Podcasts about Pete Seeger

On this week's episode, we're joined by Peggy Seeger, one of the most influential figures in folk music on both sides of the Atlantic, a singer, songwriter, musician, feminist and activist whose extraordinary life has been intertwined with some of the biggest names in folk music. Born into a remarkable musical family, Peggy grew up surrounded by music. Her mother was the pioneering composer Ruth Crawford Seeger, her brother was Pete Seeger, and the family home was visited by legendary figures including Alan Lomax, Lead Belly and Woody Guthrie. Peggy talks about her childhood, learning music from her mother, Pete's influence and her journey to Britain in 1956, where she met Ewan MacColl. She tells the brilliant story of their first meeting, when she sang The House Carpenter and discusses their relationship, musical partnership and enormous influence on the British folk revival. We talk about folk music, singing songs from your own culture, feminism and the story behind Gonna Be an Engineer, which became an anthem of the women's movement. Peggy also reflects on traditional ballads, activism, songwriting and the importance of truth and character in performance. She shares memories of The First Time Ever I Saw Your Face, the song Ewan wrote for her, as well as the hilarious story of forgetting a line while performing it on The Late Late Show after 70 years of singing the song. We also discuss her final album, her farewell tour and what she hopes to pass on to the next generation of musicians. Insightful, funny and completely unforgettable, this is a conversation with one of folk music's great characters.Let Christy Take It are proud to bring you Peggy Seeger.If you enjoy our show please Like and Subscribe wherever you listen to your podcasts.Thanks to our sponsor Irish Woodcraft, please check them out at https://irishwoodcraft.ie

Is there still room for art that changes minds, rather than merely validating our entrenched worldviews? This week's guest, Jenny Tibbels, has dedicated her career to staging experimental works for the stage and screen that bridge the personal and political while morally challenging their audiences.  Jenny grew up in Baltimore, the child of locally famous activists, and moved to New York City where she worked in experimental theater and eventually founded her own company. After moving to Beacon she helped to revive the Beacon Film Society, alongside filmmaker Lucas Millard. In our interview she talks about BFS's fall program, including two upcoming documentary screenings:  Steal This Story Please! Highlights the work of Democracy Now! Journalist Amy Goodman. (Screening on September 18 at 7pm) Down by the Riverside follows Pete Seeger, his wife Toshi, and the grassroots community that sprung up in Beacon around the Sloop Clearwater as a symbol of environmental stewardship. (Screening on October 16 at 7pm) Find tickets and more info about both films at Howlandculturalcenter.org

Við fræddumst um Matsmannafélag Íslands í dag, en Ragnar Ómarsson formaður þess kom í þáttinn. Fasteignakaup eru stærsta fjárfesting sem flestir Íslendingar ráðast í. Samt eru enn uppi álitaefni um upplýsingagjöf við sölu fasteigna, réttindi kaupenda og seljenda og meðferð byggingargalla. Þarna koma matsmenn til sögunnar og Ragnar sagði okkur frá starfi þeirra og ráðstefnu Matsmannafélagsins sem verður á fimmtudaginn. Núna í október mun Líney Emma Jónsdóttir dýralæknir klára nám í nálastungum fyrir hross og gæludýr. Við heyrðum í henni í þættinum í dag og hún sagði okkur frá ráðstefnu sem haldin er hér á landi og hefst á morgun þar sem dýralæknar hvaðanæva að úr heiminum hittast og bera saman bækur sínar. Þar á meðal er hópur dýralækna sem notar nálastungur í sínum meðhöndlunum. Líney Emma vonast til að það takist að vekja athygli Íslendinga á viðurkenningu og útbreiðslu nálastungu í dýralækningum í heiminum í dag. Einar Sveinbjörnsson kom svo til okkar í veðurspjallið. Það sem kom við sögu í dag var hitarnir í Evrópu sem hafa slegið öll met, afleiðingar El Nino sem er afar öflugur og svo eru haustlitirnir farnir að sýna sig hér heima, erum við með söknuð og trega í sumarlok eða hvað? Að lokum heyrðum við ljóðið Gangnadagsmorgunn eftir Sigurð Óskar Pálsson frá Borgarfirði Eystra. Tónlist í þættinum: Leikur að vonum / Mánar (Ólafur Þórarinsson Litlir kassar / Þokkabót (Pete Seeger, texti Þórarinn Guðnason) Þín innsta þrá / B.G. og Ingibjörg (Granata & Verard, texti Jóhanna G. Erlingsson) Spánardraumur / Hljómsveit Ingimars Eydal (Caerts, Roozenstraten, texti Einar Haraldsson) UMSJÓN: GUNNAR HANSSON OG GUÐRÚN GUNNARSDÓTTIR

Shawn Colvin was in the spotlight from the age of 10 playing her parents' parties, singing in bars at college, acting off-Broadway and joining country swing bands before making 12 solo albums. She's touring the UK and Ireland from late September and looks back on it all with us from her home in Austin, Texas. Lots of great moments here, these among them … … growing up on hymns, Pete Seeger and the Kingston Trio with a Dad who tried to get stoned at a Judy Collins gig … being a spoons-playing singing waitress with Maria Muldaur in an off-Broadway musical … playing four sets a night of Dylan, Joni Mitchell and Simon & Garfunkel for tips and beer on the Illinois bar circuit … acting in the Simpsons and Larry Sanders … life in dance halls in country swing bands … her part in “the great ‘80s Urban Cowboy Scare” … how to connect with festival crowds when it's raining … the Richard Thompson glass bowl requests system … and covers she never tires of playing – Joan Baez, U2, Gnarls Barkley.Shawn Colvin tickets here: https://tix.to/ShawnUK26Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

In this month's episode we chat with folk musician, singer-songwriter and actor Andrea Von Kampen. Based in Lincoln, Nebraska, Andrea Von Kampen writes a variety of songs, and as a follower of Pete Seeger, Woody Guthrie and especially Bob Dylan, Andrea has forayed into the writings of political music, which she says will be featured more prominently on her next record. In our conversation, Andrea discusses her folk music influences, her songwriting process and objectives, her experience acting in the film A Chance Encounter, and what the challenges in presenting political folk music is today in our current era.

On this week's Labor History Today: The IWW's Little Red Songbook was created to “fan the flames of discontent”—and its songs have carried solidarity into workplaces, union halls, picket lines and jail cells ever since. To mark the 117th anniversary of its first publication, listeners share their favorite songs from the legendary collection: “We Have Fed You All for a Thousand Years,” “Mr. Block,” “The Red Flag,” “The Preacher and the Slave” and “Dump the Bosses Off Your Back.” We also hear “Ain't Done Nothing If You Ain't Been Called a Red,” now proposed for the forthcoming 39th edition. Plus, Labor History in Two explores the birth of the Little Red Songbook in Spokane in 1909 and the arrival of the first ship carrying captive Africans to colonial Virginia in 1619. Featuring Judy Ancel, Tom Hoffman, Michael Kyriakakis, Robert Lindgren and Saul Schniderman, with music by Utah Phillips, Faith Petric, Carsie Blanton, Billy Bragg, the Tyneside People's Choir, Pete Seeger and more. Questions, comments, or suggestions are welcome, and to find out how you can be a part of Labor History Today, email us at LaborHistoryToday@gmail.com Labor History Today is produced by the Labor Heritage Foundation and the Kalmanovitz Initiative for Labor and the Working Poor. #LaborRadioPod #History #WorkingClass #ClassStruggle @GeorgetownKILWP #LaborHistory @UMDMLA @ILLaborHistory @AFLCIO @StrikeHistory #LaborHistory @wrkclasshistory  

On today's Labor Radio Podcast Daily: Working Class History traces how street dogs became symbols of resistance and hope. In labor history, FDR signs the Social Security Act. Quote of the day: Pete Seeger. @wpfwdc @AFLCIO #1u #UnionStrong #LaborRadioPod Proud founding member of the Labor Radio Podcast Network. Produced by Chris Garlock, Patrick Dixon and Harold Phillips.

Summer is sadly drawing near its close, with some children and grownups already headed back to school. Gather around the old computer (or the old-school radio) and listen to some music that children and adults will enjoy.We include music from Dan Zanes, Elizabeth Mitchell, Greg Brown, Trout Fishing in America, Dave Fry and, of course Pete Seeger, along with many more. One last celebration of summer with great music for everyone … this week on The Sing Out! Radio Magazine.Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysBonnie Rideout / “Morrison's Jig” / Gi'me Elbow Room / Maggie's MusicDan Zanes and Friends / “Rock Island Line” / Lead Belly Baby / Smithsonian FolkwaysTaj Mahal / “Shake Sugaree” / Shake Sugaree / Music for Little PeopleTwo of a Kind / “Kelp” / We're All in this Together / Self ProducedDoc Watson / “Mole in the Ground” / Sings Songs for Little Pickers / Sugar HillMike Seeger / “Muskrat” / Animal Folk Songs for Children / RounderThe Okee Dokee Brothers / “Jackalope” / Saddle Up / Self ProducedGreg Brown / “Four Wet Pigs” / Bath Tub Blues / Red HouseBonnie Rideout / “Marching Song” / Gi'me Elbow Room / Maggie's MusicPete Seeger / “Abiyoyo” / Children's Concert at Town Hall / ColumbiaElizabeth Mitchell & Suni Paz / “Tu eres mi sol” / Tu Eres Mi Flor / Smithsonian FolkwaysElizabeth Mitchell / “Shoo Lie Loo” / Sunny Day / Smithsonian FolkwaysCathy Fink & Marcy Marxer / “Dancin' in the Kitchen” / Dancin' in the Kitchen / Community MusicDave Fry / “Put Your Finger in the Air” / Playground / Dave Fry MusicTrout Fishing in America / “Rubbere Baby Buggy Bumpers” / Rubber Baby Buggy Bumpers / Self ProducedOozakazoo / “Dinosaur in my Backyard” / Young Folk Rock / Self ProducedPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

In this episode, we dive into the history and the making of the Newport Folk Festival. We'll discuss how the folk festival grew out of the jazz festival in the 1950s, and Pete Seeger's integral role in helping to give birth to the event, and the successes Pete and the board of directors had in establishing an incredibly eclectic festival between 1959 and 1965. We also briefly touch on Dylan's presence at Newport and how this impact led to the festival changing after 1965. We conclude by discussing how and why it disappeared for many years after its original run ceased after 1969.

Sometimes dreams only come true when you build them yourself. For Chris Johnson, that philosophy has defined a remarkable career spanning decades in the music industry. Now, after years spent creating opportunities for other artists while quietly honing his own craft, Johnson is stepping back into the spotlight with his powerful new single, "Better Days Ahead," out June 26 2026, and  the first release from his forthcoming album, Tales From The Cowboy Palace.Born and raised in the rural community of Lakeside in San Diego County, California, Johnson grew up balancing life between Future Farmers of America, horseback riding, surfing and skateboarding. Raised among cattle, rodeos, and wide-open spaces, he proudly identifies as an "urban cowboy"—someone who may live in the suburbs but carries a rural spirit at heart.Chris Johnson is a California-born singer-songwriter, musician, entrepreneur, and self-described urban cowboy whose career spans performance, production, sound engineering, venue ownership, and artist development. Raised in Lakeside, California, Johnson has spent decades immersed in the music industry while continuing to write songs rooted in real-life experiences. His upcoming album, Tales From The Cowboy Palace, showcases his distinctive blend of traditional Country storytelling and hard-earned authenticity.Music was woven into Johnson's life from the very beginning. With a mother, aunts, and grandfathers who were all musicians, his passion for songwriting and performance came naturally. By the age of twelve, he was already playing guitar and singing alongside his mother at schools, county fairs, senior centers, and community events. Influenced by legends such as Willie Nelson, Waylon Jennings, Merle Huggard, George Jones, John Denver, and Pete Seeger, Johnson developed a deep appreciation for storytelling through song.As a teenager, he played in school bands before forming his own country rock group. During college, he fronted a local band called Border Tones before pursuing solo performances throughout Southern California. His journey eventually led him to Los Angeles, where he attended Musicians Institute and joined a booking agency that sent him across the country performing corporate events and hotel engagements.While the experience sharpened his skills as a performer, Johnson ultimately felt pulled toward creating music of his own."I really wanted to get back to doing my own music," Johnson recalls. "I didn't even have a house—we were just in band houses and hotel rooms all the time."Back in Los Angeles, Johnson built an impressive behind-the-scenes career, running sound for legendary venues including the Whisky A Go Go and the Roxy, managing backline operations for FM Station. Also, touring as guitar tech for John Fogerty, Styx, Government Mule, Lisa Marie Presley, Chaka Khan and System of A Down. While also performing demo vocals, composing commercial jingles, and providing voiceover work. He also launched his own equipment company, Hollywood Studio Rentals, Valley Production Storage and Drum Paradise LA before eventually purchasing the very Country music venue where he frequently performed—the famed Cowboy Palace.Through every chapter of his career, songwriting remained a constant. Now, Tales From The Cowboy Palace serves as the culmination of a lifetime of experiences, offering listeners an authentic collection of songs centered around perseverance, freedom, fatherhood, motorcycles, hard work, and redemption. Backed by his band, The Hollywood Hillbillies, Johnson delivers a modern Country project enriched by decades of musical influences and real-world experiences.Lead single "Better Days Ahead" stands as a heartfelt anthem for dreamers, workers, and anyone pushing forward through adversity."It's about working my ass off when I had nothing," Johnson says. "Dreaming of giving a better life to my wife and kids."Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

In this episode of American Tapestry, Andrew Roth continues his exploration of America's rich tradition of protest music, examining how songs have served as powerful expressions of freedom, justice, and social change. From the earliest women's rights anthems and suffrage songs to the music of second-wave feminism, Roth traces the evolution of songs that challenged inequality before turning to the African American spirituals, abolitionist hymns, and gospel traditions that laid the foundation for the Civil Rights Movement. Along the way, he highlights the contributions of influential artists including Sister Rosetta Tharpe, Erie native Henry "Harry" Burleigh, Odetta, Lead Belly, Pete Seeger, Fannie Lou Hamer, Curtis Mayfield, Sam Cooke, Aretha Franklin, and Billie Holiday, whose iconic recording of Strange Fruit is often regarded as the greatest protest song of all time. Through the stories behind these timeless songs, Roth demonstrates how America's freedom music has inspired generations to demand equality, challenge injustice, and encourage the nation to live up to its highest ideals.

Sometimes dreams only come true when you build them yourself. For Chris Johnson, that philosophy has defined a remarkable career spanning decades in the music industry. Now, after years spent creating opportunities for other artists while quietly honing his own craft, Johnson is stepping back into the spotlight with his powerful new single, "Better Days Ahead," out June 26 2026, and  the first release from his forthcoming album, Tales From The Cowboy Palace.Born and raised in the rural community of Lakeside in San Diego County, California, Johnson grew up balancing life between Future Farmers of America, horseback riding, surfing and skateboarding. Raised among cattle, rodeos, and wide-open spaces, he proudly identifies as an "urban cowboy"—someone who may live in the suburbs but carries a rural spirit at heart.Chris Johnson is a California-born singer-songwriter, musician, entrepreneur, and self-described urban cowboy whose career spans performance, production, sound engineering, venue ownership, and artist development. Raised in Lakeside, California, Johnson has spent decades immersed in the music industry while continuing to write songs rooted in real-life experiences. His upcoming album, Tales From The Cowboy Palace, showcases his distinctive blend of traditional Country storytelling and hard-earned authenticity.Music was woven into Johnson's life from the very beginning. With a mother, aunts, and grandfathers who were all musicians, his passion for songwriting and performance came naturally. By the age of twelve, he was already playing guitar and singing alongside his mother at schools, county fairs, senior centers, and community events. Influenced by legends such as Willie Nelson, Waylon Jennings, Merle Huggard, George Jones, John Denver, and Pete Seeger, Johnson developed a deep appreciation for storytelling through song.As a teenager, he played in school bands before forming his own country rock group. During college, he fronted a local band called Border Tones before pursuing solo performances throughout Southern California. His journey eventually led him to Los Angeles, where he attended Musicians Institute and joined a booking agency that sent him across the country performing corporate events and hotel engagements.While the experience sharpened his skills as a performer, Johnson ultimately felt pulled toward creating music of his own."I really wanted to get back to doing my own music," Johnson recalls. "I didn't even have a house—we were just in band houses and hotel rooms all the time."Back in Los Angeles, Johnson built an impressive behind-the-scenes career, running sound for legendary venues including the Whisky A Go Go and the Roxy, managing backline operations for FM Station. Also, touring as guitar tech for John Fogerty, Styx, Government Mule, Lisa Marie Presley, Chaka Khan and System of A Down. While also performing demo vocals, composing commercial jingles, and providing voiceover work. He also launched his own equipment company, Hollywood Studio Rentals, Valley Production Storage and Drum Paradise LA before eventually purchasing the very Country music venue where he frequently performed—the famed Cowboy Palace.Through every chapter of his career, songwriting remained a constant. Now, Tales From The Cowboy Palace serves as the culmination of a lifetime of experiences, offering listeners an authentic collection of songs centered around perseverance, freedom, fatherhood, motorcycles, hard work, and redemption. Backed by his band, The Hollywood Hillbillies, Johnson delivers a modern Country project enriched by decades of musical influences and real-world experiences.Lead single "Better Days Ahead" stands as a heartfelt anthem for dreamers, workers, and anyone pushing forward through adversity."It's about working my ass off when I had nothing," Johnson says. "Dreaming of giving a better life to my wife and kids."Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Environmental group says advocacy led to dismissal A highlight of America's bicentennial in 1976 was Operation Sail, a parade of tall ships around New York City that featured the sloop Clearwater, representing the environmental organization of the same name created by folk icons Pete and Toshi Seeger of Beacon. The parade returned to New York City on July 4, this time as Sail4th 250 in honor of the nation's 250th birthday. But it sailed with one notable absence. Around 11 a.m., shortly after the parade began, the Clearwater was approached on both sides by U.S. Coast Guard boats and told to exit immediately. The sloop had been scheduled to escort the NRP Sagres, a Portuguese Navy ship. Instead, it was escorted from the parade route by the Coast Guard, Navy and New York Police Department, and had to wait until the parade was over to return to its current port at the Atlantic Basin in Red Hook, Brooklyn. "I was shouting at them [from the deck of the ship], 'Folks, we're part of this parade!'" said David Toman, the executive director of Hudson River Sloop Clearwater, which is based in Beacon. "We're part of this all!" Toman said crew members were not immediately told why the sloop was being removed from the parade, and a call to organizers provided little clarity. "They told us they were unaware of this and that the decision was being made above their heads," said Toman. It was later that someone from one of the Coast Guard vessels told Capt. Rory Kane that it was because of the ship's banners, Toman said. One side of the ship's sail carried a banner that read: "Save the Clean Water Act," with a drawing of Pete Seeger's banjo. The other had a banner that read: "Indigenous Rights, Racial Justice, Climate Solutions." A Coast Guard representative told The Current: "As part of the parade of sail, participants agreed to conditions established by Sail4th. One of those conditions was to not display political or politically charged messages/statements. The owner of the sloop Clearwater was contacted and requested to remove the message being displayed or be removed from the parade of sail. They declined to remove it. So, the Coast Guard enforced the agreement on behalf of Sail4th, removing the vessel from the parade." But Jen Benson of Clearwater, who was on the sloop, said there was no communication from either Sail250 or the Coast Guard regarding the banners. "We were not given an option to remove the banners and continue in the parade," she said. Toman said that no such restrictions existed, only that ships were instructed not to carry banners that could be considered "promotional." A copy of Clearwater's contract with Sail4th 250 that was provided to The Current confirms there were no restrictions on political messaging, only that the ship "may not display any flags, signs or distribute any literature that includes sponsorship names and/or logos without providing examples of these items in advance and receiving express written permission." Sail4th 250 did not respond to numerous requests for comment. "We've been part of the coordination of Sail250 from the very beginning," Toman said. "We signed a contract last year, went to every meeting." While he acknowledged that Sail250 did not specifically approve the sloop's banners, he said he saw other ships in the parade also flying banners. "We're known as America's environmental flagship," he said. "We've been known to fly banners from our sails, as they know. And besides, Sail250 did not tell us to leave the parade." In 1986, the Clearwater took part in the Operation Sail tall ship parade in New York Harbor to celebrate the rededication of the Statue of Liberty. During the parade, the sloop flew two banners from its sails. One read: "Peace on Earth, And Sea, and Sky," and another expressed solidarity with the Rainbow Warrior, a Greenpeace ship that had been sunk by France while in a New Zealand harbor, killing a photographer who was on board. By Brian PJ Cronin The "Save the Clean Wat...

Recognizing a tune that many of us think ought to be the national anthem, The Flood is celebrating America's 250th birthday with Woody Guthrie's most beloved song, as seen in Pamela Bowen's video below:Just nine years after President Herbert Hoover signed a 1931 congressional resolution to make “The Star Spangled Banner” the country's official anthem, Woody wrote “This Land Is Your Land.”About the SongGuthrie — having only recently landed in a fleabag boarding house in New York City after rambling and roaming, hitchhiking and hoboing across the country from California — wasn't thinking about targeting the anthem as he wrote “This Land.” However, he did have another song in his sights.Irving Berlin's “God Bless America,” recorded by Kate Smith in 1939, famously irked him — Woody thought it just didn't tell America's full story — and his 1940 composition was inspired as a protest against that tune.The reason for his ire? Well, everywhere that Woody had wandered in his long trek across the country, he heard “God Bless America” roaring from jukeboxes and radios. For him Berlin's song was too sappy, too blindly patriotic, too cut off from the hard-knock life that many Americans were facing as the Great Depression dragged into its 10th year. Guthrie wrote his song as almost a parody. “And I don't mean that in a humorous sense,” his daughter Nora Guthrie has said. “I mean that strictly in the literal sense of parody as a response to something.”Woody's original title was “God Blessed America for Me.” Nora notes, “He crossed it out later and called it ‘This Land Was Made for You and Me.' See, the parody turned into a more mature comment.”The MelodyWoody borrowed the melody, as he did for most of his songs. “He tended to write words first, and later on picked out a tune,” said Pete Seeger, Guthrie's long-time friend and rambling partner. “Woody once said, ‘When I'm writing a song and I get the words, I look around for some tune that has proved its popularity with the people.'”In this case, the melody of “This Land” is very similar to “Oh, My Loving Brother,” a Baptist hymn that The Carter Family had recorded a decade earlier as “When the World's On Fire.” That same melody also had inspired the Carters' own “Little Darlin', Pal of Mine” a couple of years before that.“Missing” VersesIn penning the lyrics to “This Land is You Land,” Guthrie, true to his original mission of protest, included several verses critical of the American economic system. Then, according to biographer Joe Klein, “he completely forgot about the song, and didn't do anything with it for another five years.”By the time Woody debuted the song on his weekly radio show in 1944 at the height of World War II, he had revised it, softening the criticism and nixing the more controversial verses about businessmen's greed and disregard for the needy.Of this and later self-editing, Woody's daughter said, “This is the early ‘50s, and [U.S. Sen. Joseph] McCarthy's out there, and it was considered dangerous in many ways to record this kind of material.”“Like most of the things, if we're talking about my dad,” Nora added, “it gets very complex here.” Noting that when The Weavers recorded the song in the mid-1950s, they also sang only the first three verses, “which, in one way, was very, very helpful to my dad, because we had no money. So thank God that they recorded something, and our family was able to get some royalties from that.”More recently, a growing number of singers have dusted off one or two of Guthrie's “lost” lyrics, as The Flood does in this rendition from a recent rehearsal, ending with: As I went walking I saw a sign there  And on the sign it said “No Trespassing.”  But on the other side it didn't say nothing,  That side was made for you and me.LegacyForty years ago a 1947 release of “This Land is Your Land” on the Asch record label was inducted into the Grammy Hall of Fame. In 2002, it was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry. In 2009, Pete Seeger joined rocker Bruce Springsteen to sing it from start to finish as part of President Barack Obama's inaugural celebration.In 2021, it was listed by Rolling Stone magazine among its “Top 500 Greatest Songs of All Time,” and just last year it was put at No. 11 on its list of “The 100 Best Protest Songs of All Time.”Cap'n John Guests on This PodcastMeanwhile, back to this week's podcast, we have a guest artist. As reported earlier, fiddler John Ace from Alexandria, Va., accompanied Floodster Emeritus Dave Ball to the latest Flood rehearsals to sit in. With Dave, John was on the way from Florida for gigs in Lewisburg, WV.Of Fourths PastFinally, over the years Independence Day has played an important part on many a page in The Flood's scrapbook. For instance, playing for a Huntington community party during the nation's bicentennial 50 years ago this weekend was a sweet memory in the band's first decade. Read all about it and other Fourths by clicking below:Happy Birthday, America! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

The Catered Quiz returns this week as writer/improviser/podcaster Eli Mandel (Encyclopedia Bartannica, Saturday Night Live) joins the show to answer questions about the San Francisco 49ers and Pete Seeger. We also talk about Weezer, Stella and Tim Meadows. Watch the SNL sketch Eli talks about in the episode. Listen to Eli and past Catered Quiz guest Harrison George on their podcast Encyclopedia Bartannica

The Seth Leibsohn Show is joined by a very special guest; Arizona's Official State Balladeer Dolan Ellis, live and in-person! Dolan discusses his journey toward being proclaimed Arizona’s Official State Balladeer by Governor Sam Goddard. He shares his incredible life story, from his early days as a folk singer to his rise as a national star. Dolan takes listeners on a journey through his experiences, including his time with The New Christy Minstrels, his friendship with Kenny Rogers, and his experiences with other notable musicians, such as Pete Seeger and Bob Dylan. We're joined by Johnny Estes, Vice President of Operations, and Shannon Estes, President of CMI Gold & Silver. Want to hear more of Dolan’s life stories? Check out his newly released book, Adventures of a Balladeer, available at https://dolanellis.com/books/. See omnystudio.com/listener for privacy information.

  One nonviolent way to show one's displeasure/disgust/disagreement is to protest. In a letter to the editor, written in a blog, by contacting your lawmakers, taking it to the streets and there are many other ways. Pete Seeger was known for his songs protesting mistreatment of workers and war itself, and over time there has been a great abundance of songs and actions of protest. Marvin Gaye, CCR, Nina Simone, Dylan, Lennon and many others wrote and performed their protest songs from What's Goin' on?, Blowin' in the Wind to Fortunate Son, Give Peace a chance and Strange Fruit. In the future you'll hear an episode of Tales Vinyl Tells dedicated to protest songs. Please send your ideas to me at TalesVinylTells@gmail.com and yours may well be included. And when you email me, please be sure to let me know who and where you are. I mention protest songs because we kick off with a real kicker from Quicksilver Messenger Service and include Petty, Joni, Cheech, Chong, Nick and more. Thanks for listening. Thanks for listening today. My email is talesvinyltells@gmail.com. You can hear a Tales Vinyl Tells radio program when it streams live on RadioFreeNashville.org and here.  We do that at 5 PM central time Wednesdays. The program can also be played and downloaded anytime at podbean.com, Apple podcasts, Google podcasts, iHeart podcasts, Player FM podcasts, Listen Notes podcasts and many other podcast places. And of course you can count on hearing the Tales on studiomillswellness.com/tales-vinyl-tells anytime. PLAYLIST: 189.1 What About Me?-Quicksilver Messenger Service 189.2 At The Chime of the City Clock-Nick Drake 189.3 All That You Dream-Little Feat 189.4 Brown Eyes- Fleetwood Mac w/Peter Green 189.5 You Ain't Goin' Nowhere-Dylan and The Byrs 189.6 What Am I Living For-Mark Almond 189.7 Listen to Her Heart-Tom Petty and the Heartbreakers 189.8 Roadhouse Blues-The Doors 189.9 Trouble Child/Twisted-Joni Mitchell/Cheech & Chong 189.10 Here Comes The Sun-Nina Simone

Audio Disclaimer from Anne Marie: I am still learning how to record and edit with two live microphones and unfortunately in the transfer and editing process, I deleted the original file with the better audio quality. The episode you'll hear is a result of this mistake (only my microphone became the driving audio of the playback track). I apologize for the unevenness in the quality, but sincerely hope you stick around for the content! It was an incredible conversation and I'm glad I can still share it in some capacity.Episode Summary: This week, Anne Marie Gunn welcomes her former high school history teacher, Jane Thompson, as a guest to talk about the American Sexual Revolution of the 1960's and 1970's. The conversation begins with how World War II, Margaret Sanger/the (white) women's suffrage movement and movement towards family limitations, and the 1950's all led to an American Sexual Revolution. Jane and Anne Marie discuss the influence of culture on politics and vice versa (ie. through language about gender and sex changing over time). Their conversation highlights key figures in the Sexual Revolution including researcher Alfred Kinsey and author Betty Friedan (The Feminine Mystique). Other topics covered include: the Civil Rights Act of 1965, Roe v. Wade (1972) and its overturn (2022), Vietnam War protests, free love/drug culture of the hippie movement, Title IX and its impact on higher education, women's sports & equal pay, and girls' agency over their bodies, the Equal Rights Amendment not being signed, the LGBTQ+ movement, the AIDs crisis, the disability rights movement, the 80's mirroring the 50's, and the development of technology and the internet impacting American music and sex. Finally, Jane and Anne Marie discuss how the paradox of American individualism and idealism of unification impacts societal progress.

This week, world renown bluegrass and old-time music virtuosos and educators Tony Trischka & Bruce Molsky recorded live at the Ozark Folk Center State Park's annual Arkansas Old-time Fiddle & Banjo Championships. Also, performances from the 2025 contest champions, fiddler Gwyneth Davis of Petit Jean Mountain, AR and banjoist Erik Brashers of Eureka Springs, AR. Each year, the Ozark Folk Center State Park hosts the Arkansas Old-time Fiddle & Banjo Championships. Competitors ranging in age from eight to eighty come from all over to test their skills and possibly be crowned a champion. World class musicians are brought in judge these contests and also perform on the Folk Center's evening concert. At the 2025 contest we were honored to have as our judges and performers, Tony Trischka & Bruce Molsky. Tony Trischka was born in Syracuse, NY and raised in a home filled with music. There were broadway scores and a sweeping range of classical music, from Stravinsky to Beethoven. The wide-open American vistas of Aaron Copland had an especially potent spiritual and visceral impact on him, as did the folk music his left-leaning father held dear. The Almanac Singers, the solo work of its founding members Woody Guthrie and Pete Seeger, and Lead Belly's children's lp were in constant rotation. Trischka fell in love with the banjo by way of the Kingston Trio's 1959 recording of “M.T.A.,” and was able to experience the New York-centered folk revival by trekking to the Newport Folk Festival in the early to mid-'60s. He moved to the city in the early '70s and hit the ground running, settling in among a peer group of extraordinary musicians who saw American roots music as a thriving, living language that could be expanded and combined with other influences and sensibilities. - https://www.tonytrischka.com/bio Grammy-nominated, described as “an absolute master” (No Depression), Bruce Molsky transports audiences to another time and place, with his authentic and personal interpretations of rarities from the Southern Appalachian songbook and other musical traditions from around the globe. Best known for his work on the fiddle, Bruce's banjo, guitar and his distinctive, powerful vocals also resonate with listeners. His combination of technical virtuosity and relaxed conversational wit makes a concert hall feel like an intimate front porch gathering.  Bruce's take on tradition has landed him in collaborations with some of the world's most highly respected players from roots to rock. https://brucemolsky.com/bio In this week's “From the Vault” segment, OHR producer Jeff Glover offers a 1985 archival recording of a notable contest fiddler from the past, Alison Krauss, performing the traditional tune “Gardenia Waltz,” from the Ozark Folk Center State Park archives. In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins discusses the etymology of the name Ozark.

Collective bargaining is the foundation that organized labor is built on. Truly, it's at the heart of what unions are and what unions do for their members. When UUP negotiates a contract for its members, our union has a equal hand in determining terms of employment—including compensation, job protections, benefits, work hours and more—with our employer, the state of New York. Over the years, UUP has achieved many gains through collective bargaining, from securing health care benefits and per-course minimum pay for part-time employees to annual across-the-board salary increases for our members and everyone we represent in our bargaining unit. In our current contract, which expires July 1, we negotiated to have New York's Paid Parental Leave—up to 12 weeks of guaranteed, fully paid leave following the birth, adoption or foster placement of a child—added to our agreement with the state. We also established 7-year and 12-year retention awards based on an employee's length of service—a UUP goal for decades. We also maintained our health benefits package with no increases in copays or employee share of premiums. These gains were not easily gotten. They never are. In this episode of The Voice Podcast, host Fred Kowal--who's also UUP's statewide president--talks to three people who were at the table to negotiate UUP's last three contracts with the state of New York. They are: Former statewide Vice President for Academics Jamie Dangler, chief negotiator for our 2011-2016 contract, easily one of UUP's most difficult contracts to negotiate.  Elizabeth Hough, UUP's former counsel to the president, who was at the table for two UUP contracts, the 2016-2022 agreement and the union's current 2022-2026 contract, which expires July 1. UUP Chief Negotiator Bret Benjamin served on UUP's Negotiations Team for the 2016-22 agreement and was chief negotiator for our current contract. He's also chief negotiator for a new contract we're negotiating with the state. In Labor Lookback, Mike Lisi explores the impact President Franklin D. Roosevelt's Works Progress Administration had on workers and the entire country during the Great Depression. He also looks at the life of folk icon Pete Seeger, a longtime union supporter. Kowal discusses the brings home the importance of collective bargaining to unions in Kowal's Coda. Music used in this podcast: "It's Got to be Love" - Henry King & His Orchestra with vocal by Joseph Sudy  "Solidarity Forever" - Pete Seeger 

Bluegrass and folk music legend Rik Patieri joins us midweek. Rik covers a lot in an hour, with songs that include Music Man, Marfa Lights, The Wolf Song, Hills of Vermont and a clip from he and Pete Seeger playing together in a version of John Henry

Years ago, when America was mired in the horror of the Vietnam war, Pete Seeger wrote a lament about the stupidity and vanity of leaders who keep plunging us into such mindless disasters. It was a song about the Big Muddy:“The captain told us to ford a river,That's how it all begun.We were knee deep in the Big MuddyBut the big fool said to push on.“It'll be a little soggy, but just keep sloggingWe'll soon be on dry ground.We were waist deep in the Big Muddy,And the big fool said to push on.“All we need is a little determination.Men, follow me, I'll lead.We were neck deep in the Big MuddyAnd the big fool said to push on.”Unfortunately, the big fool is back, this time miring our nation in another of those witless wars of choice that he had ridiculed when running for President. But, doing the bidding of Israel's corrupt government, Trump attacked Iran. He blustered that the “skirmish” would be over in days, Iran would surrender everything, our gasoline prices would go down, peace would blossom throughout the Middle East, and world leaders would rally ‘round America.None of that happened. Instead, Trump has splurged 25 billion of our dollars on this foray (so far), Iran's leadership has outwitted Trump's feckless Pentagon chief, and they now control the global price of oil.To divert attention from the embarrassment of his needless war, our huckster-in-chief is now doing PR events touting the “grandeur” of that billion-dollar luxury ballroom he wants to tack onto our White House – a rich-boy add-on that only the billionaire class will go into.Of all the things America actually needs, he is focused on a sparkly ballroom. And the big fool says to push on.Jim Hightower's Lowdown is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit jimhightower.substack.com/subscribe

Tom was an integral member of the Greenwich Village early '60s folk scene (playing originals regularly before Bob Dylan did). His tunes have been covered by Dylan, Pete Seeger, Joan Baez, Johnny Cash, Willie Nelson, Dolly Parton, Harry Belafonte, and many others. He received a lifetime achievement Grammy in 2009. We talk about "Rebel Gal" from Together Again (2026) (a collaborative album with John McCutcheon), "If the Poor Don't Matter" from Redemption Road (2015), "Mr. Blue" from Morning Again (1968), and "The Death of Stephen Biko" (with Anne Hills and Bob Gibson) from Best of Friends (live in 1984, released in 2004; the song was originally recorded for Heroes, 1978). Intro: "I Can't Help But Wonder Where I'm Bound" from Rambin' Boy (1964). More at tompaxton.com. Hear more Nakedly Examined Music at nakedlyexaminedmusic.com. Support us at patreon.com/nakedlyexaminedmusic.

Berkshire Concert Choir, a 100+ voice community chorus based in Pittsfield MA, will perform 'Questions and Answers: American Echoes,' which addresses the American experience through the lens of a diverse program of music that asks and answers questions on May 9th and 10th.On the surface "Q & A" music has the fun of a puzzle, but the program digs deeper into the essential American freedom to question and to hold diverse perspectives, through choral classics, pop and rock from Marvin Gaye, Dolly Parton, and Creedence Clearwater Revival, to Civil Rights era classics from Bob Dylan and Pete Seeger.

On this week's Labor History Today: a powerful look at past and present struggles for worker rights and justice. We revisit the Haymarket Affair and the origins of May Day, then hear from historian Marla Ramírez on the forced “banishment” of Mexican American families in the early 20th century—and how those policies echo in today's debates over deportation and mixed-status families. Plus, a tribute to Pete Seeger and the music that helped sustain generations of labor and social movements. Questions, comments, or suggestions are welcome, and to find out how you can be a part of Labor History Today, email us at LaborHistoryToday@gmail.com Labor History Today is produced by the Labor Heritage Foundation and the Kalmanovitz Initiative for Labor and the Working Poor. #LaborRadioPod #History #WorkingClass #ClassStruggle @GeorgetownKILWP #LaborHistory @UMDMLA @ILLaborHistory @AFLCIO @StrikeHistory #LaborHistory @wrkclasshistory  

This week we conclude our birthday celebration for Pete Seeger with a survey of more recent interpretations of some of Pete's best songs and some newer recordings by Pete. We'll hear Judy Collins, John McCutcheon, The Malvinas. Dave Fry and others. Revisiting our tribute to Pete Seeger in the 1960s and beyond in a classic episode … this week on The Sing Out Radio Magazine. Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysPete Seeger / “Four Banjo Pieces” / The Goofing Off Suite / Smithsonian FolkwaysPete Seeger / “My Rainbow Race” / Rainbow Race / ColumbiaArlo Guthrie / “Ramblin' Round” / Last of the Brooklyn Cowboys / Rising SonVarious / “Puttin on the Style” / Folk Songs of the Catskills-A Celebration of Camp Woodland / Cob'sCobble RecordsJudy Collins / “Oh Had I A Golden Thread” / Sowing the Seeds-The 10th Anniversary / AppleseedThe Byrds / “Turn, Turn, Turn” / Turn, Turn, Turn / Columbia Peter, Paul & Mary / “Where Have All the Flowers Gone?” / Very Best of Peter, Paul & Mary / RhinoPete Seeger / “My Dirty Stream” / The Folkways Collection / Smithsonian FolkwaysPete Seeger / “Igor Stravinsky Ruhssian Folk Theme and Yodel” / The Goofing Off Suite / SmithsonianFolkwaysJohn McCutcheon / “Well May the Worls Go” / To Everyone in All the World / AppalseedDave Fry / “Lessons from Pete” / Troubadour / Dave Fry MusicDon Treistman / “Sing Out Pete” / Self released CD singleThe Malvinas / “How Can I Keep from Singing” / God Bless the Grass / Soona SongsBruce Springsteen / “Bring 'Em Home” / We Shall Overcome-The Seeger Sessions / ColumbiaPete Seeger / “Extraduction” / At 89 / AppleseedPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

Movie reviews number fifty nine!
Diving in with the heavy today we have Otto Preminger's (Tell me that you love me, Junie Moon 1970)
Starring Liza Minnelli and Pete Seeger. A very brave and early film with Queer content, and like Boys in the Band, it can get a bit rough.
next is (The Neon Ceiling 1971) “Your Turning Violet, Violet!” Denise Nickerson, Lee Grant, and Gig Young star in this hot mess of a made for tv film. 
On to (Sleuth 1972) Two extremely British men talk and meanly prank each other for 2 hours and twenty minutes.
Next up is (Day for Night 1973) Here is a film we are told by all film connoisseurs on the planet that we must love, and fine I guess I do just leave me alone about it. This film reminds me of Opening Night 1977 and I am then reminded how much more I liked that film.
Oh look what's next (Rafferty and the Gold dust Twins 1975) Spoiler alert, if you want a free meal at a fine restaurant, just eat all ya want, walk to another table and gently set it on fire. 
Two more left in this batch and here's (Abba the movie 1977) another concert film that got a theatrical release, this one had some big money put into it, annnnnd an actual plot, though it is of the “Freebox” variety.
Finally today we review (Long Journey Back 1978)
Train versus school bus and one students long journey back. So it's obviously light and fun. Cloris mother f'n Leachman is in this films Haus!!!!
thanks for listening friends and if yer new
please write us a review, why not?

We're in it now, folks. If you thought America wasn't dumb enough to get embroiled in another middle east quagmire, you haven't been studying history. We here at All Time Top Ten hate war, and we don't mind saying it as loud as possible. It's unfortunate but now is indeed the time for another volume of our favorite songs that cut through the bullshit and say "NO" to war. Top Ten Anti-War Songs Volume 2 Part 1 features picks 10-6 in our countdown, which was aided by the delightful Jenny Lynne on her very last guest spot on ATTT. Get righteously angry about a stupidly important topic with us.If you missed Volume 1, there's no time like the present. Check it out in our archives:https://www.mixcloud.com/beneisen/all-time-top-ten-episode-98-top-ten-anti-war-songs-wchris-wolffing/We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. Emergency Pod 26 dropped April 1st and featured more fun with the ATTT OG Ryan Blake! Find out more at https://www.patreon.com/c/alltimetoptenWe're having a blast chatting about music over on the ATTT Facebook Group. Join us and start a conversation about music!https://www.facebook.com/groups/940749894391295

This week we begin a two-part feature in celebration of Pete Seeger's birthday. In his 94 years he introduced us to a peaceful way of life, strength and stamina and some of the finest music yet produced in the United States and beyond. We'll listen to some early recordings of Pete with the Almanac Singers and the Weavers, a set of live performances from the 1950s and 1960s and more from the folk music legacy he left. It's an encore airing of the shows we produced for Pete's 100th birthday … this week on The Sing Out! Radio Magazine. Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysPete Seeger / “Opening Theme” / The Goofing Off Suite / Smithsonian FolkwaysBascom Lamar Lunsford / “Wish I was a Mole in the Ground” / Classic Mountain Songs / Smithsonian FolkwaysThe Almanac Singers / “Liza Jane” / Songs of Protest / Prism LeisureThe Almanac Singers / “Round and Round Hitler's Grave” / Songs of Protest / Prism LeisureWoody Guthrie / “Pastures of Plenty” / This Land is Your Land-The Asch Recordings Vol.1 / Smithsonian FolkwaysWoody Guthrie / “Hard Travelin'” / Hard Travelin'-The Asch Recordings Vol.3 / Smithsonian FolkwaysThe Weavers / “Goodnight Irene” / Wasn't That A Time / VanguardLead Belly / “John Henry” / Bourgeois Blues / Smithsonian FolkwaysBrownie McGee / “Betty and Dupree” / Classic Folk Music / Smithsonian FolkwaysRamblin' Jack Elliot / “South Coast” / Hard Travelin' / FantasyPete Seeger / “Opening Theme (Reprise)” / The Goofing Off Suite / Smithsonian FolkwaysPete Seeger / “Medley-Hold Up Your Petticoat-Where Have All the Flowers Gone?-Step By Step-JoeHill's Last Will” / The Complete Bowdoin College Concert 1960 / Smithsonian FolkwaysPete Seeger / “Abiyoyo” / Children's Concert at Town Hall / ColumbiaPete Seeger / “I Don't Want Your Millions Mister” / The Prestige Folklore Years / Prestige-FolklorePaul Robeson / “Joe Hill” / Classic Labor Songs / Smithsonian FolkwaysEarl Robinson / “Black and White” / Classic Folk Music / Smithsonian FolkwaysPete Seeger and the Hooteneers / “Another Man Done Gone” / Sing Out! With Pete Seeger and theHooteneers / Smithsonian FolkwaysPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

GRAMMY-winner Dave Matthews tells Stephen Colbert that his first concert was Pete Seeger, who performed his legendary American folk songs from the back of a flatbed truck. More recently, David Byrne's career-spanning live show has been a major source of inspiration. After you're done listening to this Pod Show EXCLUSIVE extended interview, head over to the Late Show's YouTube channel to watch Dave Matthews perform THREE SONGS! You can grab tickets for Dave Matthews Band's upcoming tour dates at davematthewsband.com/tour. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

A spectacular celebration of folk music is coming to Clare this June (Saturday, 20th June), as The Seeger Sessions Revival brings the sound and spirit of Bruce Springsteen's iconic Seeger Sessions album to the stage at Glór in Ennis this June. Featuring a 13-piece band and a high-energy mix of folk, bluegrass, gospel and more, the show pays tribute to the legendary Pete Seeger. To tell us more, Alan Morrisseyspoke with Christopher Speer from The Seeger Sessions Revival. Photo (c) Seegar Sessions Revival Facebook

V období mccarthismu skončily ze dne na den kariéry stovek amerických umělců. Pete Seeger sice byl nějaký čas komunistou, život si ale zničit nenechal. Vzal banjo a hrál i na dětských táborech. Skončilo to mnoha cenami a nominací na Nobelovu cenu.Všechny díly podcastu Portréty můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

SHOW NOTES:Shawna chats with Elise Okusami of the band Oceanator about the value of storytelling and not waiting for a big hero to save us through their song, “Lullaby.” Also? The pitterpatter of Rosie's paws on the floor (and scratching and shaking and just generally making sound), Oceanator as a family affair, what we're like to tour with, and who else lists Dookie as their first punk record?SHOW LINKS:Oceanator on Bandcamp: https://oceanator.bandcamp.com/track/lullaby-2 Oceanator on Patreon: https://www.patreon.com/cw/oceanator WAR ON WOMEN/Oceanator tour info: linktr.ee/waronwomen Music to Life: https://www.musictolife.org/ Mood Machine book - Liz Pelly: https://booksaremagic.net/item/gQpiPqSJBXgQuxapRjFf2Q/lists/L6k6O686GxwY/ ABIYOYO book - Pete Seeger: https://mpt.pbslearningmedia.org/resource/abiyoyo-video/reading-rainbow-stories/ Anansi the spider: https://en.wikipedia.org/wiki/Anansi Baba Yaga: https://en.wikipedia.org/wiki/Baba_Yaga Freedom Sounds album: https://folklife.si.edu/magazine/freedom-sounds-from-smithsonian-folkways Pears: https://pearstheband.bandcamp.com/album/pears SHAWNA'S LINKS:shawnapotter.comThe new Safer Spaces: Online Course: https://shawnapotter.com/safer-spaces-courseMaking Spaces Safer book: https://www.akpress.org/making-spaces-safer-book.htmlRequest fun video messages: https://www.cameo.com/shawnapotterwowAll things War On Women: linktr.ee/waronwomen https://www.youtube.com/@shawnapotter

Greetings, Lowdowners—Deanna here!In January, paid subscribers got 45 minutes of unfiltered Hightower at our Happy Hour Q&A. If you missed it—or if you're a free subscriber wondering what these gatherings are like—here's a taste.We asked readers to bring questions, stories, anything. What we got was one of the best evenings we've had: Hightower on organizing in red states, the horror of what's happening with ICE, why the Democrats need big ideas, and—because it's Hightower—some absolutely wild stories from campaigning across Texas in small planes held together with duct tape and optimism. The clip above is one of my favorite all-time stories: the famous beer run with Melvin Lowry out in West Texas. When you're a broke statewide candidate in Texas, you get where you're going however you can. In Hightower's case, that meant farmers with planes, county roads as landing strips, and pit stops for six-packs. "The secret to the high wire is never look at the high wire. You just land."If you thought the beer run was something, wait until you hear about the plane where Hightower's passenger seat was a kitchen chair with a seatbelt—and the only way to get airborne was for two guys to hold up the tail and run down the runway. “I am a serious candidate for statewide office in the state of Texas.”One last gem from that night covers while the Populist movement of the late 1800s was so successful: they knew that politics couldn't be just a bunch of committee meetings. They created fun. Here, Hightower shares an insight that Pete Seeger once told him about how he discovered politics through the Chautauqua movement.These are the kinds of evenings paid subscribers get—stories you won't hear anywhere else, and a chance to actually ask Hightower what's on your mind.The full 45-minute video, including Hightower on why organizing together beats just calling your red state Senator, how Democratic leadership is responding to our grassroots pressure, and the vision for getting money out of politics, is is available to paid subscribers here.If last week's C-SPAN video was a window into Hightower's world, this is a seat at the table. More on that next week.Happy Friday, everyone.Jim Hightower's Lowdown is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit jimhightower.substack.com/subscribe

Tony Trischka for over 50 years has been considered one of the best and most influential roots music banjo players. His playing has inspired generations of bluegrass and acoustic musicians.  He's a 3x Grammy nominee and he's released seventeen solo albums. His latest is a tribute to Earl Scruggs, featuring Billy Strings and Vince Gill, which was nominated for a Grammy. He's recorded and performed with Earl Scruggs, Pete Seeger, Steve Martin, John Denver, The Allman Brothers and Miley Cyrus to name just a few, and he's played many times at the Grand Ole Opry as well as at Carnegie Hall, The Kennedy Center and Madison Square Garden. My featured song is “The Cut Of The Knife”, my recent single. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Testimonials Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH TONY:www.tonytrischka.com ----------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's recent release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —--------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

“For rising of the womenMeans the rising of the race.No more the drudge and idler,Ten that toil where one reposes,But the sharing of life's glories,Bread and roses, bread and roses.”Mimi Fariña spent most of her life living in someone else's shadow. First, she was the kid sister of folk music's Mother Mary, Joan Baez. Then, she was one half of a duo with her husband Richard Fariña; a mysterious and handsome writer cut down in his prime. Mimi refused to let these larger-than-life figures dictate her story. She found her own voice and her life's work, establishing her nonprofit Bread & Roses to bring music to isolated communities in the San Fransisco Bay Area, and found her purpose in tragedy.Plus, the Dolls Pod gives…hot takes on classic literature and film? Emma and Abby talk about the difficulties of adapting “Wuthering Heights,” and Emma loves a slow film but declares “Gone With The Wind” is an hour too long. Do you agree?“Mimi Fariña: Beyond the Baez Name” is available wherever you stream your podcasts

Elaine Weiss discusses her book, Spell Freedom: The Underground Schools That Built the Civil Rights Movement. It is the story Highlander Folk School, an interracial training center for social change founded by a white southerner with roots in the labor movement. The school became a focal point inspiring Rosa Parks, Pete Seeger, and originating Citizenship […]

Host Jason English welcomes Stella Prince, hailed as the face of Gen Z folk, for a conversation recorded at AmericanaFest after her first official showcase at Nashville's female-owned venue, Anzie Blue. Prince reflects on growing up in Woodstock, New York, singing as a child with artists like Pete Seeger, and her early drive to work in music, including being a 12-year-old radio DJ spinning 1930s–40s big band and writing music reviews. She discusses making folk mainstream again, the generational appeal of the genre, and inspirations like Joni Mitchell, Joan Baez, and Judy Collins, plus contemporaries like Laufey. Prince describes building an all-women team, recording her debut EP in Laurel Canyon, and releasing her first sync—a Hallmark film featuring her reimagined “(They Long to Be) Close to You.” She also shares songwriting shaped by Gen Z anxiety, inflation, and newfound independence, and performs “Don't Think Twice, It's All Right” and her original “Good Luck Is Hard to Find.”00:00 Folk Across Generations00:28 Podcast Intro and Guest Setup02:42 AmericanaFest Milestone04:38 Why Folk Feels Real Now05:34 Making Folk Mainstream Again06:13 Gen Z Jazz Inspiration08:21 Woodstock Roots and Early Magic09:27 Radio DJ and Big Band Years11:00 DIY Hustle to Building a Team13:04 All Women Team and Industry Gaps13:45 Women on the Road14:42 Laurel Canyon Recording Dream15:23 Career First at 2116:26 EP Plans and Hallmark Sync17:57 Songwriting From Independence18:35 Gen Z Pressure and Anxiety20:55 Curiosity and Defining Success23:14 Live Performance Session26:04 Original Song Closing

Host/Producer: Amy Browne The Singing Journalist, Andy Revkin, joins us today with an invitation to his upcoming talk at the Jesup Memorial Library, Thursday 3/5 at 6:30pm “In this evening of storytelling and songs, longtime journalist, author, educator and performing songwriter Andy Revkin will explore the evolution of his dual-path journey aimed at connecting the public with ideas, issues and solutions using any means possible. For decades, Andy Revkin has split his time between prize-winning environmental journalism, mostly for The New York Times, and songwriting, including music featured on NPR and an inaugural album described by the Jambands music magazine as a “tasty mix of roots goulash.” His reporting has taken him from the burning Amazon rain forest to the melting North Pole sea ice. As a musician, Andy was a frequent accompanist of folk legend Pete Seeger at Hudson Valley events and has quickly built a presence in the Downeast Maine folk scene since moving here in 2022.” (Source: Event announcement from the Jesup) About the host: Amy Browne started out at WERU as a volunteer news & public affairs producer in 2000, co-hosting/co-producing RadioActive with Meredith DeFrancesco. She joined the team of Voices producers a few years later, and has been WERU's News & Public Affairs Manager since January, 2006. In addition to RadioActive, Voices, Maine Currents and Maine: The Way Life Could Be, Amy also produced and hosted the WERU News Report for several years. She has produced segments for national programs including Free Speech Radio News, This Way Out, Making Contact, Workers Independent News, Pacifica PeaceWatch, and Live Wire News, and has contributed to Democracy Now and the WBAI News Report. She is the recipient of the 2014 Excellence in Environmental Journalism Award from the Sierra Club of Maine, and Maine Association of Broadcasters awards for her work in 2017 and 2021. Theme music: BreakBeat Chemists I, 2015 Licensed under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 International License The post Around Town 2/24/26: Local News, Culture and Events first appeared on WERU 89.9 FM Blue Hill, Maine Local News and Public Affairs Archives.

250 - Luke Winslow-King In episode 250 of Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with singer/songwriter Luke Winslow-King. Luke joins us from his home in Spain. In their conversation Luke shares with us what life is like in Spain and he tells us about his experiences busking in Europe and dealing with Gypsies and his experiences with his band in Europe. Luke talks about living in New Orleans previously and going to the university of New Orleans and busking there as well with a group of musicians known as the “Loose Marbles” that eventually became Tuna Skinny, Hooray for the Riff Raff as well as members of Luke's band. Luke describes his gear including a resonator that he's had since 2001 and the rest of his gear and a shoutout to his home music store Elderly Instruments. Luke discusses his early touring experiences with a group of friends following a book by Pete Seeger of Woody Guthrie songs called “California to the New York Islands” Luke describes his current tour schedule traveling throughout Europe and the US and talks about his band, both in Europe and the US and he gives us insight into booking in Europe. Luke tells us about his new record “Coast of Light” his ninth album and he describes his musical education. Luke discusses his future, recording an album with “Little Freddie King” and another album for himself. To find out more about Luke you can go to his website: lukewinslowking.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #LukeWinslowKing #LittleFreddieKing #CoastofLight #BuskinginEurope #NewOrleans #TubaSkinny #hoorayfortheriffraff #ElderlyInstruments #resonatorguitars #GibsonGuitar #JamesPatrickRegan #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Please like, comment, and share this podcast! Download Link

The iconic folk duo met at an audition for the only country music band at a prestigious jazz school in Boston. They immediately clicked, and joined the rich lineage of Americana artists that stretches back centuries.In their 20s, Gillian Welch and David Rawlings discovered they had something special when they sang together, a sort of eerie emotional resonance that is usually confined to the blood harmonies produced when siblings sing together.Ever since they've been making music together which draws on the bluegrass, country and folk traditions they love.In their historic recording studio in Nashville, Tennessee (which has withstood three tornadoes in the last century), they craft haunting songs about the ugly and beautiful parts of humanity.For Gill and Dave, the DNA of folk music is something we can all contribute to, and which contributes to all of us.Gillian Welch and David Rawlings are currently touring Australia's eastern states. You can find information about where and when they are playing on their website.Their seventh studio album is called Woodland, named after their indestructible studio.This episode of Conversations was produced by Meggie Morris. Executive Producer is Nicola Harrison.This episode of Conversations was produced by Meggie Morris. Executive Producer is Nicola Harrison.It explores music, recording, career musicians, Woody Guthrie, The Carter Family, Lead Belly, revival folk, Bob Dylan, Joan Baez, Simon & Garfunkel, Joni Mitchell, Emmy Lou, Dolly Parton, Southern America, United States, Pete Seeger, Love, relationship, natural disaster, Neil Young, Gordon Lightfoot, Leonard Cohen, Odetta, Harry Belafonte, Rhiannon Giddens, banjo, guitar, mandolin, true crime, murder ballad, Revival, Time (The Revelator), Soul Journey, The Harrow & The Harvest, All the Good Times (Are Past & Gone), Grammy Awards, Grammys, songwriting, Coen Brothers, O Brother, Where Art Thou?To binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.

This week on Labor History Today, we remember Pete Seeger and how his songs helped build movements—from union halls to civil rights and environmental campaigns. Then we turn to the 1933 Funsten Nut Strike in St. Louis, led by Black women who organized more than 2,000 workers, and talk with the creators of the new play A Brick and a Bible. Questions, comments, or suggestions are welcome, and to find out how you can be a part of Labor History Today, email us at LaborHistoryToday@gmail.com Labor History Today is produced by the Labor Heritage Foundation and the Kalmanovitz Initiative for Labor and the Working Poor. #LaborRadioPod #History #WorkingClass #ClassStruggle @GeorgetownKILWP #LaborHistory @UMDMLA @ILLaborHistory @AFLCIO @StrikeHistory #LaborHistory @wrkclasshistory  

Understanding "Streets of Minneapolis"With Springsteen's latest single reaching #1 in 19 countries, we're witnessing a significant cultural moment. I'm proposing an exploration of the controversial, "Streets of Minneapolis"—examining it within a powerful American musical tradition that stretches back over eight decades.A Tradition of Musical CommentaryThis story begins in 1944, when Woody Guthrie (not Arlo—Woody was his father) wrote "This Land Is Your Land" as a response to Irving Berlin's "God Bless America." What seemed like competing patriotic songs represented something deeper: different visions of what it means to love your country. Berlin offered celebration; Guthrie offered reflection—including verses about inequality and hardship that rarely get sung today.Guthrie embraced a form of patriotism rooted in the Declaration of Independence—one that believes loving your country includes acknowledging where it falls short of its ideals. Writing during World War II and the aftermath of the Depression, Guthrie demonstrated how music could both honor and challenge the nation simultaneously.How Music Reaches Us DifferentlyThat approach influenced Pete Seeger, Joan Baez, and Bob Dylan—artists who discovered that songs could communicate social commentary to audiences who might not engage with traditional political discourse. A three-minute song on the radio could spark reflection in ways other media couldn't.Consider "Born in the U.S.A." How many of us have heard it as a celebration when Springsteen wrote it, in Guthrie's tradition, as a pointed critique of how America treats its veterans? Forty years later, it's still frequently misunderstood—even used at political rallies in ways that contradict its message. This pattern raises important questions about how we engage with art.When Music Captures a MomentIn 1970, after the Ohio National Guard killed four students at Kent State University, Neil Young wrote "Ohio" almost immediately. Released by Crosby, Stills, Nash & Young within weeks, the radio-friendly song brought that tragedy into millions of homes, forcing a national conversation.What "Streets of Minneapolis" Asks of Us"Streets of Minneapolis" follows in this tradition—echoing "Ohio" across five decades. Like those earlier songs, it's not primarily about comfort; it's about bearing witness and prompting reflection.The question worth considering: Will we engage with what the song is actually saying, or will it become another anthem whose meaning gets lost over time?An Invitation to Listen Thoughtfully. An opportunity to make your own decisions. This isn't about taking political sides. It's about recognizing a form of patriotism that asks something of us—the kind that believes loving your country includes honest examination of difficult moments.Hosts: Rick Galusha & Mike OlsonKate Smith / God Bless America (1939)Woody Guthrie / This Land is Your Land (1940) Carter Family / The World's On Fire (1925) Bruce Springsteen / Born in the USA (1984) [Nebraska] Neil Young / Ohio (1970) Bruce Springsteen / Streets of Minneapolis (2026) Norah Jones / American Anthem 

The Dylan Whisperer Rob Stoner and I have been in the same city, on the same street, in the same club where I was promoting and he was playing, at the same time, over and over, and somehow we never met. Until tonight. He was worth waiting for. What a fun edutainment! We talked about his heroes, Chuck Berry to Jerry Lee Lewis, Rob's famous photographer father, who, like Rob's later boss, Bob Dylan, used art to change our thinking, to his own early days playing with Pete Seeger and Tim Hardin. From high school bands playing keyboards, guitar, and then bass, great story there as to why he picked it up, to his first session with Pete Seeger, another important mind-shaper, to Tim Hardin, and Don Mclean, with his first ill-fated named first album, Tapestry, to his second album and the session which bore his first #1 hit, American Pie. Rob tells the tale, from soup to platinum single. The session with Robert Gordon and Link Wray, recording a not-yet-wildly famous Bruce Springsteen's first recording of his soon-to-be monster hit, Fire. Where a young Rob Stoner came up with the iconic bass line that Bruce would soon “borrow.” Rob had his own record deal in '73, meeting Dylan a year later, Bob telling Rob he'd come to call, and how Rob's band became the backup band for Dylan's album Desire when he finally did call about a decade later. Rolling Thunder, Rob, the musical director, for Dylan's long-held dream to put together a traveling carnival show. How it worked, all the moving parts, and the one erratic member. Dylan. Rob told us about their relationship, never knowing if this gig would be his last, and how, thanks to Robert Gordon (and Link Wray), whom Rob would play with for over 40 years, helped Rob to end it on his terms. We talked the pandemic and how Zoom changed the game for Rob (and me, and many of us), who grew his teaching practice and extended his reach globally. His daily Facebook videos, doing what he loves, playing music that he loves, which receive millions of views. A massive Dylan fan since the 60s and enthusiast of most of the artists Rob has played with, it was a thrill to get his take on the Complete Unknown, what it was like for Baez to play with Dylan, why Robert Gordon and Link Wray eventually split up… and so much more. Rob's been there, done that, and charmingly shares the tales. Loved every moment! Rob Stoner Live on Game Changers with Vicki Abelson Wednesday, 1/28/26, ***6 PM PT/ 9 PM ET*** Streamed Live on my FB, YouTube & LinkedIn

Pete Seeger treated music as a communal act—a circle, not a spotlight. In our newest episode, we explore how Pete braided together labor organizing, civil rights, environmental justice, and peace through song. From congressional blacklisting to union halls and river clean-ups, his legacy isn't frozen in time—it's instructional. Thank you to the Seeger family for sharing Pete's music with us for this episode. Other music by: Tolset Music and Black Trend Music.

This week we get to visit again with legendary folk songwriters and musicians John McCutcheon and Tom Paxton about their second album together from their standing weekly songwriting collaboration. Together Again is available January 9, 2026 wherever you get your music and features a slew of delicious tunes and fantastic stories that will make you laugh and some that may even make you shed a tear. Have no fear though, our conversation is nothing but great times, good laughs, and amazing memories from these two friends who have helped shaped the fabric of great music for many decades. We touch on some familiar friends including Pete Seeger and get the scoop on some of the backstories of a few of the tracks on the latest album. It's always a delight talking to these two and to hear their music. If you leave with nothing else, you will realize the importance of having a standing date with a good friend and collaborator that nothing can interrupt at least one day per week is the true key to happiness and success! Follow Rock 'n' Roll Grad School on Social:FacebookInstagramYouTube

In this first episode of season 3 we go into depth in discussing the Seeger family's trip around the world, lasting from August, 1963 to early June 1964. We'll examine several of the performances Pete makes as he and the Seeger family make their geographical traverse through a dozen and a half countries, and will also discuss the wide variety of music and dance that the Seegers documented along the way. Get ready to hear about an often unspoken piece of Pete Seeger's musical and cultural work in the family's travels from Western Samoa, Australia and India to East Africa and West Africa, the Levant, western and central Europe, and eventually the USSR. We'll discuss the greater meaning of the work Pete and the Seeger family were doing, and in doing so, hopefully have a most holistic understanding of this under-researched period of Pete's Seeger work.

Welcome back to Scene Missing, the show where we dig past the highlight reels and get into the real story. This time, Gabriel Hardman, Ian Brill, and I take a hard, unsentimental look at the career of Burl Ives—a performer whose legacy is far bigger, messier, and more complicated than the warm baritone most people remember.We start with the role that earned him Hollywood's highest honor: his Oscar-winning turn as Rufus Hannassey in The Big Country, opposite Gregory Peck, Jean Simmons, and Charlton Heston—a performance that weaponized charm into something quietly menacing. From there, we contrast it with the brutal, snowbound moral reckoning of Day of the Outlaw, where Ives delivers one of the coldest outlaw portrayals ever put on film. We also explore his unexpected presence in prestige drama, including Cat on a Hot Tin Roof, sharing the screen with Paul Newman and Elizabeth Taylor, and how his earthy gravitas grounded Tennessee Williams' overheated world.On television, we revisit his folksy patriarch on O.K. Crackerby!, his later dramatic turn on The Bold Ones: The Lawyers, and how TV both extended and softened his public image. And yes—we absolutely talk about the role that permanently etched him into pop culture: the voice of Sam the Snowman in Rudolph the Red-Nosed Reindeer, a performance so comforting it practically erased the edge of the man behind it.But we don't stop at acting. Ives' massive influence as a folk singer is front and center—from “Blue Tail Fly” to “Big Rock Candy Mountain”—along with the career-altering moment that still sparks controversy: his testimony before the House Un-American Activities Committee, where he named names, including Pete Seeger, reshaping both of their legacies in opposite directions. This isn't a tribute. It's an honest conversation about talent, ambition, fear, and compromise—and how one man could be a beloved storyteller, a terrifying screen presence, and a cautionary tale all at once.

The Sunday after Magic Johnson announced his HIV-status, Jim Mitulski preached a sermon on being tired of people dying. We're sharing it as an interlude, a pause, and an immersion into one moment in AIDS' bleak midwinter.  For images and links about this episode visit https://www.heavenpodcast.org/interlude. In the sermon Rev. Mitulski refers to ARC. That means AIDS-Related Complex, a diagnostic category meant to indicate an earlier stage of HIV infection than AIDS. It was common in the period to hear references to both AIDS and ARC.  “Old Devil Time” is by Pete Seeger. The AIDS verses are by MCC San Francisco congregant Paul Francis.  You can see Magic Johnson's press release, announcing his HIV status here.  The biblical passage Rev. Mitulski is preaching on is John 11:1-44. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Some links to good groups: AIDS Healthcare Foundation – provides medical care and support for people living with HIV/AIDS and preventative care for people at risk for contracting it.  The Magic Johnson Foundation – founded to address HIV/AIDS. Expanded to include education and community engagement.  San Francisco AIDS Foundation – a place to seek information about HIV.  POZ Magazine – a place to learn everything else about HIV (information included).Save AIDS Research – their recent, epic 24 hours to Save Research conference with all the latest HIV research is available on YouTube through this site. Learn more about your ad choices. Visit megaphone.fm/adchoices