Podcasts about minnesota press

Set in the counterterrorism courts and maximum-security prisons of Northern Kurdistan, Serra M. Hakyemez's ethnography Deadly Refusals: Kurdish Decolonization in Times of Counterterrorism examines how prosecuted and imprisoned Kurds from different socioeconomic backgrounds organize in refusal of the criminalization and colonization of their political demands and desires. Based on more than seventeen years of ethnographic research, this book uncovers the mechanisms through which counterterrorism law reproduces the colonial state. Here, Hakyemez is joined in conversation with Nadia Abu El-Haj and William Mazzarella.Serra Hakyemez is an assistant professor in the Department of Anthropology and the Institute for Global Studies at the University of Minnesota. Hakyemez is author of Deadly Refusals: Kurdish Decolonization in TImes of Counterterrorism.Nadia Abu El-Haj is Ann Whitney Olin Professor in the Departments of Anthropology at Barnard College and Columbia University, Co-Director of the Center for Palestine Studies, and Chair of the Governing Board of the Society of Fellows/Heyman Center for the Humanities at Columbia University. William T. S. Mazzarella is Neukom Family Professor of Anthropology and of Social Sciences in the College; Faculty Fellow, Chicago Center for Contemporary Theory; and Associate Faculty in the University of Chicago Divinity School.REFERENCES:Conscripts of Modernity: The Tragedy of Colonial Enlightenment / David ScottFrantz FanonAudra SimpsonAbdullah ÖcalanJacques LacanNazım HikmetJoan CopjecHannah ArendtWalter BenjaminEric SantnerPRAISE FOR THE BOOK:"A dazzling book . . . repeatedly opens new paths for understanding what Raymond Williams called the emergent and the oppositional." —Rosalind C. Morris"An invaluable archive of the movement."—Banu BarguDeadly Refusals: Kurdish Decolonization in Times of Counterterrorism by Serra M. Hakyemez is available from University of Minnesota Press. Thank you for listening. 

Cultural studies of the nineteenth century often categorize their subjects as being motivated by one of two opposing notions: a wholehearted embrace of progress or an antimodernist nostalgia. A Perfectionist Impulse: The Art of Stopping Time in the Nineteenth Century (U Minnesota Press, 2026) centers a different kind of response to the period's newly intensified awareness of temporality and history: an obsession with preserving perfection. Engaging a diverse set of case studies, Dr. Ellery E. Foutch explores the era's desire to forestall the march of time and immortalize the fleeting moment through art and technology. Beginning with an investigation of artist and naturalist Titian Peale's butterfly illustrations and specimen boxes, Dr. Foutch assesses the implications of attempts to fix animal life in the “perfect state.” She then turns to Harvard's Ware Collection of Glass Flowers, botanical models meticulously crafted to serve as instructional tools but most famous internationally as a spectacle for tourists. Finally, she scrutinizes the period's preoccupation with the fragility of the human body, examining artistic representations of the legendary bodybuilder Eugen Sandow, widely known during his time as the “Perfect Man.” Highlighting the paradoxical way in which these attempts at preservation ultimately sap the vitality from the organic processes they seek to arrest, Dr. Foutch uses these curious objects to unpack a deep set of cultural anxieties around decay and death. By analyzing objects of mass culture and natural history using methods typically reserved for works of art, A Perfectionist Impulse provides a unique window into how nineteenth-century scientists, technologists, artists, and entertainers rendered a common desire for perfection and immortality. Itself a wondrous collection of attempts to capture the idealized moment, this extensively illustrated book serves as a shining example of our enduring fascination with the ephemeral. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Cultural studies of the nineteenth century often categorize their subjects as being motivated by one of two opposing notions: a wholehearted embrace of progress or an antimodernist nostalgia. A Perfectionist Impulse: The Art of Stopping Time in the Nineteenth Century (U Minnesota Press, 2026) centers a different kind of response to the period's newly intensified awareness of temporality and history: an obsession with preserving perfection. Engaging a diverse set of case studies, Dr. Ellery E. Foutch explores the era's desire to forestall the march of time and immortalize the fleeting moment through art and technology. Beginning with an investigation of artist and naturalist Titian Peale's butterfly illustrations and specimen boxes, Dr. Foutch assesses the implications of attempts to fix animal life in the “perfect state.” She then turns to Harvard's Ware Collection of Glass Flowers, botanical models meticulously crafted to serve as instructional tools but most famous internationally as a spectacle for tourists. Finally, she scrutinizes the period's preoccupation with the fragility of the human body, examining artistic representations of the legendary bodybuilder Eugen Sandow, widely known during his time as the “Perfect Man.” Highlighting the paradoxical way in which these attempts at preservation ultimately sap the vitality from the organic processes they seek to arrest, Dr. Foutch uses these curious objects to unpack a deep set of cultural anxieties around decay and death. By analyzing objects of mass culture and natural history using methods typically reserved for works of art, A Perfectionist Impulse provides a unique window into how nineteenth-century scientists, technologists, artists, and entertainers rendered a common desire for perfection and immortality. Itself a wondrous collection of attempts to capture the idealized moment, this extensively illustrated book serves as a shining example of our enduring fascination with the ephemeral. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Cultural studies of the nineteenth century often categorize their subjects as being motivated by one of two opposing notions: a wholehearted embrace of progress or an antimodernist nostalgia. A Perfectionist Impulse: The Art of Stopping Time in the Nineteenth Century (U Minnesota Press, 2026) centers a different kind of response to the period's newly intensified awareness of temporality and history: an obsession with preserving perfection. Engaging a diverse set of case studies, Dr. Ellery E. Foutch explores the era's desire to forestall the march of time and immortalize the fleeting moment through art and technology. Beginning with an investigation of artist and naturalist Titian Peale's butterfly illustrations and specimen boxes, Dr. Foutch assesses the implications of attempts to fix animal life in the “perfect state.” She then turns to Harvard's Ware Collection of Glass Flowers, botanical models meticulously crafted to serve as instructional tools but most famous internationally as a spectacle for tourists. Finally, she scrutinizes the period's preoccupation with the fragility of the human body, examining artistic representations of the legendary bodybuilder Eugen Sandow, widely known during his time as the “Perfect Man.” Highlighting the paradoxical way in which these attempts at preservation ultimately sap the vitality from the organic processes they seek to arrest, Dr. Foutch uses these curious objects to unpack a deep set of cultural anxieties around decay and death. By analyzing objects of mass culture and natural history using methods typically reserved for works of art, A Perfectionist Impulse provides a unique window into how nineteenth-century scientists, technologists, artists, and entertainers rendered a common desire for perfection and immortality. Itself a wondrous collection of attempts to capture the idealized moment, this extensively illustrated book serves as a shining example of our enduring fascination with the ephemeral. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Cultural studies of the nineteenth century often categorize their subjects as being motivated by one of two opposing notions: a wholehearted embrace of progress or an antimodernist nostalgia. A Perfectionist Impulse: The Art of Stopping Time in the Nineteenth Century (U Minnesota Press, 2026) centers a different kind of response to the period's newly intensified awareness of temporality and history: an obsession with preserving perfection. Engaging a diverse set of case studies, Dr. Ellery E. Foutch explores the era's desire to forestall the march of time and immortalize the fleeting moment through art and technology. Beginning with an investigation of artist and naturalist Titian Peale's butterfly illustrations and specimen boxes, Dr. Foutch assesses the implications of attempts to fix animal life in the “perfect state.” She then turns to Harvard's Ware Collection of Glass Flowers, botanical models meticulously crafted to serve as instructional tools but most famous internationally as a spectacle for tourists. Finally, she scrutinizes the period's preoccupation with the fragility of the human body, examining artistic representations of the legendary bodybuilder Eugen Sandow, widely known during his time as the “Perfect Man.” Highlighting the paradoxical way in which these attempts at preservation ultimately sap the vitality from the organic processes they seek to arrest, Dr. Foutch uses these curious objects to unpack a deep set of cultural anxieties around decay and death. By analyzing objects of mass culture and natural history using methods typically reserved for works of art, A Perfectionist Impulse provides a unique window into how nineteenth-century scientists, technologists, artists, and entertainers rendered a common desire for perfection and immortality. Itself a wondrous collection of attempts to capture the idealized moment, this extensively illustrated book serves as a shining example of our enduring fascination with the ephemeral. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography

Cultural studies of the nineteenth century often categorize their subjects as being motivated by one of two opposing notions: a wholehearted embrace of progress or an antimodernist nostalgia. A Perfectionist Impulse: The Art of Stopping Time in the Nineteenth Century (U Minnesota Press, 2026) centers a different kind of response to the period's newly intensified awareness of temporality and history: an obsession with preserving perfection. Engaging a diverse set of case studies, Dr. Ellery E. Foutch explores the era's desire to forestall the march of time and immortalize the fleeting moment through art and technology. Beginning with an investigation of artist and naturalist Titian Peale's butterfly illustrations and specimen boxes, Dr. Foutch assesses the implications of attempts to fix animal life in the “perfect state.” She then turns to Harvard's Ware Collection of Glass Flowers, botanical models meticulously crafted to serve as instructional tools but most famous internationally as a spectacle for tourists. Finally, she scrutinizes the period's preoccupation with the fragility of the human body, examining artistic representations of the legendary bodybuilder Eugen Sandow, widely known during his time as the “Perfect Man.” Highlighting the paradoxical way in which these attempts at preservation ultimately sap the vitality from the organic processes they seek to arrest, Dr. Foutch uses these curious objects to unpack a deep set of cultural anxieties around decay and death. By analyzing objects of mass culture and natural history using methods typically reserved for works of art, A Perfectionist Impulse provides a unique window into how nineteenth-century scientists, technologists, artists, and entertainers rendered a common desire for perfection and immortality. Itself a wondrous collection of attempts to capture the idealized moment, this extensively illustrated book serves as a shining example of our enduring fascination with the ephemeral. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Amid the tumult of change that swept through French society in the wake of World War II, a trio of visionary filmmakers sought to make meaning of the chaos by revitalizing a common method: montage. Revealing Nicole Védrès, Alain Resnais, and Chris Marker as more than just groundbreaking auteurs, Ivan Cerecina shows how their collective infusion of montage with avant-garde aesthetics renewed the art of cinema while helping France reckon with its past and imagine its future. Cerecina's book Assembly Lines is a call to action today as contemporary crises prompt reevaluation of our cultural histories. Here, Cerecina is in conversation with James Leo Cahill.Ivan Cerecina teaches film studies at The University of Sydney. He is author ofAssembly Lines: Montage in Postwar French Film, and his work has been published in Screen, Camera Obscura, and Framework.James Leo Cahill is associate professor of cinema and French literature at the University of Toronto. Cahill is author of Zoological Surrealism: The Nonhuman Cinema of Jean Painlevé and general editor of Discourse: Journal for Theoretical Studies in Media and Culture.REFERENCES/PEOPLE:Nicole VedrèsAlain ResnaisChris MarkerSergei EisensteinDziga VertovHenri LangloisAndré MalrauxWalter BenjaminREFERENCES/FILM:Paris 1900 (Nicole Vedrès)La Vie commence demain (Nicole Vedrès)Guernica (Alain Resnais)OTHER REFERENCES:Steve Ungar / Critical Mass: Social Documentary in France from the Silent Era to the New WaveAndré Bazin, “On Why We Fight: History, Documentation, and the Newsreel,” in Bazin at Work.Laure Astourian / The Ethnographic Optic: Jean Rouch, Chris Marker, Alain Resnais and the Turn Inward in 1960s French CinemaAssembly Lines: Montage in Postwar French Film by Ivan Cerecina and Zoological Surrealism: The Nonhuman Cinema of Jean Painlevé are available from University of Minnesota Press. Thank you for listening.Background track Claude Debussy, courtesy of www.classicals.de.

Host Scott Rettberg speaks with Aarhus University Associate Professor Christian Ulrik Andersen about autonomous AI imaging and his co-authored book, Objects of Interest and Necessity. They examine how fringe user communities, micro-models, and platforms like Civitai, AI Horde, and Hugging Face challenge big-tech dominance in generative AI. The conversation also delves into "minor tech" strategies, alternative infrastructures, and the role of digital art in rethinking our political and cultural relationship to technology.References Andersen, C. U., & Cox, G. (2017). The Metainterface: The Art ofPlatforms Cities and Clouds. MIT Press.https://mitpress.mit.edu/9780262038133/the-metainterface/Andersen,C. U., Milev, N., & Velasco, P. (2024). Objects of Interest and Necessity:A Tour Guide to Autonomous AI Imaging. Digital Aesthetics Research Center /Centre for Advanced Visualization and Interaction (CAVI).https://darc.au.dk/publications/darc-booksDeleuze,G., & Guattari, F. (1986). Kafka: Toward a Minor Literature (D. Polan, Trans.).University of Minnesota Press.https://www.upress.umn.edu/9780816615155/kafka/LAION(Large-scale AI Open Network). (2021). Open-Source Datasets and MachineLearning Infrastructure. LAION.https://laion.ai/Marx,L. U.(2020). The Small File Media Festival. Simon Fraser University Schoolfor the Contemporary Arts.https://smallfile.ca/Pamuk,O. (2012). TheMuseum of Innocence. Vintage Books.https://www.orhanpamuk.net/book.aspx?id=96&lng=engRombach, R., Blattmann, A., Lorenz, D., Esser, P.,& Ommer, B. (2022). High-Resolution Image Synthesis with Latent Diffusion Models. Proceedings of the IEEE/CVFConference on Computer Vision and Pattern Recognition (CVPR), 10684–10695.https://arxiv.org/abs/2112.10752

Between 1927 and 1933, philosopher Walter Benjamin produced dozens of radio broadcasts that became a testing ground for his developing ideas and experimental pedagogy. Initially cast off as inconsequential, they are, as Dominic Smith reveals in Bridging Benjamin, a fruitful site for an original interpretation of Benjamin's larger body of work. Here, Smith is in conversation with Esther Leslie.Dominic Smith is senior lecturer of philosophy at the University of Dundee, Scotland. He is author of Bridging Benjamin: A Philosophy of Technology, Place, and Education; Exceptional Technologies: A Continental Philosophy of Technology; and coeditor of Contingency and Plasticity in Everyday Technologies.Esther Leslie is professor of political aesthetics at Birkbeck, University of London. Her books include Walter Benjamin: Overpowering Conformism; Hollywood Flatlands, Animation, Critical Theory and the Avant Garde; Synthetic Worlds: Nature, Art and the Chemical Industry; Walter Benjamin; Derelicts: Thought Worms from the Wreckage; and Liquid Crystals: The Science and Art of a Fluid Form.EPISODE REFERENCES:Tay Rail Bridge Disaster of 1879Gilles DeleuzeMartin HeideggerDerridaSusan Buck-MorssAdornoBertholt BrechtAsja LācisImmanuel KantBerlin Childhood around 1900 / Walter BenjaminRadio Benjamin / Walter Benjamin“A Visit to the Brass Works,” radio segment / Walter BenjaminLichtenberg: A Cross Section, journal article / Walter Benjamin, Gerhard SchulteCarl SchmittGeorgio AgambenSam WeberFredric JamesonPeter E. GordonPRAISE FOR THE BOOK:"A powerful case for Benjamin's usefulness in discussions of our relationship with the challenge of technological thought, Bridging Benjamin is exemplary in its extensiveness, honesty, and immediacy."—Gerhard RichterBridging Benjamin: A Philosophy of Technology, Place, and Education by Dominic Smith is available from University of Minnesota Press. Thank you for listening.

Today on DeRusha Eats, Jason talks with Gail Rosenblum and Kait Ziemer-Davis from Sea Salt Eatery about their new book "Sea Salt Eatery: Recipes to Enjoy Year-Round", why they decided to write it, "Sea Salt Groupies", who their main influences were, and more. Now available from the University of Minnesota Press.

Today on DeRusha Eats, Jason talks with Gail Rosenblum and Kait Ziemer-Davis from Sea Salt Eatery about their new book "Sea Salt Eatery: Recipes to Enjoy Year-Round", why they decided to write it, "Sea Salt Groupies", who their main influences were, and more. Now available from the University of Minnesota Press.

Send us Fan MailGive them an inch, and they'll take a mile. How choosing allies on one island can affect an entire continent. Referenceshttps://thecanadianencyclopedia.ca/en/article/michilimackinac-island-treatyhttps://gks.artsci.utoronto.ca/search-page/michilimackinac-island-treaty-agreement-1778-1796Fort Michilimackinac Guide: Hours, Tickets, and What to See - Historic Forts https://www.mackinacparks.com/explore/history/colonial-michilimackinac-history/https://clements.umich.edu/exhibit/american-encounters/nah-case-5/signatures-from-mackinaw-island/Hodge, F.W., ed. (1912). Smithsonian Institution Bureau of American Ethnology, Bulletin 30. Handbook of American Indians North of Mexico. Part 1, page 857.Nyhols, J.D. and Nyholm, E. (1995). A Concise Dictionary of Minnesota Ojibwe. University of Minnesota Press. Baraga, F. (1878, 1992). A Dictionary of the Ojibway Language. Minnesota Historical Society Press. Ningewance, P.M., compiler. (2009). Zagataagan: A Northern Ojibwe Dictionary. Volume 1. Kwayaciiwin Education Resource Centre. Sioux Lookout, Ontario. Cooke, J.E., ed. (1993). Encyclopedia of the North American Colonies. Volumes II & III. Charles Scribner's Sons, New York. Google.com (2026). “Michilimackinac pronunciation”. Support the show

Since the 1990s, technologists have promoted a vision of the “cloud” as a shapeless and intangible entity. Grounding the Cloud: Urbanism in the Shadow of Data (University of Minnesota Press, 2026) by Dr. Ali Fard peers through this hazy façade to reveal the earthly material foundations of global computing and data extraction. Tracing the historical and technological development of the cloud computing paradigm, Dr. Fard exposes an ever-evolving project in which ideologies, economic models, and marketing images collude to shape our shared urban environments. Demonstrating how technology's spatial footprint now stretches to nearly every corner of the globe, Grounding the Cloud analyzes the often-hidden infrastructures that facilitate platform capitalism—from the mines extracting rare earth minerals in remote regions to the vast global network of fiber-optic cables at the bottom of the oceans to the nondescript data centers that sit on the peripheries of major urban areas. Meanwhile, with compelling examples of smart-city initiatives and corporate campuses, Dr. Fard shows how the future of urbanism is deeply intertwined with the growing economies of data extraction. Breaking down the myth of a clean and efficient tech urbanism, this book makes visible the complex material geographies and geopolitics that undergird today's most powerful and omnipresent corporations. A timely critique of the growing agency of tech platforms in determining the future of urban space, Grounding the Cloud offers an essential framework for understanding the shifting relationship between technology and urbanization. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Since the 1990s, technologists have promoted a vision of the “cloud” as a shapeless and intangible entity. Grounding the Cloud: Urbanism in the Shadow of Data (University of Minnesota Press, 2026) by Dr. Ali Fard peers through this hazy façade to reveal the earthly material foundations of global computing and data extraction. Tracing the historical and technological development of the cloud computing paradigm, Dr. Fard exposes an ever-evolving project in which ideologies, economic models, and marketing images collude to shape our shared urban environments. Demonstrating how technology's spatial footprint now stretches to nearly every corner of the globe, Grounding the Cloud analyzes the often-hidden infrastructures that facilitate platform capitalism—from the mines extracting rare earth minerals in remote regions to the vast global network of fiber-optic cables at the bottom of the oceans to the nondescript data centers that sit on the peripheries of major urban areas. Meanwhile, with compelling examples of smart-city initiatives and corporate campuses, Dr. Fard shows how the future of urbanism is deeply intertwined with the growing economies of data extraction. Breaking down the myth of a clean and efficient tech urbanism, this book makes visible the complex material geographies and geopolitics that undergird today's most powerful and omnipresent corporations. A timely critique of the growing agency of tech platforms in determining the future of urban space, Grounding the Cloud offers an essential framework for understanding the shifting relationship between technology and urbanization. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Since the 1990s, technologists have promoted a vision of the “cloud” as a shapeless and intangible entity. Grounding the Cloud: Urbanism in the Shadow of Data (University of Minnesota Press, 2026) by Dr. Ali Fard peers through this hazy façade to reveal the earthly material foundations of global computing and data extraction. Tracing the historical and technological development of the cloud computing paradigm, Dr. Fard exposes an ever-evolving project in which ideologies, economic models, and marketing images collude to shape our shared urban environments. Demonstrating how technology's spatial footprint now stretches to nearly every corner of the globe, Grounding the Cloud analyzes the often-hidden infrastructures that facilitate platform capitalism—from the mines extracting rare earth minerals in remote regions to the vast global network of fiber-optic cables at the bottom of the oceans to the nondescript data centers that sit on the peripheries of major urban areas. Meanwhile, with compelling examples of smart-city initiatives and corporate campuses, Dr. Fard shows how the future of urbanism is deeply intertwined with the growing economies of data extraction. Breaking down the myth of a clean and efficient tech urbanism, this book makes visible the complex material geographies and geopolitics that undergird today's most powerful and omnipresent corporations. A timely critique of the growing agency of tech platforms in determining the future of urban space, Grounding the Cloud offers an essential framework for understanding the shifting relationship between technology and urbanization. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Since the 1990s, technologists have promoted a vision of the “cloud” as a shapeless and intangible entity. Grounding the Cloud: Urbanism in the Shadow of Data (University of Minnesota Press, 2026) by Dr. Ali Fard peers through this hazy façade to reveal the earthly material foundations of global computing and data extraction. Tracing the historical and technological development of the cloud computing paradigm, Dr. Fard exposes an ever-evolving project in which ideologies, economic models, and marketing images collude to shape our shared urban environments. Demonstrating how technology's spatial footprint now stretches to nearly every corner of the globe, Grounding the Cloud analyzes the often-hidden infrastructures that facilitate platform capitalism—from the mines extracting rare earth minerals in remote regions to the vast global network of fiber-optic cables at the bottom of the oceans to the nondescript data centers that sit on the peripheries of major urban areas. Meanwhile, with compelling examples of smart-city initiatives and corporate campuses, Dr. Fard shows how the future of urbanism is deeply intertwined with the growing economies of data extraction. Breaking down the myth of a clean and efficient tech urbanism, this book makes visible the complex material geographies and geopolitics that undergird today's most powerful and omnipresent corporations. A timely critique of the growing agency of tech platforms in determining the future of urban space, Grounding the Cloud offers an essential framework for understanding the shifting relationship between technology and urbanization. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Since the 1990s, technologists have promoted a vision of the “cloud” as a shapeless and intangible entity. Grounding the Cloud: Urbanism in the Shadow of Data (University of Minnesota Press, 2026) by Dr. Ali Fard peers through this hazy façade to reveal the earthly material foundations of global computing and data extraction. Tracing the historical and technological development of the cloud computing paradigm, Dr. Fard exposes an ever-evolving project in which ideologies, economic models, and marketing images collude to shape our shared urban environments. Demonstrating how technology's spatial footprint now stretches to nearly every corner of the globe, Grounding the Cloud analyzes the often-hidden infrastructures that facilitate platform capitalism—from the mines extracting rare earth minerals in remote regions to the vast global network of fiber-optic cables at the bottom of the oceans to the nondescript data centers that sit on the peripheries of major urban areas. Meanwhile, with compelling examples of smart-city initiatives and corporate campuses, Dr. Fard shows how the future of urbanism is deeply intertwined with the growing economies of data extraction. Breaking down the myth of a clean and efficient tech urbanism, this book makes visible the complex material geographies and geopolitics that undergird today's most powerful and omnipresent corporations. A timely critique of the growing agency of tech platforms in determining the future of urban space, Grounding the Cloud offers an essential framework for understanding the shifting relationship between technology and urbanization. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Since the 1990s, technologists have promoted a vision of the “cloud” as a shapeless and intangible entity. Grounding the Cloud: Urbanism in the Shadow of Data (University of Minnesota Press, 2026) by Dr. Ali Fard peers through this hazy façade to reveal the earthly material foundations of global computing and data extraction. Tracing the historical and technological development of the cloud computing paradigm, Dr. Fard exposes an ever-evolving project in which ideologies, economic models, and marketing images collude to shape our shared urban environments. Demonstrating how technology's spatial footprint now stretches to nearly every corner of the globe, Grounding the Cloud analyzes the often-hidden infrastructures that facilitate platform capitalism—from the mines extracting rare earth minerals in remote regions to the vast global network of fiber-optic cables at the bottom of the oceans to the nondescript data centers that sit on the peripheries of major urban areas. Meanwhile, with compelling examples of smart-city initiatives and corporate campuses, Dr. Fard shows how the future of urbanism is deeply intertwined with the growing economies of data extraction. Breaking down the myth of a clean and efficient tech urbanism, this book makes visible the complex material geographies and geopolitics that undergird today's most powerful and omnipresent corporations. A timely critique of the growing agency of tech platforms in determining the future of urban space, Grounding the Cloud offers an essential framework for understanding the shifting relationship between technology and urbanization. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

Since the 1990s, technologists have promoted a vision of the “cloud” as a shapeless and intangible entity. Grounding the Cloud: Urbanism in the Shadow of Data (University of Minnesota Press, 2026) by Dr. Ali Fard peers through this hazy façade to reveal the earthly material foundations of global computing and data extraction. Tracing the historical and technological development of the cloud computing paradigm, Dr. Fard exposes an ever-evolving project in which ideologies, economic models, and marketing images collude to shape our shared urban environments. Demonstrating how technology's spatial footprint now stretches to nearly every corner of the globe, Grounding the Cloud analyzes the often-hidden infrastructures that facilitate platform capitalism—from the mines extracting rare earth minerals in remote regions to the vast global network of fiber-optic cables at the bottom of the oceans to the nondescript data centers that sit on the peripheries of major urban areas. Meanwhile, with compelling examples of smart-city initiatives and corporate campuses, Dr. Fard shows how the future of urbanism is deeply intertwined with the growing economies of data extraction. Breaking down the myth of a clean and efficient tech urbanism, this book makes visible the complex material geographies and geopolitics that undergird today's most powerful and omnipresent corporations. A timely critique of the growing agency of tech platforms in determining the future of urban space, Grounding the Cloud offers an essential framework for understanding the shifting relationship between technology and urbanization. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

This episode takes listeners into the latest issues of Gastronomica, with a special feature on microbes. Sarah Elton and Maya Hey talk with Dan Bender of the Gastronomica Editorial Collective about their special section on microbes and food. In a conversation that spans food systems, environment, health, dietetics, and culture, they explore human microbial relationships from the soil to the processing plant, at the grocery store, in home kitchens, and beyond. Sarah and Maya share how they each came to the study of microbes, discuss what microbes are and what it means to center microbes in food studies research, and reflect on some of the policy implications. Their two-part special section in the Spring and Summer 2026 issues of Gastronomica brings together 11 articles on microbes in food and food systems from researchers around the world. Listeners can find "Making Microbes Explicit: Introduction to Microbes, Food, and Food Systems" by Maya Hey and Sarah Elton, and their co-written follow-up piece, "Finding the Microbes in Food Studies” in Gastronomica (issues 26.1 and 26.2). Sarah Elton is an assistant professor and Eakin Chair in Critical Qualitative Health Research Methodology at the Dalla Lana School of Public Health, University of Toronto. She has published widely, with her research appearing most recently in journals such as Nature Cities, Social & Cultural Geography, Qualitative Inquiry and Gastronomica. She is also the author of Locavore (HarperCollins Canada 2010) and Consumed: Food for a Finite Planet (University of Chicago Press, 2013). Maya Hey is based in Stockholm at KTH Royal Institute of Technology, where she is a postdoctoral researcher with the Environmental Humanities Laboratory. Her interdisciplinary work on microbes draws on her background in food studies, dietetics, and communication. Her new book, Singing with Invisible Worlds: Fermenting Sake on Microbial Time will be published later this year by the University of Minnesota Press. Daniel E. Bender is a professor of food studies, environmental studies, and history at the University of Toronto, the President of the Association for the Study of Food and Society (ASFS), and Co-Chair of the Editorial Collective at Gastronomica. Listeners can now find the Gastronomica podcast on the New Books Network here. Subscribe to Gastronomica's podcast feed to stay updated on the newest episodes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This episode takes listeners into the latest issues of Gastronomica, with a special feature on microbes. Sarah Elton and Maya Hey talk with Dan Bender of the Gastronomica Editorial Collective about their special section on microbes and food. In a conversation that spans food systems, environment, health, dietetics, and culture, they explore human microbial relationships from the soil to the processing plant, at the grocery store, in home kitchens, and beyond. Sarah and Maya share how they each came to the study of microbes, discuss what microbes are and what it means to center microbes in food studies research, and reflect on some of the policy implications. Their two-part special section in the Spring and Summer 2026 issues of Gastronomica brings together 11 articles on microbes in food and food systems from researchers around the world. Listeners can find "Making Microbes Explicit: Introduction to Microbes, Food, and Food Systems" by Maya Hey and Sarah Elton, and their co-written follow-up piece, "Finding the Microbes in Food Studies” in Gastronomica (issues 26.1 and 26.2). Sarah Elton is an assistant professor and Eakin Chair in Critical Qualitative Health Research Methodology at the Dalla Lana School of Public Health, University of Toronto. She has published widely, with her research appearing most recently in journals such as Nature Cities, Social & Cultural Geography, Qualitative Inquiry and Gastronomica. She is also the author of Locavore (HarperCollins Canada 2010) and Consumed: Food for a Finite Planet (University of Chicago Press, 2013). Maya Hey is based in Stockholm at KTH Royal Institute of Technology, where she is a postdoctoral researcher with the Environmental Humanities Laboratory. Her interdisciplinary work on microbes draws on her background in food studies, dietetics, and communication. Her new book, Singing with Invisible Worlds: Fermenting Sake on Microbial Time will be published later this year by the University of Minnesota Press. Daniel E. Bender is a professor of food studies, environmental studies, and history at the University of Toronto, the President of the Association for the Study of Food and Society (ASFS), and Co-Chair of the Editorial Collective at Gastronomica. Listeners can now find the Gastronomica podcast on the New Books Network here. Subscribe to Gastronomica's podcast feed to stay updated on the newest episodes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

This episode takes listeners into the latest issues of Gastronomica, with a special feature on microbes. Sarah Elton and Maya Hey talk with Dan Bender of the Gastronomica Editorial Collective about their special section on microbes and food. In a conversation that spans food systems, environment, health, dietetics, and culture, they explore human microbial relationships from the soil to the processing plant, at the grocery store, in home kitchens, and beyond. Sarah and Maya share how they each came to the study of microbes, discuss what microbes are and what it means to center microbes in food studies research, and reflect on some of the policy implications. Their two-part special section in the Spring and Summer 2026 issues of Gastronomica brings together 11 articles on microbes in food and food systems from researchers around the world. Listeners can find "Making Microbes Explicit: Introduction to Microbes, Food, and Food Systems" by Maya Hey and Sarah Elton, and their co-written follow-up piece, "Finding the Microbes in Food Studies” in Gastronomica (issues 26.1 and 26.2). Sarah Elton is an assistant professor and Eakin Chair in Critical Qualitative Health Research Methodology at the Dalla Lana School of Public Health, University of Toronto. She has published widely, with her research appearing most recently in journals such as Nature Cities, Social & Cultural Geography, Qualitative Inquiry and Gastronomica. She is also the author of Locavore (HarperCollins Canada 2010) and Consumed: Food for a Finite Planet (University of Chicago Press, 2013). Maya Hey is based in Stockholm at KTH Royal Institute of Technology, where she is a postdoctoral researcher with the Environmental Humanities Laboratory. Her interdisciplinary work on microbes draws on her background in food studies, dietetics, and communication. Her new book, Singing with Invisible Worlds: Fermenting Sake on Microbial Time will be published later this year by the University of Minnesota Press. Daniel E. Bender is a professor of food studies, environmental studies, and history at the University of Toronto, the President of the Association for the Study of Food and Society (ASFS), and Co-Chair of the Editorial Collective at Gastronomica. Listeners can now find the Gastronomica podcast on the New Books Network here. Subscribe to Gastronomica's podcast feed to stay updated on the newest episodes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

This episode takes listeners into the latest issues of Gastronomica, with a special feature on microbes. Sarah Elton and Maya Hey talk with Dan Bender of the Gastronomica Editorial Collective about their special section on microbes and food. In a conversation that spans food systems, environment, health, dietetics, and culture, they explore human microbial relationships from the soil to the processing plant, at the grocery store, in home kitchens, and beyond. Sarah and Maya share how they each came to the study of microbes, discuss what microbes are and what it means to center microbes in food studies research, and reflect on some of the policy implications. Their two-part special section in the Spring and Summer 2026 issues of Gastronomica brings together 11 articles on microbes in food and food systems from researchers around the world. Listeners can find "Making Microbes Explicit: Introduction to Microbes, Food, and Food Systems" by Maya Hey and Sarah Elton, and their co-written follow-up piece, "Finding the Microbes in Food Studies” in Gastronomica (issues 26.1 and 26.2). Sarah Elton is an assistant professor and Eakin Chair in Critical Qualitative Health Research Methodology at the Dalla Lana School of Public Health, University of Toronto. She has published widely, with her research appearing most recently in journals such as Nature Cities, Social & Cultural Geography, Qualitative Inquiry and Gastronomica. She is also the author of Locavore (HarperCollins Canada 2010) and Consumed: Food for a Finite Planet (University of Chicago Press, 2013). Maya Hey is based in Stockholm at KTH Royal Institute of Technology, where she is a postdoctoral researcher with the Environmental Humanities Laboratory. Her interdisciplinary work on microbes draws on her background in food studies, dietetics, and communication. Her new book, Singing with Invisible Worlds: Fermenting Sake on Microbial Time will be published later this year by the University of Minnesota Press. Daniel E. Bender is a professor of food studies, environmental studies, and history at the University of Toronto, the President of the Association for the Study of Food and Society (ASFS), and Co-Chair of the Editorial Collective at Gastronomica. Listeners can now find the Gastronomica podcast on the New Books Network here. Subscribe to Gastronomica's podcast feed to stay updated on the newest episodes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Prisons won't be dismantled anytime soon. So what does—or should—prison abolition mean? Anna Terwiel draws from Angela Davis's writings a host of insights that buttress what Terwiel considers a realist political project. Among other things, she examines Davis's prison abolitionism in light of her democratic socialist commitments and her understanding of Radical Reconstruction. Anna Terwiel, Prison Abolition for Realists University of Minnesota Press, 2025 The post Thinking Beyond Prisons appeared first on KPFA.

Offering a novel approach to contemporary landscape studies, Explosivity: Following What Remains (U Minnesota Press, 2025) unearths the hidden legacies of violence that have shaped the physical and cultural environment of the San Francisco Bay area. As he sifts through the historical debris of previous centuries, Dr. Javier Arbona-Homar analyzes a series of explosions that took place between 1866 and 2011 to call attention to the scattered remnants of militarism and racialized capitalism embedded in the region's geography. From incidents involving nineteenth-century explosives manufacturing and World War II munitions loading to radical activism and contemporary television productions, Dr. Arbona-Homar locates a pattern of historical violence that refocuses the broader racial and colonial context. Citing the material, social, and political conditions that gave rise to these disparate episodes, he reviews the historic erasure of those driving forces and puts forth alternative possibilities for how such disasters might be memorialized. Synthesizing a diverse set of field research methods, including oral histories and site visits, and supplemented by specially commissioned landscape photographs by Andrea Gaffney, Explosivity presents a radical exercise in the exposition of public memory. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Offering a novel approach to contemporary landscape studies, Explosivity: Following What Remains (U Minnesota Press, 2025) unearths the hidden legacies of violence that have shaped the physical and cultural environment of the San Francisco Bay area. As he sifts through the historical debris of previous centuries, Dr. Javier Arbona-Homar analyzes a series of explosions that took place between 1866 and 2011 to call attention to the scattered remnants of militarism and racialized capitalism embedded in the region's geography. From incidents involving nineteenth-century explosives manufacturing and World War II munitions loading to radical activism and contemporary television productions, Dr. Arbona-Homar locates a pattern of historical violence that refocuses the broader racial and colonial context. Citing the material, social, and political conditions that gave rise to these disparate episodes, he reviews the historic erasure of those driving forces and puts forth alternative possibilities for how such disasters might be memorialized. Synthesizing a diverse set of field research methods, including oral histories and site visits, and supplemented by specially commissioned landscape photographs by Andrea Gaffney, Explosivity presents a radical exercise in the exposition of public memory. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Offering a novel approach to contemporary landscape studies, Explosivity: Following What Remains (U Minnesota Press, 2025) unearths the hidden legacies of violence that have shaped the physical and cultural environment of the San Francisco Bay area. As he sifts through the historical debris of previous centuries, Dr. Javier Arbona-Homar analyzes a series of explosions that took place between 1866 and 2011 to call attention to the scattered remnants of militarism and racialized capitalism embedded in the region's geography. From incidents involving nineteenth-century explosives manufacturing and World War II munitions loading to radical activism and contemporary television productions, Dr. Arbona-Homar locates a pattern of historical violence that refocuses the broader racial and colonial context. Citing the material, social, and political conditions that gave rise to these disparate episodes, he reviews the historic erasure of those driving forces and puts forth alternative possibilities for how such disasters might be memorialized. Synthesizing a diverse set of field research methods, including oral histories and site visits, and supplemented by specially commissioned landscape photographs by Andrea Gaffney, Explosivity presents a radical exercise in the exposition of public memory. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Offering a novel approach to contemporary landscape studies, Explosivity: Following What Remains (U Minnesota Press, 2025) unearths the hidden legacies of violence that have shaped the physical and cultural environment of the San Francisco Bay area. As he sifts through the historical debris of previous centuries, Dr. Javier Arbona-Homar analyzes a series of explosions that took place between 1866 and 2011 to call attention to the scattered remnants of militarism and racialized capitalism embedded in the region's geography. From incidents involving nineteenth-century explosives manufacturing and World War II munitions loading to radical activism and contemporary television productions, Dr. Arbona-Homar locates a pattern of historical violence that refocuses the broader racial and colonial context. Citing the material, social, and political conditions that gave rise to these disparate episodes, he reviews the historic erasure of those driving forces and puts forth alternative possibilities for how such disasters might be memorialized. Synthesizing a diverse set of field research methods, including oral histories and site visits, and supplemented by specially commissioned landscape photographs by Andrea Gaffney, Explosivity presents a radical exercise in the exposition of public memory. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Offering a novel approach to contemporary landscape studies, Explosivity: Following What Remains (U Minnesota Press, 2025) unearths the hidden legacies of violence that have shaped the physical and cultural environment of the San Francisco Bay area. As he sifts through the historical debris of previous centuries, Dr. Javier Arbona-Homar analyzes a series of explosions that took place between 1866 and 2011 to call attention to the scattered remnants of militarism and racialized capitalism embedded in the region's geography. From incidents involving nineteenth-century explosives manufacturing and World War II munitions loading to radical activism and contemporary television productions, Dr. Arbona-Homar locates a pattern of historical violence that refocuses the broader racial and colonial context. Citing the material, social, and political conditions that gave rise to these disparate episodes, he reviews the historic erasure of those driving forces and puts forth alternative possibilities for how such disasters might be memorialized. Synthesizing a diverse set of field research methods, including oral histories and site visits, and supplemented by specially commissioned landscape photographs by Andrea Gaffney, Explosivity presents a radical exercise in the exposition of public memory. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography

Offering a novel approach to contemporary landscape studies, Explosivity: Following What Remains (U Minnesota Press, 2025) unearths the hidden legacies of violence that have shaped the physical and cultural environment of the San Francisco Bay area. As he sifts through the historical debris of previous centuries, Dr. Javier Arbona-Homar analyzes a series of explosions that took place between 1866 and 2011 to call attention to the scattered remnants of militarism and racialized capitalism embedded in the region's geography. From incidents involving nineteenth-century explosives manufacturing and World War II munitions loading to radical activism and contemporary television productions, Dr. Arbona-Homar locates a pattern of historical violence that refocuses the broader racial and colonial context. Citing the material, social, and political conditions that gave rise to these disparate episodes, he reviews the historic erasure of those driving forces and puts forth alternative possibilities for how such disasters might be memorialized. Synthesizing a diverse set of field research methods, including oral histories and site visits, and supplemented by specially commissioned landscape photographs by Andrea Gaffney, Explosivity presents a radical exercise in the exposition of public memory. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

Offering a novel approach to contemporary landscape studies, Explosivity: Following What Remains (U Minnesota Press, 2025) unearths the hidden legacies of violence that have shaped the physical and cultural environment of the San Francisco Bay area. As he sifts through the historical debris of previous centuries, Dr. Javier Arbona-Homar analyzes a series of explosions that took place between 1866 and 2011 to call attention to the scattered remnants of militarism and racialized capitalism embedded in the region's geography. From incidents involving nineteenth-century explosives manufacturing and World War II munitions loading to radical activism and contemporary television productions, Dr. Arbona-Homar locates a pattern of historical violence that refocuses the broader racial and colonial context. Citing the material, social, and political conditions that gave rise to these disparate episodes, he reviews the historic erasure of those driving forces and puts forth alternative possibilities for how such disasters might be memorialized. Synthesizing a diverse set of field research methods, including oral histories and site visits, and supplemented by specially commissioned landscape photographs by Andrea Gaffney, Explosivity presents a radical exercise in the exposition of public memory. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Singapore, the financial center of Southeast Asia, hyperurbanization and commercial development exist alongside enduring belief in the economic power of ghosts: in their ability to control the flows of money and value and to determine the outcome of investments and wagers. Spectropolis: The Enchantment of Capital in Singapore (U Minnesota Press, 2025) explores the unlikely collusion of these two systems, demonstrating both the productive role of popular beliefs in the modern world and the surprising correlations between “late” capitalism and the workings of the spirit realm. Detailing the logic and practices of Singapore's ghost economy—from performing exorcisms on real estate development sites to offering money and commodities to the dead as a hedge against precarious real-world transactions—Joshua Comaroff shows how speculative finance, largely governed by chance and volatility, is understood via its inherently spectral qualities. Based on detailed case studies and years of extensive fieldwork, Spectropolis argues for the power of popular belief systems to theorize contemporary socioeconomic conditions and to give form to collective affect as well as shared aspirations and anxieties, often in deeply hopeful, horizontal and empowering ways. Joshua Comaroff is the assistant professor of architecture at the National University of Singapore. He is coauthor of Horror in Architecture: The Reanimated Edition (Minnesota, 2024). Alyssa Kee recently finished graduate studies at the University of Vienna. Her research interests lie in urban geography, multispecies ecologies, and urban food assemblages. She is currently in the field of Geographical Education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Singapore, the financial center of Southeast Asia, hyperurbanization and commercial development exist alongside enduring belief in the economic power of ghosts: in their ability to control the flows of money and value and to determine the outcome of investments and wagers. Spectropolis: The Enchantment of Capital in Singapore (U Minnesota Press, 2025) explores the unlikely collusion of these two systems, demonstrating both the productive role of popular beliefs in the modern world and the surprising correlations between “late” capitalism and the workings of the spirit realm. Detailing the logic and practices of Singapore's ghost economy—from performing exorcisms on real estate development sites to offering money and commodities to the dead as a hedge against precarious real-world transactions—Joshua Comaroff shows how speculative finance, largely governed by chance and volatility, is understood via its inherently spectral qualities. Based on detailed case studies and years of extensive fieldwork, Spectropolis argues for the power of popular belief systems to theorize contemporary socioeconomic conditions and to give form to collective affect as well as shared aspirations and anxieties, often in deeply hopeful, horizontal and empowering ways. Joshua Comaroff is the assistant professor of architecture at the National University of Singapore. He is coauthor of Horror in Architecture: The Reanimated Edition (Minnesota, 2024). Alyssa Kee recently finished graduate studies at the University of Vienna. Her research interests lie in urban geography, multispecies ecologies, and urban food assemblages. She is currently in the field of Geographical Education. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

In Singapore, the financial center of Southeast Asia, hyperurbanization and commercial development exist alongside enduring belief in the economic power of ghosts: in their ability to control the flows of money and value and to determine the outcome of investments and wagers. Spectropolis: The Enchantment of Capital in Singapore (U Minnesota Press, 2025) explores the unlikely collusion of these two systems, demonstrating both the productive role of popular beliefs in the modern world and the surprising correlations between “late” capitalism and the workings of the spirit realm. Detailing the logic and practices of Singapore's ghost economy—from performing exorcisms on real estate development sites to offering money and commodities to the dead as a hedge against precarious real-world transactions—Joshua Comaroff shows how speculative finance, largely governed by chance and volatility, is understood via its inherently spectral qualities. Based on detailed case studies and years of extensive fieldwork, Spectropolis argues for the power of popular belief systems to theorize contemporary socioeconomic conditions and to give form to collective affect as well as shared aspirations and anxieties, often in deeply hopeful, horizontal and empowering ways. Joshua Comaroff is the assistant professor of architecture at the National University of Singapore. He is coauthor of Horror in Architecture: The Reanimated Edition (Minnesota, 2024). Alyssa Kee recently finished graduate studies at the University of Vienna. Her research interests lie in urban geography, multispecies ecologies, and urban food assemblages. She is currently in the field of Geographical Education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

In Singapore, the financial center of Southeast Asia, hyperurbanization and commercial development exist alongside enduring belief in the economic power of ghosts: in their ability to control the flows of money and value and to determine the outcome of investments and wagers. Spectropolis: The Enchantment of Capital in Singapore (U Minnesota Press, 2025) explores the unlikely collusion of these two systems, demonstrating both the productive role of popular beliefs in the modern world and the surprising correlations between “late” capitalism and the workings of the spirit realm. Detailing the logic and practices of Singapore's ghost economy—from performing exorcisms on real estate development sites to offering money and commodities to the dead as a hedge against precarious real-world transactions—Joshua Comaroff shows how speculative finance, largely governed by chance and volatility, is understood via its inherently spectral qualities. Based on detailed case studies and years of extensive fieldwork, Spectropolis argues for the power of popular belief systems to theorize contemporary socioeconomic conditions and to give form to collective affect as well as shared aspirations and anxieties, often in deeply hopeful, horizontal and empowering ways. Joshua Comaroff is the assistant professor of architecture at the National University of Singapore. He is coauthor of Horror in Architecture: The Reanimated Edition (Minnesota, 2024). Alyssa Kee recently finished graduate studies at the University of Vienna. Her research interests lie in urban geography, multispecies ecologies, and urban food assemblages. She is currently in the field of Geographical Education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography

In Singapore, the financial center of Southeast Asia, hyperurbanization and commercial development exist alongside enduring belief in the economic power of ghosts: in their ability to control the flows of money and value and to determine the outcome of investments and wagers. Spectropolis: The Enchantment of Capital in Singapore (U Minnesota Press, 2025) explores the unlikely collusion of these two systems, demonstrating both the productive role of popular beliefs in the modern world and the surprising correlations between “late” capitalism and the workings of the spirit realm. Detailing the logic and practices of Singapore's ghost economy—from performing exorcisms on real estate development sites to offering money and commodities to the dead as a hedge against precarious real-world transactions—Joshua Comaroff shows how speculative finance, largely governed by chance and volatility, is understood via its inherently spectral qualities. Based on detailed case studies and years of extensive fieldwork, Spectropolis argues for the power of popular belief systems to theorize contemporary socioeconomic conditions and to give form to collective affect as well as shared aspirations and anxieties, often in deeply hopeful, horizontal and empowering ways. Joshua Comaroff is the assistant professor of architecture at the National University of Singapore. He is coauthor of Horror in Architecture: The Reanimated Edition (Minnesota, 2024). Alyssa Kee recently finished graduate studies at the University of Vienna. Her research interests lie in urban geography, multispecies ecologies, and urban food assemblages. She is currently in the field of Geographical Education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

In Singapore, the financial center of Southeast Asia, hyperurbanization and commercial development exist alongside enduring belief in the economic power of ghosts: in their ability to control the flows of money and value and to determine the outcome of investments and wagers. Spectropolis: The Enchantment of Capital in Singapore (U Minnesota Press, 2025) explores the unlikely collusion of these two systems, demonstrating both the productive role of popular beliefs in the modern world and the surprising correlations between “late” capitalism and the workings of the spirit realm. Detailing the logic and practices of Singapore's ghost economy—from performing exorcisms on real estate development sites to offering money and commodities to the dead as a hedge against precarious real-world transactions—Joshua Comaroff shows how speculative finance, largely governed by chance and volatility, is understood via its inherently spectral qualities. Based on detailed case studies and years of extensive fieldwork, Spectropolis argues for the power of popular belief systems to theorize contemporary socioeconomic conditions and to give form to collective affect as well as shared aspirations and anxieties, often in deeply hopeful, horizontal and empowering ways. Joshua Comaroff is the assistant professor of architecture at the National University of Singapore. He is coauthor of Horror in Architecture: The Reanimated Edition (Minnesota, 2024). Alyssa Kee recently finished graduate studies at the University of Vienna. Her research interests lie in urban geography, multispecies ecologies, and urban food assemblages. She is currently in the field of Geographical Education. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/finance

The story of “The Lad who stole a Troll's Hat, a Bird and a Horse and Married the Princess” comes from “Sámi Folktales from the Near and Far Worlds” by Just Knud Qvigstad and Isak Saba as translated by Barbara Sjoholm published just yesterday through the University of Minnesota Press! We were lucky enough to receive an early edition of the book and it was a treat to look through all the different stories of the Sámi people.  This story is truly one that makes you ask: WHY and HOW instead of what since it's all technically in the title!  Show notes can be found on our website at: www.talesfromtheenchantedforest.com You can also find us on: Bluesky Instagram   Mastodon TikTok

On today's show we take a deep look into universities, and education more broadly with Tristan Ahtone, Andrew Herscher, and Robert Warrior. We focus on a  critique of land grant universities, which were built on land granted by the federal government. What we learn is that lands were stolen from Indigenous peoples through violence-based treaties and seizures. These 57 universities have used wealth derived from those initial acts of theft to buy more property, expand holdings, and enrich themselves. In contrast, we see the continued harm these universities do to Native peoples. This harm comes what Herscher calls “non-memory,” which creates knowledge that distorts and omits historical truths and impedes upon Indigenous futures. We talk about the deep damage non-memory does to education for all, and the ways people have fought back to retrieve, restore, and grow knowledge through scholar-journalist activism like the Land Grab University project.Tristan Ahtone (Kiowa) is Editor at Large at Grist and one of the foremost journalists covering Indigenous affairs in America. He previously served as Editor in Chief of the Texas Observer and Indigenous Affairs editor at High Country News. His investigations have been honored with a George Polk Award, an IRE Award, a Sigma Award, a National Magazine Award nomination, and investigative awards from the Gannett Foundation. A multiple Richard LaCourse Award winner, Ahtone was also named Journalist of the Year by Covering Climate Now in 2024. A past president of the Indigenous Journalists Association and a 2017 Nieman Fellow, he is a co-founder of the Indigenous News Alliance.Andrew Herscher's work endeavors to bring the study of architecture and cities to bear on struggles for justice, democracy, and self-determination across a range of global sites. He is the co-founder of a series of militant research collectives, including Detroit Resists, Settler Colonial City Project, and the We the People of Detroit Community Research Collective. His scholarly work include Violence Taking Place: The Architecture of the Kosovo Conflict (Stanford University Press, 2010); The Unreal Estate Guide to Detroit (University of Michigan Press, 2012); Displacements: Architecture and Refugee (Sternberg Press, 2017); The Global Shelter Imaginary: IKEA Humanitarianism and Rightless Relief (co-authored with Daniel Bertrand Monk, University of Minnesota Press, 2022); and Under the Campus, the Land: Anishinaabe Futuring, Colonial Non-Memory, and the Origin of the University of Michigan (University of Michigan Press, 2025). He is teaches at the University of Michigan in architecture, Native American and Indigenous studies, and the history of art. Robert Warrior is Hall Distinguished Professor of American Literature and Culture at the University of Kansas and a member/citizen of the Osage Nation. He is the author of Tribal Secrets: Recovering American Indian Intellectual Traditions (University of Minnesota Press, 1995) and The People and the Word: Reading Native Nonfiction (University of Minnesota Press, 2006), and coauthor of Like a Hurricane: The Indian Movement from Alcatraz to Wounded Knee (New Press, 1996), American Indian Literary Nationalism (University of New Mexico Press, 2008), and Reasoning Together: The Native Critics Collective (University of Oklahoma Press, 2009). He is past president of the American Studies Association and was the founding president of the Native American and Indigenous Studies Association (2009-10). He was the founding co-editor of Native American and Indigenous Studies (NAISA's journal) and edits the Indigenous Americas series at the University of Minnesota Press). Before moving to the University of Kansas, he taught at Stanford, the University of Oklahoma, and the University of Illinois. In 2018, he was elected to the American Academy of Arts and Sciences.

New Series: Grounding the Green Financing Series Summary This series brings together scholars researching the relationship between green finance, and the everyday experiences of violence and solidarity across the world. Green finance, understood as various models of loans and investments that ostensibly support mitigation and adaptation to climate change, is promoted by international bodies such as the United Nations and the World Bank. However, the abstraction of this language and policies involved obscures the connections to everyday practices of extraction and resistance. This series reinfuses the economics of climate change with people's histories and agencies. Therefore, anthropologists and adjacent field scholars have a particularly apt skill set for grounding the climate finance discussion in place-based, community-informed explorations across the globe.   Episode Summary In the first episode of this quarterly series, Fernando Leiva talks about his mapping of the finance-extractivism-climate-change-energy transition nexus focused on Chile, his country of origin. He identifies four areas of research into green financing as a material and cultural project : 1) the depolitization of climate change, veiling its true causes of this crisis; 2) the impacts of carbonization by dispossession and the concentration of wealth; 3) the further subordination of public policy to de-risking investments; and 4) the financialization of nature itself. Leiva presents his bestiario (bestiary) and chronology of financial products as an entry point to analyze the interactions between discourses and power relations in Chile, the birthplace of neoliberalism and other sociopolitical experiments in the last 50 years, and now a leader in the green finance economy. In his view, green finance is also a hegemonic myth project that presents the private sector as the social actor of the future, in an unequal field of cultural creation, against communities betting on collective forms of life. Leiva argues that critical scholarship is needed in these cultural battles of meaning making for the future.    Guest Fernando Leiva is a Professor of Latin American and Latino Studies at the University of Califprnia, Santa Cruz. He received his PhD in Economics from the University of Massachusetts-Amherst (1998). He is the author of Latin American Neostructuralism: The Contradictions of Post-Neoliberal Development (University of Minnesota Press, 2008) and The Left Hand of Capital: Neoliberalism and the Left in Chile (SUNY Press, 2021). For the last decade, his research deploys a Critical Cultural Political Economy Perspective that examines how semiotic and material practices co-constitute reality. He uses this approach to examine newly emerging strategies with which transnational capital aims to expand the frontiers of extractivism and craft the foundations for a new capitalist hegemonic project anchored on “eco-extractivism.” Host Jéssica Malinalli Coyotecatl-Contreras is a University of California President's Postdoctoral Fellow in the Department of Latin American and Latino Studies at UC Santa Cruz. She holds a PhD in Anthropology (UCSB, 2025) and a Master's in Social Anthropology (El Colegio de Michoacán, 2013). Her work builds on the knowledge of women and Indigenous communities, at the intersection of the (built) environment, feminist political ecology, and anti-coloniality in the Americas. Her work has been featured in peer-reviewed articles and online pieces for broader audiences. She is currently working on her first manuscript “Volcanic Sustainability: Progressive Fossil Capitalism, Violent Energy Transition, and Indigenous Futurities in Mexico.”   

This episode, first released in 2021, is a reminder that Mental Health Awareness Month requires all of us to tell our stories. We checked back in with Mindy and learned that, even though she is now retired, she continues to advocate for reforms in mental health, policy, and affordable housing. “I love being retired; I can activate for anything I want.” She is married for 55 years and retired for sixteen. Her son continues to receive the help he needs."There is no way we are going to have a better mental health system if we don't tell our stories."Mindy was a state legislator (Minnesota's House of Representatives, 1993-2013) when her son Jim's first psychotic episode manifested itself in a delusion demanding he kill her. Her seat at the table helped her to change the policies that would have barred her from saving his life. She first had to overcome her fear that Jim would be like her beloved grandmother who disappeared into a mental hospital when she was 10. Mindy was determined not to let this happen and is responsible for these reforms:·       Founded the nation's first bipartisan state mental health caucus, focusing on raising awareness, funding, and policy reform Marshall Independent+1.·       Reformed hospital release procedures and introduced legislation allowing earlier intervention for people in crisis who don't recognize they are ill Access Press.·       Advocated for mental health issues in areas such as the criminal justice system, employment, and children's health Her podcast, Schizophrenia: Three Moms in the Trenches, is a frank account by three mothers who share what it is like to live in a family where schizoid-affective disorder affects every family dynamic.Contact Information:mindygreiling@gmail.comGreiling, M. (2020). Fix What You Can: Schizophrenia and a Lawmaker's Fight for Her Son. University of Minnesota Press.Podcast: Schizophrenia: Three Moms in the Trenches

Viaje comigo, Vogel e Barbarussa pra Grécia e Roma! Link: partiu.vip/historiaecinema2026Uma das criaturas mais antigas da história da civilização humana é reinterpretada e usada como uma prova da desigualdade de gênero que, pelo menos desde a Antiguidade, ronda o mundo ocidental. Separe trinta minutos do seu dia e aprenda com o professor Vítor Soares (@profvitorsoares) sobre a história e a mitologia da górgona Medusa-Se você quiser ter acesso a episódios exclusivos e quiser ajudar o História em Meia Hora a continuar de pé, clique no link: www.apoia.se/historiaemmeiahoraConheça o meu canal!https://www.youtube.com/@profvitorsoaresConheça meu outro canal: História e Cinema!https://www.youtube.com/@canalhistoriaecinemaOuça "Reinaldo Jaqueline", meu podcast de humor sobre cinema e TV:https://open.spotify.com/show/2MsTGRXkgN5k0gBBRDV4okAssista meu outro podcast, o História pros brother!https://open.spotify.com/show/04a8C8gXTLj68lmZiQD8vmCompre o livro "História em Meia Hora - Grandes Civilizações"!https://a.co/d/47ogz6QCompre meu primeiro livro-jogo de história do Brasil "O Porão":https://amzn.to/4a4HCO8Compre a camisa do História em Meia Hora: https://www.blablalogia.com/blablalojinha/akiralampiaoh30PIX e contato: historiaemmeiahora@gmail.comApresentação: Prof. Vítor Soares.Roteiro: Prof. Vítor Soares e Prof. Victor Alexandre (@profvictoralexandre)REFERÊNCIAS USADAS:- OVÍDIO. Metamorfoses. Tradução: Domingos Paschoal Cegalla. São Paulo: Cultrix, 2010.- HESÍODO. Teogonia: a origem dos deuses. Tradução: Jaa Torrano. São Paulo: Iluminuras, 2009.- HAMILTON, Edith. Mythology. Boston: Little, Brown & Company, 1940.- HILGERT, Luiza Helena. O arcaico do contemporâneo: Medusa e o mito da mulher. Lampião — Revista de Filosofia, UFAL, v. 1, n. 1, p. 41-70, 2020.- BEAUVOIR, Simone de. O segundo sexo. Fatos e mitos. São Paulo: Difusão Europeia do Livro, 1970.- BEAUVOIR, Simone de. O segundo sexo. A experiência vivida. São Paulo: Difusão Europeia do Livro, 1967.- CIXOUS, Hélène. O riso da Medusa. In: CIXOUS, H.; CLÉMENT, C. The newly born woman. Minneapolis: University of Minnesota Press, 1986.- FREUD, Sigmund. A cabeça de Medusa. Tradução: Ernani Chaves. Clínica & Cultura, v. II, n. II, p. 91-93, 2013.- KAROGLOU, Kiki. Dangerous Beauty: Medusa in Classical Art. The Metropolitan Museum of Art Bulletin, New York, v. 75, n. 3, 2018.

In What Doesn't Kill Me Makes Me Weirder and Harder to Relate To (U Minnesota Press, 2025) an iconic rock DJ of the Twin Cities tells her harrowing story of being stalked while living her very public life What's it like to be in the public spotlight when it just might get you killed? For Mary Lucia, becoming a wildly popular rock DJ meant connecting with a multitude of fans through a shared love of music and deep cuts. But for one listener, that connection became a dangerous obsession, catapulting Lucia into the terrifying three-year nightmare that she chronicles in this raw, wry, and profoundly courageous memoir. With electrifying wit and anger, Lucia shares her experience of navigating constant terror while life absurdly goes on: interview rock stars, curate a radio show song list, judge high school battles of the band, kick a drug addiction cold turkey . . . all while fearing what might be waiting in her mailbox or who might be waiting on her front step or at her back door. Lucia was no stranger to inappropriate or weird contact from fans, but things turned sinister when ten pounds of raw meat were delivered to her at work, followed by a steady stream of ominous letters, cards, packages, and messages. When the letters included threats to her dogs' safety, she tried to get help, but without a name and return address on these communications there was nothing she could do. As the stalker's actions escalated, Lucia felt more and more isolated. Police responding to her 911 calls were insensitive and dismissive, and even her friends implied that being stalked was just a hazard of her high-profile job and her high-energy personality. No one seemed to take seriously the danger she faced. Inseparable from this ordeal is the story of how Mary Lucia became the notorious radio malcontent known by so many avid listeners. From the good, bad, and weird of growing up in her eccentric family to drugs, death, and dogs, Lucia finally shares her life on her own terms in What Doesn't Kill Me Makes Me Weirder and Harder to Relate To. Applying her signature dark humor to her own traumatic experiences, Lucia's memoir is idiosyncratic, bold, and--ironically--relatable Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In What Doesn't Kill Me Makes Me Weirder and Harder to Relate To (U Minnesota Press, 2025) an iconic rock DJ of the Twin Cities tells her harrowing story of being stalked while living her very public life What's it like to be in the public spotlight when it just might get you killed? For Mary Lucia, becoming a wildly popular rock DJ meant connecting with a multitude of fans through a shared love of music and deep cuts. But for one listener, that connection became a dangerous obsession, catapulting Lucia into the terrifying three-year nightmare that she chronicles in this raw, wry, and profoundly courageous memoir. With electrifying wit and anger, Lucia shares her experience of navigating constant terror while life absurdly goes on: interview rock stars, curate a radio show song list, judge high school battles of the band, kick a drug addiction cold turkey . . . all while fearing what might be waiting in her mailbox or who might be waiting on her front step or at her back door. Lucia was no stranger to inappropriate or weird contact from fans, but things turned sinister when ten pounds of raw meat were delivered to her at work, followed by a steady stream of ominous letters, cards, packages, and messages. When the letters included threats to her dogs' safety, she tried to get help, but without a name and return address on these communications there was nothing she could do. As the stalker's actions escalated, Lucia felt more and more isolated. Police responding to her 911 calls were insensitive and dismissive, and even her friends implied that being stalked was just a hazard of her high-profile job and her high-energy personality. No one seemed to take seriously the danger she faced. Inseparable from this ordeal is the story of how Mary Lucia became the notorious radio malcontent known by so many avid listeners. From the good, bad, and weird of growing up in her eccentric family to drugs, death, and dogs, Lucia finally shares her life on her own terms in What Doesn't Kill Me Makes Me Weirder and Harder to Relate To. Applying her signature dark humor to her own traumatic experiences, Lucia's memoir is idiosyncratic, bold, and--ironically--relatable Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Racializing the Ummah: Muslim Humanitarians Beyond Black, Brown and White (U Minnesota Press, 2026) is an ethnography of Islamic Relief (IR), the largest Islamic NGO based in the West. Racializing the Ummah explores how a Muslim organization can do good in a world that defines Muslimness as less than human. Rooted in more than a decade of international research, Rhea Rahman's study on the organization's projects, methods, and limitations reveals how racial capitalism permeates all aspects of humanitarianism. Beginning with a counterhistory of Muslims in the United Kingdom following World War II, Rahman analyzes IR's mission and transnational activities in and across places including the UK, South Africa, and Mali in the broader context of global white supremacy. She shows how IR's approaches often effectively secularize Islam to evade anti-Muslim racism and Islamophobia, implicating concepts such as the “good” Muslim aid worker, who complies with War on Terror surveillance while attending to victims of Western colonialism. Meanwhile, Rahman theorizes the tactics of aid workers on the ground, who creatively draw on an Islamic Black radical tradition to drive real change. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Racializing the Ummah: Muslim Humanitarians Beyond Black, Brown and White (U Minnesota Press, 2026) is an ethnography of Islamic Relief (IR), the largest Islamic NGO based in the West. Racializing the Ummah explores how a Muslim organization can do good in a world that defines Muslimness as less than human. Rooted in more than a decade of international research, Rhea Rahman's study on the organization's projects, methods, and limitations reveals how racial capitalism permeates all aspects of humanitarianism. Beginning with a counterhistory of Muslims in the United Kingdom following World War II, Rahman analyzes IR's mission and transnational activities in and across places including the UK, South Africa, and Mali in the broader context of global white supremacy. She shows how IR's approaches often effectively secularize Islam to evade anti-Muslim racism and Islamophobia, implicating concepts such as the “good” Muslim aid worker, who complies with War on Terror surveillance while attending to victims of Western colonialism. Meanwhile, Rahman theorizes the tactics of aid workers on the ground, who creatively draw on an Islamic Black radical tradition to drive real change. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

Racializing the Ummah: Muslim Humanitarians Beyond Black, Brown and White (U Minnesota Press, 2026) is an ethnography of Islamic Relief (IR), the largest Islamic NGO based in the West. Racializing the Ummah explores how a Muslim organization can do good in a world that defines Muslimness as less than human. Rooted in more than a decade of international research, Rhea Rahman's study on the organization's projects, methods, and limitations reveals how racial capitalism permeates all aspects of humanitarianism. Beginning with a counterhistory of Muslims in the United Kingdom following World War II, Rahman analyzes IR's mission and transnational activities in and across places including the UK, South Africa, and Mali in the broader context of global white supremacy. She shows how IR's approaches often effectively secularize Islam to evade anti-Muslim racism and Islamophobia, implicating concepts such as the “good” Muslim aid worker, who complies with War on Terror surveillance while attending to victims of Western colonialism. Meanwhile, Rahman theorizes the tactics of aid workers on the ground, who creatively draw on an Islamic Black radical tradition to drive real change. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

Fiction that imagines alternate futures is often associated with the left — with writers like Octavia Butler and Ursula LeGuin. But the tropes of science fiction are well-suited to the right and, as Jordan Carroll illustrates, far right authors and aficionados have populated the ranks of speculative fiction since its inception, like ardent science fiction fan and neo-Nazi party founder James Madole. Carroll discusses the right's ongoing fight to claim the future. Jordan S. Carroll, Speculative Whiteness: Science Fiction and the Alt-Right University of Minnesota Press, 2024 Photo by Robynne O on Unsplash The post Science Fiction and the Far Right appeared first on KPFA.

This episode engages with Glen Coulthard's 2014 book Red Skin, White Masks: Rejecting the Colonial Politics of Recognition. Coulthard weaves a rich and varied tradition of radical Indigenous thought and practice with Marxism and the anti-colonial thought of Frantz Fanon into a distinctive vision of emancipation. Together, we interrogate his claims that dispossession rather than exploitation, or the expropriation of land rather than the expropriation of labour, constitutes the paradigmatic mode of domination for colonized peoples. More than anything, we contend with the notion that state ‘recognition' is not only insufficient, but inimical to the kind of emancipatory Indigenous politics Coulthard envisions.  leftofphilosophy.com | @leftofphil | @leftofphilosophy.bsky.social References:Glen Sean Coulthard, Red Skin, White Masks: Rejecting the Colonial Politics of Recognition (Minneapolis: University of Minnesota Press, 2014).Music:“Vintage Memories” by Schematist | schematist.bandcamp.com“My Space” by Overu | https://get.slip.stream/KqmvAN

Episode Overview In the third instalment of our series on famine and revolution, we pull away the veil of headline numbers to investigate the visceral, human reality of the Great Hunger in Ireland. This is an exploration of a land filling with desperation, where the brutal biological mechanics of what happens when the human body begins to consume itself take centre stage. We examine the fate of a terrified people, facing ruin triggered by a disease that wreaked havoc on already weak economies. From the folklore of the Fear Gorta to the harrowing clinical reports of the era, this episode explores how a society is transformed when it is blindsided by biological disaster and administrative indifference. Key Topics Covered: The Information Vacuum: Comparing our modern “Ocean of Information” to the terrifying silence of the 1840s, where the sickly sweet smell of rot was a mystery without an immediate answer. The Folklore of Famine: Why stories like Hansel and Gretel and the Navajo Dine Bahane carry the genetic memory of starvation, and the specific Irish harbinger of death: the Fear Gorta. The Structural Cage: A deep dive into the Rundale system and Gavelkind inheritance. We look at why the West was trapped in a cycle of subdivision while Ulster was shielded by the “Linen Shield” and Tenant Right. The Biology of Starvation: Using modern metabolic science and contemporary medical records to explain the “Blue Nose,” the “Sunken Orbit,” and the terrifying reality of Autophagy—the body cannibalising its own architecture. The Refeeding Trap: The physiological reason why a crust of bread could become a death sentence for a heart shrunken by atrophy. Conspicuous Consumption: The stark contrast between the “Workhouse Swineries” and the elite social calendar, including the dinner menus of the Cork Harbour Regatta. The Gregory Clause: How a single piece of legislation—the Quarter-Acre Clause—was used to engineer the clearances and force the starving into homelessness. The Ledger of the Dead: Analysis of the 1851 Census and the 20–25% demographic erasure that redefined Ireland forever. SOURCES Historical Research & Modern Analysis Delaney, Enda. (2020, December). “‘There But For The Grace of God Go I': Middle-Class Catholic Responses to Ireland's Great Famine.” The English Historical Review, Vol. 135, No. 577, pp. 1433–1460. Donnelly, James S., Jr. (2002). The Great Irish Potato Famine. Stroud: Sutton Publishing. Guinnane, Timothy W. (1994). “The Great Irish Famine and Population: The Long View.” The American Economic Review, Vol. 84, no. 2, pp. 303–08. Ó Gráda, Cormac. (2013, March). “Eating people is wrong: Famine’s darkest secret?” UCD Centre for Economic Research, Working Paper No. WP13/02. O'Riordan, Edmund. (2018, May/June). “‘Every Delicacy of the Season'—Conspicuous Consumption During the Great Hunger.” History Ireland, Vol. 26, No. 3, pp. 26–29. Poirteir, Cathal (Ed.). (1999). The Great Irish Famine. Dublin: Mercier Press. Woodham-Smith, Cecil. (1962). The Great Hunger: Ireland 1845–1849. London: Hamish Hamilton. Guinnane, Timothy W. “The Great Irish Famine and Population: The Long View.” The American Economic Review, vol. 84, no. 2, 1994, pp. 303–08. JSTOR, http://www.jstor.org/stable/2117848. Accessed 31 Mar. 2026 Scientific & Medical Analysis of Starvation Anabtawi, O., & Valente, B. (2025, August 12). “The science of starvation: This is what happens to your body when it's deprived of food.” The Conversation. Donovan, Daniel. (1848). “Observations on the Peculiar Diseases to Which the Famine of Last Year Gave Origin.” Dublin Medical Press. Keys, Ancel, et al. (1950). The Biology of Human Starvation. University of Minnesota Press. (References derived from the Minnesota Starvation Experiment). Primary Documents & Government Records Devon Commission. (1845). Report from Her Majesty’s Commissioners of Inquiry into the State of the Law and Practice in respect to the Occupation of Land in Ireland. Hansard Parliamentary Debates. (1849). HL Deb 15 June 1849 vol 106 cc285-300. (Correspondence of the Earl of Clancarty regarding Ballinasloe). O’Rourke, Canon John. (1875). The History of the Great Irish Famine of 1847. Ridgway, James. (1847). The Irish Relief Measures, Past and Future. Regional Studies & Files Best, Barbara. (2025). “Local Female Orphans and The Earl Grey Scheme 1848-1850.” Tobin, J. “The Famine in Ballyduff and the evictions of Arthur Usher Kiely.” Ballyduff Archive. University College Dublin. (2024). “Hansel and Gretel's famine folklore origins.” The Cambridge Group for the History of Population and Social Structure. Folklore & Cultural Context Dine Bahane. Navajo creation mythology regarding resource scarcity and survival. Fear Gorta (The Hungry Man). Traditional Irish folklore regarding the personification of hunger. Yoruba Mythology. Oral traditions regarding the “Leopards Famine.” The post EP068 WHEN HUNGER WALKS THE LAND appeared first on AGE OF VICTORIA PODCAST.