Podcasts about Folk

Sara and Laura are obsessed with today's sweetie pie song, “Honey,” from The Life Of A Showgirl. After sharing some maternity leave updates for the podcast (and Sara's new obsession with Wuthering Heights!), the gals get into a short, sweet, and straightforward analysis of the song. Could this be the most Lover-coded song in Taylor's recent discography? This uncomplicated, confident track has the girls giggling and kicking their feet… especially knowing that Taylor's renewed sense of understanding love is so clear! Chapters(00:00) Introduction (04:02) What's On Our Plates(15:24) Taylor Updates(18:57) Analysis of 'Honey' from Life of a Showgirl(22:18) Our Personal Associations With The Song(23:42) Folk"lore" of the Song(29:15) Intro: Right To The Point, Interesting Structure Of the Song(31:09) Chorus 1: Using Kind Words For Unkind Reasons, Snarls, Bathroom Trauma (36:19) Post-Chorus 1: "Blues" Given New Meaning(39:50) Verse 1: Seasonal Dreaminess, Early Stages of A Relationship, A Question...? Reference(46:13) Verse 2: Naughty References, Wanting To See Him Everywhere, Public Relationship(49:34) Bridge: A Callback To Past Exes, "Lovely" As Passive Aggressive(53:45) Chorus 3: Fun Backing Vocals(54:47) Music Theory Analysis: Odd Structure Of The Song Symbolizes Confidence, Fun Instrumentation(57:58) Favorite Lyrics & Ratings(01:03:11) This Song As A Recipe(01:05:37) Signing Off!SUPPORT US ON PATREON! Show us some love and get monthly bonus episodes and first dibs on upcoming episode ideas. We'd be enchanted to have you join our Swiftie community!Links ReferencedBee's Knees Cocktail RecipePlease make sure to subscribe and leave a review. If you'd like to reach out to send in a question or comment, please do so via any of these platforms:email blankplatepod@gmail.comleave a voicemail at (717) 382-831Patreon (get bonus episodes and first dibs on episode ideas)YouTubeInstagramTikTokYou can also follow Sara and Laura individually:• Laura: Instagram and Tiktok• Sara: InstagramListen to our previous podcast: Passports & Pizza

From the cultural, colonial, and maritime lore of New England comes a new set of oracle decks, steeped in the tea of our ancestors: The Lantern by Laura Tempest Zakroff. These hand-painted images by the artist and author glimmer with magic from the land and its spirits, as well as the spirits of the sea.https://www.kickstarter.com/projects/lapanthere/the-lanternThis episode sponsored by Blackthorn's Botanical Shadow Work, Available now for pre-order.

Chaque matin, Ombline Roche vous raconte l'histoire qui se cache derrière un artiste. Un rendez-vous incontournable pour mieux apprécier l'œuvre de son auteur. Aujourd'hui, la partition de Suzanne Vega.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Ralph McTell is one of Britain's most enduring and respected singer-songwriters, a master storyteller whose songs have become woven into the fabric of English folk music. Born in Kent and raised in Croydon, McTell developed an early love for American blues, folk and traditional British music. As a teenager he was captivated by artists such as Woody Guthrie and Ramblin' Jack Elliott, influences that shaped both his fingerstyle guitar technique and his gift for narrative songwriting.After studying at art school in the early '60s, Ralph began busking and performing in London's thriving folk clubs, quickly building a reputation for his intricate guitar work and warm, conversational stage presence. He signed with a record company in the late '60s, releasing his self-titled debut album in '68. His breakthrough came in '69 with “Streets of London,” a song inspired by his travels in Paris and London, where he encountered loneliness and poverty firsthand. The song's gentle melody and compassionate lyrics struck a deep chord. Though it became a hit in the early '70s and was later re-released to even greater success, its impact went far beyond chart positions. It became one of the most covered songs in British music history, recorded by hundreds of artists worldwide and earning McTell the prestigious Ivor Novello Award for songwriting. Throughout the '70s, Ralph toured extensively releasing many albums. While “Streets of London” often overshadowed his broader catalogue, McTell consistently proved himself far more than a one-song artist. In the '80s, Ralph broadened his scope. He composed music for children's tv and wrote songs for stage productions. His collaborations included projects with fellow folk legend Wizz Jones and work alongside various orchestras.A defining characteristic of Ralph McTell's career has been his longevity and consistency. Rather than chasing trends, he has remained devoted to craftsmanship. In the 2000s and beyond, McTell continued to record and tour, releasing albums that revisited his influences and explored new material. He has also been honoured for his contributions to music, including receiving an OBE in 2010 for services to folk music.Today, Ralph McTell stands as a cornerstone of British folk songwriting. His legacy rests not only on a single iconic anthem, but on decades of carefully crafted songs that chronicle ordinary lives with empathy and grace. With his distinctive fingerpicking style, warm tenor voice and unflinching eye for human stories, McTell has carved out a body of work that continues to resonate across generations.More than half a century after he first stepped onto the folk club stage, Ralph McTell remains what he has always been: a storyteller with a guitar, shining a quiet light on the corners of life others might overlook.

This is the Monday Lenten evening liturgy for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/. CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #8 - Lent” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Compline #9 - Desert” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Ash Wednesday's Early Morn” by Nelson Koscheski (BMI), Ryan Flanigan (BMI); © 2018 Common Hymnal Digital (BMI), Ryan Flanigan Music (BMI) (admin by Capitol CMG Publishing). CCLI #7123490.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame. SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org.Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love.Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new models for nurturing the religious lives of teenagers to engage them more fully in their congregation…. helping them develop as lifelong followers of Jesus Christ. Discover our worship arts camp, Animate, Worship exchange events for ministry leaders, our Online certificates, and other resources by visiting samford.edu/go/cwaDiscover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love!Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new models for nurturing the religious lives of teenagers to engage them more fully in their congregation…. helping them develop as lifelong followers of Jesus Christ. Discover our worship arts camp, Animate, Worship exchange events for ministry leaders, our Online certificates, and other resources by visiting samford.edu/go/cwa

~Episode 160~From a "totally f***ing acoustic" set with folk legend Ellis Paul to swampy crooner covers by Barns Courtney, Mark breaks down this week's top tracks and shares a "kismet" encounter with an old friend.Head to the Songs That Don't Suck website to check out this week's songs, join the Patreon (it's Free), and more. Be sure and like, review, and subscribe to the podcast where ever you may be listening, and if you want,  connect with Songs That Don't Suck on social media including ⁠⁠Instagram⁠,  BlueSky, and  Threads.

On this episode of The Bandwich Tapes, I sit down with singer, songwriter, and multi-instrumentalist Sarah Jarosz at a remarkable moment in her career, fresh off multiple Grammy wins, including recent recognition with I'm With Her. We talk about what it actually feels like to experience that kind of validation after years of nominations, and why the support she receives from her hometown of Wimberley, Texas, still means so much, especially with music that reflects on family, time, and staying connected to where you come from.Sarah shares how I'm With Her, her trio with Aoife O'Donovan and Sara Watkins, became a creative counterbalance to the pressures of solo work. What stands out is how naturally the collaboration works: three distinct musical voices, no ego battles, and an instinctive approach to arranging harmonies and deciding who carries each musical moment. It's a reminder of how powerful true musical trust can be.We also explore how her perspective on collaboration has evolved over the years. Early in her career, Sarah felt a strong need to protect her artistic voice. But as she gained experience, she realized that once you truly understand what you bring to the table, collaboration becomes less risky and far more rewarding.One of my favorite parts of the conversation is a deep dive into the next generation of acoustic musicians, artists with deep bluegrass roots who aren't confined by genre boundaries. Sarah traces that lineage through musicians like Chris Thile, Punch Brothers, David Grisman, Mike Marshall, Béla Fleck, and Edgar Meyer, framing today's scene not as a sudden movement but as a continuation of a long and evolving acoustic tradition.We also nerd out about her time at the New England Conservatory, why she chose it over Berklee, and how her early Kodály training gave her a powerful foundation in ear training and musical intuition. We wrap by talking about what's next: an upcoming I'm With Her live album, summer touring, and a rare pause in her solo career as she finds herself between record contracts for the first time. In a music industry constantly shifting, from streaming economics to AI, the grounded takeaway is simple: the real thing still matters, and people continue to show up for honest music played by real humans.Key TakeawaysWhat it actually feels like to win Grammys after years of nominations.Why Sarah Jarosz still feels deeply connected to her hometown of Wimberley, Texas.How I'm With Her works creatively—three voices collaborating without ego.Why collaboration becomes easier once artists understand their own musical identity.The lineage of modern acoustic music through artists like Chris Thile, David Grisman, Béla Fleck, Edgar Meyer, and Mike Marshall.How Kodály training and ear development shaped Sarah's musicianship early on.Why the “real thing”—human voices and acoustic instruments—still resonates in a rapidly changing music industry.Music from the EpisodeJealous Moon — Sarah JaroszWhen the Lights Go Out — Sarah JaroszRunaway Train — Sarah JaroszAbout the PodcastThe Bandwich Tapes is a long-form conversation podcast where host Brad Williams sits down with some of the most thoughtful musicians, composers, and artists working today. The show explores the stories behind the music—creative process, collaboration, career paths, and the human experiences that shape the sounds we love.Connect with the ShowEmail: contact@thebandwichtapes.com

Americana, Roots, Folk, Blues and Country music. Featured Artists . New and classic tracks.  Episode includes Jackson Browne, Willie Nelson, Nina Simone and The Dubliners.A SPECIAL ON POLITICAL SONGS.

IM (2/9/1955 – 9/3/2024) – Malcolm Holcombe is Dood maar niet vergeten. De Amerikaanse singer-songwriter uit North Carolina is vandaag in 2024 overleden aan de gevolgen van kanker. Hij werd 68 jaar. Holcombe Maakte rootsmuziek,…Continue Reading "Folk artiest Holcombe ‘not forgotten’"

This is the Sunday Lenten evening liturgy for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/. CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #8 - Lent” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Compline #9 - Desert” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Ash Wednesday's Early Morn” by Nelson Koscheski (BMI), Ryan Flanigan (BMI); © 2018 Common Hymnal Digital (BMI), Ryan Flanigan Music (BMI) (admin by Capitol CMG Publishing). CCLI #7123490.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame. SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love!Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new models for nurturing the religious lives of teenagers to engage them more fully in their congregation…. helping them develop as lifelong followers of Jesus Christ. Discover our worship arts camp, Animate, Worship exchange events for ministry leaders, our Online certificates, and other resources by visiting samford.edu/go/cwaDiscover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love.Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new models for nurturing the religious lives of teenagers to engage them more fully in their congregation…. helping them develop as lifelong followers of Jesus Christ. Discover our worship arts camp, Animate, Worship exchange events for ministry leaders, our Online certificates, and other resources by visiting samford.edu/go/cwa

Black, Death, Speed, Thrash, Doom, Folk, Shred, Power, Prog & Traditional MetalPlaylists: https://spinitron.com/WSCA/show/160737/Black-Night-MeditationsWSCA 106.1 FM is non-commercial and non-profit.

On this week's show, we spend quality time with new records from Cordovas, Meels and Ratboys, spin fresh tracks from The Long Ryders, Delvon Lamarr Organ Trio and Labi Siffre, and get downright spooky in two very different ways. All this & much, much less!Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

It's been a long, cold winter. Even the hardiest or Northerners among us is just about done with it. So this morning, your besties at Folk on the Rocks offered a glimpse of warmth, with the Wave 1 Artist Lineup announcement!

durée : 00:13:08 - Les Midis de Culture - par : Marie Labory - Bill Callahan, figure majeure de la musique folk étasunienne, continue de tracer sa route avec un huitième album d'une grande profondeur d'expression. - réalisation : Laurence Malonda - invités : Joseph Ghosn Directeur adjoint de la rédaction de Madame Figaro; Zoé Sfez Productrice de "La Série musicale" sur France Culture

I am Dundee!   https://folkinscotland.wixsite.com/mysite http://derekfindas.bsky.social/

They marched peacefully. They were fired on. They sang anyway. This week on the Irish & Celtic Music Podcast #749, sixteen artists remind us that protest songs aren't history — they're a mirror. Dropkick Murphys, Wild Colonial Bhoys, Medusa's Wake, House of Hamill and more. From Diggers of 1649, to Bloody Sunday 1972, to Minneapolis 2026. Some songs don't age. They just find new reasons to matter. -- Subscribe now at CelticMusicPodcast.com! Amelia Hogan, Dropkick Murphys, Bealtaine, Ed Miller, Black 47, David Rovics, Wild Colonial Bhoys, Eddie Biggins, The Haar, Marc Gunn & The Dubliners' Tabby Cats, The Secret Commonwealth, Redhill Rats, Scythian, House Of Hamill, Medusa's Wake, Melanie Gruben GET CELTIC MUSIC NEWS IN YOUR INBOX The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items with what's happening with Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free. VOTE IN THE CELTIC TOP 20 FOR 2026 This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create this year's Best Celtic music episode. You have just three weeks to vote this year. Vote Now! You can follow our playlist on YouTube to listen to those top voted tracks as they are added every 2-3 weeks. THIS WEEK IN CELTIC MUSIC 0:09 - Amelia Hogan "No Irish Need Apply" from Transplants: From the Old to the New 5:02 - WELCOME 8:14 - Dropkick Murphys "Who'll Stand With Us?" from For The People (Expanded Edition) 12:03 - Bealtaine "Worker's Song" from Factories & Mills, Shipyards & Mines Written by Ed Pickford in the mid-1970s as a direct response to arguments blaming Britain's economic woes on workers rather than the wealthy. That's a typical tactic that continues today. If we want free and fair elections, we will stop letting billionaires buy our politicians. The was first recorded by Scottish legend Dick Gaughan in 1981, it's been taken up by everyone from the Dropkick Murphys to The Longest Johns. 16:22 - Ed Miller "Blood upon the Grass" from Generations of Change In 1977, Scotland traveled to Chile to play a friendly match at the very stadium where, just four years earlier, Pinochet's regime had tortured and killed political prisoners after the 1973 coup. Back in Scotland, a powerful solidarity campaign urged the Scottish Football Association to pull their team from what would become known as the 'Match of Shame.' Folk singer Adam McNaughtan captured that outrage in his song 'Blood Upon the Grass,' and Edinburgh-born singer Ed Miller later recorded it on his album Generations of Change — keeping this powerful story alive for new generations. 19:16 - Black 47 "San Patricio Brigade" from Rise Up and The Secret World of Celtic Rock 24:18 - FEEDBACK The Great Hunger in Ireland took place from 1845 to 1852. Irish immigrants migrated to the U.S. They were treated as second-class citizens. There are still newspapers that refer to them as lazy and criminals, thus the "No Irish Need Apply" song at the start of the show. These were hungry people. They were just looking for opportunities in a new land. Much like the immigrants of today. But they too were treated inhumanely. They were demonized. So when the Mexican-American War broke out from 1846-1848, many Irish looked at how poorly they were treated in America. They found greater kinship to their Catholic cousins in Mexico. That's why the Saint Patrick's Battalion was formed. Interestingly, it wasn't just Irish Catholics. There were Catholics from throughout Europe in the battalion including: German, Canadian, English, French, Italian, Polish, Scottish, Spanish, Swiss and Mexican. These were people who were attacked and belittled for their culture and their faith. It should serve as a warning and a reminder for all of us today. 30:04 - David Rovics "St. Patrick Battalion" from Historic Times 32:58 - Wild Colonial Bhoys "Dying Rebel" from Century A song that reflects on the human cost of rebellion rather than the glorification of the conflict and the martyrdom of its leaders. Here's what history keeps teaching us. People don't start out wanting to fight. They start out wanting to be heard. On January 30, 1972, in Derry, Northern Ireland, somewhere between ten and fifteen thousand people joined a peaceful civil rights march. They weren't armed. They were protesting the British government's policy of locking people up without trial. Sort of like what's happening in America now. British paratroopers opened fire. Thirteen people were killed. Fourteen others were wounded. The incident caused widespread anger and led to a surge in IRA recruitment. The argument was simple and devastating: peaceful protest could no longer achieve change. I hope to God America never comes to that. But peaceful protesters were murdered in Minneapolis. I lost a fan because I took my kids to a peaceful No Kings Protest last summer. When the state fires on and demonizes its own people, it doesn't end the resistance. It just changes its shape. That's the lesson history keeps trying to teach us. I hope we don't need to learn that the hard way. So please keep peacefully protesting 37:46 - BREAK 39:10 - Eddie Biggins "The Rising of the Moon" from Hey, I'm Singing Over Here! 41:29 - The Haar "Óró Sé Do Bheatha' Bhaile" from The Lost Day "Óró sé do bheatha abhaile" sounds like a joyful welcome song — and once, it was. The original Irish tune dates back centuries, used to greet returning chieftains and even Bonnie Prince Charlie. But the version we know today is something altogether fiercer. Around 1910, Patrick Pearse — poet, teacher, and revolutionary — rewrote the lyrics. He replaced the old imagery with a new vision: Gráinne Mhaol, the legendary 16th century pirate queen, sailing home with soldiers to drive the English from Ireland. Pearse was executed after the 1916 Easter Rising. And his words lived on. The song became a rallying cry, a promise that resistance wasn't finished, that Ireland would be free. That's why it's still sung today. Not as nostalgia, but as defiance. Every generation that lifts their voice in this song is answering Pearse's call across more than a hundred years. 48:04 - Marc Gunn & The Dubliners' Tabby Cats "Patriot Game" from Irish Drinking Songs: The Cat Lover's Companion In my opinion, "Patriot Game" is one of the best Irish rebel songs ever written. It cuts deeper than most rebel songs because it doesn't glorify. It questions. It was written by Dominic Behan in 1961. The song is based on the true story of Fergal O'Hanlon, an IRA volunteer killed during a 1957 border raid in County Fermanagh. He was just nineteen years old. But Behan wasn't writing a hero's ballad. He was writing a warning. The song is sung in the voice of a young man who died for a cause he barely understood. Seduced by romantic notions of patriotism before he had the wisdom to weigh the cost. That's the same as putting the party over the country. Our politicians have fallen into that trap. So I want to ask you to reach out to your representatives. Tell them you've had enough of this insanity. 51:12 - THANKS Back in December, I got an email from Troy of The Secret Commonwealth. He was letting me know about a man who's been part of his community for over 40 years. His friend is being held by ICE for nearly a year. His friend is hospitalized with a serious infection and awaiting heart surgery, all while being denied adequate medical care and due process. He suffers from a cracked vertebra and a history of cardiac issues, yet remains in unsanitary conditions with limited access to clean water or medical attention. My friend said, 'I'm feeling pretty damn rebellious right now,' and honestly, I am too. I'm also sad that I didn't bring this to your attention sooner, especially in the wake of the murders of Renee Good and Alex Pretti by ICE agents in Minneapolis back in Janaury. These are not abstract political issues. These are real people, real families, real communities torn apart. This next song feels like the right response. 'Till Jamie Comes Hame' features traditional words sometimes credited to Robert Burns, with music written by Rob Campbell of the band. And today, it's for everyone waiting for someone to come home. 58:35 - The Secret Commonwealth "Til Jamie Comes Hame" from Last Call 1:02:45 - Redhill Rats "White, Orange and Green" from Some Heroes 1:06:37 - Scythian "Follow Me Up to Carlow" from Immigrant Road Show 1:10:06 - House Of Hamill "Pound A Week Rise" from MARCH THROUGH STORMS 1:14:12 - Medusa's Wake "War of Independence" from War of Independence 1:17:37 - CLOSING "The World Turned Upside Down" was written in 1975, but it reaches back to 1649 — and maybe even further than that. Leon Rosselson based the song on the Diggers, a radical movement in England led by Gerrard Winstanley. After the English Civil War, they began farming common land, declaring simply that the earth belonged to everyone. Not to kings. Not to landlords. Not to those who had seized it by force and called it theirs. They were destroyed for that idea. But here's something worth sitting with. The Irish language doesn't have a word for "to have." You cannot own anything in Irish. Instead, things exist in relationship with you. A book is at you. Hunger is on you. Joy is on you. Even land. Not mine. Just... with me for now. That's not just a quirk of grammar. It's a completely different way of seeing the world. One where ownership itself is the strange idea. The foreign concept. This the idea that declaring land your private property is an act of violence against everyone else. The Diggers lost. The language nearly did too. But both survived. And this song is proof that the idea refuses to die. 1:20:18 - Melanie Gruben "The World Turned Upside Down" from Like a Tide Upon the Land 1:22:37 - CREDITS Support for this program comes from International speaker, Joseph Dumond, teaching the ancient roots of the Gaelic people. Learn more about their origins at Sightedmoon.com Support for this program comes from Cascadia Cross Border Law Group, Creating Transparent Borders for more than twenty five years, serving Alaska and the world. Find out more at   www.CascadiaLawAlaska.com Support for this program comes from Hank Woodward. Support for this program comes from Dr. Annie Lorkowski of Centennial Animal Hospital in Corona, California. The Executive Producer for St Patrick's Month is John Sharkey White, II. The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You'll find links to all of the artists played in this episode. Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you'll get 7 weekly news items about what's happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage. Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor. Finally, remember. Clean energy isn't just good for the planet, it's good for your wallet. Solar and wind are now the cheapest power sources in history. But too many politicians would rather protect billionaires than help working families save on their bills. Real change starts when we stop allowing the ultra-rich to write our energy policy and run our government. Let's choose affordable, renewable power. Clean energy means lower costs, more freedom, and a planet that can actually breathe. Promote Celtic culture through music at http://celticmusicpodcast.com/. WELCOME THE IRISH & CELTIC MUSIC PODCAST * Helping you celebrate Celtic culture through music. I am Marc Gunn. I'm a Celtic musician and also host of Pub Songs & Stories. This podcast is for fans of Celtic music. It's about diversity of thoughts and beliefs and about helping indie celtic musicians. So if you find music you love, support the artists financially. You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com. IRISH & CELTIC MUSIC PODFEST AND ARTS MARKET Join us Sunday, March 8, 2026, from 12 to 6 PM at The Lost Druid Brewery in Avondale Estates, Georgia. Enjoy an afternoon of Celtic and folk music from Kinnfolk, The Muckers, May Will Bloom, and Marc Gunn. Bring your family. Grab a pint. Enjoy the music, and share the energy of a true Celtic gathering. It is free to attend. While the music plays, explore our Arts Market filled with handmade crafts, art, and unique gifts from local creators. It's a celebration of music, creativity, and community — all in one place. Come for the songs. Stay for the spirit. We'll see you at The Lost Druid on March 8.

This is the Thursday Lenten evening liturgy for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/. CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #8 - Lent” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Compline #9 - Desert” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Ash Wednesday's Early Morn” by Nelson Koscheski (BMI), Ryan Flanigan (BMI); © 2018 Common Hymnal Digital (BMI), Ryan Flanigan Music (BMI) (admin by Capitol CMG Publishing). CCLI #7123490.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame. SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org.Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love!Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new models for nurturing the religious lives of teenagers to engage them more fully in their congregation…. helping them develop as lifelong followers of Jesus Christ. Discover our worship arts camp, Animate, Worship exchange events for ministry leaders, our Online certificates, and other resources by visiting samford.edu/go/cwaDiscover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love.Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new models for nurturing the religious lives of teenagers to engage them more fully in their congregation…. helping them develop as lifelong followers of Jesus Christ. Discover our worship arts camp, Animate, Worship exchange events for ministry leaders, our Online certificates, and other resources by visiting samford.edu/go/cwa

Bob Dylan and the Beatles watched each other closely. Jim Windolf is fascinated by the parallels in their stories, the obvious moments they influenced each other and the unconcealable tensions at the times they met, all mapped out in his book ‘Where The Music Had To Go: How Bob Dylan and the Beatles Changed Each Other – and Changed the World'. He talks to us here from New York about what he discovered when writing it, which touches on … … deep-end Dylan and Beatles fans: which can be “crankier”? … the Chaplin-like comic timing of Dylan's early shows and the humour of the Beatles' early stage act … the song Lennon and Dylan wrote, recorded and then lost – now possibly in the Dakota archive … the theory that 4th Time Around refers to the four Beatles songs clearly derived from Dylan … first impressions of each other - “Teenybop music!” “Folk crap!” – and how both acts were crowd-pleasers who could feign indifference … when the two superpowers met at the Delmonico, Warwick and Savoy hotels … Dylan in '66: “girls still scream at me … but in a different way” … the night Bob, Paul and Dana Gillespie saw John Lee Hooker at Blaises … how Lennon's I Want You was a direct response to Dylan's song of the same title … the 15 Dylan songs played in the Get Back sessions … Bob's touching low-key visit to Lennon's childhood home … and the failed attempts by Bob and McCartney to collaborate. Order copies of ‘Where The Music Had To Go: How Bob Dylan and the Beatles Changed Each Other – and Changed the World' here:https://www.waterstones.com/book/where-the-music-had-to-go/jim-windolf/9781399627849Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The pre-Induction episodeWatch Us Live on twitch.tv/cptjackgonzoSocials https://www.facebook.com/scoundrelsinnhttps://www.instagram.com/scoundrelsinnmedia/scoundrelsinn.com Support us on PayPal!

Bob Dylan and the Beatles watched each other closely. Jim Windolf is fascinated by the parallels in their stories, the obvious moments they influenced each other and the unconcealable tensions at the times they met, all mapped out in his book ‘Where The Music Had To Go: How Bob Dylan and the Beatles Changed Each Other – and Changed the World'. He talks to us here from New York about what he discovered when writing it, which touches on … … deep-end Dylan and Beatles fans: which can be “crankier”? … the Chaplin-like comic timing of Dylan's early shows and the humour of the Beatles' early stage act … the song Lennon and Dylan wrote, recorded and then lost – now possibly in the Dakota archive … the theory that 4th Time Around refers to the four Beatles songs clearly derived from Dylan … first impressions of each other - “Teenybop music!” “Folk crap!” – and how both acts were crowd-pleasers who could feign indifference … when the two superpowers met at the Delmonico, Warwick and Savoy hotels … Dylan in '66: “girls still scream at me … but in a different way” … the night Bob, Paul and Dana Gillespie saw John Lee Hooker at Blaises … how Lennon's I Want You was a direct response to Dylan's song of the same title … the 15 Dylan songs played in the Get Back sessions … Bob's touching low-key visit to Lennon's childhood home … and the failed attempts by Bob and McCartney to collaborate. Order copies of ‘Where The Music Had To Go: How Bob Dylan and the Beatles Changed Each Other – and Changed the World' here:https://www.waterstones.com/book/where-the-music-had-to-go/jim-windolf/9781399627849Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Folk får missiler i fejset. det pekas långfinger på minnesceremonier, SVT bränner pengar på svindyra skämt och E-Type bjuder på galna efterfester. Jonas Nilsson, Hasse Brontén och Svea Sigmond vadar dig genom sörjan som är nyhetsflödet.Mejla in dina frågor till: inaktuellt@podplay.seFölj Inaktuellt på Instagram: inaktuelltpoddLyssna på Inaktuellt måndag och torsdag i Podplay-appen med Jonas Nilsson, Hasse Brontén och Svea Sigmond.

Bob Dylan and the Beatles watched each other closely. Jim Windolf is fascinated by the parallels in their stories, the obvious moments they influenced each other and the unconcealable tensions at the times they met, all mapped out in his book ‘Where The Music Had To Go: How Bob Dylan and the Beatles Changed Each Other – and Changed the World'. He talks to us here from New York about what he discovered when writing it, which touches on … … deep-end Dylan and Beatles fans: which can be “crankier”? … the Chaplin-like comic timing of Dylan's early shows and the humour of the Beatles' early stage act … the song Lennon and Dylan wrote, recorded and then lost – now possibly in the Dakota archive … the theory that 4th Time Around refers to the four Beatles songs clearly derived from Dylan … first impressions of each other - “Teenybop music!” “Folk crap!” – and how both acts were crowd-pleasers who could feign indifference … when the two superpowers met at the Delmonico, Warwick and Savoy hotels … Dylan in '66: “girls still scream at me … but in a different way” … the night Bob, Paul and Dana Gillespie saw John Lee Hooker at Blaises … how Lennon's I Want You was a direct response to Dylan's song of the same title … the 15 Dylan songs played in the Get Back sessions … Bob's touching low-key visit to Lennon's childhood home … and the failed attempts by Bob and McCartney to collaborate. Order copies of ‘Where The Music Had To Go: How Bob Dylan and the Beatles Changed Each Other – and Changed the World' here:https://www.waterstones.com/book/where-the-music-had-to-go/jim-windolf/9781399627849Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

This is the Wednesday Lenten evening liturgy for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/. CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #8 - Lent” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Compline #9 - Desert” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Ash Wednesday's Early Morn” by Nelson Koscheski (BMI), Ryan Flanigan (BMI); © 2018 Common Hymnal Digital (BMI), Ryan Flanigan Music (BMI) (admin by Capitol CMG Publishing). CCLI #7123490.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame. SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org.Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love.Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new models for nurturing the religious lives of teenagers to engage them more fully in their congregation…. helping them develop as lifelong followers of Jesus Christ. Discover our worship arts camp, Animate, Worship exchange events for ministry leaders, our Online certificates, and other resources by visiting samford.edu/go/cwaDiscover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love!Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new models for nurturing the religious lives of teenagers to engage them more fully in their congregation…. helping them develop as lifelong followers of Jesus Christ. Discover our worship arts camp, Animate, Worship exchange events for ministry leaders, our Online certificates, and other resources by visiting samford.edu/go/cwa

OKAN consists of Cuban-Canadian musicians Elizabeth Rodriguez and Magdelys Savigne. They are a 2x Juno Award winning Afro-Cuban group. They fuse Afro-Cuban and other global rhythms with jazz, folk and classical. They bring a fresh perspective to Latin and world jazz fusion. Twice they've won Juno's World Album of the Year award. My featured song is “The Queens Carnival” from the album of the same name by my band Project Grand Slam. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Testimonials Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH OKAN:www.okanmusica.com —---------------------------------------- ROBERT'S LATEST RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —--------------------------------------- ROBERT'S RECENT SINGLE “MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhorn CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S LATEST ALBUM: “WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)” CLICK HERE FOR THE OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —---------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

This is the Tuesday Lenten evening liturgy for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/. CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #8 - Lent” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Compline #9 - Desert” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Ash Wednesday's Early Morn” by Nelson Koscheski (BMI), Ryan Flanigan (BMI); © 2018 Common Hymnal Digital (BMI), Ryan Flanigan Music (BMI) (admin by Capitol CMG Publishing). CCLI #7123490.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame. SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org.Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love.Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new models for nurturing the religious lives of teenagers to engage them more fully in their congregation…. helping them develop as lifelong followers of Jesus Christ. Discover our worship arts camp, Animate, Worship exchange events for ministry leaders, our Online certificates, and other resources by visiting samford.edu/go/cwaDiscover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love!Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new models for nurturing the religious lives of teenagers to engage them more fully in their congregation…. helping them develop as lifelong followers of Jesus Christ. Discover our worship arts camp, Animate, Worship exchange events for ministry leaders, our Online certificates, and other resources by visiting samford.edu/go/cwa

Text us your questions to answer on a future episode (if you want me to contact you, please include your email)Kelsey Bearden Eagan joins Jennie to talk about programs visitors can take part in with the Fairbanks Folk School as well as her favorite places to go and things to do in Fairbanks.The Folk SchoolJoin the Alaska Planning Club on Patreon and ask me anything!Book an Alaska planning session with JennieSign up for Jennie's free weekly email newsletter - Alaska InsiderHave Jennie plan your trip for youJennie's digital workshops and planners (save 10% with code: podcast)Follow Jennie on InstagramSupport the show

In this newscast: Members of the Juneau community have an opportunity to watch recorded interviews with finalists for Juneau schools superintendent and give feedback to the school board by Thursday; Since the U.S. Army Corps of Engineers pulled back its decision to design a lake tap that would put a stop to annual glacial outburst flooding in Juneau's Mendenhall Valley, local and congressional leaders have pressed the agency to explain why; Crews are about half way done removing a colossal drilling rig that toppled over on the North Slope; Folk singer-songwriter Willi Carlisle is the guest artist for the 51st annual Alaska Folk Festival in April. KTOO's Yvonne Krumrey spoke with Carlisle about what makes Folk Fest special

Folk music has long been an integral part of traditional Holi celebrations, shaping the festival's rhythm and community spirit. Sydney-based singer Rachana Bhatnagar, with over three decades of experience in folk, classical and Bollywood music, says these melodies continue to resonate today. She advocates blending folk traditions with contemporary sounds to keep them accessible, while staying rooted in the festival's cultural essence. Through her performances of classic Holi tracks, she highlights the festival's shared sense of colour and community.

durée : 00:05:09 - Dans la playlist de France Inter - Folk et humanisme dans la Playlist de France Inter avec le chanteur José Gonzales qui sort son nouvel album en mars Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Mark Folk is the founder of New Wilderness, a national ministry focused on training men to guide others through the wilderness of life. With more than 25 years of experience in wilderness expeditions and spiritual formation, Mark integrates backcountry adventure, storytelling, and Scripture to awaken courage, calling, and obedience to God. He and the team at New Wilderness lead the year-long Guide Training process and is the author of the upcoming devotional Soul Weathered, a 52-week journey into resilient, grounded faith. Mark lives in North Carolina with his wife, Sheri.     www.taurususa.com www.cva.com www.himtnjerky.com www.nukemhunting.com www.christianoutdoors.org www.citrusafe.com www.elimishieldhunt.com www.mossyoak.com    

This is the Monday Lenten evening liturgy for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/. CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #8 - Lent” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Compline #9 - Desert” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Ash Wednesday's Early Morn” by Nelson Koscheski (BMI), Ryan Flanigan (BMI); © 2018 Common Hymnal Digital (BMI), Ryan Flanigan Music (BMI) (admin by Capitol CMG Publishing). CCLI #7123490.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame. SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org.Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love.Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new models for nurturing the religious lives of teenagers to engage them more fully in their congregation…. helping them develop as lifelong followers of Jesus Christ. Discover our worship arts camp, Animate, Worship exchange events for ministry leaders, our Online certificates, and other resources by visiting samford.edu/go/cwaDiscover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love!Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new models for nurturing the religious lives of teenagers to engage them more fully in their congregation…. helping them develop as lifelong followers of Jesus Christ. Discover our worship arts camp, Animate, Worship exchange events for ministry leaders, our Online certificates, and other resources by visiting samford.edu/go/cwa

This week we get answers to why people are poor according to God, warnings about women in ponds, and examples of greed turned bad!

It's finally Induction WeekWatch Us Live on twitch.tv/cptjackgonzoSocials https://www.facebook.com/scoundrelsinnhttps://www.instagram.com/scoundrelsinnmedia/scoundrelsinn.com Support us on PayPal!

Americana, Roots, Folk, Blues and Country music. A MARY CHAPIN CARPENTER SPECIAL.

JP Cooper talks about keeping his head down growing up as an 'artsy type' in Manchester, duetting with Gabrielle on new single, Sad Song, and making music for connection rather than charts on his new album, Just A Few Folk.

Kemiska vapen är förbjudna trots det använder Ryssland det i stor skala i Ukraina och nu gör sig Sverige redo för att möta hotet. Lyssna på alla avsnitt i Sveriges Radios app. Sedan åtminstone 2024 har Ryssland på ett systematiskt sätt använt kemiska vapen för att slå ut ukrainska soldater.– Ukraina har ju rapporterat in ungefär 15 000 fall där det bekräftats att kemikalier används i krigföringen. Det är ju tillbaka på slagfältet i stor skala och på daglig basis, säger Rikard Norlin, expert på kemiska vapen vid Totalförsvarets forskningsinstitut, FOI.Den oberoende organisationen för förbud mot kemiska vapen, OPCW, har inte kunnat arbeta på plats i Ukraina i den utsträckning som skulle ha behövts på grund av faran, men vid tre tillfällen har man kunnat ta prover och bekräftat användningen av tårgasen CS.Soldater utan skyddsmask tvingas upp ur sina värn ut i den öppna terrängen där de är oskyddade mot drönare, artilleri och kulor.– Alla normalt funtade människor flyr därifrån eller ger sig. Det blir en instinkt att bara slippa smärtan och obehaget, säger Norlin.Tårgas är inte dödligt, men konsekvensen kan ändå bli döden. Tårgas är också förbjudet att använda i krig enligt kemvapenkonventionen, CWC, som Ryssland har ratificerat.Dödliga stridsgaserDet finns många vittnesmål från ukrainska soldater om att de utsätts för annat än bara tårgas.– Det har eskalerat med gasattacker av stridsgas – inte tårgas, utan riktig stridsgas, säger Christer, som är svensk frivillig soldat i Ukraina.Han har varit hemma i Sverige i vinter och fyllt på med materiel som efterfrågas vid fronten. Där har skyddsmasker blivit ett måste. Vad det är för typ av kemisk gas har inte bekräftats, men att något använts vittnar inte minst döda soldater om.– Det är soldater som inte har skottskador eller den typen av trauma. Men de verkar ha dött av någon form av förgiftning. Ukraina kan dock inte med enkla medel vid fronten bestämma vad det är de har avlidit av, säger Rikard Norlin.Flera underrättelsetjänster har offentligt sagt att ämnet klorpikrin använts av Ryssland i Ukraina. Det är att likna vid tårgas, men med skillnaden att den dödar.– Vid låga doser är den väldigt irriterande i luftvägarna, och ju högre dos du får, desto sämre kommer du att må – och till slut är den också dödlig. Det krävs inte superhöga doser för att den ska bli dödlig, säger Per-Anders Enquist vid Försvarsmaktens CBRN-enhet vid Totalförsvarets skyddscentrum.Att Ryssland eskalerar användningen av kemiska vapen i Ukraina borde inte förvåna någon med tanke på landets historik.Ryssland hade tidigare en av världens största arsenaler av kemiska vapen, uppskattningsvis 40 000 ton. Det sista ur den arsenalen ska ha destruerats så sent som 2017, enligt kraven i konventionen mot kemiska vapen som ratificerades 1997.– Enligt kemvapenkonventionen skulle de ha förstört allt det där, men det är tydligt att det finns kvar. Det såg vi med Navalnyj och Skripal. Det finns saker kvar där, säger Enquist.Sverige rustarDet finns många tillfällen då kemiska vapen använts och där civila drabbats.– Händelserna i Irak, i Halabja, var nog några av de värsta gasattackerna som har skett. Över 5 000 civila strök med, säger idéhistorikern Peter Bennesved vid FOI.Och Sveriges civila försvar har börjat förbereda sig på kemiska attacker. Idag finns tillverkning av skyddsmasker i bland annat Kristianstad och Ystad. Ministern för civilt försvar, Carl-Oscar Bolin, presenterade vid Folk och Försvars rikskonferens i Sälen tidigare i år att Myndigheten för civilt försvar köpt in 20 000 skyddsmasker.Förutom inköp av masker hölls förra året en stor övning i Holmsunds hamn utanför Umeå. Scenariot: Ryssland har spridit ut en farlig och frätande syra. Just valet av hamn var ingen slump.– Man får ju titta på vad Sverige har för uppgift och hur en motståndare skulle vilja göra det svårare för oss att utföra den.Sveriges roll i Nato-samarbetet om det blir krig är att fungera som logistisk hubb och skydda transporter till och från andra länder där striderna med större sannolikhet kommer att stå.Därför kommer prioriterade mål i Sverige vara transportinfrastruktur. Och då är kemiska vapen effektiva.– Om någon går och sprejar med en parfymflaska som innehåller något supergiftigt är det ett hot man inte vet omfattningen av i första läget. Resurserna som kopplas på kan bli väldigt dyra för samhället. Återigen: det finns en krigsekonomi bakom också, säger Per-Anders Enquist vid Totalförsvarets skyddscentrumTEXT: Kalle GlasMedverkande:Per-Anders Enquist, kemiskt expert vid Totalförsvarets skyddscentrumRikard Norlin, kemi expert vid Totalförsvarets ForskningsinstitutPeter Bennesved, idéhistoriker vid Totalförsvarets Forskningsinstitut”Christer”, Svensk frivilligsoldat i UkrainaProgramledare: Claes Aronsson & Sylvia DahlénProducent: Kalle GlasLjudkällor: SR, SVT

This is the Sunday Lenten evening liturgy for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/. CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #8 - Lent” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Compline #9 - Desert” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Ash Wednesday's Early Morn” by Nelson Koscheski (BMI), Ryan Flanigan (BMI); © 2018 Common Hymnal Digital (BMI), Ryan Flanigan Music (BMI) (admin by Capitol CMG Publishing). CCLI #7123490.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame. SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by Jeanet_Henning of Freesound.org.“Candle Blow.wav” by Bee09 of Freesound.org.Mentioned in this episode:Discover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love!Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new models for nurturing the religious lives of teenagers to engage them more fully in their congregation…. helping them develop as lifelong followers of Jesus Christ. Discover our worship arts camp, Animate, Worship exchange events for ministry leaders, our Online certificates, and other resources by visiting samford.edu/go/cwaDiscover Samford's Center for Worship and the Arts - the creator of the Compline episodes you know and love.Samford's Center for Worship and the Arts provides resources, connections, and intergenerational development opportunities to engage and explore topics related to worship, theology, and the arts. Our goal is to help churches design, test, and implement new models for nurturing the religious lives of teenagers to engage them more fully in their congregation…. helping them develop as lifelong followers of Jesus Christ. Discover our worship arts camp, Animate, Worship exchange events for ministry leaders, our Online certificates, and other resources by visiting samford.edu/go/cwa

Black, Death, Speed, Thrash, Doom, Folk, Shred, Power, Prog & Traditional MetalPlaylists: https://spinitron.com/WSCA/show/160737/Black-Night-MeditationsWSCA 106.1 FM is non-commercial and non-profit.

Il musicista folk Alfio Antico e il producer di musica elettronica Go Dugong saranno al Brunswick Music Festival e al WOMADelaide a marzo.

Stories of the AMISH MENNONITE and PA DUTCH - Folklore Witchcraft Secrets and MOREBecome a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

Buckle in, Swifties! Today, we're going deep into the lore surrounding Taylor's most Reputation-esque track on The Life Of A Showgirl… CANCELLED! That means Laura and Sara have prepped a whole segment unpacking the drama surrounding Blake Lively, and how Taylor keeps her female friendships close, even through public scrutiny and dogpiling. This one is a BIG one… enjoy!Chapters(00:00) Introduction(00:44) What's On Our Plates(12:45) Taylor Updates: A Rundown of Blake & Taylor's Text Messages and Legal Complications With "It Ends With Us"(45:05) Introducing "CANCELLED!" (49:27) Personal Associations With The Song(53:02) Folk"lore" of The Song(01:03:06) Verse 1: Descending Into Taylor's "Underworld," Cancel Culture Waiting To Take A Woman Down(01:06:49) Pre-Chorus 1: Sarcastic Commentary On Reasons Cancellations Happen & MacBeth References(01:10:23) Chorus 1: Tongue and Cheek Love For Friendship Embroiled In Scandal, Thorny Flowers Lore, Scar References In Past Music(01:18:21) Verse 2: Real Friends Stick Around, Mob Mentality(01:20:42) Pre-Chorus 2: Musical Theater-Esque Vibes, Tiny Violin Reference From Texts(01:29:50) Bridge: Horror Movie Instrumentation, Friendship Goes Beyond Public Perception(01:36:02) Chorus 3 & Outro: Infamy Loves Company, Max Martin Adlibs(01:40:51) Music Theory Analysis: Creepy Builds, Broadway and Rock Elements, Musical Mode(01:43:00) Favorite Lyrics & Rating(01:44:27) This Song As A Recipe(01:46:24) Signing Off!(01:48:49) Patreon PreviewSUPPORT US ON PATREON! Show us some love and get monthly bonus episodes and first dibs on upcoming episode ideas. We'd be enchanted to have you join our Swiftie community!Links ReferencedCandied Cheez-its RecipePistachio and Ricotta Swirl Cake Recipe (Reddit recipe)A Full Timeline Of Blake Lively & Justin Baldoni's ‘It Ends With Us' Feud In Court, Online & In The MediaI Read Taylor Swift's Texts with Blake Lively — And You Can TooTaylor Swift Wants to 'Stay Away from the Drama' After Her Texts with Blake Lively Are UnsealedJenny Slate's "Damning" Comments About Justin Baldoni Have Been RevealedSagittarius Whisky Sour RecipePlease make sure to subscribe and leave a review. If you'd like to reach out to send in a question or comment, please do so via any of these platforms:email blankplatepod@gmail.comleave a voicemail at (717) 382-831Patreon (get bonus episodes and first dibs on episode ideas)YouTubeInstagramTikTokYou can also follow Sara and Laura individually:• Laura: Instagram and Tiktok• Sara: InstagramListen to our previous podcast: Passports & Pizza

Disciples! Nate and I are back in the saddle again after my vacation, and we’ve got some catching up to do. BUT – More importantly, we’ve got some tunes to spin! Speaking of that – we’ve got two bands from the Ukraine: ‘Star Crystal’ and ‘Violent Omen’! Enjoy! ————————————————-What’s Nate been listening to?Artist: MayhemAlbum: Liturgy of DeathSong: Weep … Continue reading (389) DotW Featuring ‘Star Crystal’ and ‘Violent Omen’ →

This is the Thursday Lenten evening liturgy for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/. CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #8 - Lent” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Compline #9 - Desert” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Ash Wednesday's Early Morn” by Nelson Koscheski (BMI), Ryan Flanigan (BMI); © 2018 Common Hymnal Digital (BMI), Ryan Flanigan Music (BMI) (admin by Capitol CMG Publishing). CCLI #7123490.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame. SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by...

Our pre-Sherwood Show with new band Scurvy BaratariansWatch Us Live on twitch.tv/cptjackgonzoSocials https://www.facebook.com/scoundrelsinnhttps://www.instagram.com/scoundrelsinnmedia/scoundrelsinn.com Support us on PayPal!

The BEST Independent Music Artists & Singers from around the world: EDM, Indie Rock, Indie Pop, Hip Hop, R & B, Rap, reggae, Jazz, Country, Folk, & more...Hosted by DTongAdvertising & Sponsorship: http://goo.gl/ioP6HwGuaranteed Song Play & Promotion: http://goo.gl/4aD98wBROUGHT TO YOU BY:Selecting The Wrong Love by E. Massonhttps://bit.ly/4cATDPALive Like Abbey by Luciana Hillhttps://a.co/d/02keoy6WThe Warrior Woman by Favour Zanniehttps://a.co/d/0h4mojlQhttps://poweroutagestore.comhttps://www.traveltrendspodcast.comElla Podcastshttps://bit.ly/49RlTvzOne More Thing Tech Podcasthttps://bit.ly/4kVLcjSFliprock w/ Dr Rockhardhttps://bit.ly/4aYgAekhttps//www.MikeBreaksBadNews.comAsk A Vet Touchscreen Trackerhttps://bit.ly/4qFiuFVAlso New Music from:Jenson 'Bring It To Me'Norfolk South 'Southbound'Levi Guy 'Run With The Stars'Man Atom w/ a Back2BackBrightNEarly 'Sleeper Agent'J Wood Capone 'Elevation'Orlando Kallen 'Greece N Paris'gretchen 'Care'Daddy Ross ft Palma 'The Bad Decisions'Vince Broomfield 'Today is gonna be my lucky day'Linda Washington 'Love Again Linda'Kormanec Sinkin'Pocahontas Music 'Judhe Me'So-Star 'I Can Hear Your Name'DJ CJG 'Gold Lion'BeatForged 'hook in my veins'Kraken Kramer Frequency' Kash Staxkz 'Weekend'Will Percs 'Second Time Around'Catch the show on iTunes, Spotify, iHeartRadio, PlayerFM, TuneIn, Soundcloud, & www.DTongRadio.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/dtong-radio-indie-music-showcase--954466/support.

Welcome to Get Up in the Cool: Old Time Music with Cameron DeWhitt and Friends. This week's friend is Evan Coombs! We recorded this on Sunday at my home in Portland, Oregon. Tunes in this episode: Little Pine Siskin (John Reischman original) (1:22) Rattletrap (22:06) I Wash Myself with a Rag on a Stick (Kieran Towers & Charlotte Carrivick original) (45:16) The Cuckoo (52:15) The Black Ball Line (Alex Sturbaum original) (1:01:29) BONUS TRACK: Speed the Plough Follow The Strongback Shanty Choir on Instagram and stream their album Come see Morgan Harris and I play at Abbie Weisenbloom's in Portland on March 12 Sign up for my Learning Tunes on the Fly workshop series! Help ReString Appalachia support Jamaican musicians Support Get Up in the Cool on Patreon Send Tax Deductible Donations to Get Up in the Cool through Fracture Atlas Sign up at Pitchfork Banjo for my clawhammer instructional series! Schedule a banjo lesson with Cameron Visit Tall Poppy String Band's website and follow us on Instagram follow Sweeten the Third on Instagram

My guest this week is Ted Olson, professor of Appalachian Studies at East Tennessee State University.Ted joins me to celebrate the Rich-R-Tone record label and it's offshoot Folk Star. Rich-R-Tone was founded in 1946 by James Hobart Stanton who, in Ted's words, "was probably single-handedly the most important documentarian of Appalachian music."Ted has extensively researched Stanton and the Rich_R-Tone label for a project he co-produced for Bear Family Records - The Rich-R-Tone/Folk Star Story: Appalachia On Record, 1946-1954. Featuring 317 expertly remastered recordings spread over 12 CDs and including a 144-page hardcover book, this set, produced by Ted Olson, Matteo Ringressi, and Richard Weize, features newly researched liner notes and a complete discography. Many of these recordings are incredibly rare and are taken from 78 rpm discs held in private collections.We talk about Stanton's background in jukebox repair and distribution and how that helped shape his vision for the label; why both place and time are so vital in this particular story; the importance of Rich-R-Tone being a label based in Appalachia, rather than being a major label coming to the region just to record local talent and how Stanton played an important role in The Stanley Brothers' career. It's a fascinating story and one I knew very little about before my conversation with Ted, who was a pleasure to chat with as always.During the conversation  we play excerpts of three tracks from the box set. You'll hear (in order):The Stanley Brothers - Molly and TenbrooksWilma Lee Cooper - The Tramp on the StreetThe Caudill Family - Ain't No Grave Gonna Hold My Body DownFor more info on the box set visit Bear Family RecordsTo hear my previous interviews with Ted, check out the two episodes below:The Bristol Sessions and BeyondDoc Watson's 100th Birthday Celebration (featuring Happy Traum, John McEuen from the Nitty Gritty Dirt Band, T. Michael Coleman, Jack Lawrence, Lindsay Craven of MerleFest and Ted Olson) Support the show===Thanks to Bryan Sutton for his wonderful theme tune to Bluegrass Jam Along (and to Justin Moses for playing the fiddle!) Bluegrass Jam Along is proud to be sponsored by Collings Guitars and Mandolins- Sign up to get updates on new episodes - Free fiddle tune chord sheets- Here's a list of all the Bluegrass Jam Along interviews- Follow Bluegrass Jam Along for regular updates: Instagram Facebook - Review us on Apple Podcasts

This is the Wednesday Lenten evening liturgy for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/. CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #8 - Lent” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Compline #9 - Desert” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Ash Wednesday's Early Morn” by Nelson Koscheski (BMI), Ryan Flanigan (BMI); © 2018 Common Hymnal Digital (BMI), Ryan Flanigan Music (BMI) (admin by Capitol CMG Publishing). CCLI #7123490.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame. SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by...

This is the Tuesday Lenten evening liturgy for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/. CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #8 - Lent” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Compline #9 - Desert” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Ash Wednesday's Early Morn” by Nelson Koscheski (BMI), Ryan Flanigan (BMI); © 2018 Common Hymnal Digital (BMI), Ryan Flanigan Music (BMI) (admin by Capitol CMG Publishing). CCLI #7123490.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame. SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by...

This is the Monday Lenten evening liturgy for the Compline podcast from the Center for Worship and the Arts at Samford University. For more about the Center for Worship and the Arts, as well as the resources we provide, visit us at https://www.samford.edu/worship-arts/. CREDITS:© 2021 Center for Worship and the Arts, Samford University.Engineered and produced by Wen Reagan for the Center for Worship and the Arts at Samford University.SPOKEN WORD:Wen Reagan, Stacy Love, Tracy Hanrahan, Meagan Kennedy, Pierce Moffett, Eden Walker.MUSIC:“Compline #8 - Lent” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Compline #9 - Desert” by Wen Reagan, © 2020 Sursum Corda Music (BMI).“Ash Wednesday's Early Morn” by Nelson Koscheski (BMI), Ryan Flanigan (BMI); © 2018 Common Hymnal Digital (BMI), Ryan Flanigan Music (BMI) (admin by Capitol CMG Publishing). CCLI #7123490.TEXTS:The liturgical words for this podcast series include original phrasings, but were primarily curated and designed from several public domain sources, including “An Order for Compline” from the Anglican and Episcopal Book of Common Prayer and collects collected from Grace Cathedral and the University of Notre Dame. SOUNDS:The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA."Door, Front, Opening, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org."Door, Front, Closing, A.wav" by InspectorJ (www.jshaw.co.uk) of Freesound.org.“06 – Crackling Candle.wav” by 14GPanskaLetko_Dominik of Freesound.org.“Lights a Candle Light with a Match” by straget of Freesound.org.The following sound effects were used in this podcast series and are licensed under the Creative Commons Attribution-NonCommercial 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA.“Soft Shoes Walking on a Dirt Road” by Nagwense of Freesound.org.“Match Being Lit.wav” by...