Podcasts about New Yorker

The staff writer Jon Lee Anderson has reported from Cuba for many years, and recently wrote about the deteriorating economic conditions on the island. His newest piece for the magazine dives into the potential outcomes of Donald Trump's desire to pursue regime change. Anderson explores the economic impact of the United States blocking Venezuelan oil from reaching Cuba, which could be a death knell for the Communist government. Anderson and David Remnick discuss the current negotiations between the two countries, Marco Rubio's strategy, and what cards the Cuban government might still hold. “They're going to go into this,” Anderson suggests, “like maybe a canny poker player.” Plus, the historian Ada Ferrer won the Pulitzer Prize for her 2022 book, “Cuba: An American History,” and she has one of the clearest views of the long and vexed relationship between the island and its giant neighbor. Ferrer left Cuba as an infant, coming to the United States with her mother in 1963 when Fidel Castro's regime was arguably at its peak. David Remnick talks with Ferrer about the impact of U.S. sanctions, the economic collapse of Cuba, and what Donald Trump's threat of a “takeover” means to the Cuban people and to Cuban Americans in the U.S.    Further reading:  “Have Cubans Fled One Authoritarian State for Another?,” by Jon Lee Anderson “What's Behind Trump's New World Disorder?,” by Daniel Immerwahr   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

The Washington Roundtable is off today, and will be back next week. In the meantime, enjoy an episode of The New Yorker's Critics at Large podcast about the FX series “Love Story,” which drops audiences into the lives of one of the most talked-about couples of the nineties: J.F.K., Jr., and the style icon Carolyn Bessette. The hosts Vinson Cunningham, Naomi Fry, and Alexandra Schwartz, who are staff writers and critics at The New Yorker, discuss how the show re-creates the look and fashion of the era in granular detail while reducing the relationship itself to a generic fairy tale. “Love Story” 's focus on style underscores how much the Kennedy legacy lives in aesthetics, which risks obscuring some of the darker chapters of its history. “It does seem like we have ever more efficiently stripped the Kennedys and their image, and their style, from any notions of political power,” Cunningham says. “The look of something and the sort of moral thrust of something are not always one to one working in parallel.”New episodes of “Critics at Large” drop every Thursday, wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

Actors Jesse Eisenberg, Rosie Perez, and David Patrick Kelly performed a reading of “Cash and Carry,” a personal essay written by David Sedaris for The New Yorker, to kick off a conversation with listeners about the challenges and joys of being neighbors, our duty to strangers, and the unique possibility of connection and disconnection in New York City. Join WNYC and Theater Of War for a series of programs hosted by Kai Wright and TOW artistic director Bryan Doerries that re-imagine works of journalism in innovative and engaging ways, including performances by acclaimed actors.  Listeners called in to share stories of neighbors helping neighbors, or deciding not to, and reflected on the particular character of New Yorkers' approach to those who need help.

After ten years of the #amwriting podcast, KJ, Jess, and Sarina are marking a milestone—and a transition. In this episode, the longtime hosts reflect on what the writing world looked like when the show began and share their best advice for writers trying to do meaningful work. They also pass the microphone to Jennie, who will carry the podcast into its next chapter.Moving forward, Jennie will keep the show focused on helping writers do their best work and make smart decisions about their writing lives. Expect familiar features and new conversations, including Write Big solo episodes, Book Lab breakdowns of listener submissions, coaching sessions with writers across genres, and Margin Notes exploring the thinking behind creative choices. The mission remains the same: helping writers play big in their writing life, love the process, and stick with it long enough to finish what matters most.#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.TranscriptJennie: [00:00:00] Hi, I'm Jennie Nash and you're listening to the hashtag am Writing podcast. The place where we help writers of all kinds play big in your writing life, love the process, and stick with it long enough to finish what matters most.KJ: Hey everyone. I'm kj and you are listening to the hashtag am Writing podcast, the place where we help writers of all kinds play big in your writing life, love the process, and stick with it long enough to finish what matters most.So today is a big day. We're we'reJess: big day.KJ: Yeah. We're celebrating the 10th year of the hashtag am writing podcast, which I have to say is officially the longest I've been able to sustain any job-like thing. Um, and we're announcing that we're going in a new direction. So this is really cool. After a decade of talking to y'all, um, Jess and I and then [00:01:00] Sarina, who is at minus a decade. I don't wanna, um, have decided to step back and hand over the reins to Jennie.Jess: YeahJennie: It is, it is such a big milestone and such a big deal. And before we. Actually say goodbye to the three of you. I mean, it's not forever. You're coming back as guests, all of you, all the time, hopefully.KJ: Oh, heck yes. Absolutely. You, you, you and I have already planned all the things, so don't get too excited and, and weepy here folks, but things are just, things are gonna be. New and fresh and more interesting and, uh, more craft filled and more inspirational. When I need inspiration to write, I look for one of our episodes.That's Jennie. So I think this is gonna be, this is gonna be great.Jennie: I think it's gonna be great too. But before we actually say goodbye, I mean, 10. Is a long time and I thought it would be fun to ask you all what it was like 10 [00:02:00] years ago when you started, and Sarina 10 minus whatever the time is, but what was the writing landscape like as a whole maybe for you, and then all this wisdom, all these years that you've shared.What's, what's the thing that sticks in your head the most is what you would want to leave with, with the listeners, what is the your best piece of writing advice from all of this time? So. Jess, why don't you start? You're the og.Jess: Well, I, I definitely wanted to start. For those people who have not been around since the very beginning, you have to understand that it's really horrifying when people say they go back and like start from the beginning because, um, and we'll be posting pictures in the show notes.I have a ton of pictures throughout the years, but we originally, um, we, we would go into this little, I had a tiny, tiny house and we would go into the eve space off of my daughter's room. And it was raw insulation with a light bulb, and we sat on the floor and it was [00:03:00] like. Maybe at the tallest point, maybe four feet high, so you had to kind of crawl in.And I have a picture of us, um, podcasting from inside there. And it was, and it was very hot in the summer. It would get very, very hot. My house did not have air conditioning and um. But it was delightful and it was this thing that we had talked about doing for such a long time, and I was so proud of us.And mainly it was kj. KJ was the one who said, we're not gonna talk about this anymore, we're just gonna do it. So she got us into gear and just brought her stuff over to my house in her basket and said, let's go. Let's do it. And we bought microphones and everything and it was. It was a big new adventure.And if you had said, then, how long do you think this is gonna last? I don't know that I would've said 10 years. But there's, you know, then Sarina came in and, and Sarina has, has been a part of this as a guest since the very beginning too. And a couple of things that I wanted to share were that one time Sarina and KJ and I, uh, were doing a [00:04:00] double, a double header episode and I forgot to hit record for both of them.And so. We did this incredibly fun, very long episode, broken into two pieces that, um, it went off into the ether and. I did learn from that. And then at the same time, by the time we were sort of on our game enough to be able to really interview people, we went up to Maine to interview Richard Russo and we went to record at his daughter's wonderful bookstore in Portland, Maine.And um, I had three modes of recording. I had, um. Two microphones and I had a handheld digital thing that I had on the table between us and, um, mode one failed and mode two failed. And so the only thing we had was, you know, our little digital handheld on the table in between us. So. There's a lot of stuff like that.There was the moment I got to text KJ and tell her that we were getting David [00:05:00] Sedaris, there was the day she emailed me to tell me that we were getting Anna Quinlan. You know, and I just so many cool things that, um. It makes me so happy that we've produced something good out of all of that. And one last thing.The, the, the thing that I think I've learned the most is there is no one right way to do this. That every single time I hear about, like whether it's the, you have to write, writer write every day, you have to write every day, or you have to write in a certain way, or you have to write in a certain place, or you have to write with the door closed, or you have to write with the door open, all of those things.Um, none of those are rules. None of them are rules. They're things that people do and I'm really glad that I've had the opportunity to talk to a lot of people about all the different ways they do it.Jennie: That's amazing. Um, kj, do you remember this, uh, light bulb and no insulation time? KJ: Oh yeah. I don't remember the time you didn't record particularly just ‘cause it happened more than once. And [00:06:00] the other thing I would throw in is that the more famous, the guest, the. Less interesting. They were, it was almostKJ: always true. Jess: It wasn them. It was, yeah. I think we got all jacked up about like, I don't know. It just,Jess: I don't know.Wasn David Sari's advice to young writers was the worst.KJ: Yeah. It advice really wasJess: anyone has ever given, itKJ: was,Jess: yeah, a writer. He said, don't submit your work. Don't ask. Don't try to get you, wait for people to read it. Wait for people to ask you if they can read it.KJ: Yeah,Jess: that's which this, this is, KJ: this worked for him. He is an NF one and it will not work for you.Jess: Right. Yeah, I think thatKJ: my favorite, I'm just gonna, I'm just gonna lay it out there. I'm not even gonna put any caveats on that. That won't work.Jess It won't work.KJ: No. I think it's always been the most fun when we get in deep into the craft and anytime someone is too practiced with their answers or it's the same answer they've given a million times.You're [00:07:00] right. It was cold and it was, um, it just wasn't good.Sarina: Yeah. So the more fun people were always the people who were really in it with us.KJ: Yeah. Yeah.Jennie: So, Sarina, do you know when you came in, do you know what the, the n minus number is?Sarina: No, because I was a guest star even before we got out of the, the, um, kgs closet.It's true. It's true.KJ: One of those not recorded episodes was recorded in the eve space. That's true. We had, we roped during fairly early.Jennie: Yeah. In that 10 years, you've probably written more. More than, well, how many books have you written in that time? Sarina, I mean,Sarina: um, 50. At 50 50 ish.Jennie: That's crazy. That's crazy. So what do you know now that you didn't know then?Sarina: Oh, so much, so much that, like giving advice, you know, I, I [00:08:00] now feel like less qualified to give advice than I did then, you know how that goes. Like, the job gets harder, not easier. I have a, a good working vocabulary for why, but it doesn't make me feel like anybody's, you know, special savior.Jennie: Yeah. Yeah. What do you remember about starting in and the, the, um, all these episodes? What sticks in your mind asSarina: you know? Um, I loved the opportunity to talk to people who I think are fantastic. I also learned that I am not a fantastic interviewer and that, and that, um. That isn't a skill of mine that I, it's, there's so many things, like I'm so busy, I write so many books.I can't learn to be the interviewer that you deserve. So I only. Did interviews selectively and sometimes they were just so fun. Like, [00:09:00] um, the, the person who broke broke the mold about the interview being interesting, the more famous they are was Emily Henry. ‘cause she was Oh yeah. She was fun to talk to.She was just right there with us and, and ready to have a good time and, and so wise and also so, so nice. And that, that's really great when you can talk to somebody who's killing it in your own genre and you know, they're just so wonderful about it. Um, and then, you know, then we had the odd, very sweaty interview where nothing seems to go according to plan.And I won't name the author because I do admire this person very much, but they were not. Willing to take any expertise onto themselves. So KJ and I just sweated all the way through this interview trying to get this person to, to tell us KJ: Say something. Say anything.Sarina: Yeah. Tell us how you feel, you know?KJ: Yeah.Sarina: And it could not be done.KJ: Nope.Sarina: So, you know, that one, I, [00:10:00] I will never re-listened to that one, but, um, but I really, what I got out of it, honestly, was spending time with all of you guys, and you teach me things every single day. And another thing about this job is that I find that I have to relearn the best lessons over and over again.And when you are compelled to speak lucidly about your job, you know, a couple of times a month, um, it forces a certain reckoning with your own skill and expertise. Like I might say that I, you know, don't want to be anybody's, um, masterclass, but I really do know a lot at this point and, um, every time I talk to you guys and we'd, and we gathered together like this, I always learn something.Jess: I love, I think Sarina is the most amazing explainer and teacher. And so getting to learn, um, especially, you know, in these [00:11:00] recent, uh, nerd Corner Publishing Nerd Corner episodes, it's been so cool to just learn from her. It's really, really fun. And, you know, if, if we take it all the way back, like the first, your first romance novels, you know.We're just coming out when we just, when we started this thing. It's just been such an incredible journey from there to where we are now. The other thing that's been really cool is that this podcast has made me really accountable to my goals and to, you know, not that. You guys also do that for me. But saying things out loud in front of other people has always been my, the thing that has saved me, whether that's about my recovery or, um, you know, whatever it is.Um, people talk to me all the time and say, you know, was it hard to come out publicly about, you know, being an alcoholic? I'm like, absolutely not. It's what's kept me sober. And I feel the same way about the writing, that when I talk to, um, the listeners that I, I feel like. Someone may [00:12:00] come along someday and ask how that, uh, that goal of mine is going. And, and I like that.Jennie: Yeah. That's so good. Kj, what, what are your best memories and, um, best, best advice that you've gotten or, or given?KJ Well, you know, spend 10 years, so it is a long time ago, but I do remember the time Jess was riding her dinosaur to my house to record and got hit by a snowplow. Mm-hmm. Um, that was, that was good times.Jess: Yep.KJ: We have Snow Fred Dinosaurs up here. Yep. In New Hampshire. Um, the Sedaris thing that was, that was just funny and also really cool ‘cause I have such deep admiration for, for him, and I'm quite certain that if somehow he ever heard. I, he would not care. We think that was terrible advice.Jess: What's also really was really funny about that one is this is an only David Sedera sort of situation where, oh Lord, he, he has said very specifically that he, during COVID, he refused.To get Zoom, any [00:13:00] kind of zoom sort of situation. So we had to, we went all the way to Concord to,KJ: this wasn't Coco COVID, this was before that. No, no, no. I, I know, but I'm saying like, he has, this is not new information. He has said very publicly that he doesn't do likeJess: Oh, yeah. So he wouldn't even, even let us have somebody bring him a laptop to his apartment.Right. And set it up for us, which we were like, happy to do, butKJ: Yeah. Yeah. We had to go there.Jess: So he called and yeah, we went to NHPR in Concord and, uh, our, and our wonderful producer Andrew was. Able to get everything connected for us. Um, but it was one of those moments where, you know, we are constantly talking about how to like bend over backwards to get marketing and get people to listen to what we have to say.And yet, even though he puts obstacles in the path of people who want to hear what he has to say, they will gladly jump through those hoops, uh, for him.Jess: Yeah. Crazy. Yeah. I mean, you know, so kind of him to do it.KJ: Yes. Anyway, I mean, that was super funnyJess: and, and I am looking at my wall that [00:14:00] has the postcard, the thank you postcard that he sent us.So when he says he sends thank you notes to everyone, he sends thank you notes to everyone because we got one. And from what I understand, he sends them to every bookseller, every person who drives them everywhere. He sends thank you notes to everyone.Jennie: Wow. That's what I think of when I think of you, Jess.mThat's a thing you do too. You're so good at that. Well, I, I have to say that I have been a listener for this whole time, and the thing that you all brought was. This authenticity, this sense of what it's really like to do this work. And you all are writing such different things and so accomplished at those things, and your willingness to kind of just open, open it up and share what that looks like with no, you know, varnish over it or, or you know, polished.Just like, this is what it's really like and this is who we are and this is how it happens, and [00:15:00] that the work gets done in such. Messy circumstances and, um, that lesson and, and that generosity of showing people that that's true. Which kind of goes to what you were saying, Jess, like there is no way, but, but also just doing the work is the way and.That's what you have all modeled and continue to model, and obviously,KJ well, that's what I want people to take away from this. Mm-hmm. Is listen. Okay. We're joking that 10 years is a long time and 10 years is a long time. It's a long time to do anything. But also 10 years ago I had one book to my name. And you've never heard of it.It was called Reading with Babies, toddlers, and Twos, and it got me all my other jobs. Jess had no books to her name. Mm-hmm. 10 years ago, Sarina Couple not, you know, just, just, just barely getting started. Jennie actually had a ton of books to her name, but that's, you know, that's a different story. So here we were.10 years ago sat down and said, [00:16:00] we are gonna do these things. And we did not all, I mean, it wasn't, nobody came and asked us for it. All of David Saris. Um, nobody had, none of us had instant success. You know, no one called up and said, Hey, can I do this? And like immediately got articles in the New Yorker or whatever.Uh, publishers were not banging down our doors. We. We were banging down theirs and we were all very determined to, um, to make this a professional endeavor. The, the podcast and the writing and the books and all of it. And so I guess what I'm saying is I don't know where you are listener, but wherever you wanna be in 10 years.Uh, you know, maybe you won't get exactly there. I wouldn't say any of us has gotten exactly there ‘cause we're not done. But still, we came a long way in 10 years and I would like to see other people, [00:17:00] um, sit down and actually do the thing so you can go to the place.Jess: That's been one of the big joys, I think, also of this podcast is seeing other people's work happen.Like hearing from listeners that, oh my gosh, I hadn't started my book. I was trying to get motivated to start my book, and then I created this proposal and now the book is coming out, and that's, I, I, I just, I can't, I can hardly wrap my brain around that. Um, it's been a really amazing progression and the, the group of people that have sort of coalesced around listening to this podcast and getting in, in touch, some of them have become friends and that's been really amazing too.Sarina: I hope what some people will take away from this, um, is that very few people who do what we do are truly trained for it. You know, I don't have an MFAI don't KJ and just don't have journalism degrees. They have law degrees instead. But, um, you can, you can [00:18:00] do this on the job training. That's what we did.That's what you listened to us do. And I'm reminded of that, um, quote by El Doctoral. You know, writing a book is like driving at night with the headlights on. You can. You can't see the whole distance, um, but you can still get to your destination. And there was this Time when KJ and I were debating this quote on this podcast and KJ said, yeah, but the last time we went driving at night, we almost hit a bunny.And it was true. And I think that what might be the, one of the times I laughed the hardest on this podcast.Jess: You know, it's also interesting, I was thinking that, um, you know how I said that there isn't one way to do things, and even the way that we do things has evolved over time and like Sarina has learned how to, has become a coffee shop writer and has learned how to write in other places.And I've learned how to write in other places and I never used to be able to do that. Um, [00:19:00] so how we get the work done really has. Uh, evolved with the needs of what's going on around us and what our career needs from us, and, and that's been really pleasant. Pleasant to watch too.Jennie: Well, it's been an honor to listen to you all and to be, uh, working alongside you.And I am, I'm thrilled to be carrying the show forward. I have lots of big ideas to bring to these episodes To continue to center the writer and the writing and getting the work done in authentic conversations about what it takes, both from a craft perspective and a mindset perspective. So I'll be reaching out soon for submissions to book Lab because that's gonna continue with a twist and I will be letting you know about what's coming. Um, for sure. New episodes with our producer Andrew, who's stepped out from behind the mic, um, as you heard last week. And I'll be continuing to coach him forward, which will be really [00:20:00] fun. So lots of good stuff coming and I appreciate your ongoing support and I appreciate.Getting you to stand on the shoulders of these three incredible writers and entrepreneurs and thinkers and friends, and, um, thank you all.KJ Thank you. I'm just so glad. Thank you guys to see this, uh, keep going and to become a little bit more of a passenger. I have very much been the driver for the past few years.Um, Jess had her turn in the, in the driving seat and Sarina said from day one, no, no, I am buddy, humble guest. So, um, I'm so thrilled that you're taking over and I am excited to listen when I am not part of it, and to also continue to be part of it. Yay. Thank you guys.Jennie: Thank you all so, so much.Hey, why don't you, uh, why don't you take us out?KJ No, no. Jess has to take us out. It's cool. That's the tradition.Jess: Alright. And actually coming up with our, this little bit of the show happened in the eve space, so [00:21:00] it's a very. Yeah, that's a sentimental phrase for me too. So until next week, everyone, keep your butt in the chair and your head in the game.Jess: The hashtag am writing podcast. Is produced by Andrew Perilla. Our intro music, aptly titled Unemployed Monday was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

John talks about a New York Times investigation which revealed years of sexual abuse and grooming of female associates by the late, celebrated labor rights activist Cesar Chavez. Among those corroborating the report are activist Dolores Huerta, who detailed rape at the hands of Chavez in an open letter. Then, he discusses Markwayne Mullin's Senate confirmation hearing where colleagues really let him have it, challenging Mullin on his record, his temperament and the actions of the agency he hopes to manage. Also, Director of National Intelligence Tulsi Gabbard took sharp jabs from lawmakers about the War In Iran as she testified during a House Select Intelligence Committee hearing. John then welcomes back Bob Cesca to talk about the War in the Middle East, the Epstein files, and of course Star Wars and Star Trek. Next, Dillon Naber Cruz and Desimber Rose show up for another installment of The God Squad. They talk sense about what the bible really says and what Christian Nationalists want us to believe. And wrapping it up, John interviews Annabelle Gurwitch. She's an actress, activist, and New York Times bestselling author of six books and a two-time Thurber Prize finalist. Her essays and satire have appeared in The New Yorker, The New York Times, The Wall Street Journal, and The Washington Post amongst other publications and she co-hosted the fan favorite Dinner & a Movie on TBS and was a regular commentator on NPR. After receiving an out-of-the blue diagnosis of Stage 4 lung cancer, an existential dread set in. Precision medicine offered a temporary reprieve—but instead of turning into a cancer warrior, Annabelle declared herself a cancer slacker. Her motto: no runs, no ribbons, and no religion.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For decades, renowned environmental writer Elizabeth Kolbert has taken readers to remote corners of the planet to understand how all life is connected—and how our planet is changing. She's covered everything from the collapse of insect populations to the success of one town's effort to go carbon neutral.  Host Flora Lichtman speaks with Kolbert about the undeniable heaviness of our current climate moment, how the splendor of the Great Barrier Reef “tilted” her worldview, and the messy business of trying to solve environmental problems.  In March and April, the Science Friday Book Club is reading Kolbert's latest book, “Life on a Little-Known Planet.” It's a collection of essays she's written over the years. Check out the Book Club to read along. Guest: Elizabeth Kolbert is a staff writer at The New Yorker and the author of several books, including “Life on a Little-Known Planet: Dispatches from a Changing World.” Transcripts for each episode are available within 1-3 days at sciencefriday.com. Subscribe to this podcast. Plus, to stay updated on all things science, sign up for Science Friday's newsletters.

The New Yorker staff writer Gideon Lewis-Kraus joins Tyler Foggatt to discuss the escalating standoff between the A.I. company Anthropic and the Department of War. They consider recent reporting on the use of Claude—Anthropic's family of large language models—in military operations in Venezuela and Iran, and how that news has pushed the company's relationship with the Pentagon to a breaking point. They also explore how the tech industry is responding to the conflict between the Trump Administration and Anthropic, and the thorny question of whether A.I. should be subject to greater safeguards and more oversight than previous technological innovations.This week's reading: “The Pentagon Went to War with Anthropic. What's Really at Stake?,” by Gideon Lewis-Kraus “Israel's Gulf-State Gamble in the Iran War,” by Ruth Margalit “The Iran War Is Another Reason to Quit Oil,” by Bill McKibben “Trump's Mass-Detention Campaign,” by Jonathan Blitzer “How Should We Remember the Hippies?,” by Jay Caspian Kang The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine's writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. Tune in to The Political Scene wherever you get your podcasts.  Learn about your ad choices: dovetail.prx.org/ad-choices

Daniel Immerwahr, historian, contributing writer at The New Yorker, the Bergen Evans Professor in the Humanities at Northwestern University and the author of How to Hide an Empire (Farrar, Straus and Giroux, 2019) offers historical context on the war in Iran and Trump's overall foreign policy. Photo: The aftermath of a US-Israeli strike on Tehran, Iran on March 3, 2026. Credit: محمدعلی برنو/Avash Media via Wikimedia Commons/CC 4.0

Jonathan Blitzer, New Yorker staff writer and the author of Everyone Who Is Gone Is Here: The United States, Central America, and the Making of a Crisis (Penguin Press, 2024), talks about the scale of the U.S. immigrant detention program, health and safety issues and expansion plans, following the firing of DHS Sec. Kristi Noem. => "Trump's Mass-Detention Campaign" (The New Yorker, March 15, 2026)   photo: A warehouse purchased by the Department of Homeland Security that is slated to become an immigration detention facility is seen on March 10, 2026 in Williamsport, Maryland.  (Photo by Chip Somodevilla/Getty Images)    

Jen and Sarah are joined by Natalie Musteata and Alexandre Singh, the writers and directors of the Academy Award-winning short film ‘Two People Exchanging Saliva.' They share about their passion for film, the origins of this powerful story, and the process of bringing this short film to life. You can watch Two People Exchanging Saliva in The New Yorker's Screening Room or on YouTube. Learn more about the film, including behind-the-scenes footage, on their website and on Instagram @two_people_exchanging_saliva. Remember to leave a rating and review of this episode. Connect with Movies & Us on Instagram, Threads, and Bluesky @moviesanduspod or by email at moviesanduspod@gmail.com. Check out andusmedia.co for the latest on Movies & Us and TV & Us. And subscribe to Movies & Us on YouTube for full video episodes and more. Join the & Us Living Room for early access to ad-free episodes, exclusive bonus content, and more! Movies & Us is part of the Movie Archer Podcast Network. Learn more at moviearcher.com. 

Listen to the rest of this premium episode by subscribing at patreon.com/knowyourenemy. In this episode, we shift our attention from the Trump administration to the winner of the Democratic primary for the U.S. Senate in Texas, state legislator and Presbyterian seminarian, James Talarico. Even before prevailing in that contest earlier this month, Talarico had been having something of a moment, appearing on Ezra Klein's podcast, being profiled by the New Yorker, and generating a wave of media coverage, much of it focused on Talarico's Christian faith, his criticisms of the religious right, and what it all might mean for his political prospects in a state that remains stubbornly red. We explore what we like and what we find frustrating about Talarico's attempt to mix religious rhetoric and populism; how he navigates the complexities of speaking the language of a particular religious tradition in an increasingly secular, pluralistic society; Dr. King, the Civil Rights Movement, and prophetic religion; the place of religion on the left, and how it differs from the religious right; Herbert McCabe and socialism; and more. Sources: "James Talarico's Beautiful Answer to Christian Nationalism," Ezra Klein Show, Jan 13, 2026 Matthew Sitman, "Whither the Religious Left?" New Republic, April 15, 2021 — "Against Moral Austerity: On the Need for a Christian Left," Dissent, Summer 2017 — "Finding the Words for Faith: Meet Christian Wiman, America's Most Important Christian Writer," The Dish, Sept 3, 2014 Bill McCormick, S.J., "Joe Biden Said Now Is The Time To Heal. But What If Americans Don't Want Reconciliation?" America, Nov 13, 2020 Vincent Lloyd, "Marcuse the Lover," Telos, Winter 2013 Alex Thompson, "Faith-forward Texas Senate Candidate Follows Porn Actors, Escorts on Instagram," Axios, Nov 8, 2025 Tad Friend, "James Talarico Puts His Faith in Texas Voters," New Yorker, Feb 23, 2026 Christian Wiman, My Bright Abyss: Meditations of a Modern Believer (2013) Joseph Bottum, An Anxious Age: The Post-Protestant Ethic and the Spirit of America (2014)

This week Meghan is joined by actor, humorist, and six-time author Annabelle Gurwitch, who returns to the podcast to discuss her new memoir, The End of My Life Is Killing Me: The Unexpected Joys of a Cancer Slacker. Annabelle was diagnosed with stage IV lung cancer during COVID, entirely out of the blue, after what she assumed was a meaningless cough. Five years later, she remains an outlier on a targeted therapy that has kept her stable. In this conversation, Annabelle talks about how she has resisted the sentimental clichés surrounding illness, why she rejects the idea that cancer is a "battle," and how humor, contrarianism, and facing "the shipwreck of the soul" have shaped the way she lives now. Guest Bio: Annabelle Gurwitch is an actress, activist, and New York Times bestselling author of six books and two-time finalist for the Thurber Prize. Her essays have appeared in The New Yorker, New York Times, Washington Post, The Wall Street Journal, Boston Globe, and Hadassah Magazine, among other publications. Her six books include the New York Times bestseller and Thurber Prize finalist I See You Made an Effort. Annabelle co-hosted the fan favorite Dinner & a Movie on TBS, was a regular commentator for NPR. She is serving in leadership as a patient advocate with the International Association for the Study of Lung Cancer (IASLC).

Today, we delve into the transformative journey of Anthony Freda, a multifaceted artist whose work has transcended the boundaries of commercial art to embrace a deeply spiritual calling. Anthony's remarkable story takes us through his moral crises sparked by his experiences in the advertising world, including a pivotal moment while working on the Joe Camel campaign, when he questioned the ethics of marketing cigarettes to children. His path leads to a profound reorientation towards Christian art, driven by a renewed faith and a desire to illuminate truth through his creative expressions. We explore how his understanding of art as a spiritual battle shapes his current projects, including the ambitious Jesus Park, a sculptural earth garden designed for prayer and meditation. Join us as we reflect on the intersection of faith, art, and personal transformation, and consider how each of us can contribute to a culture that values truth and beauty in a world that often seeks to obscure them.Exploring the transformative journey of Anthony Freda, a multifaceted artist and professor, we delve into his remarkable evolution from commercial illustrator to a creator of Christian art. With a background steeped in the elite circles of the art world, including accolades from prestigious publications like The New Yorker and Rolling Stone, Anthony's path took a profound turn following a harrowing personal crisis. The episode unfolds a gripping narrative as he recounts a life-altering incident involving his partner's near-death experience and the subsequent spiritual awakening that reshaped his artistic vision. In this candid conversation with host Keith Haney, Anthony reflects on how his moral dilemmas in the advertising world—specifically his involvement in campaigns like Joe Camel—prompted a deep introspection about the implications of his work. He candidly shares how these experiences compelled him to pursue truth and faith, ultimately leading him to embrace a mission of creating art that glorifies God and engages the spiritual battle he believes is at the root of societal issues. This episode not only illuminates Anthony's artistic journey but also serves as a call to action for listeners to engage in their own moral and spiritual introspections, reminding us that our creative pursuits can be a reflection of our faith and values.Mentioned in this episode:My friend Dr. Noah St. John calls this 'the invisible brake.' He's giving our listeners a free Revenue Ceiling Audit to help you see what's REALLY holding you back. You'll also get a FREE 30-day membership to Noah Bot, giving you access to Dr. Noah's 30 years of experience to help you reach your next level. But hurry, because there are only 50 available this month. So if you're tired of being stuck at the same revenue level and want to finally break through, get your FREE Revenue Ceiling Audit at https://www.noahvault.com?aff=d28bf6c78150c7f09896297dfe1701c1cd191ac6fc9976779212cec5d38e94d6

Chloé Zhao became only the second woman to win an Oscar for Best Director, for 2020's “Nomadland,” and she is nominated once again for “Hamnet,” starring Paul Mescal and Jessie Buckley. Based on Maggie O'Farrell's novel of the same name, the film follows a young William Shakespeare and his wife, and their grief at the loss of their only son. “Hamnet” is also nominated for Best Picture, Best Actress, and five other awards.  Speaking with Michael Schulman, Zhao talked about the origins of “Hamnet,” the centrality of nature imagery in her work, and how the I.P. in a Marvel film is not so different from adapting a literary novel.   This segment originally aired on December 5, 2025. Further reading: “Chloé Zhao Has Looked into the Void,” by Michael Schulman New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

In this week's episode, Kelly is joined by community builder Maryam Banikarim! She was the former Chief Marketing Officer of many global organizations, She is the Co-Founder of Longest Table, and Host of the podcast “The Messy Parts”.  Kelly asks Maryam about coming to The United States from Iran. Maryam talks about her experience living in Iran and in California. She talks about her first trip to the East Coast and how she got into Barnard off the wait list.  Maryam talks about life in NYC in the 80s. She tells us about a fateful encounter she had on the subway, fast talking her way into night clubs, and joining Chippendales! Kelly asks her about her experience doing a TedTalk. Maryam tells us how she got the opportunity to do the talk, what her process was in coming up with topics for it, and how she was able to practice and perfect her performance.  Maryam then talks about putting together The Longest Table. She discusses challenges that she faced when putting on the first event. She talks about how the obstacles become obstacle courses in how she navigates regection and keeps it from letting it affect her.  She then talks about New York Next and how during covid, she and a group of concerned New Yorkers got together to put together an incredible video to help support artists during that dark time.  Kelly asks Maryam about the formation of "The Messy Parts". The two talk about their experience being podcast hosts, and the unique challenges that face them. They discuss the creation of Maryam's show: From inspiration to early planning and to how it is now. Finally, Maryam tells the audience about her wedding anniversary, as it is the same day that they recorded the podcast. Maryam met her husband on the Subway! And she recounts her classic New York Story for us.  But above all else; Maryam Banikarim is a New Yorker. Kelly's Social Media @NewYorkCityKopp Maryam's Social Media @mbanikarim @LongestTableCommunity @TheMessyPartsPodcast Jae's Social Media @Studiojae170 Chapters (00:00:00) - New Yorkers(00:00:59) - Meet New Yorker Miriam Banakaram(00:01:39) - Winter in New York(00:02:22) - How To Ride the Subway As A Woman(00:03:05) - I Was Invited To Iftars By A Muslim Influencer(00:07:25) - In the Elevator With My Parents in Iran(00:08:54) - Coming to Barnard College at 16(00:12:51) - "I Tried Chippendales"(00:13:28) - You Had To Give a TED Talk(00:16:53) - Covid: The Long Table(00:21:48) - Neighbors' meals for the homeless(00:25:58) - The Longest Table in New York(00:27:49) - A Taste of the Longest Table(00:30:15) - The We Love New York City Campaign(00:34:31) - I Love NY: The Campaign(00:38:14) - The New Yorkers Sing During the Great Recession(00:39:09) - The Messy Parts: Miriam on Her Podcast(00:43:35) - Jay Leno on Being On The Podcast(00:47:11) - The Bar Manager Has a Message For Regulars(00:49:03) - I Met My Husband On The Subway(00:50:02) - How We Met : On The Subway(00:52:14) - What Keeps You Inspired In NYC?(00:54:06) - The New Yorkers of We Love NYC(00:56:25) - Meet New Yorker Miriam Banakaram(00:57:31) - New Yorkers Podcast: The New Yorkers

Molly Crabapple is an artist and writer. She is the co-author of Brothers of the Gun, an illustrated collaboration with Syrian war journalist Marwan Hisham, which was a NY Times Notable Book. Her memoir, Drawing Blood, received global praise and attention. Her animated films have won two Emmys and an Edward R. Murrow Award. Molly's reportage has been published in the New York Times, New York Review of Books, The Paris Review, Vanity Fair, The Guardian, The New Yorker and Rolling Stone. She was the 2019 artist-in-residence at NYU's Hagop Kevorkian Center for Near Eastern Studies in 2019, a New America fellow in 2020, and the winner of the Bernhardt Labor Journalism Award in 2022. In 2023, she was a fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers at the New York Public Library.Molly's third book, ⁠Here Where We Live is Our Country: The Story of the Jewish Bund,⁠ will be released by One World/Random House in April 2026. Please PRE-ORDER if you'd like to support her work and artistry!Molly websiteLeah website

"Gli antropologi" di Ayşegül Savas e "L'era dell'acquario" di Fabio BacàÈ stato definito miglior libro dell'anno dal New Yorker, prestigiosa rivista culturale americana. Si intitola "Gli Antropologi" (Gramma Feltrinelli - traduz. Gioia Guerzoni) di Ayşegül Savaş, scrittrice turca cosmopolita, racconta la storia di una coppia di trentenni expat, Asya e Manu. Vivono da anni in una città mai nominata esplicitamente, arrivano da due paesi diversi e parlano la lingua del paese dove hanno studiato e scelto di vivere. Sono sempre sospesi fra il desiderio di appartenere a quella città d'adozione e il senso di colpa per aver abbandonato le proprie origini. La paura di apparire estranei alle proprie famiglie, ma anche stranieri nella città. In questo romanzo dalle atmosfere rarefatte e dalla scrittura asciutta, si narra dunque la vita di Asya e Manu, che dopo l'entusiasmo per il nuovo ambiente cercano un po' di stabilità e decidono di comprare casa, in un tentativo forse di affermare un'appartenenza a quella città che loro vogliono sentire a tutti i costi familiare.Una quasi quarantenne che vende video-hard su OnlyFans, un diciassettenne costretto sulla sedia a rotelle da una malattia degenerativa, il mistero di una coppia travolta da una valanga nel 1980 (lei è morta ed è stata trovata nuda sotto la neve, lui invece è miracolosamente sopravvissuto). Una serie di riflessioni sull'esistenza di Dio, sul suicidio, ma anche sui social network. Tutti questi, e non solo, sono gli ingredienti di "L'era dell'Acquario" (Adelphi) scritto da Fabio Bacà, autore di "Benevolenza cosmica" e "Nova". Un romanzo denso e articolato, con una scrittura, come sempre accade nel caso di Bacà, ritmata e vorticosa, con uno sguardo spesso ironico, se non sarcastico, e personaggi pieni di sfaccettature. Tutta la prima parte è su Chloe, pseudonimo che una donna adotta su OnlyFans: fa la sex influencer, ma crede che presto dovrà interrompere questa attività. Per fare cosa? Non ne ha assolutamente idea. Lei è sempre in fuga da sè stessa e dal suo passato traumatico, con il quale non vuole fare i conti. Poi il lettore si trova a seguire le vicende di Samuel, un adolescente con disabilità che ha pensieri suicidi per un amore non ricambiato. I due sono destinati a incontrarsi e solo alla fine del romanzo si coglierà il senso del prologo, ossia il ritrovamento della coppia sotto la valanga.

Johnny Mac focuses on Conan O'Brien hosting the Oscars tomorrow night. O'Brien says hosting isn't about nonstop punchlines but guiding the show, balancing entertainment with acknowledging realities like the ongoing war in Iran, and staying topical as jokes quickly become outdated; he emphasizes heavy preparation while keeping the broadcast organic and ready for surprises. Showrunners note annual monitoring and security support from the FBI and LAPD. Mack highlights multiple O'Brien interviews (LA Times, LateNighter with Bill Carter, The New Yorker, and The Hollywood Reporter) covering topics including returning to host, cold open teases, pay for hosting, the 2022 Oscars hosts, and O'Brien's approach to improvising when things go off the rails.The episode also lists South by Southwest comedy shows and performers for tonight at Creek and the Cave and Esther's Follies,  00:18 Conan Hosts Oscars01:31 Topical Jokes and Safety02:44 Podcast Queue Detour03:18 Bill Carter Interview Highlights06:01 Hollywood Reporter Praise07:03 Oscars Pay and Past Hosts07:55 New Yorker Prep and Chaos09:15 Heightened Persona Talk10:51 Ad Free Subscription Pitch11:14 SXSW Comedy Listings Become a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news-with-johnny-mac-a-daily-briefing-on-comedians-and-the-comedy-industry--4522158/support.Daily Comedy News is the number one comedy news podcast, delivering daily coverage of standup comedy, late night television, comedy specials, tours, and the business of comedy.COMEDY SURVIVOR in the facebook group.Contact John at John@thesharkdeck dot com For Uninterrupted Listening, use the Apple Podcast App and click the banner that says Uninterrupted Listening.  $4.99/month John's Substack about media is free.This is the animal sanctuary mentioned in the February 10 episode.

In the book “The Anxious Generation,” Jonathan Haidt, a social psychologist at New York University, argues that social-media platforms are detrimental to youths' well-being, and that society needs to treat them as literally addictive. It has spent nearly a hundred weeks on the New York Times best-seller list, and has helped galvanize a movement seeking limits to social media in legislatures, in school districts, and in the courts. David Remnick speaks with Haidt about an Australian law to verify the age of social-media users, the first of its kind in the world, and about lawsuits in California that are aiming to pin liability for harms on social-media companies themselves.  Further reading:  “World Happiness Report 2026,” featuring a contribution from Jonathan Haidt and other researchers  “Mountains of Evidence,” by Jonathan Haidt New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

The Washington Roundtable considers how the ideological commitments of Pete Hegseth, the Secretary of War, are at play in the conflict with Iran. Their guest, the journalist Katherine Stewart, has covered the MAGA right and is the author of “Money, Lies, and God: Inside the Movement to Destroy American Democracy.” The panel discusses how Christian nationalism has moved from the fringes of the culture to the center of American military power, with Hegseth driving the shift. “This is a movement that at its core has never believed in democracy,” Stewart says. “It rejects the principles of equality and pluralism, and, frankly, the rule of law that represents the best of the American promise.”This week's reading: “The War Trump Doesn't Want to Talk About,” by Susan B. Glasser “Trump's Inexcusable Unpreparedness for the Iranian Oil Crisis,” by John Cassidy “What the Selection of Iran's New Leader Might Mean for the War,” by Robin Wright “War in the Age of the Online ‘Information Bomb,' ” by Kyle Chayka “How Putin Views Trump's War on Iran,” by Joshua Yaffa “The Limits of Iran's Proxy Empire,” by Sudarsan Raghavan The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine's writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. Tune in to The Political Scene wherever you get your podcasts.  Learn about your ad choices: dovetail.prx.org/ad-choices

In this week's episode, both storytellers share stories that illustrate why empathy, kindness, and humanity are essential to healthcare.Part 1: After feeling betrayed by the very systems meant to protect her, Karen McCaffrey chooses to become the advocate for survivors she once needed herself.This story does include mentions of sexual assault and rape. In case you'd find them helpful, now or at any point in the future, we have some resources available on our website.Part 2: In her twenties, Mary Cyn endures a string of gynecological problems, and the lack of compassion she encounters in medical settings motivates her into changing how medical students learn patient care.A native New Yorker, Karen McCaffrey has a BA in Economics from SUNY Oneonta and an MBA in Finance from St. John's University. She spent her early career managing billion-dollar institutional portfolios for TIAA and later directed global treasury operations at Columbia University. She then left the world of finance to help survivors of domestic violence and sexual assault. This last mission is the investment she treasures most.Mary Cyn is a burlesque performer, storyteller, writer, and visual artist who lives in New York City. She would like to thank her vagina for financing these things.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Mike Pesca is one of our very favorite guests — on any number of topics. His book, Upon Further Review: The Greatest What-Ifs in Sports History, is a whole series of earth-shattering, hypothetical, what-if questions (and posited answers to said earth-shattering, hypothetical, what-if questions): What if a blimp full of money had exploded over world track headquarters in 1952? What if Nixon had been good at football? What if Bobby Fischer had received proper psychiatric help? What if the Dodgers hadn’t left Brooklyn? What if basketball rims were smaller than basketballs? What if the 1999 U.S. women’s national soccer team had lost the Women’s World Cup? And yes: What if the Olympics had never dropped tug of war? It goes on and on. Pesca joins us for the hour. GUESTS: Will Leitch: Contributing editor at New York magazine, founder of Deadspin, and a whole bunch of other things Mike Pesca: Host of The Gist and the author of Upon Further Review Louisa Thomas: Staff writer at The New Yorker and the author of Louisa: The Extraordinary Life of Mrs. Adams The Colin McEnroe Show is available as a podcast on Apple Podcasts, Spotify, Amazon Music, TuneIn, Listen Notes, or wherever you get your podcasts. Subscribe and never miss an episode! Subscribe to The Noseletter, an email compendium of merriment, secrets, and ancient wisdom brought to you by The Colin McEnroe Show. Join the conversation on Facebook and Twitter. Colin McEnroe, Carlos Mejia, and Chion Wolf contributed to this show, which originally aired June 7, 2018.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Welcome to the final installment of my interview with Cynthia Weiner, author of “A Gorgeous Excitement,” a coming of age novel set in 1980s New York City that was named a best book of 2025 by The New Yorker, Kirkus Reviews, and Oprah Daily and is freshly out in paperback.Cynthia is also the assistant director of the writer's studio in New York City and her short fiction has been published in “Open City,” “Ploughshares,” and “The Sun,” has earned a Pushcart Prize and been anthologized in Coolest American Stories 2024.In this fun episode, we covered:- The 90s soundtrack that's helping Cynthia get into her next project- The three writers whose examples inspire Cynthia on her own path- Her burning desire to have a house with a yard and, most importantly, a tree- The Max show she's bingeing, her elaborate daily diet soda ritual, the best day of the week, and the fast food meal she's cravingConnect with Cynthia on Instagram at @cynthiaweinerThere are new Finding the Throughline episodes roughly every other week–hit “subscribe” so you know when the next ones drop!For full show notes with links to everything we discuss, plus bonus photos!, visit ⁠katehanley.substack.com⁠.Thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a special edition of the New York Institute for the Humanities' Vault podcast. On October 10, 2025, NYU's Journalism Institute hosted a day-long conference titled Podcast Intellectuals: Producing Original Scholarship with Audio. Over the course of three panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In this second panel of the day, Ellen Horne moderates a conversation with Chenjerai Kumanyika, Barry Lam, and Julia Barton, three veterans who have made a specialty of working on creative, idea-informed series. Professor Ellen Horne directs the Podcasting and Audio Reportage concentration at NYU's Arthur L. Carter Journalism Institute. She was the executive producer and editor of Admissible: Shreds of Evidence, and was host, reporter, and producer for Luminary's Lies We Tell. Horne was the executive producer of WNYC's Radiolab, where she won George Foster Peabody Awards, Third Coast Awards, and the Kavli Science Journalism Award. Her new documentary, Age of Audio, tells the story of the podcast from birth to boom to today. NYU Professor Chenjerai Kumanyika specializes in using narrative non-fiction audio journalism to critique the ideology of American historical myths about issues such as race, the Civil War, and policing. His podcast Empire City was chosen by the New York Times as one of the best podcasts of 2024. He was the co-creator, co-executive producer and co-host of Uncivil, a podcast on the Civil War, and he is the collaborator for Scene on Radio's Season 2 “Seeing White,” and Season 4 on the history of American democracy. Professor Barry Lam earned a Ph.D. in Philosophy from Princeton, taught at Vassar, and recently moved to UC Riverside. He is the host and executive producer of Hi-Phi Nation, a story-driven podcast about philosophy, at Slate magazine. He is also an Associate Director of the Marc Sanders Foundation, which promotes excellence in philosophy and public philosophy. Julia Barton is an award-winning podcast, audiobook, and radio editor. She was the executive editor of Pushkin Industries, where she helped develop Revisionist History and Against the Rules. She's the editor of Malcolm Gladwell's audiobook The Bomber Mafia, Michael Specter's Fauci, and Michael Lewis's unabridged Liar's Poker and companion podcast. Her 2019 series, Spacebridge, was called “dazzling” by The New Yorker. She is the author of the audio history newsletter, Continuous Wave. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On today's show, host Esty Dinur is in conversation with writer Hooman Majd about the escalating Israel-US war on Iran and how these countries are expanding the war to Lebanon, the Gulf States, and beyond. Majd describes the constant barrage of bombs on Tehran, how Israel is displacing Lebanese people, and that the death toll is growing. This week, Iranian leaders marched in the streets of Tehran projecting unity and defiance as the war reaches two weeks.  Majd says there's no sign that Israel or the US are going to end the war, and there's no sign that Iran is going to surrender or negotiate a ceasefire. Despite Trump's claims that he would pick the next leader of Iran, Iranian leadership appointed Mojtaba Khamenei as the country's new Supreme Leader.  They also discuss the restrictions on foreign journalists in Iran, how the attacks on Iran come on the heels of Trump's assault on Venezuela, how fundamental religious figures are shaping the war, and the creation of a new refugee crisis in Lebanon and this crisis could spread to Iran if the US deploys ground troops. Hooman Majd is an Iranian-American writer, and the author of three books on Iran, including the New York Times bestseller The Ayatollah Begs to Differ. His new book, a memoir, is Minister Without Portfolio: Memoir of a Reluctant Exile. Majd has also written for The New Yorker, GQ, Newsweek, The New York Times, The New Republic, Time, Vanity Fair, The Financial Times, Foreign Policy, Foreign Affairs, Politico, and Interview Magazine, among others. He is a contributor to NBC News. He has published short fiction in literary journals such as Guernica and The American Scholar. He lives in New York City. Featured image of a protest against US war with Iran from 2020 via Wikimedia Commons (CC BY-SA 4.0). Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post Analysis of the US-Israel War on Iran with Hooman Majd appeared first on WORT-FM 89.9.

PUTF Podcast — Season 4, Episode 2 featuring Zenat BegumZenat Begum is a native New Yorker, owner of Playground Coffee Shop, founder of Playground Youth, and an alumni of The New School. Zenat intentionally seeks to center BIPOC, marginalized bodies, the arts, and community engagement in order to foster change in a shapeshifting and gentrifying BedStuy.Follow Zenat:https://www.instagram.com/zenatbegum/Playground was founded in 2016 as a coffee shop and community space in Bedford-Stuyvesant, Brooklynhttps://playgroundbk.net/https://www.instagram.com/playgroundbk/Playground Radio: https://www.youtube.com/@playgroundradiobkPlayground Wines: https://www.instagram.com/playgroundwines/Photo courtesy of Zenat.PUTF's interview series is dedicated to spotlighting inspiring creatives from the PUTF community and beyond. Guests share their unique career journeys, stories, and visions. This new 4th season is shortened to 30 minutes, with guests invited to focus on their projects and current work.Pick Up The Flow, is an online resource based in NYC striving to democratize access to opportunities. Opportunities are shared daily on this page and website, and weekly via our newsletter.Newsletter: https://putf.substack.comInstagram: https://www.instagram.com/pickuptheflownyc/Youtube: https://www.youtube.com/@pickuptheflow#zenatbegum #nyc #community #bed-stuy #creative #pickuptheflow #entrepreneurship #business #radioJoin the newsletter: https://putf.substack.com/and follow us on Instagram: https://www.instagram.com/pickuptheflownyc/ Hosted on Acast. See acast.com/privacy for more information.

This is a special edition of the New York Institute for the Humanities' Vault podcast. On October 10, 2025, NYU's Journalism Institute hosted a day-long conference titled Podcast Intellectuals: Producing Original Scholarship with Audio. Over the course of three panels, scholars, podcasters, and journalists discuss how academics might employ the techniques of narrative audio as part of their research. In this second panel of the day, Ellen Horne moderates a conversation with Chenjerai Kumanyika, Barry Lam, and Julia Barton, three veterans who have made a specialty of working on creative, idea-informed series. Professor Ellen Horne directs the Podcasting and Audio Reportage concentration at NYU's Arthur L. Carter Journalism Institute. She was the executive producer and editor of Admissible: Shreds of Evidence, and was host, reporter, and producer for Luminary's Lies We Tell. Horne was the executive producer of WNYC's Radiolab, where she won George Foster Peabody Awards, Third Coast Awards, and the Kavli Science Journalism Award. Her new documentary, Age of Audio, tells the story of the podcast from birth to boom to today. NYU Professor Chenjerai Kumanyika specializes in using narrative non-fiction audio journalism to critique the ideology of American historical myths about issues such as race, the Civil War, and policing. His podcast Empire City was chosen by the New York Times as one of the best podcasts of 2024. He was the co-creator, co-executive producer and co-host of Uncivil, a podcast on the Civil War, and he is the collaborator for Scene on Radio's Season 2 “Seeing White,” and Season 4 on the history of American democracy. Professor Barry Lam earned a Ph.D. in Philosophy from Princeton, taught at Vassar, and recently moved to UC Riverside. He is the host and executive producer of Hi-Phi Nation, a story-driven podcast about philosophy, at Slate magazine. He is also an Associate Director of the Marc Sanders Foundation, which promotes excellence in philosophy and public philosophy. Julia Barton is an award-winning podcast, audiobook, and radio editor. She was the executive editor of Pushkin Industries, where she helped develop Revisionist History and Against the Rules. She's the editor of Malcolm Gladwell's audiobook The Bomber Mafia, Michael Specter's Fauci, and Michael Lewis's unabridged Liar's Poker and companion podcast. Her 2019 series, Spacebridge, was called “dazzling” by The New Yorker. She is the author of the audio history newsletter, Continuous Wave. Learn more about your ad choices. Visit megaphone.fm/adchoices

The world feels like a dumpster fire so we could all use some escapism and a good laugh. Lo welcomes back his bestie Greg Furman. He's a writer, director, producer and actor who quickly became a favorite of the lo lifers. He's a true renaissance man and one of the few people who can keep up with Lo's quick wit. Greg represents the East Coast with his New York sensibilities while Lo proudly holds down Los Angeles, and the cultural clash makes for the kind of playful debate that listeners love. What starts as casual conversation quickly turns into a rapid-fire series of relatable questions: Do you sit next to your date or across from them? Are you a leftovers person or do they go straight in the trash? And perhaps most divisive of all, are potlucks charming community gatherings… or culinary chaos?Lo also shares his very specific rules about overnight stays at other people's homes, including why he travels with his own sheets (a confession that sparks plenty of laughter and surprisingly strong opinions) The conversation takes an unexpected turn when the two dive into the film Pillion, starring Alexander Skarsgård, which explores the world of dominance, submission and kink culture. Curious and admittedly unfamiliar with the subject, Lo and Greg watched the film together and found themselves discussing not just the shock value, but the deeper humanity behind it.What emerges is a funny, thoughtful conversation about the things that make people different and the surprising ways we're all a little more alike than we think.In a moment when the world can feel heavy, this episode is exactly what listeners need: two friends, great banter, unexpected debates and a reminder that sometimes the best conversations happen when you simply follow your curiosity.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This poem offers a humble love of the world and a leave-taking of it. It was found in the papers of Jane Mead (1958-2019), which were left to her great friend Kathleen Finneran (1957-2026), and it was published in the New Yorker in 2021 through Kathleen's efforts. The poem was read at the memorial for Mead in 2021 and then again at the funeral for Finneran in 2026. Here is the poem: I Wonder If I Will Miss the Moss —Jane Mead (1958-2019) I wonder if I will miss the moss after I fly off as much as I miss it now just thinking about leaving. There were stones of many colors. There were sticks holding both lichen and moss. There were red gates with old hand-forged hardware. There were fields of dry grass smelling of first rain then of new mud. There was mud, and there was the walking, all the beautiful walking, and it alone filled me— the smells, the scratchy grass heads. All the sleeping under bushes, once waking to vultures above, peering down with their bent heads the way they do, caricatures of interest and curiosity. Once too a lizard. Once too a kangaroo rat. Once too a rat. They did not say I belonged to them, but I did. Whenever the experiment on and of my life begins to draw to a close I'll go back to the place that held me and be held. It's O.K. I think I did what I could. I think I sang some, I think I held my hand out. For The New Yorker, see here. For a reflection on the poem by the poet Devin Kelly, see Kelly's Substack Ordinary Plots. For more on Jane Mead, see The Poetry Foundation. For the memorial service and the tribute by Kathleen Finneran, see Mead's personal webpage.

“Love Story,” an FX series produced by Ryan Murphy, drops audiences straight into the lives of one of the most talked-about couples of the nineties: J.F.K., Jr., and the style icon Carolyn Bessette. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss how the show re-creates the look and fashion of the era in granular detail while reducing the relationship itself to a generic fairy tale. Despite its many flaws, the show has been embraced with a zeal that reflects the enduring allure of the Kennedys—often said to be the closest thing America has to a royal family. The hosts consider why this political dynasty has so persisted in the popular imagination, discussing everything from the work of the paparazzo Ron Galella to Oliver Stone's “JFK” and Pablo Larrain's “Jackie,” two very different treatments of the aftermath of John F. Kennedy's assassination. “Love Story” 's focus on style underscores how much the family's legacy lives in aesthetics, which risks obscuring some of the darker chapters of its history. “It does seem like we have ever more efficiently stripped the Kennedys and their image, and their style, from any notions of political power,” Cunningham says. “The look of something and the sort of moral thrust of something are not always one to one working in parallel.”Read, watch, and listen with the critics:“Love Story” (2026–)“Once Upon a Time: The Captivating Life of Carolyn Bessette-Kennedy,” by Elizabeth Beller“How Can ‘Love Story' Get Away With This?,” by Daryl Hannah (The New York Times)“American Prince: JFK Jr.” (2025)“Seinfeld” (1989-98)“Jackie” (2016)“The Kennedy Imprisonment,” by Garry WillsThe photography of Ron Galella“JFK” (1991)“A Battle with My Blood,” by Tatiana Schlossberg (The New Yorker)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn about your ad choices: dovetail.prx.org/ad-choices

Today on Open Book, we're diving into one of the biggest questions in human history: why do civilizations rise—and why do they collapse? Cambridge scholar Luke Kemp joins me to explain why the forces shaping our future might be the same ones that brought down every empire before us. Luke Kemp is a research affiliate at the Centre for the Study of Existential Risk at the University of Cambridge. He has lectured in economics and human geography and has advised the World Health Organization, the Australian Parliament, the UN Convention on Biological Diversity, and many other institutions. His research has been covered by media outlets such as The New York Times, the BBC, and The New Yorker. This book was a revelation, get it now: Goliath's Curse: The History and Future of Societal Collapse here: https://amzn.to/4lrFlDm Anthony Scaramucci is the founder and managing partner of SkyBridge, a global alternative investment firm, and founder and chairman of SALT, a global thought leadership forum and venture studio. Pre-order my next book, All the Wrong Moves: How Three Catastrophic Decisions Led to the Rise of Trump, out on the 17th of September in the UK and the 22nd of September in the US: ⁠https://linktr.ee/anthonyscaramucci⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

In 1974, the Supreme Court issued a momentous decision: In the case of Milliken v. Bradley, the justices brought a halt to school desegregation across the North, and to the civil rights movement's struggle for a truly equal education for all. How did this come about, and why? In The Containment: Detroit, the Supreme Court, and the Battle for Racial Justice in the North (FSG Press, 2025), the esteemed legal scholar Michelle Adams tells the epic story of the struggle to integrate Detroit schools—and what happened when it collided with Nixon-appointed justices committed to a judicial counterrevolution. Adams chronicles the devoted activists who tried to uplift Detroit's students amid the upheavals of riots, Black power, and white flight—and how their efforts led to federal judge Stephen Roth's landmark order to achieve racial balance by tearing down the walls separating the city and its suburbs. The “metropolitan remedy” could have remade the landscape of racial justice. Instead, the Supreme Court ruled that the suburbs could not be a part of the effort to integrate—and thus upheld the inequalities that remain in place today. Adams tells this story via compelling portraits of a city under stress and of key figures—including Detroit's first Black mayor, Coleman Young, and Justices Marshall, Rehnquist, and Powell. The result is a legal and historical drama that exposes the roots of today's backlash against affirmative action and other efforts to fulfill the country's promise. Guest: Michelle Adams is the Henry M. Butzel Professor of Law at the University of Michigan. The former codirector of the Floersheimer Center for Constitutional Democracy at the Benjamin N. Cardozo School of Law, she served on the Biden administration's Presidential Commission on the Supreme Court of the United States and as an expert commentator on the Netflix series Amend: The Fight for America and the Showtime series Deadlocked: How America Shaped the Supreme Court. Her writing has appeared in The New Yorker, The Yale Law Journal, California Law Review, and other publications. She was born and grew up in Detroit. Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Our host, Hilary Knight, speaks with Alex Costas of Bloomberg Connects about the nonprofit's history and mission – and how its free platform and dedicated support team help institutions and districts worldwide tell their own stories through thoughtful digital storytelling.External references: Bloomberg Connects: https://www.bloombergconnects.org/ Bloomberg Philanthropies Arts: https://www.bloomberg.org/arts/ Denver Art Museum on Bloomberg Connects: https://www.denverartmuseum.org/en/bloomberg-connects Museo de Arte Popular: https://www.map.cdmx.gob.mx/ Portland Japanese Garden: https://japanesegarden.org/visitvirtually/ About our guest:Alex Costas is the Global Head Recruitment, Onboarding & Relationship Management at Bloomberg Connects, the free arts and culture app that offers digital guides to hundreds of cultural organizations around the world. Prior to joining Bloomberg Connects, Alex worked with the City of New York at the New York City Economic Development Corporation and NYC Tourism & Conventions encouraging businesses and tourists to choose NYC. Alex is a native New Yorker, a resident of Brooklyn. + 

It is a pleasure to welcome singer Dawn Derow to the Jake's Take with Jacob Elyachar Podcast.   A New Yorker by way of Cape Cod, Dawn has been captivating audiences for more than 17 years with extraordinary versatility, moving seamlessly from Puccini to Brandi Carlile to Broadway and jazz. A graduate of the Boston Conservatory, she has performed on world-class stages including Carnegie Hall, Jazz at Lincoln Center, and London's The Pheasantry, as well as leading New York City venues such as 54 Below, Birdland, The Green Room 42, and the Laurie Beechman Theatre. Beyond New York, she has headlined nationally at the Dakota Jazz Club, Café Centro, Provincetown's Post Office Café, and appeared with the Cape Cod Symphony Orchestra.   Dawn Derow's artistry has earned her three MAC Awards (including Best Female Vocalist and Best Album), a Bistro Award, and glowing reviews for acclaimed shows like Revolution, Legit: A Classical Cabaret, and My Ship: Songs from 1941. Her album My Ship won Best Album at the MAC Awards, with Cabaret Scenes hailing her as “a supremely accomplished artist” with “a remarkable range.” Her acclaimed tribute, Dawn Derow Sings Eydie Gormé (played both at Birdland and 54 below, NYC), was praised for its vocal fireworks and recently played to packed houses, cementing her reputation as one of cabaret's most versatile performers.Equally at home on the theatrical stage, Dawn has starred as Antonia in Man of La Mancha, Cathy in The Last Five Years, Adele in Die Fledermaus, and most recently Francesca in The Bridges of Madison County at the Delray Beach Playhouse — a performance that earned rave reviews and the award for Outstanding Actress in a Mainstage Production (2025). Internationally, she has brought her cabaret artistry abroad with sold-out runs at London's Pheasantry (My Ship, 2023; Women's Work, 2024) and a recent premiere of Because I Can/Porque Yo Puedo in Puerto Vallarta, Mexico.Expanding her creative reach, Dawn co-produces Dorothy Dandridge: The Musical and originated the role of gossip columnist Hedda Hopper in its workshop. Offstage, she teaches mobility classes, provides Thai massage, and supports older adults in wellness programs. She divides her time between New York and Florida, returning to Provincetown each summer to perform.   On this episode of The Jake's Take with Jacob Elyachar Podcast, Dawn Derow spoke about the feeling of performing on Carnegie Hall and Lincoln Center's hallowed stages and her latest single, “Everything's Going to Be Alright,” which features a surprise video appearance with Dawn's collaborator, Sean Harkness.Become a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

When Madame Bovary was written in the 1850s, it fell under the accusing eye of the French government for its perceived immorality. Flaubert recognized that the trial would only stoke interest, and that it would set the tone for his career. Research: Barzun, Jacques. “Gustave Flaubert.” Encylopedia Brittanica. https://www.britannica.com/biography/Gustave-Flaubert Blakemore, Erin. “What Madame Bovary Revealed About the Freedom of the Press.” JSTOR Daily. Dec. 16, 2016. https://daily.jstor.org/what-madame-bovary-revealed-about-the-freedom-of-the-press/ Brown, Frederick. “Flaubert: A Biography.” Harvard University Press. 2007. CREASY, MATTHEW. “INVERTED VOLUMES AND FANTASTIC LIBRARIES: ‘ULYSSES’ AND ‘BOUVARD ET PÉCUCHET.’” European Joyce Studies, vol. 19, 2011, pp. 112–27. JSTOR, http://www.jstor.org/stable/44871308 Flaubert, Gustave, and Christopher Moncrieff, tr. “Madame Bovary: Newly Translated and Annotated.” Alma Classics. 2010. Haynes, Christine. “The Politics of Publishing During The Second Empire: The Trial of Madame Bovary Revisited.” French Politics, Culture & Society. Oxford Journals. June 1, 2005. https://doi.org/10.3167/153763705780980083 LaCapra, Dominick. “Madame Bovary on Trial.” Cornell University Press. 1982. “The Public vs. M. Gustave Flaubert.” Project Gutenberg. https://www.gutenberg.org/cache/epub/10666/pg10666.txt Steegmuller, Francis. “Flaubert and Madame Bovary: A Double Portrait.” New York Review of Books. 1966. Steegmuller, Francis. “The Letters of Gustave Flaubert.” New York Review of Books. 1980. Thurman, Judith. “A Unsimple Heart.” The New Yorker. April 29, 2002. https://www.newyorker.com/magazine/2002/05/06/an-unsimple-heart?_sp=0c026da2-f3c5-4709-9ac8-8214e0cc3278.1772403467294 See omnystudio.com/listener for privacy information.

The New Yorker staff writer Jonathan Blitzer joins Tyler Foggatt to discuss Kristi Noem's removal from her post as Secretary of Homeland Security. They talk about the lead-up to her firing—which included accusations of fiscal mismanagement and self-promotion—and her controversial tenure as the head of one of the largest and most powerful departments during Donald Trump's second Presidential term. They also explore the history and evolution of the Department of Homeland Security and how its founding in the wake of the September 11th attacks laid the groundwork for the sweeping—and, according to some legal experts, unconstitutional—powers it wields today. This week's reading:  “Kristi Noem's Fireable Offenses,” by Jonathan Blitzer “How Donald Trump's Iran War Is Destabilizing the Gulf,” by Isaac Chotiner “The Zombie Regulator,” by E. Tammy Kim “What the Selection of Iran's New Leader Might Mean for the War," by Robin Wright “The G.O.P.'s Latest Voter-Suppression Plan,” by Sue Halpern  The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine's writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. Tune in to The Political Scene wherever you get your podcasts.  Learn about your ad choices: dovetail.prx.org/ad-choices

On this week's monster mash, Steve, Dana, and Julia gather around the proverbial reanimation laboratory to take on the nutty, goth, and unbridled The Bride! Maggie Gyllenhaal's feminist—or not, it's up for debate—retelling of Frankenstein features a truly committed performance from Jessie Buckley. Do the disjointed pieces add to a coherent whole? They discuss.Next, they take a look at Paul McCartney: Man on the Run, the Morgan Neville documentary about the moment when the legendary songwriter and rockstar stopped being a Beatle and had to become something else.Finally, they wade through the morass of titles like How to Tame a Silver Fox and Ms. CEO's Baby Daddy Is the Merchant of Death to explore the exceedingly cheap and increasingly popular world of vertical micro-dramas via the app ReelShort. In a bonus episode for Slate Plus subscribers, they tackle the question of when, in fact, one becomes an adult—inspired by a recent piece in The New Yorker by Shayla Love. And if you're watching the Oscars this week, don't miss a chance for a special live pre-show with your fave Gabfest critics. Dana joins Isaac Butler, Nadira Goffe, and Sam Adams on Thursday, March 12, for an Oscars preview unlike any other. They'll weigh in on the sinners and saints of this year's award season.EndorsementsDana: The compilation of Kris Kristofferson songs The Essential Kris Kristofferson, especially the first disc.Julia: The novels of Helen Garner, particularly The Spare Room.Steve: Jean Guéhenno's account of life in Occupied France Diary of the Dark Years, 1940-1944.---Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

John Cassidy, staff writer at The New Yorker and the author of Capitalism and Its Critics: A History: From the Industrial Revolution to AI (Macmillan, 2025) talks about his recent story, "How to Prevent Insider Trading on Trump's Wars" and other recent takes on economics and politics.photo:  Karoline Leavitt at her first Press Conference in 2025 (YouTube channel called White House, Public domain, via Wikimedia Commons)

On this week's monster mash, Steve, Dana, and Julia gather around the proverbial reanimation laboratory to take on the nutty, goth, and unbridled The Bride! Maggie Gyllenhaal's feminist—or not, it's up for debate—retelling of Frankenstein features a truly committed performance from Jessie Buckley. Do the disjointed pieces add to a coherent whole? They discuss.Next, they take a look at Paul McCartney: Man on the Run, the Morgan Neville documentary about the moment when the legendary songwriter and rockstar stopped being a Beatle and had to become something else.Finally, they wade through the morass of titles like How to Tame a Silver Fox and Ms. CEO's Baby Daddy Is the Merchant of Death to explore the exceedingly cheap and increasingly popular world of vertical micro-dramas via the app ReelShort. In a bonus episode for Slate Plus subscribers, they tackle the question of when, in fact, one becomes an adult—inspired by a recent piece in The New Yorker by Shayla Love. And if you're watching the Oscars this week, don't miss a chance for a special live pre-show with your fave Gabfest critics. Dana joins Isaac Butler, Nadira Goffe, and Sam Adams on Thursday, March 12, for an Oscars preview unlike any other. They'll weigh in on the sinners and saints of this year's award season.EndorsementsDana: The compilation of Kris Kristofferson songs The Essential Kris Kristofferson, especially the first disc.Julia: The Helen Garner novel The Spare Room. Also her new LA-based news outlet, L.A. Material, launching next week.Steve: Jean Guéhenno's account of life in Occupied France Diary of the Dark Years, 1940-1944.---Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

The war in Iran has economic consequences in terms of the region's oil exports. But how could prediction markets change the picture? On Today's Show: John Cassidy, staff writer at The New Yorker and the author of Capitalism and Its Critics: A History: From the Industrial Revolution to AI (Macmillan, 2025), talks about his recent story, "How to Prevent Insider Trading on Trump's Wars" and other news related to the economic repercussions of the Iran war.

Welcome to part two of my interview (a replay) with Cynthia Weiner, author of “A Gorgeous Excitement,” which, since these episodes first aired, has just come out in paperback and was named a best book of the year for 2025 by The New Yorker, Kirkus Reviews, and Oprah Daily.In today's episode, we unpack:- Learning how to tolerate the discomfort of sharing your work- And how to ignore the voice that tells you nobody cares what you have to say- How she came to imagine that inner critical voice as a “shit bird”- Why she could work on one sentence for years- Why she'd rather stay home than travel some place new- How getting older has made her a better writer (and a worse sleeper)- How she's re-wired the idea that it's bad to draw attention to yourselfConnect with Cynthia on Instagram at @cynthiaweinerThere are new Finding the Throughline episodes roughly every other week–hit “subscribe” so you know when the next ones drop!For full show notes with links to everything we discuss, plus bonus photos!, visit ⁠katehanley.substack.com⁠.Thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1974, the Supreme Court issued a momentous decision: In the case of Milliken v. Bradley, the justices brought a halt to school desegregation across the North, and to the civil rights movement's struggle for a truly equal education for all. How did this come about, and why? In The Containment: Detroit, the Supreme Court, and the Battle for Racial Justice in the North (FSG Press, 2025), the esteemed legal scholar Michelle Adams tells the epic story of the struggle to integrate Detroit schools—and what happened when it collided with Nixon-appointed justices committed to a judicial counterrevolution. Adams chronicles the devoted activists who tried to uplift Detroit's students amid the upheavals of riots, Black power, and white flight—and how their efforts led to federal judge Stephen Roth's landmark order to achieve racial balance by tearing down the walls separating the city and its suburbs. The “metropolitan remedy” could have remade the landscape of racial justice. Instead, the Supreme Court ruled that the suburbs could not be a part of the effort to integrate—and thus upheld the inequalities that remain in place today. Adams tells this story via compelling portraits of a city under stress and of key figures—including Detroit's first Black mayor, Coleman Young, and Justices Marshall, Rehnquist, and Powell. The result is a legal and historical drama that exposes the roots of today's backlash against affirmative action and other efforts to fulfill the country's promise. Guest: Michelle Adams is the Henry M. Butzel Professor of Law at the University of Michigan. The former codirector of the Floersheimer Center for Constitutional Democracy at the Benjamin N. Cardozo School of Law, she served on the Biden administration's Presidential Commission on the Supreme Court of the United States and as an expert commentator on the Netflix series Amend: The Fight for America and the Showtime series Deadlocked: How America Shaped the Supreme Court. Her writing has appeared in The New Yorker, The Yale Law Journal, California Law Review, and other publications. She was born and grew up in Detroit. Host: Michael Stauch is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Many of us feel like we're drowning in invisible complexity. So I wanted to hit pause and ask a simple question: What are 1-3 decisions that could dramatically simplify my life in 2026? To explore that, I invited five long-time listener favorites: Maria Popova, Morgan Housel, Cal Newport, Craig Mod, and Debbie Millman.This episode is brought to you by:Shopify global commerce platform, providing tools to start, grow, market, and manage a retail business: Shopify.com/timHelix Sleep premium mattresses: HelixSleep.com/TimTimestamps:Intro: [00:00:00]Maria Popova [00:01:49]Morgan Housel [00:04:40]Cal Newport [00:12:20]Craig Mod [00:24:04]Debbie Millman [00:33:08] More about today's guests:Maria Popova (@mariapopova) thinks and writes about our search for meaning, lensed sometimes through science and philosophy, sometimes through poetry and children's books, always through wonder. She is the creator of The Marginalian (born in 2006 under the name Brain Pickings), which is included in the Library of Congress permanent digital archive of culturally valuable materials. Her books and projects include Traversal, The Universe in Verse, Figuring, The Coziest Place on the Moon, and An Almanac of Birds: 100 Divinations for Uncertain Days.Morgan Housel (@morganhousel) is a partner at The Collaborative Fund. His book The Psychology of Money has sold more than three million copies and has been translated into 53 languages. Morgan is also the author of Same As Ever: A Guide to What Never Changes and The Art of Spending Money.Cal Newport is a professor of computer science at Georgetown University, where he is also a founding member of the Center for Digital Ethics. In addition to his academic work, Newport is a New York Times bestselling author who writes for a general audience about the intersection of technology, productivity, and culture. His books have sold millions of copies and been translated into over forty languages. He is also a contributor to The New Yorker and hosts the popular Deep Questions podcast. His latest book is Slow Productivity: The Lost Art of Accomplishment Without Burnout.Craig Mod (@craigmod) is a writer, photographer, and walker living in Tokyo and Kamakura, Japan. He is the author of Things Become Other Things and Kissa by Kissa. He also writes the newsletters Roden and Ridgeline and has contributed to The New York Times, The Atlantic, Wired, and more. Debbie Millman (@debbiemillman) has been named one of the most creative people in business by Fast Company and one of the most influential designers working today by Graphic Design USA. She is the host of Design Matters—a great show and one of the world's longest-running podcasts. She is also chair of the Masters in Branding Program at the School of Visual Arts in New York City, editorial director of Print magazine, a Harvard Business School Case Study, and a member of the board of directors at the Joyful Heart Foundation.*For show notes and past guests on The Tim Ferriss Show, please visit tim.blog/podcast.For deals from sponsors of The Tim Ferriss Show, please visit tim.blog/podcast-sponsorsSign up for Tim's email newsletter (5-Bullet Friday) at tim.blog/friday.For transcripts of episodes, go to tim.blog/transcripts.Discover Tim's books: tim.blog/books.Follow Tim:Twitter: twitter.com/tferriss Instagram: instagram.com/timferrissYouTube: youtube.com/timferrissFacebook: facebook.com/timferriss LinkedIn: linkedin.com/in/timferrissSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Iran war is a little over a week old and the Trump administration has supplied more than a dozen explanations about why, exactly, it began. Confused? Well, now we're getting wildly conflicting messages about how that same war will end, with the president telling CBS News Monday that the war is “very complete, pretty much.” Later that same day, he told GOP lawmakers that it's not. Robin Wright, an expert on U.S. foreign policy in the Middle East who contributes to the The New Yorker, explains where the war goes from here.And in headlines, President Trump promotes the questionably named “Save America Act,” the Department of Justice makes a shady deal with Live Nation, and artificial intelligence company Anthropic sues the Trump administration for labeling it a security-related supply chain risk.Show Notes: Check out Robin's writing on the war in Iran Call Congress – 202-224-3121 Subscribe to the What A Day Newsletter – https://tinyurl.com/y4y2e9jy What A Day – YouTube – https://www.youtube.com/@whatadaypodcast Follow us on Instagram – https://www.instagram.com/crookedmedia/ For a transcript of this episode, please visit crooked.com/whataday

We welcome back to our show Jeet Heer, the Canadian author, comics critic, literary critic and journalist. He is the National Affairs correspondent for The Nation and the host of the weekly Nation podcast, The Time of Monsters. He also pens the monthly column Morbid Symptoms. Jeet was a former staff writer at the New Republic and has written for numerous publications including: The National Post, The New Yorker, The Paris Review, the Boston Globe and The Guardian. Jeet has written several books — his anthology “A Comic Studies Reader”, co-authored with Kent Worcester, was the winner of the Rollins Award. He joins Mea Culpa as Trump takes his authoritarian Civil War show on the road.

When the Oscar nominations were announced this year, Ryan Coogler's “Sinners” set a record. It received sixteen nominations, the most for any film ever. The fact that it's, in part, a vampire movie, made by a director who's not yet forty, makes that feat all the more remarkable. Coogler—who previously directed “Creed” and “Black Panther”—sat down with the New Yorker staff writer Jelani Cobb to discuss the recurrent themes of history, faith, and race in his work, and how he refracted them through the lens of horror in “Sinners.” This segment originally aired on April 11, 2025.   Further reading:  “Ryan Coogler's Road to ‘Sinners,' ” by Jelani Cobb   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

In this episode of Americana Podcast: The 51st State, Robert Earl Keen sits down with Billy Strings to talk about learning to play, the craft of songwriting, and the evolving world of Americana music. Born William Apostol and raised in rural Michigan, Billy Strings grew up surrounded by bluegrass. By the time he was a teenager, his blistering flatpicking had already earned him a reputation as a prodigy among pickers and players. Years of relentless practice and countless small gigs eventually carried him from Midwestern bars and festivals to some of the biggest stages in roots music. For years, bluegrass lived mostly in whispers. You might hear it referenced in liner notes, spot it in a citation, or see it pop up in the occasional New Yorker cartoon. But something has changed. The conversation has gotten louder, and the reality is harder to ignore. Bluegrass music is considered cool now. It should not come as much of a surprise. Bluegrass has always carried a rich and vibrant history stretching back to the early twentieth century. It is a genre that holds tight to regional identity, creative freedom, and remarkable musicianship. At the same time, it has always fostered a deeply communal culture of learning, where songs, skills, and stories move naturally from one player to another. What the music needed was a new voice. New chapters. New songs added to the bluegrass canon. That is where Billy Strings comes in. Over the past several years, Billy has emerged as one of the most influential figures in modern bluegrass. His albums Home and Renewal helped push the genre into new territory while earning widespread acclaim, including multiple Grammy Awards, with Home winning Best Bluegrass Album. His live shows have developed a devoted following, blending traditional bluegrass musicianship with the improvisational spirit of jam bands and the storytelling roots of Americana. Billy Strings makes music that is rooted in bluegrass but stretches well beyond it. His songwriting reflects a deep understanding of the power of a well-crafted song. His lyrics move easily between personal reflection, observations about economic and ecological change, and the everyday questions that shape a life. All of it is supported by remarkable musicianship and production, where intricate playing and layered sonic details often create moments that feel almost like soundscapes. Trying to describe how good he is can be difficult. Some things are simply easier to hear than to explain. Listen to the full episode on all streaming platforms or at Americanapodcast.com. Like, share, and subscribe to Americana Podcast. Episodes and Bonus content available on YOUTUBE!https://www.youtube.com/@robertearlkeenofficial Donate to the show!https://tiptopjar.com/americanapodcastInstagram@robertearlkeen1Have questions or suggestions? Emailcreatedirector@robertearlkeen.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Brad Stulberg researches, writes, and coaches on health, well-being, and sustainable excellence. He is the bestselling author of The Practice of Groundedness and co-author of Peak Performance. Stulberg regularly contributes to the New York Times, and his work has been featured in the Wall Street Journal, Washington Post, Los Angeles Times, The New Yorker, Sports Illustrated, Outside Magazine, Forbes, and other outlets. He also serves as the co-host of The Growth Equation podcast and is on faculty at the University of Michigan's Graduate School of Public Health.

This episode was originally published on August 19th, 2021. This week's podcast guest is especially exciting to me as he is one of my literary heroes. John McPhee [24:10] is a Pulitzer Prize-winning author (Annals of the Former World), and in his numerous other books he has written about such diverse topics as nuclear energy, the merchant marine, basketball, Alaska, bark canoes, oranges, continental drift, flood control, tennis, farmer's markets, and many other eclectic topics. Whether or not you are interested in a subject, you can be sure you will be when you finish reading one of his books you will be fascinated. John has also been a staff writer for The New Yorker since the 1960s. In our interview, he talks about his two favorite fish to catch on the fly rod--the American shad (which he wrote an entire book about, The Founding Fish), and the chain pickerel, which he did not write a book about but did pen a short essay on in his collection of stories The Patch. (I doubt is anyone in the world who would count those two fish in combination as their favorites--but he is never conventional.) I hope you enjoy the interview as much as I enjoyed talking to him. In the Fly Box this week, we have some great questions and tips: A reminder from a listener that I wrote an encyclopedia of fly fishing. Some great tips from a listener on using tippet rings. A question about what constitutes a watershed when concerned about transporting aquatic invasives. A suggestion from a listener on ways to offset your carbon footprint when taking fishing trips.  Which is a better rod for fishing the surf and jetties--a traditional 9-foot 9-weight rod or a two-handed rod? Do you always recommend using a net? A listener calls me on the carpet for my flippant remark about manhandling carp. A great thought from a listener that sometimes taking photos of fish hinders the moment.

As Iran's retaliation hit American allies throughout the Middle East this week, David Remnick was joined by two New Yorker writers with decades of experience reporting from the region. Robin Wright has reported from Iran extensively, and she met with Ali Khamenei before he became the Supreme Leader of Iran; Dexter Filkins covered the wars in Iraq and Afghanistan, and he has been reporting on the Pentagon and military readiness. Filkins and Wright discuss the possibilities for future leadership in Iran; the Administration's chaotic statements in regard to its goals and time frame; and the economic impact of the war, which is already being felt around the globe. The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine's writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. Tune in to The Political Scene wherever you get your podcasts.  Learn about your ad choices: dovetail.prx.org/ad-choices