Podcast appearances and mentions of Ray Davies

Kate's an old pal of ours from Word magazine who writes scintillating columns and profiles for the New Statesman and Observer. We loved her book ‘Men Of A Certain Age: My Encounters With Rock Royalty' – just out in paperback! – where she relives her meetings with a variety of legends, eccentrics and old lags whose music she finds particularly compelling and wonders what they all have in common. This typically funny and colourful conversation stops off at … … the attractive fallibility of rock stars past their peak … a lifetime's devotion to Paul Simon … “Olivia Dean is the Carole King of her generation” … the ridiculous expectations we heap on musicians' creativity … why Arts Criticism is under threat … when the first record you buy (aged five) is the Chicken Song … “One-Hit Wonders have achieved infinitely more than most of us” … Ray Davies and his “eternal sense of apartness” … why George Michael is under-appreciated and the time he found someone living under his floorboards … the days when Jeff Beck modelled PVC jackets for Rave … the genius of Pat Metheny's Orchestrion … and the new acts who'll still be huge in ten years' time. Order copies of ‘Men Of A Certain Age' here: https://www.amazon.co.uk/Men-Certain-Age-Encounters-Royalty/dp/1788705645Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Kate's an old pal of ours from Word magazine who writes scintillating columns and profiles for the New Statesman and Observer. We loved her book ‘Men Of A Certain Age: My Encounters With Rock Royalty' – just out in paperback! – where she relives her meetings with a variety of legends, eccentrics and old lags whose music she finds particularly compelling and wonders what they all have in common. This typically funny and colourful conversation stops off at … … the attractive fallibility of rock stars past their peak … a lifetime's devotion to Paul Simon … “Olivia Dean is the Carole King of her generation” … the ridiculous expectations we heap on musicians' creativity … why Arts Criticism is under threat … when the first record you buy (aged five) is the Chicken Song … “One-Hit Wonders have achieved infinitely more than most of us” … Ray Davies and his “eternal sense of apartness” … why George Michael is under-appreciated and the time he found someone living under his floorboards … the days when Jeff Beck modelled PVC jackets for Rave … the genius of Pat Metheny's Orchestrion … and the new acts who'll still be huge in ten years' time. Order copies of ‘Men Of A Certain Age' here: https://www.amazon.co.uk/Men-Certain-Age-Encounters-Royalty/dp/1788705645Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Kate's an old pal of ours from Word magazine who writes scintillating columns and profiles for the New Statesman and Observer. We loved her book ‘Men Of A Certain Age: My Encounters With Rock Royalty' – just out in paperback! – where she relives her meetings with a variety of legends, eccentrics and old lags whose music she finds particularly compelling and wonders what they all have in common. This typically funny and colourful conversation stops off at … … the attractive fallibility of rock stars past their peak … a lifetime's devotion to Paul Simon … “Olivia Dean is the Carole King of her generation” … the ridiculous expectations we heap on musicians' creativity … why Arts Criticism is under threat … when the first record you buy (aged five) is the Chicken Song … “One-Hit Wonders have achieved infinitely more than most of us” … Ray Davies and his “eternal sense of apartness” … why George Michael is under-appreciated and the time he found someone living under his floorboards … the days when Jeff Beck modelled PVC jackets for Rave … the genius of Pat Metheny's Orchestrion … and the new acts who'll still be huge in ten years' time. Order copies of ‘Men Of A Certain Age' here: https://www.amazon.co.uk/Men-Certain-Age-Encounters-Royalty/dp/1788705645Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

I'm thinking of this as part of a new occasional series that I can return to called “Origins” and will be about the songwriters and/or musicians that have shaped my musical tastes. Future episodes will definitely include people like Ray Davies of The Kinks, Edward Van Halen, Justin Currie of Del Amitri, Peter Gabriel, Annie Lennox, Mark Knopfler, Steve Earle, and Paul McCartney, as names that spring immediately to mind. To be honest, I can easily see Brian May also getting his own episode at some point! I don't have any sort of plan for how frequently these episodes will drop, I'll just sit down to write them when opportunity and desire overlap at the right time.To kick off the "Origins" series, I need to talk about the guy who stands at the top of the musical mountain for me; Freddie Mercury. Songs : https://youtube.com/playlist?list=PL9JRklgBG7NzIJ5_KbvGMNbc0Yh859gL4Don't forget to follow me on social media, like, subscribe, and please, leave a rating if you like the show.Follow: https://linktr.ee/tompettyprojectListen: https://pod.link/1580769475All music, including the theme song, provided by my very best friend Randy Woods. Check him out at https://www.randywoodsband.comA special thanks to Paul Zollo. Without his book, "Conversations with Tom Petty", this podcast wouldn't be nearly as much fun to research.The Tom Petty Project is not affiliated with the Tom Petty estate in any way.Producer: Kevin BrownExecutive Producers: Paul Roberts, Steve UrsellSupport this show http://supporter.acast.com/the-tom-petty-project. Hosted on Acast. See acast.com/privacy for more information.

For this episode we're joined all the way from San Francisco by Barry Walters to discuss his new history of LGBTQ music. And in our first recording since the retirement of Mark Pringle, William Pike becomes an official co-host of the RBP podcast... Barry reflects on his upbringing in Rochester, N.Y., his move to New York City, and his early writing for the Village Voice. We then hear about his years as pop critic for the San Francisco Examiner and the inspiration of gay disco icon Sylvester. Along the way our guest touches on some of the other artists he writes about in Mighty Real, including the Village People, k.d. lang and Grace Jones. We hear clips from Richard Cook's 1985 audio interview with the amazing Grace and discuss her unique contribution to LGBTQ culture. After William mentions a recently-added library piece about Ray Davies (1977), prompting a discussion of the Kinks' watershed hit 'Lola', Jasper talks us out with his thoughts on Kylie Minogue (2011) and his deep reverence for Spanish superstar Rosalía (from whose O2 show the previous evening he is still reeling...). Many thanks to special guest Barry Walters. Mighty Real: A History of LGBTQ Music, 1969–2000 is published by Viking and available now from all good bookshops. Visit Barry's website at barrywalterswriter.com. Pieces discussed: Grace Jones audio interview (1985), Ray Davies live at Queen Elizabeth Hall, Kylie Minogue: The Albums 2000–2010 and Rosalía: Lux.

Rich Pagano is a terrific drummer, singer, songwriter and producer. He's a solo artist and a member of The Fab Faux, the world's best tribute band. He's worked with just about everyone including Robbie Robertson, Ray Davies, Elvis Costello, Peter Frampton, and he's even done the soundtrack album for The Marvelous Mrs. Maisel. And he also does a lot of benefit work, including in honor of his late son Nic. My featured song is my reimagined version of The Beatles' “I Wanna Be Your Girl” from the album East Side Sessions by my band Project Grand Slam. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Testimonials Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH RICH:www.richpagano.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —---------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

Blur's third album, 1994's 'Parklife', was released the same year as Oasis' debut 'Definitely Maybe'. And while many saw this as Britpop's answer to a Beatles/Stones rivalry, none other than Ray Davies himself considered Blur - and especially Parklife - as the heir apparent to ANOTHER classic British band, The Kinks. This week's returning guest Corey duBrowa once again brings the goods as he and Rob attempt to unpack this UK Classic. Songs discussed in this episode: Girls & Boys (Blur cover) - Terry Edwards and The Scapegoats; Love You (Syd Barrett cover) - Graham Coxon; For Tomorrow, Country House, Sing - Blur; Step On - Happy Mondays; This Is How It Feels - Inspiral Carpets; She's So High - Blur; Love Me For A Reason - The Osmonds; Right Here, Right Now - Jesus Jones; Girls & Boys, Tracy Jacks - Blur; David Watts - The Kinks; Helicopter - XTC; End Of A Century, Parklife - Blur; Mad John - Small Faces; Bank Holiday, Badhead - Blur; Connection - Elastica; The Debt Collector, Far Out, To The End - Blur; My Mistakes Were Made For You - The Last Shadow Puppets; You Only Live Twice - Nancy Sinatra; To The End (French Version), London Loves, Trouble In The Message Centre, Clover Over Dover, Magic America, Charmless Man, Jubilee - Blur; 20th Century Boy - T-Rex; Feel Good Inc - Gorillaz; This Is A Low, Lot 105 - Blur; Waterloo Sunset - Ray Davies and Damon Albarn

Dominic Mohan saw Britpop on the inside from the showbiz desk of the Sun in the days when it sold 4.5m copies, a series of heated memories recorded in ‘1996: My Backstage Pass to the Wildest Year of Britain's Wildest Decade', a lost age of hedonism, stupidity, drunkenness and creativity. He makes a compelling case in this very funny and colourful podcast which stumbles into … … the advice David Hepworth gave him when he was 16 … Euro 96 and headlines you couldn't run now … how the deaths of Kurt Cobain and John Smith changed the picture … doorstepping Phil Collins' ex-wife … the wreath for Noel Gallagher “the fat dancer from Take That” sent to the Sun … Cool Britannia and that brief love affair between music and politics … on the dancefloor at the Labour Conference with Mo Mowlam, John Prescott and Chris Evans … Knebworth 1996, the perfect marriage of alternative music and club culture with a £250,000 bar bill … the debt Pulp, Oasis and Blur owe Ray Davies - “less the Godfather of Britpop, more a concerned uncle” … is it hard to identify a new zeitgeist when people don't congregate as much? … the ‘reverse-ferret' from American culture towards bespectacled blokes from Sheffield … the shameless age before people public apology … how the post-Spice Girls TV talent shows soaked up the budgets and column inches … and Madonna dancing with Dennis Hopper. Order copies of ‘1996' here: https://www.amazon.co.uk/1996-Backstage-Wildest-Britains-Decade/dp/B0FZBZHPNR The Barbican Show curated by Dominic: https://www.barbican.org.uk/whats-on/2026/event/1996-a-celebration-of-the-wildest-year-of-britains-wildestHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Dominic Mohan saw Britpop on the inside from the showbiz desk of the Sun in the days when it sold 4.5m copies, a series of heated memories recorded in ‘1996: My Backstage Pass to the Wildest Year of Britain's Wildest Decade', a lost age of hedonism, stupidity, drunkenness and creativity. He makes a compelling case in this very funny and colourful podcast which stumbles into … … the advice David Hepworth gave him when he was 16 … Euro 96 and headlines you couldn't run now … how the deaths of Kurt Cobain and John Smith changed the picture … doorstepping Phil Collins' ex-wife … the wreath for Noel Gallagher “the fat dancer from Take That” sent to the Sun … Cool Britannia and that brief love affair between music and politics … on the dancefloor at the Labour Conference with Mo Mowlam, John Prescott and Chris Evans … Knebworth 1996, the perfect marriage of alternative music and club culture with a £250,000 bar bill … the debt Pulp, Oasis and Blur owe Ray Davies - “less the Godfather of Britpop, more a concerned uncle” … is it hard to identify a new zeitgeist when people don't congregate as much? … the ‘reverse-ferret' from American culture towards bespectacled blokes from Sheffield … the shameless age before people public apology … how the post-Spice Girls TV talent shows soaked up the budgets and column inches … and Madonna dancing with Dennis Hopper. Order copies of ‘1996' here: https://www.amazon.co.uk/1996-Backstage-Wildest-Britains-Decade/dp/B0FZBZHPNR The Barbican Show curated by Dominic: https://www.barbican.org.uk/whats-on/2026/event/1996-a-celebration-of-the-wildest-year-of-britains-wildestHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Dominic Mohan saw Britpop on the inside from the showbiz desk of the Sun in the days when it sold 4.5m copies, a series of heated memories recorded in ‘1996: My Backstage Pass to the Wildest Year of Britain's Wildest Decade', a lost age of hedonism, stupidity, drunkenness and creativity. He makes a compelling case in this very funny and colourful podcast which stumbles into … … the advice David Hepworth gave him when he was 16 … Euro 96 and headlines you couldn't run now … how the deaths of Kurt Cobain and John Smith changed the picture … doorstepping Phil Collins' ex-wife … the wreath for Noel Gallagher “the fat dancer from Take That” sent to the Sun … Cool Britannia and that brief love affair between music and politics … on the dancefloor at the Labour Conference with Mo Mowlam, John Prescott and Chris Evans … Knebworth 1996, the perfect marriage of alternative music and club culture with a £250,000 bar bill … the debt Pulp, Oasis and Blur owe Ray Davies - “less the Godfather of Britpop, more a concerned uncle” … is it hard to identify a new zeitgeist when people don't congregate as much? … the ‘reverse-ferret' from American culture towards bespectacled blokes from Sheffield … the shameless age before people public apology … how the post-Spice Girls TV talent shows soaked up the budgets and column inches … and Madonna dancing with Dennis Hopper. Order copies of ‘1996' here: https://www.amazon.co.uk/1996-Backstage-Wildest-Britains-Decade/dp/B0FZBZHPNR The Barbican Show curated by Dominic: https://www.barbican.org.uk/whats-on/2026/event/1996-a-celebration-of-the-wildest-year-of-britains-wildestHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Jason Barnard is joined by music writer and artist Chris Wade to talk about The Kinks Are the Village Green Preservation Society. They discuss how the US tour ban pushed Ray Davies inward, the extraordinary run of Kinks singles, and what it means to preserve an England that probably never existed in the first place. Davies kept returning to the village green and its characters into the early 70s with the Preservation albums. The record’s influence spread slowly, and today it is treasured as one of the greatest British albums ever made. Further information Recorded at The CAT Club in July 2025 Chris Wade website Podcasts also available: The Kinks 1940-71, Shel Talmy, Bob Henrit – The Kinks, Argent, The Roulettes, The Kinks – Strange Brew tribute, Philip Norman on the Beatles, Bee Gees' Main Course with Bob Stanley This podcast is also available on Apple Podcasts, YouTube, Spotify, Google apps and all usual platforms The post The Kinks Are the Village Green Preservation Society appeared first on The Strange Brew .

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Over the last seven decades, some of rock 'n' roll's most celebrated figureheads have flirted with the imagery and theater of the Third Reich. From Keith Moon and Vivian Stanshall kitting themselves out in Nazi uniforms to Siouxsie Sioux and Sid Vicious brandishing swastikas in the pomp of punk, generations of performers have associated themselves in troubling ways with the aesthetics, mass hysteria, and even ideology of Nazism. Whether shock factor, stupidity, or crass attempts at subversion, rock 'n' roll has indulged these associations in a way not accepted in any other art form. But how accountable should fans, the media, and the music industry be for what has often seemed a sleazy fascination with the eroticized perversions of a fascist regime? In This Ain't Rock 'n' Roll: Pop Music, the Swastika, and the Third Reich (Akashic Books, 2026), award-winning music historian Daniel Rachel navigates these turbulent waters with extraordinary delicacy and care, asking us to look anew at the artists who have defined us, inspired us, and given us joy--and consider why so many have been drawn to the imagery of a movement responsible for some of the twentieth century's worst atrocities. Rachel asks essential questions of actions often overlooked or underplayed, while neither casting sweeping judgment nor offering easy answers. In doing so, he asks us to reassess the history of rock 'n' roll, and he sheds new light on the grim echoes of the Third Reich in popular culture and the legacy of twentieth (and twenty-first) century history as it defines us today and sheds new light on the grim echoes of the Third Reich in popular culture--and the legacy of twentieth (and twenty-first)-century history as it defines us today. Daniel Rachel is a former musician turned award-winning and best-selling author. His previous books include Too Much Too Young, the 2 Tone Records Story; Isle of Noises: Conversations with Great British Songwriters; and The Lost Album of the Beatles: What If the Beatles Hadn't Split Up? He has also written sleeve notes for many artists including the Kinks, Madness, Ocean Colour Scene, Ray Davies, and Bryan Ferry. He lives in London. Daniel Rachel's website and Instagram. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Andrew Sandoval talks about THE KINKS – ALL DAY AND ALL OF THE NIGHT, The Day-By-Day Story Pt 1: 1940-1971, the new book he co-authored with the Doug Hinman. This is the most comprehensive record of the Kinks’ early career ever assembled. Andrew and Jason Barnard cover what it actually took to document The Kinks, from chasing down Shel Talmy’s original studio invoices (Pye Records kept almost no paperwork). They dig into Ray Davies’ songwriting arc, the commercial failure of Village Green Preservation Society and Arthur, the on-stage fight in Cardiff that nearly ended the band in 1965, and the years of visa problems that kept the Kinks out of America. There’s also a discussion of Ray’s unreleased material that were better than most bands’ released work, why Ray refused to release ‘Pictures in the Sand’ for decades, and how the Granada Television deal that funded Arthur eventually fell apart. Further information beatlandbooks.com Podcasts also available: Shel Talmy, Bob Henrit – The Kinks, Argent, The Roulettes, The Kinks – Strange Brew tribute, Philip Norman on the Beatles, Bee Gees' Main Course with Bob Stanley This podcast is also available on Apple Podcasts, YouTube, Spotify, Google apps and all usual platforms The post The Kinks 1940 to 1971 appeared first on The Strange Brew .

El rock vuelve a demostrar que la línea entre la inspiración y el plagio puede ser extremadamente difusa. A partir del icónico 'Hello, I Love You' de 'The Doors', con la inconfundible voz de Jim Morrison, la conversación deriva en un caso clásico de parecido musical que sigue generando debate décadas después. El tema, número uno en Estados Unidos en 1968, guarda un sorprendente parecido con 'All Day and All of the Night de The Kinks', publicado cuatro años antes y firmado por Ray Davies, quien siempre sostuvo que ambas canciones eran, en esencia, la misma.Sin embargo, nunca hubo una batalla legal clara ni una resolución definitiva. Como explican Begoña Gómez, Jorge Abad y el especialista musical JF León, el caso se mueve en ese terreno ambiguo donde las similitudes son evidentes al oído, pero difíciles de demostrar técnicamente. No se trata de un calco exacto, pero sí de una coincidencia lo suficientemente cercana como para levantar sospechas y reabrir el eterno debate: ¿hasta qué punto se puede hablar de influencia… y cuándo empieza el plagio en la historia del rock?

El rock vuelve a demostrar que la línea entre la inspiración y el plagio puede ser extremadamente difusa. A partir del icónico 'Hello, I Love You' de 'The Doors', con la inconfundible voz de Jim Morrison, la conversación deriva en un caso clásico de parecido musical que sigue generando debate décadas después. El tema, número uno en Estados Unidos en 1968, guarda un sorprendente parecido con 'All Day and All of the Night de The Kinks', publicado cuatro años antes y firmado por Ray Davies, quien siempre sostuvo que ambas canciones eran, en esencia, la misma.Sin embargo, nunca hubo una batalla legal clara ni una resolución definitiva. Como explican Begoña Gómez, Jorge Abad y el especialista musical JF León, el caso se mueve en ese terreno ambiguo donde las similitudes son evidentes al oído, pero difíciles de demostrar técnicamente. No se trata de un calco exacto, pero sí de una coincidencia lo suficientemente cercana como para levantar sospechas y reabrir el eterno debate: ¿hasta qué punto se puede hablar de influencia… y cuándo empieza el plagio en la historia del rock?Conviértete en un supporter de este podcast: https://www.spreaker.com/podcast/mas-noticias--4412383/support.ESCUCHAR RADIO 

On May 20, 1999, South Australian police forced open the vault of a disused State Bank building in the small farming town of Snowtown, roughly 90 miles north of Adelaide. Inside they found six black plastic barrels containing the dismembered, acid-soaked remains of eight people. Two more bodies were later excavated from a backyard in Salisbury North, and two earlier deaths were subsequently linked to the same killers. In total, twelve people were murdered between August 1992 and May 1999 in and around Adelaide's northern suburbs.The killings were orchestrated by John Justin Bunting, a charismatic and deeply manipulative man who used a self-styled crusade against pedophiles and homosexuals to justify sustained torture and murder. Bunting recruited Robert Joe Wagner as his primary enforcer and groomed teenager James Spyridon Vlassakis into an active participant. A fourth man, Mark Ray Haydon, assisted in the storage and transport of bodies and rented the Snowtown bank building where the barrels were hidden.The twelve victims were Clinton Trezise, Ray Davies, Suzanne Allen, Michael Gardiner, Vanessa Lane, Thomas Trevilyan, Gavin Porter, Troy Youde, Frederick Brooks, Gary O'Dwyer, Elizabeth Haydon, and David Johnson. Most were friends, neighbors, or family members of the killers.Many were intellectually or physically disabled, suffered from mental illness, or were receiving government welfare. The killers tortured their victims to extract financial information, recorded their voices to create cover stories, and continued collecting their welfare payments after death, stealing approximately $97,200 AUD.The investigation was driven by the disappearance of Elizabeth Haydon, which led to surveillance of Mark Haydon and the tracking of welfare fraud tied to several missing persons. Bunting, Wagner, and Haydon were arrested on May 21, 1999. Vlassakis was arrested five days later and became the prosecution's key witness after pleading guilty to four murders.he trial of Bunting and Wagner lasted nearly twelve months, the longest in South Australian history. On September 8, 2003, Bunting was convicted of eleven murders and sentenced to eleven consecutive life terms without parole. Wagner was convicted of ten murders under identical conditions. Haydon received 25 years for assisting with the disposal of bodies.More than 250 suppression orders were imposed on the case and not lifted until 2011.Haydon was released on parole in April 2024. Vlassakis was initially granted parole in August 2025, but the decision was overturned in December 2025. Bunting and Wagner will never be released.If you're drawn to real criminal investigations, cold cases, and the details that don't always make it into the official report, make sure you're following The Guilty Files wherever you listen.Turn on automatic downloads so you never miss an episode — because each case unfolds in two parts, and the truth is rarely found in just one.If you value careful analysis, real law enforcement insight, and true crime without the sensationalism, consider leaving a five-star rating and written review.It helps more than you know and allows us to keep bringing these case files to light.Until next time —The facts matter.The details matter.And the truth is often redacted.

Dans One Hit Wonder, Margaux Lassalle replonge dans les sixties avec The Turtles et leur incontournable "Happy Together", véritable classique pop à l'énergie lumineuse. Formé en Californie par des amis de lycée, le groupe se fait d'abord connaître en 1965 avec une reprise ensoleillée de "It Ain't Me, Babe" de Bob Dylan, qui atteint le Top 10 américain. Ils confirment rapidement avec "You Baby", avant de connaître la consécration en 1967 avec "Happy Together". Outre le tube éponyme, le disque contient aussi "She'd Rather Be With Me", autre succès marquant. Toujours créatifs, The Turtles surprennent avec "The Turtles Present the Battle of the Bands", concept original où ils pastichent différents styles musicaux, notamment sur "Elenore". Ils concluent leur parcours avec "Turtle Soup", produit par Ray Davies des Kinks, au son plus psychédélique. Avec cinq albums en cinq ans, The Turtles affichent une carrière courte mais riche. S'ils ont enchaîné plusieurs succès, "Happy Together" reste de loin leur titre le plus emblématique, au point d'éclipser le reste de leur discographie. Un morceau devenu mythique, qui avait même détrôné The Beatles en tête des charts en 1967 et dont le thème, l'amour idéalisé, continue de résonner aujourd'hui. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Episode 158. The Emporium brings you the music of Southside Johnny & The Asbury Dukes, D.A.D., Swing Out Sister, Saint Etienne, Ezra Collective, Sade, Warrant, Sugarbabes, Terry Hall, Sunny Sweeney, Siouxsie & The Banshees, Ray Davies and Slade. 

On this week's episode, we're joined by Ron Sexsmith, Canadian singer, songwriter, master melodist, and one of the most quietly revered writers of his generation. From discovering a dusty box of records under his family stereo as a child, from doo-wop, Johnny Cash, The Everly Brothers, and Buddy Holly's It Doesn't Matter Anymore. Ron's lifelong relationship with song began early. That Buddy Holly record, in particular, ignited something profound: melody, mortality, and the magic of songwriting all colliding at once. From there came The Beatles, The Kinks, Elton John, country music, Leonard Cohen and, ultimately, Gordon Lightfoot, the songwriter who showed him that you didn't have to be a rock star to move people. You could just stand still and sing the truth. We talk about the moment everything changed at 21, when becoming a father sparked a songwriting frenzy that led to Speak with the Angel and set his career in motion. Ron reflects on finding his own voice over time, a voice fully realised by the time of Retriever, and the craft behind his songs: the structural worries, the demoing process, knowing when a lyric has said enough, and why he still believes in the album as a complete, living statement. We also dive into his fiercely independent “no co-writing” rule for his own records, his deep admiration for writers like Ray Davies and Gilbert O'Sullivan.From touring relentlessly to curating deeply personal tribute shows to Gordon Lightfoot and Warren Zevon, Ron remains as devoted to the song as ever, whether it's his own or one he carries entirely from memory, lyric for lyric, as part of what he jokingly calls his “savant” superpower.Join us as we talk to Ron about melody, memory, songwriting discipline, album-making, missed label opportunities, and the thread that runs through a body of work spanning decades, a songwriter growing older, wiser, and still chasing the perfect song.Let Christy Take It are proud to bring you Ron Sexsmith.If you enjoy our show please Like and subscribe wherever you listen to your podcasts. Thanks to our sponsor Irish Woodcraft, please check them out at https://irishwoodcraft.iePhoto Credit: Kerry Vergeer

Over the holidays, we were in Canada's Royal City - Victoria, BC - and Erik suggested we take on The Kinks song of the same name. She reigned for 63 years so her impact was large, on both Ray Davies and the city of the newly wed & nearly dead! Mexico's Los Rockin Devils covered the song the same year and we don't speak Spanish, but we think they changed the lyrics to make it a love song. If it has a [Tex-]Mex-style organ, we don't care! In the US, Little Roger & The Goosebumps made a bubblegum/powerpop version which leaves us kinda konfused? Back in Ol' Blighty, The Fall authored a rendition that seems to amplify the satirical elements of the original, but that's mostly seen in the video and not heard. Finally, Victoria's own The Hanson Brothers did the song and it travesties the Canadian city - if you've ever been to the Empress, your monocle might pop out when you hear these locals have to say! Lucky us!!!

Iveys/Badfinger bassist Ron Griffiths explains the latest Iveys demos release, Miniskirts And Rainbows (Demos: 1966-1969) - The Iveys Anthology Volume 5, and the evolution into the power pop sensation Badfinger (and tidbits about mentors Paul McCartney and — for a short time — Ray Davies). Learn more about your ad choices. Visit megaphone.fm/adchoices

In last week's outro I'd intimated that I hear a strong resemblance between this song and another favourite band of mine, The Kinks. So first of all, just sonically, if it walks like The Kinks and kinda quacks like The Kinks… it's most likely inspired by The Kinks. That super cool key change into that second bridge section owes absolutely as much to the type of sharp left turns that Ray Davies would often write into his songs as it does the Sgt Pepper nod that I gave the song. Growing up in England, there's a nostalgic end-of-the-pier quality to this song that Ray and The Kinks were unparalleled at evoking in a contemporary way.Song and links:You and Me : https://youtu.be/TtETKaTpMg4Tom with George Drakoulias : https://www.instagram.com/reel/DOtLeEfDlli/Rock Court (I am the presiding "Judge"!) : https://shows.acast.com/rock-courtFollow me on social media, like, subscribe, and please, leave a rating if you like the show.Facebook: https://www.facebook.com/thetompettyprojectBluesky: https://twitter.com/TomPettyProjectInstagram: https://www.instagram.com/thetompettyprojectYouTube: https://www.youtube.com/@thetompettyprojectBoneless Podcast Network : https://boneless-catalogue-player.lovable.appThe theme song is provided by my very best friend Randy Woods. Check him out at https://www.randywoodsband.comThe Tom Petty Project is not affiliated with the Tom Petty estate in any way and when you're looking for Tom's music, please visit the official YouTube channel first and go to tompetty.com for official merchandise.A last very special thanks to Paul Zollo. Without his book, "Conversations with Tom Petty", this podcast wouldn't be nearly as much fun to research. And further thanks to Warren Zanes for his outstanding book "Petty, the Biography".Producer: Kevin BrownExecutive Producer: Paul RobertsSupport this show http://supporter.acast.com/the-tom-petty-project. Hosted on Acast. See acast.com/privacy for more information.

The November 2025 New Music Train heads up to Wisconsin and then down to South Carolina in today's episode, picking up Bob Peterson and Harris King along the way. These two new music gurus guide you through new songs from Jesse Sykes and the Sweet Hereafter, The Lemon Twigs, Lifeguard, Sharp Pins, Motrik and Sister Ray Davies.   Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Love comes in many forms - sometimes confrontational. Today's episode is a paean to a couple of dominating dames that lit up the punk scene in the late 70s. Johnny Rotten once stated that the only person that actually frightened him was the gone too soon, Poly Styrene of X-Ray Spex. That product of a Somali father and a British mother railed against consumerist culture, and her band's career might have been short lived, but their single, Oh Bondage, Up Yours! with it's bleating saxophone cavalry charge, blown by band mate Lora Logic, was a battle cry to aspiring Riot Grrls everywhere.The other indomitable mistress we wish to spotlight, Chrissie Hynde of the Pretenders, is still rocking 50 years later. This survivor from America's Midwest by way of England, -  this vegetarian restauranteur/punk legend, who fronted one of the most thrilling acts of the era, scored multiple hits across the pop spectrum, including this classic, Middle of the Road.X-RAY SPEXMarianne Joan Elliot-Said died prematurely at age 53, but she lived abundantly, migrating through several personae. Early on, she was a hippie, sleeping in crash pads and nearly dying from sepsis, which she contracted from stepping on a rusty nail while bathing in a stream. Later, inspired by seeing the Sex Pistols, she had found her calling. Choosing her moniker from the Yellow Pages, wearing braces on her teeth and Day-Glo outfits, she became a sensation. Like a comet, she streaked across the pop firmament and burnt out quickly, being diagnosed with bipolar disorder in 1978. She pursued a gentler and jazzier sound for her subsequent solo recordings, and in '83 became a Hare Krishna and a vegetarian. In February 2011 she revealed that she had been treated for breast cancer that had spread to her spine and lungs. She died later that year, yet in her short life she accomplished the nearly impossible: cultural immortality. THE PRETENDERSThe guitar signature, driven by Robbie McIntosh on 1983's Middle of the Road by The Pretenders creates an irresistible force, defining a clear road map for singer, Chrissie Hynde. It feels like she's behind the wheel, with the high beams on, going 120, roaring through the Ohio night, around the bend of a Rust Belt highway. She was already 33, and a single mother, as she tells us in the song. With one fist held high, she assures us that she'll be a survivor, and there's no shame in that. She's listed by Rolling Stone as 114 on its list of the 200 Greatest Singers of all time, and at 74, she's still going strong - still driving that muscle car of rock. This woman has ageless style and charisma. She is also a citizen of Great Britain, having moved there initially in '73, and almost marrying Johnny Rotten, Sid vicious, and Ray Davies (she has a daughter by the Kink).  After several misfires trying to start a band, her solo demo tape made it's way to Dave Hill, the owner of Real Records who helped her put the original Pretenders line up together, and the rest, as they say is “Herstory”.

The story of Badfinger is bookended with The Iveys as prequel and the Head First album on the other end, months before the tragic suicide of Pete Ham. We explored the latter with Bob Jackson earlier this year but this time it's the pre-history we examine, with Ron Griffiths, bassist and vocalist. He was recruited by Pete Ham and in turn was responsible for the addition of drummer Mike Gibbins. Tom Evans joined in 1967 and within a year, they were signed to Apple.  Ron was there as a witness to the band's development, and interactions with Ray Davies of The Kinks, Jimi Hendrix, and The Beatles' Mal Evans, who led them to the start-up label. It was directly because of Ron that Paul offered them “Come and Get It” as what became the first Badfinger single and a worldwide smash, but Griffiths did not make the transition to Badfinger. He remains a lucid witness to their history even after being sidelined, and his connections remain to the present day and performances with Bob Jackson and the current Iveys reissue program. Tune in and hear his unique perspective on the triumphs and tragedies of this mightily talented band.  Read the Disc article that led Paul McCartney to offer “Come and Get It” after reading what Ron had to say here.   The Iveys PR from Apple. Episode playlist: https://youtube.com/playlist?list=PLWJwXBl8_fsfzV0dB-9cLPbUZC9_Js0rD&si=Oh_KxNaVUZJn5qK9

This week on Reelin'... The Featured Five Theme is The Graveyard Shift... Also, a CCR song inspired by John Fogerty's visit to a Fortune Teller in California... Music from a band named after the site of the first & second Battles Of Bull Run... Dickey Betts, The wife of Boz Scaggs, and a grave - What's the connection?... Which Blues Traveler album is a reference to Peter Pan & Neverland?... That time when Chrissie Hynde and Ray Davies attempted to get married... Plus, deep cuts from Joe Walsh, Rolling Stones, Buddy Guy, The Alarm, Jerry Garcia, Leftover Salmon, The Youngbloods, and much more! For more info on the show, visit reelinwithryan.com

This week's is a special in memory of my mother - including Kathren Maher on the truth; Ukraine war;  John Lennon's relationship with his mother;  Child abuse in Australia; Matt Redman on suffering; Birth rates throughout the world; and Proverbs 31 with music from Duncan Chisholm; Deep Purple; John Lennon;  Ray Davies; Matt Redman; Capercaillie;  and Warren Haynes 

Conceptual "dog" sound effects, a surreal experience with Ray Davies, and a spiritual Californian yard sale. John Myrtle "Originally hailing from Birmingham and now based in London, John Myrtle began carving his brand of slightly off-kilter, loveable bedroom pop in 2019 with demos he uploaded to SoundCloud. Having caught the ears of Marc Riley on BBC 6 Music, John was invited to play a live session, and soon his EP ‘Here's John Myrtle' was self-recorded to tape and released to critical acclaim from the likes of The Line of Best Fit, Brooklyn Vegan, DIY and So Young Magazine. John followed this up with home-produced mini-album Myrtle Soup in 2021, which was met with equal critical praise and garnered fans from the likes of Franz Ferdinand's Alex Kapranos, Summer Salt, The Walters and Foxygen member and producer Jonathan Rado - whom John's 2024 single ‘How Do You Break a Heart?' was produced by. Recently, John has embarked on several tours across Europe and the rest of the world supporting the likes of Kate Bollinger and Cut Worms, and John is set to delight and warm hearts with his most accomplished album yet this summer. ‘Irresistible' - Marc Riley, BBC 6 Music ‘John is creating his own world of sonic magic' - So Young Magazine ‘Pop that's wonderfully lost in time' - Brooklyn Vegan" Excerpt from https://open.spotify.com/artist John Myrtle: Bandcamp: https://johnmyrtle.bandcamp.com Instagram: @john__myrtle Website: https://www.johnmyrtle.co.uk Records: https://johnmyrtle.bandcamp.com Merch: https://www.johnmyrtle.co.uk/shop The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Youtube: https://www.youtube.com/@thevineyardpodcast

Send us a message, so we know what you're thinking!In this episode, we look at The Pretenders – where they started (& before they started!), the tragedies, and what's happening these days. From the Kent State shootings to mid-70's punk, it's a fascinating ride! In Rock News, we look at David Gilmour's new live concert film, Jimmy Page in court (again!), the latest on Oasis, Zak Starkey's in The Who (or is it Oasis?), and Panama's new album features collaborations with French music producer and artist Massane. Our Album You Must Hear before You Die is Machine Gun Etiquette by The Damned. A startlingly good album from one of the most musically skilled bands of the punk era.  Rumour has it that Stewart Copeland (The Police) once took Sting to a Damned gig to learn what rock was all about! As usual, it's an episode full of facts and fun.  Enjoy! References:  Chrissie Hynde, James Honeyman-Scott, Pete Farndon, Martin Chambers, Akron Ohio, Kent State University shootings, Ohio National Guard, “Back on the Chain Gang”, Sam Cooke, Malcolm McLaren, Vivienne Westwood, “Sex”, Clash, Pistols, Slits, New York Dolls, Johnny Thunders, Chris Spedding, The Damned, Lemmy, New wave, Ray Davies, The Kinks, “You Really Got Me”, Jim Kerr, Simple Minds, Linda McCartney, "Here, There and Everywhere – A Concert for Linda" at the Royal Albert Hall, “I'll Stand by You”, “Stop Your Sobbin'”, NICK LOWE, “Brass in Pocket”, Chris Thomas, “Pretenders II”, “Learning to Crawl”, “Talk of the Town”, “Message of Love”, Oscar Wilde, “2000 Miles”, Rock and Roll Hall of Fame, The Smiths, Andy Rourke, Johnny Marr, Globite, David Gilmour, Live at the Circus Maximus, Dazed and Confused, Jake Holmes, Becoming Led Zeppelin, Oasis, Zak Starkey, The Who, Gallagher brothers, Panama, "Everything Begins Again”, Massane, Bag Raiders, 1001 Albums You Must Hear before You Die, Robert Dimery, The Damned, Machine Gun Etiquette Playlist - music we talked about in this episode

Nantucket has high cocaine test… Divers find over 90 cars in Chicago River… Car smuggling ring busted in Dearborn Mich... www.oracle.com/jeff A look at Lotto… Appeals court rules against Trump in Carrol case… www.blazetv.com/jeffy $20 off annual plan right now ( limited time ) Email: ChewingTheFat@theblaze.com MTV Video Music Award's 2025… Only Murders drops tomorrow… Football weekend viewing recap... Who Died Today: Davey Johnson 82... Elongated skulls found in Peru… Scotty Garner asks to speed up death penalty… Ray Davies 81… www.sharethearrows.com Prenatal exposure to acetaminophen & Autism?... Russian MRNA cancer vaccine?... Subsea cables cut in Red Sea / Microsoft Azure... Joke of The Day… Learn more about your ad choices. Visit megaphone.fm/adchoices

Another month, another two episodes devoted to new music! This week’s part one is centered around two great tribute albums released by two great labels. Our friends at Big Stir Records are set to release a fabulous tribute to power pop hall of famers The Flashcubes on September 12. I’m featuring five tracks off this great release that I’m sure y’all will love. There’s also a fabulous new tribute record from Jem Records, and it’s all about David Bowie. Following in the footsteps of similar records devoted to Ray Davies, Brian Wilson, John Lennon and Jagger/Richards, tonight you get four of the abum’s 11 tracks that cover Bowie’s entire career. Along with those great tracks, there’s new singles by Ledge favorits The Sleeveens and Memo PST, a wonderful compilation EP of previously-released tracks by The Whiffs, and awesome albums by Tamar Berk, Star Collector, The Unknowns, and many more. What tracks do you love the most? For more info, including setlists, head to http://scotthudson.blogspot.com

                                                    BLACK SHIRT MIXTAPE                                                       **Episode 104**                                                              Join host Jesse Karassik aka @heyyyyy_jesse as he takes you on a 2 hour sonic journey playing mixtape inspired tracks in a variety of genres- all for your listening (dis)pleasure!   Tracklisting:   1. Lightning Strikes (Not Once But Twice)...The Clash 2. 2+2=5 (live)...Radiohead 3. Eternal Summer...The Strokes 4. Loser...Tame Impala 5. Tokyo Rain...Loaded Honey 6. Words of Love...Buddy Holly 7. Rabbit Run...IDLES 8. Slow Disco (Piano Version)...St. Vincent 9. The Subway...Chappell Roan 10. An Imagined Affair...elbow 11. Bad Time Boy...Prof 12. Ensalada...Freddie Gibbs & The Alchemist 13. Roadwork Rappin'...Aesop Rock 14. The Setup (feat. Nate Dogg)...Obie Trice 15. Just The Two of Us...Chubb Rock 16. Hello/Anbody?...Kwame 17. Heart It Races...Dr. Dog 18. Comfort Me...Sparklehorse 19. Westerberg...Blood Orange 20. Let Forever Be...The Chemical Brothers feat. Noel Gallagher 21. Loudmouths...Alps Cru 22. Talihina Sky (acoustic)...Kings of Leon 23. Waterloo Sunset (live)...Ray Davies & Damon Albarn 24. Coffee In The Pot (inst)...Supergrass 25. Cheapskate...Supergrass 26. Chateau Blues...Spoon  

La tradición y referencias al vudú impregnaron los más variados estilos musicales te ofrecemos una pequeña muestra en esta hechizante sesión a ritmo de magia negra.Playlist;(sintonía) ARTHUR LYMAN “Happy voodoo”THE LOVIN’ SPOONFUL “Voodoo in my basemen”SCREAMIN’ JAY HAWKINS “Voodoo”SUGAR DADDY and THE CEREAL KILLERS “Voodoo lady”LOS SAXOS DEL AVERNO “Voodoo shoes”JIM JONES ALL STARS “It’s your voodoo working”MAMA ROSIN with HIPBONE SLIM and THE KNEETREMBLERS “Voodoo walkin’”LOUIS ARMSTRONG “You’ve got me voodoo’s”MARCEL BONTEMPI “Mambo voodoo”TRASH-TORNADOS “Voodoo girl”MIKE SANCHEZ and IMELDA MAY “Voodoo Voodoo”THE CRAMPS “Voodoo idol”DEADBOLT “Psychic voodoo doll”THE DELTA BOMBERS “Voodoo in you”CHRIS ISAAK “Voodoo”RAY DAVIES “The voodoo walk”THE PREMONITIONS “That’s voodoo”Escuchar audio

In Episode 307 of History in Five Songs with Martin Popoff, Martin dives into the fascinating and sometimes controversial world of UK rock stars who've been knighted, exploring the honors system, the cultural implications of Britishness, and spotlighting five legendary artists—like Mick Jagger, Ray Davies, and Bob Geldof—whose contributions to music (and beyond) earned them royal recognition. Mick Jagger – “Shoot Off Your Mouth” Ray Davies – “After the Fall” Bob Geldof – “Love or Something” Brian May – “Back to the Light" Paul McCartney – “Vintage Clothes” Learn more about your ad choices. Visit megaphone.fm/adchoices

The Beach Boys' SMiLE was abandoned by Brian Wilson in 1967 and eventually performed at an emotional gathering of the faithful in London 37 years later. For writer and lecturer David Leaf it became an obsession. He made a documentary about it in 2004 and has just published ‘SMiLE: The Rise, Fall and Resurrection of Brian Wilson' drawn from detailed conversations with the people involved. He talks to us here about his discoveries, which include … ... the Rolling Stone story that kick-started his obsession. … “a bicycle ride from Plymouth Rock to Hawaii” and other early plans for the album. … how Leonard Bernstein, the Beatles and Derek Taylor racked up the pressure in the studio. … why the other Beach Boys – and Capitol and Murry Wilson - felt the new music was a threat to their livelihood. … how Brian composed the “teenage symphony for God” that became an albatross around his neck. ... “Ray Davies needed a deadline”: the perils of endless recording time. … the magnetism of Van Dyke Parks, a man who “talks in paragraphs”. ... the imagined impact on the world and the band's career if SMiLE had come out in 1967. … the birth of “art rock” versus the strictures of the music business. … the value of the SMiLE myth in the eventual rebirth of the Beach Boys. … the reaction to its long-awaited performance at the Festival Hall in 2004. ... why Brian thought shelving the album would save the group yet “they went from a No 1 single to an act nobody cared about in under a year”. ... and the greatest Beach Boys record of all time. Order SMiLE: the Rise, Fall & Resurrection of Brian Wilson here: https://omnibuspress.com/products/smile-the-rise-fall-and-resurrection-of-brian-wilson-published-10th-october-2024?_pos=1&_psq=smile&_ss=e&_v=1.0Help us to keep the conversation going by joining our worldwide Patreon community: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The Beach Boys' SMiLE was abandoned by Brian Wilson in 1967 and eventually performed at an emotional gathering of the faithful in London 37 years later. For writer and lecturer David Leaf it became an obsession. He made a documentary about it in 2004 and has just published ‘SMiLE: The Rise, Fall and Resurrection of Brian Wilson' drawn from detailed conversations with the people involved. He talks to us here about his discoveries, which include … ... the Rolling Stone story that kick-started his obsession. … “a bicycle ride from Plymouth Rock to Hawaii” and other early plans for the album. … how Leonard Bernstein, the Beatles and Derek Taylor racked up the pressure in the studio. … why the other Beach Boys – and Capitol and Murry Wilson - felt the new music was a threat to their livelihood. … how Brian composed the “teenage symphony for God” that became an albatross around his neck. ... “Ray Davies needed a deadline”: the perils of endless recording time. … the magnetism of Van Dyke Parks, a man who “talks in paragraphs”. ... the imagined impact on the world and the band's career if SMiLE had come out in 1967. … the birth of “art rock” versus the strictures of the music business. … the value of the SMiLE myth in the eventual rebirth of the Beach Boys. … the reaction to its long-awaited performance at the Festival Hall in 2004. ... why Brian thought shelving the album would save the group yet “they went from a No 1 single to an act nobody cared about in under a year”. ... and the greatest Beach Boys record of all time. Order SMiLE: the Rise, Fall & Resurrection of Brian Wilson here: https://omnibuspress.com/products/smile-the-rise-fall-and-resurrection-of-brian-wilson-published-10th-october-2024?_pos=1&_psq=smile&_ss=e&_v=1.0Help us to keep the conversation going by joining our worldwide Patreon community: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

In Episode 307 of History in Five Songs with Martin Popoff, Martin dives into the fascinating and sometimes controversial world of UK rock stars who've been knighted, exploring the honors system, the cultural implications of Britishness, and spotlighting five legendary artists—like Mick Jagger, Ray Davies, and Bob Geldof—whose contributions to music (and beyond) earned them royal recognition. Mick Jagger – “Shoot Off Your Mouth” Ray Davies – “After the Fall” Bob Geldof – “Love or Something” Brian May – “Back to the Light" Paul McCartney – “Vintage Clothes” Learn more about your ad choices. Visit megaphone.fm/adchoices

In this Record of the Week, John and Stewart dig into Waterloo Sunset by The Kinks. With its dreamy atmosphere, raw mono mix, and Ray Davies' poetic storytelling, the song captures a fleeting moment of beauty in 1960s London. Because of its lo-fi charm, Waterloo Sunset stands as one of the most emotionally resonant and sonically unique recordings of its era.

The chocolate Easter bunny of rock and roll news in highly nutritious and digestible fragments, such as …  … the Who's very public sacking of Zak Starkey. … why no band ever wants to play quietly. … how a magazine in a shop window sparked the Neil Tennant/Mark Springer album. … Katy Perry's space ‘mission' and the trenchant observations by her and the ‘crew' – “I can't put it into words but I looked out the window and we got to see the moon!” … The Thing In The Cellar, Dogs Are Everywhere, Roadkill … Pulp song or episode of The Good Life? … the brilliant new ‘One To One: John & Yoko' documentary and how we miss the days when rock stars went on live chat shows and said the first thing that came into their heads. … why musicians are fundamentally different from other entertainers. ... perilous domestic gadgets of the ‘60s. … the allure of songs about space. … “Ray's at the controls!” When Ray Charles went walkabout on the band's private plane.  … Pete Townshend: “We need bigger weapons!” … Ben Watt DJ-ing in ear defenders. … Ray Davies, Charlie Watts, Bill Wyman …? Who grew the first psychedelic moustache? Plus birthday guest Al Hearton on Kris Kristofferson, John Travolta, Bruce Dickinson, Gary Numan and the rock and roll/aviation crossover.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The chocolate Easter bunny of rock and roll news in highly nutritious and digestible fragments, such as …  … the Who's very public sacking of Zak Starkey. … why no band ever wants to play quietly. … how a magazine in a shop window sparked the Neil Tennant/Mark Springer album. … Katy Perry's space ‘mission' and the trenchant observations by her and the ‘crew' – “I can't put it into words but I looked out the window and we got to see the moon!” … The Thing In The Cellar, Dogs Are Everywhere, Roadkill … Pulp song or episode of The Good Life? … the brilliant new ‘One To One: John & Yoko' documentary and how we miss the days when rock stars went on live chat shows and said the first thing that came into their heads. … why musicians are fundamentally different from other entertainers. ... perilous domestic gadgets of the ‘60s. … the allure of songs about space. … “Ray's at the controls!” When Ray Charles went walkabout on the band's private plane.  … Pete Townshend: “We need bigger weapons!” … Ben Watt DJ-ing in ear defenders. … Ray Davies, Charlie Watts, Bill Wyman …? Who grew the first psychedelic moustache? Plus birthday guest Al Hearton on Kris Kristofferson, John Travolta, Bruce Dickinson, Gary Numan and the rock and roll/aviation crossover.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Adam talks with British journalist and author Kate Mossman about her excellent book Men Of A Certain Age, in which she details encounters with elder statesmen of Rock. Kate tells Adam about meeting Kiss, Ray Davies and Kevin Ayers, her deep-level Queen issues, and the extent to which the relationship between father and daughter informs her feelings about some of her older male musical idols. And Adam recounts a recent encounter with a musical hero that was so nearly a dream come true… but ended in abject humiliation.Conversation recorded face-to-face in London on March 11th, 2025Thanks to Séamus Murphy-Mitchell for production support and conversation editing.Podcast illustration by Helen GreenPRE-ORDER 'I LOVE YOU, BYEEE' by Adam Buxton - 2025NORD VPNEXCLUSIVE NordVPN Deal Try it risk-free now with a 30-day money-back guarantee!PICS, VIDEOS AND LINKS (Adam's website) Hosted on Acast. See acast.com/privacy for more information.

We meet Gary Kemp, one of the UK's most successful songwriters of the past 40 years. As guitarist and founding member of the most influential and iconic band of the 80s, Spandau Ballet, he was responsible for writing the words and music for 23 hit singles and albums, including modern day standards like True and Gold. We discuss his passion for the Arts & Crafts movement, William Morris, collecting and living with Edward William Godwin furniture, the 70s and 80s creative scene, and why art and design is so important to his life.Gary's songs have had an extraordinary combined total of over 500 weeks in the charts and are hits all over the world. They've generated over 25 million recordsales and the songs were part of the soundtrack to the 80s. Last year, he received the BMIIcon Award at the 2023 BMI London Awards for his contributions to popular culture and music.He joined an elite group that includes The Bee Gees, Crosby, Stills & Nash, Ray Davies, PeterGabriel, Queen, Sting, and Van Morrison.Kemp's songs have proven truly timeless. The ubiquitous hit single True has logged over 5million air plays in North America alone, and his songs have featured in an incredible 100feature films over the years including Sixteen Candles, The Wedding Singer, Charlie's Angels,Pixels and Crazy Stupid Love as well as countless TV programs including The Simpsons, SpinCity, Gilmore Girls (all three times each) Euphoria, Modern Family and, Ugly Betty plus many,many more.In 2012, he was presented with the Ivor Novello's prestigious Outstanding Song Collectionaward. Gary has also won numerous awards and accolades for his work in Spandau Ballet,including an MTV award, a Brit and a Q award.In recent years, Gary has become synonymous with the Rockonteurs podcast which he hostswith fellow musician Guy Pratt, interviewing music legends and becoming the most listened tomusic podcast in the UK. Gary is a Trustee of the Theatres Trust with a passion for keeping theatres at the heart ofcommunities.Gary grew up in Islington (born October 16, 1959) and attended local grammar school DameAlice Owens and Anna Scher's Children's Theatre drama club, becoming a child actor in filmand TV before concentrating on playing guitar and songwriting and forming Spandau Ballet .In the 90s, Gary decided to return to acting, starring in numerous films including hugelysuccessful British crime thriller, The Krays and Hollywood blockbuster, The Bodyguard. He hascontinued to feature regularly on stage and in film and TV.Follow @GaryJKempVisit https://www.garykemp.com to learn more about his new album This Destination, out now. Hosted on Acast. See acast.com/privacy for more information.

"Meet your heroes - it'll help you get over them"Kate Mossman is known for her singular, surprising and ultra-perceptive interviews - in which she often reveals more about her subjects than sometimes they appear to know themselves.And there is one breed of interview subject Kate has written about more than any other: the ageing male rock star.If anyone knows about meeting their heroes, it's her.In her debut book, Men of a Certain Age, Kate Mossman collects and revisits the interviews she's conducted with rock royalty such as Kiss, Jon Bon Jovi, Nick Cave, Ray Davies… and her teenage obsession: Roger Taylor of Queen.In this episode of Culture from the New Statesman Kate join Tom Gatti to discuss her obsession with ageing rockers, and shares some behind the scenes stories of her time with rock royalty.BUY KATE'S BOOKMen of a Certain Age is available to pre-order here: https://uk.bookshop.org/p/books/men-of-a-certain-age-my-encounters-with-rock-royalty-kate-mossman/7792527?ean=9781788705646SEE KATE LIVEKate Mossman in discussion with Alexis Petridis, live in Londonhttps://www.eventbrite.co.uk/e/men-of-a-certain-age-kate-mossman-with-alexis-petridis-tickets-1270535970289?aff=ebdssbdestsearch&_gl=1*25lj0d*_up*MQ..*_ga*MTU1MDAwNzE1Ni4xNzQzMTg1MTYz*_ga_TQVES5V6SH*MTc0MzE4NTE2My4xLjAuMTc0MzE4NTE2My4wLjAuMA..READ MORE Kate interviews Jon Bon Jovi: https://www.newstatesman.com/culture/2016/11/jon-bon-jovi-on-trump-bono-bieber-and-the-agony-of-his-split-with-richie-samboraKate meets Terence Trent D'Arby: https://www.newstatesman.com/long-reads/2015/10/i-was-killed-when-i-was-27-curious-afterlife-terence-trent-d-arbyHow Jeff Beck became a guitar hero by saying no: https://www.newstatesman.com/culture/music/2023/01/jeff-beck-interview-tribute-guitar-heroLISTEN AD-FREEGet the New Statesman app:iOS: https://apps.apple.com/gb/app/new-statesman-magazine/id610498525Android: https://play.google.com/store/apps/details?id=com.progressivemediagroup.newstatesman&hl=en_GBSUBSCRIBEJoin the New Statesman from £8.99 per month https://secure.newstatesman.com/offer Hosted on Acast. See acast.com/privacy for more information.

Pat welcomes podcaster and friend Mario del Barrio to the "Rock Room" to check out the NEW 2024 Remasters of The Kinks' albums "Sleepwalker" & "Misfits"See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.