Podcasts about Folk music

We all want to be seen for who we truly are, but what happens when the way we see Jesus, others, and even ourselves is distorted? In a story filled with mistaken identity, Jesus reveals a love that sees beyond our sin, exposes our deepest need for grace, and offers forgiveness that transforms the way we love. Listen to this sermon as Erik Bonkovsky explores the question at the heart of the gospel: Who is this Jesus, and who will he be to you? ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

At first glance, punk and folk seem to live in two different worlds. But look below the surface and you'll find the two genres have more in common than you might think. Nova Scotia folk duo Mama's Broke (Amy Lou Keeler and Lisa Maria) sit down with Q guest host Garvia Bailey to talk about their new album, Reunion, and the kinship between punk and folk.

In this week's episode, Dan interviews Jameson Foster as they discuss the complexities of defining Nordic folk music.------------------------------------------------Follow Jameson on Instagram:https://www.instagram.com/jamesonfoster.wavFollow the Podcast on Instagram:https://www.instagram.com/nordicmythologypodcastIf you like what we do and would like to be in the audience for live streams of new episodes to ask questions, please consider supporting us on Patreon: https://www.patreon.com/NordicMythologypodcastCheck out Dan's company, Horns of Odin, and the wide range of handmade items inspired by Nordic Mythology and the Viking Age. Visit: https://www.hornsofodin.com Hosted on Acast. See acast.com/privacy for more information.

This week's rounds are Music (Sample Sinners), Folk Music, Native American Loan Words (Quickfire), and Sport. The music is Bob A. Feldman with Folk Revolution.

In this episode we chat with Kerri Stephens, the Artistic Director of Northern Lights Festival Boréal in Sudbury, Ontario and founder of Lost Cat Artists.Kerri takes us behind the scenes of programming Northern Lights Festival Boréal, sharing how she curates a cohesive lineup and considers everything from an artist's fit with the festival's mandate to the overall audience experience. She also shares practical advice for artists on pitching to festivals, preparing for industry meetings, following up after showcases, and building genuine relationships with bookers.For more information on Northern Lights Festival Boréal, visit their website and follow them on Instagram. You can also connect with Kerri on the management side through her company Lost Cat Artists via her website.About Kerri StephensKerri Stephens is the Artistic Director of Northern Lights Festival Boréal and Founder of Lost Cat Artists, an artist management and development company based in Winnipeg, Canada. With more than 20 years of experience in the music industry, she has worked across artist management, festival programming, marketing, sponsorship, fundraising, and event production.______________Tune in to the latest episodes of Refolkus, featuring latest music releases from Folk Canada members and Refolkus guests, now broadcasting on CKCU FM 93.1 in Ottawa, CKUW 95.9 FM in Winnipeg and CFBX 92.5 FM in Kamloops.Presented by Folk CanadaHosted by Rosalyn DennettProduced by Kayla Nezon and Rosalyn DennettMixed by Jordan Moore of The Pod CabinTheme music “Amsterdam” by King CardiacArtwork by Jaymie Karn

On this week's show, we pour one out for Kavinsky and Glen Hansard, catch up on a smokin' boatload o' singles that have been piling up over the past several weeks, and spin fresh tracks from Boards of Canada, Mitch Easter, The Womack Sisters, Tom Waits, and the long-awaited collab of Steve Earle & Los Lobos.All this & much, much less! Debts No Honest Man Can Pay started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

What if the way we measure our worth before God is completely upside down? Jesus' parable of the workers in the vineyard confronts our instinct to keep score, earn our blessings, and compare ourselves with others, revealing a kingdom that runs on grace rather than merit. The good news is that no matter when we arrive, God comes looking for us and welcomes us not because we've earned it, but because he is generous. Listen to this sermon as Aaron Baker explores how receiving God's extravagant grace can transform us into people who live with that same generosity toward others. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

What if the way we measure our worth before God is completely upside down? Jesus' parable of the workers in the vineyard confronts our instinct to keep score, earn our blessings, and compare ourselves with others, revealing a kingdom that runs on grace rather than merit. The good news is that no matter when we arrive, God comes looking for us and welcomes us not because we've earned it, but because he is generous. Listen to this sermon as Aaron Baker explores how receiving God's extravagant grace can transform us into people who live with that same generosity toward others. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

In this episode we chat with Fiona Black, the Artistic Director of Vancouver Folk Music Festival.Fiona shares insights into booking international artists, creating meaningful collaborations and workshops, and what makes the Vancouver Folk Music Festival such a unique experience for artists and audiences. We also explore how festivals have evolved post-pandemic and the role of community in creating memorable live music experiences.The 2026 Vancouver Folk Music Festival has already passed but stay up to date with what's coming next year by visiting their website and following VFMF on Instagram and Facebook.About Fiona BlackFiona Black is the founding Director of Programming for the BlueShore Theatre at Capilano University. For the past 29 years, she has produced and programmed the Cap Jazz Series and Cap Global Roots Series plus "North Shore Jazz", a satellite series presented on Vancouver's North Shore in partnership with the Vancouver International Jazz Festival.  In addition, she is the Artistic Director of the Vancouver Folk Music Festival.   Considered a very active member of the global and jazz music industry, Fiona travels extensively to international music gatherings and festivals and is fully committed to discovering and nurturing fine artists from around the globe.______________Tune in to the latest episodes of Refolkus, featuring latest music releases from Folk Canada members and Refolkus guests, now broadcasting on CKCU FM 93.1 in Ottawa, CKUW 95.9 FM in Winnipeg and CFBX 92.5 FM in Kamloops.Presented by Folk CanadaHosted by Rosalyn DennettProduced by Kayla Nezon and Rosalyn DennettMixed by Jordan Moore of The Pod CabinTheme music “Amsterdam” by King CardiacArtwork by Jaymie Karn

Episode: 3397 In which old magazines returns us to a time when our reading was not limited by what we chose to read.  Today, what is a magazine?

Send us a text and chime in!The 42nd Folk Music Festival is returning to Sharlot Hall Museum on Saturday, October 3, 2026, from 9:00 a.m. to 5:00 p.m., music starts at 10 a.m., marking the cherished event's first appearance in seven years. The day-long celebration of folk music will bring audiences and performers back to the museum's historic grounds. In addition, a special limited-seating concert with the beloved national group, The Folk Legacy Trio, will be held on Friday, October 2, at 6 p.m. to 9 p.m. This year's festival will feature more than 50 musicians performing across four different stages throughout the day. Admission is...   For the written story, read here >> https://www.signalsaz.com/articles/folk-music-festival-returns-to-sharlot-hall-museum-after-seven-year-hiatus/ Check out the CAST11.com Website at: https://CAST11.com Follow the CAST11 Podcast Network on Facebook at: https://Facebook.com/CAST11AZFollow Cast11 Instagram at: https://www.instagram.com/cast11_podcast_network

What happens when following Jesus becomes difficult, and the faith that once drew us in begins to demand more than we're willing to give? As the crowds turn away, Peter's response reveals the heart of saving faith: “Lord, to whom shall we go?” Listen to this sermon as Sandy Willson explores the difference between a faith that merely draws us near and a faith that truly trusts, embraces, and rests in Jesus. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

What happens when following Jesus becomes difficult, and the faith that once drew us in begins to demand more than we're willing to give? As the crowds turn away, Peter's response reveals the heart of saving faith: “Lord, to whom shall we go?” Listen to this sermon as Sandy Willson explores the difference between a faith that merely draws us near and a faith that truly trusts, embraces, and rests in Jesus. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

Bonnie Dobson wrote the haunting folk classic “Morning Dew” in 1961, inspired by the fear of nuclear annihilation. The song would go on to be recorded by the Grateful Dead, Jeff Beck, Robert Plant, Nazareth, Devo and countless others—but along the way, singer Tim Rose claimed co-writing credit, beginning a decades-long struggle for Dobson to reclaim recognition for the song she wrote.Author John Einarson joins Booked On Rock to discuss his new biography, Take Me For A Walk In The Morning Dew: The Life and Times of Bonnie Dobson and the Story of Her Iconic Song. We explore the remarkable origins of “Morning Dew,” Bonnie's experiences in the 1960s folk scene and with a young Bob Dylan, how the Grateful Dead helped immortalize the song, the controversy surrounding Tim Rose, and the battle to restore Bonnie's rightful credit. John also shares the wonderful story of Bonnie knocking on Robert Plant's door and how Plant ultimately helped her get her song back.Pre-order a copy of Take Me For A Walk In The Morning Dew: The Life And Times Of Bonnie Dobson And The Story Of Her Iconic SongOrder a signed copy of Take Me For A Walk In The Morning Dew from Rough TradeFind more books by John Einarson----------

Welcome to Get Up in the Cool: Old Time Music with Cameron DeWhitt and Friends. We're back to our regularly scheduled programming. This week's friend is Jordan Wankoff! We recorded this on Sunday at the Old Town School of Folk Music in Chicago. Tunes in this episode: Marmaduke's Hornpipe (0:47) Cowhide Boots (10:22) Grand Picnic (Joe Politte original) (22:01) Walk Old Shoe Heel Come A Draggin' (42:21) Tippin' Back the Corn (Jordan Wankoff original) (56:56) BONUS TRACK: Lacy Brown Study fiddle with Jordan Wankoff at the Old Town School of Folk Music [Buy your tickets for Tall Poppy String Band's upcoming shows!](tallpoppystringband.com/shows) Support Get Up in the Cool on Patreon Send Tax Deductible Donations to Get Up in the Cool through Fracture Atlas Sign up at Pitchfork Banjo for my clawhammer instructional series! Schedule a banjo lesson with Cameron Visit Tall Poppy String Band's website and follow us on Instagram follow Sweeten the Third on Instagram

Faith can feel surprisingly fragile when life doesn't unfold the way we hoped. John the Baptist's question from prison reminds us that even the strongest believers wrestle with doubt, yet Jesus responds not with condemnation but with grace, truth, and reassurance. Listen to this sermon as Brent Harriman explores how Christ meets our deepest questions, strengthens our faith in the midst of uncertainty, and reminds us that even when we doubt him, he never doubts his people. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

Faith can feel surprisingly fragile when life doesn't unfold the way we hoped. John the Baptist's question from prison reminds us that even the strongest believers wrestle with doubt, yet Jesus responds not with condemnation but with grace, truth, and reassurance. Listen to this sermon as Brent Harriman explores how Christ meets our deepest questions, strengthens our faith in the midst of uncertainty, and reminds us that even when we doubt him, he never doubts his people. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

John forgets the lyrics to his own song and reveals his earliest childhood memory. Meanwhile, Jonnie ponders "very special episodes" of 80's sitcoms that dealt with heavy issues and tells the tale of the heroic birds who ruined Hitler's Olympic Games in Berlin. Plus, the boys are joined by their good friend, singer/songwriter Caleb Christopher Edwards, to talk about his brand new project "Hoosierman: Volume II" (out now wherever you find your music.) Today's episode is NOT sponsored by Getting All The Grocery Bags Into The House In One Trip: "You did it, and now you can't feel your hands." FOLLOW Jonnie W: https://jonniew.com FOLLOW John Driver: https://johndriver.com LISTEN, SUBSCRIBE, SEND MESSAGE, OR SUPPORT at http://talkaboutthatpodcast.com WATCH/SUBSCRIBE on YouTube: https://www.youtube.com/channel/UCwjExy_jWIdNvGd28XgF2Dg Discover more Christian podcasts at lifeaudio.com and inquire about advertising opportunities at lifeaudio.com/contact-us.

Victor V. Gurbo is a roots revivalist singer-songwriter whose work blends folk, blues, and Americana into a sound that feels both timeless and contemporary. Backed by a four-piece band, he delivers original songs anchored in storytelling and driven by raw, rhythmic energy. His music draws inspiration from the canon of American song and poetry while maintaining a distinct, contemporary voice. Whether performing in intimate venues or on larger stages, Gurbo brings an unfiltered intensity to his work. With a deep respect for tradition and a forward-looking approach, he continues to carve out a unique space within today's Americana landscape.

A new state law allows school boards to raise their own stipends and many are doing just that. Plus, market's executive director has led weekly event for 47 years. Finally, musicians bring their tour of Iranian music to Davis.

We made it to the final stop on this summer's Around the World with Busy Kids Love Music tour — and what a destination to end on. The Philippines is an archipelago of more than 7,000 islands in Southeast Asia, home to over 110 million people speaking more than 180 languages and dialects. Its folk music is not one tradition — it is many, layered on top of each other over thousands of years: ancient bronze gong ensembles from the highlands and the southern islands, rice harvest chants recognized by UNESCO, Spanish-influenced string ensemble music that became entirely its own thing, and love songs that carried a secret message of resistance hidden in plain sight. In this finale episode, we explore both sides of Philippine folk music — the indigenous traditions that survived centuries of Spanish colonization, and the hybrid traditions that grew from the meeting of Filipino and Spanish culture. And woven through it all is a theme that has appeared at every stop on this summer's tour: music as the keeper of identity, the carrier of what people are not always free to say out loud. What We Cover in This Episode The Philippines' geography, history, and extraordinary cultural diversity — 7,000+ islands, 180+ languages, indigenous peoples alongside centuries of colonial influence Spanish colonial rule (1565–1898) and how it reshaped lowland Filipino culture while leaving highland and southern communities largely intact The kulintang — a row of bronze gongs played in ensemble by the Maranao and Maguindanao peoples of Mindanao and the Sulu Archipelago The gangsa tradition of the Kalinga people of the Cordillera highlands — flat bronze gongs played communally, one gong per player The hudhud — a form of epic chanted poetry sung by Ifugao women during rice harvests and funerals, recognized by UNESCO as an Intangible Cultural Heritage The rondalla — a Spanish-derived plucked string ensemble that became the sound of Filipino fiestas and community celebrations The harana — a traditional serenade tradition with Spanish roots that developed its own Filipino character, now a disappearing tradition being actively preserved The kundiman — Filipino love songs from the late 19th and early 20th centuries that carried hidden messages of patriotism and longing for independence under colonial rule How Filipino-American communities across the United States are keeping these traditions alive today Free Downloads for This Episode

What happens when God's plans don't unfold the way you expect? The disciples' final question to Jesus reveals how easily our hopes can become fixed on our own timing, our own priorities, and our own vision of his kingdom. Listen to this sermon as John Bourgeois explores how Christ redirects our expectations, equips us with his Spirit, and calls us to live with confidence until he returns. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

What happens when God's plans don't unfold the way you expect? The disciples' final question to Jesus reveals how easily our hopes can become fixed on our own timing, our own priorities, and our own vision of his kingdom. Listen to this sermon as John Bourgeois explores how Christ redirects our expectations, equips us with his Spirit, and calls us to live with confidence until he returns. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

On this week's show, we spend quality time with new records from Jack White, The Rolling Stones, Brother Wallace & Jalen Ngonda.All this & much, much less!Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Busyness can make us feel productive while quietly pulling us away from the One we need most. Through the familiar story of Mary and Martha, we're invited to consider whether our anxious striving has drowned out the voice of Jesus — and to discover the peace that comes from simply being with him. Listen to this sermon as John Yates explores Christ's compassionate response to our deepest fears and reminds us that he sees us, cares for us, and offers the one thing that can never be taken away. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

Busyness can make us feel productive while quietly pulling us away from the One we need most. Through the familiar story of Mary and Martha, we're invited to consider whether our anxious striving has drowned out the voice of Jesus — and to discover the peace that comes from simply being with him. Listen to this sermon as John Yates explores Christ's compassionate response to our deepest fears and reminds us that he sees us, cares for us, and offers the one thing that can never be taken away. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

Stop 4 on our summer world tour takes us to the heart of central Europe — the Czech Republic, a country about the size of South Carolina with a fiercely proud cultural identity and joyful, irresistibly danceable folk music. In this episode, we explore the patchwork of Czech folk traditions across its three historical regions — Bohemia, Moravia, and Silesia. We trace how ordinary Czech people held tightly to their music and language through centuries of Habsburg rule, how a small Bohemian dance became a global craze in the 1840s (and never really stopped), and how the warm, layered sound of the Moravian cimbalom gives this region's folk music a character entirely its own. We also visit a composer who grew up the son of a village butcher-turned-folk-musician and went on to become one of the most celebrated names in classical music history — Antonín Dvořák. Czech folk music didn't just survive foreign rule. It traveled the world. What We Cover in This Episode The Czech Republic's geography and its three distinct folk music regions: Bohemia, Moravia, and Silesia How centuries of Habsburg rule suppressed Czech language and culture — and how folk music became an act of cultural resistance The Czech national revival of the 1800s and what it produced The polka — its Bohemian origins, how it swept across Europe and America, and why it's still alive in Czech-American communities across the Midwest and Texas today The cimbalom — the hammered dulcimer at the heart of Moravian folk ensembles The verbunk — an athletic Moravian solo dance with roots in military recruitment Antonín Dvořák and how his folk-rooted upbringing shaped some of the most beloved music in the classical repertoire, including the Slavonic Dances How Czech folk music is being celebrated and reinvented by younger musicians today Free Downloads for This Episode

Pam MacKenzie namedNew President of Campaign for VermontCampaign for Vermont is a nonprofit, nonpartisan advocacy organization dedicated to the vision of a more prosperous Vermont. Their mission is to advocate for public policy changes by reconnecting middle-class Vermonters to their government. Joined by Ben Kinsley Executive director of CFVHayden Dublois is the Data and Analytics Director for the Foundation for Government Accountability. Today to discuss Healthcare, after GOVERNOR PHIL SCOTT SIGNED A HEALTHCARE EXECUTIVE ORDER TO EXPAND INSURANCE CHOICES AND LOWER COSTS Musicians Christine Lynch Malcolm and Marc Edwards, AT the Highland Center for the ArtsSaturday, July 18, 7:00 P.M. to 9:00 P.M.In this 250th Anniversary of our Declaration of Independence it is fitting to celebrate the American folk tradition of songs of “resistance, solidarity and hope.”The Highland Center for the Arts is glad to welcome Patti Casey, Jess O'Brien, Will & Dan Lindner, Christine Malcolm, Don Houghton, Roy MacNeil, Krishna Guthrie and other Vermont artists who will be joining them performing songs from the canon of American folk as well as some of their own originals.

We all know what it’s like to search for something that never quite satisfies. Jesus’ encounter with the woman at the well reveals that our deepest thirst can’t be quenched by success, relationships, or anything this world has to offer; it can only be met by him. The living water Jesus gives doesn’t just fill empty hearts; it transforms lives and overflows to others. Listen to this sermon as Jason Harris explores where true satisfaction is found and why Jesus alone can quench our deepest thirst. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

We all know what it’s like to search for something that never quite satisfies. Jesus’ encounter with the woman at the well reveals that our deepest thirst can’t be quenched by success, relationships, or anything this world has to offer; it can only be met by him. The living water Jesus gives doesn’t just fill empty hearts; it transforms lives and overflows to others. Listen to this sermon as Jason Harris explores where true satisfaction is found and why Jesus alone can quench our deepest thirst. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

On this week's show, we spend quality time with new records by Low Cut Connie & River Shook, spin fresh tracks from Billy Strings, U2 & Phoebe Bridgers, and celebrate 25 years of The White Stripes' White Blood Cells. All this & much, much less!Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Vanguard Records is best known for its eclectic catalog of pivotal jazz, folk, rock and blues recordings by iconic artists like Joan Baez, Linda Ronstadt, Buddy Guy, Charlie Musselwhite, John Fahey, Buffy Sainte-Marie, Doc Watson, Country Joe and the Fish and countless others. Most recently, Vanguard has carried forward the label's legacy of artistic excellence with a diverse roster including Barenaked Ladies, Indigo Girls, O.A.R. and Collective Soul.Riding the tail end of the popular boom of  commercialized  Folk Music, Vanguard's unexpected mega-hit "Walk Right In" soared to the top of the pop chart.  Looking for a long forgotten treasure to mine, Erik Darling and Bill Svanoe, doing what many had done before them, updated an old string band tune, composed by Gus Cannon and recorded with his Jug Stompers in 1929. They arranged it for TWO 12-String guitars (one of which, a leftie model, had to be specially constructed  for Bill), and adding the mellifluous tones of Lynne Taylor to complete the trio, the magic concoction was brewed to MOR perfection.And, just in time for Gus Cannon, too!  He had recently pawned his banjo to pay his heating bill, and the royalties and national recognition breathed new life into a long dormant career.

After finding success with mainstream music at the Yacht Club Festival, the folks behind that effort are debuting "The Country Club" Festival this weekend. And it's all about Folk Music and it includes artists big and small. The Last Revelers are part of the lineup, and meet one of their members on the WCCO morning News

Marisa Anderson has been dubbed as one of “this era’s most powerful players,” for her deep and varied interpretations of American music. Her latest album, “The Anthology of UnAmerican Folk Music,” takes inspiration from folk music from around the world. From Vietnam and Syria, to Afghanistan and the Soviet Union, the album is shaped by songs from countries that have been in conflict with the U.S. in her lifetime. Andreson join us to share more on her album and performs live in-studio.

•Pastor Donald Gay is a member of the legendary Gay family and leads the Prayer Center Church of God in Christ, founded by his mother in 1959. Rev. Gay has released two albums, Soulful Sounds and On a Glorious Day, and has performed at various Chicago venues, including Millennium Park, the Old Town School of Folk Music, the Chicago Blues Festival, and the University of Chicago Folk Festival.•The sibling of the famous sisters Evelyn, Mildred & Geraldine known as “The Gay Sisters”.  Rev. Donald made a name for himself as the three-year old child preacher and the first Black child on the Joe Kelly Quiz Kids Show in the 1950's.  He also performed with his sisters at the first Gospel Music concert at Carnegie Hall in 1950.•Steven B. Dolins is the founder and president of The Sirens Records, a label dedicated to blues, boogie, jazz, and gospel keyboard music. He is emeritus professor of computerscience and information systems at Bradley University. Their Book Release coming fall 2026, the University of Chicago Press will publish Can I Get a Witness! Faith, Family, and Chicago Gospel Music ••A “Top Gospel Music Podcast” Badge has been AWARDED from Feedspot which has named Let's Talk: Gospel Music Gold one of the Top 10 Gospel Music Podcasts on the web! •LET'S TALK: GOSPEL MUSIC GOLD RADIO SHOW AIRS EVERY SATURDAY 9:00 AM CST / 10:00 AM EST ON WMRM-DBINTERNET RADIO STATION  AND WJRG RADIO INTERNET RADIO STATION 12:00 PM EST / 11:00 AM CST •There is a Let's Talk: Gospel Music Gold Facebookpage ( @LetsTalk2GMG ) where all episodes are posted as well.    •The Podcast and Radio shows are heard anywhere in theWorld on the Internet! •ANSONIA'S BOOK RELEASES•"If We Can Do It, You Can Too!"•“Legacy of James C. Chambers And his Contributions to Gospel Music History”•2026 MiPA Award Winning "Molding a Black Princess"Order Information https://www.unsungvoicesbooks.com/asmithgibbs

Everyone has an opinion about truth, but what if truth is more than an idea to debate? Jesus' makes a surprising claim that truth is ultimately found in a person, exposing the lies that keep us from God while offering the freedom and hope only he can give. Rather than asking us to create our own reality, it invites us to be transformed by the One who is reality itself. Listern to this sermon as Twaambo Moyo explores why knowing the truth begins with knowing Jesus. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

Everyone has an opinion about truth, but what if truth is more than an idea to debate? Jesus' makes a surprising claim that truth is ultimately found in a person, exposing the lies that keep us from God while offering the freedom and hope only he can give. Rather than asking us to create our own reality, it invites us to be transformed by the One who is reality itself. Listern to this sermon as Twaambo Moyo explores why knowing the truth begins with knowing Jesus. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

What happens when an electric guitar is used to interpret music from cultures that completely ignore the Western tonal system? Guitarist Marisa Anderson dove into the depths of late filmmaker Harry Smith's record collection to find out. While Smith himself once did similar research to compile his influential Anthology of American Folk Music, Anderson was more interested in compositions and improvisations that emerged outside of her country. She felt particularly drawn to recordings from places the United States has been in conflict with for decades, which led her down the path of producing her own Anthology of UnAmerican Folk Music. Transcribed in her “first language”, the electric guitar, and accompanied by soundscapes built with keyboards, the accordion, and other instruments, Anderson carefully arranged pieces from Afghanistan, Yemen, Vietnam, and more. As she bent the strings of her guitar to achieve some form of microtonality, she kept questioning the concept of being unamerican: “Who are the people we've been told in our lifetimes are “unamerican?” What have we lost or been denied access to in the fallout from that label?” Anderson brings some of her interpretations to our studio for a solo performance and explains her process. “This project changed me permanently… I'm a better listener,” she says, as she approaches each new territory with the curiosity and joy of a child in a candy store. (- Sırma Munyar) 1. Hamd 2. Sarvi Simin 3. Taqsim for Guitar Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Stop 3 on our summer world tour takes us to the continent of Africa — specifically to Nigeria, the most populous country on the continent, home to more than 500 distinct ethnic groups, hundreds of languages, and one of the richest and most diverse musical traditions in the world. In this episode, we explore the deep roots of Nigerian folk music — from the ancient kingdoms of the Yoruba, Igbo, and Hausa peoples to the extraordinary talking drum that literally speaks a language, to the interlocking rhythms of the ogene bells that influenced jazz, blues, and gospel music in America. We also talk honestly about how the transatlantic slave trade carried Nigerian musical DNA across the ocean, and how those rhythms survived, took root, and grew into something new without ever losing their essential character. And we connect it all to the contemporary Nigerian music that is shaping global sound right now. Nigeria's music is not a museum piece. It is alive, evolving, and more influential than most people realize. What We Cover in This Episode Nigeria's geography, history, and extraordinary cultural diversity Ancient Nigerian civilizations: the Nok, the Yoruba kingdoms, the Benin Kingdom, the Hausa city-states, and the Igbo communities How the transatlantic slave trade carried Nigerian musical traditions to Puerto Rico, Brazil, Cuba, Trinidad, and the American South — and how those traditions survived The dundun (talking drum) — how an hourglass-shaped drum can reproduce the tones of a spoken language The Yoruba musical tradition, the Ifá spiritual tradition, and the role of specific drum rhythms in ceremony and community life Jùjú music — how the Yoruba folk tradition evolved into a modern genre, with King Sunny Ade as a key figure Igbo folk music — the ọjà flute and the ogene iron bells, with their interlocking rhythmic patterns How West African interlocking rhythms became the foundation of jazz, blues, and gospel music in America Afrobeats and how contemporary Nigerian artists are carrying folk traditions into global popular music today Free Downloads for This Episode

On this episode of The Bandwich Tapes, I sit down with singer, songwriter, producer, studio builder, and longtime Austin music figure Hank Alrich for a conversation about songs, sound, family, and the long arc of a creative life.Hank talks about his early years as a working folk singer, his time building a recording studio inside Armadillo World Headquarters, and eventually taking the helm of that legendary Austin venue in the late 1970s. Along the way, he reflects on the kind of musical education that comes from being surrounded by country, blues, folk, jazz, funk, and experimental music all in the same room.We spend a good bit of time with Hank's album Broken River, especially the way it balances polish and looseness. Hank shares how he approaches recording with a live band, why he values trusted collaborators, and how his daughter Shaidri has become an essential musical voice in his work.This is a conversation about writing only when the song demands it, letting musicians play together in real time, and learning to respect the crack in the performance where the light gets in.Key Takeaways • Hank's first professional gig was as a house folk singer, playing six sets a night, seven nights a week. • His work at Armadillo World Headquarters gave him a broad musical education across folk, country, blues, jazz, funk, and beyond. • Broken River brings together songs from different periods of Hank's writing life. • Hank values live recording because of the human, almost metaphysical connection between musicians in the room. • His daughter Shaidri plays an important role as a harmony singer, collaborator, and trusted set of ears. • Hank sees production as a team effort, with every musician and engineer contributing to the final shape of the song. • The conversation explores the difference between perfection and completion in making records.Music from the EpisodeI Hate to See That Evening Sun Go Down - Hank AlrichThe Perfect Hat - Hank AlrichShe Had Whiskey For Dinner - Hank AlrichBroken River - Hank AlrichAbout the PodcastThe Bandwich Tapes is a music interview podcast hosted by Brad Williams. Each episode features thoughtful conversations with musicians, songwriters, composers, producers, and artists about craft, collaboration, creative process, musical identity, and the way music actually gets made.Connect with the ShowEmail: contact@thebandwichtapes.com

Can someone be deeply moral, deeply religious, and still be missing the very life God offers? Through Jesus' conversation with Nicodemus, this message reveals why we need more than self-improvement — we need a new birth that only God can give. Whether your journey to faith is sudden or gradual, the invitation is the same: look to Christ and receive the new life that only he can provide. Listen to this sermon as Jason Harris explores Jesus' surprising answer to one of life's most important questions. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

Can someone be deeply moral, deeply religious, and still be missing the very life God offers? Through Jesus' conversation with Nicodemus, this message reveals why we need more than self-improvement — we need a new birth that only God can give. Whether your journey to faith is sudden or gradual, the invitation is the same: look to Christ and receive the new life that only he can provide. Listen to this sermon as Jason Harris explores Jesus' surprising answer to one of life's most important questions. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

Download the full transcript here. Sound bites featured in this episode (in order of appearance): Ghislain calling a square dance in Sutton, QC with music by Patrice Boucher, Richard Forest, and Tristan Henderson Ghislain calling at the Comboros festival in France (recording courtesy of Ghislain) Ghislain calling at a veillée de danse traditionnelle, an evening of traditional dance in Quebec City with music by Le Vent de Nord. Other things! Gigi's Link Tree full of great videos, resources for callers, and his gig schedule. Make sure to check it out! See the From the Mic website for great bonus content, including pictures and audio, transcripts, and more. And the Country Dance and Song Society for information about Contra and English country dance across the continent

In this week's episode, Dan and Mags sit down with Dr. Mathias Nordvig to talk about the recent “Nordic Folk” debate that is causing a divide within the music scene.------------------------------------------------Check out Mathias on Instagram:https://www.instagram.com/mathiasnordvigFollow Margrethe on Instagram:https://www.instagram.com/arkeomagsFollow the Podcast on Instagram:https://www.instagram.com/nordicmythologypodcastIf you like what we do, and would like to be in the audience for live streams of new episodes to ask questions, please consider supporting us on Patreon: https://www.patreon.com/NordicMythologypodcastCheck out Dan's company, Horns of Odin, and the wide range of handmade items inspired by Nordic Mythology and the Viking Age. Visit: https://www.hornsofodin.com Hosted on Acast. See acast.com/privacy for more information.

Why do so many disagreements among Christians feel bigger than they need to be? Romans 14 explores how the gospel calls us to hold firmly to truth while extending grace to those who see non-essential matters differently. It reminds us that our unity is not built on having identical opinions but on the fact that we have all been welcomed by Christ. Listen to this sermon as Jason Harris explores how the cross frees us from both judgment and contempt and teaches us to live together as one family. ________ Sign up for Central’s newsletters here. Visit us on our website to learn more. Follow us on Instagram, YouTube, and Facebook.

Our summer world tour continues — and for Stop 2, we're trading the warm Caribbean rhythms of Puerto Rico for something entirely different: the misty fjords, ancient forests, and hauntingly beautiful folk music of Norway. In this episode, we explore Norway's deep folk music roots, from the Norse storytelling tradition to the extraordinary sound of the Hardanger fiddle — an instrument that doesn't just play a melody but seems to fill the air around it. We also talk about the athletic halling dance, the improvised poetry of the stev, and how composer Edvard Grieg (the very first composer we ever featured on this podcast, back in Episode 2) deliberately wove Norwegian folk traditions into classical music that eventually reached concert halls around the world. Norway's folk music survived centuries of foreign rule because ordinary people held onto it tightly. That's a story worth hearing. What We Cover in This Episode Norway's geography and why the landscape shaped its music The Norse people, the Vikings, and the rich storytelling tradition behind Norwegian folk music How folk music became an act of cultural survival during centuries of Danish and Swedish rule The Hardanger fiddle — what makes it unlike almost any other instrument in the world (hint: it has strings you never touch) Dance forms of Norwegian folk music: the springar and the halling The stev — improvised sung poetry, and how it connects to the décima tradition we heard in Puerto Rico Edvard Grieg and how he translated Norwegian folk music into classical compositions heard around the world How Norwegian folk traditions are being carried forward by younger musicians today Free Downloads for This Episode

In 2009, an old man died in a California nursing home. His obituary included not just his given name, but a long list of the pseudonyms he'd been known to use. In this classic 2019 episode, we trace the life of Riley Shepard, a hillbilly musician, writer, small-time con man and, perhaps, a genius. Then, on Your Questions Answered, psychologist Leslie John returns to answer your questions about when to share a secret, and when to keep it to yourself. You can find an online version of Riley Shepard's Encyclopedia of Folk Music here.   There's a powerful tool almost all of us overlook when we're trying to improve a work project or help our kids with their homework. Learn more in this video on our new YouTube channel! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.