Podcasts about Folk music

Busyness can make us feel productive while quietly pulling us away from the One we need most. Through the familiar story of Mary and Martha, we're invited to consider whether our anxious striving has drowned out the voice of Jesus — and to discover the peace that comes from simply being with him. Listen to this sermon as John Yates explores Christ's compassionate response to our deepest fears and reminds us that he sees us, cares for us, and offers the one thing that can never be taken away. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

Stop 4 on our summer world tour takes us to the heart of central Europe — the Czech Republic, a country about the size of South Carolina with a fiercely proud cultural identity and joyful, irresistibly danceable folk music. In this episode, we explore the patchwork of Czech folk traditions across its three historical regions — Bohemia, Moravia, and Silesia. We trace how ordinary Czech people held tightly to their music and language through centuries of Habsburg rule, how a small Bohemian dance became a global craze in the 1840s (and never really stopped), and how the warm, layered sound of the Moravian cimbalom gives this region's folk music a character entirely its own. We also visit a composer who grew up the son of a village butcher-turned-folk-musician and went on to become one of the most celebrated names in classical music history — Antonín Dvořák. Czech folk music didn't just survive foreign rule. It traveled the world. What We Cover in This Episode The Czech Republic's geography and its three distinct folk music regions: Bohemia, Moravia, and Silesia How centuries of Habsburg rule suppressed Czech language and culture — and how folk music became an act of cultural resistance The Czech national revival of the 1800s and what it produced The polka — its Bohemian origins, how it swept across Europe and America, and why it's still alive in Czech-American communities across the Midwest and Texas today The cimbalom — the hammered dulcimer at the heart of Moravian folk ensembles The verbunk — an athletic Moravian solo dance with roots in military recruitment Antonín Dvořák and how his folk-rooted upbringing shaped some of the most beloved music in the classical repertoire, including the Slavonic Dances How Czech folk music is being celebrated and reinvented by younger musicians today Free Downloads for This Episode

Pam MacKenzie namedNew President of Campaign for VermontCampaign for Vermont is a nonprofit, nonpartisan advocacy organization dedicated to the vision of a more prosperous Vermont. Their mission is to advocate for public policy changes by reconnecting middle-class Vermonters to their government. Joined by Ben Kinsley Executive director of CFVHayden Dublois is the Data and Analytics Director for the Foundation for Government Accountability. Today to discuss Healthcare, after GOVERNOR PHIL SCOTT SIGNED A HEALTHCARE EXECUTIVE ORDER TO EXPAND INSURANCE CHOICES AND LOWER COSTS Musicians Christine Lynch Malcolm and Marc Edwards, AT the Highland Center for the ArtsSaturday, July 18, 7:00 P.M. to 9:00 P.M.In this 250th Anniversary of our Declaration of Independence it is fitting to celebrate the American folk tradition of songs of “resistance, solidarity and hope.”The Highland Center for the Arts is glad to welcome Patti Casey, Jess O'Brien, Will & Dan Lindner, Christine Malcolm, Don Houghton, Roy MacNeil, Krishna Guthrie and other Vermont artists who will be joining them performing songs from the canon of American folk as well as some of their own originals.

We all know what it’s like to search for something that never quite satisfies. Jesus’ encounter with the woman at the well reveals that our deepest thirst can’t be quenched by success, relationships, or anything this world has to offer; it can only be met by him. The living water Jesus gives doesn’t just fill empty hearts; it transforms lives and overflows to others. Listen to this sermon as Jason Harris explores where true satisfaction is found and why Jesus alone can quench our deepest thirst. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

On this week's show, we spend quality time with new records by Low Cut Connie & River Shook, spin fresh tracks from Billy Strings, U2 & Phoebe Bridgers, and celebrate 25 years of The White Stripes' White Blood Cells. All this & much, much less!Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Vanguard Records is best known for its eclectic catalog of pivotal jazz, folk, rock and blues recordings by iconic artists like Joan Baez, Linda Ronstadt, Buddy Guy, Charlie Musselwhite, John Fahey, Buffy Sainte-Marie, Doc Watson, Country Joe and the Fish and countless others. Most recently, Vanguard has carried forward the label's legacy of artistic excellence with a diverse roster including Barenaked Ladies, Indigo Girls, O.A.R. and Collective Soul.Riding the tail end of the popular boom of  commercialized  Folk Music, Vanguard's unexpected mega-hit "Walk Right In" soared to the top of the pop chart.  Looking for a long forgotten treasure to mine, Erik Darling and Bill Svanoe, doing what many had done before them, updated an old string band tune, composed by Gus Cannon and recorded with his Jug Stompers in 1929. They arranged it for TWO 12-String guitars (one of which, a leftie model, had to be specially constructed  for Bill), and adding the mellifluous tones of Lynne Taylor to complete the trio, the magic concoction was brewed to MOR perfection.And, just in time for Gus Cannon, too!  He had recently pawned his banjo to pay his heating bill, and the royalties and national recognition breathed new life into a long dormant career.

After finding success with mainstream music at the Yacht Club Festival, the folks behind that effort are debuting "The Country Club" Festival this weekend. And it's all about Folk Music and it includes artists big and small. The Last Revelers are part of the lineup, and meet one of their members on the WCCO morning News

After finding success with mainstream music at the Yacht Club Festival, the folks behind that effort are debuting "The Country Club" Festival this weekend. And it's all about Folk Music and it includes artists big and small. The Last Revelers are part of the lineup, and meet one of their members on the WCCO morning News

Marisa Anderson has been dubbed as one of “this era’s most powerful players,” for her deep and varied interpretations of American music. Her latest album, “The Anthology of UnAmerican Folk Music,” takes inspiration from folk music from around the world. From Vietnam and Syria, to Afghanistan and the Soviet Union, the album is shaped by songs from countries that have been in conflict with the U.S. in her lifetime. Andreson join us to share more on her album and performs live in-studio.

•Pastor Donald Gay is a member of the legendary Gay family and leads the Prayer Center Church of God in Christ, founded by his mother in 1959. Rev. Gay has released two albums, Soulful Sounds and On a Glorious Day, and has performed at various Chicago venues, including Millennium Park, the Old Town School of Folk Music, the Chicago Blues Festival, and the University of Chicago Folk Festival.•The sibling of the famous sisters Evelyn, Mildred & Geraldine known as “The Gay Sisters”.  Rev. Donald made a name for himself as the three-year old child preacher and the first Black child on the Joe Kelly Quiz Kids Show in the 1950's.  He also performed with his sisters at the first Gospel Music concert at Carnegie Hall in 1950.•Steven B. Dolins is the founder and president of The Sirens Records, a label dedicated to blues, boogie, jazz, and gospel keyboard music. He is emeritus professor of computerscience and information systems at Bradley University. Their Book Release coming fall 2026, the University of Chicago Press will publish Can I Get a Witness! Faith, Family, and Chicago Gospel Music ••A “Top Gospel Music Podcast” Badge has been AWARDED from Feedspot which has named Let's Talk: Gospel Music Gold one of the Top 10 Gospel Music Podcasts on the web! •LET'S TALK: GOSPEL MUSIC GOLD RADIO SHOW AIRS EVERY SATURDAY 9:00 AM CST / 10:00 AM EST ON WMRM-DBINTERNET RADIO STATION  AND WJRG RADIO INTERNET RADIO STATION 12:00 PM EST / 11:00 AM CST •There is a Let's Talk: Gospel Music Gold Facebookpage ( @LetsTalk2GMG ) where all episodes are posted as well.    •The Podcast and Radio shows are heard anywhere in theWorld on the Internet! •ANSONIA'S BOOK RELEASES•"If We Can Do It, You Can Too!"•“Legacy of James C. Chambers And his Contributions to Gospel Music History”•2026 MiPA Award Winning "Molding a Black Princess"Order Information https://www.unsungvoicesbooks.com/asmithgibbs

Everyone has an opinion about truth, but what if truth is more than an idea to debate? Jesus' makes a surprising claim that truth is ultimately found in a person, exposing the lies that keep us from God while offering the freedom and hope only he can give. Rather than asking us to create our own reality, it invites us to be transformed by the One who is reality itself. Listern to this sermon as Twaambo Moyo explores why knowing the truth begins with knowing Jesus. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

What happens when an electric guitar is used to interpret music from cultures that completely ignore the Western tonal system? Guitarist Marisa Anderson dove into the depths of late filmmaker Harry Smith's record collection to find out. While Smith himself once did similar research to compile his influential Anthology of American Folk Music, Anderson was more interested in compositions and improvisations that emerged outside of her country. She felt particularly drawn to recordings from places the United States has been in conflict with for decades, which led her down the path of producing her own Anthology of UnAmerican Folk Music. Transcribed in her “first language”, the electric guitar, and accompanied by soundscapes built with keyboards, the accordion, and other instruments, Anderson carefully arranged pieces from Afghanistan, Yemen, Vietnam, and more. As she bent the strings of her guitar to achieve some form of microtonality, she kept questioning the concept of being unamerican: “Who are the people we've been told in our lifetimes are “unamerican?” What have we lost or been denied access to in the fallout from that label?” Anderson brings some of her interpretations to our studio for a solo performance and explains her process. “This project changed me permanently… I'm a better listener,” she says, as she approaches each new territory with the curiosity and joy of a child in a candy store. (- Sırma Munyar) 1. Hamd 2. Sarvi Simin 3. Taqsim for Guitar Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Stop 3 on our summer world tour takes us to the continent of Africa — specifically to Nigeria, the most populous country on the continent, home to more than 500 distinct ethnic groups, hundreds of languages, and one of the richest and most diverse musical traditions in the world. In this episode, we explore the deep roots of Nigerian folk music — from the ancient kingdoms of the Yoruba, Igbo, and Hausa peoples to the extraordinary talking drum that literally speaks a language, to the interlocking rhythms of the ogene bells that influenced jazz, blues, and gospel music in America. We also talk honestly about how the transatlantic slave trade carried Nigerian musical DNA across the ocean, and how those rhythms survived, took root, and grew into something new without ever losing their essential character. And we connect it all to the contemporary Nigerian music that is shaping global sound right now. Nigeria's music is not a museum piece. It is alive, evolving, and more influential than most people realize. What We Cover in This Episode Nigeria's geography, history, and extraordinary cultural diversity Ancient Nigerian civilizations: the Nok, the Yoruba kingdoms, the Benin Kingdom, the Hausa city-states, and the Igbo communities How the transatlantic slave trade carried Nigerian musical traditions to Puerto Rico, Brazil, Cuba, Trinidad, and the American South — and how those traditions survived The dundun (talking drum) — how an hourglass-shaped drum can reproduce the tones of a spoken language The Yoruba musical tradition, the Ifá spiritual tradition, and the role of specific drum rhythms in ceremony and community life Jùjú music — how the Yoruba folk tradition evolved into a modern genre, with King Sunny Ade as a key figure Igbo folk music — the ọjà flute and the ogene iron bells, with their interlocking rhythmic patterns How West African interlocking rhythms became the foundation of jazz, blues, and gospel music in America Afrobeats and how contemporary Nigerian artists are carrying folk traditions into global popular music today Free Downloads for This Episode

On this episode of The Bandwich Tapes, I sit down with singer, songwriter, producer, studio builder, and longtime Austin music figure Hank Alrich for a conversation about songs, sound, family, and the long arc of a creative life.Hank talks about his early years as a working folk singer, his time building a recording studio inside Armadillo World Headquarters, and eventually taking the helm of that legendary Austin venue in the late 1970s. Along the way, he reflects on the kind of musical education that comes from being surrounded by country, blues, folk, jazz, funk, and experimental music all in the same room.We spend a good bit of time with Hank's album Broken River, especially the way it balances polish and looseness. Hank shares how he approaches recording with a live band, why he values trusted collaborators, and how his daughter Shaidri has become an essential musical voice in his work.This is a conversation about writing only when the song demands it, letting musicians play together in real time, and learning to respect the crack in the performance where the light gets in.Key Takeaways • Hank's first professional gig was as a house folk singer, playing six sets a night, seven nights a week. • His work at Armadillo World Headquarters gave him a broad musical education across folk, country, blues, jazz, funk, and beyond. • Broken River brings together songs from different periods of Hank's writing life. • Hank values live recording because of the human, almost metaphysical connection between musicians in the room. • His daughter Shaidri plays an important role as a harmony singer, collaborator, and trusted set of ears. • Hank sees production as a team effort, with every musician and engineer contributing to the final shape of the song. • The conversation explores the difference between perfection and completion in making records.Music from the EpisodeI Hate to See That Evening Sun Go Down - Hank AlrichThe Perfect Hat - Hank AlrichShe Had Whiskey For Dinner - Hank AlrichBroken River - Hank AlrichAbout the PodcastThe Bandwich Tapes is a music interview podcast hosted by Brad Williams. Each episode features thoughtful conversations with musicians, songwriters, composers, producers, and artists about craft, collaboration, creative process, musical identity, and the way music actually gets made.Connect with the ShowEmail: contact@thebandwichtapes.com

Making a Scene Presents an Interview with Maura Dunst Maura is a Minnesota-based multi-instrumentalist, vocalist, and songwriter whose work moves with ease through bluegrass, Americana, roots, and folk. Known for her expressive fiddle and mandolin playing, strong harmony instincts, and sharp songwriting voice, she brings both fire and feel to every stage she steps onto. http://www.makingascene.org

Can someone be deeply moral, deeply religious, and still be missing the very life God offers? Through Jesus' conversation with Nicodemus, this message reveals why we need more than self-improvement — we need a new birth that only God can give. Whether your journey to faith is sudden or gradual, the invitation is the same: look to Christ and receive the new life that only he can provide. Listen to this sermon as Jason Harris explores Jesus' surprising answer to one of life's most important questions. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

Download the full transcript here. Sound bites featured in this episode (in order of appearance): Ghislain calling a square dance in Sutton, QC with music by Patrice Boucher, Richard Forest, and Tristan Henderson Ghislain calling at the Comboros festival in France (recording courtesy of Ghislain) Ghislain calling at a veillée de danse traditionnelle, an evening of traditional dance in Quebec City with music by Le Vent de Nord. Other things! Gigi's Link Tree full of great videos, resources for callers, and his gig schedule. Make sure to check it out! See the From the Mic website for great bonus content, including pictures and audio, transcripts, and more. And the Country Dance and Song Society for information about Contra and English country dance across the continent

In this week's episode, Dan and Mags sit down with Dr. Mathias Nordvig to talk about the recent “Nordic Folk” debate that is causing a divide within the music scene.------------------------------------------------Check out Mathias on Instagram:https://www.instagram.com/mathiasnordvigFollow Margrethe on Instagram:https://www.instagram.com/arkeomagsFollow the Podcast on Instagram:https://www.instagram.com/nordicmythologypodcastIf you like what we do, and would like to be in the audience for live streams of new episodes to ask questions, please consider supporting us on Patreon: https://www.patreon.com/NordicMythologypodcastCheck out Dan's company, Horns of Odin, and the wide range of handmade items inspired by Nordic Mythology and the Viking Age. Visit: https://www.hornsofodin.com Hosted on Acast. See acast.com/privacy for more information.

On this week's show, we celebrate Pride Month and Juneteenth loudly and proudly, spend quality time with new records from Kurt Vile, Elephant Gerald, and Bruce Springsteen, and spin fresh tracks from Jack White, The Last Dinner Party, and Cigarettes After Sex. All this & much, much less! Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Our summer world tour continues — and for Stop 2, we're trading the warm Caribbean rhythms of Puerto Rico for something entirely different: the misty fjords, ancient forests, and hauntingly beautiful folk music of Norway. In this episode, we explore Norway's deep folk music roots, from the Norse storytelling tradition to the extraordinary sound of the Hardanger fiddle — an instrument that doesn't just play a melody but seems to fill the air around it. We also talk about the athletic halling dance, the improvised poetry of the stev, and how composer Edvard Grieg (the very first composer we ever featured on this podcast, back in Episode 2) deliberately wove Norwegian folk traditions into classical music that eventually reached concert halls around the world. Norway's folk music survived centuries of foreign rule because ordinary people held onto it tightly. That's a story worth hearing. What We Cover in This Episode Norway's geography and why the landscape shaped its music The Norse people, the Vikings, and the rich storytelling tradition behind Norwegian folk music How folk music became an act of cultural survival during centuries of Danish and Swedish rule The Hardanger fiddle — what makes it unlike almost any other instrument in the world (hint: it has strings you never touch) Dance forms of Norwegian folk music: the springar and the halling The stev — improvised sung poetry, and how it connects to the décima tradition we heard in Puerto Rico Edvard Grieg and how he translated Norwegian folk music into classical compositions heard around the world How Norwegian folk traditions are being carried forward by younger musicians today Free Downloads for This Episode

Fear has a way of convincing us that we’re alone — that our future is uncertain, our past is catching up to us, and the darkness ahead is too much to face. But Psalm 23 offers a different vision: a Shepherd who goes before us, walks beside us, and pursues us with goodness and mercy. Rather than denying the realities that frighten us, it points us to the presence of Christ in the midst of them. Listen to this sermon as Shawn Slate explores why the Good Shepherd is the answer to our deepest fears. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

My guests on the podcast this week have an astonishing 24 Grammy awards between them and they represent two musical world I love - the first is bluegrass and string band music and the second is opera.Renée Fleming and Béla Fleck join me to chat about their wonderful new collaboration The Fiddle and the Drum, a project which explores Renée's long-held love of American folk and Appalachian music. The album includes guest appearances from several musicians from in and around the string band world, including Dolly Parton, Vince Gill, Jerry Douglas, Aoife O'Donovan, Sierra Hull and Sarah Jarosz.We chat about the role folk music played in Renée's upbringing, the similarities and differences between roots music and the classical world, how the record came together, why folk songs are so powerful and what it means to be an eclectic artist over the course of a long career (plus much more).This was a wonderful conversation to get to be part of. Thanks to Renée and Béla for taking the time to chat and particular thanks to Collin Citron for helping make this happen.You can find out more about the project and order copies of the record at reneefleming.com, along with info on live dates for The Fiddle and the Drum and the project Renée mentions, Music and the Mind You'll find info on Béla at www.belafleck.com, including BEATrio and the collaborations with Toumani Diabaté, Zakir Hussain and Chick Corea mentioned in the episode. Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!)Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins and Token premium guitar picks- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates:InstagramFacebook- Review us on Apple Podcasts

We're officially stamping our passports for the first stop on this summer's Around the World with Busy Kids Love Music tour — and we're heading to the beautiful island of Puerto Rico. In this episode, we explore the rich, layered history of Puerto Rican folk music, from the ceremonial traditions of the indigenous Taíno people to the vibrant rhythms of bomba and plena, to the intricate melodies of the cuatro in música jíbara. Along the way, we also talk about how those deep folk traditions connect to the contemporary music families are listening to today — including a Super Bowl performance you might have seen. Puerto Rico's folk music tells the story of a people who have carried their culture through centuries of hardship and change, and the music is still alive, evolving, and worth celebrating. What We Cover in This Episode What folk music is and why it matters The Taíno people and their ceremonial music tradition called areyto How Spanish and African influences shaped Puerto Rican folk music over centuries Bomba — the drum-driven tradition rooted in the experience of enslaved Africans, where the dancer leads the drummer Plena — the "sung newspaper" of Puerto Rico, with its distinctive pandereta (frame drum) sound Música jíbara and the cuatro, Puerto Rico's national instrument The décima — a form of improvised sung poetry that takes real musical intelligence to perform How Puerto Rico's folk traditions connect to contemporary artists like Bad Bunny Free Downloads for This Episode

What makes music sacred? Who gets to be heard in worship? And where do we draw the line between “sacred” and “secular” music? In this special worship-focused episode of Perspectives, Rev. Dr. Hannah Ka sits down with Sarah Amos, Director of Music Ministries and Principal Organist at First United Methodist Church of San Diego, for a thoughtful conversation inspired by Psalm 150. Together, they explore: Why Psalm 150 gives no blueprint for “correct” worship The history of congregational singing and hymns How churches have institutionalized worship music The blurry line between sacred and secular music Why accessibility and participation matter in worship How music can reach people when words alone cannot From pipe organs and Taizé songs to Methodist hymn traditions and modern worship styles, this episode invites listeners to think more deeply about music as communal expression, spiritual formation, and embodied praise. Whether you come from a traditional church background, contemporary worship culture, or simply love music and spirituality, this conversation offers meaningful insight into the role music plays in connecting us to God and to one another. Join the Conversation We invite you to consider the below reflection questions and share your thoughts with our podcast community. We offer our in-person Convergence discussion group on Sundays at 12 PM and 24/7 connection online at Patreon. Reflection Questions: What makes music sacred to you? When do you feel encouraged to worship using your voice? How has worship reached you when words alone could not? Timestamps: 00:00 Opening Reflection — “Let everything that has breath praise the Lord” 01:14 Psalm 150 Reading & First Impressions 03:05 Sacred vs. Secular Music in Worship 05:59 Catholic Traditions, Lent, and Worship Rules 09:05 Hymns, Folk Music, and Congregational Singing 10:34 Why Singing Together Matters Spiritually 15:58 Music as Worship, Not Performance 18:13 Creativity, Taizé, and Expanding Worship Expression 22:26 How Music Reaches Us Beyond Words

On this week's show, we spend quality time with new records by Social Distortion and Kacey Musgraves, spin fresh tracks from The Waterboys, The Rolling Stones and Caroline Rose, and celebrate 50 years of one of the greatest protest songs of all time. All this and much, much less! Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

In a world that talks endlessly about love, how do we actually know what love looks like? When we take a look at Scripture, it challenges the idea that love is simply following our feelings, revealing instead how God’s law shapes and defines what it means to truly love others. Far from being restrictive, God’s commands are shown to be a guide toward human flourishing, faithfulness, and lives transformed by grace. Listen to this sermon as Twaambo Moyo explores how the gospel changes our relationship to the law and teaches us to love the way God intended. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

Politics can feel exhausting, divisive, or impossible to escape — but how should Christians actually engage with the world of government and power? When exploring the tension between earthly authority and ultimate allegiance to Christ, we see a vision for faithful citizenship that neither idolizes politics nor withdraws from it. In a culture tempted to place its hope in leaders and institutions, we’re reminded where true hope is meant to rest. Listen to this sermon as Andrew Smith unpacks what it means to honor authority while keeping Christ at the center of our loyalty. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

For his homework this week, Max is reviewing Adrianne Lenker's solo folk record and finding out if he can get into the energy, or if it's veering too sad for a regular listen.Relisten to "Songs" by Adrianne Lenker on Spotify and Apple Music.Discover more new music and hear your favourite artists with 78 Amped on Instagram and TikTok.Watch episodes on our YouTube channel and don't forget to like and subscribe.

Well, is this not an excuse to get the girlies together if we've ever heard one!? For our final live interview aboard Cayamo, we arranged a check-in with some of our favorite folks to talk about the state of Folk Music (and folk-adjacent music). Our panel included country artist and host of Apple Music's Color Me Country Radio Rissi Palmer, Canadian sweethearts Rose Cousins (CEO of emotions) and Kaïa Kater (Dean of Sad Songs), and Jobi Riccio, a self-proclaimed "rizzler." We spoke about the function of folk songwriting, the hope and confidence of Gen Z, the inspiration taken from elders, and the fact that there are Black people in the future (thank you, Alice Randall).We've noticed some folk songs coming out recently about moving forward and persevering despite living in hard times. It seems like the folk zeitgeist is collectively coming together to say something and we wanted to explore what's happening with folk musicians at this time. What is the function of folk songwriting in modern times? Comfort? Information? Inspiration?Folk is the big scoop that catches everyone. We need there to be a place for everyone else – and we are the everyone else. When you choose to be in this community, you grab onto this big rope, pulling against all that needs pulling against (feeling, current events, poverty, capitalism, things that homogenize, surveil, and control). These artists and the stories they tell take care of communities in a way that is similar to healthcare workers, but how are these workers being taken care of? We wanted to ask, "What's the state of your workplace and how is care being taken?" And, "What does it feel like to be moving through the world playing music for people at this time?"Follow Basic Folk on social media: https://basicfolk.bio.link/Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknewsHelp produce Basic Folk by contributing: https://basicfolk.com/donate/Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpodsAdvertising Inquiries: https://redcircle.com/brands

In 2009, an old man died in a California nursing home. His obituary included not just his given name, but a long list of the pseudonyms he'd been known to use. In this classic 2019 episode, we trace the life of Riley Shepard, a hillbilly musician, writer, small-time con man and, perhaps, a genius. Then, on Your Questions Answered, psychologist Leslie John returns to answer your questions about when to share a secret, and when to keep it to yourself. You can find an online version of Riley Shepard's Encyclopedia of Folk Music here.   There's a powerful tool almost all of us overlook when we're trying to improve a work project or help our kids with their homework. Learn more in this video on our new YouTube channel! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In a world shaped by outrage and division, it’s easy to believe that revenge is the only path to justice. But the gospel offers a radically different way — one that confronts wrongdoing honestly while refusing to let bitterness have the final word. Through life’s hardest challenges, we’re invited to see how forgiveness can break cycles of hurt and open the door to something unexpected and healing. Listen to this sermon as Jason Harris explores what it means to love not only our neighbors, but even our enemies. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

The kind of community we long for is real, but it looks nothing like what the world typically offers. When we turn to Scripture, we see a radically different vision of relationships, where love is genuine, self-giving, and strong enough to endure both joy and pain. This vision challenges the way we approach others, inviting us into a deeper, more honest, and more sacrificial way of living together. Listen to this sermon as Jason Harris shows how receiving Christ’s love can reshape the way we love one another. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

On this week's show, we spend quality time with superlative new records by Parlor Greens and Robyn, spin fresh tracks from Massive Attack with Tom Waits, S.G. Goodman and Angine de Poitrine, and commemorate the 50th anniversary of The Ramones' iconic self-titled debut. All this & much, much less!Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Ella Josephine Julia Moore is a multi-disciplinary artist whose practices uses participatory art, music composition, instrument-making, bandleading, installation and fabric arts. Under the alias Cleo Reed, they complete musical projects that are rooted in their ancestral & cultural lineage. They work toward a future that enables them to realize intentional creative endeavors and encourage joy within collaborative spaces such as museums, theaters, and unseen spaces. In their practice, they are currently drawn to notions of tradition, dissolving the binary, making noise, and breaking the barrier between artist and audience. Reed's sophomore LP, CUNTRY, is a sprawling folk-electronic offering exploring the rage that comes with grappling with the grips of labor — both on the body and in the American workplace. The album is just the beginning of the story — introducing a young, visionary artist with a singular voice and an unwavering commitment to honoring those that came before while subverting the status quo. This episode was recorded on July 22, 2025 in Chicago, IL and originally published on Patreon on September 16, 2025. Follow the show on IG at @theartofitallshow and follow the host at @dariasimoneharper! Don't forget to rate, review, and subscribe. Sharing an episode with a friend never hurts either;)

What if the way you see yourself is quietly shaping every relationship in your life? The gospel offers a new lens, freeing us from both pride and insecurity and grounding us in a truer identity. From that place, we begin to see our need for others, our belonging in community, and our role in serving with purpose. Listen to this sermon as Andrew Smith invites you to discover how a renewed perspective can transform both your inner life and your relationships. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

Guitarist Michael Daves and mandolinist Jacob Jolliff join us this week to talk about their latest project, 'We Like Jim & Jesse!' The album, a tribute to Jim & Jesse and the Virginia Boys, features 10 of the famed bluegrass duo's tracks. During our conversation, we talk about the magic of Jim & Jesse McReynolds, some of the unique quirks of their performance style (including Jesse's wild fingernail routine), how Michael and Jacob recorded this tribute and more.  https://michaeldavesjacobjolliff.bandcamp.com/album/we-like-jim-jesse Subscribe to the Fretboard Journal print magazine here.  Our next Fretboard Summit takes place August 20-22, 2026, at the Old Town School of Folk Music in Chicago. Register today: https://fretboardsummit.org We are brought to you by Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Mike & Mike's Guitar Bar: https://mmguitarbar.com Mike & Mike's Substack: https://mmguitarbar.substack.com  

We’re all being shaped by something, but rarely do we stop to ask what it is. The quiet pressures of everyday life pull us in one direction, while the gospel invites us into something entirely different. It challenges the idea that surrender is restrictive, showing instead how it leads to true freedom and lasting change. Watch this sermon as Jason Harris invites you to discover a life transformed from the inside out. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

Steve Baker is the co-owner of Chicago Fret Works. After starting his career as an English teacher, he began working on guitars in 2000, learning his craft at Bryan Galloup's School of Luthiery in Michigan. In 2008, after working together at another Chicago guitar shop, he and Dan Wolf partnered up to go out on their own with Chicago Fret Works. Now eighteen years in, they've worked on instruments by many famous musicians - including lots from Wilco - as well as everyday guitars used by students at the Old Town School of Folk Music. Steve shares a bunch of those stories with us and we talk a lot about the Chicago music community. Time stamps:02:00 — How or when did you get into music?07:48 — Who's your favorite Beatle?09:06 — What's the most recent thing that's cracked open for you musically?15:32 — When did you start? How did you learn? What's your journey through the guitar world?17:47 —how do you start dipping your toes into the guitar repair world?21:55 — Did it click right away, being in bands?24:49 — So how did you decide, where's this going?27:46 — How does that come about? (re: going full time at the shop)29:30 — Was he like, "you're dead to me" or "fuck yeah, go for it"? (re: telling the boss)34:18 — Do you have plans for the 20th anniversary celebration?37:48 — When did you feel, have you felt like, "yeah, we've made it"?40:14 — How did that relationship with Wilco develop?45:47 — Do those guys fall in love with something and say, "you've got to keep this thing going"?48:12 — How did you get that opportunity? (re: tuning guitars for shows)50:52 — So what's your greatest [story]?58:54 — Is it hard to find people? Is it a good career working as a guitar tech? Is it hard to get people who know what they're doing nowadays?69:18 — Are you a deep dish or thin crust pizza fan?71:10 — What is your favorite venue to see a show at?72:37 — What do you think makes Chicago a unique music scene?75:30 — What's your go-to cheap drink?79:02 — What's happening [at Chicago Fretworks for the next couple months]?79:12 — What's the easiest way if I have a guitar that needs to be fixed? What's the best way? Do I just come in with it? Do I call you ahead? Do I send you an email?79:50 — What are your hours?

In this episode, Charles sits down with Victor Gurbo, a singer-songwriter, guitarist, and guitar builder from Brooklyn, New York. Victor's musical journey began early — literally from infancy, when his father discovered that Traveling Wilburys recordings were the only thing that could calm a crying baby Victor. That early imprinting on Dylan's collaborators set the stage for a lifelong obsession with live music, particularly the work of Bob Dylan, whom Victor estimates he has seen between 20 and 30 times. The conversation opens with Victor recounting his very first concert at age nine — an Arlo Guthrie show in Martha's Vineyard — a memory that exists more in fragments than in full, including nodding off during parts of the set, only to snap back awake for "Alice's Restaurant." The episode is rich with vivid concert memories. Victor shares stories of seeing Levon Helm multiple times at the Beacon Theatre and Terminal 5, reflecting on how Helm's deep love for his audience was palpable, especially after his battle with throat cancer. Victor also recounts a bittersweet Conor Oberst show in 2008, where he got to hear a then-unreleased song that would later appear on the next album — the kind of "you were there first" moment that makes live music so irreplaceable. But perhaps the most memorable story is the infamous Jack White show at Radio City Music Hall in 2012. After losing their tickets outside the venue and spending an hour on hold with StubHub, Victor and his friend were gifted front-row seats by a compassionate employee — only to watch White cut the show short, apparently unhappy with the audience's energy. For Victor, a performer himself, the experience was deeply personal and left a lasting impression on how he thinks about the relationship between an artist and their crowd. Victor's life as a performer and craftsman are equally compelling. After ordering a custom guitar from legendary New York luthier Rick Kelly — who famously builds instruments from the reclaimed wood of demolished Manhattan buildings — and waiting four and a half years for it to arrive, Victor taught himself to build guitars in the meantime, eventually winning Best Band in Brooklyn at NPR's Battle of the Boroughs in 2013 with an instrument he made himself. Since then, the band has performed at the Brooklyn Academy of Music and Carnegie Hall, where a mid-show equipment failure became the crowd's favorite moment of the night. Most recently, Victor released Gurbo and Company Live 2025, a live album recorded at NYC's Cafe Wha? featuring eight tracks, including covers of Bob Dylan's arrangement of "Rollin' & Tumblin'" and Johnny Cash's "Folsom Prison Blues." Victor can be found on all social platforms as Victor V. Gurbo, and his website has upcoming show dates and vinyl copies of his pandemic-era home recording project, Outrun the Invisible Man. BANDS: Amos Lee, Arlo Guthrie, Beach Boys, Beatles, Bob Dylan, Bright Eyes, Conor Oberst, Jack White, Johnny Cash, John Prine, Levon Helm, Mad Meg, Merle Haggard, Neil Young, Phoebe Snow, Scotia Rose, The Cure, The Villalobos Brothers, Traveling Wilburys, U2, Weezer, White Stripes, Willie Nelson. VENUES:  Beacon Theater, Brooklyn Academy of Music (BAM), Cafe Wha?, Carnegie Hall, China Club, Governor's Ball, Highline Ballroom, Jones Beach, Mercury Lounge, NPR Green Space, Radio City Music Hall, Riot Fest, Terminal 5. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

After the resurrection, doubt and confusion still linger as the disciples struggle to make sense of what has happened. When Jesus appears among them, he meets their fear with peace and their skepticism with grace, inviting them to see and believe. In their uncertainty, we find a reflection of our own — and a Savior who patiently draws us into deeper faith. Listen to this sermon as Jason Harris explores how the risen Jesus meets us in our doubts and leads us into lasting belief. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

The incredibly talented Wendy Eisenberg joins us this week to talk about their new, self-titled album, which just earned a Best New Music nod from Pitchfork. Wendy talks about their start playing music in Western Massachusetts, the perils of awful guitar instructors, discovering prog rock (and eventually jazz…and singer-songwriters), and so much more. Hosted by Sofia Wolfson https://www.wendyeisenberg.com Subscribe to the Fretboard Journal print magazine  here.  Our next Fretboard Summit takes place August 20-22, 2026, at the Old Town School of Folk Music in Chicago. Register today: https://fretboardsummit.org We are brought to you by Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Mike & Mike's Guitar Bar: https://mmguitarbar.com Mike & Mike's Substack: https://mmguitarbar.substack.com  

Thomm Jutz's story is unlike any other we've ever shared. Born in the Black Forest of Germany, Jutz became obsessed with American music when, at the age of 11, he saw Bobby Bare on TV. He eventually moved to Nashville, where he has worked with Nanci Griffith, Mary Gauthier, Billy Strings, and others. These days, he also teaches songwriting at Belmont University. On this week's podcast, we talk to the Grammy-nominated singer-songwriter, guitarist and producer about his new solo album, Ring-A-Bellin', its companion book, his secrets for success in Nashville, and so much more. It's a great chat.   https://thommjutz.com Order the Ring-A-Bellin' book: https://thommjutz.com/store Subscribe to the Fretboard Journal print magazine here.  Our next Fretboard Summit takes place August 20-22, 2026, at the Old Town School of Folk Music in Chicago. Register today: https://fretboardsummit.org We are brought to you by Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Mike & Mike's Guitar Bar: https://mmguitarbar.com Mike & Mike's Substack: https://mmguitarbar.substack.com  

American folk singer-songwriter Annahstasia's music career blossomed since the day she got kicked out of her teenage choir. Her voice didn't blend homogenously with others, as it always meant to stand out. Today, with her soulful contralto register, she often gets compared to the greats like Nina Simone, Tracy Chapman, and Sade. But the way she utilizes her voice and songwriting melds a distinct brand of her own.  As a storyteller, Annahstasia doesn't worry too much about predictable song structures with repeatable sections. Instead, she invites her collaborators and listeners into her safe space to participate as a communal sonic atmosphere begins to take shape. Like an “energy doula”, she approaches the dynamics in her music with the utmost care, birthing not only words and musical notes but also volumes of emotion. Sometimes, her melodies and harmonies are tethered so tightly to silence that you might miss them if you're not listening closely. Then, they burst out again, like a thunderstorm that came out of nowhere to grasp your attention and never let go. Offering an inimitable aural experience, Annahstasia performs a solo set at our Manhattan studios for this edition of Soundcheck, ahead of her sold-out four-night residency at Public Records in Brooklyn. Hear her latest anecdotes about her journey in the music industry and how she defends the art of live music recording in the age of bedroom pop productions. (- Sırma Munyar) Setlist: 1. Be Kind 2. Take Care of Me 3. Slow

Are there certain songs that have been passed down in your family — that you sing together at gatherings, or that parents sing as lullabies? If you moved across the country or across the world, what songs would you bring with you to remind you of home?Back in the 1930s, an adventurous woman named Sidney Robertson went on a quest to document those kinds of songs across Northern California. With support from the federal government, Sidney and her small staff were able to collect and catalog hundreds of songs, capturing the music people brought with them when they moved here from all over the U.S. and the world.These recordings became a soundtrack that celebrates the cultures that make up the Bay Area, and they show how music has the power to connect us across generations and communities. In this story, reporter Sheryl Kaskowitz meets a family in Oakland who discovered the power of these recordings for themselves. It's the fourth episode of The Public Works, her series about how the New Deal transformed the Bay Area and what lessons we can learn from it today.

This week, we're chatting with Rhys John Stubbs, founder of UK-based Bigfoot Engineering. Rhys is best known for his effects pedals, but he just released a beautiful album of original acoustic guitar instrumentals called 'Zems.' We love it.  We talk about Rhys' journey through music (and how a Fretboard Journal video with the Milk Carton Kids shaped his playing!), his love for acoustic guitars, pedal production, and so much more. https://www.bigfootengineering.com/ Listen to 'Zems': https://www.bigfootengineering.com/music.html#/ Our next Summit takes place August 20-22, 2026, at the Old Town School of Folk Music in Chicago. Register today: https://fretboardsummit.org We are brought to you by Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Mike & Mike's Guitar Bar: https://mmguitarbar.com Mike & Mike's Substack: https://mmguitarbar.substack.com  

Singer-songwriter John Craigie joins us this week to talk about his new album, 'I Swam Here.'  https://johncraigie.com We also talk about Craigie's unique humor during his sets, his Beatles covers, album covers, and so much more.  Plus...a really exciting Fretboard Summit update. Our next Summit takes place August 20-22, 2026, at the Old Town School of Folk Music in Chicago. Register today: https://fretboardsummit.org We are brought to you by Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Stringjoy Strings: https://stringjoy.com Mike & Mike's Guitar Bar: https://mmguitarbar.com Mike & Mike's Substack: https://mmguitarbar.substack.com

This week, the Fretboard Journal's Sofia Wolfson talks to Tulsa, Oklahoma-based songwriter Ramsey Thornton. Ramsey is a multi-instrumentalist with a love for both banjo and guitar. In fact, he's one of those rare individuals who boasts a graduate degree in banjo! We hear all about it and about Ramsey's forthcoming debut album, 'I Called It!'  Follow Ramsey here: https://www.instagram.com/ramsey.thornton/ Our next Fretboard Summit takes place August 20-22, 2026, at the Old Town School of Folk Music in Chicago. Register today: https://fretboardsummit.org We are brought to you by Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). Stringjoy Strings: https://stringjoy.com Mike & Mike's Guitar Bar: https://mmguitarbar.com Mike & Mike's Substack: https://mmguitarbar.substack.com