Podcasts about Mary Pickford

A new week means new questions! Hope you have fun with these!Sometimes called a "dolphin fish" or "dorado", which surface-dwelling ray-finned fish has a name that means "strong-strong" or "very strong" in Hawaiian?By what majestic name are rainbows known on Venus?In Norse mythology, Tyr sacrificed what part of his body to the wolf Fenrir?Madam Butterfly', 'La Boheme', and 'Tosca', are notable operas composed by which Italian?Having an extent of 2,508 km or 1,558 miles, what is the longest river in Australia?What alcoholic spirit is found in all three of these cocktails: Zombie, Dark 'n' stormy, Mary Pickford?The first-ever solo male cover star of Vogue magazine in 2020, which singer wore a lace-trimmed, blue Gucci gown paired with a black tuxedo?"Is this a dagger which I see before me, The handle toward my hand"? is a quote from which Shakespeare play?Chinese New Year, which is on Feb. 17th of this year, is also known as the what festival?Who is Dora the Explorer's best friend?When Josie is on a vacation far away she wants to eat only junk food, as opposed to this common starter composed of a blend of young tender leaves from various wild and cultivated plants.What is the name of the ritual feast that occurs at the beginning of the Jewish holiday of Passover?Following the life and times of the eight siblings from the titular noble family, what novel series by Julia Quinn was adapted into a Shonda Rhimes-produced Netflix series in 2020?What does the word "antepenultimate" mean?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!Quiz, trivia, games, pub+trivia, pub+quiz, competition, education, comedy

United Artists, a new company formed by Charlie Chaplin, Mary Pickford, Douglas Fairbanks and D. W. Griffith - four of the most powerful figures in early cinema - was announced on 5th February 1919. The movie trade press quickly labelled it a ‘rebellion' against the mainstream studios. Declaring their new enterprise would exist to “protect the industry from itself”, the Hollywood quartet took aim at an industry that depended on long contracts, vertical integration and strict talent control. They hoped to see a greater degree of creative autonomy and financial reward, but perhaps underestimated the difficulty of running a distribution company and the risks the studio system itself had absorbed. Existing contracts delayed releases, investors were wary, and the promise of artistic freedom collided with the realities of inconsistent output, experimental failure and changing technology, including the arrival of sound. In this episode, Arion, Rebecca and Olly consider UA's eerily prescient ambition to counter ‘machine-made entertainment'; discover how an experience selling war bonds helped inspire  the idea for the studio; and explain why, despite their success, the studio still missed out on ‘Gone With The Wind'...  Further Reading: • ‘United Artists: The studio that challenged and revolutionised Hollywood' (Far Out, 2021):  https://faroutmagazine.co.uk/united-artists-studio-revolutionised-hollywood/ • ‘Artists Unite Against the Studios' (Celebrate California): https://celebratecalifornia.library.ca.gov/february-5-1919-artists-unite-against-the-studios-2/ • ‘Chaplin, Fairbanks, Pickford & Griffith Signing United Artists Contract' (1919): https://www.youtube.com/watch?v=yEBZU_KHSM0 #Hollywood #1910s #Business #Film Love the show? Support us!  Join 

Episode Notes Full descrptions from the Library of Congress “The Tramp and the Dog” (1896)                                                          "The Tramp and the Dog," a silent film from Chicago's Selig Polyscope Company, is considered director William Selig's most popular early work. Filmed in Rogers Park, it is recognized as the first commercial film made in Chicago. Previously a lost film, it was rediscovered in 2021 at the National Library of Norway. The film depicts a tramp who attempts to steal a pie from a backyard windowsill, only to be met by a broom-wielding housewife and her dog, who foils the crime. The film is one of the first known as “pants humor,” where a character loses (or almost loses) his pants during an altercation. This scene inspired future comedy gags showing drifters and tramps losing their pants to dogs chasing them. “The Oath of the Sword” (1914)                                                                        A three-reel silent drama, "The Oath of the Sword" depicts the tragic story of two young lovers separated by an ocean. Masao follows his ambitions, studying abroad at the University of California, Berkeley, while Hisa remains in Japan, caring for her ill father. This earliest known Asian American film production featured Japanese actors playing Japanese characters and was produced by the Los Angeles-based Japanese American Film Company. Made at a time when Hollywood studios were not yet the dominant storytellers of the American film industry, "The Oath of the Sword" highlights the significance of early independent film productions created by and for Asian American communities. James Card, the founding curator at the George Eastman Museum, acquired “The Oath of the Sword” in 1963. The museum made a black and white photochemical preservation in 1980. In 2023, a new preservation reproducing the original tinting was done in collaboration with the Japanese American National Museum, and the film has since become widely admired. “The Maid of McMillan” (1916)Known to be the first student film on record, this whimsical, silent romance film was shot on campus in 1916 by students in the Thyrsus Dramatic Club at Washington University in St. Louis, Missouri. Club members Donald Stewart (Class of 1917) and George D. Bartlett (Class of 1920) wrote the screenplay. The original nitrate print of “The Maid of McMillan” was rediscovered in 1982, and two 16mm prints were made; the original nitrate was likely destroyed at this time. In 2021, with funding from the National Film Preservation Foundation, one of those 16mm prints was scanned at 4k and reprinted onto 35mm helping to secure the film's survival and legacy. “The Lady” (1925)When “The Lady” debuted in theaters in 1925, the silent film era had hit its stride, and this movie represents a powerhouse of artists at their peak. Director Frank Borzage was a well-established expert in drawing out intense expressions of deep emotion and longing in his actors. He did just that with the film's lead actress, Norma Talmadge, also at the height of her career, both in front of and behind the camera. Talmadge produced “The Lady” through her production company and commissioned one of the most prolific screenwriters, Frances Marion, to deliver a heartfelt story of a woman seeking to find the son she had to give up, to protect him from his evil grandfather. “The Lady” was restored by the Library of Congress in 2022. “Sparrows” (1926)As a silent actress, producer and key founder in the creation of the American film industry, Mary Pickford's performance in “Sparrows” represents her ability to master the genre she helped nourish: sentimental melodramas full of adventure and thrills, with dashes of comedy and heartfelt endings. Pickford plays Molly, the eldest orphan held within the swampy squalor of the Deep South, who moves heaven and earth to save the other orphan children from a Dickensian world of forced labor. The film takes some departures from the visual styles found in Pickford's other films, invoking an unusual tone of despair while deploying camera angles and lighting akin to German Expressionist cinema. “Sparrows” was preserved by the Library of Congress in collaboration with the Mary Pickford Company in 2020. “Ten Nights in a Barroom” (1926)                                                                     Featuring an all-Black cast, “Ten Nights in a Barroom” was produced in 1926 by the Colored Players Film Corporation of Philadelphia and is the earliest of only two surviving films made by the company. This silent film is based on the stage melodrama adapted from the 1854 novel “Ten Nights in a Bar-Room and What I Saw There” by Timothy Shay Arthur. Released in 2015 by Kino Lorber as part of the five-disc set “Pioneers of African-American Cinema,” the compilation was produced by the Library of Congress, in association with the British Film Institute, George Eastman Museum, Museum of Modern Art, National Archives, Smithsonian's National Museum of African American History and Culture, Southern Methodist University and the UCLA Film & Television Archive. Preserved by George Eastman Museum. “White Christmas” (1954)                                                           While the chart-topping song "White Christmas" was first performed by Bing Crosby for the 1942 film "Holiday Inn," its composer, Irving Berlin, was later inspired to center the song in the 1954 musical "White Christmas." Crosby, along with Danny Kaye, Rosemary Clooney, Vera-Ellen Rohe and director Michael Curtiz, embedded "White Christmas" in American popular culture as a best-selling single and the top-grossing film of 1954, as well as regular holiday viewing throughout the decades. The story of two World War II veterans-turned-entertainers and a singing sister act preparing a show for a retired general, the film and its grand musical numbers were captured in VistaVision, a widescreen process developed by Paramount Pictures and first used for "White Christmas." “High Society” (1956)                                                                  Often referred to as the last great musical of the Golden Age of Hollywood, “High Society” features an all-star cast including Bing Crosby, Grace Kelly, Frank Sinatra and Louis Armstrong (and his band), along with a memorable score of Cole Porter classics. Set in Newport, Rhode Island, the film showcases the Newport Jazz Festival (established in 1954) and features a remarkable version of Cole Porter's “Now You Has Jazz.” It includes the first big-screen duet by Frank Sinatra and Bing Crosby, singing “Well, Did You Evah?” This was Grace Kelly's last movie before she retired from acting and married the Prince of Monaco; she wore her Cartier engagement ring while filming. “Brooklyn Bridge” (1981)                                               With “Brooklyn Bridge,” Ken Burns introduced himself to the American public, telling the story of the New York landmark's construction. As with later subjects like the Civil War, jazz and baseball, Burns connects the building of the Brooklyn Bridge to American identity, values and aspirations. Released theatrically and nominated for an Academy Award for Best Documentary Feature, “Brooklyn Bridge” marked the beginning of Burns' influential career in public media*.* More than just a filmmaker, Burns has become a trusted public historian. His storytelling presents facts, but maybe more importantly, invites reflection on what America is, where it's been, and where it's going. His influence is felt not only in classrooms and through public broadcasting, but across generations who see history as something alive and relevant. “Say Amen, Somebody” (1982)George Nierenberg's documentary is a celebration of the historical significance and spiritual power of gospel music. With inspirational music, joyful songs and brilliant singers, the movie focuses on the men and women who pioneered gospel music and strengthened its connections to African American community and religious life. Prior to production, Nierenberg, who is white, spent over a year in African American churches and communities, gaining the trust of the performers. Restored by the Smithsonian's National Museum of African American History and Culture in 2020, the film features archival footage, photographs, stirring performances and reflections from the father of gospel Thomas A. Dorsey and its matron Mother Willie Mae Ford Smith. Nierenberg shows the struggles and sacrifices it takes to make a living in gospel, including criticism endured by women who sought to pursue careers as professional gospel singers while raising their families. “The Thing” (1982)Moody, stark, often funny and always chilling, this science fiction horror classic follows Antarctic scientists who uncover a long-dormant, malevolent extraterrestrial presence. “The Thing” revolutionized horror special effects and offers a brutally honest portrait of the results of paranoia and exhaustion when the unknown becomes inescapable. “The Thing” deftly adapts John W. Campbell's 1938 novella “Who Goes There?” and influenced “Stranger Things” and “Reservoir Dogs.” It remains a tense, thrilling and profoundly unsettling work of cinema. “The Big Chill” (1983)Lawrence Kasdan's best picture-nominated “The Big Chill” offers an intimate portrait of friends reunited after the suicide of one of their own and features actors who defined cinema in the 1980s – Glenn Close, William Hurt, Jo Beth Williams, Kevin Kline, Jeff Goldblum and Meg Tilly. This powerful ensemble portrays American stereotypes of the time – the yuppie, the drug dealer, the TV star – and deftly humanizes them. Through humor, tenderness, honesty and an amazing soundtrack, it shows formerly idealistic Americans making and dealing with the constant compromises of adulthood, while buoying one another with uncompromising love and friendship. “The Karate Kid” (1984)An intimate story about family and friendship, “The Karate Kid” also succeeds as a hero's journey, a sports movie and a teen movie – a feel-good movie, but not without grit. The film offers clearly defined villains, romance and seemingly unachievable goals, but also an elegant character-driven drama that is relatable and touching. A father who has lost his son meets the displaced son of a single mother and teaches him about finding balance and avoiding the pitfalls of violence and revenge. Race and class issues are presented honestly and are dealt with reasonably. Our hero practices a lot, gets frustrated, gets hurt, but still succeeds. It's as American as they come, and it's a classic. “Glory” (1989)“Glory,” described by Leonard Maltin as “one of the finest historical dramas ever made,” portrays a historical account of the 54th Regiment, a unit of African American soldiers who fought for the North in the Civil War. Authorized by the Emancipation Proclamation of 1863, the regiment consisted of an all-Black troop commanded by white officers. Matthew Broderick plays the young colonel who trains the troop, and Denzel Washington (in an Academy Award-winning performance) is among an impressive cast that includes Morgan Freeman, Cary Elwes and Andre Braugher. American Civil War historian James M. McPherson said the film "accomplishes a remarkable feat in sensitizing a lot of today's Black students to the role that their ancestors played in the Civil War in winning their own freedom.” “Philadelphia” (1993)                                                                  “Philadelphia” stars Tom Hanks in one of the first mainstream studio movies to confront the HIV/AIDS crisis. In the film, law partner Andrew Beckett (Hanks) is fired from his firm when they discover that he is gay and has AIDS. He hires personal attorney Joe Miller (Denzel Washington) to help him with litigation against his former employer. Director Jonathan Demme is quoted as saying, “The film is not necessarily just about AIDS, but rather everyone in this country is entitled to justice.” The film won two Oscars: one for Hanks and the other for Bruce Springsteen's original song, “The Streets of Philadelphia.” Through the song's mainstream radio and MTV airplay, it brought the film and its conversation around the HIV/AIDS pandemic to a wider audience. “Before Sunrise” (1995)                                                              Richard Linklater has explored a wide range of narrative storytelling styles while consistently capturing ordinary, everyday American life. However, his innovative use of time as a defining and recurring cinematic tool has become one of his most significant accomplishments. As the first film in his “Before” trilogy – three films, each shot nine years apart – “Before Sunrise” unfolds as one of cinema's most sustained explorations of love and the passage of time, highlighting the human experience through chance encounters and conversation. With his critically acclaimed 12-year production of the film “Boyhood” (2014) and a new 20-year planned production underway, his unique use of the medium of film to demonstrate time passing demonstrates an unprecedented investment in actors and narrative storytelling. “Clueless” (1995)                                                             A satire, comedy and loose Jane Austen literary adaptation dressed in teen movie designer clothing, “Clueless,” directed by Amy Heckerling, rewards both the casual and hyper-analytical viewer. It's impossible to miss its peak-1990s colorful, high-energy, soundtrack-focused on-screen dynamism, and repeated viewings reveal its unpretentiously presented and extraordinarily layered and biting social commentary about class, privilege and power structures. Heckerling and the incredible cast never talk down to the audience, creating main characters that viewers root for, despite the obvious digs at the ultrarich. The film centers on Cher (Alicia Silverstone) as a well-intentioned, fashion-obsessed high school student who is convinced she has life figured out. In the age of MTV, the film's popularity launched Paul Rudd's career and Silverstone's iconic-1990s status. The soundtrack, curated by Karyn Rachtman, helped solidify the film as a time capsule of clothing, music, dialogue and teenage life. “The Truman Show” (1998)Before social media and reality television, there was “The Truman Show.” Jim Carrey breaks from his usual comedic roles to star in this dramatic film about a man who, unbeknownst to him, is living his life on a soundstage filmed for a popular reality show. Adopted at birth by the television studio, Truman Burbank (Carrey) grew up in the (fictitious) town of Seahaven Island with his family and friends playing roles (paid actors). Cameras are all over the soundstage and follow his activities 24/7. Almost 30 years since its release, the film continues to be a study in sociology, philosophy and psychology, and has inspired university classes on media influence, the human condition and reality television. “Frida” (2002)Salma Hayek produced and starred in this biopic of Frida Kahlo, adapted from the book “Frida: A Biography of Frida Kahlo” by Hayden Herrera. The film explores Kahlo's rise as an artist in Mexico City and the impact disability and chronic pain from an accident as a young adult had on her life and work. The film centers around her tumultuous and passionate relationships, most significantly with her husband, painter Diego Rivera (Alfred Molina). Directed by Julie Taymor, the film was nominated for six Academy Awards, including Best Actress. It won awards for Best Makeup and Best Original Score for Elliot Goldenthal, who also won a Golden Globe in the same category. “The Hours” (2002)Director Stephen Daldry's “The Hours” weaves the novel “Mrs. Dalloway” into three women's stories of loneliness, depression and suicide. Virginia Woolf, played by Nicole Kidman (who won an Oscar and a Golden Globe for her performance), is working on the novel while struggling with what is now known as bipolar disorder. Laura, played by Julianne Moore (nominated for Best Actress in a Supporting Role), is unfulfilled in her life as a 1950s housewife and mother. Clarissa (played by Meryl Streep) is – like Mrs. Dalloway – planning a party, but for her close friend who is dying of AIDS. The film is based on Michael Cunningham's Pulitzer Prize-winning novel. It earned nine Academy Award nominations, including Best Picture, and won a Golden Globe for Best Picture. “The Incredibles” (2004)                                                 With an all-star cast and memorable soundtrack, this Academy Award-winning Pixar hit uses thrilling action sequences to tell the story of a family trying to live normal lives while hiding their superpowers. For the first time, Pixar hired an outside director, Brad Bird, who drew inspiration from spy films and comic books from the 1960s. The animation team developed a new design element to capture realistic human anatomy, hair, skin and clothing, which Pixar struggled with in early films like “Toy Story.” The film spawned merchandise, video games, Lego sets and more. The sequel, “Incredibles 2,” was also a huge hit, and together, both films generated almost $2 billion at the box office. “The Wrecking Crew” (2008)                                                     “The Wrecking Crew” is a documentary that showcases a group of Los Angeles studio musicians who played on many hit songs and albums of the 1960s and early 1970s, including “California Dreamin',” “The Beat Goes On,” “You've Lost That Lovin' Feeling” and “These Boots Are Made for Walkin'.” Through interviews, music, footage and his own narration, director Denny Tedesco reveals how the Wrecking Crew members – including his father, guitarist Tommy Tedesco – were the unsung heroes of some of America's most famous songs. Production for the film began in 1996, and the film was completed in 2008. Due to the high cost of song licenses, the official release was delayed until 2015, when a successful Kickstarter campaign raised over $300,000 to pay for the music rights. “Inception” (2010)                                                                         Writer and director Christopher Nolan once again challenges audiences with multiple interconnected narrative layers while delivering thrilling action sequences and stunning visual effects. “Inception” asks the question, “Can you alter a person's thoughts by manipulating their dreams?” Taking almost 10 years to write, the film was praised for its aesthetic significance and Nolan's ability to create scenes using cameras rather than computer-generated imagery. A metaphysical heist film with an emotional core driven by grief and guilt, “Inception” offers a meditation on how dreams influence identity, and it resonates deeply in an age of digital simulation, blurred realities and uncertainty. The film earned $830 million at the box office and won four Academy Awards. “The Loving Story” (2011)Nancy Buirski's acclaimed documentary gives an in-depth and deeply personal look at the true story of Richard Loving (a white man) and Mildred Loving (a Black and Native American woman), who were forbidden by law to marry in the state of Virginia in the 1960s. Their Supreme Court case, Loving vs. Virginia, was one of the most significant in history, and paved the way for future multiracial couples to marry. The movie captures the immense challenges the Lovings faced to keep their family and marriage together, through a combination of 16mm footage, personal photographs, accounts from their lawyers and family members, and audio from the Supreme Court oral arguments. “The Grand Budapest Hotel” (2014)“The Grand Budapest Hotel” stands as one of Wes Anderson's most successful films and demonstrates his own brand of unique craftsmanship, resulting in a visually striking and emotionally resonant story. As one of the most stylistically distinctive American filmmakers of the last half-century, Anderson uses historically accurate color and architecture to paint scenes to elicit nostalgia and longing from audiences, while at the same time weaving in political and social upheaval into the film. The film is an example of Anderson as a unique artist who uses whimsy, melancholy, innovative storytelling and a great deal of historical research, which is on display in this visually rich gem of a movie. Find out more at https://registry-a-podcast.pinecast.co

Durante décadas, Mary Pickford fue conocida como America's Sweetheart: la niña eterna, los rizos dorados, la pureza hecha icono. Pero detrás de esa imagen cuidadosamente construida se escondía una de las mujeres más poderosas, estratégicas y complejas de la historia del cine. En este episodio de Grandes Maricas de la Historia, no venimos a sacar del armario a Mary Pickford (porque con su historia no funciona así), sino a desmontar el relato heteronormativo que ha reducido su vida afectiva a matrimonios, mitos y silencios convenientes. A través de un análisis riguroso, contextual y sin anacronismos, exploramos cómo Pickford navegó una época que toleraba ciertas intimidades entre mujeres mientras patologizaba otras, cómo convirtió su imagen pública en un escudo, y cómo construyó su verdadera red emocional lejos del foco mediático. Desde la centralidad de su relación con Frances Marion hasta su matrimonio tardío con Buddy Rogers, pasando por su poder industrial sin precedentes como cofundadora de United Artists, este episodio propone una lectura queer estructural, no identitaria: una vida organizada fuera del guion afectivo dominante, aunque representada como su máxima encarnación. Porque no todas las disidencias se nombran; algunas, simplemente, se viven. Las músicas de hoy: https://open.spotify.com/playlist/4rJY2S79mHKUhBha2kdDMa?si=1ae6cbc0698249da

Eddie Pepitone (eddiepepitone.com) has a new special out (The Collapse) and is great. He's ALSO fascinated by OLD GOSS. We talk Mary Pickford and WC Fields and wander the early 20th century's indiscretions. You will love.  Every November and December I ask that you NOT donate to the Dork Forest but find your local food bank and give as much as you can to them. FeedingAmerica.com has a listing OR google “your town” and “food bank.” I believe in you. If you're set up to give to me these two months – your cash goes to LA's Food Bank. Thanks so much for all your support and take care of each other out there. Everything else you might want is at jackiekashian.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, I spoke with Tracey Goessel about her book "The First King of Hollywood: The Life of Douglas Fairbanks". Douglas Fairbanks was the greatest leading man of his generation—the first and the best of the swashbucklers. He made some of the greatest films of the silent era, including The Thief of Bagdad, Robin Hood, and The Mark of Zorro. With Charlie Chaplin, D. W. Griffith, and his wife, film star Mary Pickford, he founded United Artists.Forgotten Hollywood is on FacebookForgotten Hollywood Books are on AmazonDoug Hess is the Producer/Host!

Send us a textToday's episode is my conversation about the 1929 film Coquette. I'm joined by Maria Banson from the "Brunello Bombshell" newsletter and we talk about how the filmmakers used light and darkness to highlight aspects of Norma's personality, a technical snafu that derailed an early showing of the film with sound, and the way the entire film centers around Mary Pickford.You can watch Coquette on YouTube and be sure to check out Maria's newsletter.Other films mentioned in this episode include:Our Dancing Daughters directed by Harry BeaumontA Woman of Affairs directed by Clarence BrownPandora's Box directed by G. W. Pabst7th Heaven directed by Frank BorzageAnora directed by Sean BakerOther referenced topics:Coquette: A Play in Three Acts by George Abbott and Ann Preston BridgersPhotoplay Magazine reviewSupport the show

Mary Pickford And Company-The Church Mouse 34-10-03 epxxxx 

In 1927, the Hollywood stars (and spouses), Mary Pickford and Douglas Fairbanks, Jr stood outside their California home, arms raised in fascist salute. The photo's caption, referencing the couple's trip to Rome the previous year, informs fans that the couple “greet guests at their beach camp in true Italian style.” How did “America's sweetheart” and her husband, a swashbuckler on and off screen, both patriots who had promoted Liberty bonds following the United States' entry into World War I, come to normalize something like Italian Fascism in its first decade? How did the Italian-born divo, or star, of Hollywood's silent cinema, Rudolph Valentino come to function as foil and counterpart to Benito Mussolini's, the duce, in public opinion in American culture in the 1920s? Winner of the 2019 award for best book in film/media from the American Association for Italian Studies, The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America (University of California Press, 2019) tells the story of the relationship between celebrity culture, charismatic leadership and national sovereignty as it plays out on both sides of the Atlantic from roughly 1917 to the end of 1933. Giorgio Bertellini asks how two racially othered foreigners, Valentino and Mussolini, became leading figures in America and how these two icons of chauvinist Latin masculinity became public opinion leaders in a nation undergoing a major democratic expansion in terms of gender, equality, social mobility, and political representation. In the post-WWI American climate of nativism, isolationism, consumerism, and the democratic expansion of civic rights and women's suffrage, the divo and the duce became surprising paragons of both authoritarian male power as well as mass appeal. Bringing together star studies, screen studies, political science, Italian Studies, and American Studies Bertellini's study teaches us to think in new ways about cinema, political authority, masculinity, and race in Italian cinema and beyond. Meticulously archived, the author pays especial attention to the mediators between screens and the polity, a vast cast of players including journalists, photographers, ambassadors and other functionaries of state, advertisers, sponsors, and publicity agents, all of whom, on concert, work to promote the “ballyhoo” of the day. Thanks to the efforts of TOME (Toward an Open Monograph Ecosystem), a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries, The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America is available free in an open access edition.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1927, the Hollywood stars (and spouses), Mary Pickford and Douglas Fairbanks, Jr stood outside their California home, arms raised in fascist salute. The photo's caption, referencing the couple's trip to Rome the previous year, informs fans that the couple “greet guests at their beach camp in true Italian style.” How did “America's sweetheart” and her husband, a swashbuckler on and off screen, both patriots who had promoted Liberty bonds following the United States' entry into World War I, come to normalize something like Italian Fascism in its first decade? How did the Italian-born divo, or star, of Hollywood's silent cinema, Rudolph Valentino come to function as foil and counterpart to Benito Mussolini's, the duce, in public opinion in American culture in the 1920s? Winner of the 2019 award for best book in film/media from the American Association for Italian Studies, The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America (University of California Press, 2019) tells the story of the relationship between celebrity culture, charismatic leadership and national sovereignty as it plays out on both sides of the Atlantic from roughly 1917 to the end of 1933. Giorgio Bertellini asks how two racially othered foreigners, Valentino and Mussolini, became leading figures in America and how these two icons of chauvinist Latin masculinity became public opinion leaders in a nation undergoing a major democratic expansion in terms of gender, equality, social mobility, and political representation. In the post-WWI American climate of nativism, isolationism, consumerism, and the democratic expansion of civic rights and women's suffrage, the divo and the duce became surprising paragons of both authoritarian male power as well as mass appeal. Bringing together star studies, screen studies, political science, Italian Studies, and American Studies Bertellini's study teaches us to think in new ways about cinema, political authority, masculinity, and race in Italian cinema and beyond. Meticulously archived, the author pays especial attention to the mediators between screens and the polity, a vast cast of players including journalists, photographers, ambassadors and other functionaries of state, advertisers, sponsors, and publicity agents, all of whom, on concert, work to promote the “ballyhoo” of the day. Thanks to the efforts of TOME (Toward an Open Monograph Ecosystem), a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries, The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America is available free in an open access edition.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In 1927, the Hollywood stars (and spouses), Mary Pickford and Douglas Fairbanks, Jr stood outside their California home, arms raised in fascist salute. The photo's caption, referencing the couple's trip to Rome the previous year, informs fans that the couple “greet guests at their beach camp in true Italian style.” How did “America's sweetheart” and her husband, a swashbuckler on and off screen, both patriots who had promoted Liberty bonds following the United States' entry into World War I, come to normalize something like Italian Fascism in its first decade? How did the Italian-born divo, or star, of Hollywood's silent cinema, Rudolph Valentino come to function as foil and counterpart to Benito Mussolini's, the duce, in public opinion in American culture in the 1920s? Winner of the 2019 award for best book in film/media from the American Association for Italian Studies, The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America (University of California Press, 2019) tells the story of the relationship between celebrity culture, charismatic leadership and national sovereignty as it plays out on both sides of the Atlantic from roughly 1917 to the end of 1933. Giorgio Bertellini asks how two racially othered foreigners, Valentino and Mussolini, became leading figures in America and how these two icons of chauvinist Latin masculinity became public opinion leaders in a nation undergoing a major democratic expansion in terms of gender, equality, social mobility, and political representation. In the post-WWI American climate of nativism, isolationism, consumerism, and the democratic expansion of civic rights and women's suffrage, the divo and the duce became surprising paragons of both authoritarian male power as well as mass appeal. Bringing together star studies, screen studies, political science, Italian Studies, and American Studies Bertellini's study teaches us to think in new ways about cinema, political authority, masculinity, and race in Italian cinema and beyond. Meticulously archived, the author pays especial attention to the mediators between screens and the polity, a vast cast of players including journalists, photographers, ambassadors and other functionaries of state, advertisers, sponsors, and publicity agents, all of whom, on concert, work to promote the “ballyhoo” of the day. Thanks to the efforts of TOME (Toward an Open Monograph Ecosystem), a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries, The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America is available free in an open access edition.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Whether its key lime pie season or not, we're coming to you live from the subduction zone with crocks of dessert as we debate bucket sizes and meet a new eccentric. After cameo appearances by The Pie King, The Rug Doctor and The Stinky Car Detective we learn the worst thing that could possibly happen to a car has happened and pitch like, five new segments. LA Times articleStrause serving orange chiffon pie to Mary Pickford!Graham Cracker Spilled Milk episodeMolly's Now but Wow! - Jia Tolentino on The Ezra Klein Show  Support Spilled Milk Podcast!Molly's SubstackMatthew's Bands: Early to the Airport and Twilight DinersProducer Abby's WebsiteListen to our spinoff show Dire DesiresJoin our reddit

Mary Pickford: She was managing her household at the age of 6, theatrical actress by the age of 7, silent film superstar by 16. Silent film star, producer, script writer, studio head, women's rights activist, philanthropist, founder of many programs and foundations. Known as America's Sweetheart, but really she was America's Badass Female Trailblazer. The story of a remarkable woman who stood strong in a man's world.As we recognize Women's History Month, I will be sharing the stories of three important women in the history of entertainment.PATREON: patreon.com/StarsoftheGoldenAgePodcastBUY ME A COFFEE: buymeacoffee.com/GoldenAgeEpisode Sources: A book titled Mary Pickford: Queen of the Movies by Christel Schmidt; a book titled American Legends: The Life of Mary Pickford by Charles River Editors; marypickford.org; eden.com; IMDBImage Source: IMDB

EPISODE 75 - “MEHAR BABA BRINGS SPIRITUALITY TO OLD HOLLYWOOD” - 2/17/2025 During the 1920s and 1930s, a spiritual movement swept through Hollywood. It seems the Hollywood elite were about more than just speakeasies, flappers, and decadence. Some were searching for inner-peace and often found it -- at least temporarily -- in these various religious movements that popped up. One spiritual leader who came to prominence was India's MEHAR BABA, who believed that spirituality and metaphysics were interconnected. Stars like MARY PICKFORD, TALLULAH BANKHEAD, and MARIE DRESSLER were admirers. And when Baba visited Hollywood in May of 1932, you'll never believe where he stayed! Get enlightened and listen to this fascinating story of spirituality in Hollywood.  SHOW NOTES:  Sources: The God Man (1964), by C.B.Purdom; Mehar Baba, www.meharcenter.org “Mehar Baba: A Brief Biography,” www.avatarmeharbabatrust.org; “Pete Townsend Speaks of Mehar Baba,” www.petetoensend.net; “Mehar Baba: The Compassionate Father,” www.ramdass.org; “Highest of the High: Full Message By Mehar Baba with Introduction,” YouTube,com; Wikipedia.com; Movies Mentioned:  The Devil and the Deep (1932); starring Tallulah Bankhead, Gary Cooper, Charles, Laughton, & Cary Grant; Love Me Tonight (1932), starring Maurice Chevalier, Jeanette MacDonald, Charles Ruggles, & Myrna Loy; Grand Hotel (1932), starring Greta Garbo, John Barrymore, Joan Crawford, Lionel Barrymore, Wallace Beery, & Lewis Stone; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 74 - “SWEETHEARTS FROM THE GOLDEN AGE OF HOLLYWOOD" 2/10/2025 As Cupid sharpens his arrows, and the candy and greeting card companies prepare to make bank, we celebrate Valentine's Day. In this episode, we take a loving look at some of Hollywood's most enduring real-life love stories. From JOEL McCREA and FRANCES DEE to JEAN HARLOW and WILLIAM POWELL, join us as we discuss their lives, films, and, most importantly, their beautiful love stories.  SHOW NOTES:  Sources: Ladies of the Westerns (2015) by Michael C. Fitzgerald and Boyd Magers; Joel McCrea: Ride The High Country (1992), by Tony Thomas: “William Powell: Hollywood Star, Detective Film Icon," Jan. 27, 2025, Britannica,com; Letters From Hollywood: Jean Harlow , January 21, 2023 by David Stenn, TCM.com; The Love Story of Jean Harlow and William Power: Hollywood's Iconic Couple, Documentary (2023), Youtube.com; “McIntire and Nolan: A Romance Wright In Radio,” June 27, 2022, Travelanche; “12 Times Real Life Couple John McIntire and Jeanette Nolan Played a Couple Onscreen,” July 18, 2022, MeTV.com; “It Took Three Separate Actors To Bring Psycho's Norma Bates to Life,” November 30, 2022, www.slashfilm.com; “John McIntire and Jeanette Nolan Mix Business With Pleasure,” 2022, by J. Johnson, www.vocal.media/geeks; “John McIntire & Jeanette Nolan: Life Together,” by Jerry Skinner, YouTube.com; “Mary Pickford,” April 5, 2005, American Experience, PBS; “Douglas Fairbanks,” American Experience, PBS; Life and Times of Mary Pickford, Documentary (1998), Youtube.com; Harlow: The Blonde Bombshell, Documentary (1993), directed by Tom McQuade; “William Powell,” The State Historical Society of Missouri, www.missouriencyclopedia.com; Academy of Motion Picture Arts and Sciences (Oscars.org): Mary Pickford; “William Powell, Film Star, Dies at 91,”March 6, 1984, by Peter B. Flint, New York Times; “Jeanette Nolan, Spouse Rough it in Montana Wilderness Home,” March 24, 1974, The Indianapolis Star; TCM.com; MaryPickford.org; McCreaRanchFoundation.org; IMDBPro.com; IBDB.com; Wikipedia.com; AcademyMuseum.com Movies Mentioned:  JOEL MCCREA & FRANCES DEE: The Jazz Age  (1929); The Silver Horde (1930); Playboy of Paris (1930); King of the Jungle (1930); An American Tragedy (1931); Caught (1931); Born to Love (1931); Bird of Paradise (1932); The Silver Cord (1933); One Man's Journey (1933); Little Women (1933); Finishing School (1934); Of Human Bondage (1934); Gambling Lady (1934); Becky Sharp (1935); Barbary Coast (1935); These Three (1936); Come and Get It (1936); The Gay Deception (1936);   Wells Fargo (1937); Dead End (1937); If I Were King (1938); Union Station (1939); Foreign Correspondent (1940); I Walked With A Zombie (1943); Four Faces West (1948); Ride The High Country (1962); JEAN HARLOW & WILLIAM POWELL: Man of the World (1931); Ladies Man (1931); Hell's Angels (1930); Reckless (1935); Libeled Lady (1936); After The Thin Man (1936); Saratoga (1937); My Man Godfrey (1936); JOHN McINTIRE & JEANETTE NOLAN: The Ramparts We Watch (1940); Northside 777 (1948); MacBeth (1948); Words and Music (1948); River Lady (1948);   Command Decision (1948); Top of The Morning (1949); No Sad Song For Me (1950); The Asphalt Jungle (1950); Winchester '73 (1950); The Secret of Convict Lake (1951); The Happy Time (1952); The Big Heat (1953); Westward The Women (1951); Apache (1954);  The Far County (1954); Flaming Star (1960);  Summer and Smoke (1961); The Man Who Shot Liberty Valance (1962); Rooster Cogburn (1975); The Rescuers (1978); True Confessions (1981); Cloak and Dagger (1984); Turner and Hooch (1989); The Horse Whisperer (1998); MARY PICKFORD & DOUGLAS FAIRBANKS: *** Please email us for list of Pickford & Fairbanks movies*** --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

WINTER SURVIVAL TIPS. With over a foot of fresh fallen snow blanketing 3Q3D headquarters in Northeast Ohio, Amanda, Matt and Chris wonder why they live in a locale with such harsh winter conditions. However, as the drinks go down and the conversation warms up, the group looks at the bright side of shorter days and colder nights, debates which animal has winter figured out (hibernate like a bear, or fly south like a bird?), and reminds listeners to keep that moisturizer nearby. So get out of the cold and join the conversation – all are welcome to hunker down in the 3Q3D igloo.DRINKS IN THIS EPISODE:  CLEVELAND WHISKEY COMPANY CHRISTMAS BOURBON >> Pour 2 fingers of this spice flavored bourbon over a large cube and enjoy next to a roaring fire on a cold winter night.  MARY PICKFORD COCKTAIL >> 1 ½ oz white rum, 1 ½ oz unsweetened pineapple juice, 1 tsp Luxardo liqueur, ¼ tsp grenadine. Combine all ingredients in a cocktail shaker with ice and shake vigorously. Strain into a coupe glass, serve with a Luxardo cherry, and with the moxie of Mary Pickford now filling you up, walk out into that winter storm and show it who's boss.  MAI TAI COCKTAIL >>  1 ½ oz white rum; ¾ oz orange curaçao; ¾ oz lime juice, freshly squeezed, ½ oz orgeat, ½ oz dark rum, lime wheel and mint sprig. Add the white rum, curaçao, lime juice and orgeat into a shaker with crushed ice and shake lightly (about 3 seconds). Pour into a double rocks glass. Float the dark rum over the top. Garnish with a lime wheel and mint sprig and be instantly transported out of the cold and into a Polynesian tiki hut (or, perhaps, a hotel bar in Oakland, California, where the mai tai was born).If you've been enjoying the 3Q3D podcast, please subscribe and consider giving us a rating, a review, or sharing an episode with a friend.Follow our social sites here: Instagram:  https://www.instagram.com/3drinkspodcast/?hl=en Facebook:  https://www.facebook.com/3Drinkspodcast

  Today on another brand new episode of the Rarified Heir Podcast, we give you part one of our conversation with Suzanne Lloyd, the granddaughter of silent film comedy star & Christmas tree obsessive, Harold Lloyd. Now, if the name (or the image) of Harold Lloyd doesn't immediately ring a bell like Buster Keaton or Charlie Chaplin, this is one of the reasons we do this podcast, to make sure the legacy of legendary (or sometimes just working actors) are not forgotten. And after you hear Suzanne's lengthy and almost encyclopedic remembrances of the man who raised her and why his name isn't always mentioned as one of the three silent film comedians, you will understand it after listening to part one and next week's part two. There is a reason. One we know all too well ourselves with the Ernie Kovacs estate. On today's episode, we discuss the silent era of film and names like Hal Roach, Colleen Moore, Mary Pickford, Daryl Zanuck, Irving Thalberg, Snub Pollard and more are bandied about like so many of Suzanne's colorful stories about Harold Lloyd. We also hearabout Suzanne's grandmother, actress Mildred Davis who was a pretty huge silent film star in her own right. It's a whirlwind of information that fans of silent films won't get enough of and fans who love old Hollywood but maybe don't know the silent era well will want to learn more about. Suzanne was a marvelous guest – someone who knows dates, places, studios, names and more like these things happened just yesterday. It's clear that because she now controlls the Harold Lloyd Estate and his production company that she learned all this while also genuinely loving her grandfather who raised her like a daughter. It's terrific stuff. So now podcast listeners, we bring you the story of Speedy aka Harold Lloyd on this episode of the Rarified Heir Podcast. Take a listen.

David Belasco -- playwright, producer, impresario, theatre manager, and theatrical visionary -- was one of the most important names in the world of the Gilded Age stage.Beginning his life and career in San Francisco following the Gold Rush years, Belasco moved to New York to revolutionize how theatre was seen and produced in the last years of the 19th and into the 20th century. In addition to writing such hits as plays "Madame Butterfly" and "The Girl of the Golden West" which went on to become even more popular ad Puccini operas, he was responsible for launching the careers of Maude Adams (the first Peter Pan), Mary Pickford and Barbara Stanwyck. He was known for often wearing the robes and clerical collar of a Catholic priest, despite his Jewish heritage and thus began to call himself  "The Bishop of Broadway". Belasco owned and operated today's Belasco Theatre on 44th St which continues to bear his name. The theatre, built in 1907, is home to current Broadway hits and still contains the once lavish apartment now abandoned in which he lived on the theatre's top floor.   It's said that perhaps Belasco has never quite left his eponymous theatre and reports have persisted over the years of sightings and strange occurrences that indicate his possible presence even today. 

Steve talks about his new found love of Octoberfest beer. Is it something you need to try? Silver screen legend Mary Pickford is our one awesome lady, Vince Vaugh's "Bad Monkey" is our What Ca Watchin. Shot of the week is the Tiki Torch. Band of the week is 90s fave Garbage.

Welcome to the Instant Trivia podcast episode 1230, where we ask the best trivia on the Internet. Round 1. Category: People Who Became Words 1: A swift fellow, this Austrian's name means the speed of an object as a multiple of the speed of sound. Ernst Mach. 2: Don't lose your head trying to name this execution device named after a French doctor. the guillotine. 3: The name of this cigarette ingredient comes from the ambassador who sent tobacco to Pairs. nicotine. 4: Named for a Soviet minister, the Finns fixed these "cocktails" for the invading Russians in 1940. Molotov cocktails. 5: Up on the highwire you might wear this bodysuit named for a famous 19th century trapeze artist. a leotard. Round 2. Category: Jr. And Sr. 1: This Jr. grew up in the shadow of his swashbuckling father and stepmom Mary Pickford. Douglas Fairbanks, Jr.. 2: Little monster Creighton changed his name to this to match his "Dad of a thousand faces". Lon Chaney, Jr.. 3: "Pere" thrust forth "The Count of Monte Cristo"; "fils" parried with "Camille". (Alexandre) Dumas. 4: She says mommie dearest originally planned to name her "Joan Crawford, Jr.". Christina Crawford. 5: As Little John, Pa prowled Sherwood Forest 3 times, but Jr. got beached on an island. the Hales (Alan Hale Sr. and Jr.). Round 3. Category: Franks And Beens 1: This Limerick-born, Pulitzer Prize-winning author has been called "a haunted man". Frank McCourt. 2: He has been called the "Father of the Dime Store" (The F. stands for Frank). (F.W.) Woolworth. 3: He has been forever linked with Joseph Tinker and John Evers. Frank Chance of the Cubs. 4: This Massachusetts congressman has been after the press for their "Gotcha" stories. Barney Frank. 5: Since the '70s this gold medal-winning runner has been a driving force in the long-distance running boom. Frank Shorter. Round 4. Category: We Gotta Go Now 1: The lion population is dwindling; get to this nation's Kruger National Park to see them. South Africa. 2: Air pollution is damaging the marble facade of this mausoleum in Agra. the Taj Mahal. 3: Check out this, an Australian marine park since 1975, before the coral is destroyed. the Great Barrier Reef. 4: Head to this island east of Sumatra to see the orangutans before they become extinct. Borneo. 5: Climate change and deforestation are threats to Monteverde Cloud Forest Preserve in this Central American nation. Costa Rica. Round 5. Category: Big Plays In The Bible 1: A huge upset as he "prevailed over the Philistine with a sling and with a stone"; I can't believe what I just saw!. David. 2: He "stretched out his hand over the sea; and the Lord caused the sea to go back by a strong east wind"; what a play!. Moses. 3: His "wisdom excelled... the wisdom of Egypt", which is why he's been coach of the year so many times. Solomon. 4: It's not the 1924 Notre Dame backfield, this is the real McCoy from Revelation 6, and that means the game is truly over. the Four Horsemen. 5: What an amazing comeback! John 11 reported he "hath been dead 4 days", but now he's up and going back onto the field!. Lazarus. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

As France heads into snap parliamentary elections with the prospect of the far-right National Rally winning a majority, what powers would its prime minister have, and what would change in France? Also, a look at previous presidents who dissolved parliament and risked getting a result they didn't like. And the story of Jenny Sacerdote – France's Roaring Twenties haute couture designer, whose mould-breaking designs are finally being revived. France's far-right National Rally (RN) could well win a majority in the upcoming snap legislative elections, which would mean the party's leader, Jordan Bardella, would become prime minister. How would a far-right government rule France? Economic journalist Romaric Godin lays out the RN's economic policy based on national preference, while political scientist Nicolas Tenzer worries about shifts in France's foreign policy and its relationship with the outside world. And Arnaud Schwartz of the France Nature environment NGO questions the party's commitment to withdraw from solar and wind power in favour of nuclear. (Listen @0')Jenny Sacerdote built up a huge fashion empire in the early part of the 20th century, clothing the likes of the Empress of Japan and silent movie star Mary Pickford with her elegant but comfortable silk garments. "Jenny's grey suit" was as famous in the US as Chanel's "little black dress". She was also a pioneer in her approach to entrepreneurship and defending workers' rights. And yet she fell into oblivion after World War II. Designer Anne Vogt, author of a biography of Sacerdote, talks about breathing new life into this forgotten icon through her label La Suite Jenny Sacerdote. (Listen @20'10'')France's snap elections are the sixth in the country's post-war history. The most recent examples suggest that President Emmanuel Macron may not get the outcome he wants. (Listen @14'24'')Episode mixed by Cecile Pompéani. Spotlight on France is a podcast from Radio France International. Find us on rfienglish.com, Apple podcasts (link here), Spotify (link here) or your favourite podcast app (pod.link/1573769878).

I wasn't in Speed! It's Pride and we're proud to be here with Veronica Cartwright. You Might Know Her From Alien, The Witches of Eastwick, The Birds, The Children's Hour, Will & Grace, The Right Stuff, Invasion of the Body Snatchers, Inserts, and The X-Files. Veronica talked to us about her proper role in the queer canon byway of the Scissor Sisters, Jerry Herman, and StraightJacket; the trans retcon via James Cameron of Lambert in Alien; and her performance in the old Hollywood lesbian film The Children's House opposite Audrey Hepburn and Shirley MacLaine. And that's just the beginning! We also got to dig into her iconic roles on The X-Files as an abductee in one of the scariest arcs of all time, her rubber-faced scene-stealing scenes in The Witches of Eastwick,  working with Alfred Hitchock...multiple times, and her criminally underseen performance in Inserts. What a goddamn treat. And no, she wasn't in Speed. Happy Pride, queerdos, we love you!  Patreon: www.patreon.com/youmightknowherfrom Follow us on social media: @youmightknowherfrom || @damianbellino || @rodemanne Discussed this episode: Liza Minnelli documentary out at Tribeca Film Festival:  LIZA: A Truly Terrific Absolutely True Story A House Is Not a Disco, Fire Island documentary Andrea McArdle's daughter is Alexis Kalehoff Find our special episode with Barrie Kreinik who wrote a plays, The Queen of 14th Street about Eva Le Gallienne Mary Pickford was NOT in the relationship with William Randolph Hearst. That was Marion Davies.  The Cat's Meow was about Marion Davies Peg “something” Entwisle who killed herself on the Hollywood sign Damian wouldn't have made it to the talkies. Anne would have been a Mary Wickes type. Or a Marjorie Main, who was in a relationship with Spring Byington Veronica Cartwright is in too many iconic films to name but we will: The Birds, The Children's Hour, Alien, The Witches of Eastwick Stole scenes from Cher, Michelle Pfeifer and Susan Sarandon in The Witches of Eastwick: CHERRY SCENE Character in Alien is apparently NOT “canonically queer”  Got the buzz cut because Sigourney wouldn't  Invasion of the Body Snatchers (1978, dir: Philip Kauffman) is SO good please go watch  Donald Sutherland finally got a perm instead of curlers  Is so good in Inserts opposite Richard Dreyfuss Goin' South with Jack Nicholson Appeared on ER, Six Feet Under, Nip/Tuck Hitchcock Presents The Twilight Zone Colleen Dewhurst auditioned for The Witches of Eastwick role that eventually went to Veronica Sang opera in Man Trouble with Ellen Barkin  Cassandra Spencer in The X-Files Emmy nominated for The X-Files and ER Won Emmy at 15 for Tell me Not in Mournful Numbers Who Has Seen the Wind about refugees  Sings “Hello Dolly” in Scary Movie 2 The Scissor Sisters album cover  Is NOT in Speed despite listed as Bag Lag Uncredited in Speed Is only voiceover for a radio scene on In the Bedroom Gotta watch Clipped with the “silly rabbit” Cleopatra Coleman and Jacki Weaver Who will we cast as a sister opposite the play we need: Harriet Sansom Harris and Veanne Cox and is it Marcia Cross Judith Ivey is STILL ALIVE I'm sorry Birthday Candles with Debra Messing a life highlight  

Melanie Benjamin is an acknowledged master of historical fiction, not to mention one of the genre's bestselling authors. Benjamin's growing collection of work profiles topics ranging from the Nazi occupation of Paris, to silent movie starlet Mary Pickford, to the real-life inspiration behind Alice in Wonderland. Her most popular novels to date include The Aviator's […] The post Club Book Episode 171 Melanie Benjamin first appeared on Club Book.

Welcome to the Instant Trivia podcast episode 1163, where we ask the best trivia on the Internet. Round 1. Category: Yesterday'S Hotties 1: This lovely's look was all the rage on college campuses in the 1940s. Veronica Lake. 2: This actress who played opposite Victor Mature in "Samson and Delilah" invented the technology used in cell phones. Hedy Lamarr. 3: Some child mannequins of the 1920s were designed to look like this sweetheart of an actress. Mary Pickford. 4: This groundbreaking actress was played by Halle Berry in an acclaimed TV biopic. Dorothy Dandridge. 5: The alluring star of a number of classic films, this Kansas native was equally famous for her haircut. Louise Brooks. Round 2. Category: Take A Nee. With Nee in quotation marks 1: Someone in the running for an Emmy or a Tony. a nominee. 2: A scornful, lip-curling facial expression. a sneer. 3: A Native American people who lived on the Platte River, or Leslie Knope's fictional Indiana town. Pawnee. 4: Captain Bligh suffered the wrath of a group of them. mutineers. 5: Stanley makes these long-jawed pliers. needle-nose. Round 3. Category: Pound Key. With Pound in quotes 1: This word can come before microscope or fracture; the first is definitely better. compound. 2: Traditionally, one of these requires 16 ounces each of butter, sugar and flour. a pound cake. 3: Where you go to retrieve your car after it gets towed for being parked in front of a fire hydrant. the impound lot. 4: 2-word official name for the standard monetary unit of the United Kingdom. pound sterling. 5: A harsh debt payment insisted upon, it was Antonio's obligation to Shylock in "The Merchant of Venice". a pound of flesh. Round 4. Category: Names For Your Dog 1: Give your male Rottweiler a strong name like Apollo or that of this supreme Greek god. Zeus. 2: If you have a small brown dog, try this 4-letter name, the seed of a legume. Bean. 3: If it's black and white, how about Tuxedo or this, the name of Nabisco's classic sandwich cookie. Oreo. 4: Thanks to "Twilight", this has been the most popular name for female dogs for the last few years. Bella. 5: Hey, pal! You can't go wrong with this name that Bill Clinton gave his chocolate lab in 1997. Buddy. Round 5. Category: Script Tease 1: 1969:"I call that bold talk for a one-eyed fat man". True Grit. 2: 1946:"Every time you hear a bell ring, it means some angel's just got his wings". It's A Wonderful Life. 3: 1939:"You should be kissed -- and often -- and by someone who knows how". Gone with the Wind. 4: 1962:"Bond. James Bond". Dr. No. 5: 1964:"Mein Fuhrer, I can walk!". Dr. Strangelove. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

On this day in 1902, Thomas Lincoln Tally opened the first dedicated movie theater in Los Angeles.See omnystudio.com/listener for privacy information.

Dj and Kelly are locked in on a few great stories from times gone by and at the end of the episode DJ recounts the time he believed he was Mary Pickford. Both hosts eat edibles in preparation for the next episode (DJ never gets high) dont miss episode 3 where the gang goes way off the rails on a cannabis infused road trip of the mind (pun intended) Support the showInstagram.com/loadedpodTikTok.com/loadedpodWatch us on video Patreon.com/loadedpodEmail us and join the conversation Probablyloadedpod@gmail.com

Surprise! Back in January, Ryan posted a solo show talking about Horse Feathers. Well, here's another unexpected, unpromoted show about a movie star from the early days of cinema. Mary Pickford is a legend for business reasons though as much as she is for her films. She was a producer when not many women were AND she created the United Artists studio with Chaplin, Griffith and Fairbanks. Coquette is not her best-known title, but it DID win her an Oscar. And this early talkie is better than expected, especially considering the dreadful numbers on Rotten Tomatoes. Sound was still wonky in 1929, but this flick didn't suffer badly in that area. It's fairly well-made. Pickford might never come up on Have You Ever Seen again, so the focus in this 574th episode is split between the film itself and Mary P as one of the premiere power players in the first few decades of Hollywood filmmaking. Make your day yummy by buying some Sparkplug Coffee. They give our listeners a onetime 20% discount, if those listeners use our "HYES" promo code. Go to "sparkplug.coffee/hyes". If you feel inclined to let us know what you think of our talkie efforts, try email (haveyoueverseenpodcast@gmail.com). There's also Twi-x. Ryan is @moviefiend51 on there, while Bev is @bevellisellis (and has the same handle on Threads). We also post our shows on YouTube with a simple graphic accompaniment. That's @hyesellis in your browser. Like us there and/or on your podcast app. Rate, review, subscribe, you know the score.

EPISODE 24 - “The Hollywood Studio Club: Where The Good Girls Lived” - 02/26/2024 During the early days of Hollywood, hordes of young women pilgrimaged West to try to break into the movie business. And like sheep to slaughter, there were just as many men in Hollywood ready to take advantage of these young, inexperienced, and vulnerable young women. However, the Hollywood Studio Club, a hotel for women, run by women, tried to give these women a safe haven in the storm. Started by a librarian and nurtured by movie star MARY PICKFORD, among others, this hotel provided a safe place to live and helped nurture the budding careers of future Hollywood Stars such as MAUREEN O”SULLIVAN, LINDA DARNELL, DOROTHY MALONE, DONNA REED, KIM NOVAK, MARILYN MONROE and SHARON TATE. In this episode we'll explore the history and legacy of this very special place in Hollywood History.  SHOW NOTES:  Sources: "Film Girls Ask New Home: Studio Club of Hollywood to Campaign for Building Fund Middle of Next Month,” February 10, 1923, Los Angeles Times  "Building of Studio Club Is Assured: Norma Talmadge Donates $5000 Toward New Home for Film Girls,” February 14, 1925, Los Angeles Times "Studio Club Dedicates New Home,” May 8, 1926, Los Angeles Times “Few Girls From Club Win Fame,” May 22, 1938, Los Angeles Times “Boardinghouse of Broken Hearts,” September 19,1958, Saturday Evening Post  "Studio Club Fighting to Save Home,” November 13, 1970, Los Angeles Times. November 13, 1970. “The Lost History of L.A.'s Women-Only Hollywood Studio Club,” December 10, 2019, by Cari Beachamp, Vanity Fair “Marie Windsor, Femme Fatale and Queen of the B's, Dies at 80,” December 14, 2000, by Douglas Martin, The New York Times Hollywoodland (2003), by David Wallace Ayn Rand and the World She Made (2009), by Anne C. Heller Rita Moreno: A Memoir (2011), by Rita Moreno Sharon Tate: A Life (2016), by Ed Sanders The Girl: Marilyn Monroe, The Seven Year Itch, and the Birth of an Unlikely Feminist (2018), by Michelle Morgan Julia Morgan: An Intimate Portrait of an Trailblazing Architect (2022), by Victoria Kastner IMDBPro.com; Wikipedia.com; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

In which Pat and Mack discuss who was once one of the most influential and powerful women in Hollywood history - an actress from Toronto! --- Support: Patreon (https://www.patreon.com/historiacanadiana); Paypal (https://www.paypal.com/paypalme/historiacanadiana); recommended reading (https://historiacanadiana.wordpress.com/books/) --- Contact: historiacanadiana@gmail.com; Facebook (https://www.facebook.com/CanLitHistory). --- Sources/Further Reading: Brownlow, Kevin. Mary Pickford Rediscovered: Rare Pictures of a Hollywood Legend. New York: Harry N. Abrams, 1999. Whitfield, Eileen. Pickford: The Woman Who Made Hollywood. Lexington: University Press of Kentucky, 1997.

In this episode of “Tales from Hollywoodland,” the hosts explore the evolution of empowered women in the film and television industry. They celebrate early pioneers like Mary Pickford and discuss the founding of United Artists. The episode highlights influential figures such as Mae West, Joan Crawford, Sherry Lansing, Lucille Ball, Marlo Thomas, and Mary Tyler […] The post Empowered Women In Hollywood | Tales From Hollywoodland appeared first on The ESO Network.

In this episode of "Tales from Hollywoodland," the hosts explore the evolution of empowered women in the film and television industry. They celebrate early pioneers like Mary Pickford and discuss the founding of United Artists. The episode highlights influential figures such as Mae West, Joan Crawford, Sherry Lansing, Lucille Ball, Marlo Thomas, and Mary Tyler Moore. The hosts also examine the portrayal of strong female characters, citing Sigourney Weaver's role in "Aliens" and Disney's Mulan. They acknowledge the impact of women in executive roles, like Donna Langley and Amy Pascal, and the legal battles for career control by actresses like Bette Davis and Olivia de Havilland. Links Tales From Hollywoodland on Facebook https://www.facebook.com/talesfromhollywoodland  Tales From Hollywoodland on Instagram https://www.instagram.com/talesfromhollywoodland/ #empoweredwomen #filmindustry #television #MaryPickford #MaeWest #JoanCrawford #LucilleBall #MarloThomas #SigourneyWeaver #BarbraStreisand #TaylorSwift #BetteDavis #OliviadeHavilland #femaledirectors #challengesintheindustry #foreignmarkets #actresses #StevenJayRubin #ArthurFriedman #JulianSchlossberg #TalesFromHollywoodland

All the hot goss from the Annual Wampas Frolic and Ball plus a (fantasy) inside peek at what the Western Association of Motion Picture Advertisers did in their spare time in "The Wampas Exposed" special feature! There are gyrations! This clip show (sorry!) features Douglas Fairbanks, Mary Pickford, John Barrymore, Lionel Barrymore, jokes at Charlie Chaplin's expense (he had it coming), Rudolph Valentino, that Wampas Baby who fainted that one time, Bebe Daniels AND Baby Betty! This episode contains (mild) language that may be inappropriate for some listeners. Hosted on Acast. See acast.com/privacy for more information.

Stuart Holbrook president of Theriault's Auction House joins The Doll Podcast host Louisa Maxwell to  discuss  rare dolls by Austrian artist Lilli Baitz from the collection of Rosalie Whyel.  Rosalie Whyel founded of the award winning Rosalie Whyel Museum of Doll Art in Seattle Washington . Stuart tells the story of this major collection of Lilli Baitz dolls and how Rosalie Whyel preserved these dolls for future generations to enjoy.Austrian artist Lilli Baitz trained in art schools in Florence, Munich and Vienna. She established her studio in Berlin with her husband Roman in 1909. Lilli Baitz created beautifully costumed and sculpted dolls and figures dressed in costumes depicting traditional Austrian dress. She also sculpted languid boudoir dolls and capturing the likeness of stage and screen stars like Mary Pickford, Ellen Terry and Lilly Langtree.   Lilli and Roman's company  was renowned for their dolls and elaborate Christmas landscapes and magical fairy tale scenes. They soon attracted the attention of major department stores throughout Europe and the USA. They worked on projects for Metro Goldwyn-Mayer studios producing figures of stars such as Laurel and Hardy and Mary Pickford for film promotions in Europe.

In this episode, Krysta takes us into her corner to tell us about school and how holiday stress is beginning to creep in. She also talks about how hard it is to have a caregiver personality and not take time for one's self. Then we dive in and learn about Mary Pickford, aka Gladys Marie Smith. We learn about her birth, her early life, her time on the Toronto stage before coming to America to get on Broadway ere she became a queen of the silver screen! We talk her loves, her triumphs, her failures and her death in this special, man ain't ladies grand episode of the Family Plot Podcast!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4670465/advertisement

Mary Pickford

"Empty hearts. Empty lives. Empty homes. Poor little rich girl." Once upon a time, the Girl with the Curls was the Most Powerful Woman in Hollywood. Bella Zaydenberg (Yahoo!) joins us to talk about film icon Mary Pickford, and the film that both cemented her stardom and arguably stunted her artistic growth, The Poor Little Rich Girl (1917).Watch The Poor Little Rich Girl for free on our YouTube channel here.Hosts:Michael NataleTwitterLetterboxd Tom LorenzoTwitterLetterboxd Producer:Kyle LamparTwitter Guest:Bella Zaydenberg Follow the Show:TwitterInstagramWebsite Music by Mike Natale

In support of the Writers Guild of America (WGA) strike, this week's mini is focused on lost lady screenwriters. Between 1910 and 1930 more than half of all screenplays copyrighted were written by women, who were the early pioneers in this field. Discussed in this episode: Marie Dressler: Actress who introduced Anita Loos around the film industry.Lois Weber: Female film director who employed Anita Loos as an assistant.Mary Pickford: Actress who collaborated with Frances Marion on several scenarios.Elinor Glyn: Subject of an earlier Lost Ladies of Lit episode, portrayed by Jean Smart in the film Babylon.Hilary Hallett: Expert on women in early Hollywood, author of "Go West, Young Women: The Rise of Early Hollywood."Ursula Parrott: Mentioned as a novelist from a previous Lost Ladies of Lit episode who tried her hand at screenwriting in Hollywood.Winnifred Eaton: Also mentioned as a novelist and Lost Ladies of Lit episode, involved in Hollywood screenwriting.Nora EphronFrances Marion: Pioneering female screenwriter, wrote for Mary Pickford, won Oscars, and had a successful career.Anita Loos: Screenwriter known for "Gentlemen Prefer Blondes" and other works.June Mathis: First female executive for MGM, influential screenwriter.Leigh Brackett: Screenwriter known for "The Big Sleep," "The Long Goodbye," and co-writing credit on "The Empire Strikes Back."George Lucas: Had Leigh Brackett work on the early version of "The Empire Strikes Back."Ouida Bergére: Mentioned briefly as a writer who started as an actress.Bess Meredyth: Mentioned for her influence on the film "Casablanca."Josephine Lovett: Briefly mentioned as a screenwriter.Jeanie MacPherson: Mentioned as an actress who turned to screenwriting.Ambassador Hotel: Mentioned as a location associated with Elinor Glyn.Musso and Frank's: Mentioned in the context of Hollywood history.Madame Glyn: Reference to Elinor Glyn, a prominent writer of the timFor episodes and show notes, visit: LostLadiesofLit.com Follow us on instagram @lostladiesoflit. Follow Kim on twitter @kaskew. Sign up for our newsletter: LostLadiesofLit.com Email us: Contact — Lost Ladies of Lit Podcast

Este especial gira en torno a cuatro pioneros del cine, cuatro personajes de gran talento que contribuyeron decisivamente a hacer del cine ese arte y ese espectáculo que tanto nos gusta. Empezamos con Harold Lloyd uno de los grandes genios del cine cómico cuyos méritos y popularidad han quedado quizá un poco eclipsados por las figuras enormes de Chaplin y Keaton. Recordaremos a David Ward Griffith, el creador del lenguaje cinematográfico y un director al que todos los que se dedican al cine le deben muchísimo. Tenemos también a Mary Pickford la primera gran estrella femenina que tuvo Hollywood y a la que apodaban “La novia de América”. Y para terminar, un español, Segundo de Chomón, uno de los grandes pioneros de la fantasía en el cine cuyas aportaciones en el campo de los efectos especiales le llevaron a ser comparado con el mismísimo Georges Méliès. 

Este especial gira en torno a cuatro pioneros del cine, cuatro personajes de gran talento que contribuyeron decisivamente a hacer del cine ese arte y ese espectáculo que tanto nos gusta. Empezamos con Harold Lloyd uno de los grandes genios del cine cómico cuyos méritos y popularidad han quedado quizá un poco eclipsados por las figuras enormes de Chaplin y Keaton. Recordaremos a David Ward Griffith, el creador del lenguaje cinematográfico y un director al que todos los que se dedican al cine le deben muchísimo. Tenemos también a Mary Pickford la primera gran estrella femenina que tuvo Hollywood y a la que apodaban “La novia de América”. Y para terminar, un español, Segundo de Chomón, uno de los grandes pioneros de la fantasía en el cine cuyas aportaciones en el campo de los efectos especiales le llevaron a ser comparado con el mismísimo Georges Méliès. 

It's August 2, 2023. Veh is back with news for kids. Today she is teaching us all about Mary Pickford and other pioneering women in film!

This 2018 episode features Julian Eltinge, one of the highest-paid and most famous actors of the early 20th century. He acted alongside Douglas Fairbanks, Mary Pickford and Rudolph Valentino, and became. famous as a female impersonator.See omnystudio.com/listener for privacy information.

The Pickfair estate was once one of the most lavish properties in Hollywood. This had been the home of old Hollywood stars Mary Pickford and Douglas Fairbanks and was previously a hunting lodge. Pickford would be the first to talk about haunting activity in her home starting in the 1930s. Stories would continue through the years until Pia Zadora bought the property and demolished the historic mansion, claiming that the paranormal activity was getting out of hand. Join us as we explore the history and hauntings of Pickfair! The Moment in Oddity features the USS O'Bannon and This Month in History features the eruption of Mount Pinatubo. Our location was suggested by Jennifer Almond. Check out the website: http://historygoesbump.com Show notes can be found here: https://historygoesbump.blogspot.com/2023/05/hgb-ep-489-pickfair.html Become an Executive Producer: http://patreon.com/historygoesbump Music used in this episode:  Main Theme: Lurking in the Dark by Muse Music with Groove Studios (Moment in Oddity) Vanishing by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4578-vanishing License: https://filmmusic.io/standard-license (This Month in History) In Your Arms by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3906-in-your-arms License: https://filmmusic.io/standard-license Outro Music: Happy Fun Punk by Muse Music with Groove Studios The following music was used for this media project: Hollywood Follies by 5 Alarm Music Music: Haunted House by Alexander Nakarada Free download: https://filmmusic.io/song/4738-haunted-house License (CC BY 4.0): https://filmmusic.io/standard-license

The guys shake up a pineappley Prohibition-era cocktail named for a star of the silver screen.1.5oz/45ml White Rum1.5oz/45ml Pineapple Juice.25oz/7.5ml Maraschino Liqueur.17oz/5ml Grenadine SyrupPour all ingredients into a cocktail shaker, shake well with ice and strain into a chilled cocktail glass.Recipe via the International Bartenders Association (https://www.iba-world.com/) Hosted on Acast. See acast.com/privacy for more information.

If you've ever thought to yourself, "There's No Thread is great and all, but if only there was a THIRD voice for these ladies to talk over," well, it's your Lucky Day!!!Join sewing one Liza, writing one Meghan, and our very special guest, Our Dad (!!!) Mr. Todd Gambling, as we discuss Three Amigos, the 1986 comedy film notorious for one particular sewing mistake...Or is it a mistake? Opinions are had!Three hosts equals three times the tangents, so please enjoy the wide open range of topics in this one, from Mary Pickford's anti-union tendencies, plane spotting, UNESCO Intangible Cultural Heritage items, thoughts on tequila, thoughts on hand-crank sewing machines, thoughts on script notations or stage directions, whale pratfalls, and a very sweet recollection in favor of making children take piano.As well as, of course, a time/skills/materials breakdown of could, would, and should the townsfolk of Carmen's small village make a ton of mariachi costumes overnight.Come for all the parts where our dad tries to turn this sewing podcast into a music podcast, stay for the part where our dad doesn't understand the concept of the Reward Babe because he is a total gentleman.Sew, sew like the wind!instagram @theresnothreademail theresnothread@icloud.comrate and review, its fun!

Welcome to February 7th, 2023 on the National Day Calendar. Today we celebrate pasta love letters and strange elements.  In 1908, Alfredo Di Lelio's wife was pregnant with their first child and was having trouble eating. He made her pasta with butter and fresh parmesan cheese, that she loved it so much he added it to the menu of their small restaurant. In 1927, Mary Pickford and Douglas Fairbanks, two of the hottest stars in Hollywood, were on their honeymoon in Rome. They dined at Alfredo's restaurant and fell in love with this simple pasta dish. When they returned to America, they spread the word to their friends and the recipe became famous worldwide. As a thank you for introducing them to this marvelous food, the Hollywood stars sent Alfredo a solid gold fork and spoon engraved with the words: “To Alfredo the King of the noodles”. On National Fettuccine Alfredo Day, celebrate this pasta born from love. Hydrogen is the most common element in the universe. Here on Earth, it appears almost everywhere in some form or another. You can find it in the air, water, and in the Earth's crust. But what is the rarest element? That would be Astatine. It's a highly radioactive element with a half-life of only 8 hours. Only trace amounts of Astatine have ever been found naturally. Most of the time, it's only been observed in labs, as a by-product of nuclear experimentation. But as radioactive as the element is, it disappears so quickly that it poses very little threat to humans. On National Periodic Table Day, discover some of the strange and mysterious elements that form the world around us.   I'm Anna Devere and I'm Marlo Anderson. Thanks for joining us as we Celebrate Every Day!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Like the sexually-liberated Tiger Queen from her scandalous bestselling 1907 novel Three Weeks, Elinor Glyn was bold, provocative and glamourous, with a magnetism that endeared her to international readers and Hollywood celebrities alike. (She counted Mary Pickford, Gloria Swanson, Rudolph Valentino, and Charlie Chaplin among her personal friends.) After introducing the concept of the steamy “romance novel” to the staid Victorian world, Glyn became a pioneer of the Hollywood movie industry and shaped how romance was, and still is, portrayed on the silver screen. Joining us is Hilary A. Hallett, Director of American Studies at Columbia University and author of Inventing the It Girl: How Elinor Glyn Created the Modern Romance and Conquered Early Hollywood. Discussed in this episode: Three Weeks by Elinor GlynMary PickfordGloria SwansonRudolph ValentinoCharlie ChaplinInventing the It Girl: How Elinor Glyn Created the Modern Romance and Conquered Early Hollywood by Hilary A HalletDaisy, the Countess of WarwickSarah BernhardtSarah Bernhardt as TheodoraAnthony ComstockEmma GoldmanClara BowLucy, Lady Duff GordonFor episodes and show notes, visit: LostLadiesofLit.com Follow us on instagram @lostladiesoflit. Follow Kim on twitter @kaskew. Sign up for our newsletter: LostLadiesofLit.com Email us: Contact — Lost Ladies of Lit Podcast

On Today's Show: 2023 predictions Jimmy Mack starts chemo today. ASK MY MOM: Grand-meh To Be Today's Quote: You may have a fresh start any moment you choose, for this thing we call “failure” is not the falling down, but the staying down. — Mary Pickford, actress     Certified Mama's Boy Merch is NOW AVAILABLE! Shop now Become a Certified Fan! Help support the podcast! Vote for “Certified Mama's Boy” in the Podcast Magazine Hot 50 Listen to my other podcast, “Kramer and Jess Uncensored”! Get FREE motivational texts from my Mom! Mama Texts   Our Amazing Partners: COZY EARTH Cozy Earth's Premium Bamboo Products Reduce Humidity Allowing For A Perfect Night's Rest. Learn How Cozy Earth Creates It's Lightweight And Breathable Products.Superior Softness. Hypoallergenic Bedding. 100 Night Guarantee. Free Of Chemicals & Dyes. Use code KRAMER40 for 40% off Love You Forever! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we're going on the journey of Mary Pickford, from her theatre career to co-founding the Academy of Motion Picture Arts and Sciences. Known as “America's Sweetheart,” Pickford proved her stardom from an early age. She knew what she wanted, and she wasn't afraid to ask for it.Instagram: @FoundingFemalesofFilmSources:Women Film Pioneers Project:https://wfpp.columbia.edu/pioneer/ccp-mary-pickford/BBC:https://www.bbc.com/culture/article/20190204-mary-pickford-the-woman-who-shaped-hollywoodNPR:https://www.npr.org/2018/02/27/589061990/mary-pickford-darling-of-the-silver-screen-to-major-hollywood-force#:~:text=She%20was%20a%20woman%20of,film%20preservation%20and%20many%20charities.

In this episode, we travel back to the life and times of Harold Lloyd, famous silent film star with decades of Hollywood history, in addition to being the Dunne's first landlord when they arrived in California in 1957. Also included: a dip into Benedict Canyon and a few of its famous players. Harold had some very swell neighbors like Mary Pickford and Douglas Fairbanks Sr., Charlie Chaplin, Buster Keaton, and David O. Selznick.  Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, we travel back to the life and times of Harold Lloyd, famous silent film star with decades of Hollywood history, in addition to being the Dunne's first landlord when they arrived in California in 1957.  Also included: a dip into Benedict Canyon and a few of its famous players. Harold had some very swell neighbors like Mary Pickford and Douglas Fairbanks Sr., Charlie Chaplin, Buster Keaton, and David O. Selznick.  Learn more about your ad choices. Visit megaphone.fm/adchoices