Podcasts about minnesota press

Earl Lind, Ralph Werther, and Jennie June were all pseudonyms of the same person, who wrote what are sometimes described as the first autobiographies of a transgender person ever published in the West. Research: “Lost transgender memoir from 1921 discovered by Drexel researcher” (2010, October 13) retrieved 13 March 2023 from https://phys.org/news/2010-10-lost-transgendermemoir-1921-drexel.html Book Notes. “The American Journal of Psychology, Vol. 30, No. 2 (Apr., 1919).” https://www.jstor.org/stable/1414118 Ellis, Havelock. “Eonism and other supplementary studies.” F.A. Davis. 1928. Gearhardt, Nan. “Rethinking Trans History and Gay History in Early Twentieth-Century New York.” QED: A Journal in GLBTQ Worldmaking , Vol. 6, No. 1 (Spring 2019). Via JSTOR. https://www.jstor.org/stable/10.14321/qed.6.1.0026 Joseph, Channing Gerard. “Who Was Jennie June?” OutHistory. 10/10/2022. https://outhistory.org/exhibits/show/wwjj/wwjj2 Lind, Earl. “Autobiography of an Androgyne.” Edited by Alfred W. Herzog. The Medico-Legal Journal. 1918. https://www.gutenberg.org/cache/epub/67711/pg67711-images.html Meyerowitz, Joanne. “Thinking Sex with an Androgyne.” GLQ: A Journal of Lesbian and Gay Studies, Volume 17, Number 1, 2011. Via Project Muse. https://muse.jhu.edu/article/409154 Peterson, Jules-Gill. “Histories of the Transgender Child.” University of Minnesota Press. 2018. Ralph Werther - Jennie June. “Boy – But Never Man.” The American Journal of Urology and Sexology. Volume 15. No. 3. March 1919. https://archive.org/details/americanjournalo1519unse/ Ralph Werther - Jennie June. “Protest from an Androgyne.” The American Journal of Urology and Sexology. Volume 15. No. 7. July 1919. https://archive.org/details/americanjournalo1519unse/ Ralph Werther - Jennie June. “The Fairie Boy (An Autobiographical Sketch).” The American Journal of Urology and Sexology. Vol. 14. No. 10. October 1918. https://archive.org/details/americanjournalo1419unse Ralph Werther - Jennie June. “The Female Impersonator.” The American Journal of Urology and Sexology. Volume 15. No. 6. June 1919. https://archive.org/details/americanjournalo1519unse/ Ralph Werther - Jennie June. “The Girl-boy's Suicide.” The American Journal of Urology and Sexology. Vol. 14. No. 11. November 1918. https://archive.org/details/americanjournalo1419unse/ Ralph Werther - Jennie June. “The Sorrows of Jennie June.” The American Journal of Urology and Sexology. Volume 15. No. 4. April 1919. https://archive.org/details/americanjournalo1519unse/ Schroth, Peter W. et al. “Perspectives on Law and Medicine Relating to Transgender People in the United States.” The American Journal of Comparative Law, 2018, Vol. 66. Via JSTOR. https://www.jstor.org/stable/10.2307/26497456 Shaheen, Aaron. “Strolling through the Slums of the Past: Ralph Werther's Love Affair with Victorian Womanhood in ‘Autobiography of an Androgyne.'” PMLA , October 2013, Vol. 128, No. 4 (October 2013). Via JSTOR. https://www.jstor.org/stable/23489164 Werther, Ralph. “The female-impersonators.” Edited by Alfred W. Herzog. The Medico-Legal Journal. 1922. https://www.gutenberg.org/cache/epub/70019/pg70019-images.html Werther, Ralph. “The Riddle of the Underworld.” Via OutHistory. https://outhistory.org/exhibits/show/earllind23/manuscript See omnystudio.com/listener for privacy information.

The 5 Cs of History: Context, Episode #3 of 4. There are few individuals in American history with as divided a legacy as Margaret Sanger. For many, she was a pioneer of women's health, an important birth control activist, and founder of Planned Parenthood. For others, Sanger represents the immorality of feminism and insidious evil of reproductive choice. Yet others see Sanger as a eugenicist orchestrating a genocide against the Black American population. Radical, unconventional, and outspoken, Sanger is an endlessly useful character for modern day political ends. Which is it? Was Margaret Sanger good or evil? If we slow down, think like historians, and examine Sanger's beliefs and actions within their historical context, we can get a bit closer to the reality. For the transcript and access to our resources for educators, visit digpodcast.org Bibliography Baker, Jean H. Margaret Sanger: A Life of Passion. New York: Hill and Wang, 2011.  Lamp, Sharon. “‘It is For the Mother:' Feminist Rhetorics of Disability During the American Eugenics Period.” Disability Studies Quarterly 26 (2006).  Ordover, Nancy. American Eugenics: Race, Queer Anatomy, and the Science of Nationalism. Minneapolis: University of Minnesota Press, 2003.  Sanger, Margaret. My Fight for Birth Control. New York: Farrar & Rinehart, 1931.  Thompson, Lauren MacIvor. “The Offspring of Drunkards: Gender, Welfare, and the Eugenic Politics of Birth Control and Alcohol Reform in the United States.” The Journal of Law, Medicine & Ethics 49 (2021): 357-364.  Weingarten, Karen. “The Inadvertant Alliance of Anthony Comstock and Margaret Sanger: Abortion, Freedom, and Class in Modern America.” Feminist Formations 22 (Summer 2010): 42-59.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode we are joined by Devin Zane Shaw to talk about his book Philosophy of Antifascism: Punching Nazis and Fighting White Supremacy. We discuss the concept of the ‘three-way fight', what Beauvoir's analysis of the antinomies of action can teach us about emancipatory violence, and the necessity of community self-defense. Ambiguity may be an inescapable condition for those of us who truly care about freedom, but you just cannot have dinner with nazis, comrades.leftofphilosophy.com | @leftofphilReferences:Devin Zane Shaw, Philosophy of Antifascism: Punching Nazis and Fighting White Supremacy (New York: Roman & Littlefield, 2020)Devin Zane Shaw, “Seven Theses on the Three-Way Fight”, at threewayfight: https://threewayfight.blogspot.com/2021/08/seven-theses-on-three-way-fight.htmlGlen Coulthard, Red Skin, White Masks: Rejecting the Colonial Politics of Recognition (Minneapolis: University of Minnesota Press, 2014)Stanislav Vysotsky, American Antifa: The Tactics, Culture, and Practice of Militant Antifascism (New York: Routledge, 2021)Leanne Simpson, As We Have Always Done: Indigenous Freedom through Radical Resistance (Minneapolis: University of Minnesota Press, 2021)Shane Burley, Why We Fight: Essays on Fascism, Resistance, and Surviving the Apocalypse (AK Press, 2021)Music: Vintage Memories by Schematist | schematist.bandcamp.com

Welcome back, for another episode of the “22 Lessons on Ethics and Technology” series. In this episode, I speak with Dr. Lauren Klein about the complicated relationship between data, race, and gender, and what she calls “data feminism.” What is the relationship between data visualizations, representation, and construction of categories—and difference? How have visualizations constructed race and gender? And how can a feminist data science approach help in constructing a more just and equal world? Dr. Lauren Klein is an associate professor in the Departments of English and Quantitative Theory & Methods at Emory University. She received her A.B. from Harvard University and her Ph.D. from the Graduate Center of the City University of New York (CUNY). Her research interests include digital humanities, data science, data studies, and early American literature. Before arriving at Emory, Klein taught in the School of Literature, Media, and Communication at Georgia Tech where she directed the Digital Humanities Lab. She is currently at work on two major projects: the first, Data by Design, is an interactive book on the history of data visualization. Awarded an NEH-Mellon Fellowship for Digital Publication, Data by Design emphasizes how the modern visualizing impulse emerged from a set of complex intellectually and politically-charged contexts in the United States and across the Atlantic. Her second project, tentatively titled Vectors of Freedom, employs a range of quantitative methods in order to surface the otherwise invisible forms of labor, agency, and action involved in the abolitionist movement of the nineteenth-century United States. Dr. Klein is the author of An Archive of Taste: Race and Eating in the Early United States (University of Minnesota Press, 2020). This book shows how thinking about eating can help to tell new stories about the range of people, from the nation's first presidents to their enslaved chefs, who worked to establish a cultural foundation for the United States. Klein is also the co-author (with Catherine D'Ignazio) of Data Feminism (MIT Press, 2020), a trade book that explores the intersection of feminist thinking and data science. With Matthew K. Gold, she edits Debates in the Digital Humanities (University of Minnesota Press), a hybrid print/digital publication stream that explores debates in the field as they emerge. The most recent book in this series is Debates in the Digital Humanities 2019.

Today in the ArtZany Radio studio Paula Granquist welcomes author Rachael Hanel to discuss Not the Camilla We Knew from the University of Minnesota Press. This fascinating read about a good girl from St. Peter, Minnesota explores how she transformed from a social worker to a participant in the kidnapping of heiress Patty Hearst and

“What I find worth remarking upon is the fact that the vast majority of people are so alienated from the Bluefin's life world that they don't know what an extraordinary creature she is—and instead just widely see her as a foodstuff, trafficked on the global market. It's imperative for that worldview to change.” In this episode, we welcome Jennifer E. Telesca, Associate Professor of Environmental Governance in the Department of Geography, Planning, and Environment at the Nijmegen School of Management, Radboud University, the Netherlands. Her work takes a critical approach to ocean studies, spanning the interests of environmental diplomacy, ethnographies of international law in society, the human–animal relationship, political economy, the politics of extinction, and science and technology in policymaking. She conducts fieldwork at the United Nations and in treaty bodies, diplomatic missions, and other sites scaled supranationally. Red Gold: The Managed Extinction of the Giant Bluefin Tuna (University of Minnesota Press, 2020) is Telesca's first single-authored book. Its on-the-ground, first-person research has shown just how damned the lives of fishes are in the very world entrusted to care for them in ocean governance. Her second book on hydrothermal vents, tentatively titled, The Midnight Zone, invites readers to honor creatures in all their mysterious and seemingly impossible forms at sites in the deep dark sea—open to regulatory oversight—where scientists believe life on Earth began. Some of the topics we explore in this conversation include how the Giant Bluefin tuna went from being food for the poor to becoming a global delicacy symbolic of luxury, how fish have long been "an object through which global empires have been mediated," Jen's concerns with the scams and blue-washing of eco certifications in seafood, and more. (The musical offering featured in this episode Over It by RVBY MY DEAR. The episode-inspired artwork is by Mi Young.) Green Dreamer would not be possible without direct support from our listeners. Help us keep the show alive by reciprocating a gift of any amount today! GreenDreamer.com/support

In Break Point: Two Minnesota Athletes and the Road to Title IX (University of Minnesota Press, 2022), Sheri Brenden examines how two teenage girls in Minnesota jump-started a revolution in high school athletics Peggy Brenden, a senior, played tennis. Toni St. Pierre, a junior, was a cross country runner and skier. All these two talented teenagers wanted was a chance to compete on their high school sports teams. But in Minnesota in 1972 the only way on the field with the boys ran through a federal court--so that was where the girls went. Break Point tells the story, for the first time, of how two teenagers took on the unequal system of high school athletics, setting a legal precedent for schools nationwide before the passage of Title IX.  As Peggy's younger sister, author Sheri Brenden is uniquely positioned to convey the human drama of the case, the stakes, and the consequences for two young women facing the legal machinery of the state, in court and in school. In an account that begins with Peggy painstakingly typing her appeal to the Minnesota Civil Liberties Union and concludes with a long view of what Brenden v. Independent School District 742 set in motion, Sheri Brenden summons the salient details of this landmark case as it makes its way through the courts. Peggy and Toni, coaches, administrators, and experts testify before Judge Miles Lord, whose decision, upheld in a precedent-setting appeal, would change these girls' lives and open up athletic opportunities for innumerable others. Grounded in newspaper coverage, court records, and interviews, Brenden's deeply researched, scrupulously reported book is at heart the story of two talented teenage girls whose pluck and determination--and, often, heartache--led to a victory much greater than any high school championship. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

In Break Point: Two Minnesota Athletes and the Road to Title IX (University of Minnesota Press, 2022), Sheri Brenden examines how two teenage girls in Minnesota jump-started a revolution in high school athletics Peggy Brenden, a senior, played tennis. Toni St. Pierre, a junior, was a cross country runner and skier. All these two talented teenagers wanted was a chance to compete on their high school sports teams. But in Minnesota in 1972 the only way on the field with the boys ran through a federal court--so that was where the girls went. Break Point tells the story, for the first time, of how two teenagers took on the unequal system of high school athletics, setting a legal precedent for schools nationwide before the passage of Title IX.  As Peggy's younger sister, author Sheri Brenden is uniquely positioned to convey the human drama of the case, the stakes, and the consequences for two young women facing the legal machinery of the state, in court and in school. In an account that begins with Peggy painstakingly typing her appeal to the Minnesota Civil Liberties Union and concludes with a long view of what Brenden v. Independent School District 742 set in motion, Sheri Brenden summons the salient details of this landmark case as it makes its way through the courts. Peggy and Toni, coaches, administrators, and experts testify before Judge Miles Lord, whose decision, upheld in a precedent-setting appeal, would change these girls' lives and open up athletic opportunities for innumerable others. Grounded in newspaper coverage, court records, and interviews, Brenden's deeply researched, scrupulously reported book is at heart the story of two talented teenage girls whose pluck and determination--and, often, heartache--led to a victory much greater than any high school championship. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Break Point: Two Minnesota Athletes and the Road to Title IX (University of Minnesota Press, 2022), Sheri Brenden examines how two teenage girls in Minnesota jump-started a revolution in high school athletics Peggy Brenden, a senior, played tennis. Toni St. Pierre, a junior, was a cross country runner and skier. All these two talented teenagers wanted was a chance to compete on their high school sports teams. But in Minnesota in 1972 the only way on the field with the boys ran through a federal court--so that was where the girls went. Break Point tells the story, for the first time, of how two teenagers took on the unequal system of high school athletics, setting a legal precedent for schools nationwide before the passage of Title IX.  As Peggy's younger sister, author Sheri Brenden is uniquely positioned to convey the human drama of the case, the stakes, and the consequences for two young women facing the legal machinery of the state, in court and in school. In an account that begins with Peggy painstakingly typing her appeal to the Minnesota Civil Liberties Union and concludes with a long view of what Brenden v. Independent School District 742 set in motion, Sheri Brenden summons the salient details of this landmark case as it makes its way through the courts. Peggy and Toni, coaches, administrators, and experts testify before Judge Miles Lord, whose decision, upheld in a precedent-setting appeal, would change these girls' lives and open up athletic opportunities for innumerable others. Grounded in newspaper coverage, court records, and interviews, Brenden's deeply researched, scrupulously reported book is at heart the story of two talented teenage girls whose pluck and determination--and, often, heartache--led to a victory much greater than any high school championship. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In Break Point: Two Minnesota Athletes and the Road to Title IX (University of Minnesota Press, 2022), Sheri Brenden examines how two teenage girls in Minnesota jump-started a revolution in high school athletics Peggy Brenden, a senior, played tennis. Toni St. Pierre, a junior, was a cross country runner and skier. All these two talented teenagers wanted was a chance to compete on their high school sports teams. But in Minnesota in 1972 the only way on the field with the boys ran through a federal court--so that was where the girls went. Break Point tells the story, for the first time, of how two teenagers took on the unequal system of high school athletics, setting a legal precedent for schools nationwide before the passage of Title IX.  As Peggy's younger sister, author Sheri Brenden is uniquely positioned to convey the human drama of the case, the stakes, and the consequences for two young women facing the legal machinery of the state, in court and in school. In an account that begins with Peggy painstakingly typing her appeal to the Minnesota Civil Liberties Union and concludes with a long view of what Brenden v. Independent School District 742 set in motion, Sheri Brenden summons the salient details of this landmark case as it makes its way through the courts. Peggy and Toni, coaches, administrators, and experts testify before Judge Miles Lord, whose decision, upheld in a precedent-setting appeal, would change these girls' lives and open up athletic opportunities for innumerable others. Grounded in newspaper coverage, court records, and interviews, Brenden's deeply researched, scrupulously reported book is at heart the story of two talented teenage girls whose pluck and determination--and, often, heartache--led to a victory much greater than any high school championship. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Break Point: Two Minnesota Athletes and the Road to Title IX (University of Minnesota Press, 2022), Sheri Brenden examines how two teenage girls in Minnesota jump-started a revolution in high school athletics Peggy Brenden, a senior, played tennis. Toni St. Pierre, a junior, was a cross country runner and skier. All these two talented teenagers wanted was a chance to compete on their high school sports teams. But in Minnesota in 1972 the only way on the field with the boys ran through a federal court--so that was where the girls went. Break Point tells the story, for the first time, of how two teenagers took on the unequal system of high school athletics, setting a legal precedent for schools nationwide before the passage of Title IX.  As Peggy's younger sister, author Sheri Brenden is uniquely positioned to convey the human drama of the case, the stakes, and the consequences for two young women facing the legal machinery of the state, in court and in school. In an account that begins with Peggy painstakingly typing her appeal to the Minnesota Civil Liberties Union and concludes with a long view of what Brenden v. Independent School District 742 set in motion, Sheri Brenden summons the salient details of this landmark case as it makes its way through the courts. Peggy and Toni, coaches, administrators, and experts testify before Judge Miles Lord, whose decision, upheld in a precedent-setting appeal, would change these girls' lives and open up athletic opportunities for innumerable others. Grounded in newspaper coverage, court records, and interviews, Brenden's deeply researched, scrupulously reported book is at heart the story of two talented teenage girls whose pluck and determination--and, often, heartache--led to a victory much greater than any high school championship. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Fatigue, disorientation, numbness, envy, rage, burnout. What good could come from thinking about trans experience and these bad feelings? In Side Affects: On Being Trans and Feeling Bad (University of Minnesota Press, 2022), Hil Malatino theorizes the centrality of bad feelings in a world of quotidian and spectacular anti-trans misrecognition, hostility, and violence. He does so not only to understand how bad feelings arise and how they can be hard to survive, but also what they can make possible when they are taken up through political practices of care. Centered on trans experience as it is represented through many cultural productions, Malatino highlights the pressure on trans folks to be made happy by transition. He takes the analysis further by arguing for the power of communal care to enable survival not despite, but through these feelings. Sarah Tyson is an associate professor of philosophy at the University of Colorado, Denver. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Fatigue, disorientation, numbness, envy, rage, burnout. What good could come from thinking about trans experience and these bad feelings? In Side Affects: On Being Trans and Feeling Bad (University of Minnesota Press, 2022), Hil Malatino theorizes the centrality of bad feelings in a world of quotidian and spectacular anti-trans misrecognition, hostility, and violence. He does so not only to understand how bad feelings arise and how they can be hard to survive, but also what they can make possible when they are taken up through political practices of care. Centered on trans experience as it is represented through many cultural productions, Malatino highlights the pressure on trans folks to be made happy by transition. He takes the analysis further by arguing for the power of communal care to enable survival not despite, but through these feelings. Sarah Tyson is an associate professor of philosophy at the University of Colorado, Denver. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Fatigue, disorientation, numbness, envy, rage, burnout. What good could come from thinking about trans experience and these bad feelings? In Side Affects: On Being Trans and Feeling Bad (University of Minnesota Press, 2022), Hil Malatino theorizes the centrality of bad feelings in a world of quotidian and spectacular anti-trans misrecognition, hostility, and violence. He does so not only to understand how bad feelings arise and how they can be hard to survive, but also what they can make possible when they are taken up through political practices of care. Centered on trans experience as it is represented through many cultural productions, Malatino highlights the pressure on trans folks to be made happy by transition. He takes the analysis further by arguing for the power of communal care to enable survival not despite, but through these feelings. Sarah Tyson is an associate professor of philosophy at the University of Colorado, Denver. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/philosophy

Fatigue, disorientation, numbness, envy, rage, burnout. What good could come from thinking about trans experience and these bad feelings? In Side Affects: On Being Trans and Feeling Bad (University of Minnesota Press, 2022), Hil Malatino theorizes the centrality of bad feelings in a world of quotidian and spectacular anti-trans misrecognition, hostility, and violence. He does so not only to understand how bad feelings arise and how they can be hard to survive, but also what they can make possible when they are taken up through political practices of care. Centered on trans experience as it is represented through many cultural productions, Malatino highlights the pressure on trans folks to be made happy by transition. He takes the analysis further by arguing for the power of communal care to enable survival not despite, but through these feelings. Sarah Tyson is an associate professor of philosophy at the University of Colorado, Denver. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Fatigue, disorientation, numbness, envy, rage, burnout. What good could come from thinking about trans experience and these bad feelings? In Side Affects: On Being Trans and Feeling Bad (University of Minnesota Press, 2022), Hil Malatino theorizes the centrality of bad feelings in a world of quotidian and spectacular anti-trans misrecognition, hostility, and violence. He does so not only to understand how bad feelings arise and how they can be hard to survive, but also what they can make possible when they are taken up through political practices of care. Centered on trans experience as it is represented through many cultural productions, Malatino highlights the pressure on trans folks to be made happy by transition. He takes the analysis further by arguing for the power of communal care to enable survival not despite, but through these feelings. Sarah Tyson is an associate professor of philosophy at the University of Colorado, Denver. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Fatigue, disorientation, numbness, envy, rage, burnout. What good could come from thinking about trans experience and these bad feelings? In Side Affects: On Being Trans and Feeling Bad (University of Minnesota Press, 2022), Hil Malatino theorizes the centrality of bad feelings in a world of quotidian and spectacular anti-trans misrecognition, hostility, and violence. He does so not only to understand how bad feelings arise and how they can be hard to survive, but also what they can make possible when they are taken up through political practices of care. Centered on trans experience as it is represented through many cultural productions, Malatino highlights the pressure on trans folks to be made happy by transition. He takes the analysis further by arguing for the power of communal care to enable survival not despite, but through these feelings. Sarah Tyson is an associate professor of philosophy at the University of Colorado, Denver. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

The loss of lesbian spaces, as well as ideas of the lesbian as anachronistic, has called into question the place of lesbian identity within our current culture. In Lesbian Death: Desire and Danger Between Feminist and Queer (U Minnesota Press, 2022), Mairead Sullivan probes the perception that lesbian status is in retreat, exploring the political promises—and especially the failures—of lesbian feminism and its usefulness today. Lesbian Death reads how lesbian is conceptualized in relation to death from the 1970s onward to argue that lesbian offers disruptive potential. Lesbian Death examines the rise of lesbian breast cancer activism in San Francisco in conversation with ACT UP, the lesbian separatist manifestos “The C.L.I.T. Papers,” the enduring specter of lesbian bed death, and the weaponization of lesbian identity against trans lives. By situating the lesbian as a border figure between feminist and queer, Lesbian Death offers a fresh perspective on the value of lesbian for both feminist and queer projects, even if her value is her death. Cover alt text: Background covered entirely by yellow text, quoting the reasons the author wrote this book; the main title in black follows the block of text Mairead Sullivan is Associate Professor of Women's and Gender Studies at Loyola Marymount University. Sohini Chatterjee is a PhD Candidate and Vanier Scholar in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The loss of lesbian spaces, as well as ideas of the lesbian as anachronistic, has called into question the place of lesbian identity within our current culture. In Lesbian Death: Desire and Danger Between Feminist and Queer (U Minnesota Press, 2022), Mairead Sullivan probes the perception that lesbian status is in retreat, exploring the political promises—and especially the failures—of lesbian feminism and its usefulness today. Lesbian Death reads how lesbian is conceptualized in relation to death from the 1970s onward to argue that lesbian offers disruptive potential. Lesbian Death examines the rise of lesbian breast cancer activism in San Francisco in conversation with ACT UP, the lesbian separatist manifestos “The C.L.I.T. Papers,” the enduring specter of lesbian bed death, and the weaponization of lesbian identity against trans lives. By situating the lesbian as a border figure between feminist and queer, Lesbian Death offers a fresh perspective on the value of lesbian for both feminist and queer projects, even if her value is her death. Cover alt text: Background covered entirely by yellow text, quoting the reasons the author wrote this book; the main title in black follows the block of text Mairead Sullivan is Associate Professor of Women's and Gender Studies at Loyola Marymount University. Sohini Chatterjee is a PhD Candidate and Vanier Scholar in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

The loss of lesbian spaces, as well as ideas of the lesbian as anachronistic, has called into question the place of lesbian identity within our current culture. In Lesbian Death: Desire and Danger Between Feminist and Queer (U Minnesota Press, 2022), Mairead Sullivan probes the perception that lesbian status is in retreat, exploring the political promises—and especially the failures—of lesbian feminism and its usefulness today. Lesbian Death reads how lesbian is conceptualized in relation to death from the 1970s onward to argue that lesbian offers disruptive potential. Lesbian Death examines the rise of lesbian breast cancer activism in San Francisco in conversation with ACT UP, the lesbian separatist manifestos “The C.L.I.T. Papers,” the enduring specter of lesbian bed death, and the weaponization of lesbian identity against trans lives. By situating the lesbian as a border figure between feminist and queer, Lesbian Death offers a fresh perspective on the value of lesbian for both feminist and queer projects, even if her value is her death. Cover alt text: Background covered entirely by yellow text, quoting the reasons the author wrote this book; the main title in black follows the block of text Mairead Sullivan is Associate Professor of Women's and Gender Studies at Loyola Marymount University. Sohini Chatterjee is a PhD Candidate and Vanier Scholar in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

The loss of lesbian spaces, as well as ideas of the lesbian as anachronistic, has called into question the place of lesbian identity within our current culture. In Lesbian Death: Desire and Danger Between Feminist and Queer (U Minnesota Press, 2022), Mairead Sullivan probes the perception that lesbian status is in retreat, exploring the political promises—and especially the failures—of lesbian feminism and its usefulness today. Lesbian Death reads how lesbian is conceptualized in relation to death from the 1970s onward to argue that lesbian offers disruptive potential. Lesbian Death examines the rise of lesbian breast cancer activism in San Francisco in conversation with ACT UP, the lesbian separatist manifestos “The C.L.I.T. Papers,” the enduring specter of lesbian bed death, and the weaponization of lesbian identity against trans lives. By situating the lesbian as a border figure between feminist and queer, Lesbian Death offers a fresh perspective on the value of lesbian for both feminist and queer projects, even if her value is her death. Cover alt text: Background covered entirely by yellow text, quoting the reasons the author wrote this book; the main title in black follows the block of text Mairead Sullivan is Associate Professor of Women's and Gender Studies at Loyola Marymount University. Sohini Chatterjee is a PhD Candidate and Vanier Scholar in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

The loss of lesbian spaces, as well as ideas of the lesbian as anachronistic, has called into question the place of lesbian identity within our current culture. In Lesbian Death: Desire and Danger Between Feminist and Queer (U Minnesota Press, 2022), Mairead Sullivan probes the perception that lesbian status is in retreat, exploring the political promises—and especially the failures—of lesbian feminism and its usefulness today. Lesbian Death reads how lesbian is conceptualized in relation to death from the 1970s onward to argue that lesbian offers disruptive potential. Lesbian Death examines the rise of lesbian breast cancer activism in San Francisco in conversation with ACT UP, the lesbian separatist manifestos “The C.L.I.T. Papers,” the enduring specter of lesbian bed death, and the weaponization of lesbian identity against trans lives. By situating the lesbian as a border figure between feminist and queer, Lesbian Death offers a fresh perspective on the value of lesbian for both feminist and queer projects, even if her value is her death. Cover alt text: Background covered entirely by yellow text, quoting the reasons the author wrote this book; the main title in black follows the block of text Mairead Sullivan is Associate Professor of Women's and Gender Studies at Loyola Marymount University. Sohini Chatterjee is a PhD Candidate and Vanier Scholar in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

The loss of lesbian spaces, as well as ideas of the lesbian as anachronistic, has called into question the place of lesbian identity within our current culture. In Lesbian Death: Desire and Danger Between Feminist and Queer (U Minnesota Press, 2022), Mairead Sullivan probes the perception that lesbian status is in retreat, exploring the political promises—and especially the failures—of lesbian feminism and its usefulness today. Lesbian Death reads how lesbian is conceptualized in relation to death from the 1970s onward to argue that lesbian offers disruptive potential. Lesbian Death examines the rise of lesbian breast cancer activism in San Francisco in conversation with ACT UP, the lesbian separatist manifestos “The C.L.I.T. Papers,” the enduring specter of lesbian bed death, and the weaponization of lesbian identity against trans lives. By situating the lesbian as a border figure between feminist and queer, Lesbian Death offers a fresh perspective on the value of lesbian for both feminist and queer projects, even if her value is her death. Cover alt text: Background covered entirely by yellow text, quoting the reasons the author wrote this book; the main title in black follows the block of text Mairead Sullivan is Associate Professor of Women's and Gender Studies at Loyola Marymount University. Sohini Chatterjee is a PhD Candidate and Vanier Scholar in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The loss of lesbian spaces, as well as ideas of the lesbian as anachronistic, has called into question the place of lesbian identity within our current culture. In Lesbian Death: Desire and Danger Between Feminist and Queer (U Minnesota Press, 2022), Mairead Sullivan probes the perception that lesbian status is in retreat, exploring the political promises—and especially the failures—of lesbian feminism and its usefulness today. Lesbian Death reads how lesbian is conceptualized in relation to death from the 1970s onward to argue that lesbian offers disruptive potential. Lesbian Death examines the rise of lesbian breast cancer activism in San Francisco in conversation with ACT UP, the lesbian separatist manifestos “The C.L.I.T. Papers,” the enduring specter of lesbian bed death, and the weaponization of lesbian identity against trans lives. By situating the lesbian as a border figure between feminist and queer, Lesbian Death offers a fresh perspective on the value of lesbian for both feminist and queer projects, even if her value is her death. Cover alt text: Background covered entirely by yellow text, quoting the reasons the author wrote this book; the main title in black follows the block of text Mairead Sullivan is Associate Professor of Women's and Gender Studies at Loyola Marymount University. Sohini Chatterjee is a PhD Candidate and Vanier Scholar in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The loss of lesbian spaces, as well as ideas of the lesbian as anachronistic, has called into question the place of lesbian identity within our current culture. In Lesbian Death: Desire and Danger Between Feminist and Queer (U Minnesota Press, 2022), Mairead Sullivan probes the perception that lesbian status is in retreat, exploring the political promises—and especially the failures—of lesbian feminism and its usefulness today. Lesbian Death reads how lesbian is conceptualized in relation to death from the 1970s onward to argue that lesbian offers disruptive potential. Lesbian Death examines the rise of lesbian breast cancer activism in San Francisco in conversation with ACT UP, the lesbian separatist manifestos “The C.L.I.T. Papers,” the enduring specter of lesbian bed death, and the weaponization of lesbian identity against trans lives. By situating the lesbian as a border figure between feminist and queer, Lesbian Death offers a fresh perspective on the value of lesbian for both feminist and queer projects, even if her value is her death. Cover alt text: Background covered entirely by yellow text, quoting the reasons the author wrote this book; the main title in black follows the block of text Mairead Sullivan is Associate Professor of Women's and Gender Studies at Loyola Marymount University. Sohini Chatterjee is a PhD Candidate and Vanier Scholar in Gender, Sexuality, and Women's Studies at Western University, Canada. Her work has recently appeared in Women's Studies: An inter-disciplinary journal, South Asian Popular Culture and Fat Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The long and pernicious relationship between fast food restaurants and the African American community. Today, fast food is disproportionately located in Black neighborhoods and marketed to Black Americans through targeted advertising. But throughout much of the twentieth century, fast food was developed specifically for White urban and suburban customers, purposefully avoiding Black spaces.  In White Burgers, Black Cash: Fast Food from Black Exclusion to Exploitation (U Minnesota Press, 2023), Naa Oyo A. Kwate traces the evolution in fast food from the early 1900s to the present, from its long history of racist exclusion to its current damaging embrace of urban Black communities. Fast food has historically been tied to the country's self-image as the land of opportunity and is marketed as one of life's simple pleasures, but a more insidious history lies at the industry's core. White Burgers, Black Cash investigates the complex trajectory of restaurant locations from a decided commitment to Whiteness to the disproportionate densities that characterize Black communities today. Kwate expansively charts fast food's racial and spatial transformation and centers the cities of Chicago, New York City, and Washington, D.C., in a national examination of the biggest brands of today, including White Castle, KFC, Burger King, McDonald's, and more. Deeply researched, grippingly told, and brimming with surprising details, White Burgers, Black Cash reveals the inequalities embedded in the closest thing Americans have to a national meal. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Three centuries of English idioms—their unusual origins and unexpected interpretations. To pay through the nose. Raining cats and dogs. By hook or by crook. Curry favor. Drink like a fish. Eat crow. We hear such phrases every day, but this book is the first truly all-encompassing etymological guide to both their meanings and origins. Spanning more than three centuries, Take My Word for It: A Dictionary of English Idioms (U Minnesota Press, 2023) is a fascinating, one-of-a-kind window into the surprisingly short history of idioms in English. Widely known for his studies of word origins, Anatoly Liberman explains more than one thousand idioms, both popular and obscure, occurring in both American and British standard English and including many regional expressions. The origins, and even the precise meaning, of most idioms are often obscure and lost in history. Based on a critical analysis of countless conjectures, with exact, in-depth references (rare in the literature on the subject), Take My Word for It provides not only a large corpus of idiomatic phrases but also a vast bibliography. Detailed indexes and a thesaurus make the content accessible at a glance, and Liberman's introduction and conclusion add historical dimensions. The result of decades of research by a leading authority, this book is both instructive and absorbing for scholars and general readers, who won't find another resource as comparable in scope or based on data even remotely as exhaustive. Anatoly Liberman is professor of Germanic philology at the University of Minnesota. He has written more than twenty books, including A Bibliography of English Etymology and An Analytic Dictionary of English Etymology (both from Minnesota). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Three centuries of English idioms—their unusual origins and unexpected interpretations. To pay through the nose. Raining cats and dogs. By hook or by crook. Curry favor. Drink like a fish. Eat crow. We hear such phrases every day, but this book is the first truly all-encompassing etymological guide to both their meanings and origins. Spanning more than three centuries, Take My Word for It: A Dictionary of English Idioms (U Minnesota Press, 2023) is a fascinating, one-of-a-kind window into the surprisingly short history of idioms in English. Widely known for his studies of word origins, Anatoly Liberman explains more than one thousand idioms, both popular and obscure, occurring in both American and British standard English and including many regional expressions. The origins, and even the precise meaning, of most idioms are often obscure and lost in history. Based on a critical analysis of countless conjectures, with exact, in-depth references (rare in the literature on the subject), Take My Word for It provides not only a large corpus of idiomatic phrases but also a vast bibliography. Detailed indexes and a thesaurus make the content accessible at a glance, and Liberman's introduction and conclusion add historical dimensions. The result of decades of research by a leading authority, this book is both instructive and absorbing for scholars and general readers, who won't find another resource as comparable in scope or based on data even remotely as exhaustive. Anatoly Liberman is professor of Germanic philology at the University of Minnesota. He has written more than twenty books, including A Bibliography of English Etymology and An Analytic Dictionary of English Etymology (both from Minnesota). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Three centuries of English idioms—their unusual origins and unexpected interpretations. To pay through the nose. Raining cats and dogs. By hook or by crook. Curry favor. Drink like a fish. Eat crow. We hear such phrases every day, but this book is the first truly all-encompassing etymological guide to both their meanings and origins. Spanning more than three centuries, Take My Word for It: A Dictionary of English Idioms (U Minnesota Press, 2023) is a fascinating, one-of-a-kind window into the surprisingly short history of idioms in English. Widely known for his studies of word origins, Anatoly Liberman explains more than one thousand idioms, both popular and obscure, occurring in both American and British standard English and including many regional expressions. The origins, and even the precise meaning, of most idioms are often obscure and lost in history. Based on a critical analysis of countless conjectures, with exact, in-depth references (rare in the literature on the subject), Take My Word for It provides not only a large corpus of idiomatic phrases but also a vast bibliography. Detailed indexes and a thesaurus make the content accessible at a glance, and Liberman's introduction and conclusion add historical dimensions. The result of decades of research by a leading authority, this book is both instructive and absorbing for scholars and general readers, who won't find another resource as comparable in scope or based on data even remotely as exhaustive. Anatoly Liberman is professor of Germanic philology at the University of Minnesota. He has written more than twenty books, including A Bibliography of English Etymology and An Analytic Dictionary of English Etymology (both from Minnesota). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The long and pernicious relationship between fast food restaurants and the African American community. Today, fast food is disproportionately located in Black neighborhoods and marketed to Black Americans through targeted advertising. But throughout much of the twentieth century, fast food was developed specifically for White urban and suburban customers, purposefully avoiding Black spaces.  In White Burgers, Black Cash: Fast Food from Black Exclusion to Exploitation (U Minnesota Press, 2023), Naa Oyo A. Kwate traces the evolution in fast food from the early 1900s to the present, from its long history of racist exclusion to its current damaging embrace of urban Black communities. Fast food has historically been tied to the country's self-image as the land of opportunity and is marketed as one of life's simple pleasures, but a more insidious history lies at the industry's core. White Burgers, Black Cash investigates the complex trajectory of restaurant locations from a decided commitment to Whiteness to the disproportionate densities that characterize Black communities today. Kwate expansively charts fast food's racial and spatial transformation and centers the cities of Chicago, New York City, and Washington, D.C., in a national examination of the biggest brands of today, including White Castle, KFC, Burger King, McDonald's, and more. Deeply researched, grippingly told, and brimming with surprising details, White Burgers, Black Cash reveals the inequalities embedded in the closest thing Americans have to a national meal. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The long and pernicious relationship between fast food restaurants and the African American community. Today, fast food is disproportionately located in Black neighborhoods and marketed to Black Americans through targeted advertising. But throughout much of the twentieth century, fast food was developed specifically for White urban and suburban customers, purposefully avoiding Black spaces.  In White Burgers, Black Cash: Fast Food from Black Exclusion to Exploitation (U Minnesota Press, 2023), Naa Oyo A. Kwate traces the evolution in fast food from the early 1900s to the present, from its long history of racist exclusion to its current damaging embrace of urban Black communities. Fast food has historically been tied to the country's self-image as the land of opportunity and is marketed as one of life's simple pleasures, but a more insidious history lies at the industry's core. White Burgers, Black Cash investigates the complex trajectory of restaurant locations from a decided commitment to Whiteness to the disproportionate densities that characterize Black communities today. Kwate expansively charts fast food's racial and spatial transformation and centers the cities of Chicago, New York City, and Washington, D.C., in a national examination of the biggest brands of today, including White Castle, KFC, Burger King, McDonald's, and more. Deeply researched, grippingly told, and brimming with surprising details, White Burgers, Black Cash reveals the inequalities embedded in the closest thing Americans have to a national meal. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The long and pernicious relationship between fast food restaurants and the African American community. Today, fast food is disproportionately located in Black neighborhoods and marketed to Black Americans through targeted advertising. But throughout much of the twentieth century, fast food was developed specifically for White urban and suburban customers, purposefully avoiding Black spaces.  In White Burgers, Black Cash: Fast Food from Black Exclusion to Exploitation (U Minnesota Press, 2023), Naa Oyo A. Kwate traces the evolution in fast food from the early 1900s to the present, from its long history of racist exclusion to its current damaging embrace of urban Black communities. Fast food has historically been tied to the country's self-image as the land of opportunity and is marketed as one of life's simple pleasures, but a more insidious history lies at the industry's core. White Burgers, Black Cash investigates the complex trajectory of restaurant locations from a decided commitment to Whiteness to the disproportionate densities that characterize Black communities today. Kwate expansively charts fast food's racial and spatial transformation and centers the cities of Chicago, New York City, and Washington, D.C., in a national examination of the biggest brands of today, including White Castle, KFC, Burger King, McDonald's, and more. Deeply researched, grippingly told, and brimming with surprising details, White Burgers, Black Cash reveals the inequalities embedded in the closest thing Americans have to a national meal. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

The long and pernicious relationship between fast food restaurants and the African American community. Today, fast food is disproportionately located in Black neighborhoods and marketed to Black Americans through targeted advertising. But throughout much of the twentieth century, fast food was developed specifically for White urban and suburban customers, purposefully avoiding Black spaces.  In White Burgers, Black Cash: Fast Food from Black Exclusion to Exploitation (U Minnesota Press, 2023), Naa Oyo A. Kwate traces the evolution in fast food from the early 1900s to the present, from its long history of racist exclusion to its current damaging embrace of urban Black communities. Fast food has historically been tied to the country's self-image as the land of opportunity and is marketed as one of life's simple pleasures, but a more insidious history lies at the industry's core. White Burgers, Black Cash investigates the complex trajectory of restaurant locations from a decided commitment to Whiteness to the disproportionate densities that characterize Black communities today. Kwate expansively charts fast food's racial and spatial transformation and centers the cities of Chicago, New York City, and Washington, D.C., in a national examination of the biggest brands of today, including White Castle, KFC, Burger King, McDonald's, and more. Deeply researched, grippingly told, and brimming with surprising details, White Burgers, Black Cash reveals the inequalities embedded in the closest thing Americans have to a national meal. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Three centuries of English idioms—their unusual origins and unexpected interpretations. To pay through the nose. Raining cats and dogs. By hook or by crook. Curry favor. Drink like a fish. Eat crow. We hear such phrases every day, but this book is the first truly all-encompassing etymological guide to both their meanings and origins. Spanning more than three centuries, Take My Word for It: A Dictionary of English Idioms (U Minnesota Press, 2023) is a fascinating, one-of-a-kind window into the surprisingly short history of idioms in English. Widely known for his studies of word origins, Anatoly Liberman explains more than one thousand idioms, both popular and obscure, occurring in both American and British standard English and including many regional expressions. The origins, and even the precise meaning, of most idioms are often obscure and lost in history. Based on a critical analysis of countless conjectures, with exact, in-depth references (rare in the literature on the subject), Take My Word for It provides not only a large corpus of idiomatic phrases but also a vast bibliography. Detailed indexes and a thesaurus make the content accessible at a glance, and Liberman's introduction and conclusion add historical dimensions. The result of decades of research by a leading authority, this book is both instructive and absorbing for scholars and general readers, who won't find another resource as comparable in scope or based on data even remotely as exhaustive. Anatoly Liberman is professor of Germanic philology at the University of Minnesota. He has written more than twenty books, including A Bibliography of English Etymology and An Analytic Dictionary of English Etymology (both from Minnesota). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

The long and pernicious relationship between fast food restaurants and the African American community. Today, fast food is disproportionately located in Black neighborhoods and marketed to Black Americans through targeted advertising. But throughout much of the twentieth century, fast food was developed specifically for White urban and suburban customers, purposefully avoiding Black spaces.  In White Burgers, Black Cash: Fast Food from Black Exclusion to Exploitation (U Minnesota Press, 2023), Naa Oyo A. Kwate traces the evolution in fast food from the early 1900s to the present, from its long history of racist exclusion to its current damaging embrace of urban Black communities. Fast food has historically been tied to the country's self-image as the land of opportunity and is marketed as one of life's simple pleasures, but a more insidious history lies at the industry's core. White Burgers, Black Cash investigates the complex trajectory of restaurant locations from a decided commitment to Whiteness to the disproportionate densities that characterize Black communities today. Kwate expansively charts fast food's racial and spatial transformation and centers the cities of Chicago, New York City, and Washington, D.C., in a national examination of the biggest brands of today, including White Castle, KFC, Burger King, McDonald's, and more. Deeply researched, grippingly told, and brimming with surprising details, White Burgers, Black Cash reveals the inequalities embedded in the closest thing Americans have to a national meal. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The long and pernicious relationship between fast food restaurants and the African American community. Today, fast food is disproportionately located in Black neighborhoods and marketed to Black Americans through targeted advertising. But throughout much of the twentieth century, fast food was developed specifically for White urban and suburban customers, purposefully avoiding Black spaces.  In White Burgers, Black Cash: Fast Food from Black Exclusion to Exploitation (U Minnesota Press, 2023), Naa Oyo A. Kwate traces the evolution in fast food from the early 1900s to the present, from its long history of racist exclusion to its current damaging embrace of urban Black communities. Fast food has historically been tied to the country's self-image as the land of opportunity and is marketed as one of life's simple pleasures, but a more insidious history lies at the industry's core. White Burgers, Black Cash investigates the complex trajectory of restaurant locations from a decided commitment to Whiteness to the disproportionate densities that characterize Black communities today. Kwate expansively charts fast food's racial and spatial transformation and centers the cities of Chicago, New York City, and Washington, D.C., in a national examination of the biggest brands of today, including White Castle, KFC, Burger King, McDonald's, and more. Deeply researched, grippingly told, and brimming with surprising details, White Burgers, Black Cash reveals the inequalities embedded in the closest thing Americans have to a national meal. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Three centuries of English idioms—their unusual origins and unexpected interpretations. To pay through the nose. Raining cats and dogs. By hook or by crook. Curry favor. Drink like a fish. Eat crow. We hear such phrases every day, but this book is the first truly all-encompassing etymological guide to both their meanings and origins. Spanning more than three centuries, Take My Word for It: A Dictionary of English Idioms (U Minnesota Press, 2023) is a fascinating, one-of-a-kind window into the surprisingly short history of idioms in English. Widely known for his studies of word origins, Anatoly Liberman explains more than one thousand idioms, both popular and obscure, occurring in both American and British standard English and including many regional expressions. The origins, and even the precise meaning, of most idioms are often obscure and lost in history. Based on a critical analysis of countless conjectures, with exact, in-depth references (rare in the literature on the subject), Take My Word for It provides not only a large corpus of idiomatic phrases but also a vast bibliography. Detailed indexes and a thesaurus make the content accessible at a glance, and Liberman's introduction and conclusion add historical dimensions. The result of decades of research by a leading authority, this book is both instructive and absorbing for scholars and general readers, who won't find another resource as comparable in scope or based on data even remotely as exhaustive. Anatoly Liberman is professor of Germanic philology at the University of Minnesota. He has written more than twenty books, including A Bibliography of English Etymology and An Analytic Dictionary of English Etymology (both from Minnesota). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production?  In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production?  In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

A formal approach to anime rethinks globalization and transnationality under neoliberalism Anime has become synonymous with Japanese culture, but its global reach raises a perplexing question--what happens when anime is produced outside of Japan? Who actually makes anime, and how can this help us rethink notions of cultural production?  In Anime's Identity: Performativity and Form Beyond Japan (U Minnesota Press, 2021), Stevie Suan examines how anime's recognizable media-form--no matter where it is produced--reflects the problematics of globalization. The result is an incisive look at not only anime but also the tensions of transnationality. Far from valorizing the individualistic "originality" so often touted in national creative industries, anime reveals an alternate type of creativity based in repetition and variation. In exploring this alternative creativity and its accompanying aesthetics, Suan examines anime from fresh angles, including considerations of how anime operates like a brand of media, the intricacies of anime production occurring across national borders, inquiries into the selfhood involved in anime's character acting, and analyses of various anime works that present differing modes of transnationality. Anime's Identity deftly merges theories from media studies and performance studies, introducing innovative formal concepts that connect anime to questions of dislocation on a global scale, creating a transformative new lens for analyzing popular media. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A critical figure in queer Sinophone cinema—and the first director ever commissioned to create a film for the permanent collection of the Louvre—Tsai Ming-liang is a major force in Taiwan cinema and global moving image art. Cruisy, Sleepy, Melancholy: Sexual Disorientation in the Films of Tsai Ming-Liang (U Minnesota Press, 2022) offers a fascinating, systematic method for analyzing the queerness of Tsai's films. Nicholas de Villiers argues that Tsai expands and revises the notion of queerness by engaging with the sexuality of characters who are migrants, tourists, diasporic, or otherwise displaced. Through their lack of fixed identities, these characters offer a clear challenge to the binary division between heterosexuality and homosexuality, as well as the Orientalist binary division of Asia versus the West. Ultimately, de Villiers explores how Tsai's films help us understand queerness in terms of spatial, temporal, and sexual disorientation. Conceiving of Tsai's cinema as an intertextual network, Cruisy, Sleepy, Melancholy makes an important addition to scholarly work on Tsai in English. It draws on extensive interviews with the director, while also offering a complete reappraisal of Tsai's body of work. Contributing to queer film theory and the aesthetics of displacement, Cruisy, Sleepy, Melancholy reveals striking connections between sexuality, space, and cinema. Nicholas de Villiers is professor of English and film at the University of North Florida. He is author of Opacity and the Closet: Queer Tactics in Foucault, Barthes, and Warhol and Sexography: Sex Work in Documentary. Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

A critical figure in queer Sinophone cinema—and the first director ever commissioned to create a film for the permanent collection of the Louvre—Tsai Ming-liang is a major force in Taiwan cinema and global moving image art. Cruisy, Sleepy, Melancholy: Sexual Disorientation in the Films of Tsai Ming-Liang (U Minnesota Press, 2022) offers a fascinating, systematic method for analyzing the queerness of Tsai's films. Nicholas de Villiers argues that Tsai expands and revises the notion of queerness by engaging with the sexuality of characters who are migrants, tourists, diasporic, or otherwise displaced. Through their lack of fixed identities, these characters offer a clear challenge to the binary division between heterosexuality and homosexuality, as well as the Orientalist binary division of Asia versus the West. Ultimately, de Villiers explores how Tsai's films help us understand queerness in terms of spatial, temporal, and sexual disorientation. Conceiving of Tsai's cinema as an intertextual network, Cruisy, Sleepy, Melancholy makes an important addition to scholarly work on Tsai in English. It draws on extensive interviews with the director, while also offering a complete reappraisal of Tsai's body of work. Contributing to queer film theory and the aesthetics of displacement, Cruisy, Sleepy, Melancholy reveals striking connections between sexuality, space, and cinema. Nicholas de Villiers is professor of English and film at the University of North Florida. He is author of Opacity and the Closet: Queer Tactics in Foucault, Barthes, and Warhol and Sexography: Sex Work in Documentary. Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A critical figure in queer Sinophone cinema—and the first director ever commissioned to create a film for the permanent collection of the Louvre—Tsai Ming-liang is a major force in Taiwan cinema and global moving image art. Cruisy, Sleepy, Melancholy: Sexual Disorientation in the Films of Tsai Ming-Liang (U Minnesota Press, 2022) offers a fascinating, systematic method for analyzing the queerness of Tsai's films. Nicholas de Villiers argues that Tsai expands and revises the notion of queerness by engaging with the sexuality of characters who are migrants, tourists, diasporic, or otherwise displaced. Through their lack of fixed identities, these characters offer a clear challenge to the binary division between heterosexuality and homosexuality, as well as the Orientalist binary division of Asia versus the West. Ultimately, de Villiers explores how Tsai's films help us understand queerness in terms of spatial, temporal, and sexual disorientation. Conceiving of Tsai's cinema as an intertextual network, Cruisy, Sleepy, Melancholy makes an important addition to scholarly work on Tsai in English. It draws on extensive interviews with the director, while also offering a complete reappraisal of Tsai's body of work. Contributing to queer film theory and the aesthetics of displacement, Cruisy, Sleepy, Melancholy reveals striking connections between sexuality, space, and cinema. Nicholas de Villiers is professor of English and film at the University of North Florida. He is author of Opacity and the Closet: Queer Tactics in Foucault, Barthes, and Warhol and Sexography: Sex Work in Documentary. Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

A critical figure in queer Sinophone cinema—and the first director ever commissioned to create a film for the permanent collection of the Louvre—Tsai Ming-liang is a major force in Taiwan cinema and global moving image art. Cruisy, Sleepy, Melancholy: Sexual Disorientation in the Films of Tsai Ming-Liang (U Minnesota Press, 2022) offers a fascinating, systematic method for analyzing the queerness of Tsai's films. Nicholas de Villiers argues that Tsai expands and revises the notion of queerness by engaging with the sexuality of characters who are migrants, tourists, diasporic, or otherwise displaced. Through their lack of fixed identities, these characters offer a clear challenge to the binary division between heterosexuality and homosexuality, as well as the Orientalist binary division of Asia versus the West. Ultimately, de Villiers explores how Tsai's films help us understand queerness in terms of spatial, temporal, and sexual disorientation. Conceiving of Tsai's cinema as an intertextual network, Cruisy, Sleepy, Melancholy makes an important addition to scholarly work on Tsai in English. It draws on extensive interviews with the director, while also offering a complete reappraisal of Tsai's body of work. Contributing to queer film theory and the aesthetics of displacement, Cruisy, Sleepy, Melancholy reveals striking connections between sexuality, space, and cinema. Nicholas de Villiers is professor of English and film at the University of North Florida. He is author of Opacity and the Closet: Queer Tactics in Foucault, Barthes, and Warhol and Sexography: Sex Work in Documentary. Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

As humanity barrels towards climate catastrophe, the need to envision and build more ecologically sustainable societies and economies becomes more pressing with each passing day. However, our collective imagination is often so limited that it becomes impossible to envision societies and economies that aren't organized around the quest for profit and infinite growth. So, what could a "degrowth" economy look like? To some, "degrowth" is a dirty word signaling a future of austerity that would translate to tremendous losses in jobs and economic stability for working people as societies race to cut back economic production to ward off the worst effects of climate change. To others, “degrowth” might mean the reduction of operations in the most environmentally destructive industries like oil and gas while targeting job growth in other areas like building green infrastructure, environmental cleanup efforts, sustainable farming, and so on. But, as is so often the case, you rarely get to hear what working people on the ground have to say about these issues.  For the past year, Max has had the honor of participating in a fellowship program for The Maintainers, "a global research network interested in the concepts of maintenance, infrastructure, repair, and the myriad forms of labor and expertise that sustain our human-built world." Over the next two episodes, we're going to introduce you all to some of the work that Max and The Maintainers team have been doing for the fellowship. In today's episode, you're going to hear one of the interviews Max conducted as part of the cornerstone group project for the 2022 cohort of Maintainers Movement Fellows.  In a special panel discussion about what a worker-centered transition to a more ecologically sustainable economy could look like, Max speaks with: Megan Milliken Biven, a former federal government employee and founder of True Transition, an organization that focuses on speaking directly to oil and gas workers throughout the United States about their working conditions, their training and compensation needs, their hopes for tomorrow's industries, and is working to help create the kind of good-paying jobs and get workers the kind of training they need to transition to a sustainable energy future; James Hiatt, who was an oil refinery worker, lab analyst, and operator for a number of years and now works with the Louisiana Bucket Brigade to promote alternative forms of economic development in Louisiana beyond the grip of the fossil fuel industry; and Clarke, a longtime commercial diver who's done contract work primarily for oil and gas companies in the Gulf of Mexico for over 15 years, but is now transitioning to other forms of commercial diving work. Additional links/info below... The Maintainers website and Twitter page Dec. 15: Embodying Degrowth: An Event with The Maintainers Movement Fellows  Megan's Twitter page James's Twitter page True Transition website  Louisiana Bucket Brigade website and Twitter page Defend Southwest Louisiana website  Maximillian Alvarez & Leo Lindner, The Real News Network, "I Survived the Rig Explosion that Caused the Deepwater Horizon Oil Spill. This Is What I Saw" Working People, "Clarke" Megan Milliken Biven, Current Affairs, "Dredging Up the Past" Matthew T. Huber, University of Minnesota Press, Lifeblood: Oil, Freedom, and the Forces of Capital  Darren Dochuk, Basic Books, Anointed with Oil: How Christianity and Crude Made Modern America  Permanent links below... Working People Patreon page Leave us a voicemail and we might play it on the show! Labor Radio / Podcast Network website, Facebook page, and Twitter page In These Times website, Facebook page, and Twitter page The Real News Network website, YouTube channel, podcast feeds, Facebook page, and Twitter page Featured Music (all songs sourced from the Free Music Archive: freemusicarchive.org) Jules Taylor, "Working People Theme Song