Podcasts about New Yorker

The Washington Roundtable reflects on the first year since Donald Trump's second win before a live audience at Harvard University's Institute of Politics, on November 20th. The panel considers how cracks in the MAGA firmament may shape what's next for the President and the Republican party. “American politics the last ten years have been dominated by this very singular disruptive figure of Donald Trump,” the staff writer Susan B. Glasser. “So what we define as the new abnormal, for a whole generation of Americans is, in fact, the new normal.” This week's reading: “Dick Cheney's Long, Strange Goodbye,” by Susan B. Glasser “The Darkest Thread in the Epstein E-mails,” by Jessica Winter “The Meaning of Trump's Presidential Pardons,” by Benjamin Wallace-Wells “Kash Patel's Acts of Service,” by Marc Fisher “How M.B.S. Won Back Washington,” by Isaac Chotiner “Donald Trump Can't Dodge the Costly K-Shaped Economy,” by John Cassidy  Tune in wherever you get your podcasts. Please help us improve New Yorker podcasts by filling out our listener survey: https://panel2058.na2.panelpulse.com/c/a/661hs4tSRdw2yB2dvjFyyw Learn about your ad choices: dovetail.prx.org/ad-choices

See the full interview here: https://youtu.be/OUdsZYYd3bo~~~~~~~~~Conversation about the advances in AI and their political and social consequences. Jacob Ward is an American journalist and author who has spent over 20 years covering science, technology, and their social consequences. He's been technology or science correspondent for Al Jazeera, NBC News, PBS, CNN and others, and former editor-in-chief of Popular Science magazine. Jacob Ward was a Berggruen Fellow at Stanford's Center for Advanced Study in the Behavioral Sciences (CASBS) in 2018–19, where he began writing The Loop: How AI Is Creating a World Without Choices and How to Fight Back (Hachette, 2022). He also lectures at the Stanford school. He's now reporter-in-residence at the Omidyar Network, running long-form investigations into “unforeseen effects of breakthrough innovations” and writing about a “philosophy of restraint.” He also hosts the newsletter and podcast The Rip Current, on technology, politics, and “big hidden forces” such as Big Tech and venture capital. Ward co-wrote and hosted PBS's four-hour series “Hacking Your Mind” on decision science, bias, and political manipulation, and has written for The New Yorker, The New York Times Magazine, Wired, etc.~~~~~~~~~Links:https://substack.com/@byjacobwardhttps://theripcurrent.substack.com/https://www.jacobward.com/abouthttps://x.com/byjacobwardhttps://www.amazon.co.uk/Loop-Technology-Creating-Without-Choices/dp/0316487201~~~~~~~~~The Impact and Risks of AI: A Conversation with Jacob WardIn this engaging conversation, American journalist and author Jacob Ward discusses the profound effects of artificial intelligence on society, the risks of AI-driven decision making, and the dangers of losing human agency. As a science and technology correspondent with 20 years of experience and former editor-in-chief of Popular Science Magazine, Ward brings deep insights into how AI has the potential to both benefit and harm society. The discussion explores the philosophical and practical implications of AI, its role in digital propaganda, and the ethical responsibilities of AI developers.~~~~~~~~~Welcome to Future Perfect, a new Podcast that spans topics as diverse as history, architecture, archaeology, and culture, arts and sciences, technology, and futurology – and seeks to find connections between the past and present as well as all the potential futures. Please like, subscribe, and share links to the channel, and ‘Buy me a Coffee', if you like these videos and want to see more. ~~~~~~~~~

The Wasp runs through November 23rd, a production of Little Engine Theater Company. To learn more, visit www.littleenginetheater.com.  Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

Both major parties are experiencing a crisis of leadership in Washington. President Trump's flip-flopping on the Epstein files acknowledges that, on this issue, at least, he has lost control of MAGA. For the Democrats, the collapse of their consensus on the government shutdown deepens a sense that the current leadership is ineffective. For all the talk of unity, the Party is profoundly divided on what message to convey to voters. “Some people argue that we should just—no matter what Donald Trump does or says—just always come back to the economy and prices,” Senator Chris Van Hollen, of Maryland, tells David Remnick. “And, of course, we should be very focussed on the economy and prices and rising health-care costs, as we have been. But to suggest that we should look the other way in the face of all these other outrages is, I think, a mistake, because I think the American people are tiring of Donald Trump. I think the polls indicate that.” Van Hollen is trying to pave a path between his party's left and the establishment. He's used the word “spineless” to describe colleagues in Congress who refused to endorse Zohran Mamdani in his mayoral campaign, but he has not called for Chuck Schumer to step down from leadership, as others have. Van Hollen wants “to be very much part of the debate as to where the Democratic Party goes.” Would that extend, Remnick wonders, to running for President? “My goal at this moment really is to stiffen the spine of the Democratic Party. But that means not just resistance to Trump. It also means taking on very powerful special interests that I think have had too much sway in both the Republican Party for sure, but also in the Democratic Party.” Remnick replies, “I've heard firmer nos in my time.”  New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

My talk with Celeste starts at  minutes and  Subscribe and Watch Interviews LIVE : On YOUTUBE.com/StandUpWithPete ON SubstackStandUpWithPete Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. This show is Ad free and fully supported by listeners like you! Please subscribe now for as little as 5$ and gain access to a community of over 750 awesome, curious, kind, funny, brilliant, generous soul Follow Maura on Blue Sky Follow Maura on Tik Tok  Follow Maura on Instagram Support Fair Share America  Maura Quint is a humor writer and activist whose work has been featured in publications such as McSweeneys and The New Yorker. She was named one of Rolling Stone's top 25 funniest twitter accounts of 2016. When not writing comedy, Maura has worked extensively with non-profits in diverse sectors including political action campaigns, international arts collectives and health and human services organizations. She has never been officially paid to protest but did once find fifteen cents on the ground at an immigrants' rights rally and wanted to make sure that had been disclosed. She was the co founder and executive director of TaxMarch.org Pete on Blue Sky Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page All things Jon Carroll  Follow and Support Pete Coe Buy Ava's Art 

"Anything beats writing. Writing is tough," says John McPhee, staff writer for The New Yorker and author of more than thirty books of nonfiction.Hey CNFers, this is Episode 500 of The Creative Nonfiction Podcast, the show where I speak to tellers of true tales about the true tales they tell. There are kilometer stones like 100, 200, 300, and 400, but this one, this is a milestone and it features the writer and journalist who made me want to write narrative nonfiction in the first place: John McPhee.John is a titan, a soft-spoken titan. He is the author of more than 30 books, including A Sense of Where You Are, Levels of the Game, his Pulitzer Prize-winning Annals of the Former World, and the book that made me want to write nonfiction: The Survival of the Bark Canoe. John is 94 years young, still lives in Princeton where he has taught an exclusive masterclass on factual storytelling, a class taken by the likes of David Remnick and the late Grant Wahl, I believe, among countless people who have gone on to write and report with distinction.He's been a staff writer for The New Yorker since the 1960s when William Shawn was the editor. Not long thereafter, he was offered a job to teach at his alma mater Princeton University and he famously edited students' submissions not unlike how Shawn edited him at The New Yorker. He's written about such wide ranging topics from basketball, to tennis, to bark canoes, to Alaska, to lacrosse, to oranges, to myriad topics in geology.John is synonymous with thinking through structure and coming up with unique structures for most of his stories, each one something of a fingerprint: no two are alike and the facts borne out from this intensive, slow reporting dictate the shape of the story he has locked into.His work is methodical and patient. He hangs out. He fills notebook after notebook, rarely uses a recorder, maybe only if there's someone speaking in such technical jargon that there's no way to keep pace. His career has been this wonderful balance of give and take: teach for most of the year and not write; then write and not teach. John is unassuming and gentle and an example of how you can do this work without bombast or pyro and still be riveting and sometimes downright hilarious.So we talk about: The influence of his high school English teacher Olive McKee Living room fighters Writing on spec The notebooks he's used for decades How a lack of confidences is an asset What a good editor does Writing as teaching How having a plan frees you to write The panic of having not written leads to productivity And how proud of his daughters he isParting shot on what it all means at 500 and maybe where I see the show going for the next 500.Order The Front RunnerNewsletter: Rage Against the AlgorithmWelcome to Pitch ClubShow notes: brendanomeara.com

Recent revelations have intensified scrutiny of major news organizations and their handling of the Jeffrey Epstein scandal, particularly following the release of emails showing New York Times reporter Landon Thomas Jr. communicating with Epstein in a manner critics say appeared closer to strategic guidance than objective journalism. The correspondence has revived longstanding accusations that influential media outlets—including ABC, Vanity Fair, the New Yorker, and the New York Times—minimized or suppressed reporting that could have brought Epstein's activities to light sooner. Multiple newsrooms previously dismissed concerns as fringe speculation or “conspiracy theory,” creating an environment in which survivors struggled to be heard and credible leads were not pursued. Critics argue that these decisions, driven by the desire to preserve relationships with powerful figures in Epstein's network, contributed to years of continued abuse.Today, media organizations have adopted a markedly different tone, positioning themselves as champions of transparency and accountability, but skepticism remains high among the public and advocates for survivors. Many contend that the press's recent coverage is less a moral awakening than a defensive reaction to overwhelming evidence that can no longer be ignored. Trust in legacy media has eroded as news consumers question how such systemic failures were allowed to persist unchallenged and why no meaningful internal reckoning has occurred. The episode has reignited calls for accountability, not only for Epstein's associates but also for the institutions that played a role in shielding them from scrutiny. For survivors and those demanding full disclosure, the issue is no longer whether the truth will emerge—but whether the media will finally confront its own role in delaying it.to contact me:bobbycapucci@protonmail.com

A highly contentious 28-point US peace plan, reportedly drafted by President Trump's Peace Envoy Steve Witkoff and a Russian envoy, was presented to Ukrainian President Volodymyr Zelensky, aiming to end the war by giving Russia significant concessions while offering Ukraine a security guarantee and the US financial benefits. Immediately following the plan's delivery, Vice President JD Vance reportedly issued an ultimatum, telling Zelensky to accept the proposal as is by Thursday or face a complete cessation of US military aid. The plan was swiftly met with surprise and alarm from European allies, who saw it as an unacceptable capitulation, violating the principle of sovereignty and calling into question Washington's commitment to collective security. Analysts suggested the timing of this aggressive push was likely an effort to secure a foreign policy win for President Trump amidst domestic political challenges, while capitalizing on a significant corruption scandal currently weakening President Zelensky's administration.

Trump is set to meet with recently elected New York mayor Zohran Mamdani at the White House on Friday following months of public conflict. The US President announced the meeting in a Truth Social Post which said the "communist mayor" requested the meeting. US correspondent Charles Feldman told Heather du Plessis-Allan, "Trump is at heart a New Yorker, and I think he's going to want to present himself as somebody who does have New York's interests at heart." LISTEN ABOVESee omnystudio.com/listener for privacy information.

Tim Cook and the other tech titans who dined with bone saw murderer MBS—and who've given millions to Trump to knock down our history for his gilded ballroom—expect the people who use their products every day to protect American democracy, while they reap its benefits to freely act against the public's interest. Meanwhile, Trump's special envoy is acting like an agent of the Russian government, and POTUS shows yet again that he is not a tough negotiator. Plus, Stephen Miller is spreading fear by design, Trump's Epstein capitulation is still worth savoring, and Tim shares his postmortem on his Kamala interview. The New Yorker's Susan Glasser joins Tim Miller. show notes Susan and Peter Baker's book, “The Divider: Trump in the White House, 2017-2021” Tim's interview with Kamala in Nashville TAKE THE SURVEY

Corinne Fisher talks all the biggest news this week including Nicki Minaj joining up with MAGA to sell out Nigeria, ICE enacting "Charlottes Web" in the Queen City, the slow drip reveal of the Epstein files, Trump threatening to pull ABC's broadcast license if they keep asking questions he doesn't like, Bangladesh sentencing their Prime Minister to death, rumors of "sniper tourism", a deeper look at Trump going after Coomey and Venezuella, a rift brewing among the DSA and so much more!Original Air Date: 11/19/25You can watch Without A Country LIVE every Wednesday at 9PM on our YouTube Channel at https://www.youtube.com/channel/UCjP3oJVS_BEgGXOPcVzlpVw!**PLEASE SUBSCRIBE, RATE & REVIEW ON iTUNES & SUBSCRIBE TO OUR YOUTUBE CHANNEL**Link To The Patreon!https://patreon.com/WithoutACountry?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLinkThis Week Corinne looks at a New Yorker piece on Nick Fuentes and what sets him apart from your typical right wing edgelordWHERE YOU CAN ANNOY US:Corinne Fisher:Twitter: https://twitter.com/PhilanthropyGalInstagram: https://www.instagram.com/philanthropygalExecutive Producer: Mike HarringtonInstagram: https://www.instagram.com/themharrington/Twitter: https://twitter.com/TheMHarringtonTheme Song By Free VicesWebsite https://www.freevices.com/Apple Music https://music.apple.com/us/artist/free-vices/1475846774Spotify https://open.spotify.com/artist/3fUw9W8zIj6RbibZN2b3kP?si=N8KzuFkvQXSnaejeDqVpIg&nd=1&dlsi=533dddc8672f46f0SoundCloud https://on.soundcloud.com/5sceVeUFADVBJr4P7YouTube https://youtube.com/channel/UCOsgEoQ2-czvD8eWctnxAAw?si=SL1RULNWVuJb8AONInstagram http://instagram.com/free_vicesENEMY OF THE STATE: Nicki Minajhttps://archive.ph/Ds0mnMAIN STORYEpstein Files: https://www.cnn.com/politics/live-news/trump-presidency-epstein-files-release-11-19-25Trump Trying to Revoke ABC News Licensehttps://www.foxnews.com/media/trump-erupts-abc-reporter-over-epstein-questions-suggests-yanking-network-licenseCOULD BE WORSE:Bangladeshi Prime Minister Sentenced to Death https://www.npr.org/2025/11/17/g-s1-98112/bangladesh-sheikh-hasina-verdictSniper Tourismhttps://www.bbc.com/news/articles/c3epygq5272oGIRL DAD CORNER:https://www.nytimes.com/2025/07/09/business/youth-sports-private-equity.htmlGUUUURL:Comey Casehttps://www.cnn.com/2025/11/19/politics/comey-vindictive-prosecution-hearing-lindsey-halligan-grand-jury-takeawaysTrump Venezuelahttps://www.nytimes.com/2025/11/18/us/politics/trump-covert-action-venezuela.htmlMayor of Seattlehttps://www.axios.com/local/seattle/2025/11/14/seattle-mayor-elect-katie-wilson-organizer-socialist-transitNYCIsrael Cannot Be Our Main Topic As Municipal Politicianshttps://www.nytimes.com/2025/11/14/nyregion/mamdani-lander-dan-goldman.htmlIn Spiteful News, Adams Leaving Mess for Mamdanihttps://www.thecity.nyc/2025/11/17/budget-eric-adams-zohran-mamdani/Chi Osse Civil Warhttps://nypost.com/2025/11/18/opinion/get-your-popcorn-for-the-democratic-socialist-civil-war-over-chi-osses-bid-to-unseat-rep-hakeem-jeffries/Chi Osse Socialisthttps://jacobin.com/2025/11/chi-osse-dsa-mamdani-socialismChi Ossehttps://www.queerty.com/rising-political-star-chi-osse-just-did-a-boyfriend-reveal-20251001/GUUURL CONTTrump/Sudanhttps://www.politico.com/news/2025/11/19/donald-trumps-foreign-policy-sudan-00660241?experience_id=EXYF89KVT5UQ&is_login_link=true&template_id=OTJIR2CRKUD6&variant_id=OTV632IE7RALSJamal Khashoggi Not A Big Dealhttps://www.nbcnews.com/world/saudi-arabia/un-investigator-trumps-defense-saudi-crown-prince-jamal-khashoggi-rcna244757See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Merriam-Webster's Word of the Day for November 20, 2025 is: gauche • GOHSH • adjective Gauche describes someone or something having or showing a lack of awareness about the proper way to behave. When describing a person or a behavior, gauche can mean “socially awkward” or “tactless”; when describing an object (such as a product with a vulgar image or slogan on it) it can mean “crudely made or done.” // Some people view giving cash in lieu of a wrapped present to be terribly gauche, but I like knowing that my friends and family will be able to pick out something they truly want. See the entry > Examples: “Ignorance of classical music, for many people, is no longer something to be ashamed of, as it was sixty or seventy years ago. If you are indifferent to it, no one will notice; if you hate it, you may even be praised for your lack of snobbery. Almost no one will be so gauche as to tell you that you are missing out on something that could change your life.” — David Denby, The New Yorker, 20 July 2025 Did you know? Although it doesn't mean anything sinister, gauche is one of several words (including sinister) with ties to old suspicions and negative associations relating to the left side and use of the left hand. In French, gauche literally means “left,” and it has the extended meanings “awkward” and “clumsy.” These meanings may have come about because left-handed people could appear awkward trying to manage in a mostly right-handed world, or perhaps because right-handed people appear awkward when trying to use their left hand. Regardless, awkwardness is a likely culprit. Fittingly, awkward itself comes from the Middle English awke, meaning “turned the wrong way” or “left-handed.” On the other hand, adroit and dexterity have their roots in words meaning “right” or “on the right side.”

In this episode of Climate Positive, Gil Jenkins speaks with Bill McKibben: author, educator, and one of the most acclaimed environmental voices of our time. His latest book, Here Comes the Sun, traces the rise of abundant, inexpensive solar power and argues that if we keep accelerating, we have a real chance not only to limit climate damage, but also to reorder the world on saner and more humane grounds. We dig into the data, the politics, and the people driving the global shift to solar, and Bill also opens up about the role of faith in his work and how he views the environmental movement's trajectory today.Links:Bill McKibben WebsitePurchase Bill's Book - Here Comes the Sun: A Last Chance for the Climate and a Fresh Chance for CivilizationBook Excerpt: 4.6 Billion Years On, the Sun Is Having a Moment – The New Yorker, July 9, 2025Substack: The Crucial Years - Bill's ongoing essays on climate, energy, and activismSun Day WebsiteThird Act WebsiteArticle: Sunday Was Also Sun Day - The New York Times, Sept. 20, 2025Episode recorded on October 20, 2025 About Bill:Bill McKibben is founder of Third Act, which organizes people over the age of 60 for action on climate and justice. His 1989 book The End of Nature is regarded as the first book for a general audience about climate change, and has appeared in 24 languages. He's gone on to write 20 books, and his work appears regularly in periodicals from the New Yorker to Rolling Stone. He serves as the Schumann Distinguished Scholar in Environmental Studies at Middlebury College, as a fellow of the American Academy of Arts and Sciences, and he has won the Gandhi Peace Prize as well as honorary degrees from 20 colleges and universities. He was awarded the Right Livelihood Award, sometimes called the alternative Nobel, in the Swedish Parliament. Foreign Policy named him to its inaugural list of the world's 100 most important global thinkers. McKibben helped found 350.org, the first global grassroots climate campaign, which has organized protests on every continent, including Antarctica, for climate action. He played a leading role in launching the opposition to big oil pipeline projects like Keystone XL, and the fossil fuel divestment campaign, which has become the biggest anti-corporate campaign in history, with endowments worth more than $40 trillion stepping back from oil, gas and coal. He stepped down as board chair of 350 in 2015, and left the board and stepped down from his volunteer role as senior adviser in 2020, accepting emeritus status. He lives in the mountains above Lake Champlain with his wife, the writer Sue Halpern, where he spends as much time as possible outdoors. In 2014, biologists credited his career by naming a new species of woodland gnat—Megophthalmidia mckibbeni–in his honor.Book Blurb:From the acclaimed environmentalist, a call to harness the power of the sun and rewrite our scientific, economic, and political future. Our climate, and our democracy, are melting down. But Bill McKibben, one of the first to sound the alarm about the climate crisis, insists the moment is also full of possibility. Energy from the sun and wind is suddenly the cheapest power on the planet and growing faster than any energy source in history—if we can keep accelerating the pace, we have a chance. Here Comes the Sun tells the story of the sudden spike in power from the sun and wind—and the desperate fight of the fossil fuel industry and their politicians to hold this new power at bay. From the everyday citizens who installed solar panels equal to a third of Pakistan's electric grid in a year to the world's sixth-largest economy—California—nearly halving its use of natural gas in the last two years, Bill McKibben traces the arrival of plentiful, inexpensive solar energy. And he shows how solar power is more than just a path out of the climate crisis: it is a chance to reorder the world on saner and more humane grounds. You can't hoard solar energy or hold it in reserves—it's available to all.There's no guarantee we can make this change in time, but there is a hope—in McKibben's eyes, our best hope for a new civilization: one that looks up to the sun, every day, as the star that fuels our world. Email your feedback to Chad, Gil, Hilary, and Guy at climatepositive@hasi.com.

Vince Gilligan's new show, “Pluribus,” opens with an unconventional apocalypse. A benevolent alien hive mind descends on Earth, commandeering the bodies of all but a handful of people who appear to be immune, including a curmudgeonly writer named Carol Sturka. Though the world that the “joined” are building seems ideal—no more crime, efficient resource distribution, an end to discrimination—it doesn't leave much room for Carol's messy humanity. Is it worth it? On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss “Pluribus” and other perfect societies imagined and enacted by artists and thinkers, from Thomas More's 1516 satire, “Utopia,” to the Shaker movement and beyond. They reflect on why these experiments have rarely held up to scrutiny or benefitted more than a select few, and why we keep coming back to them anyway. “I'm not the most optimistic person,” Fry says. “But if you're stuck in pessimistic, dystopic thinking, are you foreclosing on greater promise or greater potential of imagination?” Read, watch, and listen with the critics:“Pluribus” (2025–)“Breaking Bad” (2008-13)“Better Call Saul” (2015-22)“The X-Files” (1993-2002)“The Giver,” by Lois Lowry“Utopia,” by Thomas More“Les Guérillères,” by Monique Wittig “Close Encounters of the Third Kind” (1977)“The Testament of Ann Lee” (2025)“The Hunger Games,” by Suzanne Collins“Utopia for Realists,” by Rutger Bregman“Ragtime” (1996)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Please help us improve New Yorker podcasts by filling out our listener survey: https://panel2058.na2.panelpulse.com/c/a/661hs4tSRdw2yB2dvjFyyw Learn about your ad choices: dovetail.prx.org/ad-choices

A Celebration of "Prolific Poets of 2025" #poetrylovers #poetryWe gathered together to celebrate many of the poetry books published in 2025 by Prolific Pulse Press LLCIf you see a book or books you would like, the links follow each presenter below or go to https://www.prolificpulse.com/Be sure to sign up for our mailing list! https://dashboard.mailerlite.com/forms/1262629/142795590456050886/shareRoberta Batorsky is a Biology teacher and freelance science writer. Her poetry reflects her interest in people, their lived experiences and science. She lives in NJ with her husband and has 2 children and 2 grandchildren. she writes with empathy, knowledge and humor and has been published in Heron Clan, Fine Lines, NJ Bards, Delaware Valley Poets and other collections. This is her first book. https://www.prolificpulse.com/robertabatorsky#poetrycollection #poetsofnewjersey #perihelion ***Loralee Clark is a writer who grew up learning a love for nature and her place in it, in Maine. She resides in Virginia now as a writer and artist, with two awesome kids and a loving husband. She writes poetry and non-fiction. Myth is her love language. https://www.prolificpulse.com/loraleeclark#myth #poetsofvirginia #solemnity #rites ***Zaneta V. Johns is a world-class author of three poetry collections and What Matters Journal. She has co-authored five international bestselling collaborative books and co-edited three poetry anthologies. Johns is an editor of Fine Lines Journal and Women Speakers Association Poet Laureate. Johns resides in Colorado, USA. https://www.prolificpulse.com/zan-johns#poetlaureate #coloradopoets #colorado #awardwinningpoet #poetryeditor ***Melissa Lemay lives in Lancaster County, Pennsylvania, with her children and cats. She writes about God, addiction, trauma, healing, motherhood, and many other things. She enjoys spending time with family, drinking good coffee, and being outdoors. She loves animals. Her poem, "Ephemeral," was chosen as Poetic Publication of the Year for 2023 at Spillwords Press; she was Author of the Month for July 2024 and Author of the Year for 2024. Find her at melissalemay.wordpress, collaborature.blogspot, and at dVerse Poets Pub.https://www.prolificpulse.com/melissalemay#rengay #pennsylvaniapoets #poetrycollection #collaboration #humor ***LindaAnn LoSchiavo is a dramatist, writer, and poet.A native New Yorker, LoSchiavo has received nominations for the Pushcart Prize, Rhysling Award, Best of the Net, the IPPY Award, CLMP's Firecracker Award, Balcones Poetry Prize, and Dwarf Stars. She is a member of Science Fiction Poetry Assoc., The British Fantasy Society, and The Dramatists Guild. She has won Two Awards for Cancer Courts My Mother. https://www.prolificpulse.com/lindaannloschiavo#cancer #grief #caregiving #parentchildrelationship #newyorkpoets #awardwinningpoet ***Never until recently did he consider writing poetry. Not when he slid from the womb. Not when he felt the first tingle of teen hormones. Not after he got married, divorced, moved to another city, lost a couple jobs, moved back. It just sort of happened. Ken Tomaro, self-proclaimed poet laureate of the Cleveland sewer system, has been writing poetry for a few short years. He's not famous, rich, recognized or read in schools across America. He has been published in several literary journals, done a couple podcasts, started the YouTube channel, Screaming Down the Poetic Highway, and that's pretty damn impressive. Ken Tomaro.com https://www.prolificpulse.com/kentomaro#poetry #lifesterms #contemporary #ohiopoets

‘New Yorker' staff writer Marc Fisher says Kash Patel became FBI director without senior law enforcement experience because of his loyalty to Trump and willingness to seek retribution for his perceived enemies. “There are some ways in which many FBI agents like the fact that Patel has steered the agency back towards what they see as basic crime fighting,” Fisher says. “But the overwhelming sentiment, I think, is that he has more than shaken up the Bureau—he has gutted it.”Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Julia sits down with 70-year-old New Yorker cartooning legend Roz Chast, whose humor and unforgettable illustrations Julia has adored for decades. They dive into Roz’s anxieties, obsessions, and the worldview behind her award-winning memoir “Can’t We Talk About Something More Pleasant?” Roz chats about raising kids through constant worry, caring for her aging parents, and how her work helps her make sense of the chaos. Plus, Julia’s mom Judy recalls how she handled the sex talk with Julia when she was growing up. Follow Wiser Than Me on Instagram and TikTok @wiserthanme and on Facebook at facebook.com/wiserthanmepodcast. Find us on Substack at wiserthanme.substack.com. Keep up with Roz Chast @rozchast on Instagram. Find out more about other shows on our network at @lemonadamedia on all social platforms. Joining Lemonada Premium is a great way to support our show and get bonus content. Subscribe today by hitting 'Subscribe' on Apple Podcasts or lemonadapremium.com for any other app. For exclusive discount codes and more information about our sponsors, visit https://lemonadamedia.com/sponsors/. For additional resources, information, and a transcript of the episode, visit lemonadamedia.com.See omnystudio.com/listener for privacy information.

The New Yorker contributing writer Anna Russell joins Tyler Foggatt to discuss the rise of family estrangement in mainstream culture. Recent studies have found that more than a quarter of all Americans are currently estranged from a relative. They talk about how the idea of going “no contact” has gained traction in mainstream culture, the personal and generational shifts that can lead people to distance themselves from relatives, and why family bonds feel less inviolable than they once did. They also look at the political disagreements that can lead to decisions to cut off contact, whether close family relationships can survive deep ideological divides, and what therapists and researchers say about the prospects for reconciliation following estrangement. This week's reading: “Why So Many People Are Going ‘No Contact' with Their Parents,” by Anna Russell “The Meaning of Trump's Presidential Pardons,” by Benjamin Wallace-Wells “Nick Fuentes Is Not Just Another Alt-Right Boogeyman,” by Jay Caspian Kang “The Darkest Thread in the Epstein E-mails,” by Jessica Winter “Kash Patel's Acts of Service,” by Marc Fisher  Tune in to The Political Scene wherever you get your podcasts.Please help us improve New Yorker podcasts by filling out our listener survey: https://panel2058.na2.panelpulse.com/c/a/661hs4tSRdw2yB2dvjFyyw Learn about your ad choices: dovetail.prx.org/ad-choices

Kyle Chayka, staff writer at The New Yorker covering technology and Internet culture, discusses how songs generated using artificial intelligence are dominating top music charts and streaming services like Spotify, sometimes without the knowledge of listeners.=> "That New Hit Song on Spotify? It Was Made by A.I." (The New Yorker, November 12, 2025)

Ed Kashi is a renowned photojournalist, filmmaker, speaker and educator who has been making images and telling stories for 40 years. His restless creativity has continually placed him at the forefront of new approaches to visual storytelling. Dedicated to documenting the social and political issues that define our times, a sensitive eye and an intimate and compassionate relationship to his subjects are signatures of his intense and unsparing work. As a member of VII Photo, Ed has been recognized for his complex imagery and its compelling rendering of the human condition. Ed's innovative approach to photography and filmmaking has produced a number of influential short films and earned recognition by the POYi Awards as 2015's Multimedia Photographer of the Year. Ed's embrace of technology has led to creative social media projects for clients including National Geographic, The New Yorker, and MSNBC. From implementing a unique approach to photography and filmmaking in his 2006 Iraqi Kurdistan Flipbook, to paradigm shifting coverage of Hurricane Sandy for TIME in 2012, Ed continues to create compelling imagery and engage with the world in new ways.Along with numerous awards from World Press Photo, POYi, CommArts and American Photography, Ed's images have been published and exhibited worldwide. His editorial assignments and personal projects have generated fourteen books.In 2002, Ed in partnership with his wife, writer + filmmaker Julie Winokur, founded Talking Eyes Media. The non-profit company has produced numerous award-winning short films, exhibits, books, and multimedia pieces that explore significant social issues.In 2019, The Enigma Room, an immersive installation, premiered at NYC's Photoville festival, and has since been seen in Israel, the Netherlands, South Korea, and New Mexico, USA.HIs new book is, A Period In Time: Looking Back While Moving Forward, 1977 - 2022. In episode 269, Ed discusses, among other things:Wanting to contribute to positive changeDonating his archive and whyA lesson learned on being assertiveHis new book A Period In TimePublishing extracts from his journal entriesEditing language in response to modern sensibilitiesSeeing the impact of identity politics in the USAHis book project with his wife, Julie, American SketchesAmerica being less divided than we are being led to believeHis interest in ‘advocacy journalism'Website | Instagram Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Live from Hudson, NY, it's an author Q&A with Brian Shaefer and his debut novel Town & Country. Recorded in front of a live audience at Spark of Hudson, Mat moderates a conversation about character, plot, and the worlds of weekender and local coming together.  The story follows a congressional race set in a fictional town of Griffin, inspired by the Hudson Valley. “Duffles” is Brian's word for cidiots. One lesson which I really appreciated is the importance for all of us in a community, as Brian says, in just “showing up.”  We also play the Cidiot® Geography Game with instinctive reactions to a list of towns across the Hudson Valley. Be sure to get your copy at your local bookstore, via his author page, or through the Cidiot bookstore on Bookshop dot org.Places Mentioned:Hill Rock Distillery, Ancram Rogers Book Barn, Hillsdale Hillsdale General Store, Hillsdale Books & Cake, Hillsdale Zinnia's Dinette, Craryville Random Harvest Market, Craryville Spotty Dogs Books & Ale, Hudson Spark of Hudson, Hudson Rough Draft Bar & Books, Kingston Merritt Bookstore, Millbrook Harney & Sons, Millerton Phoenicia Diner, Phoenicia Cinnamon, Rhinebeck Diamond Mills Resort, Saugerties Camp Catskill, Tannersville  About Brian Shaefer:Brian contributes regularly to The New York Times and has written for The New Yorker, New York magazine, and more. He is a recipient of a National Endowment for the Arts Fellowship in Arts Journalism and was a finalist for the Livingston Award for International Reporting. He earned his master's degree in creative writing from Bar-Ilan University in Tel Aviv. He and his husband live in New York City and the Hudson Valley. Town & Country is his first novel.Early praise for Town & Country:“A big-hearted and true debut novel set in a small rural town amid a congressional race that forces the candidates, their families, and a clique of gay second homeowners to confront lies, betrayals and shifting allegiances. —Andrew Sean Greer, Pulitzer Price winner“Rich in sex and social intrigue.” —The New York TimesThanks for listening to Cidiot®, the award-winning podcast about moving to the Hudson Valley. Sign up for the newsletter at Cidiot.com and please rate and review the show here or in the Apple Podcasts store. Come visit. Photo credit: Stephen MackThis episode's guest editor is Julian Blackmore.  ©2025 Mat Zucker Communications. Cidiot® is a Registered Trademark.

Check out Sublime at https://sublime.app/?ref=perell Atul Gawande has written four books and countless articles for The New Yorker. When you think about doctors who write well, he's going to be the first person who comes to mind. What's unique about him is that this isn't something that came naturally. The work of research, writing, editing, shaping sentences, telling stories: those are all things that he taught himself. He's a surgeon, and he's still been able to write as much as he has. How has he done it? What has the discipline of writing for him been? That's what this episode is all about. About the host Hey! I'm David Perell and I'm a writer, teacher, and podcaster. I believe writing online is one of the biggest opportunities in the world today. For the first time in human history, everybody can freely share their ideas with a global audience. I seek to help as many people publish their writing online as possible. Follow me Apple: https://podcasts.apple.com/us/podcast/how-i-write/id1700171470 YouTube: https://www.youtube.com/@DavidPerellChannel Spotify: https://open.spotify.com/show/2DjMSboniFAeGA8v9NpoPv X: https://x.com/david_perell Learn more about your ad choices. Visit megaphone.fm/adchoices

Larry Wood, the all time New Yorker cartoon caption contest winner, author and CartoonStock caption contest judge, joins us again to talk about the current New Yorker contests, our favorite cartoons from this week's issue of the New Yorker and the latest CartoonStock contest. A great discussion of the contests this week. Our thoughts on the captions for the New Yorker contest that did not use crowdsource voting (Vin found something nice to say about one of the captions!) We also discuss the CartoonStock contest and have a discussion about the subject of the current one open for captions.Larry mentions a Pat Byrnes cartoon, but couldn't quite remember the caption. The caption is: "We will now observe a moment of silencing critics of gun violence."We discuss the winning entry for Contest #965 (Television Dead Air.)Finalists for Contest #967 (Raters of the Lost Ark.)Current Contest #969 (Feeling a bit Hornie.)You can order Larry's book, "Your Caption Has Been Selected: More Than Anyone Could Possibly Want to Know About The New Yorker Cartoon Caption Contest" here:   https://www.amazon.com/Your-Caption-Has-Been-Selected/dp/1250333407/You can purchase original New Yorker cartoon art from Curated Cartoons here: https://www.curatedcartoons.comSend us questions or comments to:  Cartooncaptioncontestpodcast@gmail.com

Season Three of Becoming the Vision is here!This season, we're Dreaming Forward—turning lineage to legacy and purpose into practice. In the first episode, we sit down with Joanna Jackson, President & CEO of the Weingart Foundation.A New Yorker by way of the famed High School of Performing Arts, Joanna shares how her early training in drama shaped a leadership rooted in vulnerability, voice, and imagination. Descending from a family of organizers and activists, her story reflects a deep belief in the personal as collective—the understanding that our individual striving can serve freedom and justice for all.Joanna's leadership journey is one of evolution, not arrival. As a testament to the importance of staying on purpose—doing the work from where you are, letting it be the guide—Joanna now leads the mission she helped to establish across her various roles at the foundation since 2008. Her story illustrates how purpose can align with practice when the organization isn't static, which Joanna credits to Weingart's commitment to organizational learning as a posture. Even amid political noise, Joanna focuses on the signal: the hope and solidarity emerging across Los Angeles and California. She names the opportunity and responsibility of this moment: to deepen collective visioning and practice as institutions, as leaders, and as people.Our conversation becomes a meditation on meeting the moment—using everything you have, even that 95%, in service to collective liberation.#BecomingTheVision #FreedomDreaming #Philanthropy #Leadership #DreamingForward #CollectiveLiberation

A puzzling clue leads Heidi to a new witness. His story about a phone call made from inside Whitehouse Farm on the morning of the crime threatens the entire case against Jeremy Bamber. New Yorker subscribers get early, ad-free access to “Blood Relatives.” In Apple Podcasts, tap the link at the top of the feed to subscribe or link an existing subscription. Or visit newyorker.com/dark to subscribe and listen in the New Yorker app. In the Dark has merch! Buy specially designed hats, T-shirts, and totes for yourself or a loved one at store.newyorker.com. Please help us improve New Yorker podcasts by filling out our listener survey: https://panel2058.na2.panelpulse.com/c/a/661hs4tSRdw2yB2dvjFyyw Learn about your ad choices: dovetail.prx.org/ad-choices

The curator Thelma Golden is a major presence in New York City's cultural life, having mounted era-defining exhibitions such as “Black Male” and “Freestyle” early on in her career. Golden is the Ford Foundation director and chief curator of the Studio Museum in Harlem, an institution, founded in 1968, that is dedicated to contemporary artists of the African diaspora. But, for a significant portion of her tenure, this singular institution has been closed to the public. Golden led the initiative to create a new, purpose-built home—requiring the demolition of an old building and reconstruction on the same site. To mark its reopening, David Remnick tours the new space with Golden, discussing some key works and the museum's mission. He notes that this triumphant moment for the Studio Museum comes during a time of broad attacks on cultural institutions, particularly on expressions of identity politics. “I take a lot of inspiration from our founders, who opened up in a complicated moment,” Golden reflects. “My own career began in the midst of the culture wars of [the nineteen-nineties]. Understanding museums as a place that should be, can be, must be where we engage deeply in ideas. In this moment, that has to offer some hope as we consider a future.”New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

Josh returns this week as we talk about Joyce Carol Oates once again DESTROYING Elon Musk in the battle of ideas, and what her observations online reveal about the true insecurities tech billionaires have now.  We then talk about a New Yorker article trying to figure out if LLMs can actually think (Spoiler: no) and the struggles facing professional AI Boosters as they sense the bubble about the burst, and we mourn a man who has lost his last Ape.  Listen to The Worst of All Possible Worlds: https://www.worstpossible.world/ Listen to Ill Conceived: https://illconceivedpodcast.com/ Follow Josh on Bluesky : @bosh.worstpossible.world ------- PALESTINE  AID LINKS -You can donate to Medical Aid for Palestinians and other charities using the links below. https://www.map.org.uk/donate/donate https://www.savethechildren.org.uk/how-you-can-help/emergencies/gaza-israel-conflict -Palestinian Communist Youth Union, which is doing a food and water effort, and is part of the official communist party of Palestine https://www.gofundme.com/f/to-preserve-whats-left-of-humanity-global-solidarity -Water is Life, a water distribution project in North Gaza affiliated with an Indigenous American organization and the Freedom Flotilla https://www.waterislifegaza.org/ -Vegetable Distribution Fund, which secured and delivers fresh veg, affiliated with Freedom Flotilla also https://www.instagram.com/linking/fundraiser?fundraiser_id=1102739514947848 -Thamra, which distributes herb and veg seedlings, repairs and maintains water infrastructure, and distributes food made with replanted veg patches https://www.gofundme.com/f/support-thamra-cultivating-resilience-in-gaza -------- PHOEBE ALERT Okay, now that we have your attention; check out her Substack Here! Check out Masters of our Domain with Milo and Patrick, here! -------- Ten Thousand Posts is a show about how everything is posting. It's hosted by Hussein (@HKesvani), Phoebe (@PRHRoy) and produced by Devon (@Devon_onEarth).

There are four faces on the Saving Elephants' Mount Rushmore of great conservatives: Edmund Burke, Russell Kirk, Thomas Sowell, and William F. Buckley.  While the first three have each had fully episodes dedicated to their life and works, William F. Buckley has yet to be explored at length.  And with Buckley's posthumous 100th birthday happening later this month, now is the perfect time to reflect on his long and remarkable life.   Sam Tanehaus' decades-in-the-making biography of Buckley was published earlier this year and he joins Saving Elephants host Josh Lewis to cover a multitude of ground in sketching out a life well lived.  Sam discusses who Buckley was as a personal friend, his impact on the conservative movement, his flirtation with radicalism and maturing into his role as conservative gatekeeper, and many of the colorful characters Buckley interacted with throughout his life.  Sam also addresses some of the criticisms of his book, Buckley: The Life and the Revolution That Changed America.   About Sam Tanehaus Sam Tanenhaus, the former editor of The New York Times Book Review, is the author of the national bestsellers Whittaker Chambers: A Biography (winner of the Los Angeles Times Book Prize and a finalist for both the National Book Award and the Pulitzer Prize) and The Death of Conservatism. His feature articles and essays have appeared in The Atlantic, The New Yorker, The New York Times Magazine, and Vanity Fair.   Buckley Turns 100 Come join the Saving Elephants livestream on November 23 at 8PM EST as we celebrate the life and legacy of William F. Buckley on the eve of his posthumous 100th birthday.  Your questions and comments welcome during this live event.

When President Donald Trump began his tariff rollout, the business world predicted that his unprecedented attempt to reshape the economy would lead to a major recession, if Trump went through with it all. But the markets stabilized and, in recent months, have continued to surge. That has some people worried about an even bigger threat: that overinvestment in artificial intelligence is creating a bubble. Andrew Ross Sorkin, one of today's preëminent financial journalists, is well versed in what's happening; his début book, “Too Big to Fail,” was an account of the 2008 financial crash, and this year he released “1929: Inside the Greatest Crash in Wall Street History—and How It Shattered a Nation.” He tells David Remnick that the concern lies in the massive borrowing to build the infrastructure for a future A.I. economy, without the sufficient revenue, currently, to pay off the loans. “If I learned anything from covering 1929, [and] covering 2008, it is leverage,” Sorkin says, “people borrowing to make all of this happen. And right now we are beginning to see a remarkable period of borrowing to make the economics of A.I. work.” Sorkin is the co-anchor of “Squawk Box” on CNBC, and he also founded the New York Times' business section, DealBook. Please help us improve New Yorker podcasts by filling out our listener survey: https://panel2058.na2.panelpulse.com/c/a/661hs4tSRdw2yB2dvjFyyw Learn about your ad choices: dovetail.prx.org/ad-choices

I've recorded hundreds of conversations with incredible people working on the front lines of the future. People who've asked the most important question: what can I do? Who found their answer and followed it. But for today's conversation, we're going back to the front lines of the past because the past can tell us a whole hell of a lot about today and how tomorrow might go.But only if we tell the full story of how we got here, about who got us here, about how my great-great-grandparents got here. And how my grandma got here fleeing the Nazis, and how millions of Africans were forcibly brought here, over 35,000 trips across the middle passage over almost 300 years. The full story of the choices we made then, which was not so long ago, and continue to make now about wars and heritage and bondage and family and land and more.And how, if we can break from the stories we've been told and continue to tell ourselves to choose history over nostalgia, to choose facts over memory and infinite disinformation on demand, we can make different choices. My guest today is Clint Smith. Clint is the number one New York Times bestselling author of How the Word Is Passed: A Reckoning With the History of Slavery Across America, he's the winner of the National Book Critic Circle Award for nonfiction, the Hillman Prize for book journalism, the Stowe Prize, the Dayton Literary Peace Prize, and was selected by the New York Times as one of the 10 best books of 2021.And now in 2025, the Young Reader's Edition has just come out and it is wonderful. Clint is also the author two books of poetry, the New York Times bestselling collection Above Ground, as well as Counting Dissent. Both poetry collections were winners of the Literary Award for Best Poetry Book from the Black Caucus of the American Library Association, and both were finalists for NAACP Image Awards.Clint is a staff writer at The Atlantic and he has received fellowships for the Andrew W. Mellon Foundation, New America, the Emerson Collective, the Art for Justice Fund, Cave Canum, and the National Science Foundation. His essays, poems, and scholarly writing have been published in The New Yorker, New York Times Magazine, the New Republic, Poetry Magazine, the Paris Review, the Harvard Educational Review, and elsewhere. Clint is a former National Poetry Slam Champion, and the recipient of the Jerome Jay Shestack Prize from the American Poetry Review.-----------Have feedback or questions? Tweet us, or send a message to questions@importantnotimportant.comNew here? Get started with our fan favorite episodes at podcast.importantnotimportant.com.Take Action at www.whatcanido.earth-----------INI Book Club:How The Word Is Passed by Clint SmithHow The Word Is Passed Young Readers Edition by Clint Smith, Adapted by Sonja Cherry-PaulFind all of our guest recommendations at the INI Book Club:

Joyce discusses the rise in gun sales as Jewish New Yorker prepare for Zohran Mamdani to take office in January. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

And you think your family has some great achievements and enough demerits to warrant a book?  Well, clearly, author and New Yorker writer, John Seabrook's family, has all of that in triplicate and he spells it all out in the eminently readable “The Spinach King: The Rise and Fall of an American Dynasty.”  His grandfather, … Read More Read More

Madhuri Vijay reads her story “Lara's Theme,” from the November 24, 2025, issue of the magazine. Vijay is the author of the novel “The Far Field,” which won India's J.C.B. Prize for Literature in 2019. She is at work on her second novel. Please help us improve New Yorker podcasts by filling out our listener survey: https://panel2058.na2.panelpulse.com/c/a/661hs4tSRdw2yB2dvjFyyw  Learn about your ad choices: dovetail.prx.org/ad-choices

The Washington Roundtable discusses the trove of Jeffrey Epstein correspondence released by Congress this week, the fractures it has caused in the Republican Party, and the potential political ramifications for President Trump. Their guest is the investigative reporter Michael Isikoff, who has spent decades reporting on major scandals in American politics, including the affair between President Bill Clinton and Monica Lewinsky, and Russian interference in the 2016 election. The panel considers the factors that made other scandals in the past, such as Watergate, break through the public consciousness and change the course of Presidencies. This week's reading: “The Epstein Scandal Is Now a Chronic Disease of the Trump Presidency,” by Susan B. Glasser “Did Democrats Win the Shutdown After All?,” by Jon Allsop “Socialism, But Make It Trump,” by John Cassidy “Governments and Billionaires Retreat Ahead of COP30 Climate Talks,” by Elizabeth Kolbert “Laura Loomer's Endless Payback,” by Antonia Hitchens “J. B. Pritzker Sounds the Alarm,” by Peter Slevin  Tune in wherever you get your podcasts.Please help us improve New Yorker podcasts by filling out our listener survey: https://panel2058.na2.panelpulse.com/c/a/661hs4tSRdw2yB2dvjFyyw Learn about your ad choices: dovetail.prx.org/ad-choices

This week, Jo discovers the seminal elegance of Sylvia Wynter's Black Metamorphosis: New Natives in a New World, while Charlotte considers how well she would fare if she traveled back in time to the era of Alexander the Great, as depicted in Mary Renault's The Persian Boy. Then, the dazzling Lauren Michele Jackson joins to discuss the chaotic, thrilling, sexually vibrant, and deeply unwell narrator of Nettie Jones' Fish Tales.Also mentioned in this episode: Percival Everett's Glyph, Danzy Senna's Symptomatic, Street Zen by David Schneider, Eve Babitz, and Samuel R. Delany's Times Square Red, Times Square Blue.Lauren Michele Jackson is an assistant professor of English at Northwestern University and contributing writer at The New Yorker. She is the author of White Negroes and the forthcoming essay collection, Back. Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane.  Jo Livingstone is a writer who teaches at Pratt Institute.Our Sponsors:* Check out Avocado Green Mattress: https://avocadogreenmattress.com* Check out BetterHelp: https://betterhelp.com/THENATIONAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

When President Donald Trump began his tariff rollout, the business world predicted that his unprecedented attempt to reshape the economy would lead to a major recession, if Trump went through with it all. But the markets stabilized and, in recent months, have continued to surge. That has some people worried about an even bigger threat: that overinvestment in artificial intelligence is creating a bubble. Andrew Ross Sorkin, one of today's preëminent financial journalists, is well versed in what's happening; his début book, “Too Big to Fail,” was an account of the 2008 financial crash, and this year he released “1929: Inside the Greatest Crash in Wall Street History—and How It Shattered a Nation.” He tells David Remnick that the concern lies in the massive borrowing to build the infrastructure for a future A.I. economy, without the sufficient revenue, currently, to pay off the loans. “If I learned anything from covering 1929, [and] covering 2008, it is leverage,” Sorkin says, “people borrowing to make all of this happen. And right now we are beginning to see a remarkable period of borrowing to make the economics of A.I. work.” Sorkin is the co-anchor of “Squawk Box” on CNBC, and he also founded the New York Times' business section, DealBook.New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

Johnny Cannizzaro joins Ralph Sutton and Aaron Berg and they discuss working on the new Quantum Leap, his love of magic and working at the Magic Castle, getting scammed into a job in LA, Johnny Cannizzaro working with Clint Eastwood, Jeremy Allen White and Ben Vereen, playing Steven Van Zandt in Bruce Springsteen: Deliver Me from Nowhere, a game of Billy vs Bruce where they try to guess if the lyrics are from a Billy Joel or Bruce Springsteen song, Johnny Cannizzaro's first concert, first drug and first sexual experiences and so much more!(Air Date: November 8th, 2025)Support our sponsors!YoKratom.com - Check out Yo Kratom (the home of the $60 kilo) for all your kratom needs!To advertise your product or service on GaS Digital podcasts please go to TheADSide.com and click on "Advertisers" for more information!You can watch The SDR Show LIVE for FREE every Wednesday and Saturday at 9pm ET at GaSDigitalNetwork.com/LIVEOnce you're there you can sign up at GaSDigitalNetwork.com with promo code: SDR for discount on your subscription which will give you access to every SDR show ever recorded! On top of that you'll also have the same access to ALL the shows that GaS Digital Network has to offer!Follow the whole show on social media!Johnny CannizzaroInstagram: https://instagram.com/JohnnyCannizzaroRalph SuttonTwitter: https://twitter.com/iamralphsuttonInstagram: https://www.instagram.com/iamralphsutton/Aaron BergTwitter: https://twitter.com/aaronbergcomedyInstagram: https://instagram.com/aaronbergcomedyShannon LeeTwitter: https://twitter.com/IMShannonLeeInstagram: https://instagram.com/ShannonLee6982The SDR ShowTwitter: https://twitter.com/theSDRshowSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

CUJO is a podcast about culture in the age of platforms. Episodes drop every other week, but if you want the full experience — including access to our CUJOPLEX Discord and reading group meetings — we recommend signing up for a paid subscription.Paid subscribers also get access to The Weather Report, a monthly episode series where we take stock of where the cultural winds are blowing and tell you what's rained into our brains. On our latest installment, we chat with Billboard editor Katie Bain, author of a new history of Coachella, about what the festival's 2026 line-up tells us about where culture is headed, the rise of anti-sellout discourse, and the AI industry's nostalgic, artisanal rebrand. Since our last episode, something historic happened: Zohran Kwame Mamdani was elected mayor of New York City, marking the American left's most significant electoral victory since the Bernie movement took off in the 2010s. While his team will credit his win to bold, populist economic policies, there's no denying another factor at play: Zohran's extraordinary command of images. He grew up in a film-director household, rapped as Young Cardamom before pivoting to politics, and hired a crew of indie filmmakers to create a video campaign that unfolded like a documentary love letter to the NYC of halal carts, bodega cats, and ordinary working people. Zohran's media fluency is also why people are calling him the Left's answer to Trump. Which all raises some big questions: Is politics in the information economy becoming indistinguishable from theatrical world-building? And what does that mean for our offline lives?This week's guest, writer and artist Gideon Jacobs, has thought about these questions for years. A former creative director at Magnum Photos, child actor, and native New Yorker, Gideon has explored our cultural relationship to images in outlets like The New Yorker, The New York Times, Artforum, and Los Angeles Review of Books, for whom he penned an excellent piece earlier this year called “Player One and Main Character,” which contends that political reality, post-Trump and post-Musk, is beginning to bend to the rules of fiction. We talk about the aesthetic politics of the Zohran campaign and what it tells us about what successful counter-programming to MAGA's vision of America might look like. We also discuss what Gideon's study of the role of images in ancient cultures and religions can tell us about navigating the image world of the present, how the rise of populism (on both the left and the right) is inextricable from our current technological moment, and whether Zohran's victory marks the start of a political future more grounded in material conditions—or the next phase of the image arms race.Follow Gideon on InstagramRead Gideon:“Player One and Main Character” (Los Angeles Review of Books)“Trump l'Oeil” (Los Angeles Review of Books)“Thou shalt not make images—but what if AI does?” (Document Journal)“Aliens” (The Drift)Additional reading:“Selling Zohran” by Corey Atad (Defector) This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit theculturejournalist.substack.com/subscribe

Legendary filmmaker and writer John Waters joins us for a reading and conversation spanning the arc of his remarkable career, in celebration of the new reissue of his classic early screenplays, with The New Yorker's Michael Schulman. From the shocking Pink Flamingos, which established him as a household name and set a new bar for cinematic filth, to Hairspray, the sweetly triumphant story of a dance-crazy teen in 1960s Baltimore — later adapted into a smash hit Tony Award-winning musical — John Waters' films redefined the art of trash in the '70s and '80s, and in the process blew open the doors of modern independent film. And as his early screenplays attest, Waters has long been more than filmmaker — he is a towering literary filth artist, a writer of radical and subversive wit; in other words, an intellectual in reverse. In this reading and conversation covering Waters' earliest days as a filmmaker in Baltimore to his status as the auteur king of exploitation films made for art theaters, we celebrate the entire arc of Waters' singular career, to honor the reissue of six of Waters' early screenplays — Multiple Maniacs, Pink Flamingos, Female Trouble, Desperate Living, Flamingos Forever, and Hairspray.

Jelani Cobb, dean of the Journalism School at Columbia University, a staff writer at The New Yorker, and the author of Three or More Is a Riot: Notes on How We Got Here: 2012-2025 (One World, 2025), looks back at recent history and find the threads that connect the era of protests and backlash.

SPONSORS: - Download Cash App Today: https://capl.onelink.me/vFut/6fv5azex #CashAppPod. Cash App is a financial services platform, not a bank. Banking services provided by Cash App's bank partner(s). Prepaid debit cards issued by Sutton Bank, Member FDIC. See terms and conditions at https://cash.app/legal/us/en-us/card-agreement. Discounts and promotions provided by Cash App, a Block, Inc. brand. Visit http://cash.app/legal/podcast for full disclosures. - Sign up for a $1 per month trial period at https://shopify.com/nottoday, all lowercase - Take advantage of Ridge's Biggest Sale of the Year and GET UP TO 47% Off by going to https://www.Ridge.com/NOTTODAY #ridgepod - Join the over 14 million all-time customers who have already saved and invested over $27 billion dollars with Acorns. Head to https://acorns.com/NOTTODAY or download the Acorns app to get started. This week, Rob Iler is joined by comedian and Impractical Jokers legend Sal Vulcano, stepping in for Jaime for the first time ever. What begins as a friendly chat about Taste Buds spirals into a hilarious, heartfelt deep-dive on friendship, family chaos, arguing like a New Yorker, and trying to be zen in middle age. Sal opens up about his new solo show Manush and the evolution of his comedy life, while Rob gets real about sobriety, growing up loud, and missing the insanity of home. Expect passionate food debates, therapy wisdom, and one of the funniest bread stories ever told. Have a question for Rob and Jamie? Reach out at nottodaypalpodcast@gmail.com Not Today, Pal Ep. 120 https://www.instagram.com/jamielynnsigler https://www.instagram.com/nottodaypalshow https://store.ymhstudios.com Chapters 00:00:00 - Intro 00:03:04 - Taste Buds & The Art of the Argument 00:13:42 - No Matter What Happens, I Love You 00:25:57 - Another Argument With Joe DeRosa But With Bread 00:29:04 - The Fight That's Never About The Fight 00:37:02 - Garlic Bread vs. Garlic Knots (The Real Debate) 00:44:38 - Movies, Malls, & The Magic Of Jersey 00:56:06 - Accents & Showing Up At The Wrong Time 01:06:36 - Gift Certificate Date 01:11:57 - Impractical Jokers Story + Unlikeable People 01:19:29 - Embarrassing Issues 01:31:40 - Final Thoughts Learn more about your ad choices. Visit megaphone.fm/adchoices

New Yorker editor and the host of "The New Yorker Radio Hour" David Remnick joined NY1's Errol Louis to discuss the big mayoral win of Zohran Mamdani and look at why he strongly resonated with younger voters. Remnick also reflected on the challenges of covering President Donald Trump, the ongoing war in Ukraine, and his own remarkable tenure at The New Yorker and Netflix's upcoming documentary, "The New Yorker at 100."

On October 19th, a group of masked men broke into the Louvre in broad daylight and made off with some of France's crown jewels. Suspects are now in custody, but the online fervor is still going strong. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss the sordid satisfaction of watching a heist play out, both onscreen and off. They dive into the debacle at the Louvre, along with a range of fictional depictions, from the fantasy of hyper-competence in “Ocean's Eleven” to the theft that goes woefully awry in Kelly Reichardt's new film, “The Mastermind.” Part of the fun, it seems, lies in rooting for those who identify and exploit the blind spots of an institution. “Someone else, just like me, is seeing that everybody is an idiot. But, unlike me, they're able to best those people in charge,” Fry says. “It's an alternative morality—a morality of wits.”Read, watch, and listen with the critics:“The Mastermind” (2025)“Ocean's Eleven” (2001)Stella Webb's impression of “the Louvre heist Creative Director”Jake Schroeder's “Ballad for the Louvre”“Showing Up” (2022)“The Italian Job” (1969)“How to Beat the High Cost of Living” (1980)“Drive” (2011)“Le Cercle Rouge” (1970)“This Is a Robbery: The World's Biggest Art Heist” (2021)“Good Time” (2017)“George Santos and the Art of the Scam” (The New Yorker)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Please help us improve New Yorker podcasts by filling out our listener survey: https://panel2058.na2.panelpulse.com/c/a/661hs4tSRdw2yB2dvjFyyw Learn about your ad choices: dovetail.prx.org/ad-choices

The deal to reopen the government does not include an extension to Affordable Care Act subsidies, which Democrats had been holding out for. Politico’s Meredith Lee Hill discusses how the fight over health care will carry on after the shutdown ends. World leaders from 194 countries are gathering in Brazil for COP30, this year’s U.N. climate gathering. Elizabeth Kolbert of the New Yorker explains why the conference won’t include any U.S. officials. Canada lost its measles-elimination status as a result of a large outbreak. Stat’s Helen Branswell breaks down what that signals about the broader state of measles prevention. Plus, the world’s largest aircraft carrier arrived near the Caribbean, how paintings by Bob Ross are helping with public-media funding shortages, and the man who executed one of the the worst trades in NBA history is out of a job. Today’s episode was hosted by Shumita Basu.

The New Yorker staff writer Eric Lach joins Tyler Foggatt to discuss Zohran Mamdani's victory in the New York City mayoral race, and what his time in office might look like. They talk about some of his early appointments to his administration and how his ambitious agenda may be at odds with other wings of the Democratic Party. They also look at how members of both parties are interpreting Mamdani's win, and how the new mayor might respond to President Donald Trump's threats to withhold federal funds from the city. This week's reading: “The Mamdani Era Begins,” by Eric Lach “Did Democrats Win the Shutdown After All?,” by Jon Allsop “Laura Loomer's Endless Payback,” by Antonia Hitchens “In Gaza, Home Is Just a Memory,” by Mohammed R. Mhawish “The Mess at the BBC Will Never End,” by Sam Knight Tune in to The Political Scene wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

This week, Oz sits down with Stephen Witt, a frequent contributor to The New Yorker and author of The Thinking Machine: Jensen Huang, NVIDIA, and the World’s Most Coveted Microchip. They’ll discuss what's made NVIDIA the most valuable chip company in the world — and the most valuable publicly traded company, period. And how a single piece of hardware changed the world forever, and its journey to existence — from a sketch on a Denny’s napkin to powering data centers the size of Central Park. Then, Stephen demystifies why data centers are shrouded in so much secrecy and what lies ahead in our AI future.See omnystudio.com/listener for privacy information.

About 100 years ago, the Great Lakes were inundated with an unwelcome visitor – the leech-like, blood-sucking, creepy-looking sea lamprey. For decades, a small governmental organization has kept the lampreys (aka Vampire Fish) in check. But now, thanks to federal budget cuts, it's not clear who will win: the Great Lakes or the sea lamprey.Read Katie Thornton's full story in the New Yorker: https://bit.ly/3WIEz9F Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A bloody Bible, propped at an unlikely angle. A manor, locked from the inside. And a silencer, hidden under the stairs, and daubed with blood. Heidi digs into the evidence and uncovers shocking flaws. New Yorker subscribers get early, ad-free access to “Blood Relatives.” In Apple Podcasts, tap the link at the top of the feed to subscribe or link an existing subscription. Or visit newyorker.com/dark to subscribe and listen in the New Yorker app. In the Dark has merch! Buy specially designed hats, T-shirts, and totes for yourself or a loved one at store.newyorker.com.  Learn about your ad choices: dovetail.prx.org/ad-choices

Patti Smith's album “Horses” came out fifty years ago, on November 10, 1975, launching her to stardom almost overnight. An anniversary reissue came out this year, to rapturous reviews. Yet being a rock star was never Smith's intention: she was a published poet before “Horses” came out, and had also written a play with Sam Shepard. Music was an afterthought, as she tells it, a way to make her poetry readings pop. “I didn't want to be boring,” she tells David Remnick. In recent years, it may finally be that more people know Smith as a writer than as a musician. Her memoir “Just Kids,” about her friendship with the late photographer Robert Mapplethorpe, won a National Book Award. “M Train” reflected on her withdrawal from music as she raised a family. In her newest memoir, “Bread of Angels,” Smith writes intimately about the loss of her husband, her brother, and close friends; she also shares a startling revelation about her family and past. It's a book that was challenging for her and took her years to write. “I write profusely—fiction, fairy tales, all kinds of things that aren't even published—without a care,” she says. “Writing a memoir, bringing other people into it, one has to really be prudent, and search themselves and make sure that they're presenting the right picture.” New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

Welcome back NSG! We get straight into NY's new 33 year old muslim mayor Zohran Mamdani but Tahoe cuts that convo short to tell us all how much he doesnt fk with us because he got embarrassed at a party, Daj asks the guys an interesting question, do you tell your boo a secret that your friend told you, is Yesssterday really a true New Yorker, and Cardi B and her decision to procreate with a guy who has 2 or 3 other new babymommas. ENJOY!!!