Podcasts about minnesota press

What would it mean to disentangle humanities scholarship from combative, extractive, and colonial ways of knowing and writing? This is the question that animates Quiet Methodologies: Humility in the Humanities (U Minnesota Press), the latest book by literary scholar and poet Suzanne Bost. Quiet Methodologies isn't a traditional work of literary scholarship. Instead, the book reaches toward alternative ways of thinking with and teaching literature, grounded in speculation and conversation. It models a quiet kind of humanities work, committed not to asserting answers but to asking questions, not to claiming mastery but to embracing uncertainty. For all its quietness, then, Quiet Methodologies is a bold and challenging work. Speaking to a moment of crisis within and beyond the academy, its provocations and explorations will be of interest to scholars and students working across humanities disciplines. In conversation with Alix Beeston, Bost shares about the literary archives and scholarly works that helped her to unlearn scholarly conventions. She sets out her vision for reimagining humanities labor in terms of ethical responsibility, receptiveness, care—and even, perhaps, love. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Welcome back, loves!The male gaze didn't begin with film, it was already centuries old by the time cameras appeared. In this episode, I trace how powerful patrons, religious institutions and elite collectors shaped beauty standards through the paintings they commissioned. From reclining Venuses to carefully staged portraits, these images didn't just depict women, they trained viewers how to look at them. But when women finally entered the art world and began painting themselves and each other, the visual language started to shift.By the end of the episode, you may never look at a painting, a movie scene, or even your own camera roll quite the same way again.Are. You. Ready?****************Sources & Further Reading:The Civil Contract of Photography, Ariella Aïsha Azoulay. 2008. Zone Books.Negotiating the Female Body in Art, Elisabeth Bronfen. 1998. University of Chicago Press.Women, Art, and Society, Whitney Chadwick. 1990. Thames & Hudson.Why Love Hurts, Eva Illouz. 2012. Polity Press.The Painting of Modern Life, T. J. Clark. 1985. Princeton University Press.The Will to Change: Men, Masculinity, and Love, bell hooks. 2004. Atria Books.Ways of Seeing, John Berger. 1972. Penguin Books.Museum Frictions, Ivan Karp & Corinne A. Kratz (eds.). 2006. Duke University Press.Women, Art, and Power, Linda Nochlin. 1988. Harper & Row.Old Mistresses: Women, Art, and Ideology, Rozsika Parker & Griselda Pollock. 1981. Routledge & Kegan Paul.Vision and Difference, Griselda Pollock. 1988. Routledge.The Burden of Representation, John Tagg. 1988. University of Minnesota Press.Visual and Other Pleasures, Laura Mulvey. 1989. Palgrave Macmillan.Gender and Art, Gill Perry. 1999. Yale University Press.Cold Intimacies, Eva Illouz. 2007. Polity Press.Art and Agency, Alfred Gell. 1998. Oxford University Press.The Linda Nochlin Reader, Linda Nochlin (ed. by Maura Reilly). 2015. Thames & Hudson.The Guerrilla Girls' Bedside Companion to the History of Western Art, Guerrilla Girls. 1998. Penguin Books.****************Peer-Reviewed Articles & Theoretical EssaysNochlin, Linda. “Why Have There Been No Great Women Artists?” 1971. ARTnews.Pollock, Griselda. “Feminist Interventions in the Histories of Art.” 1988. Various academic journals.Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” 1975. Screen.****************Paintings Mentioned:Venus of Urbino — TitianLa Fornarina — RaphaelPortrait of Eleonora di Toledo with Her Son — Agnolo BronzinoThe Arnolfini Portrait — Jan van EyckGinevra de' Benci — Leonardo da VinciPortrait of Agnolo and Maddalena Doni — RaphaelThe Birth of Venus — Sandro BotticelliDanaë — TitianDanaë — Jean-François de TroySusanna and the Elders — TintorettoGrande Odalisque — IngresLa Maja Desnuda — Francisco GoyaGirl with a Pearl Earring — VermeerThe Three Graces — RubensDiana Leaving the Bath (representing Boucher's mythological nudes)Self‑Portrait as the Allegory of Painting — Artemisia GentileschiSelf‑Portrait with Her Daughter Julie — Élisabeth Vigée Le BrunSelf‑Portrait — Judith LeysterThe Child's Bath — Mary CassattWoman at Her Toilette — Berthe MorisotThe Chess Game — Sofonisba Anguissola****************Leave Us a 5* Rating, it helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on TikTok & Subscribe to our YouTube Channel!YouTube:@beautyunlockedspodcasthourTikTok:tiktok.com/@beautyunlockedthepod****************Intro/Outro Music:“Fame Inc” by Savvier — https://icons8.com/music

What does it mean to feel outclassed by your own creations? In this episode, host Craig is joined by Christopher John Müller, translator and co-editor of the new University of Minnesota Press edition of Günther Anders' The Obsolescence of the Human, and Penn State Philosophy Professor Nicholas de Warren, to explore the life and work of one of the twentieth century's most prescient and overlooked thinkers. Together, we unpack Anders' core concepts, including Promethean shame, the phantom world of mass media, and the shadow of nuclear annihilation, tracing their remarkable relevance to our present age of AI, algorithmic frictionlessness, and digital spectacle.Buy the book: https://www.upress.umn.edu/9781517912659/the-obsolescence-of-the-human/Support the showSupport the podcast:AHRCCurrent classes at Acid Horizon Research Commons (AHRC): acidhorizonresearchcommons.comAHRC Course Archive: https://www.acidhorizonpodcast.com/ahrc-course-archivesSubmit your course proposal: acidhorizonresearchcommons@gmail.comMore LinksWebsite: https://www.acidhorizonpodcast.com/Linktree: https://linktr.ee/acidhorizonAcid Horizon on Patreon: https://www.patreon.com/acidhorizonpodcast Boycott Watkins Media: https://xenogothic.com/2025/03/17/boycott-watkins-statement/ Subscribe to us on your favorite podcast: https://pod.link/1512615438Merch: http://www.crit-drip.comSubscribe to us on your favorite podcast platform: https://pod.link/1512615438 LEPHT HAND: https://www.patreon.com/LEPHTHANDHappy Hour at Hippel's (Adam's blog): https://happyhourathippels.wordpress.com​Split Infinities (Craig's Substack): https://splitinfinities.substack.com/​Music: https://sereptie.bandcamp.com/ and https://thecominginsurrection.bandcamp.com/

In dieser Folge frage ich: Wie sind wir eigentlich bei Reality TV gelandet? Dafür gehe ich weit zurück – bis ins Jahr 1810 – und verfolge den roten Faden von Hagenbecks Menschenzoos über die technische Revolution der portablen Kamera, den Quiz Show Skandal der 1950er, die ersten Familiendokumentationen der 1970er und die großen europäischen Exportformate der späten 1990er bis hin zu dem Moment, in dem Reality TV aufhört, eine Notlösung zu sein – und zur Antwort wird. Eine Folge über Technik, Geld, Ausbeutung, echte Menschen vor der Kamera – und eine sehralte menschliche Neugier, die sich bis heute nicht verändert hat.Bewegtbild:Sara Baartman & Menschenzoos⚠️ Triggerwarnung: Der NDR-Beitrag zeigt historische Werbematerialien mit explizitem Rassismus sowie sexistische und rassistische Schilderungen der Behandlung von Menschen in Hagenbecks Menschenzoos.Hagenbeck und die Menschenzoos (NDR Panorama, 2022) Sara Baartman – Dokumentation Die technische RevolutionPrimary (1960) – Robert Drews bahnbrechender Dokumentarfilm über Kennedys Wahlkampf Candid Camera & der Quiz Show ScandalCandid Camera – OriginalclipsTwenty-One – Clips aus der Quizshow im Zentrum des Skandals Dokumentarfilm-Tradition⚠️ Triggerwarnung: Titicut Follies zeigt Menschen in einer psychiatrischen Strafanstalt unter würdelosen Bedingungen – das sind keine leichten Bilder.Titicut Follies (1967) – Frederick Wisemans verbotener Dokumentarfilm Die PioniersendungenAn American Family – Folge 1 (PBS, 1973)The Family – Komplette Playlist (BBC, 1974) Die Fußbroichs – Ein Kinderzimmer (1979, der erste Film) Die Fußbroichs – Komplette Playlist Europa exportiert Reality TVExpedition Robinson – Erste Staffel (SVT, 1997) Big Brother Niederlande – Erste Staffel (Veronica, 1999) Die wirtschaftliche LogikCOPS – Folge 1 (Fox, 1989)

During the late 1950s through the early 1970s, Helen Hoover's stories and essays of life in the wilderness on northern Minnesota's Gunflint Lake, published in popular magazines and several bestselling books (including The Gift of the Deer in 1966 and A Place in the Woods in 1969), found millions of fans and earned her accolades alongside nature writers like Sigurd Olson, Rachel Carson, Sally Carrighar, and Calvin Rutstrum. Hoover's own unlikely history of leaving a corporate career in Chicago for a small cabin without electricity or running water is just one chapter of the remarkable life that David Hakensen describes in Her Place in the Woods: The Life of Helen Hoover. This first complete biography illuminates how Helen Hoover (1910–1984) made a place for herself and for countless readers in, as she put it, the world of her time. On October 20, 2025, Hakensen was joined in conversation with Annette Atkins at the Minnesota Historical Society. This is the full audio of their conversation.David Hakensen is an award-winning public relations executive with more than forty years of experience. He has served on several nonprofit boards and was president of the executive council of the Minnesota Historical Society from 2018-2023.Annette Atkins is a scholar, teacher, public historian, and professor emerita at Saint John's University and the College of Saint Benedict in Collegeville, Minnesota. Atkins is author of Creating Minnesota: A History from the Inside Out.Praise for the book:"None of it was easy. None of it was a straight line. Much was laced with human paradox and contradiction and courage. David tells Helen's remarkable story with grace and understanding, helping readers to discover the real woman behind the myth and why her place in the woods is still the stuff of dreams."—Douglas Wood, author of A Wild Path"A compelling portrait of an uncompromising artist. It is an excellent companion to her works and will surely assist a long-overdue Helen Hoover revival."—Ann McCutchan, author of The Life She Wished to LiveHer Place in the Woods: The Life of Helen Hoover is available from University of Minnesota Press.Thank you for listening.

In this free public panel hosted by the Acid Horizon Research Commons, we discuss Digital Theory (University of Minnesota Press) with contributors Alexander R. Galloway, M. Beatrice Fazi, Matthew Handelman, and Leif Weatherby. The conversation reframes the digital not as consumer technology but as a fundamental mode of mediation grounded in discreteness. We explore the provocative claim that theory itself is digital, and that digitality precedes contemporary computation. The panel revisits structuralism, number, abstraction, and dialectics to rethink the relationship between logic and representation. Throughout, the discussion challenges nostalgic appeals to the analog and asks what it means to think from within a digital ontological condition.Buy the book: https://www.upress.umn.edu/9781517920197/digital-theory/Current offerings at AHRC: https://www.acidhorizonpodcast.com/ahrc-coursesSupport the showSupport the podcast:Current classes at Acid Horizon Research Commons (AHRC): https://www.acidhorizonpodcast.com/ahrc-mainWebsite: https://www.acidhorizonpodcast.com/Linktree: https://linktr.ee/acidhorizonAcid Horizon on Patreon: https://www.patreon.com/acidhorizonpodcast Boycott Watkins Media: https://xenogothic.com/2025/03/17/boycott-watkins-statement/ Subscribe to us on your favorite podcast: https://pod.link/1512615438Merch: http://www.crit-drip.comSubscribe to us on your favorite podcast platform: https://pod.link/1512615438 LEPHT HAND: https://www.patreon.com/LEPHTHANDHappy Hour at Hippel's (Adam's blog): https://happyhourathippels.wordpress.com​Split Infinities (Craig's Substack): https://splitinfinities.substack.com/​Music: https://sereptie.bandcamp.com/ and https://thecominginsurrection.bandcamp.com/

At age 60, Erica Rand decided to take up pairs figure skating. As two white queer adult skaters, Rand and her partner have come into direct contact with the interconnected binarisms that shape athletic participation, from oversimplified distinctions between cis and trans to the artificial division between athletic and artistic. Rand's book Skating Away from the Binary is a call to transform gender norms in sport. Here, Rand is joined in conversation with Travers and Mary Louis Adams. This conversation was recorded in December 2025.Erica Rand is professor of art and visual culture and of gender and sexuality studies at Bates College. She is author of several books, including Skating Away from the Binary ; Barbie's Queer Accessories; The Ellis Island Snow Globe; Red Nails Black Skates: Gender, Cash, and Pleasure On and Off the Ice; and The Small Book of Hip Checks On Queer Gender, Race, and Writing. She has served on the editorial boards of Radical Teacher and Salacious and co-edits the series Writing Matters! for Duke University Press. In a piece for Global Sports Matters called “Skating Out of the Binary” and in “At the Ice Rink, My Feet End in Knives,” she describes training in a gender non-conforming adult figure skating pairs team, with pairs partner Anna Kellar of the Future of Figure Skating podcast, as they participate in growing efforts to expand inclusion in the sport—a sport mired in racialized heteronormativity that is also being transformed through critically engaged practice and institutional change.Mary Louise Adams is a retired professor from the School of Kinesiology and Health Studies at Queen's University in Ontario, Canada. Adams is author of Artistic Impressions: Figure Skating, Masculinity and the Limits of Sport and The Trouble with Normal: Postwar Youth and the Making of Heterosexuality.Travers is a professor of sociology at Simon Fraser University. They are author of The Trans Generation: How Trans Kids (and Their Parents) are Creating a Gender Revolution; Transgender Athletes in Competitive Sports; and Writing the Public in Cyberspace: Redefining Inclusion on the Net.EPISODE REFERENCES:Podcast, Anna Kellar, The Future of Figure SkatingDanya Lagos, American Journal of Sociology: “Has There Been a Transgender Tipping Point?”Eric A. Stanley, Transgender Studies Quarterly, Gender Self-DeterminationSkating Away from the Binary by Erica Rand is available in the Forerunners series from University of Minnesota Press. An open-access edition is available at manifold.umn.edu. Thank you for listening. 

We're joined by N. Katherine Hayles, Distinguished Research Professor in English at UCLA, to think through cognition in the broadest and most scaled sense. Hayles is among the foundational thinkers of posthumanism in its Anglophone register, and this conversation tracks her intellectual trajectory from the question of how we became posthuman to her most recent project: an integrated cognitive framework that extends from bacteria to AI. The opening provocation is one she has been developing since large language models appeared as a genuinely literary phenomenon, the claim that LLMs do not speak natural language but produce a computational simulation of it.The umwelt of an LLM (its 'operative world-horizon,' in Uexküll's sense) overlaps with the human umwelt enough for communication to occur, but the divergences are large and consequential. This leads to the question of cognition itself. Against definitions that make consciousness the threshold of cognitive status, Hayles proposes the SIEPAL framework: Sensing, Interpreting, Responding, Anticipating, Learning, under which bacteria, algorithms, and ecosystems all qualify as cognitive. The non-conscious, on this account, isn't pre-cognitive but is in many ways more cognitively capable: faster, closer to environmental noise, less committed to the narratives of coherence that consciousness requires.The final section breaks genuinely new ground with Hayles's turn to analog computation: the argument that digital computation is a historical blip, that biological life has always operated on analog principles, and that the future of computation (neuromorphic chips, organoid computers, hybrid analog-digital architectures) represents not a departure from but a return to what life has always done. She proposes the analog humanities as a corrective to digital humanities, and the computational humanities as the synthesis that might finally close the gap between biological and technological cognition. This one is very much worth enjoying in dialogue with our previous epsiode on the digital.Some references:N. Katherine HaylesHow We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics, University of Chicago Press, 1999Writing Machines, MIT Press, 2002Unthought: The Power of the Cognitive Nonconscious, University of Chicago Press, 2017Postprint: Books and Becoming Computational, Columbia University Press, 2021Bacteria to AI: Cognition Across Scales (referenced as new/recent book)Leif WeatherbyLanguage Machines: Cultural AI and the End of Remainder Humanism, University of Minnesota Press, 2025Jakob von Uexküll — concept of the Umwelt; the species-specific world-horizon generated through particular sensory and neurological capacitiesWalter FreemanHow Brains Make Up Their Minds, Columbia University Press, 1999 — on EEG waves as the mediating mechanism between individual neurons and global hemispheric activation; the rabbit olfactory system experimentsGregory Bateson — on systems that lose the ability to receive feedback collapsing; referenced without specific title (e.g. Steps to an Ecology of Mind, 1972)Peter Haff — the technosphereStuart Kauffman & Giuseppe Longo, for arguing that biological organisms cannot be mapped into phase space and always follow the adjacent possibleWarren McCulloch & Walter Pitts — the McCulloch-Pitts neuron as a binary model with analog processes underlying the firing thresholdBernd Ulmann — here referenced as an expert on analog computing who argues that continuity vs. discreteness is a secondary rather than primary distinction between analog and digital

We're joined by Rosi Braidotti, Distinguished University Professor Emerita at Utrecht University and founding director of the Centre for the Humanities, for a wide-ranging conversation on posthumanism as both a philosophical project and a political orientation.Braidotti's work has constructed one of the most sustained and consequential accounts of what comes after the collapse of Eurocentric 'humanism.' The conversation traces the long arc from her early intervention on nomadic subjectivity, a materialist corrective to postmodernism's drift into linguistic relativism, through the ethical and ontological turn that her posthumanist project represents. Where poststructuralism gave us the critique of the subject as origin, nomadism gave us a subject that is grounded, embodied, multiple, and in motion.Central to the episode is the missing link in the American reception of French theory: the radical materialist tradition of Deleuze and Guattari, which diagnosed capitalism's schizophrenic logic (its ability to deterritorialize and adapt faster than any opposition) long before it became common sense. Braidotti traces the suppression of that critique through the French Communist Party's blacklists, the invention of "French theory" as an exportable product stripped of its political economy, and the consequences for a left that lost the ability to think technogenesis, cognitive capitalism, or the mutation of subjectivity under media saturation.The conversation then turns to fascism as concept rather than historical event: the philosophical move that Deleuze and Guattari made and that Foucault named in his preface to Anti-Oedipus. This allows Braidotti to connect micro-fascism (the cult of negativity, the eroticization of power-as-humiliation, the viral spread of impotence) to the coherent neo-fascist philosophical tradition running from Alain de Benoit through the Heritage Foundation and Budapest to Peter Thiel's Yale dissertation on sacrifice. While the left blocked its own analytical capacities, the right was doing serious philosophical work.Against all of this, Bradiotti proposes affirmative ethics: a Spinozist praxis of activating what a body can do. The episode ends thinking through scale, how affirmative ethics operates from the city to the planetary, and the urgency of the European federalist project as the only existing institutional attempt to participate in decisions about what we could possibly become.Some references:Rosi BraidottiPatterns of Dissonance, Polity Press, 1991Nomadic Subjects: Embodiment and Sexual Difference in Contemporary Feminist Theory, Columbia University Press, 1994Metamorphoses: Towards a Materialist Theory of Becoming, Polity Press, 2002Transpositions: On Nomadic Ethics, Polity Press, 2006The Posthuman, Polity Press, 2013Gilles Deleuze & Félix GuattariAnti-Oedipus: Capitalism and Schizophrenia, 1972 (English trans. 1977, preface by Michel Foucault)A Thousand Plateaus: Capitalism and Schizophrenia, 1980Félix GuattariThe Three Ecologies, 1989 (English trans. 1991)Michel FoucaultPreface to the American edition of Anti-Oedipus, 1977SpinozaEthicsTheological-Political TreatiseAntonio NegriThe Savage Anomaly: The Power of Spinoza's Metaphysics and Politics, 1981Genevieve LloydPart of Nature: Self-Knowledge in Spinoza's Ethics, University of Minnesota Press, 1994Spinoza and the Ethics, Routledge, 1996Antonio DamasioDescartes' Error: Emotion, Reason, and the Human Brain, 1994Looking for Spinoza: Joy, Sorrow, and the Feeling Brain, 2003Simone de BeauvoirThe Second Sex, 1949Frantz Fanon — mentioned in relation to decolonial thought and the anti-fascist generation Herbert MarcuseOne-Dimensional Man, 1964Eros and Civilization, 1955Rosa Luxemburg — cited as an ecological thinker; the dialogue with Lenin in Zurich narrated by Isaiah Berlin Isaiah Berlin — on Spinoza and radical enlightenment; on Rosa LuxemburgAltiero SpinelliThe Ventotene Manifesto, 1941 — founding document of the European federalist projectDonna Haraway"A Cyborg Manifesto," 1985VNS Matrix"A Cyberfeminist Manifesto for the 21st Century," 1991Alain de Benoist — neo-fascist philosopher, intellectual architect of the European New Right; cited as formative influence on Steve Bannon and the Heritage Foundation / Budapest / Rome foundation networksJulius Evola — philosopher of Italian fascism; cited alongside de Benoist as daily reference for BannonPeter Thiel — PhD dissertation on René Girard and the concept of sacrifice, Stanford / Yale; position papers on technological selection and extinction

In Drama of Democracy: Political Representation in Mumbai (U Minnesota Press, 2025), Lisa Björkman invites our attention to political form and how they allow us to appreciate the various mediums through which representation is negotiated. Drawing on a decade of research in the city of Mumbai closely following the movements of corporation election candidates, protesting crowds, political rally organisers, and social workers, the book maps the linguistic, visual, sonic, and semiotic tools used to construct the spectacle of democracy. It asks: how does the figure of the crowd subvert what euromodern conceptions of political representation? How do films and their constructions of the public, the organising of rallies, election season cash flows, garlanding, placards and slogans in protests inform new meanings of representation? Through this richly engaging and genre-breaking work, Bjorkman offers new ways – originating from Mumbai – to explain the reorganisation of political authority around the world. Lisa Björkman is an Associate Professor in Urban and Public Affairs at the University of Louisville. She is the author of Pipe Politics, Contested Waters: Embedded Infrastructures of Millennial Mumbai, Waiting Town: Life in Transit and Mumbai's Other World-Class Histories, and Bombay Brokers. Lisa is also a research associate at the Max Planck Institute for Social Anthropology in Halle. Raghavi Viswanath is a postdoctoral researcher and teaching fellow at SOAS, University of London. Her research, supported by the Leverhulme Trust, examines how pastoralists claim grazing rights under India's Forest Rights Act 2006 and how the everyday processes of staking such claims has been impacted by the authoritarian turn in India. LinkedIn. Email:rv13@soas.ac.uk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Drama of Democracy: Political Representation in Mumbai (U Minnesota Press, 2025), Lisa Björkman invites our attention to political form and how they allow us to appreciate the various mediums through which representation is negotiated. Drawing on a decade of research in the city of Mumbai closely following the movements of corporation election candidates, protesting crowds, political rally organisers, and social workers, the book maps the linguistic, visual, sonic, and semiotic tools used to construct the spectacle of democracy. It asks: how does the figure of the crowd subvert what euromodern conceptions of political representation? How do films and their constructions of the public, the organising of rallies, election season cash flows, garlanding, placards and slogans in protests inform new meanings of representation? Through this richly engaging and genre-breaking work, Bjorkman offers new ways – originating from Mumbai – to explain the reorganisation of political authority around the world. Lisa Björkman is an Associate Professor in Urban and Public Affairs at the University of Louisville. She is the author of Pipe Politics, Contested Waters: Embedded Infrastructures of Millennial Mumbai, Waiting Town: Life in Transit and Mumbai's Other World-Class Histories, and Bombay Brokers. Lisa is also a research associate at the Max Planck Institute for Social Anthropology in Halle. Raghavi Viswanath is a postdoctoral researcher and teaching fellow at SOAS, University of London. Her research, supported by the Leverhulme Trust, examines how pastoralists claim grazing rights under India's Forest Rights Act 2006 and how the everyday processes of staking such claims has been impacted by the authoritarian turn in India. LinkedIn. Email:rv13@soas.ac.uk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

In Drama of Democracy: Political Representation in Mumbai (U Minnesota Press, 2025), Lisa Björkman invites our attention to political form and how they allow us to appreciate the various mediums through which representation is negotiated. Drawing on a decade of research in the city of Mumbai closely following the movements of corporation election candidates, protesting crowds, political rally organisers, and social workers, the book maps the linguistic, visual, sonic, and semiotic tools used to construct the spectacle of democracy. It asks: how does the figure of the crowd subvert what euromodern conceptions of political representation? How do films and their constructions of the public, the organising of rallies, election season cash flows, garlanding, placards and slogans in protests inform new meanings of representation? Through this richly engaging and genre-breaking work, Bjorkman offers new ways – originating from Mumbai – to explain the reorganisation of political authority around the world. Lisa Björkman is an Associate Professor in Urban and Public Affairs at the University of Louisville. She is the author of Pipe Politics, Contested Waters: Embedded Infrastructures of Millennial Mumbai, Waiting Town: Life in Transit and Mumbai's Other World-Class Histories, and Bombay Brokers. Lisa is also a research associate at the Max Planck Institute for Social Anthropology in Halle. Raghavi Viswanath is a postdoctoral researcher and teaching fellow at SOAS, University of London. Her research, supported by the Leverhulme Trust, examines how pastoralists claim grazing rights under India's Forest Rights Act 2006 and how the everyday processes of staking such claims has been impacted by the authoritarian turn in India. LinkedIn. Email:rv13@soas.ac.uk Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

In Drama of Democracy: Political Representation in Mumbai (U Minnesota Press, 2025), Lisa Björkman invites our attention to political form and how they allow us to appreciate the various mediums through which representation is negotiated. Drawing on a decade of research in the city of Mumbai closely following the movements of corporation election candidates, protesting crowds, political rally organisers, and social workers, the book maps the linguistic, visual, sonic, and semiotic tools used to construct the spectacle of democracy. It asks: how does the figure of the crowd subvert what euromodern conceptions of political representation? How do films and their constructions of the public, the organising of rallies, election season cash flows, garlanding, placards and slogans in protests inform new meanings of representation? Through this richly engaging and genre-breaking work, Bjorkman offers new ways – originating from Mumbai – to explain the reorganisation of political authority around the world. Lisa Björkman is an Associate Professor in Urban and Public Affairs at the University of Louisville. She is the author of Pipe Politics, Contested Waters: Embedded Infrastructures of Millennial Mumbai, Waiting Town: Life in Transit and Mumbai's Other World-Class Histories, and Bombay Brokers. Lisa is also a research associate at the Max Planck Institute for Social Anthropology in Halle. Raghavi Viswanath is a postdoctoral researcher and teaching fellow at SOAS, University of London. Her research, supported by the Leverhulme Trust, examines how pastoralists claim grazing rights under India's Forest Rights Act 2006 and how the everyday processes of staking such claims has been impacted by the authoritarian turn in India. LinkedIn. Email:rv13@soas.ac.uk Learn more about your ad choices. Visit megaphone.fm/adchoices

Ever heard of cognitive dissonance? That thing a psychology lecturer might have explained to you once upon a time, likely using the same UFO cult example everyone else uses. Well, a new paper by Thomas Kelly suggests that the UFO cult example might have been ever so slightly oversold.Kelly's archival work suggests that the researchers didn't just observe the cult as reported. Instead, they infiltrated it, faked supernatural experiences, assumed quasi-leadership roles, and then wrote up the results as if the group had spontaneously doubled down on their failed prophecy, which they had not. Because the leader recanted, and the group fell apart shortly after the failed prophecy. Minor details.Matt and Chris discuss this paper, a 2024 multilab replication, and some other papers by Kelly, considering the ever-reliable tendency of researchers to find exactly what they are looking for.It's cognitive dissonance all the way down, folks.The full episode is available to Patreon subscribers (1 hour, 10 minutes).Join us at: https://www.patreon.com/DecodingTheGurusDecoding Academia 34: When Prophecy Fails Debunked?00:00 Introduction02:04 Cognitive Dissonance Theory06:41 Classic lab evidence: effort justification & the ‘severe initiation' study08:33 When Prophecy Fails: The Original Account10:54 The debunking: archival evidence, misconduct claims, and ethical red flags20:22 Replication reality check: multi-lab results and ‘strong vs weak' dissonance31:40 Beyond one case: survivorship bias, failed prophecies, and early Christianity parallels35:51 Christianity as Historical Anomaly or Cognitive Dissonance Exemplar?41:48 Thomas Kelly: Interesting biosafety takes and a possible Christian lens45:43 The importance of seeking for disconfirming evidence50:23 Conspiracy-theory dynamics & narrative elaboration56:30 Classical Psychological Theories and Personal Motivations01:03:07 Steps that can be taken to reduce biases01:05:01 Stay tentative, check evidence, and don't pick sides too fast01:06:30 A lesson from Scott Alexander!SourcesAcademic Papers and BooksFestinger, L. (1957). A theory of cognitive dissonance. Stanford University Press.Festinger, L., Riecken, H. W., & Schachter, S. (1956). When prophecy fails. University of Minnesota Press.Festinger, L., & Carlsmith, J. M. (1959). Cognitive consequences of forced compliance. The Journal of Abnormal and Social Psychology, 58(2), 203–210. https://doi.org/10.1037/h0041593 (The original induced-compliance/$1/$20 study)Kelly, T. (2026). Debunking "When Prophecy Fails." Journal of the History of the Behavioral Sciences, 62(1), e70043. https://doi.org/10.1002/jhbs.70043Kelly, T. (2025). Failed prophecies are fatal. International Journal for the Study of New Religions, 14(1), 48–71. https://doi.org/10.1558/ijsnr.33085Aronson, E., & Mills, J. (1959). The effect of severity of initiation on...

Fast and Furious Franchising charts the transformation of Hollywood through the story of one of its most successful cinematic universes. Released in 2001, The Fast and the Furious became an unexpected hit, developing into a seven-billion-dollar media franchise with nine direct sequels (so far), one “sidequel,” copious spin-offs, and licensing deals from board games to theme park rides. In Fast and Furious Franchising: How the Serialized Blockbuster Remade Hollywood (U Minnesota Press, 2026), Dr. Dan Hassler-Forest shows how Fast and Furious paved the way for a new form of serialized storytelling that balanced new distribution practices and expansion into international markets with a savvy awareness of representational politics. By following the series's development over the past twenty-five years, Fast and Furious Franchising reveals distinct phases that reflect larger media-industrial trends: the postclassical blockbuster era of the early 2000s; the emergence of the megafranchise between 2008 and 2014; the franchise's “imperial” era, from 2015 through 2019; and the postpandemic crisis era of media saturation and franchise fatigue. While examining this rapidly changing media landscape, Dr. Hassler-Forest offers lively, insightful analyses of the films as they have embraced ever-more-ludicrous plots and unlikely character turns while always maintaining their signature faith in the power of family. As he illuminates the role of the Fast and Furious movies in the global entertainment industry, Dr. Hassler-Forest shows how the films' improbable success proves Dominic Toretto's adage that, whether “you win by an inch or a mile . . . winning's winning.” This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Fast and Furious Franchising charts the transformation of Hollywood through the story of one of its most successful cinematic universes. Released in 2001, The Fast and the Furious became an unexpected hit, developing into a seven-billion-dollar media franchise with nine direct sequels (so far), one “sidequel,” copious spin-offs, and licensing deals from board games to theme park rides. In Fast and Furious Franchising: How the Serialized Blockbuster Remade Hollywood (U Minnesota Press, 2026), Dr. Dan Hassler-Forest shows how Fast and Furious paved the way for a new form of serialized storytelling that balanced new distribution practices and expansion into international markets with a savvy awareness of representational politics. By following the series's development over the past twenty-five years, Fast and Furious Franchising reveals distinct phases that reflect larger media-industrial trends: the postclassical blockbuster era of the early 2000s; the emergence of the megafranchise between 2008 and 2014; the franchise's “imperial” era, from 2015 through 2019; and the postpandemic crisis era of media saturation and franchise fatigue. While examining this rapidly changing media landscape, Dr. Hassler-Forest offers lively, insightful analyses of the films as they have embraced ever-more-ludicrous plots and unlikely character turns while always maintaining their signature faith in the power of family. As he illuminates the role of the Fast and Furious movies in the global entertainment industry, Dr. Hassler-Forest shows how the films' improbable success proves Dominic Toretto's adage that, whether “you win by an inch or a mile . . . winning's winning.” This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Fast and Furious Franchising charts the transformation of Hollywood through the story of one of its most successful cinematic universes. Released in 2001, The Fast and the Furious became an unexpected hit, developing into a seven-billion-dollar media franchise with nine direct sequels (so far), one “sidequel,” copious spin-offs, and licensing deals from board games to theme park rides. In Fast and Furious Franchising: How the Serialized Blockbuster Remade Hollywood (U Minnesota Press, 2026), Dr. Dan Hassler-Forest shows how Fast and Furious paved the way for a new form of serialized storytelling that balanced new distribution practices and expansion into international markets with a savvy awareness of representational politics. By following the series's development over the past twenty-five years, Fast and Furious Franchising reveals distinct phases that reflect larger media-industrial trends: the postclassical blockbuster era of the early 2000s; the emergence of the megafranchise between 2008 and 2014; the franchise's “imperial” era, from 2015 through 2019; and the postpandemic crisis era of media saturation and franchise fatigue. While examining this rapidly changing media landscape, Dr. Hassler-Forest offers lively, insightful analyses of the films as they have embraced ever-more-ludicrous plots and unlikely character turns while always maintaining their signature faith in the power of family. As he illuminates the role of the Fast and Furious movies in the global entertainment industry, Dr. Hassler-Forest shows how the films' improbable success proves Dominic Toretto's adage that, whether “you win by an inch or a mile . . . winning's winning.” This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Historical accounts tend to neglect mixed-ancestry Native Americans: racially and legally differentiated from nonmixed Indigenous people by U.S. government policy, their lives have continually been treated as peripheral to Indigenous societies. Mixed-Blood Histories: Race, Law, and Dakota Indians in the Nineteenth-Century Midwest (U Minnesota Press, 2025) intervenes in this erasure. Using legal, linguistic, and family-historical methods, Dr. Jameson R. Sweet writes mixed-ancestry Dakota individuals back into tribal histories, illuminating the importance of mixed ancestry in shaping and understanding Native and non-Native America from the nineteenth century through today. When the U.S. government designated mixed-ancestry Indians as a group separate from both Indians and white Americans—a distinction born out of the perception that they were uniquely assimilable as well as manipulable intermediate figures—they were afforded rights under U.S. law unavailable to other Indigenous people, albeit inconsistently, which included citizenship and the rights to vote, serve in public office, testify in court, and buy and sell land. Focusing on key figures and pivotal “mixed-blood histories” for the Dakota nation, Dr. Sweet argues that in most cases, they importantly remained Indians and full participants in Indigenous culture and society. In some cases, they were influential actors in establishing reservations and negotiating sovereign treaties with the U.S. government. Culminating in a pivotal reexamination of the U.S.-Dakota War of 1862, Mixed-Blood Histories brings greater diversity and complexity to existing understandings of Dakota kinship, culture, and language while offering insights into the solidification of racial categories and hierarchies in the United States. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Historical accounts tend to neglect mixed-ancestry Native Americans: racially and legally differentiated from nonmixed Indigenous people by U.S. government policy, their lives have continually been treated as peripheral to Indigenous societies. Mixed-Blood Histories: Race, Law, and Dakota Indians in the Nineteenth-Century Midwest (U Minnesota Press, 2025) intervenes in this erasure. Using legal, linguistic, and family-historical methods, Dr. Jameson R. Sweet writes mixed-ancestry Dakota individuals back into tribal histories, illuminating the importance of mixed ancestry in shaping and understanding Native and non-Native America from the nineteenth century through today. When the U.S. government designated mixed-ancestry Indians as a group separate from both Indians and white Americans—a distinction born out of the perception that they were uniquely assimilable as well as manipulable intermediate figures—they were afforded rights under U.S. law unavailable to other Indigenous people, albeit inconsistently, which included citizenship and the rights to vote, serve in public office, testify in court, and buy and sell land. Focusing on key figures and pivotal “mixed-blood histories” for the Dakota nation, Dr. Sweet argues that in most cases, they importantly remained Indians and full participants in Indigenous culture and society. In some cases, they were influential actors in establishing reservations and negotiating sovereign treaties with the U.S. government. Culminating in a pivotal reexamination of the U.S.-Dakota War of 1862, Mixed-Blood Histories brings greater diversity and complexity to existing understandings of Dakota kinship, culture, and language while offering insights into the solidification of racial categories and hierarchies in the United States. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Historical accounts tend to neglect mixed-ancestry Native Americans: racially and legally differentiated from nonmixed Indigenous people by U.S. government policy, their lives have continually been treated as peripheral to Indigenous societies. Mixed-Blood Histories: Race, Law, and Dakota Indians in the Nineteenth-Century Midwest (U Minnesota Press, 2025) intervenes in this erasure. Using legal, linguistic, and family-historical methods, Dr. Jameson R. Sweet writes mixed-ancestry Dakota individuals back into tribal histories, illuminating the importance of mixed ancestry in shaping and understanding Native and non-Native America from the nineteenth century through today. When the U.S. government designated mixed-ancestry Indians as a group separate from both Indians and white Americans—a distinction born out of the perception that they were uniquely assimilable as well as manipulable intermediate figures—they were afforded rights under U.S. law unavailable to other Indigenous people, albeit inconsistently, which included citizenship and the rights to vote, serve in public office, testify in court, and buy and sell land. Focusing on key figures and pivotal “mixed-blood histories” for the Dakota nation, Dr. Sweet argues that in most cases, they importantly remained Indians and full participants in Indigenous culture and society. In some cases, they were influential actors in establishing reservations and negotiating sovereign treaties with the U.S. government. Culminating in a pivotal reexamination of the U.S.-Dakota War of 1862, Mixed-Blood Histories brings greater diversity and complexity to existing understandings of Dakota kinship, culture, and language while offering insights into the solidification of racial categories and hierarchies in the United States. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

Historical accounts tend to neglect mixed-ancestry Native Americans: racially and legally differentiated from nonmixed Indigenous people by U.S. government policy, their lives have continually been treated as peripheral to Indigenous societies. Mixed-Blood Histories: Race, Law, and Dakota Indians in the Nineteenth-Century Midwest (U Minnesota Press, 2025) intervenes in this erasure. Using legal, linguistic, and family-historical methods, Dr. Jameson R. Sweet writes mixed-ancestry Dakota individuals back into tribal histories, illuminating the importance of mixed ancestry in shaping and understanding Native and non-Native America from the nineteenth century through today. When the U.S. government designated mixed-ancestry Indians as a group separate from both Indians and white Americans—a distinction born out of the perception that they were uniquely assimilable as well as manipulable intermediate figures—they were afforded rights under U.S. law unavailable to other Indigenous people, albeit inconsistently, which included citizenship and the rights to vote, serve in public office, testify in court, and buy and sell land. Focusing on key figures and pivotal “mixed-blood histories” for the Dakota nation, Dr. Sweet argues that in most cases, they importantly remained Indians and full participants in Indigenous culture and society. In some cases, they were influential actors in establishing reservations and negotiating sovereign treaties with the U.S. government. Culminating in a pivotal reexamination of the U.S.-Dakota War of 1862, Mixed-Blood Histories brings greater diversity and complexity to existing understandings of Dakota kinship, culture, and language while offering insights into the solidification of racial categories and hierarchies in the United States. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

Historical accounts tend to neglect mixed-ancestry Native Americans: racially and legally differentiated from nonmixed Indigenous people by U.S. government policy, their lives have continually been treated as peripheral to Indigenous societies. Mixed-Blood Histories: Race, Law, and Dakota Indians in the Nineteenth-Century Midwest (U Minnesota Press, 2025) intervenes in this erasure. Using legal, linguistic, and family-historical methods, Dr. Jameson R. Sweet writes mixed-ancestry Dakota individuals back into tribal histories, illuminating the importance of mixed ancestry in shaping and understanding Native and non-Native America from the nineteenth century through today. When the U.S. government designated mixed-ancestry Indians as a group separate from both Indians and white Americans—a distinction born out of the perception that they were uniquely assimilable as well as manipulable intermediate figures—they were afforded rights under U.S. law unavailable to other Indigenous people, albeit inconsistently, which included citizenship and the rights to vote, serve in public office, testify in court, and buy and sell land. Focusing on key figures and pivotal “mixed-blood histories” for the Dakota nation, Dr. Sweet argues that in most cases, they importantly remained Indians and full participants in Indigenous culture and society. In some cases, they were influential actors in establishing reservations and negotiating sovereign treaties with the U.S. government. Culminating in a pivotal reexamination of the U.S.-Dakota War of 1862, Mixed-Blood Histories brings greater diversity and complexity to existing understandings of Dakota kinship, culture, and language while offering insights into the solidification of racial categories and hierarchies in the United States. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

We're joined by the four authors of *Digital Theory* — M. Beatrice Fazi, Alexander R. Galloway, Matthew Handelman, and Leif Weatherby — for a roundtable on their new collaborative work.Digital Theory (University of Minnesota Press, 2025) makes a deceptively simple but far-reaching claim: the digital is theoretical. Not in the sense that we theorize about it, but that digitality itself — mediation through discrete units — is a condition for thinking as such.Just to get it out of the way, listeners to the pod know that these four thinkers need no introduction. This is literally the cohort that we've held in our minds over the past few years (there's probably nobody whose shaped our brains as formatively on this subject than Alexander Galloway, whose writing was the subject of Marek's en route masters thesis and the first PDF sent between Marek and Roberto). The conversation opens up a series of productive disagreements within the group. What's the relationship between the digital and computation? For Fazi, the digital is discretization — "the cut" — while computation is systematization, building, constructing. This distinction allows the book to think the digital before and beyond the computer, back to proto-writing tokens and forward to whatever comes next. A major target here is what Galloway calls "analog philosophy," the dominant strain of theory over the last few decades that privileges affect, sensation, intensity, immanence. Deleuze is named directly as the great philosopher of the analog: obsessed with the fold, hostile to structuralism, drawn to "a language of breaths and screams." The authors aren't throwing Deleuze overboard entirely (to them the "Postscript on the Societies of Control" still hits) but they're skeptical that his ontology can account for digital technology as a form of thought. REFERENCES:*Digital Theory* (In Search of Media series), University of Minnesota Press, 2025 https://www.upress.umn.edu/9781517920197/digital-theory/M. Beatrice Fazi - *Contingent Computation: Abstraction, Experience, and Indeterminacy in Computational Aesthetics*, Rowman & Littlefield, 2018 https://rowman.com/ISBN/9781786606082/Contingent-Computation-Abstraction-Experience-and-Indeterminacy-in-Computational-AestheticsAlexander R. Galloway - *Uncomputable: Play and Politics in the Long Digital Age*, Verso, 2021 https://www.versobooks.com/products/2656-uncomputable - "Golden Age of Analog," *Critical Inquiry* 48, no. 2 (2022) https://www.journals.uchicago.edu/doi/abs/10.1086/717324 - Galloway's website and blog https://cultureandcommunication.org/galloway/Matthew Handelman - *The Mathematical Imagination: On the Origins and Promise of Critical Theory*, Fordham University Press, 2019 https://www.fordhampress.com/9780823283842/the-mathematical-imagination/Leif Weatherby - *Language Machines: Cultural AI and the End of Remainder Humanism*, University of Minnesota Press, 2025 https://www.upress.umn.edu/book-division/books/language-machines (our book of the year, for what it's worth) - *Transplanting the Metaphysical Organ: German Romanticism between Leibniz and Marx*, Fordham University Press, 2016 - Digital Theory Lab at NYU https://as.nyu.edu/faculty/leif-allison-reid-weatherby.htmlSome References Discussed:Gilles Deleuze, "Postscript on the Societies of Control" (1992)Theodor Adorno & Max Horkheimer, *Dialectic of Enlightenment*Euclid, *Elements*, Book V (on analog/logos)Jacques Lacan, *Seminar II: The Ego in Freud's Theory and in the Technique of Psychoanalysis* (on cybernetics)François Laruelle and Alain Badiou, on the genericEve Tuck, "Breaking Up with Deleuze"Hito Steyerl, "How Not to Be Seen: A Fucking Didactic Educational .MOV File" (2013)

Erica Rand has just published a new book called ‘Skating Away from the Binary', which looks at our skating and our struggle to be allowed to compete as a gender-nonconforming pair team, and examines issues around gender binaries, sports, and politics in a very accessible way.As well as being my pairs partner and friend, Erica is a professor of Art and Visual Culture and of Gender and Sexuality Studies at Bates College. Many of her courses concern the intersections of gender, race, and sexuality—including a course called Queer and Trans Sports Studies. A longtime activist and cultural critic, Erica has written on topics ranging from Barbie to Ellis Island, and has used her experience as an adult figure skater and group-lessons coach to help her think and write about opening up sport and movement for all.Transcript: https://docs.google.com/document/d/1ZJtaqOxw0iczfAoyGiiY94Z-fqo8yh3ZX0GvLPTzxm0/edit?tab=t.0 You can order “Skating Away from the Binary” through the University of Minnesota Press: https://www.upress.umn.edu/9781517920555/skating-away-from-the-binary/Links:More about Erica: https://www.bates.edu/faculty/profile...Erica's first book skating book, “Red Nails, Black Skates” https://www.dukeupress.edu/red-nails-...Riki Wilchins, When Texas Came for Our Kids / when-texas-came-for-our-kids You can reach me with comments or suggestions for people I should talk to by email at fsfuturepodcast @ gmail.com or instagram at futurefspodcast.You can also support the podcast by making a one-time or recurring contribution at Ko-Fi.com/futureoffigureskating.

In this segment, Mark is joined by Liz Collin, an Investigative Journalist with Alpha News and the Producer of the documentary, “The Fall of Minneapolis”. Collin discusses Tom Homan's news conference from Minnesota and his comments on his meeting with Minnesota Attorney General Keith Ellison as well as the latest footage of Alex Pretti's violent protesting.

Colin Williamson is an Assistant Professor of Cinema Studies at the University of Oregon. He is a historian of animation, special effects, and nontheatrical film. He specializes in early cinema's place in international histories of art, science, and technology. Colin is the author of "Hidden in Plain Sight: An Archaeology of Magic and the Cinema" (Rutgers University Press, 2015) and "Drawn to Nature: American Animation in the Age of Science" (University of Minnesota Press, 2025). He is Associate Editor at Animation: An Interdisciplinary Journal. He talks about his research and the classes he teaches at the UO. Research Notes: Whitney Phillips is an Associate Professor of Information Politics and Media Ethics and the John L. Hulteng Endowed Chair in Media Ethics and Responsibility in the School of Journalism and Communication at the University of Oregon. She talk about her new book "The Shadow Gospel: How Anti-liberal Demonology Possessed U.S. Religion, Media, and Politics" co-authored with Mark Brockway.

A bold reimagining of life that bridges science, philosophy, cybernetics, and the complexities of biological existence The Organism Is a Theory: Giuseppe Longo on Biology, Mathematics, and AI (Giuseppe Longo and Adam Nocek, 2026) is an intriguing synthesis of decades of interdisciplinary research by eminent mathematician and biological scientist Giuseppe Longo. A unique collaboration between Longo and philosopher of technology Adam Nocek, the volume confronts foundational issues in the history of mathematics, computer science, physics, and theoretical biology. Challenging conventional approaches that apply computational and formalist models to the biological world, Longo reveals how the limitations of these models hinder the understanding of organismic complexity, development, and evolution. Through a critique of dominant scientific paradigms, he emphasizes the need for a new biological theory that accounts for the temporal and spatial intricacies of life. Enhanced by Nocek's comprehensive introduction and a fascinating three-part interview with Longo, The Organism Is a Theory offers a bold rethinking of the biosciences, integrating the work of Alan Turing, Bernhard Riemann, Henri Poincaré, Kurt Gödel, and others into Longo's vision of critical biology. Bridging scientific and philosophical discourses, this book creatively applies insights from mathematics, physics, and computing into the study of the organism to present a new theoretical approach to understanding biological complexity that resists reductive mechanistic and informatic explanations. Retail e-book files for this title are screen-reader friendly with image accompanied by short alt text and/or extended description. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

A bold reimagining of life that bridges science, philosophy, cybernetics, and the complexities of biological existence The Organism Is a Theory: Giuseppe Longo on Biology, Mathematics, and AI (Giuseppe Longo and Adam Nocek, 2026) is an intriguing synthesis of decades of interdisciplinary research by eminent mathematician and biological scientist Giuseppe Longo. A unique collaboration between Longo and philosopher of technology Adam Nocek, the volume confronts foundational issues in the history of mathematics, computer science, physics, and theoretical biology. Challenging conventional approaches that apply computational and formalist models to the biological world, Longo reveals how the limitations of these models hinder the understanding of organismic complexity, development, and evolution. Through a critique of dominant scientific paradigms, he emphasizes the need for a new biological theory that accounts for the temporal and spatial intricacies of life. Enhanced by Nocek's comprehensive introduction and a fascinating three-part interview with Longo, The Organism Is a Theory offers a bold rethinking of the biosciences, integrating the work of Alan Turing, Bernhard Riemann, Henri Poincaré, Kurt Gödel, and others into Longo's vision of critical biology. Bridging scientific and philosophical discourses, this book creatively applies insights from mathematics, physics, and computing into the study of the organism to present a new theoretical approach to understanding biological complexity that resists reductive mechanistic and informatic explanations. Retail e-book files for this title are screen-reader friendly with image accompanied by short alt text and/or extended description. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

A bold reimagining of life that bridges science, philosophy, cybernetics, and the complexities of biological existence The Organism Is a Theory: Giuseppe Longo on Biology, Mathematics, and AI (Giuseppe Longo and Adam Nocek, 2026) is an intriguing synthesis of decades of interdisciplinary research by eminent mathematician and biological scientist Giuseppe Longo. A unique collaboration between Longo and philosopher of technology Adam Nocek, the volume confronts foundational issues in the history of mathematics, computer science, physics, and theoretical biology. Challenging conventional approaches that apply computational and formalist models to the biological world, Longo reveals how the limitations of these models hinder the understanding of organismic complexity, development, and evolution. Through a critique of dominant scientific paradigms, he emphasizes the need for a new biological theory that accounts for the temporal and spatial intricacies of life. Enhanced by Nocek's comprehensive introduction and a fascinating three-part interview with Longo, The Organism Is a Theory offers a bold rethinking of the biosciences, integrating the work of Alan Turing, Bernhard Riemann, Henri Poincaré, Kurt Gödel, and others into Longo's vision of critical biology. Bridging scientific and philosophical discourses, this book creatively applies insights from mathematics, physics, and computing into the study of the organism to present a new theoretical approach to understanding biological complexity that resists reductive mechanistic and informatic explanations. Retail e-book files for this title are screen-reader friendly with image accompanied by short alt text and/or extended description. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A bold reimagining of life that bridges science, philosophy, cybernetics, and the complexities of biological existence The Organism Is a Theory: Giuseppe Longo on Biology, Mathematics, and AI (Giuseppe Longo and Adam Nocek, 2026) is an intriguing synthesis of decades of interdisciplinary research by eminent mathematician and biological scientist Giuseppe Longo. A unique collaboration between Longo and philosopher of technology Adam Nocek, the volume confronts foundational issues in the history of mathematics, computer science, physics, and theoretical biology. Challenging conventional approaches that apply computational and formalist models to the biological world, Longo reveals how the limitations of these models hinder the understanding of organismic complexity, development, and evolution. Through a critique of dominant scientific paradigms, he emphasizes the need for a new biological theory that accounts for the temporal and spatial intricacies of life. Enhanced by Nocek's comprehensive introduction and a fascinating three-part interview with Longo, The Organism Is a Theory offers a bold rethinking of the biosciences, integrating the work of Alan Turing, Bernhard Riemann, Henri Poincaré, Kurt Gödel, and others into Longo's vision of critical biology. Bridging scientific and philosophical discourses, this book creatively applies insights from mathematics, physics, and computing into the study of the organism to present a new theoretical approach to understanding biological complexity that resists reductive mechanistic and informatic explanations. Retail e-book files for this title are screen-reader friendly with image accompanied by short alt text and/or extended description. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science

A bold reimagining of life that bridges science, philosophy, cybernetics, and the complexities of biological existence The Organism Is a Theory: Giuseppe Longo on Biology, Mathematics, and AI (Giuseppe Longo and Adam Nocek, 2026) is an intriguing synthesis of decades of interdisciplinary research by eminent mathematician and biological scientist Giuseppe Longo. A unique collaboration between Longo and philosopher of technology Adam Nocek, the volume confronts foundational issues in the history of mathematics, computer science, physics, and theoretical biology. Challenging conventional approaches that apply computational and formalist models to the biological world, Longo reveals how the limitations of these models hinder the understanding of organismic complexity, development, and evolution. Through a critique of dominant scientific paradigms, he emphasizes the need for a new biological theory that accounts for the temporal and spatial intricacies of life. Enhanced by Nocek's comprehensive introduction and a fascinating three-part interview with Longo, The Organism Is a Theory offers a bold rethinking of the biosciences, integrating the work of Alan Turing, Bernhard Riemann, Henri Poincaré, Kurt Gödel, and others into Longo's vision of critical biology. Bridging scientific and philosophical discourses, this book creatively applies insights from mathematics, physics, and computing into the study of the organism to present a new theoretical approach to understanding biological complexity that resists reductive mechanistic and informatic explanations. Retail e-book files for this title are screen-reader friendly with image accompanied by short alt text and/or extended description. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the thirty years since the Americans with Disabilities Act was signed into law, the lives of disabled people have not improved nearly as much as activists and politicians had hoped. In Crip Negativity (U of Minnesota Press, 2023), J. Logan Smilges shows us what's gone wrong and what we can do to fix it. Leveling a strong critique of the category of disability and liberal disability politics, Smilges asks and imagines what horizons might exist for the liberation of those oppressed by ableism—beyond access and inclusion. Inspired by models of negativity in queer studies, Black studies, and crip theory, Smilges proposes that bad crip feelings might help all of us to care gently for one another, even as we demand more from the world than we currently believe to be possible. J. Logan Smilges (they/them) is assistant professor of English language and literatures at the University of British Columbia and author of Queer Silence: On Disability and Rhetorical Absence (Minnesota, 2022). Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy implementation, and community efforts. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the Un/Livable Cultures podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In the thirty years since the Americans with Disabilities Act was signed into law, the lives of disabled people have not improved nearly as much as activists and politicians had hoped. In Crip Negativity (U of Minnesota Press, 2023), J. Logan Smilges shows us what's gone wrong and what we can do to fix it. Leveling a strong critique of the category of disability and liberal disability politics, Smilges asks and imagines what horizons might exist for the liberation of those oppressed by ableism—beyond access and inclusion. Inspired by models of negativity in queer studies, Black studies, and crip theory, Smilges proposes that bad crip feelings might help all of us to care gently for one another, even as we demand more from the world than we currently believe to be possible. J. Logan Smilges (they/them) is assistant professor of English language and literatures at the University of British Columbia and author of Queer Silence: On Disability and Rhetorical Absence (Minnesota, 2022). Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy implementation, and community efforts. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the Un/Livable Cultures podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

In the thirty years since the Americans with Disabilities Act was signed into law, the lives of disabled people have not improved nearly as much as activists and politicians had hoped. In Crip Negativity (U of Minnesota Press, 2023), J. Logan Smilges shows us what's gone wrong and what we can do to fix it. Leveling a strong critique of the category of disability and liberal disability politics, Smilges asks and imagines what horizons might exist for the liberation of those oppressed by ableism—beyond access and inclusion. Inspired by models of negativity in queer studies, Black studies, and crip theory, Smilges proposes that bad crip feelings might help all of us to care gently for one another, even as we demand more from the world than we currently believe to be possible. J. Logan Smilges (they/them) is assistant professor of English language and literatures at the University of British Columbia and author of Queer Silence: On Disability and Rhetorical Absence (Minnesota, 2022). Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy implementation, and community efforts. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the Un/Livable Cultures podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the thirty years since the Americans with Disabilities Act was signed into law, the lives of disabled people have not improved nearly as much as activists and politicians had hoped. In Crip Negativity (U of Minnesota Press, 2023), J. Logan Smilges shows us what's gone wrong and what we can do to fix it. Leveling a strong critique of the category of disability and liberal disability politics, Smilges asks and imagines what horizons might exist for the liberation of those oppressed by ableism—beyond access and inclusion. Inspired by models of negativity in queer studies, Black studies, and crip theory, Smilges proposes that bad crip feelings might help all of us to care gently for one another, even as we demand more from the world than we currently believe to be possible. J. Logan Smilges (they/them) is assistant professor of English language and literatures at the University of British Columbia and author of Queer Silence: On Disability and Rhetorical Absence (Minnesota, 2022). Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy implementation, and community efforts. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the Un/Livable Cultures podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

In the thirty years since the Americans with Disabilities Act was signed into law, the lives of disabled people have not improved nearly as much as activists and politicians had hoped. In Crip Negativity (U of Minnesota Press, 2023), J. Logan Smilges shows us what's gone wrong and what we can do to fix it. Leveling a strong critique of the category of disability and liberal disability politics, Smilges asks and imagines what horizons might exist for the liberation of those oppressed by ableism—beyond access and inclusion. Inspired by models of negativity in queer studies, Black studies, and crip theory, Smilges proposes that bad crip feelings might help all of us to care gently for one another, even as we demand more from the world than we currently believe to be possible. J. Logan Smilges (they/them) is assistant professor of English language and literatures at the University of British Columbia and author of Queer Silence: On Disability and Rhetorical Absence (Minnesota, 2022). Clayton Jarrard is a Research Project Coordinator at the University of Kansas Center for Research, contributing to initiatives at the nexus of research, policy implementation, and community efforts. His scholarly engagement spans the subject areas of Cultural Anthropology, Queer Studies, Disability Studies, Mad Studies, and Religious Studies. Clayton is also a host for the Un/Livable Cultures podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Andrew, Nick, James, and Parker return after a year to review to the newly translated 1961 novella, The Luminous Fairies and Mothra, written by Shinichiro Nakamura, Takehiro Fukunaga, and Yoshie Hotta, and translated by Jeffrey Angles! We would like to thank the University of Minnesota Press for giving us the opportunity to read this novella before its January 13th, 2026 release date!Introductions - (0:00)Synopsis - (2:56)The Discussion - (6:19)Final Thoughts - (1:03:04)Next Time... - (1:06:15)Sign Off - (1:07:03)Contact Us:Email: gforcekaijupod@gmail.com Bluesky: https://bsky.app/profile/gforcekaijupod.bsky.socialInstagram: https://www.instagram.com/gforcekaijupod/profilecard/?igsh=aWNoYzFtZHIwdHRqFacebook: https://www.facebook.com/share/15UT3JSkpH/?mibextid=wwXIfr

In this festive descent into methodological despair, Chris and Matt convene a secret cabal of elite psychology podcasters within the Decoding Cloister, operating under the distant yet reassuring gaze of Arch-Wizard Paul Bloom, whose role is largely ceremonial but nonetheless morally binding.Joining them are Dave Pizarro (Very Bad Wizards) and Michael Inzlicht (Two Psychologists Four Beers, emeritus), for what can only be described as an end-of-year audit of social psychology's moral character.What follows is a mixture of intense hubris, disciplinary self-loathing, and revolutionary insights, delivered via one of the most sadistic Christmas quizzes ever devised. The quiz format allows the episode to do what psychology does best: create the feeling of measurement while hovering dangerously close to intuition.Alongside the quiz, we engage in some meta-commentary and sensemaking reflections on audience capture and the state of psychology-themed podcasts in 2025. In other words, it's Christmas, so naturally everyone is discussing perverse incentives, damaged reputations, and the slow moral corrosion of institutions.So join us, won't you? For the first International Congress on Psychology-Themed Podcasting and Gurus…LinksMickey's SubstackMickey's Work and Play LabTwo Psychologists Four BeersVery Bad WizardsUhlmann, E. L., Pizarro, D. A., & Diermeier, D. (2015). A person-centered approach to moral judgment. Perspectives on Psychological Science, 10(1), 72-81.Ovsyannikova, D., de Mello, V. O., & Inzlicht, M. (2025). Third-party evaluators perceive AI as more compassionate than expert humans. Communications Psychology, 3(1), 4.ReferencesAlter, A. L., Oppenheimer, D. M., Epley, N., & Eyre, R. N. (2007). Overcoming intuition: Metacognitive difficulty activates analytic reasoning. Journal of Experimental Psychology: General, 136(4), 569–576.Aarts, H., & Dijksterhuis, A. (2003). The silence of the library: Environment, situational norm, and social behavior. Journal of Personality and Social Psychology, 84(1), 18–28.Zimbardo, P. G. (1973). On the ethics of intervention in human psychological research: With special reference to the Stanford Prison Experiment. Cognition, 2(2), 243–256.Resnick, B. (2018, June 13). The Stanford Prison Experiment was massively influential. We just learned it was a fraud. Vox.Festinger, L., Riecken, H. W., & Schachter, S. (1956). When prophecy fails. University of Minnesota Press.

What do technical renderings of plant cells in trees have to do with Disney's animated opus Fantasia? Quite a bit, as it turns out: such emergent scientific models and ideas about nature were an important inspiration for Disney's groundbreaking animated realism. In Drawn to Nature: American Animation in the Age of Science (University of Minnesota Press, 2025), Dr. Colin Williamson presents a vivid portrait of how developments in biology, physics, and geology between 1900 and the long 1960s influenced not just Disney but the American cartoon industry as a whole. Drawing on original research on the scientific appetites of animators and studios such as Winsor McCay, the Fleischer Brothers, Walt Disney, and United Productions of America, Dr. Williamson opens new avenues for understanding the history and aesthetics of cartoons. Interrogating the differences between art and science and reconsidering the realms of dream, magic, and fantasy as they pertain to pop culture, he yields novel proposals for bridging longstanding divides between animation, live-action cinema, and the history of science. Drawn to Nature not only illuminates the extent to which animators have drawn on scientific insights, it also considers seriously how commercial animations themselves participate in scientific discourse. It revises and revitalizes our existing narratives about the history of American animation to uncover the many ways science informs our collective cultural imagination. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What do technical renderings of plant cells in trees have to do with Disney's animated opus Fantasia? Quite a bit, as it turns out: such emergent scientific models and ideas about nature were an important inspiration for Disney's groundbreaking animated realism. In Drawn to Nature: American Animation in the Age of Science (University of Minnesota Press, 2025), Dr. Colin Williamson presents a vivid portrait of how developments in biology, physics, and geology between 1900 and the long 1960s influenced not just Disney but the American cartoon industry as a whole. Drawing on original research on the scientific appetites of animators and studios such as Winsor McCay, the Fleischer Brothers, Walt Disney, and United Productions of America, Dr. Williamson opens new avenues for understanding the history and aesthetics of cartoons. Interrogating the differences between art and science and reconsidering the realms of dream, magic, and fantasy as they pertain to pop culture, he yields novel proposals for bridging longstanding divides between animation, live-action cinema, and the history of science. Drawn to Nature not only illuminates the extent to which animators have drawn on scientific insights, it also considers seriously how commercial animations themselves participate in scientific discourse. It revises and revitalizes our existing narratives about the history of American animation to uncover the many ways science informs our collective cultural imagination. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

What do technical renderings of plant cells in trees have to do with Disney's animated opus Fantasia? Quite a bit, as it turns out: such emergent scientific models and ideas about nature were an important inspiration for Disney's groundbreaking animated realism. In Drawn to Nature: American Animation in the Age of Science (University of Minnesota Press, 2025), Dr. Colin Williamson presents a vivid portrait of how developments in biology, physics, and geology between 1900 and the long 1960s influenced not just Disney but the American cartoon industry as a whole. Drawing on original research on the scientific appetites of animators and studios such as Winsor McCay, the Fleischer Brothers, Walt Disney, and United Productions of America, Dr. Williamson opens new avenues for understanding the history and aesthetics of cartoons. Interrogating the differences between art and science and reconsidering the realms of dream, magic, and fantasy as they pertain to pop culture, he yields novel proposals for bridging longstanding divides between animation, live-action cinema, and the history of science. Drawn to Nature not only illuminates the extent to which animators have drawn on scientific insights, it also considers seriously how commercial animations themselves participate in scientific discourse. It revises and revitalizes our existing narratives about the history of American animation to uncover the many ways science informs our collective cultural imagination. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

What do technical renderings of plant cells in trees have to do with Disney's animated opus Fantasia? Quite a bit, as it turns out: such emergent scientific models and ideas about nature were an important inspiration for Disney's groundbreaking animated realism. In Drawn to Nature: American Animation in the Age of Science (University of Minnesota Press, 2025), Dr. Colin Williamson presents a vivid portrait of how developments in biology, physics, and geology between 1900 and the long 1960s influenced not just Disney but the American cartoon industry as a whole. Drawing on original research on the scientific appetites of animators and studios such as Winsor McCay, the Fleischer Brothers, Walt Disney, and United Productions of America, Dr. Williamson opens new avenues for understanding the history and aesthetics of cartoons. Interrogating the differences between art and science and reconsidering the realms of dream, magic, and fantasy as they pertain to pop culture, he yields novel proposals for bridging longstanding divides between animation, live-action cinema, and the history of science. Drawn to Nature not only illuminates the extent to which animators have drawn on scientific insights, it also considers seriously how commercial animations themselves participate in scientific discourse. It revises and revitalizes our existing narratives about the history of American animation to uncover the many ways science informs our collective cultural imagination. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Settler Attachments and Asian Diasporic Film (University of Minnesota Press, 2025) is an interdisciplinary examination of the stubborn attachment of Asian diasporas to settler-colonial ideals and of the decolonial possibilities Asian diasporic films imagine. Author Beenash Jafri uniquely addresses the complexities of Asian–Indigenous relationality through film and visual media, urging film scholars to approach their subjects with an eye to the entanglements of race, diaspora, and Indigeneity. Beenash Jafri is an associate professor of Gender, Sexuality and Women's Studies at UC Davis. Her work engages longstanding debates on relationality and coalition across feminist and queer, Indigenous and critical ethnic studies. She is the co-editor of Cultural Studies in the Interregnum (Temple University Press, 2025), and of Amerasia's forthcoming special issue on Asian Settler Colonial Critique. Her writing has been published in academic venues such as GLQ: A Journal of Lesbian and Gay Studies, Feminist Studies, Settler Colonial Studies, American Indian Culture and Research Journal, Cultural Studies-Critical Methodologies, and Lateral: Journal of the Cultural Studies Association; and in public venues such as Reappropriate, Public Books, ASAP/J, Truthout, and Briarpatch Magazine. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Settler Attachments and Asian Diasporic Film (University of Minnesota Press, 2025) is an interdisciplinary examination of the stubborn attachment of Asian diasporas to settler-colonial ideals and of the decolonial possibilities Asian diasporic films imagine. Author Beenash Jafri uniquely addresses the complexities of Asian–Indigenous relationality through film and visual media, urging film scholars to approach their subjects with an eye to the entanglements of race, diaspora, and Indigeneity. Beenash Jafri is an associate professor of Gender, Sexuality and Women's Studies at UC Davis. Her work engages longstanding debates on relationality and coalition across feminist and queer, Indigenous and critical ethnic studies. She is the co-editor of Cultural Studies in the Interregnum (Temple University Press, 2025), and of Amerasia's forthcoming special issue on Asian Settler Colonial Critique. Her writing has been published in academic venues such as GLQ: A Journal of Lesbian and Gay Studies, Feminist Studies, Settler Colonial Studies, American Indian Culture and Research Journal, Cultural Studies-Critical Methodologies, and Lateral: Journal of the Cultural Studies Association; and in public venues such as Reappropriate, Public Books, ASAP/J, Truthout, and Briarpatch Magazine. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Settler Attachments and Asian Diasporic Film (University of Minnesota Press, 2025) is an interdisciplinary examination of the stubborn attachment of Asian diasporas to settler-colonial ideals and of the decolonial possibilities Asian diasporic films imagine. Author Beenash Jafri uniquely addresses the complexities of Asian–Indigenous relationality through film and visual media, urging film scholars to approach their subjects with an eye to the entanglements of race, diaspora, and Indigeneity. Beenash Jafri is an associate professor of Gender, Sexuality and Women's Studies at UC Davis. Her work engages longstanding debates on relationality and coalition across feminist and queer, Indigenous and critical ethnic studies. She is the co-editor of Cultural Studies in the Interregnum (Temple University Press, 2025), and of Amerasia's forthcoming special issue on Asian Settler Colonial Critique. Her writing has been published in academic venues such as GLQ: A Journal of Lesbian and Gay Studies, Feminist Studies, Settler Colonial Studies, American Indian Culture and Research Journal, Cultural Studies-Critical Methodologies, and Lateral: Journal of the Cultural Studies Association; and in public venues such as Reappropriate, Public Books, ASAP/J, Truthout, and Briarpatch Magazine. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Exploded Views: Speculative Form and the Labor of Inquiry (U Minnesota Press, 2025) is the latest book by scholar Jonathan P. Eburne, J. H. Hexter Professor in the Humanities at Washington University in St. Louis. An experiment in returning to incomplete scholarly projects to renovate and reimagine them, the book stages a series of encounters with essays “suspended in process”: essays that Jonathan began writing but that didn't materialize in their intended form. Fascinating, witty, and original, Exploded Views is a record of Jonathan's intellectual curiosity in its rich idiosyncrasy—from the parasitical deformations of insect galls to the speculative science of “orgone energy,” from Leonora Carrington's surrealist art and literature to methamphetamine addiction in the time of late capitalism, and more. It's also a challenge for scholars to account for the many kinds of labor that make and unmake scholarship, and, just as importantly, an unabashed defence of "nerding out" as the humanities scholar's prerogative. This conversation brings together Exploded Views with the work of NBN host Alix Beeston, whose interest in abandoned and interrupted scholarly and creative works informs her recent co-edited book Incomplete. Like Exploded Views itself, Jonathan and Alix's frank and wide-ranging discussion brings to the foreground the kinds of scholarly activity that usually sit in the background of scholarly writing, not least the communities, relationships, and environments that define intellectual labor. What does it mean, Jonathan and Alix ask, to be doing the kind of work we do as scholars? What does it feel like to do this work? What does it require or cost? And what might be the value of cultural criticism as an inventive, creative practice—or even, perhaps, a form of relational labor akin to friendship? The non-profit bookstore Jonathan helped to found is The Print Factory in Bellafonte, Pennsylvania—check it out if you're in the area! Exploded Views is available now from the University of Minnesota Press. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

"In the Process, I came to realize ... how nature in my own life had been such a healing force." - James Bonilla We wrap up season 11 with New York-born Puerto Rican writer and retired professor emeritus, James Bonilla. James's story is filled with transformation, healing, and wisdom. Born with congenital cataracts, at the age of nine, his right eye was injured in school by a fellow student's actions. For over ten years, James was blind. At the age of 19, doctors removed the cataracts (although the childhood injury remained). On his way home from the hospital, he remembers seeing the world in Technicolor through his own eyes. As a writer, James was comfortable writing about his identities as a Puerto Rican and a person with impaired sight. But it wasn't until he did the Process that he could accept his family's struggle with mental illness. He released patterns of shame that stemmed from his experiences of abandonment as a young child. In accepting his own mental illness, James found deeper healing of those issues through the power of nature. He realized that nature had been a constant source of healing throughout his life. Upon graduating, James felt called to share his experience healing mental illness with others. Because of his work at the Process, James emerged emboldened to share this experience in his new memoir, An Eye for An I. We hope you enjoy this inspiring conversation with James and Drew. We'll be back in early 2026 with season 12 of the Hoffman Podcast. Content Warning: This episode mentions suicide and includes intense emotional content and targeted racism. Please use your discretion. If you or someone you know is suicidal, reach out to The National Suicide Prevention Lifeline at 800-273-TALK (8255), or message the Crisis Text Line at 741741. More about James Bonilla James Francisco Bonilla is a New York-born Puerto Rican writer and retired professor emeritus of cultural competence and leadership at Hamline University in St. Paul, MN. James was born with congenital cataracts and has never had sight in his left eye. Following a racially-motivated assault at age nine, he lost much of his remaining sight in the right eye. Ten years later, a medical breakthrough restored sight to his right eye. Seeking relief and inspiration, he found unexpected solace in the natural world. This discovery led him toward both personal healing and advocacy work. Due to his experiences, James was drawn into the early disability rights movement and community organizing. This helped shape his work as a nationally recognized social justice educator and environmentalist. James received his doctoral degree from the University of Massachusetts, Amherst, School of Education in Organizational Leadership. He is a former Chair of the Faculty Advisory Committee to the National Conference on Racial & Ethnic Diversity in American Higher Education. He has made hundreds of presentations to universities, conferences, and human service organizations in the area of diversity, including outdoor education and environmental programs. His memoir, An Eye for An I: Growing Up With Blindness, Bigotry, and Family Mental Illness, was just released by the University of Minnesota Press. In it, he invites readers to empathize and consider their own potential to be of service in a broken, yet beautiful world. Read more about James' memoir on Hamline University's site. Follow James on Facebook and LinkedIn. Learn more about James here. Listen on Apple Podcasts As mentioned in this episode: Nuyorican: "The Nuyorican movement is a cultural and intellectual movement involving poets, writers, musicians, and artists who are Puerto Rican or of Puerto Rican descent, who live in or near New York City, and either call themselves or are known as Nuyoricans." Read more... Congenital Cataracts New York Association for the Blind Lisa Wenger, Hoffman teacher and coach •   Listen to Lisa on the Hoffman Podcast - The Sparkle in Her ...

As the environmental crisis worsens, not everyone is drawing the same lessons. On the far right, xenophobic and racist ideas are increasingly dressed up as means of protecting nature. And, as scholar Alexander Menrisky posits, contemporary American culture furnishes a wealth of material for the right, from the ubiquity of apocalyptic and misanthropic ideas to concerns with Wellness and bodily purity. (Encore presentation.) Alexander Menrisky, Everyday Ecofascism: Crisis and Consumption in American Literature University of Minnesota Press, 2025 The post The Fodder of Eco-Fascism appeared first on KPFA.

Writer and researcher Sasha Davis speaks to This Is Hell! to talk about his new book “Replace The State: How To Change The World When Elections And Protests Fail”, published by University of Minnesota Press. The book talks about bringing new hope for social justice movements by looking to progressive campaigns that have found success by unconventional, and more direct, means since elections and protests might have become stagnated in regards to bring forth societal change. (https://www.upress.umn.edu/9781517919528/replace-the-state/) We will have new installments of Rotten History and Hangover Cure. We will also be sharing your answers to this week's Question from Hell! from Patreon. Help keep This Is Hell! completely listener supported and access bonus episodes by subscribing to our Patreon: www.patreon.com/thisishell

Writer and researcher Sasha Davis speaks to This Is Hell! to talk about his new book “Replace The State: How To Change The World When Elections And Protests Fail”, published by University of Minnesota Press. The book talks about bringing new hope for social justice movements by looking to progressive campaigns that have found success by unconventional, and more direct, means since elections and protests might have become stagnated in regards to bring forth societal change. (https://www.upress.umn.edu/9781517919528/replace-the-state/) Help keep This Is Hell! completely listener supported and access bonus episodes by subscribing to our Patreon: www.patreon.com/thisishell