Podcasts about tarkovsky

Adam and Josh revisit BEFORE SUNSET for its 20th-ish anniversary and share their conversation about BEFORE SUNRISE, which followed a 30th-anniversary screening earlier this year to close Filmspotting Fest. Scott Tobias (The Next Picture Show, The Reveal) and Producer Sam Van Hallgren joined them for that. Plus, the final film in the Andrei Tarkovsky Marathon, 1983's NOSTALGHIA.     This episode is presented by Regal Unlimited⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes will not be precise with ads; chapters may start early.) Intro (00:00:00-00:01:56) Pantheon Project: “Before Sunset” (00:01:57-00:37:39) Filmspotting Family (00:37:40-00:40:02) Next Week / Notes / Massacre Theatre (00:40:03-00:50:29) Filmspotting Fest: “Before Sunrise” (00:50:30-01:20:46) Pantheon Induction (01:20:47-01:23:27) Tarkovsky #5: “Nostalghia” (01:23:28-01:53:27) Credits / New Releases (01:53:28-01:56:39) Links: -Filmspotting Pantheon https://letterboxd.com/filmspotting/list/filmspotting-pantheon/detail/ -Filmspotting Fest https://www.filmspotting.net/filmspotting-fest -Andrei Tarkovsky Marathon https://www.filmspotting.net/marathons Feedback: -Email us at ⁠⁠feedback@filmspotting.net⁠⁠. -⁠⁠Ask Us Anything⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access. ⁠⁠http://filmspottingfamily.com⁠⁠ -T-shirts (and more) on sale at the Filmspotting Shop. ⁠⁠https://filmspotting.net/shop⁠⁠ Follow: ⁠⁠https://www.instagram.com/filmspotting⁠⁠ ⁠⁠https://letterboxd.com/filmspotting⁠⁠ ⁠⁠https://twitter.com/filmspotting⁠⁠ ⁠⁠https://facebook.com/filmspotting⁠⁠ ⁠⁠https://letterboxd.com/larsenonfilm⁠⁠ ⁠⁠https://twitter.com/larsenonfilm⁠⁠ ⁠⁠https://facebook.com/larsenonfilm⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

We interrupt The Summer of 2015 at 10 for a moment to resume the Tarkovsky's Tales retrospective. Steven Warren Hill and I this time are talking about the science fiction masterpiece SOLARIS from 1972. A film that is probably most people's introduction to Andrei Tarkovsky. In prep for this I've read the book for the […]

Host Ally Pitts shares some news about a screening of Andrei Tarkovsky's Mirror that he'll be introducing on Sunday 25th May as part of the Dreamscapes classic season at Ultimate Picture Palace in Oxford. He also shares news about screenings of Soviet films at the Prince Charles Cinema, and shares details of silent film screenings with live music by Hugo Max. Links mentioned/alluded to in the episode: Dreamscapes classic season at Ultimate Picture Palace in Oxford https://uppcinema.com/show_type/classic-season-dreamscapes/  Antifa on screen classic season at the UPP https://uppcinema.com/show_type/classic-season-antifa-on-screen/ Come and See & Elem Klimov https://www.podchaser.com/podcasts/a-russian-soviet-movie-podcast-594862/episodes/come-and-see-elem-klimov-1985-41611107  https://uppcinema.com/show/come-and-see/ https://letterboxd.com/thetop100/list/the-greatest-films-ever-made-as-selected/  https://www.criterion.com/films/28895-come-and-see The Prince Charles Cinema, Leicester Square, London https://princecharlescinema.com/seasons-events/bleak-week/ https://princecharlescinema.com/seasons-events/tarkovsky/   https://princecharlescinema.com/film/6773592/the-colour-of-pomegranates-sayat-nova/  https://princecharlescinema.com/film/20569368/the-cranes-are-flying/  https://princecharlescinema.com/film/1865782/battleship-potemkin-bronenosets-potyomkin/ https://princecharlescinema.com/whats-on/   Hugo Max scores silent cinema https://hugomax.co.uk/news  https://hugomax.co.uk/upcoming-past-performances  Contact us/socials: All the links for a Russian & Soviet Movie Podcast and Ally Pitts you're ever likely to want or need: linktr.ee/russiansovietmoviepodcast linktr.ee/ally_pitts  We changed the name of the show a little while back, but the social handles/contacts are a bit of a mishmash. Email: russophilesunite@gmail.com Letterboxd: letterboxd.com/Ally_Pitts/ Instagram: instagram.com/russiansovietmoviepodcast/  instagram.com/ally_pitts_movies_etc/  Listen to Ally's other podcast appearances on Podchaser

The Best of the Century conversation continues with a draft of the best actors and actresses of the last 25 years, and the Andrei Tarkovsky Marathon brings Adam and Josh into STALKER's The Zone. This episode is presented by Regal Unlimited⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes will not be precise with ads; chapters may start early.) Intro (00:00:00-00:01:43) Actors of the Century Draft (00:01:44-00:56:24) Filmspotting Family (00:56:25-00:59:52) Next Week / Notes / Poll (00:59:53-01:06:45) Tarkovsky Marathon #4: “Stalker” (01:06:46-01:47:10) Credits / New Releases (01:47:11-01:50:58) Links: Top 25 Films of the Century https://www.filmspotting.net/top-5-lists-archive/1013-top-25-century Andrei Tarkovsky Marathon https://www.filmspotting.net/marathons Feedback: -Email us at ⁠⁠feedback@filmspotting.net⁠⁠. -⁠⁠Ask Us Anything⁠⁠ and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and archive access. ⁠⁠http://filmspottingfamily.com⁠⁠ -T-shirts (and more) on sale at the Filmspotting Shop. ⁠⁠https://filmspotting.net/shop⁠⁠ Follow: ⁠⁠https://www.instagram.com/filmspotting⁠⁠ ⁠⁠https://letterboxd.com/filmspotting⁠⁠ ⁠⁠https://twitter.com/filmspotting⁠⁠ ⁠⁠https://facebook.com/filmspotting⁠⁠ ⁠⁠https://letterboxd.com/larsenonfilm⁠⁠ ⁠⁠https://twitter.com/larsenonfilm⁠⁠ ⁠⁠https://facebook.com/larsenonfilm⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of the podcast, host Dr Pasquale Iannone is joined by MSc Film Studies student Lauren Thompson to discuss one of the most critically acclaimed and influential films of all time. Andrei Tarkovsky's fourth feature Mirror (1975) weaves together moments in the life of dying poet in a bold, non-linear style. It's a deeply personal cinematic poem about memory, history and family, and 2025 marks its 50th anniversary.Lauren and Pasquale begin by offering their thoughts on Tarkovsky's work more broadly and then they turn to an extended discussion of Mirror, covering elements such as the use of editing and voiceover. The discussion rounds off with a consideration of the film's influence on successive generations of filmmakers, from Christopher Nolan to Claire Denis.

This episode explores the journey of filmmaker Vibeke Løkkeberg, who spent 52 years creating her film, “The Long Road to the Director's Chair,” which premiered at the Berlin Film Festival. Past cinema discussed includes Italian Neorealism and Andrei Tarkovsky.Vibeke's film highlights the struggles and achievements of women in the film industry, delving into the ongoing fight for equality in filmmaking, the challenges faced by female directors, and the impact of commercialism on artistic expression. The discussion also explores personal resilience, the significance of authenticity in storytelling, and the lessons learned throughout a lifetime of filmmaking.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

Ryan Coogler puts everything, and we do mean everything, into SINNERS, his first film post-”Black Panther.” Adam and Josh have a review, plus ANDREI RUBLEV, THE LEGEND OF OCHI, and the Filmspotting Madness: Best of the Century Final.   This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes will not be precise with ads; chapters may start early.) Intro (00:00:00-00:02:27) Review: “Sinners” (00:02:28-00:32:07) Filmspotting Family (00:32:08-00:36:34) Review (JL): “The Legend of Ochi” (00:36:35-00:40:48) Next Week / Notes (00:40:49-00:44:23) Filmspotting Madness Final (00:44:24-00:52:02) Tarkovsky #2: “Andrei Rublev” (00:52:03-01:32:13) Credits / New Releases (01:32:14-01:36:42) Links: -Chicago Critics Film Fest https://www.chicagocriticsfilmfestival.com/ -Filmspotting Madness https://www.filmspotting.net/madness -Scott Tobias and Keith Phipps on “Andrei Rublev” https://thereveal.substack.com/p/67-tie-andrei-rublev-the-reveal-discusses Feedback: -Email us at feedback@filmspotting.net. -Ask Us Anything and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -T-shirts (and more) on sale at the Filmspotting Shop. https://filmspotting.net/shop Follow: https://www.instagram.com/filmspotting https://letterboxd.com/filmspotting https://twitter.com/filmspotting https://facebook.com/filmspotting https://letterboxd.com/larsenonfilm https://twitter.com/larsenonfilm https://facebook.com/larsenonfilm Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a preview of a bonus episode! Find the rest on our increasingly reasonably-priced patreon! ----- Neatly positioned between Transporter 1 and 2 in our release schedule here is a movie that frequently sees mention in conversations about the 'greatest movies ever made': Andrei Tarkovsky's 1966 biographical historical epic 'Andrei Rublev'.  Andrei Rublev, since canonised by the eastern orthodox church, was an icon painter who lived in the 1400s near Moscow. Little is known of his actual life, so what Tarkovsky gives us is instead a fictionalised biography set against the backdrop of a realistic 15th-century Russia.  ----- FREE PALESTINE Hey, Devon here. As you well know I've been working with a few gazan families to raise money for their daily living costs in the genocide. We're putting all our energy into this one campaign as we have a real chance to get Ahmed and his family out of Gaza. Please, if you can help in any way, be that by donating yourself or sharing the link with friends and family, it will mean the world to me. https://chuffed.org/project/124906-help-ahmed-and-family-evacuate-gaza ----- WEB DESIGN ALERT Tom Allen is a friend of the show (and the designer behind our website). If you need web design help, reach out to him here:  https://www.tomallen.media/ Kill James Bond is hosted by November Kelly, Abigail Thorn, and Devon. You can find us at https://killjamesbond.com 

Send us a textWatch the video version HERE!: https://www.youtube.com/watch?v=gIDmD8NSx7gSTALKERAndrei Tarkovsky 1979https://www.youtube.com/watch?v=Q3hBLv-HLEc | FULL MOVIE | Directed by An...  _____________________________________________________FAQ ABOUT THE VIDEO_____________________________________________________1. Is the “Big White Button” actually in Tarkovsky's Stalker?No. It's my own thought experiment — a conceptual device that simplifies and sharpens the moral problem at the heart of Stalker. The Room in the film is ambiguous, mysterious, possibly dangerous. The Big White Button strips away that ambiguity: it gives you exactly what you truly desire, but only if that desire is genuine happiness for all, achieved through everyone's voluntary choices. If that's not your deepest desire… the button won't work._____________________________________________________2. Why do you present the Black Dog as female?Because in this framework, she forms a triad with The Wife and The Child — three figures who remain behind while the men go into the Zone. They embody a kind of grounded, enduring presence that contrasts with the abstract, moral-intellectual struggle of the Zone. There's no indication in the film about the dog's gender, but imagining her as female enriches the symmetry — and opens a symbolic space where the Dog is not just a witness, but a watcher, a remnant, possibly a guide._____________________________________________________3. What's the role of The Black Dog in your interpretation?She is both observer and continuity, left behind (perhaps by the alien Visitors) to see if anyone ever uses The Room — or the Button — wisely. She follows the men in the Zone but doesn't interfere. In the end, she returns with them and appears to settle in The Stalker's household. In my reading, she represents the quiet call to try again. She's the cosmic “maybe.”_____________________________________________________4. Are you saying Tarkovsky was wrong, or incomplete?No — more like: unfinished on purpose. Tarkovsky leaves Stalker unresolved because that's the only honest way to end a film about moral uncertainty. What I'm offering is not a critique, but an imagined continuation — a possible next step that replaces spiritual hope with logical clarity, and then exposes the paradox at the core of that clarity._____________________________________________________5. Is the White Button really possible, logically?It seems so, at first glance. But the contradiction creeps in when you examine the conditions: happiness for all + through voluntary choices. What if some choose differently? What if someone wants suffering or domination? That's where the thought experiment collapses into paradox. As I say in the video: “If you are God, you can make them free or happy — but not both.”_____________________________________________________6. So what's the “correct” answer? Should I press the Button or not?That's the wrong question — and the right one. The thought experiment is designed to reveal the limits of benevolence when paired with freedom. There may be no right answer. Or rather: maybe the only right answer is to try again — knowing full well that trying again is also tragic, and human, and holy.

In our 3rd part of this retrospective, we kind of begin again. Andrei Tarkovsky considers 1966's Andrei Rublev as his first film post a cinematic graduation of sorts. The 3 hour fictional biopic is one rich with thematics in philosophy, art, history, human nature and so much more. Tarkovsky's notable cinematic language and themes of […]

The same weekend that Sean Baker won a shelf-full of Oscars, Filmspotting was screening his 2015 breakout TANGERINE as part of Filmspotting Fest. Following that screening, Vulture's Alison Willmore joined Adam and Josh to discuss the film. That conversation, plus reviews of THE BALLAD OF WALLIS ISLAND and THE FISHING PLACE, the Filmspotting Madness Final 4, and the start of the Andrei Tarkovsky Marathon. This episode is presented by Regal Unlimited, the all-you-can-watch movie subscription pass that pays for itself in just two visits. (Timecodes will not be precise with ads; chapters may start early.) Intro (00:00:00-00:06:49) Review (JL): “The Fishing Place” (00:06:50-00:14:15) Review (AK): “The Ballad of Wallis Island” (00:14:16-00:18:28) Filmspotting Fest: “Tangerine” (00:18:29-00:52:44) Filmspotting Family (00:52:45-00:57:08) Next Week / Notes (00:57:09-01:03:53) Filmspotting Madness: Final 4 (01:03:54-01:14:00) Tarkovsky #1: “Steamroller and the Violin,” “Ivan's Childhood” (01:14:01-01:47:28) Credits / New Releases (01:47:29-01:50:45) Notes/Links: -Alison Willmore at Vulture https://www.vulture.com/author/alison-willmore/ -Filmspotting Madness https://www.filmspotting.net/madness -Chicago Critics Film Fest https://www.chicagocriticsfilmfestival.com/ -Facets 50 https://facets.org/anniversary/ Feedback: -Email us at feedback@filmspotting.net. -Ask Us Anything and we might answer your question in bonus content. Support: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -T-shirts (and more) on sale at the Filmspotting Shop. https://filmspotting.net/shop Follow: https://www.instagram.com/filmspotting https://letterboxd.com/filmspotting https://twitter.com/filmspotting https://facebook.com/filmspotting https://letterboxd.com/larsenonfilm https://twitter.com/larsenonfilm https://facebook.com/larsenonfilm Learn more about your ad choices. Visit megaphone.fm/adchoices

The second installment of Tarkovsky's Tales brings us to Ivan's Childhood. While this is Andrei Tarkovsky's first feature film, it's a film he had inherited from a director that was canned. Nonetheless, this film completely showcases Tarkovsky's known talents, techniques and tropes which will appear throughout the rest of the films we discuss. The global […]

To merely label this as a podcast episode about the 2016 film Captain America: Civil War would be both misrepresentative and deeply reductive of what these three and a half (3.5) hours hold. What once started as a bit to unethically force our dear friend Chance Freytag to rewatch Civil War and watch the newest MCU entry, Captain America: Brave New World, with us evolved into something much grander. From Moby Dick to Stalker (1979, dir. Tarkovsky) to what a movie actually is and the impact it can have on someone's life, this episode is a sprawling piece of introspection and personal reckoning for Chris, Mateo, and Chance. This episode has more in common with an average telehealth appointment than a typical recorded MCU discussion. This release of this film was a pivotal moment in the moviegoing careers of all three of the fellas, and they reflect on everything that has transpired in the industry and their lives in film since. You don't have to have even seen the film to listen to the pre watch to this ep (clocking in at ~1.5hr itself). Come join us.

Un thriller qui castagne dans les faubourgs de Nice, un parfum géorgien sur les écrans français, un amour du cinéma léché, bienvenue au pays d'Akaki Popkhadze. Un nom qui castagne lui aussi, venu des montagnes caucasiennes, enneigées, orthodoxes, patriarcales. Qu'est-ce qui fait une signature au cinéma ?  Dans le cas de Popkhadze - 33 ans, scénariste réalisateur de «Brûle le sang», un premier long métrage très maîtrisé - dans son cas, sans doute un chemin de vie, de croyances et une concentration de geek du 7ème art.Au menu de cette conversation à l'humeur un peu traînante, de la Russie, Tarkovsky, le nouveau testament, Robert Bresson et l'accent d'une grand-mère nommée Daredjane. Et là, on peut dire que c'est signé Akaki … Aka pour les intimes. 

Un thriller qui castagne dans les faubourgs de Nice, un parfum géorgien sur les écrans français, un amour du cinéma léché, bienvenue au pays d'Akaki Popkhadze. Un nom qui castagne lui aussi, venu des montagnes caucasiennes, enneigées, orthodoxes, patriarcales. Qu'est-ce qui fait une signature au cinéma ?  Dans le cas de Popkhadze - 33 ans, scénariste réalisateur de «Brûle le sang», un premier long métrage très maîtrisé - dans son cas, sans doute un chemin de vie, de croyances et une concentration de geek du 7ème art.Au menu de cette conversation à l'humeur un peu traînante, de la Russie, Tarkovsky, le nouveau testament, Robert Bresson et l'accent d'une grand-mère nommée Daredjane. Et là, on peut dire que c'est signé Akaki … Aka pour les intimes. 

Dreams with Gilliam, The Rolling Stones Through the Years,  The Silent Voice, The Magic of Tarkovsky, Zappa, A Trio of Very Different Noir On this week's episode Mr. Chavez & I return to reminiscing on 500 shows. We begin with the beauty and magic of Terry Gilliam with The Adventures of Baron Munchausen, through a look at Rock 'N Roll and The Rolling Stones, A beginning series of movies that defined their decades, the beauty of Soviet Cinema with Andrei Tarkovsky, and The Dark Brilliance of Film Noir. It's a fun look back; We hope you'll take the ride with us. Many Thanks. We can always be reached at gondoramos@yahoo.com.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Two things about this series. First, there have been both listeners and guests in the past wanting me to do certain films from iconic Russian director Andrei Tarkovsky. Personally, if I was going to tackle Tarkovsky, I wanted to do the whole thing. Second, when I spoke with Steven Warren Hill at Doctoberfest, he mentioned […]

For the conclusion of our monthlong Tarkovsky series, we're joined by returning guest Spencer from TGOFV to talk about Stalker. It's a long one... Get the full episode and a lot more at https://www.patreon.com/c/Extended_Clip

The Tarkovsky miniseries rolls on with another masterpiece. We talked about Mirror, the 1975 autobiographical, poetic, experimental film that continues to baffle me after a decade's worth of viewings. Get the full episode and a lot more at https://www.patreon.com/c/Extended_Clip

Breht is a guest on Left of the Projector (along with Amanda Joy Moon). Together, with the host Evan, the three discuss Soviet Filmmaker Andrei Tarkovsky's film "Mirror" from 1975. This is our fourth episode focusing on the films of Tarkovsky. You can find all our other episodes on Tarkovsky's films HERE Left of the Projector: Subscribe: https://leftoftheprojector.com ⁠⁠Letterboxd⁠⁠: https://boxd.it/5T9O1 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: https://www.patreon.com/LeftoftheProjectorPod ⁠⁠ ⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: https://www.instagram.com/leftoftheprojectorpod/ Amanda Joy Moon: ⁠⁠Instagram: https://www.instagram.com/amandajoymoon/ ⁠ -------------------------------------------------------------------------------------- Make a one-time donation to Rev Left at BuyMeACoffee.com/revleftradio Support Rev Left Radio Follow Rev Left on IG 

For the first episode of the year, we kicked off our miniseries on the films of Andrei Tarkovsky by discussing his classic debut feature, Ivan's Childhood. We got into Tarkovsky's unique place in Soviet cinema, our relationships with the director, visual style, and more. Get the full episode and a lot more for $5/mo at https://www.patreon.com/c/Extended_Clip

Visionary director Andrei Tarkovsky shot his groundbreaking film...twice!Show website: www.truestoriespodcast.comBecome a Patreon Supporter: https://bit.ly/3XLR99vBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-stories-with-seth-andrews--5621867/support.

Talking About Mirror with our guest, cinematographer Florian HoffmeisterIn this captivating episode of Movies We Like, hosts Andy Nelson and Pete Wright are joined by renowned cinematographer Florian Hoffmeister to discuss his illustrious career and dive deep into Andrei Tarkovsky's cinematic masterpiece, Mirror. Hoffmeister, known for his work on projects such as TÁR, True Detective, and Antlers, shares his unique insights and experiences in the world of cinematography.Throughout the conversation, Hoffmeister delves into his journey as a cinematographer, from his early days at the German Film and Television Academy to his recent collaborations with acclaimed directors like Todd Field and Jay Roach. He discusses the intricacies of his craft, using the visual elements to create a cohesive and impactful story.The discussion also touches upon Hoffmeister's approach to different genres, from the constrained naturalism of TÁR to the visceral and atmospheric lighting in True Detective. He shares anecdotes from his time working on various projects, highlighting the importance of collaboration and the organic process of developing a film's visual language.As the conversation shifts to Tarkovsky's Mirror, Hoffmeister expresses his profound admiration for the film, describing it as a deeply cinematic and existential experience. The hosts and their guest explore the film's themes, its intimate and enigmatic nature, and the confidence with which Tarkovsky conveys his vision.Mirror is a film that demands contemplation and rewards repeated viewings. Hoffmeister's passion for the film is infectious, and his insights provide a deeper appreciation for Tarkovsky's masterful use of cinematography to convey emotion and meaning. This episode of Movies We Like is a must-listen for any cinephile or aspiring filmmaker, as it offers a rare glimpse into the mind of a talented cinematographer and celebrates the enduring power of Tarkovsky's timeless classic.Film SundriesWatch this on Apple or Amazon, or find other places at JustWatchTheatrical trailerLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Join the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Besa is a film photographer and model who resides in Chicago. Her work is largely editorial, drawing inspiration from old Hollywood film noir and the creative direction of Sofia Coppola.BesaSRTN

Subscribe to get access to the full episode, the episode reading list, and all premium episodes! www.patreon.com/OrdinaryUnhappinessAbby, Patrick, and Dan continue their watch-through of Zizek's “The Pervert's Guide to Cinema.” They talk Tarkovsky and id-machines, Hitchcock and the impotence of male fantasy, Lynch and nightmares, films as dreams, and Zizek's signature rhetorical style. Plus: does the impossibility of the sexual relationship mean that the inverse of the sexual relationship finds expression precisely in having sex?Have you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! (646) 450-0847 A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media: Linktree: https://linktr.ee/OrdinaryUnhappiness Twitter: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music

In this episode of The Movie Loot, me and fellow podcaster Seth Vargas, from Movie Friends Podcast, share our April(May) overdue loot. From Zoom calls to beaver calls, from Russia to Thailand, we got it all here. It took us a while, but here it is. Check it out!00:00:00 - 00:01:32 -- Intro00:01:32 - 00:11:02 -- Meet Seth!00:11:02 - 00:47:43 -- The April Loot00:47:43 - 00:50:57 -- Closing00:50:57 - 00:52:23 -- OutroFollow Seth and Movie Friends PodcastWebsite: Movie Friends PodcastSeth's Twitter: @ohsethyMovie Friends Podcast: @moviefriendspodPodcast Intro/Outro: Tino Mendes & Yellow Paper - The Heist

Artist Portrait by Alexander Bedder Anthony Cudahy (b.1989, Fort Myers, Florida, US) received a BFA from Pratt Institute, NY in 2011 and completed an MFA at Hunter College, NY in 2020. He lives and works in Brooklyn, NY. Cudahy is a figurative painter whose tender scenes reveal the nuanced complexities of life. In masterful compositions he creates a world for unspoken stories, intimate moments and romantic gestures. Personal and poetic, Cudahy's figures coalesce with the atmosphere of their environments in fluid brushstrokes. At once dark and luminous, Cudahy's paintings often have a phosphorescent quality to them, as though they are lit from within. For the artist, how the paint is handled has its own narrative potential - the thick textures, light airy space, patterning and delicate marks are all active in the story he is creating. Alongside painting, Cudahy makes incredibly detailed colored pencil drawings, in an all-consuming process of mark making. Unlike his paintings which transform throughout the making, the challenging medium calls for the compositions to be decided beforehand. Cudahy devotedly collects images. His collection draws upon film stills, snapshots of his partner, ancient sites, hagiographic icons and the photography of his great uncle, Kenny Gardner (which his husband, Ian Lewandowski has been compiling). Cudahy returns to his collected images time and time again, for they have a potent quality, which sparks ideas and concepts for the works. Anthony Cudahy, Dowsing (studio), 2024, Oil on linen, 243.8 x 182.9 cm | 96 x 72 in Anthony Cudahy, Death instinct (for Bergman, for Tarkovsky), 2024, Oil on linen, 121.9 x 304.8 cm | 48 x 120 in Anthony Cudahy, Ian and Alex, 2024, Oil on linen, 182.9 x 182.9 cm | 72 x 72 in    

Nick leads Mike to the monumental film that is Andrei Rublev. Tarkovsky uses the 15th-century Russian icon painter to explore theology amidst a world of medieval hardship. Nick dives into the religiosity of the film and the challenges the movie presents for atheists. The pair discuss how some of Tarkovsky's most famous motifs make their first fully realized appearance in this, his second film.

Tarkovsky's "Solaris" Divides Our Hosts!Journey with us through the cosmos of pop culture in this week's episode of The Middle of Culture! Our hosts dive deep into the enigmatic world of Andrei Tarkovsky's 1972 sci-fi classic, "Solaris." But before we blast off, strap in for our signature pop culture roundup:- Diablo 4: Is it heaven or hell?- Brandon Sanderson's Mistborn: Worth a re-read?- New sonic landscapes from A Swarm of the Sun and Oceans of Slumber- Eden's musical discoveries and galactic adventures in Star Wars OutlawsThen, brace yourself for an interstellar debate! Our hosts go head-to-head over Tarkovsky's "Solaris":

Join Breht, Amanda, and Evan as they delve into Soviet filmmaker Andrei Tarkovsky's first feature film, Ivan's Childhood (1962). The episode starts with a lighthearted discussion about dream dinner guests, then moves into a detailed analysis of themes like innocence lost, war trauma, and symbolic elements such as trees and cobwebs. The hosts draw parallels between the film's depiction of war and ongoing humanitarian crises like those in Palestine. Part of their Tarkovsky series, this episode also touches on broader issues like moral responsibility toward children and insights from the guests' personal work. Check out our other two episodes on Tarkovsky's "Solaris" and "Stalker": https://revolutionaryleftradio.libsyn.com/size/5/?search=tarkovsky   Amanda Joy Moon: ⁠⁠Instagram: https://www.instagram.com/amandajoymoon/ ⁠ Etsy: https://www.etsy.com/shop/riotgrrrlprintz/?etsrc=sdt ⁠⁠ TikTok⁠⁠: https://tiktok.com/@amandajoymoon   Left of the Projector Links https://www.patreon.com/LeftoftheProjectorPod https://boxd.it/5T9O1 https://leftoftheprojector.com https://instagram.com/leftoftheprojector   ----------------------------------------------------- Get 15% off any book in the Left Wing Books Library HERE Support Rev Left Radio Follow Rev Left on IG 

Join Breht, Amanda, and Evan as they delve into Andrei Tarkovsky's first feature film, Ivan's Childhood (1962). The episode starts with a lighthearted discussion about dream dinner guests, then moves into a detailed analysis of themes like innocence lost, war trauma, and symbolic elements such as trees and cobwebs. The hosts draw parallels between the film's depiction of war and ongoing humanitarian crises like those in Palestine. Part of their Tarkovsky series, this episode also touches on broader issues like moral responsibility toward children and insights from the guests' personal work.Amanda Joy Moon:⁠⁠Instagram: https://www.instagram.com/amandajoymoon/ ⁠Etsy: https://www.etsy.com/shop/riotgrrrlprintz/?etsrc=sdt ⁠⁠TikTok⁠⁠: https://tiktok.com/@amandajoymoonRevLeft:https://www.revolutionaryleftradio.com/https://www.revolutionaryleftradio.com/guerrilla-historyhttps://www.revolutionaryleftradio.com/#/redmenace/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

The Wiz RECOMMENDS Stalker (1979) As gorgeous as it is deliberate, Andrei Tarkovsky's science fiction masterpiece is a film that shares the same distinction as films like The Discreet Charm of the Bourgeoisie and Jeanne Dielman, 23 Commerce Quay, 1080 Bruxelles: I'm glad I have finally watched it. I enjoyed Stalker. But it's not quite hitting me the way it hits others. Again, Stalker is quite an astonishing looking film. For a film that is considered science fiction, it surely doesn't feel like it. Scenes of the film are in areas that are real, feel realistic, but have a tinge to it that feels foreign. That distinctness Stalker creates gives the film an incredibly uneasy feeling that permeates throughout the entire film. This is also true about Tarkovsky's direction style. The director uses a very slow, pointed means of creating ambience, mood and tension throughout. As the three men go through "The Zone," the film has an unnerving way to make you feel uncomfortable. But honestly, this direction is also why the film leaves me not as in love with the film as most are. As much as I do appreciate the deliberateness of the way the film runs, it does seem to go overboard. At a near 3 hour film, the fact that the average cut of a camera shot is nearly a minute is exasperating at times. Most times, the slow pace adds tension. Others, it confuses. But sometimes, it just leads to tedium. It's why I would have to say that if you are going to watch Stalker, make sure you are well awake for the 3 hour duration. Personally, as much as I was fascinated by the film, I did have to stop twice to get something to drink and wake myself up to finish the film. But Stalker is just one of those films that if you consider yourself a film lover, you must see it. Though I'm not as enamored with the film as some are, it still is a film I'm glad I finally experienced.

Stand back. Here comes Charlie and Antonio's first dive into the mystical pool that is Andrei Tarkovsky's work. First up: his towering historical epic ANDREI RUBLEV. Faith, humanity, art, death, history, war. Join the FilmBabble Boys as they tackle this legendary Russian film (and the man who made it!)Intro/outro music:  "jazzy" - jauwnANDREI RUBLEV (1966), USSR, written by Andrei Konchalovsky and Andrei Tarkovsky, directed by Andrei Tarkovsky, cinematography by Vadim Yusov, starring Anatoly Solonitsyn, Ivan Lapikov, Nikolai Grinko, Irma Raush, and Nikolai Buryayev. 

Author David Leo Rice rejoins the pod to talk Mishima, Tarkovsky and his novel THE BERLIN WALL. Get the After Dark episode and more at patreon.com/artofdarkpod or substack.com/@artofdarkpod. twitter.com/raviddice twitter.com/artofdarkpod twitter.com/bradkelly twitter.com/kautzmania […]

In 1979, Andrei Tarkovsky released Stalker after years of a seemingly cursed production process. A production that would lead to his untimely death years later. Fast forward over 1,000 years... it's the year 3000 and two best friends, Cameron Linly Robinson and Kemari Bryant, are here to dissect this classic sci-fi film. It's about to get existential. Support the Show.Film Club 3000Film Now. Film Then. Film Always.filmclub3000.com@filmclub3000

How to Survive is now on Patreon! Support us at Patreon.com/HowtoSurvivePod to get every episode one week early, plus monthly bonus episodes and more. It's episode 287…and you mean more to me than any scientific truth. Solaris (1973) sees psychologist Kriss Kelvin dispatched to a space station orbiting the titular planet to see if the skeleton crew's reports of strange goings on and mysterious 4 metre tall babies are to be believed, or whether it's a simple case of space madness. While there, he is disturbed by the presence of unexpected ‘guests' on the station, not least the appearance of his wife Hari, who died a decade earlier. We talk about a Soviet science fiction classic, discuss what it means to be human, whether Solaris is just a planet-sized printer, draw up a cost/benefit analysis of firing antique oak bookshelves into space and finally find out the question on everyone's lips - can you eat a burger made out of neutrinos? Plus, a heartwarming story about Joe's young son being obsessed with going to the moon. All of which leads to one question: How would you survive? Whatever happens, one thing's for sure: Whenever we show pity, we empty our souls. Next time on the main feed it's more Space Madness with Aniara (2018), while over on the Patreon it's the turn of Twilight (2008), our monthly bonus film.

Breht is interviewed as a guest on Left of the Projector (along with Amanda Joy Moon). Together, with the host Evan, the three discuss Soviet Filmmaker Andrei Tarkovsky's film "Stalker" from 1979. In case you missed our first collab on Tarkovsky's film "Solaris" you can find that discussion HERE Left of the Projector: Subscribe: https://leftoftheprojector.com ⁠⁠Letterboxd⁠⁠: https://boxd.it/5T9O1 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: https://www.patreon.com/LeftoftheProjectorPod ⁠⁠ ⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: https://www.instagram.com/leftoftheprojectorpod/   Amanda Joy Moon: ⁠⁠Instagram: https://www.instagram.com/amandajoymoon/ ⁠ -------------------------------------------------------------------------------------- Get 15% off any book in the Left Wing Books Library HERE Support Rev Left Radio Follow Rev Left on IG 

Wesley Klingele (@MannnMiami) joins Josiah to discuss his new short film, Somnium, and the artistic themes he finds compelling. They talk about dreams, coming of age in your 20s, how religion and spirituality intersects with film, slow cinema vs. montage, and Wes' connection to the Pacific Northwest. Special thanks to Phil Cozzi for providing the microphone I used in today's episode and going forward.You can watch Wes' short experimental film, Cortex, here on Vimeo: https://vimeo.com/838056217. DM him directly for a screener of Somnium or wait until it's publicly available. Follow Wes on Twitter @MannnMiami // Letterboxd @CantinaBand // Instagram @WesleyKlingeleCheck out more of Wes' work: https://linktr.ee/wesaleeBecome a Fruitless Patron here: https://www.patreon.com/user?u=11922141Check out Fruitless on YouTubeFind more of Josiah's work: https://linktr.ee/josiahwsuttonFollow Josiah on Twitter @josiahwsuttonMusic & audio creditsYesterday – bloom.Rejoice - Pedro the Lion

A promise of sorts is kept this week: our 4th episode ever was on Andrei Tarkovsky's “Stalker”, 80 episodes later we covered another Tarkovsky with “Andrei Rublev”, and after 80 more episodes we are once again returning to the Russian auteur with his Sci-Fi film “Solaris”. Join the 1001 by 1 crew as they discuss too much Tarkovsky, unlikable leads, and breaking from the source material. Also, this week Adam recommends “Sunshine” (available to rent on most major platforms), Britt recommends “Jodorowsky's Dune”(available on Max), and Joey recommends “Lars and the Real Girl” (free on Tubi, Kanopy, or Hoopla).   You can listen to us on Apple Podcast, Stitcher, Spotify, & Google Play. You can find us on Letterboxd - https://letterboxd.com/1001by1/ You can find us on Twitter, Instagram, & Facebook at facebook.com/1001by1. You can send us an email at 1001by1@gmail.com. Intro/Outro music is “Bouncy Gypsy Beats” by John Bartmann.

What makes a good movie? What are the things that stand out? We all have our own personal versions of the answer to this question. Josh and Ira each answer for themselves without getting into the weeds as much as possible. Also, Josh recommends Somebody Feed Phil on Netflix, and Ira recommends Tarkovsky's Stalker on Max.

You can't help noticing, if you study Soviet-Era Iron-Curtain sci fi illustrations and posters -- an activity which I feel sure governs your every waking minute -- that there are ZERO aliens or extra-terrestrial forms of life to be seen. The Soviets and the East Germans, who did in fact excel in graphics concerning space exploration, never ever bring UFOs or alien inhabitants of other planets into the narrative, either visually or narratively. Yes, maybe Tarkovsky "un tout peit peu" once, but he was exiled pronto from his homeland. There is a connection between the mandatory and aggressive atheism of Communism and the definite exile of any trace of openness to extra-terrestrial life. It's just an observable fact. So while you may enjoy Iron Curtain sci-fi for its pragmatism and occasional heroism, it is also totally un-cool, un-fun and un-hopeful. Where would you and I be without the possibility of answers that come from outside ourselves? As I say in the cast, relevant to a recent movie review of an old (but now Blu-Rayed) "film noir", nihilism, whether New or old, is ultimately suicidal. It is also self-sufficient in principle and therefore a crash-landing in real life -- with no survivors, by the way. So, hey, keep your mind open. Keep your heart open. And moreover, as Holy Week really teaches, God is Good; We Are Not Alone; and everything has a Purpose. LUV U.

We'll explore the intricate details of Tarkovsky's work, his refusal to adhere to genre conventions and the haunting beauty found in unexpected locations. Our exchange will also touch upon the drastic differences "Stalker" showcases from the original novel and how this film transforms into a fantasy-like odyssey. Mike weighs in on Tarkovsky's storytelling approach, emphasizing time and pacing over mechanics, while Diego reflects on the thematic resonance and the spiritual cautions against materialism.Our chat takes a somber turn as we delve into the toxic filming environment that tragically mirrored the bleakness on screen and consider Tarkovsky's own tragically short life. We juxtapose the societal implications of his films against the backdrop of the USSR's industrial progression, and touch on what could have been Tarkovsky's perspectives if he had witnessed events like the Chernobyl disaster.----------Episode Chapters:00:00 Introduction01:09 Protagonist guides through danger, becomes spiritual.10:53 Finding meaning in everyday things.14:16 Visible to invisible danger, stakes are obfuscated.20:21 Tarkovsky's deliberate pacing clashed with Soviet expectations.25:42 Societal confusion, modern world complexity.33:30 Tarkovsky's view on science and Marxism's impact on society.36:09 USSR's view on waste and aesthetics.43:26 Film manipulation creates cynicism towards beauty.45:13 Perceptions of beauty in Russia.54:41 Shift from rapid development to ethical construction.57:10 Chernobyl: amateur mistakes, leadership failure, lack of education.01:01:48 Societal development at the cost of human lives.01:08:11 Science exploring inner mind.01:14:42 Struggle with modern life, yearning for simplicity.01:17:47 Centralized development.01:23:34 Comparison of fantasy and science fiction storytelling (Solaris & LotR.)01:33:49 Creativity is about personal exploration.01:39:12 Stalker demands the viewer's attention.01:43:58 Tarkovsky: Start with "The Mirror" or "Ivan's Childhood," then consider "Stalker."01:47:39 View Solaris before Stalker for context on deep ideas.01:53:14 Nostalgia and time.01:56:55 Chicken nuggets, Debating on next film, and Outro.----------The Cinedicate on InstagramThe Cinedicate's Discord Community Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Stalker es una obra maestra del cine contemporáneo y un referente para todas las personas que buscan algo más que entretenimiento al ver o crear una película. Tarkovsky se coronó con este estético viaje hacia el interior de La Zona. Una búsqueda tan poco convencional en el mundo del cine pero tan común en nuestras vidas, esa es su genialidad. Espero que disfrutes de esta obra de arte tanto como lo hice yo. Aquí te dejo mis impresiones sobre Stalker. Un saludo.

In this Paramount 1946 episode we look at two movies featuring Veronica Lake which otherwise could not be more dissimilar: Miss Susie Slagle's (directed by John Berry), about the trials of pre-WWI Johns Hopkins medical students living in a boarding house presided over by Lillian Gish; and famous Lake/Ladd noir outing, The Blue Dahlia (directed by George Marshall and written by Raymond Chandler). We discuss the potential influence of the leftists involved in making Miss Susie Slagle's on its portrayal of race and gender and debate the amount of damage done to The Blue Dahlia by the studio-mandated change to the plot. And in Fear and Moviegoing in Toronto, we take a brief look at three very different movies: Tarkovsky's Nostalghia (stolen by a German Shepherd), Joseph L. Mankiewicz's A Letter to Three Wives (stolen by Linda Darnell), and Douglas Sirk's All I Desire (starring Barbara Stanwyck).  Time Codes: 0h 00m 35s:      MISS SUSIE SLAGLE'S [dir. John Berry] 0h 27m 06s:      THE BLUE DAHLIA [dir. George Marshall] 0h 48m 13s:      Fear and Moviegoing in Toronto – Nostalghia (1983) by Andrei Tarkovsky; A Letter to Three Wives (1948) by Joseph L. Mankiewicz; and All I Desire (1953) by Douglas Sirk Studio Film Capsules provided by The Paramount Story by John Douglas Eames Additional studio information from: The Hollywood Story by Joel W. Finler                                     +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com   We now have a Discord server - just drop us a line if you'd like to join! 

"Solaris" is a 1972 Soviet science fiction film directed by Andrei Tarkovsky, based on the novel of the same name by Stanisław Lem. The film follows psychologist Kris Kelvin, played by Donatas Banionis, who travels to a space station orbiting the mysterious planet Solaris. There, he encounters strange phenomena that seem to be manifestations of his own memories and desires. As Kelvin delves deeper into the mysteries of Solaris, he grapples with questions of identity, love, and the nature of reality. The film also stars Natalya Bondarchuk as Hari, Kelvin's deceased wife who mysteriously reappears on the station. Tarkovsky's "Solaris" is renowned for its philosophical themes, atmospheric cinematography, and meditative pacing.Did we agree? Do we like the "meditative pacing" or is that just another name for dragging on endlessly for no particular reason? Was it a good adaptation?Listen to find out! There's more from the Strange and Beautiful Network!Listen to Rachel, Kate, and Hannah discuss spicy books, serious books, and everything in between (but mostly spicy!). It's like sitting down with girl friends to chat about hot book boyfriends but in podcast format! Listen now at Feast, Sheath, Shatter: A Book Chat PodcastLove Movies, TV Shows and Books in the Fantasy, Scifi, and Horror genre and want to hear more? Check us out at The Strange and Beautiful Book Club where Rachel and her husband Matt discuss all things genre-related.Longing for a simpler time in the police procedural genre AND love Vampires? Matt and Rachel also review the classic television show Forever Knight on their podcast, Come in 81 Kilo.Not getting enough sweaty 90s sexcapades from your television and movie content? Listen to Meg and Rachel discuss the finer points of Geraint Wyn Davies' career over at Ger Can Get It!You can also:Join us on Instagram here: ⁠⁠⁠https://www.instagram.com/strangeandbeautifulnetwork/⁠⁠⁠Join us on Patreon here: ⁠⁠⁠https://www.patreon.com/strangeandbeautifulnetworkFind us on YouTube here: https://www.youtube.com/channel/UCz9ENwKdHrm57Qmu8L4WXwQ ★ Support this podcast on Patreon ★

In this episode, we shine a spotlight on John Rosario, a first-generation American with roots in the Dominican Republic, whose journey from a college engineering student to an accomplished cinematographer is nothing short of inspiring.John's story unfolds from the streets of Brooklyn to the film studios, with a pivotal turn during his college years at Five Towns College in Long Island, New York. Despite the challenges of a two-hour daily commute, financial hurdles, and dropping out after two years, he gained invaluable hands-on experience under the progressive film department head.Through the highs and lows post-college, John worked tirelessly on low-paying gigs, steadily honing his craft and building relationships. Join us as he shares the lessons learned, including advice from mentors like Jason Ortiz and Tommy Maddox ASC, offering a glimpse into the resilience required for success in the competitive world of cinematography.Discover John's cinematic influences, including a deep appreciation for filmmakers like Darren Aronofsky and Matthew Libatique. Hear his thoughts on films that have left a lasting mark, such as "Stalker" by Tarkovsky, Yorgos Lanthimos' "Dogtooth," and Bong Joon Ho's "Mother." Explore his role as the director of photography for "Son of The South," a powerful Civil Rights film that challenged norms and defied familial expectations.Join us as we unravel the visual language crafted by John Rosario and the bold choices that define his unique perspective in the realm of cinematography.John Rosario's Website: https://www.johnrosariodp.com/John Rosario's Instagram: https://www.instagram.com/john_rosario/Visual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

There is a classified list for reason why HQ no longer sends the team on space expeditions. Though after watching this movie, you'll understand without seeing the list. Listen as Bryant and Caitelinn provide their debrief for their first Tarkovsky assignment, Solaris (1972). Guest starring Daniel Offenbacher *The first portion of the episode is spoiler free* Make sure to check out Daniel's works: His music- "Project Fires" on Apple and Spotify His feature length film- "House Within the Night" on Youtube Make sure to follow us: Twitter and Instagram- @opsilverscreen Facebook- Operation: Silver Screen

The gang enters the zone this week to get their wish granted, as they review the grand daddy of all Russian arthouse movie, Stalker (1979) by Andrei Tarkovsky (Сталкер). Rumored to be directly responsible for the deaths of 3 separate crew members, including Tarkovsky and his wife... this movie was a challenge to make, and a challenge to watch. Do you have what it takes to ensure the nearly 3 hours of lingering shots and existential pondering and philosophy? If not, listen to Pete and Joseph wax poetic and contemplate their own id, so you don't have to. Visit the Twitch page (below) for the VOD with full chat, or the full Youtube video herehttps://youtu.be/EzLo1lGf0r8http://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclass   Email: MCFCpodcast@gmail.comLeave us a voicemail at (209) 730-6010Merch store - https://middle-class-film-class.creator-spring.com/    Join the Patreon:www.patreon.con/middleclassfilmclass Patrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksRyan  CorbinChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerBinge Daddy Dan Joseph Navarro     Pete Abeyta  and Tyler Noe

New films from Christopher Nolan, Greta Gerwig, and Wes Anderson may be the auteur-driven must-sees of the summer, but Adam and Josh go deeper for their Top 5 Summer Movie Questions.   -Summer Movie Preview (02:51) -Next Week/Notes, Polls (43:43) -Marathon Review: “Mirror” (56:15) (Times may not be precise with ads) Resources/Links: -“Greta Lee Couldn't Touch Teo Yoo While Filming Past Lives” https://www.vulture.com/2023/01/sundance-2023-vulture-spot-greta-lee-celine-song.html Sponsor: “L'Immensità” – Now Playing in Select Theaters. More at CinemaMadeinItaly.com. Feedback: Email us at feedback@filmspotting.net. Ask Us Anything and we might answer your question in bonus content. Support us: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -T-shirts (and more) on sale at the Filmspotting Shop. https://filmspotting.net/shop Contact us: https://twitter.com/filmspotting https://facebook.com/filmspotting https://letterboxd.com/filmspotting https://twitter.com/larsenonfilm https://facebook.com/larsenonfilm https://letterboxd.com/larsenonfilm Learn more about your ad choices. Visit megaphone.fm/adchoices