Podcasts about Folk music

Host Jason English welcomes Stella Prince, hailed as the face of Gen Z folk, for a conversation recorded at AmericanaFest after her first official showcase at Nashville's female-owned venue, Anzie Blue. Prince reflects on growing up in Woodstock, New York, singing as a child with artists like Pete Seeger, and her early drive to work in music, including being a 12-year-old radio DJ spinning 1930s–40s big band and writing music reviews. She discusses making folk mainstream again, the generational appeal of the genre, and inspirations like Joni Mitchell, Joan Baez, and Judy Collins, plus contemporaries like Laufey. Prince describes building an all-women team, recording her debut EP in Laurel Canyon, and releasing her first sync—a Hallmark film featuring her reimagined “(They Long to Be) Close to You.” She also shares songwriting shaped by Gen Z anxiety, inflation, and newfound independence, and performs “Don't Think Twice, It's All Right” and her original “Good Luck Is Hard to Find.”00:00 Folk Across Generations00:28 Podcast Intro and Guest Setup02:42 AmericanaFest Milestone04:38 Why Folk Feels Real Now05:34 Making Folk Mainstream Again06:13 Gen Z Jazz Inspiration08:21 Woodstock Roots and Early Magic09:27 Radio DJ and Big Band Years11:00 DIY Hustle to Building a Team13:04 All Women Team and Industry Gaps13:45 Women on the Road14:42 Laurel Canyon Recording Dream15:23 Career First at 2116:26 EP Plans and Hallmark Sync17:57 Songwriting From Independence18:35 Gen Z Pressure and Anxiety20:55 Curiosity and Defining Success23:14 Live Performance Session26:04 Original Song Closing

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When a sudden storm threatens to sink the disciples’ boat, their fear exposes just how fragile their faith really is. In the chaos, Jesus speaks a word and a raging sea becomes a great calm, revealing that he is no mere teacher but the Lord of creation itself. The storms we face uncover our vulnerability, but they also invite us to trust the one who has faced the ultimate storm on our behalf. Listen this sermon as Jason Harris explores what the super storm reveals about our faith, our fears, and the Savior who stands sovereign over it all. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

Acclaimed vintage guitar repairperson Mark Stutman (Folkway Music) joins the Fretboard Journal Podcast once again.  We talk about his early training as a luthier, running Folkway Music, and his approach to repairing vintage acoustics that may have left the factory with a quirk or two. We also talk about Mark's love for film and digital photography and so much more.    Mark is a frequent guest on our podcast, a speaker at our annual Fretboard Summit and even contributed the cover photo that graces our 58th issue! We hope you enjoy this chat.    https://folkwaymusic.com https://www.instagram.com/folkwaymusic https://www.instagram.com/folkway_repairs/ Our next Fretboard Summit takes place August 20-22, 2026, at the Old Town School of Folk Music in Chicago. Register today: https://fretboardsummit.org We are brought to you by Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Stringjoy Strings: https://stringjoy.com Mike & Mike's Guitar Bar: https://mmguitarbar.com Mike & Mike's Substack: https://mmguitarbar.substack.com

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Musicians John Ballantyne and Gus Noble of Crazy Heart join Rick Kogan to talk about their celebration of John Prine with ‘Chicago 1971’ on March 15th at the Old Town School of Folk Music. John and Gus discuss their early interests in John Prine, the crowd’s response to their performances, and their love of sharing music […]

Fretboard Journal contributor Seth Lorinczi joins us this week to talk about the rise and fall of Micro-Frets, the upstart electric guitar brand launched in the late 1960s. Seth penned a lengthy story on Micro-Frets for our magazine's 58th issue (available now), and we talk about the brand's launch in Maryland, its unique offerings, the short-lived attempt to revive the company, and so much more. We also talk about Seth's history in the DC punk scene, his writing projects, and the impact psychedelic therapy has had on his life.  https://www.sethlorinczi.com/ Issue 58 of the FJ (with Seth's Micro-Frets story): https://www.fretboardjournal.com/features/whats-inside-fretboard-journal-58/   Steve Melkisethian on the Truth About Vintage Amps Podcast: https://www.fretboardjournal.com/podcasts/the-truth-about-vintage-amps-ep-38-with-special-guest-steve-melkisethian/ Our next Fretboard Summit takes place August 20-22, 2026, at the Old Town School of Folk Music in Chicago. Register today: https://fretboardsummit.org We are brought to you by Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Stringjoy Strings: https://stringjoy.com Mike & Mike's Guitar Bar: https://mmguitarbar.com Mike & Mike's Substack: https://mmguitarbar.substack.com

At a wedding in Cana, when the wine runs out and quiet embarrassment sets in, Jesus performs His first sign — turning water into the very best wine. This miracle reveals a Savior who affirms the goodness of creation, cares about ordinary human need, and offers a deeper joy than this world can sustain. The wine we chase eventually runs dry, but Jesus provides a new wine that cleanses, renews, and points to a coming feast where joy will never end. Watch this sermon as Jason Harris explores why Jesus always saves the best for last, and what that means for our lives today. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities. High Bias: The Distorted History of the Cassette Tape (UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect. Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical. Marc Masters is a music journalist whose work has appeared on NPR and in the Washington Post, Pitchfork, Rolling Stone, and Bandcamp Daily. He is also the author of No Wave. Marc Masters on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities. High Bias: The Distorted History of the Cassette Tape (UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect. Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical. Marc Masters is a music journalist whose work has appeared on NPR and in the Washington Post, Pitchfork, Rolling Stone, and Bandcamp Daily. He is also the author of No Wave. Marc Masters on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

"Bolivian radio programme on folk music": a recording of folk music from southern Bolivia issued by Radio Universidad de Tarija, with commentary (in Spanish).From the sound collections of the Pitt Rivers Museum, University of Oxford, being one of a small number of recordings issued or released by foreign broadcasting corporations or radio associations.Recorded by Radio Universidad de Tarija.Copyright Pitt Rivers Museum, University of Oxford.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds

The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities. High Bias: The Distorted History of the Cassette Tape (UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect. Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical. Marc Masters is a music journalist whose work has appeared on NPR and in the Washington Post, Pitchfork, Rolling Stone, and Bandcamp Daily. He is also the author of No Wave. Marc Masters on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities. High Bias: The Distorted History of the Cassette Tape (UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect. Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical. Marc Masters is a music journalist whose work has appeared on NPR and in the Washington Post, Pitchfork, Rolling Stone, and Bandcamp Daily. He is also the author of No Wave. Marc Masters on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities. High Bias: The Distorted History of the Cassette Tape (UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect. Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical. Marc Masters is a music journalist whose work has appeared on NPR and in the Washington Post, Pitchfork, Rolling Stone, and Bandcamp Daily. He is also the author of No Wave. Marc Masters on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.

The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities. High Bias: The Distorted History of the Cassette Tape (UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect. Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical. Marc Masters is a music journalist whose work has appeared on NPR and in the Washington Post, Pitchfork, Rolling Stone, and Bandcamp Daily. He is also the author of No Wave. Marc Masters on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Kavita Shah is an Indian-American award-winning vocalist, composer and polyglot. She's been hailed by NPR for possessing an “amazing dexterity for musical languages”. Her music covers modern jazz, new music, and her own exploration of folk traditions from Brazil to West Africa to India. Her album “Interplay” was nominated for France's Victoire de la Musique for Jazz Album of the Year. She regularly performs at major concert halls, festivals, and clubs on six continents. And she started a record label called Folkalist to focus on female voices of the Global South.My featured song is “Feeling So Good” from the album Bobby M and the Paisley Parade. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH KAVITA:www.kavitashahmusic.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

On Ash Wednesday it's good to be the KingWatch Us Live on twitch.tv/cptjackgonzoSocials https://www.facebook.com/scoundrelsinnhttps://www.instagram.com/scoundrelsinnmedia/scoundrelsinn.com Support us on PayPal!

The iconic folk duo met at an audition for the only country music band at a prestigious jazz school in Boston. They immediately clicked, and joined the rich lineage of Americana artists that stretches back centuries.In their 20s, Gillian Welch and David Rawlings discovered they had something special when they sang together, a sort of eerie emotional resonance that is usually confined to the blood harmonies produced when siblings sing together.Ever since they've been making music together which draws on the bluegrass, country and folk traditions they love.In their historic recording studio in Nashville, Tennessee (which has withstood three tornadoes in the last century), they craft haunting songs about the ugly and beautiful parts of humanity.For Gill and Dave, the DNA of folk music is something we can all contribute to, and which contributes to all of us.Gillian Welch and David Rawlings are currently touring Australia's eastern states. You can find information about where and when they are playing on their website.Their seventh studio album is called Woodland, named after their indestructible studio.This episode of Conversations was produced by Meggie Morris. Executive Producer is Nicola Harrison.This episode of Conversations was produced by Meggie Morris. Executive Producer is Nicola Harrison.It explores music, recording, career musicians, Woody Guthrie, The Carter Family, Lead Belly, revival folk, Bob Dylan, Joan Baez, Simon & Garfunkel, Joni Mitchell, Emmy Lou, Dolly Parton, Southern America, United States, Pete Seeger, Love, relationship, natural disaster, Neil Young, Gordon Lightfoot, Leonard Cohen, Odetta, Harry Belafonte, Rhiannon Giddens, banjo, guitar, mandolin, true crime, murder ballad, Revival, Time (The Revelator), Soul Journey, The Harrow & The Harvest, All the Good Times (Are Past & Gone), Grammy Awards, Grammys, songwriting, Coen Brothers, O Brother, Where Art Thou?To binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.

Ash Wednesday invites us to face the truth about ourselves — our frailty, our wandering hearts, and our need for mercy. In one unforgettable story, Jesus exposes both the pride that blinds us and the grace that welcomes us home. Through repentance and humility, we discover that God’s mercy runs deeper than our failure. Watch this Ash Wednesday sermon as Jason Harris reflects on the day Jesus told a story that calls us to honest repentance and joyful return. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

In this episode of the Crazy Wisdom podcast, host Stewart Alsop interviews John von Seggern, founder of Future Proof Music School, about the intersection of music education, technology, and artificial intelligence. They explore how musicians can develop timeless skills in an era of generative AI, the evolution of music production from classical notation to digital audio workstations like Ableton Live, and how AI is being used on the education side rather than for creation. The conversation covers music theory fundamentals, the development of instruments and recording technology throughout history, complex production techniques like sidechain compression, and the future of creative work in an AI-assisted world. John also discusses his development of Cadence, an AI voice tutor integrated with Ableton Live to help students learn music production. For those interested in learning more about Future Proof Music School or becoming a beta tester for the AI voice tutor, visit futureproofmusicschool.com.Timestamps00:00 Future Proofing Musicians in a Changing Landscape03:07 The Role of AI in Music Education05:36 Generative AI: A Tool for Musicians?08:36 The Evolution of Music Creation and Technology11:30 The Impact of Recording Technology on Music14:31 The Fragmentation of Culture and Music17:19 Exploring Music History and Theory20:13 The Relationship Between Music and Memory23:07 The Future of Music Creation and AI26:17 The Importance of Live Music Experiences28:49 Navigating the New Music Landscape31:47 The Role of AI in Finding New Music34:48 The Creative Process in Music Production37:33 The Future of Music Theory and Composition40:10 The Search for Unique Artistic Voices43:18 The Intersection of Music and Technology46:10 Cultural Shifts in the Music Industry49:09 Finding Quality in a Sea of ContentKey Insights1. Future-proofing musicians means teaching evergreen techniques while adapting to AI realities. John von Seggern founded Future Proof Music School to address both sides of music education in the AI era. Students learn timeless production skills that won't become obsolete as technology evolves, while simultaneously exploring meaningful creative goals in a world where generative AI exists. The school uses AI on the education side to help students learn, but students themselves aren't particularly interested in using generative AI for actual music creation, preferring to maintain their creative fingerprint on their work.2. The 12-note Western music system emerged from mathematical relationships discovered by Pythagoras and enabled collaborative music-making. Pythagoras demonstrated that pitch relates to vibrating string lengths, establishing mathematical ratios for musical intervals. This system allowed Western classical music to flourish because it could be notated and taught consistently, enabling large groups to play together. However, the piano is never perfectly in tune due to necessary compromises in the tuning system. By the 1920s, composers had explored most harmonic possibilities within this framework, leading to new directions in musical innovation.3. Recording technology fundamentally transformed music by making the studio itself the primary instrument. The invention of audio recording in the early-to-mid 20th century shifted music from purely instrumental composition to sound-based creation. This enabled entirely new genres like electronic dance music and hip-hop, which couldn't exist without technologies like synthesizers and samplers. Modern digital audio workstations like Ableton Live allow producers to have unlimited tracks and manipulate sounds in infinite ways, making any imaginable sound possible and moving innovation from hardware to software.4. Generative AI will likely replace generic music production but not visionary artists. John distinguishes between functional music (background music for films, work, or bars) and music where audiences deeply connect with the artist's vision. AI excels at generating functional music cheaply, which will benefit indie filmmakers and similar creators. However, artists with strong creative visions who audiences follow and identify with won't be replaced. The creative fingerprint and personal statement of important artists will remain valuable regardless of the tools they use, just as DJs created art through curation rather than original production.5. Copyright restrictions are limiting generative music AI's quality compared to other AI domains. Unlike books and visual art, recorded music copyrights are concentrated among a few companies that defend them aggressively. This prevents AI music models from training on the best music in each genre, resulting in lower-quality outputs. Some developers claim their private models trained on copyrighted music sound better than commercial offerings, but legal constraints prevent widespread access. This situation differs significantly from other creative domains where training data is more accessible.6. Modern music production involves complex technical skills like sidechain compression and multi-track mixing. Today's electronic music producers work with potentially hundreds of tracks, each with sophisticated processing. Techniques like sidechain compression allow certain elements (like kick drums) to dynamically reduce the volume of other elements (like bass), ensuring clarity in the final mix. Future Proof Music School teaches students these complex production techniques, with some aspiring producers creating incredibly detailed compositions with intricate effects chains and interdependent track relationships.7. Culture is fragmenting into micro-trends, making discovery rather than creation the primary challenge. John observes that while the era of mass media created mega-stars like The Beatles and Elvis, today's landscape features both enormous stars (like Taylor Swift) and an extremely long tail of creators making niche content. AI will make it easier for more people to create quality content, particularly in fields like independent filmmaking, but the real problem is discovery. Current algorithmic recommendations don't effectively surface hidden gems, suggesting a future where personal AI agents might better curate content based on individual preferences rather than platform-driven engagement metrics.

President's Day struggleWatch Us Live on twitch.tv/cptjackgonzoSocials https://www.facebook.com/scoundrelsinnhttps://www.instagram.com/scoundrelsinnmedia/scoundrelsinn.com Support us on PayPal!

The Christian life can quietly become a formula of effort and discipline, yet Jesus teaches that real growth cannot be manufactured. In John 15, He invites us to abide in Him — the true vine — where fruitfulness flows not from performance but from living connection. As God lovingly prunes and shapes his people, their lives begin to reflect his glory and overflow with lasting joy. Listen to this sermon as Twaambo Moyo shows how abiding in Christ alone leads to a fruitful life that honors God and satisfies the soul. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

In what has become an annual tradition, Evan Gluck (NY Guitar Repair) hosted a guitar repair roundtable at the 2025 Fretboard Summit. This year, he brought Ceil Thompson (StewMac); TJ Thompson (Pro Luthier Tools); Mamie Minch (Brooklyn Lutherie); and Mark Stutman (Folkway Music) onstage.  It's an insightful (and often hilarious) talk about the realities of running a guitar repair business. Very quickly, these five guitar repair experts go deep on customers, the surprise revelations they've had in their careers; the tasks (and people) they avoid; and much more.  Give it a listen. It may just make you a better customer the next time your guitar needs to be repaired.  Our next Fretboard Summit takes place August 20-22, 2026, at the Old Town School of Folk Music in Chicago. Register today: https://fretboardsummit.org Our 58th issue of the Fretboard Journal is now mailing. Subscribe here to get it. We are brought to you by Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Stringjoy Strings: https://stringjoy.com Mike & Mike's Guitar Bar: https://mmguitarbar.com Mike & Mike's Substack: https://mmguitarbar.substack.com

Send a textToday's episode is a great one! We had on a powerful and stellar singer, Mikey Brannon!! You can check him out on Spotify, Tiktok and Instagram!! Mikey doesnt drink alcohol, so we did a NA episode! Three drinks from San Pellegrino, The Pathfinder and Seven Teas!! Sit back and listen to the bluegrass and country with a dash of rock music this man from Alabama!! We played Super Password in Bruce Trivia and had Seven Teas's Raspberry Ice Tea.In Beer Flights we learn everything we can about Mikey Brannon and tried San Pellergrino's Blood Orange Soda with a sprig of rosemary.In Top Shelf we rank things blindly with Skyler at the helm and tried Espresso Tonic Mocktail by The Pathfinder.  Theme Song by Lost Like Lions  Guest Links and Social Media:Instagram:   @mikeybrannonTiktok: @mikeybrannonOur Merch Store!!Hop Station Craft BarGet Beer, Cocktails, and fab food while enjoying darts, vintage games. Hop Station is hopping!Niles BrewingUnique Beers and Cocktails! They host events and trivia weekly. Located in downtown Niles, Michigan!Perry Vine MeadsThe place to be in the Midwest to get your buzz on with the some of the finest meads ever!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

Our Valentine's episode with new music from The Groggy Dogs, Maelstr'm, The Killigans & The Bilge PumpsWatch Us Live on twitch.tv/cptjackgonzoSocials https://www.facebook.com/scoundrelsinnhttps://www.instagram.com/scoundrelsinnmedia/scoundrelsinn.com Support us on PayPal!

In October 1973, the poet and singer Leonard Cohen—thirty-nine years old, famous, unhappy, and at a creative dead end—traveled from his home on the Greek island of Hydra to the chaos and bloodshed of the Sinai desert when Egypt attacked Israel on the Jewish high holiday of Yom Kippur. Moving around the front with a guitar and a group of local musicians, Cohen met hundreds of young soldiers, men and women at the worst moment of their lives. Those who survived never forgot the experience. And the war transformed Cohen. He had announced that he was abandoning his music career, but he instead returned to Hydra and to his family, had a second child, and released one of the best albums of his career. In Who by Fire, journalist Matti Friedman gives us a riveting account of those weeks in the Sinai, drawing on Cohen's previously unpublished writing and original reporting to create a kaleidoscopic depiction of a harrowing, formative moment for both a young country at war and a singer at a crossroads. Matti Friedman is an award-winning journalist and author. Born in Toronto and based in Jerusalem, his work has appeared regularly in the New York Times, The Atlantic, Tablet, and elsewhere. Friedman's last book, Spies of No Country: Secret Lives at the Birth of Israel, won the 2019 Natan Prize and the Canadian Jewish Book Award for history. Pumpkinflowers: A Soldier's Story of a Forgotten War was chosen in 2016 as a New York Times Notable Book and one of Amazon's 10 best books of the year. His first book, The Aleppo Codex, won the 2014 Sami Rohr Prize and the ALA's Sophie Brody Medal. Matti Friedman on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Post Super Bowl Sunday episodeWatch Us Live on twitch.tv/cptjackgonzoSocials https://www.facebook.com/scoundrelsinnhttps://www.instagram.com/scoundrelsinnmedia/scoundrelsinn.com Support us on PayPal!

In October 1973, the poet and singer Leonard Cohen—thirty-nine years old, famous, unhappy, and at a creative dead end—traveled from his home on the Greek island of Hydra to the chaos and bloodshed of the Sinai desert when Egypt attacked Israel on the Jewish high holiday of Yom Kippur. Moving around the front with a guitar and a group of local musicians, Cohen met hundreds of young soldiers, men and women at the worst moment of their lives. Those who survived never forgot the experience. And the war transformed Cohen. He had announced that he was abandoning his music career, but he instead returned to Hydra and to his family, had a second child, and released one of the best albums of his career. In Who by Fire, journalist Matti Friedman gives us a riveting account of those weeks in the Sinai, drawing on Cohen's previously unpublished writing and original reporting to create a kaleidoscopic depiction of a harrowing, formative moment for both a young country at war and a singer at a crossroads. Matti Friedman is an award-winning journalist and author. Born in Toronto and based in Jerusalem, his work has appeared regularly in the New York Times, The Atlantic, Tablet, and elsewhere. Friedman's last book, Spies of No Country: Secret Lives at the Birth of Israel, won the 2019 Natan Prize and the Canadian Jewish Book Award for history. Pumpkinflowers: A Soldier's Story of a Forgotten War was chosen in 2016 as a New York Times Notable Book and one of Amazon's 10 best books of the year. His first book, The Aleppo Codex, won the 2014 Sami Rohr Prize and the ALA's Sophie Brody Medal. Matti Friedman on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In October 1973, the poet and singer Leonard Cohen—thirty-nine years old, famous, unhappy, and at a creative dead end—traveled from his home on the Greek island of Hydra to the chaos and bloodshed of the Sinai desert when Egypt attacked Israel on the Jewish high holiday of Yom Kippur. Moving around the front with a guitar and a group of local musicians, Cohen met hundreds of young soldiers, men and women at the worst moment of their lives. Those who survived never forgot the experience. And the war transformed Cohen. He had announced that he was abandoning his music career, but he instead returned to Hydra and to his family, had a second child, and released one of the best albums of his career. In Who by Fire, journalist Matti Friedman gives us a riveting account of those weeks in the Sinai, drawing on Cohen's previously unpublished writing and original reporting to create a kaleidoscopic depiction of a harrowing, formative moment for both a young country at war and a singer at a crossroads. Matti Friedman is an award-winning journalist and author. Born in Toronto and based in Jerusalem, his work has appeared regularly in the New York Times, The Atlantic, Tablet, and elsewhere. Friedman's last book, Spies of No Country: Secret Lives at the Birth of Israel, won the 2019 Natan Prize and the Canadian Jewish Book Award for history. Pumpkinflowers: A Soldier's Story of a Forgotten War was chosen in 2016 as a New York Times Notable Book and one of Amazon's 10 best books of the year. His first book, The Aleppo Codex, won the 2014 Sami Rohr Prize and the ALA's Sophie Brody Medal. Matti Friedman on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

In October 1973, the poet and singer Leonard Cohen—thirty-nine years old, famous, unhappy, and at a creative dead end—traveled from his home on the Greek island of Hydra to the chaos and bloodshed of the Sinai desert when Egypt attacked Israel on the Jewish high holiday of Yom Kippur. Moving around the front with a guitar and a group of local musicians, Cohen met hundreds of young soldiers, men and women at the worst moment of their lives. Those who survived never forgot the experience. And the war transformed Cohen. He had announced that he was abandoning his music career, but he instead returned to Hydra and to his family, had a second child, and released one of the best albums of his career. In Who by Fire, journalist Matti Friedman gives us a riveting account of those weeks in the Sinai, drawing on Cohen's previously unpublished writing and original reporting to create a kaleidoscopic depiction of a harrowing, formative moment for both a young country at war and a singer at a crossroads. Matti Friedman is an award-winning journalist and author. Born in Toronto and based in Jerusalem, his work has appeared regularly in the New York Times, The Atlantic, Tablet, and elsewhere. Friedman's last book, Spies of No Country: Secret Lives at the Birth of Israel, won the 2019 Natan Prize and the Canadian Jewish Book Award for history. Pumpkinflowers: A Soldier's Story of a Forgotten War was chosen in 2016 as a New York Times Notable Book and one of Amazon's 10 best books of the year. His first book, The Aleppo Codex, won the 2014 Sami Rohr Prize and the ALA's Sophie Brody Medal. Matti Friedman on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/israel-studies

Sam Skinner (Pinegrove) joins us this week to talk about his work as a guitarist, producer and engineer.  https://www.samskinner.com We also get Fretboard Journal and Fretboard Summit updates!  Our 58th issue of the Fretboard Journal is now mailing. Subscribe here to get it. Our next Fretboard Summit takes place August 20-22, 2026, at the Old Town School of Folk Music in Chicago. https://fretboardsummit.org We are brought to you by Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Stringjoy Strings: https://stringjoy.com Mike & Mike's Guitar Bar: https://mmguitarbar.com Mike & Mike's Substack: https://mmguitarbar.substack.com

Love is more than a feeling; it's a promise, a passion, and a power strong enough to withstand life’s fiercest storms. The Song of Songs celebrates romantic love in marriage, yet ultimately points beyond itself to a deeper, covenantal love that no waters can quench. In Christ, we see a love sealed by promise, marked by holy jealousy, and proven stronger than death itself. Listen to this sermon as Jason Harris unfolds the promise, passion, and power of God’s unquenchable love for his people. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

Whole bunch of new music tonightWatch Us Live on twitch.tv/cptjackgonzoSocials https://www.facebook.com/scoundrelsinnhttps://www.instagram.com/scoundrelsinnmedia/scoundrelsinn.com Support us on PayPal!

Welcome to Get Up in the Cool: Old Time Music with Cameron DeWhitt and Friends. This week's friends are you, because this a Call Up in the Cool episode. Tunes in this episode: Goodbye Booze Get Ready With Medo Halimy / Ya Tala'ayn El-Jabal (Cameron DeWhitt original / Palestinian folk song) Curly Headed Woman Old Chattanooga If I Were a Bell (Lyrics by Vera Moller, melody by Creekbed Carter Hogan) BONUS TRACK: Golden Chain Tree Visit Portland Immigrant Rights Coalition's website Support Get Up in the Cool on Patreon Send Tax Deductible Donations to Get Up in the Cool through Fracture Atlas Sign up at Pitchfork Banjo for my clawhammer instructional series! Schedule a banjo lesson with Cameron Visit Tall Poppy String Band's website and follow us on Instagram follow Sweeten the Third on Instagram

On this week's show, we spend quality time with superlative new records from Lucinda Williams and Langhorne Slim, spin fresh tracks from Snail Mail, Courtney Barnett and King Tuff, and fight the power with Bruce Springsteen, Billy Bragg & Low Cut Connie. All this and much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Lizzie No makes music rooted in the traditions of blues, folk, and country, filtered through an indie sensibility that resists easy categorization. Often compared to Allison Russell, Rhiannon Giddens, and Adia Victoria, she moves easily between musical worlds, collaborating with artists including Brian Dunne, Pom Pom Squad, and Domino Kirke. In this episode, Lizzie joins Rhett to talk about why folk music is a process rather than a style, and how songwriting, community, and organizing intersect in her work. She also gets practical: how she works through self-doubt, why making records is financially unsustainable for many artists, and how those constraints are pushing musicians back toward live, imperfect, human performances. The conversation also touches on her latest album, Halfsies, an immersive, narrative-driven record that follows the character Miss Freedomland from isolation toward liberation, confronting personal grief alongside an increasingly volatile American political landscape. LIzzie is on tour with the Old 97s beginning in March. Follow Lizzie @lizzie.no Follow Rhett @rhettmiller Wheels Off is hosted and produced by Rhett Miller. Executive producer is Kirsten Cluthe, Studio Kairos. Music by Old 97's. Episode artwork by Mark Dowd. Show logo by Tim Skirven. Watch the podcast on Spotify, and listen wherever you get your podcasts. You can also ask Alexa to play it.   Learn more about your ad choices. Visit megaphone.fm/adchoices

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Marriage carries deep hopes, wounds, and longings, yet Scripture invites us to see it as something far richer than culture’s changing definitions. In the Song of Songs, marriage is revealed as a joyful, covenantal union marked by exclusivity, mutuality, and enduring commitment. Beyond human relationships, marriage also points to a greater mystery — the faithful, pursuing love of Christ for his people. Listen to this sermon as Jason Harris unpacks a theology of marriage that reshapes how we understand love, commitment, and our ultimate hope in Christ. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

There are folk records, and then there is the Carolina Chocolate Drops' debut album Genuine Negro Jig. Released in 2010, Genuine Negro Jig not only blew peoples' minds, it also laid waste one of the oldest myths in music—that bluegrass and folk were largely played and created by white musicians. In this episode, multi-instrumentalist and Carolina Chocolate Drops founding member Dom Flemons brings us back to the band's formative years and the making of its Grammy winning debut album. Celebrating its 15-year anniversary, Genuine Negro Jig is being reissued with bonus tracks and so much more. And in an era where facts and history are being weaponized, Dom talks about the importance of correcting myths and falsehoods, one listener at a time. Making his fourth appearance on the show, Dom dishes on the band's formation, the reissue, and so much more. So sit back, buckle up, and welcome Dom Flemons back to For Songs.

Fingerstyle guitar authority John Stropes joins us this week to talk all about his new two-volume book featuring transcriptions of every track on Leo Kottke's monumental '6 & 12 String Guitar' album!  Get the book here: https://www.stropes.com/product/leo-kottke-6-and-12-string-guitar-a-companion-by-john-stropes-and-benjamin-kammin/ During our chat, we hear about Stropes love for fingerstyle, how the Old Town School of Folk Music (home of the Fretboard Summit) shaped his playing, collaborating with Kottke and Michael Hedges, and so much more.  Our 58th issue of the Fretboard Journal is now mailing. Subscribe here to get it. Our next Fretboard Summit takes place August 20-22, 2026, at the Old Town School of Folk Music in Chicago. https://fretboardsummit.org We are brought to you by Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Stringjoy Strings: https://stringjoy.com Mike & Mike's Guitar Bar: https://mmguitarbar.com Mike & Mike's Substack: https://mmguitarbar.substack.com

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Interview begins at 2:27 Visit www.folkmusic.com (John's Webpage) for the album & more.  To learn more about the Folk Americana Roots Hall of Fame, visit www.farhof.org

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In a culture obsessed with self-definition, the search for identity often leaves us restless rather than secure. Scripture offers a better way: identity received, not achieved, rooted in being fully known and deeply loved by God. The Song of Songs reveals how love shapes who we are and who we are becoming in Christ. Watch this sermon as Jason Harris explores how a theology of identity frees us from self-invention and grounds us in God’s transforming love. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

The Fretboard Journal's Sofia Wolfson interviews musician, producer, and recording and mixing engineer Philip Weinrobe. Over the years, Weinrobe has worked with a wide array of artists, including Big Thief, Hand Habits, Adrianne Lenker, Theo Katzman, Marc Ribot, Lake Street Dive, and countless others. It's a great chat about Weinrobe's roots as a recording engineer, his work at Figure 8 and Sugar Mountain studios, and so much more.  https://www.philipweinrobe.com Our next Fretboard Summit takes place August 20-22, 2026, at the Old Town School of Folk Music in Chicago. https://fretboardsummit.org Our 58th issue of the Fretboard Journal is now mailing. Subscribe here to get it. We are brought to you by Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Stringjoy Strings: https://stringjoy.com

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Desire is often treated with suspicion or excess, but Scripture presents it as a good gift that reveals something essential about what it means to be human. In the Song of Songs, desire is shown as both divine and dangerous — meant to be cherished, yet requiring wisdom, patience, and proper direction. Ultimately, our deepest longings point beyond human love to a God who desires relationship with us more deeply than we imagine. Listen to this sermon as Jason Harris explores how a theology of desire helps us understand our hearts, order our loves, and rest in the one who alone can truly satisfy. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

Guitarist/composer/improviser Shane Parish is about to release a truly astounding project, Autechre Guitar. The Athens, Georgia-based guitarist has transcribed and recorded an entire album of acoustic guitar arrangements featuring the music of electronic music duo Autechre. This is no small feat. Autechre's atmospheric compositions were made with layered synths and drum machines. Shane has somehow distilled them to their essence and arranged them for solo guitar. Best of all, they sound great. On the podcast, we hear all about this Mt. Everest of a project, the Taylor 214-GE he used for the task, Shane's background as an arranger and so much more. The full Autechre Guitar album comes out on February 27, 2026 via Bandcamp: https://shaneparish.bandcamp.com/album/autechre-guitar-2 Watch Shane play Aphex Twin's "Avril 14": https://www.youtube.com/watch?v=jC49znc2Swc Our next Fretboard Summit takes place August 20-22, 2026, at the Old Town School of Folk Music in Chicago. https://fretboardsummit.org Our 58th issue of the Fretboard Journal is now mailing. Subscribe here to get it. We are brought to you by Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Stringjoy Strings: https://stringjoy.com