Podcasts about Pete Seeger

Pop kann den Zusammenhalt stärken, Menschen mobilisieren, gegen Unterdrückung aufzustehen. Von "Where have all the flowers gone" von Pete Seeger, "Macht kaputt, was euch kaputt macht" von Ton Steine Scherben bis hin zu "Das ist alles von der Kunstfreiheit gedeckt" von Danger Dan – jede Generation hat ihre eigenen Protestsongs. Aktuell sorgt ein Auftritt der Rapformation Bob Vylan, bei dem sie den Tod israelischer Soldaten fordert, für Debatten: Wie weit darf musikalischer Widerstand gehen? Und kann Protest im Pop heute noch wirklich glaubwürdig sein, wenn Vermarktung ein so entscheidender Teil der DNA des Pop ist? Eva Röder diskutiert mit Jakob Biazza – Süddeutsche Zeitung; Prof. Dr. Marcus S. Kleiner – Medien- und Kommunikationswissenschaftler; Jenni Zylka – Journalistin und Autorin

This week on Labor History Today, we bring you a special episode celebrating folk legend Pete Seeger. In the first episode of A Weekend With Pete Seeger, recorded in 1999, Seeger sings, plays banjo, and shares stories of a lifetime fighting for labor rights, peace, and the environment. Captured just before his 80th birthday, these intimate conversations—long tucked away—bring Seeger's voice and spirit vividly to life. Our thanks and appreciation to Jean-Claude Kuner and Claus Vittus, who created the 5-episode Pete Seeger podcast for the Tønder Festival, an annual folk music festival in Tønder, Denmark.    Questions, comments, or suggestions are welcome, and to find out how you can be a part of Labor History Today, email us at LaborHistoryToday@gmail.com Labor History Today is produced by the Labor Heritage Foundation and the Kalmanovitz Initiative for Labor and the Working Poor. #LaborRadioPod #History #WorkingClass #ClassStruggle @GeorgetownKILWP #LaborHistory @UMDMLA @ILLaborHistory @AFLCIO @StrikeHistory #LaborHistory @wrkclasshistory  

The lyrics start like no song we'd ever heard back in the 1960s (or, well, since): Where the Walker runs down to the Carson Valley plain…The words also speak of pretty lights at nights “in Yerington town” and about a young woman whose beauty was toasted by strangers “where the Truckee runs through … (and) in Virginia City too…”Magical were all those names of Nevada rivers and tiny towns on the range. They were especially evocative to a bunch of teen-aged Easterners who had grown up watching cowboys on television and in the movies, but who had been not farther west than, say, Louisville.When eager young folkies first heard the song — on Ian & Sylvia's classic 1965 Early Morning Rain album — Californians Steve Gillette and Tom Campbell's “Darcy Farrow” also came with a to-die-for back story.The LegendThe original story came from the album's liner notes, written by Lee Hays of The Weavers. Citing Sylvia Fricker as his source, Hays wrote that one of the songwriters “had considerable experience as a student of an eminent folklorist where much effort was given to writing songs that would fool the teachers and pass as authentic.“Ian feels that this is no less authentic,” Hays added, “for it was written in the tradition of old-time cowboy tunes — just sentimental enough — and mighty convincing in its mention of names and places.”Hays' spare little origin story spread from coffeehouse to coffeehouse across the country, regularly embellished with each re-telling until it became something of “an urban legend,” folk musician Jim Moran recently noted on his website “Comparative Video 101.”By the time Moran heard it, the story had grown to relate how Gillette and Campbell had been two enterprising young men who had been given “what they regarded as an impossible assignment in a class in the UCLA department of folklore, one of the most distinguished of such university departments in the world. “The assignment was to do some field work in folk music,” Moran writes, “to go off into a rural section of the Mountain West and find either a traditional song that had been as of then undiscovered, or a significant variant of a song already known.”However, the story went, after covering hundreds of miles over spring break, visiting dozens of small towns in the rural Nevada/California border country in the shadows of the Eastern Sierra and along the Walker River, the two found nothing.“In desperate fear of failure on the assignment and perhaps in the class,” Moran says, “the two decided to write an original song in a traditional ballad mode about a pair of ill-fated young lovers in the Old West and submit it as a ‘discovery.' The song sounded so convincingly authentic that the professor of the class awarded them an A for the project.”Great story, but — now, isn't there just always a “but”? — the real roots of “Darcy Farrow” are at least as interesting as the myth, and we've got Steve Gillette himself to tell the real tale.Darcy Farrow's Real StoryAs he tells it on his own website, Gillette met Tom Campbell in the early 1960s. “My mom liked Tom a lot and encouraged him to be a part of our family, which he did. My sisters, Darcy and Karen, and my brother Jeff all adored Tom.”A pair of incidents in the Gillette household made a big impression on Campbell. “One night,” Steve writes, “Karen was driving home from a friend's wedding. She had a cold and had taken some cold medication, which combined with a little champagne at the wedding caused her to fall asleep at the wheel. She was lucky to escape with only a broken arm and some bruises. “That same weekend, Darcy, just 12 years old, was kicked by her horse and suffered a concussion and a broken cheekbone.“Tom was very moved by the twin tragedies, and came up with the whole saga of our song, ‘Darcy Farrow' set to a tune that I had adapted from a piece by Pete Seeger called ‘Living' In the Country.'”Gillette said he was initially reluctant to accept Campbell's lyrics, “because the story was so dark and my sister's name was used. My mom was the one who encouraged me to give it a chance. Both the lyrics and the music underwent substantial change as we worked on the song together. We drew on the traditional cowboy songs, many of which come down to us from the British Isles.”Meanwhile, sister Darcy “has been pretty good about the whole thing,” Gillette writes, “maybe a little embarrassed to be injured by a horse. (She admitted years later that she was trying to encourage the horse to buck.) But she has carried it well, and I think she even enjoys being a part of the story.”And About That UCLA Connection?Gillette also acknowledges that he and Tom were the ones who provided the seed for the urban legend about the song's origin. “When we had finished the song in the summer of 1964,” Steve says, “we had a chance to sing it for Ian & Sylvia. … Tom had taken a folklore class with D.K. Wilgus at UCLA and mentioned to Ian that he used to turn in songs he had written or added to and claimed he had collected them from his grandfather.”Ian Tyson got a big kick out of that idea, Gillette said, “and incorporated it into his introduction to the song. In their travels, Ian and Sylvia spread that story to lots of people around the country. Of course, they introduced the song to all those people at the same time. But we still have people ask if we wrote it for a college class.”Meanwhile, Back in West Virginia…In the Floodisphere, tunes like “Darcy Farrow” bring back lots of sweet memories. In the world of the Bowen Bash music parties in the 1970s where The Flood was born, the foremost performers of just about any Ian & Sylvia tune you could think of were the members in the wonderful Samples Brothers Band. Want a sample from The Samples? Click the Play button on the video above for the brothers' version of “Darcy Farrow,” recorded at a bash in the spring of 1979. That's Mack singing the rock-solid lead, Roger on the close harmony and Ted playing those sweet solos (with, as a bonus, a little soft background fiddling by The Flood's Joe Dobbs).Our Take on the TuneThis old tune hadn't been played in The Flood band room in more than a decade, but when “Darcy Farrow” dropped in at last week's rehearsal, it fit the moment as comfortably as a good old shoe.More Song Stories?If you enjoy our historical research on the songs The Flood plays, you can browse an archive of earlier articles in the Song Stories section.Click here to check it out. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Book Vs. Movie: “Alice's Restaurant” Arlo Guthrie's 1967 18-minute Song Vs the 1969 MovieArlo Guthrie's “Alice's Restaurant” is an 18-minute satirical folk monologue and song that became an anthem for the 1960s counterculture. Officially titled “Alice's Restaurant Massacree,” it was released in 1967 on his debut album.  The piece tells a true, albeit embellished, story from Thanksgiving 1965 about a littering arrest that prevented Guthrie from being drafted into the Vietnam War. Blending comedy and protest, the song critiques authority and the military draft system, recounting how disposing of garbage with a friend led to an arrest, which ironically disqualified him from military service.In this episode, the Margos discuss:The career of Arlo GuthrieThe story behind the songThe differences between the song & movie. The cast includes: Arlo Guthrie (as himself), Pat Quinn (Alice Brock), James Broderick (Ray Brock), Pete Seeger (as himself), Joseph Boley (Woody Guthrie), M. Emmet Walsh (Group W Sergeant.) Clips Featured:“The Town Dump”Alice's Restaurant (1969 trailer)“The Wedding Scene”“Pete Seeger and Woody Guthrie"“The Funeral Scene” (Songs to Aging Children by Joni Mitchell sung by Tigger Outlaw)Music by Arlo GuthrieFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Book Vs. Movie: “Alice's Restaurant” Arlo Guthrie's 1967 18-minute Song Vs the 1969 MovieArlo Guthrie's “Alice's Restaurant” is an 18-minute satirical folk monologue and song that became an anthem for the 1960s counterculture. Officially titled “Alice's Restaurant Massacree,” it was released in 1967 on his debut album.  The piece tells a true, albeit embellished, story from Thanksgiving 1965 about a littering arrest that prevented Guthrie from being drafted into the Vietnam War. Blending comedy and protest, the song critiques authority and the military draft system, recounting how disposing of garbage with a friend led to an arrest, which ironically disqualified him from military service.In this episode, the Margos discuss:The career of Arlo GuthrieThe story behind the songThe differences between the song & movie. The cast includes: Arlo Guthrie (as himself), Pat Quinn (Alice Brock), James Broderick (Ray Brock), Pete Seeger (as himself), Joseph Boley (Woody Guthrie), M. Emmet Walsh (Group W Sergeant.) Clips Featured:“The Town Dump”Alice's Restaurant (1969 trailer)“The Wedding Scene”“Pete Seeger and Woody Guthrie"“The Funeral Scene” (Songs to Aging Children by Joni Mitchell sung by Tigger Outlaw)Music by Arlo GuthrieFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2021 conversation with Ani DiFranco. ABOUT ANI DIFRANCOSinger, songwriter, musician, producer, poet, author, spoken-word artist, activist and entrepreneur Ani DiFranco has released more than 20 independent studio albums on her own label, Righteous Babe Records. Though often classified as “alternative folk,” DiFranco's musical influences span a range of genres. After relentless touring, she reached a wide commercial audience in the late 1990s and early 2000s with albums such as Little Plastic Castle, Up Up Up Up Up Up, Revelling/Reckoning, Evolve, Educated Guess, and the gold-certified live album Living in Clip. The Grammy winner and nine-time nominee achieved her sole Top 40 hit as a songwriter when Alana Davis covered the DiFranco classic “32 Flavors” in 1997. The prolific and critically-acclaimed performer developed her own uniquely percussive guitar style and has collaborated with a range of artists, including Bon Iver's Justin Vernon, Bruce Cockburn, Pete Seeger, Utah Phillips, Maceo Parker, and Prince. In addition to releasing her own music, her label has issued recordings by Sara Lee, Andrew Bird, Nona Hendryx, and others. Ani was one of the first musicians to receive the Woman of Courage Award from the National Organization for Women, and was honored with both the Woody Guthrie Award and the Southern Center For Human Rights' Human Rights Award. Her memoir, No Walls and the Recurring Dream, was released in 2019 by Viking Books. At the time we spoke with her, the New Orleans-based DiFranco's 2021 album, Revolutionary Love, was just about to be released. 

Send us a textBy any normal measure, John McCutcheon, at age seventy-two, should beretired. He's punched the clock in the international folk music world for overa half century. He's been a respected archivist of Appalachian music. Hewas in the forefront of popularizing the hammer dulcimer and is considereda world master on the instrument. He helped revolutionize children's andfamily music with five consecutive Grammy-nominated albums. He co-founded and led the fastest-growing Local in the Musicians Union. Hissongwriting is hailed around the globe and his instruction books introducedthousands to the joys of their own music making. He recorded andreleased tribute albums to Woody Guthrie, labor musician Joe Hill, and hisfriend and mentor, Pete Seeger. He even starred in a one-manmusical, Joe Hill's Last Will, which toured nationally and internationally.And he has consistently been one of the most popular touring musicians inthe folk world. Yes, by any normal standard, he could proudly hang up thebanjo and retire.But John McCutcheon is just getting started.“I feel as though I'm finally getting the hang of doing my job well.”During the pandemic, when a lot of the music world shut down,McCutcheon wrote and released three recordings of new material. Heproved that Zoom could be used for good as well as for evil by forgingonline songwriting partnerships with a half dozen fellow writers, not theleast of whom was the iconic Tom Paxton. They even released a jointalbum, Together, which not only won critical raves but was dubbed “thebest album I've ever done, period.” by Grammy Lifetime Award winnerPaxton.And, just when you think he can't surprise you anymore, he drops album#45: Field of Stars (release date: Janary 10, 2025), a stunning collectionof original and cowritten songs people are calling “the best of his career.”Field of Stars was supposed to be recorded and released in 2020.Musicians were hired, studio dates booked. And then came COVID. So,the songs where shelved until it was safe to go into a small windowlessspace with some of your best mates. But then came the explosion ofwriting that John produced during the lockdown. Three albums in threeyears, each seemingly better than the last. After tackling theMcCutcheon/Paxton project, he was ready to take the long-delayed 2020album down from the shelf and get back to work on it. But t Visit the Self-Care Institute at https://www.selfcareinstitute.com/ Support the showVisit www.creativepeacemeal.com to leave a review, fan voicemail, and more!Insta @creative_peacemeal_podcastFB @creativepeacemealpodRedbubble CPPodcast.redbubble.comCreative Peacemeal READING list here Donate to AhHa!Broadway here! Donate to New Normal Rep here! Interested in the Self-Care Institute with Dr. Ami Kunimura? Click here Interested in Corrie Legge's content planner? Click here to order!

Bruce Springsteen has never shied away from expressing his political views. And he's not gonna back down now.“In my home, the America I love. The America I've written about. That has been a beacon of hope and liberty for 250 years, is currently in the hands of a corrupt, incompetent, and treasonous administration,” he told a crowd at a concert in Europe, in May. Donald Trump responded over Truth Social, calling him a “pushy, obnoxious jerk” and a “dried out ‘prune' of a rocker.”In dark times, music and song gives us hope. Bruce Springsteen, like Pete Seeger, Bob Dylan, or Woody Guthrie, is one of those musicians who has often led the way with songs for the downtrodden. Songs for the working class, for hardworking Americans, for immigrants. For justice and freedom. And other famous rock idols have got the Boss's back.This is episode 47 of Stories of Resistance—a podcast co-produced by The Real News and Global Exchange. Independent investigative journalism, supported by Global Exchange's Human Rights in Action program. Each week, we'll bring you stories of resistance like this. Inspiration for dark times.If you like what you hear, please subscribe, like, share, comment, or leave a review. And please consider signing up for the Stories of Resistance podcast feed, either in Spotify, Apple Podcasts, Spreaker, or wherever you listen.Visit patreon.com/mfox for exclusive pictures, to follow Michael Fox's reporting and to support his work. Written and produced by Michael Fox.ResourcesClip of Bruce Springsteen criticizing Trump/Bruce Springsteen critica a Trump: “En mi país se ponen del lado de los dictadores”: https://www.youtube.com/watch?v=W2bT24hOXcQHere is the link to Bruce Springsteen's latest album, “Land of Hope and Dreams”: https://open.spotify.com/album/1wWm7MPHSIpBX7Wiw8LAAq“Eddie Denounces Trump's Policies & Backs Springsteen & Rockin”: https://www.youtube.com/watch?v=uxZIVAkrq0QTom Morello - 11 The Ghost of Tom Joad - Boston Calling May 25th 2025: https://www.youtube.com/watch?v=WGkwcO8sZnsRyan Harvey's Old Man Trump (ft. Ani DiFranco & Tom Morello): https://www.youtube.com/watch?v=TmZnlGBhwKgYou can hear more from Ryan Harvey here: https://open.spotify.com/artist/1bdxYCSsYEJga10wHzcqeuYou can subscribe to David Rovics's newsletter and hear his most recent songs at  https://www.davidrovics.com/Subscribe to Stories of Resistance podcast hereBecome a member and join the Stories of Resistance Supporters Club today!Sign up for our newsletterFollow us on BlueskyLike us on FacebookFollow us on TwitterDonate to support this podcast

In this episode of Prisoners of Rock and Roll, we're looking at the clash between music and The Man diving into times when the FBI investigated musicians. In 1956, J. Edgar Hoover's FBI created a covert and legally questionable program called COINTELPRO with the goal of disrupting groups that the Feds considered to be subversive – communists, black nationalists, feminists, anti Vietnam protestors, civil rights activists.  Considering the role that music played in the 60s and 70s, it was only a matter of time before the FBI started investigating rock and roll. Some of the stories are silly. Picture this, it's 1963 and a bunch of FBI agents are hunched over a record player listening to Louie Louie over and over – forwards and backwards – desperately searching for dirty lyrics that didn't exist.  And others are more serious. In 1972, the FBI put John Lenon under surveillance and wiretapped his phone because President Nixon was afraid that his stance on the Vietnam War would influence young voters. The government started proceedings to deport him.  Over the decades, the FBI has investigated or kept tabs on all sorts of musicians. Jimi Hendrix and Jim Morrison; folk singers Pete Seeger and Woodie Guthrie; Aretha Franklin, the Monkees, NWA, Charles Mingus, the Insane Clown Posse, and more. There's a lot of ground to cover in this one, but we're up for the challenge. Let's hit it. Episode Playlist Check out our episode playlist ⁠⁠⁠⁠here⁠⁠⁠⁠. Get In Touch Check us out ⁠⁠⁠⁠online⁠⁠⁠⁠, on⁠⁠⁠⁠ Facebook⁠⁠⁠⁠, ⁠⁠⁠⁠Twitter⁠⁠⁠⁠, or ⁠⁠⁠⁠YouTube.⁠⁠⁠⁠ or drops us an email at ⁠⁠⁠⁠show@prisonersofrockandroll.com⁠⁠⁠⁠. Or if you're in Philadelphia, come visit our home base at ⁠⁠⁠⁠McCusker's Tavern⁠⁠⁠⁠. Prisoners of Rock and Roll is part of ⁠⁠⁠⁠Pantheon Media⁠⁠⁠⁠. We're sponsored by⁠⁠⁠⁠ Boldfoot Socks⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Prisoners of Rock and Roll, we're looking at the clash between music and The Man diving into times when the FBI investigated musicians. In 1956, J. Edgar Hoover's FBI created a covert and legally questionable program called COINTELPRO with the goal of disrupting groups that the Feds considered to be subversive – communists, black nationalists, feminists, anti Vietnam protestors, civil rights activists.  Considering the role that music played in the 60s and 70s, it was only a matter of time before the FBI started investigating rock and roll. Some of the stories are silly. Picture this, it's 1963 and a bunch of FBI agents are hunched over a record player listening to Louie Louie over and over – forwards and backwards – desperately searching for dirty lyrics that didn't exist.  And others are more serious. In 1972, the FBI put John Lenon under surveillance and wiretapped his phone because President Nixon was afraid that his stance on the Vietnam War would influence young voters. The government started proceedings to deport him.  Over the decades, the FBI has investigated or kept tabs on all sorts of musicians. Jimi Hendrix and Jim Morrison; folk singers Pete Seeger and Woodie Guthrie; Aretha Franklin, the Monkees, NWA, Charles Mingus, the Insane Clown Posse, and more. There's a lot of ground to cover in this one, but we're up for the challenge. Let's hit it. Episode Playlist Check out our episode playlist ⁠⁠⁠here⁠⁠⁠. Get In Touch Check us out ⁠⁠⁠online⁠⁠⁠, on⁠⁠⁠ Facebook⁠⁠⁠, ⁠⁠⁠Twitter⁠⁠⁠, or ⁠⁠⁠YouTube.⁠⁠⁠ or drops us an email at ⁠⁠⁠show@prisonersofrockandroll.com⁠⁠⁠. Or if you're in Philadelphia, come visit our home base at ⁠⁠⁠McCusker's Tavern⁠⁠⁠. Prisoners of Rock and Roll is part of ⁠⁠⁠Pantheon Media⁠⁠⁠. We're sponsored by⁠⁠⁠ Boldfoot Socks⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

#realconversations # civilrights #singersongwriter #musician#ViolaLiuzzo #troubador #activist #SelmaMontgomeryCONVERSATIONS WITH CALVIN WE THE SPECIESMeet ARLAN FEILES…. I'm coming up on my 14th year as acentral Jersey journalist, slowly incorporating the music scene & AsburyPark into my field of dreams. Much of my musical leanings over the decadessince the sixties have been folk and oldies. Then, on a late spring day in2011, while on the job, I discovered Arlan Feiles in Asbury Park. Anold-fashioned glimmering epiphany; I was back to the future. Arlan embodies allthat is essential, meaningful, hopeful, poignant, and dreamy in his words andmusic. A great friendship. I almost went with him to the 50th Anniversary ofthe Selma to Montgomery March over the Edmund Pettus Bridge. That's a specialfriendship; he invited me. Arlan was invited to attend that essential history.He is a caring, warm, dedicated, passionate soul with a wondrous talent. Anold-fashioned troubadour. I call him that often. A word I judiciously use todescribe Woody Guthrie, Bob Dylan, and Pete Seeger. Arlan is there. In thisinterview, he also discussed his new critically acclaimed release, record‘Diaspora.' And so much more. Thinking back on this. I finally interviewed myfriend, Arlan Feiles. https://www.youtube.com/c/ConversationswithCalvinWetheSpecIEs532 Interviews/Videos  9200 SUBSCRIBERSGLOBAL Reach. Earth Life. Amazing People.  PLEASE SUBSCRIBE**ARLAN FEILES; Singer-Songwriter; Producer; Activist; Livefrom Central JerseyYouTube: https://youtu.be/uqawbsc274cLinks: Facebook: https://www.facebook.com/arlanfeilessingshttps://www.arlanfeilesmusic.comBIO:  “If songwriterswere bad weather, Hurricane Arlan would be a category 5…he'll blow you away” Greg Baker- The Miami HeraldLos Angeles-born Arlan Feiles (R-Lan Fi-less) has made hisway across America playing and recording his own brand of singer-songwriter,Folk Rock, Gospel, and Americana music. Arlan is an award-winning musician andsongwriter and has worked with some of the great legends of Music including TheBand, R'n'R Hall of Fame Producer Tom Dowd, and Dave Grohl You can find hismusic in a variety of TV programs and Theatrical Films including the trailerfor the Academy Award winning feature Dallas Buyers Club. Just released onYouTube is Arlan's TED Talk -Songwriting for a Better World. Arlan's albumDiaspora is now available worldwide and is available through all digitaloutlets as well as on his website www.arlanfeilesmusic.com**WE ARE ALSO ON AUDIOAUDIO “Conversations with Calvin; WE the SpecIEs”ANCHOR https://lnkd.in/g4jcUPqSPOTIFY https://lnkd.in/ghuMFeCAPPLE PODCASTSBREAKER https://lnkd.in/g62StzJGOOGLE PODCASTS https://lnkd.in/gpd3XfMPOCKET CASTS https://pca.st/bmjmzaitRADIO PUBLIC https://lnkd.in/gxueFZw

What a dangerous time we live in when the President personally attacks artists for speaking against America's current fascist regime. The Boss (Bruce Springsteen) spoke truth to power at a recent London show while Taylor Swift weathered another round of the President's weird obsession with her. Tawny and Lisa talk about why they love both artists and how their music has impacted their recoveries. They discuss everything from Ryan Adams covering 1989 to Springsteen's inspiration from Woody Guthrie and Pete Seeger. And shout out to Neil Young, Eddie Vedder, Jack Antonoff, and all the artists out there speaking up! Music Minute features both artists! Check out Swift Steps  Order The Sobriety Deck  Listen to The Sobriety Deck Playlist by Hannah Gardner Sign up for Tawny's Writing Classes Order Tawny's book, DRY HUMPING: A Guide to Dating, Relating, and Hooking Up Without the Booze Subscribe to Tawny's newsletter  "Beyond Liquid Courage" Order Tawny's new NA drink, (parentheses) Purchase Lisa's memoir, Girl Walks Out of a Bar    

Five years ago, I awoke to the horrifying news of the murder of George Floyd by a member of the Minneapolis Police Department. I had been working on cobbling together an episode on French Glamour, which quickly gave way instead to an impromptu episode of protest music through the ages which remains one of the Countermelody episodes of which I am most proud. Yesterday was the five-year commemoration of that horrific event, which sparked worldwide protests and which, for a while, seemed as if it might lead to systemic change. Five years later, we find ourselves in a true global nightmare. Almost everything that has changed has been for the worse, but my feelings about the system that has produced such calamity remains exactly the same as it has always been. For that reason, I am republishing that episode from five long years ago, in which I sought to “defer to those on the front lines to speak of their own experience and truth” in a program of protest music from the early twentieth century to the recent past. Nina Simone's song of rage “Mississippi Goddam” was a guiding force as I put the episode together, but we hear from a wide range of singers, from Donny Hathaway, Micki Grant, Pete Seeger, Mahalia Jackson, Odetta, Billie Holiday, Aretha Franklin, to Joan Baez, Cher, Barbra Streisand, Paul Robeson, and Marlene Dietrich. If you don't want to hear a political program, for goddess's sake, keep away, but if you do want to be infuriated, engaged, and ultimately uplifted, please listen in. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Neil Diamond is one of the best-selling singer-songwriters of all time.  In August 1972 he performed a series of 10 sold-out shows at the Greek Theatre in Los Angeles.  Recordings from this concert would be released as a live double-album entitled Hot August Night later that year in December.  Neil Diamond was born in Brooklyn, New York, the child of a Jewish family.  At the age of 16 he was inspired by seeing folk singer Pete Seeger perform at a camp for Jewish children in upstate New York, and received his first guitar shortly thereafter.  This would set the direction of Diamond's career, starting with both taking guitar lessons and writing songs.  After some time barely scraping by as a songwriter, Diamond began to find some success by the mid-60's, most prominently with several songs for The Monkees, including the big hit, "I'm A Believer."  Diamond moved to Los Angeles in 1969, where he recorded some of his bigger solo hits, including the iconic "Sweet Caroline."Many consider "Hot August Night" to be Neil Diamond's best work, capturing the artist at his prime and at the top of his game.  It went to number 5 on the Billboard 200 album chart, and was number 12 for the 1973 year-end chart.  It was number 1 in Australia for 29 weeks in 1973 and 1974, and remains one of the highest selling albums in that country. Neil Diamond retired from touring in 2018 toward the end of his "50 Year Anniversary World Tour" after being diagnosed with Parkinson's disease.  However, Diamond did not retire from music, and continued writing and developing new projects.Wayne brings us this soft rock singer-songwriter live album for this week's podcast. Kentucky WomanThis song is a bonus track on the CD, and many will recognize this song from the remake performed by Deep Purple.  It was written in 1967 and went to number 22 on the charts after its release.  It appeared on the compilation album, "Neil Diamond's Greatest Hits" released in 1968 on Bang records after Diamond left that label.Cherry CherryThe inspiration for this song was an early relationship with a significantly older woman.  This was Diamond's first hit, reaching number 6 on the Billboard Hot 100.  The most familiar studio version of this song was released in mid 1966 on Bang records, and was the final track on Diamond's debut studio album, "The Feel of Neil Diamond."Song Sung BlueThis song was originally released on Diamond's eighth studio album, "Moods."  It was his second number 1 song in the United States, and his last solo #1 song in America to date.  The musical inspiration for the song is Mozart's Piano Concerto #21, second movement.  The lyrics reflect on the power of music to heal when a sad mood is poured into a song. Cracklin' RosieOriginally released in 1970, this song topped the charts and sold over 1 million copies.  The studio version appeared on "Tap Root Manuscript," Diamond's sixth studio album, and was recorded with instrumentation provided by session musicians from the Wrecking Crew. While the lyrics suggest that Rosie is a prostitute, there are tales that it actually refers to a cheap sparkling wine from Canada called "Crackling Rosè."  ENTERTAINMENT TRACK:Theme from the animated series "Josie and the Pussycats"The animated series "Josie and the Pussycats" and "Josie and the Pussycats in Outer Space" concluded its run this month. STAFF PICKS:Ventura Highway by AmericaRob leads off the staff picks with a song inspired by a drive that vocalist and writer Dewey Bunnell took in 1963 on the Pacific Coast.  While his father was changing a flat tire, he and his brother stood on the side of the road near a road sign for Ventura, watching shapes in the clouds, inspiring the lyrics "alligator lizards in the air."Superstition by Stevie WonderLynch brings us the lead single from Wonder's fifteenth studio album "Talking Book."  It's lyrics mention many popular superstitions and their negative consequences.  Stevie Wonder collaborated with Jeff Beck on the demo for this song, and Beck would include his version of "Superstition" on his "Beck, Bogert & Appice" album.Rockin' Pneumonia and the Boogie Woogie Flu by Johnny RiversBruce features the song originally recorded in 1957 by Huey "Piano" Smith.  The original version went to number 52 on the pop charts, but the version we all know went to number 6 on the Billboard Hot 100.  Rivers was a member of the Wrecking Crew, and several musicians from that session group played on this single. It Never Rains in Southern California by Albert HammondWayne's closes out the staff picks with a storytelling song about a performer off to make it big.  He fails in his efforts, but wants to hide the failure from those he left behind.  Members of the Wrecking Crew also provide instrumentation on this song that went to number 5 on the Billboard Hot 100. NOVELTY TRACK:Crazy Horses by The OsmondsThis surprisingly heavy performance from the Osmonds takes us out for this week.  Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

In the 1960's Bob Dylan changed the world. How? And in what ways are we still dealing with the monumental changes that the future Noble prize winner kicked off? Sean Egan has written a new book about Dylan called "Decade of Dissent- How 1960's Bob Dylan Changed the World." It's a fascinating look at the creation and evolution of one of the world's most important artists. The book is available for pre-order, it comes out May 20th.

Over the last 5 years, we have had the privilege of bringing you stories of Pioneering musicians such as Bill Monroe, Sam Cooke, Johnny Cash, Lead Belly, Dolly Parton, Sister Rosetta Tharpe, Pete Seeger, Jean Ritchie and so many more.However, a recently shift was forced upon the American Songcatcher program. Our distributor, Spotify for Podcasters/Creators, has taken down 1/4 of our episodes on all platforms, with more likely to follow, as they have began to crack down on the rights and usage of songs. Although this program is strictly education-based, and we don't sell products or produce any notable revenue from these episodes, they don't see what we do as fair use. It's a big blow, as over a year's worth of our work is now gone from the convenient places to listen to them.And so, our standstill for the last 5 months has been one of great pondering, and a lot of work with our nonprofit ReString Appalachia, where we have just surpassed 700 instruments given to those who had them taken away from natural disasters. It's been decided that from now on, American Songcatcher will strictly focus on traditional song history, field recordings, and interviews. We embrace our new direction, and we hope you will too. All of the episodes will be available on our website, AmericanSongcatcher.com in the next month. We'll be back with some new content soon, thank you for your patience, see you next time on American Songcatcher.__Support Educational Programming:⁠Tax-Exempt Donations⁠Join the⁠ Patreon Community⁠One-time donations:⁠ Venmo⁠ or⁠ PayPal⁠Follow ⁠American Songcatcher⁠ on ⁠Instagram⁠ Credits: Nicholas Edward Williams - Production, editing, recording and distribution

Legendary singer-songwriter Suzanne Vega looks back at her remarkable career — and forward to her new album, Flying with Angels, her first collection of original songs in nearly a decade. From the moment she emerged in the 1980s with her self-titled debut and follow-up Solitude Standing, Vega has occupied a singular space in popular music. Known for her literate lyrics, calm delivery, and understated innovation, she became an unlikely pop star with songs like “Luka” — a devastating portrait of abuse — and “Tom's Diner,” which began as an a cappella sketch and became a surprise dance hit, later used in the development of the MP3 format. Vega discusses how those early hits shaped her identity, and how she's maintained a relationship with her past work while continuing to evolve as an artist. She shares stories behind her biggest songs, her longtime collaborations (including with producer and ex-husband Mitchell Froom), and her connection to a vibrant downtown New York songwriting community that included figures like Jack Hardy and Fast Folk magazine. She also reflects on the new material, including the haunting “Mariaupol,” inspired by the war in Ukraine, and “Rats,” inspired during the lockdown in New York. These songs mark a subtle shift for Vega: from her usual allegorical storytelling to more direct commentary and bearing witness to events in real time. Along the way, the conversation touches on Lou Reed, Leonard Cohen, Bob Dylan, motherhood, stagecraft, artistic responsibility, and the strange alchemy of simplicity and resonance. Vega shares anecdotes from her life on tour, her early performances (including a childhood appearance at Pete Seeger's feet), and her unexpected intersections with technology and culture. www.third-story.com www.leosidran.substack.com www.wbgo.org/podcast/the-third-story

A year after the deeply political Pull Up Some Dust And Sit Down, Cooder went one step further and made Election Special, his contribution to the 2012 presidential election in the United States. Clearly on Obama's side and genuinely angry about the corporate takeover of society, he made an album in the tradition of Woody Guthrie, Joe Hill and Pete Seeger: a collection of folk and rock songs for the modern depression. It is as relevant today as it was then, to say the least. This podcast frequently uses small snippets of musical recordings in podcast episodes for educational, review, and commentary purposes. In all cases, without exception, we believe this is protected by fair use in the U.S., fair dealing in the U.K. and EEA, and similar exceptions in the copyright laws of other nations. No more of the original than necessary is used, and excerpts are edited into long-form narratives, making the use transformative in nature.Written, produced and edited by Frank SchnelleTheme and background music by Chris HaugenVoices produced with text-to-speech AIFollow us on Facebook, Instagram, Tik Tok and YouTubeThe Ry Cooder Story WebsiteSupport us on Patreon Hosted on Acast. See acast.com/privacy for more information.

"Zen in Our Time" and "Connecting the Dots" are themes that I have hit upon for 2025, forming the thread running through (one meaning of "sutra") all of my DharmaByte newsletter columns and online UnMind podcasts this year. Contextualizing the teachings and legacy of Zen in modern times — without throwing the baby out with the bathwater — is key to transmitting Zen's legacy. Connecting the dots in the vast matrix of Dharma — while bridging the gap between 500 BC to 2025 CE in terms of the cultures, causes and conditions — is necessary to foster the evolution of Shakyamuni's Great Vow, from the closing verse of the Lotus Sutra's Lifespan Chapter: I am always thinking: by what means can I cause sentient beings to be able to enter the highest path and quickly attain the Dharma? As in so many aspects of our overloaded society, when contemplating the next column or podcast, the question always arises, "Where do I begin?" I turn to my collaborators — Hokai Jeff Harper, publisher of the newsletter, and Shinjin Larry Little, producer of the podcast — for clarity and inspiration. Jeff responded to my call for suggested topics with an intriguing trio: • To everything there is a season• The wax and wane of householder zazen practice• What we are feeling right now IS impermanence manifesting itself Instead of choosing one over the others, it occurred to me that all three are important. And they are interrelated, in a kind of fish-trap narrowing of focus, from the universal span of spacetime as a causal nexus for humankind; then homing in on the social level, considering the modern householder's vacillation in attempting to pursue what began long ago as a monastic lifestyle; and finally zeroing in on the personal: the intimacy of realization within the immediate flow of reality. I will attempt to treat them in succession over the next three installments, in the context of transmission of Zen's Original Mind. TO EVERYTHING THERE IS A SEASONIf you find the 1960s Pete Seeger song popularized by the Byrds running through your brain, you are not alone. If you recollect the poem from Ecclesiastes — which I studied in a unique, small-town high school literature course — you may be hearing echoes of: To every thing there is a season, and a time to every purpose under the heaven: A time to be born, and a time to die; a time to plant, and a time to pluck up that which is planted; A time to kill, and a time to heal; a time to break down, and a time to build up; A time to weep, and a time to laugh; a time to mourn, and a time to dance; A time to cast away stones, and a time to gather stones together; a time to embrace, and a time to refrain from embracing; A time to get, and a time to lose; a time to keep, and a time to cast away; A time to rend, and a time to sew; a time to keep silence, and a time to speak; A time to love, and a time to hate; a time of war, and a time of peace. Or from Tozan Ryokai: Within causes and conditions, time and season, IT is serene and illuminating And finally, from Dogen Zenji: Firewood becomes ash and it does not become firewood again.Yet do not suppose that the ash is future and the firewood past. You should understand that firewood abides in the phenomenal expression of firewood, which fully includes past and future, and is independent of past and future. Ash abides in the phenomenal expression of ash, which fully includes future and past.
 Just as firewood does not become firewood again after it is ash, you do not return to birth after death... Birth is an expression complete this moment; death is an expression complete this moment. They are like winter and spring; you do not call winter the "beginning" of spring, nor summer the "end" of spring. There are many more such incisive and insightful references to time in the literature of Zen, as well as Western thinking, of course, most notably Master Dogen's fascicle titled "Uji," which translates as something like "Being-time," "Existence-time," or "Living time," as Uchiyama-roshi renders it. This 13th Century writing is said to have anticipated the theory of Relativity, Einsteins' prodigious accomplishment, perhaps the most important scientific breakthrough of the 20th Century. But these few recollections from the rich legacy of Zen's written record will suffice for our purposes of connecting some of the dots in Indra's Net, or the modern components of the "Matrix of the Thus-Come One" as described in the Surangama Sutra. Scanning the Biblical poem, it is striking to see so many various activities and reactions to the obligations and behaviors of daily human life listed in equally dispassionate terms, not implying false equivalencies, but for example to blithely assert that there is "a time to kill" and "a time to heal"; "a time of war" and "a time of peace" — in the same breath — is in itself breathtaking, considering the admonition against killing, or murder, found in the Ten Commandments as well as the first Five Grave Precepts of Buddhism. Jumping to Master Tozan, or Dongshan, the founder of Soto Zen in 9th Century China, we find a hint of some resolution of the "whole catastrophe" in his reference to "IT" being "serene and illuminating," regardless of time and season, causes and conditions. This "it" appears in various Buddhist sayings and teachings, as tathata in Sanskrit — the inexpressible; or inmo in Japanese — the ineffable, the essential. These all point to what I analogize as a "singularity of consciouness" that emerges in zazen, where we pass the event horizon of conventional perception — the mind collapsing inward of its own mass — returning to and revealing our Original Mind, merging subject and object, duality and nonduality, in mokurai — the resolution of all apparent dichotomies. Earlier in Tozan's Precious Mirror Samadhi, or Hokyo Zammai, from which the above quote is taken, he magnifies the central place of this "it" in the experiential realm of Zen realization: Although IT is not constructed, IT is not beyond wordsLike facing a precious mirror, form and reflection behold each otherYou are not IT but in truth IT is you Master Dogen's coinage of "the backward step" captures this 180-degree attitude adjustment in the way we usually approach learning, self-improvement, and general development as human beings on the learning curve of reality. "From the very beginning all beings are buddhas," as Hakuin Zenji, 18th Century Rinzai Zen master, poet and artist states in the first line of his famous poem, "Song of Zazen." For every thing there may be a season, but when it comes to the most important thing in Buddhism, there is fundamentally no change — from beginning to middle to end — of this "poor player," life, strutting and fretting his/her hour upon the stage. In another line from Chinese Zen, the third Ancestor in 6th Century China captures this succinctly: Change appearing to occur in the empty world we call realonly because of our ignorance. So, somehow, once again, we are getting it all wrong, backwards. Our recourse is, of course, to get our butts back to the cushion; trust the original mind; take the backward step; and embrace the revolutionary notion that WE are not IT, but in truth IT is US. I cannot resist the urge to close this segment with one of my favorite quotes from the great Master Pogo: We have met the enemy and he is us. It may be a comfort to realize that "mine enemy grows older" as we age. We just have to outlive our enemies, including our own ignorance. Next month we will take up the second suggestion, the waxing and waning of householder zazen practice. Been there, done that.

Episode 189: One Of The Main Musical Topics Of The 60s: Protest! May 6, 2025 One nonviolent way to show one's displeasure/disgust/disagreement is to protest. In a letter to the editor, written in a blog, by contacting your lawmakers, taking it to the streets and there are many other ways. Pete Seeger was known for his songs protesting mistreatment of workers and war itself, and over time there has been a great abundance of songs and actions of protest. Marvin Gaye, CCR, Nina Simone, Dylan, Lennon and many others wrote and performed their protest songs from What's Goin' on?, Blowin' in the Wind to Fortunate Son, Give Peace a chance and Strange Fruit. In the future you'll hear an episode of Tales Vinyl Tells dedicated to protest songs. Please send your ideas to me at TalesVinylTells@gmail.com and yours may well be included. And when you email me, please be sure to let me know who and where you are. I mention protest songs because we kick off with a real kicker from Quicksilver Messenger Service and include Petty, Joni, Cheech, Chong, Nick and more. Thanks for listening. I want to say thank you to all the financial supporters of Tales Vinyl Tells. Whether a small amount monthly or a very generous donation, each of you listeners is very appreciated and if you can and do give monthly, my deepest gratitude goes to you. If you're not a patron yet and want to know more about becoming a patron of this music program you can go Patron.podbean.com/talesvinyltellssupport. Thank you and rock on! And thanks for listening today.  My email is talesvinyltells@gmail.com.  If you want to hear a Tales Vinyl Tells when it streams live on RadioFreeNashville.org, we do that at 5 PM central time Wednesdays. The program can also be played and downloaded anytime at podbean.com, Apple podcasts, iHeart podcasts, Player FM podcasts and many other podcast places. And of course you can count on hearing the Tales on studiomillswellness.com/tales-vinyl-tells anytime.

On today's edition of Music History Today, Boston riots, Fall Out Boy releases an album, and Bing Crosby makes two segments. Also, happy birthday to James Brown and Pete Seeger.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - ⁠⁠https://allmylinks.com/musichistorytoday⁠⁠Resources for mental health issues - ⁠⁠https://en.wikipedia.org/wiki/List_of_suicide_crisis_lines⁠⁠⁠⁠⁠⁠https://findahelpline.com⁠⁠

Folk musician. Banjo player. Singer of songs of unity. He sang songs of joy. He sang for the unions. He sang for the people. For the workers and the downtrodden. He sang songs for change. Civil Rights songs. Folk songs. Despite the Red Scare and McCarthy's witch hunt, Pete Seeger sang on, helping to inspire the folk music revival of the 1950s and 1960s. And he would continue to sing and play throughout his life.Pete Seeger died at the age of 94, in 2014.This is episode 28 of Stories of Resistance — a podcast co-produced by The Real News and Global Exchange. Independent investigative journalism, supported by Global Exchange's Human Rights in Action program. Each week, we'll bring you stories of resistance like this. Inspiration for dark times. If you like what you hear, please subscribe, like, share, comment, or leave a review. You can also follow Michael's reporting and support at patreon.com/mfox. Written and produced by Michael Fox.Here is a great 2007 PBS documentary about Pete Seeger's life. It's called "The Power of Song.” https://www.youtube.com/watch?v=Czk2hj4VISgSubscribe to Stories of Resistance podcast hereBecome a member and join the Stories of Resistance Supporters Club today!Sign up for our newsletterFollow us on BlueskyLike us on FacebookFollow us on TwitterDonate to support this podcast

This week‘s show brings us echoes of resistance from the past because there's a storm brewing, stirring from the louder voices of people recognizing that fascism has settled in. People in this country are getting organized around a common anger that democracy and freedom is being taken from them. The political fortification led by Republican leadership co-opted by white nationalism and support for the gestapo tactics must be held in check and the voices of the ballot box will be the final determination; that is, if there is time. Music this week features Roy Zimmerman, Billy Bragg, Woody Guthrie, Pete Seeger and a whole host of sounds from the past century whose musical voices raged when fascism and autocracy attempted to take hold. Money is the root of this evil, make no mistake. There is always hope, however, and we need to be here for each other while practicing self-care with family and friends. The storm clouds are now above us and it's up to all of us. Now. Not later.

Rik Palieri joined host Abbey BK on ‘Rocket Shop,' Big Heavy World's weekly local Vermont music radio hour on The Radiator-WOMM. Join us for an informal chat about their music along with many original songs. Catch up with them at rikpalieri.com

Hey Dude, after stumbling from the ashes, I finally sat down to have my mind blown by the film A Complete Unknown...twice. QUOTE: "The wheels have completely fallen off the wagon." CAST: Brandi Carlile, Bob Dylan, Joni Mitchell, Joe Friday, Woody Guthrie, Pete Seeger, Fred Neil, James Mangold, Elijah Wald, Timothée Chalamet, Sylvester Stallone, Joaquin Phoenix, Johnny Cash, Boyd Holbrook, Joan Baez, Monica Barbaro, Edward Norton, Elle Fanning, Suze Rotolo, Scott Warmuth  SPECIAL GUEST STAR: Ming Ming LOCATIONS: Burbank, Altadena, Ming Ming's Barn PROPS: ADU, Grammys, SNL, Hulu, A Complete Unknown, Eaton Fire, T-Mobile, Definitely Dylan, Dylan Goes Electric!, Cop Land, Rocky, Walk the Line, assemblage artist SOUNDS: footsteps, construction,  Laguna Sawdust Cowbell Chimes  airplane, birds, helicopter, meow, purr PHOTO: "Complete Unknown Googled" shot with my iPhone XS RECORDED: April 12, 2025 in "The Cafe" (and Ming Ming's Barn) under the flight path of the Bob Hope Airport in Burbank, California GEAR: Zoom H1 XLR with Sennheiser MD 46 microphone. HYPE: "It's a beatnik kinda literary thing in a podcast cloak of darkness." Timothy Kimo Brien (cohost on Podwrecked and host of Create Art Podcast) DISCLAIMER/WARNING: Proudly presented rough, raw and ragged. Seasoned with salty language and ideas. Not for most people's taste. Please be advised.

"Americans Who Tell the Truth" is a new exhibit now on display at the Albany Institute of History and Art which showcases a selection of portraits by Robert Shetterly, featuring individuals throughout U.S. history, many with connections to the region including Indigenous human rights advocate Oren Lyons, Grafton, NY-based food justice activist and author of "Farming While Black" Leah Penniman, and folk legend and environmental activist Pete Seeger.

Elizabeth Oldfield is the host of the sacred (  @thesacredpodcast  ), an author, and . Paul Vanderklay is the host of  @PaulVanderKlay  ) and the head pastor of living stones. We mention John Vervaeke (  @johnvervaeke  ), Jonathan Pageau (  @JonathanPageau  ) , Rod Dreher, Kale Zelden (  @thekalezelden  ) , Chris Pratt, Mark Walhberg, Jenny Odell, Renes Decartes, Bob Dylan, Woodie Guthrie, Francis Collins, Jordan Peterson, Pete Seeger, Taylor Swift, Love is Blind, Shane Claiborne, Emile Durkheim, Jonathan Haidt, Phlebas, Chad (  @thefridaymorningnameless7623  ), Brene Brown, Justin Brierly, and more. Midwestuary Conference - https://www.midwestuary.com/

Folk rockers The Mallett Brothers are back with a new album on April 4 called “Higher up in the Hills.” Luke and Will Mallett joined us on Roots Music Rambler this week to talk about the album, the first couple of singles from it, 15-years of making it in independent music without leaving their home state of Maine and more.  The brothers who front the band are actually from folk music royalty. Their father, David Mallett, is a well-known folk singer who wrote “The Garden Song” popluarized by Pete Seeger, John Denver and others. We talked about growing up around their famous dad, his impact on their music, and collaborations with him over the years. The Mallett Brothers also share the story behind another fun collaboration – with legendary keyboardist Chuck Leavell on his PBS series “America's Forests with Chuck Leavell.”  Falls also kicks off the episode with perhaps the most impassioned rant he's ever embarked upon, pleading with people to stop complaining about cross-genre artists and the hate toward specific sub-genres of music. It's worth the listen. Frank and Falls also share their normal pickin' the grinnin' picks for the week. Download the episode and subscribe at rootsmusicrambler.com or wherever you get your podcasts.  Also be sure to help spread the love of the show with Roots Music Rambler's new merch, now available at rootsmusicrambler.com/store. Authentic t-shirts, hats and stickers are now available.  Buckle up for The Hoe-Down and the Throw-Down! It's a new episode of Roots Music Rambler. Notes and links:  Kendrick Lamar's Super Bowl Halftime Show The Mallett Brothers online The Mallett Brothers on Spotify The Garden Song (written by David Mallett) by John Denver on The Muppett Show American Forests with Chuck Leavell on PBS Bourbon & Beyond lineup Sara Jean Stevens new EP Lovesick on Spotify The Roots Music Rambler Store Roots Music Rambler on Instagram Roots Music Rambler on TikTok  Roots Music Rambler on Facebook Jason Falls on Instagram Francesca Folinazzo on Instagram Pickin' the Grinnin' Recommendations Caleb Caudle Whiskeytown Subscribe to Roots Music Rambler on Spotify, Apple Podcasts, GoodPods or wherever you get your podcasts. Theme Music: Sheepskin & Beeswax by Genticorum; Audio production by Resonate Recordings. Copyright 2025 - Falls+Partners. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Songs of Experience: A Bob Dylan Podcast, where we explore the man and the music one song at a time.Henry welcomes fellow Chicagoland area Dylan fan, Brendan McCarthy to SoE HQ (in person!) to talk about one of Dylan's earliest recordings, "Rambler, Gambler" officially released in 2005 on the No Direction Home soundtrack.Listen to the song, and follow along with the lyrics:Rambler, GamblerI'm a rambler, I'm a gamblerI'm a long way from my homeIf the people don't like meThey can leave me aloneCome sit down beside meCome sit down right hereCome sit down, love, I want youLove you boldly, so dearWhen you get to WyomingA letter you'll seeIf you get into troubleJust you write and tell meFor I once had a loverHer age was sixteenShe's a flower of velvet and the rose of CelineHer parents was against meNow she is the sameIf I writ on your book, loveJust you blot out my nameOh there's changes in the oceanThere's changes in the seaThere's changes in my true loveAin't no change in me  Follow @songsofbob, @henrybernstein.bsky.socialIf you would like to support hosting my podcasts, please check out my Patreon where for $5 I will give you a shout out on the podcast of your choice. Thank you to, Rob Kelly, Roberta Rakove, Matt Simonson, Josh Taff, and Christopher Vanni. For $10, in addition to the shout-out I'll send you a surprise piece of vintage Bob Dylan merch! Thank you to Kaitie Cerovec who is already enjoying her merch! Thank you to Mark Godfrey over on Substack.Email us at songsofbobdylan@gmail.comSubscribe: YouTube, Apple Podcasts, Spotify, Substack.

This week, Maya finally got that dress from Poshmark. Attention clothes resellers: stop putting smells on clothes! The ladies discuss their ‘fits for the Miami Open. Amy is ready for vacay and can't wait to hear Maya's “regular lady” voice. Maya reviews A Complete Unknown. Amy is convinced Bob Dylan is on the spectrum. Amy and Maya recount doing the most on a Woodstock project in high school, including a deep dive on Joan Baez and Bob Dylan. Also, Amy thinks Pete Seeger is a nerd. Amy reviews Becoming Led Zeppelin. Next up, Oscar talk. Who will win? BTW, SOSS will always be team Chris Rock, forever—IYKYK. Also, what the hell happened to the middle of Adrian Brody's career? Amy reviews SNL 50. Shane Gillis is the worst. Bowen Yang is the best.  In a hard right turn, the gals share their feelings about the shouting match in the Oval Office and how the SNL cold open this week saved everything. The White House staff probably got to take home some great snacks that day because that lunch was definitely canceled. Next up, we preview the Lifetime National Margarita Day movie. Tip of the day: Pull up for those two-for-one margaritas at Chili's. 

[REBROADCAST FROM Dec. 13, 2024] Actor Edward Norton portrays Pete Seeger in the new Bob Dylan biopic, "A Complete Unknown." His performance has been nominated for a Golden Globe and a Critics Choice Award, while the film is nominated for Best Picture at the Academy Awards.

Oscar nominated actor Edward Norton sits down for an extended interview with Elvis Mitchell in front of a live audience at KCRW's Annenberg Performance Studio. Norton is up for his fourth Oscar for his portrayal of folk singer Pete Seeger in the biopic A Complete Unknown. He discusses his admiration for the late director David Lynch, why he decided not to meet Bob Dylan when he had the chance, and much more!

Oscar nominated actor Edward Norton sits down for an extended interview with Elvis Mitchell in front of a live audience at KCRW's Annenberg Performance Studio. Norton is up for his fourth Oscar for his portrayal of folk singer Pete Seeger in the biopic A Complete Unknown. He discusses his admiration for the late director David Lynch, why he decided not to meet Bob Dylan when he had the chance, and much more!

Today we tell the story of Jean Ritchie, the "Mother of Folk."  Born in the small town of Viper, Kentucky, Jean captivated audiences worldwide, influencing legends like Bob Dylan and Johnny Cash along the way. Join Steve and Rod as they tell the story of her remarkable life, from her roots in the mountains to her role in the folk revival of the mid-20th century.  Be sure to subscribe to the Stories podcast on your favorite app to catch all our episodes. You can also support our storytelling journey and gain access to exclusive content by becoming a patron here: https://www.spreaker.com/podcast/stories-of-appalachia--5553692/supportThanks for listening!

It's the latest star turn for former Ify Nwadiwe co-star Timothée Chalamet! We're joined by musician and educator Enrique Chi (of the appropriately-named band Making Movies) with us to share notes on the Bob Dylan origin story that isn't really an origin story at all. Then we'll have fun pitching our own ideas for musical biopics.What's GoodAlonso - Erotic Vagrancy by Roger LewisDrea - 5Calls.orgEnrique - arts as public healthIfy - youngest brother's bachelor weekendThe Super Bowl was on…Tubi (and here was Tubi's ad)Prince's Estate Has Blocked the Release of a New DocumentaryPharrell and Gondry Musical Scrapped“The Prince We Never Knew” (Sasha Weiss's NYT article)Staff PicksAlonso - I'm Not ThereDrea - SuzeEnrique - QuincyIfy - SelenaCheck out Enrique's band, Making Movies Follow us on BlueSky, Twitter, Facebook, or InstagramWithDrea ClarkAlonso DuraldeIfy NwadiweProduced by Marissa FlaxbartSr. Producer Laura Swisher

We're hearing a lot about diversity and inclusion these days (which is great!) but as we'll learn in this episode, those two words and what they stand for are at the very core of what guided the earliest days of Newport Folk and Jazz over sixty years ago, continuing to this day. And as we know, there is still much work to be done to make our world a just and equal place. Listen in as the women of Our Native Daughters share the experience of their powerful performance at Newport in 2019, their mission of amplifying the perspectives of Black American women from the time of slavery through the present, and discuss the ongoing need for better representation across genres - in particular Americana and Country - that have their roots in the black community, and at events like Newport Folk. Amplifying women's voices, and women of color, is an important part of this conversation, too, and Yola speaks on the importance of The Highwomen's debut at Newport Folk and Brandi Carlile's all female headlining set, as well as her own sense of purpose in occupying and owning space in what is currently an overwhelmingly white genre. We dive into the history of Newport and why the insistence racial equality and diversity of its lineups was an especially personal mission of George Wein's - one that he carried to New Orleans when creating Jazz Fest alongside the parents of Preservation Hall's Ben Jaffe. and how that festival in turn helped to integrate New Orleans. And Colin Meloy and Judy Collins join us to talk about folk music's history as a tool for organizing and empowering the disenfranchised, especially through the voice of Pete Seeger. The fight continues to surround hate and force it to surrender. Festival Circuit: Newport Folk is presented by Osiris Media, and hosted by Carmel Holt. It is co-written, co-produced and edited by Carmel and Julian Booker, who is also the series' audio engineer. Production assistance from Zach Brogan. Executive producers are RJ Bee and Christina Collins. Show Logo and art by Mark Dowd.  The series theme music is "Ruminations Pt. 3 (Afternoon Haze)" by Steven Warwick. Thanks to Billy Glassner of the Newport Festivals Foundation for providing archival audio. Additional archival audio provided by the Alan Lomax Collection at the American Folklife Center, Library of Congress, courtesy of the Association for Cultural Equity. And many thanks to our folk family guests Amythyst Kiah, George Wein, Ben Jaffe, Bob Boilen, Leyla McCalla, Rhiannon Giddens, Allison Russell, Yola, Colin Meloy, Judy Collins, Martin Anderson, Phil and Brad Cook, Jay Sweet, Holly Laessig, Jess Wolfe, Brittany Howard, Brian Lima and Allison Pangakis. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hosts Nate Wilcox and Dave Thompson continue their mini-series discussing Dave's book An Evolving Tradition: The Child Ballads in Modern Folk and Rock Music -- buy the book to support the show. This episode covers the collision of the Child Ballads with the leaders of the first American popular Folk Revival featuring leaders of the movement like Alan Lomax, Pete Seeger, Josh White and Jean Ritchie. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE-- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please sign up for the email list on the site and get music essays from Nate as well as (eventually) transcriptions of every episode. Also if you can afford it please consider becoming a paid subscriber to support the show. Thanks! Have a question or a suggestion for a topic or person for Nate to interview? Email letitrollpodcast@gmail.com Follow us on Twitter. Follow us on Facebook. Let It Roll is proud to be part of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

One of the most influential American musicians of the 20th century was a man who often needed nothing more than a banjo and a strong voice to entertain an audience.Pete Seeger was a towering figure in American music as a performer and songwriter -- and political activist.In this 1993 interview, Pete Seeger discusses his career, his music, and how he helped shape one of the most famous civil rights anthems.Get your copy of Where Have All The Flowers Gone? by Pete SeegerAs an Amazon Associate, Now I've Heard Everything earns from qualifying purchases.You may also enjoy my interviews withPeter Yarrow andJudy CollinsFor more vintage interviews with celebrities, leaders, and influencers, subscribe to Now I've Heard Everything onSpotify,Apple Podcasts. and now on

Ira and Louis discuss the Grammys and Beyoncé's long-awaited Album of the Year win, Karla Sofia Gascon's wild tweets, the Buffy reboot, and more. Edward Norton joins to discuss portraying Pete Seeger in A Complete Unknown, what Spike Lee means to him, and more.Subscribe to Keep It on YouTube to catch full episodes, exclusive content, and other community events. Find us there at YouTube.com/@KeepItPodcast

At the movies, A Complete Unknown depicts Bob Dylan as a 1960s “it” boy—played by a 2020s “it” boy, Timothée Chalamet. But the film ends in 1965. What happened in the six decades after that? Dylan not only kept recording. He actually started topping the charts—in the 1970s, the era of Led Zeppelin, not Pete Seeger. And several of his chart-topping albums came decades later, in the 21st century. Bob's voice got rougher, but loyal audiences kept buying his music. Several of these platinum Dylan LPs are among the most acclaimed in rock history—from Blood on the Tracks to Time Out of Mind. And Dylan stayed an object of fascination through all his changes—as a road warrior, a born-again Christian, a Traveling Wilbury, a JFK conspiracy theorist. Join Chris Molanphy as he walks through Bob Dylan's career decade by decade, from his '60s folkie years to his 21st-century revival. With the biopic reviving interest in rock's poet laureate, there's never been a better time to get tangled up in Bob. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

At the movies, A Complete Unknown depicts Bob Dylan as a 1960s “it” boy—played by a 2020s “it” boy, Timothée Chalamet. But the film ends in 1965. What happened in the six decades after that? Dylan not only kept recording. He actually started topping the charts—in the 1970s, the era of Led Zeppelin, not Pete Seeger. And several of his chart-topping albums came decades later, in the 21st century. Bob's voice got rougher, but loyal audiences kept buying his music. Several of these platinum Dylan LPs are among the most acclaimed in rock history—from Blood on the Tracks to Time Out of Mind. And Dylan stayed an object of fascination through all his changes—as a road warrior, a born-again Christian, a Traveling Wilbury, a JFK conspiracy theorist. Join Chris Molanphy as he walks through Bob Dylan's career decade by decade, from his '60s folkie years to his 21st-century revival. With the biopic reviving interest in rock's poet laureate, there's never been a better time to get tangled up in Bob. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

At the movies, A Complete Unknown depicts Bob Dylan as a 1960s “it” boy—played by a 2020s “it” boy, Timothée Chalamet. But the film ends in 1965. What happened in the six decades after that? Dylan not only kept recording. He actually started topping the charts—in the 1970s, the era of Led Zeppelin, not Pete Seeger. And several of his chart-topping albums came decades later, in the 21st century. Bob's voice got rougher, but loyal audiences kept buying his music. Several of these platinum Dylan LPs are among the most acclaimed in rock history—from Blood on the Tracks to Time Out of Mind. And Dylan stayed an object of fascination through all his changes—as a road warrior, a born-again Christian, a Traveling Wilbury, a JFK conspiracy theorist. Join Chris Molanphy as he walks through Bob Dylan's career decade by decade, from his '60s folkie years to his 21st-century revival. With the biopic reviving interest in rock's poet laureate, there's never been a better time to get tangled up in Bob. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we reflect on the new Bob Dylan biopic - a complete unknown - including the UK's wind failure;  cost of electricity in Australia, Dale Vince's hypocrisy; CIA and Wuhan; The Year of the Snake; Emlilia Perez; Australian censor permits violent sex novels; Steve Smith reaches 10,000; DeepSeek; Remembering Auschwitz; Anti-Semitism in Australia; Ben and Jerries Woke Empire;  No Debating; Days off to Learn how to be anti-Racist in Scottish schools; Country of the week - Congo; Population of Earth in Christ's time; Preacher arrested for sign against Islam; and Feedback.  with music from Bob Dylan, Johnny Wakelin, Joan Baez, Johnny Cash, John Williams and Pete Seeger

Lady Gaga, Marion Anderson, Beyoncé, Frank Sinatra, Pete Seeger, Maya Angelou — musicians and poets have been powerful headliners at inauguration ceremonies across the years signaling change, new beginnings and reflecting the mood of the country and a new administration.In January 1973, following the Christmas bombing of Vietnam, conductor Leonard Bernstein gathered an impromptu orchestra to perform an "anti-inaugural concert" protesting Richard Nixon's official inaugural concert and his escalation of the war in Vietnam. One of the main performances of the official inaugural was the 1812 Overture with its booming drums replicating the sound of war cannons.In 1973, the United States was reaching the concluding stages of our involvement in Vietnam.  And while the war would soon come to an end, the weeks leading up to the second inauguration of Richard Nixon were met with some of the most intense and deadly bombing campaigns of the war.The anti-war movement was unhinged. They had marched, they protested — to seemingly no avail when it came to changing Nixon's foreign policies. So what to do next...Leonard Bernstein performed an “anti-inaugural concert” — a concert for peace — following his belief that by creating beauty, and by sharing it with as many people as possible, artists have the power to tip the earthly balance in favor of brotherhood and peace.This story was produced by Brandi Howell with special thanks to Michael Chikinda, Alicia Kopfstein, Matt Holsen, and Bernie Swain. 

At the movies, A Complete Unknown depicts Bob Dylan as a 1960s “it” boy—played by a 2020s “it” boy, Timothée Chalamet. But the film ends in 1965. What happened in the six decades after that? Dylan not only kept recording. He actually started topping the charts—in the 1970s, the era of Led Zeppelin, not Pete Seeger. And several of his chart-topping albums came decades later, in the 21st century. Bob's voice got rougher, but loyal audiences kept buying his music. Several of these platinum Dylan LPs are among the most acclaimed in rock history—from Blood on the Tracks to Time Out of Mind. And Dylan stayed an object of fascination through all his changes—as a road warrior, a born-again Christian, a Traveling Wilbury, a JFK conspiracy theorist. Join Chris Molanphy as he walks through Bob Dylan's career decade by decade, from his '60s folkie years to his 21st-century revival. With the biopic reviving interest in rock's poet laureate, there's never been a better time to get tangled up in Bob. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

At the movies, A Complete Unknown depicts Bob Dylan as a 1960s “it” boy—played by a 2020s “it” boy, Timothée Chalamet. But the film ends in 1965. What happened in the six decades after that? Dylan not only kept recording. He actually started topping the charts—in the 1970s, the era of Led Zeppelin, not Pete Seeger. And several of his chart-topping albums came decades later, in the 21st century. Bob's voice got rougher, but loyal audiences kept buying his music. Several of these platinum Dylan LPs are among the most acclaimed in rock history—from Blood on the Tracks to Time Out of Mind. And Dylan stayed an object of fascination through all his changes—as a road warrior, a born-again Christian, a Traveling Wilbury, a JFK conspiracy theorist. Join Chris Molanphy as he walks through Bob Dylan's career decade by decade, from his '60s folkie years to his 21st-century revival. With the biopic reviving interest in rock's poet laureate, there's never been a better time to get tangled up in Bob. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

At the movies, A Complete Unknown depicts Bob Dylan as a 1960s “it” boy—played by a 2020s “it” boy, Timothée Chalamet. But the film ends in 1965. What happened in the six decades after that? Dylan not only kept recording. He actually started topping the charts—in the 1970s, the era of Led Zeppelin, not Pete Seeger. And several of his chart-topping albums came decades later, in the 21st century. Bob's voice got rougher, but loyal audiences kept buying his music. Several of these platinum Dylan LPs are among the most acclaimed in rock history—from Blood on the Tracks to Time Out of Mind. And Dylan stayed an object of fascination through all his changes—as a road warrior, a born-again Christian, a Traveling Wilbury, a JFK conspiracy theorist. Join Chris Molanphy as he walks through Bob Dylan's career decade by decade, from his '60s folkie years to his 21st-century revival. With the biopic reviving interest in rock's poet laureate, there's never been a better time to get tangled up in Bob. Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

The new biopic A Complete Unknown follows a young Bob Dylan as he arrives in New York and changes American folk music forever. Edward Norton plays folk icon Pete Seeger, who had a big impact on Dylan. Seeger was famous for his songs about working people, unions, and social justice. We're revisiting Terry's 1984 interview with Seeger, as well as her 2016 interview with Bruce Springsteen, who was compared to Dylan when he broke onto the scene.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

 Greenwich Village is one of America's great music capitals, an extraordinary distinction for an old neighborhood of tenements, townhouses, dive bars and a college campus.So many musical titans of jazz, folk, pop and rock and roll got their start in the Village's many small nightclubs and coffeehouses, working alongside artists, writers, actors and comedians to create an American cultural mecca unlike any other.And it was here, on January 24, 1961, that a nineteen-year-old young man from Minnesota entered the fray -- Robert Zimmerman, otherwise known as Bob Dylan.The Village completely transformed the young folk singer into the voice of a generation, working out his transformation on the minuscule stages of the Gaslight, Cafe Wha? and Gerde's Folk City.But this show isn't strictly about Dylan's ascent to greatness, but the neighborhood -- the people, the streets, the basements! -- which cultivated artists like Dylan (and Billie Holiday and Nina Simone and Pete Seeger and Barbra Streisand and Joan Baez and so on.)PLUS: Bob Moses and Jane Jacobs stop by for a hootenanny (and a protest)Visit the website for a list of music credits, research sources and further listening ideasJoin us on Patreon for extra podcasts and lots of other goodiesShare your love of the city's history with a Bowery Boys Walks gift certificate! Our digital gift cards let your loved ones choose their perfect tour and date.Grab a Bowery Boys tee-shirt, mug or water bottle at our merchandise store.

Some people are calling Elon Musk “president” after President-elect Trump followed Musk's lead in coming out against the House Republicans' spending bill, the first severe human case of bird flu has been reported in the U.S., and Stephen takes a look at some of the world's strangest Christmas traditions. Actor Edward Norton talks about the truly authentic way he and Timothée Chalamet approached playing the music of Bob Dylan and Pete Seeger in their new film, “A Complete Unknown,” which opens in theaters on Christmas Day.  Learn more about your ad choices. Visit megaphone.fm/adchoices