Podcasts about Andrei Tarkovsky

This week we take a little break from Andrei Tarkovsky and are covering two films by Luis Bunuel.Amanda Joy Moon:⁠⁠Instagram: https://www.instagram.com/amandajoymoon/ ⁠Etsy: https://www.etsy.com/shop/riotgrrrlprintz/?etsrc=sdt ⁠⁠TikTok⁠⁠: https://tiktok.com/@amandajoymoonRevLeft:https://www.revolutionaryleftradio.com/https://www.revolutionaryleftradio.com/guerrilla-historyhttps://www.revolutionaryleftradio.com/#/redmenace/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Our three co-hosts are stuck in the multiverse and need to get back to their home universe. Clearly, the only way to do that is to explore our cultural obsession with multiverses, alternate timelines and parallel worlds, and tie it all into a conversation about post-modern art, pop culture, and the lessons these stories teach us. Also, each episode, one of them is an asshole who will probably sabotage the whole thing. This week we discuss 1972's Solaris, directed by Andrei Tarkovsky! Features: Michael Swaim: https://bsky.app/profile/michaelswaim.bsky.social Adam Ganser: https://bsky.app/profile/ganz.bsky.social Abe Epperson: https://bsky.app/profile/abeepp.bsky.social Support Small Beans and access Additional Content: https://www.patreon.com/SmallBeans Check our store to buy Small Beans merch! https://www.teepublic.com/stores/the-small-beans-store?ref_id=22691

Ya está en salas una de las películas españolas llamadas a marcar un antes y un después. En este capítulo de Estamos de Cine nos hemos propuesto poner en valor la calidad de "Sirat: Trance en el desierto" y lo hacemos hablando con su director, el talentoso y diferencial Oliver Laxe. El creador de la aclamada "O que arde" se puede convertir en el cineasta del año con esta propuesta impactante que ya ha cosechado una cascada de elogios entre los expertos. MIN 4: SIRAT: TRANCE EN EL DESIERTO (5 estrellas) Premio del Jurado en Cannes 2025, Sirat se presenta como un “road-movie apocalíptica” que fusiona drama familiar, trance rave y exploración existencial. La trama sigue los pasos de Luis (Serg iLópez) y su hijo Esteban (Bruno Núñez) internándose en una fiesta clandestina en el sur de Marruecos para buscar a Mar, la hija y hermana desaparecida meses atrás. Esta búsqueda les permite hermanarse con una a suerte de comunidad Esta búsqueda los affinila a una “troupe de nómadas del sonido” y los introduce en una travesía cada vez más brutal física y emocionalmente de nómadas del sonido electrónico y los introduce en una travesía cada vez más brutal en el plano físico y en el emocional. Min 10: ENTREVISTA AL DIRECTOR OLIVER LAXE El directo de Estamos de Cine, Roberto Lancha, mantiene una entrevista en profundidad con el director gallego, que nos cuenta las intenciones de su propuesta y de la dimensión y la espiritualidad con la que ha querido sacar al espectador de su zona de confort. Laxe no es nuevo en Cannes: ya había sido reconocido en 2010 (Todos vós sodes capitáns), 2016 (Mimosas) y 2019 (O que arde), siendo, de hecho, uno de los escasos cineastas españoles con premios en distintas ediciones. Este hijo de emigrantes gallegos vive hoy en una aldea de Navia de Suarna. Su cine se nutre de esa identidad: lo rural, el silencio, el paisaje de los Ancares. Gracias a "O que arde", este cineasta captó la atención de El Deseo y de los hermanos Almodóvar que, junto a Esther García, le han apoyado sin fisuras para intentar llevar a "Sirat" lo más alto posible. NOTA EDC: 5 estrellas Min 30: LA BUENA SUERTE El nuevo largometraje de la directora española Gracia Querejeta sigue al personaje de Pablo (Hugo?Silva), un arquitecto con éxito, que decide bajarse del tren en un pueblo perdido y compra un piso de forma impulsiva. Lo hace para dejar atrás un pasado oscuro y también para huir de sí mismo . Allí conoce a Raluca (Megan?Montaner), una vecina optimista que cree firmemente en la "buena suerte" pese a su entorno gris. NOTA EDC: 3 estrellas Min 35: BALLERINA: DEL UNIVERSO JOHN WICK "Ballerina", el taquillazo cantado de la semana, se sitúa entre John Wick: Chapter 3 y Chapter 4, y sigue a Eve Macarro (Ana?de?Armas), una exniña huérfana cuyo padre fue asesinado. Criada por la organización Ruska?Roma en una academia donde el ballet y el asesinato se mezclan, Eve se convierte en una letal ejecutora que busca venganza y redención. NOTA EDC: 3,5 estrellas Min 42: LA CASA AL FINAL DE LA CURVA La casa al final de la curva, dirigida por Jason Buxton y protagonizada por Ben Foster y Cobie Smulders, es un thriller psicológico que llega a los cines este fin de semana. La historia sigue a un padre de familia que, tras presenciar un accidente frente a su casa, se obsesiona con salvar a desconocidos, entrando en una espiral de angustia, culpa y necesidad de redención. Con pocos personajes y mucha tensión, la película plantea hasta qué punto el deseo de ayudar puede volverse oscuro. Una propuesta inquietante, contenida y emocional que muestra a un Ben Foster sobresaliente en uno de sus papeles más turbadores. NOTA EDC: 3,5 estrellas Min 45. MADS MadS, dirigida por David Moreau y protagonizada por Milton Riche, Laurie Pavy y Lucille Guillaume, es un trepidante thriller de terror rodado en un único plano secuencia que sigue a Romain, un joven que, tras probar una droga sintética, recoge a una mujer herida en la carretera y se sumerge en una noche de pesadilla donde no sabe si lo que vive es un mal viaje o un brote viral de zombis; una experiencia claustrofóbica, sin respiro, que combina adrenalina pura con una atmósfera de terror visceral. NOTA EDC: 2,5 estrellas Min 47: THE RITUAL The Ritual, dirigida por David Midell y protagonizada por Al Pacino, Dan Stevens y Abigail Cowen, narra un impactante exorcismo basado en hechos reales: dos sacerdotes, uno veterano y otro joven, se unen para liberar a Emma, una joven poseída, en un ritual que mezcla fe, duda y horror. Pacino ofrece un personaje carismático con un particular acento alemán, Stevens aporta humanidad desde la incertidumbre, y Cowen encarna con fuerza el tormento de la posesión. Con tensión bien manejada y sin alardes visuales, la película busca emocionar más que asustar, aun cuando algunos críticos señalaban que su guion cae en clichés. NOTA EDC: 2 estrellas Min 50: LA PELÍCULA DE TU VIDA, CON OLIVER LAXE El director del momento y protagonista de este capítulo es el encargado de remover sus recuerdos y su formación cinéfila para desvelarnos que la película de su vida es "Andrei Rublev", la magna epopeya de 1966 dirigida por Andrei Tarkovsky, es un viaje visual y espiritual que retrata la vida y tribulación del monje y pintor de íconos rusos del siglo XV. Compuesta en ocho episodios, la película es menos una biografía tradicional que una meditación poética sobre el arte, la fe y el peso de la historia. Min 53: DESPEDIDA PINCELADA BSO SIRAT Despedimos programa escuchando dos de los temas más significativos de la BSO de "Sirat", compuesta por el músico francés Kangding Ray (David Letellier) y que se ha convertido en un pilar central del film, encapsulando la atmósfera trance y ritual del desierto marroquí: inicia con un beat tribal y enfadado, evoluciona hacia texturas más metafísicas y envolventes, y resuena en Dolby Atmos con golpes sónicos capaces de hacer vibrar la sala, otorgándole una dimensión casi espiritual al ritmo narrativo cadenaser.c Su relevancia ha sido reconocida en Cannes con el Premio Soundtrack, convirtiéndola en el corazón sónico que acompaña y eleva cada escena del viaje interior que propone Oliver Laxe.

Another boy, another partisan group. Things were bad in Come and See, sure, but it was bad for boys all across the Eastern front! After his unit is scattered by the Germans, Ivan is picked up by other partisans and is reunited with his captain. The captain and his unit wish to send him to safety in the rear but Ivan will not go! There is still much work to be done. Next week: JUNEHEAD BEGINS! Questions? Comments? Suggestions? You can always shoot us an e-mail at ⁠⁠⁠⁠forscreenandcountry@gmail.com⁠⁠⁠⁠   Full List: ⁠⁠⁠⁠https://www.pastemagazine.com/movies/war-movies/the-100-greatest-war-movies-of-all-time⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠https://www.facebook.com/forscreenandcountry⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠https://www.twitter.com/fsacpo⁠⁠⁠⁠⁠⁠⁠⁠d⁠⁠⁠⁠ Our logo was designed by the wonderful Mariah Lirette (⁠⁠⁠⁠https://instagram.com/its.mariah.xo⁠⁠⁠⁠) Ivan's Childhood stars Nikolai Burlyayev, Valentin Zubkhov, Evgeny Zharikov and Valentina Malyavina; directed by Andrei Tarkovsky. Learn more about your ad choices. Visit megaphone.fm/adchoices

We interrupt The Summer of 2015 at 10 for a moment to resume the Tarkovsky's Tales retrospective. Steven Warren Hill and I this time are talking about the science fiction masterpiece SOLARIS from 1972. A film that is probably most people's introduction to Andrei Tarkovsky. In prep for this I've read the book for the […]

Host Ally Pitts shares some news about a screening of Andrei Tarkovsky's Mirror that he'll be introducing on Sunday 25th May as part of the Dreamscapes classic season at Ultimate Picture Palace in Oxford. He also shares news about screenings of Soviet films at the Prince Charles Cinema, and shares details of silent film screenings with live music by Hugo Max. Links mentioned/alluded to in the episode: Dreamscapes classic season at Ultimate Picture Palace in Oxford https://uppcinema.com/show_type/classic-season-dreamscapes/  Antifa on screen classic season at the UPP https://uppcinema.com/show_type/classic-season-antifa-on-screen/ Come and See & Elem Klimov https://www.podchaser.com/podcasts/a-russian-soviet-movie-podcast-594862/episodes/come-and-see-elem-klimov-1985-41611107  https://uppcinema.com/show/come-and-see/ https://letterboxd.com/thetop100/list/the-greatest-films-ever-made-as-selected/  https://www.criterion.com/films/28895-come-and-see The Prince Charles Cinema, Leicester Square, London https://princecharlescinema.com/seasons-events/bleak-week/ https://princecharlescinema.com/seasons-events/tarkovsky/   https://princecharlescinema.com/film/6773592/the-colour-of-pomegranates-sayat-nova/  https://princecharlescinema.com/film/20569368/the-cranes-are-flying/  https://princecharlescinema.com/film/1865782/battleship-potemkin-bronenosets-potyomkin/ https://princecharlescinema.com/whats-on/   Hugo Max scores silent cinema https://hugomax.co.uk/news  https://hugomax.co.uk/upcoming-past-performances  Contact us/socials: All the links for a Russian & Soviet Movie Podcast and Ally Pitts you're ever likely to want or need: linktr.ee/russiansovietmoviepodcast linktr.ee/ally_pitts  We changed the name of the show a little while back, but the social handles/contacts are a bit of a mishmash. Email: russophilesunite@gmail.com Letterboxd: letterboxd.com/Ally_Pitts/ Instagram: instagram.com/russiansovietmoviepodcast/  instagram.com/ally_pitts_movies_etc/  Listen to Ally's other podcast appearances on Podchaser

On this episode of the podcast, host Dr Pasquale Iannone is joined by MSc Film Studies student Lauren Thompson to discuss one of the most critically acclaimed and influential films of all time. Andrei Tarkovsky's fourth feature Mirror (1975) weaves together moments in the life of dying poet in a bold, non-linear style. It's a deeply personal cinematic poem about memory, history and family, and 2025 marks its 50th anniversary.Lauren and Pasquale begin by offering their thoughts on Tarkovsky's work more broadly and then they turn to an extended discussion of Mirror, covering elements such as the use of editing and voiceover. The discussion rounds off with a consideration of the film's influence on successive generations of filmmakers, from Christopher Nolan to Claire Denis.

This episode explores the journey of filmmaker Vibeke Løkkeberg, who spent 52 years creating her film, “The Long Road to the Director's Chair,” which premiered at the Berlin Film Festival. Past cinema discussed includes Italian Neorealism and Andrei Tarkovsky.Vibeke's film highlights the struggles and achievements of women in the film industry, delving into the ongoing fight for equality in filmmaking, the challenges faced by female directors, and the impact of commercialism on artistic expression. The discussion also explores personal resilience, the significance of authenticity in storytelling, and the lessons learned throughout a lifetime of filmmaking.What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature

Luego de cinco años, nuestro podcast, Los Padres del Cine, alcanza los cien episodios oficiales (sin contar en quinces, recomendaciones, domingos de drama, etc). Para celebrarlo, cada uno escogió su primer amor cinematográfico, la película que más espacio ocupa en su corazón.   Juanki seleccionó Ocho y medio de Federico Fellini, Pablo prefirió Stalker de Andrei Tarkovsky y el ex-padre del cine Robinson eligió Alguien voló sobre el nido del cuco de Milos Forman.    Timecodes: 0:00 Intro 21:49 ¿Qué es el arte? 36:49 Los orígenes de Los Padres del Cine 01:06:00 ¿Tiene sentido arrepentirse? 01:24:05 Ocho y medio 02:03:53 Alguien voló sobre el nido del cuco 02:46:56 Stalker

This is a preview of a bonus episode! Find the rest on our increasingly reasonably-priced patreon! ----- Neatly positioned between Transporter 1 and 2 in our release schedule here is a movie that frequently sees mention in conversations about the 'greatest movies ever made': Andrei Tarkovsky's 1966 biographical historical epic 'Andrei Rublev'.  Andrei Rublev, since canonised by the eastern orthodox church, was an icon painter who lived in the 1400s near Moscow. Little is known of his actual life, so what Tarkovsky gives us is instead a fictionalised biography set against the backdrop of a realistic 15th-century Russia.  ----- FREE PALESTINE Hey, Devon here. As you well know I've been working with a few gazan families to raise money for their daily living costs in the genocide. We're putting all our energy into this one campaign as we have a real chance to get Ahmed and his family out of Gaza. Please, if you can help in any way, be that by donating yourself or sharing the link with friends and family, it will mean the world to me. https://chuffed.org/project/124906-help-ahmed-and-family-evacuate-gaza ----- WEB DESIGN ALERT Tom Allen is a friend of the show (and the designer behind our website). If you need web design help, reach out to him here:  https://www.tomallen.media/ Kill James Bond is hosted by November Kelly, Abigail Thorn, and Devon. You can find us at https://killjamesbond.com 

Host Ally Pitts discusses the 2024 documentary Grand Theft Hamlet, directed by Pinny Grylls and Sam Crane, shares how Hamlet became his favourite Shakespeare play, and explores its connection to and influence on two of Russian culture's most famous figures, Boris Pasternak and Andrei Tarkovsky. And he talks about Withnail and I. Again. Not necessarily in that order.  Links mentioned/alluded to in the episode: mubi.com/russiansovietpod mubi.com/en/gb/films/grand-theft-hamlet letterboxd.com/ally_pitts/list/my-mubi-recommendations-updated-regularly/ letterboxd.com/ally_pitts/list/my-genre-recommendations-documentary/detail/  podchaser.com/podcasts/gentlemen-dont-get-caught-1554501  podchaser.com/podcasts/mubi-podcast-1906950/episodes/grand-theft-hamlet-how-shakesp-243200018   miltonkeynesmuseum.org.uk/under-the-grid-podcast/  podchaser.com/podcasts/under-the-grid-2346988/episodes/stony-stratford-159334015 dangerclosepod.com/doctor-zhivago  dangerclosepod.com/articles/surplusordnance-episode-24 flixwise.com/2018/08/19/flixwise-canada-ep-22-withnail-and-i/  mkpulse.co.uk/withnail-i/  Contact us/socials: All the links for a Russian & Soviet Movie Podcast and Ally Pitts you're ever likely to want or need: linktr.ee/russiansovietmoviepodcast linktr.ee/ally_pitts  We changed the name of the show a little while back, but the social handles/contacts are a bit of a mishmash. Email: russophilesunite@gmail.com Letterboxd: letterboxd.com/Ally_Pitts/ Instagram: instagram.com/russiansovietmoviepodcast/  instagram.com/ally_pitts_movies_etc/  Listen to Ally's other podcast appearances on Podchaser

In our 3rd part of this retrospective, we kind of begin again. Andrei Tarkovsky considers 1966's Andrei Rublev as his first film post a cinematic graduation of sorts. The 3 hour fictional biopic is one rich with thematics in philosophy, art, history, human nature and so much more. Tarkovsky's notable cinematic language and themes of […]

Kyle was sick last week and ended up watching a lot of very weird, very disturbing media. So he wants to talk about it! Joining him is filmmaker Matthew Warren whose own weird movie Delicate Arch is currently streaming on Screambox. From Adult Swim to Andrei Tarkovsky, if it's weird, it belongs in this episode! 

The second installment of Tarkovsky's Tales brings us to Ivan's Childhood. While this is Andrei Tarkovsky's first feature film, it's a film he had inherited from a director that was canned. Nonetheless, this film completely showcases Tarkovsky's known talents, techniques and tropes which will appear throughout the rest of the films we discuss. The global […]

Dreams with Gilliam, The Rolling Stones Through the Years,  The Silent Voice, The Magic of Tarkovsky, Zappa, A Trio of Very Different Noir On this week's episode Mr. Chavez & I return to reminiscing on 500 shows. We begin with the beauty and magic of Terry Gilliam with The Adventures of Baron Munchausen, through a look at Rock 'N Roll and The Rolling Stones, A beginning series of movies that defined their decades, the beauty of Soviet Cinema with Andrei Tarkovsky, and The Dark Brilliance of Film Noir. It's a fun look back; We hope you'll take the ride with us. Many Thanks. We can always be reached at gondoramos@yahoo.com.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Two things about this series. First, there have been both listeners and guests in the past wanting me to do certain films from iconic Russian director Andrei Tarkovsky. Personally, if I was going to tackle Tarkovsky, I wanted to do the whole thing. Second, when I spoke with Steven Warren Hill at Doctoberfest, he mentioned […]

Alien Traces: Stanley Kubrick, Andrei Tarkovsky, and Christopher Nolan. We look at the films of Stanley Kubrick, Andrei Tarkovsky, and Christopher Nolan and discuss how they each deal with aliens and otherness.https://www.patreon.com/LostFuturesPod⁠⁠⁠⁠⁠ Rate⁠⁠ us on Apple Podcasts:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/lost-futures-a-mark-fisher-podcast/id1685663806⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Spotify:⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/0EnwNGZijCDZVIl5JtjwGT⁠⁠⁠⁠Follow⁠⁠⁠ us on Twitter: @lostfuturespodTheme Song By: EvilJekyllArt/animation by: Gregory Cristiani

Rurik Skywalker (Rolo), author of The Slavland Chronicles, invites us into a labyrinth of ideas where politics, metaphysics, and culture collide. With a personal background bridging Russia and the U.S., Rurik critiques societal norms, examines cultural contrasts, and unveils his provocative "convergence theory," positing an eerie unity among global powers behind the façade of conflict. Known for his deep dives into metaphysical topics and political theory, shares insights that challenge conventional thinking and invite readers to explore the world beyond traditional paradigms.From altered states of consciousness to the metaphysics of rebellion, Rurik intertwines mysticism and geopolitics in a way that centers resistance with art forms.Much of the dialogue revolves around Andrei Tarkovsky's film Stalker, a haunting meditation on human longing and transformation. Rurik likens himself to the film's enigmatic guide, the Stalker, leading his readers and listeners into “The Zone,” a metaphysical landscape where hidden truths and forbidden insights await discovery.Stalker is not just a film but a starting point for the conversation to delve into deeper layers of Rurik's controversial philosophies and a must-listen for anyone who seeks to understand this intriguing and controversial writer.Excerpts from Interview:“ The wars are fake, but the massacres are real.”“If you say something that they don't want to hear, they will come after you. They'll come after your friends. They will they will punish you for having the wrong views. And for me, that was the final red pill about America.“This so called civic society doesn't exist. Participative democracy doesn't exist. The power, so called power of the people's will or the media, also a hoax. That's when I realized actually everything is run by gangs of secret transnational special secret police. And that's sort of the core paradigm or the, or the core view that I operate from when I write my blog”“Art can literally send you into an induced, altered state from which, maybe you could actually discover these hidden aspects of reality, hidden sources of power within yourself. This is what we need. We need sources of power. We need this sort of fuel, this mystical fuel.”Time Stamp Highlights* 01:07 | Exploring Stalker and the ZoneHow Tarkovsky's masterpiece shapes Rurik's vision of resistance and discovery.* 06:42 | Cultural Critique of AmericaThe transactional superficiality of Western interactions versus the deep, enduring connections of Russian culture.* 19:23 | Convergence Theory and GeopoliticsRurik on Convergence theory: “THE WARS ARE FAKE, BUT THE MASSACRES ARE REAL.”* 42:24 | Russian Media and PropagandaInsights into navigating the disinformation labyrinth in the digital age.* 01:06:09 | Plato's DystopiaHow Platonic ideals, once heralded as blueprints for order, may serve as tools of elite control.* 01:16:05 | Dionysian Rites and Music as RebellionThe ancient roots of mysticism and its potential to ignite uprisings in the modern world.* 01:18:36 | The Metaphysics of RebellionTapping into altered states to reclaim individual and collective agency.Slavland ChroniclesNote: Sound sample in interview from Edward Artemiev - Meditation (Stalker Movie Soundtrack) 1979 . Interview edited slightly - removed filler words, false starts, and repetitions to enhance audio clarity and overall flow for sound clarity and listener enjoyment. Get full access to Leafbox at leafbox.substack.com/subscribe

Our miniseries on Andrei Tarkovsky reaches its midpoint today with his 1972 sci-fi classic, Solaris. We also touched on some decade-old Letterboxd deep cuts toward the end. Get the full episode and a lot more for $5/mo at https://www.patreon.com/c/Extended_Clip

Breht is a guest on Left of the Projector (along with Amanda Joy Moon). Together, with the host Evan, the three discuss Soviet Filmmaker Andrei Tarkovsky's film "Mirror" from 1975. This is our fourth episode focusing on the films of Tarkovsky. You can find all our other episodes on Tarkovsky's films HERE Left of the Projector: Subscribe: https://leftoftheprojector.com ⁠⁠Letterboxd⁠⁠: https://boxd.it/5T9O1 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: https://www.patreon.com/LeftoftheProjectorPod ⁠⁠ ⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: https://www.instagram.com/leftoftheprojectorpod/ Amanda Joy Moon: ⁠⁠Instagram: https://www.instagram.com/amandajoymoon/ ⁠ -------------------------------------------------------------------------------------- Make a one-time donation to Rev Left at BuyMeACoffee.com/revleftradio Support Rev Left Radio Follow Rev Left on IG 

Well, it's been a year and now our fourth episode in the Andrei Tarkovsky series. This is truly one of the greatest films ever made and I hope you enjoy our deep and vulnerable conversation.Amanda Joy Moon:⁠⁠Instagram: https://www.instagram.com/amandajoymoon/ ⁠Etsy: https://www.etsy.com/shop/riotgrrrlprintz/?etsrc=sdt ⁠⁠TikTok⁠⁠: https://tiktok.com/@amandajoymoonRevLeft:https://www.revolutionaryleftradio.com/https://www.revolutionaryleftradio.com/guerrilla-historyhttps://www.revolutionaryleftradio.com/#/redmenace/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

For the second episode of our series on Andrei Tarkovsky, we talked about his sophomore film, an epic portraying the life of 15th century icon painter Andrei Rublev. We got into art and religion, faith as a parallel to the state, the film's unique style, and more. Get the full episode at https://www.patreon.com/c/Extended_Clip

On this episode of What a Picture, Bryan and Hannah take a lunch break from their backbreaking shifts on the bell forging crew to talk about Andrei Rublev, the 1966 movie directed by Andrei Tarkovsky that ranks #67 on Sight and Sound's 2022 Greatest Films of All Time Critics' Poll. Email us at podcast@whatapicturepod.com What a Picture website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://whatapicturepod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bryan's Social Media: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Music is "Phaser" by Static in Verona.

For the first episode of the year, we kicked off our miniseries on the films of Andrei Tarkovsky by discussing his classic debut feature, Ivan's Childhood. We got into Tarkovsky's unique place in Soviet cinema, our relationships with the director, visual style, and more. Get the full episode and a lot more for $5/mo at https://www.patreon.com/c/Extended_Clip

Participants: John Steppling, Shaenah Batterson, Lex Steppling, Hiroyuki Hamada, Max Parry, and Dennis Riches. Final podcast of 2024. Topics covered: The “canon” of television serials: The Sopranos, Breaking Bad, Mad Men, The Wire, Six Feet Under, Deadwood, Lost. Also mentioned: Blood in, Blood Out, Snowfall, Homicide--Life in the Street, Quarry. Related works in film and theater: The Caretaker (play by Harold Pinter), The Godfather, Goodfellas, The Mission, Stalker (directed by Andrei Tarkovsky). Music track: “Every Day I Have the Blues” by Count Basie (public domain).

Visionary director Andrei Tarkovsky shot his groundbreaking film...twice!Show website: www.truestoriespodcast.comBecome a Patreon Supporter: https://bit.ly/3XLR99vBecome a supporter of this podcast: https://www.spreaker.com/podcast/true-stories-with-seth-andrews--5621867/support.

Subscribe, Rate, & Review on YouTube • Spotify • Apple Podcasts✨ Support & Participate• Become a patron on Substack (my preference) or Patreon (15% off annual memberships until 12/21 with the code 15OFF12)• Make a tax-deductible donation to Humans On The Loop• Original paintings available as thank-you gifts for large donors• Hire me as an hourly consultant or advisor on retainer• Buy the books we discuss from Bookshop.org• Join the Future Fossils Facebook group• Join the Holistic Technology & Wise Innovation and Future Fossils Discord servers• Buy the show's music on Bandcamp — intro “Olympus Mons” from the Martian Arts EP and outro “Sonnet A” from the Double-Edged Sword EP, coda “You Don't Have To Move → 8:33” from The Age of Reunion✨ About This EpisodeIn this penultimate episode of Future Fossils before we transform into Humans On The Loop, I bring two of my favorite guests and comrades in the so-called “Weirdosphere” back for their first-ever conversation together — and it's a real banger! Probably the most inspired and provocative conversation I've ever had on the nature of time and human creativity.Joining me for this trialogue are Eric Wargo, author of From Nowhere: Artists, Writers, and the Precognitive Imagination (previously on FF episodes 117 and 171), and J.F. Martel, author of Reclaiming Art in The Age of Artifice and co-host (with Phil Ford) of Weird Studies podcast (previously on FF episodes 18, 71, 126, and 214). Our discussion centers on the concept of precognition — the ability to perceive future events — as the mechanism of all human creative activity. Both Eric and J.F. argue that art, like shamanistic practices, acts as a means of accessing and expressing precognitive experiences, often manifesting as seemingly coincidental events or uncanny correspondences between art and reality. We talk about the role of trauma and dissociation in stimulating creative breakthroughs — why there seems to be a direct biological and psychological link between suffering, displacement, and the discovery of radical new insights and modes of being. Can we create without destroying, or are rupture and connection one thing?We also examine how emerging media through the ages have shaped our experience of time. Starting with the earliest Paleolithic artifacts and the role of cave art in facilitating or encoding ecstatic experience, we trace the evolution of art through to how the development “the cut” in modern cinema led to new ideas of causality. Each new medium provides novel ways of thinking about leaps across space and time, and their study offers new points of entry into a unifying philosophy of rupture and discontinuity.Lastly, we explore some of my own most potent and disquieting precognitive experiences in light of Eric's argument that the UFO phenomenon may actually be the braided precognitive experiences of future human beings and symbiotic artificial intelligences — a thesis that sheds new light on everything from the lives and work of Philip K. Dick, Jacques Vallée, Carl Jung, Andrei Tarkovsky, to The Book of Ezekiel.Where we're going, we won't need roads…Speaking of art, UFOs, psychedelic experience, and time machines, here's the standalone music video for the song we discuss in this episode that was inspired by my UFO (or were they time machine) experiences in 2007. I threw it back in as a coda to the episode but in case you want to view it in its original resolution and in the context of the entire album, here you go. The “8:33” section starts around 3:58:✨ ChaptersChapter 1: Introduction (0:00:00)Chapter 2: Precognitive Imagination in the Arts (0:08:57)Chapter 3: The Personal is Precognitive (0:13:34)Chapter 4: The Cut and the Leap (0:22:15)Chapter 5: The Brain as a Fast-Forwarder (0:30:38)Chapter 6: Campfires, TVs, and Flickering Consciousness (0:38:57)Chapter 7: The Trauma of Truth (0:48:04)Chapter 8: Prophecy and The Trash Stratum (0:54:33)Chapter 9: UFOs as Time Machines, The Disappointment of Destiny (1:14:39)Chapter 10: Closing and News on Upcoming Releases (1:20:28)✨ Other MentionsAn inexhaustive list of people, places, and key works mentioned in this episode.* Morgan Robertson: Author of a novel that is believed to have predicted the sinking of the Titanic.* Hunter S. Thompson: Author and journalist.* William Shakespeare: Playwright who wrote Macbeth.* Comte de Lautréamont: A French poet who talked about "the cut" in his work.* Jean Epstein: Author of the book on the philosophy of cinema, The Intelligence of a Machine.* Carl Jung: Psychoanalyst who developed the concept of synchronicity.* Sergei Eisenstein: Filmmaker, and film theorist.* Gilles Deleuze: Philosopher who argued that “difference is more fundamental than identity.”* Cy Twombly: Artist whose work is discussed by Eric Wargo.* Andrei Tarkovsky: Filmmaker who wrote a diary entry quoted in From Nowhere.* Philip K. Dick: Science fiction author whose experiences with precognition and synchronicity are discussed in From Nowhere.* Jacques Vallée: Scientist and ufologist, author of a book about the UFO phenomena called Passport to Magonia.* Diana Pasulka: Academic who studies the UFO phenomenon.* Johnjoe McFadden: Scientist who works on quantum biology.* Henri Bergson: Philosopher known for his work on time and consciousness, is quoted as saying “the universe is a machine for the making of gods.”* Octavia E. Butler: Science fiction author.* Harlan Ellison: Science fiction author.* James Cameron: Filmmaker who directed The Terminator.* Max Simon Ehrlich: Screenwriter who wrote the Star Trek episode The Apple.* Megan Phipps: Guest on the Future Fossils podcast (episode 214).* Michelangelo: Guest on the Future Fossils podcast who discussed Paisley Ontology and precognition with Michael Garfield.* Björk: Musician, whose song "Modern Things" is mentioned.* Greg Bishop: UFO historian.* Terence McKenna: Ethnobotanist and writer who coined the term "immanentize the eschaton.".* Phil Ford: Co-host of the Weird Studies podcast.* Richard Wagner: Composer who was arrested in 1837.* Zozobra: a hundred-year-old effigy burn in Santa Fe, NM.* Esalen Institute: the center of the Human Potential movement, in Big Sur, CA.* The Fort-Da Game: A game observed by Sigmund Freud in which a child throws a toy away and then retrieves it, demonstrating an understanding of object permanence.* The Third Man Factor: A phenomenon experienced by explorers and mountain climbers in extreme survival situations, involving the feeling of a presence accompanying them. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit michaelgarfield.substack.com/subscribe

Tate brings us to the pretentious corner of cinema this week, with his pick of The Sacrifice from 1986. This movie was directed by Andrei Tarkovsky. GD4AM: 46/100 IMDb: 7.9/10 Metacritic: 85/100 Letterboxd: 4.3/5 RT: 88% At the dawn of World War III, a man searches for a way to restore peace to the world and finds he must give something in return. This movie is currently available for rent on most VOD platforms. NEXT MOVIE REVIEW: We Live in Time (2024), which is currently in theaters.

The iconic star of video store favourites BEND IT LIKE BECKHAM, VELVET GOLDMINE, MATCH POINT, MISSION: IMPOSSIBLE III, I'LL SLEEP WHEN I'M DEAD, THE TUDORS and so much more joins Alexei in the Last Video Store. Jonathan Rhys Meyers might be the most passionate and exploratory film lover we've had through our doors. And I must admit, I was completely starstruck by him… a rare occurrence (this is Alexei writing this). One of my favourite episodes with some of the best films ever discussed on the show and a recommendation that is sure to excite you (this was still Alexei writing this whole thing). Follow ALEXEI TOLIOPOULOS on Letterboxd for all the rental combo lists. Here's Jonathan Rhys Meyers favaourite films list.See omnystudio.com/listener for privacy information.

Talking About Mirror with our guest, cinematographer Florian HoffmeisterIn this captivating episode of Movies We Like, hosts Andy Nelson and Pete Wright are joined by renowned cinematographer Florian Hoffmeister to discuss his illustrious career and dive deep into Andrei Tarkovsky's cinematic masterpiece, Mirror. Hoffmeister, known for his work on projects such as TÁR, True Detective, and Antlers, shares his unique insights and experiences in the world of cinematography.Throughout the conversation, Hoffmeister delves into his journey as a cinematographer, from his early days at the German Film and Television Academy to his recent collaborations with acclaimed directors like Todd Field and Jay Roach. He discusses the intricacies of his craft, using the visual elements to create a cohesive and impactful story.The discussion also touches upon Hoffmeister's approach to different genres, from the constrained naturalism of TÁR to the visceral and atmospheric lighting in True Detective. He shares anecdotes from his time working on various projects, highlighting the importance of collaboration and the organic process of developing a film's visual language.As the conversation shifts to Tarkovsky's Mirror, Hoffmeister expresses his profound admiration for the film, describing it as a deeply cinematic and existential experience. The hosts and their guest explore the film's themes, its intimate and enigmatic nature, and the confidence with which Tarkovsky conveys his vision.Mirror is a film that demands contemplation and rewards repeated viewings. Hoffmeister's passion for the film is infectious, and his insights provide a deeper appreciation for Tarkovsky's masterful use of cinematography to convey emotion and meaning. This episode of Movies We Like is a must-listen for any cinephile or aspiring filmmaker, as it offers a rare glimpse into the mind of a talented cinematographer and celebrates the enduring power of Tarkovsky's timeless classic.Film SundriesWatch this on Apple or Amazon, or find other places at JustWatchTheatrical trailerLetterboxd Learn how to support our show and The Next Reel's family of film podcasts by becoming a member. It's just $5 monthly or $55 annually. Learn more here.Join the conversation with movie lovers from around the world in our Discord community!Here's where you can find us around the internet:The WebLetterboxdCheck out poster artwork for movies we've discussed on our Pinterest pagePeteAndyWhat are some other ways you can support us and show your love? Glad you asked!You can buy our movie-related apparel, stickers, mugs and more from our MERCH PAGE.Or buy or rent movies we've discussed on the show from our WATCH PAGE.Or buy books, plays, etc. that was the source for movies we've discussed on the show from our ORIGINALS PAGE.Or renew or sign up for a Letterboxd Pro or Patron account with our LETTERBOXD MEMBERSHIP DISCOUNT.Or sign up for AUDIBLE.

Hey Reservos! This week we are discussing Andrei Tarkovsky's Sci-fi classic, Solaris. Listen as we breakdown this uniquely philosophical, poetic, and introspective sci-fi story that poses questions about grief, memory, and the very idea of existence. Enjoy!

For our eighth episode, CSWR Research Associate and Pop Apocalypse host Matthew J. Dillon welcomes author Eric Wargo to the show. Eric is perhaps the world's foremost expert on precognition. His most recent book, "From Nowhere," examines precognition in its relationship to creativity in the lives of major authors and artists. They discuss the nature of time, dreamwork, memories from the future, and the four-dimensional brain. Along the way, they discuss figures like Virginia Woolf, Philip K. Dick, Andrei Tarkovsky, Sigmund Freud, and the sculptor, Michael Richards. Eric Wargo has a PhD in anthropology from Emory University and works as a professional science writer and editor in Washington, D.C. He is the author of three books on precognition: "From Nowhere," "Precognitive Dreamwork and the Long Self," and the acclaimed "Time Loops." In his spare time, Wargo writes about science fiction, consciousness, and parapsychology at his popular blog, "The Nightshirt." Full transcript forthcoming.

In this episode, Winston and Nick delve into the world of Soviet science fiction, focusing on the works of Arkady and Boris Strugatsky. They explore the iconic novel "Roadside Picnic" and its profound impact on the genre, including its influence on Jeff Vandermeer's "Annihilation" and Michael Crichton's "Sphere." The discussion also covers the renowned film adaptation "Stalker" by Andrei Tarkovsky and the broader cultural context of the Cold War era. Join them as they uncover the intricate web of inspiration that connects these seminal works and their lasting legacy in science fiction.

Nick leads Mike to the monumental film that is Andrei Rublev. Tarkovsky uses the 15th-century Russian icon painter to explore theology amidst a world of medieval hardship. Nick dives into the religiosity of the film and the challenges the movie presents for atheists. The pair discuss how some of Tarkovsky's most famous motifs make their first fully realized appearance in this, his second film.

Tarkovsky's "Solaris" Divides Our Hosts!Journey with us through the cosmos of pop culture in this week's episode of The Middle of Culture! Our hosts dive deep into the enigmatic world of Andrei Tarkovsky's 1972 sci-fi classic, "Solaris." But before we blast off, strap in for our signature pop culture roundup:- Diablo 4: Is it heaven or hell?- Brandon Sanderson's Mistborn: Worth a re-read?- New sonic landscapes from A Swarm of the Sun and Oceans of Slumber- Eden's musical discoveries and galactic adventures in Star Wars OutlawsThen, brace yourself for an interstellar debate! Our hosts go head-to-head over Tarkovsky's "Solaris":

Philosopher, Simone Weil said that attentiveness is the heart of prayer. In this episode, we discuss postures of attentiveness as gateways to wonder.Guests: Dr. Mary McCampbell is an author, educator, and speaker whose publications span the worlds of literature, film, and popular music. She is the author of Imagining Our Neighbors as Ourselves: How Art Shapes Empathy.Dr. Joe Kickasola is a Professor of Film and Digital Media at Baylor University. He is the author of The Films of Krzysztof Kieślowski: The Liminal Image, and has published in numerous academic venues and anthologies, including Film Quarterly, The Quarterly Review of Film and Video, and The Routledge Companion to Philosophy and Film. _____Topics: Attentiveness, cynicism, receptivity, humility, consumerism, experiencing wonder during times of upheaval, Art Forms: filmmaking, photography, literature. Name Drops: Douglas Copeland, G.K. Chesterton, Jim Jarmusch, Terrence Malick, T.S.Eliot, Wallace Stevens, Andrei Tarkovsky, Andrey Rublev, Rothko, Stan Brakhage, Virginia Wolfe, David Foster Wallace, Movie References: Patterson, Tree of Life, Zabriskie Point Support The Podcast! We need your help to continue our work of advocating for the arts.Join our creative collectiveGive a one-time donation

Join Breht, Amanda, and Evan as they delve into Soviet filmmaker Andrei Tarkovsky's first feature film, Ivan's Childhood (1962). The episode starts with a lighthearted discussion about dream dinner guests, then moves into a detailed analysis of themes like innocence lost, war trauma, and symbolic elements such as trees and cobwebs. The hosts draw parallels between the film's depiction of war and ongoing humanitarian crises like those in Palestine. Part of their Tarkovsky series, this episode also touches on broader issues like moral responsibility toward children and insights from the guests' personal work. Check out our other two episodes on Tarkovsky's "Solaris" and "Stalker": https://revolutionaryleftradio.libsyn.com/size/5/?search=tarkovsky   Amanda Joy Moon: ⁠⁠Instagram: https://www.instagram.com/amandajoymoon/ ⁠ Etsy: https://www.etsy.com/shop/riotgrrrlprintz/?etsrc=sdt ⁠⁠ TikTok⁠⁠: https://tiktok.com/@amandajoymoon   Left of the Projector Links https://www.patreon.com/LeftoftheProjectorPod https://boxd.it/5T9O1 https://leftoftheprojector.com https://instagram.com/leftoftheprojector   ----------------------------------------------------- Get 15% off any book in the Left Wing Books Library HERE Support Rev Left Radio Follow Rev Left on IG 

Join Breht, Amanda, and Evan as they delve into Andrei Tarkovsky's first feature film, Ivan's Childhood (1962). The episode starts with a lighthearted discussion about dream dinner guests, then moves into a detailed analysis of themes like innocence lost, war trauma, and symbolic elements such as trees and cobwebs. The hosts draw parallels between the film's depiction of war and ongoing humanitarian crises like those in Palestine. Part of their Tarkovsky series, this episode also touches on broader issues like moral responsibility toward children and insights from the guests' personal work.Amanda Joy Moon:⁠⁠Instagram: https://www.instagram.com/amandajoymoon/ ⁠Etsy: https://www.etsy.com/shop/riotgrrrlprintz/?etsrc=sdt ⁠⁠TikTok⁠⁠: https://tiktok.com/@amandajoymoonRevLeft:https://www.revolutionaryleftradio.com/https://www.revolutionaryleftradio.com/guerrilla-historyhttps://www.revolutionaryleftradio.com/#/redmenace/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

The Wiz RECOMMENDS Stalker (1979) As gorgeous as it is deliberate, Andrei Tarkovsky's science fiction masterpiece is a film that shares the same distinction as films like The Discreet Charm of the Bourgeoisie and Jeanne Dielman, 23 Commerce Quay, 1080 Bruxelles: I'm glad I have finally watched it. I enjoyed Stalker. But it's not quite hitting me the way it hits others. Again, Stalker is quite an astonishing looking film. For a film that is considered science fiction, it surely doesn't feel like it. Scenes of the film are in areas that are real, feel realistic, but have a tinge to it that feels foreign. That distinctness Stalker creates gives the film an incredibly uneasy feeling that permeates throughout the entire film. This is also true about Tarkovsky's direction style. The director uses a very slow, pointed means of creating ambience, mood and tension throughout. As the three men go through "The Zone," the film has an unnerving way to make you feel uncomfortable. But honestly, this direction is also why the film leaves me not as in love with the film as most are. As much as I do appreciate the deliberateness of the way the film runs, it does seem to go overboard. At a near 3 hour film, the fact that the average cut of a camera shot is nearly a minute is exasperating at times. Most times, the slow pace adds tension. Others, it confuses. But sometimes, it just leads to tedium. It's why I would have to say that if you are going to watch Stalker, make sure you are well awake for the 3 hour duration. Personally, as much as I was fascinated by the film, I did have to stop twice to get something to drink and wake myself up to finish the film. But Stalker is just one of those films that if you consider yourself a film lover, you must see it. Though I'm not as enamored with the film as some are, it still is a film I'm glad I finally experienced.

Stand back. Here comes Charlie and Antonio's first dive into the mystical pool that is Andrei Tarkovsky's work. First up: his towering historical epic ANDREI RUBLEV. Faith, humanity, art, death, history, war. Join the FilmBabble Boys as they tackle this legendary Russian film (and the man who made it!)Intro/outro music:  "jazzy" - jauwnANDREI RUBLEV (1966), USSR, written by Andrei Konchalovsky and Andrei Tarkovsky, directed by Andrei Tarkovsky, cinematography by Vadim Yusov, starring Anatoly Solonitsyn, Ivan Lapikov, Nikolai Grinko, Irma Raush, and Nikolai Buryayev. 

International(?) man of mystery Lyn Seren joins Ally Pitts to discuss Andrei Tarkovsky's penultimate film. We also talk about rückenfigurs and Milton Keynes artists Boyd & Evans a bit! Links mentioned/alluded to in the episode: International Association for Suicide Prevention's directory: https://www.iasp.info/suicidalthoughts/  UK: https://www.samaritans.org/  US: https://988lifeline.org/  All the links for a Russian & Soviet Movie Podcast you're ever likely to want or need: linktr.ee/russiansovietmoviepodcast For a 30-day free trial of the streaming service Klassiki:https://klassiki.online/a-russian-soviet-movie-podcast/ If you use the code RUPOD50, you can get 50% off an annual subscription. Milton Keynes-based artists Boyd & Evans: https://www.boydandevans.com/   British-Russian comedian Olga Koch: https://www.rocknrolga.com/  Oxford Comedy Festival: https://oxfordcomedyfestival.co.uk/  Contact us/socials: We've changed the name of the show, but the social handles are a bit of a mishmash. Email: russophilesunite@gmail.com Twitter (or 'X', if you really insist): @RussophilesU Letterboxd: https://letterboxd.com/Ally_Pitts/ Listen to Ally's other podcast appearances on Podchaser

Andrei Tarkovsky is a legendary filmmaker whose seven feature films changed the medium, but how does his vision stack up to the brilliant novel by Stanislaw Lem that he's adapting? In episode 316, join Luke Elliott & James Bailey as they explore classical symbolism, experience time through cinema, debate whether great adaptations must be faithful, explore the loss of home, fall in love with a memory, debate what constitutes reality, and finally cast their votes on which one is ultimately the better version: the book or the movie! Full Video version available on YouTube https://bit.ly/3Xdjc1n Support the show on Patreon for bonus content, merch, and the ability to vote on upcoming projects! https://www.patreon.com/inktofilm Get Solaris or any of the source novels at the Ink to Film Bookshop: https://bookshop.org/shop/inktofilm Ink to Film's Twitter, Facebook, Instagram, Bluesky (@inktofilm) Home Base: inktofilm.com  Luke Elliott  Website: www.lukeelliottauthor.com Twitter: https://twitter.com/luminousluke IG: https://www.instagram.com/lpelliott/ Threads: https://www.threads.net/@lpelliott Bluesky: https://bsky.app/profile/luminousluke.bsky.social James Bailey Twitter: https://twitter.com/Jame_Bail IG: https://www.instagram.com/jamebail/ Credits Song: Last Dawn by Ross Bugden: https://youtu.be/wWjgsepyE8I?si=G9HL2QdcBKG76Q7j

Ben DeBono from The Sci-Fi Christian joins us once again to discuss a slow science fiction movie and the book that inspired it. It's Roadside Picnic, by the Strugatsky Brothers, adapted by Andrei Tarkovsky into Stalker. SFC episode about Ben catching up with the Criteron Collection: http://thescifichristian.com/2023/08/episode-1107-criterion-completion/ SF 101 episode about the OMSI Science Fiction … Continue reading Stalker, based on Roadside Picnic by Boris and Arkady Strugatsky (with guest Ben DeBono) →

Stanislaw Lem was one of the world's most widely read science fiction writers, so why don't people talk about him more? In episode 315, Join Luke Elliott and James Bailey as they take their first visit the truly alien world of the novel, see the differences in translations first hand, learn about Lem's attitude towards American SciFi of the time, consider humanities reason for space exploration, and consider whether it is even possible to find the true meaning of this book, or any work of art for that matter. Join them next when they will watch & review Andrei Tarkovsky's adaptation of “Solaris” and vote on which is ultimately better: the book or the movie!   Full Video version available on YouTube https://bit.ly/3Xdjc1n Support the show on Patreon for bonus content, merch, and the ability to vote on upcoming projects! https://www.patreon.com/inktofilm Get Solaris or any of the source novels at the Ink to Film Bookshop: https://bookshop.org/shop/inktofilm Ink to Film's Twitter, Facebook, Instagram, Bluesky (@inktofilm) Home Base: inktofilm.com   References In 1942 Stanislaw Lem survived a Nazi firing squad. This is the story of what he did next.   Luke Elliott  Website: www.lukeelliottauthor.com Twitter: https://twitter.com/luminousluke IG: https://www.instagram.com/lpelliott/ Threads: https://www.threads.net/@lpelliott Bluesky: https://bsky.app/profile/luminousluke.bsky.social   James Bailey Twitter: https://twitter.com/Jame_Bail IG: https://www.instagram.com/jamebail/   Credits Song: Last Dawn by Ross Bugden: https://youtu.be/wWjgsepyE8I?si=G9HL2QdcBKG76Q7j

In only his first dozen films, Steven Soderbergh has created one of Hollywood's most eclectic filmographies. But he still hasn't made a sci-fi flick—until now. Join us as we discuss his 2002 remake of Andrei Tarkovsky's 1972 Soviet SF classic, “Solaris.”   Social media Instagram @thefilmographers Twitter/X @filmographerpod Letterboxd @filmographers YouTube @TheFilmographersPodcast Website: https://filmographerspodcast.com/ Patreon: Patreon.com/TheFilmographersPodcast Credits Keir Graff & Michael Moreci, hosts Kevin Lau, producer Gompson, theme music Cosmo Graff, graphic design

In 1979, Andrei Tarkovsky released Stalker after years of a seemingly cursed production process. A production that would lead to his untimely death years later. Fast forward over 1,000 years... it's the year 3000 and two best friends, Cameron Linly Robinson and Kemari Bryant, are here to dissect this classic sci-fi film. It's about to get existential. Support the Show.Film Club 3000Film Now. Film Then. Film Always.filmclub3000.com@filmclub3000

Breht is interviewed as a guest on Left of the Projector (along with Amanda Joy Moon). Together, with the host Evan, the three discuss Soviet Filmmaker Andrei Tarkovsky's film "Stalker" from 1979. In case you missed our first collab on Tarkovsky's film "Solaris" you can find that discussion HERE Left of the Projector: Subscribe: https://leftoftheprojector.com ⁠⁠Letterboxd⁠⁠: https://boxd.it/5T9O1 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: https://www.patreon.com/LeftoftheProjectorPod ⁠⁠ ⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: https://www.instagram.com/leftoftheprojectorpod/   Amanda Joy Moon: ⁠⁠Instagram: https://www.instagram.com/amandajoymoon/ ⁠ -------------------------------------------------------------------------------------- Get 15% off any book in the Left Wing Books Library HERE Support Rev Left Radio Follow Rev Left on IG 

A promise of sorts is kept this week: our 4th episode ever was on Andrei Tarkovsky's “Stalker”, 80 episodes later we covered another Tarkovsky with “Andrei Rublev”, and after 80 more episodes we are once again returning to the Russian auteur with his Sci-Fi film “Solaris”. Join the 1001 by 1 crew as they discuss too much Tarkovsky, unlikable leads, and breaking from the source material. Also, this week Adam recommends “Sunshine” (available to rent on most major platforms), Britt recommends “Jodorowsky's Dune”(available on Max), and Joey recommends “Lars and the Real Girl” (free on Tubi, Kanopy, or Hoopla).   You can listen to us on Apple Podcast, Stitcher, Spotify, & Google Play. You can find us on Letterboxd - https://letterboxd.com/1001by1/ You can find us on Twitter, Instagram, & Facebook at facebook.com/1001by1. You can send us an email at 1001by1@gmail.com. Intro/Outro music is “Bouncy Gypsy Beats” by John Bartmann.

Breht got invited onto Left of the Projector to discuss Soviet filmmaker Andrei Tarkovsky's famous sci-fi film from 1972 "Solaris" with Evan and Amanda. Together, they discuss and analyze the film, exploring the human condition, the subconscious, modernist subjectivity, alienation, our fear of death, the Cold War, spiritual experience, the central importance of Love, Stanley Kubrick, and much more in the process.