Podcasts about quartets

Have you ever thought about making a video game? Well, today we sit down with the developers behind Quartet, Geo Mythica, Shrine's Legacy, and Kingdoms of the Dump to discuss the realities of indie game development! There's a lot of great advice here to consider before you try jumping into making your own game! You can buy or wishlist these games here! Quartet: https://store.steampowered.com/app/1307960/Quartet/ Geo Mythica: https://store.steampowered.com/app/1699030/Geo_Mythica/ Shrine's Legacy: https://store.steampowered.com/app/1435410/Shrines_Legacy/ Kingdoms of the Dump: https://store.steampowered.com/app/2159270/Kingdoms_of_the_Dump/

"All good things come to an end." I really despise that saying, but I'm afraid it's undeniable. And I'm sure I'm not the only one who feels this way as the Good Doctor (with the help of Jeff Morris) puts together his final two shows. The Doctor Demento Show has been a hugely important part of my life since I first tuned in back in the 1970s, under the covers on a Sunday night when I was supposed to be asleep. His devotion to all things musical and to all things silly had never been (and will never be) equaled. Thank you, Barret Hansen, for everything you've dedicated your life to. And another thank you, Doctor, for playing (and premiering) this song as part of your penultimate broadcast on October 4, 2025. I didn't think I'd ever get another new song on your show, but you and Jeff squeezed this in, and I really appreciate it! And speaking of Jeff... Jeff Morris kindly and patiently worked with me on this while in the midst of the busiest period imaginable. Huge thanks to you Jeff, for all you do in the name of deeeeeeeeeemented music! Words, music, guitars, bass, drums, percussion, piano, vibes, mandolin, accordion, keyboards, vocals, arrangement, production: SG String arrangement:Tim Lorsch and SG Violins, viola, cello: Tim Lorsch Invaluable suggestions and authentic voice-over: Jeff Morris Cast of Lumanians saying "yeah" at the end: SG, Jeff Morris, Angel "Chuck" Gonzalez, Jace McLain, Susan "Sulu" Dubow Inspiration: Barret Hansen

In this special episode of Unstoppable Mindset, I had the privilege of sitting down with the remarkable Ivan Cury—a man whose career has taken him from the golden days of radio to groundbreaking television and, ultimately, the classroom.   Ivan began acting at just four and a half years old, with a chance encounter at a movie theater igniting a lifelong passion for storytelling. By age eleven, he had already starred in a radio adaptation of Jack and the Beanstalk and went on to perform in classic programs like Let's Pretend and FBI in Peace and War. His talent for voices and dialects made him a favorite on the air.   Television brought new opportunities. Ivan started out as a makeup artist before climbing the ranks to director, working on culturally significant programs like Soul and Woman, and directing Men's Wearhouse commercials for nearly three decades. Ivan also made his mark in academia, teaching at Hunter College, Cal State LA, and UCLA. He's written textbooks and is now working on a book of short stories and reflections from his extraordinary life.   Our conversation touched on the importance of detail, adaptability, and collaboration—even with those we might not agree with. Ivan also shared his view that while hard work is crucial, luck plays a bigger role than most of us admit.   This episode is packed with insights, humor, and wisdom from a man who has lived a rich and varied life in media and education. Ivan's stories—whether about James Dean or old-time radio—are unforgettable.     About the Guest:   Ivan Cury began acting on Let's Pretend at the age of 11. Soon he was appearing on Cavalcade of America, Theatre Guild on the Air,  The Jack Benny Program, and many others.  Best known as Portia's son on Portia Faces Life and Bobby on Bobby Benson and The B-Bar-B Riders.    BFA: Carnegie Tech, MFA:Boston University.   Producer-director at NET & CBS.  Camera Three's 25th Anniversary of the Julliard String Quartet, The Harkness Ballet, Actor's Choice and Soul! as well as_, _The Doctors and The Young and the Restless. Numerous television commercials, notably for The Men's Wearhouse.   Taught at Hunter, Adelphi, and UCLA.  Tenured at Cal State University, Los Angeles.  Author of two books on Television Production, one of which is in its 5th edition.    Ways to connect with Ivan:       About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:16 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hi everyone, and welcome to another episode of unstoppable mindset where inclusion, diversity and the unexpected meet. And the fun thing is, most everything really deals with the unexpected. That is anything that doesn't have anything to do with diversity or inclusion. And our guest today, Ivan Cury, is certainly a person who's got lots of unexpected things, I am sure, and not a lot necessarily, dealing with the whole issue of disabilities, inclusion and diversity, necessarily, but we'll see. I want to tell you a little bit about Ivan, not a lot, because I want him to tell but as many of you know who listen to unstoppable mindset on a regular basis. I collect and have had as a hobby for many years old radio shows. And did a radio program for seven years, almost at UC Irvine when I was there on kuci, where every Sunday night we played old radio shows. And as it turns out, Ivan was in a number of those shows, such as, let's pretend, which is mostly a children's show. But I got to tell you, some of us adults listened and listened to it as well, as well as other programs. And we'll get into talking about some of those things. Ivan has a really great career. He's done a variety of different things, in acting. He's been in television commercials and and he is taught. He's done a lot of things that I think will be fun to talk about. So we'll get right to it. Ivan, I want to thank you for being here and welcome you to unstoppable mindset. Thanks. Thanks. Good to be here. Well, tell us a little bit about kind of the early Ivan growing up, if you will. Let's start with that. It's always good to start at the beginning, as it were,   Ivan Cury ** 03:04 well, it's sorry, it's a great, yes, it's a good place to start. About the time I was four and a half, that's a good time to start. I walked past the RKO 81st, street theater in New York, which is where we lived, and there was a princess in a in a castle kept in the front of this wonderful building that photographs all over the place. Later on, I was to realize that that Princess was really the cashier, but at the time, it was a princess in a small castle, and I loved the building and everything was in it. And thought at that time, that's what I'm going to do when I grow up. And the only thing that's kind of sad is it's Here I am, and I'm still liking that same thing all these years later, that's that's what I liked. And I do one thing or another, I wound up entertaining whenever there was a chance, which really meant just either singing a song or shaking myself around and pretending it was a dance or thinking it was a dance. And finally, wound up meeting someone who suggested I do a general audition at CBS long ago, when you could do those kinds of things I did and they I started reading when I was very young, because I really, because I want to read comics, you know, no big thing about that. And so when I could finally read comics, I wound up being able to read and doing it well. And did a general audition of CBS. They liked me. I had a different kind of voice from the other kids that were around at the time. And and so I began working and the most in my career, this was once, once you once they found a kid who had a different voice than the others, then you could always be the kid brother or the other brother. But it was clear that I wasn't a kid with a voice. I was the kid with the Butch boy. So who? Was who, and so I began to work. And I worked a lot in radio, and did lots and lots of shows, hundreds, 1000s,   Michael Hingson ** 05:07 you mentioned the comics. I remember when we moved to California, I was five, and I was tuning across the dial one Sunday morning and found KFI, which is, of course, a state a longtime station out here was a clear channel station. It was one of the few that was the only channel or only station on that frequency, and on Sunday morning, I was tuning across and I heard what sounded like somebody reading comics. But they weren't just reading the comics. They were dramatized. And it turns out it was a guy named David Starling who did other shows and when. So I got his name. But on that show, he was the funny paper man, and they read the LA Times comics, and every week they acted them out. So I was a devoted fan for many years, because I got to hear all of the comics from the times. And we actually subscribed to a different newspaper, so I got two sets of comics my brother or father read me the others. But it was fun reading and listening to the comics. And as I said, they dramatize them all, which was really cool.   Ivan Cury ** 06:14 Yeah, no doubt I was one day when I was in the studio, I was doing FBI and peace and war. I used to do that all the time, several it was a sponsored show. So it meant, I think you got $36 as opposed to $24 which was okay in those days. And my line was, gee, Dad, where's the lava soap. And I said that every week, gee, Dad, where's the lava soap. And I remember walking in the studio once and hearing the guy saying, Ah, this television ain't never gonna work. You can't use your imagination. And, yeah,   Michael Hingson ** 06:52 well, except you really don't use your imagination near especially now I find that everything is way too spelled out, so you don't get to use your imagination.   Ivan Cury ** 07:03 Radio required you to use your radio required you to use it. Yeah, and, and if you had a crayon book at the time, well, and you were 12 or No, no, much younger than that, then it was and that was what you did, and it was fun.   Michael Hingson ** 07:17 So what was the first radio program that you were   Ivan Cury ** 07:20 it was very peculiar, is it New Year's Eve, 19 four? No, I don't know. I'm not sure. Now, it was 47 or 48 I think it was 48 Yeah, I was 11, and it was New Year's Eve, and it was with Hank Severn, Ted Cott, and I did a Jack and the Beanstalk. It was recording for caravan records. It became the number one kids record. You know, I didn't, there was no he didn't get residuals or anything like that. And the next day I did, let's pretend. And then I didn't work for three months. And I think I cried myself to sleep every night after that, because I absolutely loved it. And, you know, there was nothing my parents could do about this, but I wanted, I wanted in. And about three months later, I finally got to do another show. Peculiarly. The next show I did was lead opposite Helen Hayes in a play called no room for Peter Pan. And I just looked it up. It was May. I looked it up and I lost it already. I think, I think I may know what it is. Stay tuned. No, now, nope, nope, nope, ah, so that's it was not. This was May 1949, wow. What was it? Well, yeah, and it was, it was a the director was a man named Lester O'Keefe, and I loved Barry Fitzgerald, and I find even at a very early age, I could do an Irish accent. And I've been in Ireland since then. I do did this, just sometimes with the people knowing that I was doing it and I was it was fine. Sometimes they didn't, and I could get it is, it is pretty Irish, I think, at any rate, he asked me father, who was born in Russia, if we spoke Gaelic at home, we didn't. And so I did the show, and it was fine. Then I did a lot of shows after that, because here was this 11 year old kid who could do all this kind of   Michael Hingson ** 09:24 stuff. So what was no room for Peter Pan about,   Ivan Cury ** 09:27 oh, it was about a midget, a midget who is a young man, a young boy who never grows up, and there's a mind. He becomes a circus performer, and he becomes a great star, and he comes back to his town, to his mother, and there's a mine disaster, and the only one who can save them is this little person, and the kid doesn't want to do it, and it's and there's a moment where Helen Hayes, who played the lead, explained about how important it is the to give up your image and be and be. Man, be a real man, and do the thing, right thing to do. And so that was the   Michael Hingson ** 10:04 story. What show was it on? What series?   Ivan Cury ** 10:07 Electric Theater, Electric Theater, Electric Theater with Ellen Hayes, okay,   Michael Hingson ** 10:10 I don't think I've heard that, but I'm going to find it.   Ivan Cury ** 10:14 Well, yes, there's that one. And almost very soon afterwards, I did another important part with Walter Hughes, Walter Hamden. And that was on cavalcade of America, Ah, okay. And that was called Footlights on the frontier. And it was about, Tom about Joseph Jefferson, and the theater of the time, where the young kid me meets Abraham Lincoln, Walter Houston, and he saves the company. Well, those are the first, first shows. Was downhill from there. Oh, I don't   Michael Hingson ** 10:50 know, but, but you you enjoyed it, and, of course, I loved it, yes, why?   Ivan Cury ** 11:00 I was very friendly with Richard lamparsky. I don't even remember him, but he wrote whatever became of series of books. Whatever became of him was did a lot, and we were chatting, and he said that one of the things he noticed is that people in theater, people in motion pictures, they all had a lot of nightmare stories to tell about people they'd work with. And radio actors did not have so much of that. And I believe that you came in, you got your script, you work with people you like, mostly, if you didn't, you'd see you'd lose, you know, you wouldn't see them again for another Yeah, you only had to deal with them for three or four hours, and that was in the studio. And after that, goodbye.   Michael Hingson ** 11:39 Yeah, what was your favorite show that you ever did?   Ivan Cury ** 11:42 And it seems to me, it's kind of almost impossible. Yeah, I don't know,   Michael Hingson ** 11:51 a lot of fun ones.   Ivan Cury ** 11:54 I'll tell you the thing about that that I found and I wrote about it, there are only five, four reasons really, for having a job. One of them is money, one of them is prestige. One of them is learning something, and the other is having fun. And if they don't have at least two, you ought to get out of it. And I just had a lot of fun. I really like doing it. I think that's one of the things that's that keeps you going now, so many of these old time radio conventions, which are part of my life now, at least Tom sometimes has to do with with working with some of the actors. It's like tennis. It's like a good tennis game. You you send out a line, and you don't know how it's going to come back and what they're going to do with it. And that's kind of fun.   Michael Hingson ** 12:43 Well, so while you were doing radio, and I understand you weren't necessarily doing it every day, but almost, well, almost. But you were also going to school. How did all that work out   Ivan Cury ** 12:53 there is, I went to Professional Children's School. I went to a lot of schools. I went to law schools only because mostly I would, I would fail geometry or algebra, and I'd have to take summer session, and I go to summer session and I'd get a film, and so I'd leave that that session of summer session and do the film and come back and then go to another one. So in all, I wound up to being in about seven or eight high schools. But the last two years was at Professional Children's School. Professional Children's School has been set up. It's one of a number of schools that are set up for professional children, particularly on the East Coast. Here, they usually bring somebody on the set. Their folks brought on set for it. Their professional school started really by Milton Berle, kids that go on the road, and they were doing terribly. Now in order to work as a child Lacher in New York and probably out here, you have to get permission from the mayor's office and permission from the American Society of Prevention of Cruelty to Children. And you needed permits to do it, and those both organizations required the schools to show to give good grades you were doing in school, so you had to keep up your grades, or they wouldn't give you a permit, and then you couldn't work. PCs did that by having correspondence. So if a kid was on the road doing a show out of town in Philadelphia or wherever, they were responsible for whatever that week's work was, and we were all we knew ahead of time what the work was going to be, what projects had to be sent into the school and they would be graded when I went, I went to Carnegie, and my first year of English, I went only, I think, three days a week, instead of five, because Tuesdays and Thursdays Were remedial. We wrote We were responsible for a term paper. Actually, every week, you we learned how to write. And it was, they were really very serious about it. They were good schools   Michael Hingson ** 14:52 well, and you, you clearly enjoyed it. And I know you also got very involved and interested in poetry as you went along. Too do. Yes, I did well, yeah, yeah. And who's your favorite poet?   Ivan Cury ** 15:07 Ah, my favorite poets. If that is hard to say, who my favorite is, but certainly they are more than one is Langston, Hughes, Mary, Oliver, wh Jordan, my favorite, one of my favorite poems is by Langston Hughes. I'll do it for you now. It's real easy. Burton is hard, and dying is mean. So get yourself some love, and in between, there you go. Yes, I love that. And Mary Oliver, Mary Oliver's memory, if I hope I do, I go down to the shore, and depending upon the hour, the waves are coming in and going out. And I said, Oh, I am so miserable. Watch. What should I do? And the sea, in its lovely voice, says, Excuse me, I have work to do.   Michael Hingson ** 15:56 Ooh. That puts it in perspective, doesn't   Ivan Cury ** 16:00 it? Yes, it certainly does.   Michael Hingson ** 16:03 So So you, you went to school and obviously had good enough grades that you were able to continue to to act and be in radio, yes, which was cool. And then television, because it was a television Lacher, yeah, yeah. It's beginning of television as well. So I know one of the shows that you were on was the Jack Benny show. What did you do for Jack? Oh, well,   Ivan Cury ** 16:28 I'm really stuffy. Singer is the guy who really did a lot of Jack Benny things. But what happened is that when Jack would come to New York, if there was a kid they needed, that was me, and so I did the Benny show, I don't know, two or three times when he was in New York. I, I did the Jack Benny show two or three times. But I was not so you were, you were nice, man. It came in. We did the show. I went   Michael Hingson ** 16:51 home. You were a part time Beaver, huh?   Ivan Cury ** 16:54 I don't know. I really don't know, but I was beaver or what? I don't remember anything other than I had been listening to the Jack Benny show as a kid. I knew he was a star and that he was a nice man, and when he came into the studio, he was just a nice man who who read Jack Benny's lines, and who was Jack Benny, and he said his lines, and I said my lines, and we had a nice time together. And there wasn't any, there wasn't any real interplay between us, other than what would be normal between any two human beings and and that was that. So I did the show, but I can't talk very much about Jack Benny.   Michael Hingson ** 17:32 Did you? Did you primarily read your scripts, or did you memorize them at all?   Ivan Cury ** 17:37 Oh, no, no, radio. That was the thing about radio. Radio that was sort of the joy you read. It was all about reading. It's all about reading, yeah. And one of the things about that, that that was just that I feel lucky about, is that I can pretty well look at a script and read it. Usually read it pretty well with before the first time I've ever seen it, and that's cold reading, and I was pretty good at that, and still am.   Michael Hingson ** 18:06 Did you find that as you were doing scripts and so on, though, and reading them, that that changed much when you went in into television and started doing television?   Ivan Cury ** 18:22 I don't know what you mean by change.   Michael Hingson ** 18:24 Did you you still read scripts and   Ivan Cury ** 18:26 yeah, no, no, the way. I mean the way intelligent show usually goes as an actor. Well, when I directed television, I used to direct a lot of soap operas, not a lot, but I directed soap operas, but there'd be a week's rehearsal for a show, danger, I'm syndicated, or anything, and so there'd be a week's rehearsal. The first thing you do is, we have a sit down read, so you don't read the script, and then you holding the script in your hand walk through the scenes. Sometimes the director would have, would have blocking that they knew you were going to they were going to do, and they say, here's what you do. You walk in the door, etc. Sometimes they say, Well, go ahead, just show me what you'd like, what you what it feels like. And from that blocking is derived. And then you go home and you try to memorize the lines, and you feel perfectly comfortable that as you go, when you leave and you come back the next day and discover you got the first line down. But from there on, it's dreadful. But after a while, you get into the thing and you know your lines. You do it. Soap opera. Do that.   Michael Hingson ** 19:38 The interesting thing about doing radio, was everything, pretty much, was live. Was that something that caused a lot of pressure for you?   Ivan Cury ** 19:51 In some ways, yes, and in some ways it's lovely. The pressure is, yes, you want to get it right, but if you got to get it but if you get it wrong, give it up, because it's all over. Uh, and that's something that's that isn't so if you've recorded it, then you start figuring, well, what can I do? How can I fix this? You know, live, you do it and it's done. That's, that's what it is, moving right along. And this, this comment, gets to be kind of comfortable, you know, that you're going to, there may be some mistakes. You do the best you can with it, and go on one of the things that's really the news that that happens, the news, you know, every night, and with all the other shows that are live every day,   Michael Hingson ** 20:26 one of the things that I've noticed in a number of radio shows, there are times that it's fairly obvious that somebody made a flub of some sort, but they integrated it in, and they were able to adapt and react, and it just became part of the show. And sometimes it became a funny thing, but a lot of times they just worked it in, because people knew how to do that. And I'm not sure that that is so much the case certainly today on television, because in reality, you get to do it over and over, and they'll edit films and all that. And so you don't have that, that same sort of thing, but some of those challenges and flubs that did occur on radio were really like in the Jack Benny shows and burns and Allen and Phil Harris and so on. They were, they just became integrated in and they they became classic events, even though they weren't necessarily originally part of the plan.   Ivan Cury ** 21:25 Absolutely, some of some of them, I suspect some of them, were planned and planned to sound as if they would just happen. But certainly mistakes. Gosh, good mistakes are wonderful. Yeah, in all kinds of I used to do a lot of live television, and even if we weren't live television, when we would just do something and we were going to tape it and do it later, I remember once the camera kind of going wrong, video going wrong. I went, Wait a minute. That's great. Let's keep it wrong like that, you know. And it was so is just lovely that that's part of the art of improvisation, with how   Michael Hingson ** 22:06 and and I think there was a lot more of that, certainly in radio, than there is on television today, because very few things are really live in the same   Ivan Cury ** 22:17 sense. No, there. There are some kinds of having written, there are some type formats that are live. The news is live, the news is live. There's no, you know, there are. There used to be, and there may still be some of the afternoon shows, the kind of morning and afternoon shows where Show and Tell Dr whatever his name is, Dr Phil, yeah, it may be live, or it's shot as live, and they don't, they don't really have a budget to edit, so it's got to be real bad before they edit. Yeah. So do a show like that called Woman of CBS. So there are shows that are live, like that, sport events are live. A lot of from Kennedy Center is live. There are, there are lots of programs that are live, concerts, that are that you are a lot of them. America's Got Talent might as well be live. So there's a lot of that. And certainly things go wrong in the ad lib, and that's the way, because, in fact, there's some lovely things that happen out of that, but mostly, you're absolutely right. Mostly you do show it's recorded. You intend to edit it, you plan it to be edited, and you do it. It's also different when you shoot multiple camera, as opposed to single camera, yeah, single camera being as you say, again and again and again, multiple camera, not so much, although I used to direct the young and the restless, and now there is a line cut which is almost never used. It's it's the intention, but every shot is isolated and then cleaned up so that it's whatever is, whatever is possibly wrong with it gets clean.   Michael Hingson ** 24:03 Yeah, it's, it's a sign of the changing times and how things, everything   Ivan Cury ** 24:09 is bad. It's just, it's different. In fact, that's a kind of question I'm really puzzled with right now for the fun of it. And that is about AI, is it good or bad?   Michael Hingson ** 24:20 Well, and it's like anything else, of course, it depends. One of the one of my, my favorite, one of my favorite things about AI is a few years, a couple of years ago, I was at a Christmas party when there was somebody there who was complaining about the fact that kids were writing their papers using AI,   Ivan Cury ** 24:43 and that's bad   Michael Hingson ** 24:44 and and although people have worked on trying to be able to detect AI, the reality is that this person was complaining that the kids were even doing it. And I didn't think about it until later, but I realized. Is one of the greatest blessings of AI is let the students create their papers using AI. What the teachers need to do is to get more creative. And by that I mean All right, so when children turn in and students turn in their papers, then take a day and let every student take about a minute and come up and defend the paper they wrote. You're going to find out really quickly who really knew the subject and who just let ai do it and didn't have any interaction with it. But what a great way to learn. You're going to find out very quickly. And kids are going to figure out very quickly that they need to really know the subject, because they're going to have to defend their   Ivan Cury ** 25:41 papers. Yeah, no, I think that's fine. I I don't like the amount of electricity that it requires and what it's doing to our to our needs for water, because it has to be cooled down. So there's some physical things that I don't like about AI, and I think it's like when you used to have to go into a test with a slide rule, and they you couldn't use your calculator. When I use a calculator, it's out of the bag. You can't put it back anymore. It's a part of our life, and how to use it is the question. And I think you're absolutely right. I don't even need to know whether. I'm not even sure you need to check the kids if they it. How will you use? How will we get to use? Ai, it is with us.   Michael Hingson ** 26:30 Well, but I think there's a the value of of checking and testing. Why I'm with you. I don't think it's wrong. I think, no, no, but I think the value is that it's going to make them really learn the subject. I've written articles, and I've used AI to write articles, and I will look at them. I'll actually have a create, like, eight or nine different versions, and I will decide what I like out of each of them, and then I will add my part to it, because I have to make it me, and I've always realized that. So I know anything that I write, I can absolutely defend, because I'm very integrally involved in what I do with it, although AI has come up with some very clever ideas. Yeah, I hadn't thought of but I still add value to it, and I think that's what's really important.   Ivan Cury ** 27:19 I did a I've been writing stuff for a while, and one of the things I did, I wrote this. I wrote a little piece. And I thought, well, what? What would ai do if they took the same piece? How would they do it? So I put it in and said, rewrite it. They did. It was kind of bland. They'd taken all the life out of it. It wasn't very Yeah. So then I said, Well, wait a minute, do the same thing, write it as if it were written by Damon Runyon. And so they took it and they did that, and it was way over the top and really ugly, but it I kind of had fun with what, what the potential was, and how you might want to use it. I mean, I think the way you using it is exactly right. Yeah, it's how you use it, when, when you when, I'm just as curious, when you do that, when you said, you write something, and you ask them to do it four or five times or many times. How do you how do you require them to do it differently.   Michael Hingson ** 28:23 Well, there are a couple different ways. One is, there are several different models that can use to generate the solution. But even leaving aside such as, Oh, let's see, one is, you go out and do more web research before you actually do the do the writing. And so that's one thing and another. I'm trying to remember there were, like, six models that I found on one thing that I did yesterday, and but, but the other part about it is that with AI, yeah, the other thing about AI is that you can just tell it you don't like the response that you   Ivan Cury ** 29:09 got. Aha, okay, all right, yep,   Michael Hingson ** 29:13 I got it. And when you do that, it will create a different response, which is one of the things that you want. So, so so that works out pretty well. And what I did on something, I wanted to write a letter yesterday, and I actually had it write it. I actually had it do it several times. And one time I told it to look at the web to help generate more information, which was pretty cool, but, but the reality is that, again, I also think that I need to be a part of the the solution. So I had to put my my comments into it as well, and, and that worked out pretty well. Okay, right? Yeah, so I mean, it's cool, and it worked. Right? And so the bottom line is we we got a solution, but I think that AI is a tool that we can use, and if we use it right, it will enhance us. And it's something that we all have to choose how we're going to do. There's no no come, yeah, no question about that. So tell me you were successful as a young actor. So what kind of what what advice or what kind of thoughts do you have about youth success, and what's your takeaway from that?   Ivan Cury ** 30:36 The Good, yeah, I There are a lot of things being wanting to do it, and I really love doing it, I certainly didn't want to. I wanted to do it as the best way I could Well, I didn't want to lose it up, is what it really comes down to. And that meant figuring out what it is that required. And one of the things that required was a sense of responsibility. You had to be there on time, you had to be on stage, and you may want to fidget, but that takes to distract from what's going on, so sit still. So there's a kind of kind of responsibility that that you learn, that I learned, I think early on, that was, that's very useful. Yeah, that's, that's really, I think that's, I wrote some things that I had, I figured, some of these questions that might be around. So there, there's some I took notes about it. Well, oh, attention to details. Yeah, to be care to be watch out for details. And a lot of the things can be carried on into later life, things about detailed, things about date. Put a date on, on papers. When, when did, when was this? No, when was this note? What? When did this happen? Just keeping track of things. I still am sort of astonished at how, how little things add up, how we just just noted every day. And at the end of a year, you've made 365 notes,   Michael Hingson ** 32:14 yeah, well, and then when you go back and read them, which is also part of the issue, is that you got to go back and look at them to to see what   Ivan Cury ** 32:23 right or to just know that they're there so that you can refer to them. When did that happen?   Michael Hingson ** 32:28 Oh, right. And what did you say? You know, that's the point. Is that when I started writing thunder dog, my first book was suggested that I should start it, and I started writing it, what I started doing was creating notes. I actually had something like 1.2 megabytes of notes by the time we actually got around to doing the book. And it was actually eight years after I started doing some, well, seven years after I started doing writing on it. But the point is that I had the information, and I constantly referred back to it, and I even today, when I deliver a speech, I like to if there's a possibility of having it recorded, I like to go back and listen, because I want to make sure that I'm not changing things I shouldn't change and or I want to make sure that I'm really communicating with the audience, because I believe that my job is to talk with an audience, not to an audience.   Ivan Cury ** 33:24 Yeah, yeah. I we say that I'm reading. There are three books I'm reading right now, one of them, one of them, the two of them are very well, it doesn't matter. One is called who ate the oyster? Who ate the first oyster? And it's a it's really about paleon. Paleological. I'm saying the word wrong, and I'm paleontological. Paleontological, yeah, study of a lot of firsts, and it's a lovely but the other one is called shady characters by Keith Houston, and it's a secret life of punctuation symbols and other typographical marks, and I am astonished at the number of of notes that go along with it. Probably 100 100 pages of footnotes to all of the things that that are a part of how these words came to be. And they're all, I'm not looking at the footnotes, because there's just too many, but it's kind of terrific to check out. To be that clear about where did this idea come from, where did this statement come from? I'm pleased about that. I asked my wife recently if you could be anything you want other than what you are. What would you want to be? What other what other job or would you want to have? The first one that came to mind for me, which I was surprised that was a librarian. I just like the detail. I think that's   Michael Hingson ** 34:56 doesn't go anywhere. There you go. Well, but there's so. There's a lot of detail, and you get to be involved with so many different kinds of subjects, and you never know what people are going to ask you on any given day. So there's a lot of challenge and fun to that.   Ivan Cury ** 35:11 Well, to me also just putting things in order, I was so surprised to discover that in the Dewey Decimal System, the theater is 812 and right next to it, the thing that's right next to it is poetry. I was surprised. It's interesting, yeah, the library and play that out.   Michael Hingson ** 35:29 Well, you were talking about punctuation. Immediately I thought of EE Cummings. I'll bet he didn't pay much attention to punctuation at all. I love him. He's great, yeah, isn't he? Yeah, it's a lot of fun. An interesting character by any standard. So, so you, you progressed into television, if, I guess it's progressing well, like, if we answer to Fred Allen, it's not, but that's okay.   Ivan Cury ** 35:54 Well, what happens? You know, after, after, I became 18, and is an interesting moment in my life, where they were going to do film with Jimmy Dean, James Dean, James Dean. And it came down and he was going to have a sidekick, a kid sidekick. And it came down to me and Sal Mineo. And Sal got it, by the way. Case you didn't know, but one of the things was I was asked I remember at Columbia what I wanted to do, and I said I wanted to go to college, and my there was a kind of like, oh, yeah, right. Well, then you're not going to go to this thing, because we don't. We want you to be in Hollywood doing the things. And yes, and I did go to college, which is kind of great. So what happened was, after, when I became 18, I went to Carnegie tech and studied theater arts. Then I after that, I studied at Boston University and got a master's there, so that I had an academic, an academic part of my life as well, right? Which ran out well, because in my later years, I became a professor and wrote some   Michael Hingson ** 36:56 books, and that was your USC, right? No, Cal State, Lacher State, LA and UCLA. And UCLA, not USC. Oh, shame on me. But that's my wife. Was a USC graduate, so I've always had loyalty. There you go. But I went to UC Irvine, so you know, okay, both systems, whatever.   Ivan Cury ** 37:16 Well, you know, they're both UC system, and that's different, yeah, the research institutes, as opposed to the Cal State, which   Michael Hingson ** 37:23 are more teaching oriented, yeah,   Ivan Cury ** 37:26 wow, yeah, that's, that's what it says there in the paper.   Michael Hingson ** 37:30 Yes, that's what it says. But you know, so you went into television. So what did you mainly do in the in the TV world?   Ivan Cury ** 37:44 Well, when I got out of when I got through school, I got through the army, I came back to New York, and I, oh, I got a job versus the Girl Scouts, doing public relations. I I taught at Hunter College for a year. Taught speech. One of the required courses at Carnegie is voice and diction, and it's a really good course. So I taught speech at Hunter College, and a friend of mine was the second alternate maker man at Channel 13 in New York. He had opera tickets, so he said, Look standard for me, it's easy, men seven and women five, and telling women to put on their own lipstick. So I did. I did that, and I became then he couldn't do it anymore, so I became the second alternate make a man. Then it didn't matter. Within within six months, I was in charge of makeup for any t which I could do, and I was able to kind of get away with it. And I did some pretty good stuff, some prosthetic pieces, and it was okay, but I really didn't want to do that. I wanted to direct, if I could. And so then I they, they knew that, and I they knew that I was going to leave if, if, because I wasn't going to be a makeup I didn't. So I became a stage manager, and then an associate director, and then a director at Channel 13 in New York. And I directed a lot of actors, choice the biggest show I did there, or the one that Well, I did a lot of I also worked with a great guy named Kirk Browning, who did the a lot of the NBC operas, and who did all of the opera stuff in for any t and then I wound up doing a show called Soul, which was a black variety show. But when I say black variety show, it was with James Baldwin and but by the OJS and the unifics and the delphonics and Maya Angelou and, you know, so it was a black culture show, and I was the only white guy except the camera crew there. But had a really terrific time. Left there and went and directed for CBS. I did camera three. So I did things like the 25th anniversary of the Juilliard stringer check. Quartet. But I was also directing a show called woman, which was one of the earliest feminist programs, where I was the only male and an all female show. And actually I left and became the only gringo on an all Latino show called aqui I ahora. So I had a strange career in television as a director, and then did a lot of commercials for about 27 years, I directed or worked on the Men's Warehouse commercials. Those are the facts. I guarantee it.   Michael Hingson ** 40:31 Did you get to meet George Zimmer? Oh, very, very, very often, 27 years worth, I would figure, yeah.   Ivan Cury ** 40:39 I mean, what? I'm enemies. When I met him, he's a boy, a mere boy.   Michael Hingson ** 40:45 Did you act during any of this time? Or were you no no behind the camera once?   Ivan Cury ** 40:50 Well, the only, the only acting I did was occasionally. I would go now in a store near you, got it, and I had this voice that they decided, Ivan, we don't want you to do it anymore. It just sounds too much like we want, let George do this, please.   Michael Hingson ** 41:04 So, so you didn't get to do much, saying of things like, But wait, there's more, right?   Ivan Cury ** 41:10 No, not at all. Okay, okay. Oh, but you do that very well. Let's try.   Michael Hingson ** 41:13 Wait, there's more, okay. Well, that's cool. Well, that was,   Ivan Cury ** 41:18 it was kind of fun, and it was kind of fun, but they had to, it was kind of fun to figure out things. I remember we did. We had a thing where some of those commercial we did some commercials, and this is the thing, I sort of figured out customers would call in. So we recorded their, their call ins, and I they, we said, with calls being recorded. We took the call ins and I had them sent to it a typist who typed up what they wrote that was sent to New York to an advertising agency would extract, would extract questions or remarks that people had made about the stuff, the remarks, the tapes would be then sent to who did that? I think we edited the tapes to make it into a commercial, but the tags needed to be done by an announcer who said, in a store near you were opening sooner, right? Wyoming, and so those the announcer for the Men's Warehouse was a guy in in Houston. So we'd send, we'd send that thing to him, and he'd send us back a digital package with the with the tags. And the fun of it was that was, it was from, the calls are from all over the world. The the edits on paper were done in New York, the physical work was done in San Francisco. The announcer was in Houston. And, you know? And it's just kind of fun to be able to do that, that to see, particularly having come from, having come from 1949 Yeah, where that would have been unheard of to kind of have that access to all that was just fun, kind   Michael Hingson ** 42:56 of fun. But think about it now, of course, where we have so much with the internet and so on, it'd be so much easier, in a lot of ways, to just have everyone meet on the same network and   Ivan Cury ** 43:09 do now it's now, it's nothing. I mean, now it's just, that's the way it is. Come on.   Michael Hingson ** 43:13 Yeah, exactly. So. So you know, one of the things that I've been thinking about is that, yes, we've gone from radio to television and a whole new media and so on. But at the same time, I'm seeing a fairly decent resurgence of people becoming fascinated with radio and old radio and listening to the old programs. Do you see that?   Ivan Cury ** 43:41 Well, I, I wish I did. I don't my, my take on it. It comes strictly from that such, so anecdotal. It's like, in my grandkids, I have these shows that I've done, and it's, you know, it's grandpa, and here it is, and there it's the bobby Benson show, or it's calculator America, whatever, 30 seconds. That's what they give me. Yeah, then it's like, Thanks, grandpa. Whoopie. I don't know. I think maybe there may there may be something, but I would, I'd want some statistical evidence about well, but   Michael Hingson ** 44:19 one of the things I'm thinking of when I talk about the resurgence, is that we're now starting to see places like radio enthusiasts to Puget Sound reps doing recreations of, oh yes, Carl Omari has done the Twilight Zone radio shows. You know, there are some things that are happening, but reps among others, and spurred back to some degree, yeah, spurred back is, is the Society for the Prevention, oh, gosh,   Ivan Cury ** 44:46 not cruelty children, although enrichment   Michael Hingson ** 44:49 of radio   Ivan Cury ** 44:50 drama and comedy, right? Society, right? Yeah, and reps is regional enthusiasts of Puget Sound, Puget   Michael Hingson ** 44:58 Sound and. Reps does several recreations a year. In fact, there's one coming up in September. Are you going to   Ivan Cury ** 45:04 that? Yes, I am. I'm supposed to be. Yes, I think I Yes. I am.   Michael Hingson ** 45:08 Who you're going to play? I have no idea. Oh, you don't know yet.   Ivan Cury ** 45:12 Oh, no, no, that's fun. You get there, I think they're going to have me do a Sam Spade. There is another organization up there called the American radio theater, right? And I like something. I love those people. And so they did a lot of Sam Spade. And so I expect I'm going to be doing a Sam Spade, which I look forward to.   Michael Hingson ** 45:32 I was originally going to it to a reps event. I'm not going to be able to this time because somebody has hired me to come and speak and what I was going to do, and we've postponed it until I can, can be the one to do it is Richard diamond private detective, which is about my most favorite radio show. So I'm actually going to play, able to play Richard diamond. Oh, how great. Oh, that'll be a lot of fun. Yeah. So it'll probably be next year at this point now, but it but it will happen.   Ivan Cury ** 45:59 I think this may, yeah, go ahead. This may be my last, my last show I'm getting it's getting tough to travel.   Michael Hingson ** 46:07 Yeah, yeah, I don't know. Let's see. Let's see what happens. But, but it is fun, and I've met several people through their Carolyn Grimes, of course, who played Zuzu on It's A Wonderful Life. And in fact, we're going to have her on unstoppable mindset in the not too distant future, which is great, but I've met her and and other people, which I   Ivan Cury ** 46:34 think that's part of the for me. That really is part of the fun. Yeah, you become for me now it has become almost a sec, a family, in the same way that when you do show, if you do a show regularly, it is, it really becomes a family. And when the show is over, it's that was, I mean, one of the first things as a kid that was, that was really kind of tough for every day, or every other day I would meet the folks of Bobby Benson and the B Barbie writers. And then I stopped doing the show, and I didn't see them and didn't see them again. You know, I Don Knotts took me to I had the first shrimp of my life. Don Knotts took me to take tough and Eddie's in New York. Then I did another show called paciolini, which was a kind of Italian version of The Goldbergs. And that was, I was part of that family, and then that kind of went away. I was Porsche son on Porsche faces life, and then that way, so the you have these families and they and then you lose them, but, but by going to these old events, there is that sense of family, and there are also, what is just astonishing to me is all those people who know who knows stuff. One day I mentioned Frank Milano. Now, nobody who knows Frank Milano. These guys knew them. Oh, Frank, yeah, he did. Frank Milano was a sound. Was did animal sounds. There were two guys who did animal sounds particularly well. One was Donald Baines, who I worked with on the first day I ever did anything. He played the cow on Jack and the Beanstalk and and Frank, Don had, Don had a wonderful bar room bet, and that was that he could do the sound effects of a fish. Wow. And what is the sound effect of a fish? So now you gotta be required. Here's the sound effect of a fish. This was what he went $5 bets with you. Ready? Here we go.   Michael Hingson ** 48:41 Good job. Yeah, good job. Yeah. It's like, what was it on? Was it Jack Benny? They had a kangaroo, and I think it was Mel Blanc was asked to do the kangaroo, which is, of course, another one where they're not really a sound, but you have to come up with a sound to do it on radio, right?   Ivan Cury ** 49:06 Yes. Oh my god, there were people who want I could do dialects, I could do lots of German film, and I could do the harness. Was very easy for me to do, yeah, so I did love and I got to lots of jobs because I was a kid and I could do all these accents. There was a woman named Brianna Rayburn. And I used to do a lot of shows in National Association of churches of Christ in the United States. And the guy who was the director, John Gunn, we got to know each other. He was talking about, we talked with dialects. He said Briana Rayburn had come in. She was to play a Chinese woman. And she really asked him, seriously, what part of China Do you want her to come from? Oh, wow. I thought that was just super. And she was serious. She difference, which is studied, studied dialects in in. In college not long after, I could do them, and discovered that there were many, many English accents. I knew two or three cockney I could do, but there were lots of them that could be done. And we had the most fun. We had a German scholar from Germany, from Germany, and we asked him if he was doing speaking German, but doing playing the part of an American what would it sound like speaking German with an American accent? You know, it was really weird.   Michael Hingson ** 50:31 I had a history teacher, yes, who was from the Bronx, who spoke German, yeah, and he fought in World War Two. And in fact, he was on guard duty one night, and somebody took a shot at him, and so he yelled back at them in German. The accent was, you know, I took German, so I don't understand it all that well, but, but listening to him with with a New York accent, speaking German was really quite a treat. The accent spilled through, but, but they didn't shoot at him anymore. So I think he said something, what are you shooting at me for? Knock it off. But it was so funny, yeah, but they didn't shoot at him anymore because he spoke, yeah, yeah. It was kind of cool. Well, so with all that you've learned, what kind of career events have have sort of filtered over into what you do today?   Ivan Cury ** 51:28 Oh, I don't know. We, you know. But one of the things I wanted to say, it was one of the things that I learned along the way, which is not really answering your question until I get back to it, was, I think one of those best things I learned was that, however important it is that that you like someone, or you're with somebody and everything is really terrific. One of the significant things that I wish I'd learned earlier, and I think is really important, is how do you get along when you don't agree? And I think that's really very important.   Michael Hingson ** 52:01 Oh, it's so important. And we, in today's society, it's especially important because no one can tolerate anyone anymore if they disagree with them, they're you're wrong, and that's all there is to it. And that just is so unfortunate. There's no There's no really looking at alternatives, and that is so scary   Ivan Cury ** 52:20 that may not be an alternative. It may not be,   Michael Hingson ** 52:23 but if somebody thinks there is, you should at least respect the opinion,   Ivan Cury ** 52:28 whatever it is, how do you get along with the people you don't   Michael Hingson ** 52:32 agree with? Right?   Ivan Cury ** 52:35 And you should one that you love that you don't agree with, right? This may sound strange, but my wife and I do not agree about everything all the time, right?   Michael Hingson ** 52:43 What a concept. My wife and I didn't agree about everything all the time. Really, that's amazing, and it's okay, you know? And in fact, we both one of the the neat things, I would say, is we both learned so much from each other when we disagreed, but would talk about it, and we did a lot of talking and communicating, which I always felt was one of the most important things about our marriage. So we did, we learned a lot, and we knew how to get along, and we knew that if we disagreed, it was okay, because even if we didn't change each other's opinion, we didn't need to try to change each other's opinion, but if we work together and learn to respect the other opinion, that's what really mattered, and you learn more about the individual that way,   Ivan Cury ** 53:30 yeah, and also you have you learn about giving up. Okay, I think you're wrong, but if that's really what you want exactly, I'll do it. We'll do it your way?   Michael Hingson ** 53:42 Yeah, well, exactly. And I think it's so important that we really put some of that into perspective, and it's so crucial to do that, but there's so much disagreement today, and nobody wants to talk to anybody. You're wrong. I'm right. That's all there is to it. Forget it, and that's just not the way the world should be.   Ivan Cury ** 53:59 No, no. I wanted to go on to something that you had asked about, what I think you asked about, what's now I have been writing. I have been writing to a friend who I've been writing a lot of very short pieces, to a friend who had a stroke and who doesn't we can't meet as much as we use. We can't meet at all right now. And but I wanted to just go on, I'm and I said that I've done something really every week, and I'd like to put some of these things together into a book. And what I've been doing, looking for really is someone to work with. And so I keep writing the things, the thing that I wrote just today, this recent one, had to do with I was thinking about this podcast. Is what made me think of it. I thought about the stars that I had worked with, you know, me and the stars, because I had lots. Stories with with people who are considered stars, Charles Lawton, Don Knotts, Gene crane, Maya, Angelou, Robert Kennedy, the one I wrote about today. I wrote about two people. I thought it'd be fun to put them together, James Dean and Jimmy Dean. James Dean, just going to tell you the stories about them, because it's the kind of thing I'm writing about now. James Dean, we worked together on a show called Crime syndicated. He had just become really hot in New York, and we did this show where there were a bunch of probably every teenage actor in New York was doing this show. We were playing two gangs, and Jimmy had an extraordinary amount of lines. And we said, What the hell are you going to do, Jim? If you, you know, if you lose lines, he's, this is live. And he said, No problem. And then what he said is, all I do is I start talking, and then I just move my mouth like I'm walking talking, and everybody will think the audio went out. Oh, and that's, that's what he was planning on doing. I don't know if he really is going to do it. He was perfect. You know, he's just wonderful. He did his show. The show was great. We were all astonished to be working with some not astonished, but really glad to just watch him work, because he was just so very good. And we had a job. And then stories with Jimmy Dean. There were a couple of stories with Jimmy Dean, the singer and the guy of sausage, right? The last one to make it as fast, the last one was, we were in Nashville, at the Grand Ole Opry Opperman hotel. I was doing a show with him, and I was sitting in the bar, the producer and someone other people, and there was a regular Graceland has a regular kind of bar. It's a small bar of chatter, cash register, husband, wife, team on the stage singing. And suddenly, as we were talking, it started to get very quiet. And what had happened is Jimmy Dean had come into the room. He had got taken the guitar, and he started to sing, and suddenly it just got quiet, very quiet in the room. The Register didn't ring. He sang one song and he sang another song. His applause. He said, Thank you. Gave the guitar back to the couple. Walked off the stage. It was quiet while a couple started to sing again. They were good. He started to sing. People began to chatter again. The cash register rang, and I, I certainly have no idea how he managed to command that room to have everybody shut up while he sang and listened to him. He didn't do anything. There was nothing, you know, no announcement. It wasn't like, oh, look, there's Jimmy. It was just his, his performance. It was great, and I was really glad to be working with him the next day well.   Michael Hingson ** 57:56 And I think that having that kind of command and also being unassuming about it is pretty important if you've got an ego and you think you're the greatest thing, and that's all there is to it. That shows too, yeah?   Ivan Cury ** 58:08 Well, some people live on it, on that ego, yeah, and I'm successful on it, I don't think that was what. It certainly   Michael Hingson ** 58:17 wasn't, no, no, no, and I'm not saying that. I'm sure it wasn't that's my point. Yeah, no, because I think that the ultimate best people are the ones who don't do it with ego or or really project that ego. I think that's so important, as I said earlier, for me, when I go to speak, my belief is I'm going to to do what I can to help whatever event I'm at, it isn't about me at all. It's more about the audience. It's more about what can I inspire this audience with? What can I tell the audience and talk with the audience about, and how can I relate to them so that I'm saying something that they want to hear, and that's what I have to do. So if you had the opportunity to go back and talk to a younger Ivan, what would you tell him?   Ivan Cury ** 59:08 Cut velvet? No, there you go. No, what? I don't. I really don't. I don't know.   Michael Hingson ** 59:18 Talk Like a fish. More often   Ivan Cury ** 59:20 talk like a fish. More on there. Maybe. No, I really don't know. I don't know. I think about that sometimes, what it always seems to be a question, what? Really it's a question, What mistakes did you make in life that you wish you hadn't done? What door you wish Yeah, you would open that you didn't? Yeah, and I really don't, I don't know. I can't think of anything that I would do differently and maybe and that I think there's a weakness, because surely there must be things like that. I think a lot of things that happen to one in life anyway have to do with luck. That's not, sort of not original. But I was surprised to hear one day there was a. It. Obama was being interviewed by who was by one of the guys, I've forgotten his name that. And he was talking about his career, and he said he felt that part of his success had been a question of luck. And I very surprised to hear him say that. But even with, within with my career, I think a lot of it had to do with luck I happen to meet somebody that right time. I didn't meet somebody at the right time. I think, I think if I were to do so, if you would, you did ask the question, and I'd be out more, I would be pitching more. I think I've been lazy in that sense, if I wanted to do more that. And I've come to the West Coast quicker, but I was doing a lot of was in New York and having a good time   Michael Hingson ** 1:00:50 Well, and that's important too, yeah. So I don't know that I changed, I Yeah, and I don't know that I would find anything major to change. I think if somebody asked me that question, I'd say, tell my younger self that life is an adventure, enjoy it to the fullest and have fun.   Ivan Cury ** 1:01:12 Oh, well, that's yes. That was the I always believe that, yeah, yeah. It's not a question for me, and in fact, it's one of the things I told my kids that you Abraham Lincoln, you know, said that really in it, in a way a long time ago. He said that you choose you a lot of what you way you see your life has to do with the way the choices you make about how to see it, right? Yeah, which is so cool, right? And one of the ways you might see it says, have fun,   Michael Hingson ** 1:01:39 absolutely well, Ivan, this has been absolutely fun. We've been doing it for an hour, believe it or not, and I want to thank you for being here. And I also want to thank everyone who is listening for being with us today. I hope you've enjoyed this conversation, and I'd love to hear what your thoughts are. Please feel free to email me. I'd love to hear your thoughts about this. Email me at Michael h i at accessibe, A, C, C, E, S, S, i, b, e.com, so Ivan, if people want to reach out to you, how do they do that?   Ivan Cury ** 1:02:10 Oh, dear. Oh, wait a minute, here we go. Gotta stop this. I curyo@gmail.com I C, u, r, y, o@gmail.com There you go. Cury 1r and an O at the end of it, not a zero. I curyo@gmail.com Yeah.   Michael Hingson ** 1:02:30 Well, great. Well, thank you again, and all of you wherever you're listening, I hope that you'll give us a great review wherever you're listening. Please give us a five star review. We appreciate it, and Ivan, for you and for everyone else listening. If you know anyone else who ought to be a guest on our podcast, love to hear from you. Love an introduction to whoever you might have as a person who ought to come on the podcast, because I think everyone has stories to tell, and I want to give people the opportunity to do it. So once again, I want to thank you, Ivan, for being here. We really appreciate it. Thanks for coming on and being with us today. Thank you.   1:03:10 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Parody of "Ordinary" by Alex Warren about a zombie apocalypse

Today, the Spotlight shines On writer Chris O'Leary.Chris has spent over a decade and a half writing what's become the definitive study of David Bowie's songbook. His blog, Pushing Ahead of the Dame, covers every song on every album in Bowie's extensive canon. The first post from 2009 covers David's first single, 1964's “Liza Jane”, and the most recent is about Chris's latest work, a newly revised edition of Rebel Rebel, a collection of his writings on Bowie songs from 1963 - 1976. Chris has written for Pitchfork, Slate, and Billboard, and he's currently working on an online project called 64 Quartets, a series exploring musical quartets across genres.I previously booked Chris back in 2021 to speak at the Bowie 75 pop-up I produced in New York City. There, he presented on Bowie and Brian Eno's 1995 album Outside.Chris is here to discuss his updated book, what new archival releases have taught us about Bowie's creative process, and why he chose the blog format to tackle one of music's most ambitious projects.If you are interested in more of our episodes touching on the life and work of David Bowie, check out last week's episode with Donny McCaslin, 2022's episode with Chris Duffy, or 2021's episode with David Whitehead.–Dig DeeperChris O'Leary's blog "Pushing Ahead of the Dame"Rebel Rebel: The Songs of David Bowie, 1963-1976 (revised edition, July 2025)Ashes to Ashes: The Songs of David Bowie, 1976-2016Repeater BooksDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On writer Chris O'Leary.Chris has spent over a decade and a half writing what's become the definitive study of David Bowie's songbook. His blog, Pushing Ahead of the Dame, covers every song on every album in Bowie's extensive canon. The first post from 2009 covers David's first single, 1964's “Liza Jane”, and the most recent is about Chris's latest work, a newly revised edition of Rebel Rebel, a collection of his writings on Bowie songs from 1963 - 1976. Chris has written for Pitchfork, Slate, and Billboard, and he's currently working on an online project called 64 Quartets, a series exploring musical quartets across genres.I previously booked Chris back in 2021 to speak at the Bowie 75 pop-up I produced in New York City. There, he presented on Bowie and Brian Eno's 1995 album Outside.Chris is here to discuss his updated book, what new archival releases have taught us about Bowie's creative process, and why he chose the blog format to tackle one of music's most ambitious projects.If you are interested in more of our episodes touching on the life and work of David Bowie, check out last week's episode with Donny McCaslin, 2022's episode with Chris Duffy, or 2021's episode with David Whitehead.–Dig DeeperChris O'Leary's blog "Pushing Ahead of the Dame"Rebel Rebel: The Songs of David Bowie, 1963-1976 (revised edition, July 2025)Ashes to Ashes: The Songs of David Bowie, 1976-2016Repeater BooksDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Just a song about a humble wiener dog trying to do his best.

The Arch Stanton Quartet (ASQ) will present a series of upcoming free performances of music, readings, and reflections inspired by Paul Bowles' celebrated 1949 novel “The Sheltering Sky.” Performances will be held at libraries throughout Albany County, supported by a community arts grant from the Albany County Arts and Culture program, coordinated by Advance Albany County Alliance.On its surface, Bowles' novel follows an American couple, Port and Kit Moresby, and their friend Tunner on a journey of post-WWII North Africa. Enigmatic and philosophical, the richly layered novel ultimately explores the depths of the human psyche, and its descent into despair and alienation. Less known is Bowles' work as a composer of music.

I Made It with Cartoon Characters (It's Weird but Not Atrocious) (parody of "Supercalifragilisticexpialidocious" from Mary Poppins) Music by The Sherman Brothers New lyrics by Sulu Special thanks to : the great Luke Ski (the inspiration behind this song) Christopher Bay Jeff Morris (for technical and audio assistance) Michael Lestatkatt (for technical and audio assistance) Mike Kieffer Steve Goodie (for sharing his stage with me, allowing me to debut the song in front of a live audience)) David Vasquez and Jeff Lewis at Moonlight Studios L.A. (production) And last but not least: Dr. Demento (Beh) I've always been a loyal fan of cartoon characters of the 1960s and '70s, and wondered what it would be like to have them be my friends. I always fantasized about jumping into an animation reel with them. Ha ha! the great Luke Ski was always doing funny cartoon-related songs, which served as inspiration for me, as well as current movies and TV series about modern cartoon characters. I decided to spice up the lyrics and take my fantasy friendships up a notch!

Programa on el Jazz actual és la clau, amb novetats d'editorials de casa nostra com Fresh Sound New Talent, Quadrant Records i Temps Record, pel que fa al Jazz d'autor. Amb Miquel Tuset. podcast recorded with enacast.com

In this episode, Aaron and Bruno dive into the latest Nintendo Direct before reviewing four standout titles: the long-awaited Hollow Knight: Silksong, the retro-inspired Quartet, the explosive Borderlands 4, and the laid-back charm of Everybody's Golf Hot Shots. Playlist: Hollow Knight: Silksong (https://store.steampowered.com/app/1030300/Hollow_Knight_Silksong/) Everybody's Golf Hot Shots (https://store.steampowered.com/app/2730810/EVERYBODYS_GOLF_HOT_SHOTS/) Quartet (https://store.steampowered.com/app/1307960/Quartet/) Borderlands 4 (https://store.steampowered.com/app/1285190/Borderlands_4/)

Classical Post® is created and produced by ⁠Gold Sound Media⁠® LLC, the global leader in strategic marketing and PR for classical music, opera, and the performing arts. At Gold Sound Media, we elevate artists' careers through our signature holistic brand messaging approach, helping you connect with audiences and unlock your full potential.Explore how we can amplify your brand and discover the impact of strategic marketing done right.If you enjoy these artist conversations, sign up for our newsletter for more behind-the-scenes insights and stay up to date with exclusive content tailored for the classical music community.

This episode features a conversation with Vinthya Perinpanathan and members of the ADAM Quartet about musical exchange and artistic collaboration across genres and histories. The ADAM Quartet is a young string quartet consisting of Minna Svedberg (viola), Margot Kolodziej (violin), Julia Kleinsmann (violin), and Renée Timmer (cello). The group formed in Amsterdam and has performed at major venues and festivals in The Netherlands. Besides playing the traditional string quartet repertoire, ADAM regularly collaborates with contemporary composers working in other musical styles and disciplines. One such composer is this episode's fifth guest, Vinthya Perinpanathan. Trained in Western-Classical music, Vinthya has begun exploring Sri Lankan and South Asian music in her ​​compositions as well. This month, ADAM releases its debut album called Exquisite Corpse, and in January, the string quartet will play a new piece composed by Perinpanathan. In their conversation, and through several audio examples, the ADAM Quartet and Vinthya discuss new music collaborations as well as the importance and challenges of ​combining different musical traditions. Hosted on Acast. See acast.com/privacy for more information.

Ο Σωκράτης Σινόπουλος γεννήθηκε στην Αθήνα. Σπούδασε κλασική κιθάρα με την Μαρία Γαλάνη και τον Βασίλη Γρατσούνα, θεωρητικά με τον Μιχάλη Αδάμη και βυζαντινή μουσική και δημοτικό τραγούδι με τον Γιάννη Τσιαμούλη. Το 1988 ξεκίνησε μαθήματα πολίτικης λύρας και λαούτου με τον Ross Daly και ένα χρόνο αργότερα έγινε μέλος του συγκροτήματός του «Λαβύρινθος». Έκτοτε, συνεργάζεται με μουσικούς από την Ελλάδα και το εξωτερικό σε διάφορα μουσικά σχήματα, συμμετέχοντας σε ηχογραφήσεις και συναυλίες σε όλο τον κόσμο. Μεταξύ άλλων έχει ηχογραφήσει για την Blue Note με τον Charles Lloyd,για την Harmonia Mundiμε τον Jean Quihen Queyras, για την ECM με την Ελένη Καραΐνδρου και για την Fuga Libera με το συγκρότημα παλαιάς μουσικής L'Achéron. Το 1999 βραβεύθηκε από το Υπουργείο Πολιτισμού με το Κρατικό Βραβείο Νέων Καλλιτεχνών: «Μελίνα Μερκούρη».Το 2010 δημιούργησε το Σωκράτης Σινόπουλος Quartet.Το πρώτο άλμπουμ του κουαρτέτου εκδόθηκε το 2015, με παραγωγό τον Manfred Eicher από την ECM records, με τίτλο “Eight Winds” και απέσπασε εξαιρετικές κριτικές διεθνώς. Το 2018 εκδόθηκε το άλμπουμ του “Under the Rose Tree – Tunes from the Greek musical traditions” από την εταιρεία Saphrane records, το οποίο επιλέχθηκε ανάμεσα στα καλύτερα CD για το 2018 από την ένωση κριτικών μουσικής της Γερμανίας. Το 2019 ακολούθησε το δεύτερο άλμπουμ του κουαρτέτου, το  “Metamodal”. Είναι καθηγητής του  Τμήματος Μουσικής Επιστήμης και Τέχνης του Πανεπιστημίου Μακεδονίας.Στις 27 Σεπτεμβρίου συμμετέχει στα «Ιερά Μονοπάτια – Από τα Μυστήρια της Ελευσίνας στη Βυζαντινή Ψαλμωδία και την Παράδοση των Μεβλεβί Δερβίσηδων», στον αρχαιολογικό χώρο Ελευσίνας.

The votes are in! Expedition 33 has defeated Xenoblade Chronicles in a VERY close vote. We'll be covering E33 next as a long-form podcast series! Additionally, I have seven excellent indie titles that you should check out! You definitely want to take a look at these; don't miss out on them! Time Codes: 1. Intro (0:00) 2. E33 Wins The Vote! (1:10) 3. Next Week's Podcast Episode Topic (2:28) 4. Quartet (3:44) 5. Geo Mythica (5:13) 6. Kingdoms of the Dump (7:08) 7. Shrine's Legacy (8:4) 8. Sacrifire (10:32) 9. Replaced (12:00) 10. Lost Hellden (13:52) 11. Outro (16:52)

durée : 00:59:52 - Tout ce qui rend libre - par : Nathalie Piolé -

おはようございます。お寺の朝から始める、安養な生活。あなたのウェルビーイングがととのう、テンプルモーニングラジオの時間です。隔週でお届けするアンコール配信。285週目は奈良県天理市 浄土宗 善福寺 桂浄薫さんをゲストにお迎えした2021年のトークを再配信します。本日の話題は「和文のお経、善福寺」。♪ ゲストご紹介ページhttps://note.com/pilgry/n/n81eb9d7082cbお経のコーナーは愛媛県今治市 臨済宗妙心寺派 海禅寺 薬師寺寛邦さんによる「般若心経 (cho and strings quartet vesion) 」。♪ お経ゲスト紹介ページhttps://note.com/pilgry/n/nc06b14473b58noteマガジン「Temple Morning Radioの歩きかた」ではゲストに関する詳しい情報をご確認いただけます。コメント欄ではメッセージもお待ちしています。ぜひ、マガジンをフォローしてお楽しみください。♪ Temple Morning Radioの歩きかたhttps://note.com/pilgry/m/m6cd9c95f8001この番組を、より多くの方に聴いていただけるように安定的継続と今後さらなる活動を広げていくために、皆さまからの温かいご支援をお待ちしております。https://pilgry.net/donation/---「テンプルモーニングラジオ」「音の巡礼」の音源が地図から探せるWebサイト「pilgry」をご活用ください！https://pilgry.net

durée : 00:59:07 - JAZZ ! - par : Sébastien Llinares - "Je vous propose une émission jazz avec l'excellente guitariste italienne Eleonora Strino, il y a en ce moment une école italienne dans la guitare jazz époustouflante. On passera par la case Gypsy Jazz, avec la musique d'Angelo Debarre accompagné de Serge Camps & Frank Anastasio." Sébastien Llinarès - réalisé par : Patrick Lérisset Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

When he wasn't coming up with world changing ideas, Leonardo DaVInci had a side hustle.

This week we're joined once again by Westen from Big Nerd Gaming! Since the last time he was on he has debuted his own podcast, and you should check it out! We also had a lot of games to talk about, and a surprisingly large amount of movies, as well. But per Westen's request: NO FUN.00:00 Introduction, The Big Nerd Gaming Podcast18:36 Hollowknight: Silksong36:41 Shinobi: Art of Vengeance, Eriksholm: The Stolen Dream58:34 Quartet, Heading Out, closing thoughts on MGS Delta, Is This Seat Taken?01:27:50 Chrono Gear: Warden of Time01:42:45 Movie roundup (Ready or Not, Ghost Stories, Oddity, Late Night With the Devil, Prisoners, Weapons, The Crow 2024)02:05:08 CQC (Comments, Questions, Concerns)Be sure to listen to the first episode of the Big Nerd Gaming Podcast! https://www.youtube.com/watch?v=TXdPwHXoCLoThen go to the Big Nerd Gaming blog for more! https://bignerdgaming.com/ Theme song and interstitial music by Megan McDuffee: https://meganmcduffee.comLogo and artwork by John GholsonAnnouncer: John GholsonJoin our Discord, learn about how you can support the show, and more: https://linktr.ee/TheStageSelectEmail: thestageselectpod@gmail.comCopyright 2024 Space Monkey Mafia Productions

This is really really gross. I think that's all you need to know. Music: Van Morrison Words: SG and Niamh Bagnell Guitars, bass, drums, keyboards, vocals, arrangement, production: SG This is from my latest album "The Artist Eventually Known As Somebody You've Heard Of," which you should definitely buy at www.stevegoodie.com !

As summer comes to a close, let's reminsce about one of our least favorite things about spring and summer: ticks! Meowmeme is new on the scene and is age 13. She came up with this song at age 11, but changed the lyrics a lot recently. This is a parody of "Take on Me" by Aha. Vocals and lyrics by Alexann. Additional vocals and lyrics by Carrie Dahlby. Instrumental by Ben Stahl. Mixing and mastering by Jace McLain.

durée : 00:11:08 - Henryk Gorecki : Quatuors n°1 et 2 - Kronos Quartet - Cet album, paru en 1993 sous le label Nonesuch, réunit l'enregistrement des quatuors n°1 et n°2 du compositeur polonais Henryk Górecki par le Kronos quartet. Commandées par le Lincoln Center, ces deux pièces sont dédiées aux musiciens du quatuor américain. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Because getting old can suck sometimes (but it's still better than the alternative...) From the album "Off Brand."

✦ Produced at Assembly Studios in Atlanta, CBS's "Beyond the Gates" follows the relationships, rivalries, and secrets that follow the residents of the fictional gated community of Fairmont Crest. The fall season of the first African American daytime soap opera kicked off on Monday and features a diverse lineup of veteran talents and fresh faces. Two of the latter include actors Colby Muhammed and Ambyr Michelle, who play rival sisters Kat Richardson and Eva Thomas. The two burgeoning scene stealers recently spoke with City Lights Collective member Kenny Murray about their personal career journeys and what's ahead for the freshman daytime drama. ✦ We love hearing from our artistic community In Their Own Words. This is where they tell us who they are, what they do, what they love, and a few things you might not see coming. What things? Who knows, there's only one way to find out. Today, we hear from Atlanta artist Demetri. ✦ 23-year-old singer ivri has carved out a distinct place for herself in the internet's hyper-saturated music scene. She made her debut at the age of 15, posting faceless snippets of her singing on Instagram that garnered hundreds of thousands of views and a dedicated fanbase that has stuck with her for the better part of a decade. Now a seasoned musician with millions of monthly listeners worldwide, Ivri released her debut album, "Tower of Memories," last month, and is embarking on her first headlining tour across the country. Ahead of her Atlanta performance at Masquerade on September 16, she spoke with City Lights Collective member Jacob Smulian and began by explaining what it was like to take a leap of faith and move to New York City, by herself, at only 18 years old. ✦ Starting in the 1880s, each year on September 1, every single lease in the City of Atlanta—yes, the entire city—expired and renters moved out and into new homes…on the exact same day. Wagons jammed the streets. Furniture everywhere. Tempers flaring. Back pain? Guaranteed. From utility workers following behind to reset phone lines and gas, to real estate tycoons begging for more rental properties. So how did it all work? And when did it finally disappear? City Lights Collective member and self-proclaimed history nerd Victoria Lemos has more. ✦ Atlanta's first-ever full-time string quartet is celebrating 20 years with a free concert tomorrow, September 12. WABE arts reporter Summer Evans shares more about the Vega Quartet. ✦ There are not many places and productions where Orisha Mythology, Caribbean folklore, dance, and Black Punk music all come together to create an artistic gumbo that is sure to stick to your ribs and blow your mind. In Atlanta, we are in luck because F.Punk Junkies is such a production, and 7Stages is the place to see it. City Lights Collective co-host Jon Goode caught up with some of the people creating this magical, mystical theater experience in Little Five Points.See omnystudio.com/listener for privacy information.

durée : 00:12:50 - Le Disque classique du jour du mercredi 10 septembre 2025 - De nouveau associé à l'arrangeur instrumental tchèque Jiří Kabát, le Quatuor Talich nous invite à une plongée dans le répertoire folklorique de la Mitteleuropa. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:12:50 - Le Disque classique du jour du mercredi 10 septembre 2025 - De nouveau associé à l'arrangeur instrumental tchèque Jiří Kabát, le Quatuor Talich nous invite à une plongée dans le répertoire folklorique de la Mitteleuropa. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

We had a lot of fun making this song for the Dr. D compilation album! We love Dr. D! As Jax says in the song, he bought us tacos. That's awesome!

Don't miss two award-winning performances from the Fischoff National Chamber Music Competition, including a teen trio from the Bay Area and a sax quartet from a San Antonio High School.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

On this episode of Inside the Music, Derek Delaney, Artistic Director of Capital Region Classical, takes a look into the final string works of Mozart through live CRC performances by the Artemis Quartet, Musicians from Marlboro, and Belcea Quartet.Quartet in B‐flat Major, K. 589LarghettoMenuettoAllegro assaiArtemis Quartet [2/12/2006 performance]Viola Quintet in D Major, K. 593AdagioMenuettoMusicians From Marlboro [2/23/2008 performance]Lily Francis & Yura Lee, violins; Eric Nowlin & Maiya Papach, violas; Marcy Rosen, celloQuartet in F Major, K. 590AndanteMenuettoAllegroBelcea Quartet [10/16/2014 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

In this episode, we discuss recordings of“Libro primo” (ECM) by Rolf Lislevand, “Marschner: Piano Trios, Vol. 2” (Naxos) by the Gould Piano Trio, “The Spirit of Love: Chamber Music by Ailsa Dixon” (Resonus Classics) by The Villiers Quartet, Lucy Cox & Charlie Draper, “Chapter One” (Jazz Bird Records) by Caelan Cardello, “Reflections – Facing South” (Savant) by Conrad Herwig, Eddie Palmieri & Luques Curtis, and “Vanguardia Subterránea: Live at the Village Vanguard” (Miel Music) by the Miguel Zenón Quartet.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 227 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “Libro primo” (ECM) Rolf Lislevand https://open.spotify.com/album/3XPfRhPmgp2sTj5rLPPH2I https://music.apple.com/us/album/libro-primo/1826581965 https://music.amazon.com/albums/B0FHJ5H7JV   “Marschner: Piano Trios, Vol. 2” (Naxos) Gould Piano Trio https://open.spotify.com/album/4yS40CCrjGj3kgiwqaxFW6 https://music.apple.com/us/album/marschner-piano-trios-vol-2/1830584900 https://music.amazon.com/albums/B0F8P6HXPZ   “The Spirit of Love: Chamber Music by Ailsa Dixon” (Resonus Classics) The Villiers Quartet, Lucy Cox, Charlie Draper https://open.spotify.com/album/1n0dzk33jIcjH8dgXm2HHV https://music.apple.com/us/album/the-spirit-of-love-chamber-music-by-ailsa-dixon/1828416069 https://music.amazon.com/albums/B0FJMDSCTW   “Chapter One” (Jazz Bird Records)  Caelan Cardello https://open.spotify.com/album/2lblGX2zuKX7kdr8jU3ruq https://music.apple.com/us/album/chapter-one/1803831507 https://music.apple.com/us/album/chapter-one/1803831507   “Reflections – Facing South” (Savant)  Conrad Herwig, Eddie Palmieri, Luques Curtis https://open.spotify.com/album/5mbPQCkDVz8IZGPRFPY1FM https://music.apple.com/us/album/reflections-facing-south-feat-eddie-palmieri-luques/1825959081 https://music.amazon.com/albums/B0FH82S4B2   “Vanguardia Subterránea: Live at the Village Vanguard” (Miel Music)  Miguel Zenón Quartet https://open.spotify.com/album/4X3wYOIiV45eBtVcM2pKHa https://music.apple.com/us/album/vanguardia-subterránea-live-at-the-village-vanguard/1820975391 https://music.amazon.com/albums/B0FDBMPHZY  

A Goth-Folk ditty, about being dirty. "Stripped Mix" available exclusively at the FUMP. Dizman - Acoustic Guitar/Vocals/Lyrics Keymaster - Programming/Mixing/Production Written by Chris " Dizman" Grice.

Brandon, James, Britnee, and Hanna discuss a grab bag of Merchant Ivory costume dramas, starting with the company's 1992 hit Howards End https://swampflix.com/ 00:00 KPop Demon Hunters (2025) 08:17 Boys Go to Jupiter (2025) 10:52 Salt of the Earth (1954) 16:18 Weapons (2025) 27:09 Howards End (1992) 56:10 Savages (1971) 1:11:26 Quartet (1981) 1:23:04 The Remains of the Day (1993)

Rewind Episode: Honoring Keith “Wonderboy” JohnsonIn September, we remember the late Keith “Wonderboy” Johnson, the beloved Gospel Quartet artist who passed away suddenly in 2022 at just 50 years old. The gospel world, his family, and fans everywhere were left in shock.In tribute, the Lin. Woods Gospel Entertainment Podcast is pulling from the vault my 2020 conversation with Keith. In this rewind episode, he shares his journey in gospel music, the story behind his then-latest song “Try Jesus,” how a chance meeting at White Castle led to his first record deal, his dream of becoming a basketball star, and even his days working on Wall Street.Keith was more than an artist—he was a father, son, label owner, songwriter, and most importantly, a true son of God. This episode is a heartfelt celebration of his legacy.Listen. Follow. Comment. Download FREE.Follow me on social media: Twitter/X: @linwoods Instagram & TikTok: @linwoods96 Facebook & LinkedIn: @Lin Woods#KeithWonderboyJohnson #GospelMusic #GospelQuartet #LinWoodsGospelEntertainmentPodcast #GospelLegend #Inspiration #Faith

Tuesday, we meet Andy Nevlla of the Andy Nevala Quartet. Latin Jazz with songs Isn't She Lovely, Lamento Cubano, The Party, A Night In Tunisia and The Girl From Ipanema

Peeping Tom

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Live Interview with Tyler Mire (Composer) and Peter Ruibal, (Programmer) about their recently released, breakout Indie Hit: "QUARTET!"Wishlist Quartet on Steam: https://store.steampowered.com/app/1307960/Quartet/HitPoint JRPG Podcast Ep 120✩ Audio Version ✩ ► https://superderekrpgs.com/hitpoint/ SOCIAL LINKS --------------------------------------------------- ✩ Derek ✩ ►Twitch: https://www.twitch.tv/SuperDerekRPGs►Bluesky: https://bsky.app/profile/superderekrpgs.com ►Youtube: https://www.youtube.com/@SuperDerek ►Discord: https://discord.me/superderek✩ Baku ✩ ►Twitch: https://www.twitch.tv/BakusanOG►Bluesky: https://bsky.app/profile/bakusanog.bsky.social ►Youtube: https://www.youtube.com/WeebSauce ►Discord: https://discord.me/ABC UPCOMING RELEASES --------------------------------------------------- ►Shuten Orderhttps://www.youtube.com/watch?v=JLlfmevjGAk ►Daemon X Machina: Titanic Scionhttps://www.youtube.com/watch?v=B1MS44lS0HQ GAME ANNOUNCEMENTS --------------------------------------------------- ►Million Depthhttps://www.youtube.com/watch?v=g1TbFeXUbv8 ►STARBITEShttps://www.youtube.com/watch?v=ZBPp99gfzO8►Ys Memoire: Revelationshttps://www.youtube.com/watch?v=vWqxCnLRPvo ►Ys X: Proud Nordicshttps://www.youtube.com/watch?v=TjgJnBtV-j4►Tales of Xillia Remasteredhttps://www.youtube.com/watch?v=Vky55fYInh8►Black Myth: Zhong Kuihttps://www.youtube.com/watch?v=4r1hl2nvAEY TIMESTAMPS---------------------------------------------------Welcome Back to Hit Point!0:00:00 Welcome Back to Hit Point!0:01:07 Intro0:01:30 Baku, how are you doing?0:02:41 Important Baku announcement0:05:08 Derek, what were you up to?Developer Interview – QUARTET (Tyler Mire & Peter Ruibal)0:08:25 Introduction0:10:00 Watching QUARTET trailers0:18:45 Are you founding members from Something Classic?0:24:07 How have your roles changed over time?0:26:15 How did demo feedback influence the game?0:32:24 Who was in charge of art direction?0:37:53 Musical influences for QUARTET0:45:39 Working with someone who studies JRPG classics0:47:59 How does the mission statement of Something Classic shape the game?0:53:19 Did “save anywhere” add complexity to programming or playtesting?0:56:08 What makes a great JRPG experience in 2025?1:00:52 How has remote work affected the project?1:02:50 How many bugs did the Oxford comma produce?1:08:50 Plans for post-launch1:14:37 Thoughts on Switch 2 and QUARTET1:15:36 Native resolution of QUARTET1:18:16 Future direction of Something Classic1:33:39 Does the game have any missables?1:36:45 Favorite front-row characters1:39:40 Is a longer game possible in the future?1:42:11 Prequel or sequel potential?1:48:22 Did you steal the 200+ lightning dodges from FFX?1:54:11 Any hopes for a Microsoft Store release?2:01:03 Possibility of a physical Collector's Edition?2:01:49 Can the Hippo become an overpowered dancer/tank?2:03:09 Was there a question you wished we asked?2:04:44 Interview OutroGame Delays2:08:13 Corpse Party – Delayed2:09:04 Edge of Memories – DelayedUpcoming Releases This Week2:09:49 Shuten Order2:14:45 Daemon X Machina: Titanic ScionNew Game Announcements2:19:11 STARBITES – 20262:21:35 Ys Memoire: Revelations – Early 20262:25:27 Ys X: Proud Nordics – 20262:31:19 Tales of Xillia Remastered – Oct 31, 20252:37:22 Black Myth: Zhong Kui – TBA2:46:53 Million Depth – Nov 12, 2025Industry News2:41:37 RGG Summit – Sept 24Responding to Super Chats2:46:00 Super Chat 1: Keep up the great work, Something Classic2:46:35 Super Derek Mug2:47:48 Super Chat 2: Breath of Fire Remastered when?Last Week's Comments2:49:12 Comment 1: Anime is Gakkougurashi (School-Live!)2:50:33 Comment 2: Still a market for physical games2:54:07 Comment 3: Ys vs Trails delay isn't about Switch 2 key cardsOutro2:55:10 Outro

Matt & Geoff are joined by Tyler Mire, Producer and Composer of the recently released Quartet, from Something Classic Games. Something Classic makes throwback RPGs that feel like how we remember them, but can be finished by people with busy schedules. Tyler discusses the process of planning out Quartet, composing the soundtrack, and keeping a classic feel while giving a modern gaming experience. You can find Quartet on Steam. You can find Something Classic on Bluesky and Twitter We have a Patreon! Gain access to episode shout outs, bonus content, early downloads of regular episodes, an exclusive rss feed and more! Click here! You can find the show on Bluesky, Instagram and YouTube! Please rate and review us on Apple Podcasts! Rate us on Spotify! Wanna join the Certain POV Discord? Click here!  

Mother nature wants us dead. Some of us more than others. From the album "Off Brand."

A creator of FuMPy music's life is an eternal tug-of-war between our desire to be good at music and our desire to obsess over the videogames, anime, and other nerdy hobbies that lead us down this dark path. Nerd Regrets is an ode to one of those sides losing. As I spend more and more time trying to master the craft of playing geeky music, I have spent less and less time immersed in the geeky cultures inspiring the music. It is a litany of failure in under two minutes

On this week's Random Encounter, let's head to the bazaar and see what the RPGFan stall has in stock!First up, Niki is here to chat about Story of Seasons: Grand Bazaar. Harvest Moon DS: Grand Bazaar was a beloved entry in this long-running series on the Nintendo DS. Does this remake (with some updated branding) live up to the memories of the original?Then, Neal is here to share his thoughts about Quartet, a new retro-style JRPG from the developer of Shadows of Adam. While it looks like a pretty standard SNES JRPG on the surface, it is the mature storytelling and more modern mechanics that set it apart. If you miss the days of the SNES, this might be an RPG you'll want to check out!And finally, the entire panel shares what they are most excited about that was announced at Gamescom 2025!Featuring: Jono Logan, Neal Chandran, and Niki Fakhoori; Edited by Jono LoganGet in Touch:RPGFan.comRPGFan ShopEmail us: podcast@rpgfan.comTwitter: @rpgfancomBluesky: @rpgfan.bsky.socialInstagram: @rpgfancomThreads: @rpgfancomFacebook: rpgfancomTwitch: rpgfancomThis Episode's Related Links:Story of Seasons: Grand Bazaar ReviewHarvest Moon DS: Grand Bazaar ReviewQuartet ReviewShadows of Adam Review

TurdOrTreasure is ThisWeekInGeek's dedicated review show covering everything from games to movies to tv to electronics and everything between!Show Links:https://store.steampowered.com/app/3524160/Crescent_Tower/https://store.steampowered.com/app/3239650/Garfield_Kart_2__All_You_Can_Drift/https://store.steampowered.com/app/2074740/Particle_Hearts/https://store.steampowered.com/app/1307960/Quartet/https://store.playstation.com/en-us/concept/10008749https://store.steampowered.com/app/3556750/Warhammer_40000_Dawn_of_War__Definitive_Edition/Your Geekmaster:Alex "The Producer" - https://bsky.app/profile/dethphasetwig.bsky.socialFeedback for the show?:Email: feedback@thisweekingeek.netTwitter: https://twitter.com/thisweekingeekBluesky: https://bsky.app/profile/thisweekingeek.bsky.socialYouTube: https://www.youtube.com/channel/UCc1BfUrFWqEYha8IYiluMyAiTunes: https://podcasts.apple.com/us/podcast/this-week-in-geek/id215643675Spotify: spotify:show:0BHP4gkzubuCsJBhU3oNWXCastbox: https://castbox.fm/channel/id2162049Website: https://www.thisweekingeek.netAugust 25, 2025

Beautiful Hawaiian Music This is episode eleventeen hundred three thousand and forty-three of Spinning My Dad's Vinyl.  I might as well say anything I want anymore, because according to the liner notes on this album, the featured artist played all 32 instruments and sings like Bing Crosby. While the singer's voice does bear a remarkable resemblance to der Bingle, I had two Artificial Intelligence platforms arguing about if anything about Jack La Delle is real.  While I'll of course cover that story in a while, there is no mistaking the beauty of the music on this record, which I can only prove - through photos and videos for myself - the beauty of the island nation it represents. So get ready to hang loose, hang ten, then bid a sweet aloha in Volume 243: Hi-Fi Hawaii. For more information about this album, see the Discogs webpage for it.  Credits and copyrights Jack La Delle – Hawaiian Holiday In Hi-Fi Label: Design Records – DLP 53 Format: Vinyl, LP, Album Released: 1958 Genre: Pop, Folk, World, & Country We will hear 6 of the 10 tunes on this album. Blue Hawaii written by Leo Robin, Ralph Rainger First recorded by Jack Denny and His Orchestra - Vocal by Sonny Schuyler on February 19, 1937. Sweet Leilani written by Harry Owens First recording by Ted Fio Rito and His Orchestra - Vocal Chorus by The Debutantes and Muzzy Marcellino on February 19, 1937 Song Of Old Hawaii written by Johnny Noble, Gordon Beecher First released by Al Kealoha Perry and His Singing Surfriders on August 15, 1938 Na lei o Hawaii (Song Of The Islands) written by Charles E. King First released by R. K. Holstein and Octette on June 1916. Sing Me A Song Of The Islands written by Mack Gordon, Harry Owens First recording by Ray Kinney and His Hawaiian Musical Ambassadors on December 19, 1941. It was released January 30 of 42. Aloha Oe written by Liliuokalani First recording by Quartet of Hawaiian Girls from Kawaihao Seminary on July 1, 1904 I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain. #musichistory #vinylcollecting #vinylrecords #musicalmemories

Hoy en el Clan Makovsky, Maika nos habla de un cuarteto de cuerda muy auténtico que apareció en uno de los momentos más difíciles de su visa profesional: Quartet Brossa.

From the Damn Skippy reissue!

One MUST have a parody of a Proclaimers song if one is to return to Scotland in the summertime... so now I do! Music: Charlie Reid and Craig Reid Lyrics: SG. Timothy J Weber, Niamh Bagnell Guitars, bass, drums, keyboards, vocals, arrangement, production: SG Vocal: Timothy J Weber Backing vocalizations: Timothy J Weber, Niamh Bagnell, Esme Davis From my new album which you should totally buy, "The Artist Eventually Known As Somebody You've Heard Of" at www.stevegoodie.com!

✦ At one point, it seemed like music fell into clear boxes. Hip Hop, R&B, Rock, Soul, Gospel, Heavy Metal, and so on and so on. As time moves forward, however, so many young artists grab their influences from such disparate and diverse places that the lines either blur or the boxes disappear completely. Take Atlanta artist Teddy Oso. Is his music hip hop, or is it R&B, or is it Soul? The answer is yes. City Lights Collective Co-Host Jon Goode caught up with Teddy Oso to discuss his career and his new album Once Upon a Time in Phoenix. ✦ City Lights Collective members Jasmine Hentschel and EC Flamming, the creatives behind Atlanta's visual art print magazine, "GULCH", want you to get out and engage with the city's art scene. Each week, they spotlight five standout happenings, and today, they'll talk about: winding down summertime at the mystical South River Art Studios, building giant piñata sculptures for Living Walls's quinceañero celebration, and congratulating Atlanta Printmaker's Studio on an impressive 20 years in operation. ✦ Peter Essick is no stranger to capturing the world around him. Outdoor Photography magazine named Essick one of the 40 most influential nature photographers. For over twenty-five years, he was a frequent contributor to National Geographic Magazine. And now, he's documenting the ever-evolving city around him: Atlanta. In Essick's book "Work in Progress," he photographs construction sites from his drone—examining the various textures, colors, and environmental impact of development. When WABE arts reporter Summer Evans spoke with Essick, he began by discussing his inspiration for the book. ✦ Alicia Bognanno is the frontwoman of the Nashville-based rock band Bully. Known for her searing vocals and razor-sharp songwriting, Bognanno channels a mix of vulnerability and defiance into music that resonates with fans of punk and grunge alike. Bully plays the EARL this Wednesday, August 20, and when Bognanno joined City Lights Collective member Jacob Smulian, she explained how her relationship with her audience has changed over the years. ✦ The Mosaic Quartet, an all-women of color classical music ensemble, performs a free outdoor concert on September 13. WABE arts reporter Summer Evans has more.See omnystudio.com/listener for privacy information.