout their production cycles, from planning and editing to screening, broadcasting, and after-images. Across its narrative sweep, this ethnography engages the film career of Kukatja elder Mark Moora to demonstrate the impact of filmmaking on how Aboriginal futures are collectively imagined and called forth. William Lempert highlights a series of awakenings through which Moora ultimately came to view cinema as a process for catalyzing his family's return to their home country of Mangkayi. This biographical media journey paints an intimate portrait of the inspiring possibilities and sobering limitations of Indigenous envisioning within settler states. Lempert traces how Moora's life and films convey a multiplicity of Aboriginal experiences across time and space, from colonial contact to contemporary life in communities like Balgo, including the continued governmental attempts to undermine them. Amid ongoing negotiations to establish the first treaties between Indigenous nations and Australian states, Dreaming Down the Track illustrates what is at stake in how Aboriginal–State relations are represented and understood, both within communities and for the broader public. Lempert stays true to Moora's insight that film can preserve community stories for generations to come, toward the aim of enacting sovereign futures. William Lempert is Osterweis Family Associate Professor of anthropology at Bowdoin College. His writing has been published in several journals, including Cultural Anthropology and American Indian Culture and Research Journal. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

The product of years of embedded fieldwork within Indigenous film crews in Northwestern Australia, Dreaming Down the Track: Awakenings in Aboriginal Cinema (U Minnesota Press, 2025) delves deeply into Aboriginal cinema as a transformative community process. It follows the social lives of projects throughout their production cycles, from planning and editing to screening, broadcasting, and after-images. Across its narrative sweep, this ethnography engages the film career of Kukatja elder Mark Moora to demonstrate the impact of filmmaking on how Aboriginal futures are collectively imagined and called forth. William Lempert highlights a series of awakenings through which Moora ultimately came to view cinema as a process for catalyzing his family's return to their home country of Mangkayi. This biographical media journey paints an intimate portrait of the inspiring possibilities and sobering limitations of Indigenous envisioning within settler states. Lempert traces how Moora's life and films convey a multiplicity of Aboriginal experiences across time and space, from colonial contact to contemporary life in communities like Balgo, including the continued governmental attempts to undermine them. Amid ongoing negotiations to establish the first treaties between Indigenous nations and Australian states, Dreaming Down the Track illustrates what is at stake in how Aboriginal–State relations are represented and understood, both within communities and for the broader public. Lempert stays true to Moora's insight that film can preserve community stories for generations to come, toward the aim of enacting sovereign futures. William Lempert is Osterweis Family Associate Professor of anthropology at Bowdoin College. His writing has been published in several journals, including Cultural Anthropology and American Indian Culture and Research Journal. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

The product of years of embedded fieldwork within Indigenous film crews in Northwestern Australia, Dreaming Down the Track: Awakenings in Aboriginal Cinema (U Minnesota Press, 2025) delves deeply into Aboriginal cinema as a transformative community process. It follows the social lives of projects throughout their production cycles, from planning and editing to screening, broadcasting, and after-images. Across its narrative sweep, this ethnography engages the film career of Kukatja elder Mark Moora to demonstrate the impact of filmmaking on how Aboriginal futures are collectively imagined and called forth. William Lempert highlights a series of awakenings through which Moora ultimately came to view cinema as a process for catalyzing his family's return to their home country of Mangkayi. This biographical media journey paints an intimate portrait of the inspiring possibilities and sobering limitations of Indigenous envisioning within settler states. Lempert traces how Moora's life and films convey a multiplicity of Aboriginal experiences across time and space, from colonial contact to contemporary life in communities like Balgo, including the continued governmental attempts to undermine them. Amid ongoing negotiations to establish the first treaties between Indigenous nations and Australian states, Dreaming Down the Track illustrates what is at stake in how Aboriginal–State relations are represented and understood, both within communities and for the broader public. Lempert stays true to Moora's insight that film can preserve community stories for generations to come, toward the aim of enacting sovereign futures. William Lempert is Osterweis Family Associate Professor of anthropology at Bowdoin College. His writing has been published in several journals, including Cultural Anthropology and American Indian Culture and Research Journal. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

On this edition of Madison BookBeat, host Sara Batkie talks with author Pernille Ipsen about the new translation of her memoir, My Seven Mothers (University of Minnesota Press.) On New Year's Eve in Copenhagen in 1972, seven women had a child together: one gave birth and six others attended. They had met a year earlier at a feminist women's camp on a small island and now, with about twenty other women's liberationists, they occupied three dilapidated apartment buildings in the center of Copenhagen. One became the country's first Women's House, the nerve center of the Women's Movement in Denmark, and the other two were women-only communal living spaces that were Pernille Ipsen's first home. In this intimate portrait of life during the exhilarating early days of women's liberation in Scandinavia and dramatic social change around the globe, she tells the stories of these seven women, her seven mothers. Recounting her mothers' history—from the passions and beliefs they shared to the political divisions over sexual identity that ultimately split them apart—Ipsen captures the individuality of each of her mothers as well as the common experiences that drew them together. As she deftly reflects the practical and emotional realities of her mothers' women-centered life, Ipsen presents an engrossing picture of intersecting lives that, half a century ago, raised questions we still grapple with today: What is a family? Who is a woman? And who gets to decide? A chronicle of gender, sexuality, and feminism as it was constructed, contested, and lived, My Seven Mothers is an eye-opening account of the challenges and possibilities connected with liberation and radical social change during the 1970s. In this time of fierce struggles over family, sexuality, and child-rearing, it reminds us that new worlds are always possible. Pernille Ipsen was professor of gender and women's studies and history at the University of Wisconsin–Madison for fifteen years and is now a full-time writer. The Danish-language version of this book, Et åbent øjeblik (An open moment), was published in 2020 and was awarded the Montana Prize for literature, one of Denmark's top literary prizes.

Across the South, asylums were built with the promise of healing — but inside their walls, countless lives were marked by fear, neglect, and cruelty. In this episode of Southern Mysteries, explore the haunting history of institutions like Broughton Hospital, Cherry Hospital, Central State, and Bryce. From mysterious deaths and forced sterilizations to the tragedy of the Eller twins and the lifetime confinement of Junius Wilson, these are the real horrors that gave rise to Southern asylum ghost stories — and the suffering that still echoes through their halls. Join the Community on Patreon: Want more Southern Mysteries? You can hear the Southern Mysteries show archive of 60+ episodes along with Patron exclusive podcast, Audacious: Tales of American Crime and more when you become a patron of the show. You can immediately access exclusive content now at patreon.com/southernmysteries

Hello Interactors,Fall is in full swing here in the northern hemisphere, which means it's time to turn our attention to economics and economic geography. Triggered by a recent podcast on the origins of capitalism, I thought I'd kick off by exploring this from a geography perspective.I trace how violence, dispossession, and racial hierarchy aren't simple externalities or accidents. They emerge out of a system that organized itself and then spread. Capitalism grew out of dispossession of land and human autonomy and became a dominant social and economic structure. It's rooted in violence that became virtuous and centuries later is locked-in. Or is it?EMERGING ENGLISH ENCLOSURESThe dominant and particular brand of capitalism in force today originates in England. Before English landlords and the state violently seized common lands back in the 1300s, economic life was embedded in what historian E.P. Thompson called “moral economies”.(1) These were systems of survival where collective responsibility was managed through custom, obligation, and shared access to resources. Similar systems existed elsewhere. Long before Europeans arrived at the shores of what is now called North America, Haudenosaunee longhouse economies were sophisticatedly organized around economies of reciprocity. Further south, Andean ayllu communities negotiated labor obligations and access to land was shared. West African systems featured land that belonged to communities and ancestors, not individuals.Back in medieval English villages, commons weren't charity, they were infrastructure. Anyone could graze animals or gather firewood. When harvests failed, there were fallbacks like hunting and gathering rights, seasonal labor sharing, and kin networks. As anthropologist Stephen Gudeman shows, these practices reflected cultures of mutual insurance aimed at collective resilience, not individual accumulation.(2)Then landlords, backed by state violence, destroyed this system to enrich themselves.From 1348-1349, the bubonic plague killed perhaps half of England's population. This created a labor shortage that gave surviving so-called peasants leverage. For the first time they could demand higher wages, refuse exploitative landlords, or move to find better conditions.The elite mobilized state violence to reverse this. In 1351 the state passed The Statute of Labourers — an attempt to freeze wages and restrict worker movement. This serves as an early signal that reverberates today. When property and people come in conflict, the state sides with property. Over the next two centuries, landlords steadily enclosed common lands, claiming shared space as private property. Peasants who resisted were evicted, sometimes killed.Initial conditions mattered enormously. England had a relatively weak monarchy that couldn't check landlord aggression like stronger European states did. It also had growing urban markets creating demand for food and wool and post-plague labor dynamics that made controlling land more profitable than extracting rents from secure peasants.As historian J.M. Neeson details, enclosure — fencing in private land — destroyed social infrastructure.(3) When access to common resources disappeared, so did the safety nets that enabled survival outside of market and labor competition. People simply lost the ability to graze a cow, gather fuel, glean grain, or even rely on neighbors' obligation to help.This created a feedback loop:Each turn made the pattern stronger. Understanding how this happens requires grasping how these complex systems shaped the very people who reproduced them.The landlords driving enclosure weren't simply greedy villains. Their sense of self, their understanding of what was right and proper, was constituted through relationships to other people like them, to their own opportunities, and to authorities who validated their actions. A landlord enclosing commons likely experienced this as “improvement”. They believed they were making the land productive while exercising newly issued property rights. Other landlords were doing it, parliament legalized it, and the economics of the time justified it. The very capacity to see alternatives was constrained by relational personal and social positions within an emerging capitalistic society.This doesn't excuse the violence or diminish responsibility. But it does reveal how systems reproduce themselves. This happens not primarily through individual evil but through relationships and feedback loops that constitute people's identities and sense of what's possible. The moral judgment remains stark. These were choices that enriched someone by destroying someone else's means of survival. But the choices were made by people whose very selfhood was being constructed by the system they were creating.Similarly, displaced peasants resisted in ways their social positions made possible. They rioted, appealed to historical customary rights, attempted to maintain the commons they relied on for centuries. Each turn of the spiral didn't just move resources, it remade people. Peasants' children, born into a world without commons, developed identities shaped by market dependence — renting their labor in exchange for money. What had been theft became, over generations, simply “how things are.”By the mid-16th century, England had something new. They'd created a system where most people owned no land, had no customary rights to subsistence, and had to compete in labor markets to survive. This was the essence of capitalism's emergence. It wasn't born out of markets (they existed everywhere for millennia) but as market dependence enforced through dispossession. Out of this emerged accumulated actions of actors whose awareness and available alternatives were themselves being shaped by the very system they were simultaneously shaping and sustaining.REPLICATING PATTERNS OF PLANTATIONSOnce capitalism emerged in England through violent enclosure, its spread wasn't automatic. Understanding how it became global requires distinguishing between wealth extraction (which existed under many systems) and capitalist social relations (which require specific conditions).Spain conquered vast American territories, devastating indigenous populations through disease, warfare, and forced labor. Spanish extraction from mines in the 16th century — like Potosí in today's Bolivia — were worked by enslaved indigenous and African peoples under conditions that killed them in staggering numbers. Meanwhile, Portugal developed Atlantic island sugar plantations using enslaved African labor. This expansion of Portuguese agriculture on Atlantic islands like Madeira and São Tomé became a blueprint for plantation economies in the Americas, particularly Brazil. The brutally efficient system perfected there for sugar production — relying on the forced labor of enslaved Africans — was directly transplanted across the ocean, leading to a massive increase in the scale and violence of the transatlantic slave trade.Both empires generated massive wealth from these practices. If colonial plunder caused capitalism, Spain and Portugal should have industrialized first. Instead, they stagnated. The wealth flowed to feudal monarchies who spent it on palaces, armies, and wars, not productive reinvestment. Both societies remained fundamentally feudal.England, with virtually no empire during its initial capitalist transformation, developed differently because it had undergone a different structural violence — enclosure of common land that created landless workers, wage dependence, and market competition spiraling into self-reinforcing patterns.But once those capitalist social relations existed, they became patterns that spread through violent imposition. These patterns destroyed existing economic systems and murdered millions.English expansion first began close to home. Ireland and Scotland experienced forced enclosures as English landlords exported the template — seize land, displace people, create private regimes, and force the suffering to work for you. This internal colonialism served as testing ground for techniques later deployed around the world.When English capitalism encountered the Caribbean — lands where indigenous peoples had developed complex agricultural systems and trade networks — the Spanish conquest had already devastated these populations. English merchants and settlers completed the destruction, seizing lands indigenous peoples had managed for millennia while expanding the brutal, enslaved-based labor models pioneered by the Spanish and Portuguese for mining and sugar production.The plantations English capitalists built operated differently than earlier Portuguese and Spanish systems. English plantation owners were capitalists, not feudal lords. But this was also not simply individual choice or moral character. They were operating within and being shaped by an emerging system of capitalist social relations. Here too they faced competitive pressures to increase output, reduce costs, and compete with other plantation owners. The system's logic — accumulate to accumulate more — emerged from relational dynamics between competing capitalists. The individual identities as successful plantation owners was constituted through their position within the competitive networks in which they coexisted.New location, same story. Even here this systemic shaping doesn't absolve individual responsibility for the horrors they perpetrated. Enslaved people were still kidnapped, brutalized, and worked to death. Indigenous peoples were still murdered and their lands still stolen. But understanding how the system shaped what seemed necessary or moral to those positioned to benefit helps explain how such horror could be so widespread and normalized.This normalization created new spirals:This pattern then replicated across even more geographies — Jamaica, Barbados, eventually the American South — each iteration destroying existing ways of life. As anthropologist Sidney Mintz showed, this created the first truly global capitalist commodity chain.(4) Sugar produced by enslaved Africans and indigenous peoples — on their stolen land — sweetened the tea for those English emerging factory workers — themselves recently dispossessed through enclosure.At the same time, it's worth calling attention, as Historians Walter Rodney, Guyanese, and Paul Tiyambe Zeleza, Malawian, have point out, that African societies weren't passive.(5,6) Some kingdoms initially engaged strategically by trading captives from rival groups and acquiring weapons. These choices are often judged harshly, but they were made by people facing threats to their very existence. They were working with frameworks developed over centuries that suddenly confronted an unprecedented system of extractive violence. Historians Linda Heywood and John Thornton show that African economic strength and political organization meant Africans often “forced Europeans to deal with them on their own terms” for centuries, even as the terms of engagement became increasingly constrained.(7) This moral complexity matters. These were real choices with devastating consequences, made by people whose capacity to perceive alternatives was constrained by their eventual oppressors amidst escalating violence by Europeans.Native American scholars have documented similar patterns of constrained agency in indigenous contexts. Historian Ned Blackhawk, Western Shoshone, shows how Native nations across North America made strategic choices — like forming alliances, adapting governance structures, and engaging in trade — all while navigating impossible pressures from colonial expansion.(8) Historian Jean O'Brien, White Earth Ojibwe, demonstrates how New England indigenous communities persisted and adapted even as settler narratives and violence worked to wipe them out of existence.(9) They were forced to make choices about land, identity, and survival within systems designed to eliminate them. These weren't failures of resistance but strategic adaptations made by people whose frameworks for understanding and practicing sovereignty, kinship, and territorial rights were being violently overwritten and overtaken by colonial capitalism.Europeans increasingly controlled these systems through superior military technology making resistance futile. Only when late 19th century industrial weapons were widely wielded — machine guns, munitions, and mechanisms manufactured through capitalism's own machinations — could Europeans decisively overwhelm resistance and complete the colonial carving of Africa, the Americas, and beyond.LOCKING-IN LASTING LOOPSOnce patterns spread and stabilize, they become increasingly difficult to change. Not because they're natural, but because they're actively maintained by those who benefit.Capitalism's expansion created geographic hierarchies that persist today: core regions that accumulate wealth and peripheral regions that get extracted from. England industrialized first through wealth stolen from colonies and labor dispossessed through enclosure. This gave English manufacturers advantages. Namely, they could sell finished goods globally while importing cheap raw materials. Colonies were forced at gunpoint to specialize in export commodities, making them dependent on manufactured imports. That dependence made it harder to develop their own industries. Once the loop closed it became enforced — to this day through institutions like the IMF and World Bank.Sociologists Marion Fourcade and Kieran Healy show how these hierarchies get naturalized through moral categories that shape how people — including those benefiting from and those harmed by the system — come to understand themselves and others.(10) Core regions are portrayed as “developed,” “modern,” “efficient.” Peripheral regions are called “backward,” “corrupt,” “informal.” These aren't just ideological justifications imposed from above but categories that constitute people's identities. They shape how investors see opportunities, how policy makers perceive problems, and how individuals understand their own worth.Meanwhile, property rights established through colonial theft get treated as legitimate. They are backed by international law and written by representatives of colonial powers as Indigenous land claims continue to get dismissed as economically backward. This doesn't happen through conscious conspiracies. It's because the frameworks through which “economic rationality” itself is understood and practiced were constructed through and for capitalist social relations. People socialized into these frameworks genuinely perceive capitalist property relations as more efficient, more rational. Their (our?) very capacity to see alternatives is constrained by identities formed within the system in which they (we?) exist.These patterns persist because they're profitable for those with power and because people with power were shaped by the very system that gives them power. Each advantage reinforces others. It then gets defended, often by people who genuinely believe they're defending rationality and efficiency. They (we?) fail to fathom how their (our?) frameworks for understanding economy were forged through forceful and violent subjugation.INTERRUPTING INTENSIFICATIONViewing capitalism's complex geographies shows its evolution is not natural or even inevitable. It emerged, and continues to evolve, as a result of shifting relationships and feedbacks at multiple scales. Recognizing this eventuality creates space for imagining and building more ethical derivatives or alternatives.If capitalism emerged from particular violent interactions between people in specific places, then different interactions could produce different systems. If patterns locked in through feedback loops that benefit some at others' expense, then interrupting those loops becomes possible.Even within capitalist nations, alternative arrangements have persisted or been fought for. Nordic countries and Scotland maintain “Everyman's Right” or “Freedom to Roam” laws. These are legal traditions allowing public access to private land for recreation, foraging, and camping. These represent partial commons that survived enclosure or were restored through political struggle, showing that private property needn't mean total exclusion. Even in countries that participate in capitalist economies. In late 19th century America, Henry George became one of the nation's most widely read public intellectuals. More people attended his funeral than Abraham Lincoln's. He argued that land value increases resulting from community development should be captured through land value taxes rather than enriching individual owners. His ideas inspired single-tax colonies, urban reform movements, and influenced progressive era policies. Farmers organized cooperatives and mutual aid societies, pooling resources and labor outside pure market competition. Urban communities established settlement houses, cooperative housing, and neighborhood commons. These weren't marginal experiments, they were popular movements showing that even within capitalism's heartland, people continuously organized alternatives based on shared access, collective benefit, and relationships of reciprocity rather than pure commodity exchange.Or, consider these current examples operating at different scales and locations:Community land trusts in cities like Burlington, Vermont remove properties from speculative markets. These trusts separate ownership of the land from the buildings on it, allowing the nonprofit land trust to retain ownership of the land while selling homes at affordable prices with resale restrictions. While they're trying to break the feedback loop where rising prices displace residents, gentrification and displacement continue in surrounding market-rate housing. This shows how alternatives require scale and time to fully interrupt established feedback loops.Zapatista autonomous municipalities in Chiapas, Mexico governed 300,000 people through indigenous forms of collective decision-making, refusing both state control and capitalist markets — surviving decades of Mexican government counterinsurgency backed by US military support. In 2023, after three decades of autonomy, the Zapatistas restructured into thousands of hyperlocal governments, characterizing the shift as deepening rather than retreating from their fundamental rejection of capitalist control.Brazil's Landless Workers Movement has won land titles for 350,000 families through occupations of unused land. These are legally expropriated under Brazil's constitutional requirement that land fulfill a social function. Organizing 2,000 cooperative settlements across 7.5 million hectares, this movement has become Latin America's largest social movement and Brazil's leading producer of organic food. They're building schools, health clinics, and cooperative enterprises based on agroecology and direct democracy.(11) Still, titled arable farmland in Brazil is highly concentrated into a minuscule percent of the overall population. Meanwhile, capitalist state structures continue favoring agribusiness and large landowners despite the movement's successes with organic food production.Indigenous land back movements across North America demand return of stolen territories as restoration of indigenous governance systems organized around relationships to land and other beings rather than ownership. Through the InterTribal Buffalo Council, 82 tribes are restoring buffalo herds. The Blackfeet Nation is establishing a 30,000-acre buffalo reserve that reconnects fragmented prairie ecosystems and restores buffalo migrations crossing the US-Canada border, reclaiming transnational governance systems that predate colonial boundaries.These aren't isolated utopian fantasies, and they're not perfect, but they're functioning alternatives, each attempting to interrupt capitalism's spirals at different points and places. Still, they face enormous opposition because for some reason, existing powerful systems that claim to embrace competition don't seem to like it much.Let's face it, other complex and functional economic systems existed before capitalism destroyed them. Commons-based systems, gift economies, reciprocal obligations organized around kinship and place were sophisticated solutions to survival. And extractive and exploitive capitalism violently replaced them. Most of all them. There are still pockets around the world where other economic geographies persist — including informal economies, mutual aid networks, cooperative enterprises, and indigenous governance systems.I recognize I've clearly over simplified what is a much more layered and complex evolution, and existing alternatives aren't always favorable nor foolproof. But neither is capitalism. There is no denying the dominant forms of capitalism of today emerged in English fields through violent enclosure of shared space. It then spread through transformation of existing extraction systems into engines of competitive accumulation. And it locked in through feedback loops that benefit core regions while extracting from peripheral ones.But it also took hold in hearts and habits. It's shaping how we understand ourselves, what seems possible, and what feels “normal.” We've learned to see accumulation as virtue, competition as natural, individual success as earned and poverty as personal failure. The very category of the autonomous ‘individual' — separate, self-made, solely responsible for their own outcomes — is itself a capitalist construction that obscures how all achievement and hardship emerge from relational webs of collective conditions. This belief doesn't just justify inequality, it reproduces it by generating the anxiety and shame that compel people to rent even more of their time and labor to capitalism. Pausing, resting, healing, caring for others, or resisting continue exploitation marks them as haven chosen their own ruin — regardless of their circumstance or relative position within our collective webs. These aren't just ideologies imposed from above but the makings of identity itself for all of us socialized within capitalism. A financial analyst optimizing returns, a policy maker promoting market efficiency, an entrepreneur celebrating “self-made” innovation — these aren't necessarily cynical actors. They're often people whose very sense of self has been shaped by a system they feel compelled to reproduce. After all, the system rewards individualism — even when it's toxins poison the collective web — including the web of life.Besides, if capitalism persists only through the conscious choices of so-called evil people, then exposing their villainy should be sufficient. Right? The law is there to protect innocent people from evil-doers. Right? Not if it persists through feedback loops that shape the identities, perceptions, and moral frameworks of everyone within it — including or especially those who benefit most or have the most to lose. It seems change requires not just moral condemnation but transformation of the relationships and systems that constitute our very selves. After all, anyone participating is complicit at some level. And what choice is there? For a socio-economic political system that celebrates freedom of choice, it offers little.To challenge a form of capitalism that can create wealth and prosperity but also unhealthy precarity isn't just to oppose policies or demand redistribution, and it isn't simply to condemn those who benefit from it as moral failures. It's to recognize that the interactions between people and places that created this system through violence could create other systems through different choices. Making those different choices requires recognizing and reconstructing the very identities, relationships, and frameworks through which we understand ourselves and what's possible. Perhaps even revealing a different form of capitalism that cares.But it seems we'd need new patterns to be discussed and debated by the very people who keep these patterns going. We're talking about rebuilding economic geographies based on mutual respect, shared responsibility, and a deep connection to our communities. To each other. This rebuilding needs to go beyond just changing institutions, it has to change the very people those institutions have shaped.As fall deepens and we watch leaves and seeds spiral down, notice how each follows a path predetermined by its inherited form. Maple seeds spin like helicopters — their propeller wings evolved over millennia to slow descent and scatter offspring far from competition. Their form has been fashioned by evolutionary forces beyond any individual seed's control, shaped by gusts and gravity in environments filled with a mix of competition and cooperation — coopetition. Then reflect on this fundamental difference: Unlike seeds locked into their descent, we humans can collectively craft new conditions, consciously charting courses that climb, curl, cascade, or crash.ReferencesChibber, V., & Nashek, M. (Hosts). (2025, September 24). The origins of capitalism. [Audio podcast episode]. In Confronting Capitalism. Jacobin Radio.1. Thompson, E. P. (1971). The moral economy of the English crowd in the eighteenth century. Past & Present, 50(1), 76–136.2. Gudeman, S. (2016). Anthropology and economy. Cambridge University Press.3. Neeson, J. M. (1996). Commoners: Common right, enclosure and social change in England, 1700–1820. Cambridge University Press.4. Mintz, S. W. (1985). Sweetness and power: The place of sugar in modern history. Viking Penguin.5. Rodney, W. (1972). How Europe underdeveloped Africa. Bogle-L'Ouverture.6. Zeleza, P. T. (1997). A modern economic history of Africa: The nineteenth century (Vol. 1). East African Publishers.7. Heywood, L. M., & Thornton, J. K. (2007). Central Africans, Atlantic creoles, and the foundation of the Americas, 1585-1660. Cambridge University Press.8. Blackhawk, N. (2023). The rediscovery of America: Native peoples and the unmaking of US history. Yale University Press.9. OBrien, J. M. (2010). Firsting and lasting: Writing Indians out of existence in New England. U of Minnesota Press.10. Fourcade, M., & Healy, K. (2017). Seeing like a market. Socio-Economic Review, 15(1), 9–29.11. Carter, M. (Ed.). (2015). Challenging social inequality: The landless rural workers movement and agrarian reform in Brazil. Duke University Press. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit interplace.io

In Episode #99 Lissa talks with Author Debra J Stone about her new middle grade novel, The House on Rondo (University of Minnesota Press). Rooted in the lived histories of Minnesota's Black communities, The House on Rondo offers a deeply personal window into the destruction of a thriving neighborhood through the eyes of a young Black girl coming of age during an era of national civil rights protests. As Zenobia joins forces with her neighbor, the unforgettable former cowgirl Mrs. Ruby Pearl, to fight against the  demolition of her grandparents' home to make way for the new interstate highway, readers witness not just the heartbreak of displacement but also the power of community, protest, and memory. Our production team for this episode includes co-producers Lissa Jones and Edie French, technical director Paul Auguston, the voice Yo Derek, and our artist of inspiration Ta-coumba T. Aiken. Black Market Reads is produced by The Givens Foundation for African American Literature in partnership with iDream.tv. For more information and context visit https://blackmarketreads.com/    

Send us a textWhat happens when kindness goes wrong? When James Francisco Bonilla was legally blind, well-meaning strangers pulled him into busy intersections, walked him into call boxes, and nearly guided him off cliffs – all while trying to "help." These harrowing yet illuminating experiences form just part of his remarkable journey from a visually impaired Puerto Rican child facing racial discrimination to becoming a nationally recognized social justice educator.Born with congenital cataracts and losing most of his remaining vision after a racially motivated assault at age nine, Bonilla's world changed dramatically when groundbreaking ultrasonic surgery restored partial sight to his right eye at nineteen. This physical transformation paralleled his growing awareness of social injustice, propelling him into the early disability rights movement of the 1970s. Through sit-ins and advocacy work, he confronted systems that routinely marginalized people with disabilities – including a counselor who tried steering him toward running a newspaper kiosk rather than pursuing higher education."I was more disabled by my environment and social discrimination than by my physical blindness," Bonilla explains, challenging us to reconsider how society creates barriers beyond physical limitations. His powerful perspective emerges from navigating multiple identities: as a bilingual Puerto Rican child mistakenly placed in "slow classes" by nuns who viewed his accent as a speech impediment, as a legally blind person constantly underestimated, and as someone grappling with family mental illness.Perhaps most transformative was Bonilla's discovery of healing through nature – encounters with great horned owls and coyotes gave him "a sense that I was not alone when I felt the most alone." This connection with the natural world ultimately guided him toward both personal healing and environmental advocacy.Looking for an inspiring memoir that challenges conventional narratives about disability? Pre-order Bonilla's "An Eye for an I: Growing Up with Blindness, Bigotry and Family Mental Illness," releasing November 4th from University of Minnesota Press. As he powerfully states, "blindness didn't just happen to me, it happened for me" – a profound reframing that invites us all to reconsider our understanding of adversity, kindness, and true social justice.This podcast is a proud member of the Mayday Media Network — your go-to hub for podcast creators. Whether you're just starting a podcast and need professional production support, or you already host a show and want to join a collaborative, supportive podcast network, visit maydaymedianetwork.com to learn more. Enjoyed this episode? Stay connected with us! Follow our podcast community on Facebook, Instagram, LinkedIn, YouTube and TikTok for uplifting, inspirational, and feel-good stories. Don't forget to subscribe to our newsletter for monthly updates, behind-the-scenes insights, and more content designed to brighten your day.Support the show

A practical call to action against oppression. Across the globe, millions of people have participated in protests and marches, donated to political groups, or lobbied their representatives with the aim of creating lasting social change, overturning repressive laws, or limiting environmental destruction. Yet very little seems to improve for those affected by rapacious governments. Replace the State: How to Change the World When Elections and Protests Fail (U Minnesota Press, 2025) brings new hope for social justice movements by looking to progressive campaigns that have found success by unconventional, and more direct, means. Sasha Davis, an activist and scholar of radical environmental advocacy, focuses on the strategies of movements, many of them Indigenous, that have occupied contested sites and demonstrated their effectiveness at managing or governing them. Including case studies of resistance to development on Indigenous lands in Hawai'i, nuclear testing in the Nevada desert, and the U.S. military occupation of Okinawa, he offers insight and direction for activists, students, academics, and others dedicated to protecting and improving the well-being of their communities and beyond. It would be easy to succumb to pessimism and political apathy in the face of governing institutions that are increasingly unresponsive to calls for change and repressive in response to protest, even as they violate human rights, ignore existential climate catastrophes, and concentrate power into fewer and fewer hands. Instead, Davis finds inspiration for genuine political change through social movements that are successfully "replacing the state" and taking over the day-to-day governance of threatened places. From contesting environmental abuse to reasserting Indigenous sovereignty, these social movements demonstrate how people can collectively wrest control over their communities from oppressive governments and manage them with a more egalitarian ethics of care. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A practical call to action against oppression. Across the globe, millions of people have participated in protests and marches, donated to political groups, or lobbied their representatives with the aim of creating lasting social change, overturning repressive laws, or limiting environmental destruction. Yet very little seems to improve for those affected by rapacious governments. Replace the State: How to Change the World When Elections and Protests Fail (U Minnesota Press, 2025) brings new hope for social justice movements by looking to progressive campaigns that have found success by unconventional, and more direct, means. Sasha Davis, an activist and scholar of radical environmental advocacy, focuses on the strategies of movements, many of them Indigenous, that have occupied contested sites and demonstrated their effectiveness at managing or governing them. Including case studies of resistance to development on Indigenous lands in Hawai'i, nuclear testing in the Nevada desert, and the U.S. military occupation of Okinawa, he offers insight and direction for activists, students, academics, and others dedicated to protecting and improving the well-being of their communities and beyond. It would be easy to succumb to pessimism and political apathy in the face of governing institutions that are increasingly unresponsive to calls for change and repressive in response to protest, even as they violate human rights, ignore existential climate catastrophes, and concentrate power into fewer and fewer hands. Instead, Davis finds inspiration for genuine political change through social movements that are successfully "replacing the state" and taking over the day-to-day governance of threatened places. From contesting environmental abuse to reasserting Indigenous sovereignty, these social movements demonstrate how people can collectively wrest control over their communities from oppressive governments and manage them with a more egalitarian ethics of care. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

A practical call to action against oppression. Across the globe, millions of people have participated in protests and marches, donated to political groups, or lobbied their representatives with the aim of creating lasting social change, overturning repressive laws, or limiting environmental destruction. Yet very little seems to improve for those affected by rapacious governments. Replace the State: How to Change the World When Elections and Protests Fail (U Minnesota Press, 2025) brings new hope for social justice movements by looking to progressive campaigns that have found success by unconventional, and more direct, means. Sasha Davis, an activist and scholar of radical environmental advocacy, focuses on the strategies of movements, many of them Indigenous, that have occupied contested sites and demonstrated their effectiveness at managing or governing them. Including case studies of resistance to development on Indigenous lands in Hawai'i, nuclear testing in the Nevada desert, and the U.S. military occupation of Okinawa, he offers insight and direction for activists, students, academics, and others dedicated to protecting and improving the well-being of their communities and beyond. It would be easy to succumb to pessimism and political apathy in the face of governing institutions that are increasingly unresponsive to calls for change and repressive in response to protest, even as they violate human rights, ignore existential climate catastrophes, and concentrate power into fewer and fewer hands. Instead, Davis finds inspiration for genuine political change through social movements that are successfully "replacing the state" and taking over the day-to-day governance of threatened places. From contesting environmental abuse to reasserting Indigenous sovereignty, these social movements demonstrate how people can collectively wrest control over their communities from oppressive governments and manage them with a more egalitarian ethics of care. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

A practical call to action against oppression. Across the globe, millions of people have participated in protests and marches, donated to political groups, or lobbied their representatives with the aim of creating lasting social change, overturning repressive laws, or limiting environmental destruction. Yet very little seems to improve for those affected by rapacious governments. Replace the State: How to Change the World When Elections and Protests Fail (U Minnesota Press, 2025) brings new hope for social justice movements by looking to progressive campaigns that have found success by unconventional, and more direct, means. Sasha Davis, an activist and scholar of radical environmental advocacy, focuses on the strategies of movements, many of them Indigenous, that have occupied contested sites and demonstrated their effectiveness at managing or governing them. Including case studies of resistance to development on Indigenous lands in Hawai'i, nuclear testing in the Nevada desert, and the U.S. military occupation of Okinawa, he offers insight and direction for activists, students, academics, and others dedicated to protecting and improving the well-being of their communities and beyond. It would be easy to succumb to pessimism and political apathy in the face of governing institutions that are increasingly unresponsive to calls for change and repressive in response to protest, even as they violate human rights, ignore existential climate catastrophes, and concentrate power into fewer and fewer hands. Instead, Davis finds inspiration for genuine political change through social movements that are successfully "replacing the state" and taking over the day-to-day governance of threatened places. From contesting environmental abuse to reasserting Indigenous sovereignty, these social movements demonstrate how people can collectively wrest control over their communities from oppressive governments and manage them with a more egalitarian ethics of care. Learn more about your ad choices. Visit megaphone.fm/adchoices

A practical call to action against oppression. Across the globe, millions of people have participated in protests and marches, donated to political groups, or lobbied their representatives with the aim of creating lasting social change, overturning repressive laws, or limiting environmental destruction. Yet very little seems to improve for those affected by rapacious governments. Replace the State: How to Change the World When Elections and Protests Fail (U Minnesota Press, 2025) brings new hope for social justice movements by looking to progressive campaigns that have found success by unconventional, and more direct, means. Sasha Davis, an activist and scholar of radical environmental advocacy, focuses on the strategies of movements, many of them Indigenous, that have occupied contested sites and demonstrated their effectiveness at managing or governing them. Including case studies of resistance to development on Indigenous lands in Hawai'i, nuclear testing in the Nevada desert, and the U.S. military occupation of Okinawa, he offers insight and direction for activists, students, academics, and others dedicated to protecting and improving the well-being of their communities and beyond. It would be easy to succumb to pessimism and political apathy in the face of governing institutions that are increasingly unresponsive to calls for change and repressive in response to protest, even as they violate human rights, ignore existential climate catastrophes, and concentrate power into fewer and fewer hands. Instead, Davis finds inspiration for genuine political change through social movements that are successfully "replacing the state" and taking over the day-to-day governance of threatened places. From contesting environmental abuse to reasserting Indigenous sovereignty, these social movements demonstrate how people can collectively wrest control over their communities from oppressive governments and manage them with a more egalitarian ethics of care. Learn more about your ad choices. Visit megaphone.fm/adchoices

Shelter and Storm: At Home in the Driftless – Tamara Dean – University of Minnesota Press – 9781517918569 – Paperback – 224 pages – April 22, 2025 – $19.95 -ebook editions available at lower prices Books like Shelter and Storm are all too often errantly categorized as “regional,” both by publishers and reviewers alike. That’s […] The post Tamara Dean: Shelter and Storm: At Home in the Driftless first appeared on WritersCast.

This episode of Below the Radar B-Sides is guest hosted by Joe Clark, term assistant professor at SFU's School for the Contemporary Arts. He is joined by Benjamín Schultz-Figueroa, Assistant Professor in Film Studies at Seattle University, and author of The Celluloid Specimen: Moving Image Research into Animal Life. Together, they chat about their shared interest in non-theatrical film, and the histories and speculative futures of scientific filmmaking. Resources: Joseph Clark: https://www.josephclark.me/ Benjamín Schultz-Figueroa: https://www.benjaminschultzfigueroa.com/ The Celluloid Specimen: Moving Image Research into Animal Life: https://www.benjaminschultzfigueroa.com/the-celluloid-specimen-moving-image-research-into-animal-life Bio: Joseph Clark: Joseph Clark (PhD, Brown University) is an educator, filmmaker, researcher, and arts programmer. His research and teaching interests focus on archival and non-theatrical media, including newsreels, home movies, and sponsored film. He is the author of News Parade: The American Newsreel and the World as Spectacle (University of Minnesota Press, 2020) and the director of the short film Persistence & Loss (2021). He is a long-time member of the DOXA Documentary Film Festival Programming Committee and part of the organizing committee of the Vancouver Podcast Festival. Benjamín Schultz-Figueroa Dr. Benjamín Schultz-Figueroa is an Assistant Professor in Film Studies at Seattle University. His research focuses on the history of scientific filmmaking, nontheatrical film, and animal studies. Among other venues, his writing has been published in JCMS: Journal of Cinema and Media Studies, Film History, Journal of Environmental Media. His book The Celluloid Specimen: Moving Image Research into Animal Life is due to be published by UC Press in February, 2023. Cite this episode: Chicago Style Clark, Joseph. “The Celluloid Specimen — with Joe Clark and Benjamín Schultz-Figueroa.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, August 12, 2025. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/btr-bsides-celluloid-specimen.html.

What if we embraced neurodivergent ways of being not as deviations to be corrected but as vital ways of inhabiting the world? What new realities might emerge? Bringing a much-needed humanistic perspective to the study of autism and other forms of neurodivergence, Counter-Cartographies: Neurodivergence and the Errancies of Performance (U Minnesota Press, 2025) offers a bold reimagining of neurological difference, moving beyond rigid diagnostic frameworks to uncover more expansive, generative modes of existence. Engaging the work of Fernand Deligny to trace how modern taxonomies of neurodivergence have hardened over time, Leon J. Hilton questions how these categories might instead serve as tools for remapping the world with neurodivergence at its center. At the heart of Counter-Cartographies is an exploration of performance and performativity that reveals how the norm of neurotypical reality is continually reinforced through acts of doing, redoing, and undoing. Charting the historical shift away from “mind” and toward “brain” and moving fluidly across disciplines—from digital art and documentary cinema to cybernetics and radical mental health movements—Hilton illuminates the deep interconnections between performance, perception, and the historical construction of the “neurotypical.” Through close readings of works by William Pope.L, Mel Baggs, Wu Tsang, and others, Hilton also examines how neurodivergence has been represented, embodied, and materialized in contemporary art and media. Restless, engrossing, and persistently attuned to moments of rupture when the neurotypical order falters, Counter-cartographies charts a path toward a more capacious, imaginative world. Leon J. Hilton is assistant professor of theatre arts and performance studies and co-convener of the Disability Studies Working Group at Brown University. He is a member of the editorial collective of the journal Social Text and on the advisory board of Spectrum Theatre Ensemble, a neurodiverse theatre company based in Providence, Rhode Island. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What if we embraced neurodivergent ways of being not as deviations to be corrected but as vital ways of inhabiting the world? What new realities might emerge? Bringing a much-needed humanistic perspective to the study of autism and other forms of neurodivergence, Counter-Cartographies: Neurodivergence and the Errancies of Performance (U Minnesota Press, 2025) offers a bold reimagining of neurological difference, moving beyond rigid diagnostic frameworks to uncover more expansive, generative modes of existence. Engaging the work of Fernand Deligny to trace how modern taxonomies of neurodivergence have hardened over time, Leon J. Hilton questions how these categories might instead serve as tools for remapping the world with neurodivergence at its center. At the heart of Counter-Cartographies is an exploration of performance and performativity that reveals how the norm of neurotypical reality is continually reinforced through acts of doing, redoing, and undoing. Charting the historical shift away from “mind” and toward “brain” and moving fluidly across disciplines—from digital art and documentary cinema to cybernetics and radical mental health movements—Hilton illuminates the deep interconnections between performance, perception, and the historical construction of the “neurotypical.” Through close readings of works by William Pope.L, Mel Baggs, Wu Tsang, and others, Hilton also examines how neurodivergence has been represented, embodied, and materialized in contemporary art and media. Restless, engrossing, and persistently attuned to moments of rupture when the neurotypical order falters, Counter-cartographies charts a path toward a more capacious, imaginative world. Leon J. Hilton is assistant professor of theatre arts and performance studies and co-convener of the Disability Studies Working Group at Brown University. He is a member of the editorial collective of the journal Social Text and on the advisory board of Spectrum Theatre Ensemble, a neurodiverse theatre company based in Providence, Rhode Island. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What if we embraced neurodivergent ways of being not as deviations to be corrected but as vital ways of inhabiting the world? What new realities might emerge? Bringing a much-needed humanistic perspective to the study of autism and other forms of neurodivergence, Counter-Cartographies: Neurodivergence and the Errancies of Performance (U Minnesota Press, 2025) offers a bold reimagining of neurological difference, moving beyond rigid diagnostic frameworks to uncover more expansive, generative modes of existence. Engaging the work of Fernand Deligny to trace how modern taxonomies of neurodivergence have hardened over time, Leon J. Hilton questions how these categories might instead serve as tools for remapping the world with neurodivergence at its center. At the heart of Counter-Cartographies is an exploration of performance and performativity that reveals how the norm of neurotypical reality is continually reinforced through acts of doing, redoing, and undoing. Charting the historical shift away from “mind” and toward “brain” and moving fluidly across disciplines—from digital art and documentary cinema to cybernetics and radical mental health movements—Hilton illuminates the deep interconnections between performance, perception, and the historical construction of the “neurotypical.” Through close readings of works by William Pope.L, Mel Baggs, Wu Tsang, and others, Hilton also examines how neurodivergence has been represented, embodied, and materialized in contemporary art and media. Restless, engrossing, and persistently attuned to moments of rupture when the neurotypical order falters, Counter-cartographies charts a path toward a more capacious, imaginative world. Leon J. Hilton is assistant professor of theatre arts and performance studies and co-convener of the Disability Studies Working Group at Brown University. He is a member of the editorial collective of the journal Social Text and on the advisory board of Spectrum Theatre Ensemble, a neurodiverse theatre company based in Providence, Rhode Island. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

What if we embraced neurodivergent ways of being not as deviations to be corrected but as vital ways of inhabiting the world? What new realities might emerge? Bringing a much-needed humanistic perspective to the study of autism and other forms of neurodivergence, Counter-Cartographies: Neurodivergence and the Errancies of Performance (U Minnesota Press, 2025) offers a bold reimagining of neurological difference, moving beyond rigid diagnostic frameworks to uncover more expansive, generative modes of existence. Engaging the work of Fernand Deligny to trace how modern taxonomies of neurodivergence have hardened over time, Leon J. Hilton questions how these categories might instead serve as tools for remapping the world with neurodivergence at its center. At the heart of Counter-Cartographies is an exploration of performance and performativity that reveals how the norm of neurotypical reality is continually reinforced through acts of doing, redoing, and undoing. Charting the historical shift away from “mind” and toward “brain” and moving fluidly across disciplines—from digital art and documentary cinema to cybernetics and radical mental health movements—Hilton illuminates the deep interconnections between performance, perception, and the historical construction of the “neurotypical.” Through close readings of works by William Pope.L, Mel Baggs, Wu Tsang, and others, Hilton also examines how neurodivergence has been represented, embodied, and materialized in contemporary art and media. Restless, engrossing, and persistently attuned to moments of rupture when the neurotypical order falters, Counter-cartographies charts a path toward a more capacious, imaginative world. Leon J. Hilton is assistant professor of theatre arts and performance studies and co-convener of the Disability Studies Working Group at Brown University. He is a member of the editorial collective of the journal Social Text and on the advisory board of Spectrum Theatre Ensemble, a neurodiverse theatre company based in Providence, Rhode Island. Learn more about your ad choices. Visit megaphone.fm/adchoices

This essay is based on the introductory chapter from a collection edited by Owen Clayton and Iain McIntyre entitled The Popular Wobbly: Selected Writings of T-Bone Slim (University of Minnesota Press, 2025). Owen Clayton is a Senior Lecturer in English literature at the University of Lincoln in England and the author of Vagabonds, Tramps, and Hobos: The Literature and Culture of U.S. Transiency, 1890–1940 and Literature and Photography in Transition, 1850–1915. Iain McIntyre is an honorary fellow with the School of Historical and Philosophical Studies, University of Melbourne, a researcher at social change website commonslibrary.org and author of Environmental Blockades: Obstructive Direct Action and the History of the Environmental Movement. Anarchist Essays is brought to you by Loughborough University's Anarchism Research Group and the journal Anarchist Studies. Follow us on Bluesky @anarchismresgroup.bsky.social Our music comes from Them'uns (featuring Yous'uns). Artwork by Sam G.  

For almost seven years after World War II, a small group of architects took on an exciting task: to imagine the spaces of global governance for a new political organization called the United Nations (UN). To create the iconic headquarters of the UN in New York City, these architects experimented with room layouts, media technologies, and design in tribunal courtrooms, assembly halls, and council chambers. The result was the creation of a new type of public space, the global interior. Assembly by Design: The United Nations and Its Global Interior (U of Minnesota Press, 2024) shows how this space leveraged media to help the UN communicate with the world. With its media infrastructure, symbols, acoustic design, and architecture, the global interior defined political assembly both inside and outside the UN headquarters, serving as the architectural medium to organize multilateral encounters of international publics around the globe. Demonstrating how aesthetics have long held sway over political work, Olga Touloumi posits that the building framed diplomacy on the ground amid a changing political landscape that brought the United States to the forefront of international politics, destabilizing old and establishing new geopolitical alliances. Uncovering previously closed institutional and family archives, Assembly by Design offers new information about the political and aesthetic decisions that turned the UN headquarters into a communications organism. It looks back at a moment of hope, when politicians, architects, and diplomats—believing that assembly was a matter of design—worked together to deliver platforms for global democracy and governance. Olga Touloumi is associate professor of architectural history at Bard College. She is coeditor of Computer Architectures: Constructing the Common Ground. Nushelle de Silva is assistant professor of architectural history at Fordham University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For almost seven years after World War II, a small group of architects took on an exciting task: to imagine the spaces of global governance for a new political organization called the United Nations (UN). To create the iconic headquarters of the UN in New York City, these architects experimented with room layouts, media technologies, and design in tribunal courtrooms, assembly halls, and council chambers. The result was the creation of a new type of public space, the global interior. Assembly by Design: The United Nations and Its Global Interior (U of Minnesota Press, 2024) shows how this space leveraged media to help the UN communicate with the world. With its media infrastructure, symbols, acoustic design, and architecture, the global interior defined political assembly both inside and outside the UN headquarters, serving as the architectural medium to organize multilateral encounters of international publics around the globe. Demonstrating how aesthetics have long held sway over political work, Olga Touloumi posits that the building framed diplomacy on the ground amid a changing political landscape that brought the United States to the forefront of international politics, destabilizing old and establishing new geopolitical alliances. Uncovering previously closed institutional and family archives, Assembly by Design offers new information about the political and aesthetic decisions that turned the UN headquarters into a communications organism. It looks back at a moment of hope, when politicians, architects, and diplomats—believing that assembly was a matter of design—worked together to deliver platforms for global democracy and governance. Olga Touloumi is associate professor of architectural history at Bard College. She is coeditor of Computer Architectures: Constructing the Common Ground. Nushelle de Silva is assistant professor of architectural history at Fordham University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

For almost seven years after World War II, a small group of architects took on an exciting task: to imagine the spaces of global governance for a new political organization called the United Nations (UN). To create the iconic headquarters of the UN in New York City, these architects experimented with room layouts, media technologies, and design in tribunal courtrooms, assembly halls, and council chambers. The result was the creation of a new type of public space, the global interior. Assembly by Design: The United Nations and Its Global Interior (U of Minnesota Press, 2024) shows how this space leveraged media to help the UN communicate with the world. With its media infrastructure, symbols, acoustic design, and architecture, the global interior defined political assembly both inside and outside the UN headquarters, serving as the architectural medium to organize multilateral encounters of international publics around the globe. Demonstrating how aesthetics have long held sway over political work, Olga Touloumi posits that the building framed diplomacy on the ground amid a changing political landscape that brought the United States to the forefront of international politics, destabilizing old and establishing new geopolitical alliances. Uncovering previously closed institutional and family archives, Assembly by Design offers new information about the political and aesthetic decisions that turned the UN headquarters into a communications organism. It looks back at a moment of hope, when politicians, architects, and diplomats—believing that assembly was a matter of design—worked together to deliver platforms for global democracy and governance. Olga Touloumi is associate professor of architectural history at Bard College. She is coeditor of Computer Architectures: Constructing the Common Ground. Nushelle de Silva is assistant professor of architectural history at Fordham University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

For almost seven years after World War II, a small group of architects took on an exciting task: to imagine the spaces of global governance for a new political organization called the United Nations (UN). To create the iconic headquarters of the UN in New York City, these architects experimented with room layouts, media technologies, and design in tribunal courtrooms, assembly halls, and council chambers. The result was the creation of a new type of public space, the global interior. Assembly by Design: The United Nations and Its Global Interior (U of Minnesota Press, 2024) shows how this space leveraged media to help the UN communicate with the world. With its media infrastructure, symbols, acoustic design, and architecture, the global interior defined political assembly both inside and outside the UN headquarters, serving as the architectural medium to organize multilateral encounters of international publics around the globe. Demonstrating how aesthetics have long held sway over political work, Olga Touloumi posits that the building framed diplomacy on the ground amid a changing political landscape that brought the United States to the forefront of international politics, destabilizing old and establishing new geopolitical alliances. Uncovering previously closed institutional and family archives, Assembly by Design offers new information about the political and aesthetic decisions that turned the UN headquarters into a communications organism. It looks back at a moment of hope, when politicians, architects, and diplomats—believing that assembly was a matter of design—worked together to deliver platforms for global democracy and governance. Olga Touloumi is associate professor of architectural history at Bard College. She is coeditor of Computer Architectures: Constructing the Common Ground. Nushelle de Silva is assistant professor of architectural history at Fordham University. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Plantation Worlds (Duke UP, 2024), Maan Barua interrogates debates on planetary transformations through the histories and ecologies of plantations. Drawing on long-term research spanning fifteen years, Barua presents a unique ethnography attentive to the lives of both people and elephants amid tea plantations in the Indian state of Assam. In the nineteenth and early twentieth centuries, nearly three million people were brought in to Assam's plantations to work under conditions of indenture. Plantations dramatically altered the region's landscape, plundered resources, and created fraught worlds for elephants and people. Their extractive logics and colonial legacies prevail as durations, forging the ambit of infrastructures, labor, habitability, and conservation in the present. And yet, as the perspectives of the Adivasi plantation worker community and lifeworlds of elephants show, possibilities for enacting a decolonial imaginary of landscape remain present amid immiseration. From the margins of the Global South, Barua offers an alternative grammar for articulating environmental change. In so doing, he prompts a rethinking of multispecies ecologies and how they are structured by colonialism and race. Maan Barua is University Lecturer in Human Geography at the University of Cambridge and author of Lively Cities: Reconfiguring Urban Ecology (University of Minnesota Press, 2023). Maan is an environmental and urban geographer whose research focuses on the economies, ontologies and politics of the living and material world. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and ecological anthropology. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

In Plantation Worlds (Duke UP, 2024), Maan Barua interrogates debates on planetary transformations through the histories and ecologies of plantations. Drawing on long-term research spanning fifteen years, Barua presents a unique ethnography attentive to the lives of both people and elephants amid tea plantations in the Indian state of Assam. In the nineteenth and early twentieth centuries, nearly three million people were brought in to Assam's plantations to work under conditions of indenture. Plantations dramatically altered the region's landscape, plundered resources, and created fraught worlds for elephants and people. Their extractive logics and colonial legacies prevail as durations, forging the ambit of infrastructures, labor, habitability, and conservation in the present. And yet, as the perspectives of the Adivasi plantation worker community and lifeworlds of elephants show, possibilities for enacting a decolonial imaginary of landscape remain present amid immiseration. From the margins of the Global South, Barua offers an alternative grammar for articulating environmental change. In so doing, he prompts a rethinking of multispecies ecologies and how they are structured by colonialism and race. Maan Barua is University Lecturer in Human Geography at the University of Cambridge and author of Lively Cities: Reconfiguring Urban Ecology (University of Minnesota Press, 2023). Maan is an environmental and urban geographer whose research focuses on the economies, ontologies and politics of the living and material world. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and ecological anthropology. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Plantation Worlds (Duke UP, 2024), Maan Barua interrogates debates on planetary transformations through the histories and ecologies of plantations. Drawing on long-term research spanning fifteen years, Barua presents a unique ethnography attentive to the lives of both people and elephants amid tea plantations in the Indian state of Assam. In the nineteenth and early twentieth centuries, nearly three million people were brought in to Assam's plantations to work under conditions of indenture. Plantations dramatically altered the region's landscape, plundered resources, and created fraught worlds for elephants and people. Their extractive logics and colonial legacies prevail as durations, forging the ambit of infrastructures, labor, habitability, and conservation in the present. And yet, as the perspectives of the Adivasi plantation worker community and lifeworlds of elephants show, possibilities for enacting a decolonial imaginary of landscape remain present amid immiseration. From the margins of the Global South, Barua offers an alternative grammar for articulating environmental change. In so doing, he prompts a rethinking of multispecies ecologies and how they are structured by colonialism and race. Maan Barua is University Lecturer in Human Geography at the University of Cambridge and author of Lively Cities: Reconfiguring Urban Ecology (University of Minnesota Press, 2023). Maan is an environmental and urban geographer whose research focuses on the economies, ontologies and politics of the living and material world. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and ecological anthropology. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

In Plantation Worlds (Duke UP, 2024), Maan Barua interrogates debates on planetary transformations through the histories and ecologies of plantations. Drawing on long-term research spanning fifteen years, Barua presents a unique ethnography attentive to the lives of both people and elephants amid tea plantations in the Indian state of Assam. In the nineteenth and early twentieth centuries, nearly three million people were brought in to Assam's plantations to work under conditions of indenture. Plantations dramatically altered the region's landscape, plundered resources, and created fraught worlds for elephants and people. Their extractive logics and colonial legacies prevail as durations, forging the ambit of infrastructures, labor, habitability, and conservation in the present. And yet, as the perspectives of the Adivasi plantation worker community and lifeworlds of elephants show, possibilities for enacting a decolonial imaginary of landscape remain present amid immiseration. From the margins of the Global South, Barua offers an alternative grammar for articulating environmental change. In so doing, he prompts a rethinking of multispecies ecologies and how they are structured by colonialism and race. Maan Barua is University Lecturer in Human Geography at the University of Cambridge and author of Lively Cities: Reconfiguring Urban Ecology (University of Minnesota Press, 2023). Maan is an environmental and urban geographer whose research focuses on the economies, ontologies and politics of the living and material world. Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and ecological anthropology. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

The book, Racing Uphill: Confronting a Life with Epilepsy (U of Minnesota Press, 2025), is a memoir and an educational resource, which tells the story of an Emmy Award-winning TV news Journalist, Stacia Kalinoski. The author's aim is beyond giving an account of her experience of epilepsy, her goal is to sensitize readers and inspire epileptic patients and other people battling with ailments that carry social stigma, emphasizing the importance of taking control of one's health. In the book, Stacia Kalinoski recounts her experience of visual distortions and feelings of déjà vu and jamais vujamais vu, which are auras that often precede more severe seizures. She discusses the physical injuries and memory loss resulting from her condition, particularly from temporal lobe seizures. Stacia's narrative underscores the complexities of living with epilepsy and the potential for personal growth and empowerment through adversity. She highlights the effects of frequent episodes of seizure on maintenance of social relationships and the ability to reminisce about the past. Relating her experience, Stacia dwells on the importance of confronting the reality of living with epilepsy, she emphasizes the significance of understanding seizures to combat the stigma and fear surrounding the condition, and how surgery can improve memory loss and allow People Living with Epilepsy reconnect with their past.  Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League, published by Grin Verlag. Mariam's greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ (22) Olugbodi Mariam | LinkedIn, Mariam Olugbodi (0000-0001-5027-6644) - ORCID and User:Margob28 - Meta Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The book, Racing Uphill: Confronting a Life with Epilepsy (U of Minnesota Press, 2025), is a memoir and an educational resource, which tells the story of an Emmy Award-winning TV news Journalist, Stacia Kalinoski. The author's aim is beyond giving an account of her experience of epilepsy, her goal is to sensitize readers and inspire epileptic patients and other people battling with ailments that carry social stigma, emphasizing the importance of taking control of one's health. In the book, Stacia Kalinoski recounts her experience of visual distortions and feelings of déjà vu and jamais vujamais vu, which are auras that often precede more severe seizures. She discusses the physical injuries and memory loss resulting from her condition, particularly from temporal lobe seizures. Stacia's narrative underscores the complexities of living with epilepsy and the potential for personal growth and empowerment through adversity. She highlights the effects of frequent episodes of seizure on maintenance of social relationships and the ability to reminisce about the past. Relating her experience, Stacia dwells on the importance of confronting the reality of living with epilepsy, she emphasizes the significance of understanding seizures to combat the stigma and fear surrounding the condition, and how surgery can improve memory loss and allow People Living with Epilepsy reconnect with their past.  Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League, published by Grin Verlag. Mariam's greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ (22) Olugbodi Mariam | LinkedIn, Mariam Olugbodi (0000-0001-5027-6644) - ORCID and User:Margob28 - Meta Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

The book, Racing Uphill: Confronting a Life with Epilepsy (U of Minnesota Press, 2025), is a memoir and an educational resource, which tells the story of an Emmy Award-winning TV news Journalist, Stacia Kalinoski. The author's aim is beyond giving an account of her experience of epilepsy, her goal is to sensitize readers and inspire epileptic patients and other people battling with ailments that carry social stigma, emphasizing the importance of taking control of one's health. In the book, Stacia Kalinoski recounts her experience of visual distortions and feelings of déjà vu and jamais vujamais vu, which are auras that often precede more severe seizures. She discusses the physical injuries and memory loss resulting from her condition, particularly from temporal lobe seizures. Stacia's narrative underscores the complexities of living with epilepsy and the potential for personal growth and empowerment through adversity. She highlights the effects of frequent episodes of seizure on maintenance of social relationships and the ability to reminisce about the past. Relating her experience, Stacia dwells on the importance of confronting the reality of living with epilepsy, she emphasizes the significance of understanding seizures to combat the stigma and fear surrounding the condition, and how surgery can improve memory loss and allow People Living with Epilepsy reconnect with their past.  Mariam Olugbodi is a university teacher and a writer, she is the author of the monograph titled Stylistic Features in the 2011 and 2012 Final Matches Commentaries in the UEFA Champions League, published by Grin Verlag. Mariam's greatest dream is seeing a world where knowledge is accessible to all. She does this through her volunteering roles on open knowledge platforms as a host and an editor. As part of her effort to maintain inclusion and diversity in knowledge transmission, she volunteers as a teacher in crises contexts. Learn more and connect with Mariam through her social links @ (22) Olugbodi Mariam | LinkedIn, Mariam Olugbodi (0000-0001-5027-6644) - ORCID and User:Margob28 - Meta Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

When the system is stacked against you, when mainstream society sidelines you (or worse), where do you look for liberatory possibilities? Eve Dunbar describes how Ann Petry, author of the 1946 novel “The Street” as well as YA novels about Harriet Tubman and Tituba, insisted on satisfaction and not merely survival. Dunbar also talks about the value of what she calls monstrous work. Eve Dunbar, Monstrous Work and Radical Satisfaction: Black Women Writing under Segregation University of Minnesota Press, 2024 The post Radical Satisfaction appeared first on KPFA.

In Nonbinary Jane Austen, Chris Washington theorizes how Jane Austen envisions a nonbinary future that traverses the two-sex model of gender that we can supposedly see solidifying in the eighteenth century. Arguing that her writing works to abolish gender exclusivity altogether, Washington shows how she establishes a politics that ushers in a future built on plurality and possibility. Chris Washington is associate professor of English at Francis Marion University in South Carolina, USA. Washington is the editor of a recent Norton Critical Edition of Mary Shelley's The Last Man and is the author of Nonbinary Jane Austen, Romantic Revelations: Visions of Post-Apocalyptic Hope and Life in the Anthropocene (University of Toronto Press, 2019), and essays on the literature of the Romantic period and on contemporary theory and philosophy. Tristan Burke researches and teaches eighteenth and nineteenth-century literature and continental philosophy. He is the author of Byronism, Napoleonism, and Nineteenth-Century Realism: Heroes of Their Own Lives? (Routledge, 2022) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Nonbinary Jane Austen, Chris Washington theorizes how Jane Austen envisions a nonbinary future that traverses the two-sex model of gender that we can supposedly see solidifying in the eighteenth century. Arguing that her writing works to abolish gender exclusivity altogether, Washington shows how she establishes a politics that ushers in a future built on plurality and possibility. Chris Washington is associate professor of English at Francis Marion University in South Carolina, USA. Washington is the editor of a recent Norton Critical Edition of Mary Shelley's The Last Man and is the author of Nonbinary Jane Austen, Romantic Revelations: Visions of Post-Apocalyptic Hope and Life in the Anthropocene (University of Toronto Press, 2019), and essays on the literature of the Romantic period and on contemporary theory and philosophy. Tristan Burke researches and teaches eighteenth and nineteenth-century literature and continental philosophy. He is the author of Byronism, Napoleonism, and Nineteenth-Century Realism: Heroes of Their Own Lives? (Routledge, 2022) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Nonbinary Jane Austen, Chris Washington theorizes how Jane Austen envisions a nonbinary future that traverses the two-sex model of gender that we can supposedly see solidifying in the eighteenth century. Arguing that her writing works to abolish gender exclusivity altogether, Washington shows how she establishes a politics that ushers in a future built on plurality and possibility. Chris Washington is associate professor of English at Francis Marion University in South Carolina, USA. Washington is the editor of a recent Norton Critical Edition of Mary Shelley's The Last Man and is the author of Nonbinary Jane Austen, Romantic Revelations: Visions of Post-Apocalyptic Hope and Life in the Anthropocene (University of Toronto Press, 2019), and essays on the literature of the Romantic period and on contemporary theory and philosophy. Tristan Burke researches and teaches eighteenth and nineteenth-century literature and continental philosophy. He is the author of Byronism, Napoleonism, and Nineteenth-Century Realism: Heroes of Their Own Lives? (Routledge, 2022) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Over the course of two decades, publications of the Industrial Workers of the World featured the influential writings of a hobo, transient worker, columnist, poet, and songwriter named T-Bone Slim. Owen Clayton talks about Slim's focus on workers' everyday lives under capitalism, his political stances, his use of humor, and his commitment to worker organizing. Owen Clayton and Iain McIntyre, eds., The Popular Wobbly: Selected Writings of T-Bone Slim University of Minnesota Press, 2025 Owen Clayton, Vagabonds, Tramps, and Hobos: The Literature and Culture of U.S. Transiency, 1890–1940 Cambridge University Press, 2023   The post Wobbly Extraordinaire appeared first on KPFA.