Podcasts about fujiki

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2022.11.17.516854v1?rss=1 Authors: Hosoya, S., Yokomizo, R., Kishigami, H., Fujiki, Y., Kaneko, E., Amita, M., Saito, T., Kishi, H., Sago, H., Okamoto, A., UMEZAWA, A. Abstract: Background: Menstrual blood-derived cells show regenerative potential as a mesenchymal stem cell and may therefore be a novel stem cell source of treatment for refractory infertility with injured endometrium. However, there have been few pre-clinical studies using cells from infertile patients, which needs to be addressed before establishing an autologous transplantation. Herein, we aimed to investigate the therapeutic capacity of menstrual blood-derived cells from infertile patients on endometrial infertility. Methods: We collected menstrual blood-derived cells from volunteers and infertile patients, and confirmed their mesenchymal stem cell phenotype by flowcytometry and induction of tri-lineage differentiation. We compared the proliferative and paracrine capacities of these cells. Furthermore, we also investigated the regenerative potential and safety concerns of the intrauterine transplantation of infertile patient-derived cells using a mouse model with mechanically injured endometrium. Results: Menstrual blood-derived cells from both infertile patients and volunteers showed phenotypic characteristics of mesenchymal stem cells. In vitro proliferative and paracrine capacities for wound healing and angiogenesis were equal for both samples. Furthermore, the transplantation of infertile patient-derived cells into uterine horns of the mouse model ameliorated endometrial thickness, prevented fibrosis and improved fertility outcomes without any apparent complications. Conclusions: In our preclinical study, intrauterine transplantation of menstrual blood-derived cells may be a novel and attractive stem cell source for the curative and prophylactic therapy for injured endometrium. Further studies will be warranted for future clinical application. Copy rights belong to original authors. Visit the link for more info Podcast created by Paper Player, LLC

La seleccionadora espanyola de natació artística ha parlat sobre els propers Jocs Olímpics i la preparació de l’equip espanyol a SER Catalunya.

What if I told you that there exists a world beyond ordinary sight? Surely... you must already have felt it.-----Episode 1 – Ancient Worlds, Just Beyond Sight-----Supplementary Visual MaterialPicture 1 – Images of Select Foraminifera Species (1) - https://bit.ly/2HPoLz6Picture 2 – Images of Select Foraminifera Species (2) - https://bit.ly/34RdruLPicture 3 – Photomicrographs of Foraminifera species - https://bit.ly/34Srtw4Picture 4 -  Pink Sands Beach, Bahamas - https://bit.ly/3mEgE78 Pictures 1 and 2 are directly from:El Kateb A, Beccari V, Stainbank S, Spezzaferri S, Coletti G. 2020. Living (stained) foraminifera in the Lesser Syrtis (Tunisia): influence of pollution and substratum. PeerJ 8:e8839 https://doi.org/10.7717/peerj.8839And is used under the Creative Commons Attribution 4.0 License.Picture 3 is directly from:Takagi, H., Kimoto, K., Fujiki, T., Saito, H., Schmidt, C., Kucera, M., and Moriya, K.: Characterizing photosymbiosis in modern planktonic foraminifera, Biogeosciences, 16, 3377–3396, https://doi.org/10.5194/bg-16-3377-2019, 2019.And is used under the Creative Commons Attribution 4.0 License.Picture 4 was retrieved from https://bit.ly/2I1Zl0W and was taken by Mike's Birds. It is used under the Creative Commons Attribution-Share Alike 2.0 Generic License.  -----Full Show Notes, Including all Video, Picture, Music,  and Sound Attributions, as well as all informational citations: https://1drv.ms/w/s!Amk89GkQH8YSgoYXmMviyLtK-qLt2g?e=MQ708N----This episode of the Bio-DIVE-rsity podcast was written and performed by Dane Whicker.The Bio-DIVE-rsity Logo was created by Dane Whicker, using art by Ernst Haeckel. The art utilized is public domain.Official Bio-Dive-rsity Website: https://flippinfunfishfacts.buzzsprout.comQuestions, Comments, or Feedback? I'd love to hear from you! Email me at: biodiversitypodcast@gmail.com

Stardom has a history. Hideaki Fujiki‘s new book traces that history through a story of the transformations of Japanese film stars in the early twentieth century. Taking a deeply transnational approach to understanding the imbrication of film stardom and modernity in Japan, Making Personas: Transnational Film Stardom in Modern Japan (Harvard University Asia Center, 2013) considers modern stardom as a historical process that depended on not just the appearance of a star, but also the circulation of her name and image in the media, and the support of consumers of that media. The book identifies and explores three main periods of the history of early film stardom in Japan, looking in turn at the rise and popularity of early Japanese film stars (1910s-mid-1920s), American film stars in Japan (mid-1910s onward), and a new type of Japanese film star (after the early 1920s). Fujiki’s book is full of the stories of early Japanese benshi who narrated silent films for eager audiences, American actresses like Mary Pickford and Clara Bow who brought a new kind of physicality and sexuality to stardom in Japan, and film directors and critics who attempted to understand and theorize modern Japanese film acting. Making Personas also illuminates the institutional history of the Japanese cinema business, and considers the new forms of stardom that emerged with Japanese colonial modernity. It is a fascinating work on many levels, and well worth reading for fans of modern Japanese history and film history alike. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stardom has a history. Hideaki Fujiki‘s new book traces that history through a story of the transformations of Japanese film stars in the early twentieth century. Taking a deeply transnational approach to understanding the imbrication of film stardom and modernity in Japan, Making Personas: Transnational Film Stardom in Modern Japan (Harvard University Asia Center, 2013) considers modern stardom as a historical process that depended on not just the appearance of a star, but also the circulation of her name and image in the media, and the support of consumers of that media. The book identifies and explores three main periods of the history of early film stardom in Japan, looking in turn at the rise and popularity of early Japanese film stars (1910s-mid-1920s), American film stars in Japan (mid-1910s onward), and a new type of Japanese film star (after the early 1920s). Fujiki’s book is full of the stories of early Japanese benshi who narrated silent films for eager audiences, American actresses like Mary Pickford and Clara Bow who brought a new kind of physicality and sexuality to stardom in Japan, and film directors and critics who attempted to understand and theorize modern Japanese film acting. Making Personas also illuminates the institutional history of the Japanese cinema business, and considers the new forms of stardom that emerged with Japanese colonial modernity. It is a fascinating work on many levels, and well worth reading for fans of modern Japanese history and film history alike. Learn more about your ad choices. Visit megaphone.fm/adchoices

ayako Fujiki plays Inventionen 11 composed by Bach

ayako Fujiki plays Inventionen 12 composed by Bach

ayako Fujiki plays Inventionen 9 composed by Bach

ayako Fujiki plays Inventionen 8 composed by Bach

ayako Fujiki plays Inventionen 15 composed by Bach

ayako Fujiki plays Inventionen 14 composed by Bach

ayako Fujiki plays Inventionen 10 composed by Bach

ayako Fujiki plays Inventionen 13 composed by Bach

Ayako Fujiki plays Inventionen 7 composed by Bach

Ayako Fujiki plays Inventionen 6 composed by Bach

ayako Fujiki plays Inventionen 5 composed by Bach

ayako Fujiki plays Inventionen 4 composed by Bach

ayako Fujiki plays Inventionen 3 composed by Bach

Ayako Fujiki plays Inventionen 2 composed by Bach

Ayako Fujiki plays Inventionen 1 composed by Bach

Ayako Fujiki plays KV265 variation9 composed by Mozart

Ayako Fujiki plays KV265 variation6 composed by Mozart

Ayako Fujiki plays KV265 variation7 composed by Mozart

Ayako Fujiki plays KV265 variation8 composed by Mozart

Ayako Fujiki plays KV265 variation10 composed by Mozart

Ayako Fujiki plays KV265 variation 12 Allegro composed by Mozart

Ayako Fujiki plays KV265 variation5 composed by Mozart

Ayako Fujiki plays KV265 variation4 composed by Mozart

Ayako Fujiki plays KV265 variation3 composed by Mozart

Ayako Fujiki plays KV265 variation2 composed by Mozart

Ayako Fujiki plays KV265 variation1 composed by Mozart

Ayako Fujiki's Living Room Sessions playing 12 Variations in C "Ah Vous Dirai-je, maman" KV265 Theme composed by Mozart