Podcast appearances and mentions of bob riesman

Welcome back! We've got a fresh new season for you, to begin this Thursday, December 6th, and we want to tell you a little about it. Plus: Today is the Old Town School's 61st anniversary! In celebration, we bring you a special rebroadcast of "60 Years of Folk, Part 1: Come for to Sing" from last season's audio documentary, all about the people, principles and forces that led to the creation of the school back in 1957. Featuring archival recordings from Pete Seeger, Studs Terkel, and the school's co-founders, as well as oral history interviews collected in collaboration with StoryCorps. Original recordings featured in this episode (in order of occurrence): - “Blues on Big Bill Broonzy guitar” performed by Chris Walz live at 4544 N Lincoln Ave, 6/17/2011 - StoryCorps interview of Jane Stracke by Mareva Lindo, 6/5/2017 - “Wandering,” performed by Win Stracke, Old Town School Compendium, circa 1965 - “The Trees Are All Ivied” performed by Win Stracke, Win Stracke Live with Studs Terkel, 3/19/1982 - “Ballad of the Boll Weevil” performed by Win Stracke, Old Town School Compendium, circa 1965 - StoryCorps conversation between Ron Cohen & Bob Riesman, 5/20/2017 - Studs Terkel interview by Paul Tyler, Old Town School 35th anniversary interviews, 1992 - Win Stracke interview by Studs Terkel, Win Stracke Live with Studs Terkel, 3/19/1982 - “In the Evening” performed by Frank Hamilton live at 333 W North Ave, 4/15/1962 - Frank Hamilton interviews by Mareva Lindo, 7/27/2015 and 2/12/2016 - “Old Blue” performed by Guy Carawan live at the Armstrong home, 8/13/1978 - “Nine Hundred Miles” from Old Town School Compendium, circa 1965 - “Roll the Union On,” performed by Pete Seeger live at People's Church, 5/17/1986 - Pete Seeger interview by Paul Tyler, Old Town School 35th anniversary interviews, 1992 - StoryCorps conversation between Lance Greening & Rick Veras, 5/8/2017 - Dawn Greening interview by Paul Tyler, Old Town School 35th anniversary interviews, 1992 - “Ain't Gonna Let Nobody Turn Me ‘Round,” performed by Odetta live at 4544 N Lincoln Ave, 10/30/2004 - “Methodist Pie” performed by Win Stracke live at 333 W North Ave, 4/15/1962 - “Vranjanka (Serbia)” performed by Valucha deCastro and Frank Hamilton live at 333 W North Ave, 4/15/1962 - “Witch Upon A Hill” performed by Ted Johnson live at 333 W North Ave, 10/10/1964 - StoryCorps conversation between Ted Johnson and Marcia Johnson, 3/22/2017 - “Glory of Love” performed by Big Bill Broonzy live at Circle Pines Center, circa 1950s References and recommended reading: - Chicago Folk: Images of the Sixties Music Scene by Ronald D. Cohen & Bob Riesman - Rainbow Quest: The Folk Music Revival and American Society, 1940-1970 by Ronald D. Cohen

Sixty years ago, in the holiday season of 1957, Chicago's Old Town School of Folk Music first opened its doors. This Thanksgiving Day, The Archives celebrates the 60th anniversary with a six-part documentary on the school's history, through the voices and songs of the people who were there. This first episode tells the remarkable story of how Win Stracke, Frank Hamilton, Dawn Greening and Gertrude Soltker came together to found the Old Town School--featuring archival music and recordings from Studs Terkel, Pete Seeger, and the founders themselves, as well as many of the people who participated in our oral history project with StoryCorps this past year. Go to oldtownschool.org/StoryCorps to hear more of the stories we gathered, and to learn more about this ongoing partnership. Original recordings featured in this episode (in order of occurrence): - “Glory of Love” performed by Big Bill Broonzy live at Circle Pines Center, circa 1950s - StoryCorps conversation between Ron Cohen & Bob Riesman, 5/20/2017 - “Blues on Big Bill Broonzy guitar” performed by Chris Walz live at 4544 N Lincoln Ave, 6/17/2011 - StoryCorps interview of Jane Stracke by Mareva Lindo, 6/5/2017 - “Wandering,” performed by Win Stracke, Old Town School Compendium, circa 1965 - “The Trees Are All Ivied” performed by Win Stracke, Win Stracke Live with Studs Terkel, 3/19/1982 - “Ballad of the Boll Weevil” performed by Win Stracke, Old Town School Compendium, circa 1965 - Studs Terkel interview by Paul Tyler, Old Town School 35th anniversary interviews, 1992 - Win Stracke interview by Studs Terkel, Win Stracke Live with Studs Terkel, 3/19/1982 - “In the Evening” performed by Frank Hamilton live at 333 W North Ave, 4/15/1962 - Frank Hamilton interviews by Mareva Lindo, 7/27/2015 and 2/12/2016 - “Old Blue” performed by Guy Carawan live at the Armstrong home, 8/13/1978 - “Nine Hundred Miles” from Old Town School Compendium, circa 1965 - “Roll the Union On,” performed by Pete Seeger live at People's Church, 5/17/1986 - Pete Seeger interview by Paul Tyler, Old Town School 35th anniversary interviews, 1992 - StoryCorps conversation between Lance Greening & Rick Veras, 5/8/2017 - Dawn Greening interview by Paul Tyler, Old Town School 35th anniversary interviews, 1992 - “Ain't Gonna Let Nobody Turn Me ‘Round,” performed by Odetta live at 4544 N Lincoln Ave, 10/30/2004 - “Methodist Pie” performed by Win Stracke live at 333 W North Ave, 4/15/1962 - “Vranjanka (Serbia)” performed by Valucha deCastro and Frank Hamilton live at 333 W North Ave, 4/15/1962 - “Witch Upon A Hill” performed by Ted Johnson live at 333 W North Ave, 10/10/1964 - StoryCorps conversation between Ted Johnson and Marcia Johnson, 3/22/2017 References and recommended reading: - Chicago Folk: Images of the Sixties Music Scene by Ronald D. Cohen & Bob Riesman - Rainbow Quest: The Folk Music Revival and American Society, 1940-1970 by Ronald D. Cohen

Andrew Patner talks with Bob Riesman, author of the book "I Feel So Good: The Life and Times of Big Bill Broonzy," in the last of a 2013 series on the legendary Chicago blues and folk musician [...]

Andrew Patner talks with Bob Riesman, author of the book "I Feel So Good: The Life and Times of Big Bill Broonzy," in the second of a 2013 series on the legendary Chicago blues and folk musician [...]

Andrew Patner talks with Bob Riesman, author of the book "I Feel So Good: The Life and Times of Big Bill Broonzy," in the first of a 2013 series on the legendary Chicago blues and folk musician [...]

Andrew continues with the conclusion of his conversation with Bob Riesman, author of the recent book "I Feel So Good: The Life and Times of Big Bill Broonzy," on the legendary Chicago blues and folk musician [...]

Andrew talks with Bob Riesman, author of the recent book "I Feel So Good: The Life and Times of Big Bill Broonzy," in the second of a series on the legendary Chicago blues and folk musician [...]

Andrew talks with Bob Riesman, author of the recent book "I Feel So Good: The Life and Times of Big Bill Broonzy," in the first of a series on the legendary Chicago blues and folk musician [...]

A major figure in American blues and folk music, Big Bill Broonzy (1903-1958) left his Arkansas Delta home after World War I, headed north, and became the leading Chicago bluesman of the 1930s. His success came as he fused traditional rural blues with the electrified sound that was beginning to emerge in Chicago. This, however, was just one step in his remarkable journey: Big Bill was constantly reinventing himself, both in reality and in his retellings of it. Bob Riesman's groundbreaking biography tells the compelling life story of a lost figure from the annals of music history. For captions, transcript, and more information visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=5791.

Big Bill Broonzy was a master storyteller. From his name, he was born Lee Conly Bradley, to his age, he typically added a decade, to the facts of his growing up in the pre-civil rights segregated South (not that he didn’t, he simply embellished a lot) Bill could spin a yarn. As Bob Riesman tells it in I Feel So Good: The Life and Times of Big Bill Broonzy (University of Chicago, 2011) Bill mythologized his life in order to tell a story that was larger than his own, the story of African Americans in the first half of the twentieth century. For the most part, Bill told his story through songs–he recorded hundreds of them in his more than three decade career–some of which, like “Key to the Highway” and “Black, Brown, and White Blues,” remain popular and relevant to this day. But he also told his story through the many candid conversations he had with fellow blues travelers that were recorded by the likes of Studs Terkel, Alan Lomox, and Win Stracke. The Belgian husband and wife team of Yannick and Margo Bruynoghe compiled and edited a lengthy series of Bill’s own writings into an autobiography, Big Bill Blues. All-in-all, Big Bill Broonzy stands as one of the giants of American blues and jazz. He played with and/or influenced the blues of many musicians including, but not limited to: Roosevelt Sykes, Washboard Sam, Lil Green, Muddy Waters, Big Maceo Merriweather, Sonny Boy Williamson, Mahalia Jackson, Pete Seeger, Eric Clapton, Ray Davies, and Pete Townshend. Big Bill himself may not be lodged in the memories of most people these days, but his music and stories surely are. Bob Riesman is coeditor of Chicago Folk: Images of the Sixties Music Scene: The Photographs of Raeburn Flerlage. He produced and cowrote the television documentary American “Roots Music: Chicago” and was a contributor to Routledge’s Encyclopedia of the Blues. Learn more about your ad choices. Visit megaphone.fm/adchoices

Big Bill Broonzy was a master storyteller. From his name, he was born Lee Conly Bradley, to his age, he typically added a decade, to the facts of his growing up in the pre-civil rights segregated South (not that he didn’t, he simply embellished a lot) Bill could spin a yarn. As Bob Riesman tells it in I Feel So Good: The Life and Times of Big Bill Broonzy (University of Chicago, 2011) Bill mythologized his life in order to tell a story that was larger than his own, the story of African Americans in the first half of the twentieth century. For the most part, Bill told his story through songs–he recorded hundreds of them in his more than three decade career–some of which, like “Key to the Highway” and “Black, Brown, and White Blues,” remain popular and relevant to this day. But he also told his story through the many candid conversations he had with fellow blues travelers that were recorded by the likes of Studs Terkel, Alan Lomox, and Win Stracke. The Belgian husband and wife team of Yannick and Margo Bruynoghe compiled and edited a lengthy series of Bill’s own writings into an autobiography, Big Bill Blues. All-in-all, Big Bill Broonzy stands as one of the giants of American blues and jazz. He played with and/or influenced the blues of many musicians including, but not limited to: Roosevelt Sykes, Washboard Sam, Lil Green, Muddy Waters, Big Maceo Merriweather, Sonny Boy Williamson, Mahalia Jackson, Pete Seeger, Eric Clapton, Ray Davies, and Pete Townshend. Big Bill himself may not be lodged in the memories of most people these days, but his music and stories surely are. Bob Riesman is coeditor of Chicago Folk: Images of the Sixties Music Scene: The Photographs of Raeburn Flerlage. He produced and cowrote the television documentary American “Roots Music: Chicago” and was a contributor to Routledge’s Encyclopedia of the Blues. Learn more about your ad choices. Visit megaphone.fm/adchoices

Big Bill Broonzy was a master storyteller. From his name, he was born Lee Conly Bradley, to his age, he typically added a decade, to the facts of his growing up in the pre-civil rights segregated South (not that he didn’t, he simply embellished a lot) Bill could spin a yarn. As Bob Riesman tells it in I Feel So Good: The Life and Times of Big Bill Broonzy (University of Chicago, 2011) Bill mythologized his life in order to tell a story that was larger than his own, the story of African Americans in the first half of the twentieth century. For the most part, Bill told his story through songs–he recorded hundreds of them in his more than three decade career–some of which, like “Key to the Highway” and “Black, Brown, and White Blues,” remain popular and relevant to this day. But he also told his story through the many candid conversations he had with fellow blues travelers that were recorded by the likes of Studs Terkel, Alan Lomox, and Win Stracke. The Belgian husband and wife team of Yannick and Margo Bruynoghe compiled and edited a lengthy series of Bill’s own writings into an autobiography, Big Bill Blues. All-in-all, Big Bill Broonzy stands as one of the giants of American blues and jazz. He played with and/or influenced the blues of many musicians including, but not limited to: Roosevelt Sykes, Washboard Sam, Lil Green, Muddy Waters, Big Maceo Merriweather, Sonny Boy Williamson, Mahalia Jackson, Pete Seeger, Eric Clapton, Ray Davies, and Pete Townshend. Big Bill himself may not be lodged in the memories of most people these days, but his music and stories surely are. Bob Riesman is coeditor of Chicago Folk: Images of the Sixties Music Scene: The Photographs of Raeburn Flerlage. He produced and cowrote the television documentary American “Roots Music: Chicago” and was a contributor to Routledge’s Encyclopedia of the Blues. Learn more about your ad choices. Visit megaphone.fm/adchoices