Podcasts about New Yorker

This week, Scott sat down with his Lawfare colleagues Benjamin Wittes, Natalie Orpett, and Molly Roberts for a special deep-dive into the intervention in Venezuela, including:“A Hop, Skip, and Jump Across the Rubicon.” This past weekend, the Trump administration took the step that Trump has been threatening for months: he deployed special operations to capture Venezuelan dictator Nicolás Maduro and bring him to the United States for criminal prosecution. The targeted operation was only hours long and resulted in no American fatalities, though more than 70 people in Venezuela were reportedly killed. The Trump administration has described it as a “law enforcement” operation. But what was it really? And where did he get the authority to do it?“A Truly Extraordinary Rendition.” By Monday, Maduro and his wife were in New York being arraigned on an array of drug- and weapons-related conspiracy charges. But prosecuting a head of state—albeit one not recognized by the United States—presents certain unique challenges. How should we expect the criminal case to proceed? “Running in Place.” President Trump has asserted that he and his advisers are now going to “run” Venezuela. But he's left Maduro's deputy, Delcy Rodríguez, in place, in lieu of the opposition movement the United States and many other countries have recognized as Venezuela's legitimate government. Trump and his advisers seem intent on dictating terms to Venezuela through the “leverage” provided them by the ongoing quarantine over Venezuela's oil, and potentially the threat of additional military action. But can this light-touch strategy succeed? In object lessons, (notably Chicagoan) Natalie delights in her long-standing admiration of The New Yorker with Netflix's documentary “The New Yorker at 100.” Molly approaches Trump's takeover of D.C. golf courses with a pitch for Knotty by Nature's wooden putters. Scott honors the 5th anniversary of the Jan. 6, 2021, attack on the Capitol with a recommendation of Ellie Silverman's moving profile of Nathan Tate in the Washington Post. And Ben honors the same anniversary with both a revisiting of Lawfare's narrative podcast series The Aftermath, and, relatedly, a surprise interview by Holly Berkley Fletcher with one of the attack's most infamous perpetrators. To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute.Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

This week, Scott sat down with his Lawfare colleagues Benjamin Wittes, Natalie Orpett, and Molly Roberts for a special deep-dive into the intervention in Venezuela, including:“A Hop, Skip, and Jump Across the Rubicon.” This past weekend, the Trump administration took the step that Trump has been threatening for months: he deployed special operations to capture Venezuelan dictator Nicolás Maduro and bring him to the United States for criminal prosecution. The targeted operation was only hours long and resulted in no American fatalities, though more than 70 people in Venezuela were reportedly killed. The Trump administration has described it as a “law enforcement” operation. But what was it really? And where did he get the authority to do it?“A Truly Extraordinary Rendition.” By Monday, Maduro and his wife were in New York being arraigned on an array of drug- and weapons-related conspiracy charges. But prosecuting a head of state—albeit one not recognized by the United States—presents certain unique challenges. How should we expect the criminal case to proceed? “Running in Place.” President Trump has asserted that he and his advisers are now going to “run” Venezuela. But he's left Maduro's deputy, Delcy Rodríguez, in place, in lieu of the opposition movement the United States and many other countries have recognized as Venezuela's legitimate government. Trump and his advisers seem intent on dictating terms to Venezuela through the “leverage” provided them by the ongoing quarantine over Venezuela's oil, and potentially the threat of additional military action. But can this light-touch strategy succeed? In object lessons, (notably Chicagoan) Natalie delights in her long-standing admiration of The New Yorker with Netflix's documentary “The New Yorker at 100.” Molly approaches Trump's takeover of D.C. golf courses with a pitch for Knotty by Nature's wooden putters. Scott honors the 5th anniversary of the Jan. 6, 2021, attack on the Capitol with a recommendation of Ellie Silverman's moving profile of Nathan Tate in the Washington Post. And Ben honors the same anniversary with both a revisiting of Lawfare's narrative podcast series The Aftermath, and, relatedly, a surprise interview by Holly Berkley Fletcher with one of the attack's most infamous perpetrators. To receive ad-free podcasts, become a Lawfare Material Supporter at www.patreon.com/lawfare. You can also support Lawfare by making a one-time donation at https://givebutter.com/lawfare-institute. Hosted on Acast. See acast.com/privacy for more information.

The Pulitzer finalist and James Beard award winning journalist talks to Kate and Mark about how restaurant critics have to "split themselves"; being "accidentally anonymous" and how she became comfortable with telling that story; chasing curiosity; and how she went from a born and bred New Yorker to loving Detroit.Read Lyndsay's piece, "My year in review as Free Press restaurant critic: Accidentally anonymous," which was discussed in today's episode, at the Detroit Free Press: https://tinyurl.com/f9cp9xpbSubscribe to Food with Mark Bittman on Apple Podcasts, Spotify, or wherever you like to listen, and please help us grow by leaving us a 5 star review on Apple Podcasts.Follow Mark on Twitter at @bittman, and on Facebook and Instagram at @markbittman. Want more food content? Subscribe to The Bittman Project at www.bittmanproject.com. Hosted on Acast. See acast.com/privacy for more information.

Join the Theology in the Raw Patreon for bonus episodes and more! https://www.patreon.com/theologyintheraw Ashley Lalonde is actor, singer, dancer, and lifelong New Yorker with an incredible heart for evangelism. She's toured with Hamilton, sang at Carnegie Hall, and somehow has found extra time to serve as a research fellow at the Barna Group. In this episode, Ashley shares what it's like to follow Jesus in the Broadway world and how she approaches conversations about faith in some of the most diverse and influential cultural spaces in the country. Drawing from both her personal experiences in NYC and her research with Barna, we talk about evangelism, listening without judgement, being a peaceful presence, and more. Watch now! and learn more at https://www.ashley-lalonde.com See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week on Fake the Nation, comedian and host Negin Farsad is joined by comedian and writer John Hodgman! And comedian and cartoonist for The New Yorker, Emily Flake! Together they discuss the neo-imperialist shenanigans of the White House, something great that Colorado is doing, and marble armrests. Plus, they discuss fear and how to conquer it! Check out Negin's latest in Progressive Magazine on how to celebrate America's 250th! Follow everyone!@johnhodgman on instagram/threads @JUDGEJOHNHODGMANPOD on youtube@eflakeagogo on IG/Threads@NeginFarsad everywhereSupport the show at Patreon.com/neginfarsad Rate Fake The Nation 5-stars on Apple Podcasts and leave us a review!Follow Negin Farsad on TwitterEmail Negin fakethenationpodcast@gmail.comSupport the show Patreon Host - Negin FarsadProducer - Rob HeathTheme Music - Gaby AlterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

When writer Anna Holmes began to get forgetful, she wondered if it was middle age, menopause or dementia-inflected memory loss. The brain fog made her reflect on not just her health, but her mortality. Having watched her mother slip away from dementia, she wondered if it was now happening to her. We talk to a neurologist and Holmes about her recent piece in the New Yorker, “My Mother's Memory Loss, and Mine.” Guests: Anna Holmes, writer and editor; her latest piece in the New Yorker is titled "My Mother's Memory Loss, and Mine" Dr. Niyatee Samudra, clinical assistant professor of adult neurology, Stanford University Medical School Learn more about your ad choices. Visit megaphone.fm/adchoices

In “The Testament of Ann Lee,” a new film directed by Mona Fastvold, Amanda Seyfried plays the founder and leader of the Shaker movement—a woman believed by her followers to be the second coming of Christ. Fastvold uses song and dance to convey the fervor that Mother Ann shares with her acolytes. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss how such depictions of religious devotion might land with modern viewers. They trace this theme from Martin Scorsese's docuseries “The Saints” to “Lux,” a recent album in which Rosalía mines the divine for musical inspiration. These stories, many of them centuries old, might seem out of step with modern concerns. But we're still borrowing their iconography—and anointing saints of our own—today. “The bracing and sort of terrifying thing about them is precisely that they are human beings,” Cunningham says. “What they say to us is, ‘If you had the juice, you could do it, too.' ” Read, watch, and listen with the critics:“Marty Supreme” (2025)“The Testament of Ann Lee” (2025)“Martin Scorsese Presents: The Saints” (2024—)Rosalia's “Lux”“Conclave” (2024)Michelangelo's “The Temptation of Saint Anthony”“The Flowers of Saint Francis” (1950)Madonna's “Like a Prayer”“The bizarre rise of ‘convent dressing,' ” by Eleanor Dye (The Daily Mail)“What Kind of New World Is Being Born?,” by Vinson Cunningham (The New Yorker)“Patricia Lockwood Goes Viral,” by Alexandra Schwartz (The New Yorker)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn about your ad choices: dovetail.prx.org/ad-choices

ABOUT POLAR WARPOLAR WAR: Submarines, Spies, and the Struggle for Power in a Melting Arctic by Kenneth R. Rosen (January 6, 2026/$29.00 hardcover) offers a blend of travelogue and frontline reporting that reveals how climate change, military ambition, and economic opportunity are transforming the Arctic into the epicenter of a new cold war in which the planet's great powers are struggling for dominance.Russian spies. Nuclear submarines. Sabotaged pipelines. Undersea communications severed in the dark of night. The fastest-warming place on earth-where apartment buildings, hospitals, and homes crumble daily as permafrost melts and villages get washed away by rising seas-the Arctic stands at the crossroads of geopolitical ambition and environmental catastrophe. As climate change thaws the northern latitudes, opening once ice-bound shipping lanes and access to natural resources, the world's military powers are rushing to stake their claims in this increasingly strategic region. We've entered a new cold war-and every day it grows hotter.In POLAR WAR, Rosen takes readers on an extraordinary journey across the changing face of the far north. Through intimate portraits of scientists, soldiers, and Indigenous community leaders representing the interests of twenty-one countries across four continents, he witnesses firsthand how rising temperatures and growing tensions are reshaping life above and below the Arctic Circle. He finds himself on the trail of Navy SEALs training for arctic warfare, embarks on Coast Guard patrols monitoring Russian incursions, participates in close-quarter-combat training aboard foreign icebreakers in the Arctic sea ice, and visits remote research stations where international cooperation is giving way to espionage and the search for long-frozen biological weapons.POLAR WAR concludes with a prescriptive Appendix, "Reigning in the Arctic," in which Rosen elucidates "several definite and immediate steps American lawmakers and the current presidential administration must take to not only advance our national security in the arctic but also preserve the region for generations to come."Drawing on hundreds of interviews and three years of reporting from the frontlines of climate change and great power competition, Rosen's deeply researched and personal accounts capture the diverse landscapes, people, and conflicted interests that define this complex northern region. The result is both an elegy for a vanishing landscape and an urgent warning about how the race for Arctic dominance could spark the next global conflict.ABOUT KENNETH R. ROSENKenneth R. Rosen is the recipient of a Kurt Schork Award in International Journalism and the Bayeux-Calvados Award for War Correspondents, a two-time finalist for the Livingston Award for his work in Syria and Iraq, and an Ira A. Lipman Fellow at Columbia University. He is the author of Troubled and Bulletproof Vest, and his writing has appeared in The New Yorker, The New York Times, The Atlantic & WIRED. He divides his time between Western Massachusetts and Northern Italy with his wife and their three children.https://kennethrrosen.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/i-am-refocused-radio--2671113/support.Subscribe now at YouTube.com/@RefocusedNetworkThank you for your time. 

Today I have the true honor of speaking with journalist, storyteller, historical researcher, and Native American ceremonial dancer Julian Brave Noisecat about his book, We Survived the Night.  This highly original book blends many voices and registers, from both well-known but also buried and purposefully obscured historical archives, to tribal and family stories.  Foremost are the legends and adaptations of the Coyote figure—which haunts, inspires, deceives, and, yes, teaches lessons that help Indigenous peoples survive the night. We spend some time talking about how Coyote is many things at once, but not all the time, we discuss notions of purity and mixedness, multiplicity and singularity, truth and lies, and come out on the side of generosity, love, and creativity, to make worlds that deserve not only to survive, but also to thrive.Julian Brave NoiseCat is a writer, Oscar-nominated filmmaker, champion powwow dancer and student of Salish art and history. His first documentary, Sugarcane, directed alongside Emily Kassie, follows an investigation into abuse and missing children at the Indian residential school NoiseCat's family was sent to near Williams Lake, British Columbia. Sugarcane premiered at the 2024 Sundance Film Festival where NoiseCat and Kassie won the Directing Award in the U.S. Documentary Competition. The film was recognized with dozens of awards including Best Documentary from the National Board of Review and was nominated for an Academy Award. A proud member of the Canim Lake Band Tsq'escen and descendant of the Lil'Wat Nation of Mount Currie, NoiseCat's first book, We Survived the Night, was published by Alfred A. Knopf, Penguin Random House Canada, and Profile Books in October 2025 and was an instant national bestseller in Canada with translations forthcoming from Albin Michel in France, Aufbau Verlag in Germany, Iperborea in Italy, and Libros del Asteroide in Spain.NoiseCat's journalism has appeared in dozens of publications including The New York Times, The Washington Post and The New Yorker and has been recognized with many awards including the 2022 American Mosaic Journalism Prize, which honors "excellence in long-form, narrative or deep reporting on stories about underrepresented and/or misrepresented groups in the present American landscape." In 2021, NoiseCat was named to the TIME100 Next list of emerging leaders alongside the starting point guard of his fantasy basketball team, Luka Doncic.

Host Brooke Gladstone talks with Emily Nussbaum, television critic for The New Yorker, about the forgotten story of Gertrude Berg, the woman behind the television sitcom, and the anti-communism campaign that clouded her legacy.  On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

This week, Julia and Steve welcome guest host Sam Adams to deconstruct the aggravating, yet strangely charming, table tennis phenom on the make that is Marty Supreme. Played with “BDE off-the-charts” (Steve's words) by Timothée Chalamet, the unceasingly shameless hustler may just be an avatar for our age. Speaking of avatars, we can't avoid discussing Avatar: Fire and Ash, the latest installment of James Cameron's immersive mega-franchise. Once again, the big blue folks peopling Pandora drew boku bucks at the box office… but do the Avatar films have any “cultural impact”? And what does “cultural impact” even mean? New Yorker staff writer Michael Schulman steps into the cultural cage match to debate this long-simmering internet argument. On this week's bonus episode for Slate Plus subscribers, the hosts take up a listener question about “cultural bran muffins,” the bits of culture you know would be good for you if only you could get them down. The hosts confess their bran secrets. Endorsements Steve: The essay "Two Pins and a Lollipop" about Judy Garland by Bee Wilson in the London Review of Books. Sam: The album Penthouse by the band Luna, particularly the song  "Chinatown." Julia: Slate's beloved annual tradition Movie Club which for its 2025 edition gathers film critics Bilge Ebiri, Alison Wilmore, Justin Chang, and our very own Dana Stevens for a rollicking exchange about the year in film. --- Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Julia and Steve welcome guest host Sam Adams to deconstruct the aggravating, yet strangely charming, table tennis phenom on the make that is Marty Supreme. Played with “BDE off-the-charts” (Steve's words) by Timothée Chalamet, the unceasingly shameless hustler may just be an avatar for our age. Speaking of avatars, we can't avoid discussing Avatar: Fire and Ash, the latest installment of James Cameron's immersive mega-franchise. Once again, the big blue folks peopling Pandora drew boku bucks at the box office… but do the Avatar films have any “cultural impact”? And what does “cultural impact” even mean? New Yorker staff writer Michael Schulman steps into the cultural cage match to debate this long-simmering internet argument. On this week's bonus episode for Slate Plus subscribers, the hosts take up a listener question about “cultural bran muffins,” the bits of culture you know would be good for you if only you could get them down. The hosts confess their bran secrets. Endorsements Steve: The essay "Two Pins and a Lollipop" about Judy Garland by Bee Wilson in the London Review of Books. Sam: The album Penthouse by the band Luna, particularly the song  "Chinatown." Julia: Slate's beloved annual tradition Movie Club which for its 2025 edition gathers film critics Bilge Ebiri, Alison Wilmore, Justin Chang, and our very own Dana Stevens for a rollicking exchange about the year in film. --- Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Learn more about your ad choices. Visit megaphone.fm/adchoices

Once a fierce advocate for Trump and his MAGA base, Marjorie Taylor Greene has broken with the president and resigned from Congress. ‘New Yorker' staff writer Charles Bethea discusses Greene's past — and what may lie ahead. He spoke with Fresh Air contributor Dave Davies. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

What is America doing in Venezuela?On Jan. 3, the Trump administration launched an operation that ended with the capture of President Nicolás Maduro, who is now in New York City on narcoterrorism and weapons charges. “We're going to run it, essentially, until such time as a proper transition can take place,” Trump said.Mr. Trump's policy here is strange for a number of reasons: The U.S. is suffering from a fentanyl crisis, but Venezuela is not known as a fentanyl producer. Venezuela's oil reserves are not the path to geopolitical power that they might have been in the 1970s. Mr. Maduro was a brutal and corrupt dictator, but Mr. Trump has left his No. 2 in charge. And Mr. Trump ran for office promising fewer foreign entanglements — not more.So why Venezuela, and why now? That's the question we look at in this conversation.Jonathan Blitzer is a staff writer at The New Yorker. He has profiled Stephen Miller and has been following the U.S. military's drug boat strikes in the Caribbean, as well as the Trump administration's evolving agenda in Latin America. He's also the author of the book “Everyone Who Is Gone Is Here: The United States, Central America, and the Making of a Crisis.Mentioned:Everyone Who Is Gone Is Here by Jonathan BlitzerAlien Enemies Act1979/1980 Refugee ActMonroe Doctrine“How Stephen Miller Manipulates Donald Trump to Further His Immigration Obsession” by Jonathan Blitzer“Who's Running Venezuela After the Fall of Maduro?” by Jonathan BlitzerBook Recommendations:The Known World by Edward P. JonesWhat You Have Heard Is True by Carolyn ForchéThe Spy and the Traitor by Ben MacintyreThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.This episode of “The Ezra Klein Show” was produced by Jack McCordick. Fact-checking by Michelle Harris, with Mary Marge Locker and Kate Sinclair. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota. Our executive producer is Claire Gordon. The show's production team also includes Marie Cascione, Annie Galvin, Rollin Hu, Kristin Lin, Emma Kehlbeck, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

Trump wanted to alpha male and take some oil, Hegseth wanted to bomb something, Rubio wanted Maduro gone, and aggrieved Stephen Miller wanted to bully the weak. The White House eventually settled on Venezuela as the best place to take out its aggressions and drive home its anti-immigration message. And now the administration finds itself depending on an acting Venezuelan president who has a long history of being extremely anti-American. Jonathan and Tim take a deep dive into the back story of our latest international intervention. Plus, the State Department is trying to deport an activist against online hate as a favor to Elon Musk.Imran Ahmed and The New Yorker's Jon Blitzer join Tim Miller.show notes Jon's reporting on Venezuela's acting president Jon on the administration's chaos in the Caribbean  Imran's Center for Countering Digital Hate  "Everyone Who Is Gone Is Here," Jon's book— recommended by a number of Tim's guests  Bill and Tom Joscelyn's retrospective on the fifth annivesary of Jan 6 

Since she reëmerged as a star in the 2024 film “The Substance,” Demi Moore has been very busy. She has a major role in the current season of Taylor Sheridan's “Landman” series, and she has two highly anticipated films coming out this year: a science-fiction film directed by Boots Riley, and “Strange Arrivals,” alongside Colman Domingo, about a couple who claimed to have been abducted by aliens. She sat down at The New Yorker Festival in the fall with the staff writer Jia Tolentino to discuss her varied career and how she has dealt with the pressures of the industry.This episode was recorded live at The New Yorker Festival, on October 25, 2025. New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

The New Yorker staff writer Jon Lee Anderson joins Tyler Foggatt to discuss the U.S. military operation that captured Venezuelan President Nicolás Maduro and brought him to the United States to face narco-terrorism charges. They talk about the unprecedented nature of the raid, the shaky intelligence and legal rationale behind it, and what the operation reveals about the Trump Administration's increasingly coercive approach to the region. They also examine what “running” Venezuela could look like in practice—from leaving Maduro associates in power to exploiting the country's oil reserves—and how the intervention may reverberate across Latin America. This week's reading: “Regime Change in America's Back Yard,” by Jon Lee Anderson “Who's Running Venezuela After the Fall of Maduro?,” by Jonathan Blitzer “The Folly of Trump's Oil Imperialism,” by John Cassidy “The Brazen Illegality of Trump's Venezuela Operation,” by Isaac Chotiner “Can the U.S. Really ‘Run' Venezuela?,” by Caroline Mimbs Nyce The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine's writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. Tune in to The Political Scene wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

Of all the renewable energy sources, the one most overlooked might be the one to save us all. New Yorker staff writer Rivka Galchen joins host Krys Boyd to discuss geothermal energy, which pulls energy from the ground. And while it's been used successfully in volcanic hotspots, we'll consider why, as of yet, the U.S. has declined to invest or even encourage its development. Her article is “Why the Time Has Finally Come for Geothermal Energy.” Learn about your ad choices: dovetail.prx.org/ad-choices

It's a new year and we are coming for the communists - foreign AND domestic. PLUS, Daniel Greenfield, CEO of the David Horowitz Freedom Center, talks to Shaun about the greedy Somalians pirating our policies to steal billions of federal dollars. And The Heritage Foundation's Dr. EJ Antoni discusses Communist New York City taking New Yorker's property rights and the last GDP report pointing to strong private sector growth and consumer spending. See omnystudio.com/listener for privacy information.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Happy New Year! Cheers to a great 2026! In today's Episode, we continue our Winter Hiatus with a Replay of EP27 from June of 2024, with Illustrator Tucker Nichols... Emily chats with NorCal based artist Tucker Nichols as he shares stories about his spontaneous move to Taiwan, where he immersed himself in a vibrant artistic community. He discusses his extensive body of work, including children's books and the initiative 'Flowers for Sick People.' He reflects on his background, including his mother's influence and his intense study of East Asian art. Tucker's journey includes struggling with Crohn's disease and a career shift to become a full-time artist, supported by his wife. He talks about influential works and places, emphasizing his lifelong passion for art. The podcast concludes with three thought-provoking questions Emily asks every guest.Stay tuned as we return in 2 weeks with a brand new Episode with featuring a new batch of Awesome Artists! About Artist  Tucker Nichols:Tucker Nichols is an artist based in Northern California. His work has been featured at the Drawing Center in New York, the San Francisco Museum of Modern Art, the Denver Art Museum, Den Frie Museum in Copenhagen, and the Asian Art Museum in San Francisco. A show of his sculpture, Almost Everything On The Table, was recently on view at the Aldrich Contemporary Art Museum. He is currently an Artist Trustee at SFMOMA.His drawings have been published in The New Yorker, The New York Review of Books, McSweeney's, The Thing Quarterly, and the Op-Ed pages of The New York Times. He is co-author of the books, Crabtree (with Jon Nichols) and This Bridge Will Not Be Gray (with Dave Eggers). Flowers for Things I Don't Know How to Say  was released in March 2024. Flowers for Sick People, his ongoing multimedia project, can be viewed here.Visit Tucker's Website:  TuckerNichols.comFollow Tucker  on Instagram:  @TuckerNichols--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of Mission Matters, ⁠Adam Torres⁠ interviews ⁠Luke Tennie⁠ and ⁠Noam Shapiro⁠, Lead Actors, Producers & Writers at Dirty Coffee Pictures, about their award-winning short film JADE and its FilmShortage streaming premiere (January 14th). They share how they collaborated from a fast-writing process to a polished short designed as a calling card—and how they're using the release to build momentum toward a potential series. About ⁠Luke Tennie⁠ Luke Tennie grew up in South Florida, the youngest of three. Upon graduating from The American Musical and Dramatic Academy in 2016, Luke booked his very first film audition, Shock & Awe (alongside: Tommy Lee Jones, Woody Harrelson, James Marsden) with Rob Reiner at the helm. Since then, his career has become a steady crescendo as he's gone on to star in Deadly Class (Benedict Wong, Lana Condor), Snowfall, Safety (Disney+), CSI: Vegas, Players (Paramount+), and most recently Shrinking, written by the Emmy-award winning team of Ted Lasso, Brett Goldstein & Bill Lawrence as well as Jason Segel, starring none other than Harrison Ford in his television debut on AppleTV+.” About ⁠Noam Shapiro⁠ Noam is a native New Yorker, currently based in the Bronx. He previously held a decade-long rap career, where he learned the basics of stage-craft, rhythm, and storytelling. Noam has worked on The Marvelous Mrs Maisel, The Kill Room (opposite Samuel L. Jackson & Uma Thurman), American Horror Story, Lady In The Lake (opposite Natalie Portman), Powerbook II: Ghost, and Let The Right One In.” Noam is an acting professor at AMDA NY. About ⁠Dirty Coffee Pictures⁠ Dirty Coffee Pictures, founded by Luke Tennie and Noam Shapiro, is an independent film production company. The company creates stories that allow it to navigate in the gray—focusing on the nuance of people's experiences. Its stories are character-driven, humorous, and dramatic. Luke Tennie and Noam Shapiro deeply value collaboration. They encourage people to speak up when they have ideas and believe the best idea should always win, with the shared goal of telling the most compelling story possible. This interview is part of our AFM 2025 Series. Big thank you to ⁠⁠⁠⁠⁠⁠⁠⁠⁠American Film Market⁠⁠⁠⁠⁠⁠⁠⁠⁠ ! Follow Adam on Instagram at ⁠⁠⁠⁠⁠⁠https://www.instagram.com/askadamtorres/⁠⁠⁠⁠⁠⁠ for up to date information on book releases and tour schedule. Apply to be a guest on our podcast: ⁠⁠⁠⁠⁠⁠https://missionmatters.lpages.co/podcastguest/⁠⁠⁠⁠⁠⁠ Visit our website: ⁠⁠⁠⁠⁠⁠https://missionmatters.com/⁠⁠⁠⁠⁠⁠ More FREE content from Mission Matters here: ⁠⁠⁠⁠⁠⁠https://linktr.ee/missionmattersmedia⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

We read and discuss "Ode on a Grecian Urn" by John Keats and poems from her newest book Burn, published in 2025 by Pitt Press.Barbara Hamby was born in New Orleans and raised in Honolulu. Her poems have appeared in The New Yorker, Poetry, American Poetry Review, Ploughshares, Yale Review, and The New York Times. She is the author of seven poetry collections including Holoholo (2021), Bird Odyssey (2018), On the Street of Divine Love: New and Selected Poems (2014), All-Night Lingo Tango (2009), and Babel (2004). Her second book, The Alphabet of Desire (1999) won the New York University Press Prize for Poetry. Her first book, Delirium (1995), won the Vassar Miller Prize, The Kate Tufts Award, and the Poetry Society of America's Norma Farber First Book Award.The John Simon Guggenheim Memorial Foundation honored Barbara as a 2010 Guggenheim Fellow in Poetry. Her short story collection Lester Higata's 20th Century won the 2010 Iowa Short Fiction Award.Barbara edited an anthology of poems, Seriously Funny (Georgia, 2009), with her husband David Kirby. She teaches at Florida State University where she is a Distinguished University Scholar.

President Trump said the U.S. is in charge in Venezuela after American forces carried out strikes in the country and captured President Nicolás Maduro. ABC News reports on big questions that remain over how the U.S. will carry out its agenda. Venezuelan Vice President Delcy Rodríguez assumed the role of interim president over the weekend. The New Yorker’s Jon Lee Anderson joins to discuss why opposition leader and Nobel Peace Prize winner María Corina Machado is being sidelined. Secretary of State Marco Rubio will oversee the Trump administration’s efforts in Venezuela after Maduro’s ouster. The Washington Post reports on the daunting task ahead of him. Plus, authorities identified all of the victims in a deadly fire at a Swiss ski resort, the CDC said flu cases spiked in the U.S. in December, and the newest artistic creations entering the public domain in 2026. Today’s episode was hosted by Shumita Basu.

Do you refer to your dog or cat as "somebody"? As in: When you love somebody that much, you don't mind if they slobber. In other words, is your pet a somebody or a something? Also, for centuries, there was little consistency in the way many English words were spelled. But long before the printing press helped to standardize spelling, powerful historical forces were already shaping how those words looked on the page. Plus, Irish words that are as handy as they are fun to say: bockety, which describes something wobbly, and segotia, a fond term for "friend." And ship vs. yacht, rope vs. line, the New Yorker vs. the The New Yorker, evening vs. afternoon, how to pronounce hammock, a wild and woolly animal quiz, "talking cheese" in German, and an Iranian-American playwright on the challenges of learning another language. Hear hundreds of free episodes and learn more on the A Way with Words website: https://waywordradio.org. Be a part of the show: call or text 1 (877) 929-9673 toll-free in the United States and Canada; elsewhere in the world, call or text +1 619 800 4443. Send voice notes or messages via WhatsApp 16198004443. Email words@waywordradio.org. Copyright Wayword, Inc., a 501(c)(3) corporation. Learn more about your ad choices. Visit megaphone.fm/adchoices

As the principal contributor to The New Yorker's “Q&A” interview series, Isaac Chotiner has earned a reputation as “the interview assassin.” His persistent questioning has made for some awkward — and revealing — conversations with high-profile guests over the years, but Chotiner also rejects the caricature of the “gotcha journalist” that's often applied to him. Kara and Isaac talk about his interviewing style, how he prepares for difficult conversations, and his recent viral Q&As with the legal scholar Cass Sunstein and former White House Press Secretary Karine Jean-Pierre. They also talk about some of the stories that are likely to dominate headlines in 2026. Questions? Comments? Email us at on@voxmedia.com or find us on YouTube, Instagram, TikTok, Threads, and Bluesky @onwithkaraswisher. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Christina and Jeff kick off the new year of Overtired sans Brett. They delve into Christina's impending cervical spine surgery, ICE raids, and neighborhood signal groups. How do you keep mental health in check when Homeland Security is in your alley? Tune in for a wild start to 2026. Sponsor Copilot Money can help you take control of your finances. Get a fresh start with your money for 2026 with 26% off when you visit try.copilot.money/overtired and use code OVERTIRED. Chapters 00:00 New Year Kickoff 00:41 Personal Updates and Health Challenges 01:49 Surgery Details and Insurance Woes 04:45 Exploring Surgery Options and Recovery 12:44 Journaling and Mental Health 15:40 The Artist’s Way and Creative Practices 24:31 Unexpected Alley Incident 38:10 Family Activism and Signal Setup 38:52 Unexpected End of Year Incident 39:35 Speculations and Concerns 40:13 Dealing with Law Enforcement 45:35 Reflections on Responsibility 54:43 Gratitude for Signal 59:31 Tech Talk: Synology and Backup Solutions 01:03:08 Mac Updater Alternatives 01:10:03 Conclusion and Well Wishes Show Links Journaling – The Artist's Way Signal Synology Updatest Join the Conversation Merch Come chat on Discord! Twitter/ovrtrd Instagram/ovrtrd Youtube Get the Newsletter Thanks! You’re downloading today’s show from CacheFly’s network BackBeat Media Podcast Network Check out more episodes at overtiredpod.com and subscribe on Apple Podcasts, Spotify, or your favorite podcast app. Transcript Promise Not to Whine [00:00:00] New Year Kickoff Christina: Well, happy New Year. You are listening to Overtired and I am Christina Warren, and I’m joined as always by Jeff Severance Zel and, uh, Brett Terpstra couldn’t be, uh, here with us in this, uh, happy early 2026 episode, but I’m, I’m super excited to be able to kick off the, uh, the first pot of the year with you, Jeff, how are you? Jeff: I am good. Happy New Year to you. Christina: Likewise, likewise. Um, oh, here, here, here’s to 2026 being significantly better than 20, 25. So Jeff: So far, not so good, but I’m, I’m really, I’m really excited about 2026. I’m Christina: I was gonna say, like, like globally, globally, so far not great, but, but, Jeff: in here. Good in here. Personal Updates and Health Challenges Christina: So, um, so how are, uh, uh, how, how, how is the, I guess a, I guess we can kind of a drill into like a, a brief kind of mental health or, or just personal update thing if we want. Um, how, um. How are things for you so far? Um, I guess the end of the year. How are things with the kids? Um, the [00:01:00] wife, everything. Jeff: the, how the year ended is, and that gets us back to almost a political level. I will save for a topic ’cause boy do I have a story. Um, but, uh, generally speaking, doing really well. Like we traveled, saw my dad and stepmom in Iowa. Saw my in-laws in Indiana, had a really nice, just like generally had a really nice time off. Um, and despite the fact that I’m under a super stressful deadline over the next few days, I feel good. How about you? You got a lot going on. Christina: I, I do, I do. So I guess just kind of a, a, an, an update on, um, the, uh, the Christina, you know, cervical spine, um, saga since we last spoke a couple of weeks ago. Um, I guess maybe two weeks ago now. Um, uh, it was maybe a week ago. Um, uh, it was two weeks ago, I think. Sorry, it was, it was right before Christmas. Surgery Details and Insurance Woes Christina: Um, I was still awaiting, um, hearing back about when I would be scheduled for, uh, surgery and I’m getting, um, uh, artificial disc replacement in, um, I guess [00:02:00] between like C six, C seven of my cervical spine. And I do finally have a surgery date. Yay. Um, the bad, yeah, the bad news is it’s not until February 2nd, so I’ve gotta wait, you know, a month, which sucks. Um, I would have been able to get in, you know, uh, three weeks ago at this point. Um, had I been able to like, I guess like book immediately, but without insurance, like approval, um, I didn’t really want to do that. Um, I think, I think people, uh, can understand why, like, you know, when the doctor’s like, well, we can book you now, but you’ll just need to sign some forms that say you’ll be responsible for the bill if insurance doesn’t pay. Jeff: Oh fine. Get Where’s my pen? Christina: right, right. And I’m like, yeah, this is, you’re gonna keep me overnight just for, you know, observation to make sure like nothing bleeds or, or, or whatever’s a problem. Um, ’cause they’re gonna go through like the, the, the front of my, of my neck to, to be able to reach, you know, um, things that way and, and, and so, [00:03:00] you know, and be under, you know, anesthesia, you know, it’s, it’s, it’s not like a huge critical procedure, but it’s still neurosurgery. Jeff: is through the front of your neck. Christina: and, and, and, and, and, and again, and it’s a neurosurgeon and it’s like, you know, they’re gonna, you know, take some stuff out and try to make sure that like, you know, very, like they’re gonna be, you know, um, screwing up against my trachea and stuff. And like, yeah. I mean, like, you know, it’s, it’s not, it’s not minor. It’s not like I can just go in in an afternoon and be like, oh, I’m, I’m, I can just like walk out. Jeff: Right. Christina: Um, um, although apparently I will feel better, uh, as soon as it happens, but yeah, I mean, this is probably gonna be a six figure, you know, operation, I’m assuming so. No, I, I, I’m sorry. In, in this climate, uh, I don’t feel comfortable. Just, I need my name to be like, oh, yeah, I’ll, I’ll be responsible for that, and then be responsible for trying to track everyone down to, to pay. So that’s the frustrating thing is that, and now of course, you know, you, you get the beginning of the year, a bunch of people have been waiting, you know, to get, you know, things scheduled, I’m sure, and [00:04:00] whatnot. So I’m grateful that I’m scheduled at all. Um, I’m also grateful that right now I’m not insignificant pain, which is a really good thing because if this had been the pain level that I was in for the first few weeks, then like, I wouldn’t, I, you know, I mean, I would wait. I mean, if, if, if you have to wait, you have to wait. But, um, I, I, I might have like pressed upon them like. Is there any way we can move this up? Um, but I’m not in that position, which is good. The only thing is just that the numbness, um, on both arms. But, but, but primarily, yeah. No, I mean, that’s not gone away and, and it’s, and it’s not going to is the thing, right? Like there are a lot of people and like, and I, I’ve started now that I’ve got, got it like actually like done and like scheduled and you know, I’m going through all like the, you know, um, checklist stuff before you, you go in and whatnot. And I have like my, you know, pre-up appointments and all that stuff scheduled. Exploring Surgery Options and Recovery Christina: Um, I am starting to, to look more into, I guess like, you know, I guess recovery videos that people have put up on YouTube and, and reading a few things on Reddit. Although I’m doing my best to, to stay off the internet with [00:05:00] this stuff as much as possible. Um, just because for me it’s, it’s not beneficial, right? Like, it, it’s, it’s one thing if you know, um, you, uh, you don’t like. If, if you can separate and not kind of go down rabbit holes and like freak yourself out or whatever, sure. Maybe it can be good information, but for me, like I, I know my own kind of, you know, limits in terms of, of how much is good for me. And so I’ve, I’ve tried to keep that in moderation, but I have watched a few, you know, videos of people, you know, kind of talking about their experiences. And then of course then that gets used sent with like videos of like doctors who of course, for their own reasons, like are trying to promote like, oh, well you should do the, the, the fusion versus the, the, the disc replacement and, or you should do this versus that. And I’m like, okay. I actually watched one interesting talk that, that some guy gave it a medical conference and neurologist gave it a medical conference and it was a neurosurgeon, I guess is, is the proper term. But that I think kind of really distinctly a, it was very similar to. Exactly what my surgeon said to me, [00:06:00] um, when he was kind of explaining the differences in the procedures. Um, and, and b but kind of went into, I guess like the, the difference in terms of outcomes and, um, and it made me feel better about like that if I’m a good candidate for this procedure, that, that this is, um, the right thing to, to do and probably will be better for me long term. Um, because the, the results are, are better and, but not by a small portion, not like by like a, a gargantuan portion. But they are, they are, there is like a sizable difference between outcomes in terms of whether like the average person who needs a revision, um. For, you know, cervical spine versus getting, you know, disc replacement versus, um, uh, fusion. Fusion has been around a lot longer, and so insurance companies are a lot more likely to approve that. But in Europe, they’ve been doing the, the disc replacement stuff for 25, 30 years. Um, and so there is a lot of data on it, but it’s been a much more recent thing in the United States because insurance companies didn’t really start to do it until about five or 10 years ago. And so, and so, you know, some people will, [00:07:00] like some doctors who very clearly have an agenda on, on YouTube and like, that’s fine, like your practices, your practice and you’re comfortable with what you’re comfortable with. But they’ll be like, oh, we don’t have enough data on, you know, the types of, um, you know, discs that we’re putting in people’s, you know, necks and, and how, how long they, you know, last and, and there might be some differences in terms of if you’re doing like a multi-step, meaning you’re doing like multiple discs at once. Or if, you know, depending on like what, what, what part of the spine you’re in. And like, I, I think at this point for, for artificial disc replacement in the US they’ll do it two steps. So they can do two at once, but they won’t typically do three, although they will do three in Europe. And so there are people who will go to Europe and get the three Jeff: They’re so liberal in Europe. We’ll do three. Christina: Well, I mean, I think it’s a difference in, in that case, just a matter of like, if they’ve been doing the surgeries there longer, you know, then, then they, you know, and, and, and you know, and, and this is not uncommon in, in various forms of, of medicine, you know, where like you have different, you know, procedures and different exploratory things in different fields, in different areas.[00:08:00] So anyway, so then I get kind of trapped into those rabbit holes. But the interesting, the night, the, the, I guess comforting thing is that like, you know, I’ve been reading, you know, around reading, but watching people who were doing vlogs, like after their surgery and like there was this guy who. I was a few years younger than me, but he, you know, posted some updates. I, I guess he got his in July and he kind of did like, you know, updates, you know, kind of like, you know, this was me right after surgery. This was me, you know, three weeks later. This was me however many months later. And that was really great to see. Um, and, and his, his scar actually healed really nicely, which was encouraging. So, um, yeah, I mean, I’m, I’m, I’m, I’m hopeful. I mean, the one thing that’s interesting that, like almost the universal thing that people say, of course you have a few people who say, this didn’t help or, or, you know, this, this was bad or whatever. And, and obviously like that’s always terrible to see that, but you know, you’d have to kind of like go by law of averages. But the, one of the central kind of things is a lot of people being like, I should have done this earlier. And, and so I’m feeling good about that because that is, I, I, I, I don’t know what this says about me, [00:09:00] but like there’s was never a moment in my mind where I’ve been like, oh, I’m not gonna get the surgery as soon as I can get the surgery. That’s never even been part of my like, thought process. And, and, and, and, and it’s funny because I think that like, that is actually odd compared to almost everybody else. Um, the general public, I guess, who goes into these sorts of things. Um, or at least the people who are vocal on the internet, right? So, so maybe like, maybe there are a lot more people like me who just don’t go to forums and comment on stuff and are just like, yeah, I’m gonna get the surgery because that’s what the doctor says. There’s the right thing to do, and that’s what makes sense to me and I wanna, you know, not be in pain and I wanna be able to feel my arm and all that stuff. Um, but there are a lot of people who, I don’t know why, um, I mean, I guess the idea of surgery is, is really scary. And, and like, I can, I can understand that obviously, but to the point where they’re like, okay, well no, I’m gonna try physical therapy and I’m gonna do everything I can to avoid surgical intervention. And I’m, I’m like, no. Like, like [00:10:00] freaking cut me up, doc. Right? Like, like, like, get me in, get me in. Like, let’s get better, right? Like, I, I’m not, I’m not here to like fuck around with like, ’cause right now, because the immediate pain is not there, I could be okay. Right? Like, I Jeff: Sure. Christina: try steroids, I could try pt, I could try to do other types of therapies and be like, well, maybe that will move the nerve around. Or maybe it can get the disc like UN you know, bolt, whatever the case may be. And maybe I won’t need surgery. Um, or I could let this go on longer and continue to be weakness, you know, and, and, and in, you know, it’s not like I’m not in, I’m, I’m not in active pain, but it’s not, not painful at certain times. Not worrying about is this just going to become like a permanent way that I feel, which would be. Awful. Um, and, you know, and, and, and like, it’s not the most debil debilitating thing, like I said. Um, if, if I was in a position where I, I couldn’t get surgery, obviously I could be okay right now, but you never know. Also, like, when is it going to, to swap again? Right? [00:11:00] Like, and, and, and, and for me, I’m also, I’m like, I, I don’t wanna have to like, live in fear of doing something, you know, to my arm or my neck or, or whatever, and, you know, making things worse. So, Jeff: right. Oh, I’m glad you’re doing it. Christina: yeah, me too. So anyway, that was a long-winded update, but Wow. Jeff: Yeah, that’s intense. So I’m really glad the pain is not what it was ’cause Holy shit. Christina: Yeah, the pain was, was really, really bad. And I, like, I look back now and it’s, you know, I, I guess ’cause it’s been a couple of weeks since it’s been really debilitating and it is, and again, I don’t know like that this is me or this is like just somebody else, but I, or this is me or this is the comment with other people. Sorry. Um, is that. Like when I’m not in pain anymore. It is such, so much like, I mean, depression is like this too. It’s so much like a vacuum. It’s like when you’re in it, that’s all you can see. But when you’re out of it, like it’s so easy to forget what it was like Jeff: Yeah, yeah, totally. Completely. Christina: totally completely right. Yeah. Jeff: Yeah. I can even imagine being in the [00:12:00] situation you’re describing, knowing I have a surgery coming up and being like, well, do I want to? Which, like, to your point now, you make that call and you’re worrying forever. Am I gonna wake up? And this thing’s there. Next time it happens, I gotta wait another God knows how long before the surgery, when I’ll know it’s time. Like, you know it’s time now. Get in there. Christina: No, totally, totally. And and that’s the thing. And I think sometimes it can be. Like I said, like when you’re not in the thick of, of it, whether it’s like, you know, feeling depressed or feeling overwhelmed or, or stressed or, or in physical pain or whatever, like it’s easy for to forget like what that can be like. And so I have to just kind of like remind myself like, no, this was really fucking bad. And yeah, you got through it and now you’re on the other side of it. And so you’re like, oh, okay, well, you know, I, I, I could, you know, do whatever, but you’re like, don’t, don’t forget what that was like. Right. Journaling and Mental Health Christina: Um, sometimes I think like, and, and I, and I’m bad at remembering to do this, but new thing for the new year, I guess is why, um, it is important I think to like write things down, right. Like however we’re feeling, whether it’s, you know, good, bad, whatever. [00:13:00] Sometimes, like for me, like it is Jeff: Just like journal you mean, right? Christina: Yeah, exactly. Yeah. Yeah. Be, because it can be useful just to like look back and like, if you’re in a darker spot to remember, hey, there were times when I felt this way. Right. Might not bring, bring me back to that place. But it’s a good reminder. But also I think almost just, it’s importantly, it’s, it’s, it’s the inverse where it’s like you need to remember when you’re in a good place. What it can be like to be in a worse place. Um, because, you know, I think that’s why sometimes people make decisions they make about what medicines they’re going to take or not take or what therapies they’re going to continue or not continue. And, um, and it’s, and it’s really easy to get into that, you know, cycle of, okay, well I’m fine now, um, because you’re removed enough from what it felt like to be bad, you know? And, and then, and, and, and also I think sometimes like, uh, and this is why I wish that I’ve been journaling more over the last few years. You can really get yourself into a deep depression and not realize it. Jeff: Yes, yes. Yeah. And I feel like journaling too, just like helps you internalize some of the flags and [00:14:00] warning signs, even if you’re never looking back, like, ’cause you’re gonna process them a little bit. Christina: yeah, yeah. Jeff: can’t, I, I’ve journaled over the years for stints of time. I can’t go back into them. I almost like, I almost like bounce off the page when I try. Um, but I really have come to believe that just the act of doing it is the thing. Christina: agree. Jeff: Yeah, Christina: Yeah, I agree. Yeah, I, I usually don’t re reread my old stuff either, and I haven’t journaled regularly in a really, really long time, and I actually would like to get back into that again. I think it would be better for my overall health, but similar to you, it’s one of those things I wouldn’t necessarily revisit, Jeff: But now, you know, you have a document, you have a reason to go back into it. Christina: right. Well, but, but also, I mean, I think to your point, just the act of doing it, um, you know, and this is case, we’re both writers. I think this is the, the case for a lot of, of people who, who write like it, it is one of those things that like, that’s what will almost like cement it in my mind. You know what I mean? Like, as, as, as mattering [00:15:00] like, like even if it’s something innocuous, even if I don’t remember the small details of just that, that the fact that like, I’ve done it, like, like to your point, helps you kind of process things and kind of, you know, act more as kind of a therapeutic place. Jeff: Yeah, I don’t, when I’m writing like that, or just in general, I don’t feel like I’m writing from my brain or feel like I’m writing on my brain. Christina: Yeah, yeah. Jeff: It’s like I am actually putting the information in, not drawing it out weirdly. Christina: Yeah. Yeah. No, I, I know, I, I, I, I love that actually, I’ve never thought of it before. Writing on my brain. I love that. That’s really, that, I think that’s really profound. Jeff: Yeah. So there’s, um, there’s a kind of journaling that I wish I, I, well, I don’t beat myself up at all to be clear about this ’cause that I’m too old to do that anymore. The Artist’s Way and Creative Practices Jeff: Um, but there’s this book I read back in. Oh God, 2019 99 called The Artist’s Way by this woman Julie Cameron. And I don’t remember much about this book except for, and I probably have talked about it on this podcast [00:16:00] years ago at this point, but she has this practice, she calls morning Pages. And the idea is you sit down first thing in the morning, you fill three pages, you don’t think about what you’re writing or why you just keep the pen moving. And, and I, what I have found, that’s the only kind of real regular journaling I’ve ever done. It’s a great, great hack for me. ’cause it, it, I can do that. And I fill, I’ll fill a, you know, big notebook and I have a box full of them from over the years. ’cause again, I’m old. Um, but what is, I have never, I don’t think there’s been a single day that I’ve done those morning pages when I haven’t been a little surprised and something hasn’t emerged that. I’m like, I’ll think to myself, well shit, if I hadn’t have done this, where would that have stayed and lived and, and lodged itself. Right. Like, um, so anyway, I I’m glad you are bringing this up ’cause it’s reminding me of that and New Year is a great time to be thinking about that. Christina: Totally, totally. No, I love that. And I, yeah, I, I found the book The Artist’s Way, a Spiritual Path to Higher [00:17:00] Creativity. Jeff: Yes, Christina: and it’s like this yellow gold book, but like, apparently, and then like they, they, they, they, they sell Morning pages Journal, a Jeff: they do, of course. I Christina: Yeah. Yeah, of course. Jeff: it probably took her two decades to realize she should be cashing in on that, but she did. Christina: No, honestly, so the book, it looks like it was published the first one in 92, Jeff: Yeah. Christina: then they were selling the companion volume to the Artist’s Way as December 29th, 1997. Um, so, so like Jeff: that you’re doing this history. This is delightful. Christina: I, well, I just looked at Amazon is just kind of filling this out for me, so I’m, I’m, I’m, I’m, I’m, I’m, so at least it is possible that, that the, the book pages might have been even earlier than that, but like, good for her on like, recognizing there’s also a Artist’s Way workbook, um, now that was like a decade later, like 2006. Jeff: Yeah, that’s what I, maybe that’s what I’m thinking of. That came much later. Christina: Yeah, yeah. But, but it does seem like she got into that, like a David Allen kind of, you know, like, you know, whatever steps of highly, you know what I mean? Like, like all that kind of like stuff, [00:18:00] which Jeff: You’re letting the publisher have those meetings with you. Christina: Which honestly look good for you if you’re selling that many and whatnot. And, and if you come up with this journaling way, yes, sell the freaking paper. You should be selling PDF copies so that people can have it on their iPads now, like, you know, Jeff: Yeah. Christina: or, or, or on the remarkable tablets or whatever. Jeff: she had another thing actually I haven’t thought about in a long time. It wasn’t as useful to me long term. It helped me in the moment I. In the moment I was in, she called ’em artist dates and the idea was like, ’cause as you said in the title, it’s all about creativity. She was like, you, you take yourself out, go to a, whatever it is, a museum, a art supply shop, something like that. But with intention, like, I am going out to do this thing on my own alone because I know that it has some connection to what feels good to me about art and creativity and expression, whatever it was. That seems like a silly thing. Like it’s basically her saying, go to a museum. There was something about calling it an artist date. I think I was in a relationship too at the time where I was like not, it was not easy for me to [00:19:00] just go do something on my own. It was just a weird dynamic a little bit. So anyway, that was another good thing that came out of it. I mean, I, you don’t really have to work hard to tell me to go do something on my own, but at that time in my life you did. Yeah, she was great. That’s awesome. Christina: Yeah. Yeah. Uh, yeah. No, that is funny. Yeah. So yeah, so apparently that book was published in, in 1992 and, um, you know, uh, was immediately like, well, the first printing was about 9,000 copies. In 1992, the book was published by Jeremy Tarcher. Now part of Pink Wing Group revised and millions of copies have since been sold millions. Jeff: it was total like guru status by the Christina: Oh yeah, absolutely. No, absolutely. You know, and, and in a, yeah, she, she was, uh, she’s a, she was born in 1948, and so, uh, she’s still alive. She’s still kicking it. Um, Jeff: yeah. I think she made some new book that was like kind of a take on it, but it was a different, I don’t remember. Anyway. You’re the Christina: Yeah, no, no. Her, her list of like, of like books that she’s published is, she’s the, the most recent one. So she’s still doing the, the, the [00:20:00] writer’s way thing, living the, the artist’s way. An intuitive path to greater creativity. So I guess they did a 2024 version Write for Life, a toolkit for Writers Seeking wisdom, A spiritual Path to Creative Connection. Six week artist program. Jeff: it’s kind of like David Allen, where it’s like, wouldn’t it be nice to have created something when you were, whatever, reasonably younger, like 20, 30 years ago, that not only that you can ride for a long time, but you probably don’t feel bad about riding it for a long time. Right? Like, ’cause you can create things or have a band or something like that, that like your only choice is to ride that thing, but it gets pretty ugly. I see you Vince Neil. Um, but yeah, anyway, must be Christina: No, it ha it has to be nice, right? ’cause it’s like, okay, well no, and, and then it has all these little spinoff things, so it’s not like you have to feel like, I mean, although th this actually, this would, this would be an interesting idea for like a, a, a novel or a screenplay or something, which would be to be like, okay, you know, and people have have done like riffs on these things before on, on, you know, shows or whatever. But, so this would be an interesting story, I think to kind of focus on where it’s like you have somebody who is like, just famous for like, this, this one thing that they did, [00:21:00] and now their whole life has to revolve around it. But what if it was like, something that they didn’t like actually, like, believe in? Jeff: yes, Christina: what if you have the guru? What if you have the guru who’s like, actually is like, actually I don’t really, you know, I’m, I’m, I’m David Allen, but I, but I can’t actually get anything done. I have to have like a whole, you know, cadre of assistance to actually organize my, my, my, my calendar and my life. For me, you know, I don’t Jeff: Carol and Pluribus, I don’t know if you’re watching Pluribus, but that Yes. Her, her whole like book series. Clearly she was at a point where she’s like, yes, I should still ride this, but I cannot. That’s all right. Things changed for her. Um, okay. I have to tell you about something insane that happened to me at the end of 25. Christina: Okay. Alright. Before, before we do that, let me let Ru first, um, let’s, uh, let’s, let’s go ahead and, and get our, our sponsor read Jeff: Oh, way to remember the sponsor. We remember you sponsor. Christina: We, we, we do. So, um, I, I, I, before we hear about what happened to you at the end of 2025, let’s, uh, let’s go ahead and talk, uh, forward a little bit about 2026. So, are you [00:22:00] ready to take control of your finances? Well meet copilot money, the personal finance app that makes your money feel clear and calm with the beautiful design and smart automation. Copilot money brings all your spending, saving and investment accounts into one place available on iOS, Mac, iPad, and now on the web. And so, as we are entering 2026, it is time for a fresh start. And, you know, with Mint, uh, shutting down last year and rising financial uncertainty, consumers are seeking clarity and control. And this is where copilot money comes in. So, copilot money. Basically helps you track your budgets, your savings goals, and your net worth seamlessly. And with a new web launch, you can enjoy a sending experience on any device. 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That’s try dot copilot money slash Overtired and use that coupon Overtired and you will, as I said, save 26% off your first year. So try copilot money slash Overtired. Use the coupon code Overtired. Thank you very much. Copilot money. Jeff: Bam. Can you hear my Synology? Christina: No, Jeff: Oh, that’s funny. ’cause I, I get this. Hum. I recently com I, I’ll visit this in GrAPPtitude. I, [00:24:00] uh, I completely clean, installed my Synology after like six years. ’cause when I did. Build it. Initially, I actually didn’t really understand how to use it, and I, and I made some mistakes that because of all the stuff I put on, it was hard to sort of, I was treating it like it was gonna be an external drive and I could just kind of work with, you know, which was a huge mistake. Um, but anyway, I, it’s working so hard. It’s working so hard and it’s on my desk, which it normally wouldn’t be. So I hear this humming. Didn’t know if you heard it. Christina: I, I did not, I did not, which is a good thing. So, okay, so, all right. Uh, let, let’s, let’s go back. So what, what, yeah, I’m ready. I need to hear what happened to you at the end of 2025. All right. Unexpected Alley Incident Jeff: All right, so, um, my boys are out. They’re almost never out, but they’re both out with friends, different places. My wife and I we’re home and we were eating dinner and I got an alert from my back door ring camera, and. That almost never happens. It’s only exists to, to notify me of like alley shoppers. We’re in, in the city. We have an alley behind us and, and we get a fair amount of pretty [00:25:00] harmless alley shopping. Like it’s, is the car unlocked? If it is, you got some change. If not, I’m moving on. Um, but I like to know when they’re there. Christina: yeah, Jeff: We’ve had some bikes stolen and some people go into our garage and stuff like that. It’s very rare that it goes off less than I actually thought it would. Um, and so it goes off and it goes off at around 7:00 PM very unusual. And, uh, and so I, I, I pull it up and I look and, and I, all I can see is there’s two cars parked in the alley. I have this weird view where, um, it’s kind of a fence and then our garage. So I can see between those two things to the alley basically. So there’s two cars. That’s weird actually. And when I see some of people’s like videos about folks breaking into their cars, there’s often two that come. And so I was like, oh, okay, well it’s, I should just like go out and look. So we go and we kind of look at our, at our back window to see if we can see anything. And we’re just like, yeah, it’s weird. They’re not only parked but the headlights are off. And like, I’m gonna go out and check it out. She’s like, well first, why don’t you look at the video it recorded, which I wasn’t thinking of at all. So I pull up the video, it recorded, and I see these [00:26:00] cars park, but it’s like three or four of them come through the two that I can see park. And all of a sudden there are probably seven or eight figures running down the alley from these cars. Okay? And I’m like, well, that’s crazy. And so I walk out there and I go up to the first car and it’s got Texas plates. And around here where we have a little bit of an ice invasion, Texas plates are reported a lot. I look at the next car and it’s got no plates at all. And I look at the car after that and it’s got vanity plates, specifically chosen one with a Z. Um, and, and I’m like, oh my God. It’s the thing like ice is in my alley. And, uh, and so I come back in, I I’m like, you tell my wife, like, should probably get your coat on. I think it’s the thing is what I said. And, and we go out and sure enough, like at the end of our alley where there is a family and, and they are, um, US citizens, they’re Mexican immigrants, um, that’s where I see all these officers sort of, or these agents sort of coalescing and um, I’m gonna leave some aspects of this out. They were [00:27:00] actually, they were serving, uh, uh, narcotics warrant that ended up being totally misguided. Nothing happened of it. Um, but it was super scary. But I kind of don’t wanna say more than that because I wanna be really clear that as everyone should know about policing, a search warrant is not an indictment. Um, and oftentimes search warrants are so searching and, and, and often come up with. With nothing. Right? And, and maybe even were targeted at the wrong person. And there’s didn’t even have the name of my neighbor on it. It’s this whole thing. But the point is, it was a little different from what we’ve been hearing because there was a different agency there serving a warrant. It was the airport, airport, police department, ’cause of a package. So there was that piece, there was actually a signed warrant. ’cause everyone’s trained to say, show me the warrant. Show me the warrant. So everyone, you know, my wife and I were the first ones there. Um, and then another neighbor rolled up, and then I’ll get to the rest in a second. Um, so it, it’s shocking that it’s happening in our alley. Christina: in our alley, right? Jeff: just like, Christina: you, yeah. Jeff: what? What the Christina: I, I mean, how [00:28:00] I would feel to a certain extent would be like, I’d be like, am I in Amer in an episode of the Americans? Like, like, you know, Jeff: is, did they have to write it this way? Just ’cause how else are you gonna bring it to the people? You know? It’s, you gotta bring it to the characters. Um, so anyway, we go down there and, and there’s one, so all of the, everyone decides the airport PD guy who has no mask and is kind of like presenting like a pretty normal cop basically. And he is got a badge and a name and a number. But walking in and out of the house, all around us are these guys who are in full battle fatigues. They’ve got masks on, they’ve got ars. Um, they are, they are a weird mix of people. There’s a woman in there who’s like looking like, literally like she was cast for a movie to be, uh, an, an ice person. In this case they were Homeland Security Investigations, HSI. But it’s all intertwined at this point. Um, and then there was a guy that must have been like eight feet. That was crazy. There was a single guy that was wearing a, like a straight up like helmet, uh, for, as if he were going into battle. [00:29:00] Nobody else is wearing a helmet. Um. And none of them were talking. They were just passing through. And, um, and so we tried to engage one of them, talked to them for a little bit, do the thing you do. Hey, why don’t you take that mask off? You know, I don’t wanna get docked. I was like, uh, Christina: around. Jeff: it was like, I both understand why you don’t wanna get docked. I also feel like you’ve got the power here, brother. Um, and which was the conversation we had, um, I was like, you have a mask on. You also have your finger on the trigger of a gun. And he’s like, well, that’s not, it’s not on the trigger. This is how we hold guns, dude. I was like, I understand that, but your finger is itching at the trigger of a gun. And so he put his hands on top of the butt of the gun. ’cause it was kind of, you know, mounted the way it is. Is that better? I was like, no, you’ve still got all the power. Take the mask off. Like, at least. Um, and uh, what, what was really interesting, and I I have this sort of like wrap up that occurred to me later that kind of blew my mind is, you know, in our neighborhood, um, because ice activity has been going on all around our neighborhood, like in. Neighborhoods [00:30:00] surrounding our neighborhood or a little further out, but all within a, I could get in the car and rush out there distance. Basically we have these, we have these neighborhood signal groups. The first one that popped up was actually around my son’s school, which is very close to here and has a lot of East African and Hispanic, um, immigrants and, and, um, and so that we knew that was like, you know, people were scared there. Some kids weren’t coming to school. And so, um, some neighbors organized in such a way that they could a, have a signal, uh, communication channel. But also part of that was planning at the beginning of the day and that release time for enough people to sort of be paired up in areas around the school, but not so close that it freaks the kids out. That like if something happened, there could be sort of a rapid response. So we had that signal group. There’s a broader signal group that probably covers like a four block area, and then there’s a wider one that’s our wider neighborhood basically. And that one’s like a rapid response signal group. So these have been going. Pretty, like consistently [00:31:00] ever since it was announced that we were getting ICE and Homeland Security folks here. Um, so the network was all in place. And, and so I’m out there initially and I see all the cars. I’m like, holy shit. Wife and I go to the end of the block. We start talking to first the airport PD guy who’s there, and then the the one HSI guy who comes out. Then another neighbor, another neighbor. I go back to take pictures of the plates because folks around here are keeping a registry that you can get through the signal group of all of the makes and models of cars that we know have been at these, um, kind of ICE activities or homeland security activities, and then their license plates. And so there’s like a running log, which has happened in other cities too. So I was taking pictures of all the cars. Um, but I was pretty like, I mean, I’ve been through some shit and. Having it in your alley is very different from going halfway across the world as like an activist or something. Um, and having it ha neighbors are people we know and care about. And so knowing that, not knowing what’s happening for them, which I don’t mean to bury that lead [00:32:00] ’cause I’m kind of getting to that part, but I also want to just respect their privacy. Um, so like the thing I should have mentioned at the top is like, we know these folks and it was fucking terrifying to be standing there arguing with these HSI guys knowing that at some point, or just assuming at some point these people we know are gonna be dragged outta the house in front of us. And then it was just like this constant question of what the fuck will we do? Then? It did not happen to be really clear, uh, ahead of time. So I’m taking pictures of these cars, I’m like, oh shit. I’m supposed to notify like the signal group, but I’ve got, I’ve got all the presence I need to take pictures of cars. I’ve got the presence I need to engage these guys, which my wife was doing plenty good job of, so I could just like walk away and do the license plate thing. But when I pulled up my phone. To open signal. I opened Slack three times, like I could not, I got an S into my search, my app search, and like kept clicking the wrong thing. I was shaking. It was also freezing out and so like I’m shaking and so [00:33:00] thank God it occurred to me. I have one friend I know on this signal group that I, I know would answer the phone, so I called her. I called her and I was like, I need to be quick. Here are like the fundamental details. Can you please notify? The signal group and the rapid response people. So that was great. She did initially, the first group that showed up, which was just incredible, were like all of our neighbors, we all know this family. Like it’s not, they are just neighbors. It’s not like it’s a special offset group or something. Like they’re neighbors. So all of the neighbors show up. We have a really tight block. Um, that was incredible because it’s not like it’s a neighbor of activists. It’s what’s been incredible about this stuff from the beginning, which is like how easy it seems to be for people to pop outta their house and be like, Uhuh. Like it seems like, it seems like a lot of people are not feeling inhibited about that, which I think is really cool. And I totally respect the people that feel inhibited, right? Like, ’cause it’s just, it’s a whole thing to go out there. So we had this great group of neighbors and they were all, we had a public school teacher who was just killing it with this one HSI guy. It was so, [00:34:00] so good to watch and it felt really powerful and I think she was doing a really good job of trying to sort of like. Knock some things into this guy’s head knowing that like, you know, you’re in a dynamic that kind of you, there’s not a lot of room for things to change. Right. But given that she, it was really just inspiring watching her do her thing and then the like rapid response community showed up, which is like a mix of, you know, folks who are kind of just dedicated neighbors and then people who are sort of what you might call the usual suspects, right? Like the people you would expect, especially in South Minneapolis to show up at a thing like this. And I don’t know if you’ve heard about the thing people do with whistles around these things. Christina: Yeah. Well, I, I, all I’ve heard is that, and I ha, so all I know is I think sometimes people have whistles and kind of like, like, like blow them, almost like to alert people like that, that like, like the, like the, the, the, that like ice is there. Jeff: Yes, exactly. And that yes, that’s exactly it. And that’s been going on here and, [00:35:00] and everybody’s getting whistle. You know, sometimes when you get a good, it’s, I’m not calling it a bit, ’cause I’ll tell you in a minute why it was effective, um, in ways that I hadn’t anticipated. But, uh, you know, it’s like a, it’s, I can do this, I can get a whistle, I’m gonna get a whistle, right? Like, that’s something I can do. Like, it’s something that really caught on and there’s all these whistles being passed around and people on the neighborhood group being like, got a bag of whistles if you wanna come by. So I, ima imagine at this point that when these HSI or ICE people roll up to a thing before they get out, they’re like T minus 15 minutes to whistles, right? Like, this is how long we have before everyone shows up. And, and so pretty soon it’s whistles everywhere. I had a neighbor who kept putting off her, um. Car alarm just to make more crazy noise. We had another neighbor next to this neighbor who is a very conservative like Trump guy who, when he doesn’t like the noise that’s happening in the neighborhood sets off fireworks. And for some reason he was like, I’m gonna do the thing I do, even though there’s all these guys with guns and I’m gonna set off fireworks. But in that case, ’cause he is pissed off at all of us, like it was so [00:36:00] fucking chaotic for a minute. Um, but it was, it was an incredible thing to see how quickly people can deploy basically. Um, ’cause we aren’t like Chicago where like we’ve had a lot of activity here, but it’s been pretty quiet activity. Like, it’s like what happened here? It’s like you and your neighbors know about it and maybe 20 people showed up from your neighborhood rapid response. But like, they’re not the kinds of stories that. They’re not landing on rooftops, they’re not showing up with a hundred cars and calling people away. They’re hauling one person at a time away. And you hear about it here and there, but it’s been very quiet, unlike Chicago. Um, and so to have it given that, especially to have it show up just in your alley was like really, really insane. Um, so anyway, so it all, fortunately the, the police HSI, everybody left with nothing. They did not carry our neighbors away. They did not have any, any result of this warrant that we could tell. But of course, we’re not gonna know. Another [00:37:00] theme of this is how, how hard it is for good information to be resilient in a moment like this, right? That’s a whole other theme. And that, that’s one that gets me kinda riled up when people start after the fact or during the fact really kind of shouting out almost things that are wrong. Like the, the call that went out. For people to come. Said there were six cars in my alley with Texas plates, but I was very clear, there are six cars in my alley. One of them has Texas plates, right? So it’s like, that kind of stuff is a little spooky, but here’s what happened. So at the end it was all over. Our neighbors were able to pop out, wave at everybody, thank everybody. They had been handcuffed this family, um, in their living room while HSI figured out if they were citizens. And, um, what had what the whistles meant in this case was that they knew people were all over around the house. And that was, I’m sure, a level of comfort to know that like something’s happening out there. And then we learned later that there was an immigrant family down the block in the [00:38:00] other direction, across kind of a thoroughfare that we’re on the intersection of who heard the whistles and knew like, let’s stay in the house. There’s a lot going on out there. I dunno what it is, but now I hear whistles. Let’s stay in the house. And, um, and so it was quite a, quite a thing. Family Activism and Signal Setup Jeff: And what I kind of realized afterwards. Was we started this year. My family, my in-laws, my in-laws especially, were very, they’re, they’re, they’re very, um, active. They do kind of activist work, but it’s very like, um, service oriented. But they’ll go to an anti-war protest. They’ll go, you know, they’ll do the thing. They’re, they’re lovely people. And my father-in-law, especially at the beginning of the year, I was like, I don’t know what’s coming. Um, I hear that it’s good for everyone to have signal if we wanna be able to communicate to each other. So I wanna learn how to use signal. And so I helped him, my mother-in-law set it up. I created kind of a family group for Signal and everyone was setting up signal, right? Like at that point, not knowing what was gonna come. It wasn’t even January 20th yet. Unexpected End of Year Incident Jeff: And I wrapped up my year activating a signal network for rapid response because I [00:39:00] had masked people in my alley with guns refusing to identify themselves driving cars from out of state. That is insane. And I was like, that looks pretty tight. Season wrap up. Like, what the fuck? Because I kind of had gotten to the point, I guess prior to when ICE got here in, in the first place, I’d gotten to the point where I’m like, I don’t even really think about Signal anymore. Um, but then they came here and it, and it popped up. So that’s what, that’s what happened in my alley. Um, at the end of the year. Christina: And, and, and, and, and, and I mean, and, and, and you said, you said your neighbors are okay. Speculations and Concerns Christina: I mean, do, do you know anything more about like, like what, what happened or like what the, what the situation was? Jeff: I don’t know anymore. And that’s where I’m like a little cautious because since it was like a warrant for something, it was a narcotics warrant, right? Like, I, I have no idea what happened there. I don’t know. I can, I can only speculate. Um, but I know that the, the [00:40:00] name on that warrant was not someone that lives there. Um, so I can tell you that ’cause I saw the warrant. Um, and, and that’s the most I really feel comfortable saying. Christina: Fair enough. Yeah. I, I, I, I, yeah. I’m not, I’m not trying to like, Jeff: No, I get it. I get it. That’s me actually. Dealing with Law Enforcement Jeff: I’ve been wrestling with like, how much, even on the, I kind of like was asking people to be cautious, even on the signal, because they were sharing details about the warrant. I was like, Hey, details in a warrant. Do not share those, because that sticks to people. And like the details in the warrant were just like, no, we’re not gonna do this. Even when the guy read me the warrant, I was like, are you serious about that? He’s like, oh man, for sure. Okay, sounds good. Let’s, we’ll talk in an hour when you’re all done and you don’t have anything. Like I, I’ve been down this road before. I was a reporter for a long time, like I watched The Wire. Um, Christina: exactly. I was gonna say, yeah, I was gonna say the, the sort of reporting I did, like, yeah, I watched the Wire. Um, so would be Jeff: I said that to the guy. I didn’t say I watched the, yeah, I didn’t say I watched The Wire to the guy, but I was like, he [00:41:00] kept gaslighting us and I was like, come on man. Like you and I we’re smart people, you and I, and that was me being generous. But like, we’re smart people. You and I like, we know this thing you’re saying. It’s like, it’s totally not the case. Like when I asked him. The airport PD guy. What’s up with the cars with Texas plates and no plates and vanity plates? I don’t know, I don’t coordinate with those guys. I was like, okay, that’s weird. ’cause like here you are and they’re walking all around you. Surely you coordinated with them enough to get them here. It was just like, what the fuck? Just so much gaslighting that I won’t even get into, but it was just nonstop. But I was so proud watching my neighbors when the rapid responsible showed up. It was a, there’s always like some people in those situations where I, I, I get pretty activated around lack of discipline and I understand how that happens. But having been in like really super high stakes situations where people could, and who this was one, right? Like I don’t, I don’t react well internally to people who I feel like are working out something that’s theirs. Um, [00:42:00] and at the same time, how do we know how to process this, right? Like, I don’t, we, it was something incredible to watch Mask men and one masked woman walking up and down my alley, bumping past me with guns, with masks, with no idea, with no badges, refusing to pro produce any saying, why does it matter anyhow, saying how much threat they’re under, seeing how they get followed, like just, it was, it was an incredible thing. I had my reaction, but my reaction was based on wiring, based on really intense, unusual experiences. Um, other people, this is new to them. This kind of thing is new to me too, but, so anyway, I, I just like, I saved that. I didn’t even tell you guys when it happened. I’m like, I’ll just tell them on the podcast. ’cause Christina: yeah, no, I mean, that’s, that’s wild. I mean, like, and it’s just, it’s just, well, and, and it’s, I don’t know, it’s so dystopic, right? Like, it’s such a, like a, a terrible like thing to like have to like witness part of, right? Because like, look, yeah, there are going to be circumstances when maybe like, you know, Homeland Security or somebody else, like really actually does need to be involved and, you know, [00:43:00] um, you know, at your neighbor’s house. And like, that’s unfortunate, right? But like, there, there are real circumstances where that could be a case. Like I, I, I, I, I mentioned the, the Americans earlier, that was like, based Jeff: I need to watch that. Christina: It’s a great show. But, but the, the, the, uh, a former CIA agent was one of the, the, the, the creators. But the, um, the idea came to like, uh, one of the showrunners basically, he read an article, I think in the New Yorker or something about a, a family that like seemed like, just like the perfect, like normal family next door. And like the kids came home from school one day and the parents had been picked up because it turns out that they had been Russian spies living in the United States for like 20 years. And like, they were like actual Russian spies. And, and then that kind of like went into, okay, well, well, well, what happens then? Like, what happens to that family and, and what happens to get to that point? Like, what happens? Like if your neighbors are those things, right? And so there are those like very much like stranger than fiction. Like, like things, right? But in most cases, that’s not the circumstance. And, and certainly the way that like all this has been handled and the way that they’re doing all of this treat things for, [00:44:00] you know, like whatever the warrants were for whatever the situations are where they’re like, okay, now we’re gonna bring all these other groups in. We’re not going to have any due process at all, and we’re not going to, to bother with any sort of thing of humanity at all and then freak everybody else out, like is just, you know, then, and then it puts you like, as, as the neighbor, like in this position where you’re like, okay, well how do we get the word out? How do we help, how do we, you know, make sure that if’s something, is that if this is something that you know, isn’t what we, what we think that it is or whatever, that we can make sure that they’re not going to be. ’cause we see all the reports all the time. I mean, US citizens are getting arrested for, Jeff: Yeah, totally. Christina: the wrong way, Jeff: Oh yeah, we had a, we had a woman here probably, I think she was like in her sixties, and she walked out of her house ’cause there was something happening across the street. And in moments she was in the car, she was gone. Her husband didn’t know where she was. She was released later that day. Like we’ve had a lot of stories like that. And so that was stressful too, going in, right? Like when my partner and I went, went up to talk to this guy, I, I left down the alley to take pictures, but I [00:45:00] was like looking over my shoulder constantly. ’cause she and I have talked about how, like, can you imagine if one of us was taken and we didn’t know? And I was like, oh, we are in a situation right now where no way can I say, there’s no chance one of us will be taken. Like, no way. And you know, the longer you’re there, the more you push it a little bit, you know, not push it like physically or something, but just like push it a little more people out front. Someone kicked an ice car in, in an HSI car and got like pepper sprayed or whatever. Um, Christina: and it’s, and it’s like, don’t do that. Like, don’t like, Jeff: Well, it’s funny because, it’s funny because that per I, this is, I, I know there are people listening who will think I’m such an asshole for this, but I, to I, I feel zero apologetic for it. Reflections on Responsibility Jeff: So I am, I’m not like a huge fan, like kick the car when there’s a family that we don’t know how they’re doing and these people are around, like, don’t escalate in that way with these people. Don’t set off fireworks behind the guys that have their fingers resting near triggers. Like you Christina: That’s what I’m saying. That, that, yeah. Jeff: yeah, you just don’t do that. Uh, but here’s the part that makes me sound like an asshole and, and I don’t mind at all. [00:46:00] Um, they were, they were the only person that was pepper sprayed. And, and it was this, you know, certain people that come from outside the neighborhood. It was this very dramatic thing, whatever they pepper spray, you know, whatever. And I was like, what, what happened? They kicked the car. I was like, eh, I’m going in like, I mean like, yeah, you got pepper spray because you kicked the car. I assume you were in for that. Like you signed just like the guy with the mask who’s worried about being docked. He signed up for this dude. Christina: I was gonna say, you, you, you, you signed up for this, you, you, you, you’ve signed up because you saw Christina O’s you know, like ridiculous, like, you know, like, come, come join Ice, you know, like, like, you know, freaking social media, you know, posts or whatever, like there ads you’re doing like, yeah. Like you, you know exactly what you’re doing, so fuck off. I don’t, yeah, I have zero. Jeff: I I said you signed up for this. I did not sign up for this. I said you signed up for all of it, dude. Like you Christina: Yeah, absolutely. No, I mean, honestly, well, well look, you know, it’s the same thing like the military, frankly, like, you know, like in the, in, in the seventies and stuff, and we saw, you know, more of it then, like, I’m not saying that it was like the, the right or like nice or like humane thing to spit in the, in their faces. [00:47:00] Right. But like. Especially after the draft was gone. Like, you sign up for that shit, Jeff: It’s a tough man. I, I had that, I, that experience throughout the Iraq war where. I knew. I mean, there’s the economic draft. There’s all right, there’s all these reasons people end up in war. But at the end of the day, when I am walking around a city I love, and other Americans are there in armor and Humvees and they have destroyed a city, I feel like this is what you signed up for. It’s not what you signed up for, but it is literally what you signed. Same with police. It’s a little bit Christina: that’s Jeff: I totally respect the trauma. I respect that you’re in situations where Christina: that’s real. No. Jeff: your values. Like I Christina: Absolutely. Absolutely. And, and, and that, that is real. And, and to your point, there might be like, like economic scenarios, drafts and other scenarios where like you’re like, well, I had a choice, but I didn’t have a choice. Okay, but you knew that this was a trade off. Like you knew that this was a thing that comes with, with, with the territory. If it comes with adulation, but it comes with the bad stuff too. Right. Jeff: And if you’re killing people, I don’t feel super bad about saying that. I feel super bad for you for having to live with that [00:48:00] fact. But like I don’t feel bad for saying, Hey man, Christina: well, I mean, like, and, and it’s a Jeff: have said no. Christina: and it’s a completely different like thing. I’m not even trying to categorize it the same way. ’cause it’s, it’s not. But like, just, just like in, in my life, you know, people oftentimes will like, yell at me about stuff that they don’t like, about, like the companies like that I work for. And you know, what I, I’m, I’m part of my job is to kind of be a public face for, for those things. And that means that I get yelled at and that’s okay. And like that, that I, I quite literally knew that I signed up for that. Does that mean that I always appreciate it? That is, does that mean that I don’t get annoyed sometimes? Does that mean that I like being like tarred and feathered with like mistakes or decisions that like, I had nothing to do with Absolutely not right. But like, that’s quite literally part of my job. So, you know, it, it, it is. So I can’t like turn around and be like, oh, well, you know, you can’t, you know, like. You know, say, say this to me, or whatever. Right. Um, but, and, and again, I realize it’s a completely different scale of things. I’m not in any way trying to equate the, the, the, the two [00:49:00] scenarios, Jeff: No, but it’s, I mean, it is, yeah, Christina: but all of us, but all of us, we have jobs and we do things and like in a case like this, like if you work for those agencies, right. Especially right now, and like I recognize and I can be sympathetic that you may not have signed up. Under these circumstances. Having said that, I will say that if you signed up in the last eight years, you knew that these were things that were going in a certain direction, right? Um, I, I, I, I, I will, I will further say that like I, I’m not gonna say that like every single person is involved, but I will say like in the last eight years, you’ve, you’ve seen which way the wind was going and, and, and, and, and that’s okay. You can make that decision and, and like, I’m not gonna judge you or your character as a person for that decision. I’m, I’m, I’m, I’m not. ’cause we all have to make decisions about where we work. Having said that, that just also means like what we’ve been saying, you’re gonna have to deal with some shit. You’re gonna deal with people recording your face. You’re gonna have to deal with people being angry with you. You’re gonna have to deal with, to your point, people kicking the cop car. And if that’s all that happens and like, and, and, and, and it’s not gonna lead to another escalation point, that’s fine. I, I’m with you. I

After months of rhetoric, military presence and strikes, U.S. forces have launched an attack on the Venezuelan capital Caracas. They seized the country's president, Nicolás Maduro, and flew him to New York to face narco-terrorism charges.U.S. officials say Maduro heads up a cartel responsible for flooding the United States with drugs, but critics — and Maduro himself — say the charges are just a pretext for regime change — and access to the country's vast oil reserves. U.S. President Donald Trump says the United States will "run" Venezuela for the immediate future, and that American oil companies will move in to take over the country's oil industry.Jon Lee Anderson is a staff writer with the New Yorker who has covered conflict in Latin America for decades. He explains the complicated power dynamics at play with Maduro out of the picture, and what we might see in the weeks ahead.

Part One | Part Two January 6th was terrifying for many Americans. After all, they saw it on television. But what did they really see? Did they know what actually unfolded that day? Did they even ask? Trump is the Jan. 6 President, proclaims the New York Times' Editorial Board.And the text:What I learned, living through these events as a former Democrat, is that the New York Times Editorial Board is lying through its teeth. Or maybe they aren't lying. Maybe they really do believe it. They exist inside the Doomsday Cult of the Left, after all, along with all of those high-minded “journalists” at the New Yorker and the Atlantic.But to make the bold proclamation that any protest, or even riot, against oppressive forces, whether you believe them to be oppressive or not, is un-American proves they don't know this country or its history very well.There were two sides to this story. If I'd never left the Left, I would have believed their version of the event. I would have been just as horrified. I would have thought it was an attack on democracy. But protests are the voices of the unheard and a healthy sign of any democracy, and for a grassroots movement, and millions of Americans who had been disenfranchised by the four years Trump was in power? This was the best way for them to be heard. The only way for them to be heard.They just didn't know they were walking into an ambush by forces far greater than them, and more powerful than any political party in American history and what they wanted to do was use that protest - a moment of desperation for desperate Americans abandoned by the government, the culture and most institutions - and demonize them further by calling them extremists, terrorists, Nazis, insurrectionists. January 6th was played on a loop by the Democrats and their propaganda machine, once known as the legacy media. And why wouldn't it be? It was everything they needed at just the right time. See, there's a Confederate flag. See, there's a hangman's rope. See, there's some guy in horns howling inside the Capitol. Zip ties, hanging Mike Pence, Trump watching the mob, and hoping they wouldn't stop. It all painted a picture in our minds of an angry president amidst a violent coup. In our age of algorithm-driven mass hysteria, we're no different from the Puritans in Salem who believed in “spectral evidence,” what you can't see but can only imagine. January 6th finally provided them with the proof they needed of their campaign against MAGA.It's just that none of it was true. Why would Trump have wanted a riot? He'd gone to great effort to convince Senators Josh Hawley and Ted Cruz to debate the election in the Senate. All the riot did was hand absolute power to the Democrats, Reichstag Fire style. Not only did the media sell that lie, but you'd be severely punished if you asked any questions, especially about the 2020 election. Yes, we lived through that and more. Just because the Democrats have memory-holed everything they've done in the last ten years to cling to power doesn't mean it didn't happen or that we shouldn't talk about it. There was nothing wrong with talking about an election that was anything but free and fair. I naively went into it as a major Biden advocate, believing he could win the old-fashioned way. I didn't know they'd hide him and Kamala Harris in the basement and let the legacy media do all of the heavy lifting. I didn't know they'd planned it—everything that happened throughout 2020 to ensure Trump was taken out of power, like they were meddling in some third-world country's elections. It's all written down in TIME Magazine. They planned on saving an election that was not theirs to save. Who gave them that right? The American people decide, and if one political party believes itself to be above the people, then that is an insurrection, not against the government but against all of us and a fair process we depend on. They justified everything they did by the lies they told themselves about who Trump really was and how dangerous he was supposed to be. They rigged the election by manipulating the media, changing any law that got in their way, using COVID as an excuse to push ballot harvesting, funded by a $400 million cash infusion, and all the while pretending they were “saving democracy.”By all accounts, I should have been cheering them on. Yes, get Trump! Anything and everything should be allowed as long as we were saving the country from Hitler! I believed that at first. Why wouldn't I? I was straight out of Central Casting as a Resistance Lib. This was the back of my car in 2012.This is who I was.Before that, I was just a lowly Oscar blogger spending my time writing about superficial things, but suddenly, in 2015, everything changed. I was in a panic about the Greenhouse Effect and the sea level rise. I threw myself into politics to help the Democrats win. Overnight, I became someone who mattered online, with a growing following, adoration, and kindness from strangers. The warm embrace of the elite Left felt intoxicating: invitations to exclusive parties, friendships with high-status blue-checks on Twitter like Steve Schmidt, Rick Wilson, and Oprah, so much love and support online - after all, I was helping to save democracy and the planet! I was even invited to an early fundraiser for Joe Biden in May of 2019. It was necessary. I was important. I mattered.You can imagine, then, how surreal it would have been for anyone who knew me that way to see me starting to question the official narratives. For me, it began with what I believed was mass hysteria that had overtaken my side. Just as the Southerners had whipped themselves up into a frenzy, believing that if the slaves were freed, there would be chaos and violence, so too did we believe that if Trump won, that was the end of everything. But, looking back, all it really was was a populist revolt against a ruling class that just decided what America would be now. Class no longer mattered, only skin color and gender identity did.Little by little, I began to pull away as things got weird. The more I tried to speak out, the worse it got for me. They went after me hard on social media for years. But none of that would have driven me away from the Democrats. As with so many others, 2020 was the turning point for me. I suddenly could see the strings, and I wondered who was pulling them. Trotting out experts to say “systemic racism” was more important than a global pandemic, and trotting them out again to discourage Trump from sending in the National Guard. And again, to say the Hunter Biden laptop was Russian disinformation. How stupid did they think we were?We lurched from COVID to racism back to COVID to lockdowns, and all the while, as I would come to realize, the aim was only to GET TRUMP. Imagine completely taking over an election to take out a one-term president with a strong economy. Why?I asked the same question then as I wonder today. Why did it have to be an existential crisis? Why drive half the country to the brink of insanity? Why cosplay Trump as Hitler and pretend this was World War II? Couldn't they win the old-fashioned way with better candidates and better policies? Russiagate, spying on his campaign, two impeachments, four indictments, convicting him of a felony, taking his mug shot, two assassination attempts, trying to throw him off the ballots, and needing the Supreme Court to shut it down, and the American people still chose Trump. Shouldn't that have been the wakeup call? Shouldn't that have been the moment their stupid, futile, destructive war ended?No. It wasn't about politics for the Left. It was deeper than that. It was as deep as preserving the South before, during, and after the Civil War. January 6th allowed them a way out of what they'd become, not what MAGA had become. They were the violent ones and had been going all the way back to 2015, when a mob descended upon Trump supporters.They rioted at Trump's inaugural. They believed themselves justified in attacking Trump supporters because they were convinced they were “fascists.” But their words meant nothing because they distorted them beyond comprehension. What does it mean to call someone Hitler, a fascist, a dictator, a rapist, a pedophile, a racist, a white supremacist? These words mean nothing now. And then came 2020, the point of no return. For me, it was the recognition that my side didn't care about democracy or the truth. They only cared about defeating an imaginary enemy they invented but never existed. And were prepared to bring this country to its knees to achieve that goal.When I saw this video of Sue's 100-year-old mattress store, I posted it on social media, and the response was, “How can you care more about property than people”? By then, they had already called me a racist many times, and they were pushing me out of utopia and farther and farther away. Was I a racist because I cared about Sue and the older man who defended her with a fire extinguisher? Trump's speech at Mt. Rushmore was the first time I'd heard anyone in public life talk about what we could all see but almost no one would say out loud. The media called it dark and divisive because, of course, they did. Are you getting it yet? This only goes one way. That was for me yet another layer of the onion being pulled back to reveal what the legacy media had become. They were not reporting the news. They were telling us what to think, and they still are. After I started watching Trump's rallies for myself, I kept waiting for the version of Trump we were sold to emerge. He never did. Instead, a guy who would stand in the pouring rain to speak to his supporters showed me what MAGA was really about. It was a love story. Trump had their backs, and they had his.Just listen to them as he visits East Palestine, Ohio after the train derailed and spilled toxic waste in their tiny forgotten town.That's why they showed up in DC on January 6th. Not to storm the Capitol. Not to hang Mike Pence. Not to overthrow the United States government, as if. If you know them, you know there are no people in this country who love it more. You know they would never damage the Capitol. They are the side that prides itself on not being violent like the Left. The narrative after January 6th was and remains a lie.Why is it that the Left was given full and free rein to rampage anywhere they pleased all throughout that Summer, and the Trump supporters were treated like terrorists who flew planes into the World Trade Center, and the Japanese who bombed Pearl Harbor? Because the Left had, and still has, most of the power to shape the media narrative and thus, reality.I had to ask these questions of myself, someone who had gone along with so much of it, not because I was a conformist but because I genuinely believed it. The more questions I asked, the worse it got for me. That was when I knew there was no talking to them, no shaking them out of it, no hoping for sanity to return. And there was no saving the Left. They were no longer the party I once knew.What Democrats want is their utopia, or Woketopia, back. They have always believed Trump was an insect who needed to be crushed, and his place in American life was temporary, and once he's gone, “things will go back to normal.”To them, it's all Trump. One last cancel. He's the only person they couldn't destroy and the only thing standing in their way.Whatever he is for, they are against. They are even rooting against America, rooting for America to falter before the eyes of the world. Imagine being that petty. If we entered World War III, does anyone doubt they'd all be out there trying to ensure Trump fails? The irony of the Madouro capture is that it exposes the Left as liars yet again. Here is what it is like to be under the rule of a dictator. Everything the Left has been LARPing (Live Action RolePlay) for the last ten years is what Madouro actually was. The juxtaposition between the Venezuelans celebrating and the liberals complaining is illuminating.John Brown Two WaysJohn Brown was an abolitionist who was executed for treason by the federal government for a slave insurrection before the Civil War. He was hailed as a hero by the North and became an inspiration for those willing to fight and die for a cause.If the American Revolution was about liberating the colonies from the British and the Civil War was about liberating the slaves from bondage, what is our Virtual Civil War really about? Who is to be liberated at the end of it? More importantly, what are the causes worth fighting and dying for?In the film One Battle After Another, sure to win Best Picture this year at the Oscars, the film's ANTIFA-like revolutionary Perfidia Beverly Hills lays it out:Our Virtual Civil War already has a body count. Charlie Kirk's assassination by a transgender-supporting terrorist, Luigi Mangione's assassination of a healthcare CEO, the attempted assassinations of Trump, and the ongoing attacks on ICE agents seem to lock in what the Left is fighting for.Are they fighting for a border-free America because borders themselves are oppressive white supremacy? It sure looks that way. Are they prepared to fight and die to preserve Woketopia? Some of them are. Maybe more of them will be.Does our future look like 1984, where geography takes a backseat to ideology, and we'll be aligned with Germany, the UK, Canada, and France, with migrants flowing freely into our countries, and where you will be okay as long as you agree that 2+2=5 and you love Big Brother?Abraham Lincoln, like Winston Churchill, was what Neil Howe and William H. Strauss called a Gray Champion of the Fourth Turning. When I look at what Trump is doing now, the bold moves, the attacks he's survived, there is no doubt he is our Fourth Turning's Gray Champion. When I see videos like this, I am reminded of why. Who else but Trump would do this? He shows them every day that he is not afraid of them, not even a little bit, even after being shot in the head, impeached, and convicted.Will Tyler Robinson, Matthew David Crooks and whatever that surfer dude out in Florida's name was be seen by the Left as the John Browns of their time? Martyrs willing to fight and die to save “democracy,” or to avenge transgender people, or immigrants? Do those on the Right see the Jan 6ers as the John Browns of their fight, beating corruption and the deep state?Lincoln sought, above all, to preserve the Union and saw the war as a test of “whether that nation, or any nation so conceived, and so dedicated, can long endure.” Once you fracture the Union, then there is no America at all, and it might as well be 1984.As for me, it's like Bob Dylan once said, How does it feel? To be on your own? With no direction home? Like a complete unknown? How does it feel? It feels like freedom. // This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

In this episode: Kelly is joined by Richard Hayden! Richard is the Senior Director of Horticulture at the High Line. Join them, as Richard teaches us about the profession of gardening. He tells us about how he got into horticulture, and what it does for him. He talks about his staff and how dedicated they are to maintaining the wonderful vision of the High Line. Kelly asks Richard how the High Line got started, and Richard tells Kelly the amazing redemption story that the highline overtook: From Death ave to one of the most visited parks in the world.  Richard tells us about some of the plants that live on the High Line. He talks about the gardening philosophy that they take when deciding what the areas should look like.  And finally, Kelly asks Richard some fun questions about the High Line: if he's named any of the plants, which area is his favorite, what his favorite view is, and... what berry birds get drunk on?    But above all else; Richard Hayden is a New Yorker!   Kelly Kopp's Social Media @NewYorkCityKopp   Richard Hayden's Social Media @NatureGardener Jae Watson's Social Media @Studiojae170 Chapters (00:00:00) - This New Yorker Has One of the Most Ordinary Jobs in NYC(00:02:45) - The High Line: Richard Pryor on the Garden(00:05:51) - What Inspires You in the Morning?(00:07:15) - The High Line's Secret to Gardening(00:09:23) - What is the maintenance of the High Line Garden?(00:11:24) - The Story of the High Line(00:16:30) - The High Line: An Infrastructure Reuse Project(00:20:37) - Favorite plants on the High Line(00:23:43) - The People of the High Line(00:26:29) - The Last Section of the High Line(00:28:24) - Richard Feynman at the High Line(00:30:53) - Plants and flowers around the park(00:33:54) - The High Line: Art on the High Line(00:37:36) - How to care for the High Line gardens(00:39:58) - High Line Trees Need Irrigation(00:41:57) - How to Win at the High Line(00:46:02) - "A Plant Isn't Worth Growing Unless It Looks Beautiful"(00:46:47) - How Do You Keep People From Damage Your Garden?(00:48:08) - Favorite view from the High Line(00:49:12) - Richard on What Does Nature Mean to Him?(00:50:00) - What It Means to Be a New Yorker(00:51:42) - The High Line: Where to Find Them?

For roughly half a century, the singer Rubén Blades has been spreading the gospel of salsa music to every corner of the globe. “You could say that Blades did for salsa what Bob Marley did for reggae,” says The New Yorker's Graciela Mochkofsky. “He brought it into the global consciousness.” This year, Blades's record “Fotografías” is up for a Grammy Award; should he win, it would be his thirteenth. Blades once ran for President of Panama and later served in the country's cabinet; he's also notable for bringing social commentary to the dance floor, from his earliest work to the recent “Inmigrantes,” a song about the impact of the climate crisis on refugees. And yet, he tells Mochkovsky, songwriters should beware of political messages. “Political songs are propaganda by definition. If you start singing about political ideology, you're not an artist—you're doing propaganda, basically. I try to be as close to a newspaper [reporter] as I can.”This segment originally aired on October 6, 2023.New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

On Lexington Avenue sits a special food store named Kalustyan's with a second floor stocked with international spices, syrups, and bitters. In 1881, this was the home of Chester A. Arthur, and it was here in the early morning hours of September 20, that he became the 21st President of the United States.He is one of only two men inaugurated as president in New York City -- the other was George Washington. And Arthur was certainly no Washington!Fans of the Netflix series Death By Lightning have already been introduced to Arthur's rugged, street-toughened personality, an efficient operator of Republican politics in a city governed by Democrats and Tammany Hall. He was quite famous, in fact, for converting Tammany men to Republican voters by using similar bare-knuckle tactics.He eventually became the Collector of the Port of New York, one of the most lucrative jobs in American government. And then, through a strange series of events, he was catapulted onto the national ticket for president as the running mate of James Garfield.But nobody really wanted the New Yorker for president, did they?This is a story not only of a man out of his depth, but of the two very different individuals who helped hone his reputation -- the New York power broker Roscoe Conkling, and the Upper East Side recluse Julia Sand, who may have helped guide Arthur through the most challenging moments of his 'accidental' presidency.PLUS: How Madison Square Park has become one of the only true monuments to his legacy.This episode was produced and edited by Kieran Gannon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

During this holiday season, hear some recent favorites:Stephen Dubner, host of Freakonomics Radio and the co-author of Freakonomics (Harper Collins, 2025), now in a new 20th anniversary edition, reflects on 20 years of "Freakonomics," its impact and use of data, and talks about what's next.Marion Nestle, professor of nutrition, food studies, and public health emerita at NYU and the author of many books, including her latest, What to Eat Now: The Indispensable Guide to Good Food, How to Find It, and Why It Matters (North Point Press, 2025), talks about her newly revised classic and how to navigate the food landscape today.Edward Larson, chaired professor of history and law at Pepperdine University and the author of Declaring Independence: Why 1776 Matters (W. W. Norton & Company, 2025), talks about the change in thinking 250 years ago in the American colonies from British subjects protesting the crown to revolution.David Remnick, editor of The New Yorker and the host of The New Yorker Radio Hour, and Marshall Curry, documentary filmmaker (including Street Fight, If a Tree Falls, A Night at the Garden), talk about "The New Yorker at 100" on Netflix. These interviews were lightly edited for time and clarity; the original web versions are available here:20 Years of Freakonomics (Nov 26, 2025)Eating Well Today (Dec 9, 2025)1776's No Kings (Nov 24, 2025)The New Yorker: A Movie (part 2, Dec 4, 2025)

Matt is out this week, toiling in the sulfur mines of Southeast Georgia. I am joined by our new producer, Jamaal Tuhrik. We talk with Winston Jones, writer, reader, dresser, student, teacher, New Yorker about his journey (a word I wish we had more synonyms for) from “student to teacher and back again.” We answer The Quarter-Zip-Question, Perks of Packing Light, New York, Methodologies of Childhood Clothing Acquisition, Parental Influence, Teaching, Learning, Classroom Style, A Deep Dive Into His Socials, Trials and Tribulations of Making Content, And More!

Het is een beetje de muis en de olifant, maar toch zijn ze wel degelijk met elkaar te vergelijken: twee weekbladen, The New Yorker en De Groene Amsterdammer. Op Netflix staat een mooie documentaire over The New Yorker, dat vorig jaar 100 jaar bestond. Volgend jaar bestaat De Groene 150 jaar. Hoe gaat het met De Groene? Waarom heeft De Groene geen factcheckers in dienst? Heeft De Groene weleens moeten rectificeren, of excuses moeten aanbieden voor een publicatie? Wat is de uitdaging voor de journalistiek in illiberale tijden? Hoe bericht je onafhankelijk over de oorlog in Gaza? Wat doet Xandra Schutte op zondagmiddag? Kees van den Bosch in gesprek met Xandra Schutte, al 17 jaar hoofdredacteur van De Groene Amsterdammer.See omnystudio.com/listener for privacy information.

Bryan Washington joins Deborah Treisman to read “A Small Flame,” by Yiyun Li, which was published in The New Yorker in 2017. Washington, a winner of the New York Public Library's Young Lions Fiction Award, is the author of the story collection “Lot” and the novels “Memorial,” “Family Meal,” and “Palaver,” which was a finalist for the National Book Award in 2025. Learn about your ad choices: dovetail.prx.org/ad-choices

On this New Year's Day:Ahead of the Mamdani swearing-in ceremony, a look back: Elizabeth Kim, Gothamist and WNYC reporter; Ben Max, host of the Max Politics podcast and executive editor and program director at New York Law School's Center for New York City Law; and Jeffery Mays, New York Times metro politics reporter, weigh in on Mayor Adams' term in office and what he accomplished, where he fell short of his goals, and how history might view his mayoralty.Jimmy Wales, the founder of Wikipedia and the Wikimedia Foundation and the author of The Seven Rules of Trust: A Blueprint for Building Things That Last (Crown Currency, 2025), talks about how Wikipedia was able to rely on the "wisdom of the crowd" even as distrust climbed in the larger culture.If you put down your phone, will you grasp for a book? Jay Caspian Kang, staff writer for The New Yorker, where he writes a weekly column called Fault Lines, discusses his story, "If You Quit Social Media, Will You Read More Books?" These interviews were lightly edited for time and clarity; the original web versions are available here:Mayor Adams' Legacy (Dec 3, 2025)Wikipedia Founder on Building Trust (Dec 11, 2025)Is 'Online Reading' Still Reading? (Dec 11, 2025)

Kathleen Edwards has been releasing records for over 20 years on labels such as Rounder and Dualtone, she is critically acclaimed by NPR, The New York Times, The New Yorker, and Rolling Stone, and has worked with Jason Isbell, Bon Iver, John Doe, Marren Morris. We talk to Kathleen about winning the lottery, quitting as an ego reset, why musicians are the bottom of the food chain, finishing on a positive, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Kathleen EdwardsKen YatesAllison RussellStephen Wilson JrEp 126 - Yancey StricklerKahlil GibranClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

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Happy New Year! Given the holidays, we're re-sharing one of our most memorable conversations. You've probably come across content online that seems real but is actually fake. And that experience is becoming more common with the proliferation of AI generated content. Our guest this week points out that the mental gymnastics of this starts to take a toll. Jia Tolentino, a staff writer at The New Yorker, wrote a piece all about this aptly titled, “My Brain Finally Broke.”  She joins WITHpod to discuss how AI is changing our perception of the world, how online content can make us more likely to detach from reality and more. Note: this episode was recorded on 6/11/25.  Sign up for MS NOW Premium on Apple Podcasts to listen to this show and other MS podcasts without ads. You'll also get exclusive bonus content from this and other shows. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Thirty years ago, David Remnick published “The Devil Problem,” a Profile of the religion scholar Elaine Pagels—a scholar of early Christianity who had also, improbably, become a best-selling author with “The Gnostic Gospels,” from 1979. Pagels's latest book, “Miracles and Wonder: The Historical Mystery of Jesus,” is a summation of her lifetime of research on Christianity, as it takes on some of the central historical controversies of Christianity, including the stories of immaculate conception and the resurrection. She tells Remnick how she found and lost faith in the evangelical movement, but retained a lifelong interest in religion. “I have a sense that what we think of as the invisible world,” she feels, “has deep realities to it that are quite unfathomable.”This segment originally aired on March 28, 2025.New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

In this episode of The Bill Press Pod taken from of Bill's live event, 'Talk of the Hill,' Peter Baker, Chief White House Correspondent for The New York Times and Susan Glasser who writes the online column "Letter from Trump's Washington" in The New Yorker, where she is a staff writer. They discuss their experiences and insights into modern journalism, particularly during the Trump presidency. The discussion delves into how Donald Trump has reshaped the presidency and American politics, as well as his administration's impact on national and international affairs, including the situation in Venezuela and Russia. They also touch on media challenges, highlighting the intimidation tactics used by Trump against journalists and media outlets. The conversation concludes with a brief update on their upcoming book focused on Vladimir Putin and recent updates on their son's impactful journalism career.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Across the country, data centers that run A.I. programs are being constructed at a record pace. A large percentage of them use chips built by the tech colossus Nvidia. The company has nearly cornered the market on the hardware that runs much of A.I., and has been named the most valuable company in the world, by market capitalization. But Nvidia's is not just a business story; it's a story about the geopolitical and technological competition between the United States and China, about what the future will look like. In April, David Remnick spoke with Stephen Witt, who writes about technology for The New Yorker, about how Nvidia came to dominate the market, and about its co-founder and C.E.O., Jensen Huang.  Witt's book “The Thinking Machine: Jensen Huang, Nvidia, and the World's Most Coveted Microchip” came out this year.   This segment originally aired on April 4, 2025.The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine's writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. Tune in to The Political Scene wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

Extremis is a Latin word that says you are in extreme circumstances, a desperate situation, a dire predicament, or the edge of death.“There is great tension in the world, tension toward a breaking point, and men are unhappy and confused. At such time it seems natural and good to me to ask myself these questions. What do I believe in? What must I fight for and what must I fight against?”I'll tell you who said that in just a minute.Here's another direct quote:“It's life or death for America, people tell you. Angry debates about taxes, religion and race relations inflame the newspapers. Everyone is talking politics: your spouse, your teenage daughter, your boss, your grocer. Neighbors eye you suspiciously, pressing you to buy local. Angry crowds gather, smelling of booze and threatening violence; their leaders wink, confident that the ends justify the means. The stores have sold out of guns.”*Are you ready to hear the final two sentences?“It's 1775 in Britain's American colonies. Whose side are you on?”*That first quote about “great tension in the world” and men being “unhappy and confused” came from John Steinbeck in 1941. I'll bet you thought it was more recent, didn't you?There is nothing new under the sun. Is there anything of which one can say, “Look! This is something new”? It was here already, long ago; it was here before our time. No one remembers the former generations, and even those yet to come will not be remembered by those who follow them.If that sounds familiar to you, it's because Solomon said it 3,000 years ago in the book of Ecclesiastes.Here's my point: Yes, the world is in a state of extremis, but we have always been in a state of extremis.So put it behind you. Get over it.Better yet, use your recovery from extremis to unleash joy, passion, a flood of creativity, and a flamelike focus that will take you to places you have never been.When you recover from a state of extremis, you open a trapdoor to the unconscious mind. It is a waterfall that doesn't fall downward, but gushes upward into the sky.If you want to ride that waterfall, all you have to do is exit your extremis. Put it behind you. Get over it.Quit giving your attention to the news.Do not say to yourself,“But if everyone quit paying attention to the news, there would be no societal outrage, no oversight, no accountability!”Let me make this clear to you. There is zero chance that everyone is going to quit giving their attention to the news. It's an addiction like any other. In fact, I'm worried that you won't have the strength, the willpower, or the discipline to turn away from it yourself.If you monitor the news for the rest of your life, what are the chances that doing so will change anything at all, even a tiny bit? Does being aware of things that are beyond your control somehow give you the ability to change those things?Turn away from the dark side, Luke Skywalker. Embrace the light.And have a happy, new, year.Roy H. WilliamsPS – I gathered a few dozen quotes from Dorothy Parker and made two powerful productions from them. The first production is 4 minutes and 24 seconds long and was extracted from writings that Dorothy published in Vanity Fair and The New Yorker in the 1920s.The second production is 5 minutes and 9 seconds and was compiled from the writings of Dorothy's later years. The character arc between the two performances is sobering. You'll find both of them on the first page of the rabbit hole. Click the image at the top of the Monday Morning Memo for December 29, 2025, and you'll be there. – Aroo, Indy Beagle.*Caitlin Fitz, “The Accidental Patriots”,

This week, we're celebrating the life of architect Frank Gehry, with a conversation recorded in 2015. Widely regarded as one of the most influential designers of the last century, the Canadian-born architect was known for his use of bold shapes and unconventional building materials like titanium, stainless steel, and even chain-link.  Among his most famous projects are the Guggenheim Museum in Bilbao, Spain, and the Walt Disney Concert Hall in Los Angeles.  Frank Gehry died on December 5, 2025, at the age of 96. In this program, recorded on October 15, 2015, at the Sydney Goldstein Theater in San Francisco, Gehry talks with his biographer, Paul Goldberger.   Goldberger spent ten years as an architecture critic for the New York Times, where he won the Pulitzer Prize, and 13 years on the staff of The New Yorker.  Goldberger's book on the life and work of Frank Gehry is “Building Art”. 

The New Yorker described Savage as, "a marvellous storyteller, a quirky thinker, and an incorrigible free-associator. He sometimes sounds less like a political commentator than like the star of a riveting and unusually vivid one-man play." Listen to these beloved tales from the master storyteller on this extraordinary episode. He reminisces on his tough teachers, life for the working class in Queens, the tight-knit communities of yesteryear, and the human condition. First, listen about the no-nonsense Irish Geometry teacher who would be fired in today's woke schools; his father's friend who moved into middle class only to suffer a sad fate; Louie who taught him to straighten nails with his own hands; the tale of The Jar, and many more. He explores the unpredictable nature of life as the year draws to a close. Please share this remarkable episode with your friends and loved ones!

Across the country, data centers that run A.I. programs are being constructed at a record pace. A large percentage of them use chips built by the tech colossus Nvidia. The company has nearly cornered the market on the hardware that runs much of A.I., and has been named the most valuable company in the world, by market capitalization. But Nvidia's is not just a business story; it's a story about the geopolitical and technological competition between the United States and China, about what the future will look like. In April, David Remnick spoke with Stephen Witt, who writes about technology for The New Yorker, about how Nvidia came to dominate the market, and about its co-founder and C.E.O., Jensen Huang.  Witt's book “The Thinking Machine: Jensen Huang, Nvidia, and the World's Most Coveted Microchip” came out this year.   This segment originally aired on April 4, 2025.New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

One of the companies you couldn’t ignore this year was NVIDIA, so we’re re-airing a conversation Oz had with Stephen Witt, a frequent contributor to The New Yorker and author of The Thinking Machine: Jensen Huang, NVIDIA, and the World’s Most Coveted Microchip. They discuss what’s made NVIDIA the most valuable chip company in the world, how a single piece of hardware changed the world forever, and why data centers are shrouded in so much secrecy.See omnystudio.com/listener for privacy information.

During this holiday season, hear some recent favorites:Jelani Cobb, dean of the Journalism School at Columbia University, a staff writer at The New Yorker and the author of Three or More Is a Riot: Notes on How We Got Here: 2012-2025 (One World, 2025), looks back at recent history and find the threads that connect the era of protests and backlash.Irin Carmon, senior correspondent at New York magazine, co-author of Notorious RBG (Dey Street Books, 2015) and, most recently, author of Unbearable: Five Women and the Perils of Pregnancy in America (Atria/One Signal, 2025), explores what it means to be pregnant today in America through reporting and personal stories.Marina Lopes, author of Please Yell at My Kids (GCP/Balance, 2025), talks about her story in The Atlantic suggesting American parents look at the way childcare works in Singapore where grandparents are frequently primary caregivers and get paid for the work.Julia Ioffe, founding partner and Washington correspondent of Puck and the author of Motherland: A History of Modern Russia, from Revolution to Autocracy (Ecco, 2025), talks about her new book that delves into the feminist history of Russia and why it offers context for the war in Ukraine.Liza Donnelly, writer and cartoonist at The New Yorker and the author of Very Funny Ladies: The New Yorker's Women Cartoonists, 1925-2021 (Prometheus, 2022) and the substack "Seeing Things", discusses the short documentary film she directed, "Women Laughing," about cartoonists at The New Yorker and their artistic processes. These interviews were lightly edited for time and clarity; the original web versions are available here:Defining the Decade (Nov. 13, 2025)The Perils of Pregnancy in America (Nov. 6, 2025)Grandparenting as Paid Labor? (Oct. 10, 2025)Russia and Feminism (Oct. 25, 2025)Funny Women of The New Yorker (Nov. 10, 2025)

The New Yorker turned a hundred this year. And marking the occasion is a new documentary film on Netflix titled: “The New Yorker at 100”. But with some 5000 print issues, and ten decades worth of reporting, illustrating, and editing… where does one even begin? That's a question staff writer Jelani Cobb brought to the film's director, Marshall Curry, and executive producer, Judd Apatow, on an edition of The New Yorker Radio Hour that we're sharing this week. On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.