Podcasts about bach

Rick Beato is a music educator, interviewer, producer, songwriter, and a true multi-instrument musician, playing guitar, bass, cello & piano. His incredible YouTube channel celebrates great musicians & musical ideas, and helps millions of people fall in love with great music all over again. Thank you for listening ❤ Check out our sponsors: https://lexfridman.com/sponsors/ep492-sc See below for timestamps, transcript, and to give feedback, submit questions, contact Lex, etc. Transcript: https://lexfridman.com/rick-beato-transcript CONTACT LEX: Feedback – give feedback to Lex: https://lexfridman.com/survey AMA – submit questions, videos or call-in: https://lexfridman.com/ama Hiring – join our team: https://lexfridman.com/hiring Other – other ways to get in touch: https://lexfridman.com/contact EPISODE LINKS: Rick’s YouTube: https://youtube.com/RickBeato Rick’s X: https://x.com/rickbeato Rick’s Instagram: https://instagram.com/rickbeato1 Rick’s Website: https://rickbeato.com Rick’s Ear Training: https://beatoeartraining.com The Beato Book: https://beatobook.com SPONSORS: To support this podcast, check out our sponsors & get discounts: UPLIFT Desk: Standing desks and office ergonomics. Go to https://upliftdesk.com/lex BetterHelp: Online therapy and counseling. Go to https://betterhelp.com/lex LMNT: Zero-sugar electrolyte drink mix. Go to https://drinkLMNT.com/lex Fin: AI agent for customer service. Go to https://fin.ai/lex Shopify: Sell stuff online. Go to https://shopify.com/lex Perplexity: AI-powered answer engine. Go to https://perplexity.ai/ OUTLINE: (00:00) – Introduction (00:28) – Sponsors, Comments, and Reflections (09:17) – Guitar solos (13:16) – Gypsy jazz and Django Reinhardt (14:48) – Bebop jazz (19:00) – Perfect pitch vs relative pitch (23:37) – Learning to play guitar (47:08) – Miles Davis (52:34) – Bass guitar (53:41) – Greatest guitar solos of all time (1:22:56) – 27 Club (1:27:37) – Elton John (1:30:51) – Metallica (1:35:21) – Tom Waits (1:41:12) – Greatest rock stars (1:44:35) – Beethoven (1:51:10) – Bach (1:54:01) – AI in music (2:07:52) – Sabrina Carpenter (2:11:23) – YouTube copyright strikes (2:16:59) – Spotify (2:27:51) – Guitars (2:32:13) – Advice PODCAST LINKS: – Podcast Website: https://lexfridman.com/podcast – Apple Podcasts: https://apple.co/2lwqZIr – Spotify: https://spoti.fi/2nEwCF8 – RSS: https://lexfridman.com/feed/podcast/ – Podcast Playlist: https://www.youtube.com/playlist?list=PLrAXtmErZgOdP_8GztsuKi9nrraNbKKp4 – Clips Channel: https://www.youtube.com/lexclips

This Lenten reflection explores how classical music turns Scripture into a deeply emotional encounter with Jesus.Morning Offering, February 28, 2026Every morning, join Father Brad as he begins the day with prayer and reflection. In a few short minutes, Father Brad guides you in prayer, shares a brief reflection grounding your day in the Church's rhythm of feast days and liturgy, and provides you with the encouragement necessary to go forward with peace and strength. Disclaimer: The ads shown before, during, or after this video have no affiliation with Morning Offering and are controlled by YouTubeLet us do as the saints urge and begin our days in prayer together so as a community of believers we may join the Psalmist in saying, “In the morning, Lord, you hear my voice; in the morning I lay my requests before you and wait expectantly.” (Psalm 5:3-4)________________

Send a textIran is bleeding.The world has watched protests, crackdowns, executions, and the brutal suppression of dissent under the Islamic regime. Many see only darkness, fear, and instability.But there is another story unfolding.In this powerful conversation, Eugene Bach shares the deeper reality of what is happening inside Iran — a rising underground church, a hunger for truth, and a revival that is spreading even under persecution.We discuss:• The historical connection between Persia and the gospel• The growth of Christianity inside Iran• The brutality of the regime and the courage of believers• The Back to Jerusalem vision• Why revival often grows strongest under pressure• What Iran's crisis means for Christians in the WestThis episode is not merely about geopolitics. It is about the power of the gospel.As Iran faces turmoil, many are turning to Jesus. And their courage raises a sobering question for us:Are we going deeper in our own faith?Are we ready to evangelize boldly?Do we understand how fragile freedom truly is?Iran's suffering is real. But so is the revival.Listen, learn, pray — and let this conversation awaken you to both urgency and hope.❤️ SHOW YOUR SUPPORT - LINKS BELOW...➡️ Email me: https://www.karlgessler.com/deliverance➡️ DONATE ➡️  Join our team!https://www.givesendgo.com/karlgesslerfamilybandhttps://www.patreon.com/karlgesslerhttps://cash.app/$KarlgesslerSocial Media➡️Facebook - https://www.facebook.com/profile.php?id=100089357625739➡️Telegram - https://t.me/FaithoftheFathers➡️Truth Social - https://truthsocial.com/@UCLOvq6O4aIXLrkKxwXkq3uA#iran #iranprotests #Backtojerusalem #Eugenebach #revival Support the show❤️ SHOW YOUR SUPPORT - LINKS BELOW...➡️ Email me: https://www.karlgessler.com/deliverance➡️ DONATE ➡️ Join our team!https://www.givesendgo.com/karlgessle... / karlgessler ...

Moses continues telling us about the Israelites' very distant relatives. But he is also showing us how it didn't take long for people after the Flood to become like people before the Flood—Nimrod the hunter being a prime example.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Greg Wheatley, host of the online music platform Sound of Majesty, joins Wayne Shepherd and gives a brief biographical sketch of two great composers. (click for more...)    Website:  www.soundofmajesty.orgIn this edition of First Person, Wayne Shepherd interviews Greg Wheatley, host of SoundofMajesty.org, about the life, faith, and musical legacy of Johann Sebastian Bach, with additional insights into Felix Mendelssohn. Wheatley explains that Bach, a devout Lutheran, viewed all his work as done for the glory of God, often signing his compositions “Soli Deo Gloria.” They discuss Bach's monumental St. Matthew Passion, highlighting its theological depth and intricate craftsmanship, originally written for Good Friday worship. The conversation also explores how Mendelssohn revived Bach's music nearly a century after his death, sparking renewed appreciation for his genius. Throughout the discussion, Wheatley emphasizes that classical sacred music, though sometimes perceived as complex, remains spiritually accessible and deeply moving for listeners today.                                              NEXT WEEK:  Phil CallawaySend your support for FIRST PERSON to the Far East Broadcasting Company:FEBC National Processing Center Far East Broadcasting CompanyP.O. Box 6020 Albert Lea, MN 56007Please mention FIRST PERSON when you give. Thank you!

Stāsta komponists un kontrabasists Kristaps Pētersons; pārraides producente – Rūta Paula Svētdien, 2001. gada 7. janvārī ap 18:30 (vai varbūt 19:00 – nav tik būtiski) līdz 11. septembrim bija tālu. "Mudhoney" [1] intensīvi gatavojās savam 12. janvāra koncertam "Great American Music Hall" Sanfrancisko, Deivs Grols [2] – savai dzimšanas dienas ballītei 14. janvārī, bet flautiste Ilona Meija izpildīja Johana Sebastiāna Baha [3] Badinēriju no orķestra svītas Nr. 2 siminorā, BWV 1067. Noslēgumam tuvojās X Senās mūzikas festivāls Valmierā. Esmu pārliecināts, ka Ilonas atskaņojums saucams par stindzinoši spožu, tomēr ēterā pulsēja sajūta, ka ar to būs bijis par maz. Koncerta programma bija veidota ar orķestru numuriem sākumā un beigās, bet vidū mikromodelī – flauta un klavieres ar Badinēriju, ap kuru dažādu kameransambļu sniegumā bija savirknēti vēl vairāki citi izcilu komponistu darbi. Kāds varētu kritizēt, ka šis Baha darbs liekams koncerta sākumā, jo tas, ko mēs mūsdienās saucam par svītu, 18. gs. saskaņā ar franču tradīciju tika dēvēts par uvertīru – reprezentablu svētku mūziku galma publikai ar sākuma punktēto 'staccato' ritmu kā pavadījumu karaļa ienākšanai telpā. Šī forma esot pārņemta no Žana Batista Lullī [4], kurš Luija XIV galmā to tika noslīpēt smailu jo smailu. Nē. Valmierā bija republika. Vēl kāds varētu teikt, ka vārds 'badinerie' franču valodā nozīmē izsmiešanu, ņirgāšanos un, kad tāda tiek atskaņota, labāk izpildīt precīzi pēc autora norādēm, t.i., orķestrāli – flauta, stīgas un čembalo. Jo šādā mikromodelī zūd tembrālā krāsainība un arī telpiski skanējuma avots ir krietni koncentrētāks. Nē. Flautas un klavieru sniegumā daudz klārāk dzirdams, ka Baha mūzikas polifonijā visas balsis uzrakstītas kā personības arī tad, kad nav izvirzītas priekšplānā. "Liela krietnības nepieciešamība, ja vien jūs negribat izlikties to neredzam, ir uzlikta jums, jo jūs dzīvojat zem visuredzošā tiesneša acu skatiena," [5] – tā teicis Boēcijs [6]. Un vēl. Koncertā starp abiem orķestriem bija izveidota kameransambļu sekcija, sagrupēta ap ģeniālo Badinēriju – no formas viedokļa koncerts tātad simetrisks – orķestri kā divi pīlāri ar kamermūziku kā kodolu. Viss ir kārtībā ar šādu formu. Turklāt – atšķirībā no šodienas – 2001. gadā latviešu orķestrantiem vajadzēja atgādināt Baha polifonijas kvalitāti, cik iespējams grafiski, jo tolaik viņus (t.i.,  latviešu orķestrantus) laikam uztrauca galvenokārt tas, lai mamma neuzzina, ka viņi pīpē. 2025. gada 26. decembrī plkst. 00:01 ekonomikas komentētājs un mediju producents Kristaps Pētersons portālā delfi.lv publicēja šādus vārdus: "Tikai izglītība – nekas cits – izvedīs mūs no miglas!" [7]. Es tas neesmu, kas to saka, bet man viņam nākas piekrist. Mazu migliņu tolaik radījām. Mēs smēķējām "Bond", "L&M", "Marlboro", "Camel" – ko nu kurš (un neklausījāmies, kā 2001. gada 7. janvārī ap 18:30 Ilona Meija spēlē Baha Badinēriju – mēs būtu nākuši varbūt, ja to spēlētu kāda ārzemju zvaigzne, bet tad ieeja koncertos būtu jāliek par maksu, nevis par brīvu, kā tas jau no pašiem pirmsākumiem 1991. gadā bija visos Senās mūzikas festivālos Valmierā; un tad tas būtu cits festivāls – tāds, kur spēlē ārzemju zvaigzne, kuras fonā mēs brauktu nopelnīt savu honorāru – tas nebūtu nekas slikts – taču šeit mēs braucām savā brīvajā laikā, spēlējām par brīvu un no sirds [8]). Ilonas Meijas interpretācija [9] noteikti bija tērauda stiprumā, tomēr kaut kas pasaulē bija salūzis, un mēs to nedzirdējām. 2001. gada 7. janvārī pēkšņi līdz 11. septembrim nemaz vairs nebija tālu. Mēs visi esam saistīti, dažkārt tādos veidos, kurus ar prātu grūti aptvert. Šķiet, Bahs savā mūzikā atklāj to stiprāk nekā citi, jo aptverošāk. "Kad kādai balsij nav ko teikt, tai jāklusē," Bahs esot teicis. Šī Baha atziņa būtu bijusi tik noderīga Karlheincam Štokhauzenam [10], ja vien būtu to zinājis, kad viņš nosauca 11. septembra teroraktus ASV par dižāko jebkad eksistējušo mākslas darbu... Nevajag tā gvelzt, meistar, jo vārdu pa vārdam pasaule top. "In dem Maße, als die Genüsse zunehmen, nimmt die Empfänglichkeit für sie ab; Das Gewohnte wird nicht mehr als Genuss empfunden." (Artūrs Šopenhauers) [11] "Jo spēcīgākas baudas, jo vājāks jūtīgums. Tas, kas kļuvis ierasts, vairs nemodina baudu." [12] Avoti Raksts sagatavots, izmantojot Oksfordas mūzikas vārdnīcas, portālu concertarchives.org un bachvereniging.nl, Valmieras integrētās bibliotēkas, Valmieras zonālā Valsts arhīva un Valmieras muzeja materiālus [1] amerikāņu rokgrupa no Sietlas, izveidojusies 1988. g. [2] Grohl, Dave (dzimis Varrenā 1969. g.) amerikāņu dziesminieks, tagadējais grupas "Foo Fighters" līderis un kādreizējais grupas "Nirvana" bundzinieks [3] Bach, Johann Sebastian (dzimis Eizenahā 1685. g. – miris Leipcigā 1750. g.) vācu komponists un ērģelnieks [4] Lully, Jean-Baptiste (Lulli, Giovanni Batista) (dzimis Florencē 1632. g. – miris Parīzē 1687. g.) itāļu izcelsmes komponists, ilgus gadus kalpojis Francijas karaļa galmā kā karaliskās ģimenes mūzikas meistars [5] https://satori.lv/article/boecija-celas-grutibas [6] Boethius, Anicius Manlius Torquatus Severinus (dzimis Romā ap 475. g. – miris Pāvijā ap 525. g.) romiešu filozofs un matemātiķis, kurš sarakstījis "De institutione musica" – traktātu par grieķu mūziku [7] Kristaps Pētersons. "Tikai izglītība un nekas cits izvedīs mūs no miglas" (publikācija portālā "Delfi") [8] Senās mūzikas festivālu Valmierā (vēlāk: Ziemas mūzikas festivāls) nesavtīgi organizēja Valmieras Mūzikas skolas direktors Aivars Cepītis – savā brīvajā laikā, bez maksas un no sirds. Ļoti nozīmīgu pienesumu šī festivāla īstenošanā sniedza pianiste Jautrīte Putniņa (dzimusi Palsmanes pagasta “Rūpnieku” mājās 1929. g. – mirusi Valmierā 2017. g.), katru gadu festivālam gatavojot vairākas koncertprogrammas gan solo, gan kameransambļiem – savā brīvajā laikā, bez maksas un no sirds. Un vēl – festivāls notika pateicoties daudzu Valmieras mūzikas skolas pedagogu ieguldītajam brīvprātīgajam darbam [9] Ilona Meija spēlēja kopā ar Jautrīti Putniņu; Jautrīte muzicējot nekad neatkāpās no saviem pamatprincipiem – pamatīgas skaņdarba apguves – savā atmiņu grāmatā viņa raksta: "Galvenais kods – vibrēt, bet nevirzīties, apstāties un gaidīt laika un telpas izzušanu." Citāts no Putniņa J. "Saules mūzika", izd.: "Valters un Rapa", 412. lpp.: "Mana dzīve – viena vienīga šķēršļu trase" [10] Stockhausen, Karlheinz (dzimis Modrātē 1928. g. – miris Kurtenē 2007. g.) vācu komponists [11] Schopenhauer, Arthur (dzimis Gdaņskā 1788. g. – miris Frankfurtē 1860. g.) vācu filozofs; citāts no Šopenhauers A. "Parerga un paralipomena", 1851, I sējums, "Aforismi par dzīves gudrību", II: "Par to, kas cilvēkam pieder", §28 ("Parerga und Paralipomena", 1851, vol. I, "Aphorismen zur Lebenswisheit", II: "Von dem, was einer hat", §28) [12] Ievas Ginteres tulkojums

Sunday Worship for February 22, 2026, from Queen Anne Lutheran Church in Seattle, our 10:30 service— Pastor Dan Peterson; Cantor Kyle Haugen. Prelude —Chorale prelude on O MENSCH BEWEIN DEIN SUENDE GROSS; J. S. Bach (1685–1750) • Introit—Psalm 91:15, 16, 1 • Gathering Hymn— The Glory of These Forty Days, (ELW 320) • First Reading— Genesis 2:15-17; 3:1-7 • Psalm 32 • Second Reading— Romans 5:12-19 • Gospel—Matthew 4:1-11 • Sermon—"On Sin" • Hymn of the Day—I Want Jesus to Walk with Me   (ELW 325) • Distribution Anthem—Processional Psalm for Lent;  David P. Dahl (b. 1937) • Sending Hymn —Jesus, Still Lead On (ELW 624) • Postlude—Toccata in D minor (“Dorian”); J. S. Bach⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Link here to view the bulletin⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoying our worship recordings? Consider giving. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit this link⁠⁠⁠⁠⁠⁠.

Aujourd'hui, nous sommes le 26 février, jeudi de la première semaine de Carême. Esther est une femme juive, marié au roi Assuérus, elle est reine mais son peuple est menacé d'extermination. Elle doit essayer d'intervenir auprès du roi, mais elle ne sait pas ce qu'il en résultera : du bien ou la mort. C'est sa prière à ce moment crucial que la liturgie nous propose aujourd'hui. Je fais mémoire de peuples ainsi pris au piège pour pouvoir ensuite prier... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Libera me de Gabriel Fauré / Corydon Singers, English Chamber Orchestra, Matthew Best (conductor) - J.S. Bach on 8-string guitar, vol. 1 © voir la licence de Magnatunes.

durée : 00:07:12 - Le Bach du matin du mercredi 25 février 2026 - Ce matin, nous écoutons le troisième mouvement du premier Concerto pour piano en Ré mineur BWV 1052 de Jean-Sébastien Bach, interprété par Martin James Bartlett et l'Orchestre du Mozarteum de Salzbourg, dirigé par Howard Griffiths. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:04:41 - Le Bach du matin du mardi 24 février 2026 - Nous écoutons ce matin le deuxième mouvement du Concerto italien en Fa majeur BWV 971, de Jean-Sébastien Bach, interprété par le pianiste ukrainien Vadym Kholodenko. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:15:27 - Disques de légende du mardi 24 février 2026 - Si le festival de Prades porte aujourd'hui le nom de Pablo Casals, c'est que le mythique compositeur en a été l'un des fondateurs. Un enregistrement subsiste de cette première édition en 1950, bicentenaire de la mort de Bach, avec au casting Clara Haskil, Joseph Szigeti ou encore Isaac Stern. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Charlie Parker was punk rock before there was punk rock. His bebop was underground music: subversive, intellectual, and a major departure from popular music of the day (think: Nat King Cole, The Andrews Sisters, Perry Como). He was an intellectual heavyweight, nearly untouchable in his technical ability and pushing music to places no one else was daring to go. So where did Charlie Parker with Strings, his most accessible album, come from?It's not Bird going commercial, like some have claimed. Charlie Parker with Strings is an album he fought to make. He loved Bach and Stravinsky (even quoting the opening of Stravinsky's 'Firebird Suite' mid-solo in one legendary performance), and had longed to make a record where his jazz saxophone was accompanied by strings.The resulting record is music's greatest improviser at his best. Jazz pianists Peter Martin and Adam Maness listen to select tracks (like "Just Friends" and "Summertime"), breaking down the theory behind the music to understand what makes this album great. Jazz is the foundation of the most GENIUS music in recent history: Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo. In this popular music series, You'll Hear It, Adam and Peter break down the greatest albums of all time. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.Like the jam at the end of the show? Head to @openstudiomusic on YouTube for more.Visit openstudiojazz.com for ALLLLL your jazz lesson needs.00:00 - Intro: Charlie Parker with Strings01:10 - "Just Friends"04:40 - Want to Be a Great Musician? Study This Track10:20 - Early Recording: "Swingmatism" (1941)12:45 - The Secret to Charlie Parker's Genius: Practice15:20 - The Savoy Sessions: "Now's the Time" & Young Miles Davis18:20 - The Contrafact Built in Real Time21:45 - "Koko": Miles Davis Couldn't Play It?!24:30 - Musicians NEED to Listen to This27:15 - Think Parker Sold Out? Think AGAIN28:55 - "April in Paris": Parker's Chosen Tune33:55 - About Mitch Miller's Oboe ... 38:25 - "Summertime"44:10 - "Out of Nowhere"46:35 - We Have An Album! 47:20 - "East of the Sun"53:00 - "I'll Remember April"55:50 - Categories: Desert Island Tracks56:35 - The BEST Moments on Strings1:11:10 - Open Studio Plays "Just Friends"

Grammy Award-winning bass player Victor Wooten joins us for our exciting musical journey out of Nashville. A talented teen flutist plays an elegant Bach Sonata and then improvises on that same work with Victor Wooten and Peter Dugan. We meet the drum major from Tennessee State University's Aristocrat of Bands and hear selections from their Grammy Award-winning album. And if that's not enough, we are treated to a special collaboration between our hosts!Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

What if your mood, focus, and energy aren't random—but driven by internal clocks you rarely think about? This week, circadian rhythm expert Daniel Forger explains why jet lag hits so hard, why sleep timing may matter more than sleep duration, and what your wearable data actually means. If you've ever questioned your “sleep score” or wondered whether you're a morning person by design, this conversation will change how you understand your body's timing system. Topics [0:00] Psychologist Off the Clock! [1:55] Intro and Speed Round with Daniel Forger [5:44] Why Crossing Time Zones Messes You Up [10:07] What Are Biological Rhythms? [13:03] Is Your Apple Watch Accurate? [22:44] How Your Biological Rhythms Impact Mood and Performance [27:17] Could Humans Adapt to a 25-Hour Day? [36:31] Circadian Rhythms and Happiness [44:39] The Three Most Important Lessons About Biological Timing [49:32] Bach, Pipe Organs, and Mathematical Patterns [53:41] Grooving Session: The Intersection of Biology and Happiness ©2026 Behavioral Grooves Links About Daniel Biological Rhythms by Daniel Forger Join us on Substack! Join the Behavioral Grooves community Subscribe to Behavioral Grooves on YouTube Support Behavioral Grooves Musical Links Best of Bach

durée : 00:28:45 - Les Midis de Culture - par : Marie Sorbier - Après ses interprétations de renommée de Bach, Beethoven ou Mozart, le pianiste Piotr Anderszewski consacre son nouvel album à Brahms, reprenant douze pièces écrites à la fin de la vie du compositeur. - réalisation : Laurence Malonda - invités : Piotr Anderszewski Pianiste

In this episode, we discuss recordings of “J. S. Bach on Nine Strings. Suite, Partita and Sonata for Two Piccolo Cellos” (Arcana) by Mario Brunello & Mauro Valli, “Italian Perspectives” (Pentatone) by Bamberger Symphoniker / Riccardo Frizza, “American Tapestry” (Signum) by the Calidore String Quartet, “The Modern Ark” (Soul Messin' Records Distribution) by the Jake Mason Trio, “Sugar on My Blackbeans” (ECN Music) by Aleph Aguiar, and “Organ Monk Sings: Introducing Ms. Raina” (Sunnyside Records) by Gregory Lewis.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 248 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “J. S. Bach on Nine Strings. Suite, Partita and Sonata for Two Piccolo Cellos” (Arcana)  Mario Brunello, Mauro Valli https://open.spotify.com/album/5QoDl8555C7A84lp9KpAzb https://music.apple.com/us/album/j-s-bach-on-nine-strings-suite-partita-and-sonata-for/1856090483 https://music.amazon.com/albums/B0G829SPRC   “Italian Perspectives” (Pentatone)  Bamberger Symphoniker / Riccardo Frizza https://open.spotify.com/album/7Hskm6g1A5ZSiGP2Zj0nmA https://music.apple.com/us/album/italian-perspectives/1852052030 https://music.amazon.com/albums/B0G1NH19JZ   “American Tapestry” (Signum) Calidore String Quartet https://open.spotify.com/album/4pibjiF7AFOhzj5WpE3iSb https://music.apple.com/us/album/american-tapestry/1851430307 https://music.amazon.com/albums/B0G1C5ZCQ3   “The Modern Ark” (Soul Messin' Records Distribution) Jake Mason Trio https://open.spotify.com/album/0ttGu6ztkESlCDlTxybFa1 https://music.apple.com/us/album/the-modern-ark/1849054330 https://music.amazon.com/albums/B0FY184C4N   “Sugar on My Blackbeans” (ECN Music)  Aleph Aguiar https://open.spotify.com/album/6CQo1vXupqFkLUGiIl5dku https://music.apple.com/us/album/sugar-on-my-blackbeans/1860046399 https://music.amazon.com/albums/B0G5Q1QMF7   “Organ Monk Sings: Introducing Ms. Raina” (Sunnyside Records)  Gregory Lewis https://open.spotify.com/album/7ypzbT37PTD0b2t6bnhHTs https://music.apple.com/us/album/organ-monk-sings-introducing-ms-raina-feat-raina-welch/1866728783 https://music.amazon.com/albums/B0G8ML9L1Z

durée : 01:29:00 - Relax ! du lundi 23 février 2026 - par : Lionel Esparza - Déjà près de deux semaines qu'Helmuth Rilling nous a quittés, le 11 février, à l'âge de 92 ans. Grand spécialiste de Bach, le chef d'orchestre et chef de chœur a enregistré à deux reprises l'intégrale des œuvres vocales de son compositeur fétiche. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:05:20 - Le Bach du matin du lundi 23 février 2026 - Ce matin, nous écoutons Renaud Capuçon interpréter le quatrième mouvement de la Sonate n°3 pour violon en Ut majeur BWV 1005 de Jean-Sébastien Bach. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:58:45 - Le Bach du dimanche du dimanche 22 février 2026 - par : Corinne Schneider - Au programme de cette 372e émission : hommage au chef d'orchestre allemand Helmuth Rilling suite à son décès survenu le 11 février 2026 à l'âge de 92 ans ; Glenn Gould à l'orgue (1962) et le livre de Pierre Charvet « Le Code B.A.C.H. Enquête sur L'Art de la Fugue » (Ed. Le Mot et le reste, 20 fév.) - réalisé par : Anne-Lise Assada Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:19:19 - Cantate BWV 107 « Was willst du dich betrüben ? » - Composée à partir du Choral de Johann Heermann pour le 7e dimanche après la Trinité (23 juillet 1724), la Cantate BWV 107 « Was willst du dich betrüben ? » / « Pourquoi veux-tu t'affliger ? » appartient au deuxième cycle liturgique leipzigois de Bach. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Eine neue Einspielung von Johanna Soller und ihrer Capella Sollertia lässt die Leipziger Kantaten aufleuchten - eine tolle Entdeckung.

Rosamund Pike, the Emmy and Golden Globe winner, is known for standout roles in Saltburn, her Oscar nominated lead in Gone Girl, and Made in Dagenham. Next month she stars on the West End stage, coming back to the role of Jessica Parks, the maverick judge at the heart of the National Theatre's hit play Inter Alia, also filmed for NT Live screenings. She joined Anita Rani to discuss her role that explores motherhood, masculinity and the complexities of justice.It's more than a decade since Nadiya Hussain became a household name after winning the Great British Bake Off. Since then, she's fronted her own cookery shows, written more than a dozen cookbooks and a series of children's books. Her latest collection of recipes is called Quick Comforts, and Nadiya joined presenter Clare McDonnell to talk about finding comfort in food, her career so far and lots more.In December 2024, Dominque Pelicot and 46 other men were found guilty of the aggravated rape of his wife Gisèle. Another two were found guilty of attempted rape and a further two were found guilty of sexual assault. Dominque had drugged Gisèle with medication without her knowledge, raped her and invited other men to rape her, filming as they did so. At least another 20 men who took part in these rapes could not be identified. Waving her right to anonymity, Gisèle Pelicot declared that shame has to change sides. Despite her becoming a household name, not only in her native France but around the world, very little was known about Gisèle herself. She has written her memoir, A Hymn to Life, with writer Judith Perrignon and Judith joins Nuala McGovern to discuss.Dr Punam Krishan is a Glasgow based NHS GP and the resident doctor on the BBC's Morning Live programme. Back in 2024 she was a contestant on Strictly Come Dancing where she was the first dancer to perform a Bollywood routine. But six months ago, at the age of 42, she was diagnosed with breast cancer, and has since gone through treatment. She has recently written about how being a doctor didn't prepare her for the experience of being a patient. Dr Punam joined Anita to discuss.Ketamine has become a worryingly popular recreational drug among young people, and the consequences can be devastating. That's according to a specialist NHS clinic which reports that some teenagers suffer such severe bladder damage from taking it, that some rely on incontinence pads. To discuss the implications, Anita was joined by Dr Alison Downey, Consultant Urologist at Mid Staffs NHS Foundation Trust, who is treating young people with ketamine related bladder problems. Also joining them is Eva, who has stopped using ketamine and is receiving support from the hub.The award-winning internationally renowned Welsh harpist and composer Catrin Finch first came to prominence in her early 20s as the official Royal Harpist to King Charles, the-then Prince of Wales. She achieved chart success with her No. 1 recording of Bach's Goldberg Variations and has performed with many of the world's leading orchestras. Catrin, who began playing the harp at just six years old, has a new album, Notes to Self, a series of reflective and deeply personal new tracks she has composed for Katy, her 13-year-old-self. She joined Nuala and performed live in the studio. Presenter: Anita Rani Producer: Annette Wells

This panel consists of cellist Inbal Megiddo, violist/author Edward Klorman, guitarist Brad DeRoche and myself doing a very deep dive into the Six Suites for Unaccompanied Cello by J. S. Bach.https://www.inbalmegiddo.comhttps://www.edwardklorman.comhttps://bradderoche.comhttps://www.rogerhumphrey.com

Great composers like Bach were often incredible improvisers as well. If Bach were alive today, he might sound closer to modern jazz than you think. On this episode of the Jazz Lab podcast, we feature Zsigmond Gerlóczy, a young pianist becoming renowned for his two-hand counterpoint improvisations and genius Bagatelles. We dive into his creative jazz approach to voice leading, and how he achieves such a unique sound in his live performances and improvisations. This is a must-watch for anyone interested in improvised piano music and jazz improvisation, offering insights into his classical influences and playing style. This is not about stylistic imitation, it's about structure, counterpoint, voice leading, and musical architecture at the highest level.

durée : 00:08:08 - Le Bach du matin du samedi 21 février 2026 - Nous écoutons le Prélude et fugue pour piano en Mi Maj BWV 878 de Jean-Sébastien Bach, interprété par Andras Schiff au piano. Jean Sébastien Bach : Le clavier bien tempéré Livre II BWV 870 à 893 (DECCA, 1987) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

It's our weekly news roundup. First, a gold for Team USA means a gold for Rochester! Rochester native Haley Winn and her USA women's hockey teammates beat Canada Thursday for the top spot on the podium. Winn and several of her teammates are graduates of Bishop Kearney and its select hockey program. WXXI's Veronica Volk has been following that story and others featuring local athletes competing in Milan. She has the latest. Then, WXXI Classical's Mona Seghatoleslami recently sat down with the author of "Bach: The Cello Suites." We bring you that interview and discuss the enduring relevance of Bach. Finally, local drag queen Aggy Dune joins us in the studio. Her new monthly show, "Therapy," highlights queer voices. We get a preview. Our guests: Veronica Volk, executive producer and director of podcast strategy for WXXI Public Media Mona Seghatoleslami, music director, host, and producer for WXXI Classical 91.5 FM Aggy Dune, drag queen and comedian ---Connections is supported by listeners like you. Head to our donation page to become a WXXI member today, support the show, and help us close the gap created by the rescission of federal funding.---Connections airs every weekday from noon-2 p.m. Join the conversation with questions or comments by phone at 1-844-295-TALK (8255) or 585-263-9994, email, Facebook or Twitter. Connections is also livestreamed on the WXXI News YouTube channel each day. You can watch live or access previous episodes here.---Do you have a story that needs to be shared? Pitch your story to Connections.

Ham and his sons are identified primarily with Arabian and African territory. In this devotion, we attempt to locate more precisely where Ham's sons and grandsons settled. We also consider how much we have in common with them, in spite of our cultural differences.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

durée : 00:06:20 - Le Bach du matin du vendredi 20 février 2026 - Alors que nous venons d'apprendre la disparition du baryton-basse belge José Van Dam, nous l'écoutons interpréter l'air "Quoniam tu solus sanctus", issu de la Messe en Si mineur BWV 232 de Bach. Il est accompagné par l'Orchestre de chambre de Lausanne, sous la direction de Michel Corboz. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:20:33 - Disques de légende du vendredi 20 février 2026 - Enregistrée en juillet 1996 pour Harmonia Mundi, cette deuxième lecture de la Messe en si de Bach par Philippe Herreweghe s'impose comme la plus aboutie de ses trois versions. Distribution vocale somptueuse, équilibre et souffle lumineux font de ce monument intimidant une grande et belle histoire. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In this RTB and Novel Dialogue episode from 2021, Helen Garner sits down with John and Elizabeth McMahon, a distinguished scholar of Australian literature. Helen's novels range from the anti-patriarchy exuberance of Monkey Grip (1977) to the heartbreaking mortality at the heart of The Spare Room (2008). She has also authored a slew of nonfiction, plus screenplays for Jane Campion's Two Friends and Gillian Armstrong's wonderfully Garneresque The Last Days of Chez Nous. After a reading from John's favorite, The Children's Bach, the trio discusses Garner's capacity for cutting and cutting, creating resonant, thought-inducing gaps. Garner connects that taste for excision, perhaps paradoxically, to her tendency to accumulate scraps, bits and pieces of life. She relates her father's restlessness to her own life-total of houses inhabited (27). “Why wouldn't I write about households?” asks Helen, “They're just so endlessly interesting.” Who shaped her writing? Raymond Carver: packed with power, but the pages white with omissions and excisions. Helen offers an anecdote about her own pruning that ends with her “ankle-deep in adverbs.” That's how to escape the “fat writing” that stems for distrust of the reader. She thoughtfully compares the practical virtues of keeping notebooks for the “music” of everyday life to the nightly process of diary-writing (more analytical). John raises the question of pervasive musical metaphors in Helen's writing, and she reports her passion for “boring pieces” and the “formal” side of Bach, which makes a listener feel that there is such a thing as meaning. “There's something about shaping a sentence, too, which can be musical.” Mentioned in the Episode Marilynne Robinson, Housekeeping (the fixed people and the wandering people), Gilead, Home, The West Wing (yes, the TV show! Helen watched it during lockdown when she couldn't bear fiction…) Raymond Carver‘s minimalist fiction (his first collection) Tess Gallagher (as writer and as Carver's editor) Willa Cather, “The Novel Démeublé” (1922; on how to un-furnish fiction, leaving it an empty room) Ernest Hemingway, A Moveable Feast Sigmund Freud on “the day's residue” (e.g. in The Interpretation of Dreams, 1900) George Eliot, Quarry for Middlemarch Listen to Episode Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this RTB and Novel Dialogue episode from 2021, Helen Garner sits down with John and Elizabeth McMahon, a distinguished scholar of Australian literature. Helen's novels range from the anti-patriarchy exuberance of Monkey Grip (1977) to the heartbreaking mortality at the heart of The Spare Room (2008). She has also authored a slew of nonfiction, plus screenplays for Jane Campion's Two Friends and Gillian Armstrong's wonderfully Garneresque The Last Days of Chez Nous. After a reading from John's favorite, The Children's Bach, the trio discusses Garner's capacity for cutting and cutting, creating resonant, thought-inducing gaps. Garner connects that taste for excision, perhaps paradoxically, to her tendency to accumulate scraps, bits and pieces of life. She relates her father's restlessness to her own life-total of houses inhabited (27). “Why wouldn't I write about households?” asks Helen, “They're just so endlessly interesting.” Who shaped her writing? Raymond Carver: packed with power, but the pages white with omissions and excisions. Helen offers an anecdote about her own pruning that ends with her “ankle-deep in adverbs.” That's how to escape the “fat writing” that stems for distrust of the reader. She thoughtfully compares the practical virtues of keeping notebooks for the “music” of everyday life to the nightly process of diary-writing (more analytical). John raises the question of pervasive musical metaphors in Helen's writing, and she reports her passion for “boring pieces” and the “formal” side of Bach, which makes a listener feel that there is such a thing as meaning. “There's something about shaping a sentence, too, which can be musical.” Mentioned in the Episode Marilynne Robinson, Housekeeping (the fixed people and the wandering people), Gilead, Home, The West Wing (yes, the TV show! Helen watched it during lockdown when she couldn't bear fiction…) Raymond Carver‘s minimalist fiction (his first collection) Tess Gallagher (as writer and as Carver's editor) Willa Cather, “The Novel Démeublé” (1922; on how to un-furnish fiction, leaving it an empty room) Ernest Hemingway, A Moveable Feast Sigmund Freud on “the day's residue” (e.g. in The Interpretation of Dreams, 1900) George Eliot, Quarry for Middlemarch Listen to Episode Learn more about your ad choices. Visit megaphone.fm/adchoices

In this RTB and Novel Dialogue episode from 2021, Helen Garner sits down with John and Elizabeth McMahon, a distinguished scholar of Australian literature. Helen's novels range from the anti-patriarchy exuberance of Monkey Grip (1977) to the heartbreaking mortality at the heart of The Spare Room (2008). She has also authored a slew of nonfiction, plus screenplays for Jane Campion's Two Friends and Gillian Armstrong's wonderfully Garneresque The Last Days of Chez Nous. After a reading from John's favorite, The Children's Bach, the trio discusses Garner's capacity for cutting and cutting, creating resonant, thought-inducing gaps. Garner connects that taste for excision, perhaps paradoxically, to her tendency to accumulate scraps, bits and pieces of life. She relates her father's restlessness to her own life-total of houses inhabited (27). “Why wouldn't I write about households?” asks Helen, “They're just so endlessly interesting.” Who shaped her writing? Raymond Carver: packed with power, but the pages white with omissions and excisions. Helen offers an anecdote about her own pruning that ends with her “ankle-deep in adverbs.” That's how to escape the “fat writing” that stems for distrust of the reader. She thoughtfully compares the practical virtues of keeping notebooks for the “music” of everyday life to the nightly process of diary-writing (more analytical). John raises the question of pervasive musical metaphors in Helen's writing, and she reports her passion for “boring pieces” and the “formal” side of Bach, which makes a listener feel that there is such a thing as meaning. “There's something about shaping a sentence, too, which can be musical.” Mentioned in the Episode Marilynne Robinson, Housekeeping (the fixed people and the wandering people), Gilead, Home, The West Wing (yes, the TV show! Helen watched it during lockdown when she couldn't bear fiction…) Raymond Carver‘s minimalist fiction (his first collection) Tess Gallagher (as writer and as Carver's editor) Willa Cather, “The Novel Démeublé” (1922; on how to un-furnish fiction, leaving it an empty room) Ernest Hemingway, A Moveable Feast Sigmund Freud on “the day's residue” (e.g. in The Interpretation of Dreams, 1900) George Eliot, Quarry for Middlemarch Listen to Episode Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this RTB and Novel Dialogue episode from 2021, Helen Garner sits down with John and Elizabeth McMahon, a distinguished scholar of Australian literature. Helen's novels range from the anti-patriarchy exuberance of Monkey Grip (1977) to the heartbreaking mortality at the heart of The Spare Room (2008). She has also authored a slew of nonfiction, plus screenplays for Jane Campion's Two Friends and Gillian Armstrong's wonderfully Garneresque The Last Days of Chez Nous. After a reading from John's favorite, The Children's Bach, the trio discusses Garner's capacity for cutting and cutting, creating resonant, thought-inducing gaps. Garner connects that taste for excision, perhaps paradoxically, to her tendency to accumulate scraps, bits and pieces of life. She relates her father's restlessness to her own life-total of houses inhabited (27). “Why wouldn't I write about households?” asks Helen, “They're just so endlessly interesting.” Who shaped her writing? Raymond Carver: packed with power, but the pages white with omissions and excisions. Helen offers an anecdote about her own pruning that ends with her “ankle-deep in adverbs.” That's how to escape the “fat writing” that stems for distrust of the reader. She thoughtfully compares the practical virtues of keeping notebooks for the “music” of everyday life to the nightly process of diary-writing (more analytical). John raises the question of pervasive musical metaphors in Helen's writing, and she reports her passion for “boring pieces” and the “formal” side of Bach, which makes a listener feel that there is such a thing as meaning. “There's something about shaping a sentence, too, which can be musical.” Mentioned in the Episode Marilynne Robinson, Housekeeping (the fixed people and the wandering people), Gilead, Home, The West Wing (yes, the TV show! Helen watched it during lockdown when she couldn't bear fiction…) Raymond Carver‘s minimalist fiction (his first collection) Tess Gallagher (as writer and as Carver's editor) Willa Cather, “The Novel Démeublé” (1922; on how to un-furnish fiction, leaving it an empty room) Ernest Hemingway, A Moveable Feast Sigmund Freud on “the day's residue” (e.g. in The Interpretation of Dreams, 1900) George Eliot, Quarry for Middlemarch Listen to Episode Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

In this week's episode of the Gramophone Podcast, editor Martin Cullingford is joined by pianist Martin James Bartlett to discuss  his new recording of the music of Bach, Britten and Mozart, available on the Warner Classics label from February the 27th. Bartlett reflects on the artistic ideas that shaped this programming. 

durée : 00:14:05 - Le Disque classique du jour du jeudi 19 février 2026 - Attaché à poursuivre l'exploration du répertoire baroque, Le Banquet Céleste propose pour ce premier enregistrement en direction collective, un programme mettant à l'honneur des cantates de J. S. Bach avec violoncelle piccolo. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:14:05 - Le Disque classique du jour du jeudi 19 février 2026 - Attaché à poursuivre l'exploration du répertoire baroque, Le Banquet Céleste propose pour ce premier enregistrement en direction collective, un programme mettant à l'honneur des cantates de J. S. Bach avec violoncelle piccolo. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:27:15 - En pistes ! du jeudi 19 février 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - La claveciniste Alexandra Nepomnyashchaya met en lumière un Bach maître de la réinvention, qui métamorphose d'anciennes pages en nouvelles œuvres resplendissantes. De son côté, l'ensemble Minui donne à entendre les plus grands airs d'opéra dans une version minimaliste pour neuf instruments. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:27:15 - En pistes ! du jeudi 19 février 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - La claveciniste Alexandra Nepomnyashchaya met en lumière un Bach maître de la réinvention, qui métamorphose d'anciennes pages en nouvelles œuvres resplendissantes. De son côté, l'ensemble Minui donne à entendre les plus grands airs d'opéra dans une version minimaliste pour neuf instruments. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Durch den Einsatz in der Landwirtschaft gelangen Pestizide in die Flüsse. Recherchen zeigen: Die Bauern wehren sich gegen strengere Regeln. Und: Viele der E-Trottinette sind schneller als erlaubt. Zudem: Die schwierige Suche nach den vermissten Soldaten im Ukraine-Krieg. Bauern-Power: Wie Pestizid-Grenzwerte verhindert wurden Vergangenen Herbst entdecken die Behörden, dass die Wyna, ein Bach im Kanton Luzern, stark mit einem Pestizid belastet ist. Doch im Bundesamt für Umwelt verschwindet genau dieses Pestizid von einer neuen Liste mit gefährlichen Stoffen für spezifische Grenzwerte. Interne Dokumente zeigen jetzt: Hier wurde Landwirtschaftspolitik gemacht, wo im Gesetz Wissenschaft vorgeschrieben wäre. Dazu stellt sich Bundesrat Albert Rösti den Fragen von Gion-Duri Vincenz. Gefährliche Turbo-Trottinette: Auf Kontrolle mit der Polizei Auf Schweizer Strassen verkehren immer mehr zu schnelle E-Trottinette, sogenannte E-Scooter. Eigentlich gilt eine Höchstgeschwindigkeit von 20 km/h. Doch viele Shops verkaufen schnellere Fahrzeuge – und die Lenker können sie selbst tunen. Das wird zur Gefahr für Lenkerinnen und Fussgänger. Ukraine-Krieg: Die schwierige Suche nach den vermissten Soldaten Zehntausende Soldaten gelten im Krieg in der Ukraine als vermisst. Die Reportage zeigt die schwierige Suche nach den getöteten Soldaten: an der Front im Donbass, aber auch in den Sammel- und Identifizierungszentren. Eine Seite des Zermürbungskriegs, die viele Familien ohne Antworten zurücklässt.

In December 2024, Dominque Pelicot and 46 other men were found guilty of the aggravated rape of his wife Gisèle. Another two were found guilty of attempted rape and a further two were found guilty of sexual assault. Dominque had drugged Gisèle with medication without her knowledge, raped her and invited other men to rape her, filming as they did so. At least another 20 men who took part in these rapes could not be identified. Waving her right to anonymity, Gisèle Pelicot declared that shame has to change sides. Despite her becoming a household name, not only in her native France but around the world, very little was known about Gisèle herself.Today sees the publication of her much-anticipated memoir, A Hymn to Life. Nuala McGovern is joined by writer and journalist Judith Perrignon, who co-wrote the memoir with Gisèle, and Professor Manon Garcia, who watched the trial in Avignon and analysed its resonance in her book Living with Men, Reflections on the Pelicot Trial. The award-winning internationally renowned Welsh harpist and composer Catrin Finch first came to prominence in her early 20s as the official Royal Harpist to King Charles, the-then Prince of Wales. She achieved chart success with her No. 1 recording of Bach's Goldberg Variations and has performed with many of the world's leading orchestras. Catrin, who began playing the harp at just six years old, has a new album, Notes to Self, a series of reflective and deeply personal new tracks she has composed for Katy, her 13-year-old-self. She tells Nuala about her first album of solo compositions in a decade.One of the children talking about their everyday achievements in our new podcast, SEND in the Spotlight, which features young people with special educational needs, is Henry. He's autistic, and school is not always easy. Things got even tougher when his grandma died. That's when Henry decided to raise money for the hospice which looked after her. We hear his story in his own words.With the Winter Olympics in full swing in Italy, how are sports like ice hockey faring here in the UK? And what are women doing on the ice rink? Joining Nuala are Ellie Wakeling and Abbie Sylvester, who both play alongside male players with the Romford Buccaneers.Presenter: Nuala McGovern Producer: Andrea Kidd

David Trainer, founder and president at New Constructs, says the intensity of competition in the artificial-intelligence business is setting up a path for big winners and losers, and he says that it's nearly time "to see a lot of the companies in the AI race fall out." Trainer cits cash flows turning negative, and says that accounting tricks have hidden much of the problem by allowing companies to keep some debts off of balance sheets. When focusing on what he calls the real debt level of the companies, Trainer says "the cash flow for these companies is highly negative and it cannot be sustained." Further, Trainer notes that with so much money committed to the development of A.I., there is no guarantee that the companies that get in trouble will find a market waiting to take them over once the financial troubles hit. In "The Week That Is," Vijay Marolia, chief investment officer at Regal Point Capital, discusses how last week's software sell-off isn't changing his take on how "Software will eat the world," but it is a symptom of how the speed of development is amping up investor concerns about the A.I. revolution. He also discusses how and why the "Sell America" sentiment has been building, and why the Dow Jones Industrial Average — and not the Nasdaq Composite or the Standard & Poor's 500 — is leading the way for market gains early this year. David Bach, author, "The Automatic Millionaire: A Powerful One-Step Plan to Live and Finish Rich," celebrates the revised, 20th anniversary edition of the book and the countless people it has helped by getting them started small towards long-term lifelong savings and living goals. Bach — who last appeared on Money Life a decade ago with the 10th-anniversary edition of the book — discusses how time and technology have changed, but how they also have helped savers reach their goals more easily.

Sin Mendelssohn no hay Bach y sin Bach no hay suites, pero es Pau Casals quien la exhuma. Y quien las lleva por el mundo como un embajador.

An inspirational grab bag of ideas related to my approach to audio journaling. Outline:(0:42) Weekly sermon(2:54) Getting new ideas like J.S. Bach(4:20) See the lighthouse through the fog(9:00) Warren Buffet advice(11:30) Experts on Tiktok(13:25) Masterclass(14:55) Doomscrolling(17:03) Bullet points for audio journal(20:53) Obstacles(23:57) Positive vs. negative journaling(28:20) Super supporters(30:23) Micro-momentsVisit www.allthehatswewear.com

durée : 01:58:50 - Le Bach du dimanche du dimanche 15 février 2026 - par : Corinne Schneider - Au programme de cette 371e émission : au lendemain de la Saint-Valentin, zoom sur les duos sans basse de Bach, ses fils Carl Philipp Emanuel et Wilhelm Friedemann, mais aussi de Hotteterre et Vivaldi ; puis l'anniversaire des 100 ans du compositeur hongrois György Kurtag (né le 19 février 1926). - réalisé par : Noé Mignard Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Kevin is the guitarist and composer of the instrumental rock band Pyramids on Mars.  Hard rock, industrial, and metal infused with lead guitar melodies inspired by violin melodies of Baroque classical composers Bach & Vivaldi. Kevin has always had a passion for UFO's, Extra-terrestrials.  He spent over 20 years researching to understand why they are here.  Kevin wanted to combine his passion of music with raising consciousness and awareness of the UFO and Extraterrestrial presence.  He felt it was always his purpose in life. This calling was affirmed on August 21, 2014, when he had contact with an inter-dimensional craft of unearthly origin.  Since then Kevin began having visitations by many different Extraterrestrial Nations and experiencing many other related incidents like incredible synchronicities, music downloads, symbol downloads through dreams. Kevin works with the P'ntl (Zetas) who reside at the Sandia Mountains, Albuquerque NM helping prepare humanity for Official First Contact. https://www.officialfirstcontact.com/ Become a supporter of this podcast: https://www.spreaker.com/podcast/spaced-out-radio--1657874/support.

(SPOILER) I begin by discussing the sad passing of James Van Der Beek and the Go Fund Me that's been set up, Love is Blind recap live on my YouTube Channel today and more. Then Jackie joins me (11:24) to talk about "She's All Bach" and their last two headline making interviews with Kat Izzo and Peg/Mel, discussion on the Traitors, Kaitlyn Bristowe, and allegations in the Love is Blind franchise. Music written by Jimmer Podrasky (B'Jingo Songs/Machia Music/Bug Music BMI) Ads: ZocDoc – Click on https://zocdoc.com/RealitySteve to find and instantly book a top rated doctor today.  Ollie - Go to https://ollie.com/realitysteve Promo Code: REALITYSTEVE for 60% off your first box plus a Happiness Guarantee.  Not satisfied?  Get your money back. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rhythm is everywhere. Even if you don't think you have it, it's fundamental to humans' biological systems. Our heartbeat is rhythmic. Speech is rhythmic. Even as babies, humans can track basic rhythm. Researchers wanted to find out if there were more layers to this: Could babies also track melody and more complicated rhythms? So they played Bach for a bunch of sleeping newborns and monitored the babies' brains to see if they could predict the next note. What they found offers clues about whether melody and rhythm are hard-wired in the human brain or learned over time. We also get into what powers the eating habits of some snakes and chameleons, and insights into the role of sleep in problem-solving.Have a scientific question you want us to answer? Email us at shortwave@npr.org.Listen to every episode of Short Wave sponsor-free and support our work at NPR by signing up for Short Wave+ at plus.npr.org/shortwave.Listen to Short Wave on Spotify and Apple Podcasts. This episode was produced by Jordan-Marie Smith and Rachel Carlson. It was edited by Rebecca Ramirez and Christopher Intagliata. Tyler Jones checked the facts. The audio engineers were Jimmy Keeley and Hannah Gluvna. Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy