Podcasts about Language

Merriam-Webster's Word of the Day for November 22, 2025 is: metonymy • muh-TAH-nuh-mee • noun Metonymy refers to a figure of speech in which a word that is associated with something is used to refer to the thing itself, as when crown is used to mean “king” or “queen.” // Wall Street, Silicon Valley, and Hollywood are common examples of metonymy. See the entry > Examples: “The stick used to command the crowd is called a ‘brigadier.' A brigadier is usually used to describe one who commands a military brigade, yes, but does not a stage manager lead his theater brigade? That's the idea, according to organizers. It was a term used so often to refer to a stick-wielding stage manager that, through the magic of metonymy, the stick itself is now referred to as a brigadier.” — Emma Bowman, NPR, 6 Aug. 2024 Did you know? When Mark Antony asks the people of Rome to lend him their ears in Shakespeare's play Julius Caesar he is asking them to listen to him, not to literally allow him to borrow their ears. It's a classic example of the rhetorical device known as metonymy, which comes to English (via Latin) from the Greek word of the same meaning, metōnymia: the use of a word that is associated with something to refer to the thing itself. Metonymy often appears in news articles and headlines, as when journalists use the term crown to refer to a king or queen. Another common example is the use of an author's name to refer to works written by that person, as in “They are studying Austen.” Metonymy is closely related to synecdoche, which is a figure of speech in which the word for a part of something is used to refer to the thing itself (as in “need some extra hands for the project”), or less commonly, the word for a thing itself is used to refer to part of that thing (as when society denotes “high society”).

Robach and Holmes cover the latest news headlines and entertainment updates and give perspective on current events in their daily “Morning Run.”See omnystudio.com/listener for privacy information.

Robach and Holmes cover the latest news headlines and entertainment updates and give perspective on current events in their daily “Morning Run.”See omnystudio.com/listener for privacy information.

Robach and Holmes cover the latest news headlines and entertainment updates and give perspective on current events in their daily “Morning Run.”See omnystudio.com/listener for privacy information.

Merriam-Webster's Word of the Day for November 21, 2025 is: bloviate • BLOH-vee-ayt • verb To bloviate is to speak or write in an arrogant tone and with more words than are necessary. // The podcaster tends to bloviate endlessly on topics about which he is not particularly knowledgeable. See the entry > Examples: "While other characters bloviate about their lives, Barbara is a much more internal character, her quietness making her seem all the more an outsider in her hometown." — Kristy Puchko, Mashable.com, 13 June 2025 Did you know? Warren G. Harding is often linked to the word bloviate, but to him the word wasn't insulting; it simply meant "to spend time idly." Harding used the word often in that "hanging around" sense, but during his tenure as the 29th U.S. President (1921-23), he became associated with the "verbose" sense of bloviate, as his speeches tended to be on the long-winded side. Although he is sometimes credited with having coined the word, it's more likely that Harding picked it up from local slang while hanging around with his boyhood buddies in Ohio in the late 1800s. The term likely comes from a combination of the word blow plus the suffix -ate.

Wanna hear the FULL Episode? Sign up for the Grad Program today! During this week's show Professor Paul and Zach will discuss a recent social media post that went viral for SOTG. How and why might that be the case?  During our Tech Talk from EOTech Inc, we will consider "thermochromic" coffee mugs and how those work. How are these different from a thermobaric device?  Language, Context, and Free Speech The professor and Zach discussed the appropriate use of certain words, emphasizing the importance of context and historical usage in language. They expressed frustration with the "woke" movement's attempts to censor language, highlighting the double standards and the impact on free speech. Zach mentioned that the first half of their show is open to all listeners, while the latter part, including the grad program content, is restricted to enrolled members. They encouraged listeners to join their mailing list for updates and access to live sessions. Blackout Coffee Mug Promotion The meeting discussed the promotion of Blackout Coffee and EOTech thermochromic coffee mugs, which gained significant attention on social media with over 519,000 views. Professor highlighted the pro-Second Amendment stance of Blackout Coffee's owners and shared a video demonstrating the mug's feature. The group also mentioned the release of three videos commemorating the 10th anniversary of Team Honey Badger and encouraged viewers to explore the Student of the Gun website and social media channels. The conversation ended with a brief mention of an upcoming discussion on fighting shotguns during the Student of the Gun homeroom. Fighting Shotgun Characteristics and Options The professor discussed the characteristics of a "fighting shotgun," emphasizing that it should be a 12-gauge repeating gun, such as a pump or semi-automatic model, with an 18-inch barrel and a cylinder bore. He explained that while double-barrel shotguns are popular for hunting, they are not ideal for self-defense due to legal restrictions in some countries. The professor also noted the rising cost of ammunition, particularly for smaller gauges like 20-gauge, and highlighted the availability of more affordable options like the MAC 1014 Breacher compared to high-end models like the Benelli M4. Home Defense Shotgun Recommendations The discussion focused on shotguns for home defense, with the professor recommending a simple, reliable 12-gauge pump-action shotgun loaded with buckshot from reputable manufacturers like Federal, Winchester, or Remington. He emphasized that such shotguns should be basic with a short barrel, no sporting features, and no duck plugs, and suggested practicing with birdshot before using buckshot for defense. The professor also noted that in the U.S., shotguns are used more as fighting tools than in other nations, citing their effectiveness in law enforcement for over 125 years. The conversation ended with an invitation for viewers to join the grad program by signing up at studentofthegun.com. Leadership and Continuous Education The meeting focused on leadership lessons, emphasizing the importance of gaining experience and continuing education. The professor shared anecdotes from military training and state-mandated firearms programs to illustrate how individuals sometimes underestimate the value of ongoing education.  Importance of Experience in Fitness The professor discussed the dangers of relying on enthusiasts for tactical advice, emphasizing the importance of experience and education. They also covered the topic of fighting fitness, mentioning that an email was sent out to promote a live show. The professor shared the story of Sybil, a client of Matt Reynolds who regained her quality of life through strength training, particularly deadlifts. They stressed the significance of maintaining muscle mass for longevity and improving quality of life, even into later years. Exercise Benefits for Aging Muscles The professor discussed the importance of regular exercise, particularly weightlifting, for maintaining muscle mass and bone density as people age. He explained that gravity plays a crucial role in muscle strengthening and that a combination of stress and recovery is necessary for muscle adaptation. The professor emphasized that older adults, particularly men, should focus on leg strength to prevent osteoporosis and reduce the risk of hip fractures, noting that many elderly individuals who break hips do not survive the year. Combat Veterans and Social Media The professor expressed frustration with modern combat veterans who act as if they are the first to experience combat, thanks to social media platforms like Instagram and YouTube. He compared their experiences to historical combat veterans, emphasizing the importance of civilian training and the need for practical knowledge in real-life situations. The professor also criticized a specific influencer's advice against using shotguns for home defense, highlighting the priority of stopping a threat over preserving drywall. Home Defense Rights Discussion The meeting focused on a passionate discussion about home defense and the importance of citizens having adequate tools and training to protect themselves. The professor emphasized that civilians should not be disadvantaged and should have access to the same weapons and training as the military, citing historical examples like the American Revolution. He criticized certain influencers and veterans for undermining civilians' rights to self-defense, arguing that citizens need more advantages rather than fewer. The conversation ended with a brief Thanksgiving message and reminder about an upcoming Best Of Student of the Gun episode. TOPICS COVERED THIS EPISODE Huge thanks to our Partners: EOTech | Spike's Tactical PUT Blackout Coffee into those mugs! www.studentofthegun.com/blackout   Use Code: STUDT20 [0:23:30] EOTech Talk - EOTechInc.com TOPIC: EOTech has coffee mugs, and you can get an SOTG Coffee Mug at ShopSOTG.com [0:35:21] SOTG Homeroom - SOTG University TOPIC: What makes a "Fighting Shotgun" such? Shotgun Ammo: The Problem with No. 4 Buckshot for Home Defense www.shootingnewsweekly.com FIRST TEST: Benelli M4 EXT Defensive Shotgun shoot-on.com

Dr. Stephan Blackwood joins the show to explore how language shapes consciousness, how words reveal the structure of reality, and why meaning is inseparable from relationship. They discuss the logic of reciprocity, the metaphysics of personhood, why civilization depends on truthful speech, and how distortion of language leads to confusion, tyranny, and cultural decay. Stephan explains how grammar and ontology mirror each other, how the Trinity reveals the deepest pattern of relational being, and why we can only know ourselves through our relationships with others — and with the divine. Dr. Stephan Blackwood is a philosopher, cultural critic, and co-founder of Ralston College, whose work focuses on the intersection of theology, art, and human purpose. // GUEST // Website: ⁠https://www.ralston.ac/⁠ X: ⁠https://x.com/stephenblackwd⁠ YouTube: ⁠https://www.youtube.com/@RalstonCollegeSavannah⁠ // SPONSORS // Heart and Soil Supplements (use discount code BREEDLOVE): https://heartandsoil.co/ Blockware Solutions: https://mining.blockwaresolutions.com Onramp: https://onrampbitcoin.com/?grsf=breedlove Mindlab Pro: https://www.mindlabpro.com/breedlove The Farm at Okefenokee: https://okefarm.com/ Club Orange: https://www.cluborange.org/ // PRODUCTS I ENDORSE // Protect your mobile phone from SIM swap attacks: https://www.efani.com/breedlove Lineage Provisions (use discount code BREEDLOVE): https://lineageprovisions.com/?ref=breedlove Colorado Craft Beef (use discount code BREEDLOVE): https://coloradocraftbeef.com/ Salt of the Earth Electrolytes: http://drinksote.com/breedlove Jawzrsize (code RobertBreedlove for 20% off): https://jawzrsize.com // UNLOCK THE WISDOM OF THE WORLD'S BEST NON-FICTION BOOKS // https://course.breedlove.io/ // SUBSCRIBE TO THE CLIPS CHANNEL // /@robertbreedloveclips2996 // TIMESTAMPS // 0:00 – WiM Episode Trailer 1:21 – The Power of Language & the Structure of Reality 12:44 – How Grammar Reflects Being 24:02 – Personhood, Meaning & Relational Existence 33:18 – How Language Shapes Consciousness 38:17 – Heart and Soil Supplements 39:17 – Mine Bitcoin with Blockware Solutions 40:18 – The Crisis of Meaning in Modern Culture 52:11 – The Collapse of Shared Language 1:03:59 – Reciprocity & the Law That Governs Reality 1:17:40 – How Tyranny Begins with Language Corruption 1:33:15 – Onramp Bitcoin Custody 1:34:12 – Mind Lab Pro Supplements 1:35:22 – Truth as the Foundation of Civilization 1:55:40 – The Purpose of Human Speech 2:13:20 – The Farm at Okefenokee 2:14:29 – The Trinity & the Structure of Personhood 2:28:03 – Why Real Communication Requires Sacrifice 2:37:42 – Club Orange 2:38:09 – Culture, Identity & the Need for Shared Meaning 3:04:14 – Efani: Protect Yourself From SIM Swaps 3:05:20 – Unlock the Wisdom of the Best Non-Fiction Books // PODCAST // Podcast Website: https://whatismoneypodcast.com/ Apple Podcast: https://podcasts.apple.com/us/podcast… Spotify: https://open.spotify.com/show/25LPvm8… RSS Feed: https://feeds.simplecast.com/MLdpYXYI // SUPPORT THIS CHANNEL // Bitcoin: 3D1gfxKZKMtfWaD1bkwiR6JsDzu6e9bZQ7 Sats via Strike: https://strike.me/breedlove22 Paypal: https://www.paypal.com/paypalme/RBreedlove Venmo: https://account.venmo.com/u/Robert-Br… // SOCIAL // Breedlove X: https://x.com/Breedlove22 WiM? X: https://x.com/WhatisMoneyShow LinkedIn: https://linkedin.com/in/breedlove22 Instagram: https://instagram.com/breedlove_22 TikTok: https://tiktok.com/@robert_breedlove Substack: https://breedlove22.substack.com All My Work: https://linktr.ee/robertbreedlove #language #whatismoney #philosophy #reciprocity #WiM

Send us a textWant to land a consulting role in Europe? This episode breaks down the 2025 recruiting landscape across a region where language, prestige, and pay vary widely.We cover:How language requirements differ across marketsWhy school pedigree still matters in EuropeCompensation ranges across major cities and firmsKey timelines, assessments, and cultural expectationsFor the full playbook, download Management Consulted's 2025 Europe Consulting Recruitment Roadmap – free. It includes office-by-office guidance, salary insights, and strategies to help you land an offer anywhere from Paris to Frankfurt to Amsterdam.Additional Resources:Join Black Belt for coaching, CV edits, and case prep tailored to Europe's recruiting processFollow along on YouTubePartner Links:Learn more about NordStellar's Threat Exposure Management Program; unlock 20% off with code BLACKFRIDAY20 until Dec. 10, 2025Connect With Management Consulted Schedule free 15min consultation with the MC Team. Watch the video version of the podcast on YouTube! Follow us on LinkedIn, Instagram, and TikTok for the latest updates and industry insights! Join an upcoming live event - case interviews demos, expert panels, and more. Email us (team@managementconsulted.com) with questions or feedback.

This episode of In Stride is sponsored by The Equestrian College Advisor. Navigate the college search with confidence and find the right fit for both academics and riding. Visit equestriancollegeadvisor.com to learn more and book a consultation.  In this episode of “In Stride,” Sinead is joined by eventing legend Karen O'Connor.  Karen O'Connor is one of the most accomplished event riders in U.S. history, having represented the United States at five Olympic Games, three World Equestrian Games, and two Pan American Games. She helped secure team silver at the 1996 Atlanta Olympics and team bronze at the 2000 Sydney Olympics, and she earned both individual and team gold at the 2007 Pan American Games. Alongside her husband, Olympic event rider David O'Connor, she runs O'Connor Equestrian, a renowned training and coaching program based in The Plains, Virginia, and Ocala, Florida.  Karen reflects on her legendary eventing career and the role natural horsemanship has played in shaping successful horse-and-rider partnerships, including:  • How she fell in love with horses as a kid and the early experiences that laid the foundation for her life in the sport  • Her relationship with pressure on the world stage, especially within an Olympic team environment, and how she navigated those situations  • The community and family that grew from merging her business with David's and building O'Connor Eventing together  • Why horsemanship must be a cornerstone of training, and how often these fundamentals are overlooked by many new riders today  Join Karen and Sinead as they dive into the realities behind one of the most influential eventing careers of all time and the timeless principles that continue to guide great riders and great horses. In Stride is brought to you by Ride iQ. Ride iQ helps everyday riders ride with more clarity, confidence, and purpose through on-demand audio lessons from world-class coaches. Members also get weekly live Q&As with equestrian experts, exclusive podcast episodes, dressage test playbooks, and supportive community conversations that make learning feel fun and doable. If you want to give it a try, you can learn more and start your free 14-day trial at Ride-iQ.com⁠. Want straightforward, expert advice on keeping your horse sound and thriving? Dr. Erica Lacher's eight-part program, Horse Health Essentials, is now available, and you can use code POD35 for 35% off. Learn more at RideIQElevate.com/horse-health.

Robach and Holmes cover the latest news headlines and entertainment updates and give perspective on current events in their daily “Morning Run.”See omnystudio.com/listener for privacy information.

It's... Lovely to be back! How are you? It's been er nearly two years, apparently. But it feels like the time is right. And even if it isn't, we're doing it anyway. In the pod I mentioned an interesting youtube video about Superman LOOK I WAS BORN IN 1973 THIS STUFF RESONATES. Here is that video:https://youtu.be/8_AYM_vmH1o?si=grTWl1iyyWFt0dLROh, just to warn you, there's LANGUAGE in this one. Email me ANYTHING AT ALL: jakeyappmusic at gmail dot com. HELLO xxx Hosted on Acast. See acast.com/privacy for more information.

The Philadelphia Conference on Reformed Theology 1984. The Function of Language by RC Sproul To support this ministry financially, visit: https://www.oneplace.com/donate/581/29?v=20251111

Today, I want to guide you into something often overlooked, underestimated, and yet profoundly transformative: stillness. 

Join the free group to share audio files on streams: https://t.me/+TJTAfM5tEyQ1ODMxDownload a free podcast/audio/mp3 at www.fluentamerican.com/podcastOne immediate way to start sounding natural is to analyze how you sound in American English. The reality is many American English learners are not saying words in a way that sounds natural, often creating a rhythm that does sound natural because it has little to no variation in contrast, in addition to issues with placement, breath, and vowels. Let's show you some quick techniques will have you start sounding natural in American English pronunciation. Welcome back to the Schwa Mill❗❗❗❗❗❗JOIN our channel to get access to our Pronunciation Group on Telegram, where you receive feedback and suggestions for YOUR pronunciation every day. See what it is like here: https://youtu.be/FDwPuwstUEoWho am I? My name is Geoff Anderson. I got my MA in Teaching English as a Second Language in 2012, and have been teaching since 2010. I've studied Italian to around level C1-C2. I was also an IELTS examiner for the speaking/writing tests for 3 years.#schwamill #fluentamerican #americanenglish

Want to Start or Grow a Successful Business? Schedule a FREE 13-Point Assessment with Clay Clark Today At: www.ThrivetimeShow.com   Join Clay Clark's Thrivetime Show Business Workshop!!! Learn Branding, Marketing, SEO, Sales, Workflow Design, Accounting & More. **Request Tickets & See Testimonials At: www.ThrivetimeShow.com  **Request Tickets Via Text At (918) 851-0102   See the Thousands of Success Stories and Millionaires That Clay Clark Has Helped to Produce HERE: https://www.thrivetimeshow.com/testimonials/ Download A Millionaire's Guide to Become Sustainably Rich: A Step-by-Step Guide to Become a Successful Money-Generating and Time-Freedom Creating Business HERE: www.ThrivetimeShow.com/Millionaire   See Thousands of Case Studies Today HERE: www.thrivetimeshow.com/does-it-work/  

Merriam-Webster's Word of the Day for November 20, 2025 is: gauche • GOHSH • adjective Gauche describes someone or something having or showing a lack of awareness about the proper way to behave. When describing a person or a behavior, gauche can mean “socially awkward” or “tactless”; when describing an object (such as a product with a vulgar image or slogan on it) it can mean “crudely made or done.” // Some people view giving cash in lieu of a wrapped present to be terribly gauche, but I like knowing that my friends and family will be able to pick out something they truly want. See the entry > Examples: “Ignorance of classical music, for many people, is no longer something to be ashamed of, as it was sixty or seventy years ago. If you are indifferent to it, no one will notice; if you hate it, you may even be praised for your lack of snobbery. Almost no one will be so gauche as to tell you that you are missing out on something that could change your life.” — David Denby, The New Yorker, 20 July 2025 Did you know? Although it doesn't mean anything sinister, gauche is one of several words (including sinister) with ties to old suspicions and negative associations relating to the left side and use of the left hand. In French, gauche literally means “left,” and it has the extended meanings “awkward” and “clumsy.” These meanings may have come about because left-handed people could appear awkward trying to manage in a mostly right-handed world, or perhaps because right-handed people appear awkward when trying to use their left hand. Regardless, awkwardness is a likely culprit. Fittingly, awkward itself comes from the Middle English awke, meaning “turned the wrong way” or “left-handed.” On the other hand, adroit and dexterity have their roots in words meaning “right” or “on the right side.”

Emmanuel Ameisen, an interpretability researcher at Anthropic, joins the podcast to demystify how large language models work.Subscribe to the Gradient Flow Newsletter

Visit www.joniradio.org for more inspiration and encouragement! --------This Christmas, you can shine the light of Christ into places of darkness and pain with a purchase from the Joni and Friends Christmas catalog. You are sending hope and practical care to people with disabilities, all in the name of Jesus! Thank you for listening! Your support of Joni and Friends helps make this show possible. Joni and Friends envisions a world where every person with a disability finds hope, dignity, and their place in the body of Christ. Become part of the global movement today at www.joniandfriends.org. Find more encouragement on Instagram, TikTok, Facebook, and YouTube.

Artist, author and Stolen Generations survivor, Rhonda Collard-Spratt, on bush hugs, beehives, emu bumps, and finding peace.Aunty Rhonda Collard-Spratt is a Yamatji-Noongar elder and Stolen Generations survivor who grew up on the Carnarvon Native Mission in Western Australia.As a little girl she would escape from her dormitory into the bush to feel the love and warmth she was missing from her mum.After leaving the mission as a teenager, Rhonda trained as a hairdresser, creating some of the best beehives in Perth.Later in life, she managed to reconnect with her mum and formed a surprising bond with her English stepfather, through music.Rhonda Collard-Spratt's memoir, Alice's Daughter: Lost Mission Child, was written with Jacki Ferro and published by Aboriginal Studies Press.You can find her children's book series, Spirit of the Dreaming, online in both print and audiobook formats.This episode of Conversations was produced by Meggie Morris, executive producer is Nicola Harrison.It explores Aboriginal Australia, black history, colonisation, segregation, assimilation, religion, Christianity, the Native Act, reckoning with Australia's history, the Voice, racism, Indigenous suicide, mental health, medical neglect, art, motherhood, writing, books, memoir, modern Australia, Ipswich, Churches of Christ, Aborigines Mission Board.

Does your construction team actually live its values—or does the language on your website on the posters in HQ feel like empty slogans?   If you've ever felt like your team's communication is scattered, or your cultural "initiatives" don't actually shape behavior, this episode breaks down how elite organizations—from Suffolk Construction to the New Zealand All Blacks—use intentional language to create a competitive advantage.   In this episode you will: Learn why a consistent internal vocabulary can align behaviors across your entire company Discover how phrases like "clean data lake" and "tip of the spear" drive accountability and innovation Understand how repetition from leadership creates true behavior change—even when it feels redundant     Listen now to uncover the leadership language tools you can use to build a stronger, more aligned construction team.   The Construction Leadership Podcast dives into essential leadership topics in construction, including strategy, emotional intelligence, communication skills, confidence, innovation, and effective decision-making. You'll also gain insights into delegation, cultural intelligence, goal setting, team building, employee engagement, and how to overcome common culture problems. Whether you're leading a crew or managing an entire organization, these conversations will equip you with tools to lead smarter and build stronger teams.     This episode is brought to you by The Simple Sales Pipeline® —the most efficient way to organize and value any construction sales rep's roster of customers and prospects in under 30 minutes once every 30 days. *** If you enjoyed this podcast, please leave a review on Apple Podcasts. Your feedback will help us on our mission to bring the construction community closer together. If you have suggestions for improvements, topics you'd like the show to explore, or have recommendations for future guests, do not hesitate to contact us directly at info@bradleyhartmannandco.com.  

Send us a textIf you've ever found yourself searching for an activity that is engaging, meaningful, and actually supports language acquisition, this episode is for you. Many of us want our students to feel confident understanding and using the language — without us spending hours planning something new every day.In this conversation, I'm joined by Amy Marshall, a world language teacher with over 25 years of classroom experience, known for her thoughtful use of ClipChat. ClipChat blends short films with teacher-guided narration to build comprehension in a way that feels natural, visual, and compelling. Students watch, listen, and make meaning — and we guide the language to match what they need.In this episode, you'll learn:What ClipChat is and why it works to support real acquisitionHow to choose the right video clips for different levelsWhy slowing down can actually boost student confidence and understandingHow small student responses (“guided output”) create a natural pathway for teachers to give even more inputPractical routines like Write & Discuss, acting with whisper support, puppets, gallery walks, and picture grid listeningHow one short clip can carry your class for days or even weeks — without adding more planning to your plateThis episode is full of strategies that work in real classrooms — including the classes that are wiggly, chatty, distracted, or just tired.If you're working to design world language classes rooted in comprehension, communication, and cultural connection, you'll find something here to take with you tomorrow.Resources MentionedRead the blog hereClipChat Examples & Classroom Materials: Zona de Profes on TPT — https://www.teacherspayteachers.com/Store/Zona-De-ProfesAmy's Website: https://zonadeprofes.weebly.comShort Film Playlist for ClipChat: https://youtube.com/playlist?list=PLKhH5MAAh6FpSBBumo6Cv8lG_iS8Q9LpzFree November Resource: Download Here: https://growingwithproficiency.com/diadegraciasJoin the Academy Waitlist: https://growingwithproficiency.com/academy-waitlistIG Claudia ElliottGrowing With Proficiency TPT StoreFree FB CommunityBe Part of the CommunityIf this episode inspired a new idea, I'd love to hear about it. Tag me on Instagram @claudiamelliott and share which clip you'd like to try — or send me a DM and I'll help you brainstorm one.Make sure to follow and subscribe so you don't miss the next conversation.  We grow by learning together — we learn, we try, we grow, and then we pass it on.Click here to download for FREE ➡️➡️➡️ https://growingwithproficiency.com/diadegracias

In this episode of Sew & So we welcome costume designer and wardrobe freelancer Jessica Cronin, whose work spans film, television, theater, and fashion. Raised across the U.S., Singapore, and England, Jessica brings a globally shaped perspective to the way clothing communicates who we are. With a BA in Art History from Drew University and an MFA in Costume Design from Carnegie Mellon University, she has built a dynamic career designing, styling, and crafting for productions including Gotham Knights, Dead to Me, A League of Their Own (2022), and Gossip Girl. Her experience ranges from large-scale studio work to theatrical design to commercial styling, and she moves fluidly between New York City, Atlanta, Pittsburgh, and Los Angeles.In this episode, Jessica shares the origins of her sewing journey, how global experiences shaped her artistic lens, the truth about fast fashion, the realities of costume work, and the deeper meaning of how we present ourselves through what we wear.Episode Notes:(1:49) When did Jessica begin to sew and who was her inspiration?(3:18) Jessica explains historical sewing and its techniques.(4:00) Why did Jessica's childhood take her to Singapore and England? How did living in these countries affect her perceptions of life and her work?(5:45) She started dancing at the age of three…then had to have Harrington Rod surgery for scoliosis of the spine. She takes us through this experience and how she dealt with the major changes in her life both in activity and mentally.(11:04) Jessica calls fast fashion “horrendous”? She explains why.(14:00) How do you handle the recycling in things like undergarments, socks and hard to recycle clothing items?(15:30) “Costume design isn't just pretty dreams and pretty people…” It's so very much more. Jessica takes us inside the craft.(19:54) Of all the different types of work Jessica has done…what's her favorite?(21:42) She talks about the difference in working with professional actors vs. amateur background actors.(23:45) Hear special stories about some of her costume jobs.(27:10) Jessica worked with Jennifer May Nickel Sew & So Podcast Episode #92 she talks about how they met and have worked together.(28:25) Hear about the 50,000-year-old sewing needle and how this information affects Jessica in her work.(30:36) Jessica loves to study how people communicate through clothing. Learn what she's discovered. Also learn why the color purple is associated with royalty.(33:32) Why does she think the younger generations aren't picking up these crafts or techniques?(36:30) Why is Jessica so mobile?(37:36) What does she like to do in her spare time?(38:10) What is she working on now and what is a Surrealist Ball?(40:00) What's next for her and what's her dream?(42:15) What didn't we ask?(43:06) Want to contact Jessica? @jesscronindesigns Be sure to subscribe to, review and rate this podcast on your favorite platform…and visit our website sewandsopodcast.com for more information about today's and all of our Guests.

In this episode of Now I Get It, I explore the fascinating intersection of language, culture, and gender identity—and how our words shape the way we perceive human difference. I dive into how languages like Chinese, English, and German handle gender differently, showing that grammatical gender often has nothing to do with biological sex. What started as simple sound harmonies and linguistic structures in ancient languages evolved into the gender categories we use today, even though the roots were never about “male” or “female” at all.From there, I take a closer look at the biological complexity of sex differentiation—and why the tidy binary of “male” and “female” doesn't capture the real diversity of human biology. Through examples like androgen insensitivity syndrome and variations in the SRY gene, I show how genetics and hormones don't always align neatly with societal definitions of gender or sex. The result? A compelling case for rethinking how we talk about identity and embracing the spectrum that actually exists.In this episode, you will learn:(00:45) How language structures gender—and why some languages don't even have it(02:30) The origins of grammatical gender and how it accidentally became tied to sex(03:50) Why English mostly lost grammatical gender (and what remains of it today)(04:20) What the SRY gene is and how it determines sex differentiation(05:10) The role of androgen insensitivity and how it challenges binary assumptions(06:30) Real-world examples of chromosomal diversity beyond XX and XY(07:40) Why our cultural obsession with binaries doesn't match biological or linguistic realityLet's connect!linktr.ee/drprandy Hosted on Acast. See acast.com/privacy for more information.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Powerleegirl hosts, the mother daughter team of Miko Lee, Jalena & Ayame Keane-Lee speak with artists about their craft and the works that you can catch in the Bay Area. Featured are filmmaker Yuriko Gamo Romer, playwright Jessica Huang and photographer Joyce Xi.   More info about their work here: Diamond Diplomacy Yuriko Gamo Romer Jessica Huang's Mother of Exiles at Berkeley Rep Joyce Xi's Our Language Our Story at Galeria de la Raza     Show Transcript Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.    Ayame Keane-Lee: [00:00:46] Thank you for joining us on Apex Express Tonight. Join the PowerLeeGirls as we talk with some powerful Asian American women artists. My mom and sister speak with filmmaker Yuriko Gamo Romer, playwright Jessica Huang, and photographer Joyce Xi. Each of these artists have works that you can enjoy right now in the Bay Area. First up, let's listen in to my mom Miko Lee chat with Yuriko Gamo Romer about her film Diamond Diplomacy.    Miko Lee: [00:01:19] Welcome, Yuriko Gamo Romer to Apex Express, amazing filmmaker, award-winning director and producer. Welcome to Apex Express.   Yuriko Gamo Romer: [00:01:29] Thank you for having me.    Miko Lee: [00:01:31] It's so great to see your work after this many years. We were just chatting that we knew each other maybe 30 years ago and have not reconnected. So it's lovely to see your work. I'm gonna start with asking you a question. I ask all of my Apex guests, which is, who are your people and what legacy do you carry with you?    Yuriko Gamo Romer: [00:01:49] Oh, who are my people? That's a hard one. I guess I'm Japanese American. I'm Asian American, but I'm also Japanese. I still have a lot of people in Japan. That's not everything. Creative people, artists, filmmakers, all the people that I work with, which I love. And I don't know, I can't pare it down to one narrow sentence or phrase. And I don't know what my legacy is. My legacy is that I was born in Japan, but I have grown up in the United States and so I carry with me all that is, technically I'm an immigrant, so I have little bits and pieces of that and, but I'm also very much grew up in the United States and from that perspective, I'm an American. So too many words.    Miko Lee: [00:02:44] Thank you so much for sharing. Your latest film was called Diamond Diplomacy. Can you tell us what inspired this film?   Yuriko Gamo Romer: [00:02:52] I have a friend named Dave Dempsey and his father, Con Dempsey, was a pitcher for the San Francisco Seals. And the Seals were the minor league team that was in the West Coast was called the Pacific Coast League They were here before the Major League teams came to the West Coast. So the seals were San Francisco's team, and Con Dempsey was their pitcher. And it so happened that he was part of the 1949 tour when General MacArthur sent the San Francisco Seals to Allied occupied Japan after World War II. And. It was a story that I had never heard. There was a museum exhibit south of Market in San Francisco, and I was completely wowed and awed because here's this lovely story about baseball playing a role in diplomacy and in reuniting a friendship between two countries. And I had never heard of it before and I'm pretty sure most people don't know the story. Con Dempsey had a movie camera with him when he went to Japan I saw the home movies playing on a little TV set in the corner at the museum, and I thought, oh, this has to be a film. I was in the middle of finishing Mrs. Judo, so I, it was something I had to tuck into the back of my mind Several years later, I dug it up again and I made Dave go into his mother's garage and dig out the actual films. And that was the beginning. But then I started opening history books and doing research, and suddenly it was a much bigger, much deeper, much longer story.   Miko Lee: [00:04:32] So you fell in, it was like synchronicity that you have this friend that had this footage, and then you just fell into the research. What stood out to you?    Yuriko Gamo Romer: [00:04:41] It was completely amazing to me that baseball had been in Japan since 1872. I had no idea. And most people,   Miko Lee: [00:04:49] Yeah, I learned that too, from your film. That was so fascinating.    Yuriko Gamo Romer: [00:04:53] So that was the first kind of. Wow. And then I started to pick up little bits and pieces like in 1934, there was an American All Star team that went to Japan. And Babe Ruth was the headliner on that team. And he was a big star. People just loved him in Japan. And then I started to read the history and understanding that. Not that a baseball team or even Babe Ruth can go to Japan and prevent the war from happening. But there was a warming moment when the people of Japan were so enamored of this baseball team coming and so excited about it that maybe there was a moment where it felt like. Things had thawed out a little bit. So there were other points in history where I started to see this trend where baseball had a moment or had an influence in something, and I just thought, wow, this is really a fascinating history that goes back a long way and is surprising. And then of course today we have all these Japanese faces in Major League baseball.   Miko Lee: [00:06:01] So have you always been a baseball fan?   Yuriko Gamo Romer: [00:06:04] I think I really became a fan of Major League Baseball when I was living in New York. Before that, I knew what it was. I played softball, I had a small connection to it, but I really became a fan when I was living in New York and then my son started to play baseball and he would come home from the games and he would start to give us the play by play and I started to learn more about it. And it is a fascinating game 'cause it's much more complex than I think some people don't like it 'cause it's complex.    Miko Lee: [00:06:33] I must confess, I have not been a big baseball fan. I'm also thinking, oh, a film about baseball. But I actually found it so fascinating with especially in the world that we live in right now, where there's so much strife that there was this way to speak a different language. And many times we do that through art or music and I thought it was so great how your film really showcased how baseball was used as a tool for political repair and change. I'm wondering how you think this film applies to the time that we live in now where there's such an incredible division, and not necessarily with Japan, but just with everything in the world.   Yuriko Gamo Romer: [00:07:13] I think when it comes down to it, if we actually get to know people. We learn that we're all human beings and that we probably have more in common than we give ourselves credit for. And if we can find a space that is common ground, whether it's a baseball field or the kitchen, or an art studio, or a music studio, I think it gives us a different place where we can exist and acknowledge That we're human beings and that we maybe have more in common than we're willing to give ourselves credit for. So I like to see things where people can have a moment where you step outside of yourself and go, oh wait, I do have something in common with that person over there. And maybe it doesn't solve the problem. But once you have that awakening, I think there's something. that happens, it opens you up. And I think sports is one of those things that has a little bit of that magical power. And every time I watch the Olympics, I'm just completely in awe.    Miko Lee: [00:08:18] Yeah, I absolutely agree with you. And speaking of that kind of repair and that aspect that sports can have, you ended up making a short film called Baseball Behind Barbed Wire, about the incarcerated Japanese Americans and baseball. And I wondered where in the filmmaking process did you decide, oh, I gotta pull this out of the bigger film and make it its own thing?    Yuriko Gamo Romer: [00:08:41] I had been working with Carrie Yonakegawa. From Fresno and he's really the keeper of the history of Japanese American baseball and especially of the story of the World War II Japanese American incarceration through the baseball stories. And he was one of my scholars and consultants on the longer film. And I have been working on diamond diplomacy for 11 years. So I got to know a lot of my experts quite well. I knew. All along that there was more to that part of the story that sort of deserved its own story, and I was very fortunate to get a grant from the National Parks Foundation, and I got that grant right when the pandemic started. It was a good thing. I had a chunk of money and I was able to do historical research, which can be done on a computer. Nobody was doing any production at that beginning of the COVID time. And then it's a short film, so it was a little more contained and I was able to release that one in 2023.   Miko Lee: [00:09:45] Oh, so you actually made the short before Diamond Diplomacy.   Yuriko Gamo Romer: [00:09:49] Yeah. The funny thing is that I finished it before diamond diplomacy, it's always been intrinsically part of the longer film and you'll see the longer film and you'll understand that part of baseball behind Barbed Wire becomes a part of telling that part of the story in Diamond Diplomacy.   Miko Lee: [00:10:08] Yeah, I appreciate it. So you almost use it like research, background research for the longer film, is that right?    Yuriko Gamo Romer: [00:10:15] I had been doing the research about the World War II, Japanese American incarceration because it was part of the story of the 150 years between Japan and the United States and Japanese people in the United States and American people that went to Japan. So it was always a part of that longer story, and I think it just evolved that there was a much bigger story that needed to be told separately and especially 'cause I had access to the interview footage of the two guys that had been there, and I knew Carrie so well. So that was part of it, was that I learned so much about that history from him.   Miko Lee: [00:10:58] Thanks. I appreciated actually watching both films to be able to see more in depth about what happened during the incarceration, so that was really powerful. I'm wondering if you can talk a little bit about the style of actually both films, which combine vintage Japanese postcards, animation and archival footage, and how you decided to blend the films in this way.   Yuriko Gamo Romer: [00:11:19] Anytime you're making a film about history, there's that challenge of. How am I going to show this story? How am I gonna get the audience to understand and feel what was happening then? And of course you can't suddenly go out and go, okay, I'm gonna go film Babe Ruth over there. 'cause he's not around anymore. So you know, you start digging up photographs. If we're in the era of you have photographs, you have home movies, you have 16 millimeter, you have all kinds of film, then great. You can find that stuff if you can find it and use it. But if you go back further, when before people had cameras and before motion picture, then you have to do something else. I've always been very much enamored of Japanese woodblock prints. I think they're beautiful and they're very documentary in that they tell stories about the people and the times and what was going on, and so I was able to find some that sort of helped evoke the stories of that period of time. And then in doing that, I became interested in the style and maybe can I co-opt that style? Can we take some of the images that we have that are photographs? And I had a couple of young artists work on this stuff and it started to work and I was very excited. So then we were doing things like, okay, now we can create a transition between the print style illustration and the actual footage that we're moving into, or the photograph that we're dissolving into. And the same thing with baseball behind barbed wire. It became a challenge to show what was actually happening in the camps. In the beginning, people were not allowed to have cameras at all, and even later on it wasn't like it was common thing for people to have cameras, especially movie cameras. Latter part of the war, there was a little bit more in terms of photos and movies, but in terms of getting the more personal stories. I found an exhibit of illustrations and it really was drawings and paintings that were visual diaries. People kept these visual diaries, they drew and they painted, and I think part of it was. Something to do, but I think the other part of it was a way to show and express what was going on. So one of the most dramatic moments in there is a drawing of a little boy sitting on a toilet with his hands covering his face, and no one would ever have a photograph. Of a little boy sitting on a toilet being embarrassed because there are no partitions around the toilet. But this was a very dramatic and telling moment that was drawn. And there were some other things like that. There was one illustration in baseball behind barbed wire that shows a family huddled up and there's this incredible wind blowing, and it's not. Home movie footage, but you feel the wind and what they had to live through. I appreciate art in general, so it was very fun for me to be able to use various different kinds of art and find ways to make it work and make it edit together with the other, with the photographs and the footage.    Miko Lee: [00:14:56] It's really beautiful and it tells the story really well. I'm wondering about a response to the film from folks that were in it because you got many elders to share their stories about what it was like being either folks that were incarcerated or folks that were playing in such an unusual time. Have you screened the film for folks that were in it? And if so what has their response been?    Yuriko Gamo Romer: [00:15:20] Both the men that were in baseball behind barbed wire are not living anymore, so they have not seen it. With diamond diplomacy, some of the historians have been asked to review cuts of the film along the way. But the two baseball players that play the biggest role in the film, I've given them links to look at stuff, but I don't think they've seen it. So Moi's gonna see it for the first time, I'm pretty sure, on Friday night, and it'll be interesting to see what his reaction to it is. And of course. His main language is not English. So I think some of it's gonna be a little tough for him to understand. But I am very curious 'cause I've known him for a long time and I know his stories and I feel like when we were putting the film together, it was really important for me to be able to tell the stories in the way that I felt like. He lived them and he tells them, I feel like I've heard these stories over and over again. I've gotten to know him and I understand some of his feelings of joy and of regret and all these other things that happen, so I will be very interested to see what his reaction is to it.   Miko Lee: [00:16:40] Can you share for our audience who you're talking about.   Yuriko Gamo Romer: [00:16:43] Well, Sanhi is a nickname, his name is Masa Nouri. Murakami. He picked up that nickname because none of the ball players could pronounce his name.   Miko Lee: [00:16:53] I did think that was horrifically funny when they said they started calling him macaroni 'cause they could not pronounce his name. So many of us have had those experiences.   Yuriko Gamo Romer: [00:17:02] Yeah, especially if your name is Masanori Murakami. That's a long, complicated one. So he, Masanori Murakami is the first Japanese player that came and played for the major leagues. And it was an inadvertent playing because he was a kid, he was 19 years old. He was playing on a professional team in Japan and they had some, they had a time period where it made sense to send a couple of these kids over to the United States. They had a relationship with Kapi Harada, who was a Japanese American who had been in the Army and he was in Japan during. The occupation and somehow he had, he'd also been a big baseball person, so I think he developed all these relationships and he arranged for these three kids to come to the United States and to, as Mahi says, to study baseball. And they were sent to the lowest level minor league, the single A camps, and they played baseball. They learned the American ways to play baseball, and they got to play with low level professional baseball players. Marcy was a very talented left handed pitcher. And so when September 1st comes around and the postseason starts, they expand the roster and they add more players to the team. And the scouts had been watching him and the Giants needed a left-handed pitcher, so they decided to take a chance on him, and they brought him up and he was suddenly going to Shea Stadium when. The Giants were playing the Mets and he was suddenly pitching in a giant stadium of 40,000 people.    Miko Lee: [00:18:58] Can you share a little bit about his experience when he first came to America? I just think it shows such a difference in time to now.    Yuriko Gamo Romer: [00:19:07] Yeah, no kidding. Because today they're the players that come from Japan are coddled and they have interpreters wherever they go and they travel and chartered planes and special limousines and whatever else they get. So Marcie. He's, I think he was 20 by the time he was brought up so young. Mahi at 20 years old, the manager comes in and says, Hey, you're going to New York tomorrow and hands him plane tickets and he has to negotiate his way. Get on this plane, get on that plane, figure out how to. Get from the airport to the hotel, and he's barely speaking English at this point. He jokes that he used to carry around an English Japanese dictionary in one pocket and a Japanese English dictionary in the other pocket. So that's how he ended up getting to Shea Stadium was in this like very precarious, like they didn't even send an escort.   Miko Lee: [00:20:12] He had to ask the pilot how to get to the hotel. Yeah, I think that's wild. So I love this like history and what's happened and then I'm thinking now as I said at the beginning, I'm not a big baseball sports fan, but I love love watching Shohei Ohtani. I just think he's amazing. And I'm just wondering, when you look at that trajectory of where Mahi was back then and now, Shohei Ohtani now, how do you reflect on that historically? And I'm wondering if you've connected with any of the kind of modern Japanese players, if they've seen this film.   Yuriko Gamo Romer: [00:20:48] I have never met Shohei Ohtani. I have tried to get some interviews, but I haven't gotten any. I have met Ichi. I did meet Nori Aoki when he was playing for the Giants, and I met Kenta Maya when he was first pitching for the Dodgers. They're all, I think they're all really, they seem to be really excited to be here and play. I don't know what it's like to be Ohtani. I saw something the other day in social media that was comparing him to Taylor Swift because the two of them are this like other level of famous and it must just be crazy. Probably can't walk down the street anymore. But it is funny 'cause I've been editing all this footage of mahi when he was 19, 20 years old and they have a very similar face. And it just makes me laugh that, once upon a time this young Japanese kid was here and. He was worried about how to make ends meet at the end of the month, and then you got the other one who's like a multi multimillionaire.    Miko Lee: [00:21:56] But you're right, I thought that too. They look similar, like the tall, the face, they're like the vibe that they put out there. Have they met each other?    Yuriko Gamo Romer: [00:22:05] They have actually met, I don't think they know each other well, but they've definitely met.   Miko Lee: [00:22:09] Mm, It was really a delight. I am wondering what you would like audiences to walk away with after seeing your film.   Yuriko Gamo Romer: [00:22:17] Hopefully they will have a little bit of appreciation for baseball and international baseball, but more than anything else. I wonder if they can pick up on that sense of when you find common ground, it's a very special space and it's an ability to have this people to people diplomacy. You get to experience people, you get to know them a little bit. Even if you've never met Ohtani, you now know a little bit about him and his life and. Probably what he eats and all that kind of stuff. So it gives you a chance to see into another culture. And I think that makes for a different kind of understanding. And certainly for the players. They sit on the bench together and they practice together and they sweat together and they, everything that they do together, these guys know each other. They learn about each other's languages and each other's food and each other's culture. And I think Mahi went back to Japan with almost as much Spanish as they did English. So I think there's some magical thing about people to people diplomacy, and I hope that people can get a sense of that.    Miko Lee: [00:23:42] Thank you so much for sharing. Can you tell our audience how they could find out more about your film Diamond diplomacy and also about you as an artist?    Yuriko Gamo Romer: [00:23:50] the website is diamonddiplomacy.com. We're on Instagram @diamonddiplomacy. We're also on Facebook Diamond Diplomacy. So those are all the places that you can find stuff, those places will give you a sense of who I am as a filmmaker and an artist too.    Miko Lee: [00:24:14] Thank you so much for joining us today, Yuriko. Gamo. Romo. So great to speak with you and I hope the film does really well.    Yuriko Gamo Romer: [00:24:22] Thank you, Miko. This was a lovely opportunity to chat with you.   Ayame Keane-Lee: [00:24:26] Next up, my sister Jalena Keane-Lee speaks with playwright Jessica Huang, whose new play Mother of Exiles just had its world premiere at Berkeley Rep is open until December 21st.    Jalena Keane-Lee: [00:24:39] All right. Jessica Huang, thank you so much for being here with us on Apex Express and you are the writer of the new play Mother of Exiles, which is playing at Berkeley Rep from November 14th to December 21st. Thank you so much for being here.   Jessica Huang: [00:24:55] Yeah, thank you so much for having me. It's such a pleasure.   Jalena Keane-Lee: [00:24:59] I'm so curious about this project. The synopsis was so interesting. I was wondering if you could just tell us a little bit about it and how you came to this work.   Jessica Huang: [00:25:08] When people ask me what mother of Exiles is, I always say it's an American family story that spans 160 plus years, and is told in three acts. In 90 minutes. So just to get the sort of sense of the propulsion of the show and the form, the formal experiment of it. The first part takes place in 1898, when the sort of matriarch of the family is being deported from Angel Island. The second part takes place in 1999, so a hundred years later where her great grandson is. Now working for the Miami, marine interdiction unit. So he's a border cop. The third movement takes place in 2063 out on the ocean after Miami has sunk beneath the water. And their descendants are figuring out what they're gonna do to survive. It was a strange sort of conception for the show because I had been wanting to write a play. I'd been wanting to write a triptych about America and the way that interracial love has shaped. This country and it shaped my family in particular. I also wanted to tell a story that had to do with this, the land itself in some way. I had been sort of carrying an idea for the play around for a while, knowing that it had to do with cross-cultural border crossing immigration themes. This sort of epic love story that each, in each chapter there's a different love story. It wasn't until I went on a trip to Singapore and to China and got to meet some family members that I hadn't met before that the rest of it sort of fell into place. The rest of it being that there's a, the presence of, ancestors and the way that the living sort of interacts with those who have come before throughout the play.   Jalena Keane-Lee: [00:27:13] I noticed that ancestors, and ghosts and spirits are a theme throughout your work. I was wondering if you could talk a little bit about your own ancestry and how that informs your writing and creative practice.   Jessica Huang: [00:27:25] Yeah, I mean, I'm in a fourth generation interracial marriage. So, I come from a long line of people who have loved people who were different from them, who spoke different languages, who came from different countries. That's my story. My brother his partner is German. He lives in Berlin. We have a history in our family of traveling and of loving people who are different from us. To me that's like the story of this country and is also the stuff I like to write about. The thing that I feel like I have to share with the world are, is just stories from that experience.   Jalena Keane-Lee: [00:28:03] That's really awesome. I guess I haven't really thought about it that way, but I'm third generation of like interracial as well. 'cause I'm Chinese, Japanese, and Irish. And then at a certain point when you're mixed, it's like, okay, well. The odds of me being with someone that's my exact same ethnic breakdown feel pretty low. So it's probably gonna be an interracial relationship in one way or the other.   Jessica Huang: [00:28:26] Totally. Yeah. And, and, and I don't, you know, it sounds, and it sounds like in your family and in mine too, like we just. Kept sort of adding culture to our family. So my grandfather's from Shanghai, my grandmother, you know, is, it was a very, like upper crust white family on the east coast. Then they had my dad. My dad married my mom whose people are from the Ukraine. And then my husband's Puerto Rican. We just keep like broadening the definition of family and the definition of community and I think that's again, like I said, like the story of this country.   Jalena Keane-Lee: [00:29:00] That's so beautiful. I'm curious about the role of place in this project in particular, mother of exiles, angel Island, obviously being in the Bay Area, and then the rest of it taking place, in Miami or in the future. The last act is also like Miami or Miami adjacent. What was the inspiration behind the place and how did place and location and setting inform the writing.   Jessica Huang: [00:29:22] It's a good question. Angel Island is a place that has loomed large in my work. Just being sort of known as the Ellis Island of the West, but actually being a place with a much more difficult history. I've always been really inspired by the stories that come out of Angel Island, the poetry that's come out of Angel Island and, just the history of Asian immigration. It felt like it made sense to set the first part of the play here, in the Bay. Especially because Eddie, our protagonist, spent some time working on a farm. So there's also like this great history of agriculture and migrant workers here too. It just felt like a natural place to set it. And then why did we move to Miami? There are so many moments in American history where immigration has been a real, center point of the sort of conversation, the national conversation. And moving forward to the nineties, the wet foot, dry foot Cuban immigration story felt like really potent and a great place to tell the next piece of this tale. Then looking toward the future Miami is definitely, or you know, according to the science that I have read one of the cities that is really in danger of flooding as sea levels rise.   Jalena Keane-Lee: [00:30:50] Okay. The Cuban immigration. That totally makes sense. That leads perfectly into my next question, which was gonna be about how did you choose the time the moments in time? I think that one you said was in the nineties and curious about the choice to have it be in the nineties and not present day. And then how did you choose how far in the future you wanted to have the last part?   Jessica Huang: [00:31:09] Some of it was really just based on the needs of the characters. So the how far into the future I wanted us to be following a character that we met as a baby in the previous act. So it just, you know, made sense. I couldn't push it too far into the future. It made sense to set it in the 2060s. In terms of the nineties and, why not present day? Immigration in the nineties , was so different in it was still, like I said, it was still, it's always been a important national conversation, but it wasn't. There was a, it felt like a little bit more, I don't know if gentle is the word, but there just was more nuance to the conversation. And still there was a broad effort to prevent Cuban and refugees from coming ashore. I think I was fascinated by how complicated, I mean, what foot, dry foot, the idea of it is that , if a refugee is caught on water, they're sent back to Cuba. But if they're caught on land, then they can stay in the us And just the idea of that is so. The way that, people's lives are affected by just where they are caught , in their crossing. I just found that to be a bit ridiculous and in terms of a national policy. It made sense then to set the second part, which moves into a bit of a farce at a time when immigration also kind of felt like a farce.   Jalena Keane-Lee: [00:32:46] That totally makes sense. It feels very dire right now, obviously. But it's interesting to be able to kind of go back in time and see when things were handled so differently and also how I think throughout history and also touching many different racial groups. We've talked a lot on this show about the Chinese Exclusion Act and different immigration policies towards Chinese and other Asian Americans. But they've always been pretty arbitrary and kind of farcical as you put it. Yeah.   Jessica Huang: [00:33:17] Yeah. And that's not to make light of like the ways that people's lives were really impacted by all of this policy . But I think the arbitrariness of it, like you said, is just really something that bears examining. I also think it's really helpful to look at where we are now through the lens of the past or the future. Mm-hmm. Just gives just a little bit of distance and a little bit of perspective. Maybe just a little bit of context to how we got to where we got to.   Jalena Keane-Lee: [00:33:50] That totally makes sense. What has your experience been like of seeing the play be put up? It's my understanding, this is the first this is like the premier of the play at Berkeley Rep.   Jessica Huang: [00:34:00] Yes. Yeah. It's the world premier. It's it incredible. Jackie Bradley is our director and she's phenomenal. It's just sort of mesmerizing what is happening with this play? It's so beautiful and like I've alluded to, it shifts tone between the first movement being sort of a historical drama on Angel Island to, it moves into a bit of a farce in part two, and then it, by the third movement, we're living in sort of a dystopic, almost sci-fi future. The way that Jackie's just deftly moved an audience through each of those experiences while holding onto the important threads of this family and, the themes that we're unpacking and this like incredible design team, all of these beautiful visuals sounds, it's just really so magical to see it come to life in this way. And our cast is incredible. I believe there are 18 named roles in the play, and there are a few surprises and all of them are played by six actors. who are just. Unbelievable. Like all of them have the ability to play against type. They just transform and transform again and can navigate like, the deepest tragedies and the like, highest moments of comedy and just hold on to this beautiful humanity. Each and every one of them is just really spectacular. So I'm just, you know. I don't know. I just feel so lucky to be honest with you. This production is going to be so incredible. It's gonna be, it feels like what I imagine in my mind, but, you know, plus,    Jalena Keane-Lee: [00:35:45] well, I really can't wait to see it. What are you hoping that audiences walk away with after seeing the show?   Jessica Huang: [00:35:54] That's a great question. I want audiences to feel connected to their ancestors and feel part of this community of this country and, and grateful and acknowledge the sacrifices that somebody along the line made so that they could be here with, with each other watching the show. I hope, people feel like they enjoyed themselves and got to experience something that they haven't experienced before. I think that there are definitely, nuances to the political conversation that we're having right now, about who has the right to immigrate into this country and who has the right to be a refugee, who has the right to claim asylum. I hope to add something to that conversation with this play, however small.   Jalena Keane-Lee:[00:36:43]  Do you know where the play is going next?   Jessica Huang: [00:36:45] No. No. I dunno where it's going next. Um, exciting. Yeah, but we'll, time will   Jalena Keane-Lee: [00:36:51] and previews start just in a few days, right?   Jessica Huang: [00:36:54] Yeah. Yeah. We have our first preview, we have our first audience on Friday. So yeah, very looking forward to seeing how all of this work that we've been doing lands on folks.   Jalena Keane-Lee: [00:37:03] Wow, that's so exciting. Do you have any other projects that you're working on? Or any upcoming projects that you'd like to share about?   Jessica Huang: [00:37:10] Yeah, yeah, I do. I'm part of the writing team for the 10 Things I Hate About You Musical, which is in development with an Eye Toward Broadway. I'm working with Lena Dunham and Carly Rae Jepsen and Ethan Ska to make that musical. I also have a fun project in Chicago that will soon be announced.   Jalena Keane-Lee: [00:37:31] And what is keeping you inspired and keeping your, you know, creative energies flowing in these times?   Jessica Huang: [00:37:37] Well first of all, I think, you know, my collaborators on this show are incredibly inspiring. The nice thing about theater is that you just get to go and be inspired by people all the time. 'cause it's this big collaboration, you don't have to do it all by yourself. So that would be the first thing I would say. I haven't seen a lot of theater since I've been out here in the bay, but right before I left New York, I saw MEUs . Which is by Brian Keda, Nigel Robinson. And it's this sort of two-hander musical, but they do live looping and they sort of create the music live. Wow. And it's another, it's another show about an untold history and about solidarity and about folks coming together from different backgrounds and about ancestors, so there's a lot of themes that really resonate. And also the show is just so great. It's just really incredible. So , that was the last thing I saw that I loved. I'm always so inspired by theater that I get to see.   Jalena Keane-Lee: [00:38:36] That sounds wonderful. Is there anything else that you'd like to share?   Jessica Huang: [00:38:40] No, I don't think so. I just thanks so much for having me and come check out the show. I think you'll enjoy it. There's something for everyone.   Jalena Keane-Lee: [00:38:48] Yeah. I'm so excited to see the show. Is there like a Chinese Cuban love story with the Miami portion? Oh, that's so awesome. This is an aside, but I'm a filmmaker and I've been working on a documentary about, Chinese people in Cuba and there's like this whole history of Chinese Cubans in Cuba too.   Jessica Huang: [00:39:07] Oh, that's wonderful. In this story, it's a person who's a descendant of, a love story between a Chinese person and a Mexican man, a Chinese woman and a Mexican man, and oh, their descendant. Then also, there's a love story between him and a Cuban woman.   Jalena Keane-Lee: [00:39:25] That's awesome. Wow. I'm very excited to see it in all the different intergenerational layers and tonal shifts. I can't wait to see how it all comes together.   Ayame Keane-Lee: [00:39:34] Next up we are back with Miko Lee, who is now speaking with photographer Joyce Xi about her latest exhibition entitled Our Language, our Story Running Through January in San Francisco at Galleria de Raza.    Miko Lee: [00:39:48] Welcome, Joyce Xi to Apex Express.    Joyce Xi: [00:39:52] Thanks for having me.    Miko Lee: [00:39:53] Yes. I'm, I wanna start by asking you a question I ask most of my guests, and this is based on the great poet Shaka Hodges. It's an adaptation of her question, which is, who are your people and what legacy do you carry with you?   Joyce Xi: [00:40:09] My people are artists, free spirits, people who wanna see a more free and just, and beautiful world. I'm Chinese American. A lot of my work has been in the Asian American community with all kinds of different people who dreaming of something better and trying to make the world a better place and doing so with creativity and with positive and good energy.   Miko Lee: [00:40:39] I love it. And what legacy do you carry with you?   Joyce Xi: [00:40:43] I am a fighter. I feel like just people who have been fighting for a better world. Photography wise, like definitely thinking about Corky Lee who is an Asian American photographer and activist. There's been people who have done it before me. There will be people who do it after me, but I wanna do my version of it here.   Miko Lee: [00:41:03] Thank you so much and for lifting up the great Corky Lee who has been such a big influence on all of us. I'm wondering in that vein, can you talk a little bit about how you use photography as a tool for social change?   Joyce Xi: [00:41:17] Yeah. Photography I feel is a very powerful tool for social change. Photography is one of those mediums where it's emotional, it's raw, it's real. It's a way to see and show and feel like important moments, important stories, important emotions. I try to use it as a way to share. Truths and stories about issues that are important, things that people experience, whether it's, advocating for environmental justice or language justice or just like some of them, just to highlight some of the struggles and challenges people experience as well as the joys and the celebrations and just the nuance of people's lives. I feel like photography is a really powerful medium to show that. And I love photography in particular because it's really like a frozen moment. I think what's so great about photography is that. It's that moment, it's that one feeling, that one expression, and it's kind of like frozen in time. So you can really, sit there and ponder about what's in this person's eyes or what's this person trying to say? Or. What does this person's struggle like? You can just see it through their expressions and their emotions and also it's a great way to document. There's so many things that we all do as advocates, as activists, whether it's protesting or whether it's just supporting people who are dealing with something. You have that moment recorded. Can really help us remember those fights and those moments. You can show people what happened. Photography is endlessly powerful. I really believe in it as a tool and a medium for influencing the world in positive ways.   Miko Lee: [00:43:08] I'd love us to shift and talk about your latest work, Our language, Our story.” Can you tell us a little bit about where this came from?   Joyce Xi: [00:43:15] Sure. I was in conversation with Nikita Kumar, who was at the Asian Law Caucus at the time. We were just chatting about art and activism and how photography could be a powerful medium to use to advocate or tell stories about different things. Nikita was talking to me about how a lot of language access work that's being done by organizations that work in immigrant communities can often be a topic that is very jargon filled or very kind of like niche or wonky policy, legal and maybe at times isn't the thing that people really get in the streets about or get really emotionally energized around. It's one of those issues that's so important to everything. Especially since in many immigrant communities, people do not speak English and every single day, every single issue. All these issues that these organizations advocate around. Like housing rights, workers' rights, voting rights, immigration, et cetera, without language, those rights and resources are very hard to understand and even hard to access at all. So, Nik and I were talking about language is so important, it's one of those issues too remind people about the core importance of it. What does it feel like when you don't have access to your language? What does it feel like and look like when you do, when you can celebrate with your community and communicate freely and live your life just as who you are versus when you can't even figure out how to say what you wanna say because there's a language barrier.    Miko Lee: [00:44:55] Joyce can you just for our audience, break down what language access means? What does it mean to you and why is it important for everybody?   Joyce Xi: [00:45:05] Language access is about being able to navigate the world in your language, in the way that you understand and communicate in your life. In advocacy spaces, what it can look like is, we need to have resources and we need to have interpretation in different languages so that people can understand what's being talked about or understand what resources are available or understand what's on the ballot. So they can really experience their life to the fullest. Each of us has our languages that we're comfortable with and it's really our way of expressing everything that's important to us and understanding everything that's important to us. When that language is not available, it's very hard to navigate the world. On the policy front, there's so many ways just having resources in different languages, having interpretation in different spaces, making sure that everybody who is involved in this society can do what they need to do and can understand the decisions that are being made. That affects them and also that they can affect the decisions that affect them.   Miko Lee: [00:46:19] I think a lot of immigrant kids just grow up being like the de facto translator for their parents. Which can be things like medical terminology and legal terms, which they might not be familiar with. And so language asks about providing opportunities for everybody to have equal understanding of what's going on. And so can you talk a little bit about your gallery show? So you and Nikita dreamed up this vision for making language access more accessible and more story based, and then what happened?   Joyce Xi: [00:46:50] We decided to express this through a series of photo stories. Focusing on individual stories from a variety of different language backgrounds and immigration backgrounds and just different communities all across the Bay Area. And really just have people share from the heart, what does language mean to them? What does it affect in their lives? Both when one has access to the language, like for example, in their own community, when they can speak freely and understand and just share everything that's on their heart. And what does it look like when that's not available? When maybe you're out in the streets and you're trying to like talk to the bus driver and you can't even communicate with each other. How does that feel? What does that look like? So we collected all these stories from many different community members across different languages and asked them a series of questions and took photos of them in their day-to-day lives, in family gatherings, at community meetings, at rallies, at home, in the streets, all over the place, wherever people were like Halloween or Ramadan or graduations, or just day-to-day life. Through the quotes that we got from the interviews, as well as the photos that I took to illustrate their stories, we put them together as photo stories for each person. Those are now on display at Galleria Deza in San Francisco. We have over 20 different stories in over 10 different languages. The people in the project spoke like over 15 different languages. Some people used multiple languages and some spoke English, many did not. We had folks who had immigrated recently, folks who had immigrated a while ago. We had children of immigrants talking about their experiences being that bridge as you talked about, navigating translating for their parents and being in this tough spot of growing up really quickly, we just have this kind of tapestry of different stories and, definitely encourage folks to check out the photos but also to read through each person's stories. Everybody has a story that's very special and that is from the heart   Miko Lee: [00:49:00] sounds fun. I can't wait to see it in person. Can you share a little bit about how you selected the participants?    Joyce Xi: [00:49:07] Yeah, selecting the participants was an organic process. I'm a photographer who's trying to honor relationships and not like parachute in. We wanted to build relationships and work with people who felt comfortable sharing their stories, who really wanted to be a part of it, and who are connected in some kind of a way where it didn't feel like completely out of context. So what that meant was that myself and also the Asian Law Caucus we have connections in the community to different organizations who work in different immigrant communities. So we reached out to people that we knew who were doing good work and just say Hey, do you have any community members who would be interested in participating in this project who could share their stories. Then through following these threads we were able to connect with many different organizations who brought either members or community folks who they're connected with to the project. Some of them came through like friends. Another one was like, oh, I've worked with these people before, maybe you can talk to them. One of them I met through a World Refugee Day event. It came through a lot of different relationships and reaching out. We really wanted folks who wanted to share a piece of their life. A lot of folks who really felt like language access and language barriers were a big challenge in their life, and they wanted to talk about it. We were able to gather a really great group together.    Miko Lee: [00:50:33] Can you share how opening night went? How did you navigate showcasing and highlighting the diversity of the languages in one space?    Joyce Xi: [00:50:43] The opening of the exhibit was a really special event. We invited everybody who was part of the project as well as their communities, and we also invited like friends, community and different organizations to come. We really wanted to create a space where we could feel and see what language access and some of the challenges of language access can be all in one space. We had about 10 different languages at least going on at the same time. Some of them we had interpretation through headsets. Some of them we just, it was like fewer people. So people huddled together and just interpreted for the community members. A lot of these organizations that we partnered with, they brought their folks out. So their members, their community members, their friends and then. It was really special because a lot of the people whose photos are on the walls were there, so they invited their friends and family. It was really fun for them to see their photos on the wall. And also I think for all of our different communities, like we can end up really siloed or just like with who we're comfortable with most of the time, especially if we can't communicate very well with each other with language barriers. For everybody to be in the same space and to hear so many languages being used in the same space and for people to be around people maybe that they're not used to being around every day. And yet through everybody's stories, they share a lot of common experiences. Like so many of the stories were related to each other. People talked about being parents, people talked about going to the doctor or taking the bus, like having challenges at the workplace or just what it's like to celebrate your own culture and heritage and language and what the importance of preserving languages. There are so many common threads and. Maybe a lot of people are not used to seeing each other or communicating with each other on a daily basis. So just to have everyone in one space was so special. We had performances, we had food, we had elders, children. There was a huge different range of people and it was just like, it was just cool to see everyone in the same space. It was special.    Miko Lee: [00:52:51] And finally, for folks that get to go to Galleria de la Raza in San Francisco and see the exhibit, what do you want them to walk away with?   Joyce Xi: [00:53:00] I would love for people to walk away just like in a reflective state. You know how to really think about how. Language is so important to everything that we do and through all these stories to really see how so many different immigrant and refugee community members are making it work. And also deal with different barriers and how it affects them, how it affects just really simple human things in life that maybe some of us take for granted, on a daily basis. And just to have more compassion, more understanding. Ultimately, we wanna see our city, our bay area, our country really respecting people and their language and their dignity through language access and through just supporting and uplifting our immigrant communities in general. It's a such a tough time right now. There's so many attacks on our immigrant communities and people are scared and there's a lot of dehumanizing actions and narratives out there. This is, hopefully something completely different than that. Something that uplifts celebrates, honors and really sees our immigrant communities and hopefully people can just feel that feeling of like, oh, okay, we can do better. Everybody has a story. Everybody deserves to be treated with dignity and all the people in these stories are really amazing human beings. It was just an honor for me to even be a part of their story. I hope people can feel some piece of that.    Miko Lee: [00:54:50] Thank you so much, Joyce, for sharing your vision with us, and I hope everybody gets a chance to go out and see your work.    Joyce Xi: [00:54:57] Thank you.   Ayame Keane-Lee: [00:55:00] Thanks so much for tuning in to Apex Express. Please check out our website at kpfa.org/program/apexexpress to find out more about the guests tonight and find out how you can take direct action.   Apex Express is a proud member of Asian Americans for civil rights and equality. Find out more at aacre.org. That's AACRE.org.   We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world. Your voices are important.    Apex Express is produced by  Miko Lee, Jalena Keene-Lee, Ayame Keene-Lee, Preeti Mangala Shekar, Anuj Vaida, Cheryl Truong, Isabel Li, Nina Phillips & Swati Rayasam. Thank you so much to the team at KPFA for their support and have a good night.       The post APEX Express – 11.20.25 – Artist to Artist appeared first on KPFA.

I've been wanting to talk about this topic for a while and to bring you a conversation with people who are in more of a position to explain, give examples, and help others to either start thinking or learn more about the topic of inclusive language.In this episode we talked about: What is inclusive language? What are some general tips that we can implement to make our texts and speech more inclusive? Are there any language-specific aspects, approaches, or challenges that we should be aware of in terms of the languages represented on the panel? Different experiences of speaking with clients about making their texts more inclusive or pointing out where the original text was not? Inclusive language resources that would be useful for translators. Thanks Renata, Marina, Alicja, Inès, and Charlotte for making this content with me and I look forward to exploring these topics further with you and others in the future.To find out more about my guests and to see the resource list for this episode, visit the show notes page: https://www.englishwithkirsty.com/podcast/episode292

What do you do when you want to tell someone you’re smitten with them but you live in a society so repressive decorum prevents you from even speaking such things? Why, you can say it with flowers! And that’s just what people in the Victorian Era did.See omnystudio.com/listener for privacy information.

Is return to office really about “culture”—or is it quietly draining families, energy, and trust?In this episode, I unpack what's actually happening in your mind and brain when RTO policies shrink your choices, stretch your days, and turn Sunday nights into dread. You'll learn why lost autonomy registers as threat, how that shows up as jaw tension, irritability, and exhaustion, and why none of this makes you weak or “not a team player”—it makes you human.We'll walk through the science of motivation (autonomy, competence, and connection), allostatic load, and how your brain's stress chemistry changes when your work rhythm stops matching your life rhythm. Then I'll show you how to use the 5-step Neurocycle to translate “return to office rage” into practical redesigns: small, repeatable choices that protect family rituals, restore a sense of control, and rebuild culture based on trust instead of attendance. This episode is for parents, new grads, managers, and leaders who feel torn between policy and people—and who want a healthier way forward for both work and home.

Merriam-Webster's Word of the Day for November 19, 2025 is: serendipity • sair-un-DIP-uh-tee • noun Serendipity refers to luck that takes the form of finding valuable or pleasant things that are not looked for, or to an instance of such luck. // They found each other by pure serendipity. See the entry > Examples: “For new music, I rely on ... radio shows like ‘Late Junction,' straight-up luck and serendipity, and my wife, who has impeccable taste.” — Liam Brickhill, LitHub.com, 5 Dec. 2024 Did you know? The word serendipity did not come about by luck; rather, it was intentionally coined by 18th century author Horace Walpole, who was eager to share a happenstance discovery he had made while researching a coat of arms. In a letter to his friend Horace Mann he wrote: “This discovery indeed is almost of that kind which I call Serendipity, a very expressive word, which ... I shall endeavor to explain to you: you will understand it better by the derivation than by the definition. I once read a silly fairy tale, called ‘The Three Princes of Serendip': as their highnesses travelled, they were always making discoveries, by accidents and sagacity, of things they were not in quest of ...” Walpole's memory of the tale (which, as luck would have it, was not quite accurate) gave serendipity the meaning it retains to this day.

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Language assessments shape who gets services, how goals are written, and how progress is measured, but there are many misconceptions about how to follow best-practices when doing an evaluation. In this three-part series, bilingual SLPs Destiny Johnson and Tiffany Shahoumian-Ruiz join me to dig into the science, the myths, and the policies that shape evaluation practices in schools.Across these conversations, we explore:Sensitivity, specificity, reference standards, and diagnostic accuracyHow test development has evolved over time and why this matters Why the same cut-off score shouldn't apply across all testsThe math behind using two norm-referenced tests, and why it may complicate rather than clarify in some casesOther reasons we test beyond diagnosis (treatment planning, severity, monitoring progress)How do we do we to “sell” the concept of dynamic assessment to administratorsCase studies that show the pitfalls of over-reliance on standardized scoresMisconceptions clinicians often hold, and what they should know about assessmentDifferences in state eligibility standards, and what this means for service decisionsThis series is part myth-busting, part practical strategies, and part advocacy playbook—perfect for clinicians who want to move beyond compliance-driven evaluations toward assessments that truly reflect students' needs.You can listen to Part 1 of the series here.Destiny Johnson, M.S., CCC-SLP, is a bilingual speech-language pathologist (English/Spanish) with a deep passion for culturally responsive assessment and treatment practices, as well as advocating for policy change. She has presented on dynamic assessment at the CSHA Convergence 2024, focusing on the importance of dynamic assessment in bilingual children. Destiny has experience working as a school-based SLP, in private practice, and in early intervention. She is also the founder and CEO of Multimodal Communication Speech Clinic P.C.Connect with Destiny on Instagram @destinyjohnsonslp, on her private practice website here, and on LinkedIn here.Listen to Destiny's previous episode on De Facto Leaders here: EP 187: Dynamic Assessment: Evaluations are a process, not a test (with Destiny Johnson)Tiffany Shahoumian-Ruiz is a bilingual high school SLP from Southern California who has primarily worked in the school systems and has experience at both the elementary and secondary level. She's also a member of Language Therapy Advance Foundations, and is involved in state and local advocacy work relating to dynamic assessments and special education eligibility.Connect with Tiffany on Instagram @tiffany.shahoumianListen to Tiffany's previous episode on De Facto Leaders here: High school language therapy: Do we still have time to make an impact? (with Tiffany Shahoumian-Ruiz)In this episode, I mention Language Therapy Advance Foundations, my program that gives SLPs and other service providers create a system for language therapy. You can learn more about the program here.Additional Resources Mentioned in the episode:Daub, O., Cunningham, B. J., Bagatto, M. P., Johnson, A. M., Kwok, E. Y., Smyth, R. E., & Oram Cardy, J. (2021). Adopting a conceptual validity framework for testing in speech-language pathology. American Journal of Speech-Language Pathology, 30(4), 1894–1908. https://doi.org/10.1044/2021_AJSLP-20-00032Spaulding, T. J., Plante, E., & Farinella, K. A. (2006). Eligibility criteria for language impairment: Is the low end of normal always appropriate? Language, Speech, and Hearing Services in Schools, 37(1), 61–72. https://doi.org/10.1044/0161-1461(2006/007)DYMOND Norm-Referenced Dynamic AssessmentBilingual English-Spanish Assessment (BESA) We're thrilled to be sponsored by IXL. IXL's comprehensive teaching and learning platform for math, language arts, science, and social studies is accelerating achievement in 95 of the top 100 U.S. school districts. Loved by teachers and backed by independent research from Johns Hopkins University, IXL can help you do the following and more:Simplify and streamline technologySave teachers' timeReliably meet Tier 1 standardsImprove student performance on state assessments

Recorded live at the CAB6 × MCA Tailgate This episode was recorded as part of the Chicago Architecture Biennial (CAB6) activation on the plaza of the Museum of Contemporary Art Chicago, where Bad at Sports staged a series of open-air interviews, community dialogues, and tailgate-style broadcasts. Artists, architects, students, and the public intersected in a shared social space designed for porous conversation. Episode 920 features Tony Lewis, whose practice has shaped Chicago's contemporary drawing discourse for more than a decade. In this conversation, Tony Lewis joins Bad at Sports for an unscripted outdoor interview on the MCA plaza during the Architecture Biennial. The discussion moves fluidly between Lewis's formative years in Chicago, the evolution of his drawing practice, his relationship to language systems (notably shorthand), and the material intelligence behind works that incorporate rubber bands, graphite, or constraint mechanisms. Lewis reflects on mentorship, studio discipline, the importance of failure and patience, and the way drawing becomes a long-term conversation with materials. He speaks candidly about the Chicago art ecosystem, the emotional dimensions of his practice, and the shifting sense of scale and intimacy in his recent work — including his Louis Bag series and large graphite constructions. The episode captures an artist thinking in real time about endurance, attention, vulnerability, and artistic friendship. ·       Drawing as a full-body practice: constraint, tension, rubber bands, architecture of line. ·       Language + shorthand: transcription, coded systems, linguistic compression. ·       Chicago as a site of artistic maturation: community, humility, seriousness. ·       Material intelligence: graphite as dust, weight, pressure, residue. ·       Patience and endurance: long timelines for developing works. ·       Professional evolution: moving from iconic early works to quieter, more intimate forms. ·       Artistic friendship and trust: collaboration, studio visits, long-running dialogues. ·       Shorthand Drawings / Gregg Shorthand–based works ·       Rubber band constructions & torn-grid drawings ·       Graphite floor drawings / powder dispersion works ·       Louis Bag series  ·       Wall-based large graphite sheets under tension NAMES DROP-ed  ·       Tony Lewis - https://massimodecarlo.com/artists/tony-lewis ·       Kevin Beasley (referenced indirectly in relation to material practice) - https://caseykaplangallery.com/artists/beasley/ ·       Nate Young - https://www.moniquemeloche.com/artists/36-nate-young/works/ ·       Theaster Gates - https://www.theastergates.com/ ·       Michelle Grabner - https://www.michellegrabner.com/ ·       Kerry James Marshall - https://jackshainman.com/artists/kerry_james_marshall ·       William Pope.L - https://www.miandn.com/artists/pope-l ·       Rodney McMillian - https://vielmetter.com/artists/rodney-mcmillian/ ·       Amanda Williams - https://awstudioart.com/home.html ·       Rashid Johnson - https://www.hauserwirth.com/artists/2830-rashid-johnson/ ·       Charles Gaines - https://www.hauserwirth.com/artists/21845-charles-gaines/ ·       Torkwase Dyson - https://www.torkwasedyson.com/ ·       Museum of Contemporary Art Chicago (MCA) - https://mcachicago.org/ ·       Chicago Architecture Biennial (CAB) - https://chicagoarchitecturebiennial.org/ ·       Shane Campbell Gallery - https://www.shanecampbellgallery.com/ ·       School of the Art Institute of Chicago (SAIC) - https://www.saic.edu/   Image Sarah Hudson

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learn how to say 'go out' in Chinese

In this episode, you will learn different ways to say “I'm shocked” in English and how native speakers use them in real situations. Each expression is explained in simple, clear language so you can understand the meaning, the tone, and when to use it.This lesson is ideal for English learners at intermediate and advanced levels who want to expand vocabulary, improve speaking confidence, and sound more natural in conversations. By the end, you'll know how to express surprise, disbelief, or strong emotion in a more accurate and fluent way.Share Your ThoughtsSupport the showImprove your English step by step. My online courses cover grammar, vocabulary, and speaking practice — prices start from just €7.99. Enrol today and start improving your English ➡️ https://www.englishlessonviaskype.com/online-learning-courses/

Send us a textWhat if your lighting is sending the wrong message to your biology? We dig into the science of light as information, showing how specific wavelengths trigger opsins in the eyes and skin to set circadian rhythm, shape metabolism, and influence mood, sleep, and aging. From violet and sky-blue that kick-start morning alertness to red and near-infrared that support mitochondrial function, collagen, and nitric oxide, we connect the dots between spectrum quality and everyday health.We unpack why standard LEDs, optimized for brightness and efficiency, often omit key wavelengths and oversupply blue at night, creating “junk light” that confuses the body clock. You'll hear how melanopsin responds to 480 nm for daytime timing, how vitamin A, DHA, and zinc support receptor flexibility, and why quantum effects like exclusion zone water and electron tunneling matter for energy production. We also point to real-world applications: blue light therapy for infant jaundice, UV for hospital sterilization, and the growing case for red and near-infrared in recovery and wound healing.Most importantly, we translate the science into steps you can use right now. Get outside for a few minutes of morning light. Bring in a full-spectrum or tunable lamp for daytime work. After sunset, drop brightness below 100 lumens and cut blue to protect sleep. Consider targeted red or near-infrared for soreness and winter resiliency, and track your changes with sleep scores or glucose trends. Food and fitness move the needle, but aligning your light may be the missing lever. If this episode helps you rethink your environment, share it with a friend, hit follow, and leave a review to tell us what light change you'll make tonight.

Rome began as a pagan, Latin-speaking city state in central Italy during the early Iron Age and ended as a Christian, Greek-speaking empire as the age of gunpowder dawned. Everything about it changed, except its Roman identity. This was due to a unique willingness among Romans to include new people as citizens, an openness to new ideas, and an unparalleled adaptability that enabled Romans to remake every aspect of their society in ways that made it stronger and more resilient. Romans, who believed that their city was originally settled by exiles and captives, found a balance between the embrace of new people and ideas and a conservative attachment to the core features that had traditionally defined Roman society. Roman history is a story of 80 generations of Romans who deftly challenged the rules governing their lives—and usually did so without overturning the institutions that made them safe and prosperous. In an age when people around the world are increasingly looking to charismatic leaders promising to scrap the rules governing modern states, Rome shows why states that want to endure should be repelled by the sudden, unpredictable jolts such characters provide. To explore this topic with us is today’s guest, Edward J. Watts, author of “The Romans: A 2000-Year History.” Rather than collapse, Watts shows how Rome endured, evolved, and redefined itself for two thousand years—from the Punic Wars to the Crusades, and from Augustus to Constantine to Charlemagne.See omnystudio.com/listener for privacy information.

1134. This week, we look at the poetic power of personification (the language quirk that gives human traits to nonhuman things) and why style guides advise against using it for AI. Then, we look at the different names for common sayings, defining a proverb and breaking down the four main types: maxim, adage, dictum, and truism.The personification segment was written by Karen Lunde, a longtime writer and editor turned web designer and marketing mentor. Solo service business owners come to her for websites where beautiful design meets authentic words that actually build connections. Find her at chanterellemarketingstudio.com.The proverbs segment was written by Jim Norrena, MFA, who has been writing, editing, and leading grammar and proofreading workshops for more than thirty-five years. He founded TypoSuction.com, an independent editorial service, and is a member of Bay Area Editors' Forum. He also serves on the board of Professional Publishers Network. You can find him at LinkedIn.

Join us in this episode as Apostle Kathryn Krick shares her faith journey, her ministry, and the transformative power of God's plan. As the Lead Pastor of Five Fold Church, Apostle Kathryn has created a space where miracles occur, lives are changed, and people are healed, delivered, and equipped to carry revival. Each week, visitors from across the U.S. and around the world travel to 5F Church to encounter God's presence… Beyond her in-person ministry, Apostle Kathryn is also the author of The Secret of the Anointing: Accessing the Power of God to Walk in Miracles and Unlock Your Deliverance: Keys to Freedom From Demonic Oppression, books centered around strengthening relationships with Jesus, His miracles, and how to follow our "spiritual GPS."  This discussion focuses on: When Apostle Kathryn first encountered God's power. The importance of seeking the Holy Spirit wholeheartedly. What it truly means to understand and walk in God's plan. The difference between an apostle and a pastor. To stay connected with Apostle Kathryn's ministry, you can visit her website, tune into her Revival is Now podcast, and follow her on Instagram!

Merriam-Webster's Word of the Day for November 18, 2025 is: eccentric • ik-SEN-trik • adjective Eccentric usually describes people and things that deviate from conventional or accepted usage or behavior, especially in odd or whimsical ways. It is also used technically to mean "deviating from a circular path" and "located elsewhere than at the geometric center." // He's an endearingly eccentric scientist whose methods are quite inventive. // The dwarf planet Pluto has an eccentric orbit. See the entry > Examples: "The film [Annie Hall] is considered one of the great romantic comedies of all time, with [Diane] Keaton's eccentric, self-deprecating Annie at its heart." — Eva Roytburg, Fortune, 11 Oct. 2025 Did you know? Eccentric was originally a technical term at home in the fields of geometry and astronomy. It comes from the Medieval Latin adjective ecentricus, meaning "not having the earth at its center," and ultimately has its root in a Greek noun, kéntron, whose various meanings include "stationary point of a pair of compasses" and "midpoint of a circle or sphere." But its figurative use is long-established too: as far back as the 17th century the word has been used to describe people and things that deviate from what is conventional, usual, or accepted.

practice talking about consequences

practice talking about consequences