Podcasts about minnesota press

Wir springen in dieser Folge in die Mitte des 19. Jahrhunderts. In den USA entwickelt sich hier eine neue Glaubensform: der Spiritismus. Teil des Ganzen: ein Amateurfotograf, der behauptet, Geister auf Fotografien bannen zu können. // Erwähnte Folgen - GAG422: Eine kleine Geschichte der Parapsychologie – https://gadg.fm/422 - GAG231: Die Große Enttäuschung von 1844 – https://gadg.fm/231 - GAG237: Friedrich Anton Mesmer und der Animalische Magnetismus – https://gadg.fm/237 - GAG328: P. T. Barnum und die größte Show der Welt – https://gadg.fm/328 - GAG399: John Brown und sein gescheiterter Sklavenaufstand – https://gadg.fm/399 // Literatur - Louis Kaplan. The Strange Case of William Mumler, Spirit Photographer. U of Minnesota Press, 2008. - Peter Manseau. The Apparitionists: A Tale of Phantoms, Fraud, Photography, and the Man Who Captured Lincoln's Ghost. Houghton Mifflin Harcourt, 2017. - Simone Natale. Supernatural Entertainments: Victorian Spiritualism and the Rise of Modern Media Culture. Penn State Press, 2016. Das Episodenbild zeigt den Verleger Moses Dow samt Geist, in einer Mumlerfotografie aus dem Jahr 1871. //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte // Wir sind jetzt auch bei CampfireFM! Wer direkt in Folgen kommentieren will, Zusatzmaterial und Blicke hinter die Kulissen sehen will: einfach die App installieren und unserer Community beitreten: https://www.joincampfire.fm/podcasts/22 //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer Becher, T-Shirts oder Hoodies erwerben will: Die gibt's unter https://geschichte.shop Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

In this episode, Maliha Safri, Marianna Pavlovskaya, Stephen Healy, and Craig Borowiak talk about their new co-authored book Solidarity Cities: Confronting Racial Capitalism, Mapping Transformation (University of Minnesota Press, 2024). This volume is part of the Diverse Economies and Livable Worlds series. Solidarity economies, characterized by diverse practices of cooperation and mutual support, have long played pivotal but largely invisible roles in fostering shared survival and envisioning alternatives to racial capitalism globally and in the United States. This book maps the thriving existence of these cooperative networks in three differently sized American cities, highlighting their commitment to cooperation, democracy, and inclusion and demonstrating the desire—and the pressing need—to establish alternative foundations for social and economic justice.  Collectively authored by four social scientists, Solidarity Cities analyzes the deeply entrenched racial and economic divides from which cooperative networks emerge as they work to provide unmet basic needs, including food security, affordable housing, access to fair credit, and employment opportunities. Examining entities such as community gardens, credit unions, cooperatives, and other forms of economic solidarity, the authors highlight how relatively small yet vital interventions into public life can expand into broader movements that help bolster the overall well-being of their surrounding communities.  Bringing together insights from geography, political economy, and political science with mapping and spatial analysis methodologies, surveys, and in-depth interviews, Solidarity Cities illuminates the extensive footprints of solidarity economies and the roles they play in communities. The authors show how these initiatives act as bulwarks against gentrification, exploitation, and economic exclusion, helping readers see them as part of the past, present, and future of more livable and just cities. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions. This episode is hosted by Elena Sobrino. Elena is a lecturer in Anthropology at Tufts University. Her research explores volunteer work, union histories, and environmentalism in the Flint water crisis. She is currently writing about the politics of fatigue and crisis, and teaching classes on science and technology studies, ethnographies of crisis, and global racisms. You can read more about her work at elenasobrino.site. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

In this episode, Maliha Safri, Marianna Pavlovskaya, Stephen Healy, and Craig Borowiak talk about their new co-authored book Solidarity Cities: Confronting Racial Capitalism, Mapping Transformation (University of Minnesota Press, 2024). This volume is part of the Diverse Economies and Livable Worlds series. Solidarity economies, characterized by diverse practices of cooperation and mutual support, have long played pivotal but largely invisible roles in fostering shared survival and envisioning alternatives to racial capitalism globally and in the United States. This book maps the thriving existence of these cooperative networks in three differently sized American cities, highlighting their commitment to cooperation, democracy, and inclusion and demonstrating the desire—and the pressing need—to establish alternative foundations for social and economic justice.  Collectively authored by four social scientists, Solidarity Cities analyzes the deeply entrenched racial and economic divides from which cooperative networks emerge as they work to provide unmet basic needs, including food security, affordable housing, access to fair credit, and employment opportunities. Examining entities such as community gardens, credit unions, cooperatives, and other forms of economic solidarity, the authors highlight how relatively small yet vital interventions into public life can expand into broader movements that help bolster the overall well-being of their surrounding communities.  Bringing together insights from geography, political economy, and political science with mapping and spatial analysis methodologies, surveys, and in-depth interviews, Solidarity Cities illuminates the extensive footprints of solidarity economies and the roles they play in communities. The authors show how these initiatives act as bulwarks against gentrification, exploitation, and economic exclusion, helping readers see them as part of the past, present, and future of more livable and just cities. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions. This episode is hosted by Elena Sobrino. Elena is a lecturer in Anthropology at Tufts University. Her research explores volunteer work, union histories, and environmentalism in the Flint water crisis. She is currently writing about the politics of fatigue and crisis, and teaching classes on science and technology studies, ethnographies of crisis, and global racisms. You can read more about her work at elenasobrino.site. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this episode, Maliha Safri, Marianna Pavlovskaya, Stephen Healy, and Craig Borowiak talk about their new co-authored book Solidarity Cities: Confronting Racial Capitalism, Mapping Transformation (University of Minnesota Press, 2024). This volume is part of the Diverse Economies and Livable Worlds series. Solidarity economies, characterized by diverse practices of cooperation and mutual support, have long played pivotal but largely invisible roles in fostering shared survival and envisioning alternatives to racial capitalism globally and in the United States. This book maps the thriving existence of these cooperative networks in three differently sized American cities, highlighting their commitment to cooperation, democracy, and inclusion and demonstrating the desire—and the pressing need—to establish alternative foundations for social and economic justice.  Collectively authored by four social scientists, Solidarity Cities analyzes the deeply entrenched racial and economic divides from which cooperative networks emerge as they work to provide unmet basic needs, including food security, affordable housing, access to fair credit, and employment opportunities. Examining entities such as community gardens, credit unions, cooperatives, and other forms of economic solidarity, the authors highlight how relatively small yet vital interventions into public life can expand into broader movements that help bolster the overall well-being of their surrounding communities.  Bringing together insights from geography, political economy, and political science with mapping and spatial analysis methodologies, surveys, and in-depth interviews, Solidarity Cities illuminates the extensive footprints of solidarity economies and the roles they play in communities. The authors show how these initiatives act as bulwarks against gentrification, exploitation, and economic exclusion, helping readers see them as part of the past, present, and future of more livable and just cities. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions. This episode is hosted by Elena Sobrino. Elena is a lecturer in Anthropology at Tufts University. Her research explores volunteer work, union histories, and environmentalism in the Flint water crisis. She is currently writing about the politics of fatigue and crisis, and teaching classes on science and technology studies, ethnographies of crisis, and global racisms. You can read more about her work at elenasobrino.site. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode, Maliha Safri, Marianna Pavlovskaya, Stephen Healy, and Craig Borowiak talk about their new co-authored book Solidarity Cities: Confronting Racial Capitalism, Mapping Transformation (University of Minnesota Press, 2024). This volume is part of the Diverse Economies and Livable Worlds series. Solidarity economies, characterized by diverse practices of cooperation and mutual support, have long played pivotal but largely invisible roles in fostering shared survival and envisioning alternatives to racial capitalism globally and in the United States. This book maps the thriving existence of these cooperative networks in three differently sized American cities, highlighting their commitment to cooperation, democracy, and inclusion and demonstrating the desire—and the pressing need—to establish alternative foundations for social and economic justice.  Collectively authored by four social scientists, Solidarity Cities analyzes the deeply entrenched racial and economic divides from which cooperative networks emerge as they work to provide unmet basic needs, including food security, affordable housing, access to fair credit, and employment opportunities. Examining entities such as community gardens, credit unions, cooperatives, and other forms of economic solidarity, the authors highlight how relatively small yet vital interventions into public life can expand into broader movements that help bolster the overall well-being of their surrounding communities.  Bringing together insights from geography, political economy, and political science with mapping and spatial analysis methodologies, surveys, and in-depth interviews, Solidarity Cities illuminates the extensive footprints of solidarity economies and the roles they play in communities. The authors show how these initiatives act as bulwarks against gentrification, exploitation, and economic exclusion, helping readers see them as part of the past, present, and future of more livable and just cities. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions. This episode is hosted by Elena Sobrino. Elena is a lecturer in Anthropology at Tufts University. Her research explores volunteer work, union histories, and environmentalism in the Flint water crisis. She is currently writing about the politics of fatigue and crisis, and teaching classes on science and technology studies, ethnographies of crisis, and global racisms. You can read more about her work at elenasobrino.site. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In this episode, Maliha Safri, Marianna Pavlovskaya, Stephen Healy, and Craig Borowiak talk about their new co-authored book Solidarity Cities: Confronting Racial Capitalism, Mapping Transformation (University of Minnesota Press, 2024). This volume is part of the Diverse Economies and Livable Worlds series. Solidarity economies, characterized by diverse practices of cooperation and mutual support, have long played pivotal but largely invisible roles in fostering shared survival and envisioning alternatives to racial capitalism globally and in the United States. This book maps the thriving existence of these cooperative networks in three differently sized American cities, highlighting their commitment to cooperation, democracy, and inclusion and demonstrating the desire—and the pressing need—to establish alternative foundations for social and economic justice.  Collectively authored by four social scientists, Solidarity Cities analyzes the deeply entrenched racial and economic divides from which cooperative networks emerge as they work to provide unmet basic needs, including food security, affordable housing, access to fair credit, and employment opportunities. Examining entities such as community gardens, credit unions, cooperatives, and other forms of economic solidarity, the authors highlight how relatively small yet vital interventions into public life can expand into broader movements that help bolster the overall well-being of their surrounding communities.  Bringing together insights from geography, political economy, and political science with mapping and spatial analysis methodologies, surveys, and in-depth interviews, Solidarity Cities illuminates the extensive footprints of solidarity economies and the roles they play in communities. The authors show how these initiatives act as bulwarks against gentrification, exploitation, and economic exclusion, helping readers see them as part of the past, present, and future of more livable and just cities. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions. This episode is hosted by Elena Sobrino. Elena is a lecturer in Anthropology at Tufts University. Her research explores volunteer work, union histories, and environmentalism in the Flint water crisis. She is currently writing about the politics of fatigue and crisis, and teaching classes on science and technology studies, ethnographies of crisis, and global racisms. You can read more about her work at elenasobrino.site. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography

In this episode, Maliha Safri, Marianna Pavlovskaya, Stephen Healy, and Craig Borowiak talk about their new co-authored book Solidarity Cities: Confronting Racial Capitalism, Mapping Transformation (University of Minnesota Press, 2024). This volume is part of the Diverse Economies and Livable Worlds series. Solidarity economies, characterized by diverse practices of cooperation and mutual support, have long played pivotal but largely invisible roles in fostering shared survival and envisioning alternatives to racial capitalism globally and in the United States. This book maps the thriving existence of these cooperative networks in three differently sized American cities, highlighting their commitment to cooperation, democracy, and inclusion and demonstrating the desire—and the pressing need—to establish alternative foundations for social and economic justice.  Collectively authored by four social scientists, Solidarity Cities analyzes the deeply entrenched racial and economic divides from which cooperative networks emerge as they work to provide unmet basic needs, including food security, affordable housing, access to fair credit, and employment opportunities. Examining entities such as community gardens, credit unions, cooperatives, and other forms of economic solidarity, the authors highlight how relatively small yet vital interventions into public life can expand into broader movements that help bolster the overall well-being of their surrounding communities.  Bringing together insights from geography, political economy, and political science with mapping and spatial analysis methodologies, surveys, and in-depth interviews, Solidarity Cities illuminates the extensive footprints of solidarity economies and the roles they play in communities. The authors show how these initiatives act as bulwarks against gentrification, exploitation, and economic exclusion, helping readers see them as part of the past, present, and future of more livable and just cities. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions. This episode is hosted by Elena Sobrino. Elena is a lecturer in Anthropology at Tufts University. Her research explores volunteer work, union histories, and environmentalism in the Flint water crisis. She is currently writing about the politics of fatigue and crisis, and teaching classes on science and technology studies, ethnographies of crisis, and global racisms. You can read more about her work at elenasobrino.site. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

In this episode, Maliha Safri, Marianna Pavlovskaya, Stephen Healy, and Craig Borowiak talk about their new co-authored book Solidarity Cities: Confronting Racial Capitalism, Mapping Transformation (University of Minnesota Press, 2024). This volume is part of the Diverse Economies and Livable Worlds series. Solidarity economies, characterized by diverse practices of cooperation and mutual support, have long played pivotal but largely invisible roles in fostering shared survival and envisioning alternatives to racial capitalism globally and in the United States. This book maps the thriving existence of these cooperative networks in three differently sized American cities, highlighting their commitment to cooperation, democracy, and inclusion and demonstrating the desire—and the pressing need—to establish alternative foundations for social and economic justice.  Collectively authored by four social scientists, Solidarity Cities analyzes the deeply entrenched racial and economic divides from which cooperative networks emerge as they work to provide unmet basic needs, including food security, affordable housing, access to fair credit, and employment opportunities. Examining entities such as community gardens, credit unions, cooperatives, and other forms of economic solidarity, the authors highlight how relatively small yet vital interventions into public life can expand into broader movements that help bolster the overall well-being of their surrounding communities.  Bringing together insights from geography, political economy, and political science with mapping and spatial analysis methodologies, surveys, and in-depth interviews, Solidarity Cities illuminates the extensive footprints of solidarity economies and the roles they play in communities. The authors show how these initiatives act as bulwarks against gentrification, exploitation, and economic exclusion, helping readers see them as part of the past, present, and future of more livable and just cities. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions. This episode is hosted by Elena Sobrino. Elena is a lecturer in Anthropology at Tufts University. Her research explores volunteer work, union histories, and environmentalism in the Flint water crisis. She is currently writing about the politics of fatigue and crisis, and teaching classes on science and technology studies, ethnographies of crisis, and global racisms. You can read more about her work at elenasobrino.site. Learn more about your ad choices. Visit megaphone.fm/adchoices

How do media producers appeal to international audiences in the streaming era? In this episode of the Global Media & Communication podcast, our host Juan Llamas-Rodriguez interviews Elia Cornelio Marí about her research on Mexican melodramas, Netflix algorithms, and television in translation. In this episode you will hear about: Why melodrama became an important genre in the development of Netflix's original series across Latin America How translation affects the reception of television in Mexico and Italy The concept of “cultural proximity” and how it helps explain what TV series become popular across different national cultures The Global Media & Communication podcast series is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Guest Biography: Elia Cornelio Marí is Assistant Professor at the Universidad Juárez Autónoma de Tabasco, Mexico. She holds a PhD in Communication, Technology and Society by La Sapienza University of Rome, and a M.A. in Media Studies by the University of Texas at Austin. She specializes in television studies. Her publications focus on the original production of Netflix for Mexico, the reception of dubbed television by international audiences, and the practice of binge-watching among college students. She is a member of RELATA, the Latin American Network of Audience and Reception Studies. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). CreditsInterview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-RodriguezEdited by: Anna Gamarnik Keywords: algorithms, animation, dubbing, Mexico, Netflix, translation Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

How do media producers appeal to international audiences in the streaming era? In this episode of the Global Media & Communication podcast, our host Juan Llamas-Rodriguez interviews Elia Cornelio Marí about her research on Mexican melodramas, Netflix algorithms, and television in translation. In this episode you will hear about: Why melodrama became an important genre in the development of Netflix's original series across Latin America How translation affects the reception of television in Mexico and Italy The concept of “cultural proximity” and how it helps explain what TV series become popular across different national cultures The Global Media & Communication podcast series is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Guest Biography: Elia Cornelio Marí is Assistant Professor at the Universidad Juárez Autónoma de Tabasco, Mexico. She holds a PhD in Communication, Technology and Society by La Sapienza University of Rome, and a M.A. in Media Studies by the University of Texas at Austin. She specializes in television studies. Her publications focus on the original production of Netflix for Mexico, the reception of dubbed television by international audiences, and the practice of binge-watching among college students. She is a member of RELATA, the Latin American Network of Audience and Reception Studies. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). CreditsInterview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-RodriguezEdited by: Anna Gamarnik Keywords: algorithms, animation, dubbing, Mexico, Netflix, translation Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How do media producers appeal to international audiences in the streaming era? In this episode of the Global Media & Communication podcast, our host Juan Llamas-Rodriguez interviews Elia Cornelio Marí about her research on Mexican melodramas, Netflix algorithms, and television in translation. In this episode you will hear about: Why melodrama became an important genre in the development of Netflix's original series across Latin America How translation affects the reception of television in Mexico and Italy The concept of “cultural proximity” and how it helps explain what TV series become popular across different national cultures The Global Media & Communication podcast series is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Guest Biography: Elia Cornelio Marí is Assistant Professor at the Universidad Juárez Autónoma de Tabasco, Mexico. She holds a PhD in Communication, Technology and Society by La Sapienza University of Rome, and a M.A. in Media Studies by the University of Texas at Austin. She specializes in television studies. Her publications focus on the original production of Netflix for Mexico, the reception of dubbed television by international audiences, and the practice of binge-watching among college students. She is a member of RELATA, the Latin American Network of Audience and Reception Studies. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). CreditsInterview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-RodriguezEdited by: Anna Gamarnik Keywords: algorithms, animation, dubbing, Mexico, Netflix, translation Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

How do media producers appeal to international audiences in the streaming era? In this episode of the Global Media & Communication podcast, our host Juan Llamas-Rodriguez interviews Elia Cornelio Marí about her research on Mexican melodramas, Netflix algorithms, and television in translation. In this episode you will hear about: Why melodrama became an important genre in the development of Netflix's original series across Latin America How translation affects the reception of television in Mexico and Italy The concept of “cultural proximity” and how it helps explain what TV series become popular across different national cultures The Global Media & Communication podcast series is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Guest Biography: Elia Cornelio Marí is Assistant Professor at the Universidad Juárez Autónoma de Tabasco, Mexico. She holds a PhD in Communication, Technology and Society by La Sapienza University of Rome, and a M.A. in Media Studies by the University of Texas at Austin. She specializes in television studies. Her publications focus on the original production of Netflix for Mexico, the reception of dubbed television by international audiences, and the practice of binge-watching among college students. She is a member of RELATA, the Latin American Network of Audience and Reception Studies. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). CreditsInterview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-RodriguezEdited by: Anna Gamarnik Keywords: algorithms, animation, dubbing, Mexico, Netflix, translation Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

How do media producers appeal to international audiences in the streaming era? In this episode of the Global Media & Communication podcast, our host Juan Llamas-Rodriguez interviews Elia Cornelio Marí about her research on Mexican melodramas, Netflix algorithms, and television in translation. In this episode you will hear about: Why melodrama became an important genre in the development of Netflix's original series across Latin America How translation affects the reception of television in Mexico and Italy The concept of “cultural proximity” and how it helps explain what TV series become popular across different national cultures The Global Media & Communication podcast series is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Guest Biography: Elia Cornelio Marí is Assistant Professor at the Universidad Juárez Autónoma de Tabasco, Mexico. She holds a PhD in Communication, Technology and Society by La Sapienza University of Rome, and a M.A. in Media Studies by the University of Texas at Austin. She specializes in television studies. Her publications focus on the original production of Netflix for Mexico, the reception of dubbed television by international audiences, and the practice of binge-watching among college students. She is a member of RELATA, the Latin American Network of Audience and Reception Studies. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). CreditsInterview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-RodriguezEdited by: Anna Gamarnik Keywords: algorithms, animation, dubbing, Mexico, Netflix, translation Learn more about your ad choices. Visit megaphone.fm/adchoices

In der zweiten Folge unserer Reihe über Julius Evola vertiefen wir uns in sein philosophisches System und seine spirituelle Weltanschauung. Wir analysieren sein Verständnis der "Tradition" - nicht als bloße Rückbesinnung, sondern als metaphysisches Prinzip und radikale Alternative zur Moderne. Im Mittelpunkt steht Evolas unnachgiebige Kritik der modernen Welt, die er als spirituellen Verfallsprozess betrachtete, sowie sein Konzept der "virilen Spiritualität" und des "differenzierten Menschen". Dabei diskutieren wir kritisch, wie Evolas antidemokratisches und hierarchisches Denken bis heute rechtsextreme Bewegungen weltweit inspiriert und welche Gefahren seine elitäre Weltanschauung für demokratische Gesellschaften birgt.---Youtube-Kanalmitglied werden und exklusive Vorteile erhalten: https://www.youtube.com/channel/UC8d09rKkWS5MkIdAuzUpkmA/joinDir gefällt der Podcast? Dann kannst du uns gerne auf Patreon unterstützen: https://www.patreon.com/allezeitderweltWir würden uns ebenfalls riesig darüber freuen, wenn du uns eine Bewertung hinterlässt und uns auf YouTube (https://www.youtube.com/@allezeitderwelt) folgst!Danke für deine Unterstützung!---Weiterführende wissenschaftliche Literatur:Sedgwick, Mark (2004): "Against the Modern World: Traditionalism and the Secret Intellectual History of the Twentieth Century." Oxford University Press.Furlong, Paul (2011): "Social and Political Thought of Julius Evola." Routledge.Gregor, A. James (2005): "Mussolini's Intellectuals: Fascist Social and Political Thought." Princeton University Press.Eco, Umberto (1995): "Ur-Fascism." The New York Review of Books, 42(11), 12-15.Wolff, Uwe (2009): "Auf der Suche nach dem Heiligen Gral: Die Rezeption Julius Evolas im deutschsprachigen Raum." In Handbuch zur völkischen Bewegung 1871-1918, 1302-1315.Spackman, Barbara (1996): "Fascist Virilities: Rhetoric, Ideology, and Social Fantasy in Italy." University of Minnesota Press.Weiß, Volker (2017): "Die autoritäre Revolte: Die Neue Rechte und der Untergang des Abendlandes." Klett-Cotta.

After struggling to raise her siblings and start an art career, Wanda Gág’s life changed almost instantly with the publication of her first children’s book. Part two of her story looks at how her books sustained her financially so she could also make the art she wanted. Research: Anderson, Phil. "Gág, Wanda (1893–1946)." MNopedia, Minnesota Historical Society. http://www.mnopedia.org/person/g-g-wanda-1893-1946 Cox, Richard W. “Wanda Gág The Bite of the Picture Book.“ Minnesota History. Fall 1975. https://storage.googleapis.com/mnhs-org-support/mn_history_articles/44/v44i07p238-254.pdf?__hstc=98931905.4376bcd11fc21fde4cdd335d087cb15e.1742826273001.1742826273001.1742826273001.1&__hssc=98931905.1.1742826273001&__hsfp=979038277 Cox, Richard, and Julie L’Enfant. “Old World Symphony.” Minnesota History. Spring 1996. https://storage.googleapis.com/mnhs-org-support/mn_history_articles/55/v55i01p002-015.pdf?__hstc=98931905.4376bcd11fc21fde4cdd335d087cb15e.1742826273001.1742826273001.1742826273001.1&__hssc=98931905.1.1742826273001&__hsfp=979038277 Gág , Wanda. “Growing Pains.” Coward-McCann. 1940. https://ia801401.us.archive.org/10/items/in.ernet.dli.2015.88331/2015.88331.Growing-Pains-Diaries-And-Drawings-For-The-Years-1908-1917.pdf Gág , Wanda. “Millions of Cats.” Coward-McCann. 1928. https://www.google.com/books/edition/Millions_of_Cats/2YjWAAAAMAAJ?hl=en&gbpv=0 Gág , Wanda. “The Funny Thing.” Coward-McCann. 1991. https://www.google.com/books/edition/The_Funny_Thing/c1nhAAAAMAAJ?hl=en&gbpv=0 Gág , Wanda. “SNOW WHITE AND THE SEVEN DWARFS.” Coward-McCann. 1938. Accessed online: https://gutenberg.ca/ebooks/Gág -snow/Gág -snow-00-h-dir/Gág -snow-00-h.html Gág , Wanda. “Snippy and Snappy. Coward-McCann. 1931. Accessed online: https://gutenberg.ca/ebooks/Gág -snippy/Gág -snippy-00-h-dir/Gág -snippy-00-h.html Gregory, Alice. “Juicy As a Pear: Wanda Gág’s Delectable Books.” The New Yorker. April 24, 2014. https://www.newyorker.com/books/page-turner/juicy-as-a-pear-wanda-ggs-delectable-books?_sp=0d46b6ea-f03e-46b9-aa69-dd7bd3c6100b.1742826428861 Hurley, Beatrice J. “Wanda Gág - Artist, Author.” Elementary English, vol. 32, no. 6, 1955, pp. 347–54. JSTOR, http://www.jstor.org/stable/41384370 Keller, Sara. “Reciprocal Connections: Wanda Gág and her Hometown Community of new Ulm, Minnesota.” Kappa Omicron Nu. https://publications.kon.org/urc//v9/Interconnected-Through-Art/keller.pdf Popova, Maria. “Pioneering Early-Twentieth-Century Artist and Creative Entrepreneur Wanda Gág on Our Two Selves and How Love Lays Its Claim on Us.” The Marginalian. March 11, 2015. https://www.themarginalian.org/2015/03/11/wanda-Gág -growing-pains-me-myself/#:~:text=By%20Maria%20Popova,was%20already%20on%20her%20deathbed. Scott, Alma. “Wanda Gág : The Story of an Artist.” Kessinger Publishing. 2007. Showalter, Elaine. “These Modern Women: Autobiographical Essays from the Twenties.” Feminist Press at CUNY. 1989. “Wanda Gág.” Wanda Gág https://wandaGág house.org/wanda-Gág / Wigglesworth, Michael. “The Day of Doom.” Spiral Press. 1929. Accessed online: https://babel.hathitrust.org/cgi/pt?id=uva.x000889310&seq=9 Winnan, Audur H. “Wanda Gág .” University of Minnesota Press. 1993. See omnystudio.com/listener for privacy information.

As an artist and writer Wanda Gág is well known for her children’s books. But this first of two parts about her life covers her own unusual childhood, which went from quirky fun to intense hardship when her father died. Research: Anderson, Phil. "Gág, Wanda (1893–1946)." MNopedia, Minnesota Historical Society. http://www.mnopedia.org/person/g-g-wanda-1893-1946 Cox, Richard W. “Wanda Gág The Bite of the Picture Book.“ Minnesota History. Fall 1975. https://storage.googleapis.com/mnhs-org-support/mn_history_articles/44/v44i07p238-254.pdf?__hstc=98931905.4376bcd11fc21fde4cdd335d087cb15e.1742826273001.1742826273001.1742826273001.1&__hssc=98931905.1.1742826273001&__hsfp=979038277 Cox, Richard, and Julie L’Enfant. “Old World Symphony.” Minnesota History. Spring 1996. https://storage.googleapis.com/mnhs-org-support/mn_history_articles/55/v55i01p002-015.pdf?__hstc=98931905.4376bcd11fc21fde4cdd335d087cb15e.1742826273001.1742826273001.1742826273001.1&__hssc=98931905.1.1742826273001&__hsfp=979038277 Gág , Wanda. “Growing Pains.” Coward-McCann. 1940. https://ia801401.us.archive.org/10/items/in.ernet.dli.2015.88331/2015.88331.Growing-Pains-Diaries-And-Drawings-For-The-Years-1908-1917.pdf Gág , Wanda. “Millions of Cats.” Coward-McCann. 1928. https://www.google.com/books/edition/Millions_of_Cats/2YjWAAAAMAAJ?hl=en&gbpv=0 Gág , Wanda. “The Funny Thing.” Coward-McCann. 1991. https://www.google.com/books/edition/The_Funny_Thing/c1nhAAAAMAAJ?hl=en&gbpv=0 Gág , Wanda. “SNOW WHITE AND THE SEVEN DWARFS.” Coward-McCann. 1938. Accessed online: https://gutenberg.ca/ebooks/Gág -snow/Gág -snow-00-h-dir/Gág -snow-00-h.html Gág , Wanda. “Snippy and Snappy. Coward-McCann. 1931. Accessed online: https://gutenberg.ca/ebooks/Gág -snippy/Gág -snippy-00-h-dir/Gág -snippy-00-h.html Gregory, Alice. “Juicy As a Pear: Wanda Gág’s Delectable Books.” The New Yorker. April 24, 2014. https://www.newyorker.com/books/page-turner/juicy-as-a-pear-wanda-ggs-delectable-books?_sp=0d46b6ea-f03e-46b9-aa69-dd7bd3c6100b.1742826428861 Hurley, Beatrice J. “Wanda Gág - Artist, Author.” Elementary English, vol. 32, no. 6, 1955, pp. 347–54. JSTOR, http://www.jstor.org/stable/41384370 Keller, Sara. “Reciprocal Connections: Wanda Gág and her Hometown Community of new Ulm, Minnesota.” Kappa Omicron Nu. https://publications.kon.org/urc//v9/Interconnected-Through-Art/keller.pdf Popova, Maria. “Pioneering Early-Twentieth-Century Artist and Creative Entrepreneur Wanda Gág on Our Two Selves and How Love Lays Its Claim on Us.” The Marginalian. March 11, 2015. https://www.themarginalian.org/2015/03/11/wanda-Gág -growing-pains-me-myself/#:~:text=By%20Maria%20Popova,was%20already%20on%20her%20deathbed. Scott, Alma. “Wanda Gág : The Story of an Artist.” Kessinger Publishing. 2007. Showalter, Elaine. “These Modern Women: Autobiographical Essays from the Twenties.” Feminist Press at CUNY. 1989. “Wanda Gág.” Wanda Gág https://wandaGág house.org/wanda-Gág / Wigglesworth, Michael. “The Day of Doom.” Spiral Press. 1929. Accessed online: https://babel.hathitrust.org/cgi/pt?id=uva.x000889310&seq=9 Winnan, Audur H. “Wanda Gág .” University of Minnesota Press. 1993. See omnystudio.com/listener for privacy information.

This week Taylor spoke with John Protevi about his recently published book, Regimes of Violence: Toward a Political Anthropology. John is professor of French studies and philosophy at Louisiana State University. He is author of Political Affect; Life, War, Earth; and Edges of the State, all published by the University of Minnesota Press. Book Summary: A wide-ranging examination of the roots—and possible future—of violence in human societies Is aggression inevitable among humans? In Regimes of Violence, John Protevi explores how human violence originates and exists in our societies. Taking humans as biocultural (that is, our social practices shape our bodies and minds), he shows how aggression does not arrive from any purely biological predisposition but rather occurs only in social regimes of violence that, by manipulating the ways in which culture can shape our biological inheritance of rage and aggression, condition the forms of violence able to be expressed at any one time. Offering detailed insights into human aggression throughout history, Protevi's analysis ranges from evolutionary psychology to affective ideology and finally to an alternate politics of joy. He examines a wide range of seemingly disparate topics, such as cooperation between early nomadic foragers, organized sports, berserkers and blackout rages, the experiences of maroons escaping slavery, the January 6 invasion of the United States Capitol building, and responses to the Covid-19 pandemic. As he entwines the philosophical with the anthropological, he asks readers to consider why humans' capacity for cooperation and sharing is so persistently overlooked by stories that focus on aggression and warfare. Regimes of Violence is an important contribution to studies of Deleuze and Guattari, uniquely combining cutting-edge investigations in psychology, history, evolutionary theory, cultural anthropology, and philosophy to examine the “political philosophy of the mind.” Presenting to readers a refreshingly optimistic perspective, Protevi demonstrates that we are not doomed to war and argues that humans can build a world based on antifascism, joy, and mutual empowerment. About the book: https://www.upress.umn.edu/9781517918750/regimes-of-violence/ Support us on Patreon: - www.patreon.com/muhh - Twitter: @unconscioushh

In Part 2 of our discussion on Edith Wharton's The Age of Innocence, editor Sheila Liming returns to discuss challenges for first-time readers, the correlation between fluctuations in Wharton's reputation and historical literary (and political) trends, and whether or not The Age of Innocence is truly a love story. Sheila Liming is Associate Professor at Champlain College in Burlington, Vermont. She is the author of What a Library Means to a Woman: Edith Wharton and the Will to Collect Books (University of Minnesota Press, 2020) and creator of the web database EdithWhartonsLibrary.org. Her other books include Office (2020), published through Bloomsbury's Object Lessons series, and a scholarly edition of Wharton's novel Twilight Sleep (forthcoming through Oxford University Press). Her writing has appeared in The Atlantic, Lapham's Quarterly, The Los Angeles Review of Books, McSweeney's, and The Chronicle Review.To learn more or purchase a copy of the Norton Library edition of The Age of Innocence, go to https://wwnorton.com/books/9780393870770.Learn more about the Norton Library series at https://wwnorton.com/norton-library.Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

Today's episode features our rich conversation with Dr. Corinne Mitsuye Sugino, Assistant Professor in the Department of English and Center for Ethnic Studies at The Ohio State University, about her compelling new book, Making the Human: Race, Allegory, and Asian Americans. On the show, Alex and Calvin are joined by guest co-host Dr. Sarah Hae-In Idzik to talk with Corinne about her multifaceted analyses of the role of Asian American racialization in the construction of the concept of the human. We delve into Corinne's concept of "racial allegory," which illuminates how media and institutional narratives mobilize categories of difference, including Asian Americans, to stabilize the idea of "Western man".Our discussion touches upon the significance of the title Making the Human, unpacking how Asian American racialization and gendering contribute to the social formulation of the human. We explore key concepts such as the understanding of "Western man" drawn from Black Studies scholarship, while also examining the crucial relationship that Corinne charts between anti-Asian racism and anti-Blackness within communication and rhetoric studies. Corinne also explains how she applies the notion of racial allegory to a case study on Students for Fair Admissions v. Harvard, revealing how anti-racist discourse can be used to uphold racial hierarchies, and the strategic role of the victimized Asian student trope in this context. Furthermore, we analyze Corinne's intercontextual reading of the film Crazy Rich Asians alongside Daniel Patrick Moynihan's “The Negro Family” report, exploring allegories of family and mothering and the underlying racial narratives at play. Our discussion also considers the significance of animacy and the inhuman in relation to the boundaries of the human, particularly in the context of the COVID-19 pandemic and the racialization of Asian Americans as potential disease carriers. Finally, we reflect upon Corinne's nuanced perspective on the term "Asian American" itself, considering its complexities and its potential as a resource for undoing categories and fostering coalition.Corinne Mitsuye Sugino's Making the Human: Race, Allegory, and Asian Americans is available now from Rutgers University Press.Works and Concepts Referenced in this Episode:Chen, M. Y. (2012). Animacies: Biopolitics, racial mattering, and queer affect. Duke University Press.Jackson, Z. I. (2020). Becoming human: Matter and meaning in an antiblack world. New York University Press.Johnson, J. (2016). “A man's mouth is his castle”: The midcentury fluoridation controversy and the visceral public. Quarterly Journal of Speech, 102(1), 1–20. https://doi.org/10.1080/00335630.2015.1135506Maraj, L. M. (2020). Anti-racist campus rhetorics. Utah State Press.Molina, N. (2014). How race is made in America: Immigration, citizenship, and the historical power of racial scripts. Univ of California Press.Moynihan, D. P. (1965). The Negro family, a case for national action. United States Department of Labor, Office of Policy Planning and Research.Spillers, H. J. (1987). Mama's baby, papa's maybe: An American grammar book. diacritics, 17(2), 65-81.Wynter, S. (1994). “ ‘No humans involved': An open letter to my colleagues.” Forum N.H.I.: Knowledge for the 21st Century, 1(1), 1–17.Wynter, S. (2003). “Unsettling the coloniality of being/power/truth/freedom: Towards the human, after man, its overrepresentation—An argument.” CR: The New Centennial Review, 3(3), 257–337.Wynter, S., & McKittrick, K. (2015). “Unparalleled catastrophe for our species? Or, to give humanness a different future: Conversations.” In K. McKittrick (Ed.), Sylvia Wynter: On being human as praxis (pp. 9–89). Duke University Press.da Silva, D. F. (2007). Toward a global idea of race. University of Minnesota Press.An accessible transcript for this episode can be found here (via Descript)

Tamara Dean is an award-winning essayist whose work explores the intersection of nature, community, and resilience. In Shelter and Storm: At Home in the Driftless (University of Minnesota Press, April 22, 2025), she reflects on her move to a Wisconsin farm and the lessons learned through living close to the land. Through twelve vivid essays, Dean blends science, history, and personal narrative to ask how we care for the earth, remember those who came before us, and build a future rooted in connection.Find Tamara Dean and Shelter and Storm online: Tamara Dean's HomepageShelter and Storm OnlineFind me online:This Sustainable Life: Solve For Nature Podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://shows.acast.com/solvefornatureBlog: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://verdantgrowth.blog/⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/verdantgrowth⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky: https://bsky.app/profile/verdantgrowth.bsky.socialFacebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/realverdantgrowth⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠http://instagram.com/verdant.growth ⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠http://instagram.com/verdantgrowthofficial Hosted on Acast. See acast.com/privacy for more information.

What does transphobic oppression have to do with sexism, heterosexism, and racism? How does a decolonial analysis help us understand trans oppression? How are the relatively recent concepts of person, self, and subject implicated in these forms of oppression? And what theorizations are already available within trans communities for thinking through this all?  In Beyond Personhood: An Essay in Trans Philosophy (Minneapolis: University of Minnesota Press, 2025), Talia Mae Bettcher develops a new theory of intimacy and distance to show how structures of appearing—as well as liminal experiences of appearance—can help us understand trans oppression and gender dysphoria in new ways. This new theory of interpersonal spatiality also shows how we can build worlds otherwise, thinking about connections and relations in ways foreclosed by many of the currently dominate accounts of gender and identity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What does transphobic oppression have to do with sexism, heterosexism, and racism? How does a decolonial analysis help us understand trans oppression? How are the relatively recent concepts of person, self, and subject implicated in these forms of oppression? And what theorizations are already available within trans communities for thinking through this all?  In Beyond Personhood: An Essay in Trans Philosophy (Minneapolis: University of Minnesota Press, 2025), Talia Mae Bettcher develops a new theory of intimacy and distance to show how structures of appearing—as well as liminal experiences of appearance—can help us understand trans oppression and gender dysphoria in new ways. This new theory of interpersonal spatiality also shows how we can build worlds otherwise, thinking about connections and relations in ways foreclosed by many of the currently dominate accounts of gender and identity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/philosophy

What does transphobic oppression have to do with sexism, heterosexism, and racism? How does a decolonial analysis help us understand trans oppression? How are the relatively recent concepts of person, self, and subject implicated in these forms of oppression? And what theorizations are already available within trans communities for thinking through this all?  In Beyond Personhood: An Essay in Trans Philosophy (Minneapolis: University of Minnesota Press, 2025), Talia Mae Bettcher develops a new theory of intimacy and distance to show how structures of appearing—as well as liminal experiences of appearance—can help us understand trans oppression and gender dysphoria in new ways. This new theory of interpersonal spatiality also shows how we can build worlds otherwise, thinking about connections and relations in ways foreclosed by many of the currently dominate accounts of gender and identity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

What does transphobic oppression have to do with sexism, heterosexism, and racism? How does a decolonial analysis help us understand trans oppression? How are the relatively recent concepts of person, self, and subject implicated in these forms of oppression? And what theorizations are already available within trans communities for thinking through this all?  In Beyond Personhood: An Essay in Trans Philosophy (Minneapolis: University of Minnesota Press, 2025), Talia Mae Bettcher develops a new theory of intimacy and distance to show how structures of appearing—as well as liminal experiences of appearance—can help us understand trans oppression and gender dysphoria in new ways. This new theory of interpersonal spatiality also shows how we can build worlds otherwise, thinking about connections and relations in ways foreclosed by many of the currently dominate accounts of gender and identity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What does transphobic oppression have to do with sexism, heterosexism, and racism? How does a decolonial analysis help us understand trans oppression? How are the relatively recent concepts of person, self, and subject implicated in these forms of oppression? And what theorizations are already available within trans communities for thinking through this all?  In Beyond Personhood: An Essay in Trans Philosophy (Minneapolis: University of Minnesota Press, 2025), Talia Mae Bettcher develops a new theory of intimacy and distance to show how structures of appearing—as well as liminal experiences of appearance—can help us understand trans oppression and gender dysphoria in new ways. This new theory of interpersonal spatiality also shows how we can build worlds otherwise, thinking about connections and relations in ways foreclosed by many of the currently dominate accounts of gender and identity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

What does transphobic oppression have to do with sexism, heterosexism, and racism? How does a decolonial analysis help us understand trans oppression? How are the relatively recent concepts of person, self, and subject implicated in these forms of oppression? And what theorizations are already available within trans communities for thinking through this all?  In Beyond Personhood: An Essay in Trans Philosophy (Minneapolis: University of Minnesota Press, 2025), Talia Mae Bettcher develops a new theory of intimacy and distance to show how structures of appearing—as well as liminal experiences of appearance—can help us understand trans oppression and gender dysphoria in new ways. This new theory of interpersonal spatiality also shows how we can build worlds otherwise, thinking about connections and relations in ways foreclosed by many of the currently dominate accounts of gender and identity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

What does transphobic oppression have to do with sexism, heterosexism, and racism? How does a decolonial analysis help us understand trans oppression? How are the relatively recent concepts of person, self, and subject implicated in these forms of oppression? And what theorizations are already available within trans communities for thinking through this all?  In Beyond Personhood: An Essay in Trans Philosophy (Minneapolis: University of Minnesota Press, 2025), Talia Mae Bettcher develops a new theory of intimacy and distance to show how structures of appearing—as well as liminal experiences of appearance—can help us understand trans oppression and gender dysphoria in new ways. This new theory of interpersonal spatiality also shows how we can build worlds otherwise, thinking about connections and relations in ways foreclosed by many of the currently dominate accounts of gender and identity. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Part 1 of our discussion on Edith Wharton's The Age of Innocence, we welcome editor Sheila Liming to discuss the author's friendship with Henry James, a culture of elitism in New York, and the ironic meaning of "innocence" in the novel. Sheila Liming is Associate Professor at Champlain College in Burlington, Vermont. She is the author of What a Library Means to a Woman: Edith Wharton and the Will to Collect Books (University of Minnesota Press, 2020) and creator of the web database EdithWhartonsLibrary.org. Her other books include Office (2020), published through Bloomsbury's Object Lessons series, and a scholarly edition of Wharton's novel Twilight Sleep (forthcoming through Oxford University Press). Her writing has appeared in The Atlantic, Lapham's Quarterly, The Los Angeles Review of Books, McSweeney's, and The Chronicle Review. To learn more or purchase a copy of the Norton Library edition of The Age of Innocence, go to https://wwnorton.com/books/9780393870770. Learn more about the Norton Library series at https://wwnorton.com/norton-library.Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

Climate scientist and policy expert Anna Farro Henderson embarks on a remarkable narrative journey in Core Samples: A Climate Scientist's Experiments in Politics and Motherhood (U Minnesota Press, 2025), exploring how science is done, discussed, legislated, and imagined. Through stories both raucous and poignant--of far-flung expeditions, finding artistic inspiration in research, and traversing the systemic barriers women and mothers face in science and politics--she brings readers into the daily rhythms and intimacies of scientific research and political negotiation. Grounded in her experiences as a climate scientist, an environmental policy advisor to Minnesota Senator Al Franken and Governor Mark Dayton, and a constant juggler of the many roles and responsibilities of professional moms, Henderson's eclectic, unconventional essays range from observations, confessions, and meditations on lab and fieldwork to a packing list for a trip to the State Capitol and a lactation diary. Readers are invited on voyages as far afield as the Trinity nuclear test site in New Mexico, the Juneau Icefield in Alaska, and a meteor crater in Ghana--and as close to home as a town hall meeting in America's corn belt. A love letter to science and a bracing (and sometimes hilarious) portrait of the many obstacles women, mothers, and people digging for truth navigate, Core Samples illuminates the messy, contradictory humanity of our scientific and political institutions. Bringing us behind the closed doors of discovery and debate, Henderson exposes the flaws in research institutions, the halls of government, and the role of science in policy, yet she shows how each crack is also an invitation for camaraderie, creativity, and change. Dr. Anna Farro Henderson is a Canadian American paleo-ecologist/climate scientist and writer. She was an environmental policy adviser to the Minnesota Senator Al Franken and Governor Mark Dayton. She is a fellow at the Institute on the Environment at the University of Minnesota. She is on the faculty at the Mitchell Hamline Law School. She has also worked as a consultant and climate advocate. She is a creative writing instructor at the Loft Literary Center, and as a renowned author she has a number of articles published in well know environmental and literary publications, such as: Orion, Terrain and The Common. She has a long list of and writing awards and Literary Fellowships to her name. She now lives with her family in Minnesota, where she makes daily visits to the Mississippi River. Michael Simpson has been actively working, researching and teaching in the watershed management and wetlands fields for over forty years. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Welcome to the Global Media & Communication podcast series, a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Today, our host Juan Llamas-Rodriguez interviews Martín Echeverría about his book Political Entertainment in a Post Authoritarian Democracy: Humor in the Mexican Media (Routledge, 2024), co-written with Frida Rodelo. In this episode you will hear about: The affordances and limitations of YouTube for the political media ecosystem The role of memes in generating political interest among politically disinterested groups How people's distrust of news organizations impact the communication environment for political news How restrictions on political speech have shifted in Mexico in the last few decades Guest Biography: Martín Echeverría is the Head of the Center for Studies in Political Communication at the Benemérita Universidad Autónoma de Puebla, Mexico. He holds a PhD in Communication and Culture from the University of Seville, Spain, and serves as Co-Chair of the Political Communication Section of the International Association of Media and Communication Research (IAMCR). His research, which focuses on the mediatization of politics, media systems, and the reception and political effects of media, has been published in leading journals such as The International Journal of Press/Politics, International Journal of Communication, Journalism Studies, and top Latin American outlets. He is the author and editor of several books, including Media and Politics in Post-Authoritarian Mexico: The Continuing Struggle for Democracy (Palgrave Macmillan, 2024) and Political Entertainment in a Post-Authoritarian Democracy (Routledge, 2023), the latter receiving the AEJMC 2024 Knudson Award for the best book on Latin American media in the United States. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). Credits Interview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-Rodriguez  Edited by: Anna Gamarnik Keywords: authoritarianism, memes, Mexico, political communication, political satire, YouTube Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Climate scientist and policy expert Anna Farro Henderson embarks on a remarkable narrative journey in Core Samples: A Climate Scientist's Experiments in Politics and Motherhood (U Minnesota Press, 2025), exploring how science is done, discussed, legislated, and imagined. Through stories both raucous and poignant--of far-flung expeditions, finding artistic inspiration in research, and traversing the systemic barriers women and mothers face in science and politics--she brings readers into the daily rhythms and intimacies of scientific research and political negotiation. Grounded in her experiences as a climate scientist, an environmental policy advisor to Minnesota Senator Al Franken and Governor Mark Dayton, and a constant juggler of the many roles and responsibilities of professional moms, Henderson's eclectic, unconventional essays range from observations, confessions, and meditations on lab and fieldwork to a packing list for a trip to the State Capitol and a lactation diary. Readers are invited on voyages as far afield as the Trinity nuclear test site in New Mexico, the Juneau Icefield in Alaska, and a meteor crater in Ghana--and as close to home as a town hall meeting in America's corn belt. A love letter to science and a bracing (and sometimes hilarious) portrait of the many obstacles women, mothers, and people digging for truth navigate, Core Samples illuminates the messy, contradictory humanity of our scientific and political institutions. Bringing us behind the closed doors of discovery and debate, Henderson exposes the flaws in research institutions, the halls of government, and the role of science in policy, yet she shows how each crack is also an invitation for camaraderie, creativity, and change. Dr. Anna Farro Henderson is a Canadian American paleo-ecologist/climate scientist and writer. She was an environmental policy adviser to the Minnesota Senator Al Franken and Governor Mark Dayton. She is a fellow at the Institute on the Environment at the University of Minnesota. She is on the faculty at the Mitchell Hamline Law School. She has also worked as a consultant and climate advocate. She is a creative writing instructor at the Loft Literary Center, and as a renowned author she has a number of articles published in well know environmental and literary publications, such as: Orion, Terrain and The Common. She has a long list of and writing awards and Literary Fellowships to her name. She now lives with her family in Minnesota, where she makes daily visits to the Mississippi River. Michael Simpson has been actively working, researching and teaching in the watershed management and wetlands fields for over forty years. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Welcome to the Global Media & Communication podcast series, a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Today, our host Juan Llamas-Rodriguez interviews Martín Echeverría about his book Political Entertainment in a Post Authoritarian Democracy: Humor in the Mexican Media (Routledge, 2024), co-written with Frida Rodelo. In this episode you will hear about: The affordances and limitations of YouTube for the political media ecosystem The role of memes in generating political interest among politically disinterested groups How people's distrust of news organizations impact the communication environment for political news How restrictions on political speech have shifted in Mexico in the last few decades Guest Biography: Martín Echeverría is the Head of the Center for Studies in Political Communication at the Benemérita Universidad Autónoma de Puebla, Mexico. He holds a PhD in Communication and Culture from the University of Seville, Spain, and serves as Co-Chair of the Political Communication Section of the International Association of Media and Communication Research (IAMCR). His research, which focuses on the mediatization of politics, media systems, and the reception and political effects of media, has been published in leading journals such as The International Journal of Press/Politics, International Journal of Communication, Journalism Studies, and top Latin American outlets. He is the author and editor of several books, including Media and Politics in Post-Authoritarian Mexico: The Continuing Struggle for Democracy (Palgrave Macmillan, 2024) and Political Entertainment in a Post-Authoritarian Democracy (Routledge, 2023), the latter receiving the AEJMC 2024 Knudson Award for the best book on Latin American media in the United States. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). Credits Interview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-Rodriguez  Edited by: Anna Gamarnik Keywords: authoritarianism, memes, Mexico, political communication, political satire, YouTube Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Climate scientist and policy expert Anna Farro Henderson embarks on a remarkable narrative journey in Core Samples: A Climate Scientist's Experiments in Politics and Motherhood (U Minnesota Press, 2025), exploring how science is done, discussed, legislated, and imagined. Through stories both raucous and poignant--of far-flung expeditions, finding artistic inspiration in research, and traversing the systemic barriers women and mothers face in science and politics--she brings readers into the daily rhythms and intimacies of scientific research and political negotiation. Grounded in her experiences as a climate scientist, an environmental policy advisor to Minnesota Senator Al Franken and Governor Mark Dayton, and a constant juggler of the many roles and responsibilities of professional moms, Henderson's eclectic, unconventional essays range from observations, confessions, and meditations on lab and fieldwork to a packing list for a trip to the State Capitol and a lactation diary. Readers are invited on voyages as far afield as the Trinity nuclear test site in New Mexico, the Juneau Icefield in Alaska, and a meteor crater in Ghana--and as close to home as a town hall meeting in America's corn belt. A love letter to science and a bracing (and sometimes hilarious) portrait of the many obstacles women, mothers, and people digging for truth navigate, Core Samples illuminates the messy, contradictory humanity of our scientific and political institutions. Bringing us behind the closed doors of discovery and debate, Henderson exposes the flaws in research institutions, the halls of government, and the role of science in policy, yet she shows how each crack is also an invitation for camaraderie, creativity, and change. Dr. Anna Farro Henderson is a Canadian American paleo-ecologist/climate scientist and writer. She was an environmental policy adviser to the Minnesota Senator Al Franken and Governor Mark Dayton. She is a fellow at the Institute on the Environment at the University of Minnesota. She is on the faculty at the Mitchell Hamline Law School. She has also worked as a consultant and climate advocate. She is a creative writing instructor at the Loft Literary Center, and as a renowned author she has a number of articles published in well know environmental and literary publications, such as: Orion, Terrain and The Common. She has a long list of and writing awards and Literary Fellowships to her name. She now lives with her family in Minnesota, where she makes daily visits to the Mississippi River. Michael Simpson has been actively working, researching and teaching in the watershed management and wetlands fields for over forty years. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Welcome to the Global Media & Communication podcast series, a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Today, our host Juan Llamas-Rodriguez interviews Martín Echeverría about his book Political Entertainment in a Post Authoritarian Democracy: Humor in the Mexican Media (Routledge, 2024), co-written with Frida Rodelo. In this episode you will hear about: The affordances and limitations of YouTube for the political media ecosystem The role of memes in generating political interest among politically disinterested groups How people's distrust of news organizations impact the communication environment for political news How restrictions on political speech have shifted in Mexico in the last few decades Guest Biography: Martín Echeverría is the Head of the Center for Studies in Political Communication at the Benemérita Universidad Autónoma de Puebla, Mexico. He holds a PhD in Communication and Culture from the University of Seville, Spain, and serves as Co-Chair of the Political Communication Section of the International Association of Media and Communication Research (IAMCR). His research, which focuses on the mediatization of politics, media systems, and the reception and political effects of media, has been published in leading journals such as The International Journal of Press/Politics, International Journal of Communication, Journalism Studies, and top Latin American outlets. He is the author and editor of several books, including Media and Politics in Post-Authoritarian Mexico: The Continuing Struggle for Democracy (Palgrave Macmillan, 2024) and Political Entertainment in a Post-Authoritarian Democracy (Routledge, 2023), the latter receiving the AEJMC 2024 Knudson Award for the best book on Latin American media in the United States. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). Credits Interview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-Rodriguez  Edited by: Anna Gamarnik Keywords: authoritarianism, memes, Mexico, political communication, political satire, YouTube Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Climate scientist and policy expert Anna Farro Henderson embarks on a remarkable narrative journey in Core Samples: A Climate Scientist's Experiments in Politics and Motherhood (U Minnesota Press, 2025), exploring how science is done, discussed, legislated, and imagined. Through stories both raucous and poignant--of far-flung expeditions, finding artistic inspiration in research, and traversing the systemic barriers women and mothers face in science and politics--she brings readers into the daily rhythms and intimacies of scientific research and political negotiation. Grounded in her experiences as a climate scientist, an environmental policy advisor to Minnesota Senator Al Franken and Governor Mark Dayton, and a constant juggler of the many roles and responsibilities of professional moms, Henderson's eclectic, unconventional essays range from observations, confessions, and meditations on lab and fieldwork to a packing list for a trip to the State Capitol and a lactation diary. Readers are invited on voyages as far afield as the Trinity nuclear test site in New Mexico, the Juneau Icefield in Alaska, and a meteor crater in Ghana--and as close to home as a town hall meeting in America's corn belt. A love letter to science and a bracing (and sometimes hilarious) portrait of the many obstacles women, mothers, and people digging for truth navigate, Core Samples illuminates the messy, contradictory humanity of our scientific and political institutions. Bringing us behind the closed doors of discovery and debate, Henderson exposes the flaws in research institutions, the halls of government, and the role of science in policy, yet she shows how each crack is also an invitation for camaraderie, creativity, and change. Dr. Anna Farro Henderson is a Canadian American paleo-ecologist/climate scientist and writer. She was an environmental policy adviser to the Minnesota Senator Al Franken and Governor Mark Dayton. She is a fellow at the Institute on the Environment at the University of Minnesota. She is on the faculty at the Mitchell Hamline Law School. She has also worked as a consultant and climate advocate. She is a creative writing instructor at the Loft Literary Center, and as a renowned author she has a number of articles published in well know environmental and literary publications, such as: Orion, Terrain and The Common. She has a long list of and writing awards and Literary Fellowships to her name. She now lives with her family in Minnesota, where she makes daily visits to the Mississippi River. Michael Simpson has been actively working, researching and teaching in the watershed management and wetlands fields for over forty years. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Welcome to the Global Media & Communication podcast series, a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Today, our host Juan Llamas-Rodriguez interviews Martín Echeverría about his book Political Entertainment in a Post Authoritarian Democracy: Humor in the Mexican Media (Routledge, 2024), co-written with Frida Rodelo. In this episode you will hear about: The affordances and limitations of YouTube for the political media ecosystem The role of memes in generating political interest among politically disinterested groups How people's distrust of news organizations impact the communication environment for political news How restrictions on political speech have shifted in Mexico in the last few decades Guest Biography: Martín Echeverría is the Head of the Center for Studies in Political Communication at the Benemérita Universidad Autónoma de Puebla, Mexico. He holds a PhD in Communication and Culture from the University of Seville, Spain, and serves as Co-Chair of the Political Communication Section of the International Association of Media and Communication Research (IAMCR). His research, which focuses on the mediatization of politics, media systems, and the reception and political effects of media, has been published in leading journals such as The International Journal of Press/Politics, International Journal of Communication, Journalism Studies, and top Latin American outlets. He is the author and editor of several books, including Media and Politics in Post-Authoritarian Mexico: The Continuing Struggle for Democracy (Palgrave Macmillan, 2024) and Political Entertainment in a Post-Authoritarian Democracy (Routledge, 2023), the latter receiving the AEJMC 2024 Knudson Award for the best book on Latin American media in the United States. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). Credits Interview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-Rodriguez  Edited by: Anna Gamarnik Keywords: authoritarianism, memes, Mexico, political communication, political satire, YouTube Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Welcome to the Global Media & Communication podcast series, a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Today, our host Juan Llamas-Rodriguez interviews Martín Echeverría about his book Political Entertainment in a Post Authoritarian Democracy: Humor in the Mexican Media (Routledge, 2024), co-written with Frida Rodelo. In this episode you will hear about: The affordances and limitations of YouTube for the political media ecosystem The role of memes in generating political interest among politically disinterested groups How people's distrust of news organizations impact the communication environment for political news How restrictions on political speech have shifted in Mexico in the last few decades Guest Biography: Martín Echeverría is the Head of the Center for Studies in Political Communication at the Benemérita Universidad Autónoma de Puebla, Mexico. He holds a PhD in Communication and Culture from the University of Seville, Spain, and serves as Co-Chair of the Political Communication Section of the International Association of Media and Communication Research (IAMCR). His research, which focuses on the mediatization of politics, media systems, and the reception and political effects of media, has been published in leading journals such as The International Journal of Press/Politics, International Journal of Communication, Journalism Studies, and top Latin American outlets. He is the author and editor of several books, including Media and Politics in Post-Authoritarian Mexico: The Continuing Struggle for Democracy (Palgrave Macmillan, 2024) and Political Entertainment in a Post-Authoritarian Democracy (Routledge, 2023), the latter receiving the AEJMC 2024 Knudson Award for the best book on Latin American media in the United States. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). Credits Interview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-Rodriguez  Edited by: Anna Gamarnik Keywords: authoritarianism, memes, Mexico, political communication, political satire, YouTube Learn more about your ad choices. Visit megaphone.fm/adchoices

Late Star Trek: The Final Frontier in the Franchise Era (University of Minnesota Press, 2025) by Dr. Adam Kotsko explores the beloved science fiction franchise's repeated attempts to reinvent itself after the end of its 1990s golden age. Beginning with the prequel series Enterprise, Adam Kotsko analyzes the wealth of content set within Star Trek's sprawling continuity—including authorized books, the three “Kelvin Timeline” films, and the streaming series Discovery, Picard, Lower Decks, Prodigy, and Strange New Worlds—along with fan discourse, to reflect on the perils and promise of the franchise as a unique form of storytelling. Significantly including the licensed novels and comic books that fill out the Star Trek universe for its fans, Dr. Kotsko brings the multiple productions of the early twenty-first century together as a unified whole rather than analyzing them in their current stratified view. He argues that the variety of styles and approaches in this tumultuous era of Star Trek history provides the perfect opportunity to reflect on the nature of the franchise storyworlds that now dominate popular culture. By taking the spin-offs and tie-ins seriously as creative attempts to tell a new story within an established universe, Late Star Trek highlights creative triumphs as well as the tendency for franchise faithfulness to get in the way of creating engaging characters and ideas. Arguing forcefully against the prevailing consensus that franchises are a sign of cultural decay, Dr. Kotsko contends that the Star Trek universe exemplifies an approach to storytelling that has been perennial across cultures. Instead, he finds that what limits creativity within franchises is not their reliance on the familiar but their status as modern myths, held not as common cultural heritage but rather owned as corporate intellectual property. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Late Star Trek: The Final Frontier in the Franchise Era (University of Minnesota Press, 2025) by Dr. Adam Kotsko explores the beloved science fiction franchise's repeated attempts to reinvent itself after the end of its 1990s golden age. Beginning with the prequel series Enterprise, Adam Kotsko analyzes the wealth of content set within Star Trek's sprawling continuity—including authorized books, the three “Kelvin Timeline” films, and the streaming series Discovery, Picard, Lower Decks, Prodigy, and Strange New Worlds—along with fan discourse, to reflect on the perils and promise of the franchise as a unique form of storytelling. Significantly including the licensed novels and comic books that fill out the Star Trek universe for its fans, Dr. Kotsko brings the multiple productions of the early twenty-first century together as a unified whole rather than analyzing them in their current stratified view. He argues that the variety of styles and approaches in this tumultuous era of Star Trek history provides the perfect opportunity to reflect on the nature of the franchise storyworlds that now dominate popular culture. By taking the spin-offs and tie-ins seriously as creative attempts to tell a new story within an established universe, Late Star Trek highlights creative triumphs as well as the tendency for franchise faithfulness to get in the way of creating engaging characters and ideas. Arguing forcefully against the prevailing consensus that franchises are a sign of cultural decay, Dr. Kotsko contends that the Star Trek universe exemplifies an approach to storytelling that has been perennial across cultures. Instead, he finds that what limits creativity within franchises is not their reliance on the familiar but their status as modern myths, held not as common cultural heritage but rather owned as corporate intellectual property. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Late Star Trek: The Final Frontier in the Franchise Era (University of Minnesota Press, 2025) by Dr. Adam Kotsko explores the beloved science fiction franchise's repeated attempts to reinvent itself after the end of its 1990s golden age. Beginning with the prequel series Enterprise, Adam Kotsko analyzes the wealth of content set within Star Trek's sprawling continuity—including authorized books, the three “Kelvin Timeline” films, and the streaming series Discovery, Picard, Lower Decks, Prodigy, and Strange New Worlds—along with fan discourse, to reflect on the perils and promise of the franchise as a unique form of storytelling. Significantly including the licensed novels and comic books that fill out the Star Trek universe for its fans, Dr. Kotsko brings the multiple productions of the early twenty-first century together as a unified whole rather than analyzing them in their current stratified view. He argues that the variety of styles and approaches in this tumultuous era of Star Trek history provides the perfect opportunity to reflect on the nature of the franchise storyworlds that now dominate popular culture. By taking the spin-offs and tie-ins seriously as creative attempts to tell a new story within an established universe, Late Star Trek highlights creative triumphs as well as the tendency for franchise faithfulness to get in the way of creating engaging characters and ideas. Arguing forcefully against the prevailing consensus that franchises are a sign of cultural decay, Dr. Kotsko contends that the Star Trek universe exemplifies an approach to storytelling that has been perennial across cultures. Instead, he finds that what limits creativity within franchises is not their reliance on the familiar but their status as modern myths, held not as common cultural heritage but rather owned as corporate intellectual property. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Late Star Trek: The Final Frontier in the Franchise Era (University of Minnesota Press, 2025) by Dr. Adam Kotsko explores the beloved science fiction franchise's repeated attempts to reinvent itself after the end of its 1990s golden age. Beginning with the prequel series Enterprise, Adam Kotsko analyzes the wealth of content set within Star Trek's sprawling continuity—including authorized books, the three “Kelvin Timeline” films, and the streaming series Discovery, Picard, Lower Decks, Prodigy, and Strange New Worlds—along with fan discourse, to reflect on the perils and promise of the franchise as a unique form of storytelling. Significantly including the licensed novels and comic books that fill out the Star Trek universe for its fans, Dr. Kotsko brings the multiple productions of the early twenty-first century together as a unified whole rather than analyzing them in their current stratified view. He argues that the variety of styles and approaches in this tumultuous era of Star Trek history provides the perfect opportunity to reflect on the nature of the franchise storyworlds that now dominate popular culture. By taking the spin-offs and tie-ins seriously as creative attempts to tell a new story within an established universe, Late Star Trek highlights creative triumphs as well as the tendency for franchise faithfulness to get in the way of creating engaging characters and ideas. Arguing forcefully against the prevailing consensus that franchises are a sign of cultural decay, Dr. Kotsko contends that the Star Trek universe exemplifies an approach to storytelling that has been perennial across cultures. Instead, he finds that what limits creativity within franchises is not their reliance on the familiar but their status as modern myths, held not as common cultural heritage but rather owned as corporate intellectual property. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Hello Interactors,It's March Madness time in the states — baskets and brackets. I admit I'd grown a bit skeptical of how basketball evolved since my playing days. As it happens, I played against Caitlin Clark's dad, from nearby Indianola, Iowa! Unlike the more dynamic Brent Clark, I was a small-town six-foot center, taught never to face the basket and dribble. After all, it was Kareem Abdul-Jabbar's era of back-to-the-hoop skyhooks. By college, however, I was playing pickup games in California, expected to handle the ball, shoot, dish, or drive. Just like Caitlin! The players around me were from East LA, not Indianola. Jordan was king, and basketball wasn't just evolving — it was about to explode. It's geographic expansion and spatial dynamism has influenced how the game is played and I now know why I can't get enough of it.BOARDS, BOUNDARIES, AND BREAKING FREEThere was one gym in my hometown, Norwalk, Iowa, where I could dunk a basketball. The court was so cramped, there was a wall right behind the backboard. It was padded to ease post layup collisions! But when I timed it right, I could run and jump off the wall launching myself into the air and just high enough to dunk. This old gym, a WPA project, was built in 1936 and was considered large at the time relative to population. It felt tiny by the time I played there during PE as a kid and on weekend pickup games as a teen — though it was still bigger than anything my parents experienced in rural Southern Iowa.Basketball began as a sport of spatial limitation. James Naismith invented the game in 1891 — 45 years prior to my dunk gym's grand opening. The game was invented to be played in a YMCA gym in Springfield, Massachusetts. This building dictated the court's dimensions, movement, and strategy. Naismith's original 13 rules emphasized order—no dribbling or running, only passing to move the ball. Early basketball wasn't about individual drives but about constant movement within a network of passing lanes, with players anticipating and reacting in real time.The original peach baskets were hung ten feet high on a balcony railing, with no backboards to guide shots. Misses bounced unpredictably, adding a vertical challenge and forcing players to think strategically about rebounding. Since the baskets had bottoms, play stopped after every score, giving teams time to reset and rethink.Soon the bottom of the basket was removed, and a backboard was introduced — originally intended to prevent interference from spectators batting opponents shots from the balcony. The backboard fundamentally altered the physics of play. Now a player could more predictably bank shots of the backboard and invent new rebounding strategies.When running while dribbling was introduced in the late 1890s, basketball's rigid spatial structure loosened. No longer confined to static passing formations, the game became a fluid system of movement. These innovations transformed the court into an interactive spatial environment, where angles, trajectories, and rebounds became key tactical elements. According to one theory of spatial reformulation through human behavior, structured spaces like basketball courts evolved not solely through top-down design, but through emergent patterns of use, where movement, interaction, and adaptation shape the space over time.By the 1920s, the court itself expanded—not so much in physical size but in meaning. The game had spread beyond enclosed gymnasiums to urban playgrounds, colleges, and professional teams. Each expansion further evolved basketball's spatial logic. Courts in New York's streetball culture fostered a tight and improvisational style. Players developed elite dribbling skills and isolation plays to navigate crowded urban courts. Meanwhile, Midwestern colleges, like Kansas where Naismith later coached, prioritized structured passing and zone defenses, reflecting the systemic, collective ethos of the game's inventor. This period reflects microcosms of larger social and spatial behaviors. Basketball, shaped by its environment and the players who occupied it, mirrored the broader urbanization process. This set the stage for basketball's transformation and expansion from national leagues to a truly global game.The evolution of basketball, like the natural, constructed, and cultural landscapes surrounding it, was not static. Basketball was manifested through and embedded in cultural geography, where places evolve over time, accumulating layers of meaning and adaptation. The basketball court was no exception. The game burst forth, breaking boundaries. It branched into local leagues, between bustling cities, across regions, and globetrotted around the world.TACTICS, TALENT, AND TRANSNATIONAL TIESThe year my ego-dunk gym was built, basketball debuted in the 1936 Olympics. That introduced the sport to the world. International play revealed contrasting styles, but it wasn't until the 1990s and 2000s that basketball became a truly global game — shaped as much by European and African players as by American traditions.Europe's game focused on tactical structures and spatial awareness. In the U.S., basketball was built within a high school and college system, but European basketball mimicked their club-based soccer academy model. It still does. In countries like Serbia, Spain, and Lithuania, players are taught the game from a tactical perspective first — learning how to read defenses, move without the ball, and make the extra pass. European training emphasizes court vision, spacing, and passing precision, fostering playmakers wise to the spatial dynamics of the game. Geography also plays a role in the development of European basketball. Countries like Serbia and Lithuania, which have a strong history of basketball but relatively smaller populations, could not rely on the sheer athletic depth of players like the U.S. Instead, they had to refine skill-based, systematic approaches to the game. This helped to ensure every player developed what is commonly called a “high basketball IQ”. They also exhibit a high level of adaptability to team-oriented strategies. European basketball exemplifies this, blending the legacy of former socialist sports systems — which prioritized collective success — with contemporary, globalized styles. This structured process explains why European players like Nikola Jokić, Luka Dončić, and Giannis Antetokounmpo often arrive in the NBA with an advanced understanding of spacing, passing, and team concepts. Jokić's story is particularly revealing. Growing up in Serbia, he didn't just play basketball — he played water polo, a sport that demands high-level spatial awareness and precision passing. In water polo, players must make quick decisions without being able to plant their feet or rely on sheer speed. Although, at seven feet tall, Jokić could probably sometimes touch the bottom of the pool! These skills translated perfectly to his basketball game, where his passing ability, patience, and ability to manipulate defenders make him one of the most unique playmakers in NBA history. Unlike the American model, where taller players are often pushed into narrowly defined roles as rebounders and rim protectors (like I was), European training systems emphasize all-around skill development regardless of height.This is why European big men like Jokić, Gasol, and Nowitzki excel both in the post and on the perimeter. Europe's emphasis on technical education and tactical intelligence fosters versatile skill sets before specialization. This adaptability has made fluid, multi-positional play the norm, prioritizing efficiency and team success over individual spectacle.If European basketball emphasizes structure, the African basketball pipeline fosters adaptability and resilience — not as inherent traits, but as responses to developmental conditions. Sociologist Pierre Bourdieu popularized this as habitus, where individuals unconsciously shape their skills based on their social and material environments. With limited formal infrastructure, many African players learn in fluid, improvised settings, refining their game through necessity rather than structured coaching.Unlike U.S. and European players, who train in specialized systems from an early age, African players often develop versatile, positionless skill sets. Their careers frequently involve migrating through different leagues and coaching styles. A great example is Joel Embiid. He didn't start playing basketball until he was 15. Growing up in Cameroon, he initially played soccer and volleyball. These sports both contributed to his basketball development in unexpected ways. Soccer helped him refine elite footwork, now a required trait of the post game, while volleyball sharpened his timing and hand-eye coordination — hence his dominance as a shot-blocker and rebounder. This multi-sport background is common among African players. Many grow up playing soccer first, which explains why so many African-born big men in the NBA — Hakeem Olajuwon, Serge Ibaka, and Pascal Siakam — have exceptional footwork and agility.Like Jokić's water polo background shaped his passing, soccer's fluidity influences how many African players move on the court. Beyond skills, migration plays a key role, as many leave home as teens to develop in European leagues or U.S. schools. Constant adaptation to new environments builds mental resilience, essential for professional sports. (just ask Luka Dončić after suddenly being traded to the Lakers!) Anthropologist Arjun Appadurai describes this as evolving ethnoscapes and how globalization drives global cultural flows. Practices, traditions, and ideas reshape both new destinations and home cultures as identities become blended across cultures and borders. African players embody this, adapting their games across multiple basketball traditions.Look at Embiid moving from Cameroon to the U.S., adapting to American basketball while retaining his cross-sport instincts. Or Giannis Antetokounmpo, he was born in Greece to Nigerian parents, played soccer as a kid, and now blends European teamwork and fancy footwork with NBA strength training and explosiveness. Like the game itself, basketball is shifting as players from diverse domains deliver new directions, playing patterns, and philosophies.CULTURE, COURTS, AND CROSSOVERSThe influx of European and African players has not only changed the NBA, it's also changed how American players play overseas.Sports psychologist Rainer Meisterjahn studied American players in foreign leagues, revealing struggles with structured European play and coaching. Initially frustrated by the lack of individual play and star focus, many later gained a broader understanding of the game. Their experience mirrors that of European and African players in the NBA, proving basketball is now a shared global culture.While the NBA markets itself as an American product, its style, strategies, and talent pool are increasingly internationalized. The dominance of ball movement and tactical discipline coupled with versatility and adaptability have fundamentally reshaped how the game is played.Media has help drive basketball's global expansion. Sports media now amplifies international leagues, exposing fans (like me) to diverse playing styles. Rather than homogenizing, basketball evolves by merging influences, much like cultural exchanges that shaped jazz (another love of mine) or global cuisine (another love of mind) — blending styles while retaining its core. The game is no longer dictated by how one country plays; it is an interwoven, adaptive sport, constantly changing in countless ways. The court's boundaries may be tight, but borderless basketball has taken flight.Basketball has always been a game of spatial negotiation. First confined to a small, hardwood court, it spilled out of walls to playgrounds, across rivalrous cross-town leagues, to the Laker-Celtic coastal battles of the 80s, and onto the global stage. Yet its true complexity is not just where it is played, but how it adapts. The game's larger narrative is informed by the emergent behaviors and real-time spatial recalibration that happens every time it's played. Basketball operates as an interactive system where every movement creates new positional possibilities and reciprocal responses. Player interactions shape the game in real time, influencing both individual possessions—where spacing, passing, and movement constantly evolve — and the global basketball economy, where styles, strategies, and talent migration continuously reshape the sport.On the court, players exist in a constant state of spatial adaptation, moving through a fluid network of shifting gaps, contested lanes, and open spaces. Every pass, cut, and screen forces a reaction, triggering an endless cycle of recalibration and emergence. The most elite players — whether it's Nikola Jokić manipulating defensive rotations with surgical passing or Giannis Antetokounmpo reshaping space in transition — don't just react to the game; they anticipate and reshape the very structure of the court itself. This reflects the idea that space is not just occupied but actively redefined through movement and interaction, continuously shaped by dynamic engagement on and off the court.This logic of adaptation extends to the community level where basketball interacts with urban geography, shaping and being shaped by its environment. Urban basketball courts function as micro-environments, where local styles of play emerge as reflections of city life and its unique spatial dynamics. The compact, improvisational play of street courts in Lagos mirrors the spatial density of urban Africa, just as the systemic, team-first approach of European basketball reflects the structured environments of club academies in Spain, Serbia, and Lithuania. As the game expands, it doesn't erase these identities — it integrates them. New forms of hybrid styles reflect decades-old forces of globalization.Basketball's global expansion mirrors the complex adaptive networks that form during the course of a game. Interconnected systems evolve through emergent interactions. And just as cities develop through shifting flows of people, resources, and ideas, basketball transforms as players, styles, and strategies circulate worldwide, continuously reshaping the game on the court and off. The court may still be measured in feet and lines, but the game it contains — psychologically, socially, and geographically — moves beyond those boundaries. It flows with every fluent pass, each migrating mass, and every vibrant force that fuels its ever-evolving future.REFERENCESHillier, B. (2012). Studying cities to learn about minds: Some possible implications of space syntax for spatial cognition. Environment and Planning B: Planning and Design.Naismith, J. (1941). Basketball: Its Origins and Development. University of Nebraska Press.Baur, J. W. R., & Tynon, J. F. (2010). Small-scale urban nature parks: Why should we care? Leisure Sciences, Taylor & Francis.Callaghan, J., Moore, E., & Simpson, J. (2018). Coordinated action, communication, and creativity in basketball in superdiversity. Language and Intercultural Communication, Taylor & Francis.Meinig, D. W. (1979). The Interpretation of Ordinary Landscapes: Geographical Essays. Oxford University Press.Andrews, D. L. (2018). The (Trans)National Basketball Association: American Commodity-Sign Culture and Global-Local Conjuncturalism.Galeano, E. (2015). The Global Court: The Rise of International Basketball. Verso.Ungruhe, C., & Agergaard, S. (2020). Cultural Transitions in Sport: The Migration of African Basketball Players to Europe. International Review for the Sociology of SportAppadurai, A. (1996). Modernity at Large: Cultural Dimensions of Globalization. University of Minnesota Press.Meisterjahn, R. J. (2011). Everything Was Different: An Existential Phenomenological Investigation of U.S. Professional Basketball Players' Experiences Overseas.Ramos, J., Lopes, R., & Araújo, D. (2018). Network dynamics in team sports: The influence of space and time in basketball. Journal of Human Kinetics.Ribeiro, J., Silva, P., Duarte, R., Davids, K., & Araújo, D. (2019). Team sports performance analysis: A dynamical system approach. Sports Medicine. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit interplace.io

Ozzy and Tuck chat with philosopher Talia Mae Bettcher (she/her). Topics include: Creating a theory of trans oppression beyond the “wrong body” and “beyond the binary” accounts  How clothing can be part of an abusive system of forced disclosure  “Let's meditate on genitalia if we can for a moment” Why are there so many terfs in philosophy??  Plus: Phoria, apparitionals, moral sex, and other fun new vocab  This Week in Gender: Updates on Trans Day of Having a Nice Snack community events! Apply for funding at bit.ly/tdos2025 or donate at @Tuck-Woodstock & PayPal.me/TWoodstock. Submit a piece of Theymail: Today's messages were from Queer Third Space and Voces Language Club. Find Talia's work here and here. Beyond Personhood is available from University of Minnesota Press. Gender Ordeal is coming to Chicago and Minneapolis! Grab your tickets quickly at genderpodcast.com/live. ~~ Join our Patreon to access our monthly bonus episodes and weekly newsletter. Find transcripts and more at genderpodcast.com. We're also on Instagram @gendereveal. Senior Producer: Ozzy Llinas Goodman Logo: Ira M. LeighMusic: Breakmaster CylinderAdditional music: “Kickstep” by Blue Dot Sessions Sponsors: DeleteMe (code: TUCK20)

This week's guest is Dr Charlotte Wrigley, who is a postdoctoral researcher at the Greenhouse Centre for Environmental Humanities at the University of Stavanger in Norway. She has a mixed academic background, but her PhD (at Queen Mary University in London) was in human geography. Her research expertise concerns the arctic, extinction, and climate change. We talk about mammoths, and especially Charlotte's beautifully named book Earth, Ice, Bone, Blood: Permafrost and Extinction in the Russian Arctic, which was released in 2023 by University of Minnesota Press. This episode is brought to you by the Animal Politics book series, from Sydney University Press.

Poets and authors are turning scientific studies into creative writing projects in a new book from the University of Minnesota Press. “Creature Needs: Writers Respond to the Science of Animal Conservation” includes work by four Minnesota authors, including Claire Wahmanholm. Wahmanholm joined Minnesota Now along with Christopher Kondrich, a co-editor of the book. MPR News host Nina Moini talked to Wahmanholm and Kondrich about bringing science into creative writing, nature's hand in poetry and the process behind the book.Wahmanholm will host a panel about the book at Milkweed Books in Minneapolis on Thursday, Feb. 27 at 6 p.m.

From the East African and Red Sea coasts to the Persian Gulf ports of Bushihr, Kish, and Hurmuz, sailing and caravan networks supplied Iran and the surrounding regions with African slave labor from antiquity to the nineteenth century. This book reveals how Iranian cinema preserves the legacy of this vast and yet long-overlooked history that has come to be known as Indian Ocean slavery. How does a focus on blackness complicate traditional understandings of history and culture? Parisa Vaziri addresses this question by looking at residues of the Indian Ocean slave trade in Iranian films from the second half of the twentieth century. Revealing the politicized clash between commercial cinema (fīlmfārsii) and alternative filmmaking (the Iranian New Wave), she pays particular attention to the healing ritual zar which is both an African slave descendent practice and a constitutive element of Iranian culture, as well as to cinematic sīyāh bāzī (Persian black play). Moving beyond other studies on Indian Ocean and trans-Saharan slavery, Vaziri highlights the crystallization of a singular mode of historicity within these cinematic examples—one of “absence” that reflects the relative dearth of archival information on the facts surrounding Indian Ocean slavery. Bringing together cinema studies, Middle East studies, Black studies, and postcolonial theory, Racial Blackness and Indian Ocean Slavery: Iran's Cinematic Archive (U Minnesota Press, 2023) explores African enslavement in the Indian Ocean through the revelatory and little-known history of Iranian cinema. It shows that Iranian film reveals a resistance to facticity representative of the history of African enslavement in the Indian Ocean and preserves the legacy of African slavery's longue durée in ways that resist its overpowering erasure in the popular and historical imagination. Parisa Vaziri is associate professor of comparative literature and Near Eastern studies at Cornell University. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From the East African and Red Sea coasts to the Persian Gulf ports of Bushihr, Kish, and Hurmuz, sailing and caravan networks supplied Iran and the surrounding regions with African slave labor from antiquity to the nineteenth century. This book reveals how Iranian cinema preserves the legacy of this vast and yet long-overlooked history that has come to be known as Indian Ocean slavery. How does a focus on blackness complicate traditional understandings of history and culture? Parisa Vaziri addresses this question by looking at residues of the Indian Ocean slave trade in Iranian films from the second half of the twentieth century. Revealing the politicized clash between commercial cinema (fīlmfārsii) and alternative filmmaking (the Iranian New Wave), she pays particular attention to the healing ritual zar which is both an African slave descendent practice and a constitutive element of Iranian culture, as well as to cinematic sīyāh bāzī (Persian black play). Moving beyond other studies on Indian Ocean and trans-Saharan slavery, Vaziri highlights the crystallization of a singular mode of historicity within these cinematic examples—one of “absence” that reflects the relative dearth of archival information on the facts surrounding Indian Ocean slavery. Bringing together cinema studies, Middle East studies, Black studies, and postcolonial theory, Racial Blackness and Indian Ocean Slavery: Iran's Cinematic Archive (U Minnesota Press, 2023) explores African enslavement in the Indian Ocean through the revelatory and little-known history of Iranian cinema. It shows that Iranian film reveals a resistance to facticity representative of the history of African enslavement in the Indian Ocean and preserves the legacy of African slavery's longue durée in ways that resist its overpowering erasure in the popular and historical imagination. Parisa Vaziri is associate professor of comparative literature and Near Eastern studies at Cornell University. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

From the East African and Red Sea coasts to the Persian Gulf ports of Bushihr, Kish, and Hurmuz, sailing and caravan networks supplied Iran and the surrounding regions with African slave labor from antiquity to the nineteenth century. This book reveals how Iranian cinema preserves the legacy of this vast and yet long-overlooked history that has come to be known as Indian Ocean slavery. How does a focus on blackness complicate traditional understandings of history and culture? Parisa Vaziri addresses this question by looking at residues of the Indian Ocean slave trade in Iranian films from the second half of the twentieth century. Revealing the politicized clash between commercial cinema (fīlmfārsii) and alternative filmmaking (the Iranian New Wave), she pays particular attention to the healing ritual zar which is both an African slave descendent practice and a constitutive element of Iranian culture, as well as to cinematic sīyāh bāzī (Persian black play). Moving beyond other studies on Indian Ocean and trans-Saharan slavery, Vaziri highlights the crystallization of a singular mode of historicity within these cinematic examples—one of “absence” that reflects the relative dearth of archival information on the facts surrounding Indian Ocean slavery. Bringing together cinema studies, Middle East studies, Black studies, and postcolonial theory, Racial Blackness and Indian Ocean Slavery: Iran's Cinematic Archive (U Minnesota Press, 2023) explores African enslavement in the Indian Ocean through the revelatory and little-known history of Iranian cinema. It shows that Iranian film reveals a resistance to facticity representative of the history of African enslavement in the Indian Ocean and preserves the legacy of African slavery's longue durée in ways that resist its overpowering erasure in the popular and historical imagination. Parisa Vaziri is associate professor of comparative literature and Near Eastern studies at Cornell University. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Paris Marx is joined by Chris Gilliard to discuss David Golumbia's final book Cyberlibertarianism and how right-wing politics shaped how we think about the internet.Chris Gilliard is co-director of the Critical Internet Studies Institute and author of the forthcoming book Luxury Surveillance, coming in 2026.Tech Won't Save Us offers a critical perspective on tech, its worldview, and wider society with the goal of inspiring people to demand better tech and a better world. Support the show on Patreon.The podcast is made in partnership with The Nation. Production is by Eric Wickham.Also mentioned in this episode:David Golumbia wrote an essay called “ChatGPT Should Not Exist” in December 2022.Matt Bors drew a comic called “You made become a Nazi!”Cyberlibertarianism is out now from the University of Minnesota Press.Support the show

What can – and can't – you say and do as a Palestinian American teacher? Can you speak frankly about Palestine, about the occupation and oppression, about the Israel-U.S. relationship? Can you support student inquiry into matters that rankle Zionist colleagues? Social-studies educator Luma Hasan encountered intolerance and pushback while working at a reputedly liberal high school. Kevin L. Clay and Kevin Lawrence Henry Jr., eds., The Promise of Youth Anti-citizenship: Race and Revolt in Education University of Minnesota Press, 2024 Teach for Liberation The post Palestinian Teacher's Travails appeared first on KPFA.