Podcasts about Pete Seeger

Elaine Weiss discusses her book, Spell Freedom: The Underground Schools That Built the Civil Rights Movement. It is the story Highlander Folk School, an interracial training center for social change founded by a white southerner with roots in the labor movement. The school became a focal point inspiring Rosa Parks, Pete Seeger, and originating Citizenship […]

Host Jason English welcomes Stella Prince, hailed as the face of Gen Z folk, for a conversation recorded at AmericanaFest after her first official showcase at Nashville's female-owned venue, Anzie Blue. Prince reflects on growing up in Woodstock, New York, singing as a child with artists like Pete Seeger, and her early drive to work in music, including being a 12-year-old radio DJ spinning 1930s–40s big band and writing music reviews. She discusses making folk mainstream again, the generational appeal of the genre, and inspirations like Joni Mitchell, Joan Baez, and Judy Collins, plus contemporaries like Laufey. Prince describes building an all-women team, recording her debut EP in Laurel Canyon, and releasing her first sync—a Hallmark film featuring her reimagined “(They Long to Be) Close to You.” She also shares songwriting shaped by Gen Z anxiety, inflation, and newfound independence, and performs “Don't Think Twice, It's All Right” and her original “Good Luck Is Hard to Find.”00:00 Folk Across Generations00:28 Podcast Intro and Guest Setup02:42 AmericanaFest Milestone04:38 Why Folk Feels Real Now05:34 Making Folk Mainstream Again06:13 Gen Z Jazz Inspiration08:21 Woodstock Roots and Early Magic09:27 Radio DJ and Big Band Years11:00 DIY Hustle to Building a Team13:04 All Women Team and Industry Gaps13:45 Women on the Road14:42 Laurel Canyon Recording Dream15:23 Career First at 2116:26 EP Plans and Hallmark Sync17:57 Songwriting From Independence18:35 Gen Z Pressure and Anxiety20:55 Curiosity and Defining Success23:14 Live Performance Session26:04 Original Song Closing

250 - Luke Winslow-King In episode 250 of Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with singer/songwriter Luke Winslow-King. Luke joins us from his home in Spain. In their conversation Luke shares with us what life is like in Spain and he tells us about his experiences busking in Europe and dealing with Gypsies and his experiences with his band in Europe. Luke talks about living in New Orleans previously and going to the university of New Orleans and busking there as well with a group of musicians known as the “Loose Marbles” that eventually became Tuna Skinny, Hooray for the Riff Raff as well as members of Luke's band. Luke describes his gear including a resonator that he's had since 2001 and the rest of his gear and a shoutout to his home music store Elderly Instruments. Luke discusses his early touring experiences with a group of friends following a book by Pete Seeger of Woody Guthrie songs called “California to the New York Islands” Luke describes his current tour schedule traveling throughout Europe and the US and talks about his band, both in Europe and the US and he gives us insight into booking in Europe. Luke tells us about his new record “Coast of Light” his ninth album and he describes his musical education. Luke discusses his future, recording an album with “Little Freddie King” and another album for himself. To find out more about Luke you can go to his website: lukewinslowking.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #LukeWinslowKing #LittleFreddieKing #CoastofLight #BuskinginEurope #NewOrleans #TubaSkinny #hoorayfortheriffraff #ElderlyInstruments #resonatorguitars #GibsonGuitar #JamesPatrickRegan #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Please like, comment, and share this podcast! Download Link

The iconic folk duo met at an audition for the only country music band at a prestigious jazz school in Boston. They immediately clicked, and joined the rich lineage of Americana artists that stretches back centuries.In their 20s, Gillian Welch and David Rawlings discovered they had something special when they sang together, a sort of eerie emotional resonance that is usually confined to the blood harmonies produced when siblings sing together.Ever since they've been making music together which draws on the bluegrass, country and folk traditions they love.In their historic recording studio in Nashville, Tennessee (which has withstood three tornadoes in the last century), they craft haunting songs about the ugly and beautiful parts of humanity.For Gill and Dave, the DNA of folk music is something we can all contribute to, and which contributes to all of us.Gillian Welch and David Rawlings are currently touring Australia's eastern states. You can find information about where and when they are playing on their website.Their seventh studio album is called Woodland, named after their indestructible studio.This episode of Conversations was produced by Meggie Morris. Executive Producer is Nicola Harrison.This episode of Conversations was produced by Meggie Morris. Executive Producer is Nicola Harrison.It explores music, recording, career musicians, Woody Guthrie, The Carter Family, Lead Belly, revival folk, Bob Dylan, Joan Baez, Simon & Garfunkel, Joni Mitchell, Emmy Lou, Dolly Parton, Southern America, United States, Pete Seeger, Love, relationship, natural disaster, Neil Young, Gordon Lightfoot, Leonard Cohen, Odetta, Harry Belafonte, Rhiannon Giddens, banjo, guitar, mandolin, true crime, murder ballad, Revival, Time (The Revelator), Soul Journey, The Harrow & The Harvest, All the Good Times (Are Past & Gone), Grammy Awards, Grammys, songwriting, Coen Brothers, O Brother, Where Art Thou?To binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.

Guy Davis to perform at Towne Crier in Beacon Guy Davis knows how to have fun. One of his favorite jokes as he tunes his guitar is, "Sorry, I'm having trouble with my G string." But once he sinks into a song, the room is transported. "Playing is a personal thing that hits my soul," he says. "The music takes me on a trip to the country, where there's rivers, grass, rocks, trees; come with me, and I'm a happier camper." Davis also travels back in time to a specific place, evoking the 1920s and 1930s Mississippi Delta blues and ragtime era, when guitarists mimicked the piano by playing multiple parts at a time using a thumb pick to drive the rhythm and either bare fingers or metal banjo picks to pluck the chords and melodic lines. "People watched Blind Blake play and asked him, 'Where's the other guy hiding?'" Davis says. The son of prominent actors and activists Ossie Davis and Ruby Dee — who befriended Pete Seeger during the Civil Rights era — Davis will bring a Towne Crier audience into the wilderness and back to the past on Feb. 15. Davis has done plenty of acting, including in the 1984 hip-hop film Beat Street, and in 2023 produced incidental music for the Broadway revival of his father's play Purlie Victorious, which received six Tony Award nominations. After hearing a didgeridoo in Australia, "I fell in love immediately," he says, and learned the circular breathing technique required to maintain the wind instrument's drone; the sound is like Tuvan throat singing. "It helps with my harmonica playing," says Davis, who squeezes out exquisite notes on the harp. Routinely covered by guitar media outlets, he also has two Grammy Award nominations. Although Davis gravitated toward acoustic blues and began recording regularly in 1993, he still tours while juggling acting gigs and other projects. Playing harmonica, putting a metallic slide on the ring finger of his left hand and using a 12-string guitar expand his sonic palette. The repertoire mixes originals and covers of the old-timers. His own work, delivered in a raspy voice, fits the period's vibe. Davis crossed paths with Pete Seeger as a kid at Camp Killooleep in Vermont, a magnet for the folk music community, and learned banjo from one of Seeger's brothers, John. "We lived in Mount Vernon and, one day, Pete was hanging out in our living room," he says. "When we moved to New Rochelle, there he was again." Davis often tagged along when his parents visited Beacon, picking out Leadbelly tunes and listening to recorded relics, some of which seeped into his playing style. "It was low-key; we weren't trying to accomplish anything," he says. "He influenced all the songs on my 1978 Folkways album Dreams About Life" and sang backup on one track. Davis sailed on the Clearwater, Woody Guthrie and Sojourner Truth many times. In the 1970s, he participated in fundraisers to finish the boats and often opened for the folk bard. "Once, in Poughkeepsie, we got there early and we were hanging out at a fountain," he says. "Soon enough, there's Pete with his pants rolled up, splashing around in the water, pushing the garbage to the side and getting all the kids in the area to take it away." After a 2019 concert in Albany, one newspaper reported that the bluesman had reflected Seeger's "greatest gift," which was not his singing or songwriting but "his ability to turn an audience of strangers into close friends by getting them to sing along. Davis had just accomplished the same thing." The Towne Crier is located at 379 Main St. in Beacon. Tickets for the Feb. 15 show, which begins at 7 p.m., are $25 online or $30 at the door. See dub.sh/TC-guy-davis. To download or order music, see guydavis.com.

On today's Labor Radio Podcast Daily: how Pete Seeger turned songs into shared power, via the Solidarity Works podcast. In labor history, the Seattle General Strike begins in 1919. Quote of the day: Arthur Balfour. @wpfwdc @AFLCIO #1u #UnionStrong #LaborRadioPod Proud founding member of the Labor Radio Podcast Network. Produced by Chris Garlock, Patrick Dixon and Harold Phillips.

Eric Bibb is a blues music legend. In this conversation he talks about his teenage life growing up in the middle of the New York civil rights movement. The people he knew... Paul Robeson, Joan Baez, Bob Dylan, Pete Seeger ..... and how his father Leon Bibb continues to be an inspiration. In the middle of an increasingly wayward world Eric Bibb is a voice of sanity.

This week on Labor History Today, we remember Pete Seeger and how his songs helped build movements—from union halls to civil rights and environmental campaigns. Then we turn to the 1933 Funsten Nut Strike in St. Louis, led by Black women who organized more than 2,000 workers, and talk with the creators of the new play A Brick and a Bible. Questions, comments, or suggestions are welcome, and to find out how you can be a part of Labor History Today, email us at LaborHistoryToday@gmail.com Labor History Today is produced by the Labor Heritage Foundation and the Kalmanovitz Initiative for Labor and the Working Poor. #LaborRadioPod #History #WorkingClass #ClassStruggle @GeorgetownKILWP #LaborHistory @UMDMLA @ILLaborHistory @AFLCIO @StrikeHistory #LaborHistory @wrkclasshistory  

Understanding "Streets of Minneapolis"With Springsteen's latest single reaching #1 in 19 countries, we're witnessing a significant cultural moment. I'm proposing an exploration of the controversial, "Streets of Minneapolis"—examining it within a powerful American musical tradition that stretches back over eight decades.A Tradition of Musical CommentaryThis story begins in 1944, when Woody Guthrie (not Arlo—Woody was his father) wrote "This Land Is Your Land" as a response to Irving Berlin's "God Bless America." What seemed like competing patriotic songs represented something deeper: different visions of what it means to love your country. Berlin offered celebration; Guthrie offered reflection—including verses about inequality and hardship that rarely get sung today.Guthrie embraced a form of patriotism rooted in the Declaration of Independence—one that believes loving your country includes acknowledging where it falls short of its ideals. Writing during World War II and the aftermath of the Depression, Guthrie demonstrated how music could both honor and challenge the nation simultaneously.How Music Reaches Us DifferentlyThat approach influenced Pete Seeger, Joan Baez, and Bob Dylan—artists who discovered that songs could communicate social commentary to audiences who might not engage with traditional political discourse. A three-minute song on the radio could spark reflection in ways other media couldn't.Consider "Born in the U.S.A." How many of us have heard it as a celebration when Springsteen wrote it, in Guthrie's tradition, as a pointed critique of how America treats its veterans? Forty years later, it's still frequently misunderstood—even used at political rallies in ways that contradict its message. This pattern raises important questions about how we engage with art.When Music Captures a MomentIn 1970, after the Ohio National Guard killed four students at Kent State University, Neil Young wrote "Ohio" almost immediately. Released by Crosby, Stills, Nash & Young within weeks, the radio-friendly song brought that tragedy into millions of homes, forcing a national conversation.What "Streets of Minneapolis" Asks of Us"Streets of Minneapolis" follows in this tradition—echoing "Ohio" across five decades. Like those earlier songs, it's not primarily about comfort; it's about bearing witness and prompting reflection.The question worth considering: Will we engage with what the song is actually saying, or will it become another anthem whose meaning gets lost over time?An Invitation to Listen Thoughtfully. An opportunity to make your own decisions. This isn't about taking political sides. It's about recognizing a form of patriotism that asks something of us—the kind that believes loving your country includes honest examination of difficult moments.Hosts: Rick Galusha & Mike OlsonKate Smith / God Bless America (1939)Woody Guthrie / This Land is Your Land (1940) Carter Family / The World's On Fire (1925) Bruce Springsteen / Born in the USA (1984) [Nebraska] Neil Young / Ohio (1970) Bruce Springsteen / Streets of Minneapolis (2026) Norah Jones / American Anthem 

This week on the Labor Radio Podcast Weekly, shows across the Network spotlight the Minneapolis General Strike and a growing wave of worker resistance and organizing. We hear from Workers Beat Extra, Voice of the People, and Work Stoppage on what's happening in Minnesota and why it matters nationally. The Manufacturing Report looks at ethical U.S. manufacturing, while Solidarity Works honors Pete Seeger's legacy of music and movement-building. Shows You Should Know highlights include new episodes from The SAG-AFTRA Podcast, Blue Collar News, Talk The TAUC, and Unite And Win.

The Dylan Whisperer Rob Stoner and I have been in the same city, on the same street, in the same club where I was promoting and he was playing, at the same time, over and over, and somehow we never met. Until tonight. He was worth waiting for. What a fun edutainment! We talked about his heroes, Chuck Berry to Jerry Lee Lewis, Rob's famous photographer father, who, like Rob's later boss, Bob Dylan, used art to change our thinking, to his own early days playing with Pete Seeger and Tim Hardin. From high school bands playing keyboards, guitar, and then bass, great story there as to why he picked it up, to his first session with Pete Seeger, another important mind-shaper, to Tim Hardin, and Don Mclean, with his first ill-fated named first album, Tapestry, to his second album and the session which bore his first #1 hit, American Pie. Rob tells the tale, from soup to platinum single. The session with Robert Gordon and Link Wray, recording a not-yet-wildly famous Bruce Springsteen's first recording of his soon-to-be monster hit, Fire. Where a young Rob Stoner came up with the iconic bass line that Bruce would soon “borrow.” Rob had his own record deal in '73, meeting Dylan a year later, Bob telling Rob he'd come to call, and how Rob's band became the backup band for Dylan's album Desire when he finally did call about a decade later. Rolling Thunder, Rob, the musical director, for Dylan's long-held dream to put together a traveling carnival show. How it worked, all the moving parts, and the one erratic member. Dylan. Rob told us about their relationship, never knowing if this gig would be his last, and how, thanks to Robert Gordon (and Link Wray), whom Rob would play with for over 40 years, helped Rob to end it on his terms. We talked the pandemic and how Zoom changed the game for Rob (and me, and many of us), who grew his teaching practice and extended his reach globally. His daily Facebook videos, doing what he loves, playing music that he loves, which receive millions of views. A massive Dylan fan since the 60s and enthusiast of most of the artists Rob has played with, it was a thrill to get his take on the Complete Unknown, what it was like for Baez to play with Dylan, why Robert Gordon and Link Wray eventually split up… and so much more. Rob's been there, done that, and charmingly shares the tales. Loved every moment! Rob Stoner Live on Game Changers with Vicki Abelson Wednesday, 1/28/26, ***6 PM PT/ 9 PM ET*** Streamed Live on my FB, YouTube & LinkedIn

Pete Seeger treated music as a communal act—a circle, not a spotlight. In our newest episode, we explore how Pete braided together labor organizing, civil rights, environmental justice, and peace through song. From congressional blacklisting to union halls and river clean-ups, his legacy isn't frozen in time—it's instructional. Thank you to the Seeger family for sharing Pete's music with us for this episode. Other music by: Tolset Music and Black Trend Music.

Betri Svefn og Víkurskóli hafa lokið samstarfsverkefni sem markar tímamót í skólaumhverfi hérlendis. Víkurskóli er nú fyrsti svefnvottaði skóli landsins, en svefnvottun felur í sér markvissa nálgun að bættri svefnheilsu starfsfólks. Í verkefninu fékk starfsfólk skólans fræðslu um mikilvægi svefns fyrir líkamlega og andlega heilsu. Jafnframt var starfsfólk skimað fyrir svefnvanda og fékk aðgang að gagnreyndum úrræðum til að bæta svefn og draga úr svefnvanda. Við ræddum í dag við Erlu Björnsdóttur og Ingu Rún Björnsdóttur sálfræðinga hjá Betri Svefn. Svo kom Lilja Sigríður Steingrímsdóttir húkrunarfræðingur og öndunarkennari í þáttinn, en hún sagði okkur frá öndunartækni sem hún kynntist í Sviss og hefur nú kynnt og kennt hér á landi í nærri 19 ár. Listamenn úr Myndlistafélagi Árnessýslu standa þessa dagana að styrktarviðburði til stuðnings 10 ára dreng frá Selfossi sem nýlega greindist með blóðkrabbamein og er alvarlega veikur. Berglind Björgvinsdóttir, formaður Myndlistarfélags Árnessýslu kom til okkar og sagði okkur betur frá þessari söfnun og félaginu. Tónlist í þættinum í dag: Litlir kassar / Þokkabót (Pete Seeger, texti Þórarinn Guðnason)(tekið upp 1974) Ertu viss / Eyjólfur Kristjánsson (Eyjólfur Kristjánsson, texti Aðalsteinn Ásberg Sigurðsson) Kramið hjarta / Valgeir Guðjónsson (Valgeir Guðjónsson) Begin the beguine / Ella Fitzgerald (Cole Porter) UMSJÓN: GUÐRÚN GUNNARSDÓTTIR OG GUNNAR HANSSON

Hey Now! Here is tunes from The Grateful Dead, Joan Baez, Peter Paul and Mary, Pete Seeger, Donovan and more Grateful Dead, Enjoy and send me any requests for next week's show. 

This week on Labor History Today, we explore how the 1892 Homestead Strike continues to live on—not just in books and archives, but in film, music, and living memory. We begin with labor scholar and cultural critic Kathleen Newman, who takes us inside Ting Tong Chang's The Hidden Shift, a two-screen film installation at Pittsburgh's Mattress Factory. Inspired by the Homestead Strike, the piece layers a fictionalized labor drama with behind-the-scenes footage of museum workers making the work itself—blurring the lines between labor and culture, past and present. Kathleen reflects on Homestead as both a proud moment in worker history and a shameful chapter in corporate history, and connects the strike's legacy to today's service-sector workers—from museum staff to baristas—whose labor too often goes unseen. We close with music that has carried the story for more than a century. “Homestead Strike Song” turns the events of 1892 into a communal act of remembrance. In this 1980 recording, Pete Seeger sings the song, invites a singalong, and shares the story of how the song survived—passed down in halls and bars long after the strike itself was crushed. Together, these segments remind us that labor history isn't just remembered—it's made, performed, and sung. Questions, comments, or suggestions are welcome, and to find out how you can be a part of Labor History Today, email us at LaborHistoryToday@gmail.com Labor History Today is produced by the Labor Heritage Foundation and the Kalmanovitz Initiative for Labor and the Working Poor. #LaborRadioPod #History #WorkingClass #ClassStruggle @GeorgetownKILWP #LaborHistory @UMDMLA @ILLaborHistory @AFLCIO @StrikeHistory #LaborHistory @wrkclasshistory  

Chloé Zhao and Maggie O'Farrell are in the studio to talk Hamnet, the new film based on O'Farrell's bestselling novel...a love story meets family drama, about the heartbreak that shaped Shakespeare's greatest work. Plus, A Complete Unknown, starring Timothée Chalamet, depicts the story of folk hero Bob Dylan's transition to electric music. We re-visit Jason's interview with cult actor Edward Norton, who plays Pete Seeger in the film. 

Chloé Zhao and Maggie O'Farrell are in the studio to talk Hamnet, the new film based on O'Farrell's bestselling novel...a love story meets family drama, about the heartbreak that shaped Shakespeare's greatest work. Plus, A Complete Unknown, starring Timothée Chalamet, depicts the story of folk hero Bob Dylan's transition to electric music. We re-visit Jason's interview with cult actor Edward Norton, who plays Pete Seeger in the film. 

Welcome to our first post-holiday post since mid-December. Here is our first-ever, back-to-back twin episode post featuring The Artists Index podcast host Scott Bishop's conversations with Maggi Kerr Peirce, the author of A Belfast Girl. HERE IS PART ONE: According to the Parkhurst Brothers Publishing website, she "...sang her native Irish ballads from the Newport Folk Festival to Puget Sound during the 1970s. She performed on many of the same stages as Pete Seeger, the Kingston Trio, and Peter, Paul, and Mary." She graced storytelling festivals from coast-to-coast with her Irish stories. The revered storyteller, a founder of the Tryworks Coffeehouse, a legendary and long-running (1967-2002) folk music and arts venue in New Bedford, Massachusetts, held at the First Unitarian Church. It was a vibrant community hub for the musicians, poets, and young people of the South Coast. Maggi has been featured at the National Storytelling Festival and received the National Storytelling Network (USA) Oracle Award for lifetime achievement. Scott Bishop spoke with her at her home in Fairhaven, Massachusetts. Maggi Peirce was 93 at the time of her passing in December 2024. She shared just some of her many memories, as well as her love of the Tryworks Coffeehouse, the South Coast, and so much more.   Maggi Kerr Peirce Fairhaven Massachusetts 02719   Email | Website | Facebook | Instagram | YouTube   PODCASTS ALSO AVAILABLE ON: YouTube WHILE YOU'RE HERE: Please consider donating whatever you can to ensure that our mission continues as we document the legacies of South Coast Artists. If you would like to be a guest on The Artists Index or have a suggestion, please let us know!  

Welcome to our first post-holiday post since mid-December. Here is our first-ever, back-to-back twin episode post featuring The Artists Index podcast host Scott Bishop's conversations with Maggi Kerr Peirce, the author of A Belfast Girl. HERE IS PART TWO: According to the Parkhurst Brothers Publishing website, she "...sang her native Irish ballads from the Newport Folk Festival to Puget Sound during the 1970s. She performed on many of the same stages as Pete Seeger, the Kingston Trio, and Peter, Paul, and Mary." She graced storytelling festivals from coast-to-coast with her Irish stories. The revered storyteller, a founder of the Tryworks Coffeehouse, a legendary and long-running (1967-2002) folk music and arts venue in New Bedford, Massachusetts, held at the First Unitarian Church. It was a vibrant community hub for the musicians, poets, and young people of the South Coast. Maggi has been featured at the National Storytelling Festival and received the National Storytelling Network (USA) Oracle Award for lifetime achievement. Scott Bishop spoke with her at her home in Fairhaven, Massachusetts. Maggi Peirce was 93 at the time of her passing in December 2024. She shared just some of her many memories, as well as her love of the Tryworks Coffeehouse, the South Coast, and so much more.   Maggi Kerr Peirce Fairhaven Massachusetts 02719   Email | Website | Facebook | Instagram | YouTube   PODCASTS ALSO AVAILABLE ON: YouTube WHILE YOU'RE HERE: Please consider donating whatever you can to ensure that our mission continues as we document the legacies of South Coast Artists. If you would like to be a guest on The Artists Index or have a suggestion, please let us know!  

Lee and Daniel talk about their favourite film from last year, Paul Thomas Anderson's "One Battle After Another" (2025). They also cover what else they've watched recently. Have a few small beers, join the revolution, and hear what they have to say about this series of moving pictures, you filthy semen demons. "One Battle After Another" IMDB  Lee on Bluesky, Instagram, and Letterboxd.    Listen to Daniel punch Nazis on the I Don't Speak German podcast. Catch Daniel on Bluesky and support his Patreon.    Featured Music: "The Revolution Will Not Be Televised" by Gil Scott-Heron & "We Shall Overcome" by Pete Seeger.

This week we get to visit again with legendary folk songwriters and musicians John McCutcheon and Tom Paxton about their second album together from their standing weekly songwriting collaboration. Together Again is available January 9, 2026 wherever you get your music and features a slew of delicious tunes and fantastic stories that will make you laugh and some that may even make you shed a tear. Have no fear though, our conversation is nothing but great times, good laughs, and amazing memories from these two friends who have helped shaped the fabric of great music for many decades. We touch on some familiar friends including Pete Seeger and get the scoop on some of the backstories of a few of the tracks on the latest album. It's always a delight talking to these two and to hear their music. If you leave with nothing else, you will realize the importance of having a standing date with a good friend and collaborator that nothing can interrupt at least one day per week is the true key to happiness and success! Follow Rock 'n' Roll Grad School on Social:FacebookInstagramYouTube

Folk music veterans John McCutcheon and Tom Paxton discuss their collaborative album "Together Again" with interviewer Cris Cohen. The conversation explores their songwriting philosophy of addressing macro issues through intimate personal stories, their creative partnership that has flourished through Zoom co-writing sessions, and their optimistic view of folk music's current health. They reflect on mentorship from Pete Seeger, the importance of surrendering to the creative process, finding success outside mainstream formulas, and maintaining artistic vitality throughout their careers. The interview touches on specific songs from the album while offering insights into collaboration, the role of technology in creativity, and the enduring power of storytelling in music. (Note: At one point Tom drops from the call and is unable to reconnect.)

In this first episode of season 3 we go into depth in discussing the Seeger family's trip around the world, lasting from August, 1963 to early June 1964. We'll examine several of the performances Pete makes as he and the Seeger family make their geographical traverse through a dozen and a half countries, and will also discuss the wide variety of music and dance that the Seegers documented along the way. Get ready to hear about an often unspoken piece of Pete Seeger's musical and cultural work in the family's travels from Western Samoa, Australia and India to East Africa and West Africa, the Levant, western and central Europe, and eventually the USSR. We'll discuss the greater meaning of the work Pete and the Seeger family were doing, and in doing so, hopefully have a most holistic understanding of this under-researched period of Pete's Seeger work.

Welcome back to Scene Missing, the show where we dig past the highlight reels and get into the real story. This time, Gabriel Hardman, Ian Brill, and I take a hard, unsentimental look at the career of Burl Ives—a performer whose legacy is far bigger, messier, and more complicated than the warm baritone most people remember.We start with the role that earned him Hollywood's highest honor: his Oscar-winning turn as Rufus Hannassey in The Big Country, opposite Gregory Peck, Jean Simmons, and Charlton Heston—a performance that weaponized charm into something quietly menacing. From there, we contrast it with the brutal, snowbound moral reckoning of Day of the Outlaw, where Ives delivers one of the coldest outlaw portrayals ever put on film. We also explore his unexpected presence in prestige drama, including Cat on a Hot Tin Roof, sharing the screen with Paul Newman and Elizabeth Taylor, and how his earthy gravitas grounded Tennessee Williams' overheated world.On television, we revisit his folksy patriarch on O.K. Crackerby!, his later dramatic turn on The Bold Ones: The Lawyers, and how TV both extended and softened his public image. And yes—we absolutely talk about the role that permanently etched him into pop culture: the voice of Sam the Snowman in Rudolph the Red-Nosed Reindeer, a performance so comforting it practically erased the edge of the man behind it.But we don't stop at acting. Ives' massive influence as a folk singer is front and center—from “Blue Tail Fly” to “Big Rock Candy Mountain”—along with the career-altering moment that still sparks controversy: his testimony before the House Un-American Activities Committee, where he named names, including Pete Seeger, reshaping both of their legacies in opposite directions. This isn't a tribute. It's an honest conversation about talent, ambition, fear, and compromise—and how one man could be a beloved storyteller, a terrifying screen presence, and a cautionary tale all at once.

Remakes and Netflix specials are the taste of November 2025 - we review Nouvelle Vague (5:00), The Running Man (5:40), BUGONIA (7:10) and the movie it is based on, 2003's Save The Green Planet!, TRAIN DREAMS (13:45), SIRAT (18:00), Wake Up Dead Man: A Knives Out Mystery (22:22), Wicked For Good (25:10), Die My Love (26:10), Splitsville (28:53), Kill the Jockey (29:50), The Sea (30:30), Familiar Touch (32:00), Little Amelie (32:38). Plus those we recommend skipping: A Big Bold Beautiful Journey (33:00), Ballad of a Small Player (34:30), Americana (35:55). We drop a new segment - BLINDSPOT SWAP - and then close with Classics Corner (39:55): Extraordinary Stories and Yi Yi.SPOILERS for BUGONIA, TRAIN DREAMS and modestly for Sirat.Outre is (ONLY A EXCERPT, CULTURAL COMMENTARY USAGE) Where Have All the Flowers Gone, by Marlene Dietrich in 1962, composed by Pete Seeger in 1955.

Reflecting upon this landmark recording made me realize how much Arlo and his song had been fundamental to my life-long, anti-authoritarian world view. And how, years later, when the war had escalated, and my turn came up for the draft, even though I escaped with a high lottery number, I was already weighing my draft dodging options. I was only 14 when the song was released, but it hipped me to the absurdity of the war in Viet Nam, the legal system, and petty bureaucrats in general. Arlo accomplished this “us against them” subversion with genial irony, which he delivered with an easy charm - not to mention an impressive Travis picking style.  It didn't hurt that he had the name recognition as the scion of the OG of poetical protest singers, Woody Guthrie, whose song “This Land is Your Land,” almost became our national anthem, and was the adopted relative of “uncle” Pete Seeger, whose signature sing-along method of inspiring social change, which Arlo employs so effectively here.  It was a cultural bombshell, and a first in many ways: At 18 minutes, FM radio usually played it in three separate parts making each rotation an event. It was the longest song to ever gain radio play when spun in its entirety. However, here at the Hotel Bohemia, time has no meaning, so it can be played all the way through on a continuous loop. 

As we did last Thanksgiving, this week we are giving thanks for labor songs and working music on the Heartland Labor Forum. Work songs would alleviate boredom and synchronize the work, while also providing important social commentary about working conditions and progressive ideals. We'll hear tracks from old favorites Pete Seeger and Anne Feeney, as well as some unexpected working music from Devo and Eddie Rabbit.

The Sunday after Magic Johnson announced his HIV-status, Jim Mitulski preached a sermon on being tired of people dying. We're sharing it as an interlude, a pause, and an immersion into one moment in AIDS' bleak midwinter.  For images and links about this episode visit https://www.heavenpodcast.org/interlude. In the sermon Rev. Mitulski refers to ARC. That means AIDS-Related Complex, a diagnostic category meant to indicate an earlier stage of HIV infection than AIDS. It was common in the period to hear references to both AIDS and ARC.  “Old Devil Time” is by Pete Seeger. The AIDS verses are by MCC San Francisco congregant Paul Francis.  You can see Magic Johnson's press release, announcing his HIV status here.  The biblical passage Rev. Mitulski is preaching on is John 11:1-44. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: AIDS Healthcare Foundation – provides medical care and support for people living with HIV/AIDS and preventative care for people at risk for contracting it.  The Magic Johnson Foundation – founded to address HIV/AIDS. Expanded to include education and community engagement.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included).Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Sunday after Magic Johnson announced his HIV-status, Jim Mitulski preached a sermon on being tired of people dying. We're sharing it as an interlude, a pause, and an immersion into one moment in AIDS' bleak midwinter.  For images and links about this episode visit https://www.heavenpodcast.org/interlude. In the sermon Rev. Mitulski refers to ARC. That means AIDS-Related Complex, a diagnostic category meant to indicate an earlier stage of HIV infection than AIDS. It was common in the period to hear references to both AIDS and ARC.  “Old Devil Time” is by Pete Seeger. The AIDS verses are by MCC San Francisco congregant Paul Francis.  You can see Magic Johnson's press release, announcing his HIV status here.  The biblical passage Rev. Mitulski is preaching on is John 11:1-44. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: AIDS Healthcare Foundation – provides medical care and support for people living with HIV/AIDS and preventative care for people at risk for contracting it.  The Magic Johnson Foundation – founded to address HIV/AIDS. Expanded to include education and community engagement.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included).Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Sunday after Magic Johnson announced his HIV-status, Jim Mitulski preached a sermon on being tired of people dying. We're sharing it as an interlude, a pause, and an immersion into one moment in AIDS' bleak midwinter.  For images and links about this episode visit https://www.heavenpodcast.org/interlude. In the sermon Rev. Mitulski refers to ARC. That means AIDS-Related Complex, a diagnostic category meant to indicate an earlier stage of HIV infection than AIDS. It was common in the period to hear references to both AIDS and ARC.  “Old Devil Time” is by Pete Seeger. The AIDS verses are by MCC San Francisco congregant Paul Francis.  You can see Magic Johnson's press release, announcing his HIV status here.  The biblical passage Rev. Mitulski is preaching on is John 11:1-44. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: AIDS Healthcare Foundation – provides medical care and support for people living with HIV/AIDS and preventative care for people at risk for contracting it.  The Magic Johnson Foundation – founded to address HIV/AIDS. Expanded to include education and community engagement.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included).Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode we 'll conclude our two-part feature with American traditional players, dance musicians and some songwriters, too. All of them have been influenced by players before them, whether through recordings, film or simply learning knee to knee. You will hear Rayna Gellert, Buddy MacMaster, Pete Seeger, Ola Belle Reed and others who have inspired today's young players. Passing the music on … this week on The Sing Out! Radio Magazine.Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysRayna Gellert / “Sugar in the Gourd” / Ways of the World / Yodel-Ay-HeeMarcus Martin / “Jenny Run Away in the Mud in the Night” / When I Get My New House Done / University of North CarolinaDon Pedi / “Long Time Gone” / Short Time Here / Walnut MountainBruce Greene / “Sheep's in the Meadow and Cow's in the Corn / River of Time / Hellbendre PresseBruce Molsky / “Bury Me Not on the Lone Prairie” / Soon be Time / CompassBuddy MacMaster and Tracey Dares / “Captain O'Kane / The Juduque Flyer / Stephen MacDonald RroductionsOld New England / “President Clinton's Hornpipe-High C's-Kiss the Cook-President Garfield's Hornpipe” / Old New England / Great Meadow MusicRalph Blizard and the New Southern Ramblers / “Midnight on the Water” / Southern Ramble / RounderRayna Gellert / “Charleston #1” / Ways of the World / Yodell-Ay-HeeDave Fry / “Lessons from Pete” / Troubadour / Dave Fry MusicPete Seeger / “Old Devil Time” / Rainbow Race / ColumbiaNorman Blake / “Billy Gray” / Old & New / Flying FishOla Belle Reed / “High on a Mountain” / Ola Belle Reed / RounderBrian Miller / “The Shanty Boy's Alphabet” / Minnesota Lumberjack Songs / Two TapJohn Hartford / “Wolves A-Howling” / Hamilton Ironworks / RounderMike Seeger / “Roustabout” / Solo Old-Time Country Music / RounderPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

Matteo Ceschi"Un'altra musica"L'America nelle canzoni di protestaMimesis Edizioniwww.mimesisedizioni.itCome si definisce una canzone di protesta? A partire da questo interrogativo, Matteo Ceschi decostruisce tre brani leggendari – This Land Is Your Land di Woody Guthrie, Blowin' in the Wind di Bob Dylan e Kick Out the Jams degli MC5 – per comprendere i processi che tramutano una canzone in inno generazionale e le dinamiche attraverso cui, nel corso dei decenni, diversi tipi di pubblico si appropriano di un brano per portare avanti le loro cause. Ad arricchire il testo, numerose interviste realizzate per l'occasione con alcuni autori e interpreti tra cui: Wayne Kramer (chitarrista e fondatore degli MC5), Jimmy Collier (folk singer allievo di Pete Seeger e Martin Luther King) e Joe McDonald (musicista country protagonista a Woodstock).Matteo Ceschi, storico, saggista e fotografo milanese. Collabora da anni con diverse riviste musicali. Ha pubblicato numerosi saggi dedicati alla controcultura statunitense. Come membro del f/50 The International Photography Collective unisce la sua passione per la storia con un'esplicita fotografia documentaristica in rigoroso bianco e nero.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Recently, Terre Haute, Indiana welcomed two of the nation's most prominent political figures — Senator Bernie Sanders and Representative Alexandria Ocasio-Cortez. Sanders visited the city to receive the Eugene V. Debs Award. WFYI's Kyle Long was on hand to capture the sounds, music, and speeches that defined the evening. Listen to Long's interview with Sanders, along with music from the Local Honeys; the Kentucky-based duo opened the ceremony with a set of old-time folk music.  Born in 1855, Eugene Debs was raised in Terre Haute, Indiana. Debs was a political activist, trade unionist, founding member of the Industrial Workers of the World, and a five-time Socialist Party presidential candidate. In 1962, the Debs Foundation was established in Terre Haute to preserve Debs' legacy. Since 1965, the foundation has presented the annual Eugene V. Debs Award to individuals and organizations whose work advances the causes of labor rights, peace, and human equality. Past recipients include Kurt Vonnegut, Coretta Scott King, Dolores Huerta, Howard Zinn, Pete Seeger, and Ralph Nader.

Springsteen: Deliver Me From Nowhere is one of the best depictions of the creative process that I've ever seen, exploring where an artist's ideas come from: those sources, personal and environmental that are processed via one's family history, dreams, desires - and are then delivered through said artist's private relationship with their tools - (in this case the Tascam Portastudio, Echoplex reverb unit, and a water-damaged boombox). I was thrilled by that examination, and by Bruce's steadfast protection of his lo-fi masterpiece when it was being threatened by corporate pressure to compromise. Jeremy Allen White is one of America's finest exemplars of smoldering emotion, and the close ups on Springsteen's anguished face were a tour de force of inner conflict. The protean Stephen Graham as Bruce's complicated monster of a father found vivid expression with just a smattering of dialogue. And, Jeremy Strong - an actor capable of the deepest levels of immersion portrays Bruce's guardian angel of a manager, Jon Landau with such grace, and generous restraint that it made me cry. Kudos to all.The pace is pokey, and I personally could have done without the manufactured love story in which the actress, Odessa Young has the unenviable task of having to deliver clunky exposition, notably when she psychologizes Bruce for us. But, all in all, for a story that chronicles depression and child abuse, the darkness is mitigated by the knowledge that our hero emerges from this crucible to become a happily married family man and cultural hero, and create a timeless work of art. The Splendid Bohemians are honored to feature a couple of tributes to The Boss, which recognize his influence and influences: First, a duet with Bruce and Pete Seeger, the Patron Saint and Johnny Appleseed of folk music, singing Bruce's still relevant- (sadly)- homage to John Steinbeck's The Grapes of Wrath: The Ghost of Tom Joad.  And, we'll close with Ryan Adams' honorable rendition of Nebraska, the title song from those sources which are celebrated in Warren Zanes book and Scott Cooper's film

This nation's troubled history with Manifest Destiny will continue to haunt us for some time. Throughout the decades some Native voices have emerged and contributed to the ongoing cultural conversation: most recently on the Broadway stage, on film, and television, and this awareness might move us towards some, if not restitution for atrocities past, at least a dialogue that might point the way towards the future.Today Double Trouble features the efforts of two important Americana artists, neither one Native American, but both identifying with them. Johnny Cash believed that he was part Cherokee- (a notion disproved by DNA). They both raised their voices in advocacy with the dispossessed. Pete La Farge wrote The Ballad of Ira Hayes, which Johnny Cash delivers here, and then Mr. La Farge himself mourns the disappearance of the Coyote as a consequence of Capitalism's rapacious destruction of sacred lands.JOHNNY CASHFrom his 1963 concept album “Bitter Tears: Ballads of the American Indian”, The Ballad of Ira Hayes tells the story of a WW2 War Hero, one of the men raising the flag over Iwo Jima in that iconic photo. Upon returning to the states, Ira had to confront the irony of his impossibly low status on home soil, and descended into alcohol addiction and death. Pete La Farge wrote 5 of the songs on Cash's album, and became known, along with Buffy St. Marie, as one of the most prominent singer-songwriters concerned with Native themes. Johnny Cash was a life-long representative of Native peoples, trying through his popular status to bring about an awareness of the wrongs that had been committed in the name of “progress”. PETE LA FARGEGiven the focus of his creative output during his short life - he died, age 34, of a stroke - one might assume that Mr. La Farge was Native American, but not so: he was the son of an anthropologist and Pulitzer Prize winning novelist and a Rhode Island heiress. Growing up in New Mexico and Colorado, he developed a love of Native American culture, and that became his artistic touchstone. Most famous for The Ballad of Ira Hayes, his tribute to a discarded, fallen hero, the song has been covered by Bob Dylan and Pete Seeger among many others. Here, in Coyote, La Farge channels the mournful sound of the dispossessed animal as it fades away into the ether, after losing its habitat to business interests - an issue we're still dealing with today. 

Seems like whenever musical history was made over the last sixty years, Joe Boyd was there. He produced Pink Floyd, Fairport Convention, Nick Drake, Richard Thompson, 10,000 Maniacs, Billy Bragg, and introduced startling world music to Western audiences, including Trio Bulgarka, Ivo Papasov, and Toumani Diabate. The founder of Hannibal Records, He's even the guy who refused to unplug Bob Dylan when Pete Seeger complained at the Newport Folk Festival. So what does he think about what's happened to music today?

Be Here Now under MAHARAJJI'S blanket as Baba Here Love, Goddess Sunshine, and Noah Hoffeld discuss Noah's personal retreats with Ram Dass, Noah's musical journey, helping others, balance, stepping back from the melodrama, and more. All of it is applied to our spiritual awakening happening NOW.“My life is a creative act--like a painting, or a concerto.” - Ram DassNoah Hoffeld bridges the worlds of creativity and spiritual practice as the cellist with Krishna Das and a devoted student of Ram Dass. This Juilliard-trained cellist and meditation teacher is known for his soulful playing and deep commitment to guiding others on the spiritual path.From 2016 until his teacher's passing, Noah was a personal student of Ram Dass, and while on retreat on Maui with RD in 2016, he met and played with world renowned chant singer Krishna Das, becoming a member of his band. Equally at home in concert halls and sacred spaces, Noah has been featured in performance with artists such as Pete Seeger and Natalie Merchant, on Grammy-winning and Billboard #1 albums like Piano Piano 2 by Jeremiah Fraites of the Lumineers, and in films like The Skeleton Twins with Bill Hader and Kristin Wiig. Personal projects include Bodhiheart: Love Rules with pianist Wells Hanley and Arjun Bruggeman and Mark Egan of KD's band, and Genoa Strings: KK's Theme with Genevieve Walker, violinist in the band. Their full EP will be released this winter. Noah's work as a producer includes the album Anubhav by Nina Rao, and his own LP of songs Mobile Home, coproduced with Mark Plati (Bowie, Prince, etc), called the "deeply spiritual album Bowie forgot to make" (JW Vibe). He produced Mantra Brothers' Invoke, a collaboration with his brother, artist Jeremy Hoffeld.Noah is dedicated to supporting seekers on their journey through mentoring and by sharing the wisdom of Ram Dass, along with the tools that help us truly be here now. His teaching weaves together Eastern wisdom traditions with practical approaches for modern life, whether you're new to spiritual practice or deepening an existing path. He works through workshops, one-on-one sessions and his online community, Living the Path, inviting connection with all who feel called to explore gateways to loving awareness.livingthepath.comnoahhoffeld.comFollow on IG and Youtube @ramdassloveHere we are!!!

The guitarist and vocalist Roger McGuinn is among the most critically acclaimed and influential American musicians. He was inducted into the Rock and Roll Hall of Fame in 1991 and in 2023 he was named one of the “250 Greatest Guitarist” by Rolling Stone magazine.   McGuinn is a co-founder of The Byrds and he's often associated with the West Coast rock scene of the 1960s. But McGuinn is a native of the Midwest and he grew up immersed in the vibrant folk music scene of Chicago during the 1950s. McGuinn began his career recording and performing with folk groups like The Limelighters and Chad Mitchell Trio.  McGuinn rose to national prominence in 1964 when he co-founded The Byrds with David Crosby and Gene Clark. McGuinn's 12 string Rickenbacker guitar was a defining element of the group's sound. The Byrds' 1965 version of Bob Dylan's “Mr. Tambourine Man” hit #1 on the American charts. That same year, their recording of Pete Seeger's “Turn, Turn, Turn” also hit #1, ushering in the folk-rock movement of the mid 1960s.   Over the next few years McGuinn continued to set new trends in rock music. The Byrds' 1966 single “Eight Miles High” brought psychedelic music to the pop charts, and their1968 album “Sweetheart of the Rodeo” sparked the development of country rock. The Byrds broke up in 1973, but McGuinn has continued to record and tour as a solo artist. McGuinn will bring his “Storied and Songs” tour to Carmel, Indiana's Tarkington Theatre on September 13.  In this conversation with WFYI's Kyle Long, McGuinn reflects on his roots in the Chicago folk scene.

I was on a plane recently watching the new Bob Dylan movie when a scene with Pete Seeger stopped me in my tracks. Why in the world would a folk singer be in court over a song? That moment opened up a hidden history I had never been taught: “This Land Is Your Land” wasn't just a patriotic anthem, it was a protest. And it made me start to see a bigger pattern. We do this all the time. We take prophets, revolutionaries, artists, even Jesus himself, and we sanitize them. We file down the edges until all that's left is a safe version that won't disrupt us. In this episode, I want to ask: what do we lose when we do that? And what might happen if we went searching for the verses, the voices, the truths that were cut out? If this episode meant something to you, I'd love it if you'd take a second to like, subscribe, and leave a review, it really helps more people find the show. If you would like to reach out to me you can drop me a line at clemenzwithaz@gmail.com or drop a DM at the clemenz with a "Z" instagram page.   You can head over to https://gofund.me/7ebb0524 every bit helps. And if you're looking for more reflection, honesty, and spiritual wrestling, check out my Substack: Devotionals for the Deconstructing & Disillusioned, it's a space for people who still have soul, but no longer fit in the boxes they were handed. Thanks for being here.

The world is spinning and it's hard to keep up with everything right now! Been out digging though, shopping and selecting a nice stack of favorites and obscurities the past month. Hope everyone is holding tight and not giving up! There are still paths to victory, don't let the naysayers stop any of us. Tracklist: Spanky Wilson, Irma Thomas, Nucleus, Osmar Milito, Natural Four, Freidrich Gulda, Janne Schaffer, Andrei Nikolsky, Pete Seeger.

The Mammals (Ruth Ungar and Mike Merenda, who also have a project called Mike & Ruthy) are a band from the Woodstock area with deep roots in the folk scene and traditions of the area, have worked with Arlo Guthrie, and Pete Seeger (amongst others), are critically acclaimed by LA Times, No Depression, NPR, PopMatters, and run the roots music festival called The Hoot. We talk with them about gratitude for the ability to create art and music, having faith in the low moments, being links in the (musical) chain, square dancing, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:The MammalsThe HootThe Ashokan CenterArlo GuthrieUtah PhillipsAni DifrancoWoody GuthrieEric WardWestern State CenterKen Burns Civil WarJay UngarDaniel QuinnClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

In honor of Labor Day I've collected some rare and some better-known songs about the labor struggle. Today many of us take for granted the great strides made by the labor movement to give us so many of the benefits we take for granted. We'll hear music from Pete Seeger, Woody Guthrie, Utah Philips, Maria Dunn and many more. We'll celebrate the true meaning of the end of summer holiday … this week on The Sing Out! Radio Magazine.Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysJody Kruskal & Luke Richardson / “Waiting for the Boatsman” / Waiting for the Boatsman / JKMMerle Travis / “Sixteen Tons” / Folksongs of the Hills / CapitolJim Kweskin & Geoff Muldaur / “Down on Penny's Farm” / Penny's Farm / KingswoodDan Schatz / “Gone Gonna Rise Again” / The Promise of Sowing / Folk LegacyPete Sutherland / “Coleman's March-Shacks and Chalets” / Poor Man's Dream / EpactPete Seeger and the Hooteneers / “All I Want is Union” / Sing Out! Hootenanny / Smithsonian- FolkwaysUtah Phillips et al / “Power to the Union” / IWW Rebel Voices / Flying FishSeattle Labor Chorus / “Hail-A-Union” / Songs of Working People / Self-producedJody Kruskal & Luke Richardson / “Cluck Old Hen” / Waiting for the Boatsman / JKMWoody Guthrie / “!913 Massacre” / Protest! / ViperCraig Johnson / “Piney Mountains” / Away Down the Road / 5-StringCincinnati's University Singers / “The Future America” / The Hand that Holds the Bread / New WorldUncle George Jones / “This What the Union Done” / Songs and Ballads of the Bituminous Miners / RounderJohn McCutcheon / “The Young Ones Don't Remember” / Gonna Rise Again / RounderMaria Dunn / “Blue Lung” / Piece by Piece / Self-producedPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

Bioptimizers https://Bioptimizers.com/toddEnter promo code TODD to get 15% off your order of Berberine Breakthrough today.Bizable https://GoBizable.comUntie your business exposure from your personal exposure with BiZABLE.  Schedule your FREE consultation at GoBizAble.com today. Angel Studios https://Angel.com/ToddJoin the Angel Guild today and stream Testament, a powerful new series featuring the retelling of the book of Acts. Renue Healthcare https://Renue.Healthcare/ToddRegister today to Join the Renue Healthcare Webinar Thursday September 11th at 11:00 PST.  Visit https://joinstemcelltalks.com or call 602-428-4000.  Bulwark Capital https://KnowYourRiskPodcast.comBe confident in your portfolio with Bulwark! Schedule your free Know Your Risk Portfolio review. Go to KnowYourRiskPodcast.com today. Alan's Soaps https://www.AlansArtisanSoaps.comUse coupon code TODD to save an additional 10% off the bundle price.Bonefrog https://BonefrogCoffee.com/toddThe new GOLDEN AGE is here!  Use code TODD at checkout to receive 10% off your first purchase and 15% on subscriptions.LISTEN and SUBSCRIBE at:The Todd Herman Show - Podcast - Apple PodcastsThe Todd Herman Show | Podcast on SpotifyWATCH and SUBSCRIBE at: Todd Herman - The Todd Herman Show - YouTubeIf you took a look back at this time a decade from now, what would hindsight reveal? Episode Links:Chicago Mayor Brandon Johnson says arresting violent criminals DOES NOT reduce crime: “It is racist! It is immoral! It is unholy!”"I just found out I'm being oppressed. I saw it on CNN, a white lady said it... Nobody knows blacks struggle like white women. And I thought I was having a good life until I got basic cable."Understanding history means confronting uncomfortable truths, not rewriting them.This Hispanic girl can't read or write but yet graduated high school with honors and got into UCONN.  How did she do it?  The school manufactured her grades and had her sit in a corner all day because they felt bad for the “poor brown girl” and the college ignored any admissions requirements.  Now she's suing them for depriving her of an education.  Do liberals realize that they're the actual racist?JUST IN: A federal judge has blocked Secretary Noem's move to terminate temporary status for Nicaragua, Honduran and Nepaii immigrants, finding the cancelation was likely rooted in "racial animus."Americans spontaneously take a UK couple on a boat ride.The Truth About Bob Dylan's Falling Out with Pete Seeger; The '60s folk singers didn't hate Dylan because he went electric, as ‘A Complete Unknown' suggests. It was because he didn't care about their lefty politics.

What can a lifetime of storytelling teach us about unity, socialchange, and spiritual growth? In this week's The No BS Spiritual Book Club, Sandie Sedgbeer talks with Robert Atkinson—developmental psychologist, storyteller, and author—about the mentors, books, and experiences that shaped his personal and professional journey. He reflects on the influence of Joseph Campbell, Pete Seeger, Walt Whitman, Henry David Thoreau, and Kahlil Gibran, along with his own commitment to life story interviewing, authenticity, and unity consciousness. Through stories of mentorship, transformative books, and his own work in social change, Robert reveals how storytelling can be a bridge between personal growth and collective evolution. **Guest:** Robert AtkinsonWebsite: https://www.robertatkinson.net/

Aufbruch. Die Nase in den Wind, das Studium schmeißen und einfach mal los – nach Wien. Davon singt David Lübke in seinem gerade veröffentlichten Lied „Unterwegs nach Wien“. Im Winter kommt das neue Album und über die Arbeit daran spricht er heute schon auf radioeins im studioeins! Ein moderner Troubadour ist David Lübke und zieht mit Gitarre und Banjo durch die Lande, um seine Geschichten zu erzählen. Das beinhaltet tatsächlich auch das spontane Liedermachen vor der ein oder anderen Haustür. Mit seinen kleinen Alltagsgeschichten über beispielsweise die Sehnsucht oder auch die tatsächliche Handlung nach Wien zu reisen, wird er zu einem gesellschaftlichen Chronisten mit Vorbildern wie Joni Mitchell, Pete Seeger, Joan Baez, Bob Dylan oder Cat Stevens. Sein drittes Album „Wo der Mond die Erde küsst“ wird im November erscheinen und mit gewisser Alltagsromantik die „sensible Magie zwischen Tag und Nacht, zwischen Alltag und Träumerei“ hervorheben – und es wird wohl voraussichtlich eine große Freude sein!

Book Vs. Movie: “Alice's Restaurant” Arlo Guthrie's 1967 18-minute Song Vs the 1969 MovieArlo Guthrie's “Alice's Restaurant” is an 18-minute satirical folk monologue and song that became an anthem for the 1960s counterculture. Officially titled “Alice's Restaurant Massacree,” it was released in 1967 on his debut album.  The piece tells a true, albeit embellished, story from Thanksgiving 1965 about a littering arrest that prevented Guthrie from being drafted into the Vietnam War. Blending comedy and protest, the song critiques authority and the military draft system, recounting how disposing of garbage with a friend led to an arrest, which ironically disqualified him from military service.In this episode, the Margos discuss:The career of Arlo GuthrieThe story behind the songThe differences between the song & movie. The cast includes: Arlo Guthrie (as himself), Pat Quinn (Alice Brock), James Broderick (Ray Brock), Pete Seeger (as himself), Joseph Boley (Woody Guthrie), M. Emmet Walsh (Group W Sergeant.) Clips Featured:“The Town Dump”Alice's Restaurant (1969 trailer)“The Wedding Scene”“Pete Seeger and Woody Guthrie"“The Funeral Scene” (Songs to Aging Children by Joni Mitchell sung by Tigger Outlaw)Music by Arlo GuthrieFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog: coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2021 conversation with Ani DiFranco. ABOUT ANI DIFRANCOSinger, songwriter, musician, producer, poet, author, spoken-word artist, activist and entrepreneur Ani DiFranco has released more than 20 independent studio albums on her own label, Righteous Babe Records. Though often classified as “alternative folk,” DiFranco's musical influences span a range of genres. After relentless touring, she reached a wide commercial audience in the late 1990s and early 2000s with albums such as Little Plastic Castle, Up Up Up Up Up Up, Revelling/Reckoning, Evolve, Educated Guess, and the gold-certified live album Living in Clip. The Grammy winner and nine-time nominee achieved her sole Top 40 hit as a songwriter when Alana Davis covered the DiFranco classic “32 Flavors” in 1997. The prolific and critically-acclaimed performer developed her own uniquely percussive guitar style and has collaborated with a range of artists, including Bon Iver's Justin Vernon, Bruce Cockburn, Pete Seeger, Utah Phillips, Maceo Parker, and Prince. In addition to releasing her own music, her label has issued recordings by Sara Lee, Andrew Bird, Nona Hendryx, and others. Ani was one of the first musicians to receive the Woman of Courage Award from the National Organization for Women, and was honored with both the Woody Guthrie Award and the Southern Center For Human Rights' Human Rights Award. Her memoir, No Walls and the Recurring Dream, was released in 2019 by Viking Books. At the time we spoke with her, the New Orleans-based DiFranco's 2021 album, Revolutionary Love, was just about to be released. 

Bruce Springsteen has never shied away from expressing his political views. And he's not gonna back down now.“In my home, the America I love. The America I've written about. That has been a beacon of hope and liberty for 250 years, is currently in the hands of a corrupt, incompetent, and treasonous administration,” he told a crowd at a concert in Europe, in May. Donald Trump responded over Truth Social, calling him a “pushy, obnoxious jerk” and a “dried out ‘prune' of a rocker.”In dark times, music and song gives us hope. Bruce Springsteen, like Pete Seeger, Bob Dylan, or Woody Guthrie, is one of those musicians who has often led the way with songs for the downtrodden. Songs for the working class, for hardworking Americans, for immigrants. For justice and freedom. And other famous rock idols have got the Boss's back.This is episode 47 of Stories of Resistance—a podcast co-produced by The Real News and Global Exchange. Independent investigative journalism, supported by Global Exchange's Human Rights in Action program. Each week, we'll bring you stories of resistance like this. Inspiration for dark times.If you like what you hear, please subscribe, like, share, comment, or leave a review. And please consider signing up for the Stories of Resistance podcast feed, either in Spotify, Apple Podcasts, Spreaker, or wherever you listen.Visit patreon.com/mfox for exclusive pictures, to follow Michael Fox's reporting and to support his work. Written and produced by Michael Fox.ResourcesClip of Bruce Springsteen criticizing Trump/Bruce Springsteen critica a Trump: “En mi país se ponen del lado de los dictadores”: https://www.youtube.com/watch?v=W2bT24hOXcQHere is the link to Bruce Springsteen's latest album, “Land of Hope and Dreams”: https://open.spotify.com/album/1wWm7MPHSIpBX7Wiw8LAAq“Eddie Denounces Trump's Policies & Backs Springsteen & Rockin”: https://www.youtube.com/watch?v=uxZIVAkrq0QTom Morello - 11 The Ghost of Tom Joad - Boston Calling May 25th 2025: https://www.youtube.com/watch?v=WGkwcO8sZnsRyan Harvey's Old Man Trump (ft. Ani DiFranco & Tom Morello): https://www.youtube.com/watch?v=TmZnlGBhwKgYou can hear more from Ryan Harvey here: https://open.spotify.com/artist/1bdxYCSsYEJga10wHzcqeuYou can subscribe to David Rovics's newsletter and hear his most recent songs at  https://www.davidrovics.com/Subscribe to Stories of Resistance podcast hereBecome a member and join the Stories of Resistance Supporters Club today!Sign up for our newsletterFollow us on BlueskyLike us on FacebookFollow us on TwitterDonate to support this podcast

Ira and Louis discuss the Grammys and Beyoncé's long-awaited Album of the Year win, Karla Sofia Gascon's wild tweets, the Buffy reboot, and more. Edward Norton joins to discuss portraying Pete Seeger in A Complete Unknown, what Spike Lee means to him, and more.Subscribe to Keep It on YouTube to catch full episodes, exclusive content, and other community events. Find us there at YouTube.com/@KeepItPodcast

The new biopic A Complete Unknown follows a young Bob Dylan as he arrives in New York and changes American folk music forever. Edward Norton plays folk icon Pete Seeger, who had a big impact on Dylan. Seeger was famous for his songs about working people, unions, and social justice. We're revisiting Terry's 1984 interview with Seeger, as well as her 2016 interview with Bruce Springsteen, who was compared to Dylan when he broke onto the scene.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy