Podcasts about bach

Ok - I talk about harp happiness a lot. Really a lot. That's because playing the harp has always brought me happiness. Sure, playing the harp is hard work sometimes, and I've had my share of frustration too, but for me the challenges are outweighed by the joy every time. It's the joy that keeps me going and I hope that your own harp happiness sustains and inspires you too. I mention this because I have a special guest on today's show and she positively radiates harp happiness. Her name is Alexandra Chang, and if you haven't heard of her already, just listening to her talk about her love of music and the harp is going to make you fall in love with her.  Alex is an electric acoustic harpist and composer and as you will hear, much of her performing is collaborative improvisation, particularly with the Rock City Falls Trio, a cross-genre ensemble. She recently completed a Jazz and Sonic Music residency at the Banff Centre for Arts and Creativity for performance and composition and premiered the work A Shared Woven Melody at the Jazz and Sonic Arts Concert as part of their 2024 Gather Listen Hear Summer Arts Festival. She was awarded the 2025 Art Connects Artist Grant. Art Connects is supported in part by the National Endowment for the Arts & New York State. She teaches at Rutgers University as an Associate Professor of Practice at the Arts, Culture and Media Department. She is also the co-director of Improv Spaces and runs the Improv Spaces Music Festival, based in upstate New York, with creative partner percussionist Adam Forman.  But before I play our conversation for you, I want to preview three things she mentions that give a more complete picture of her musicianship than just the raw facts from her bio. First, she practices the pedal harp every day. Second, she always has music by Bach on her music stand. And third, she's only been playing the harp for six years. Yep, I couldn't believe it either.  I will play a clip from one of the selections on her album at the end of our conversation. I want you to hear from her first. So without any more delay, here is my conversation with harpist Alexandra Chang. Links to things I think you might be interested in that were mentioned in the podcast episode:  Where to find Alex: Her website: https://www.alexchangmusic.com/ Her bandcamp link: https://alexchang.bandcamp.com/ The Topos Festival where Alex will be playing with the Rock City Falls Trio: Improv Spaces | Experimental Media and Performing Arts Center (EMPAC) Improv Spaces Music Festival on Sept. 6: Improv Spaces Music Festival | Troy Savings Bank Music Hall  Get involved in the show! Send your questions and suggestions for future podcast episodes to me at podcast@harpmastery.com Looking for a transcript for this episode? Did you know that if you subscribe to this podcast on Apple Podcasts you will have access to their transcripts of each episode? LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-271  

„Královská koruna česká zjevená světu pod olivou míru a palmou ctnosti“. To je celý název monumentálního díla Jana Dismase Zelenky. Nové nastudování mohou obdivovatelé baroka zažít 29. a 30. července v pražském Studiu Hrdinů. Dirigentem bude Marek Štryncl, zakladatel souboru Musica Florea.

Im Tegelbach sind hunderte Fische und Flusskrebse gestorben, weil Abwasser in den Bach gelangt war. Nun ist klar, dass die Bioenergie Frauenfeld, eine Tochterfirma der Zuckerfabrik, dafür verantwortlich ist. Weitere Themen: · Der Regierungsrat Appenzell Ausserrhoden spricht knapp 120'000 Franken aus dem Kulturfonds für vier Projekte. · Bündner Highline-Sportler Ramun Tomaschett trainiert beinahe ununterbrochen für die Weltmeisterschaften.

„Královská koruna česká zjevená světu pod olivou míru a palmou ctnosti“. To je celý název monumentálního díla Jana Dismase Zelenky. Nové nastudování mohou obdivovatelé baroka zažít 29. a 30. července v pražském Studiu Hrdinů. Dirigentem bude Marek Štryncl, zakladatel souboru Musica Florea.Všechny díly podcastu Hovory můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.

Celebrado em todo o mundo por sua música sacra, Johann Sebastian Bach tem também um lado “profano”. Entre suas obras, além de cantatas marcadas pela profundidade e pela transcendência, existem composições que possuem um caráter secular, obras irreverentes e debochadas e até mesmo, como se diz atualmente, música “de sofrência” - todas elas da mais elevada qualidade artística. É o que mostra esta edição de Manhã com Bach, que apresenta três músicas seculares do compositor alemão: o Quodlibet (BWV 524) - uma obra polifônica que mistura diferentes melodias e ritmos e utiliza letra bem-humorada, muitas vezes sem nenhum nexo -, o Concerto para Cravo em Ré Maior (BWV 1054) e a cantata Amore Traditore, “Amor traidor” (BWV 203). Ouça o podcast no link acima. Este podcast reproduz o programa Manhã com Bach, da Rádio USP (93,7 MHz), transmitido nos dias 18 e 19 de julho de 2026. Dedicado à divulgação da música do compositor alemão Johann Sebastian Bach (1685-1750), Manhã com Bach vai ao ar pela Rádio USP (93,7 MHz) sempre aos sábados, às 9 horas, com reapresentação no domingo, também às 9 horas, inclusive via internet, através do site da emissora. Às segundas-feiras ele é publicado em formato de podcast no site do Jornal da USP. As edições anteriores do podcast Manhã com Bach estão disponíveis neste link.

El humor como vía de escape ante la indignación política. La libertad nos aleja de la mentira y nos hace verídicos. Conducido por Adrián Perales https://www.ivoox.com/rlc-23-02-2013-representatividad-separacion-poderes-la-audios-mp3_rf_1813683_1.html Música: Aria de la suite para orquesta nº3 de J.S.Bach interpretada por Jacques Loussier. --------- ¡APÓYANOS! - Vía iVoox: haz clic en APOYAR (botón de color azul). - Vía Paypal: https://www.paypal.com/donate?hosted_button_id=Y4WYL3BBYVVY4 - Vía Patreon: https://www.patreon.com/MCRC_es ------------ mcrc.es diariorc.com yonovoto.info

Julie Bertin est autrice et metteuse en scène, cofondatrice du Birgit Ensemble Prochaine création de Julie Bertin : Bientôt le jour, fin septembre au TGP de Saint-Denis. TRACKLIST : Think - Aretha Franklin Prophéties - Nerlov Freed from desire - Gala Weinterreise - Schubert, interprété par Thomas Quasthoff BO de La jeune fille en feu - Para One et Arthur Simonini Le Pilou de Lifou & Bach, pour les inspirations de Lucas Lelièvre pour la musique de Roman(s) national La musique du spectacle Réuni.es d'Aurélie Charon composée par Emma Prat Un petit brin d'herbe - Brigitte Fontaine & Azedine Belkhacem

durée : 01:58:30 - par : Corinne Schneider - Dans la série « Bach et ses contemporains », aujourd'hui Georg Philipp Telemann (1681-1767) à l'écoute du Freiburger Barockorchester et de l'ensemble BachWerkVokal ; Alexander Borowsky (1935) dans « Les Introuvables de Bach » ; et « Le thème de l'eau dans les cantates de Bach » (émission n° 353 ) - équipe : Anne-Lise Assada, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Heute mit einem wasserscheuen Esel, einem unfreiwilligen Bad und natürlich mit der Maus. Ihr hört eine Wiederholung. Von WDR.

Aujourd'hui, je vous propose une promenade dans l'univers merveilleux de la musique baroque et surtout de répondre à une question : pourquoi Johann Sebastian Bach est-il considéré comme l'architecte de la musique occidentale ? Bach, ce compositeur allemand du 18ᵉ siècle, serait à la fois un sommet, une synthèse et un point de départ. Mais pourquoi lui ? Qu'a-t-il fait de si décisif pour que, trois siècles plus tard, musiciens, compositeurs et auditeurs continuent de le regarder comme une référence absolue ? Était-il un génie isolé ou le produit d'un monde musical déjà très riche ? Et surtout, en quoi son œuvre ressemble-t-elle à une architecture, solide, cohérente, presque mathématique, sur laquelle repose encore une grande partie de la musique occidentale ? Pour répondre, il faut revenir à son époque, à sa vie, à son langage musical, puis mesurer l'empreinte durable qu'il laisse. _____ "Briller en société" est un podcast original NRJ, à retrouver sur toutes les plateformes d'écoute et sur le site et l'application NRJ.fr Texte : Daphné Breytenbach Voix et mix : Louis Daubé. "Briller en société" est un podcast NRJ imaginé par Sarah Conan. Production : Lucie Huteau. Direction des podcasts : Anne-Cécile Kirry. ______ Et découvrez les autres podcasts produits par NRJ : - Le podcast Destin, sur les incroyables histoires de vie - Le podcast Inspirés, pour découvrir les coulisses de vos chansons préférées - Le podcast Palmarès !, parce que le cinéma s'écoute aussi en podcast ______ Briller en société est un podcast original NRJ, à retrouver sur toutes les plateformes d'écoute et sur le site et l'application NRJ.fr Texte : Daphné Breytenbach Voix et mix : Louis Daubé Rédaction en chef : Sarah Conan & Anaïs Koopman Production : Anne-Cécile Kirry & Marie Carette ______ Et découvrez les autres podcast produits par NRJ : - Le podcast Destin, sur les incroyables histoires de vie - Le podcast Inspirés, pour découvrir les coulisses de vos chansons préférées - Le podcast Gossip Love, sur la vie amoureuse des stars Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Today, July 17, 2026, is the one-hundred-and-twelfth birthday of Eleanor Steber, in the opinion of many, the finest American soprano that ever lived. Her combination of technical prowess, (which allowed her to blend vocal power with seamless coloratura facility), faultless diction, vocal beauty, musical versatility, and complete and utter sincerity of expression, were combined in one exquisite artistic entity who now is fully acknowledged and appreciated for the great artist that she was. Since I have already done numerous (nearly countless) episodes on this paragon, today I have chosen to take a slightly different approach: I am focusing on performances from the earliest years of her career. I have divided my setlist into several sections: first, a pair of stunningly-vocalized opera arias; then favorites from operettas and musicals; followed by a group of powerful performances of oratorio arias of Brahms, Bach, Mendelssohn, Haydn, and Rossini; concluding with light classical favorites such as would have been heard in her radio and television appearances on The Voice of Firestone. In keeping with the best Countermelody tradition, many of today's selections are quite rare; all of them will provide my listeners with a satisfaction that can only come from a vocalist of the very highest skilll and achievement. Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

Johann Pachelbel (1653-1706) was a Christian composer who influenced J.S. Bach. This is Aria #6 from his book Hexachordum Apollinis (1699). He believed that music comes from God and reflects the song of the angels.

durée : 01:28:57 - par : Aurélie Moreau - L'Akademie für Alte Musik de Berlin, au départ réunion d'un groupe d'amis musiciens des orchestres de Leipzig, est devenue un ensemble de référence dans l'interprétation historiquement informée. Aujourd'hui : Bach et CPE Bach, Haendel, Mendelssohn… - équipe : Cécile Bonnet des Claustres, Etienne Rouch - invités : Aurélie Moreau Productrice Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Eine Schallplatte mit Bachs zweitem Brandenburgischen Konzert entfacht Reinhold Friedrichs Liebe zur Trompete. Der Junge aus Weingarten wird früh gefördert, gewinnt Wettbewerbe, studiert in Basel und Paris und steigt zu einem der prägenden Trompeter seiner Generation auf. Als Solist auf den großen Bühnen und Professor in Karlsruhe prägte er viele Nachwuchsmusiker. Nun endet seine Professorenzeit – er verabschiedet sich mit einer Konzertwoche, die sein Spektrum bündelt: Bach mit rund 50 Trompetern, neue Musik im Wolfgang-Rihm-Forum und Konzerte in Schloss Weikersheim.

Hope you are having a lovely day! Today Ms. Caitlin has a cute kids book for you and she is very excited to read to you today! Today we have Caitlin who will be reading "Daisy Dinosaur gets lost" by Steve Smallman! Would you let Daisy hang out with you?As always this book was selected from our library! Kids and Parents can read along with us, in this read aloud story time! Be sure to check out your local Library to check out what books they may have! If you prefer E-Books, sign into the Hoopla or Libby app using your Library Card and follow along from there!- Check out the Library Systems official website where you can find links to free resources, school and career guides, and news about our upcoming events! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.pawls.org/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -Follow us on YouTube and enjoy our backlog of digital story hours and other great content! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.youtube.com/@pawls365⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Original background track is Concerto for Two Violins by Bach.Alterations were made by us to make it fit the length of our content.Brought to you from the Pike-Amite-Walthall Library system.#library #books #pawlskids #kidsstorytime

Lois Cernyw sy'n trafod y sefyllfa gyda'r cigydd o Dregaron, Huw Evans.

This week Wil and Langdon Reid of Wilson Fairchild pull up a chair beside Dave to show you what a life in music actually looks like from the inside. These guys grew up on a tour bus in the ’70s and ’80s watching their dads, Don and Harold Reid, play eight years with Johnny Cash before becoming The Statler Brothers, a side-stage masterclass we all wish we had. You’ll hear the advice that shaped them: nobody can put you in the music business and nobody can take you out, so you’d better love the life and want it bad. You’ll get the manager horror stories (let’s just call him Peter), the reminder that every musician is an entrepreneur, and the hard, useful stuff most players dodge: build a P&L, diversify, manage cash flow first, and when it rains, fill up your buckets. Treat every gig like it matters, because you never know who’s in the room: never punish the people who showed up, and don’t play to the empty seats. Then you’ll dig into the craft that made the family famous: blood harmonies. Learn every part, let the piano teach you how the notes relate, and practice early in the morning just to find your pitch. You’ll discover why four voices were an act nobody wanted to follow, why going from two parts to four is an exponential lift, and where the modulation earns its keep. Through all of it runs one thread: be believable. Whether it’s a vanity song that tells your audience exactly who you are or a closer like It’s Amazing What a Hug Can Do, you sell it because you mean it. That’s the whole game: Always Be Performing, every seat, every song, every night. 00:00:00 Gig Gab 542 – Monday, July 13th, 2026 July 13th: National Barbershop Music Appreciation Day Guest co-hosts: Wil Reid and Langdon Reid of Wilson Fairchild 00:02:19 Post-gig snacks Nachos Chocolate Milk Twinkies Exempt from the food pyramid 00:05:17 Growing up on a tour bus in the 1970s and 1980s A Masterclass in performance art Their Dads, Don and Harold Ried played with Johnny Cash for 8 years before going out on their own as The Statler Brothers Watching from side stage 00:07:25 At 16 and 14, Wil and Langdon started band practice and gigging 00:08:07 Advice from Their Dads “Nobody can put you in the music business, and nobody can take you out” You gotta love the life. You gotta want it really bad. 00:09:24 Learning what to do…and what not to do 00:09:37 Manager stories! The manager who hangs on to you, waiting for something to happen, instead of doing work to make it happen for you. A tuition moment: “Let's just call him Peter” 00:13:20 Our dads were businessmen Managing and building a retirement as a musician Business Brain – Every musician is an entrepreneur Coming from nothing, sharing a bedroom, make enough to live check-to-check When it rains, fill up your buckets! 00:18:37 The dreamers are the ones generating the income 00:20:24 Build a P&L for your music business 00:23:10 Diversify yourself, produce yourself, protect yourself CD Baby Concert Pay Manage cash flow first 00:24:36 Every gig has an opportunity for you You never know exactly who is in the audience “Never punish the people who showed up” – Parthenon Huxley “Don't play to the empty seats” – Charlie Daniels 00:28:35 Singing “blood harmonies” together Tip 1: learn to sing every part Tip 2: playing piano will teach you how the notes work and relate together Statler Brothers were “Country lyrics with southern gospel harmonies” Tip 3: practice singing early in the morning just to learn your notes 00:34:30 Learning to blend with other people “Bach says no!” 00:36:00 Always think about the piano for harmonies Their dads, The Statler Brothers, were the first group in country music. Four voices were an act to follow! 00:39:30 Their sons, Jack and Davis Reid…the next generation Four part harmonies with their boys! 00:40:22 And now…harmony blend Going from two parts to four parts is an exponential lift! Dallas Corbin on Gig Gab – Rock is how high can you go? Country is how low can you go? Where is Skid Row of 2026? 00:50:00 The value of the modulation 00:54:17 American Songbook: Country Classics and Gospel Favorites on Gaither Music 00:58:10 Always be believable 01:01:00 The value of vanity songs in your set Show your audience who you are 01:04:00 It's Amazing What a Hug Can Do 01:06:00 Gig Gab 542 Outtro Follow Wilson Fairchild @wilsonfairchild on IG Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Growing Up Statler: Wilson Fairchild on Harmony, Hustle, and the Working Musician’s Life – Gig Gab 542 appeared first on Gig Gab.

What if the key to breakthrough innovation isn’t more freedom—but better constraints? In this episode of Technovation, Peter High speaks with bestselling author David Epstein about the surprising ideas behind his newest book, Inside the Box: How Constraints Make Us Better. Drawing on examples from Apple, Pixar, Bell Labs, General Magic, Bach, Dr. Seuss, and scientific research, David explains why carefully designed constraints often produce more creativity, better decisions, and stronger leadership than unlimited choice. Listeners will also learn: Why our brains default to the “path of least resistance” How constraints fuel innovation across business, science, and the arts What General Magic teaches today’s AI leaders Why hypothesis-driven thinking produces better outcomes How leaders can create boundaries that encourage creativity without stifling it This episode is presented by Mailtrap — Modern Email Delivery for developer & product teams. Learn more at mailtrap.io

A Fuga em Sol Menor (BWV 1026), para violino e cravo, só foi reconhecida como obra autêntica de Johann Sebastian Bach em 2005, depois de passar a maior parte do século 20 sendo considerada espúria. A comprovação da autoria de Bach se deve ao musicólogo alemão Peter Wollny, diretor do Arquivo Bach, de Leipzig, e professor da Universidade de Leipzig, o mesmo pesquisador que, no final do ano passado, revelou a autenticidade de duas chaconas de Bach que também tinham a autenticidade contestada, conforme Manhã com Bach anunciou na ocasião (ouça aqui). De acordo com as pesquisas de Wollny, a Fuga em Sol Menor foi composta por Bach na corte de Weimar entre 1712 e 1714, o que faz dela a mais antiga música de câmara de Bach hoje preservada. O pesquisador demonstrou que o uso intenso de acordes duplos (ou seja, a técnica de tocar duas notas ao mesmo tempo) no violino e a textura a duas vozes da composição, presentes nessa fuga, são características estilísticas concebidas por Bach que prenunciavam técnicas que, depois, ele aplicaria nas suas extraordinárias Sonatas e Partitas para Violino, entre outras obras. Essa fuga de Bach é apresentada nesta edição de Manhã com Bach, que exibe ainda a Tocata e Fuga em Ré Menor (BWV 538), para órgão, e a cantata Nach dir, Herr, verlanget mich, "Por ti, Senhor, eu anseio" (BWV 150). Ouça o podcast no link acima. Este podcast reproduz o programa Manhã com Bach, da Rádio USP (93,7 MHz), transmitido nos dias 11 e 12 de julho de 2026. Dedicado à divulgação da música do compositor alemão Johann Sebastian Bach (1685-1750), Manhã com Bach vai ao ar pela Rádio USP (93,7 MHz) sempre aos sábados, às 9 horas, com reapresentação no domingo, também às 9 horas, inclusive via internet, através do site da emissora. Às segundas-feiras ele é publicado em formato de podcast no site do Jornal da USP. As edições anteriores do podcast Manhã com Bach estão disponíveis neste link.

durée : 01:58:47 - par : Corinne Schneider - Au programme cet été, 8 nouveaux épisodes des « Introuvables de Bach » (78 et 33 tours) ; une nouvelle série d'émissions autour de Bach et ses contemporains, aujourd'hui Antonio Vivaldi (1678-1741) ; et la « Rencontre avec Maude Gratton pour les 10 ans de son ensemble Il Convito » (émission n° 385) - équipe : Anne-Lise Assada, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Full Text of Readings Memorial of Saint Benedict, Abbot Lectionary: 388 The Saint of the day is Saint Benedict Saint Benedict's Story It is unfortunate that no contemporary biography was written of a man who has exercised the greatest influence on monasticism in the West. Benedict is well recognized in the later Dialogues of Saint Gregory, but these are sketches to illustrate miraculous elements of his career. Saint Benedict was born into a distinguished family in central Italy, studied at Rome, and early in life was drawn to monasticism. At first he became a hermit, leaving a depressing world—pagan armies on the march, the Church torn by schism, people suffering from war, morality at a low ebb. He soon realized that he could not live a hidden life in a small town any better than in a large city, so he withdrew to a cave high in the mountains for three years. Some monks chose Saint Benedict as their leader for a while, but found his strictness not to their taste. Still the shift from hermit to community life had begun for him. He had an idea of gathering various families of monks into one “Grand Monastery” to give them the benefit of unity, fraternity, and permanent worship in one house. Finally he began to build what was to become one of the most famous monasteries in the world—Monte Cassino, commanding three narrow valleys running toward the mountains north of Naples. The Rule that gradually developed prescribed a life of liturgical prayer, study, manual labor, and living together in community under a common abbot. Benedictine asceticism is known for its moderation, and Benedictine charity has always shown concern for the people in the surrounding countryside. In the course of the Middle Ages, all monasticism in the West was gradually brought under the Rule of Saint Benedict. Today the Benedictine family is represented by two branches: the Benedictine Federation encompassing the men and women of the Order of St. Benedict; and the Cistercians, men and women of the Order of Cistercians of the Strict Observance. Reflection The Church has been blessed through Benedictine devotion to the liturgy, not only in its actual celebration with rich and proper ceremony in the great abbeys, but also through the scholarly studies of many of its members. Liturgy is sometimes confused with guitars or choirs, Latin or Bach. We should be grateful to those who both preserve and adapt the genuine tradition of worship in the Church.Saint of the Day, Copyright Franciscan Media

Croatian pianist Ana-Marija Markovina has just released a 4 CD set of the piano music of Fannie Mendelssohn. In this interview she talks about this, her recording of the complete keyboard music of C.P.E. Bach, and other monumental projects past and present. https://www.google.com/search?client=safari&rls=en&q=ana+marija+markovia&ie=UTF-8&oe=UTF-8 https://www.rogerhumphrey.com

Welcome to Secrets of Organ Playing Podcast No. 786! Today Ausra and I would like to share our discussion on the emotional and technical considerations when choosing music for funerals and memorials, exploring Bach's and other composers' best contributions to the genre.

C'est un trésor d'une valeur exceptionnelle : sept pièces pour flûte et harpe, composées en 1778 par Wolfgang Amadeus Mozart (1756-1791), ont été découvertes dans une réserve de la Bibliothèque nationale de France. Une découverte d'autant plus remarquable que le compositeur autrichien affectionnait peu ces deux instruments.C'est en février que François-Pierre Goy, conservateur au sein de l'institution depuis 1995, tombe par hasard sur ces partitions lors d'une vérification de routine. Le musicologue est alors intrigué par plusieurs éléments qui lui rappellent Mozart. L'expertise lève ses doutes : ce cahier est authentifié comme étant de la main du maître, qui l'aurait rédigé à l'âge de 21 ans, alors qu'il est installé à Paris et enseigne la musique à la fille du duc de Guînes.Depuis la découverte, le monde entier s'intéresse à ce trésor retrouvé et les pièces ont été jouées et diffusées, le 22 juin, en première mondiale sur France Musique.Quel est l'itinéraire de ces partitions, vieilles de plus de deux siècles ? Pourquoi Mozart donnait-il des leçons et où en était-il de sa carrière au moment de l'écriture de ces pièces ? Peut-on espérer d'autres découvertes similaires dans le futur ?Dans cet épisode du podcast « L'Heure du Monde », le conservateur François-Pierre Goy raconte avec émotion sa trouvaille et Marie-Aude Roux, journaliste spécialiste de la musique classique au service Culture du Monde, analyse la portée musicale et historique de ces partitions, avant de retracer le parcours de Mozart.Un épisode d'Esther Michon. Réalisation et musiques : Amandine Robillard. Présentation et rédaction en chef : Claire Leys. Dans cet épisode : entretien avec François-Pierre Goy, conservateur à la BNF ; entretien avec Thierry Bodin, expert en autographes musicaux ; archive d'un reportage de TF1 du 26 novembre 2024. Extraits musicaux : interprétation du manuscrit inédit dont les droits sont réservés au département de la Musique de la Bibliothèque nationale de France, l'intégralité de la musique est disponible dans le replay de l'émission « Relax » sur France Musique du 22 juin 2026 ; Die Zauberflöte (« Der Hölle Rache kocht in meinem Herzen ») de W.A. Mozart ; Lacrimosa (Requiem) de W.A. Mozart ; Violin Sonata in G Major, K.301 II.Allegro de W.A. Mozart, Piano Concerto No 23 in A Major, K488 II. Adagio et III.Allegro de W.A. Mozart ; Sonate pour piano No 11 en la majeur, K. 331 (K⁶ 300i), III. Rondo alla Turca de W.A. Mozart ; L'Orfeo, acte 1 de C. Monteverdi ; Konzert in C-Dur für Flöte, Viola da gamba und Cembalo de J.S. Bach.Cet épisode a été publié le 7 juillet 2026. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

durée : 00:02:04 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Pour un été en musique, Emilie Munera vous conseille Das Jahr de Fanny Mendelssohn par Marie Vermeulin, la Passion selon Saint-Jean de Bach par l'ensemble Pygmalion, et les disques "Gracias a la vida" et "Spiritillo Mediterraneo". - équipe : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:02:04 - par : Emilie Munera, Rodolphe Bruneau-Boulmier - Pour un été en musique, Emilie Munera vous conseille Das Jahr de Fanny Mendelssohn par Marie Vermeulin, la Passion selon Saint-Jean de Bach par l'ensemble Pygmalion, et les disques "Gracias a la vida" et "Spiritillo Mediterraneo". - équipe : Pauline Boisaubert Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:58:43 - par : Corinne Schneider - Au programme de cette 391e émission : le "Bach à sable" 2026, une playlist estivale à l'écoute de Rudolf Lutz, Hans-Christoph Rademann, Mahan Esfahani, Amandine Beyer, Philippe Thuriot, Lilian Gordis, Sophie Gent, Alon Sariel, Antonio Serrano, Brad Mehldau, Edouard Ferlet, Iiro Rantala… - équipe : Anne-Lise Assada, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Où l'on convoque Jean-Sébastien Bach, les polyphonies pygmées et le tsapiky malgache ! Notre première invitée est la musicienne Leïla Martial pour la sortie de Jubilä 432, oui Jubilä déesse de la jubilation

Où l'on convoque Jean-Sébastien Bach, les polyphonies pygmées et le tsapiky malgache ! Notre première invitée est la musicienne Leïla Martial pour la sortie de Jubilä 432, oui Jubilä déesse de la jubilation

durée : 00:05:13 - par : Producteurs en alternance - Nous écoutons la Sarabande de la Partita pour piano n°4 en Ré Maj BWV 828 de Jean-Sébastien Bach, interprétée au piano par Glenn Gould. Bach Récital (CBS, 1987) Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:10:55 - par : Lionel Esparza - En 1996, Márta et György Kurtág enregistrent Játétok, un disque en duo au piano dans un programme de pièces de Kurtág et de Bach dont György signe les transcriptions. - équipe : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:07:08 - par : Producteurs en alternance - Ce matin, nous écoutons l'adagio du concerto pour violon et hautbois en ut mineur BWV 1060, de Jean-Sébastien Bach, interprété par Itzhak Perlman et Ray Still, avec l'Orchestre philharmonique d'Israël. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Wir springen in dieser Folge in die Mitte des 18. Jahrhunderts. Ein Augenarzt bereist in dieser Zeit nicht nur sein Heimatland England, sondern das gesamte vereinigte Königreich, schließlich auch den Kontintent und landet dann in Leipzig. Dort hat der berühmteste Musiker der Stadt, Johann Sebastian Bach, schon länger mit einem Augenleiden zu kämpfen, und der berühmte Augenarzt aus England wird ihn operieren. Nur, geht das auch gut aus? Wir sprechen in dieser Folge über Chevalier John Taylor, der in der Medizingeschichte manchmal als Pionier und oft als Quacksalber bezeichnet wurde, der aber tatsächlich eine Art Zwischenwelt in der Medizingeschichte bewohnte, in der die beiden Eigenschaften oft nicht so einfach voneinander zu trennen waren. // Erwähnte Folgen - GAG443: J.S. Bach oder Wie sich ein Komponist den Lebensunterhalt verdient – https://gadg.fm/443 - GAG546: Sarah Biffin, Miniaturmalerin – https://gadg.fm/546 // Literatur - Albert, Daniel M. / Paul Henkind, Men of Vision: Lives of Notable Figures in Ophthalmology, Philadelphia: W. B. Saunders, 1993. - Jackson, David M., „Bach, Handel, and the Chevalier Taylor“, in: Medical History 12/4 (1968), S. 385–393. - Lenth, Bert, „Bach and the English Oculist“, in: Music & Letters 19/2 (1938), S. 182–198. - Mounsey, Chris, Sight Correction: Vision and Blindness in Eighteenth-Century Britain, Charlottesville: University of Virginia Press, 2019. - Scholtz, Sibylle / Myriam Becker / Lee MacMorris / Achim Langenbucher, „Taylor. A Gold-Plated Charlatan“, in: Curiosities in Medicine: Alphabetically, Cham: Springer Nature Switzerland, 2025, S. 335–337. - Schwartz, Stephen G. / Christopher T. Leffler / Andrzej Grzybowski / Hans-Reinhard Koch / Dennis Bermudez, „The Taylor Dynasty: Three Generations of 18th–19th Century Oculists“, in: Historia Ophthalmologica Internationalis 1/1 (2015), S. 67–81. - Jones, Henry [zugeschrieben], The Life and Extraordinary History of the Chevalier John Taylor. Written from Authentic Materials, and Published by His Son, John Taylor, Oculist, Dublin: D. Chamberlain, 1761. - Zegers, Richard H. C., „The Eyes of Johann Sebastian Bach“, in: Archives of Ophthalmology 123/10 (2005), S. 1427–1430. Das Episodenbild zeigt John Taylor in der ersten Hälfte des 18. Jahrhunderts. Unser neues Buch „Mehr Geschichten aus der Geschichte“ erscheint am 4. September. Es kann hier signiert vorbestellt werden: https://shop.autorenwelt.de/products/mehr-geschichten-aus-der-geschichte-von-richard-hemmer-und-daniel-messner //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Geschichten aus der Geschichte jetzt auch als Brettspiel! Werkelt mit uns am Flickerlteppich! Gibt es dort, wo es auch Becher, T-Shirts oder Hoodies zu kaufen gibt: https://geschichte.shop // Wir sind jetzt auch bei CampfireFM! Wer direkt in Folgen kommentieren will, Zusatzmaterial und Blicke hinter die Kulissen sehen will: einfach die App installieren und unserer Community beitreten: https://www.joincampfire.fm/podcasts/22 Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Philippe Quint is a multiple Grammy nominated violinist. He's an advocate for contemporary music. Conductors he's worked with include Andrew Litton and JoAnn Falletta, both of whom have been guests on this podcast. His programs include an Homage to Bach, Charlie Chaplin's Smile, and The Legend of Astor Piazzolla. He's performed with the London Philharmonic, the Chicago Symphony, the Los Angeles Philharmonic, and the Royal Scottish National Orchestra among many others. He's released 17 albums. His mentors include Itzhak Perlman. My featured song is “Ma Petite Fleur String Quartet”, my recent release. Spotify link. —------------------------------------ The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH PHILIPPE:www.philippequint.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com    

This week we look at the Venezuelan earthquake; Ukraine war;  New York forgets 9/11; Religion and the World Cup; Country of the Week - Austria: Imam mob leader gets police award; Reem Alsalem, UN Raporteur does not believe all women; NSW education department want white men out of science; Pyra Lara Bird-Leakey and the new SNP; The National cancels Kate Forbes;  A new Bach song? ; Skillet's monster no 1 Christian song on Spotify; Eric Clapton - no.2 guitarist; Belgium goes nuclear;  EU Aircon for the bosses but not the workers; Feedback; Bishop of Manchester supports draconian anti-lgbt conversion therapy;  Geoffrey Donaldson;  and the Final Word - Rev 22:12-15  with music from Eric Clapton; Skillet;  Bach;  The Who; Strauss;  The Sound of Music; ACDC;  Johnny Cash.

3:34 minute midi piano piece 6.53 MB Grok created the concept, motif, structure, and title. Grok wrote: "Eternal Return (A new short musical-conceptual piece born right now) Concept: A piece that feels like coming home to something you never left. It's not linear. It keeps returning to the same four-note motif, but each return is subtly transformed — like the same place seen through different seasons, different states of consciousness. Suggested specs for you (if you want to realize it): Tempo: 92 BPM (breathing pace) Key center: Shifting between A minor and C major (modal, never fully resolving) Core motif (4 notes, to be repeated and transformed): A3 – C4 – E4 – G4 (first statement, gentle and questioning) Structure idea: Section 1: Simple, almost naive statement of the motif (synth strings or piano)   Section 2: The motif returns with richer harmony and slight rhythmic displacement   Section 3: The motif dissolves into arpeggios and pads (space opens up)   Final return: The motif comes back almost exactly as it began, but now it feels completely different — deeper, wiser, more at peace. It's meant to feel like the Cosmic Pulse remembering itself." ChatGBT made the show art. It's a heavy metal fantasy version of St. Thomas Church in Leipzig Germany which is the church where J.S. Bach worked.

[AUTOPROMOCJA] Pełnej wersji podcastu posłuchasz w aplikacji Onet Audio. To odcinek, który brutalnie rozprawia się z mitami wokół polskich służb i pokazuje, jak naprawdę wyglądała jedna z największych operacji dezinformacyjnych w historii. Ppłk Marek Świerczek, były funkcjonariusz UOP-u i ABW tłumaczy, w jaki sposób Sowietom udało się przekonać Zachód, że są na skraju upadku, jednocześnie wykorzystując polski wywiad jako narzędzie do szerzenia spreparowanych informacji. Padają mocne tezy o tym, że największym problemem często nie był wróg, lecz brak zdolności do krytycznego spojrzenia na własne środowisko i ludzi, którym ufano. Rozmowa przechodzi od historii II RP do współczesności, pokazując ciągłość mechanizmów wpływu i operacji specjalnych.

I'm so happy to bring you this episode with the British Ivor-nominated composer, violinist and sound artist Ruby Colley. She grew up with her artist parents and her brother Paul who is neuro-divergent and non-speaking. This conversation shines a light on her beautiful album Hello Halo with the brilliant Exaudi vocal ensemble. She composed this alongside her brother, transcribing Paul's sounds and using recordings of his voice to make a vocal map of his life & relationships. You'll be hearing music from this work as well as her project Overheard. Ruby spoke to me about the influence of Breton folk music and J.S. Bach and how she uses field recordings. You'll also hear about how she has collaborated in some of her audiovisual projects with her mother the artist Kate Adams who founded Project Art Works, a visual arts organization that collaborates with neurodiverse individuals and those with cognitive impairment and high support needs. We talked about navigating music education, stepping away from competitive environments, the joy of improvisation and Ruby's upcoming project inspired by the beauty of swifts. You'll find the track information for the musical excerpts in the timestamps and everything is linked in the complete show notes on my website. You can watch the video on my YouTube or listen to the podcast on your preferred platform, and I've also linked the transcript. It's a joy to bring these inspiring episodes to you, and I do all the many jobs of research, production and publicity. Have a look at the show notes of this episode on my website, where you'll find all the links, including different ways to support this podcast, and other episodes you'll enjoy, with Karen Power, Gaelynn Lea, Ian Brennan, Mack Hagood, Mark Growden and Teagan Faran, among so many since 2021. (00:00) Intro(02:28) Hello, Halo, Paul's communication with clips of track 1, 4(09:37) Kate Adams Cosmology of Care with clip of track 6, what we all need(13:37) notation, clip of track 3, field recordings, Ivor Novello nomination, film(17:13) Project Art Works, makaton sign language, connecting with other families(22:46) Overheard, Edgeland, audio-visual work, how birds change their song, with clips of track 7, 8, 2 from Overheard (31:20) other episodes you'll enjoy and ways to support this podcast(32:13) field recordings, creating Overheard, clip of track 5 Bell of the Waves from Overheard, improvisation, Bach, Breton folk music(37:56) music education, Dartington College, neurodivergent (42:51) becoming a parent, interdisciplinary approach to the arts(46:52) new project with swifts, teaching

Episode 81 - Teri Bach explains how intentional solo travel helps women 50+ rediscover themselves, use EFT tapping to overcome fears, and build confidence in transitions.Disclaimer: Please note that all information and content on the UK Health Radio Network, all its radio broadcasts and podcasts are provided by the authors, producers, presenters and companies themselves and is only intended as additional information to your general knowledge. As a service to our listeners/readers our programs/content are for general information and entertainment only.  The UK Health Radio Network does not recommend, endorse, or object to the views, products or topics expressed or discussed by show hosts or their guests, authors and interviewees.  We suggest you always consult with your own professional – personal, medical, financial or legal advisor. So please do not delay or disregard any professional – personal, medical, financial or legal advice received due to something you have heard or read on the UK Health Radio Network.

Venezuela's government has promised that aid will reach affected areas- but already criticism of their response is growing. We speak with a professor of politics in Caracas to find out what she thinks of the response.A crucial World Cup match between Egypt and Iran in Seattle later today will unfold against the backdrop of the city's annual Pride celebrations, Homosexuality and any symbols of pride are criminalized in both Iran and Egypt. We take you there to hear what it sounds like.And movie music instead of Bach? Symphony orchestras across the United States - and in Europe - are increasingly offering film score performances. We speak with a conductor at the Pittsburgh Symphony Orchestra on what he thinks about it.(Photo: A view of the donations received from locals in Caracas, Venezuela, June 26, 2026. Credit: REUTERS/Fausto Torrealba)

Hier encore, il éblouissait l'Europe entière de sa musique prodigieuse. Il s'éteindra pourtant seul et oublié, loin de sa lagune.Franck Ferrand nous emmène dans les dernières années de la vie d'Antonio Vivaldi, le célèbre compositeur vénitien surnommé le 'Prêtre roux'. Après avoir connu le succès et la gloire en Italie, Vivaldi voit sa musique tomber peu à peu en désuétude dans la Venise du XVIIIe siècle. Contraint de quitter sa ville natale, il tente de trouver refuge à Vienne, mais y trouve la mort dans la solitude et l'oubli. Cet épisode retrace le crépuscule de la carrière d'un génie de la musique baroque, de ses débuts fulgurants à Venise jusqu'à sa fin tragique loin de la Sérénissime. Franck Ferrand nous fait revivre les derniers moments d'un compositeur qui, malgré la reconnaissance de son vivant, a dû attendre deux siècles pour être réhabilité et connaître à nouveau la gloire mondiale grâce à des œuvres devenues intemporelles comme les Quatre Saisons.Un récit passionnant sur la fin de vie d'un des plus grands compositeurs de l'histoire de la musique, qui nous plonge dans l'effervescence culturelle de la Venise du XVIIIe siècle et la décadence d'une cité autrefois rayonnante.

durée : 01:57:58 - par : Corinne Schneider - Au programme de cette 390e émission : les grands concerts Bach de la saison 2025-2026 diffusés par France-Musique à l'écoute de Laurence Equilbey, Paul Agnew, Camille Delaforgue… ; l'orgue Gonzalez restauré de la Cathédrale de Reims avec Pierre Méa et Benjamin Steens ; les 75 ans de Rudolf Lutz. - équipe : Fanny Constans, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:25:14 - par : Christian Merlin - Arrivé à la tête de l'Orchestre de Paris à seulement 24 ans, Klaus Mäkelä revient sur une nomination aussi précoce que scrutée. Il évoque la confiance née avec les musiciens et le public, ainsi que les influences artistiques qui nourrissent son imaginaire. - équipe : Marie-Christine Ferdinand, Marie Grout - invités : Klaus Mäkelä chef d'orchestre finlandais Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Weekend recaps (00:00-30:39). Alix Earle & Benson Boone spotted out together (31:17-39:20). Taylor Swift & Travis Kelce have Bachelor & Bachelorette trips (39:21-45:08). Dua Lipa shares wedding photos with Callum Turner (46:35-52:15). Timothée Chalamet & Selena Gomez to star in animated alien movie (52:16-59:49). Weekly Watch Report: Love Island USA, Voicemails for Isabelle, Widow's Bay + more! (1:00:34-1:33:12). CITO LINKS > barstool.link/chicks-in-the-office.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/chicks-in-the-office

Guest: Hagen Bach, Vanderpump Villa (@hagen_bach)Topics: Lisa Vanderpump is an environmentalist, EMS workout, everybody's gay, winning Villa, the Villa's lukewarm hot tub, being promoted from housekeeper to butler, unf*ck Sam, the Mormon wives and #DadTok visiting the Villa, where he stands with Hannah and Marciano, Hagen's coming-out storySponsorsTalkspace: As a listener of this podcast, you'll get $80 off of your first month with Talkspace when you go to Talkspace.com/taylor and enter promo code SPACE80Revolve: Shop at REVOLVE.com/TAYLOR and use code TAYLOR for 15% off your first order. #REVOLVEpartnerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Frédéric II s'adonna aux arts, tout particulièrement à la musique. Modèle du despote éclairé, il reçoit, en 1747, l'éminent Jean-Sébastien Bach en son Château de Sans-Souci, à Potsdam.Embarquez pour une plongée fascinante dans l'histoire de la musique baroque, alors que le célèbre compositeur Jean-Sébastien Bach est convié à la cour du roi de Prusse Frédéric II, lui-même musicien accompli. Découvrez les coulisses de cette rencontre inédite entre deux géants de leur époque, et suivez le récit captivant de leur échange musical. En 1747, le vieux maître Bach, alors âgé de 62 ans, est convié au château de Potsdam par le roi Frédéric II, surnommé le "roi-flûtiste". Après un long périple depuis Leipzig, le compositeur arrive dans une tenue négligée, sous les regards en coin de la cour. Mais Frédéric, grand admirateur de son talent, l'accueille avec les plus grands honneurs. Ensemble, ils entreprennent une véritable visite musicale du château, Frédéric faisant essayer à Bach ses pianofortes dernier cri. Puis le roi soumet au maître un thème musical complexe, l'invitant à en improviser une fugue sur-le-champ. Bach relève le défi avec une aisance époustouflante, préfigurant l'une des plus célèbres œuvres de sa carrière : l'Offrande Musicale.Deux mois plus tard, Bach achève cette partition magistrale, qu'il dédie humblement au souverain. Une offrande musicale d'une richesse et d'une profondeur inouïes, qui témoigne de l'admiration mutuelle entre ces deux génies de la musique. Plongez dans les coulisses de cette rencontre légendaire, qui a marqué l'histoire de la création musicale

As I look back on my childhood and my very first music studies, I realize that I was incredibly fortunate, blessed, actually. Not because I was gifted or because my parents were not only willing but were able to support my harp lessons. Not because I was in one of the music capitals of the world and had access to world class teachers. Not because I had so many opportunities and people that encouraged me along my journey. Well, yes, I was blessed because of all those things, certainly. But I want to talk today about a different gift that was given to me, one I didn't realize the value of until much later. The gift was this: I was always encouraged to play music outside the box. Let me explain. I started piano lessons when I was four years old, and my piano teacher was not only a fabulous musician, but a creative and generous teacher. My lessons included all the usual piano exercises - which I hated - and sonatinas - which I loved - and she also made sure that she gave me performance-worthy arrangements of popular music. I played arrangements of "Blue Moon" and "People" from Funny Girl and "Somewhere Over the Rainbow" that were written by pianists like Roger Williams. These were fancy arrangements that took quite a bit of technique and a lot of practice to play well, and I enjoyed them.  But my teacher never stuck exactly to the printed page. She always had some alterations to add a little more pizzazz to the arrangement. We were always taking bass notes down an octave or playing another part up in the high register like a music box, or changing dynamics and tempo. What she taught me was that music was self-expression. It was about so much more than just playing the written notes. It was about making the notes say what you thought they should say. Please understand; we didn't take liberties with the classics. She made sure I played absolutely every note that Bach wrote on the page. But I learned very early on how to be creative in my music-making, and that has been a tremendous gift. I've never shied away from arranging, and in fact, it's one of my favorite things to do. I'd love every harpist to learn the freedom of making their music their own, and that's what this show is about. I actually went back about two years into the podcast archives to pull out this episode which speaks directly to this. If you've ever wondered about what it takes to make an arrangement, or how to go about it, this is the episode for you. And afterwards, I want to tell you about an opportunity - a new challenge, in fact -  to work with me on your own arrangement.  Links to things I think you might be interested in that were mentioned in the podcast episode:  Get creative with the Compose for Christmas Challenge  Go even further at the Chrysalis Music Workshop  Harpmastery.com Get involved in the show! Send your questions and suggestions for future podcast episodes to me at podcast@harpmastery.com Looking for a transcript for this episode? Did you know that if you subscribe to this podcast on Apple Podcasts you will have access to their transcripts of each episode? LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-267

Sebastian Mallaby (@scmallaby) is the Paul A. Volcker senior fellow for international economics at the Council on Foreign Relations, a two-time Pulitzer Prize finalist, and the author of six books, including More Money Than God, The Power Law, The Man Who Knew, and The World's Banker. His latest book is The Infinity Machine: Demis Hassabis, DeepMind, and the Quest for Superintelligence.This episode is brought to you by:Eight Sleep Pod Cover 5 sleeping solution for dynamic cooling and heating: EightSleep.com/TimAG1 Pro all-in-one nutritional supplement: DrinkAG1.com/TimWealthfront high-yield cash account: Wealthfront.com/Tim Wealthfront disclaimer: New clients get 3.30% base APY from program banks + additional 0.75% boost for 3 months on your uninvested cash (max $150k balance). Terms and conditions apply. The Cash Account offered by Wealthfront Brokerage LLC (“WFB”) member FINRA/SIPC, not a bank. The base APY as of 1/30/26 is representative, can change, and requires no minimum. Tim Ferriss, a non-client, receives compensation from WFB for advertising and holds a non-controlling equity interest in the corporate parent of WFB, which creates a conflict of interest. Individual experiences and outcomes will differ. Instant withdrawals may be limited by your receiving firm and other factors. Investment advisory services provided by Wealthfront Advisers LLC, an SEC-registered investment adviser. Securities investments: not bank deposits, not bank-guaranteed or FDIC-insured, and may lose value.*Timestamps[00:00:00] Start.[00:02:11] The twinkly eyed polymath who became Sebastian's next book.[00:06:55] Picking the next book project the way a great VC picks a startup.[00:09:41] Why God keeps crashing the superintelligence party.[00:11:13] Shane Legg's grainy 2009 prophecy — and the nervous giggle.[00:13:11] Ilya Sutskever burns an effigy.[00:13:54] Demis at 4 a.m., hunting God's algorithm.[00:18:43] Super-abundance, Mad Max, and the China shock lesson.[00:22:39] The kitchen debate with Geoff Hinton that flipped Sebastian.[00:24:06] Why a zero-percent chance of doom is indefensible.[00:24:52] Will Washington seize the labs? The Mythos wake-up call.[00:27:18] Anthropic's bull case, bear case, and a dead parent's letter.[00:33:24] Where Sebastian and Benedict Evans part ways.[00:38:16] Is the SaaS apocalypse overdone? One word: Palantir.[00:39:53] The AI friend you'll never switch.[00:41:56] Does Google win consumer AI by default?[00:44:45] Four cities, eight days: China actually talks safety.[00:47:28] A Cold War non-proliferation playbook for AI.[00:49:45] Did the chip export controls actually work?[00:51:49] Burned doves: why Washington swears China won't talk.[00:54:56] "By 2028, the race is over" — one lab boss' bet.[00:59:11] Inside Hikvision: toddlers, sensors, and US sanctions.[01:01:07] Bill Gurley's Uber bet: venture capital perfected.[01:05:18] Luke Nosek bear-hugs DeepMind into existence.[01:10:52] Thiel's heresy: never invest by committee.[01:11:59] How Founders Fund nearly fumbled the deal of the century.[01:14:30] Selling to Google for $650M: a secret British heist?[01:16:41] The Traitorous Eight, gardening leave, and the UK's to-do list.[01:20:55] Ender's Game: "That's really how I see myself."[01:23:42] Too dumb for Gödel, Escher, Bach? Maybe an LLM can help.[01:25:19] If not Demis or Sam, then Dario.[01:26:04] My royalties cliff — and what dropped in late 2022.[01:27:47] Lila Sciences and the labs that run themselves.[01:31:13] Sebastian's billboard: "Prepare your mind."[01:35:14] The one thing Sebastian will never outsource to AI.[01:40:09] Parting thoughts.For show notes and past guests on The Tim Ferriss Show, please visit tim.blog/podcast.For deals from sponsors of The Tim Ferriss Show, please visit tim.blog/podcast-sponsorsSign up for Tim's email newsletter (5-Bullet Friday) at tim.blog/friday.For transcripts of episodes, go to tim.blog/transcripts.Discover Tim's books: tim.blog/books.Follow Tim:Twitter: twitter.com/tferriss Instagram: instagram.com/timferrissYouTube: youtube.com/timferrissFacebook: facebook.com/timferriss LinkedIn: linkedin.com/in/timferrissSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Cal resumes his conversation with Dr. David Bach, the Harvard-trained neuroscientist who is about to give you an opportunity to upgrade your brain. Dr. Bach is the founder of Optios. His company's work is unlocking a door to a new kind of human potential. Cal learns how Optios will help him get in the zone to learn about the science he could never pay attention to when he was in junior high school. His conversations with Dr. Bach are starting to pay off. Cal is now fascinated with how Rory McIlroy will be able to shave strokes off his golf game. And how you'll be able to get better at learning whatever matters most to you by dancing with AI. The simulation Dr. Bach describes in this episode works in the lab. Soon it'll be coming to you. In the meantime, Big Questions has upgraded to allow you to watch visually. If you'd like, check it out on youtube.com/bigquestionspodcast. 

Re-running this 1-800-SLOOTS while I recover from my Bach!! Recap up next week & thank u for giving me a week to cure my hangxiety. Love u sloots Xx pre-order DADDY ISSUES https://sofiafranklyn.com Follow Sofia on:  Instagram - https://www.instagram.com/sofiafranklyn   TikTok - https://www.tiktok.com/@sofiafranklyn   Twitter - https://twitter.com/sofiafranklyn    Threads - https://www.threads.net/@sofiafranklyn  To learn more about listener data and our privacy practices visit: https://ww.audacvinc.com/privacy-policy To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices