18th-century German composer
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Cal resumes his conversation with Dr. David Bach, the Harvard-trained neuroscientist who is about to give you an opportunity to upgrade your brain. Dr. Bach is the founder of Optios. His company's work is unlocking a door to a new kind of human potential. Cal learns how Optios will help him get in the zone to learn about the science he could never pay attention to when he was in junior high school. His conversations with Dr. Bach are starting to pay off. Cal is now fascinated with how Rory McIlroy will be able to shave strokes off his golf game. And how you'll be able to get better at learning whatever matters most to you by dancing with AI. The simulation Dr. Bach describes in this episode works in the lab. Soon it'll be coming to you. In the meantime, Big Questions has upgraded to allow you to watch visually. If you'd like, check it out on youtube.com/bigquestionspodcast.
Caragh Thuring talks to Ben Luke about her influences—from writers to musicians, and, of course, other artists—and the cultural experiences that have shaped her life and work. Thuring, who was born in Brussels in 1972 and has lived in the UK since 1973 makes paintings that present fragments of images, patterns and abstraction in compositions that often upend the conventions of her medium, while reaffirming its unique descriptive and poetic powers. With motifs that appear and often reappear in morphing forms and combinations, alluding to specific moments in her life, to film or art history, her paintings are in flux, both in their structure and spatial arrangements and in their meaning. They are propositions that cannot easily be resolved or reduced to simple or convenient narrative yet are far from unfocused or bloodless; rather, they arrest us and pull us deep into their mysteries, rewarding us as we spend more time with them, and return to them. She reflects on her interest in forms of slippage across various art forms, the role of drawing in her work, and her admiration of different forms of making, especially when there is a twist in how they are realised. She discusses her early engagement with the paintings of Otto Dix, the delicacy in the handling of Vija Celmins, the awkwardness in the works of Pieter de Hooch and the wildness of René Daniëls. She reflects on her journeys into volcanoes, metaphorically and literally, and on listening to Bach in her studio. Plus, she gives insight into life in the studio, and answers our usual questions, including the ultimate: what is art for?Caragh Thuring, Thomas Dane Gallery, London, until 19 September Hosted on Acast. See acast.com/privacy for more information.
En menneskemængde samler sig på Rosenborgs eksercerplads i juni 1827, mens en line strækkes højt op mod tårnet. Christian Roat træder ud på det tynde tov og bevæger sig roligt gennem luften over København. Det er en præstation, der allerede har gjort ham kendt, og rygterne går om endnu mere ekstreme forsøg. Da han igen seks dage senere står på samme line, er forventningen endnu større. Under opstigningen virker han sikker, men pludselig ændrer bevægelsen sig. Linen svinger, og på få sekunder mister han kontrollen. Episoden er skrevet og fortalt af Berit Freyheit Her finder du det, jeg har læst til episoden Facebook: Bag om Københavns podcast + nyhedsbrev Musikbidder er hentet fra FMA/Public Domain: Aaron Dunn - Minuet - Notebook for Anna Magdalena by Bach & Narcissus smells like headache by Monplaisir 135
This special Conducting Conversations program features Artist Del-Bourree and Kristen Bach. We discuss their amazing artistic talents and their involvement with the local community. For more information, you can go to www.del-bourreebach.com
Eigentlich war alles ganz einfach am Donnerstag. Weil unser Internet plötzlich schwach und das Telefon immer nur schlecht funktioniert hat, gab es eine neue Fritzbox mit der Anleitung zum Aufbau und die Installation ist ja nicht so schwierig. Aber das war es wohl doch. Nach einigem Hin und Her und vielen Versuchen funktionierte plötzlich gar nichts mehr. Kein Fernseher für den geliebten Fußball, kein Telefon und so weiter. Erst war ich ein bisschen ärgerlich, weil ich dachte, wenn das jemand übernimmt und glaubt, es zu können, dann sollte das auch gehen. Aber dann haben wir gelacht und gemerkt, dass es auch ohne Internet im Haus geht. Vorläufig. Bis es dann am nächsten Morgen repariert worden ist. Für viele Menschen ist das Internet mittlerweile so extrem wichtig, dass es Krisen und Katastrophen gibt, wenn es mal ausfällt. An dieser Stelle fällt mir dann die Geschichte mit dem Spinnennetz ein. Die Spinne hatte ihr wunderschönes Netz gewoben, Runde um Runde gesponnen und gut verklebt. Von den Fliegen, die sich darin verfangen haben, konnte sie gut leben. Aber eines Tages fiel ihr der Faden nach oben auf, an dem sie das Netz vor langer Zeit aufgehangen hatte, von dem sie aber jetzt nicht mehr wusste, wofür er da sein sollte. Also hat sie den Faden durchgebissen und das Netz schlägt über ihr zusammen und stürzt ab. Geht bei mir alles den Bach runter, wenn das Internet nicht geht oder habe ich sogar vergessen, wozu die Verbindung nach viel weiter oben, als zur Cloud, funktioniert?Meine Verbindung zu dem, der alles menschliche Denken, Fühlen und Verstehen übersteigt, der mein Lebensgrund und meine Hoffnung ist und den wir Gott nennen, muss ebenso gepflegt und aufrechterhalten werden wie die Internetverbindung und der Faden der Spinne - als Beispiel. Zeit zum Beten, Zeit zum Lesen in der Bibel, Zeit zum Sein vor Gott stärkt die Verbindung und lässt sie nicht schwach werden oder sogar reißen. Und selbst wenn das passiert, kann ich immer neu anfangen, diese Verbindung wieder herzustellen.
With the full moon drawing closer, Leo turns to last resorts to get what they need for the ritual. Content Warnings: Discussion of death and grief; extensive discussion of religion and evangelism; Mentions of mental decline in an elderly person Transcript: https://tellnotalespod.com/transcript-s2-e23-utility-and-sentiment/ As an extra note, I have a Buy Me a Coffee page now! I'm still in the progress of setting up a Patreon with extra rewards for patrons, and we have a merch store in the works! But my financial situation is getting a bit dicey at the moment, so if you would still like to support me in the meantime, you can do so here: https://buymeacoffee.com/leonegan Written and produced by Leon Egan. In this episode you heard the voices of Leon Egan as Leo Quinn, Phil Thompson as Riley Matkins, Asher Amor-Train as Frank Williamson, Shannon Kelly as Julia Wilde, Tal Minear as Penelope Smith, and Cris Caserini as Jodie the Carer. Intro and outro music by Lumehill The conveniently public domain music that Leo chose to listen to today was Bach's Violin Sonata no. 2 in A minor, BWV 1003 The inconveniently not public domain music that Riley chose to listen to today was Keep me Honest by Maybe and The Truth I Couldn't Name (Instrumental Version) by Ten Towers Sound effects and music sourced from Soundly and Epidemic Sound Art by Ana Balaci Find more info on our website tellnotalespod.com or at @tellnotalespod on Tumblr Distributed by Twin Strangers Productions Support Tell No Tales by contributing to their tip jar: https://tips.pinecast.com/jar/tell-no-tales This podcast is powered by Pinecast.
durée : 00:07:01 - par : Max Dozolme - « Réveillez-vous, la voix nous appelle ! » : plongée dans au coeur des origines, des détails et de quelques métamorphoses étonnantes de l'une des plus célèbres cantates de Jean-Sébastien Bach. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
durée : 01:58:48 - par : Corinne Schneider - Au programme de cette 388e émission : Raphaël Pichon et Pygmalion sur les Chemins de Bach en Allemagne du Nord (Wolfenbüttel, Lünebourg et Lübeck) pour l'anniversaire de leurs 20 ans (18-30 mai), le reportage ; le nouveau CD « Pluncked Bach vol. 3 » du mandoliniste Aron Sariel (Pentatone, 8 mai) - réalisation : Anne-Lise Assada, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
durée : 00:09:44 - par : Producteurs en alternance, Gabrielle Oliveira Guyon - Nous écoutons l'Adagio du Concerto en ré min BWV 1052, interprété au piano par Maria João Pires, accompagnée par l'Orchestre Gulbenkian de Lisbonne, dirigé par Michel Corboz. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
durée : 00:09:44 - par : Producteurs en alternance, Gabrielle Oliveira Guyon - Nous écoutons l'Adagio du Concerto en ré min BWV 1052, interprété au piano par Maria João Pires, accompagnée par l'Orchestre Gulbenkian de Lisbonne, dirigé par Michel Corboz. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
Johann Pachelbel (1653-1706) was a prominent Christian composer who influenced J.S. Bach. His book, Hexachordum Apollinis (1699) was a collection of Ariettas and variations. He believed that music comes from God and reflects the song of the angels.
What did the Lord's confusion of human language accomplish, apart from the physical result of scattering humanity over the face of the whole earth? What good came out of it?Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).
In this week's edition of the Gramophone Podcast, harpsichordist Mahan Esfahani talks about his new recording of Bach's Complete Keyboard Concertos, newly released on the Hyperion label. Why were these pivotal works in the instrument's development written, and how might they have been performed? Esfahani explores these questions, along with many other fascinating topics surrounding the instrument, its repertoire and his own career, in the company of Editor Martin Cullingford.See omnystudio.com/listener for privacy information.
durée : 00:15:33 - par : Lionel Esparza - Si Nikolaus Harnoncourt avait fondé son Concentus Musicus de Vienne en 1953, ce n'est que plusieurs années plus tard que la maîtrise des instruments anciens, choix audacieux à cette époque, permet l'enregistrement de cette Offrande musicale, cadeau du compositeur au prince Frédéric II de Prusse. - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
durée : 00:15:33 - par : Lionel Esparza - Si Nikolaus Harnoncourt avait fondé son Concentus Musicus de Vienne en 1953, ce n'est que plusieurs années plus tard que la maîtrise des instruments anciens, choix audacieux à cette époque, permet l'enregistrement de cette Offrande musicale, cadeau du compositeur au prince Frédéric II de Prusse. - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
Hope you are having a lovely day! Today Ms. Caitlin has a cute kids book for you and she is very excited to read to you today! Today we have Caitlin who will be reading "The Wolf, the Duck and the Mouse" by Mac Barnett! With a unique artsyle and a cute story.As always this book was selected from our library! Kids and Parents can read along with us, in this read aloud story time! Be sure to check out your local Library to check out what books they may have! If you prefer E-Books, sign into the Hoopla or Libby app using your Library Card and follow along from there!- Check out the Library Systems official website where you can find links to free resources, school and career guides, and news about our upcoming events! https://www.pawls.org/ -Follow us on YouTube and enjoy our backlog of digital story hours and other great content! https://www.youtube.com/@pawls365Original background track is Concerto for Two Violins by Bach.Alterations were made by us to make it fit the length of our content.Brought to you from the Pike-Amite-Walthall Library system.#library #books #pawlskids #kidsstorytime
Send us Fan MailAngelo, Rhea, and Jay are back and this week Hugh Laurie said the quiet part out loud, and the internet still hasn't recovered. After a freelance critic named Janet Murray posted on X that House has "the same narrative every episode," Laurie responded with a thread so sarcastic it went viral — cataloguing every alternative structure they tried, comparing the formula to Bach and Frida Kahlo, and closing with "I look forward to your first novel." The internet mobbed Murray immediately. But here's the thing: she's not wrong. House is formulaic — that's what procedurals are. Laurie's real defense wasn't "no it isn't." It was that if all you see is the formula, it wasn't meant for you. Is that the most honest thing a creator has ever said in public about their own work, or is it exactly what every creator thinks and should never, ever say out loud?THEN: Spielberg's Disclosure Day opens Friday. Reviews are calling it his best film in 20 years, with box office projections between $35 and $59 million. For Spielberg. Three of his last five films lost money (West Side Story, The Fabelmans, The BFG) roughly $380 million in losses combined. The Fabelmans is one of the best films of the decade and grossed $25 million total. Is Spielberg the most underrated working director in Hollywood right now?ALL THAT PLUS: George R.R. is FROZEN OUT of The House of the Dragon, Angelo reviews Riot in Cell Block 99, we get a report from Tribeca by Keane Black, and much, MUCH more!MAKE SURE TO VISIT OUR SPONSOR: Steven Singer Jewelers!The TV Show is a weekly podcast hosted by Jay Black, with regular guests Angelo Cataldi and Rhea Hughes. Each week, we dive into the new Golden Age of Television, with a discussion of the latest shows and news.
Prezydent Donald Trump zapowiedział dalsze uderzenia odwetowe na Iran w odpowiedzi na zestrzelenie w poniedziałek przez irańskie siły zbrojne u wybrzeży Omanu amerykańskiego śmigłowca Apache; Dzień Polonii w Berlinie to jedno z największych polonijnych wydarzeń w Niemczech, a tegoroczna edycja połączona będzie z obchodami 35. Rocznicy podpisania traktatu o dobrym sąsiedztwie między Polską a Niemcami; „Bach w piach” – projekt Fundacji Meakultura i Gildii Muzyki Nowej, realizowanym w ramach kampanii społecznej Save the Music; cykl „GEN.PL. Młodzi Polacy - jeden język, wiele światów” i spotkanie z Unką Odyą, ilustratorką, autorką komiksów i graficzką. Zapraszamy do słuchania!
Han tog hem miljonen i Postkodmiljonären som 19-åring, blev gulliggrisen i Förrädarna och har en flashbacktråd på 14 sidor. Wilmer Bach Lundin pratar ofiltrerat med Bathina om allmänbildning, skattesmällar, kärlek och varför han helst vill bli upptryckt mot en vägg av en italienare. Produceras av More Than Words
En El ojo crítico entrevistamos a Jonás Trueba con motivo del reestreno de Los ilusos 13+13, una nueva oportunidad para descubrir la película 13 años después de su estreno y revisitar una de las obras más representativas de su filmografía. Además, analizamos la actualidad cultural marcada por el regreso de Pedro Almodóvar a la ficción, que publicará en octubre su primera novela, El hombre que solo escribía en los aviones.También conversamos con Jesús Cisneros, Premio Nacional de Ilustración, una de las figuras más destacadas del panorama de la ilustración española. Nuestro colaborador Javi Alonso nos descubre el cómic Dos personas, de Teresa Ferreiro, mientras que Martín Llade reflexiona sobre el papel de las mujeres músicas en la historia a partir de los libros Bach y Mozart: el turno es de ellas y Mendelssohn y Schumann: el turno es de ellas, publicados por la Universidad de Castilla-La Mancha, que reivindican el legado de creadoras como Anna Magdalena Bach, Nannerl Mozart, Fanny Mendelssohn y Clara Schumann, cuyo talento quedó durante siglos eclipsado por las desigualdades de su tiempo.Escuchar audio
durée : 01:28:42 - par : Aurélie Moreau - Tabea Zimmermann, altiste renommée pour sa musicalité, le naturel de son jeu et sa virtuosité, est une musicienne unanimement estimée par la critique et le monde musical. Aujourd'hui : Bach, Schumann, Kurtág, Bartók, Berlioz, Vieuxtemps, Mozart… - réalisation : Cécile Bonnet des Claustres, Florian Ditre - invités : Aurélie Moreau Productrice Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
canal.march.esTestigo y actor privilegiado de la vida musical nacional e internacional durante más de medio siglo, pocas personas pueden hablar con tanto conocimiento de causa de los cambios que ha experimentado en las últimas décadas el mundo musical clásico como Alfonso Aijón. Tres personas cercanas a él, con trayectorias y perfiles muy diversos, conversarán con él sobre pasado, presente y futuro. La música, que ha sido para Aijón −como afirmaba Chopin de sus encuentros diarios con Bach al piano− su “pan cotidiano”, sonará también en vivo como complemento de las palabras. Más información de este acto canal.march.es
Like many writers, Sofka Zinovieff draws on her own history in her books – and her family tree offers plenty of inspiration. Her paternal grandmother was born into Russian high society, fled to England after the 1917 revolution and became a Communist. Sofka wrote her biography.Her maternal grandmother married the eccentric aristocrat Robert Heber-Percy, and for a time shared a house with his lover, the artist and composer Lord Berners. Sofka has also charted her story.Her father Peter was a composer and co-founder of Britain's first synthesiser manufacturer, making instruments used by the likes of Pink Floyd and David Bowie. He banned his many children from attending his funeral – a decision which inspired her most recent book, a novel called Stealing Dad.Sofka's music includes Bach, Monteverdi, Theodorakis and Mozart.
durée : 01:58:53 - par : Corinne Schneider - Au programme de cette 387e émission : le Bachfest de Leipzig « En dialogue » du 11 au 21 juin ; la Cantate pour soprano solo « Ich bin in mir vergnügt » BWV 204 par Dorothée Mields (2015) ; la 45e édition du Festival d'Auvers-sur-Oise (95) qui fête les 20 ans de l'orgue Bernard Hurvy (2006). - réalisation : Arthur Rayrole, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
Die Jazzmusiker, Rocker und Rapper müssen es können, die „Klassiker“ scheinen es längst verlernt zu haben: das Improvisieren. Dabei wären auch sie oft genug gefordert, spontan zu (re)agieren.
God did not just confuse everyone's language randomly and form the people into new groups arbitrarily. He still let the people taste of his mercy.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).
durée : 00:18:50 - par : Lionel Esparza - En mars 1986, à Londres, John Eliot Gardiner enregistre la Passion selon saint Jean, à la tête du Monteverdi Choir et des English Baroque Soloists. C'est la toute première des trois versions que le chef britannique consacrera au chef-d'œuvre sacré de Jean-Sébastien Bach. - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
durée : 00:05:35 - par : Producteurs en alternance - Ce matin, nous écoutons l'arrangement pour traverso, violoncelle d'épaule et pianoforte du premier mouvement de la Sonate pour basse de viole et clavecin n° 3 en sol mineur BWV 1029 de Jean-Sébastien Bach, interprété par les Curiosités esthétiques. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
durée : 02:28:53 - par : Gabrielle Oliveira Guyon - Au programme ce samedi : Poulenc, Bach, Beethoven, Janacek, Catherine Michel à la harpe ou encore Rhoda Scott... - réalisation : Emmanuel Benito, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
Met de ontknoping van de Koningin Elisabethwedstrijd voor cello nog vers in het geheugen neemt Sofie haar strijkstok in de hand, om dat instrument eens van heel dichtbij te beroeren. Hoe komt de cello aan zijn warme klanken? Waarom zijn de cellosuites van Bach zo geniaal? En kunnen cello's werkelijk gevaarlijk zijn voor onze gezondheid? Je ontdekt het allemaal hier!
durée : 00:05:51 - par : Producteurs en alternance - Ce matin, nous écoutons l'allegro du cinquième concerto brandebourgeois en ré majeur BWV 1050 de Jean-Sébastien Bach, interprété par les Arts Florissants sous la direction Emmanuel Resche-Caserta. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
In this episode of the Harvest Series, Rose Claverie speaks with Michael Pollan about consciousness, imagination, plants, and the future of human attention. Recorded during Harvest, the conversation moves from food and psychedelics to technology, spirituality, and the hidden ways modern life shapes awareness.Pollan reflects on ego dissolution, immersive journalism, plant intelligence, and why he believes consciousness itself is under threat from social media and AI. A thoughtful exploration of what it means to remain awake, present, and emotionally connected in the modern world.You can follow us on Instagram at @HarvestSeries or @rose.claverie for updates.To know more about Michael Pollan and A World AppearsChapters00:00 – Introduction to Michael Pollan00:57 – What imagination really is01:54 – Imagination, empathy, and theory of mind02:22 – Shaka Senghor and imagination as liberation03:17 – From gardening to consciousness04:09 – Plants, desire, and co-evolution05:26 – Defining consciousness06:11 – What it's like to be a bat07:03 – Plant awareness and sentience09:02 – Consciousness and spirituality09:40 – Immersive journalism and owning a cow11:58 – Participatory journalism13:28 – Psychedelics and fear of death14:20 – First psychedelic experiences later in life14:55 – Psychedelics and emotional openness15:41 – Ego dissolution explained17:16 – Spirituality and merging beyond the self18:02 – Bach, music, and transcendence19:06 – Social media, AI, and consciousness20:33 – Consciousness hygiene22:00 – Are animals more conscious than us?22:31 – What's next: the microbiome23:53 – Teachers and people who shaped his life25:09 – Rapid fire questions26:18 – Funniest psychedelic moment28:08 – Frightening psychedelic experiences29:18 – Safe first steps into psychedelics31:01 – Legacy and changing minds32:19 – Why endings matter35:06 – Can plants teach us health?36:00 – A question for Shaka Senghor37:09 – Closing reflectionsWatch our podcast episodes and speaker sessions on YouTube: Harvest Series.Credits:Sound editing by: @lesbellesfrequencesTechnician in Kaplankaya: Joel MoriasiMusic by: ChambordThis season of the Harvest Series podcast is made possible by Spark of Light. To learn more, visit: https://sparkofsouls.com/Harvest Series Founders: Burak Öymen and Roman Carel
durée : 00:05:56 - par : Producteurs en alternance - Nous écoutons ce matin un arrangement pour mandoline de l'Allemande de la deuxième Partita pour violon en ré mineur BWV 1004 de Jean-Sébastien Bach, interprété par Alon Sariel. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
“Vanderpump Villa” breakout star Hagen Bach stopped by the Page Six studio to chat with “Virtual Reali-Tea” co-hosts Danny Murphy and Evan Real about filming his first season of reality TV after years of manifesting fame. Hagen also shared hot takes on all the current “The Secret Lives of Mormon Wives” drama, including Jessi Draper's estranged husband, Jordan Ngatikaura, suffering an AI Photoshop fail on social media. Plus, Hagen explained why he thinks Jessi and “Vanderpump Villa” star Marciano Brunette's romance could be the real deal. Check out the full unedited interview! “Vanderpump Villa” is available to stream on Hulu. Follow us on Instagram! Sign up for our newsletter! Check us out on YouTube! Head to our show page for more tea! Learn more about your ad choices. Visit megaphone.fm/adchoices
durée : 00:06:07 - par : Producteurs en alternance - Ce matin, nous écoutons le premier mouvement de la sonate pour basse de viole et clavecin n° 3 en sol min BWV 1029 de Jean-Sébastien Bach, interprété par Christophe Rousset au clavecin et Atsushi Sakaï à la basse de viole. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
Step into the vibrant world of soul music as we embark on a captivating journey with the legendary Swamp Dogg, an iconic figure whose career has shaped the landscape of American music for over six decades. In this episode of takin' a walk, host Buzz Knight engages in a heartfelt conversation with Swamp Dogg, who, at 83 years young, shares his insights from a life steeped in creativity and resilience. Discover the magic behind his latest album, Swamp Dogg Contemplates the Afterlife, and delve into the stories that have defined his artistic journey. As we stroll through the memories and milestones of Swamp Dogg's illustrious career, he reflects on the influences that have shaped his unique sound and the importance of fun in his creative process. With a sense of humor and a wealth of wisdom, Swamp Dogg recounts his early days in the music industry, honoring the legacy of his contemporaries while celebrating his role as one of the last first-generation soul musicians. This episode is not just a walk down memory lane; it’s a vibrant tapestry of music history, filled with anecdotes about collaborations and the deep relationships he has cultivated with fellow artists. Swamp Dogg’s thoughts on life, death, and legacy resonate deeply, as he compares his aspirations to those of classical giants like Bach and Beethoven. This episode of takin' a walk is a treasure trove of music storytelling, weaving together the intricate threads of songwriter stories and the emotional healing that comes through music. Listeners will be captivated by the inspiring music stories and the creative journeys that unfold in this rich conversation. Join us for a delightful exploration of music history and the art of songwriting as we celebrate the legacy of an iconic musician. Whether you're a lifelong fan of soul music or new to the genre, this episode promises to enlighten and entertain. Tune in to hear Swamp Dog's infectious spirit and passion for music and culture—a true testament to the power of creativity and the stories behind the songs that have shaped our lives. Don't miss this chance to walk alongside a legend and gain insights that will inspire your own music journey. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.
En ballon stiger over Christiansborgs ridebane en sommerdag i 1857, mens tusindvis af tilskuere følger med fra tribuner og slotsplads. Viktor Granberg står i gondolen og løsner fortøjningerne til sin silkeballon, Samson. Det, der begynder som et spektakulært øjeblik i 1800-tallets København, udvikler sig hurtigt til en situation, ingen har kontrol over. Vinden tager fat, ballonen mister kursen, og pludselig er den ikke længere et luftfartseksperiment, men et fartøj på kollisionskurs med byens tage. Episoden er skrevet og fortalt af Berit Freyheit Her finder du det, jeg har læst til episoden Facebook: Bag om Københavns podcast + nyhedsbrev Musikbidder er hentet fra FMA/Public Domain: Aaron Dunn - Minuet - Notebook for Anna Magdalena by Bach & Narcissus smells like headache by Monplaisir 134
"Humanism has been the dominant Western belief system of the last century. It's based on the worship of human wisdom, human creation, human experience, human mind, and psychoanalysis has very much emerged from this humanist tradition. We believe in psychoanalysis, that delving into our feelings, our thoughts, and our shared wisdom will allow us to access truth and meaning and find proper direction for navigating life. AI is changing all of that. Instead of trusting our feelings and our thoughts, people are turning to algorithms to make meaning of our experiences and to offer us direction. We're plugging in our data and allowing the algorithms, or Chat GPT or Claude, to do the thinking and the decision making for us." Episode Description: We begin with Freud in 1930: "Humanity would proceed to create unimaginably great advances in technology so as to increase our likeness to God." Amy outlines the challenge that AI poses to our humanistic tradition and values within which psychoanalysis makes its home. She starts with the 'cult grooming' aspects of smartphones, which introduces our exchanging "human dependence for AI companionship." The question of the subjectivity of AI is a central focus, with some analysts emphasizing its "simulation of human intimacy" and others considering that "is it not also possible for AIs to at the same time be intersubjectively engaged with us?" Regarding using AIs as a therapist, we discuss the clinical implications of "without there being two bodies in a room, the contact is shallow and lacking an essential human component." Amy describes "a desire for transgression" involving AIs as well as the associated search for immortality that they represent. She writes about Bach's prescient 2008 term of "digital consciousness" as contrasted with the "analog watch where one can see the hour from which the hand has come and the hour to which it is going." Amy shares that it was fear that motivated her personal interest in the AI world we are facing, and she closes with, "And how do we address what we are losing from within psychoanalysis?" Our Guest: Amy Levy, PhD, is a clinical psychologist and psychoanalyst. She chairs the American Psychoanalytic Association President's Commission on Artificial Intelligence, serves on the subcommittee "Artificial Intelligence" for the International Psychoanalytical Association, serves on the editorial board of The Psychoanalytic Quarterly, and is Editor of the Substack series, "AI in My Mind," for The Psychoanalytic Quarterly. Along with her fellow CAI chair, Todd Essig, she is producing a documentary film for APsA which examines AI from a psychoanalytic perspective for the general public, entitled: Uncharted Territory: Humans and the Rise of AI. Dr. Levy is in private practice in Chapel Hill, North Carolina. She is the author of the 2026 book, The New Other: Alien Intelligence and the Innovation Drive. Recommended Readings: Harari, Y. N. (2017). Homo Deus: A Brief History of Tomorrow. New York: HarperCollins. Knafo, D. (2024). Artificial intelligence on the couch: Staying human post-AI. American Journal of Psychoanalysis, 84: 155–180. Lemma, A. (2024). Mourning, melancholia, and machines: An applied psychoanalytic investigation of mourning in the age of griefbots. International Journal of Psychoanalysis, 105(4): 542–563. Shelley, M. (2003). Frankenstein. Penguin Classics. Solms, M. (2021a). The Hidden Spring: A Journey to the Source of Consciousness. New York: W. W. Norton. Suleyman, M. (2023). The Coming Wave: Technology, Power, and the 21st Century's Greatest Dilemma. New York: Crown.
The work of history's greatest composers resonates through the centuries, inspiring us with passionate expressions of music at its finest. And quite often, those symphonic masterpieces informed the work of great visual artists too. Numerous examples include Bach and Rubens, Mozart and Reynolds, Beethoven and Constable. But what inspired these maestros when they sat down to create these great works? For many, their work expressed the heart and voice of God, who they believed was the ultimate Creator. Join Horizon for MAESTROS, revealing God's beauty through music and art.
Preparations begin for the full moon, and Leo's interviews take on a new purpose. Content Warnings: Discussion of death and grief; extensive discussion of religion, hell and evangelism; Discussion of Recreational drug use (not depicted). Transcript: https://tellnotalespod.com/transcript-s2-e21-beg-forgiveness/ Written and produced by Leon Egan. In this episode you heard the voices of Asher Amor-Train as Frank Williamson, Leon Egan as Leo Quinn, Shannon Kelly as Julia Wilde, Phil Thompson as Riley Matkins, and Beatrice Vincent as Melanie Cameron. Intro and outro music by Lumehill Atmospheric music: Slow Solitude by Amber Glow and Metamorphosis by Laura Platt. Music and sound effects sourced from Epidemic Sound and Soundly The conveniently public doman music Leo chose to listen to today was Debussy's Prelude to the Afternoon of a Faun and Bach's Sonata No. 1 in G minor. Performances sourced from musopen.org Art by Ana Balaci Find more info on our website tellnotalespod.com or at @tellnotalespod on Tumblr Distributed by Twin Strangers Productions Support Tell No Tales by contributing to their tip jar: https://tips.pinecast.com/jar/tell-no-tales This podcast is powered by Pinecast.
durée : 01:58:44 - par : Corinne Schneider - Au programme de cette 386e émission, 3 nouveaux CD : les Messes brèves par l'Académie de Cologne, Michael Alexander Willens (dir.) ; « Bach à Köthen » (vol.3) par Les Arts Florissants, Paul Agnew (dir.) ; et les Suites pour violoncelle au traverso par Lorenzo Brondius Brondetta (Novantiqua, 13 mars) - réalisation : Anne-Lise Assada, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
To put a stop to humanity's rebellion against him, the Lord came down and confused their language. Can you imagine the creative potential for a director if this were adapted for the big screen? What did this confusion look like?Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).
Re-running this 1-800-SLOOTS while I recover from my Bach!! Recap up next week & thank u for giving me a week to cure my hangxiety. Love u sloots Xx pre-order DADDY ISSUES https://sofiafranklyn.com Follow Sofia on: Instagram - https://www.instagram.com/sofiafranklyn TikTok - https://www.tiktok.com/@sofiafranklyn Twitter - https://twitter.com/sofiafranklyn Threads - https://www.threads.net/@sofiafranklyn To learn more about listener data and our privacy practices visit: https://ww.audacvinc.com/privacy-policy To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
How did a teenage video game designer from London become a Nobel Prize-winning scientist behind one of the most consequential technology efforts in history? Sebastian Mallaby is a senior fellow at the Council on Foreign Relations and author of the new book, The Infinity Machine: Demis Hassabis, DeepMind, and the Quest for Superintelligence which provides an in-depth look into one of the greatest minds behind artificial general intelligence. In this episode, Sebastian and Greg discuss how Hassabis's early immersion in game design and neuroscience shaped his unique approach to artificial intelligence, why groundbreaking science is increasingly happening outside academia, and the tension between scientific discovery and corporate strategy. *unSILOed Podcast is produced by University FM.* Episode Quotes: Why AI is becoming an ‘infinity machine' 03:01: It struck me that two breakthroughs in AI pointed to more to come. And these were AlphaGo and then AlphaFold. And what these two things had in common was—you had a sort of massive combinatorial space in both cases. So with Go, because it's a nineteen-by-nineteen board, the very first move, there's three hundred and sixty-one choices, then there's three-sixty for the second one. If you multiply that out, you pretty soon get to a search space which is sort of, you know, approaching infinity in terms of the number of possible permutations in the game. And with proteins, the way they can fold is even bigger. And so in both of these challenges, effectively, you have a machine that can make sense of near infinity of data, so an infinity machine. And once you have that, I figured, well, it's niche for the moment, but it may not stay niche forever. The “Third Way” that helped Google overcome the innovator's dilemma 44:06: The third way is you have a skunkworks, like DeepMind in London, which is a separate entity, and you're letting them kind of be the new policy in waiting, like the fightback policy in waiting. And you don't activate it. But when the moment comes when your competitor embraces the new technology, and you're in danger of falling foul of the innovator's dilemma, then you've got the answer because you've been keeping it ready, and you bring it in, and then you fight back fast. How DeepMind helped Google catch up in the AI race 42:54: How did they, in the space of two and a half years, go from the merger announcement to Gemini 3.0, which was better than the ChatGPT rivals? The key to it is that DeepMind had that top-down strike-team methodology, which came from the video game development world, and they imposed that on the Mountain View team, which was much more bottom-up and kind of inchoate in the research process. And that's what generated Gemini 3.0. That's how they got ahead. Show Links: Recommended Resources: Sebastian Mallaby | unSILOed AlphaGo AlphaFold Gödel, Escher, Bach by Douglas Hofstadter Geoffrey Hinton Mustafa Suleyman Guest Profile: Senior Fellow Profile at Council on Foreign Relations Professional Profile on LinkedIn Guest Work: The Infinity Machine: Demis Hassabis, DeepMind, and the Quest for Superintelligence The Power Law: Venture Capital and the Making of the New Future More Money Than God: Hedge Funds and the Making of a New Elite The Man Who Knew: The Life and Times of Alan Greenspan Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
durée : 00:05:55 - par : Corinne Schneider - Focus sur les deux concerts de cette fin de semaine. Les "Membra Jesu Nostri" de Dietrich Buxtehude à l'église Saint-Jacques, qui abrite les deux derniers orgues historiques de Lübeck, et la Messe en si mineur de Bach à l'honneur pour le grand concert anniversaire à la cathédrale. - invités : Corinne Schneider Productrice Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
durée : 00:06:16 - par : Corinne Schneider - En ce quatrième jour, retour sur les 17 kilomètres de marche ce mercredi de Pygmalion de Lünebourg à Lübeck, la traversée en bateau du Lac de Ratzebourg jusqu'à Rothenhusen et l'arrivée à Lübeck où se prépare le concert des Membra Jesu Nostri de Dietrich Buxtehude dans l'église Sankt Jakobi. - invités : Corinne Schneider Productrice Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
durée : 00:05:33 - par : Corinne Schneider - Les Chemins de Bach sont aussi l'occasion de visites patrimoniales : retour sur les manuscrits de la Bibliothèque Herzog August de Wolfenbüttel, avant une immersion au cœur du travail de Raphaël Pichon et de Pygmalion à l'écoute d'un extrait de répétition du concert « Vertigo »… - invités : Corinne Schneider Productrice Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
A trio of middle schoolers deliver impressive solo performances of Bach, Popper, and Saint-Saens with host Peter Dugan. See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy
Y&T frontman Dave Meniketti joins Eddie Trunk to share his journey through prostate cancer recovery and his clean bill of health four years later. The 72-year-old rock veteran explains his decision to scale back Y&T's touring schedule from 60-80 shows to more manageable runs, while emphasizing he has no plans to retire. Then, Sebastian Bach sits down with Eddie Trunk to share the unexpected story of how he became Twisted Sister's new frontman. Bach reveals his longtime fandom of the band, particularly their early punk-influenced albums like 'Under the Blade' and 'You Can't Stop Rock and Roll.' He discusses his rehearsal experience with Jay Jay French and the band, his favorite Twisted Sister songs to perform, and how he plans to bring back their ferocious live energy. Last but not least, Japanese heavy metal pioneers Loudness' vocalist Minoru Niihara and guitar virtuoso Akira Takasaki join Eddie Trunk and Sebastian Bach to share wild stories from their 45-year career. The band discusses touring with Mötley Crüe in the 80s, their MTV breakthrough with 'Thunder in the East,' and the challenges of recording English lyrics as non-English speakers. In a hilarious moment, Akira finally reveals the meaning behind their iconic phrase 'MZA' from 'Crazy Nights.' Catch Eddie Trunk every M-F from 3:00-5:00pm ET on Trunk Nation on SiriusXM Faction Talk Channel 103.And don't forget to follow Eddie on X, Instagram & TikTok!Follow the link to get your free 3-month trial of SiriusXM: http://siriusxm.com/eddietrunk Find all episodes of Trunk Nation: https://siriusxm.com/trunknation Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.