Podcasts about Canon

Harriet Logan is a multi-award winning photographer who spent the first half of her career working on international assignments in places such as Sudan, Angola, Chechnya, Afghanistan, Iraq, Kosovo and Somalia for a range of international newspapers and magazines. She subsequently turned her attention to working commercially on advertising campaigns for various big brand clients, including The Pictet Group and Canon, alongside some of the worlds largest advertising agencies. Today she curates the Incite Project, an issue driven collection of photographs broadly based around the subject of world events and conflict. Harriet is also the executive director of The Ian Parry Photojournalism Grant which has run for over 30 years and which she won in 1992. The grant has a mission to support young and emerging Photojournalists. She co-parents 4 boys with her husband Mark, an owl, a peregrine falcon, three dogs, a dressage horse, and a bunch of sheep, cows, chickens and pigs. On episode 284, Harriet discusses, among other things: Her journey into photojournalism from art college in the USA Her early project on an Aids patient, with whom she became close Beginners luck at the Poll tax riots in London in 1990 Ending up in southern Sudan…and then Somalia Winning the The Ian Parry Photojournalism Grant and how it changed everything The reality of being a female photojournalist in the 90's An example of the danger of inadvertantly fucking over your subject He story about victims of rape in Kosovo during the Balkans conflict Being sent to Afghanistan for the first time by The Sunday Times… …And returning four years later to find the women and girls she had photographed there A close call on the road from Kabul to Jalalabad Motherhood, falling out of love with being a photographer, and the decision to quit photojournalism Becoming the Executive Director of the The Ian Parry Photojournalism Grant The new Tom Stoddart Award for Excellence How The Incite Project came about and how she defines what it is The fundamental strangeness of having graphic and disturbing photojounalism framed on your walls Referenced: Eugene Richards, Exploding Into Life Don McCullin Les Wilson Len Greener Josef Koudelka Cartier Bresson Robert Capa W. Eugene Smith Colorific Aidan Sullivan Tom Stoddart Michael Rand Jillian Edelstein Simon Norfolk Jenny Matthews Jeremy Clarkson AA Gill Mark Hix Tristran Lund Giles Duley, Legacy of War Foundation Laura Pannack Omar Ashtawey Trevor Paglen Richard Mosse Ed Burtynsky Luke Delahey Ed Clarke Network Photographers Simon Roberts Matt Black Lorenzo Meloni Chris Donovan Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £4 per month. Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides. Follow me on Instagram here. Need a new website? I will build you one with Squarespace. Details here.

Canon Benjamin Norman, ICKSP, was ordained in 2018. He currently serves at Most Holy Rosary Chapel (St. Vincent's School For Boys) in the Archdiocese of San Francisco. In Today's Show: Could you please touch on what is actually required as far as a “firm purpose of amendment” for a valid confession? Is it a mortal sin for a Catholic to go to a medium? Can an abortion be forgiven? What is the Catholic Church's position on dispensationalism as it relates to Zionism and protestant attachment to Israel? When did they start using the host as we know it today? My brother-in-law, who is Catholic, is cohabitating with his girlfriend. Would it be sinful to go to his house? And more. Visit the show page at thestationofthecross.com/askapriest to listen live, check out the weekly lineup, listen to podcasts of past episodes, watch live video, find show resources, sign up for our mailing list of upcoming shows, and submit your question for Father!

This week, J.John is joined by Gary Wilkerson, who reflects on a remarkable family heritage of Christian ministry, from a chaplain in the American Civil War to generations of revivalists and church leaders. As the son of David Wilkerson, Gary shares the story behind his father's ministry, including his work with young people in New York, the well-known account of Nicky Cruz, and the founding of World Challenge, which Gary now leads as President. In this conversation, he offers insight into the ongoing work of World Challenge in supporting and resourcing the global Church, and reflects on themes from his book The Jaw-Dropping Beauty of Jesus, based on the book of Hebrews, exploring a deeper understanding of Christ and its relevance for faith today.

We take a closer look at Canon's new R6V and debate how it compares to the R6 III, C50, and Nikon ZR. Is this a promising new vlog camera, or just a less photo-capable R6 III? Also, the Cinelux SIXTEEN brings a new meaning to the phrase “hybrid camera”. If you enjoy the show, we'd welcome your support on Patreon. It's only $3 per month and helps us keep the show running. You can check it out here: https://www.patreon.com/cameragearpodcast If you prefer to make a one-time donation, you can find us on Buy Me a Coffee: https://buymeacoffee.com/cameragearpodcast  Want to send us a question or comment, or just learn more about the show? Check out our website at https://cameragearpodcast.com, or email us directly at cameragearpodcast@gmail.com. Also, some of the product links in the notes below are affiliate links, which earn us a commission if you make a purchase at no additional cost to you. Notes: Kinefinity Vista Cinelux SIXTEEN Hybrid Film Camera System Cinelux Project SIXTEEN Hybrid Film and Digital Super 16 Camera – First Look [CineD] Canon R6V Nikon ZR

A sermon by the Rev. Canon Julia Mitchener on the Third Sunday after Pentecost (June 14, 2026) at the Episcopal Cathedral of St. Philip, Atlanta

"We are the disciples now." Sermon by Charissa Simmons, Canon for Intergenerational Ministry, recorded live on Sunday, June 14, 2026.

None of this is real don't worry ⭐Missed Apex Tik Tokhttps://www.tiktok.com/@missedapexf1⭐ Spanners https://x.com/SpannersReady https://bsky.app/profile/spannersready.bsky.social⭐ Matt Trumpets https://x.com/mattpt55 https://bsky.app/profile/mattpt55.bsky.socialWays To Support Missed Apex:✅ Join our Patreon to gain access to our exclusive Patreon Only Discord Chat + Bonus ContentWe Only Exist Due to Our Patron Support https://www.patreon.com/MissedApex✅ Leave a tip https://missedapexpodcast.com/tipjarNational Gambling Helpline. Call them at 0808 8020 133 or visit ⁠GamCare to access 24/7 live chat, WhatsApp, and safe online forums National Council on Problem Gambling at 1-800-GAMBLER. This 24/7 hotline connects you to live specialists, local resources, and free treatment options in all 50 state On Tonight's Show:⭐Missed Apex Tik Tokhttps://www.tiktok.com/@missedapexf1⭐ Spanners https://x.com/SpannersReady https://bsky.app/profile/spannersready.bsky.social ⭐ Chris Stevens https://www.instagram.com/chrisonracing/ https://www.tiktok.com/@chrisonracingGive us a shout on WhatsApp! Save +44 79 4747 1840 if you are interested in calling into a show or sending us things you reckonCome iRacing with us!!! Join the Missed Apex British F4 iRacing Championship! 6 rounds, UK tracks only, through the Missed Apex iRacing League! Email spanners@missedapex.net to join the fun!!!Give Spanners Insta a go!!!https://www.instagram.com/spannersreadyKeep an eye out on Netflix!https://www.instagram.com/netflixpodcasts/Don't miss Stevens doing mega comms for TNT 24 hours of LeMans coverage on HBOMax!!! 10-14 June (yes it is that big a deal!!!!!)https://play.hbomax.com/sportsKeep an eye (or ear) out for Stevens on comms!!! Season begins 19/04/2026 on YouTube!!!https://youtube.com/@GTOPENseries?si=YNS0AidFc364XX1qGive Stevens show reel a spin!!! https://loudspeakeragency.com/talent/chris-stevens/ Hosted on Acast. See acast.com/privacy for more information.

Is Disclosure Day the New Close Encounters? | Radio Labyrinth Podcast | S11-Ep23This week on Radio Labyrinth, we ask if Spielberg's Disclosure Day is the spiritual sequel to Close Encounters of the Third Kind. Is Spielberg back to alien wonder, or just remixing his own UFO magic?Plus: Obsession's indie film pay controversy, Netflix's real-dog Scooby-Doo, Whalefall, Gail Daughtry and the Celebrity Sex Pass, Dungeon Crawler Carl Book 8, Rush, Trailer Trash, Views or Snooze, and Staff Picks.Keep it Canon.▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀Hosts: Tim Andrews, Jeff Leiboff, Dustin Lollar and Lizzie Bruce JonesAudio Podcast & YouTube Video Edited by Dustin Lollar ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀

We're back with a new format for the JRPG Canon! You can watch Sam and the guest's live reactions to the game by heading to youtube and watching the VOD. Today we go back to where it all began, and play Colossal Cave Adventure, from 1976. ------- VIDEO LINK: https://youtu.be/MqPhltJNUO0

In this episode, Nancy Wilson talks about spiritual health, learning to counsel yourself, and pressing toward the goal through prayer, obedience, and fellowship with God. Find more from Nancy and others on Canon+: https://canonplus.com/tabs/none/pages/nancy-wilson 

In this episode, Jared & Stephen discuss Jared's latest trip to Canada and his on-going issue with getting his 4x5 film X-RAYED yet again, DJI's new Pocket 4 Pro and Insta360's Luna Ultra pocket gimbal, how Apple is pushing forward with more enhancements to their computational iOS photography, Canon's rumored big-ass glass with built-in TCs & more! Text us with any thoughts and questions regarding this episode at 313-710-9729. This is RAWtalk Episode 200!

Video Version: https://www.youtube.com/watch?v=yOAYH2aooV0 Try a FREE week of Patreon! Website: ovppodcast.com Twitter: @ovppodcast  

In Episode 496 of the Reformed Brotherhood, Tony Arsenal and Jesse Schwamb open with a rich discussion on the theology of congregational singing — including the Trinity Psalter Hymnal, the Getty's Sing!, and why psalm-singing belongs at the heart of Christian worship. The main event, however, is the first installment of their study of the Parable of the Talents (Matthew 25:14–30). Tony and Jesse argue that this parable is widely misread as a lesson in personal productivity or spiritual gift deployment, when in fact its center of gravity is entirely eschatological and theological: the wicked servant's failure is not financial incompetence — it is a catastrophic misunderstanding of who the master is, and therefore, who he himself is as a servant of that master. Key Takeaways The parable is eschatological, not motivational. Situated in Matthew 25 as the second of three eschatological parables in the Olivet Discourse, the Parable of the Talents answers the disciples' question about the sign of Christ's coming — not a general lesson about using your abilities for God. "Talents" refers to an enormous monetary sum, not personal giftedness. A single talent represented roughly 20 years of a laborer's wages. Even the least-endowed servant received an immense, unearned gift — which makes the wicked servant's inaction all the more indefensible. The wicked servant's problem is theological, not financial. He doesn't bury the talent out of ignorance or fear alone — he actively mischaracterizes the master as exploitative and unjust. His failure is a failure of theology: he does not know who his master is. The commendation "Well done, good and faithful servant" is the basic reward of every believer, not a tiered prize for the most productive. The five-talent and two-talent servants receive identical commendations, suggesting the measure is proportional faithfulness, not absolute output. Faithful stewardship is active, not passive. Both faithful servants are marked by immediacy and energetic engagement. The parable does not explain how they doubled their talents because the mechanics are not the point — their disposition of active, risk-taking faithfulness is. The parable resists works-righteousness readings. Whether one is Augustine or an anonymous deathbed convert, every justified believer enters into the same joy of the master. The parable is not a theology of graduated heavenly rewards but a distinction between those who understand their master and those who do not. The talents represent the stewardship of the Gospel and the Kingdom itself. The master entrusting his servants with his property is a picture of Christ entrusting the church with the message of salvation — ownership remains with the master, the servants are stewards, not proprietors. Key Concepts The Wicked Servant's Problem Is Who He Thinks the Master Is The most common misreading of this parable locates the wicked servant's failure in laziness or timidity — he was simply too afraid to act. But Tony Arsenal argues compellingly that the servant's own words expose something far more serious. He says, "I knew you to be a hard man, reaping where you did not sow." This is not a confession of fear; it is an accusation. The servant has constructed a theology of his master as an exploitative, unjust overseer who doesn't deserve a return. What he catastrophically misses is that the very possession of 20 years' worth of wages — an unearned, unimaginable gift — is the master sowing into him. His refusal to act is, at its root, a refusal to acknowledge the master's generosity and authority. This is the parable's most penetrating theological edge. "Well Done" Is for Every Believer, Not Just the Most Productive One of the episode's most pastorally significant observations is Tony's argument that the commendation "Well done, good and faithful servant — enter into the joy of your master" is not reserved for spiritual high-achievers. Because the five-talent and two-talent servants receive word-for-word identical commendations despite wildly different absolute returns, the logical entailment is that the one-talent servant, had he been faithful, would have received the same words. This means the commendation is not calibrated to productivity — it is the basic inheritance of every believer who enters glory. The soul-winner and the deathbed convert, Augustine and the unknown faithful, all hear the same welcome. The parable is therefore not teaching a graduated hierarchy of heavenly reward, but a binary distinction: those who know their master and act accordingly, and those who do not. The Parable Cannot Be Detached from Its Eschatological Context Jesse Schwamb is careful to anchor the parable in its literary and theological context: this is the second of three eschatological parables in Matthew 25, all part of the Olivet Discourse, all delivered in direct response to the disciples' question about the sign of Christ's return and the end of the age. Detaching the Parable of the Talents from that frame — and reading it instead as a general productivity principle or a theology of spiritual gifts — drains it of what Jesse calls its "gravity." The master going away and returning after a long time is a direct image of the ascended Christ and his parousia. The servants' task during the interval is not self-improvement or career stewardship — it is watchful, active discipleship in the time between the first and second comings. Everything in the parable, including the staggering sums of money, is calibrated to that eschatological frame. Memorable Quotes The real difference is that the former servants understood that their master had trusted them with a task and expected something of them, and the unfaithful, wicked, lazy servant had a total misunderstanding of who the master was — and therefore what his role as the master's servant was. That's the point of this parable. — Tony Arsenal Well done, good and faithful servant — that's not a special commendation that only the most amazing Christian servants get. That's the basic commendation that every Christian who enters into glory will receive. Whether you have been the most productive soul-winner in the world... you're going to receive the same commendation as the person who dies, and on their deathbed the last thing that they think is, 'I trust Jesus.' — Tony Arsenal God's measure of faithfulness is proportional, not absolute. The two-talent servant is not judged by the five-talent standard. He is judged by what he received. — Jesse Schwamb Full Transcript [00:00:08] Tony Arsenal: that's not a special commendation that only the most amazing Christian servants get, right? That's the basic commendation that every Christian who enters into glory will receive. Whether you have been the most productive soul-winner in the world, whether you are the most, you know, the most sanctified Christian who's ever lived, whether you are, the most amazing person and millions of people have come to faith because of your ministry, you're going to receive the same commendation as the person who dies, and on their deathbed the last thing that they think is, I trust Jesus." Right. And they've produced no converts, no ministry, and maybe no one even knows that they were justified, because in their final moments before the lights went out, they trusted in Jesus, right? They hear the same well done, good and faithful servant when they enter into glory. Welcome to episode 496 of the Reformed Brotherhood. I'm Jesse.  And I'm Tony, and this is the podcast with ears to hear. Hey, brother.  [00:01:19] Jesse Schwamb: Hey, brother.  [00:01:21] Parable Teaser [00:01:21] Jesse Schwamb: You know, the parables just keep coming for us, like we've said. And on this episode, to, just to tee it up, to whet everybody's appetites, we've got three servants, one absent master, an uncomfortable amount of money. What could go wrong? Yeah. As it turns out, quite a bit, especially if you're the kind of person who responds to divine generosity by finding the nearest shovel. So we're gonna get to all of that in this, what I call, this now sandwich of eschatological parables or teachings of Jesus in Matthew 25. So hopefully you're curious, hopefully you're stoked. But you can go put your thumb right in the scriptures there, because you're gonna meet us there very, very, very, very shortly. But first we got business. It's always the business we must do, the part of the podcast where we affirm with something or deny against something. And as always, I'm really curious what you have, and now I understand you have a list, or you're keeping a list. So- I do ... never again will there be something like that falls to the cutting room floor, brothers and sisters. Tony is always gonna have for us whatever was- ... what came to his brilliant mind as an affirmation or denial at any point, day or night.  [00:02:29] Tony Arsenal: Yeah. Yeah. Do you, Jesse, do you ever have... I know the answer to this question is going to be yes- Yeah. That's good ... but I'm gonna ask it- All right ... mostly for rhetorical effect here. This is good podcasting.  [00:02:38] Psalm 67B Praise [00:02:38] Tony Arsenal: Do you have, do you have those situations where, like, the, the so- a song hits you, and it's just, like, the right combination of words, but also the right combination of, like, musicality?  [00:02:49] Jesse Schwamb: For sure.  [00:02:50] Tony Arsenal: Where it just, like, it just, it just feels- For sure like, right and good in every part of your being. So- All the time, yep ... I, I'm affirming, um, th- this is like the most Presbyterian thing ever. I'm affirming the, the arrangement in the Trinity, uh, psalter hymnal for Psalm 67B. Now, I'm not gonna try to sing it for you, but I wanna read the words, because obviously it's, it's a paraphrase of a psalm. So, like, that's the first thing. Like, people, like, calm down. Like, it's okay to sing paraphrases. It's okay to sing. No one is actually singing the Hebrew psalms. Right. Amen. So, like, just calm down a little bit. Amen. Uh, there is a place for us to dedicate specific focus to psalms and songs that are from the psalms, but that can be something like Better Is One Day. Like, that's a song from a psalm. Anyway, that's a whole different, that's a whole different thing. Yes, I'm affirming psalm singing. Uh, yes, I'm denying overly rigid understandings of what that is. But here's the words for Psalm 67, Setting B. That's important It's, "O God, show mercy to us and bless us with your grace and cause to shine upon us the brightness of your face, so that the whole world over may truly know your way and so that your salvation all nations see displayed. O God, let peoples praise you. Let all the peoples praise. Let nations come rejoicing and songs of gladness rise, raise." Then, um, stanza two, "For you will judge the peoples with perfect equity. To nations of the whole Earth a governor you'll be. O God, let the peoples praise you. Let all the peoples praise. The Earth has brought its bounty throughout its harvest days.  [00:04:24] Why Sing Psalms [00:04:24] Tony Arsenal: Since God our God will bless us, yes, God will blessing send, that all the Earth may fear Him to its remotest end." Now, there are lots of really great, uh, theologically sound, edifying hymns and worship choruses, but there's just something about the Psalms, right? It's inspired- Um- ... it's perfect. Again, like I said, nobody is singing the actual Hebrew Psalms, or even, I shouldn't say nobody, most people are not singing, like, the Psalms from the ESV, right? These are almost all paraphrases. They're, they're translations. But there's just something about the Psalms that I have grown so much to appreciate since joining a Presbyterian church. That's not to say other traditions don't sing Psalms in their own right, and again, like, we would sing Better Is One Day and other songs that were based on Psalms. Um, even, like, real direct translations or real direct versions of Psalms, like Better Is One Day or Create In Me A Clean Heart, there's all sorts of them. But there's just something about singing the Psalms, and this particular musical setting, it's triumphant, but not in the, like, fanfare kind of triumphant. Do you know what I mean, Jesse? Like- Mm-hmm ... it's, it's a triumphant melody, and it has, like, really interesting rises and falls and... So I, I'm gonna probably try to put this at the end of the episode. So listen. Hopefully I'll get the whole thing. Let me just, let me just do this. Hold on a second. It's just gorgeous. It's just beautiful. So I, I, I don't know what it was this morning. Uh, it's, I wasn't, like, promo- particularly emotional. It didn't, like, make me cry. Yeah. But all of that's fine. Like, I've been brought to tears in worship before, and that's, that's all good and well. There was just something about it that resonated, and I was like, "This is just good." Like, this is just good music. It's good singing. Something about hearing, uh, the whole congregation singing together. Like, it was just beautiful. It was just a beautiful moment. So if you are not in a psalm-singing church, first of all, why aren't you in a psalm-singing church? Uh, no worship leader on Earth, no, no person who is worth... Uh, when I say worship leader, I mean the person who's responsible for leading musical worship. No one who's leading worshipful music, worshipful? Worship music, if you approach them and say, "I would like to sing more songs that are based on the Psalms," if they say, "We don't wanna sing Psalms here," then you just go somewhere else. Like, someone who tells you, like, "We don't wanna s- we don't wanna sing God's Word," that doesn't make any sense to me.  [00:06:56] Jesse Schwamb: Right.  [00:06:56] Tony Arsenal: Um, now again, like, there's a way to do it. Sometimes musically they're challenging, especially if you're singing out of something like the hymnal. But again, there are plenty of really good modern style songs and hymn style songs that are either based on the Psalms or are paraphrases, very similar to what you get in the, in the Trinity Psalter Hymnal. Or most, most people who are leading in musical worship are competent enough to just sort of take the sheet music and figure out how to do it on guitar or figure out how to play it on piano. Um, they're not that difficult. So you will be edified if you do this. Your church will be edified. There's probably a lot of people out there responsible for musical worship that actually would really like to do this, and they're kind of probably, like, just waiting for that nudge, so you may even be benefiting them. But yeah, this, this psalm is beautiful. It's just a gorgeous arrangement, and it's, it's perfect, inspired words. Really was a, just a, a balm to my soul this morning.  [00:07:51] Jesse Schwamb: I love it. And o- of course, a lot of that is still happening, which is such a glorious gift to the church. The couple of times that I've had the privilege of writing music for my own church has been right from the scriptures, and for me recently that was, like, Ephesians 1 and Psalm 16. And that's mainly because, like, as a lyricist, I'm not that creative, and I'd rather go direct to the source. And all those end up being a paraphrase, like you said, anyway. Es- especially if you wanna get turn of phrase or if you wanna have a little bit of rhyming, which is always a beautiful thing. I love the Psalter, and my, my hot take on that is I sometimes find that I like, I don't wanna call them, like, the alternate, but, like, the other secondary arrangements-  Yeah and  lyrics better. I don't know why. I don't think that's purposeful, of course. It's probably just my taste. But I always find them to be, like, super fire. I, I don't know why. The, the B and C versions always kinda grab me, especially if... And here's another thing that I appreciate about the Psalter, as you know, is sometimes those B or C versions will be written in an alternate key or a minor key. Yeah. And that's even more awesome, because there's not a lot of, let's say, like, cla- I don't wanna say classic. Classic slash contemporary, uh, Christian music or wors- quote-unquote worship music that's written in minor keys. But it's good to lament, as we've talked about before. So- Yeah ... you're gonna get that full breath and scope in the Psalter there. [00:09:06] Tony Arsenal: Yeah.  [00:09:07] Beyond Music Styles [00:09:07] Tony Arsenal: A- and, you know, maybe let me put in one more little plug here. Um- I am not one of those people that is gonna say that there's like a particular style of music that's more godly than another. I've heard people try to make arguments that there's like certain kinds of rhythms or certain kinds of like beats that are- Right either, either more godly or somehow demonic or less godly. Um, I think there might be an argument to be made that some styles of worship are not suited well for congregational singing, so they may not be appropriate for like a, a congregational worship service. Like, you're probably not gonna go in and do a lot of hip hop and have the congregation be able to like stick with you. Right. That doesn't mean that you can't worship God through that or that it somehow is less like intrinsically beautiful. But, um, there are a lot of Let me just put it this way. In modern contemporary Western Christianity, uh, there's a lot of songs that are basically just the same thing musically. You know, you'll find, um, if you go to, like, YouTube, and, and maybe, like, be careful, 'cause sometimes some of these are, they're funny but they're a little bit crass. But if you look up, like, a video about how, like, every song is Pachel Bell's Canon. Right. Right? Every song follows the same basic arrangement of chords, and this gets even more pronounced when you're talking about modern worship music or contemporary mu- worship music, because it's designed to be able to be very simple and very easily played. Um, a lot of times worship directors are not super classically trained. Um, you think of, like, the youth pastor with the guitar around the campfire. Like, those kinds of songs have to be easy, 'cause they're not, like, classically trained guitar players. They probably picked up a chord book and figured out how to play a couple easy songs like Jesus, Lover of My Soul and things like that. That's how I learned how to play guitar. That's the extent of my skills, so I'm not, I'm not banging on that person. Um, but there are a lot, there's a lot more to music. Um, there's a lot more to singing, and there's a lot more to choral music than, you know, GCDC kind of like worship courses. Uh, and singing something like the Psalter, or even just singing out of a good hymnal- Right will actually expand your musical horizons. And there's something to be said about the creativity of our God being reflected in the creativity of His people that I do think we miss out on when we are locked into really simplistic worship styles. Um, again, like, I interpret Psalms, hymns, and spiritual songs to mean, like, sing in the vernacular of the people. Um, and I, you know, that's a different episode. We can talk about that sometime. But th- that, that requires the songs to be singable, and I think sometimes, uh, sometimes some of the song- some of the Psalters, some of the songs in the Psalter hymnals, and sometimes hymnals in general, are very difficult to sing. And so I think a congregation, the people leading in music need to be thoughtful of that. But I think you would do well to, like, open your horizons a little bit to something a little bit more challenging and a little bit off the beaten path. Like, this melody, I don't know the chords behind it. It may not be anything crazy, but that, like, musicality and that, that sort of, like, melody is not a typical... And this might be why it resonated with me. It's not a typical kind of melody you're gonna find in contemporary music. Um, it's, it's very different. It's older. It's more classically styled. The, it's, it's meant to sort of bring you up to these crescendos in ways that modern music is not necessarily. So enough about that. I don't know a lot about music theory, so I might be totally wrong and, and- ... people might be rolling their eyes. But I, I do think that there's something to it. Like, a lot of the older hymns- utilize chord progressions and melodies and harmonies and things like that that we're just not used to. You're not gonna get that listening to, you know, even something like, like the more musical kind, uh, more technically proficient music like something like Bethel or Hillsong, which is at times musically very good. Uh, I don't know that I would recommend listening to it, but the music is actually, like, technically very good in some instances. Uh, even there you're not gonna find a lot of this stuff. So instead of going there for, like, really nice sounding musical worship, just go to something like the Trinity Psalter app. You know, for $10 on a- on your iPhone you can sing with it. Um, yeah, enough about that. I, I, I could talk about how great the Psalms are and how great psalm singing is for an entire episode. We should do that episode- We should ... when we're done with the parables, 'cause I know we've done a lot of episodes on, like, uh, on, on, like, the regulative principle and- Right I, I think we're still both in the same spot that, like- Right ... exclusive psalmody is probably not where we would land. Right. But I think I'm coming to the conviction that the psalms should have a much greater portion of our worship diet, uh- Hmm ... than they do in most churches. Um, and I really only came to that conviction when I was in a church where psalm singing was the norm. Uh, I know that we try to have at least one s- one canonical psalm for every single worship service. Usually there's multiple, but, um, even in a, a, a setting where we normally wouldn't be so focused on that, we still try to have at least one, and it's been a, a really huge edifying thing to my soul.  [00:14:06] Jesse Schwamb: Yeah. I absolutely love that. You'll find no complaint from me on that. I think that that's a good reminder for all of us.  [00:14:13] Tony Arsenal: Yeah.  [00:14:14] Book Sing Recommendation [00:14:14] Tony Arsenal: Jesse, what do you have?  [00:14:15] Jesse Schwamb: Well, it's, we're not gonna stop this conversation, just so you know. Because we don't sync up on these things ever, but it just so happens that I'm affirming with a book that it's a really simple primer on congregational singing-  There you go that has  long been on my list and overdue to read, and I am coming in hot with a recommendation for this, and that is the book entitled Sing! How Worship Transforms Your Life, Family, and Church by Keith and Kristyn Getty. And really, it covers so many of the things that you already talked about. I, I think at the foremost, it's a reminder that God cares whether in what we sing, but he does not mind how well we sing. Yes. But it is, like, the, this... What's true is that our voices might not be of a professional standard, but they are of a confessional standard. Yeah. And so it is incumbent upon every Christian to sing. And if you need just, like, a little bit of inspiration, so to speak, or a reminder of why that's important, I highly commend this book to you. In fact, in the back they have what's called, like, these bonus tracks. It's like four or five separate chapters that they've written just to particular people in the church, pastors, laypeople, musicians, even the people that help produce the sound. I found that bit to be so lovely and pastoral. It, it's gentle, the tone is encouraging, but it is also strong, and I appreciate that. So a lot of it is some of the themes that we've just talked about, but my conviction grows all the time of just how important congregational singing is, and how everything you just said, the music, the liturgy that we bring forward- has to be of a deliberate kind to strengthen that exercise, to make it easy, so to speak. And that does come into practical things like if you look at the psalter, and I, I don't... I have it on my phone, but I don't know where my phone is, so I was gonna look at the one you were referencing. My guess is it's, it's in probably a key with a couple of sharps in it, because those are the ones that are easiest to sing. So even little things like that matter. What you hear on the radio often is, or radio? People still listen to the radio? What you hear, like, in, like, contemporary music, like, often is not necessarily for congregational singing just in its key, and, and that's okay. And so even in my own church, we transpose things to make it reasonable and approachable. But what I think was, like, the critical question put forward in this book that I absolutely loved as a great reminder was: how did the congregation sing? It's very interesting that they kind of bring forward this thesis that that's how you should be judging your music. How did the congregation sing? And I think if we started asking that, it might slightly tweak or maybe change altogether, to your point, the methods and the practices that we use when we undergo worship by way or through music. So this is really great. It's easily readable, and it's for everybody, and it, there's a chapter on family worship as well, how to bring singing into your home and music into your home all the time as an act of worship so that when you get to the Lord's Day, your kids are like, "Yeah, this is our jam." Uh, especially maybe even recognizing some of the pieces of music and be excited about that. So there was a lot that made me think about here. It's fantastic. And to your point, Tony, I would say the Gettys, especially in, like, "Christ Alone," some of the other things, this is probably the closest to what you're talking about, where they've taken and imported kind of the classical hymn structures-  [00:17:26] Tony Arsenal: Yeah [00:17:27] Jesse Schwamb: but modernized a little bit just the language while without sacrificing any of the theological richness or the musicality that draws your ear to those beautiful rising and falling melodies, the swelling of the vocal there, without, like, distracting from anything that's going on there. It's not emotionalism- Yeah but it certainly is filled with the emotion of what it means to be a Christian and to sing in response as an act of praise to God.  [00:17:50] Tony Arsenal: Yeah.  [00:17:52] Family Worship Singing [00:17:52] Tony Arsenal: Yeah, I mean, I can't underscore enough the importance of congregational singing. We, we've, we've actually talked about, about it in context of, like, how important it is for the men of the congregation to sing, which is something I, I really appreciate about my congregation, is, is the m- the men just go all out. Like, people are, like- Love it ... nobody is, nobody is ashamed of the fact that they squawk on a note that they're not used to or anything like that. And where this really pays out, um, at least in our congregation, but I'd, I'd be willing to bet if you go to any congregation where the, where the men particularly are passionate and active in musical worship, right? Um, I think where this plays out is you see the children very quickly picking up those songs and learning them and singing them. And the, the favorite part of my day, this is gon- any parent of toddlers is gonna be like, "What are you talking about?" Bedtime is one of my favorite times of day, not just because it means that, like, in a little while I'm gonna get a little peace and quiet. Like, that's part of it, too, but there are two songs that we sing almost every single night, and Augie leads them, which is really great. He always wants to start, and he always wants to sing, and it's the Doxology and the Gloria Patri. And these are songs that he has just picked up from being in the congregation, and, you know, I, I don't remember consciously teaching him any of these songs. And now, now Adeline, who is, uh, my two-year-old daughter, almost two, she's starting to pick those songs up, and she's starting to sing them, and she recognizes them, and she responds very differently to those songs than she does to other songs. Um, it's funny because I don't, I don't know where she got this. Neither my wife nor I are particularly, uh, charismatic, emotive people. Like, we don't raise our hands when we're singing, but she, she does. She, she, when we start singing- My girl ... the Gloria Patri or the Doxology, her hand is in the air, and she's looking at the sky, and she's waving her hands around. Yeah. And, um, she recognizes that those songs have a different place than a Miss Rachel song. She doesn't put her hands in the air and wave and look up at the ceiling when Miss Rachel comes on or when Baby Shark comes on. She knows those songs. She can sing those songs. Um, but she doesn't- Respond to those in the same way. And that is a direct result of the fact that congregational singing is an important thing in the life of our church and in the life of our family. And I think a book like Sing, I haven't read it, but I've heard very good things about it, and the, the Gettys are rock solid, like- Right ... theologically. Yes. Musically. They're, they're well within our Reformed tradition, at least broadly speaking. Um, and, and they have a, they have one of the strongest sort of theologies of praise music that you're gonna find. Mm-hmm. It's not quite like a liturgiology or something like that, but it's, it's, it's a theology of praise worship, praise and worship music. Right. Um, and that's not something that's super common, right? There's a lot of theology of liturgy. There's a lot of practical theology on liturgy. Um, the Gettys have developed a really unique kind of place in things in that they've really developed this idea that congregational singing has a specific theological import, and they've developed it in a way that's approachable. So yeah, I haven't read it and I sh- I probably should, but it, it sounds like a really great book. And, um, I c- just can't underscore it enough. And- Maybe this is my little plug. Like, uh, family worship is really tough, and it's not something I've mastered. Like, we don't, we, we don't have a regular rhythm. But what we do have is we have a consistent, uh, we consistently pray at night before bed, and we consistently sing one or both of those songs. And that by itself, like, the kids are learning and they are, they're absorbing that by osmosis. Um, they're picking up the phrasing, right? Augie can tell you who the three persons of the Trinity are, and that's partially 'cause we do catechism questions, but it's also partially, and I would actually argue probably more, because of the Trinitarian structure of those two songs. Right. He's picked up the language of the Father, the Spirit, and the Son from the Gloria Patri and from the doxology in ways that probably I wouldn't have been able to teach him otherwise. So yeah. Anyway, I, I just co-opted your affirmation. But, um, but yeah. I'm here for it. Congregational worship, family worship, singing, uh, to our Lord is commanded, and it's commanded for our good- Right and for his, his benefit and his blessing. Um, and so any book that is, is solid and will help you do that, I, I'm wholeheartedly behind.  [00:22:17] Jesse Schwamb: Yeah. This is... All that is fire. This is fire.  [00:22:19] Reclaim Congregational Song [00:22:19] Jesse Schwamb: God designed our psyche for singing, and we're probably, uh, I would say contractually obligated since Reformed is in the name of the title of the podcast- to remind ourselves and everybody else that one of the things the Reformation did was reclaim the singing of God's word by his own people. Yes. Taking it out of that performatory space back into literally the voice boxes of the people who are sitting in worship together. So sometimes we might have to do that again. You know, there is a little bit, I think, of... There, there is in some places, not everywhere, this kind of tilting of that time of worship through music to be vouchsafed or relegated to those who are, uh, let's say, like, the most, like, talented in doing that, and somehow we participate merely by observing or by- Yeah just, uh, you know, being an audience spectator of that, and that's totally backwards. So I get it. The thing is- We're all singers. We may not all be very good singers, but we're all created to be singers nonetheless. This is what the Bible tells us. So we need to lean into that. We need to invest in that. Yeah. And so I, I like, of course, what you're doing with, uh, your kids because you're not only teaching them to sing, and this makes me so happy, but you're teaching them to love singing to the Lord. Yeah. And so that is, I think, what a lot of our congregations miss, is sometimes we do it, and I'm among them often, but grudgingly. And so to get to a place where we come excited that our reasonable response, our reasonable preparation on the Lord's day is to sing together, to hear that gospel message in melody in the ear of our... You know, the voice of our neighbor in our own ear is a wild thing. It's just, like, un- unheard of. And it's like, uh, we gotta stop, right? It's one of those things also that, like- ... we've, we've talked about how it's just kind of otherworldly. Not, not only in the sense that it gives us this really kind of foundational sense of God's, you know, kind of transcendence, of what it means to participate in the worship of someone who is transcendent because it is all these voices together, but also this is something that rarely happens in any other way, especially in the Western culture anymore. This coming together to express and to participate in something where we're all reading literally from the same sheet music is just an entirely different experience, increasingly relegated to this kind of experience. So we, we must protect it, not only because God says that we ought to, but also because, again, it is, it is our reasonable response. Yeah. And it is something, like you've just said, that brings Him glory and is certainly for our good. So, uh, this is the Singcast, so everybody- ... everybody get to it. You can make your own music. God has commanded us to sing. So the sooner we just understand, like, hey, it's, it's... You know. Uh, but... And the last thing I'll say is this is one of those things that's, like, practice too. A- and I get it. Like, you may say, like, "Listen, I can only hit two notes, and that's all I'm gonna hit no matter what the music is." Well, then belt the two notes, and also know that, like, the more you practice that kind of thing, honestly, the better that you'll get and the more comfortable that you'll become. The voice is an instrument like any other instrument that takes, like, a little bit of practice and a little bit of work. But even that can cause, I think, great benefits and build a little bit of confidence. But just the example of singing and doing it from a heart that is keen to worship God and that is filled with passion to respond to Him with gratitude and, you know, adoration is really the key thing. And so I, I'd rather have a entire group full of worshipers that are singing off-key but, like, with just resounding passion than to have this performance of just a handful of voices because they feel like they're the most capable to do it. Yeah. I think we'd, we'd rather have everybody else, and to hear the congregation mixed as one of those instruments. So sing. Yeah.  [00:26:05] Everyone Can Sing [00:26:05] Tony Arsenal: Yeah, and y- you and I have made the point in the past, too, like- I, I don't think, uh, maybe I'm wrong. Uh, we are a top 50 healthcare podcast, so maybe some doctor- I'm sure you're correct ... is gonna... Right. Like, I don't think being tone deaf is actually a physical condition. Like- Mm. I, I mean, I, I mean, obviously, like, some people have hearing problems, and that means they have trouble singing. I hear what you're saying. But, like, the people who are like, "Well, I j- I just can't sing. I'm just not capable of that," uh, like, I think the, the physical conditions that would make you incapable of singing are not usually what people are talking about. Like- Right. Yeah ... you know, some people have, like, vocal fold disorders or they have hearing problems, and I guess maybe, like, if perfect pitch is a thing, which it, it is. Like, perfect pitch is a... I don't know what causes it, but some people are born with perfect pitch. I suppose in theory that means some people must be born with, like, the opposite of perfect pitch. But I think most people who say, like, "Well, I just, I'm just tone deaf. I can't carry a tone," that, that's probably not true. Like, it just means you need practice. Um, and some people's voices, like physically, their bodies are more, more designed by God to produce a pleasant sound than other people. But I, I think actually just about anybody with a little bit of practice, and mostly I think this is probably just the confidence to actually sing and a little bit of practice to learn how your body works, like how your voice works, um, could probably get to a point where singing is not only very relatively comfortable and easy, but it's something that is pleasant and is not overly challenging. This is actually something that I think we've lost in the church. We should... This, I mean, this is about to come the episode, but, um- ... something we've lost in the church when we have sort of changed from a true genuine congregational singing model, which was the norm- And I've heard people make arguments about the importance of hymnals, and I, I agree with those arguments, although I know some people have moved them into almost like a realm of, like, divine mandate- Right that you have to use hymnals because it trains people to teach. But we have lost something with both the sort of commercialization of worship music and the pro- like making it a professional thing, and we've lost congregational singing. The, the people in the church throughout history have learned to sing. Many of them have learned to read, learned the scriptures, learned theology, not in the seminary and not in the monastery, but in the pew as they sing God's word and as they sing- Right ... the great theological hymns of, of the church. There's so much you can learn through that process that I just think we've lost. And I think going back to something like a hymnal or the Trinity Psalter Hymnal or whatever, whatever standard music your church is gonna use, and I mean standard music. Like, whether this is a collection of worship choruses that has been curated for the church or it's a published hymnal or something like that, going back to something like that teaches the church how to sing. And I don't remember who wrote it, but the trellis and the vine, like the worship that we sing, I know Mike Horton makes this point. The worship that we sing is the tre- is the trellis that the vine of our wor- of our- Yes ... faith grows on, right? That's true. Like, what the, what the church lex credendi, lex orandi. Like, the church, what the church prays, the church believes. What the church sings, the church believes. So all of that to say, like, the, the importance of congregational singing can't be under-emphasized, and it's... I, I mean, I don't know that I would I don't know that most theologists say technically s- like, congregational singing is an element of worship, but praising the Lord through song certainly is. Yes. It's, it's evidence. Um, and, and so I think that's definitely something that the church has lost in general. Um, and I know there are churches... I- it's funny, when Ashley and I were between churches, uh, very briefly after, um, our previous church closed down, um, we went to a local sort of, like, high, high, uh, production, seeker-sensitive church, very Steven Furtick-esque, and we only lasted, like, 10 minutes in this, in this service. We went in and the production value was great, and the music sounded great, but we couldn't hear ourselves, we couldn't sing- Right ... and it was very performative, and we just left. We were only there for a few minutes, and we left. And I think that's something we've lost as we've sort of migrated worship to almost, like, a professional class. So yeah, bring it back to the pews. Bring it back to your- Bring it back ... bring it back to your house, bring it back to your kid's bedroom when you're tucking them in. Everywhere. Bring it back to the car on the way to work, in the bus. Right. Like, just let's everywhere we go, let's sing and worship the Lord. [00:30:30] Jesse Schwamb: Yeah, that's right.  [00:30:31] Train Your Voice [00:30:31] Jesse Schwamb: Uh, so as a final thing, let me compound your hot take and say that I agree with you, that I... And I think professionals would as well, and I'm gonna stand on a resource that I'm gonna recommend to everybody here in a second, that in fact the Getty say, "If you can speak, you can sing." And there are a f- a few conditions that would prevent you from doing that, of course. And even there, they wanna explore opportunities for you, for instance, signing, for instance, to ensure that you can participate in worship. Uh, the hot take is I do think that because the instrument that God has given us in the vocal cords is exactly that, that it can be trained, and that actually most people can sing. And if you're serious about that, if you think, "You know what? I'd like to be able to do that. How can I explore that?" Here's a book for you. It's called Set Your Voice Free by Roger Love. The full title is How to Get the Singing or Speaking Voice You Want. Roger Love is, like, this amazing behind-the-scenes vocal coach. He has coached, like, a ton of really talented recording artists, and this is his very contention in the book, is that everybody can sing. It's really about how much or little work you wanna put into it. And in fact, this book comes with, like, these exercises that you can listen to and then record yourself. And then he, from a distance basically, can give you some pointers based on allowing you to kinda evaluate what you hear in your own recording back. So if you really are the kind of person that's like, "Listen, I, I dare you. I cannot sing," I would challenge you, I would double dog dare you to get this book, Set Your Voice Free, and if you're really serious about wanting to try and see if it can make a difference, I, I think it can. And I've, I myself have enjoyed this book, gone back to it many times, use it in my own work and practice because I found it to be helpful. So there you go. Sing, sing, and sing again.  [00:32:06] Tony Arsenal: Yeah.  [00:32:07] Singing Apps and Practice [00:32:07] Tony Arsenal: And if you're not a reader, first of all, why are you listening to the podcast? But second of all, if for some reason you're not a reader I'm, I'm joking. I'm sure there are people that are listening to the podcast who are not readers. That was, like, a super smug thing to say. How dare you. I'm sorry about that. How dare you. Um, if for some reason you don't wanna read that book or you're not a reader, um, y- you can do something as simple as looking up Yousician on your Yousician, Y-O-U- Yeah ... S-I, like the word musician, but U instead of, like, Y-O-U instead of, uh, musician. Um, there are plenty of apps out there. I just, I mention Yousician just because I've used that on, like, a free trial basis with some guitar teaching, and it's a reputable source. They also have a vocal module. So, like, if you wanna learn to sing, there are plenty of resources out there who can help you train your voice. A- and it- Again, I'm not a doctor, I'm not a vocal coach, I'm not a professional singer. I'm not even that great of a singer, and I, I probably could be a better singer if I wanted to devote the time to it. Um, it doesn't take much to, to be able- Right ... to become a competent singer. Um, I think most of us, you pick up one s- just like I learned guitar, you pick one or two songs that you really like and you wanna learn, and you learn to sing those songs, and then those skills will develop over time. So enough about that, Jesse. We've got, speaking of talents- ... we've got some talents to talk about. There it is. Boom, bazinga. Baza-bazom. I'm  [00:33:27] Jesse Schwamb: back. There it is. Yeah, so- I was excited  [00:33:31] Tony Arsenal: about that one ...  [00:33:32] Jesse Schwamb: that, that was really good. And, and we should just h- honor everyone. That's it.  [00:33:37] Tony Arsenal: That's it. Tip your waiters and waitresses, folks. It  [00:33:39] Jesse Schwamb: was so good. We're here all week.  [00:33:41] Parable Context Setup [00:33:41] Jesse Schwamb: So we're in Matthew 25, uh, verses 14 through 28, and this is at least gonna be a two-parter for us. This goes by the name you might be familiar of, which is The Parable of the Talents. But before we get to it, just a quick reminder that we've been speaking about this parable, not like in a special way, but hopefully in the more contextual sense. So this is the second of three eschatological parables in Matthew 25. So the first was The 10 Virgins, which we went through. We're in The Talents, and then we're coming up to everybody's favorite, The Sheep and the Goats. All three are part of this Olivet Discourse, which is, of course, Jesus' final teaching block before his Passion. And I think it h- behooves us so that we do not get distracted from, like, the center of gravity of this thing, that this is delivered in response to the disciples' question about the sign of his coming and the age to come. Because I've heard so many, like, little talks, maybe homilies is more the right word, on this particular parable that lack gravity. So little gravity that basically NASA could train their astronauts in it. So we wanna stay away from that and I think get into, like, the, the proper context. So Tony, do you have it in front of you by any chance? And would  [00:34:50] Tony Arsenal: you- I do. I do, yeah. Yeah. Read it for us? I'll read it here.  [00:34:52] Reading the Parable [00:34:52] Tony Arsenal: So this is, uh, starting in, uh, Matthew 25 verse 14, and I'm gonna read down through, uh, the end of verse 30 here. So it, it reads here, "For it will be like a man going on a journey, who called his servants and entrusted them, entrusted to them his property. To one he gave five talents, to another two, and to another one, to each according to his ability. Then he went away. He who had received the five talents went at once and traded with them, and he made five talents more. So also he who had the two talents made two talents more. But he who had received the one talent went and dug in the ground and hid his master's money. Now after a long time, the master of those servants came and settled accounts with them. And he who had received the five talents came forward bringing five talents more, saying, 'Master, you delivered to me five talents. Here I have made five talents more.' His master said to him, 'Well done, good and faithful servant. You have been faithful over a little. I will set you over much. Enter into the joy of your master.' And he also who had the two talents came forward, saying, "Master, you delivered to me two talents. Here I have made two talents more." His master said to him, "Well done, good and faithful servant. You have been faithful over a little. I will set you over much. Enter into the joy of your master." He also who had received one talent came forward, saying, "Master, I knew you to be a hard man, reaping where you did not sow, and gathering where you scattered no seed. So I was afraid, and I went and hid your talent in the ground. Here, you have what is yours." But his master answered him, "You wicked and slothful servant. You knew that I reap where I have not sown and gather where I scattered no seed? Then you ought to have invested my money with the bankers, and at my coming, I should have received what was my own with interest. So take the talent from him who gave it, who give it to him who has 10 talents. For to everyone who has will more be given, and he will have an abundance. For, uh, but from the one who has not, even what he has will be taken away. And cast the worthless servant into the outer darkness in that place where there will be weeping and gnashing of teeth."  [00:36:56] Watchfulness and Stewardship [00:36:56] Jesse Schwamb: So it starts with that amazing connective, which we really spoke about in the last episode, in verse four- 14, starting with four. So it's tying, like we said, this parable directly to verse 13, which we know is in the, the parable of the ten virgins. But it's this idea of watchfulness. "Watch therefore, for you know neither the day nor the hour." So th- I think this is the point we really drove last time, that we really felt highly convicted about, that this parable is not like a detached economic lesson, but it's really like an expedition, exposition, not expedition- ... of what watchful discipleship actually looks like during the interval of the master's absence. Like, that's the whole setup here. So it's starting with this idea of like the master goes away, but here we have these slaves or these servants who are entrusted. And to me, again, that's like such a linchpin in this whole thing, 'cause it's, it's carrying the sense that of course, like, he's handing over stewardship. It's a deposit held on another's behal- I love this parable because it has some banking language in it. It's, it's a deposit held on another's behalf, and that's like the key covenant concept of the entire thing. Ownership remains with the master. The servants are stewards. They're not proprietors. And that language, I think, really anticipates, like, the entire New Testament theology of stewardship, which is developed by Paul. So like when Paul writes in 1 Corinthians, "This is how one should regard us, as servants of Christ and stewards of the mysteries of God. Moreover, it is required of stewards that they be found faithful." So like all of that, that's like just one verse for me. Like, that's an incredible setup.  [00:38:27] Tony Arsenal: Yeah.  [00:38:28] Common Misreadings [00:38:28] Tony Arsenal: Yeah, and you know, I think it bears saying, too, um, I wanna be careful how I say this because I don't wanna impugn, uh, poor motives or anything like that on, on the, the people that I'm about to speak to. And I say this a little bit tongue in cheek, but also I say this as someone who used to be deeply involved in youth ministry. There's kind of like a, a youth ministry, um- international version of the Bible, I guess, if you wanna put it that way, where, like, there are certain, certain passages and parables that s- for some reason seem really prone to misapplication- Sure in, in some context. And I would say, like, youth ministry is the one I have in mind. Like, um, one of them is, like, in Matthew 18 where it's like, "Where two or three are gathered in my name, there I am in the midst of them." Like, that's a, that's a statement about God's, God's presence in the judgment of the church and excommunicating an un- like, a, an unrepentant, uh, person who identifies with Christ. And, and ironically here, maybe not ironically, but, like, casting them into the outer darkness of excommunication, which is representative of casting them out into the actual inner darkness of damnation. Right. Like, th- there's a, there's a misapplication of that, that like, well, you know, like, if only a couple people came to youth group tonight, like, it's still worth meeting because where two or three are gathered, there I am in the midst of them. Um, this, this parable has a very similar kind of misapplication that is maybe a, a little bit less of a misapplication. Like, I think there is something to say in this parable about the fact that God entrusts us with abilities, talents, treasure, t- our time. Like, He's entrusted us with resources, and He does expect us to use those resources, uh, in a way that is honoring to Him and beneficial for the, for the gospel and for the kingdom. Um, that's true in a broad sense, but I don't think actually that this is what that... But, like, that's not what this passage- Mm ... is teaching. Right. I think I, I kinda joked last time, but, like, I've heard more than one sermon that draws the parallel between the word talent here and our talents in terms of, like, our spiritual gifts or our ability to play guitar or, like, to bounce a basketball and, like, thr- like, throw a free throw. Like, that's not the kinda talent we're talking about here. So I wanna, I wanna sorta, like, point that out just to sort of exclude that from the conversation. Yes, God gifts His people, and He expects His people to use those gifts for His glory and for their own benefit. Um, but that's not what this parable is talking about. This is a parable about the fact that God has entrusted the kingdom of heaven on Earth to His people.  [00:41:08] Jesse Schwamb: That's right.  [00:41:08] Tony Arsenal: And He expects His people to make use of that in a way that expands the kingdom and also in a way that does not... And this is, this is, I actually think, the main point of the parable. In a way that properly understands the nature of the king. The, the punchline or the main point of the parable here, it, just to sort of, like, I don't know, give away the ending or, like, unbury the lead, I don't know, whatever that is. The point of this parable- It's not that, like, it's a really good thing to double what God has resourced you with. The point of the parable, the reason that, just like the, um, just like it wasn't the virgins falling asleep in the last parable that was the problem because everybody fell asleep, in this instance, uh, the amount of money or the amount of return on investment that the servants produce is not the point of the parable. That's not the real difference between them. The real difference is that the former servants understood that their master had trusted them with a task and expected something of them, and the, the unfaithful, wicked, lazy servant had a total misunderstanding of who the master was- Right ... and therefore what his role as the master's servant was. That's the point of this parable, and I think, this is the last thing I'll say before I, I, I take a breath here. There's a lot of people that would look at this parable and might read some sort of works righteousness or, um, and this is more understandable and I think has a place within the Reformed tradition, although I don't necessarily hold this view. But would look at this as sort of like a theology which would, would argue that we receive some sort of enhanced rewards in heaven based on our faithfulness. There's plenty of good, faithful Reformed Bible teachers that would hold that position. I actually think whether or not that's true, this is still also not what this passage is getting at. [00:43:00] Jesse Schwamb: I, I totally agree with you there.  [00:43:02] Talents as Huge Wealth [00:43:02] Jesse Schwamb: I, I think one of the reasons that we know that is because we can look at some of these details and let the details speak to us about the magnitude in their representation, why they're given. So of course, whenever the scripture gives us detail, especially in a context like a parable, it can be helpful of cour- of course not to overanalyze them, but to respect their place in the context of the story, and that's why verse 15 I think is so important. So to one he gave five talents, to another two, to another one, to each according to his ability, then he went away. Now, this, this varies slightly, but there's a lot of, I think, very common historicity here that points us to understanding, like, the talents as a unit of monetary weight, and there is some discrepancy about its exact weight. But what we can say for sure is this: that we're talking about, as I teased at the beginning, a huge sum of money. So in other words, like, this is a gift from God himself. It's a divine gift. Yeah. It's something that's not earned. It's something that's given and something that's entrusted. So in the first-century Roman world, a talent was roughly equivalent to, like, 6,000 denarii, depending on who you talk to, which would mean that a single talent represented approximately, like, 20 years on average of a laborer's wages. So the sums then here we're talking about are staggering even at the lowest one. So the five-talent servant is receiving essentially approximately equivalent of a century's wages, and the one-talent servant is receiving 20 years' worth. There's no such thing as a small gift in Christ's economy, I think is the point here, and even the least endowment is immense beyond our reckoning. Yeah. So the distribution also is deliberately unequal. It's five, one, two, and the text doesn't offer any apology for this inequality. The master distributes to each according to his ability, which as I say that, I realize that could probably be its own episode, that we could talk about what that even means. Yeah. But he is matching and entrusting to capacity, and that's not arbitrary. Of course, that's wise and personal, and even the Greek here for this idea of capacity or power suggests the master knows his servants intimately and calibrates the stewardship accordingly. But nonetheless, it proves the point you're making here, which is not just about, like, well, do you have some kind of innate ability that's above average that God has endowed you with here? That's not even what we're talking about. Again, the whole point of this is to answer the question eschatologically about what the end means and when the time is coming and what good discipleship looks like. And so in that way, we understand then these talents to be these divinely appointed and massively generous gifts of God, essentially, like you said, the stewarding of the gospel in the story of salvation itself unto his people, and then to make something of that, so to speak, by the power of the Holy Spirit that earns a return for the kingdom, that is all empowered by God, that is under the volition of the person, uh, the Christian who says, "As a disciple, it is my responsibility to steward these gifts." That is really what we're after. So we do kind of get in this place where when you take this and say, "Well, what are you doing with," let's say- your home, if you have a nice home, are you being hospitable enough? If you have, let's say, a good singing voice by talent, are you using that to make sure that you're on the, quote-unquote, "praise and worship team," is not, like, entirely wrong, but it's not right either- Yeah to use this passage- Yeah ... for that purpose. There's a bigger theme here. There is, there's a much stronger and widescale framework that God is drawing us to and examine, and it's about the stewardship of the church itself.  [00:46:30] Tony Arsenal: Yes. Yeah, yeah, yeah.  [00:46:31] The Foolish Servant Exposed [00:46:31] Tony Arsenal: That's really key, and this is what struck me as, as you were speaking about that, is like we see in so many of the kinda like, uh, like the chump in the parable. Like, there's- Yeah ... a lot of these parables have like a chump- Right ... where like you're looking at and you're like, nothing about what you've decided to do makes any sense. We're talking about people who've been given, in the first case, 100 years worth of, worth of wages. Right. Right? Any one of these people, and again, we're talking about a timeframe where, like, you could just take that money and run and, like, nobody's gonna find you. There's no digital trail on any of this, right? If I stole, if I stole 100 years worth of labor from my manager or from my, my employer, they would find me, right? That's not the situation we're talking about. So even the chump who decided, "I'm not gonna do anything with this," he could've just take- taken off with the money and had 20 years worth of labor. Right. Just 20 years worth of wages. Right. This is a, this is a sum of money that makes all f- all three of these servants unimaginably wealthy instantly, right? The point of this is, in part, that the final servant has no idea the amazing blessing and responsibility that he's been given. And again, I come back to this. It's not because he is dumb or because he is, um, somehow less competent in a strict sense, right? It, it's so funny to me, like, we also gloss over the fact that, like, the guy who has five talents, he's got 100 years worth of money, 100 years worth of wages. Right. And he just goes and gets 100 more. Like- Right he just goes and trades and- Right ... comes up with 100 years worth of wages that he brings back. Like, that's, in itself is, like, phenomenally, amazingly outrageous. We ran into this too with the, um, the parable of the unmerciful servant, right? We've, we've got one guy who's got this unimaginable debt, like, like, thousands of years worth of, uh, worth of wages that he could never make up, and he thinks he's gonna somehow come up with it if you just give him enough time. It's kind of like the opposite here. This guy's got this unimaginable amount of instant wealth, and he just buries it in the ground. First of all, how much... We're also talking about an era where money was a physical, entirely physical.  [00:48:53] Jesse Schwamb: Right.  [00:48:53] Tony Arsenal: There were no, there were no digital banks. Like- No zeros and ones most of our money exists as ones and zeros in a computer program right now. Right. Like, in reality, like- Right ... my money doesn't exist. We don't have, like, a physical gold standard anymore in America. Jesse could probably s- I'm probably making dumb things up right now. No, that's that's- Like, it used- Right on to be that, like, every dollar that the United States government printed had, like, a piece of gold sitting at Fort Knox- Yes ... uh, like backing it up, but we just don't have that anymore. Most of the money that exists in our system is entirely imaginary. It's an entirely, like, made-up digital currency way before, like, Bitcoin was a thing. That's not the case in this timeframe. This dude who buried 20 years worth of money in the ground, that's a significant amount of labor in and of itself- Right ... to even be able to do that. So we're not talking about, like... And I think this is the thing we miss when we, when we read the word talents, and one, when we obscure it and we, like, we misappropriate the word talent to mean, like, abilities, 'cause it, that's a convenient, like, illustration tool. We're talking about a huge sum of probably gold or silver that this dude just buries in the ground, and then, like, digs it up when the master comes back.  [00:50:01] Jesse Schwamb: Right.  [00:50:01] Tony Arsenal: And I think, like- When we don't realize how much money this is, we miss the force of the master's like, "You stupid, dumb, wicked, slothful servant." Like, if you had even taken this money to the bank and done the least imaginable- Yes ... effort. Exactly. Like, if you had done anything at all, like how mu- how difficult, granted more difficult back in this age than it is now, but like if you had even done something as simple requiring as little labor as possible and just brought this to the bank and let them collect interest on it, we'd still be talking about a huge return. [00:50:35] Jesse Schwamb: That's right.  [00:50:36] Tony Arsenal: And he doesn't even do that, and that's, that's the point. There's the people who do, and they gloss over this. The parable totally glosses over the amazing effort and work that it must have taken to take 100 years worth of la- of wages and turn it into 200 years worth of wages. Right. Or to take 40 years worth of wages and turn it into 80 years worth of wages. That's an amazing, probably almost miraculous return on, on investment. Whatever they did is amazing, and the parable's like, "Yeah, they did that." They just took it to the traders and they brought back five more talents. Like, it's nothing. And then this idiot, and I say idiot in like the most like, like exegetically sound, idios, like, like foolish idiot person. [00:51:20] Jesse Schwamb: Right.  [00:51:20] Tony Arsenal: This idiot just buries it in the ground and doesn't even bother to bring it to the bank where he's gonna get some return on it. This is the picture of the fool who does not make use of the means of salvation. This is the picture of the fool who refuses to receive Christ as savior, who refuses to make use of the benefit and blessing of salvation that is available to all who will trust in Christ and turn to him. This is the same picture as the idiot virgins who didn't buy enough oil and just fell asleep when they knew that the bridegroom was coming, right? Right. It's not that they fell asleep, it's that they didn't do the most obvious, simple,

Canon Stephen Sharpe, ICKSP, serves as Parochial Vicar at St. Joseph Shrine in Detroit, Michigan. He was ordained in 2020. In Today's Show: Why is the universe so large if it was made only for us? How can we focus fully on God without getting distracted by secular things? Can blind priests say the Mass from memory? How literal should we take "the body and the soul are one"? What should we do if a family member is uncomfortable with the Catholic faith? Can a wake be held on a Sunday? How can poorly catechized Catholic families become well-grounded in the faith? Is there a problem with watching videos of crimes being committed and arrests? And more. Visit the show page at thestationofthecross.com/askapriest to listen live, check out the weekly lineup, listen to podcasts of past episodes, watch live video, find show resources, sign up for our mailing list of upcoming shows, and submit your question for Father!

Music Credits: Intro: "Zero Signal," Sean Kolton, MechWarrior 5 Mercenaries Round 1 Mix: "Mars, the Bringer of War," Gustav Holst, The Planets, Op. 32; "Ride of the Valkyries," Richard Wagner, The Valkyrie; "Montagues and Capulets," Sergei Prokofiev, Romeo and Juliet, Op. 64 "3, Allegro Non Troppo," Dmitri Shostakovich, String Quartet No. 3 in F Major Round 2 Mix: "1, Allegro Con Brio," Ludwig von Beethoven, Symphony No. 5 in C Minor "Night on Bald Mountain," Modest Mussorgsky Round 3 Mix: "Danse Macabre, Op. 40," Camille Saint-Saens "Moonlight Sonata," Ludwig von Beethoven, Piano Sonata No. 14 "Summer 1, Allegro Non Molto," Antonio Vivaldi, The Four Seasons "1, Mist," Alfred J. Fissinger, Suite for Solo Marimba Round 4 Mix: "Nocturne in E Flat Major," Frederic Chopin, The Nocturnes, Op. 9 "Sonata Pathetique 2, Adagio Cantabile," Ludwig von Beethoven, Piano Sonata No. 8 "Canon in D Major," Johann Pachelbel Johnny Treble Fight: "Charge Assault," Keiki Kobayashi, Ace Combat 7 Post-Fight: "Clean Slate," Sean Kolton, MechWarrior 5 Mercenaries Soundtrack

In this episode, Douglas Wilson talks about the strong evidence that links cannabis use to psychotic events, the filthiness of the flesh and spirit in 2 Corinthians, and C.S. Lewis's Narrative Poems, especially "Dymer" and the value of writers whose phrases are sticky. For more from Doug, subscribe to Canon+: https://canonplus.com/  

Brent and Alex travel into the unknown as they discuss what they think would have happened if Dumbledore became Minister for Magic! Open New You Can Use June Giveaway Canon Confundus - What if Dumbledore became Minister for Magic? Potterwatch Spellio Revelio - Incarcifors Community Emails   Joe - @CustomVinylLush Alex - @AtariAlex Brent - @BrentAllenLive Show - @TalesFromGH TikTok- @TFGHshow   Tales from Godric's Hollow is your One-Stop Shop for ALL things magical in the Wizarding World of Harry Potter!   Email - TalesFromGodricsHollow@gmail.com Facebook - www.facebook.com/talesfromgodricshollow  Instagram - www.instagram.com/talesfromgodricshollow Podchaser - www.podchaser.com/TFGH   Special Shout Out to our Producers/Sponsors AND Headmistresses, The Mysteriously Haunted Headmistress of Beauxbatons Academy and our Headmistress of Ilvermorny, Kori A!   Thank you to ALL of the Patreon supporters!!! We can't do all of this without you all!   Support us on PATREON! www.Patreon.com/TalesFromGodricsHollow   Spellio Revelio and E-Mail sounds/beds came from https://musicradiocreative.com/

Friends of the Rosary,Today is the Memorial of St. Barnabas, Apostle.Born in Cyprus, he embraced the faith soon after Christ's death and became a member of the original Jerusalem community. He was a Hellenist, that is, a Jew who lived outside of Palestine and spoke Greek. His first name was Joseph; Barnabas (etymology: "son of consolation") was a surname.Barnabas first noteworthy deed was to sell his belongings and place the money at the feet of the apostles.He presented St. Paul to the other Apostles. He was Paul's companion and helper on his first missionary journey (about 45-48 A.D.)He played an important role in the first expansion of Christianity beyond the Jewish world.His name has been mentioned in the Canon of the Mass since ancient times.Ave Maria!Come, Holy Spirit, come!To Jesus through Mary!Here I am, Lord; I come to do your will.Please give us the grace to respond with joy!+ Mikel Amigot w/ María Blanca | RosaryNetwork.com, New YorkEnhance your faith with the new Holy Rosary University app:Apple iOS | New! Android Google Play• ⁠June 11, 2026, Today's Rosary on YouTube | Daily broadcast at 7:30 pm ET

Veel fotografen denken dat ze een beter portfolio nodig hebben. Betere klanten. Een betere strategie. Meer marketing.Soms klopt dat maar vaak ligt de echte vraag ergens anders.Wie moet jij worden om het werk, het bedrijf en de kansen te creëren waar je van droomt?In deze aflevering deel ik een persoonlijk verhaal over waarom ik zelf op zoek ging naar een mentor voor mijn fotografie. Waarom zelfs een mentor soms een mentor nodig heeft. En wat ik zag gebeuren tijdens twee recente kick-off sessies met fotografen die voelden dat het tijd was voor een volgende stap.We hebben het over identiteit, leiderschap, weerstand, zichtbaarheid en waarom zoveel fotografen blijven vastzitten, ondanks hun talent, ervaring en ambitie.Deze aflevering is een uitnodiging om te stoppen met klein spelen, te stoppen met wachten op toestemming en keuzes te maken die je dichter brengen bij de fotograaf die je wil worden.Voel je dat je klaar bent voor persoonlijke begeleiding en wil je graag dat ik een tijdlang naast je sta? Kijk dan hier even naar mijn 1-op-1 mentoring:Je kunt hier ook meteen een gratis kennismakingsgesprek inplannen om samen te bekijken of het traject bij jou past.Deze aflevering van de De Donkere Kamer Podcast wordt mede mogelijk gemaakt door Profotonet, gekend voor hoogwaardige prints, handgemaakte fotoboeken en wanddecoratie van topkwaliteit. Als luisteraar van deze podcast krijg je bovendien 10% korting met de code KAMER-10.Deze aflevering van de De Donkere Kamer Podcast is er ook met dank aan Foto Robyns. Al meer dan 70 jaar een vaste waarde voor fotografen, met persoonlijk advies en een sterke expertise in Canon, Nikon, Sony en Fujifilm. Een plek waar ze echt meedenken vanuit hoe jij fotografeert.

I was born in 1953, and therefore have to confess that I am a boomer, right there in the middle of the pack. There were boomers ahead of me, and boomers behind me, and absolutely everybody in my third grade class was also a boomer. Although we didn't call ourselves that at the time. Sad to say, we were largely unaware at the time.For more from Doug, subscribe to Canon+: https://canonplus.com/  

This week, J.John is joined by Sir Peter Vardy, who shares his journey from leaving school with just one O Level in Music to building a major car dealership business employing over 6,000 staff and selling around 200,000 cars each year. Although he grew up in a Christian home, it was after leaving school that his faith became personal and began to shape the way he approached both life and work. In this conversation, he reflects on running a business with clear Christian values, and how, through The Vardy Foundation, he has supported the building of schools in England, helped launch Safe Families for Children, and contributed to the work of organisations such as Mercy Ships.

Chris Kellum and Tyler Yaw welcome back wedding photographer Leigh Roberts for a candid conversation covering sobriety, wedding industry trends, photography hot takes, and what happens when a wedding professional plans her own wedding. Leigh shares her journey of being sober for one year and seven months after a major health scare, discussing the lifestyle changes, nutrition adjustments, supplements, and daily habits that helped her regain her health. She also reflects on her decision to elope after spending nearly 14 years photographing weddings, explaining why she and her husband chose a small, intimate celebration that cost roughly $6,000.The conversation dives deep into the realities of modern weddings, including rising costs, vendor pricing, wedding-industry politics, and the trends Leigh believes should disappear. She discusses everything from polka-dot wedding aesthetics and intentionally crooked photos to preferred-vendor cliques, DJ choices, and the pressure couples face when planning their big day. Leigh also shares practical advice for couples navigating family dynamics, vendor relationships, and wedding-day expectations.On the photography side, Leigh offers strong opinions on delivering RAW images, the importance of editing, flash photography, second shooters, drone coverage, venue lighting, and the ongoing Canon versus Sony debate. The episode wraps with memorable wedding horror stories, discussions on AI's impact on photography, and valuable insights for anyone planning a wedding or working in the wedding industry.Timestamps00:00 Meet the Guest Leigh 00:53 Sober and Holistic Reset 02:04 Vaccine Injury Recovery 04:37 Lifestyle Changes and Food 05:45 Backyard Gym and Cooking 07:15 Eloping After 14 Years 09:33 Wedding Trends Pet Peeves 12:26 Wedding Costs and Pricing 15:19 Gen Z Vendors and Identity 20:45 Music Choices and DJs 25:03 Preferred Vendor Cliques 28:46 Shot List Hot Takes 28:58 Dress Shot Debate 29:55 Venue Lighting Matters 32:46 Second Shooters Strategy 35:00 Wedding Horror Stories 41:14 Trends, Flowers, and Cake 43:42 Flash, Film, and Gear 47:25 Canon vs Sony Switch 53:58 Pricing RAWs and AI 01:00:53 Family Dynamics Checklist 01:02:27 Wrap Up and GoodbyeKey TakeawaysWhy Leigh chose to elope after nearly 14 years of photographing weddings.The wedding trends she believes are overrated and ready to disappear.How sobriety and lifestyle changes transformed her health and daily life.The truth about wedding photography pricing and vendor costs.Why professional editing is a critical part of photography.Her thoughts on second shooters, drones, flash photography, and venue selection.Canon vs Sony: which system she prefers and why.Real wedding-day horror stories and lessons learned from years in the industry.How AI may change the future of photography and creative work.Practical advice for couples planning a wedding without unnecessary stress.

Miles Morales is faced with an impossible choice in Across the Spider-Verse: accept a canon event and lose his father, or fight against fate itself. This week, Eric dives into the breathtaking Spider-Society, the complexity of Miguel O'Hara, the connection between canon events and MCU multiverse rules, Gwen Stacy's incredible character arc, and what all of it could mean for Avengers: Secret Wars. Plus, theories on Prowler Miles, Beyond the Spider-Verse, and why this may be one of the greatest Spider-Man stories ever told.

Okay Orchard Archivers, which perspective of Star Wars do you prefer…canon, legends and/ or lore? Join Cooper Lee & Kennedy Rizzo as they explore the complex universe of Star Wars, focusing on the differences between canon, legends and lore, and how these intriguing elements shape fan experience and storytelling. May the force be with you!Key topics discussed are: Which way do you prefer to consume the excitement of the Star Wars saga?- Canon - Legends - Lore - that ushered in our fond memories in the - potential future roles in Star Wars - Let's Caramel dive in!Subscribe, rate and leave us a 5-star written review on Apple Podcasts, iHeartRadio, Pandora or GoodPods. If you enjoyed what you heard this week, contact us on our official website retrotrekcaramelapples.com or send us a message, requests and/ or experiences you'd like to hear featured in a future episode at Spotify for Podcasters-->https://podcasters.spotify.com/pod/show/retro-trek-the-caramel-applesHit us up on social media! Stop by and say hi! Leave a comment & share with us some of your favorite retro topics. May the Force be with you!X: @CaramelApples16The Gram (Instagram): @retrotrekthecaramelapplesTikTok: @retrotrekcaramelapplesYouTube: @thestickycaramelapplesOur Official Website: retrotrekcaramelapples.com

So last Thursday the first part of the PCA's study report on Christian nationalism dropped. For those who would check it out, here you go. The following is what I tweeted at the time, and so here we are...Before getting to my promised awkward questions, let me start by saying what was good about the report. And there was much that was good—if we restrict ourselves to various points in isolation. But depending on how the follow-up Q&A goes, we might find ourselves trying to deal with a conflicted version of Bunyan's Mr. Facing-both-ways. We shall see.For more from Doug, subscribe to Canon+: https://canonplus.com/  

Jason and Krystal take you behind the scenes of the Charlotte and Knoxville workshops! From lighting models through the slats of a mule barn with continuous LEDs to transforming a shuttered country bar into a cinematic playground using flash, fans, and modifiers, This episode is packed with practical photography lessons and unforgettable road stories.  Hear how the MagMod gear helped shape the shoots, how workshop attendees learned to adapt when the "perfect" gear wasn't available, and why turning a monolight into a constant light source can save the day.Along the way, there was an impromptu brake replacement in an AutoZone parking lot, a mosquito-infested posing session in Knoxville, a two-light flash setup that lit up an entire forest, and a nighttime LED shoot in front of the iconic Tennessee Theatre while fending off curious scooter riders determined to get Krystal's attention.The road trip wraps up with great sushi, great memories, and a look ahead to San Francisco, an upcoming Iceland scouting trip, and the next round of Mini Masterclasses coming soon to the Pacific Northwest and beyond.Real Talk. Raw Stories. No B.S.

Who decided which books belong in the Bible — and why did Enoch, Thomas, and Peter get left out? It wasn’t The Da Vinci Code version. It wasn’t Constantine at Nicaea. And it wasn’t some random power grab. The real story of the biblical canon is far more fascinating. Also, my guest Dave Rubin explains how he went from the Left to becoming one of its most outspoken critics. What changed his mind? (1:58) Bible as Inspired Library(4:20) Catholics vs. Protestants(6:25) The Da Vinci Code Myth(8:00) Bart's Critique(9:52) Why Enoch Was Excluded(13:29) Four Criteria for the Canon(15:07) Gospel of Thomas Examined(16:40) How the Canon Was Formed(19:43) Guest: Dave Rubin(22:31) Leaving the Left Behind(28:52) When the Left Abandoned Liberty(40:37) Realism Over Bumper Stickers(43:20) Tucker, Candace & Megan(47:12) Covid and Institutional Lies If you’re tired of broken healthcare you need to choose the right pharmacy. Check them out at allfamilypharmacy.com/dinesh and use code DINESH10 to save 10% off your next order. Leave the old “buy and hold” crypto strategy behind at https://DineshCrypto.com ! Purchase crypto with military grade encryption and American customer service. Hundreds of crypto holders have saved MILLIONS thanks to BlockTrustIRA’s Animus AI. Visit https://DineshCrypto.com and receive up to $2,500 in FREE bonus crypto! America has nearly 39 trillion dollars in debt! Are you protected from this pending disaster? Go to http://DineshGold.com and get up to 10% in bonus gold or silver. I’m on substack! Check out what I have to say here: https://dineshdsouza.substack.com/ For free and unbiased Medicare help, dial (706) 262-4774 to speak with my trusted partner, Chapter, or go to https://askchapter.org/dinesh" Chapter and its affiliates are not connected with or endorsed by any government entity or the federal Medicare program. Chapter Advisory, LLC represents Medicare Advantage HMO, PPO, and PFFS organizations and stand alone prescription drug plans that have a Medicare contract. Enrollment depends on the plan’s contract renewal. While we have a database of every Medicare plan nationwide and can help you to search among all plans, we have contracts with many but not all plans. As a result, we do not offer every plan available in your area. Currently we represent 50 organizations which offer 18,160 products nationwide. We search and recommend all plans, even those we don’t directly offer. You can contact a licensed Chapter agent to find out the number of products available in your specific area. Please contact Medicare.gov, 1-800-Medicare, or your local State Health Insurance Program (SHIP) to get information on all of your options. Dinesh D'Souza is an author and filmmaker. A graduate of Dartmouth College, he was a senior domestic policy analyst in the Reagan administration. He also served as a research fellow at the American Enterprise Institute and the Hoover Institution at Stanford University. He is the author of many bestselling books, including "Illiberal Education," "What's So Great About Christianity," "America: Imagine a World Without Her," "The Roots of Obama's Rage," "Death of a Nation," and "United States of Socialism." His documentary films "2016: Obama's America," "America," "Hillary's America," "Death of a Nation," and "Trump Card" are among the highest-grossing political documentaries of all time. He and his wife Debbie are also executive producers of the acclaimed feature film "Infidel." — Want to connect with Dinesh D'Souza online for more hard-hitting analysis of current events in America? Here’s how: Get Dinesh unfiltered, uncensored and unchained on Locals: https://dinesh.locals.com/ Facebook: https://www.facebook.com/dsouzadinesh Twitter: https://twitter.com/dineshdsouza Rumble: https://rumble.com/dineshdsouza Instagram: https://www.instagram.com/dineshjdsouzaSee omnystudio.com/listener for privacy information.

The Council of Constantinople as part of Sam and Hank's church Fathers series.00:00:00 - Introduction00:01:45 - Fourth Century Review00:16:00 - The Council begins00:20:20 - The Macedonians00:23:00 - Meletius of Antioch00:28:30 - Gregory of Nazianzus00:38:40 - Nectarius of Constantinople00:44:40 - The Canons of Constantinople00:49:20 - Aftermath00:55:30 - The Creed, or lack thereofRoman EmperorsConstantine the Great (Emperor who convened the Council of Nicaea)Constans (Son of Constantine, ruler of the West)Constantius II (Son of Constantine, ruler of the East)Julian the Apostate (Nephew of Constantine who rejected Christianity)Jovian (Imperial bodyguard commander who briefly succeeded Julian)Valentinian I (Western Emperor who appointed his brother Valens)Valens (Pro-Arian Eastern Emperor killed at Adrianople)Theodosius the Great (Spanish general made Emperor who convened the Council of 381)The Cappadocian Fathers & Allied TheologiansGregory of Nazianzus (Theologian, short-lived chairman of the Council, and Bishop of Constantinople)Basil the Great (Bishop of Caesarea who orchestrated the pro-Nicene strategy)Gregory of Nyssa (Brother of Basil, theologian who delivered Meletius's funeral oration)Meletius of Antioch (Initial chairman of the Council of Constantinople whose sudden death caused turmoil)Other Historical Church FiguresAmbrose of Milan (Influential Western bishop and advisor to emperors)Nectarius of Constantinople (The unbaptized Senator suddenly elected as Bishop and Council chairman)Paulinus of Antioch (Rival pro-Nicene bishop of Antioch backed by Rome and Alexandria)Euzoius of Antioch (Arian bishop appointed to replace Meletius)Maximus the Cynic (Rival candidate whose claim to the see of Constantinople was invalidated by Canon 4)Augustine of Hippo (Prolific Western Church Father referenced in the aftermath)Jerome (Translator of the Vulgate, referenced in the 4th-century timeline)Theological Figures (Eponymous Heresiarchs Mentioned)Arius (Originator of the Arian controversy regarding the Son's divinity)Macedonius I of Constantinople (Pneumatomachian leader whose followers denied the divinity of the Spirit)Eunomius of Cyzicus (Leader of the radical "Anomoean" or hardcore Arian faction)Photinus of Sirmium (4th-century bishop who taught a form of Biblical Unitarianism/Dynamic Monarchianism)Paul of Samosata (3rd-century adoptionist Bishop of Antioch)Apollinaris of Laodicea (Taught that Jesus had a human body but a divine mind instead of a human soul)Sabellius (3rd-century theologian who taught Modalism/Sabellianism)Marcellus of Ancyra (Strict Monarchian theologian condemned for his views on the lifespan of Christ's kingdom)Eudoxius of Constantinople (Prominent Arian bishop referenced in Canon 1)

Sermon preached by The Rev. Canon Patricia Orlando on Sunday, June 7, 2026.

Interview Date: May 31st, 2026Episode Summary:In this episode, Alison Stroming shares her inspiring journey from classical ballet training to building a dynamic career across concert dance, commercial work, teaching, choreography, and entrepreneurship. She reflects on her early training at the School of American Ballet and American Ballet Theatre's JKO School, the challenges of rejection, and the career-defining opportunities that led her to dance with Alberta Ballet, Ballet San Jose, and Dance Theatre of Harlem.Alison opens up about transitioning from ballet into the commercial dance world, including her move to Los Angeles and booking major opportunities with artists such as Jennifer Lopez, Mariah Carey, Kendrick Lamar, Brent Faiyaz, Kanye West, and more. She highlights the importance of versatility, visibility, resilience, and trusting your instincts while navigating the dance industry.Beyond performing, Alison discusses the launch of A.S. Dancewear and what it takes to build a business while remaining connected to the dance community. She shares how the pandemic shifted her priorities and pushed her to redefine success on her own terms. Her story is a powerful reminder that a dance career does not have to follow one path, and that persistence, adaptability, and strong relationships can open doors in many different directions.Shownotes:00:02 – Introduction to Alison Stroming's journey03:18 – Early training and dance family background04:30 – Nutcracker performance sparks ballet passion05:44 – Transitioning from competition to ballet06:45 – Rejection leads to first contract08:18 – Navigating companies and finding alignment09:30 – Touring internationally expands artistic growth11:19 – Moving to LA for commercial dance12:10 – First major job with Jennifer Lopez13:30 – Pandemic forces major career pivot13:54 – Launching A.S. Dancewear brand15:29 – Shifting business focus and priorities17:21 – Setting long-term Broadway career goals25:28 – Versatility essential across dance styles42:43 – Balancing entrepreneurship with dance careerBiography:Alison Stroming is a professional dancer, model, teacher, choreographer, and entrepreneur. Born in Recife, Brazil and raised in New York City, she began her formal ballet training at age nine at the School of American Ballet before continuing on full scholarship at the Jacqueline Kennedy Onassis School at American Ballet Theatre. She later joined ABT Studio Company before beginning her professional career with Alberta Ballet.Alison has performed with Alberta Ballet, Ballet San Jose, and Dance Theatre of Harlem, where she danced principal roles and toured internationally. She has also performed with Aretha Franklin at the Kennedy Center Honors and toured with Sarah McLachlan during the Hope Rising! Canadian Tour.As a commercial dancer and model, Alison has appeared in campaigns for Tumi, Canon, Under Armour, Free People Movement, Adidas, McDonald's, and American Eagle. She has also worked on projects for Jennifer Lopez, India Arie, Mariah Carey, Kendrick Lamar, Brent Faiyaz, and Kanye West.In 2018, Alison launched A.S. Dancewear, a brand focused on mentorship, empowerment, and supporting dancers. She continues to perform, teach, choreograph, and inspire dancers around the world.Connect with Alison:Website: https://www.alisonstroming.comA.S. Dancewear: https://www.asdancewear.comInstagram: https://www.instagram.com/alisonstromingFacebook: https://www.facebook.com/AlisonStroming

Way back in the early days of the Camerosity Podcast, we did a show with Canon historian and author Peter Kitchingman, and recently as the gang looked back at what topics were worth revisiting we decided to come back to Canon rangefinders.  But what expert would we get this time?  As it turned out, Peter was available and willing to come back so we decided to retread this bountiful topic and deliver a "Part Deux" to Canon rangefinders. Joining Peter and the regular hosts were Greg Harp, another excellent resource for these cameras who has a great deal of knowledge, plus listeners A.J. Gentile, Ben Ryerson, Ira Cohen, Jeremy Scott, Joan, John Roberts, Norris Liu, William Smith, and Will Pinkham. We start off with some brief history and then get into some of the earliest Canon rangefinders like the original Canon and the slightly later Canon J and JII.  Moving onto the historically significant S, SII, and IIBs and eventually covering the II, III, and IV series.  We move along to the back loaders like the V, VI, P, and 7 series, covering various lenses, including the 0.95 Dream lens, a very rare original Canon mount wide angle lens, and others.  Greg and Peter even share a bit of knowledge about Canon's X-Ray cameras which they made during and after the war. Although a majority of you probably wanted to hear the most about the interchangeable lens models, we give some love to the fixed lens Canonet models like the trigger wind Canonet, the Canonet QL17 G-III, and even some of the more economically priced models. Unusual to a Camerosity episode, we largely stayed on topic for this only only slightly veering into one Argus lens (blame Mike for that), but we answer a bunch of questions such as why is having different magnification ratios for the rangefinder useful, why is having separate viewfinder and rangefinder windows better, and what role did Nippon Kogaku play in Canon's history. As always, the topics we discuss on the Camerosity Podcast are influenced by you!  Please don't feel like you have to be an expert on a specific type of camera, or have the level of knowledge on par with other people on the show.  We LOVE people who are into shooting or collecting cameras, no matter how long you've been doing it, so please don't consider your knowledge level to be a prerequisite for joining! The guys and I rarely know where each episode is going to go until it happens, so if you'd like to join us on a future episode, be sure to look out for our show announcements on our Camerosity Podcast Facebook page, the Camerosity Discord server, and right here on mikeeckman.com. We usually record every other Monday and announcements, along with the Zoom link are typically shared 2-3 days in advance. Our next episode will be number 110, and we listened to you all for a topic and you chose 110 "Pocket Instamatic" cameras.  This means the Pentax and Minolta 110 SLRs will definitely make an appearance, but in the event we can't fill a whole episode about 110 cameras, we are opening up the discussion to all 16mm subminiature cameras.  We will record Episode 110 on Monday, June 8th at 7pm Central Daylight Time, 8pm Eastern Daylight Time, and 6pm Canada Saskatchewan Time.  For more time zones, please consult the World Time Buddy calculator and plug in your time.  Make sure you set your calendars and look out for the show announcement at the usual locations and be prepared to join us! In This Episode Peter Kitchingman is Back / Peter Still has Hundreds of Copies of His Book for Sale A Show Listener Recently Picked up a Canon JII and Asked What it Was The Origins of Canon's Early Models / Rangefinder Less Canon J Nippon Kogaku's Role with the Early Canon Cameras / Serial Numbers are Difficult to Track Canon J-Mount vs Leica Thread Mount (24 tpi vs 26 tpi) / The Canon SII Was the First LTM Canon Canon Remained Profitable During the War Making X-Ray Cameras Mike Thinks the Rotating Prism Was One of Canon's Best Features Which Canon is Good for a First Time Canon Rangefinder Owner? Quick Ways to Differentiate a Canon II, III, and IV / Canon IV Sb The Never Ending Questions About the EP Mark Some Canon Sleeper Lenses / Canon Often Launched Cameras with Wide-Angle Options The Canon V-Series / Lever Wind Models and the VT Trigger Wind Models Japanese Summilix 50mm f/1.4 Canon Lens / Trigger Film Advances CR Skinner and the Canon 1950 Model / Origin of the Name "Dream Lens" Canon 7 / Canon f/0.95 Lens and its Use in Hollywood / Stanley Kubrick's f/0.7 Zeiss Planar Lens Differences Between the Canon 7s and 7sZ / Lenses with Hoods Which Block the Viewfinder Why Do Some Lenses Inexplicably Skyrocket in Value? / Influencers The Helios-44 is Influencer Proof / Getting Stuff from Ukraine Canon Made Some Decent Fixed Lens Rangefinders Too / Trigger Winds Canonet 19 / Canonet QL17 GIII / Canonet QL25 and 28 Models Canon Cameras at the Leitz Auction / Repainted Black Cameras Tips on Identifying a Repainted Camera vs an Original Painted Camera What Are the Advantages of Having Multiple Magnification Ratios in a Rangefinder? Auxiliary Viewfinders / Canon V and VIs Have Built in Automatic Parallax for Viewfinders Experiences with Canon or Konishiroku Collapsible 50/3.5 LTM Lenses Keeping a Record of Camera Provenance and History Links The Camerosity Podcast is now on Discord! Join Anthony, Paul, Theo, Stephen, and Mike on our very own Discord Server. Share your GAS and photography with other listeners in the Lounge or in our dedicated forums. If you have questions for myself or the other guys, we have an “Ask the Hosts” section as well where you can get your question answered on a future show! Check it out! https://discord.gg/PZVN2VBJvm. If you would like to offer feedback or contact us with questions or ideas for future episodes, please contact us in the Comments Section below, our Camerosity Facebook Group, Instagram page, or Discord server. Order Your Very Own Camerosity Podcast T-Shirt! - https://www.zazzle.com/z/tbykl0hg Camerosity Podcast Episode 18 w/ Peter Kitchingman - https://camerosity.podbean.com/e/episode-18-canon-rangefinders-with-peter-kitchingman/ If you would like to order Peter Kitchingman's book, email him at peterkcrf@iinet.net.au. The Official Camerosity Facebook Group - https://www.facebook.com/groups/camerositypodcast Camerosity Instagram - https://www.instagram.com/camerosity_podcast/ Camerosity in Spanish Podcast - https://camerosity.es/ Theo Panagopoulos - https://www.photothinking.com/ Paul Rybolt - https://www.ebay.com/usr/paulkris - https://thisoldcamera.net/ Anthony Rue - https://www.instagram.com/kino_pravda/

Coming up in our June podcast: we discuss the artist who's caused outrage by colourising Ansel Adams' famous Moonrise image, why Sabrina Carpenter turned up to the Met Gala wearing film strips, and why India's tiger reserves have banned smartphones. We look at the camera exhibit where visitors are encouraged to smash old cameras, Canon's surprisingly useful new lens cap, and Kodak bringing large-format film back from the dead.   LINKS

There are no show notes because I didn't tell Matt I was doing a show Hosted on Acast. See acast.com/privacy for more information.

Is the Protestant Canon valid? Why do Protestants have 66 books in the Bible while Catholics and Orthodox Christians include additional books in the Old Testament? In this video, we explore the fascinating history of the biblical canon, the development of the Old Testament, and the reasons behind the differences between Protestant, Catholic, and Orthodox Bibles.We'll examine the Deuterocanonical books (also called the Apocrypha), the role of the Septuagint, the Hebrew Scriptures, and how the early Church understood the canon of Scripture. Whether you're a Protestant, Catholic, Orthodox Christian, skeptic, new believer, or someone curious about Jesus and Christianity, this discussion will help you better understand one of the most important questions in Christian history.If you've ever wondered which Bible is correct, why Christians disagree about the Old Testament, or how the canon was formed, this video provides historical context, biblical evidence, and thoughtful analysis. Join us as we dive into church history, Christian apologetics, biblical studies, and the reliability of Scripture.Subscribe for more content on Christianity, theology, church history, apologetics, biblical interpretation, the early Church, and defending the Christian faith.

A Electrolux está completando 100 anos no Brasil e o futuro da marca passa por sustentabilidade, eficiência energética e inovação conectada ao dia a dia dos consumidores. Durante uma visita à fábrica da empresa em Curitiba, o repórter Bruno Bertonzin conversou com João Zeny, diretor de sustentabilidade do Electrolux Group na América Latina, e Alexandre Neves, gerente sênior de design da Electrolux na América Latina. No episódio, os executivos explicam como a empresa trabalha para criar produtos mais econômicos, quais iniciativas existem para descarte consciente de eletrodomésticos antigos e como o Brasil se tornou referência global em design dentro da companhia. A conversa também aborda o impacto das novas regras de eficiência energética no mercado brasileiro, o futuro dos produtos conectados e como a Electrolux pretende continuar relevante nos próximos 100 anos. Você também vai conferir: Acer entrou na disputa dos óculos inteligentes contra a Meta, Agora já dá pra pagar compras usando anéis e pulseiras inteligentes e Canon quer trazer de volta o sucesso das câmeras estilo Cyber-shot. Este podcast foi roteirizado e apresentado por Fernanda Santos e contou com reportagens de Nathan Vieira e Bruno Bertonzin. A trilha sonora é de Guilherme Zomer, a edição de Leandro Gomes e a arte da capa é de Erick Teixeira.See omnystudio.com/listener for privacy information.

In this episode, Nancy Wilson considers spiritual vitality: what it is, how it compares to physical vitality, and how Christians maintain it through Scripture, prayer, confession, and perseverance in doing good. Find more from Nancy and others on Canon+: https://canonplus.com/tabs/none/pages/nancy-wilson 

Video Version: https://www.youtube.com/watch?v=GFRZ_t0Swog Try a FREE week of Patreon! Website: ovppodcast.com Twitter: @ovppodcast  

The name Israel was given to Jacob at Peniel (Gen. 32) when he was on his way to reunite with his brother Esau—doing so while not knowing if that reunion was going to be bloody or not. God had told him to return, and had promised that such a return would be blessed. But this was a promise that Jacob had to hang on to by sheer faith, especially after he got word that Esau was headed his way, and with four hundred armed men with him.For more from Doug, subscribe to Canon+: https://canonplus.com/  

In this episode, Douglas Wilson cautions that modern wars are fought both on the battlefield and in the media narrative. He also continues his theological word study on sin with moluno and the defiling of the conscience, and reviews Charles Spurgeon's Lectures to My Students as a practical, warm-hearted book of homiletical wisdom. For more from Doug, subscribe to Canon+: https://canonplus.com/  

Check out the rest of The Institute of Awesome now on Canon+: https://canonplus.com/tabs/discover/audiobooks/655 

Most Christians think the debate over spiritual gifts comes down to one question: do they still happen or don't they? Dr. Vern Poythress, 50-year New Testament professor at Westminster Theological Seminary, says both cessationists and continuationists are asking the wrong question. ABOUT THIS EPISODE:Dr. Poythress proposes the term "analogous gifts" — the idea that the gifts of the Spirit are genuine, Spirit-empowered works modeled after Christ's own prophetic, priestly, and kingly ministry, but subordinate to it. Not identical to what the apostles did. Not a lower-tier substitute. Analogous with the same Spirit, the same source, a different level of authority.This reframing has real stakes for the cessationist/continuationist divide. The tension in the body of Christ right now isn't just academic: it's shaping how whole churches think about prophecy, tongues, healing, and what it means to be filled with the Spirit. Dr. Poythress argues that if Gaffin is right about New Testament prophecy being infallible, that doesn't end the conversation, but just moves it. There's still a genuine, non-inspired, Spirit-empowered gifting that needs to be accounted for. And if Grudem is right, continuationists still need to reckon with what discernment and testing actually look like in practice.Joshua and Dr. Poythress also discuss the history of cessationism, why it developed as a response to Roman Catholic claims, how the Reformation fought on two fronts (Rome and the enthusiasts), and why figures like Samuel Rutherford and even C.H. Spurgeon complicate the neat cessationist narrative. The episode doesn't try to solve the debate. It tries to widen the table.0:00 – Introduction0:44 – Guest: Vern Poythress3:05 – Analogous Gifts Explained14:52 – Cessationism vs. Completionism20:34 – Canon and Prophecy30:06 – Puritan Prophesying Language44:04 – RC Sproul's Voice53:15 – Pursuing Spiritual Gifts59:09 – Closing ThoughtsGROW IN THE GIFTS OF THE SPIRIT PLAYLIST: https://www.youtube.com/playlist?list=PLMsjeViSScFGpsFnIkPFAIzI4BFoAy3zQABOUT THE GUEST:"What are Spiritual Gifts?" by Dr. Poythress https://frame-poythress.org/wp-content/uploads/2012/08/PoythressVernWhatAreSpiritualGifts.pdfSubscribe to The Remnant Radio newsletter and receive our FREE introduction to spiritual gifts eBook. Plus, get access to: discounts, news about upcoming shows, courses and conferences - and more. Subscribe now at TheRemnantRadio.com. Support the showABOUT THE REMNANT RADIO: The Remnant Radio exists to equip believers who are hungry for the radical middle of both Word and Spirit. Subscribe for twice-weekly content on theology, church history and the gifts of the Spirit.

This week, J.John is joined by Stuart Bell, whose ministry spans more than 50 years, beginning as the son of a Methodist local preacher and playing in a Christian band, The Advocates. What started with discipling young people grew into Alive Church, now across six locations, and the Ground Level Network, connecting around 80 churches with a vision to reach communities “from the Humber to the Wash.” In this conversation, Stuart reflects on what it means to “reinvent church” today, while also sharing from personal experience, including his book Mud in the Eye and the challenges of leading through difficult seasons and questions around healing.

I think we should be frank with one another at this point and just acknowledge that the world is having itself an upheaval. If this is not the Fourth Turning that Howe and Strauss wrote about back in the day, it is bidding fair to approximate some kind of white water turning. As the saying goes, “first they ignore you. Then they laugh at you. Then they fight you. Then you win.” But all along that process is a good deal of churn...For more from Doug, subscribe to Canon+: https://canonplus.com/  

This is The Digital Story Podcast 1,054, June 2, 2026. Today's theme is, "A Brilliant Compact Flash - Godox iT30." I'm Derrick Story. A flash as compact as your camera. Weighing in at 4.2 ounces and a mere 2" high, the Godox iT30 Pro Flash is available for OM System, Panasonic, Fujifilm, Leica, Sony, Nikon, and Canon. Yet it includes pro features, a gorgeous LCD screen and a $75 price tag. If you're looking to brighten up your photography, this review is for you. I hope you enjoy the show.

Canon Stephen Sharpe, ICKSP, serves as Parochial Vicar at St. Joseph Shrine in Detroit, Michigan. He was ordained in 2020. In Today's Show: If someone we know is in sin, should we rebuke their actions instead of showing false kindness? Do priests need to drink out of the chalice? Are Catholic disciplines too legalistic?  How can we defend the Catholic church against governments that are conspiring to harm the faith? How can we get ahead in this world without usury? Was the illness St. Therese had a sign of possession? Should the laity be distributing Holy Communion to the homebound? What do ICKSP priests do when they want to swim? Visit the show page at thestationofthecross.com/askapriest to listen live, check out the weekly lineup, listen to podcasts of past episodes, watch live video, find show resources, sign up for our mailing list of upcoming shows, and submit your question for Father!

In this episode, Nancy Wilson reflects on Song of Solomon 2:15 and the “little foxes” that spoil the vineyard of Christian relationships, especially in marriage, family, friendship, and church community. She considers sins like hurt feelings, resentment, anger, jealousy, broken confidences, and bitterness, urging listeners to guard their relationships with biblical wisdom, quick forgiveness, careful barriers, and a willingness to overlook small offenses before they take root. Find more from Nancy and others on Canon+: https://canonplus.com/tabs/none/pages/nancy-wilson 

The Declaration famously says that we are “endowed by our Creator with certain inalienable rights.”... The American Founding was a creationist event, and precisely because it was a creationist event, we have enjoyed a truly solid foundation for the blessings of liberty. For more from Doug, subscribe to Canon+: https://canonplus.com/