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Our summer world tour continues — and for Stop 2, we're trading the warm Caribbean rhythms of Puerto Rico for something entirely different: the misty fjords, ancient forests, and hauntingly beautiful folk music of Norway. In this episode, we explore Norway's deep folk music roots, from the Norse storytelling tradition to the extraordinary sound of the Hardanger fiddle — an instrument that doesn't just play a melody but seems to fill the air around it. We also talk about the athletic halling dance, the improvised poetry of the stev, and how composer Edvard Grieg (the very first composer we ever featured on this podcast, back in Episode 2) deliberately wove Norwegian folk traditions into classical music that eventually reached concert halls around the world. Norway's folk music survived centuries of foreign rule because ordinary people held onto it tightly. That's a story worth hearing. What We Cover in This Episode Norway's geography and why the landscape shaped its music The Norse people, the Vikings, and the rich storytelling tradition behind Norwegian folk music How folk music became an act of cultural survival during centuries of Danish and Swedish rule The Hardanger fiddle — what makes it unlike almost any other instrument in the world (hint: it has strings you never touch) Dance forms of Norwegian folk music: the springar and the halling The stev — improvised sung poetry, and how it connects to the décima tradition we heard in Puerto Rico Edvard Grieg and how he translated Norwegian folk music into classical compositions heard around the world How Norwegian folk traditions are being carried forward by younger musicians today Free Downloads for This Episode
In this episode, we sit down with booking agent Nicole Rochefort of AIM Booking Agency.We discuss the artist-agent relationship, what agents look for when signing new clients, the importance of community and networking, and why artists need to think like entrepreneurs. Nicole also shares practical advice on self-promotion, audience development, balancing life on the road, and creating a long-term career that leaves room for both growth and rest.Interested in working with Nicole? Connect with her at the AIM Booking Agency website or on Instagram or Facebook.About Nicole RochefortNicole (Niki) Rochefort is a respected leader in Canada's performing arts industry and the founder of AIM Booking Agency. This independent firm has been shaping the national touring landscape for over 15 years. Nicole plays a vital role in strengthening Canada's touring circuits, representing award-winning musicians and performing artists at festivals and arts centres nationwide. A fixture at showcase conferences across the country, she is a dedicated advocate for her artists and a key collaborator in building bridges between performers and presenters. A distinguished leader in the Canadian performing arts, Nicole is a recipient of the Ontario Presents Agent of the Year award and a nominee for the same honour at the 2026 Live Music Awards. Nicole currently co-chairs the Ontario Creates Music Industry Advisory Committee, sits on the board of Ontario Presents, and is an active member of the CAPACOA Advocacy Committee—all central to her mission of ensuring a sustainable future for the Canadian arts.______________Tune in to the latest episodes of Refolkus, featuring latest music releases from Folk Canada members and Refolkus guests, now broadcasting on CKCU FM 93.1 in Ottawa, CKUW 95.9 FM in Winnipeg and CFBX 92.5 FM in Kamloops.Presented by Folk CanadaHosted by Rosalyn DennettProduced by Kayla Nezon and Rosalyn DennettMixed by Jordan Moore of The Pod CabinTheme music “Amsterdam” by King CardiacArtwork by Jaymie Karn
Fear has a way of convincing us that we’re alone — that our future is uncertain, our past is catching up to us, and the darkness ahead is too much to face. But Psalm 23 offers a different vision: a Shepherd who goes before us, walks beside us, and pursues us with goodness and mercy. Rather than denying the realities that frighten us, it points us to the presence of Christ in the midst of them. Listen to this sermon as Shawn Slate explores why the Good Shepherd is the answer to our deepest fears. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.
My guests on the podcast this week have an astonishing 24 Grammy awards between them and they represent two musical world I love - the first is bluegrass and string band music and the second is opera.Renée Fleming and Béla Fleck join me to chat about their wonderful new collaboration The Fiddle and the Drum, a project which explores Renée's long-held love of American folk and Appalachian music. The album includes guest appearances from several musicians from in and around the string band world, including Dolly Parton, Vince Gill, Jerry Douglas, Aoife O'Donovan, Sierra Hull and Sarah Jarosz.We chat about the role folk music played in Renée's upbringing, the similarities and differences between roots music and the classical world, how the record came together, why folk songs are so powerful and what it means to be an eclectic artist over the course of a long career (plus much more).This was a wonderful conversation to get to be part of. Thanks to Renée and Béla for taking the time to chat and particular thanks to Collin Citron for helping make this happen.You can find out more about the project and order copies of the record at reneefleming.com, along with info on live dates for The Fiddle and the Drum and the project Renée mentions, Music and the Mind You'll find info on Béla at www.belafleck.com, including BEATrio and the collaborations with Toumani Diabaté, Zakir Hussain and Chick Corea mentioned in the episode. Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!)Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins and Token premium guitar picks- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates:InstagramFacebook- Review us on Apple Podcasts
In this episode, we chat to acclaimed Canadian artist, AHI. We discuss the power of storytelling in folk music and how personal experiences shape the songs we connect with most deeply. We also touch on AHI's journey as an artist, the role of vulnerability in songwriting, and how he's learned to channel criticism into creativity and growth throughout his career.Be sure to catch AHI live on his upcoming tour and connect with him on Instagram, Facebook and on his website.About AHIWith an unmistakable voice like “gravel on silk”, and a colourful landscape of tightly-crafted lyrics, driving rhythms and uplifting melodies, Canadian singer-songwriter AHI (pronounced “eye”) is creating folk music the whole world can sing to. From charting on Spotify, Apple Music, and Amazon, to delivering captivating performances on CBS & NPR Tiny Desk and touring internationally with Mandy Moore, Lauren Daigle and Milow, AHI has earned over 100 Million streams worldwide, propelling him to the forefront of today's Folk/Roots music scene.On the international stage, AHI has received glowing reviews from Billboard (US) and Rolling Stone (Germany), and his voice has been featured by Starbucks, Ralph Lauren, IKEA, and many more. Meanwhile, back home in Canada, AHI has earned multiple JUNO Award nominations and been recognized by the prestigious Polaris Prize, establishing him as one of Canada's most exciting new voices.______________Tune in to the latest episodes of Refolkus, featuring latest music releases from Folk Canada members and Refolkus guests, now broadcasting on CKCU FM 93.1 in Ottawa, CKUW 95.9 FM in Winnipeg and CFBX 92.5 FM in Kamloops.Presented by Folk CanadaHosted by Rosalyn DennettProduced by Kayla Nezon and Rosalyn DennettMixed by Jordan Moore of The Pod CabinTheme music “Amsterdam” by King CardiacArtwork by Jaymie Karn
We're officially stamping our passports for the first stop on this summer's Around the World with Busy Kids Love Music tour — and we're heading to the beautiful island of Puerto Rico. In this episode, we explore the rich, layered history of Puerto Rican folk music, from the ceremonial traditions of the indigenous Taíno people to the vibrant rhythms of bomba and plena, to the intricate melodies of the cuatro in música jíbara. Along the way, we also talk about how those deep folk traditions connect to the contemporary music families are listening to today — including a Super Bowl performance you might have seen. Puerto Rico's folk music tells the story of a people who have carried their culture through centuries of hardship and change, and the music is still alive, evolving, and worth celebrating. What We Cover in This Episode What folk music is and why it matters The Taíno people and their ceremonial music tradition called areyto How Spanish and African influences shaped Puerto Rican folk music over centuries Bomba — the drum-driven tradition rooted in the experience of enslaved Africans, where the dancer leads the drummer Plena — the "sung newspaper" of Puerto Rico, with its distinctive pandereta (frame drum) sound Música jíbara and the cuatro, Puerto Rico's national instrument The décima — a form of improvised sung poetry that takes real musical intelligence to perform How Puerto Rico's folk traditions connect to contemporary artists like Bad Bunny Free Downloads for This Episode
Originally premiered on YouTube on January 15, 2025, this episode of East Coast DNA is now available on Spotify and all major podcast platforms for the first time.In this conversation, host Darcy Walsh sits down with Prince Edward Island folksinger and songwriter Shane Pendergast to discuss his album Winter Grace, released January 17, 2025. Shane comes from a long line of PEI storytellers and musicians, and his work reflects the landscapes, history, and community traditions that shaped him. Raised performing in small halls across the Island, he developed a deep connection to Maritime folk music and the songwriting of Gordon Lightfoot and Stompin' Tom Connors.After studying Documentary Filmmaking and English at York University, Shane spent several years performing in Toronto before returning to PEI in 2020. He founded the Jack Pine Folk Club, a monthly gathering inspired by 1960s coffeehouses that has since become a vibrant hub for traditional music and poetry. His 2021 album Second Wind won Contemporary Roots Album of the Year at the Music PEI Awards, and his 2023 live album The House Before the Bridge earned an ECMA nomination.In this episode, Shane discusses the creation of Winter Grace, the musicians who joined him on the project, and the stories behind the songs. The episode features “Crossing the Bridge” in the introduction and “Candle on the Sill” as the closing track.Photo credit: Justin RixArtist website: shanependergast.com
What makes music sacred? Who gets to be heard in worship? And where do we draw the line between “sacred” and “secular” music? In this special worship-focused episode of Perspectives, Rev. Dr. Hannah Ka sits down with Sarah Amos, Director of Music Ministries and Principal Organist at First United Methodist Church of San Diego, for a thoughtful conversation inspired by Psalm 150. Together, they explore: Why Psalm 150 gives no blueprint for “correct” worship The history of congregational singing and hymns How churches have institutionalized worship music The blurry line between sacred and secular music Why accessibility and participation matter in worship How music can reach people when words alone cannot From pipe organs and Taizé songs to Methodist hymn traditions and modern worship styles, this episode invites listeners to think more deeply about music as communal expression, spiritual formation, and embodied praise. Whether you come from a traditional church background, contemporary worship culture, or simply love music and spirituality, this conversation offers meaningful insight into the role music plays in connecting us to God and to one another. Join the Conversation We invite you to consider the below reflection questions and share your thoughts with our podcast community. We offer our in-person Convergence discussion group on Sundays at 12 PM and 24/7 connection online at Patreon. Reflection Questions: What makes music sacred to you? When do you feel encouraged to worship using your voice? How has worship reached you when words alone could not? Timestamps: 00:00 Opening Reflection — “Let everything that has breath praise the Lord” 01:14 Psalm 150 Reading & First Impressions 03:05 Sacred vs. Secular Music in Worship 05:59 Catholic Traditions, Lent, and Worship Rules 09:05 Hymns, Folk Music, and Congregational Singing 10:34 Why Singing Together Matters Spiritually 15:58 Music as Worship, Not Performance 18:13 Creativity, Taizé, and Expanding Worship Expression 22:26 How Music Reaches Us Beyond Words
In this episode, we sit down with Grammy-nominated, two-time Juno winner, fiddler Natalie McMaster. Natalie chats about her journey from growing up in Cape Breton's rich musical traditions to building an internationally celebrated music career. We discuss the role of love, family, and community in shaping her life and artistry, the decision to bring her children into her performances, and the importance of passing traditional music on to future generations. We also dive into Natalie's new bestselling book ‘I Have a Love Story', which is available wherever books are sold.Be sure to catch Natalie live on her upcoming tour and connect with her on Instagram, Facebook and on her website.About Natalie MacMasterHailing from Cape Breton Island, Natalie received her first fiddle at the age of nine, launching a career that has lasted for over three decades. Her first recording was released when she was only sixteen years old. Fifteen albums later, Natalie is a Grammy nominee and a two-time Juno winner. Natalie has received a host of awards in the US and Canada. She has recorded and toured with some of the world's greatest performing artists, including Allison Krauss, Carlos Santana, The Chieftains, Thomas Dolby, Raffi, Sharon Lois & Bram and Yo-Yo Ma. In 2002, she married renowned fiddler Donnell Leahy of the Leahy family band and moved to Lakefield, Ontario. They have seven children and have performed and recorded together as a duo, occasionally including their children, who also play fiddle, in their performances. ‘I Have a Love Story' is Natalie's first self-written publication.______________Tune in to the latest episodes of Refolkus, featuring latest music releases from Folk Canada members and Refolkus guests, now broadcasting on CKCU FM 93.1 in Ottawa, CKUW 95.9 FM in Winnipeg and CFBX 92.5 FM in Kamloops.Presented by Folk CanadaHosted by Rosalyn DennettProduced by Kayla Nezon and Rosalyn DennettMixed by Jordan Moore of The Pod CabinTheme music “Amsterdam” by King CardiacArtwork by Jaymie Karn
On this week's show, we spend quality time with new records by Social Distortion and Kacey Musgraves, spin fresh tracks from The Waterboys, The Rolling Stones and Caroline Rose, and celebrate 50 years of one of the greatest protest songs of all time. All this and much, much less! Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.
In a world that talks endlessly about love, how do we actually know what love looks like? When we take a look at Scripture, it challenges the idea that love is simply following our feelings, revealing instead how God’s law shapes and defines what it means to truly love others. Far from being restrictive, God’s commands are shown to be a guide toward human flourishing, faithfulness, and lives transformed by grace. Listen to this sermon as Twaambo Moyo explores how the gospel changes our relationship to the law and teaches us to love the way God intended. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.
Bruce Springsteen's Born to Run album is going to be performed in its entirety in the first Come Together concert for 2026 at the Christchurch Town Hall on Friday 29 May. One of the musicians involved is Christchurch's Adam McGrath, from local band The Eastern. He joined John MacDonald on Canterbury Mornings ahead of the big gig and he took his guitar along to cover one of "The Bosses" biggest hits. LISTEN ABOVESee omnystudio.com/listener for privacy information.
In this week's episode, we chat to Toronto-based folk roots singer-songwriter Shawna Caspi.We delve into the realities of touring in today's music industry and how artists can build more sustainable touring practices. We also get into frugal touring tips, navigating rising travel costs, finding creative ways to save money on the road, and the importance of community, authenticity, and artist well-being while touring.Catch Shawna Caspi on one of her upcoming tour dates and connect with her on Facebook and her website.About Shawna CaspiShawna Caspi is a Toronto-based folk-roots singer-songwriter who can make a room full of people feel like they're hanging out with an old friend in a plush corner booth. With her warm voice, clever and poetic lyrics, and intricate fingerstyle guitar accompaniment, she makes music that makes an authentic human connection, that conveys a sense of closeness, of being understood, of feeling less alone. Her latest album, Hurricane Coming, was nominated for a Canadian Folk Music Award and an Ontario Folk Music Award.______________Tune in to the latest episodes of Refolkus, featuring latest music releases from Folk Canada members and Refolkus guests, now broadcasting on CKCU FM 93.1 in Ottawa, CKUW 95.9 FM in Winnipeg and CFBX 92.5 FM in Kamloops.Presented by Folk CanadaHosted by Rosalyn DennettProduced by Kayla Nezon and Rosalyn DennettMixed by Jordan Moore of The Pod CabinTheme music “Amsterdam” by King CardiacArtwork by Jaymie Karn
Politics can feel exhausting, divisive, or impossible to escape — but how should Christians actually engage with the world of government and power? When exploring the tension between earthly authority and ultimate allegiance to Christ, we see a vision for faithful citizenship that neither idolizes politics nor withdraws from it. In a culture tempted to place its hope in leaders and institutions, we’re reminded where true hope is meant to rest. Listen to this sermon as Andrew Smith unpacks what it means to honor authority while keeping Christ at the center of our loyalty. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.
For his homework this week, Max is reviewing Adrianne Lenker's solo folk record and finding out if he can get into the energy, or if it's veering too sad for a regular listen.Relisten to "Songs" by Adrianne Lenker on Spotify and Apple Music.Discover more new music and hear your favourite artists with 78 Amped on Instagram and TikTok.Watch episodes on our YouTube channel and don't forget to like and subscribe.
Well, is this not an excuse to get the girlies together if we've ever heard one!? For our final live interview aboard Cayamo, we arranged a check-in with some of our favorite folks to talk about the state of Folk Music (and folk-adjacent music). Our panel included country artist and host of Apple Music's Color Me Country Radio Rissi Palmer, Canadian sweethearts Rose Cousins (CEO of emotions) and Kaïa Kater (Dean of Sad Songs), and Jobi Riccio, a self-proclaimed "rizzler." We spoke about the function of folk songwriting, the hope and confidence of Gen Z, the inspiration taken from elders, and the fact that there are Black people in the future (thank you, Alice Randall).We've noticed some folk songs coming out recently about moving forward and persevering despite living in hard times. It seems like the folk zeitgeist is collectively coming together to say something and we wanted to explore what's happening with folk musicians at this time. What is the function of folk songwriting in modern times? Comfort? Information? Inspiration?Folk is the big scoop that catches everyone. We need there to be a place for everyone else – and we are the everyone else. When you choose to be in this community, you grab onto this big rope, pulling against all that needs pulling against (feeling, current events, poverty, capitalism, things that homogenize, surveil, and control). These artists and the stories they tell take care of communities in a way that is similar to healthcare workers, but how are these workers being taken care of? We wanted to ask, "What's the state of your workplace and how is care being taken?" And, "What does it feel like to be moving through the world playing music for people at this time?"Follow Basic Folk on social media: https://basicfolk.bio.link/Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknewsHelp produce Basic Folk by contributing: https://basicfolk.com/donate/Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpodsAdvertising Inquiries: https://redcircle.com/brands
In 2009, an old man died in a California nursing home. His obituary included not just his given name, but a long list of the pseudonyms he'd been known to use. In this classic 2019 episode, we trace the life of Riley Shepard, a hillbilly musician, writer, small-time con man and, perhaps, a genius. Then, on Your Questions Answered, psychologist Leslie John returns to answer your questions about when to share a secret, and when to keep it to yourself. You can find an online version of Riley Shepard's Encyclopedia of Folk Music here. There's a powerful tool almost all of us overlook when we're trying to improve a work project or help our kids with their homework. Learn more in this video on our new YouTube channel! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
In a world shaped by outrage and division, it’s easy to believe that revenge is the only path to justice. But the gospel offers a radically different way — one that confronts wrongdoing honestly while refusing to let bitterness have the final word. Through life’s hardest challenges, we’re invited to see how forgiveness can break cycles of hurt and open the door to something unexpected and healing. Listen to this sermon as Jason Harris explores what it means to love not only our neighbors, but even our enemies. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.
The kind of community we long for is real, but it looks nothing like what the world typically offers. When we turn to Scripture, we see a radically different vision of relationships, where love is genuine, self-giving, and strong enough to endure both joy and pain. This vision challenges the way we approach others, inviting us into a deeper, more honest, and more sacrificial way of living together. Listen to this sermon as Jason Harris shows how receiving Christ’s love can reshape the way we love one another. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.
On this week's show, we spend quality time with superlative new records by Parlor Greens and Robyn, spin fresh tracks from Massive Attack with Tom Waits, S.G. Goodman and Angine de Poitrine, and commemorate the 50th anniversary of The Ramones' iconic self-titled debut. All this & much, much less!Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.
Ella Josephine Julia Moore is a multi-disciplinary artist whose practices uses participatory art, music composition, instrument-making, bandleading, installation and fabric arts. Under the alias Cleo Reed, they complete musical projects that are rooted in their ancestral & cultural lineage. They work toward a future that enables them to realize intentional creative endeavors and encourage joy within collaborative spaces such as museums, theaters, and unseen spaces. In their practice, they are currently drawn to notions of tradition, dissolving the binary, making noise, and breaking the barrier between artist and audience. Reed's sophomore LP, CUNTRY, is a sprawling folk-electronic offering exploring the rage that comes with grappling with the grips of labor — both on the body and in the American workplace. The album is just the beginning of the story — introducing a young, visionary artist with a singular voice and an unwavering commitment to honoring those that came before while subverting the status quo. This episode was recorded on July 22, 2025 in Chicago, IL and originally published on Patreon on September 16, 2025. Follow the show on IG at @theartofitallshow and follow the host at @dariasimoneharper! Don't forget to rate, review, and subscribe. Sharing an episode with a friend never hurts either;)
What if the way you see yourself is quietly shaping every relationship in your life? The gospel offers a new lens, freeing us from both pride and insecurity and grounding us in a truer identity. From that place, we begin to see our need for others, our belonging in community, and our role in serving with purpose. Listen to this sermon as Andrew Smith invites you to discover how a renewed perspective can transform both your inner life and your relationships. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.
Guitarist Michael Daves and mandolinist Jacob Jolliff join us this week to talk about their latest project, 'We Like Jim & Jesse!' The album, a tribute to Jim & Jesse and the Virginia Boys, features 10 of the famed bluegrass duo's tracks. During our conversation, we talk about the magic of Jim & Jesse McReynolds, some of the unique quirks of their performance style (including Jesse's wild fingernail routine), how Michael and Jacob recorded this tribute and more. https://michaeldavesjacobjolliff.bandcamp.com/album/we-like-jim-jesse Subscribe to the Fretboard Journal print magazine here. Our next Fretboard Summit takes place August 20-22, 2026, at the Old Town School of Folk Music in Chicago. Register today: https://fretboardsummit.org We are brought to you by Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Mike & Mike's Guitar Bar: https://mmguitarbar.com Mike & Mike's Substack: https://mmguitarbar.substack.com
We’re all being shaped by something, but rarely do we stop to ask what it is. The quiet pressures of everyday life pull us in one direction, while the gospel invites us into something entirely different. It challenges the idea that surrender is restrictive, showing instead how it leads to true freedom and lasting change. Watch this sermon as Jason Harris invites you to discover a life transformed from the inside out. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.
Steve Baker is the co-owner of Chicago Fret Works. After starting his career as an English teacher, he began working on guitars in 2000, learning his craft at Bryan Galloup's School of Luthiery in Michigan. In 2008, after working together at another Chicago guitar shop, he and Dan Wolf partnered up to go out on their own with Chicago Fret Works. Now eighteen years in, they've worked on instruments by many famous musicians - including lots from Wilco - as well as everyday guitars used by students at the Old Town School of Folk Music. Steve shares a bunch of those stories with us and we talk a lot about the Chicago music community. Time stamps:02:00 — How or when did you get into music?07:48 — Who's your favorite Beatle?09:06 — What's the most recent thing that's cracked open for you musically?15:32 — When did you start? How did you learn? What's your journey through the guitar world?17:47 —how do you start dipping your toes into the guitar repair world?21:55 — Did it click right away, being in bands?24:49 — So how did you decide, where's this going?27:46 — How does that come about? (re: going full time at the shop)29:30 — Was he like, "you're dead to me" or "fuck yeah, go for it"? (re: telling the boss)34:18 — Do you have plans for the 20th anniversary celebration?37:48 — When did you feel, have you felt like, "yeah, we've made it"?40:14 — How did that relationship with Wilco develop?45:47 — Do those guys fall in love with something and say, "you've got to keep this thing going"?48:12 — How did you get that opportunity? (re: tuning guitars for shows)50:52 — So what's your greatest [story]?58:54 — Is it hard to find people? Is it a good career working as a guitar tech? Is it hard to get people who know what they're doing nowadays?69:18 — Are you a deep dish or thin crust pizza fan?71:10 — What is your favorite venue to see a show at?72:37 — What do you think makes Chicago a unique music scene?75:30 — What's your go-to cheap drink?79:02 — What's happening [at Chicago Fretworks for the next couple months]?79:12 — What's the easiest way if I have a guitar that needs to be fixed? What's the best way? Do I just come in with it? Do I call you ahead? Do I send you an email?79:50 — What are your hours?
In this episode, Charles sits down with Victor Gurbo, a singer-songwriter, guitarist, and guitar builder from Brooklyn, New York. Victor's musical journey began early — literally from infancy, when his father discovered that Traveling Wilburys recordings were the only thing that could calm a crying baby Victor. That early imprinting on Dylan's collaborators set the stage for a lifelong obsession with live music, particularly the work of Bob Dylan, whom Victor estimates he has seen between 20 and 30 times. The conversation opens with Victor recounting his very first concert at age nine — an Arlo Guthrie show in Martha's Vineyard — a memory that exists more in fragments than in full, including nodding off during parts of the set, only to snap back awake for "Alice's Restaurant." The episode is rich with vivid concert memories. Victor shares stories of seeing Levon Helm multiple times at the Beacon Theatre and Terminal 5, reflecting on how Helm's deep love for his audience was palpable, especially after his battle with throat cancer. Victor also recounts a bittersweet Conor Oberst show in 2008, where he got to hear a then-unreleased song that would later appear on the next album — the kind of "you were there first" moment that makes live music so irreplaceable. But perhaps the most memorable story is the infamous Jack White show at Radio City Music Hall in 2012. After losing their tickets outside the venue and spending an hour on hold with StubHub, Victor and his friend were gifted front-row seats by a compassionate employee — only to watch White cut the show short, apparently unhappy with the audience's energy. For Victor, a performer himself, the experience was deeply personal and left a lasting impression on how he thinks about the relationship between an artist and their crowd. Victor's life as a performer and craftsman are equally compelling. After ordering a custom guitar from legendary New York luthier Rick Kelly — who famously builds instruments from the reclaimed wood of demolished Manhattan buildings — and waiting four and a half years for it to arrive, Victor taught himself to build guitars in the meantime, eventually winning Best Band in Brooklyn at NPR's Battle of the Boroughs in 2013 with an instrument he made himself. Since then, the band has performed at the Brooklyn Academy of Music and Carnegie Hall, where a mid-show equipment failure became the crowd's favorite moment of the night. Most recently, Victor released Gurbo and Company Live 2025, a live album recorded at NYC's Cafe Wha? featuring eight tracks, including covers of Bob Dylan's arrangement of "Rollin' & Tumblin'" and Johnny Cash's "Folsom Prison Blues." Victor can be found on all social platforms as Victor V. Gurbo, and his website has upcoming show dates and vinyl copies of his pandemic-era home recording project, Outrun the Invisible Man. BANDS: Amos Lee, Arlo Guthrie, Beach Boys, Beatles, Bob Dylan, Bright Eyes, Conor Oberst, Jack White, Johnny Cash, John Prine, Levon Helm, Mad Meg, Merle Haggard, Neil Young, Phoebe Snow, Scotia Rose, The Cure, The Villalobos Brothers, Traveling Wilburys, U2, Weezer, White Stripes, Willie Nelson. VENUES: Beacon Theater, Brooklyn Academy of Music (BAM), Cafe Wha?, Carnegie Hall, China Club, Governor's Ball, Highline Ballroom, Jones Beach, Mercury Lounge, NPR Green Space, Radio City Music Hall, Riot Fest, Terminal 5. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708
#afrikaans #afrikaansmusic #karlabosch #podcast #storytimepodcast In this episode of Storytime, Joshua sits down with South African singer-songwriter Karla Bosch, one of the most distinctive new voices emerging in Afrikaans music.Karla is bringing a fresh sound to the Afrikaans music scene — blending folk-inspired songwriting, emotional lyricism, and a uniquely powerful vocal style that sets her apart from anything currently happening in the genre. With a sound rooted in storytelling and authenticity, she is carving out a lane that feels both modern and deeply South African.The episode explores Karla's journey into music, how she first discovered songwriting, and the creative differences between writing in English versus Afrikaans. She also reflects on moving to Cape Town, finding her artistic identity, and navigating an industry influenced by legends like Jack Parow and Francois van Coke.Joshua and Karla also dive into her growing catalogue of music, including tracks such as Rooiwynliefde, Maanlig op die See, and selections from her EP Kleurblind (replace EP title if you want exact current release naming aligned to latest catalogue), while giving listeners a live feel for the Karla Bosch experience by playing some of her music during the conversation.This episode is powered by Knox Hydrate — proudly South African and founded by Dricus du Plessis. Zero sugar, zero caffeine, and loaded with BCAAs for clean hydration and recovery. For more information visit - https://knoxhydrate.com/TabletPOS, your leading mobile point of sale for the hospitality and retail industries within South Africa. Serving the best restaurants in South Africa. For more information visit - https://tabletpos.co.za/
After the resurrection, doubt and confusion still linger as the disciples struggle to make sense of what has happened. When Jesus appears among them, he meets their fear with peace and their skepticism with grace, inviting them to see and believe. In their uncertainty, we find a reflection of our own — and a Savior who patiently draws us into deeper faith. Listen to this sermon as Jason Harris explores how the risen Jesus meets us in our doubts and leads us into lasting belief. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.
The incredibly talented Wendy Eisenberg joins us this week to talk about their new, self-titled album, which just earned a Best New Music nod from Pitchfork. Wendy talks about their start playing music in Western Massachusetts, the perils of awful guitar instructors, discovering prog rock (and eventually jazz…and singer-songwriters), and so much more. Hosted by Sofia Wolfson https://www.wendyeisenberg.com Subscribe to the Fretboard Journal print magazine here. Our next Fretboard Summit takes place August 20-22, 2026, at the Old Town School of Folk Music in Chicago. Register today: https://fretboardsummit.org We are brought to you by Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Mike & Mike's Guitar Bar: https://mmguitarbar.com Mike & Mike's Substack: https://mmguitarbar.substack.com
Thomm Jutz's story is unlike any other we've ever shared. Born in the Black Forest of Germany, Jutz became obsessed with American music when, at the age of 11, he saw Bobby Bare on TV. He eventually moved to Nashville, where he has worked with Nanci Griffith, Mary Gauthier, Billy Strings, and others. These days, he also teaches songwriting at Belmont University. On this week's podcast, we talk to the Grammy-nominated singer-songwriter, guitarist and producer about his new solo album, Ring-A-Bellin', its companion book, his secrets for success in Nashville, and so much more. It's a great chat. https://thommjutz.com Order the Ring-A-Bellin' book: https://thommjutz.com/store Subscribe to the Fretboard Journal print magazine here. Our next Fretboard Summit takes place August 20-22, 2026, at the Old Town School of Folk Music in Chicago. Register today: https://fretboardsummit.org We are brought to you by Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Mike & Mike's Guitar Bar: https://mmguitarbar.com Mike & Mike's Substack: https://mmguitarbar.substack.com
On this week's show, we spend quality time with new records from Johnny Blue Skies & The Dark Clouds, Adeem The Artist, Courtney Barnett, and The Long Ryders, and spin fresh tracks from Bruce Springsteen, U2, Low Cut Connie, and Michael Stipe. All this & much, much less!Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.
American folk singer-songwriter Annahstasia's music career blossomed since the day she got kicked out of her teenage choir. Her voice didn't blend homogenously with others, as it always meant to stand out. Today, with her soulful contralto register, she often gets compared to the greats like Nina Simone, Tracy Chapman, and Sade. But the way she utilizes her voice and songwriting melds a distinct brand of her own. As a storyteller, Annahstasia doesn't worry too much about predictable song structures with repeatable sections. Instead, she invites her collaborators and listeners into her safe space to participate as a communal sonic atmosphere begins to take shape. Like an “energy doula”, she approaches the dynamics in her music with the utmost care, birthing not only words and musical notes but also volumes of emotion. Sometimes, her melodies and harmonies are tethered so tightly to silence that you might miss them if you're not listening closely. Then, they burst out again, like a thunderstorm that came out of nowhere to grasp your attention and never let go. Offering an inimitable aural experience, Annahstasia performs a solo set at our Manhattan studios for this edition of Soundcheck, ahead of her sold-out four-night residency at Public Records in Brooklyn. Hear her latest anecdotes about her journey in the music industry and how she defends the art of live music recording in the age of bedroom pop productions. (- Sırma Munyar) Setlist: 1. Be Kind 2. Take Care of Me 3. Slow
Are there certain songs that have been passed down in your family — that you sing together at gatherings, or that parents sing as lullabies? If you moved across the country or across the world, what songs would you bring with you to remind you of home?Back in the 1930s, an adventurous woman named Sidney Robertson went on a quest to document those kinds of songs across Northern California. With support from the federal government, Sidney and her small staff were able to collect and catalog hundreds of songs, capturing the music people brought with them when they moved here from all over the U.S. and the world.These recordings became a soundtrack that celebrates the cultures that make up the Bay Area, and they show how music has the power to connect us across generations and communities. In this story, reporter Sheryl Kaskowitz meets a family in Oakland who discovered the power of these recordings for themselves. It's the fourth episode of The Public Works, her series about how the New Deal transformed the Bay Area and what lessons we can learn from it today.
On Easter morning, what seemed like the end was revealed as a new beginning that changed everything. The empty tomb declares that sin has been defeated, death has been overcome, and hope is no longer out of reach. In the risen Jesus, we find not only proof of God’s power, but the promise of new life for all who trust in him. Listen to this Easter Sunday sermon as Jason Harris proclaims the victory of the resurrection and the unshakable hope it offers to the world. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.
This week, we're chatting with Rhys John Stubbs, founder of UK-based Bigfoot Engineering. Rhys is best known for his effects pedals, but he just released a beautiful album of original acoustic guitar instrumentals called 'Zems.' We love it. We talk about Rhys' journey through music (and how a Fretboard Journal video with the Milk Carton Kids shaped his playing!), his love for acoustic guitars, pedal production, and so much more. https://www.bigfootengineering.com/ Listen to 'Zems': https://www.bigfootengineering.com/music.html#/ Our next Summit takes place August 20-22, 2026, at the Old Town School of Folk Music in Chicago. Register today: https://fretboardsummit.org We are brought to you by Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Mike & Mike's Guitar Bar: https://mmguitarbar.com Mike & Mike's Substack: https://mmguitarbar.substack.com
On the cross, something far more than a tragic death took place — it was a moment that sent shockwaves through all of creation. Darkness falls, the earth shakes, and the temple curtain tears, revealing a Savior who steps into judgment, abandonment, and suffering in our place. In that moment, Jesus breaks the power of sin, lifts the curse, and opens the way for new life with God. Listen to this sermon as Jason Harris explores how the death of Jesus changed everything — and why its power still reaches into our lives today. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.
A single kiss in the garden exposes both betrayal and the fragile nature of the human heart. While Judas hides hypocrisy and the disciples falter in fear, Jesus stands firm, choosing the path of suffering out of love. In their failure, we see both a warning about our own weakness and a hope in Christ’s unshakable faithfulness. Listen to this sermon as Twaambo Moyo unpacks what Jesus’ betrayal reveals about our hearts and the Savior who remains faithful. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.
Singer-songwriter John Craigie joins us this week to talk about his new album, 'I Swam Here.' https://johncraigie.com We also talk about Craigie's unique humor during his sets, his Beatles covers, album covers, and so much more. Plus...a really exciting Fretboard Summit update. Our next Summit takes place August 20-22, 2026, at the Old Town School of Folk Music in Chicago. Register today: https://fretboardsummit.org We are brought to you by Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Stringjoy Strings: https://stringjoy.com Mike & Mike's Guitar Bar: https://mmguitarbar.com Mike & Mike's Substack: https://mmguitarbar.substack.com
On this episode of The Bandwich Tapes, I sit down with singer-songwriter Grace Humphries, and we talk about what it feels like to be at the very beginning of an artist's journey—while already carrying real life, real grief, and a clear sense of purpose into the music.Grace shares what it's been like arriving at Belmont University as a spring admit, stepping into music school life for the first time and suddenly being surrounded by people who truly understand the creative path she's on. For the first time, she's in an environment where songwriting, performing, and artistic ambition feel normal—and that shift has been energizing.We also trace her musical origin story. Grace has been singing since childhood, gradually teaching herself piano and guitar while learning how to shape songs with intention. Along the way, we talk honestly about the profound impact of losing her brother Liam, and how that experience reshaped her worldview, her faith, and ultimately the emotional center of her songwriting.There have also been some remarkable moments along the way. At just 16 years old, Grace recorded at Abbey Road Studios, an experience that helped solidify her commitment to pursuing music seriously. Since then, she's spent time searching for the right creative collaborators and has now begun recording new material at Soundstage Studios in Nashville alongside top-tier session musicians.We also talk about the craft of songwriting itself—learning to balance authenticity with the realities of the modern music industry. Grace reflects on how her faith influences her work without forcing it into a single genre category, and why she's focused on staying grounded in the music even as the industry continues to evolve. By the end of our conversation, it's clear she's an artist with both talent and a strong sense of identity about the path she wants to follow.Key TakeawaysWhat it's like entering Belmont University as a spring admit and finding a creative community.Grace Humphries's early musical beginnings—teaching herself piano and guitar while learning to write songs.How the loss of her brother Liam shaped her perspective, faith, and songwriting voice.The surreal experience of recording at Abbey Road Studios at age 16.Finding the right producer and beginning new recordings at Soundstage Studios in Nashville.How Grace balances authentic songwriting with commercial awareness.Why she remains focused on the work despite the rapidly shifting music industry.Music from the EpisodeWhy'd You Give Up — Grace HumphriesFor Years — Grace HumphriesAbout the PodcastThe Bandwich Tapes is a long-form conversation podcast where host Brad Williams sits down with some of the most thoughtful musicians, composers, and artists working today. The show explores the stories behind the music—creative process, collaboration, career paths, and the human experiences that shape the sounds we love.Connect with the ShowEmail: contact@thebandwichtapes.com
When thousands gather with nothing to eat, Jesus responds with compassion for a people in need of a shepherd. With just a few loaves and fish, he reveals both his power and his purpose — to restore and provide. He also invites his followers into the impossible, showing how God works through our weakness. Listen to this sermon as Andrew Smith unpacks how Jesus, the compassionate Shepherd, meets our deepest needs and calls us to trust him with what little we have. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.
This week, the Fretboard Journal's Sofia Wolfson talks to Tulsa, Oklahoma-based songwriter Ramsey Thornton. Ramsey is a multi-instrumentalist with a love for both banjo and guitar. In fact, he's one of those rare individuals who boasts a graduate degree in banjo! We hear all about it and about Ramsey's forthcoming debut album, 'I Called It!' Follow Ramsey here: https://www.instagram.com/ramsey.thornton/ Our next Fretboard Summit takes place August 20-22, 2026, at the Old Town School of Folk Music in Chicago. Register today: https://fretboardsummit.org We are brought to you by Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Stringjoy Strings: https://stringjoy.com Mike & Mike's Guitar Bar: https://mmguitarbar.com Mike & Mike's Substack: https://mmguitarbar.substack.com
Grief, desperation, and hope collide when a father begs Jesus to save his dying daughter. Along the way, another suffering woman reaches out in faith and finds healing, revealing that no pain is too small and no situation too hopeless for Christ’s compassion and power. When Jesus finally arrives, he speaks a simple word, and death itself gives way to life. Listen to this sermon as Jason Harris reflects on the day Jesus raised the dead and what it reveals about faith, suffering, and the hope only Christ can give. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.
Portland, Oregon-based musicians Eric Skye and Jonah Sissoyev join us this week to talk about Jonah's beautiful new EP, 'A Place Called Nowhere.' The EP's origin story begins with Jonah asking Eric, an acclaimed fingerstyle guitarist and Santa Cruz Guitar Co. signature model artist, for guitar lessons. Once he heard Jonah's songs, Eric offered to produce and record this project. During our chat, we hear all about their collaboration, Eric's recording techniques (including some DIY home recording advice), the Stew-Mac kit guitar that Jonah built for himself, and so much more. Listen to Jonah's EP here: https://jonahsissoyev.hearnow.com/a-place-called-nowhere Follow Eric: https://www.instagram.com/eric.skye.guitar/ Our next Fretboard Summit takes place August 20-22, 2026, at the Old Town School of Folk Music in Chicago. Register today: https://fretboardsummit.org We are brought to you by Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Stringjoy Strings: https://stringjoy.com Mike & Mike's Guitar Bar: https://mmguitarbar.com Mike & Mike's Substack: https://mmguitarbar.substack.com
In a desolate place among the tombs, Jesus encounters a man utterly shattered by a legion of demons — cut off from community, dignity, and hope. With a single command, Jesus restores the man, revealing both the destructive reality of evil and his unmatched authority over it. The story forces a decision: Some people push Jesus away, while the restored man becomes the first witness of his mercy to the nations. Watch this sermon as Jason Harris explores the reality of evil, the authority of Jesus, and the life-changing choice every person must make when confronted with him. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.
Spanish indie folk artist Guitarricadelafuente has come a long way since his days of posting covers on social media. Back then, he wasn't only inspired by his own culture, but American folk music as well, reinterpreting songs of Woody Guthrie and Bob Dylan. Eventually finding his own vein within the art of storytelling, Guitarrica began drawing inspiration from folklore, viewing it as not a snapshot from the past, but “something that already lives within us”. In his two albums, La Cantera and Spanish Leather, this is the concept he embraces, embodying the curiosity and joy of a kid that lives in a village, discovering the city for the first time. There is a delicate melancholy in the music of Guitarricadelafuente, but a celebration of love and laughter, too. His lens is an unfiltered one, embracing the reality of unadulterated human emotions and making peace with the poses he strikes daily. Fresh off the NPR Tiny Desk stage, he takes a short break from his first world tour to play a stripped-down set at the Soundcheck studios. (- Sırma Munyar) Setlist: 1.Poses 2. Mataleón 3. Quién teme a la máquina?
Acclaimed vintage guitar repairperson Mark Stutman (Folkway Music) joins the Fretboard Journal Podcast once again. We talk about his early training as a luthier, running Folkway Music, and his approach to repairing vintage acoustics that may have left the factory with a quirk or two. We also talk about Mark's love for film and digital photography and so much more. Mark is a frequent guest on our podcast, a speaker at our annual Fretboard Summit and even contributed the cover photo that graces our 58th issue! We hope you enjoy this chat. https://folkwaymusic.com https://www.instagram.com/folkwaymusic https://www.instagram.com/folkway_repairs/ Our next Fretboard Summit takes place August 20-22, 2026, at the Old Town School of Folk Music in Chicago. Register today: https://fretboardsummit.org We are brought to you by Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Stringjoy Strings: https://stringjoy.com Mike & Mike's Guitar Bar: https://mmguitarbar.com Mike & Mike's Substack: https://mmguitarbar.substack.com
Fretboard Journal contributor Seth Lorinczi joins us this week to talk about the rise and fall of Micro-Frets, the upstart electric guitar brand launched in the late 1960s. Seth penned a lengthy story on Micro-Frets for our magazine's 58th issue (available now), and we talk about the brand's launch in Maryland, its unique offerings, the short-lived attempt to revive the company, and so much more. We also talk about Seth's history in the DC punk scene, his writing projects, and the impact psychedelic therapy has had on his life. https://www.sethlorinczi.com/ Issue 58 of the FJ (with Seth's Micro-Frets story): https://www.fretboardjournal.com/features/whats-inside-fretboard-journal-58/ Steve Melkisethian on the Truth About Vintage Amps Podcast: https://www.fretboardjournal.com/podcasts/the-truth-about-vintage-amps-ep-38-with-special-guest-steve-melkisethian/ Our next Fretboard Summit takes place August 20-22, 2026, at the Old Town School of Folk Music in Chicago. Register today: https://fretboardsummit.org We are brought to you by Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Stringjoy Strings: https://stringjoy.com Mike & Mike's Guitar Bar: https://mmguitarbar.com Mike & Mike's Substack: https://mmguitarbar.substack.com