Podcasts about Hip

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From a 400-person room to a 1,000-person room to twelve chapters in two countries, in nine years, on a formula nobody wrote down.That is the middle chapter of the GEDfest story, and this is the episode about how it actually happened. GEDfest is Gord Edgar Downie Fest. It was born in Calgary shortly after Gord Downie passed away in 2017, and it is now the largest fundraiser in his memory in the country. The jump from one hometown night to a national organization did not happen because somebody drew up a plan. It happened because people kept walking up and asking how they could help.Julie Johnson was in the audience on night one while Keith was on the drum stool, which means she saw something he could not see from up there. A woman came up to her in that tiny bar and started talking about a Canadian art gallery and all the images The Tragically Hip put into people's heads, and whether there was room for that next year. That was the first sign. There have been a lot of them since. This episode is Julie, Keith, Jaime McNichol, and Darcy McLeod trying to name the exact moment the snowball stopped needing to be pushed.WHAT ELSE IS IN HERE• Keith's confession about 'Courage'. It is not the confession you are expecting from a man who runs a Gord Downie tribute festival, and the night it changed is very specific.• Julie on the one thing you cannot do if you want to scale something like this. It is the opposite of what most organizations try.• The 2020 GEDfest. Masks, social distancing, two shows in one day, a capacity cut to the bone, and Dave Harris singing from inside a phone booth. Then the thing the host said afterward that opened the door to every chapter that followed.• Darcy on the green room at the Blind Beggar, and why beers that arrive without you asking are a bigger deal to a working band than they sound.• Jaime went to her first GEDfest in 2021 carrying something heavy, and found that a room full of people singing was the thing that helped. She says it plainly here.• Three different people give three different answers for when the tipping point was. One of them says the Palace. One says it was the moment a stranger in Kelowna described a night they had never attended, exactly.• The hip tribute band in the Netherlands who reached out, and the language barrier standing between them and a chapter.• How Neil got Edmonton, and how a guy from Manulife got Kelowna. Neither one involves a job posting.• Keith on the secret sauce, which is a two-word answer and is not the music.THE PANEL• Keith Dyck, co-founder of GEDfest and the drummer in Trickle Down, from Calgary. Reads 'the present' in "The Never Ending Present" as a double entendre, which is a level of thinking jD readily admits is above his pay grade.• Julie Johnson, founder of GEDfest, from Calgary. Keith's wife, and the one who was standing in the crowd the first night. Went way off the board with 'Fight' as her current favourite, and had a reason at the ready.• Jaime McNichol, GEDfest director, from Calgary. Julie's parents live next door, which is how she heard about a band called Trickle Down in the first place. Missed the first one because of the weather and has never quite gotten over it. Did three GEDfests last year.• Darcy McLeod of DC and The Struggle, from Calgary. Opener, after-party act, ambassador, and self-described jack of all trades. Came to The Hip through a friend in junior high who put on 'New Orleans Is Sinking' and was, in his words, the coolest cat.GEDFEST 2026GEDfest is Gord Edgar Downie Fest, and in its ninth year it runs in twelve chapters across Canada and, for the first time, in the United States. Every chapter picks a cause in its own community and raises money for it. Find your city at gedfest.ca. jD runs the Toronto chapter, playing the Horseshoe Tavern on Saturday, October 17, with Grace, 2 on stage, raising money for Campfire Circle and the Murphy Family Fund in Precision Medicine in Pancreatic Cancer. Tickets and details at facebook.com/GEDfestYYZ.THE HIP HANDBOOKThe free, non-monetized archive of the discography, the lyrics, and the live performances lives at thehiphandbook.tthpods.com.YER LETTEROne email a month, no filler. Sign up at subscribe.tthpods.com.THE TIP JARIf you want to throw a couple of bucks at the shows, the jar is at buymeacoffee.com/tthtop40.FIND USHome: home.tthpods.comEmail: jd@tthpods.comFacebook community: community.tthpods.comInstagram: @tthpodsYouTube: youtube.com/@tthpodsYer Letter: subscribe.tthpods.com#TheTragicallyHip #GEDfest #GordDownie #Fundraising #podList #CompleteistsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

June 6th, 2000. Track six on "Music @ Work" opens on tabla, and the album credits name the player as Mr. Hussein. That's the whole credit.'The Bastard' sits between 'Stay' and 'The Completists' on the record The Tragically Hip made with Steve Berlin and Mark Vreeken, the one that took the 2001 Juno for Best Rock Album. It was never a single, and Chris from Seattle has a theory about why. It finished 119th of 169 on the TTHTop40 Countdown, and Hipbase and setlist.fm log it live just fourteen times (submitted set lists only, so the real number runs higher). Then the live poll in the Facebook group came back 36 percent love it, 46 percent like it, and 13 percent tolerate it, one of the highest tolerate numbers the show has seen.The panel spins a 2000 recording out of Cleveland, Gord singing his heart out, and Chris hears Godzilla in the rhythm section. Then the lyric sheet comes out. Crepuscular rays. Winged elephants. Purple Italians. A fire-and-brimstone preacher shouting about Philadelphia. One panelist thinks he's cracked it after twenty-six years of not reading the words. Another thinks Gord just liked how they sounded. Nobody's sure Gord would side with either of them.Underneath all of it sits a record the band never quite got behind. Steve came in calling "Music @ Work" his least favourite record by The Hip and walked out rediscovering it. Chris has it in his top five and has defended it on this show more than once. And jD once asked Johnny Fay about a "Music @ Work" box set. His reaction is in here, and so is Greg's reaction to his reaction.WHAT ELSE IS IN HERE• The icebreaker. One song by The Hip each they never got to hear live, and a pair of Calgary tickets from 2009 that Steve sold and still thinks about.• September 23rd in The Hip Handbook. A busy date, and two of the shows on it have somebody on this panel attached.• Steve's first time seeing The Hip was at a zoo. Yes, a zoo. Gord took the setting to heart.• "If this song was a car it would be a V8 with a manual transmission." Chris from Seattle, and he has the downshifts mapped.• Billy Sunday. Chris has a theory about Philadelphia, and Steve adds a layer from the ballpark.• Pell-mell, augurs, and augers (the ice fishing kind, per the chat). Greg's read on what's about to blow.• Steve hears another song of theirs hiding in this one, and it's one he doesn't care for at all.• Search for this song on YouTube and you might land on a Replacements cover at First Avenue instead. Steve did.• Next week the wheel lands on 'Radio Show,' from the "Fully Completely" sessions, the one that stayed in the vault until the 2014 deluxe reissue.THE PANEL• Chris from Seattle. Back again, and the loudest defender of "Music @ Work" this panel has had. Saw The Hip three times at the Moore Theatre, and first saw them with Greg, who he's known since they were both 18. His band is Loud Flowers: loudflowers.band• Steve from Toronto. Back again, a week ahead of schedule, and his plug this week is impending fatherhood. Originally from Thunder Bay. Heard 11 of the 14 songs on "Music @ Work" live. Not this one.• Greg from Tacoma. Back again, once his audio caught up with him. Wore this record out on a portable CD player while painting his deck in the summer of 2000, and he's the one who turned Chris on to The Hip in the first place. Makes music as Hadees Market Music.Big thanks to Chris, Steve, and Greg, and to a stacked chat. Twenty-six years in, 'The Bastard' still sounds like Gord Downie and The Tragically Hip with the pedal on the floor.GEDFEST TORONTO - SATURDAY, OCTOBER 17The Horseshoe Tavern, with Grace, 2, raising money for Campfire Circle and the Murphy Family Fund in Precision Medicine in Pancreatic Cancer. It's sold out, but if a ticket shakes loose, jD will hear about it first: tthpodcastseries@gmail.com. Updates at facebook.com/GEDfestYYZ. Twelve chapters across Canada and into the United States at gedfest.ca.THE HIP HANDBOOKThe free, non-monetized archive of the discography, the lyrics, and the live performances, and where every tale of the tape starts: thehiphandbook.tthpods.comYER LETTEROne email a month, the whole network in one place: subscribe.tthpods.comTHE TIP JARGreg dared you. Tips, never donations: buymeacoffee.com/tthtop40FIND USHome: home.tthpods.comEmail: tthpodcastseries@gmail.comFacebook community: community.tthpods.comInstagram: @tthpodsYouTube: youtube.com/@tthpodsYer Letter: subscribe.tthpods.comMORE THE TRAGICALLY HIP ON SHUFFLE LIVE STREAM'Just as Well': https://redcircle.com/shows/a01e8de3-1a04-4a44-ab9c-8fc6e3cb7474/ep/ddf96225-1bd4-468b-881a-aa091a7e6148'Putting Down': https://redcircle.com/shows/a01e8de3-1a04-4a44-ab9c-8fc6e3cb7474/ep/6cfb0a5e-5909-40ec-8559-62ca0acd580e'Tiger The Lion': https://redcircle.com/shows/a01e8de3-1a04-4a44-ab9c-8fc6e3cb7474/ep/718fe20e-83d6-4c69-86eb-cc2b4af02834Live play counts come from Hipbase and setlist.fm, and the countdown rank and poll numbers from the show itself, as cited on the stream. Release date and the tabla credit come from the "Music @ Work" credits as listed on Wikipedia.#TheTragicallyHip #MusicAtWork #TTHOnShuffle #GordDownie #HipFans #CanadianMusicAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Sean flies solo this week for a deep dive into two of Marvel's biggest '80s crossover events: Marvel Super Heroes Secret Wars (1984) and Secret Wars II (1985). The toy deal that started it all, the editorial gamble that followed, and why one series is beloved while the other gets dragged — Sean's got opinions on all of it.Episode HighlightsA little show history — Sean traces the origin of the "Sean Geek" persona back to the Rum Powered Reviews channel and the Meet the Geeks webcomic.Why Secret Wars exists at all — The surprising, toy-driven business deal behind Marvel's first-ever massive crossover event, and the company Marvel was racing to compete with.The making of a maxi-series — Jim Shooter's hands-on approach as writer and editor-in-chief, the art team behind it, and why pulling together every major Marvel hero and villain was a bigger challenge than anyone expected.The highs and the misfires — Sean breaks down which characters got great moments, which got badly mishandled, and one lasting piece of Spider-Man costume history that came out of the series.Listener mailbag — Comic collector Tony Griggs sounds off on tie-in bloat, and School of Hip host Heath McCoy gives his unfiltered take on both series and how they stack up against a certain rival crossover from DC.Secret Wars II: ambition meets chaos — The sequel's infamous tie-in sprawl, its unconventional lead character, and why some of the best storytelling happened everywhere except the main series.Chris Claremont and John Byrne save the day — How a couple of Marvel's best writers turned a difficult crossover assignment into some genuinely great comics in their own titles.The Sean Geek rewrite — If he'd been in the room, here's how Sean would have restructured Secret Wars II from the ground up.Looking ahead — A teaser for a future episode on the very different, much more acclaimed 2015 Secret Wars event.Patreon thank-yous — Shoutouts to supporters including Ronald George Moore (Manitoba Money Shot Podcast), Sam Thompson (Witch Police Radio), Ruby (Living Through Extinction), Tony Griggs, Corey Morissette, Kevin Brown, Danny Pabst, Duane, and new patron Andrew (Head Full of Radio / Soupful of Radio).Comics ReferencedMarvel Super Heroes Secret Wars (1984)Secret Wars II (1985) and its many tie-in issues across the Marvel lineSecret Wars (2015)Crisis on Infinite Earths (DC, mentioned for comparison)Support the ShowBecome a Patreon supporter for early episode access, video versions, and the chance to pitch topics for future episodes.Have thoughts on Secret Wars or Secret Wars II? Let Sean know — your comment might get read on a future episode.Linktree: https://linktr.ee/seangeekpodcastPatreon: https://www.patreon.com/c/seangeekpodcastWe are a part of the Boneless Podcast Network: https://bonelesspodcasting.com/ Merch:Tee Public: https://www.teepublic.com/seangeekpodcastRed Bubble: https://www.redbubble.com/people/seangeekpodcast/shop@seangeekpodcast on Twitter, Instagram and FacebookHands down, Secret Wars I was the pop-culture sandbox where Marvel dumped its coolest toys and biggest egos and watched fireworks happen — and I gush about it like a kid in a candy aisle. I walk you through the origin story of the event: how Jim Shooter and Marvel teamed with Mattel to essentially build a 12-issue crossover whose primary job was to sell action figures. I explain what a "maxi-series" is (think a limited-run event with a defined beginning and end) and why having so many heavy-hitter characters in one place was innovative and risky back in 1984. I share my own personal memory of hunting down issues in Moncton, trading comics with friends, and the way certain character moments — like the Black Costume for Spider-Man, Galactus' motivations, and the Molecule Man's surprising emotional arc — stuck with me years later. Then I shift into critique mode: the good, the awkward, and the “what were they thinking?” moments. I point out how the series sold like gangbusters yet received mixed critical response because of uneven writing and jarring characterizations (ahem, Rhodey/Rhodes dialogue and odd turns for Colossus). I also explain why flashbacks were necessary in an era before the internet and ubiquitous comic shops, but how they became cumbersome in collected reads. Throughout, I zoom in on toy-line decisions, artistic highs (Mike Zeck, Bob Layton moments) and lows, and why Secret Wars I mattered beyond nostalgia — it changed how publishers approached crossover storytelling and merchandising, for better and worse. I throw in a few jokes about cheap action-figure bodies and He-Man deja vu, because nostalgia deserves a wink.Takeaways:I learned the original Secret Wars (1984) was essentially a big Marvel–Mattel marketing move — a 12‑issue maxi‑series built to sell action figures, where the comic was a massive hit but the toy line hilariously flopped.We talk about how Secret Wars essentially invented the modern crossover concept: jimmy‑rubbing top selling heroes and villains together into one eventful maxi‑series that changed how comics were published and marketed thereafter.I'll be honest — a lot of the character work felt inconsistent: questionable dialogue (looking at you, Rhodey), weird relationship choices like Colossus cheating, and endless flashbacks that made the story feel clunkier than it needed to be.Secret Wars II suffered from execution problems: the Beyonder was given human form and the plot got fragmented across roughly 35 tie‑in issues, meaning crucial scenes happened off‑panel and readers needed a PhD in crossovers to follow along.I absolutely loved Owen Reiss (Molecule Man) — his emotional growth and romance with Volcana are genuinely touching highlights, showing how grounding character moments can rescue a sprawling, messy event.We point out that some tie‑ins actually worked — great creators like Chris Claremont (X‑Men) and John Byrne (Fantastic Four) wove the Beyonder into their own arcs smartly, proving tie‑ins can shine when handled with purpose.If I were running the event, I'd slow the roll: hire a dedicated writer/artist team, keep the core emotional beats in the main series (not scattered off‑panel), and avoid tie‑in overload so the story reads like an event, not a scavenger hunt.

KRS: el ritmo como punto de partida en 808 Basic Mix Percusionista de formación y DJ con base en Madrid, KRS convierte su conocimiento rítmico en una sesión de techno hipnótico, groove y polirritmias para la nueva entrega de 808 Basic Mix. Antes de seleccionar discos hubo percusión. Y ese detalle ayuda a explicar buena parte del universo de KRS. Su formación rítmica encuentra en el techno un territorio natural para expandirse: estructuras repetitivas que mutan lentamente, diferentes patrones conviviendo, tensión, profundidad y una contundencia que no necesita renunciar al detalle para funcionar en la pista. KRS construye sus sesiones desde una curaduría minuciosa y una atención especial a la técnica. La ecualización se convierte en una herramienta narrativa más: frecuencias que aparecen y desaparecen, elementos que se cruzan y mezclas concebidas para mantener el movimiento sin romper el viaje. Su sonido se sitúa en la intersección entre el techno hipnótico y el groove, con especial atención a las polirritmias y a una exploración atmosférica que nunca pierde de vista el componente físico de esta música. En su paso por 808 Basic Mix, esa filosofía se extiende durante una hora. Porque cuando el ritmo está realmente dentro, no hace falta perseguirlo. KRS firma el nuevo 808 Basic Mix.

808 Radio sigue buscando música allí donde las conexiones no siempre son evidentes. El programa 461 arranca con Steven Julien —808 PRINCE— y “LOST”, publicado en su propio Apron Records. Es el primer movimiento de dos horas que vuelven a saltar entre house, techno, electrónica experimental y todas esas zonas intermedias que seguimos empeñados en no encerrar dentro de una sola etiqueta. Por el camino aparecen Gerald Mitchell, Altinbas, Actress, Cosmin TRG, Tom VR, Nacho Marco, Âme o Hashashin, además de nuevas mutaciones de nombres como CA7RIEL & Paco Amoroso, PinkPantheress, Fred again.. y Étienne de Crécy. 25 cortes para seguir tomando el pulso a lo que ocurre ahora mismo dentro y alrededor de la cultura de club. Esta semana, además, el vinilo ocupa parte importante de la conversación. En Al Habla recibimos a Alberto Pérez, de Maxvinilos, para entrar en un formato que nunca desapareció realmente. Hablamos de discos, fabricación, cultura, coleccionismo y de por qué, incluso en plena era del streaming, el surco continúa siendo mucho más que una cuestión de nostalgia. Y en el Generador de Ideas nos vamos justo al momento anterior. Manuel Cano, operador de mezcla y mastering y profesor en SAE, nos ayuda a entender qué ocurre antes de que la música llegue al vinilo: decisiones técnicas, límites físicos, conocimiento y oído para conseguir que aquello que termina grabado en el surco suene exactamente como debe. Del mastering al vinilo. Del estudio a la pista. Y alrededor, como siempre, mucha música nueva. Steven Julien (808 PRINCE) - LOST [Apron Records] Gerald Mitchell - You Got To Stay [Rawax] Astel – Starlight Shards [Biofield] Hashashin - Breekijzer [Diffuse Reality Records] Altinbas - Beyond the Veil [Ostgut Ton] Alberto Pérez (Maxvinilos) en Al Habla: el vinilo nunca dejó de girar CA7TRIEL & Paco Amoroso x PinkPantheress x Fred Again x Etienne de Crécy - Sexy Magic [GTAVI- The Album] MPU101 – Sequential Amen [Ilian Tape] Jamie Van Goulden - Soul Deep In Salford [Moiss Music] Alexskyspirit - Cosmic Vibration [La Pocilga] Actress – Withending [Ninja Tune] Nacho Marco - Tiger Orange [Phonogramme] FKJ feat. Labrinth – Little Little Voice [Tyber Heart] Fundido & Nieri - Nuova Persona (Club Mix) [Phantasy Sound] Claudio Solis - Schumann Peak [Inwave] Altered View – Fruit From the Trees (Justin Robertson's Five Green Moons Dancehall Mix) [Inner Shah Recordings] Escandaloso Xpósito & Tino El Pingüino & PatataOnStereo & GRAVY - Hollywood Kebab [Raso] Polybot - Trip [Moodmusic] Brenda – Finísimo [DistroKid] Manuel Cano en el Generador de Ideas: antes del surco está el masteringv Imaabs x Other Islands - There Forever [NAAFI] Zaatar – EBB Speed [CRVSH] Cosmin TRG - Erodat [Sportiv] Tom VR - Unlocked Love [Heart Somersault] Paperclip Minimiser - TT A2 [Blank Mind] Cuerpos – Logris [HOMAGE] Âme - Don't Waste My Time ft. Trikk & Jens Kuross [Innervisions]

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Acceso anticipado para Fans - ** VIDEO EN NUESTRO CANAL DE YOUTUBE **** https://youtube.com/live/rEmCXRjGdfw +++++ Hazte con nuestras camisetas en https://www.bhmshop.app +++++ #historia #viajes #arte En este programa emprendemos un viaje histórico y urbano por Constantinopla, la gran capital del Imperio romano de Oriente, acompañados por Francisco Aguado. Desde la fundación de la ciudad por Constantino hasta su ocaso en 1453, recorremos la evolución de Bizancio a través de sus murallas, foros, palacios, iglesias y barrios. Hablamos de la ciudad grecorromana primitiva, de la Constantinopla teodosiana, de la capital de Justiniano, del impacto de las crisis iconoclastas, del periodo comneno y, finalmente, de la Constantinopla paleóloga, una ciudad que resistió siglos de asedios gracias a su geografía, su urbanismo y su sistema defensivo. Un programa para entender por qué Constantinopla fue durante más de mil años el centro político, militar, económico y espiritual del Mediterráneo oriental, y cómo su herencia sigue viva hoy en Estambul. Claves del programa - La elección estratégica del emplazamiento - Murallas, defensas y urbanismo imperial - Santa Sofía, el Hipódromo y el Gran Palacio - Constantinopla como capital militar y logística - Continuidades y rupturas entre Roma y Bizancio - La ciudad tras la caída: legado bizantino en Estambul SUSCRÍBETE para no perderte ningún programa y únete a nuestra comunidad de apasionados por la historia militar. Apóyanos para seguir creando contenido riguroso e independiente: Patreon: https://www.patreon.com/bellumartis PayPal: https://www.paypal.me/bellumartis Bizum: 656 778 825 Síguenos también en redes: Instagram: https://www.instagram.com/bellumartis Twitter / X: https://twitter.com/Bellumartis Bellumartis Historia Militar — Porque entender el pasado es prepararse para el futuro.Escucha este episodio completo y accede a todo el contenido exclusivo de BELLUMARTIS PODCAST. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/618669

Christine Riccio & Natasha Polis talk all things nerdy in the book, tv, movie, pop culture, fandoms, and how they integrate into their adult lives. Today they're chatting Taylor Swift's ENCORE drop, the impending music video, the booktube era authors taking OVER FALL, recent reads, and more!If you'd like to jump to What Right Now starts at : 40:00Today in Fangirl Tea Time : Join Christine and Natasha for more stories about their recent life escapades. Support the pod by joining the Forking Fangirls Patreon community: http://patreon.com/thoseforkingfangirls TEAM EDWARD: The first five Heated Rivalry episode commentaries are up now! Follow the visual show on our Youtube: http://youtube.com/@thoseforkingfangirls  Get Christine's new book THIRTY, FLIRTY, & FOREVER ALONE: https://www.amazon.com/dp/1662532156Add Thirty Flirty & Forever Alone on Goodreads:https://www.goodreads.com/book/show/230393104-thirty-flirty-and-forever-aloneCheck out Natasha's sewing classes: https://www.natashapolis.com/Join our patron to get 10 dollars off the classes!Website: https://thoseforkingfangirls.com/ Email us feedback: thoseforkingfangirls@gmail.com Instagram: https://www.instagram.com/thoseforkingfangirls/Twitter: https://twitter.com/forkfangirlspod TikTok: https://www.tiktok.com/@thoseforkingfangirlsGet Christine's novel Attached at the Hip: https://a.co/d/grmPeVy Check out the Selkie Collection and get 10% off your order with code TASHAPOLIS https://selkiecollection.com/collections/all

1990. The Misty Moon Cabaret in Halifax, MuchMusic cameras rolling, and Gord doesn't dress it up. It's a rock song. Two and a half minutes, and then gone.'Just As Well' is track five on "Saskadelphia" (May 21, 2021), the six-song surprise that landed on the May long weekend. It was cut in New Orleans during the "Road Apples" sessions, with Don Smith producing and Bruce Barris engineering, and then it sat in the vault for more than thirty years. setlist.fm has ten documented live plays, every one of them in 1990, and nothing after. The live poll in the Facebook group came back 46 percent love it and 44 percent like it, plus 3 percent asking what in the hell 'Just As Well' even is. jD's gut says that 3 percent might be a single vote.The panel isn't buying the ten. Patrick from Newmarket has the 1990 tour itinerary out of the "This Is Our Life" book in his head, and Glenn from Melbourne can't see a song they were workshopping on stage stopping at ten nights. Then comes the harder question: where did this one ever belong? jD hears it as a Baby Blue EP song that missed its bus. Glenn has a timeline that says otherwise, and a theory about whose pen the opening lines came off. Ian from Maple Ridge turns up halfway through, blames the West Coast clock, and still lands the comparison nobody else had.WHAT ELSE IS IN HERE• The icebreaker. One song each they wish they'd heard live. Patrick's answer comes with a pair of near misses that still sting, and Glenn's pick has his own surname in it.• The Misty Moon version, spun in full. Glenn calls it the definitive take, and the line he points to is the angriest one in the song.• "Are you ready, Bruce?" Who Bruce is, and what Ian hears in the way Gord asks.• Pig heaven, "Animal Farm," and a crossroads with a certain bluesman waiting at it. Glenn's reading of the lyric is the most ambitious thing anyone has said about a two-and-a-half-minute bar song, and jD needs a second to recover.• The boots. Patrick ties one line to what Gord did to a pair of boots at Molson Park a few months later.• The 1970 hit they used to drop into the middle of it live, and what Glenn thinks that says about how seriously they were taking it.• "If the Ramones did a Lynyrd Skynyrd song." Ian, on what this actually is.• Patrick puts his NPS hat on for the poll, then admits where 'Just As Well' ranks among the six on "Saskadelphia."• The one song Patrick still skips, even though it's shorter than this one.• "I'll never skip it because it's too short to skip." Glenn from Melbourne, making the lazy man's case.• Next week the wheel lands on 'The Bastard,' from "Music @ Work."THE PANEL• Glenn from Melbourne. Met 'Just As Well' when "Saskadelphia" came out, from a corner of the world without many bootlegs, or many people to talk about the band with. He's a photographer who leads photo tours to far-off places, with India and Bangladesh on the calendar next year. He says he's the only Glenn Lavender in the world, so look him up.• Patrick from Newmarket. Freelance journalist and photographer, the tall guy at Toronto shows with the pro gear or the iPhone, and you'll see him at festivals across Simcoe County next year. Showed up in a 9:30 Club shirt from the one time he saw The Hip in DC. His ear for the pre-"Road Apples" material goes back to tape trading, long before Napster.• Ian from Maple Ridge. Sings in Gift Shop, a West Coast tribute to The Tragically Hip, with an October 17th date at Club 240 in Crescent Beach. The big one is Saturday, October 24th: Gift Shop headlines GEDfest Vancouver at the Biltmore.GEDFEST TORONTO - SATURDAY, OCTOBER 17The Horseshoe Tavern, with Grace, 2, raising money for Campfire Circle and the Murphy Family Fund in Precision Medicine in Pancreatic Cancer. It's sold out right now, but if a ticket shakes loose, jD will hear about it first. Drop him a line at jd@tthpods.com. Updates at facebook.com/GEDfestYYZ.THE HIP HANDBOOKThe free discography, lyrics, and live-performance archive behind the tale of the tape every week: thehiphandbook.tthpods.comYER LETTEROne email a month, the whole network in one place: subscribe.tthpods.comTHE TIP JARjD asked for a caribou or two in the hat on mic. Tips, never donations: buymeacoffee.com/tthtop40FIND USHome: home.tthpods.comEmail: jd@tthpods.comFacebook community: community.tthpods.comInstagram: @tthpodsYouTube: youtube.com/@tthpodsYer Letter: subscribe.tthpods.comMORE THE TRAGICALLY HIP ON SHUFFLE LIVE STREAM'Vaccination Scar': https://redcircle.com/shows/a01e8de3-1a04-4a44-ab9c-8fc6e3cb7474/ep/5fa3fc7c-f01b-4eae-a3de-5cadc658b9f9'Putting Down': https://redcircle.com/shows/a01e8de3-1a04-4a44-ab9c-8fc6e3cb7474/ep/6cfb0a5e-5909-40ec-8559-62ca0acd580e#TheTragicallyHip #TTHOnShuffle #RoadApples #UpToHere #HipFans #TTHPodsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

How much of the time you spend in pain comes from the injury itself, and how much comes from the fear around it?Dr. Tom Walters is a board-certified orthopedic physical therapist, strength and conditioning specialist, educator, and founder of Rehab Science. He has spent more than two decades helping people understand pain, movement, and injury recovery, and he is the author of Rehab Science: How to Overcome Pain and Heal from Injury.Tom's starting point is that pain and injury are not the same thing. Pain is an unpleasant sensory or emotional experience tied to actual or potential tissue damage, which means what you believe about your body can change what you feel in it.Tom and Mike get into the nocebo effect, how a clinician's words or reaction to a scan can amplify pain, why the field traded the word chronic for persistent, and how to manage exercise loads as your body adapts.Mike tells the story of an MRI he had around the age of 23. The doctor looked at the film, his eyes got big, and he asked if Mike was okay. Mike says his pain felt worse instantly.Tom says many musculoskeletal conditions improve with time and movement. He encourages people to take an active role in recovery: try an appropriate movement, notice how your body responds, and adjust from there.Enjoy the conversation.___________________________________________________________________Links & Resources:Dr. Tom Walters' Website: rehabscience.comDr. Tom Walters' Books: Rehab Science: How to Overcome Pain and Heal from Injury, plus the 2026 Rehab Science body-region series: Knee, Back and Spine, Hip, Shoulder, Elbow, Wrist & Hand, Ankle and Foot, and Head & NeckDr. Tom Walters' YouTube Channel: Rehab ScienceThe Rehab Science App: Rehab Science on the App StoreSubscribe to our Youtube Channel for more conversations at the intersection of high performance, leadership, and wellbeing: https://www.youtube.com/c/FindingMasteryGet exclusive discounts and support our amazing sponsors!Go to: https://findingmastery.com/sponsors/Subscribe to the Finding Mastery newsletter for weekly high performance insights: https://www.findingmastery.com/newsletterDownload Dr. Mike's Morning Mindset Routine: findingmastery.com/morningmindsetFollow on YouTube, Instagram, LinkedIn, and XSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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主播／发发大王 Stinging Ray 司南文案／发发大王 封面／Stinging Ray声音编辑／司南 Stinging Ray00:36 欢迎一姐（叮咚鸡）的另一半，刘锐（Stinging Ray）03:20 牙买加华裔雷鬼老人，赐名。10:15 入坑因为Channel V，50 Cent 《要钱不要命》。16:05 初二又得到了Eminem，Snoop Dogg……19:50 大学期间，开始黑怕（Hip-hop）生涯。25:35 慢慢发现越来越喜欢雷鬼，喜欢细腻的。28:40 在丹镇曾经的名字Sistakilla由来。31:40 中戏毕业后跑龙套，演日本鬼子。还开过饭馆儿。36:10 黑怕与牙买加音乐同根同源，从大航海时代说起……41:25 Rastafari 信仰，雷鬼乐的精神内核。46:50 牙买加 Sound System ，与黑怕起源。55:40 1977年纽约大停电，加速了黑怕发展。57:30 帮孩子问：如何成为黑怕明星？偶然，但专注，长进骨头里。63:05 地下音乐不是骂骂咧咧，要有真正的实力，选择的权利。71:20 喜欢雷鬼，没有达到心中的标准宁可不发。75:30 没学过乐器，做音乐主要靠哼哼。79:35 很幸运，花了很少的钱，与传奇雷鬼乐队合作。85:20 作品被认可，甚至传到了黑山共和国……92:20 牙买加人吵起来了……猜测Ray有很多女人……107:30 一段北京口音法语教学……110:10 开始参加欧洲雷鬼音乐节，一度 “富甲天下”。119:10 欧洲的生活孤独，饮食不习惯，手头还有点紧……128:25 青黄不接，感谢北京老乡让打地铺。133:20 疫情后的 Bob Marley Day，流泪。148:05 在舞台上演出是一种恩赐，应该给世界礼物。⬆️【给 Bob Marley 的儿子做开场嘉宾】��️�️�️�公众号：发发大王国（搜不到，搜服务号）微博/小红书：发发大王邮箱：12835961@qq.com

 Underground movements and subcultures are not a recent phenomenon.  Throughout modern history these bohemian movements, often marginalized in their time, have brought us our greatest creative minds by virtue of their unwillingness to accept the norms of the day.  Great art, poetry music and thought have derived from these freethinkers.  In recent American history, we can go from the beatnik era of the 1950’s to the hippies of the 1960’s and to the punks of the 1980’s to find the Kerouac’s, Dylan’s, Ginsberg’s, Garcia’s and others who have left an indelible imprint on society.  In his book, Alan Bisbort, a scholar of bohemian history, takes us from Paris in the 1830’s tracing the evolution and stages of the movement in his new book, “Hip, Bohemian, and Counterculture: History and Legacies from 1830 to the Present.” The book is worth reading for its history, context and vivid illustrations of the major forces in the movement over time and certainly for his comparison of Socrates, who in his day must have seemed ‘hip’, to Wavy Gravy.  It’s great stuff.

 A Thursday night in October. A narrow bar on 8th Avenue in Calgary. A pile of crumpled fives and tens that added up to $7,000.That is where GEDfest starts, and this is the episode where the people who were standing in that room tell you how it happened. GEDfest is Gord Edgar Downie Fest, a celebration of the life and music of Gord Downie and The Tragically Hip, and in 2026 it runs in twelve chapters across Canada and into the United States. It began with a handful of guys in a basement in Crestmont learning "Road Apples" front to back, and one sentence from Don Martin that changed everything: the only way we could play this live is if we had a charity.Trickle Down is the band at the centre of it, and their origin is not a music story, it is a birthday story. Don picked up a Squier starter kit in his mid-forties with a $300 work bonus burning a hole in his pocket. A 50th birthday jam. Then a 60th birthday jam ten years later, with a singer who had a great voice and never once learned the words. Keith Dick sat down behind a kit and learned to play drums, more or less, that afternoon. Everything that follows - the Legion, the Palace, the Big Four, Buffalo - runs back through that room.WHAT ELSE IS IN HERE• Keith on the phonetics problem. GEDfest has been pronounced just about every way a person can pronounce it, and he is quietly keeping score.• Don's version of the origin story does not match Keith's version of the origin story, and the gap between them is the best five minutes of the episode.• Jeff Hiscock could not get his own gear through the front door of the first GEDfest, because the room he was about to play in was already full. What he did about it involves reloading the car.• A tax lawyer in Toronto that nobody in the organization had ever met, one link on The Tragically Hip's website, and the donation that made Don think this thing might actually have legs.• Kevin McKay and his wife Tracy were the first two people to walk into a GEDfest that Keith had not personally invited. How they found out about it is a very Calgary answer.• Ian Martin's opening move after seeing Trickle Down play a Canada Day gig was to walk up and start hugging the band. His second move was the website contact form, and Keith still remembers opening it.• A man in his twenties sang every word from the front row of a packed room last year, then asked Jeff to sign the set list and told him why he was there. Jeff still gets goosebumps telling it.• Ken Bellis on the thing about The Hip's bass parts that you do not hear until you sit down and try to play one.THE PANEL• Keith Dyck, co-founder of GEDfest and the drummer in Trickle Down, from Calgary. He is a partner in a wealth management firm by day, which has nothing to do with any of this. His favourite song to play is 'Blow at High Dough', and he has a confession about 'Courage' that he saves for the next episode.• Don Martin, founding member of Trickle Down, from Calgary. Keith's father-in-law. Came for 'Scared', stayed for 'Nautical Disaster', and once had WestJet lose his luggage and find it again on the morning of a podcast taping.• Ian Martyn, board director of chapters, from Calgary. Twelve cities this year, and he can tell you a story from most of them. Describes his own involvement as a bromance, and he is not wrong.• Jeff Hiscock, guitar player in Trickle Down, from Calgary. Favourite to listen to is 'Fully Completely'. Favourite to play is 'Nautical Disaster', for a reason involving singer Dave Harris's shoulder that has now become a nightly ritual.• Kevin McKay, OG GEDhead, from Calgary. Works in the medical industry, which is part of why this one landed the way it did. Currently on a 'Poets' kick, and he is right to be.• Ken Bellis, bass player in Trickle Down, from Calgary. Went with 'Grace, Too' inside four seconds, as a bass player is obliged to do. Also wore the wrong shirt.GEDFEST 2026GEDfest is Gord Edgar Downie Fest, and in its ninth year it runs in twelve chapters across Canada and, for the first time, in the United States. Every chapter raises money for a cause in its own community. Find your city at gedfest.ca. jD runs the Toronto chapter, playing the Horseshoe Tavern on Saturday, October 17, with Grace, 2 on stage, raising money for Campfire Circle and the Murphy Family Fund in Precision Medicine in Pancreatic Cancer. Tickets and details at facebook.com/GEDfestYYZ.THE HIP HANDBOOKThe free, non-monetized archive of the discography, the lyrics, and the live performances lives at thehiphandbook.tthpods.com.YER LETTEROne email a month, no filler. Sign up at subscribe.tthpods.com.THE TIP JARIf you want to throw a couple of bucks at the shows, the jar is at buymeacoffee.com/tthtop40.FIND USHome: home.tthpods.comEmail: jd@tthpods.comFacebook community: community.tthpods.comInstagram: @tthpodsYouTube: youtube.com/@tthpodsYer Letter: subscribe.tthpods.com#TheTragicallyHip #GordDownie #GEDfest #podList #Fundraising #HipHeadsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Dr. Galati is live and back in the KTRH studios tonight. He starts by highlighting his niece Ariana for having her first cross country meet.  Dr. Galati has Surgical Physician Assistant Cole Oliver in studio with him to talk about hip and knee replacement. They also discuss prehab, weight loss, and the quality of life. They finish with a conversation about some of the new technologies, what you can do to stay active, and peptides. WWeight

808 Radio sigue buscando música en ese territorio donde las etiquetas empiezan a estorbar. El programa 460 comienza con Ed Davenport y su llegada a Studio Barnhus. House, techno y groove de gran formato confluyen en “Mezzh”, una de las piezas de un nuevo EP construido para noches largas y sistemas de sonido capaces de enseñar cada detalle. A partir de ahí, dos horas para recorrer algunos de los puntos más interesantes de la electrónica actual. Four Tet, Modeselektor, Bonobo, Fort Romeau o Rhode & Brown conviven con el techno preciso de Rene Wise, Polygonia, Stanislav Tolkachev, Marcal y Donato Dozzy. También hay espacio para SARF, uno de nuestros nombres imprescindibles desde Castilla-La Mancha, que regresa a 808 con “Espectro”, publicado por Semantica. En Al Habla conocemos desde dentro POGO, el colectivo madrileño nacido de una idea bastante sencilla y cada vez menos evidente: construir la fiesta a la que ellos mismos querían ir. Ade Martín, Diego García, Fede Maniá, Nico Yubero y Willow Flores cruzan cultura de club, amistad, nostalgia y una determinada manera de imaginar la noche desde el presente. Y encendemos de nuevo el Generador de Ideas junto a la doctora en Química María José Ruiz García. Esta vez partimos de algo aparentemente tan sencillo como un color para descubrir todo lo que puede esconder detrás la ciencia: el amarillo como excusa para hablar de química, percepción, materiales, historia y de nuestra manera de interpretar el mundo. Nuevos discos, ideas y lugares a los que llegar. Dos horas de música del futuro en la radio pública de Castilla-La Mancha. Esto es 808 Radio. Ed Davenport - Mezzh [Studio Barnhus] Rigor - Depth Dub [Rhythm Werk] Four Tet - T246 130ish Electribe Plaits [Text Records] Manuel Di Martino - Materia (ORBE Remix) [Rinascimento Elettronico] Markus Homm - New Generation [Get Closer] POGO en Al Habla: construir la fiesta que echaban de menos Brodinski x Warzou - Okujja feat. Ecko Bazz [Markham Road Records] Cyst - Pest [LUCKYME] Fort Romeau - Lovin' U [Rekids] DJ T-1000 - Frequency 4 [Pure Sonik Records] Megatronic - In Our Soul (Jamie 3:26 Disko Revolt Remix) [Razor-N-Tape Records] Hypnotic Image - In My Soul [Arms & Legs] Bonobo - Uncasually [Ninja Tune] Modeselektor - Aorta [Monkeytown Records] Allen Craig - Dreaming Of Detroit [Moulton Music] Rhode & Brown - Steppin' Out [Permanent Vacation] Stanislav Tolkachev - No Now No Never pt2 [CRNL Recs] Parvale - Ghost Raver [Nein] Polygonia - Black Swords [Nous'klaer Audio] María José Ruiz García en el Generador de Ideas: toda la ciencia que cabe en el amarillo Sarf - Espectro [Semantica] Ploy - Glizzy [Dekmantel] Rene Wise - Fahrenheit [Moving Pressure] Marat Mode - Hivern (ANIMAL PRINT Remix) [Underwater Records] Marcal - Smoke from Spawn [The Third Room] Italo Deviance - Purple Galaxy (Red Axes Remix) [Italo Deviance] Donato Dozzy - Astro [Tresor]

Leave an Amazon Rating or Review for my New York Times Bestselling book, Make Money Easy!Check out the full episode: https://greatness.lnk.to/1672DMKaramo Brown grew up in an immigrant house where no A was ever good enough and “what are you doing with your life” was background noise. He went numb to disapproval.What got in were the words. He was 6'2 by ninth grade with a full beard by tenth, so nobody came at him directly, but he dissected every comment people made about him.Brown calls them cringe moments. Decades later, in the shower, a memory surfaces of the room where someone made a joke about people like him and he laughed along instead of speaking up.His granny: you got two ears and one mouth, you're supposed to be doing one of those double time. It made him a listener who absorbed everything, the good and the corrosive.Hip hop made him feel invincible. Once nothing could touch him, other people's words stopped deciding what he was worth.Asked to rate his self love out of ten, he says nine and a half. He withholds the ten on purpose. There's always room for growth.Sign up for the Greatness newsletter: http://www.greatness.com/newsletter Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hip-hop has more money, influence and global power than its pioneers could have imagined—but does more money automatically mean progress?In this solo episode, Ern takes a decade-by-decade journey through hip-hop, beginning with the block parties and cultural movement of the 1970s and following its transformation into a multibillion-dollar global force.The conversation explores early ownership disputes, artists learning the realities of record contracts, the explosion of the '90s golden era, the rise of rapper-CEOs and 360 deals in the 2000s, streaming and playlist gatekeepers in the 2010s, and the algorithm-driven landscape artists face today.Hip-hop won the attention of the world. Rappers became brands. Artists gained direct access to their audiences. But questions surrounding ownership, contracts, safety and control never completely disappeared.So after more than 50 years of growth, Ern asks the uncomfortable question:Did hip-hop actually progress—or did it just get richer?Listen, rate, review and share the Ern & Iso Podcast.

Christine Riccio & Natasha Polis talk all things nerdy in the book, tv, movie, pop culture, fandoms, and how they integrate into their adult lives. Today they're chatting all things FOREVER TWILIGHT FESTIVAL AT FORKS! Enjoy all their adventures plus their podcast live from the festival. Plus that chat Taylor Swift news, the Emmys, and Nobody Wants This. If you'd like to jump to Snap Crackle Pop-culture news it starts at: 19:00The Live Forks podcast starts at: 1:30:00Today in Fangirl Tea Time : Join Christine and Natasha for more stories about their recent life escapades. Support the pod by joining the Forking Fangirls Patreon community: http://patreon.com/thoseforkingfangirls TEAM EDWARD: The first five Heated Rivalry episode commentaries are up now! Follow the visual show on our Youtube: http://youtube.com/@thoseforkingfangirls  Get Christine's new book THIRTY, FLIRTY, & FOREVER ALONE: https://www.amazon.com/dp/1662532156Add Thirty Flirty & Forever Alone on Goodreads:https://www.goodreads.com/book/show/230393104-thirty-flirty-and-forever-aloneCheck out Natasha's sewing classes: https://www.natashapolis.com/Join our patron to get 10 dollars off the classes!Website: https://thoseforkingfangirls.com/ Email us feedback: thoseforkingfangirls@gmail.com Instagram: https://www.instagram.com/thoseforkingfangirls/Twitter: https://twitter.com/forkfangirlspod TikTok: https://www.tiktok.com/@thoseforkingfangirlsGet Christine's novel Attached at the Hip: https://a.co/d/grmPeVy Check out the Selkie Collection and get 10% off your order with code TASHAPOLIS https://selkiecollection.com/collections/all

Learn how to fix your pain with our “Centralization Process” here! https://rebrand.ly/ytpainfreeSubmit an application to work with us 1:1 and learn how to fix your low back! ⁠www.therehabfix.com/low-back-program⁠To view hundreds of free low back videos please follow us on instagram at @rehabfix ⁠www.instagram.com/rehabfix⁠If you have sciatica and one hamstring always feels tighter than the other, stretching your hamstring may not be the solution. That “tightness” can sometimes be related to nerve sensitivity and irritation coming from the lower back, rather than simply a tight muscle.In this episode, I'll explain why aggressive hamstring stretching may aggravate some people with sciatica and walk you through a 3-step approach for addressing the lower back, sciatic nerve, and hips instead.

Send us Fan MailIn this episode of Voodoo Power, Steven Thompson sits down with Chris Greene for a deep conversation about strength and conditioning, football performance, conjugate training, speed development, powerlifting, athletic development, and building better athletes.Chris Greene shares his journey into the conjugate training system, including the influence of Westside Barbell and how he adapted conjugate principles for different sports and athletes. The conversation explores how strength coaches can take proven training concepts and apply them to the realities of high school and college athletics.A major focus is football strength and conditioning, particularly developing offensive and defensive linemen. Chris and Steven discuss acceleration, first-step quickness, football stances, footwork, repetition, deep practice, sled pushes and drags, dynamic effort training, rate of force development, and the importance of teaching athletes to move efficiently.They also examine the challenges of developing younger athletes who may arrive at the high school level without strong movement foundations. Chris explains his vision for a long-term athletic development model that begins in middle school and develops athletes through high school, with an emphasis on teaching positions, acceleration, hip strength, and fundamental movement skills.The conversation also covers Chris's experience developing a high school powerlifting program and creating opportunities for athletes who may not have traditionally participated in strength sports. They discuss athlete autonomy, deadlift and clean variations, proper technique, strength development, and the growing connection between high school powerlifting and college opportunities.One of the most interesting sections focuses on the relationship between the adductor magnus, hip strength, sprinting, and hamstring injuries. Chris explains his research and how it has influenced his programming, including Copenhagen exercises, hip isometrics, step-ups, sled work, and other methods for developing stronger hips and adductors.Steven and Chris also discuss velocity-based training, sprint timing systems, acceleration testing, step-up exercises and sprint mechanics, multi-sport athletes, and how coaches can use technology and data without losing sight of fundamental coaching.Topics covered include:• Strength and conditioning for high school athletes• Football strength training• Conjugate training• Westside Barbell• Speed and acceleration development• Offensive line training• Sprint mechanics• 5–10 meter acceleration• Rate of force development• Sled pushes and sled drags• Dynamic effort training• Long-term athletic development• Middle school athletic development• High school powerlifting• Athlete autonomy• Adductor magnus training• Hip strength• Hamstring injury prevention• Copenhagen planks and Copenhagen squats• Step-ups and sprint mechanics• Velocity-based training (VBT)• Sprint timing systems• Multi-sport athletes• Football player development• Strength coach educationThis is a conversation for strength coaches, football coaches, athletic trainers, athletes, and anyone interested in developing stronger, faster, more complete athletes.Subscribe to Voodoo Power for more conversations with strength coaches, athletes, and coaches from across the strength and performance world.#VoodooPower #ChrisGreene #StrengthAndConditioning #FootballStrengthTraining #ConjugateTraining #SpeedTraining #AthleticDevelopment #Powerlifting #Acceleration #HipStrength #HamstringInjuryPrevention #VelocityBasedTraininghttps://youtube.com/@platesandpancakes4593https://instagram.com/voodoo4power?igshid=YmMyMTA2M2Y=https://voodoo4ranch.com/To possibly be a guest or support the show email Voodoo4ranch@gmail.comhttps://www.paypal.com/paypalme/voodoo4ranch

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Latabia Woodward. A visionary founder and CEO of Who's Got Next Music Inc., joins Money Making Conversations Masterclass to discuss her music tech startup and its mission to amplify emerging talent through technology-driven competitions. She also serves as chairman of the Ann Cephus Family Fund, advocating for STEM education in underserved communities.

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Latabia Woodward. A visionary founder and CEO of Who's Got Next Music Inc., joins Money Making Conversations Masterclass to discuss her music tech startup and its mission to amplify emerging talent through technology-driven competitions. She also serves as chairman of the Ann Cephus Family Fund, advocating for STEM education in underserved communities.

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Latabia Woodward. A visionary founder and CEO of Who's Got Next Music Inc., joins Money Making Conversations Masterclass to discuss her music tech startup and its mission to amplify emerging talent through technology-driven competitions. She also serves as chairman of the Ann Cephus Family Fund, advocating for STEM education in underserved communities.

In this episode, Ayesha and Andrew discuss the September 16, 2026 issue of JBJS, along with an added dose of entertainment and pop culture. Listen at the gym, on your commute, or whenever your case is on hold! Link: JBJS website: https://jbjs.org/issue.php Sponsor: This episode is brought to you by JBJS Clinical Classroom. Subspecialties: Knee, Spine, Hip, Oncology, Infection, Basic Science, Orthopaedic Essentials, Trauma, Pain Management Chapters (00:00:02) - Intro and Episode Overview(00:01:28) - Table of Contents Headlines(00:02:28) - SI Joint Fusion Sham Trial Overview(00:05:31) - Sham Surgery Design and Crossover Issues(00:07:29) - Outcomes and Statistical Interpretation(00:10:26) - Critique of SI Fusion Trial Conclusions(00:14:30) - Osteosarcoma Machine Learning Prediction Study(00:16:04) - Study Methodology and Data Sets(00:19:37) - Model Performance Results(00:21:24) - Critique of Machine Learning Study Limitations(00:26:26) - Surgeon Communication Burden Study Intro(00:28:25) - Touchpoint Study Methods and Data(00:30:17) - Touchpoint Increase Findings(00:32:20) - Discussion on Resource Allocation Implications(00:34:46) - Historical Perspective on Patient Communication(00:37:59) - Reimbursement and Policy Reflections(00:42:08) - MCL and PCL Avulsion Fracture Study(00:43:16) - Vertebral Body Tethering Outcomes Study(00:45:39) - Closing Remarks

July 16th, 2005. Grand Falls-Windsor, Newfoundland. The Tragically Hip played 'Vaccination Scar' for the fifty-ninth time, and never again.Track four on "In Between Evolution" (June 29th, 2004), the ninth studio record of thirteen, cut at Studio X in Seattle with Adam Kasper producing, and the album landed at number one in Canada in its first week. 'Vaccination Scar' was the first single off it. It finished 66th on the TTHTop40 Countdown, nowhere near the top 40. Then the live poll went up in the Facebook group and came back 64 percent love it, 33 percent like it. jD's read on the leftover one percent: that's the margin of error, not three actual humans.Which brings up the thing the panel cannot get past. Fifty-nine live plays, and forty-two of them were show openers. The band walked out and led with this song more nights than not. On the record, it sits fourth. jD calls that a missed opportunity and wants to put the question to the band directly. Jeff from Newmarket has a baseball-lineup theory. Brian from Buffalo thinks there's no way it shouldn't open the thing. Nobody defends the sequencing, and everybody agrees the band was going to do exactly what it wanted anyway.It is also a political record, made in an election year in an American studio, and Tracey from LA says the song reads different now than it did in 2004. Underneath all of it: the Tacoma Narrows Bridge, a word that turns out to have nothing to do with the bridge at all, and one line in the album booklet that settles an argument the internet has been having for twenty years.WHAT ELSE IS IN HEREThe icebreaker. One song each they never got to hear live. Brian's answer comes attached to a number that stings.jD did some housekeeping in the shuffle machine before the show. The odds for every future episode just changed.The lap steel argument. Jeff's case for why the slide lines on this one hit differently than every other Hip song with a slide on it, and the earlier song he says is its cousin.The American word. Gord never says it out loud, and Jeff has a guess at what it is.Forgetting, or for getting. Greg from Tacoma has the album booklet open in the chat, and the answer is better than either one.Wobbly, and the Wobblies. What jD found when he stopped looking at the bridge.The broken guitar string tour. Brian's name for this stretch of shows, and what he thinks Gord was taking out on those strings.A story about Eddie Vedder and the cutting room floor that nobody in the room can quite confirm.Where Brian ranks it out of every song the band ever recorded, off a list he sat down and made the week Gord died."It's three chords with attitude. It's like garage band, punk." Tracey from LA, on why the simplicity is the whole point.Next week the wheel lands on 'Evelyn,' from the debut EP, the Baby Blue album.THE PANELTracey from LA. Back again. Came to the band late and is making up for it with bootlegs and live recordings, and she would take any of it live, though 'Grace, Too' is what she would ask the jukebox genie for. Hears Gord's phrasing as cards coming out of a magician's mouth.Brian from Buffalo. Back again. 54 shows deep, an honorary Canadian who reckons he learned most of his Canadian history off Hip lyrics. Saw this song four times, all four in a row, three of them as the opener, and never again after that. Go Bills.Jeff from Newmarket. His first time in the chair, originally out of Belleville, which makes him the second Jeff from that town to sit on this panel and the reason jD is coughing into his hand all episode. Plays guitar, bass, and sings in a cover band with a January 16th date at the Monarch in Toronto. Not a Hip tribute act, but The Hip rotates into the set often enough.GEDFEST TORONTO - SATURDAY, OCTOBER 17The Horseshoe Tavern, with Grace, 2. Every dollar goes to Campfire Circle and the Murphy Family Fund in Precision Medicine in Pancreatic Cancer. Tickets through facebook.com/GEDfestYYZ.THE HIP HANDBOOKThe free discography, lyrics, and live-performance archive behind the tale of the tape every week: thehiphandbook.tthpods.com. Built on setlist.fm and Hipbase, with every source credited on the page.YER LETTEROnce a month, one email, the whole network in one place. What went out across all eight shows, what is coming, what jD has been listening to, and the odd thing that never makes it to a microphone. It is free, it is a letter rather than a broadcast, and it goes out to the community first. subscribe.tthpods.comTHE TIP JAREditing is hard and the battery needs charging. Tips, never donations: buymeacoffee.com/tthtop40.FIND USHome: home.tthpods.comEmail: jd@tthpods.comFacebook community: community.tthpods.comInstagram: @tthpodsYouTube: youtube.com/@tthpodsYer Letter: subscribe.tthpods.comMORE THE TRAGICALLY HIP ON SHUFFLE LIVE STREAM'Putting Down': https://redcircle.com/shows/a01e8de3-1a04-4a44-ab9c-8fc6e3cb7474/ep/6cfb0a5e-5909-40ec-8559-62ca0acd580e'Gus: The Polar Bear From Central Park': https://redcircle.com/shows/a01e8de3-1a04-4a44-ab9c-8fc6e3cb7474/ep/68d2991b-9074-43ef-bd71-aa832c59a787Live play counts and the retirement date come from setlist.fm and Hipbase by way of The Hip Handbook, as cited on the stream. Album credits and the release date come from Wikipedia and the "In Between Evolution" sleeve (see Block C).#TheTragicallyHip #InBetweenEvolution #TTHOnShuffle #GordDownie #TTHPods #CanadianMusicSupport this podcast at — https://redcircle.com/tthtop40/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Vienen a promover MASTER MOI 2026 // DESPEGA: El viaje hacia una nueva versión de ti que se llevará a cabo el próximo 21 DE NOVIEMBRE en el Auditorio BB (Tlaxcala 160, Hipódromo Condesa, CDMX) de 8 de la mañana a 9 de la noche. 

808 Radio vuelve a encender la antena. Abrimos nueva temporada desde el mismo lugar de siempre: buscando un poco más allá. Música recién publicada, artistas capaces de alterar el mapa, pequeños sellos haciendo ruido a escala global y esas canciones que todavía no sabes que vas a necesitar. Techno, electrónica, club y todo lo que ocurre en sus márgenes durante dos horas difíciles de encontrar en cualquier otro punto de la FM. El programa 459 arranca con Novelty y pasa por nombres como Palms Trax, Carmen Villain, Arnaud Le Texier, Steffi, Daphni, FJAAK, Rosati, Farron o Richard Sen, trazando una primera panorámica de lo que está ocurriendo ahora mismo bajo la superficie. También volvemos a abrir nuestras ventanas a quienes tienen algo que contar. DJ Toner pasa por Al Habla para presentar MCM Disciplinantes, un proyecto que trabaja con el pasado no como ejercicio de nostalgia, sino como materia prima para construir algo nuevo. Y en el Generador de Ideas recibimos a Zahara para entrar en ZAHARAVE:LITE, la evolución de ZAHARAVE cuando abandona el formato de gira y se transforma definitivamente en experiencia de club: noche, electrónica, cuerpo y conexión directa con la pista. Nueva temporada. Nuevos discos, nuevos nombres y nuevas historias. Esto vuelve a estar en marcha. Portada: Anna Kost. TRACKLIST Novelty – Endless Signal [Mitsubasa] Palms Trax – Keys To A Printed Garden [fabric Records] Carmen Villain – Hope Synapses [Smalltown Supersound] Anna Kost – Phere [useless seconds] Arnaud Le Texier – Granite [Children of Tomorrow] DJ Toner en Al Habla: MCM Disciplinantes, el pasado como materia de futuro MCM Disciplinantes – Sfogava DJ Strawberry – Pace & Space III [YUKU] Nico Lahs – In Search of Truth [Mistress Recordings] Nau Leone x Jalja – ENOUGH [Be Your Own Studio] Eden Samara – Mystery [Lapsus Records / Local Action] Citi Beat – Music Non Stop [Morris Audio] Fennec – Mezcal Bubblebath [Noire & Blanche] Bürt – Infinity [Skryptöm] Nachtbraker – Agiven [Up The Stuss] Daphni – Cloudy (Kelbin Remix) [Jiaolong] Rosati – Infinity [Dolly TS] Farron – Quandary [Delsin] Carré – Sense of Place [Tempa] Zahara en el Generador de Ideas: ZAHARAVE, cuando la gira entra en el club Steffi – Sudden Flash [Dekmantel] Vesuvio Vortex feat. Seutek – Ruimte Zat (HAAK. Remix) [Bordello A Parigi] Franco Rossi – Radias [Clergy] Xerach – Qué nombre, qué cara, qué rara [Indica] FJAAK – Bio Data [FJAAK] Goldie B – Magnolia 303 [Pont Neuf Records] Richard Sen – Space 1999 [Phantasy Sound]

Hip-hop once raged against the machine—but did it eventually become the machine?In this solo episode of the Ern & Iso Podcast, Ern tackles one of hip-hop's biggest contradictions: a culture born from rebellion, struggle and giving a voice to overlooked communities becoming one of the world's most profitable industries.From glorifying drug dealers while condemning snitches, to artists speaking against exploitation while profiting from street imagery, violence and trauma, Ern asks where storytelling ends and exploitation begins.The conversation also examines the divide between hip-hop generations, the disappearance of radio as a place for breaking local artists, streaming economics, the loss of mixtape culture and why so many rappers eventually use hip-hop as a stepping stone into another industry.Success isn't the problem. Escaping poverty isn't selling out. Building wealth isn't betraying where you came from.But what happens when you escape the struggle while continuing to sell the struggle?Did hip-hop defeat the machine, join the machine—or become the very thing it once fought against?Tap in with Ern for a conversation about hip-hop's past, present and what could happen to the culture if it refuses to evolve.

Christine Riccio & Natasha Polis talk all things nerdy in the book, tv, movie, pop culture, fandoms, and how they integrate into their adult lives. Today they're building their fictional boyfriend mount Rushmore's with special guest Chloe Laverson! Plus they chat coffee orders, Taylor Swift, Tinkerbell, Heated Rivalry, Ted Lasso, and more.Find CHLOETH on the internet : https://www.instagram.com/chloelaversonMain discussion starts at: 1:03:00Today in Fangirl Tea Time : 2:00:03Join Christine and Natasha for more stories about their recent life escapades. Support the pod by joining the Forking Fangirls Patreon community: http://patreon.com/thoseforkingfangirls TEAM EDWARD: The first five Heated Rivalry episode commentaries are up now! Follow the visual show on our Youtube: http://youtube.com/@thoseforkingfangirls  Get Christine's new book THIRTY, FLIRTY, & FOREVER ALONE: https://www.amazon.com/dp/1662532156Add Thirty Flirty & Forever Alone on Goodreads:https://www.goodreads.com/book/show/230393104-thirty-flirty-and-forever-aloneCheck out Natasha's sewing classes: https://www.natashapolis.com/Join our patron to get 10 dollars off the classes!Website: https://thoseforkingfangirls.com/ Email us feedback: thoseforkingfangirls@gmail.com Instagram: https://www.instagram.com/thoseforkingfangirls/Twitter: https://twitter.com/forkfangirlspod TikTok: https://www.tiktok.com/@thoseforkingfangirlsGet Christine's novel Attached at the Hip: https://a.co/d/grmPeVy Check out the Selkie Collection and get 10% off your order with code TASHAPOLIS https://selkiecollection.com/collections/all

President Winters believes that space eggs collected from blue trees on planets orbiting the star HIP 87621 pose a "credible threat" to the safety of the Federation.Galnet News Digest is a podcast about the game Elite Dangerous.

+ Evangelio de nuestro Señor Jesucristo según san Lucas 6, 39-42             Jesús hizo a sus discípulos esta comparación: «¿Puede un ciego guiar a otro ciego? ¿No caerán los dos en un pozo?            El discípulo no es superior al maestro; cuando el discípulo llegue a ser perfecto, será como su maestro.            ¿Por qué miras la paja que hay en el ojo de tu hermano y no ves la viga que está en el tuyo? ¿Cómo puedes decir a tu hermano: "Hermano, deja que te saque la paja de tu ojo", tú, que no ves la viga que tienes en el tuyo? ¡Hipócrita!, saca primero la viga de tu ojo, y entonces verás claro para sacar la paja del ojo de tu hermano.» Palabra del Señor 

Lc 6,39-42.Jesús hizo a sus discípulos esta comparación: "¿Puede un ciego guiar a otro ciego? ¿No caerán los dos en un pozo?El discípulo no es superior al maestro; cuando el discípulo llegue a ser perfecto, será como su maestro.¿Por qué miras la paja que hay en el ojo de tu hermano y no ves la viga que está en el tuyo?¿Cómo puedes decir a tu hermano: 'Hermano, deja que te saque la paja de tu ojo', tú, que no ves la viga que tienes en el tuyo? ¡Hipócrita!, saca primero la viga de tu ojo, y entonces verás claro para sacar la paja del ojo de tu hermano."

Episode #604: “I chose hip hop.” Born in Yangon in 1979 to parents who were nationally known singers, Anegga grew up in a household where art was both celebrated and watched. His father had helped introduce rock music to Myanmar during an earlier era of military control, and supporting opposition politics carried real risk. He remembers military visits to the family home at night and his mother having to hide because of her involvement with the NLD. Music, in other words, was never insulated from power. Hip hop entered his life through scarcity. Myanmar at the time was largely cut off from international media, English-language books, and commercial music distribution. He encountered rap through English-language radio broadcasts, especially VOA, and was drawn first to sound rather than meaning. He did not initially understand most of the lyrics he heard from artists like LL Cool J, Nas, or Biggie, but he studied cadence, breath control, rhyme structure, and delivery. Hip hop became a way of accessing a vocabulary of frustration that felt familiar even if the geography was different. He often explains that while Myanmar did not have American-style ghettos, it lived under a different form of systemic deprivation, one that shaped the whole country rather than particular neighborhoods. In 2000, he co-founded ACID and released what is considered to be Myanmar's first hip hop album. The impact was immediate among young people; at the same time, every release required navigating censorship committees, submitting written lyrics in advance, altering phrasing to avoid rejection, and sometimes facing arbitrary refusals from broadcast authorities even after formal approval. The system did not operate transparently; it operated through unpredictability. Although he has consistently argued that ACID did not begin as an explicitly political group, interpretation often exceeded intention. Songs meant as expressions of loyalty or social observation were read by audiences as indirect political commentary. That ambiguity narrowed after 2007, when the Saffron Revolution led to arrests of band members, including Zayar Thaw. Over time, Anegga moved from coded expression to open political engagement, releasing explicitly political songs, supporting the NLD, and distributing banned political literature discreetly among students. His political involvement was also shaped by family history and long-standing loyalty to Aung San Suu Kyi. After the 2021 coup, the separation between music and politics disappeared entirely. Zayar Thaw, who had moved from hip hop into parliament, joined the resistance and was executed by the military in 2022, an act that underscored how thoroughly the country had reversed course. Anegga left Myanmar soon after and now lives in Thailand as an urban refugee, separated from his family and uncertain about permanent resettlement.

Adquiere el "LIBRO DE ORACIÓN. Mi día a día con Jesús" en https://sercreyente.com/libros. Con más de 400 páginas, más de 500 oraciones y decenas de ilustraciones. Ve el vídeo en https://youtu.be/_9Z40IqjHj8________________Viernes, 11 de septiembre de 2026 (23ª Semana del Tiempo Ordinario)Evangelio del día y reflexión... ¡Deja que la Palabra del Señor transforme tu vida! Texto íntegro del Evangelio y de la Reflexión en https://sercreyente.com/acaso-puede-guiar-un-ciego-a-otro-ciego/[Lucas 6, 39-42] En aquel tiempo, Jesús les dijo también una parábola: «¿Acaso puede un ciego guiar a otro ciego? ¿No caerán los dos en el hoyo? No está el discípulo sobre su maestro, si bien, cuando termine su aprendizaje, será como su maestro. ¿Por qué te fijas en la mota que tiene tu hermano en el ojo y no reparas en la viga que llevas en el tuyo? ¿Cómo puedes decirle a tu hermano: "Hermano, déjame que te saque la mota del ojo", sin fijarte en la viga que llevas en el tuyo? ¡Hipócrita! Sácate primero la viga de tu ojo, y entonces verás claro para sacar la mota del ojo de tu hermano.________________Descárgate la app de SerCreyente en https://sercreyente.com/app/¿Conoces nuestra Oración Online? Más información en: https://sercreyente.com/oracion¿Quieres recibir cada día el Evangelio en tu whatsapp? Alta en: www.sercreyente.com/whatsappTambién puedes hacer tu donativo en https://sercreyente.com/ayudanos/Contacto: info@sercreyente.com

+ Del Evangelio según San Lucas +En aquel tiempo, Jesús propuso a sus discípulos este ejemplo: "¿Puede acaso un ciego guiar a otro ciego? ¿No caerán los dos en un hoyo? El discípulo no es superior a su maestro; pero cuando termine su aprendizaje, será como su maestro.¿Por qué ves la paja en el ojo de tu hermano y no la viga que llevas en el tuyo? ¿Cómo te atreves a decirle a tu hermano: 'Déjame quitarte la paja que llevas en el ojo', si no adviertes la viga que llevas en el tuyo? ¡Hipócrita! Saca primero la viga que llevas en tu ojo y entonces podrás ver, para sacar la paja del ojo de tu hermano".Palabra del Señor.

Title: Languaging in Hampton RoadsEpisode 24: How Hip-Hop Language Shapes the Way We SpeakGuest Host/Producer: Aidan DozierDate: Sep. 9, 2026Length: Approximately 26 minutesPublication Frequency: Fourth Friday (approx) of each month How does a word move from a neighborhood, to a song, to social media, and eventually into everyday conversation?In this episode of languagingHR, ODU Media Studies student and LanguagingHR intern Aidan Dozier explores the relationship between hip-hop, language, regional identity, and social media. The episode looks at how words and phrases associated with hip-hop move through communities, music, online spaces, and everyday speech—and how their meanings can change along the way. The episode follows that process from earlier generations of hip-hop to contemporary expressions such as motion, no cap, locked in, aura, mid, cooked, crash out, standing on business, rizz, slime, and twin.Aidan speaks with Janai Williams, a producer from Philadelphia who moved to Virginia. Williams discusses growing up around music, Philadelphia's distinctive hip-hop culture and language, and the culture shock she experienced after moving to Virginia. Her experiences highlight the connection between language and belonging, including the pressure people can feel to change the way they speak when entering a new community.The episode also features Meiyah Maxfield, a lifelong 757 resident and hip-hop listener. Meiyah discusses the influence hip-hop has had on her vocabulary, the way slang moves between generations, and the role social media plays in making new language recognizable almost instantly.The episode also looks specifically at Virginia and the 757, where influences from cities such as Philadelphia, New York, Washington, D.C., and Atlanta mix with Virginia's own significant hip-hop history. Artists including Missy Elliott, Timbaland, Pharrell, Pusha T, and Clipse have helped establish Virginia's place in hip-hop, even as the region's linguistic identity can be harder to define than that of  other major hip-hop centers.Ultimately, How Hip-Hop Language Shapes the Way We Speak asks listeners to think beyond slang as simply a collection of trendy words. Language can communicate identity, location, humor, history, community, and belonging. Hip-hop gives that language a powerful platform, but the people who use, repeat, reinterpret, and preserve those words ultimately determine where the language goes next.Send your questions and feedback to languagingHR@gmail.com; and for more information and to listen to previous episodes, check out our website, www.languaginghr.wordpress.com.

L-Chedda is one of the original rappers from Sunnydale, one of San Francisco's most notorious projects. He saw the rise of hip-hop in the city, as well as the turf wars and the crack epidemic. Cheddar flipped street money to co-found Butt Naked Records and put out groups from his hood like Down N Dirty Hustlas and Ghetto Soldiers. He caught an out-of-state case in 2006 which resulted in a 6-year prison sentence. Since coming home, Chedda has focused on legitimate careers, pushing his music catalogue, and mentoring the new generation of youth in Sunnydale.--Essential Bay Area Rap Playlist: https://fanlink.tv/historyofthebay-playlist--Join the Patreon: https://www.patreon.com/dregsone--For promo opportunities on the podcast, e-mail info@historyofthebay.com--Online Store: https://dregsone.myshopify.com --Follow Dregs One:Spotify: https://open.spotify.com/artist/1UNuCcJlRb8ImMc5haZHXF?si=poJT0BYUS-qCfpEzAX7mlAInstagram: https://instagram.com/dregs_oneTikTok: https://tiktok.com/@dregs_oneTwitter: https://twitter.com/dregs_oneFacebook: https://facebook.com/dregsone41500:00 Growing up in SF05:27 Moving to Sunnydale15:37 Crack era 21:29 Hip-hop in SF30:35 Peter Lee37:20 Trying to make peace41:39 Turf wars49:32 2pac, Black C54:41 Butt Naked Records1:02:52 Cougnut1:04:21 Hustlin over music1:07:18 Solo album1:12:59 34 Village1:18:50 Catching a case1:26:57 Getting back to music1:33:28 New Sunnydale rappers

¿Y si la solución que construiste es una motosierra para un problema que solo necesitaba unas tijeras? En este primer episodio de Fírmame el After, Moris y Dano Medina analizan a fondo el episodio de Muralia: una plataforma que conecta muralistas con clientes que quieren murales. Platican sobre si el negocio ya encontró su Product Market Fit, por qué 25 proyectos transaccionados no son evidencia suficiente de un negocio escalable, cuál sería el segmento de cliente ganador (¿desarrolladoras inmobiliarias, cadenas comerciales, gobiernos?), y el error clásico de enamorarse de la solución en lugar de la problemática. Con preguntas y comentarios de la audiencia en vivo, exploran caminos alternativos para Muralla: convertirse en agencia creativa, quedarse solo con la línea de back office para artistas, o abrirse a otras disciplinas de arte más allá de los murales.Prueba café el Capitalhttps://cafeelcapital.com/s/08a4840:00 – Bienvenida al primer programa de "Fírmame el After"1:20 – Cómo funciona el formato: comentar el episodio de la semana anterior2:10 – Primeras impresiones sobre Muralla, la plataforma de murales3:25 – Por qué los murales se volvieron parte de la cultura urbana7:13 – Preguntas en vivo de la audiencia7:29 – El escepticismo inicial: ¿un "Uber de los muralistas"?9:03 – El valor de la red: más de 1,000 muralistas en la plataforma9:39 – La segunda línea de negocio: el back office administrativo para artistas10:17 – Por qué la apuesta en etapas tempranas es en el emprendedor, no solo en el negocio10:50 – La tracción actual: más de 25 proyectos transaccionados11:22 – El reto de la complejidad: un mural no es un producto estandarizado14:12 – El verdadero cuello de botella: la demanda, no la oferta15:38 – ¿Cuál debería ser la participación de Moris como inversionista?17:10 – Por qué la transaccionalidad digital es la clave del éxito del negocio18:52 – ¿Muralla ya encontró su Product Market Fit?20:08 – La analogía de las paletas de hielo: por qué 25 ventas no hacen un negocio21:43 – La pregunta clave: ¿cuál es el segmento de cliente ganador?23:05 – Hipótesis en vivo: ¿las desarrolladoras inmobiliarias son el cliente ideal?24:20 – La hipótesis del negocio comercial: cadenas como Starbucks26:16 – Ideas de la audiencia: escuelas, salones de fiesta, gobierno27:04 – La idea de un proyecto de embellecimiento municipal completo29:34 – Dos hipótesis por validar: tamaño del mercado y transaccionalidad digital31:19 – Los murales dinámicos: el segmento de publicidad y anuncios33:30 – El comentario del chat: "el valor no es la tecnología, es el intermediario"37:04 – Qué pasa después de firmar un cheque: el proceso de due diligence39:08 – El lado frágil del negocio, según Dano40:43 – Posibles caminos: ¿de plataforma a agencia creativa de murales?42:55 – Otro camino: quedarse solo con el back office para artistas43:43 – ¿Abrir la plataforma a todo tipo de arte o quedarse solo con murales?49:15 – Enamorarse del problema, no de la solución50:56 – La trampa del costo hundido en los emprendedores53:24 – ¿El problema de Muralla es en realidad muy simple?55:29 – La analogía de la motosierra y las tijeras59:42 – El ejemplo del estacionamiento complicado: ¿motosierra o tijeras?1:03:05 – La clave: demanda recurrente busca eficiencia, demanda ocasional busca simplicidad1:04:34 – La confianza en el muralista: el reto que nadie había mencionado1:07:10 – Cierre: qué viene en el próximo episodio de Fírmame el Cheque (jueves 10 de septiembre)

Hip-hop and classical music normally exist in two very different worlds, but one group from Philadelphia is shattering those genre boundaries. The Illharmonic Orchestra (www.theephantomhiphop.com) performs hip-hop/classical mashups, covers, and original songs, all with a full orchestra. They were the first hip-hop group to perform at the Kimmel Center and have brought a whole new audience to Carnegie Hall. Racquel Williams talks with the group's founders, husband and wife duo “Thee Phantom” Jeffrey McNeill and “The Phoenix” Andrea Coln- McNeill. Then, on Shara in the City, things are heating up in the kitchen at 12th Street Catering (www.12stcatering.com), where they're preparing for the Les Dames d'Escoffier Heritage Dinner honoring chef Michelle Leff with the Outstanding in Her Field Award. Shara Dae Howard gets a cooking lesson and a taste test.

Laura joins Haseeb, Tom, and Tarun to unpack Robinhood Chain's surge, the strange fusion of stock tokens and memecoins, the damage speculative entertainment can do to retail, Solana's competitive position, and why regulated onchain markets will still look different across jurisdictions. Welcome to The Chopping Block, where crypto insiders Haseeb Qureshi, Tom Schmidt, and Tarun Chitra are joined by Laura Shin to chop it up about the latest in crypto. The panel examines Robinhood Chain's second wave, stock-backed memecoins built from old DeFi mechanics, the line between financial entertainment and retail harm, the race with Solana, and the legal constraints facing global onchain markets. Listen to the episode on Apple Podcasts, Spotify, Pods, Fountain, Podcast Addict, Pocket Casts, Amazon Music, or on your favorite podcast platform. Show highlights

Great offensive line drills aren't about collecting more drills, they're about identifying the blocks your offense actually needs and building practice around the problems your linemen must solve on Friday night. In this episode, Daniel Chamberlain and Joe Daniel break down practical drills for gap and zone schemes, combo blocks, pulling, pass protection, and first-step footwork while explaining how to eliminate traditional drills that don't translate to game situations. 4:58 - Identifying Which Blocks to Drill in Your Scheme  12:39 - Overrated O Line Drills Sleds Boards and Chutes  14:58 - The O Line Coach as Advocate for Your Linemen  16:13 - Minimizing Block Engagement Time for Smaller Linemen 31:57 - Vertical Pass Set Drill Using Yard Lines 35:08 - Group Pass Protection Drill vs One on Ones 37:43 - Combo Block Drill with Hip to Hip Pad Technique  48:21 - Gap Scheme Pull and Kick Drill with Chute Landmarks  56:54 - Base Blocking Drills Zone Reach and Down Blocks  60:54 - Pass Protection Footwork and Birdwalk Communication Drill Build Better Offensive Line Drills 1. Build Drills Around the Football Your Linemen Actually Play Start by identifying the blocks, footwork and techniques your offensive system actually requires. Your drill menu should come from your scheme and the problems you see on film, not a collection of traditional offensive line drills. READ: Complete Guide to Coaching Football Drills that Win Games 2. Learn to Diagnose What Your Offensive Line Needs Break offensive line execution into smaller problems you can attack in practice. Use game and practice film to identify the specific skill that is failing, then build drill work around correcting that problem. LISTEN: Better Football Drills That Get Faster Results | FBCP S20E20 3. Make the First Two Steps the Foundation Build offensive line technique from the first step to the second step, then add aiming points, fits and finishes. Mastering those first two steps gives your linemen the best opportunity to execute blocks without relying on size or strength. LISTEN: Individual Drill Periods for Skill Development | FBCP S21E01 4. Simplify the Job for Your Offensive Line Reduce the number of blocking schemes your players have to master and build the offense around what your linemen can execute. Use formations, tags, shifts and other adjustments to create answers without constantly changing their core blocking rules. LISTEN: How to Design Run Plays That Get Big Yards | FBCP S20E16 5. Develop Communication and Combination Blocking Teach offensive linemen to recognize fronts, communicate responsibilities and work together instead of treating every block as an isolated one-on-one matchup. Build simple rules that let players solve movement and second-level defenders together. LISTEN: Coaching Combo Blocks in Your Offensive System | FBCP S17E08 6. Progress Individual Technique Into the Run Game Move from controlled footwork and blocking drills into pods, half-line work and group run periods. Keep the same techniques and communication your linemen learned individually while gradually adding the movement and decisions they will see on game day. LISTEN: Practice Planning: Group Run Drills for Skill Progression | FBCP S21E05 7. Build Offensive Line Development Into the Practice Plan Give your offensive line enough focused practice time to reinforce the blocks and communication your offense needs that week, then carry that same focus through individual, group and team periods. DOWNLOAD: Perfect Practice Plan Template​

The episode kicks off with excitement for dove season and a recap of recent travels, including a stop to learn more about ammunition and how much goes into making the right shells. The hosts welcome Curt Porter back to share advice and reminders before the season opens, creating a conversation that is both timely and informative. They also emphasize the value of learning from experienced hunters and passing that knowledge along to others, especially newer hunters and kids. A major focus of the episode is dove hunting safety and legality. Curt explains practical things hunters should remember, like checking a field for anything out of place, staying aware of road and right-of-way boundaries, and using the Outdoor Alabama app to check sunrise, sunset, and weather. The discussion also covers licensing changes, HIP permits, age requirements, and why it's important to get all of your paperwork right before heading into the field. The conversation closes on a personal and reflective note, with the hosts sharing memories that highlight why hunting matters beyond the harvest itself. They talk about kids, family time, and the traditions that make opening season special, from first dove hunts to simple moments sitting together in the field. The episode wraps by looking ahead to future discussions about waterfowl and encouraging listeners to stay prepared, stay legal, and enjoy the season with the people around them. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

New class every Tuesday. 350+ full classes in the Unlimited Archive at JustGreatYoga.com

This week on The Real Housewives of Orange County, the women visit Carmella's actual home, Hip and Shane have trouble, and the group gets mad at Heather. Danny also touches on Real Housewives Ultimate Girls Trip, which saw Luann performing with some bushes, PLUS LEAH REMINI JOINS RHOBH!ORDER DANNY'S BOOK: https://linktr.ee/jolliestbunchDANNY'S (OTHER) BOOK: Smarturl.it/unrememberTwitter: @DannyPellegrinoInstagram: @DannyPellegrinoYouTube: www.YouTube.com/DannyPellegrino1TikTok: @DannyPellegrinoPatreon: www.Patreon.com/EverythingIconic Hosted on Acast. See acast.com/privacy for more information.

In this bonus episode of Selective Ignorance, Mandii B and the crew jump into one of the most polarizing conversations in sports and politics: transgender women competing in women’s athletics. The discussion begins with a sports rant [00:06 ] before asking who should ultimately determine WNBA eligibility rules—the league, its players, governing bodies, or outside lawmakers [ 01:08 ]. The crew weighs arguments surrounding biology, gender identity, and athletic competition [ 02:36 ], including questions of physicality and competitive fairness [ 05:57 ], before testing the conversation through hypothetical locker-room scenarios [ 07:15 ] and considering how much voting power WNBA players themselves should have over league policy [ 08:22 ]. They unpack what people actually mean when discussing gender transition [ 10:48 ] and question whether the larger controversy has become a political distraction from issues with a more direct impact on everyday Americans [ 14:26 ], before humor enters the debate through a conversation about the financial realities associated with transitioning [ 15:26 ]. The crew switches gears to music [ 20:42 ] after encountering a report claiming releases from major artists including Taylor Swift, Drake, Bad Bunny, and Kendrick Lamar coincided with increases in deadly traffic crashes [ 20:49 ]. Rather than accepting the headline at face value, they question correlation versus causation [ 21:59 ], dig into the statistics, methodology, data sources, and variables that could influence the findings [ 25:28 ], and debate whether audience and attendance numbers complicate the conclusions [ 26:48 ]. Hip-hop discourse continues as they unpack The Game’s grievances involving Kendrick Lamar and Nipsey Hussle’s circle [ 27:12 ], questioning mixed messages, loyalty, comparisons, and when legitimate criticism begins to resemble attention-driven conflict [ 30:02 ]. Politics returns to the forefront as the hosts react to Elon Musk calling for Derek Chauvin’s release [ 32:25 ], debating whether provocative culture-war issues are being used to energize political audiences while larger policy concerns receive less attention. From there, they redirect the conversation toward what they consider the “real issues” affecting everyday life, including healthcare, education, voting rights, employment, government services, and the rising cost of travel [ 35:33]. The crew identifies three policy areas they believe deserve greater public attention [ 42:26 ] before examining the economics of the American healthcare system and the tension between patient care and profit [ 50:27 ]. Naturally, Selective Ignorance finds room for one last detour—the timeless ranch versus blue cheese debate [ 53:16 ]—before wrapping the bonus episode with final thoughts and credits [ 55:29 ]. No Holes Barred: A Dual Manifesto Of Sexual Exploration And Power” w/ Tempest X! Sale Link Follow the host on Social MediaMandii B Instagram/X @fullcourtpumps Follow the crew on Social Media @itsaking @mrhiphopobama Follow the show on Social MediaInstagram @selectiveignorancepodTiktok @selective.ignoranceX/Twitter @selectiveig_podSee omnystudio.com/listener for privacy information.

Hip-Hop… we need to talk.On this solo episode of the Ern and Iso Podcast, Ern has a conversation directly with hip-hop itself.Sparked by 50 Cent's comments about not wanting to be a 60-year-old rapper, Ern questions why hip-hop continues to treat age like an expiration date. If the music is still good, should it matter whether the artist making it is 22, 42 or 62?The conversation expands into what it actually means to be “hot” in today's culture. Are streams, followers, viral clips and algorithms true measurements of impact—or have we started confusing popularity with greatness?Ern also challenges the idea that bars and lyricism should be redefined simply because hip-hop has entered a different generation. Instead of throwing away the blueprint created by previous generations, why shouldn't younger artists build on it and take the art form even further?Most importantly, what should mature hip-hop sound like? Instead of veteran rappers pretending they're still 25, why can't they give listeners music about growth, survival, prosperity, family, success and the perspective that comes from living?Hip-hop grew up. Its audience grew up.Maybe it's finally time we allow the artists to grow up too.

In this episode of Selective Ignorance, Mandii B is joined by super producer A-King and headline king Jason “Jah” Lee for a wide-ranging conversation spanning Atlanta culture, policing, politics, infrastructure, race, hip-hop, gender identity, and the WNBA. After previewing the episode’s biggest stories [ 00:38 ], the crew catches up on their weekends [ 02:43 ] before debating Atlanta’s dining scene, happy-hour culture, restaurant service, and food experiences [ 03:26 ]. Jah’s “Ignorant Thought” turns serious as he reacts to reports about the death in prison of the former officer who shot Sonya Massey, prompting a larger conversation about policing, accountability, and Elon Musk’s suggestion that Derek Chauvin should be released [ 06:20 ]. From there, a discussion about recent food safety scares and beef consumption briangs the crew back to what—and where—they’re willing to eat [ 09:27 ]. In “This Is America,” the hosts spotlight Gary, Indiana, where residents in a largely Black community have faced an extended power outage following severe storms [ 13:02 ]. The crew connects the crisis to larger questions about aging infrastructure, disaster response, environmental inequality, government responsibility, and which communities receive urgency when essential services fail, while encouraging support for residents in need [ 16:28 ]. Politics takes center stage as they react to comments from Florida Democratic Senate nominee Angie Nixon about taking her children to drag shows [ 24:46 ], debating political strategy and whether certain public positions help or hurt candidates in contentious elections [ 28:39 ]. The conversation expands into who actually attends drag shows and why [ 33:11 ], an explanation and debate around the term cisgender [ 34:43 ], and the importance of context when discussing drag performances, children, LGBTQ+ issues, and adult entertainment [ 37:37 ]. They then zoom back out to Florida politics, progressive movements, and the Democratic Socialists of America [ 40:31 ], before taking a lighter detour into beards, appearances, and “hat fishing” [ 44:30 ]. The conversation returns to crime and race as the crew examines reports of an alleged Penn State fraternity cocaine distribution operation [ 47:48 ], questioning whether similar allegations involving Black defendants would be framed as a gang, conspiracy, or RICO case and exploring racial disparities in the language used around criminal activity [50:30 ]. They also discuss fentanyl risks, drug surveillance, and the dangers surrounding today’s illicit drug supply [ 55:20 ]. From there, the hosts react to Master P’s comments about Black people “harping on slavery,”debating historical memory, generational trauma, accountability, opportunity, and whether acknowledging systemic barriers is incompatible with pursuing progress [ 57:06 ]. Hip-hop becomes the focus as the crew explains why J. Cole’s current tour feels culturally significant [ 01:06:53 ], particularly in an era without the same ecosystem of music blogs and media outlets that once documented rap in real time [ 01:08:10 ]. That leads into a broader discussion about whether hip-hop is experiencing a reset and what the culture needs from artists, audiences, and media moving forward [ 01:09:29 ]. The final stretch tackles another viral culture debate as Mandii, A-King, and Jah react to backlash surrounding a Matt Matthews and Kandi Burruss clip involving pronouns [ 01:10:23 ] and dive into the comment section to examine how social media amplifies cultural misunderstandings and outrage [ 01:13:42 ]. The discussion expands into transphobia, identity, language, and accusations of using a “blaccent” [ 01:19:52 ], before the crew condemns the disturbing trend of people throwing sex toys onto the court during WNBA games [ 01:27:33 ]. They react to Joy Taylor calling out the behavior [ 01:29:07 ] and question what leagues, arenas, and fans should expect when it comes to security, consequences, player safety, and basic respect for women athletes [ 01:35:07 ]. The crew closes with final thoughts and credits [ 01:40:12 ], wrapping an episode that connects politics, race, public safety, hip-hop culture, LGBTQ+ discourse, and women’s sports through the signature humor and debate of Selective Ignorance. No Holes Barred: A Dual Manifesto Of Sexual Exploration And Power” w/ Tempest X! Sale Link Follow the host on Social MediaMandii B Instagram/X @fullcourtpumps Follow the crew on Social Media @itsaking @mrhiphopobama Follow the show on Social MediaInstagram @selectiveignorancepodTiktok @selective.ignoranceX/Twitter @selectiveig_podSee omnystudio.com/listener for privacy information.