Podcasts about bach

Classical Magic EZkeys MiDi Team ARCADiA | 21 September 2026 | 16.90 MB Hundreds of years after the likes of Chopin, Bach and Beethoven first wrote their masterpieces with ink […]

Bach's cello suites are some of the most recorded, most studied music ever written, which raises a risky question: can you add anything to them without breaking what makes them timeless? We explore that question with Brick House Duo, cellist Jennifer Kloetzel and violinist Peter Wilson, as they share the story and craft behind their album The Bach Wilson Project and the life partnership that powers it. Peter's path is anything but standard: he spent 30 years as a Marine violinist with “The President's Own” United States Marine Band, serving as senior enlisted music advisor and performing for five U.S. presidents. That world demands range, speed, and a willingness to jump styles, from chamber music to pop to specialty ensembles built for White House needs. When the pandemic shuts everything down and distance separates him from Jennifer, a spark from the Bach-Gounod Ave Maria idea turns into a full-scale composition project: six original violin descants written over each of Bach's cello suite preludes, creating a true violin and cello duet without altering Bach's original notes. Jennifer tells us what it's like to play Bach's preludes with a second voice in the air: less autopilot, a tighter agreement on tempo and phrasing, and a surprising side effect where the new violin line can linger in her imagination even when she returns to solo Bach. We also get into the trickiest writing decisions, including how to handle the fifth suite fugue without “tampering,” plus how they round out the album with smart transcriptions and crossover choices, from Bach's keyboard duets to the Bach-Brahms Presto and Beatles-inspired tracks like Penny Lane and Here Comes The Sun. If you love Bach, chamber music, arranging, and the behind-the-scenes reality of building a meaningful classical project, hit play now, then subscribe, share with a musician friend, and leave a review so more listeners can find the show.For more information on Jennifer and Peter and to purchase their album: https://peterwilsonmusician.com/the-brickhouse-duo/You can also find Jennifer on Facebook and Instagram: @jkcellodivaAnd Peter Wilson: @peterwilsonmusicianIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, Threads & YouTube: @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

Wann hast du das letzte Mal etwas erreicht, ohne das Bedürfnis zu haben, es irgendjemandem zu zeigen?Wir leben in einer Welt, in der nahezu alles öffentlich gemacht wird: das neue Auto, das Workout, der Erfolg, die Beziehung, der Kontostand. Doch hinter dem Drang, gesehen zu werden, steckt manchmal etwas ganz anderes: der Wunsch nach Bestätigung.In dieser Folge geht es darum, warum wahre Stärke nicht unbedingt laut sein muss und weshalb die wichtigsten Phasen deines Wachstums genau die sein können, die niemand mitbekommt.Du erfährst, warum permanente externe Bestätigung deinen Selbstwert abhängig machen kann, weshalb Privatsphäre eine Form von Selbstführung sein kann und warum echte Meisterschaft ungeteilte Aufmerksamkeit verlangt.Es geht nicht darum, nie wieder etwas zu posten oder sich von allen Menschen zurückzuziehen.Es geht um die Frage: Baust du dein Leben, weil es deinem eigenen Weg entspricht – oder baust du es für die Reaktion der Zuschauer?Ein flacher Bach macht viel Lärm. Ein tiefer See ist still.Du musst nicht jedem zeigen, woran du arbeitest. Du musst nicht jeden Fortschritt dokumentieren. Und du musst nicht gesehen werden, um zu wachsen.Manchmal besteht der nächste Schritt darin, eine Weile zu verschwinden, in der Stille zu bauen und als ein Mann zurückzukommen, der niemandem mehr beweisen muss, wer er geworden ist.Let's go, Champ. Action. Power. Vorwärts.

Hope you are having a lovely day! Today Ms. Caitlin has a cute kids book for you and she is very excited to read to you today! Today we have Caitlin who will be reading "Sasha Feels Shy" by Natalia Shaloshvili! A cute story that one patron said was their "favoritest ever."As always this book was selected from our library! Kids and Parents can read along with us, in this read aloud story time! Be sure to check out your local Library to check out what books they may have! If you prefer E-Books, sign into the Hoopla or Libby app using your Library Card and follow along from there!- Check out the Library Systems official website where you can find links to free resources, school and career guides, and news about our upcoming events! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.pawls.org/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -Follow us on YouTube and enjoy our backlog of digital story hours and other great content! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.youtube.com/@pawls365⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Original background track is Concerto for Two Violins by Bach.Alterations were made by us to make it fit the length of our content.Brought to you from the Pike-Amite-Walthall Library system.#library #books #pawlskids #kidsstorytime

Flower essences represent the spirit of the plant, offering a safe and effective method for emotional healing and self-discovery. They can help you gently navigate life’s transitions, ease anxiety, calm a restless nervous system, and deepen your self-trust. How Colleen Came to Work with Flower Essences Colleen Schaffer has been passionately curious about flowers and plants since she was a little girl. She recently left a 20-year career in corporate real estate to work with flowers, plants, and offer energy healing full time. While looking at my intuitive Edge website to prepare for this episode, Colleen realized “This is literally why I left my career. You have to remember how magical you are.” Her favorite place to be is still outside. She loves looking at plants and seeing what’s popping up. As she says, “there’s a lot that we can learn just through observation.” If you look closely at a plant, she insists you can often get real clues about its healing properties. What Is a Flower Essence? A flower essence represents the spirit of the plant. Colleen explains that it’s made by placing fresh flowers into water, creating an infusion with sunlight. From there, you dilute the essence several times, so it works like a homeopathic remedy. In a way, what remains is the electrical or energetic information of the flower, which is the highest expression of the plant. This kind of remedy works well with your own energy and electrical system. It’s a very safe way of healing and working through emotional issues. As Colleen puts it, flower essences are great for people learning to heal themselves and trust their own intuition. You really can’t go wrong with them, take it the wrong way, or take too much. They are so gentle. The mother formula is preserved with alcohol and for this, Colleen usually reaches for 100-proof vodka. Others prefer to preserve it with brandy. For the dosage bottles she sends home with clients, she often uses a red shiso base instead. This is a plant-based alternative for anyone sensitive to alcohol. When Flowers Talk Back Before making an essence, Colleen sits with the plant to get to know it. She doesn’t feel like she receives messages from angels or spirits — but she does get insights from the plants themselves. “It sounds like my own voice in my head,” she says, “but it’s smarter than me and way more insightful.” I have my own version of this. Over 30 years ago, setting up pots on my first front porch, I was about to plant dahlias when I heard, “Plant me in a big pot because I’m going to grow big.” There was no effort made to communicate with plants. I’d never heard a plant talk before. The Findhorn Garden in Scotland open this amazing even more for me. In the late 1960s, the founders — broke, having lost their jobs in hotel management, working land that wasn’t built for growing anything — were guided to plant a garden anyway. One was drawn to nature spirits and elementals, one received messages from God, another talked with what she called the overlighting angels of the land. They’d need wood, and it would fall off a truck in the road. And the garden grew cabbages that weighed 40 pounds. Reading about this sent me down an enchanting rabbit hole of nature-spirit stories. I also read The Elves at Lily Hill Farm, which is about a vineyard tended by unseen helpers. Working with any plant can bring back that same childlike wonder. How does a maple tree know how many leaves it needs? How does a little whirling seed become a whole tree? One year, I noticed my maple trees had flowers. They were tiny green ones I’d never spotted before.  There’s a lot to learn if you can settle yourself, relax, and actually open your eyes. How Colleen Works with Clients When Colleen works with Reiki clients, the essence that person needs will come as a vision or its name will come to mind. That’s what guides the personalized bottle she sends home with them afterward, pulled from hundreds of formulas she’s built over the years. Sometimes one essence is the most powerful thing you can use. Other times Colleen blends two to six. Some commercial formulas go much further like Green Hope Farm's anxiety blend which uses close to 30 different flowers. According to Colleen, plant medicine is intelligent enough to go where they’re needed, the same way energy work does this. What’s meant to find you will find you. I was drawn to Wild Oat, during a stretch of feeling a little lost about my direction. Colleen loves working with this essence too. She had one client stay on it for months, feeling calmer while she worked through a big decision. Colleen compares the way Wild Oat feels to, “a bowl of oatmeal that's warm and comforting.” Flower Essences vs. Tinctures – Not the Same Colleen also makes tinctures, which is an herbal remedy meant for something closer to a medicinal response. An alcohol-based tincture gets into your bloodstream faster to address a physical issue and often use of the plant than just the flower. Flower essences are a different tool entirely. They’re made to address emotional situations and peel away the layers beneath the surface. Rescue Remedy (and the related Five Flower Essence formula) is the most common first flower essence people use. These remedies are created to help with something urgent and even safe for kids and animals. I watched my friend calm her fear of heights while on a tram that climbed to the top of a mountain. A few drops worked beautifully! There are lots of remedies for anxiety, like Bach flower Rescue Remedy lozenges. Tulsi tea soothes your nervous system. So does skullcap, which I've taken before bed to settle the nervous system and sleep better. When you start looking up what helps with anxiety, lots of options will surface. Where to Start Colleen’s advice for anyone curious but new to all this is to start by going outside. Not necessarily with flowers from a garden center. Feel free to connect with the weeds coming up behind the shed or whatever’s growing through a crack in the sidewalk. Find something you don’t recognize and look it up. A simple Google image search works, or an app like PlantNet. From there, think about the emotional situation you’re in, then look up a remedy that fits. Colleen believes in using your intuition as the real backup, but you can also search the books. While she has plenty of references material, the final check is always with herself. Even holding an unfamiliar bottle in your hand for a minute will tell you something. Notice how you feel. Do you feel relaxed? That's probably a good match. Feeling buzzy or uptight? That's probably not the right remedy, at least not right now. If you've ever listened to my podcast or read my newsletter, than you know I'm all about trusting yourself. Whatever comes to mind first — don’t question it. That’s the answer, so go with it. Key Flower Magic Takeaways Flower essences work on the emotional level, not the physical one. They’re for feelings, not symptoms, and you genuinely can’t “take them wrong.” You don’t need a garden to start. The weeds behind your shed or coming up through the sidewalk carry just as much information as anything from a store. The Bottle Test: Hold the flower essence remedy bottle and notice how you feel. If you feel relaxed, that means it’s a match. Buzzy or uptight means keep looking. Rescue Remedy is the simplest place to start if you want something for an urgent, in-the-moment situation and it’s safe for kids and pets, too. Your first instinct is almost always the right one. Don’t talk yourself out of it. FAQs What are flower essences? Flower essences are energetic preparations made from flowers and water. They are traditionally used to support emotional well-being, self-discovery, and navigating life transitions. What do flower essences help with? Flower essences are commonly used for emotional concerns such as anxiety, fear, uncertainty, overwhelm, and difficulty trusting yourself. Different essences are associated with different emotional states. How do you choose a flower essence? Start by identifying the emotional situation you want to work with and researching essences traditionally associated with that feeling. You can also use your intuition and notice how you feel when you hold the bottle or consider a particular remedy. Are flower essences the same as herbal tinctures? No. Herbal tinctures contain plant constituents and are traditionally used as herbal remedies to address physical symptoms. Flower essences are used primarily as energetic support for emotional situations. What is Rescue Remedy? Rescue Remedy is a well-known flower essence blend traditionally used during stressful or emotionally intense situations. It is one of the most familiar flower essences for people who are new to this practice. { "@context": "https://schema.org", "@type": "FAQPage", "mainEntity": [ { "@type": "Question", "name": "What are flower essences?", "acceptedAnswer": { "@type": "Answer", "text": "Flower essences are energetic preparations made from flowers and water. They are traditionally used to support emotional well-being, self-discovery, and navigating life transitions." } }, { "@type": "Question", "name": "What do flower essences help with?", "acceptedAnswer": { "@type": "Answer", "text": "Flower essences are commonly used for emotional concerns such as anxiety, fear, uncertainty, overwhelm, and difficulty trusting yourself. 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Flower essences are used primarily as energetic support for emotional situations." } }, { "@type": "Question", "name": "What is Rescue Remedy?", "acceptedAnswer": { "@type": "Answer", "text": "Rescue Remedy is a well-known flower essence blend traditionally used during stressful or emotionally intense situations. It is one of the most familiar flower essences for people who are new to this practice." } } ] } BIO – Colleen Schaffer Colleen has been passionately curious about flowers and plants since she was a little girl, and recently left her 20+ year career in Corporate Real Estate & Property Management to immerse herself full time in the world of flowers, plants and energy work. A Reiki Master and Flower Essence Practitioner, Colleen has been hosting moon circles and “girls' nights” for decades. She has been studying and practicing Reiki since 2012, and completed her mastership with Beth Leas in 2014. She is a Certified Flower Essence Practitioner and completed Rosemary Gladstar's Art & Science of Herbalism training with Lupo Passero at Twin Star Herbal Education in 2016. Her holistic practice uniquely combines Reiki energy healing with the power of customized flower essences, which gently address the mental and emotional aspects of a person's well being. She is a lifelong resident of CT, living in Ridgefield with her husband, two daughters, and two excellent cats. Website – www.203reiki.com Email – 203reiki[@]gmail.com The post Flower Essences Offer Emotional Rescue appeared first on Intuitive Edge.

Hey board gamers, we are back in the Gumbo Pot, but this time, we are chatting with the designer of one of our favorite games of 2025, MAP MASTERS designed by IAN BACH & CEDRICK CAUMONT and published by CAPTAIN GAMES.  MAP MASTERS is a lively little "five card dungeon run" game that has a puzzle aspect, some real time stress, the joy of designing and running a dungeon and a tiny bit of personalization to your own special powers. It's fantastic!  Ian shares us the story of coming up with the design, some of his hobbies, working with the legendary Mike Fitzgerald, and his recent plays of LORD OF THE RINGS: TRICK TAKING GAMES.  Plus, there's some lagniappe, as BJ and Ian talk about a potential digital version of MAP MASTERS and discuss their current ENVIE games.  So sit back with a loaded Chivito sandwich and a nice warm cup of Mate, and enjoy another episode of Lagniappe!  Laissez les bon temps rouler!

¿De dónde surge realmente la inspiración de los grandes compositores?El Dr. Manuel Sans Segarra y el musicólogo Oriol Pérez Treviño reflexionan sobre el misterio de la creación musical, la inspiración y su posible conexión con la Supraconciencia.A través de compositores como Bach, Beethoven, Brahms y Puccini, exploran por qué algunas obras parecen trascender el tiempo y qué podría existir detrás de ese impulso creativo que transforma una idea en una obra inmortal.

Wohl verdient bekommt ihr ein Lebenszeichen von euren zwei Lieblingspodcastern. Und Lebenszeichen kann man es wirklich nennen, denn bei uns gibt es einiges zu erzählen.Was geht bei uns eigentlich so ab? Was lesen wir, was schauen wir und wo sind wir überhaupt? Dazu gibt's die ein oder andere Anekdote, den ein oder anderen Hot Take und heute haben wir definitiv Lust auf Kontroverse. Das ein oder andere quotable Zitat ist natürlich auch dabei.In der zweiten Hälfte der Folge kommen wir natürlich nicht an One Piece und dem aktuellen Geschehen vorbei. Wir sprechen über die neuesten Entwicklungen und unsere Gedanken dazu. Stellt euch auf ordentliche Kritik ein – fast schon in Rage reden wir uns hier.Dennoch: eine entspannte Laberfolge zum Wiedereinkommen. Viel Spaß beim Zuhören!

Dans cet épisode, je vous propose 5 fleurs de Bach qui peuvent être utiles pour cette période de rentrée mais aussi pour toutes les périodes de transition, et elles sont nombreuses dans la vie puisque rien n'est figé et tout bouge en permanence. On peut parler de changement dans un lieu de vie (de déménagement), de changement de travail, de transition hormonale par exemple lorsque l'on est en périménopause, … Ressources mentionnées : Ep 80 - Stress, peur, découragement : 6 fleurs de Bach essentielles pour le quotidien - https://aqui-ba-pla.lepodcast.fr/80-stress-peur-decouragement-les-6-fleurs-de-bach-essentielles-pour-le-quotidien Je suis Audrey Boyer, naturopathe certifiée et masseuse bien-être. Depuis 2023, je sillonne l'Occitanie avec mon micro pour interviewer des amoureux du vivant. Chaque mardi, je vous partage des conseils concrets et des rencontres inspirantes pour mieux prendre soin de vous et du monde qui nous entoure. Retrouvez-moi sur les réseaux sociaux @natur_audrey ou sur mon site internet www.audrey-boyer.fr

Os prelúdios corais de Johann Sebastian Bach são peças muito curtas, com pouco mais de um minuto de duração, no máximo, mas que constituem os exemplos máximos da arte da harmonização vocal, ou seja, a arte de combinar as quatro vozes – soprano, contralto, tenor e baixo – num todo harmônico. Sobre eles, o musicólogo estadunidense Luke Dahn afirma que "essas concisas joias musicais serviram e continuam a servir até hoje como superlativos modelos para o estudo da harmonia e do contraponto, pois demonstram um domínio sem paralelo da harmonia". Estão preservados mais de 400 corais de Bach. Nesta edição, Manhã com Bach exibe 30 dessas peças, além de apresentar a cantata Ich lebe, mein Herze, zu deinem Ergötzen, “Eu vivo, meu coração, para o teu deleite” (BWV 145). Ouça o podcast no link acima. Este podcast reproduz o programa Manhã com Bach, da Rádio USP (93,7 MHz), transmitido nos dias 12 e 13 de setembro de 2026. Dedicado à divulgação da música do compositor alemão Johann Sebastian Bach (1685-1750), Manhã com Bach vai ao ar pela Rádio USP (93,7 MHz) sempre aos sábados, às 9 horas, com reapresentação no domingo, também às 9 horas, inclusive via internet, através do site da emissora. Às segundas-feiras ele é publicado em formato de podcast no site do Jornal da USP. As edições anteriores do podcast Manhã com Bach estão disponíveis neste link.

Join The Revd Canon Dr Alison Joyce, Rector of St Bride's, and St Bride's Choir for this week's reflection in words and music. The composer Michael Tippett was born in 1905 and became a confirmed pacifist as a consequence of which he eventually spent two months in prison in 1943. He composed the oratorio "A Child of Our Time" in reaction to the 1938 Kristallnacht pogrom in Magdeburg, beginning the work shortly after the outbreak of war and completing it in 1941. Our reflection opens with "Steal away" – the first of the set of "Five spirituals" which are interspersed throughout the oratorio and act like Bach chorales within the narrative. The reading from Matthew speaks of forgiveness and relates Jesus's parable of the unforgiving servant. Alison reflects that she finds this parable – which seemingly leaves us with a satisfying sense of poetic justice – one of the most disturbing stories in the New Testament. We close with the hymn "Be Thou my guardian and my guide" written by the nineteenth century poet and priest, Isaac Williams, who was a member of the Oxford Movement. Information about our weekly Sunday services in St Bride's of Choral Eucharist at 11am (www.stbrides.com/worship-music/wo…horal-eucharist/) and Choral Evensong at 5:30pm (www.stbrides.com/worship-music/wo…choral-evensong/) can be found on the website. Find out what's happening at St Bride's at www.stbrides.com/whats-on If you enjoy listening, please leave a comment below or subscribe to our channel. It is great to get your feedback. SUPPORT ST BRIDE'S ================== We are hugely grateful for people's generosity which we wholly rely on to continue our work, maintain our wonderful architectural heritage and support world-class music-making. People are often surprised to learn that St Bride's receives no external funding. If you would like to make a donation, you can do so at www.justgiving.com/stbrideschurchfleetstreet

Stephanie from "She's All Bach" joins me to discuss the recent legal letter she received from ABC about her podcast, the Julie LaPlaca story, Alex Cooper versus Alix Earle, & how does she feel about a Bachelorette season now, plus much, much more.Music written by Jimmer Podrasky (B'Jingo Songs/Machia Music/Bug Music BMI)Ads:ZocDoc – Click on https://zocdoc.com/RealitySteve to find and instantly book a top rated doctor today. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

durée : 01:28:24 - par : Aurélie Moreau - Dormant dans des bibliothèques, vouées à l'oubli ou longtemps jouées dans des arrangements, des œuvres originales n'ont pas connu une célébrité immédiate. Parmi leurs auteurs : Vivaldi, Bach, Haydn, Schubert, Bizet, Bruckner, Rachmaninov… - équipe : Cécile Bonnet des Claustres, Yuthou-Diego Hak-Lopes - invités : Aurélie Moreau Productrice Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Otter ist verwirrt: Hinten am Bach hat jemand jede Menge Wasserpflanzen verspeist. In der feuchten Erde findet er nur Spuren, die ihn an Entenfüße erinnern. Seit wann fressen Enten Röhricht und wie sollten sie den mit ihren Schnäbeln überhaupt umnagen? Anna hat schon einen Verdacht ...

In Episode 2 on Danzig (‪@DanzigVerotik‬), Glenn simultaneously makes a Heavy Metal masterpiece and a generational Blues album? How? We explore every angle on GMP! Rick Rubin "keeps working his magic," and Don reveals the history of the album, and the secret meaning behind the title. Remember to like and subscribe to our other channels, including:‪@GhostCultMag‬ ‪@talkingthetalkwithdon‬ ‪@GhostCultKeefy666‬ ‪@GhostCultLive‬ References: Dad jokes, Grill Em All, Liar Liar, Christopher Walken, Unsheddable schitck, Dutch things and Dutch Rudders, the lost VH record, Felder or Bach, Ernest Borgnine, UNO or Uno, Kreskin or Merlin, Bootleg shirts make a comeback, Laserdiscs or minidiscs, Almost Famous, Fairuza Balk forever, Gonzo, The Matrix, the best football story ever told, Nik's favorite football team is the Arizona Rattlers, worst Xmas songs, the blues, Evil Elvis, The Doors worship, Metallica, blunts and forties, and more! Buy Don's shirts and support his weed habit! https://southeastofheaven.threadless....Check out our last series on @gunsnroses :   • Guns N Roses

We listen to and analyze Dancing Mad, the masterpiece final boss battle music from Final Fantasy VI. What techniques does Nobuo Uematsu use to invoke Bach fugues and which are more akin to classic rock like Emerson, Lake, & Palmer? How does it so expertly give voice to the villain, the ruined world, and even our heroes? Let's listen!

The first thing you’re going to notice about this episode is the change of music. The new recording is Kimiko Ishizaka’s performance of the 9th of Bach’s Goldberg Variations, from her wonderful Open Goldberg Variations project. I hope you enjoy it! Three readings of mine get a mention in this podcast: Guidance for the week at Grittleton: Hexagram 51, Shock, changing at lines 1 and 4 to 2, Earth. changing to How to cope with the bog of 51.4? 4 unchanging – Not Knowing And advice for the next phase – Hexagram 1, Creative Force, changing at 1, 3, 4 and 5 to 4 again: changing to I’ll explain them all in the episode! Links I mentioned… Mountain above, about the name and trigram picture of Hexagram 4. Mark Silver on ignorance as a divine fence Grittleton! and also Young Grittleton, where players aged between 11 and 18 achieve extraordinary things. And not least, this is where you can book your own podcast reading (The photo for this post is of my ‘cello with a few of his friends and relations in the corridor at Grittleton.)

durée : 01:29:23 - par : Aurélie Moreau - Paul Tortelier, violoncelliste exceptionnel, avait un don d'expression particulièrement riche, qui fit dire à Pablo Casals « Ce que j'aime dans votre façon de jouer, c'est que ça parle ! » (Télérama). Aujourd'hui : Elgar, Walton, Chopin, Bach… - équipe : Cécile Bonnet des Claustres, Yuthou-Diego Hak-Lopes - invités : Aurélie Moreau Productrice Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Donna Bach is a naturopath, herbalist and chiropractor. She has been working with the Mind Mirror EEG system for years, evaluating the changes to the brain as people enter healing and transcendent states. One of her scientific studies showed dramatic changes in immunity, blood pressure, pain, and cortisol after a week of energy healing. It has been cited by some 300 other researchers.   Here she and Dawson discuss: How to lift ourselves up to a high vibrational frequency Donna's background Living in an entangled universe Love and compassion  Listening intently and energetically with grounding  Why brain waves change in real time when a person receives energy work EFT - tapping on acupuncture points Why pain, heart, gut issues all improve when stress decreases What a remote Zoom session looks like   Reach out to Donna at: https://naturalhealthcarecoach.com/   Connect with host Dr. Dawson Church at: http://dawsongift.com/   To purchase Dawson the 20th Anniversary Edition of The Genie in Your Genes:  https://www.amazon.com/Genie-Your-Genes-Epigenetic-Consciousness/dp/1604153202/   #mindtomatter #blissbrain #spiritualintelligence #eft #meditation #highenergyhealth #genieinyourgenes #energypsychotherapy #neuroscience #epigenetics #healing #energy #naturopath #tapping  

Is leadership overrated? That's one simple reading of what Jared Diamond argues in his new book. Asked by Tyler to name the least replaceable leader in human history, Jared declines to name one — not Christ, the Roman Empire having had prophets to spare — and observes that even Genghis Khan happened to be born at an auspicious moment for a conqueror of the steppes. Conditions ripen; somebody turns up. So which leaders do make a difference?   Tyler and Jared debate that question, including conditions what a religious founder needs to succeed, whether destructive leaders matter more than constructive ones, why individual leaders have mattered so little in Papua New Guinea, whether we undervalue preventers, how much Rachel Carson and the Resnicks really mattered, whether Botswana's success will endure, Jared's own place in intellectual history, and what he'd tell an ambitious 25-year-old about how to become consequential. They go on to cover whether New Guineans are smarter, his reasons for why the Industrial Revolution started in England, what he learned from Jim Robinson about natural experiments, why he's more optimistic about the environment than when he wrote Collapse, what he'd do about nuclear risk, the 189 bird species on his street in Los Angeles, why the MacArthur "genius grant" left him depressed for a week, why he's listening to one Bach cantata a week, what he hopes to work on as he enters his nineties, and more. Read a transcript enhanced with helpful links, or watch the full video on YouTube. Recorded August 21st, 2026. Other ways to connect Follow us on X and Instagram Follow Tyler on X Sign up for our newsletter Join our Discord Email us: cowenconvos@mercatus.gmu.edu  Learn more about Conversations with Tyler and other Mercatus Center podcasts here. Timestamps: 00:00:00 - Intro 00:01:11 - On whether any leader is irreplaceable 00:21:35 - On his own replaceability 00:24:55 - On the decline of face-to-face skills 00:29:02 - On intelligence and genetics 00:32:57 - On why the Industrial Revolution began in England 00:36:38 - On environmental optimism 00:41:11 - On nuclear risk and the Dvorak keyboard 00:42:55 - On birdwatching 00:44:07 - On writing and productivity 00:47:06 - On what his parents gave him 00:49:51 - On what comes next 00:51:36 - Outro

durée : 00:21:55 - par : Lionel Esparza - La Passion selon Saint Jean par Raphaël Pichon immense interprète de Bach - équipe : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

In this episode, Rochana and Kathleen explore neurodiversity and the application of Bach flowers as a balancing, stress-reducing complementary therapy for people with Autism, ADHD, and other forms of neurodivergence. We reframe some of the traditional, often judgmental, Bach flower descriptions into a more modern, neuro-affirming framework that supports lived experience rather than treating brain differences as disorders. Rochana brings in her story as a late-diagnosed AuDHD woman as we discuss Heather, Pine, Hornbeam, Elm, Olive, and Agrimony in the context of common neurodivergent challenges such as executive functioning, sensory overwhelm, burnout, masking, self-focus, and shame. We'll also be doing a deep dive into some of these essences in our upcoming live cohort of Bach Flowers in Contemporary Practice, the last in the series, taught by Ruth and Kathleen beginning Sept. 24th. 00:00 Opening 03:03 Neuro framing 13:15 Heather 19:20 Pine 24:15 Hornbeam 30:54 Elm  32:00 Olive 34:15 Elm and Olive 36:00 Industrial society 39:14 Agrimony 42:43 Contemporary Practice 44:54 Closing  

durée : 00:04:00 - par : Hippolyte Pérès, Charlotte Landru-Chandès - Ce matin, nous écoutons l'air "Ich habe genug" BWV 82 de Jean-Sébastien Bach, interprété par le baryton-basse Hans Hotter, accompagné du Philharmonia Orchestra dirigé par Anthony Bernard. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:02:50 - par : Hippolyte Pérès, Charlotte Landru-Chandès - Au programme ce matin, nous écoutons le troisième mouvement de la "Partita n°1 pour piano en Si bémol majeur" (BWV 825) de Jean-Sébastien Bach par Rafał Blechacz. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:59:23 - par : Corinne Schneider - Ouverture de la Saison 10 avec des places à gagner pour le concert anniversaire du 27 septembre (Auditorium de Radio-France) et 2 nouveaux CD : les Motets par Hans Christoph Rademann et la Gaechinger Cantorey de Stuttgart (Accentus, 28 août), le volume 6 de l'organiste Kei Koito (Claves, 26 juin). - équipe : Arthur Rayrole, Marie-Christine Ferdinand, Gabrielle Charpentier Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:00:04 - par : Priscille Lafitte - François Sureau parle souvent de littérature et de politique en interview, plus rarement de musique. Voici l'occasion d'entendre l'écrivain relater ses souvenirs personnels du pianiste Vladimir Horowitz, professer son admiration pour Dinu Lipatti, et entonner tant Bach que la chanson militaire... - équipe : Claire Lagarde, Maud Noury - invités : François Sureau Avocat, écrivain, poète, membre de l'Académie française Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:59:22 - par : Gabrielle Oliveira Guyon - Au programme ce samedi : Schumann, Vanessa Wagner interprète Philip Glass, l'ensemble La Petite Bande joue Bach, "Le soleil et la lune" de Charles Trenet. - équipe : Emmanuel Benito, Camille Joste Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:04:23 - par : Producteurs en alternance - Ce matin, nous écoutons le chœur de la cantate "Alles nur nach Gottes Willen" (BWV 72) de Jean-Sébastien Bach interprété par l'ensemble de la Petite Bande, la soprano Anna Gschwend, la contralto Lucia Napoli, le ténor Stephan Scherpe et la basse Thomas Bauer, sous la direction de Sigiswald Kuijen. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:04:24 - par : Gabrielle Oliveira Guyon - Au programme ce matin, le presto du "Concerto en Fa min" (BWV 1056) de Jean-Sébastien Bach interprété par la pianiste Maria João Pires avec l'Orchestre Gulbenkian de Lisbonne, sous la direction de Michel Corboz. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Episode #439 of BGMania: A Video Game Music Podcast. Today on the show, Bryan and Bedroth have a long overdue one. We're finally highlighting the career of Michiru Yamane, a composer whose name has become inseparable from gothic grandeur even as her catalog stretches far beyond the castle walls she's best known for. After studying composition at Aichi Prefectural University of Fine Arts and Music, where she built her thesis around Bach, Yamane joined Konami in 1988 and spent over two decades there, composing for more than forty games. From tiny handheld chips and loud arcade cabinets to the orchestral heights of Castlevania: Symphony of the Night, she proved again and again that a classical foundation could bend to almost any hardware, genre, or mood. We're tracing the full arc of Yamane's journey, from one of her earliest credited jobs in 1990 all the way to the Castlevania theme that launched her legend. Along the way, we stop in on lush RPG worldbuilding, a beat-'em-up that never left Japan, a jazz-soaked fighting game, an indie love letter to the exact genre she helped define, and the freelance era that saw her wandering happily outside her comfort zone. From haunted halls to lounge-jazz curtain calls, this Composer Appreciation episode is dedicated to an artist whose fingerprints are all over the medium, whether you realized it or not. Email the show at bgmaniapodcast@gmail.com with requests for upcoming episodes, questions, feedback, comments, concerns, or any other thoughts you'd like to share! Special thanks to our Executive Producers: Jexak, Xancu, Jeff & Mike. Feedspot's Top 39 Best Video Game Music Podcasts Discussed on the Show: https://podcast.feedspot.com/video_game_music_podcasts/ EPISODE PLAYLIST AND CREDITS Stage 1-2 Traffic Jam Sewers, Stage 4-2 Waste Dump Caves from Teenage Mutant Ninja Turtles: Fall of the Foot Clan [Michiru Yamane, 1990] Power in The Darkness from Vendetta [Michiru Yamane, 1991] Vinay Del Zexay from Suikoden III [Michiru Yamane, 2002] The Three of Us as One! Battle Start from The Sword of Etheria [Michiru Yamane, 2005] Ending Theme from Ganbare Goemon 2 [Michiru Yamane, 1989] Wood Carving Partita from Castlevania: Symphony of the Night [Michiru Yamane, 1997] A Toccata into Blood Soaked Darkness from Castlevania: Curse of Darkness [Michiru Yamane, 2005] Beyond the Fog and the Tears -Stage 5- from Mushihime-sama Bug Panic [Michiru Yamane, 2010] The Sewers from Monster Boy and the Cursed Kingdom [Michiru Yamane, 2018] Ark of Promise -Instrumental- from Arcalast [Michiru Yamane, 2019] Symphonic Poem -Planet Orbit- from Otomedius Excellent [Michiru Yamane, 2011] In a Moment's Time from Skullgirls [Michiru Yamane feat. Geila Zilkha, 2012] Ritual Of The Night from Bloodstained: Ritual of the Night [Michiru Yamane, 2019] Calling From Heaven -Stage 6- from Castlevania: Bloodlines [Michiru Yamane, 1994] LINKS Patreon: https://patreon.com/bgmania Website: https://bgmania.podbean.com/ Discord: https://discord.gg/cC73Heu Facebook: BGManiaPodcast X: BGManiaPodcast Instagram: BGManiaPodcast TikTok: BGManiaPodcast YouTube: BGManiaPodcast Twitch: BGManiaPodcast PODCAST NETWORK Very Good Music: A VGM Podcast Listening Religiously

durée : 00:05:27 - par : Producteurs en alternance - Nous écoutons ce matin l'Allegro pour deux altos cordes et basse continue du "Concerto brandebourgeois n°6 en Si bémol Majeur" BWV 1051 de Jean-Sébastien Bach, interprété par l'Akademie für Alte Musik Berlin, Antoine Tamestit à l'alto et Isabelle Faust. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:03:35 - par : Producteurs en alternance - Ce matin, nous écoutons l'air Magnificat du "Magnificat en Ré majeur" (BWV 243) de Jean-Sébastien Bach par le chœur Capella Reial de Catalogne et Le Concert des Nations, sous la direction de Jordi Savall. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

"Vi kæmper mod tiden, mod smerten og mod døden selv." Midt i barberstuen sidder en ung mand med armen viklet ind i blodige klude, mens venner holder ham fast på stolen. Barberen griber sav, tang og nål – og en flaske brændevin, der skal dulme smerten – og går i gang med det blodige arbejde. Barberstuen er langt mere end et sted, hvor hår og skæg klippes. Her amputeres lemmer, tappes blod, åbnes bylder og behandles alvorlige sår – alt uden bedøvelse. Det er netop den verden, episoden den 1. august handler om. Frem til begyndelsen af 1900-tallet fungerer barberkirurger nemlig som en slags akutlæger med både ret og pligt til at hjælpe syge og tilskadekomne. Siden oldtiden hænger kirurgien og barberfaget tæt sammen. I 1200-tallet forbyder paven ligefrem klostrenes munke at udgyde blod, når de udøver lægegerning gennem blandt andet åreladning og sårbehandling. Samtidig beskæftiger mange universitetsuddannede læger sig primært med den teoretiske del af medicinen. Derfor bliver det i praksis barberkirurgerne, der tager sig af de blodige og snaskede sider af lægekunsten. Og som så ofte i historien afhænger overlevelsen af patientens generelle helbredstilstand, immunforsvar – og ikke mindst en god portion held. Episoden er skrevet og fortalt af Berit Freyheit Her finder du det, jeg har læst til episoden Facebook: Bag om København Nyhedsbrev Musikbidder er hentet fra FMA/Public Domain: Aaron Dunn - Minuet - Notebook for Anna Magdalena by Bach & Narcissus smells like headache by Monplaisir 138

Consider taking out a paid subscription to The Piano Maven podcast via our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenVladimir Feltsman's splendid recordings of the Bach Partitas have somehow been overlooked over the years. Jed recently revisited this release, to his delight and pleasure.Here's a link to purchase them:https://www.amazon.com/dp/B009W00CO8?lv=shuf&channelId=500&plpRedirect=mhFallback

The ASU All Saints Catholic Newman Center begins its inaugural Organ Recital Series September 11th with Jason Phillips performing on the center's newly-installed Peragallo pipe organ. KBACH's Greg Kostraba recently chatted with Phillips about the series, the organ, and his performance, which will include works by J. S. Bach, Ralph Vaughan Williams, and others, including Phillips himself.

durée : 01:28:51 - par : Aurélie Moreau - Ning Feng, violoniste à la virtuosité époustouflante, à la musicalité innée, est l'invité de scènes prestigieuses et de festivals internationaux, en concerto, récital et musique de chambre. Aujourd'hui : Vieuxtemps, Bach, Mozart, Sarasate, Paganini… - équipe : Cécile Bonnet des Claustres, Thomas Guinegagne - invités : Aurélie Moreau Productrice Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:06:04 - par : Charlotte Landru-Chandès, Hippolyte Pérès - Ce matin nous écoutons le chœur de la cantate BWV 63 "Christen, ätzet diesen Tag" de Jean-Sébastien Bach par le Collegium Vocale de Gand, sous la direction de Philippe Herreweghe. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

“We have deluded ourselves into thinking that we are as gods, and we are not.” — John West Back in 2006, at the height of Web 2.0 optimism, Time made YOU person of the year. The user-generated technology of the internet, Time implied, would make all of us into digital gods of memory and forgetting. Twenty years later, the script has been totally flipped. Now we know that the internet is all-too-human. And so are we. This reminder of our mortality is the heart (if that's the right word) of the new book by John West, the double Pulitzer Prize-winning Wall Street Journal computational journalist. West's The Internet Will Die, and So Will You is a kind of digital memento mori. His argument is metaphysical rather than political. Offline, he writes, our lives are marked by constraint. But we mistake the internet's destruction of physical distance for limitlessness. “We have deluded ourselves into thinking that we are as gods,” he reminds us, “and we are not.” A Christian and a digital deconvert (not an uncommon combination in the technocrati), West wants us to import our mortality online. If we recognize that the internet will decay and finally die, he suggests, we will make it human. (Re)Make it, as us. I've been making a version of this argument since The Cult of the Amateur in 2007. Only West's version — by contrasting Bach, Ecclesiastes, and Mary Oliver with the infinite scroll — is more poetic and musical. Politer too. Noli timere, as the poet Seamus Heaney texted before he died. Be not afraid. Of life, of death. But beware of YOU. Be afraid. Timere. Very afraid. Five Takeaways •       We Are Not Gods. The book's thesis: offline life is marked by constraint — you cannot talk to people farther than you can shout, or hug your child while she's at school — while online we act at a distance and mistake that “foot-loosening technology” for limitlessness. “We have deluded ourselves into thinking that we are as gods, and we are not” — the AI singularity being the theological version of the same delusion, and “a recipe for disaster, both interpersonally, but also within ourselves.” The fix is not logging off but bringing our mortality online: “this is where we live,” and the Internet's magic only stays magical when tempered by limits — “in order for it to be magical, we need the flip side, which is that it can't always be magic.” Andrew's frame: in 2006, Time made YOU person of the year, promising digital gods of memory and forgetting. Twenty years on, the internet is all-too-human — and so are we.•       The Deconvert's Meditation. “No one is more strident than the convert or the deconvert.” West's digital utopianism began in a middle-school computer lab, where an unhappy kid discovered he could find friends and communities online — and it died by monkey's paw: the same mechanism that found him anime fans now routes lonely kids into pro-anorexia TikTok rabbit holes (his own Journal colleagues' reporting) and neo-Nazi forums. “That supercharging is something that I wished for.” He concedes the lineage Andrew has worked since The Cult of the Amateur (2007) and The Internet Is Not the Answer (2015) — and goes further: “I actually think largely, Plato and Postman were right.” Culture must metabolize its technological ruptures. Or, per the Freudian slip Andrew gifted back to him for the next book: its raptures. Andrew's verdict on the lineage: the same argument, more poetic and musical. Politer too.•       A Few Thousand Weeks. On the Luddite summer, West channels past guest Brian Merchant: hatred of technology is usually hatred of lost control. The backlash against AI data centers is about being “completely removed from democratic control over that technology,” and the marketing — a magic box that will take your job — has backfired predictably. His arithmetic of dignity: we get only a few thousand weeks on this earth, and “our dignity demands that we have some say over what we do with our lives.” He cites Freddie deBoer's Copernican principle — everyone believes they live at history's hinge — then breaks it honestly: “but I also think this time, it might be right,” the elder millennial awestruck at the rupture he came of age inside.•       Religious, Not Spiritual. West inverts the modern chestnut: “everyone says they're spiritual and not religious these days. I actually think it's important to be religious, and spiritual can take it or leave it” — religion being “a powerful technology” for binding people into the civic fabric. His Christianity runs to liberation theology: not storing up treasure for the glorious day, but making this world more just now. Hence Bach cantatas, Ecclesiastes, and Mary Oliver as the book's unnamed philosophies — and hence his verdict on the billionaires who struggle with finitude: it doesn't shock him that men who earn millions while sleeping believe themselves gods, since “every dollar is like a little Iago whispering poison into the ears of the Silicon Valley elite.” The advantage belongs to us mere normals, unburdened by the whispering.•       Noli Timere. The Latin on West's X page — be not afraid — was Seamus Heaney's last text message, sent by SMS before the surgery he didn't survive, then carried by the Internet to thousands who found hope in it. That, West argues, is the network at its best: “it is about how you spend your time on the Internet, not what you can do on the Internet.” On memory, his formula is to remember “not more and not less, but rather differently” — choosing what we remember (the Odyssey's oral re-membering, retold body to body) rather than having it forced on us (the red solo cup photos, the traumas that refuse processing). The great mismatch of the web: “the things that we think should be permanent are often the things that are the most impermanent online, and the things that I really wish would fade away are the ones that refuse to.” Andrew's send-off inverts Heaney: be not afraid — of life, of death. But beware of YOU, the ultimate human conceit. Timere. Very afraid. About the Guest John West is a writer and technologist. He reports the news with code at The Wall Street Journal, where his work has won multiple awards, including two Pulitzer Prizes. The Boston Globe called his first book, Lessons and Carols: A Meditation on Recovery, “lyrical and crystalline.” He holds an MFA from the Bennington Writing Seminars and degrees in philosophy and music performance from Oberlin College, and lives outside Kingston, New York, with his partner, children, and unruly cat. The Internet Will Die, and So Will You (Here Below, September 10, 2026) is his digital memento mori. References: •       The Internet Will Die, and So Will You: On Learning to Live in Our Digital Age by John West (Here Below, September 10, 2026).•       Lessons and Carols: A Meditati...

durée : 00:04:59 - par : Producteurs en alternance - Au programme de ce matin nous écoutons l'allegro de la "Sonate en mi mineur pour flûte et basse continue" BWV 1034 de Jean-Sébastien Bach, interprété par Jean-Pierre Rampal à la flûte, Robert Veyron-Lacroix au clavecin et Jordi Savall à la viole de gambe. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:58:44 - par : Corinne Schneider - Dernier épisode de la série « Bach et ses contemporains » avec Jean-Philippe Rameau (1683-1764) ; le pianiste français d'origine arménienne Setrak (1968) dans « Les Introuvables de Bach » ; et le reportage « Raphaël Pichon et Pygmalion sur Les Chemins de Bach opus 2 » (émission n° 388) - équipe : Anne-Lise Assada, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

LeRoy Bach joins the pod to discuss the Yankee and Ghost is Born eras of Wilco, along with his recent involvement with Official Claire. 

Es geht um die Wurst! Laury und Uli batteln sich um den Titel des Superhost. Das Thema? Musikwettbewerbe. Was ist der älteste Musikwettbewerb? Warum wurde Bach vor der Orgel sitzengelassen? Und wer ist Lili Boulanger? Let the games begin!

Musician Maria Telesheva plays the accordion like a second set of lungs, showcasing this powerhouse instrument and its impressive 226 buttons — whether she's playing Bach or the Beatles. In this talk and performance, she discusses how she fell in love with this musical acrobat and plays two beautiful songs. Hosted on Acast. See acast.com/privacy for more information.

What if constraints could actually make us more creative? This week, we use behavioral science to explore how limits on our time, resources, and choices can focus our attention, spark creativity, and help us make better decisions. With author David Epstein, we look at how creatives like Bach and Dr. Seuss used constraints to generate new ideas, and how identifying bottlenecks at work can help us focus on the problems that matter most. We'll also share practical ways to embrace constraints, think differently, and get more done. Topics [0:00] Intro and speed round with David Epstein [15:00] Choice overload and endless options [22:31] How constraints can unlock creativity  [29:53] Innovation and limitations [36:14] Great thinkers and the obstacles that met them [43:55] The Green Eggs and Ham Effect [51:10] AI and creativity [59:40] Finding the Bottleneck [1:04:02] Knowing your own constraints [1:11:13] Bach: the maestro of constraint [1:18:43] Grooving Session: Exploring the power of constraints ©2026 Behavioral Grooves Links About David Epstein Inside the Box: How Constraints Make Us Better Join us on Substack! Join the Behavioral Grooves community Subscribe to Behavioral Grooves on YouTube Support Behavioral Grooves Music Links Bach - Air on the G String (Orchestral Suite No. 3) London Grammar - Hey Now

This week I have two stories for you. The first is about a brilliant young doctor who abandoned his Jewish roots for the royal courts of Europe. The second is about the Taz, son-in-law of the Bach, and the days of unexplained silence he received from the holy Megaleh Amukos of Krakow. If you're enjoying these Chassidic stories, please take a quick moment to buy me a coffee. https://ko-fi.com/barakhullman Thank you! I deeply appreciate your support! Link to Two Cups of Tea, my first story video! https://www.youtube.com/watch?v=3d48AFirymU Also available at https://soundcloud.com/barak-hullman/a-new-kind-of-healing To become a part of this project or sponsor an episode please go to https://hasidicstory.com/be-a-supporter. Hear all of the stories at https://hasidicstory.com. Go here to hear my other podcast https://jewishpeopleideas.com or https://soundcloud.com/jewishpeopleideas. Find my books, Figure It Out When You Get There: A Memoir of Stories About Living Life First and Watching How Everything Falls Into Place and A Shtikel Sholom: A Student, His Mentor and Their Unconventional Conversations on Amazon by going to https://bit.ly/barakhullman. My classes in Breslov Chassidus, Likutey Moharan, can be found here https://www.youtube.com/@barakhullman/videos I also have a YouTube channel of ceramics which can be found here: https://www.youtube.com/@thejerusalempotter

durée : 01:58:30 - par : Corinne Schneider - Dans la série « Bach et ses contemporains », aujourd'hui Jan Dismas Zelenka (1679-1745) ; la pianiste française Reine Gianoli (1957) dans « Les Introuvables de Bach » ; et la polémique esthétique à la fin les années 1730 autour du style musical de Bach : « Bach versus Scheibe » (émission n° 367) - équipe : Anne-Lise Assada, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Stefanie Parker, host of the “She’s All Bach” podcast is opening up to Bob Guiney about her feelings on receiving a letter from ABC legal, what she thinks the franchise needs to be relevant again, and her take on the next lead Bachelor rumors! See omnystudio.com/listener for privacy information.

#291: Behavioral social scientist Arthur Brooks joins Chris to reveal why success and happiness follow different rules as we age. They dig into fluid vs. crystallized intelligence, success addiction and dopamine, the reverse bucket list, and how to actually buy happiness. Arthur C. Brooks is a Harvard Professor, musician, and columnist for the Atlantic, where he writes the weekly "How to Build a Life" column. He is the bestselling author of numerous books on happiness and human flourishing. Link to Full Show Notes: https://chrishutchins.com/arthur-brooks-happiness-success-purpose/ Partner Deals Gelt: ⁠Skip the waitlist on personalized tax guidance to maximize your wealth Trust & Will: ⁠Get 20% off personalized, legally binding estate plans Zocdoc: Find and instantly book a doctor you love today Trust & Will: ⁠Get 20% off personalized, legally binding estate plans Quince: Affordable luxury essentials with free shipping + 365 day returns For all the deals, discounts and promo codes from our partners, go to: ⁠chrishutchins.com/deals Resources Mentioned Arthur: Website | Twitter | Instagram | YouTube Some of Arthur's Books From Strength to Strength: Finding Success, Happiness, and Deep Purpose in the Second Half of Life Love Your Enemies: How Decent People Can Save America from the Culture of Contempt Who Really Cares: The Surprising Truth About Compassionate Conservatism -- America's Charity Divide -- Who Gives, Who Doesn't, and Why It Matters Selected Works from the Atlantic How to Build a Life - Arthur's Column Are you Epicurus or Epictetus Article Books Happy Money: The Science of Happier Spending by Elizabeth Dunn and Dr Michael Norton The Brothers Karamazov by Fyodor Dostoevsky Man's Search for Meaning by Victor Frankl Meditations by Marcus Aurelius The Miracle of Mindfulness by Thich Nhat Hanh The Confessions by Saint Augustine The Bible Barcelona Recommendations Roman Ruins Sagrada Familia Romanesque Churches and Gothic Cathedrals ATH Podcast #36: Bucket Lists, Audacious Goals and Living the Life You Want with Ben Nemtin Hotel Upgrade Program Best Cards Page Gift Cards Page Newsletter AMA: Submit Questions Leave a review: Apple Podcasts | Spotify Email for questions, hacks, deals, and feedback: podcast@chrishutchins.com Full Show Notes (00:00) Introduction (02:17) How Arthur Defines Happiness (03:50) Quizzes to Diagnose Your Happiness (04:38) Fluid vs. Crystallized Intelligence (05:55) The Two Types of Geniuses (09:01) How to Jump the Curve (13:18) Darwin and Bach's Success Curves (16:56) Success Addiction and Dopamine (19:00) Hustle Culture, Workism and Metacognition (21:19) How Often You Really Need to Journal (22:46) When Love and Money Are Idols (24:40) The Good Four: Faith, Family, Friends and Work (29:13) The Happiness Algorithm: Understand, Apply, Share (30:41) Why Sharing and Teaching Happiness Matters (31:45) Bringing Faith and Meditation Into Your Life (34:15) Lectio Divina: Divine Reading (35:23) The Science of Satisfaction (37:49) Social Comparison, the Thief of Joy (38:39) How to Make a Better Bucket List (43:34) How to Actually Buy Happiness (47:09) Technology, Loneliness and Happiness (48:54) Turning Weakness Into Strength (50:51) Why Negative Emotions Make Us More Effective (51:20) Optimism vs. Hope (52:23) When It's Time to Leave a Job (54:18) Arthur's Recommendations for Barcelona (55:26) The Airplane Story That Inspired From Strength to Strength (57:33) Where to Find More From Arthur Connect with Chris ⁠⁠Newsletter⁠⁠ | ⁠Membership⁠⁠ | ⁠X⁠⁠ | ⁠Instagram⁠⁠ | ⁠LinkedIn⁠⁠ Editor's Note: The content on this page is accurate as of the posting date; however, some of our partner offers may have expired. Opinions expressed here are the author's alone, not those of any bank, credit card issuer, hotel, airline, or other entity. This content has not been reviewed, approved or otherwise endorsed by any of the entities included within the post. Learn more about your ad choices. Visit megaphone.fm/adchoices