Podcasts about Allegro

The name and personality of Niels Wilhelm Gade are well known among music specialists, but unfortunately largely ignored by the mainstream concert repertoire and its audiences. And this is an unfair and regrettable situation, since Gade is an important figure under both the historical and the artistic viewpoint.Tracklist1)Aquarelle Op. 19 n. 1 “Elegie”2)Aquarelle Op. 19 n. 2 “Scherzo”3)Aquarelle Op. 19 n. 3 “Canzonette”4)Aquarelle Op. 19 n. 4 “Humoreske”5)Aquarelle Op. 19 n. 5 “Barcarole”6)Aquarelle Op. 19 n. 6 “Capriccio”7)Aquarelle Op. 19 n. 7 “Romanze”8)AquarelleOp. 19 n. 8 “Intermezzo”9)Aquarelle Op. 19 n. 9 “Novellette”10)Aquarelle Op. 19 n. 10 “Scherzo”11)Sonata in E minor Op. 28: I. Allegro con fuoco.12)Sonata in E minor Op. 28: II. Andante.13)Sonata in E minor Op. 28 III. Allegretto.14)Sonata in E minor Op. 28 IV. Molto Allegro e appassionato.15)Phantasiestücke Op. 31 n. 1: Moderato16)Phantasiestücke Op. 31 n. 2: Allegretto vivo17)Phantasiestücke Op. 31 n. 3: Molto vivace18)Phantasiestücke Op. 31 n. 4: Allegro non troppo19)Aquarelle Op. 57 n. 1 “Humoreske”20)Aquarelle Op. 57 n. 2 “Notturno”21)Aquarelle Op. 57 n. 3 “Scherzo”22)Aquarelle Op. 57 n. 4 “Romanze”23)Aquarelle Op. 57 n. 5 “Capriccio”Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

American violinist Stella Chen releases her debut album, Stella x Schubert, with pianist Henry Kramer. Performing on the 1700 ex-Petri Stradivarius violin, Chen garnered worldwide attention with her first-prize win at the 2019 Queen Elizabeth International Violin Competition, followed by the 2020 Avery Fisher Career Grant and 2020 Lincoln Center Emerging Artist Award. Stella x Schubert Tracklist1. Schubert – Rondo in B minor, D.895 [13:54]Schubert – Fantasie in C Major, D. 934     2. I. Andante molto – [3:32]   3. II. Allegretto – [5:14]     4. III. Andantino – [11:31]     5. V. Allegro vivace – [4:45]6. Schubert – Sei mir gegrüsst, D.741 – [3:45]7. Schubert –Ständchen, D. 920 – [3:30]Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Salomon representing Primo Artists.

Johanna Müller-Hermann once held a significant place as a composer and teacher in Vienna, yet has been largely forgotten over the decades since her death in 1941. Radio 3 has been working to unearth her music and story through its Forgotten Women Composers project, in collaboration with the Arts and Humanities Research Council and Dr Carola Darwin. This week, Dr Darwin and Professor Robert Evans join Donald Macleod to explore this fascinating composer and her times. Their series includes many specially recorded works by Müller-Hermann that have sat neglected in dusty archives for decades. Müller-Hermann was greatly celebrated in her own lifetime and moved in eminent musical circles. She studied with Zemlinsky, befriended Alma Mahler, and also corresponded with Arnold Schoenberg. She went on to teach at Austria's New Vienna Conservatory where students travelled from as far away as America and the UK to study with her. She became a pivotal figure in Vienna's cultural scene and her music was regularly performed and published during her lifetime. Music Featured: String Quintet in A minor, Op 7 (excerpt) Piano Sonata, Op 8 (Allegro enérgico) Herbst, Op 20 No 3 (Vier Lieder) Wie eine Vollmondnacht, Op 20 No 4 (Vier Lieder) Zwei dreistimmige Frauenchöre, Op 10 Piano Sonata, Opus 8 (excerpt) Cello Sonata, Op 17 (Moderato) String Quartet in E flat, Op 6 (Moderato) Intermezzo in D, Op 3 No 4 (Fünf Klavierstücke) Vier Lieder, Op 2 Violin Sonata in D minor, Op 5 (Moderato serioso) UK Broadcast Premiere String Quartet in E flat, Op 6 (excerpt) Die stille Stadt, Op 4 No 1 Heroic Overture, Op 21 (excerpt) Alle die wachsenden Schatten, Op 9 No 3 (Drei Chöre) Violin Sonata in D minor, Op 5 (excerpt) UK Broadcast Premiere Heroic Overture, Op 21 String Quintet in A minor, Op 7 (Adagio con expressione) Piano Quintet in G minor, Op 31 (excerpt) Zwei Lieder, Op 11 Cello Sonata, Op 17 (excerpt) Epilog zur einer Tragodie 'Brand‘ – symphonic fantasy, Op 25 Intermezzo in D minor, Op 3 No 3 (Fünf Klavierstücke) Impromptu in D minor, Op 3 No 5 (Fünf Klavierstücke) In Memoriam, Op 28 No 5 (Herbstlieder) Novelette in A flat, Op 3 No 2 (Fünf Klavierstücke) Violin Sonata in D minor, Op 5 (Allegretto amabile) UK Broadcast Premiere Piano Quintet in G minor, Op 31 (Adagio sostenuto) Drei Gesange, Op 33 String Quartet in E flat, Op 6 (Allegro con spirito) Presented by Donald Macleod Produced by Luke Whitlock For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Johanna Müller-Hermann (1868-1941) https://www.bbc.co.uk/programmes/m001h57j And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Peter Filichia, James Marino, and Michael Portantiere talk about Allegro @ Western Connecticut State University, Conversations After Sex @ Irish Arts Center, Love @ Park Avenue Armory, and Becomes a Woman @ Mint Theater Company “This Week on Broadway” has been coming to you every week since 2009. It is read more The post This Week on Broadway for March 5, 2023: Allegro @ Western Connecticut State University appeared first on BroadwayRadio.

On his deathbed, a King commands trusty John, his most loyal servant, to protect his son and heir. But when the boy falls in love with a forbidden painting, John's loyalty is pushed to the limit. Will he sacrifice himself for the sake of the boy? Find out in Faithful John! The Brothers Grimm story responsible for Oscar Wilde's greatest work and your favourite scene in Star Wars.  After the story, we try to tracy its lineage from West to East, by way of a medieval French romance and the unexpected story of Hercules' run in with a poisoned shirt. This episode is “Certified Grimm” for adult themes and may not be suitable for all listeners. Twitter Facebook Instagram Patreon   grimmreadingpodcast@gmail.com Theme music: Bicycle Waltz by Goodbye Kumiko Other Music: Dvorak's Romantic Pieces, Op. 75 - 3. Allegro appassionato // Maria Szymanowska's Polonaise No. 3  

¡Música Popular VS. Música Clásica! Ya que estamos en el mes del amor... y de la música de tríos. Conversamos sobre la música romántica, el Bolero, los tríos y varios exponentes puertorriqueños importantes como Rafael Hernández, Sylvia Rexach y Pedro Flores.   Además, ¡nos atrevimos a comparar un Lied Alemán con un Bolero Clásico Caribeño! El episodio ya está disponible en todas las principales plataformas de podcast.

You will love this conversation with Robyn Bollinger, Concertmaster of the Detroit Symphony She shares incredible tools, strategies and tips, including: Her audition preparation process How she handles her role as concertmaster How she keeps track of her practicing Her favorite tool in the practice room And so much more!   Where to find Robyn: Website: https://www.robynbollingerviolin.com/ YouTube channel: https://www.youtube.com/channel/UC6oMF1E1OWyEf_UcBh2qWlA Facebook: https://www.facebook.com/RobynBollinger Instagram: https://www.instagram.com/robynkbviolin/   DOWNLOAD THE TRANSCRIPT FROM THIS EPISODE HERE   Don't wait and sign up for my brand new workshop – THE PERFORMANCE ANXIETY SOLUTION! Find all the info at www.performanceanxietysolution.com        Do you have specific questions for me or my guests you would like answered on the podcast? Share them with me HERE!     Mind Over Finger Visit MindOverFinger.com for resources on mindful practice and information on how to work with me. Sign up for my newsletter to receive your free guide to a highly productive mindful practice and to get the transcripts of the Mind Over Finger Podcast episodes delivered to your inbox. Join the Join the Mind Over Finger Community  for access to my live videos and to exchange with a community of like-minded musicians. www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

Handel's keyboard suites have remained strangers to most concert pianists. Seong-Jin Cho hopes that his latest album for Deutsche Grammophon will shed new light on some of the most heartfelt of all Baroque music. Set for release today, The Handel Project contains three of the 28-year-old South Korean pianist's favourite suites from Handel's first collection of Suites de pièces pour le clavecin. These are coupled with Brahms's virtuosic Variations and Fugue on a Theme by Handel, which Cho believes to be “the best variations that have ever been written”.Track Listing:1 Adagio 02:362 Allegro 02:183 Adagio 01:374 Allegro 02:105 Prélude 02:166 Allegro 02:297 Allemande 03:058 Courante 01:419 Gigue 02:0110 Prélude 02:0911 Allemande 04:3412 Courante 01:4313 Air & 5 Variations "The Harmonious Blacksmith" 03:3514 Aria 00:4915 Var. 1 00:4716 Var. 2 (Animato) 00:4217 Var. 3 (Dolce) 00:4418 Var. 4 (Risoluto) 00:4919 Var. 5 (Espressivo) 00:5720 Var. 6 00:5621 Var. 7 (Con vivacitá) 00:3822 Var. 8 00:3623 Var. 9 (Poco sostenuto) 01:1724 Var. 10 (Energico) 00:3525 Var. 11 (Dolce) 00:4826 Var. 12 (Soave) 00:4927 Var. 13 (Largamente, ma non più) 01:2528 Var. 14 (Sciolto) 00:3829 Var. 15 00:4430 Var. 16 (Piano ma marcato) 00:3131 Var. 17 (Più mosso) 00:2932 Var. 18 (Grazioso) 00:5133 Var. 19 (Leggiero e vivace) 01:0634 Var. 20 (Legato) 01:2335 Var. 21 (Dolce) 00:5136 Var. 22 01:0537 Var. 23 (Vivace e staccato) 00:3338 Var. 24 00:3339 Var. 25 00:3840 Fugue 05:0841 Sarabande 02:3642 Minuet (Arr. Kempff for Piano) 04:17Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

In the second show recorded live at Lotus, Jonny and Richard answer questions from the audience. Topics covered include the size of their hands, how much Jonny's spent on his Allegro, podcast quality control, the confusing ID.3 range, air-con agnosticism in Death Valley, old school trim levels, Tiff driving across Europe in an Aston with broken power steering, car wrecking on Top Gear and 5th Gear, badgers with breeze blocks, a listener making an heroic journey in a Lotus-tuned car, stock room shenanigans, tales of advertising Mercedes', childhood toy cars and a hotel elevator conundrum. patreon.com/smithandsniff Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

⚠️CW: Sexually suggestive (positive) Follow us on Tiktok! https://www.tiktok.com/@chosenonesdnd Don't want to wait for new episodes? Watch the visual novel version of our show on YouTube: https://www.youtube.com/playlist?list=PLrDE9LAmyappSwTkFWCJH4BP2_xXSH7nG Thank you to some of our patrons: Spirit, wamulet, Bigreddog, Keilan, Bubbt, Zachary Cook, Dion Miranda, Zab, Arkeus a Druid, The Hat Man, Charles, Z Mr. Bakudan, GeekoftheGreek, Alkalinewig, twieaper123, and V. You can find links to all of our content/social media here! https://linktr.ee/ChosenOnes Support us on patreon: https://www.patreon.com/ChosenOnesDnD Make a one time donation: https://ko-fi.com/chosenones Character credits are below. Avayath (he/him) is played by funnybunnyjay (he/him) https://twitter.com/funnybunnyjay Shui (he/him) is played by Zen (he/him) https://twitter.com/zento_box Theo (they/he) is played by Sweetsunberry (they/he) https://twitter.com/Sweetsunberry Brandy (he/him) is played by Ripley (she/they) https://twitter.com/Ripp_Tides All other characters are played by Cassiroll (they/them) https://twitter.com/CassirollChan [MUSIC CREDITS] PeriTune - Music-box_Gentle2 by PeriTune https://www.youtube.com/watch?v=_oD6d-qBCBA&feature=emb_title "Melody of the Sparks" by David Knight https://twitter.com/DJWNaito Bach - Aria Variata, BWV 989 Variation no.1 by Brendan Kinsella https://freemusicarchive.org/music/Brendan_Kinsella Dial by Jahzzar https://freemusicarchive.org/music/Jahzzar Sonata No. 1 in F Minor, Op. 2 No. 1 - I. Allegro by Daniel Veesey https://freemusicarchive.org/music/Daniel_Veesey Zen Garden by Shane Ivers https://www.silvermansound.com Sentinel by Kai Engel https://freemusicarchive.org/music/Kai_Engel Old Castle by Fanatical Minimalistic Emotional Classical Piano by Orchestralis Sexy Time by Komiku https://freemusicarchive.org/music/Komiku Music Box Here We Go Again by AGsoundtrax Time by musicant Voodoo by iCENTURY The Suspense Dark by ArtHaiz "We Are The Chosen" by dcolemusic https://twitter.com/davexole

In this second half, we discuss the changes cotton production brought to the United States. Mechanization and factory towns shifted the economics not only of sleepy agricultural communities, but the country as a whole. Of course, factory work brought its own significant problems, but we really can't deny the long-term impact of cotton on the formation of the modern world. Intro Music: Zac Bell Transition Music: Beethoven, Sonata No. 4 in E Flat Major, Op. 7-III. Allegro, Paul Pitman Exit Music: Jean Claude Hatungimana Cover Art: Emily Noble Day

In this episode, we continue where we left off in episode 158, discussing the teacher/student relationship, and we turn our attention to the second partner in the musical team: the student and how they can get the most out of their lesson and learning experience.    Reflection - Here are questions to increase your awareness of the topics I cover in the episode: ·         What else can I try? ·         How does this concept work for me? ·         How can I make this work for me? ·         How can I solve this? ·         If I knew how to improve this, what would the solution look like?   DOWNLOAD THE TRANSCRIPT FROM THIS EPISODE HERE   Do you have specific questions for me or my guests you would like answered on the podcast? Share them with me HERE!   Join me for FREE on February 17th for the Deep Practice Model Teacher Training Workshop when you join Practicing for Peak Performance!   Practicing for Peak Performance: Your Step-by-step Roadmap to Optimal Performance! Get you self-paced program HERE and transform how you perform TODAY!   Mind Over Finger Visit MindOverFinger.com for resources on mindful practice and information on how to work with me. Sign up for my newsletter to receive your free guide to a highly productive mindful practice and to get the transcripts of the Mind Over Finger Podcast episodes delivered to your inbox. Join the Join the Mind Over Finger Community  for access to my live videos and to exchange with a community of like-minded musicians. www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/   THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. A HUGE thank you to my fantastic producer, Bella Kelly, who makes this podcast as pleasant to listen to as possible for you!

SUMMARY Welcome to STRANGE BEDFELLOWS, an AKOM series about Yoko Ono and Paul McCartney after John Lennon's death. Episode Three covers the 1990s, a decade that sees some of the most significant highs and lows between Ono and McCartney. Goodwill abounds when Paul inducts John into the Rock Hall in 1994. Building on this positivity, Yoko earns Paul's gratitude during the making of the Beatles Anthology.  But the peace is short-lived, and a set of seemingly minor squabbles escalate into their most vicious public arguments to date, setting the stage for a cold war as Yoko and Paul enter the new millenium.    SOURCES John Lennon Rock Hall Induction (1994) The Sunday Times Supplement (Jan 22, 1967) Many Years From Now by Barry Miles (1997) Paul McCartney Interview w/ Chrissy Hynde (1999) “Yoko Says Snub by McCartney Hurts” Chicago Tribune (June 29, 1998) Mojo (August 1999) MOJO: Paul McCartney – the MOJO interview. (May, 2003) “The Ballad of Paul and Yoko” by Gilbert Garcia. Salon (January 27, 2003) PLAYLIST Trans Lunar Rising THE FIREMAN The End THE BEATLES Hiroshima Sky is Always Blue YOKO ONO feat. THE MCCARTNEYS Family Way Mvmt I PAUL MCCARTNEY Family Way Mvmt II PAUL MCCARTNEY Family Way Mvmt IV PAUL MCCARTNEY Kontakte KARLHEINZ STOCKHAUSEN Strawberry Fields Forever (demo) JOHN LENNON Free as a Bird (demo) JOHN LENNON Free as a Bird THE BEATLES Now and Then (demo) JOHN LENNON Flaming Pie PAUL MCCARTNEY When I'm 64 THE BEATLES Fire/Rain. Allegro energico (Standing Stone) PAUL MCCARTNEY  Glory Tales. Trionfale (Standing Stone) PAUL MCCARTNEY  The World Tonight PAUL MCCARTNEY Yesterday THE BEATLES Watercolour Guitars THE FIREMAN Appletree Cinnabar Amber THE FIREMAN Bison THE FIREMAN

Synopsis We probably have the irrepressible playwright, music critic, and ardent socialist George Bernard Shaw to thank for this music—the Third Symphony of Sir Edward Elgar. Shaw had been trying to persuade Elgar to write a Third Symphony, and, early in 1932, had written to Elgar: "Why don't you make the BBC order a new symphony. It can afford it!" A few months later, Shaw dashed off a postcard with a detailed, albeit tongue-in-cheek program for the new work: "Why not a Financial Symphony? Allegro: Impending Disaster; Lento mesto: Stone Broke; Scherzo: Light Heart and Empty Pocket; Allegro con brio: Clouds Clearing." Well, there was a worldwide depression in 1932, but the depression that had prevented Elgar from tacking a new symphony was more personal: the death of his beloved wife in 1920. Despite describing himself as "a broken man," unable to tackle any major projects, when Elgar died in 1934, he left behind substantial sketches for a Third Symphony, commissioned, in fact, by the BBC. Fast forward 64 years, to February 15th, 1998, when the BBC Symphony gave the premiere performance of Elgar's Third at Royal Festival Hall in London, in a performing version, or "elaboration" of Elgar's surviving sketches, prepared by the contemporary British composer Anthony Payne. It was a tremendous success, and, we would like to think, somewhere in the hall the crusty spirit of George Bernard Shaw was heard to mutter: "Well—about time!" Music Played in Today's Program Edward Elgar (1857-1934) Symphony No. 3 (elaborated by Anthony Payne) BBC Symphony; Andrew Davis, conductor. NMC 053 On This Day Births 1571 - possible birth date of German composer Michael Praetorius, in Creuzberg an der Werra, near Eisenach; 1847 - Austrian composer Robert Fuchs, in Frauenthal, Styria; 1899 - French composer Georges Auric, in Lodève; 1907 - French composer and organist Jean Langlais, in La Fontenelle; 1947 - American composer John Adams, in Worcester, Mass.; 1949 - American composer Christopher Rouse, in Baltimore, Maryland; Deaths 1621 - German composer Michael Praetorius, supposedly on his 50th birthday, in Wolfenbüttel; 1857 - Russian composer Mikhail Glinka, age 52, in Berlin; 1887 - Russian composer Alexander Borodin (Gregorian date: Feb. 27); 1974 - Swedish composer Kurt Atterberg, age 86, in Stockholm; 1992 - American composer William Schuman, age 81 in New York; He won the first Pulitzer Prize for Music in 1943 for his Walt Whitman cantata, "A Free Song"; Premieres 1686 - Lully: opera "Armide et Renaud," (after Tasso) in Paris; 1845 - Verdi: opera "Giovanna D'Arco" (Joan of Arc) in Milan at the Teatro all Scala; 1868 - Tchaikovsky: Symphony No. 1 ("Winter Dreams") (first version), in Moscow (Julian date Feb. 3); A revised version of this symphony premiered in Moscow on Nov. 19/Dec. 1, 1883; 1874 - Bizet: "Patrie" Overture, in Paris, by the Concerts Pasedeoup; 1884 - Tchaikovsky: opera "Mazeppa" in Moscow at the Bolshoi Theater (Julian date: Feb. 3); 1919 - Loeffler: "Music for Four Stringed Instruments" at New York's Aeolina Hall by the Flonzaley Quartet; 1939 - Miakovsky: Symphony No. 19 for wind band, in Moscow; 1945 - Paul Creston: Symphony No. 2, by the New York Philharmonic, with Arthur Rodzinski conducting; 1947 - Korngold: Violin Concerto, by the St. Louis Symphony, with Jascha Heifetz as soloist; 1958 - Diamond: orchestral suite "The World of Paul Klee," in Portland, Ore.; 1965 - B.A. Zimmermann: opera "Die Soldaten" (The Soldiers), in Cologne at the Städtische Oper; Others 1940 - American Music Center, a library and information center for American composers, is founded in New York City. Links and Resources On Elgar

Linton Stephens mixes a classical playlist for comedian, actor, and Instagram sensation Harry Trevaldwyn. Harry's Playlist: Fanny Mendelssohn - Schluss Joseph Haydn - String Quartet in G minor Op. 74 No. 3 'The Horseman': IV Finale. Allegro con brio Judith Bingham - The Drowned Lovers Shardad Rohani - London Symphony Orchestra Poppy Ackroyd - Muted Modest Mussorgsky - Night on Bald Mountain Classical Fix is a podcast aimed at opening up the world of classical music to anyone who fancies giving it a go. Each week, Linton mixes a bespoke playlist for his guest, who then joins him to share their impressions of their new classical discoveries. Linton Stephens is a bassoonist with the Chineke! Orchestra and has also performed with the BBC Philharmonic, Halle Orchestra and Opera North, amongst many others.

In this episode I talk about the very important role of teacher and the ways we can efficiently guide and support our students on their chosen path.   DOWNLOAD THE TRANSCRIPT FROM THIS EPISODE HERE   Do you have specific questions for me or my guests you would like answered on the podcast? Share them with me HERE!   Join me for FREE on February 17th for the Deep Practice Model Teacher Training Workshop when you join Practicing for Peak Performance!  (Replays will be available)   Practicing for Peak Performance: Your Step-by-step Roadmap to Optimal Performance! Get you self-paced program HERE and transform how you perform TODAY!   Mind Over Finger Visit MindOverFinger.com for resources on mindful practice and information on how to work with me. Sign up for my newsletter to receive your free guide to a highly productive mindful practice and to get the transcripts of the Mind Over Finger Podcast episodes delivered to your inbox. Join the Join the Mind Over Finger Community  for access to my live videos and to exchange with a community of like-minded musicians. www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/   THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. A HUGE thank you to my fantastic producer, Bella Kelly, who makes this podcast as pleasant to listen to as possible for you!

Recording Wolfgang Amadeus Mozart's piano and violin sonatas is a tour de force. Thirty-six works spanning more than a quarter of a century, from childhood to the last years of the composer´s short life, so long of art, of the great master of Salzburg.Tracklist1. Sonata for Piano and Violin in C Major, K. 296, No. 17: I. Allegro Vivace (09:00)2. Sonata for Piano and Violin In C Major, K. 296, No. 17: II. Andante Sostenuto (06:07)3. Sonata for Piano and Violin In C Major, K. 296, No. 17: III. Rondeau, Allegro (04:57)4. Sonata for Piano and Violin in F Major, K. 376, No. 24: I. Allegro (07:35)5. Sonata for Piano and Violin in F Major, K. 376, No. 24: II. Andante (05:29)6. Sonata for Piano and Violin in F Major, K. 376, No. 24: III. Rondeau, Allegretto Grazioso (06:41)7. Sonata for Piano and Violin in F Major, K. 377, No. 25: I. Allegro (06:07)8. Sonata for Piano and Violin in F Major, K. 377, No. 25: II. Andante (08:52)9. Sonata for Piano and Violin in F Major, K. 377, No. 25: III. Tempo di Menuetto (06:24)10. Sonata for Piano and Violin in B-Flat Major, K. 378, No. 26: I. Allegro Moderato (09:23)11. Sonata for Piano and Violin in B-Flat Major, K. 378, No. 26: II. Andantino Sostenuto e Cantabile (06:23)12. Sonata for Piano and Violin in B-Flat Major, K. 378, No. 26: III. Rondeau, Allegro (04:34)13. Sonata for Piano and Violin in G Major, K. 379, No. 27: I. Adagio-Allegro (12:26)14. Sonata for Piano and Violin in G Major, K. 379, No. 27: II. Tema e Variazioni (10:39)15. Sonata for Piano and Violin in E-Flat Major, K. 380, No. 28: I. Allegro (09:58)16. Sonata for Piano and Violin in E-Flat Major, K. 380, No. 28: II. Andante con Moto (09:16)17. Sonata for Piano and Violin in E-Flat Major, K. 380, No. 28: III. Rondeau (04:35)Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Bárbara Leu from Azul Music.         

Organist Christopher Houlihan, described as “the next big organ talent” by the Los Angeles Times, releases his next solo album, First and Last, on Azica Records. The album features César Franck's “Grande Pièce Symphonique,” Op. 17, from Six pièces d'orgue (1860–62) and Louis Vierne's Symphonie No. 6, op. 39 (1930).Sharing his inspiration behind the album, Houlihan says, “Within this genre, there are no two pieces that better represent the trajectory of this style than Franck's Grande pièce symphoniqueand Vierne's Symphony No. 6— essentially the first and the last French Romantic organ symphonies.” First and Last Track ListCésar Franck (1822 -1890) – Grande Pièce Symphonique, Op. 17 from Six pièces d'orgue (1860-1862)   1. Andantino serioso [4:03]  2. Allegro non troppo e maestoso [7:00]  3. Andante - Allegro - Andante [8:16]  4. Allegro non troppo c maestoso [2:49]  5. Beaucoup plus largement [4:10]Louis Vierne (1870–1937) – 24 Pièces en style libre, Op. 31  6. Berceuse, no. 19 [4:13]Louis Vierne – Symphonic No. 6, Op. 59 (1930)  7. I. Introduction et Allegro [10:13]  8. II. Aria [7:27]  9. III. Scherzo [4:26]  10. IV. Adagio [9:51]  11. V. Final [7:31]Total Time: 69:59Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Katy Salomon representing Primo Artists.

There are a lot of things that have changed the world. The Roman Empire, the Age of Sail, the printing press, etc. But cotton usually doesn't make that list. The unassuming seed of the cotton plant, covered in white, wispy fibers perfect for spinning into cloth isn't usually considered a major player on the world stage. But in actuality, the industrialization behind the production of cotton textiles made massive changes to the very fabric (pun fully intended) of the modern world. In this first of two parts, we talk about the mechanization of cotton production and the economic and social impacts that reverberated through the world. Intro music: Zac Bell Transition Music: Georg Phillip Telemann, 4 Concerto for 4 Violins II. Grave, Viola Viva George Friedrich Handel, Recorder Sonata in F, HWV 369, II. Allegro, Telemann Trio Exit Music: Jean Claude Hatungimana Cover Art: Emily Noble Day

In this episode, I explain how the motivation cycle works and how you can create motivation on purpose any time you want. Reflection - Here are questions to increase your awareness of the topic I cover in the episode: What is my long-term goal? What actions do I want to take to move towards my goal today? What feeling would fuel me and support me in taking action today? What thought can I think and believe to generate that feeling today?   DOWNLOAD THE TRANSCRIPT FROM THIS EPISODE HERE Do you have specific questions for me or my guests you would like answered on the podcast? Share them with me HERE! Join me for FREE on February 17th for the Deep Practice Model Teacher Training Workshop when you join Practicing for Peak Performance! Practicing for Peak Performance: Your Step-by-step Roadmap to Optimal Performance! Get you self-paced program HERE and transform how you perform TODAY!   Mind Over Finger Visit MindOverFinger.com for resources on mindful practice and information on how to work with me. Sign up for my newsletter to receive your free guide to a highly productive mindful practice and to get the transcripts of the Mind Over Finger Podcast episodes delivered to your inbox. Join the Join the Mind Over Finger Community  for access to my live videos and to exchange with a community of like-minded musicians. www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/   THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. A HUGE thank you to my fantastic producer, Bella Kelly, who makes this podcast as pleasant to listen to as possible for you!

Jess is joined by violinist Ionel Manciu to chat about some of their favourite records and share their lives in music. Including a revelation of Ionel's past life as a Moldovan pop star, John Adams conjuring raindrops from the piano, a classic by Amy Winehouse and a piece by Arno Babadjanian that stopped Jess in her tracks. Playlist: GEORGY SVIRIDOV: The Bells of Dawn [Dmitri Hvorostovsky (baritone), The Grand Choir ‘Masters of Choral Singing'/Lev Kontorovich (cond)] AMY WINEHOUSE: Love is a Losing Game ARNO BABADJANIAN: Piano Trio in F sharp – 2nd mvt ‘Allegro' [David Oïstrakh (violin), Sviatoslav Knushevitsky (cello) Arno Babadjanian (piano)] JOHN ADAMS: China Gates [Bruce Brubaker (piano)] ASTOR PIAZZOLLA: The Four Seasons of Buenos Aires – Invierno Porteño “Winter” [Lara St John (violin), Simon Bolivar Youth Orchestra of Venezuela/Eduardo Marturet] ANOMALIE: Métropole RACHMANINOV: Symphonic Dances, op.45 - no.2 Tempo di Valse [Berlin Philharmonic/Simon Rattle (cond)] DINICU: The Skylark (Ciocarlia) [Gheorghe Zamfir (pan flute)]

Why did the people who wrote in Greek, Latin, Arabic, Hebrew, or Aramaic in antiquity never find cause to write about the Sumerian Anunnaki gods as such? Gilgamesh was mentioned early on, the pre-flood Sumerian kings also, but not the Anunnaki, a name that was first offered up by academia and later made famous by Zechariah Sitchin. Why were the Anunnaki ignored by all until the rediscovery of the earliest written language, that of Mesopotamia, in the 19th century?In 1970, a reputed philologist, John Marco Allegro, made two highly unorthodox and controversial claims in his book, THE SACRED MUSHROOM AND THE CROSS. He asserted that the name of Jesus was taken from that of a mushroom with mind-altering properties, and that Sumerian was not only the source of the biblical name but more generally provided the missing link between later languages.Along with the academic translations, Sitchin and Allegro are the two main sources of all our Sumerian food for thought - until now. What might a fresh perspective on the Sumerian language tell us about the Anunnaki and those names that have come down to us through the myths of Ancient Greece and Egypt, the biblical texts or the history books? About Atlantis, about the Gnostics and the Pagans, Moses, Osiris, Jesus, Odysseus, Jonah and the Whale, Mesopotamia and Tammuz to name just a few?LOST STONES OF THE ANUNNAKI brings back to life the important words and meanings that have been glossed over, missed or misinterpreted in modern times. Following on from the retranslation of the earliest literary text dated to ca.2600 BC, known as THE INSTRUCTIONS OF SHURUPPAK and renamed THE STORY OF SUKURRU to better fit the narrative discovered there, this book makes use of lines from that text but also other referenced Sumerian writings.It peels back the layers from assumptions and falsehoods made in both ancient and modern times concerning the origins of certain important names - the Sabians, the Chaldeans, Harran, Abraham - and looks for the truth in far older documents.It digs into messages hidden in the many riddles found on tablets from the Old Babylonian period of ca.1900-1600 BC.It looks into the meanings behind the multi-syllabic names on the antediluvian SUMERIAN KING LIST, casts an inquisitive eye over an ancient name of the Great Sphinx at Giza in Egypt, and asks a few pertinent questions of the Gobekli Tepe stones in the original language of that place.Based in orthodox lexicons studied through a monosyllabic lens where every word retains its inherent meaning, the book is entirely grounded in evidence; no unsubstantiated conjecture about our past proclaimed as truth, no self-serving, superficial interpretations of someone else's words, and most of all no insults to the Sumerian authors. LOST STONES OF THE ANUNNAKI pays homage to the intelligence of the original scribes. It was time. The evidence for Sumerian being suffused with subjects of great profundity and of relevance to later civilisations is overwhelming. To those who are interested in moving forward and getting to the truth, whatever it might be: Hold on to your hats.About Madeleine DainesAfter completing studies in both art history and linguistics and a career involving translating, Madeleine chose to investigate the Sumerian language from an innovative angle, with an emphasis on the earliest pre-cuneiform pictographic forms. What she discovered in that process led her to question and finally to refute the orthodox translation of an important literary text from the 3rd millennium BC.

Mel Bonis's name may not be a familiar one these days, but she produced somewhere in the region of three hundred compositions. There's no doubt that she was sensitive to gender discrimination. It's why she chose to publish her music under the name of Mel rather than her birth name Mélanie. She was born in 1858 to parents of modest means. Her father worked for the watch company Breguet, still in business today, and her mother worked in the haberdashery trade. Neither of them held any particular interest in music, so it was down to young Mélanie to teach herself the play the family's piano. Her talent was recognised by a visiting friend who facilitated a meeting with one of the leading lights of the day, César Franck, an esteemed professor of organ at Paris's prestigious Conservatoire. Mélanie enrolled and showed great promise as a student, winning several end of year prizes. Her studies came to an abrupt end when her parents refused to give their consent to her marriage to a fellow student there, a poet, critic and singer, Amédée Hettich. Her life took a sharp turn two years later when, at the instigation of her parents, she married a twice widowed man of comfortable means. Thereafter her life as a composer had to take a back seat to the demands of raising five step-children and three of her own children with her husband, Albert Domange. Even so, she managed to continue to compose, producing music for her own instrument, the piano, and in almost every other genre as well. Étiolles, Op 2 Ophélie, Op 165 Piano Quartet No 1 in B flat major, Op 69 - II. Intermezzo. Allegretto tranquillo Impromptu pour piano, Op 1 5 pièces pour piano No 1: Gai Printemps, Op 11 No 2: Romance sans paroles, Op 29 No 3: Menuet, Op 14 No 4: Églogue, Op 12 No 5: Papillons, Op 28 Cello sonata in F major, Op 67 – III. Très lent Fantaisie, Op 72 "Septuor" Près de ruisseau, Op 9 Pensées d'automne, Op 19 Piano Quartet No 1, Op 69 – I. Moderato and IV. Final. Allegro ma non troppo Villanelle, Op 4 Dès l'aube, Op 18 Marionnettes, Op 42 Sonata for Flute and Piano Suite Orientale, Op 48 No 2 Valses-caprice, Op 87 Elève toi mon âme L'Oiseau Bleu, Op 74 Cello sonata in F major, Op 67 – I. Moderato quasi andante Suite en forme de valses, Op 35 to 39 La chanson de Rouet, Op 24 Carillon mystique, Op 31 Les Gitanos, Op 15 No 2 Suite en Trio, Op 59 Salomé, Op 100 Mazurka-ballet, Op 181 Trois melodies, Op 91 Soir et Matin, Op 76 Scènes de la Forêt La Cathédrale Blessée, Op 107 Sonate pour violon et piano, Opus 112 – IV. Finale Finale, Op 187 Miocheries, Op 126, No 13, La toute petite s'endort Regina coeli, Op 45 Piano quartet No 2 in D major, Op 124 Cantique de Jean Racine, Op 144 Le songe de Cléopatre, Op 180 Presented by Donald Macleod Produced by Johannah Smith For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Mel Bonis (1858 – 1937) https://www.bbc.co.uk/programmes/m001h57j And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

En este programa nos proponemos viajar hasta Polonia para disfrutar de la música que allí se escuchaba y se componía. Entraremos en la Corte Real de Cracovia y escucharemos la música de compositores italianos que trabajaron en ella, pero sobre todo la de compositores polacos.G. P. TELEMANN: Concerto all Polonese, TWV 43:G7: III. Largo IV. Allegro (3.47) Ensemble Giardino di Delizie. Dir: K. Solecka. J. POLAK: Volte & Fantasia (4.08) J. Held (laúd). L. MARENZIO: Sesto Libro de Madrigali à 5: “Mentre qual viva pietra” (3.01) LaVenexiana. Dir: C. Cavina. WAC¿AW DE SZAMOTU¿Y: Pregaria (2.35) Psalmo 1 “Beatus Vir” (1.29) Collegium Vocale Bydgoszcz. ANONIMO: Passo mecz (1.51) A. Rotaru (cemb). MIKO¿AJ GOMÓ¿KA: Salmos del Rey David: Salmo 122 (2.38) Coro de la Radio de Polonia, Compass Viol Consort, M. Lewon-Lutuia (viola de arco), J. Zak (laud). Dir: A. Buszinska-Bennett. MIKO¿AJ GOMÓ¿KA: Salmos del Rey David: Salmo 1 (4.29) P. Ceremuzynska (sopr), F. Reyes (vihuela). MIKO¿AI ZIELENSKI: Magnificat (5.51) Capella Cracoviensis. Dir: J.T Adamus. ADAM JAR¿EBSKI: La Berlinesa (4.19) J. Laake (vla de gamba), Ensemble Art d’Echo. ADAM JAR¿EBSKI: La Spandesa (2.28) Filatura di Musica. Dir: M. Nahajowski MARCIN MIELCZEWSKI: Vesperae dominicales: Laudate pueri (5.11) Wroclaw Baroque Ensemble. Dir: A. Kosendiak. MARCIN MIELCZEWSKI: Canzona terza a 3 (3.25). D. Klisys, E. Ciplus, K. Firlus, M. Toporowski, I. Obonska. MARCIN JÓZEF ¿EBROWSKI: Magnificat: II. Quia respexit (3.08) J. J. Orlinski (contrat) Capella Cracoviensis. Dir: J.T. AdamusEscuchar audio

We call them lightbulb moments, those unpredictable flashes of brilliance that spark our creativity. Or perhaps our inspiration comes from others we admire. Common thought says inspiration is necessary for anyone in an artistic endeavor, yet we believe it is elusive and selective, showing up randomly and bestowing its gifts unequally. What does inspiration mean to you? Is it outside you, meaning that something or someone inspires you in a certain way? Or is it inside you, meaning that our inner lightbulb has a secret switch that suddenly flips and makes that lightbulb moment? Both? Neither? Music history is filled with stories of inspiration, particularly stories about musical mentors who have helped shape the careers of some of the most famous classical musicians. From the greats like Mozart and Beethoven to modern composers like John Williams and Leonard Bernstein, these mentors have passed down their knowledge and expertise to generations of aspiring musicians. If you look at harp history in particular, you can find countless instances of composers who wrote for harp because their wife, mother or other loved one played the harp. One of my favorite composer-performer pairs is the French harpist Micheline Kahn and her son composer Jean-Michel Damase. Damase told of his early musical education coming from sitting outside his mother's teaching studio. He learned the language of music through the repertoire of the harp. He clearly learned it well, as evidenced in the numerous and mostly very difficult pieces he wrote for the harp. Of course, Micheline Kahn inspired other composers too, and she premiered many of the works that we now consider pillars of the concert harp repertoire, pieces like the Impromptu by Gabriel Fauré as well as his Une châtelaine en sa tour,  Ravel's Introduction and Allegro, and Caplet's Deux Divertissements and Conte Fantastique. In today's episode, I'm going to share my ideas and my musings about inspiration. (Oh yes, we'll talk a little about those fickle Greek Muses, too.) I will discuss some powerful sources of inspiration that you have available to you and how you can harness that creative energy to add growth, interest and fun to your harp journey. Why should we care about inspiration? Does inspiration really matter if we're just normal everyday kind of people and not aspiring to be musical geniuses? Yes, it matters a great deal. Inspiration is what fires our imagination, propels us to achieve and accomplish. Inspiration is what keeps us going when the work is hard. Without inspiration, music would be dull and meaningless, and who wants that? So let's be sure we know where to find it and how to use it. Links to things I think you might be interested in that were mentioned in the podcast episode:  Creating Harp Freedom Webinar  Related resource A Harpist of Firsts: Micheline Kahn blog post Harpmastery.com Get involved in the show! Send your questions and suggestions for future podcast episodes to me at podcast@harpmastery.com LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-088

The first four works date from the 1950s - all short-lived and more popular. Already in 1970, the two great cycles: the 12 Studies, which involve transcendental technique with Brazilian rhythms and urban and regional popular music; and the 12 Brazilian Waltzes in the Form of Studies, all in minor keys, with a darker sound and nocturnal character, with melodies reminiscent of serenades. His cycle of original works for the instrument ends with Batuque in 1980 when the composer honors the classical-popular piano of Brazilian virtuoso Ernesto Nazareth.Tracklist1. Modinha (1:52)2. Choro (1:52)3. Repinicando (2:47)4. Minuetto-Fantasia (3:25)5. 12 Valsas Brasileiras em Forma de Estudos, No. 1 in C Minor: Moderato e Romântico (3:29)6. 12 Valsas Brasileiras em Forma de Estudos, No. 2 in C-Sharp Minor: Bem Choroso e Seresteiro (3:41)7. 12 Valsas Brasileiras em Forma de Estudos, No. 3 in D Minor: Moderato (5:28)8. 12 Valsas Brasileiras em Forma de Estudos, No. 4 in E-Flat Minor: Lento e Meditativo (4:41)9. 12 Valsas Brasileiras em Forma de Estudos, No. 5 in E Minor: com Muita Vibração (4:21)10. 12 Valsas Brasileiras em Forma de Estudos, No. 6 in F Minor: Lento e Expressivo (4:20)11. 12 Valsas Brasileiras em Forma de Estudos, No. 7 in F-Sharp Minor: Andante com Ar de Modinha (2:31)12. 12 Valsas Brasileiras em Forma de Estudos, No. 8 in G Minor: Movimentado e Cantando (2:24)13. 12 Valsas Brasileiras em Forma de Estudos, No. 9 in A-Flat Minor: Soturno (Bem Triste) (5:19)14. 12 Valsas Brasileiras em Forma de Estudos, No. 10 in A Minor: Preludiando Calmamente - Allegro Deciso (4:20)15. 12 Valsas Brasileiras em Forma de Estudos, No. 11 in B-Flat Minor: Suave e Meditativo (4:55)16. 12 Valsas Brasileiras em Forma de Estudos, No. 12 in B Minor: com Muita Alegria e Brilhantismo (5:17)17. 12 Estudos para Violão: I. Vivo (3:58)18. 12 Estudos para Violão: II. Seresteiro (7:26)19. 12 Estudos para Violão: III. Tempo de Chorinho (2:15)20. 12 Estudos para Violão: IV. Allegro Scherzoso (04:26)21. 12 Estudos para Violão: V. Vagaroso (05:42)22. 12 Estudos para Violão: VI. Assai Vivo (02:58)23. 12 Estudos para Violão: VII. Molto Lento (05:24)24. 12 Estudos para Violão: VIII. Allegro (03:11)25. 12 Estudos para Violão: IX. Allegro Moderato (07:59)26. 12 Estudos para Violão: X. Lento e com Muito Sentimento (05:55)27. 12 Estudos para Violão: XI. Andante (03:06)28. 12 Estudos para Violão: XII. com Velocidade (06:10)29. Batuque (06:50)Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Bárbara Leu from Azul Music. 

Donald Macleod explores the turbulent life of Dmitry Shostakovich, and asks the ultimate question: Who was he? A faithful Soviet lackey… or a secret dissident? Dmitry Shostakovich, like his home country of Russia, was a riddle, wrapped in a mystery, inside an enigma. From the very beginning of his career, he pushed the boundaries, but under Stalin's stifling regime, experimental artists were enemies of the state, and Shostakovich was at the top of the wanted list. The composer was forced to censor his work and betray his own morals to survive - or was he? Some say Shostakovich was Stalin's faithful lackey; others read dissident messages in his music. This week, Donald Macleod traces five turning points in the composer's career, we start with his First Symphony. Admitted to the Conservatoire while still just a child and battling ill health, his debut made a splash for all the right reasons – and the wrong ones too. Then we hear about the fateful night that Stalin paid a visit to the opera, and Shostakovich's career as a composer was changed forever. After denouncing his music, Stalin offered Shostakovich an opportunity to rescue his reputation however, it comes at great personal cost. The death of Stalin should have meant rebirth for Shostakovich, but once again he finds himself backed into a corner, forced to make a decision that shocks and mystifies those closest to him. Music Featured: Piano Concerto No. 2 In F Major, Op. 102: II. Andante Symphony No. 1 in F Minor, Op. 10: II. Allegro Symphony No. 1 in F Minor, Op. 10: IV. Allegro molto Symphony No. 2 in B Major, Op. 14 “To October” The Nose, Op. 15, Act 2: Scene 6 Lady Macbeth of Mtsensk District, Op. 29, Act 2: Scene 5 Symphony No. 4 in C minor, Op. 43: I. Allegretto poco moderato Symphony No. 5 in D Minor, Op 47: IV. Allegro non troppo Violin Concerto No. 1 In A Minor, Op. 99: I. Nocturne. Moderato From Jewish Folk Poetry, Op.79: III. Lullaby Piano Trio No. 2 in E minor, Op. 67: IV. Allegretto Symphony No. 10 in E Minor, Op. 93: IV. Andante – Allegro The Gadfly Suite, Op. 97a: VII. Introduction String Quartet String Quartet No. 7 In F. Sharp Minor, Op.108: I Allegretto Hamlet Suite, Op. 116a: Ophelia's Insanity String Quartet No. 8 in C Minor, Op. 110: I. Largo Symphony No. 13 in B-Flat Minor, Op. 113 “Babi Yar”: IV. Fears Presented by Donald Macleod Produced by Alice McKee For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Fryderyk Chopin (1810-1849) https://www.bbc.co.uk/programmes/m001fdx8 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Prior recordings by Duo Gazzana have seen the Italian sisters garner much praise and critical acclaim for their “imaginative playing, and willingness to color outside the customary lines” (Fanfare). The BBC Music Magazine called their interpretation of César Franck's Violin Sonata “a masterclass”, and the German Spiegel magazine considers them “one of the most interesting new chamber duos, capable of successfully linking seemingly disparate artists like Ligeti, Ravel, and Messiaen with conviction.” In a continued balancing act of combining inventive contemporary works with traditional classical repertoire on ECM New Series, this time the duo of Italian sisters Gazzana ventures back to the 19th century for impassioned interpretations of Robert Schumann's Sonata op. 105 and Edvard Grieg's Sonata op. 45. Premiere recordings of Estonian composer Tõnu Kõrvits's Stalker Suite and notturni, each in four movements, make up the contemporary part of the program.Track Listing:1 Kõrvits: Stalker Suite / I. Into the Zone2 II. The Room3 III. Monologue4 IV. Waterfall5 Schumann: Violin Sonata No. 1 in A minor, Op. 105 / I. Mit leidenschaftlichem Ausdruck6 II. Allegretto7 III. Lebhaft8 Kõrvits: Notturni / I.9 II.10 III.11 iV.12 Grieg: Violin Sonata No. 3 in C minor, Op. 45 / I. Allegro molto ed appassionato13 II. Allegretto espressivo alla Romanza14 III. Allegro animatoHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Hear the Dance host and Principal Dancer Jared Angle dives into the unique challenges and special rewards of dancing George Balanchine's Allegro Brillante with Principal Dancer Tiler Peck. Tiler shares memories of learning the work from the late legendary Repertory Director and former Soloist Susie Hendl and reveals why she feels as though this ballet, which she describes as one of the hardest to dance in the repertory, was made for her. (35:58) Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931)by Igor Stravinsky, Piano Concerto No. 3 in E-flat major, Op. 75 (1892) by Peter Ilyitch Tschaikovsky

The Oldest of Boys are back in town to discuss their fantastic show and one of the coolest western RPGs we've ever been blessed with: Cyberpunk 2077(00:25) - Intro(02:30) - Interview with The Elder Trolls(01:34:56) - Cyberpunk 2077 Review(03:06:50) - OutroPlease follow and listen to the Elder Trolls at your favorite platforms below:https://linktr.ee/eldertrollspodcastIntro/Outro: From Holberg's Time, Op. 40 "Suite in Olden Style": I. Praeludium. Allegro vivace [Composed/Performed by: Vadim Chaimovich · Edvard Grieg · Vadim Chaimovich]Intermission/Game Music: Cyberpunk 2077 Original Score [Composed by: Marcin Przybyłowicz, P.T. Adamczyk & Paul Leonard-Morgan]If you want to reach out to Nick and Will personally to engage with us about the show, follow us on any link here:https://linktr.ee/FridayNightGamecastSupport the show

Programa de música clásica y excelentes composiciones. con la conducción de Joel Rivera y Rafael Valentin. Escrito, producido y dirigido por Joel Rivera

LITERES: Júpiter y Dánae (Zarzuela en tres jornadas) (Primera jornada) (41.29). C. López Galarza (bar.), O. Pitarch (sop.), P. Llorens (sop.), P. Esteban (mez.), T. Shi-Chiao (con.), Capella de Ministrers. Dir.: C. Magraner. BACH: Sonata en trío para órgano nº 5 en Do mayor BWV 529 (Tercer movimiento: Allegro) (3.35). M.-C. Alain (órg.). Escuchar audio

Puntata a cura di Untimoteo. Se siete in vena di qualcosa di vintage, su Rai Play troverete a vostra disposizione i tre film prodotti a partire dal 1965 fino al 1972 dallo studio di animazione di Bruno Bozzetto. Tre perle rarissime che rispondono al nome di West and Soda, VIP mio fratello Superuomo e il poetico Allegro non troppo.Frutto del genio di Bruno Bozzetto (Milano, 1938), disegnatore e animatore italiano conosciuto anche da chi non conosce i suoi lavori di fiction: sue erano le mitiche pillole animate nella storica trasmissione Quark. Esordisce nel 1959 con il folgorante Tapum! La storia delle armi. Nel 1991 riceve una candidatura ai premi Oscar grazie a Cavallette. Tuttora dirige lo studio che porta il suo nome.“Animazione” è il format del podcast di Mondoserie dedicato alle diverse scuole ed espressioni del genere, dall'Oriente alla scena europea e americana. Parte del progetto: https://www.mondoserie.it/Iscriviti al podcast sulla tua piattaforma preferita: https://www.spreaker.com/show/mondoserie-podcast Collegati a MONDOSERIE sui social: https://www.facebook.com/mondoseriehttps://www.instagram.com/mondoserie.it/ https://twitter.com/mondoserie_it https://www.youtube.com/channel/UCwXpMjWOcPbFwdit0QJNnXQ https://www.linkedin.com/in/mondoserie/

BOITO: Aria de Margarita “L’Altra notte in fondo al mare” (Mefistófeles, Acto III) (7.28). M. Callas (sop.), Orq. Philarmonia de Londres. Dir.: T. Serafin. ZOLOTAREV: Sonata nº 3 para acordeón (Cuarto movimiento: Allegro vivace con anima) (10.46). J. Mozo Colmenero (acordeón). QUANTZ: Concierto para flauta, cuerda y continuo en Re mayor (13.02). J. Wentz (traverso), Musica Ad Rhenum. DUTILLEUX: La fille du diable (selec.) (Prèlude, Une promenade qui finit mal) (4.38). Orq. Nac. des Pays de la Loire. Dir.: P. Rophe. ALBÉNIZ: El Albaicín (7.14). A. de Larrocha (p.). Escuchar audio

Faz parte da natureza humana buscar compreender a relação com o tempo e os ciclos. Cada etapa da vida, cada mudança de dia, mês, ano, tem o seu valor. A pergunta proposta por este episódio, para inspirar o seu novo ano é: será que sabemos utilizar e planejar cada ciclo que a vida apresenta? Uma excelente reflexão a todos e bom novo ciclo! Participantes: José Roberto e Danilo Gomes Trilha Sonora: Edvard Grieg - Concerto: Piano e Orquestra. Opus 16 - Allegro

Dr. Jamie Day is a physics professor & the curator of the Monroe Moosnick Medical & Science Museum [a collection of 19th-century medical oddities & science equipment] at Transylvania University in Lexington, Kentucky. This morbid tour through the old cabinets leads us into trepanning, electrified corpses, syphilis, phrenology, grave robbing students, a mummified child, country doctors, folk medicine hairballs & much, much more. For his personal story, Jamie describes an unnerving find in the university's storage, that of a charred, 200-year-old wax model known as an Anatomical Venus. In closing, we hear of some of the collection's wildest oddities we nearly forgot about: a figurine of a parasitic twin & a comically grotesque tobacco pipe! Learn more about the Moosnick Museum & follow along on Facebook. Music provided by New Trinity Baroque "Oboe Concerto in D minor, Op. 9, No. 2. I. Allegro e non presto"Written by Tomaso AlbinoniPerformed by New Trinity Baroque & Nevena MajdevacCourtesy of Predrag Gosta of New Trinity Baroque"Oboe Concerto in D minor, Op. 9, No. 2. II. Adagio"Written by Tomaso AlbinoniPerformed by New Trinity Baroque & Nevena MajdevacCourtesy of Predrag Gosta of New Trinity Baroque "Oboe Concerto in D minor, Op. 9, No. 2. III. Allegro"Written by Tomaso AlbinoniPerformed by New Trinity Baroque & Nevena MajdevacCourtesy of Predrag Gosta of New Trinity BaroqueSupport Our Numinous Nature on Patreon.Follow Our Numinous Nature & my naturalist illustrations on InstagramCheck out my shop of shirts, prints, and books featuring my artContact: herbaceoushuman@gmail.com

So happy to close 2022 with a wonderful artist, cello soloist Tommy Mesa! Catch his insight on practicing, developing and maintaining a solo career, how he deals with resistance, and taking breaks and coming back to playing after one, and much more! Available everywhere you listen to podcasts.   MORE ABOUT THOMAS MESA Website: https://thomasmesacello.com/ YouTube channel: https://www.youtube.com/user/MrTjmesa Facebook: https://www.facebook.com/Tjmesa90/ Instagram: https://www.instagram.com/tommy_j_mesa/     DOWNLOAD THE TRANSCRIPT FROM THIS EPISODE HERE   Do you have specific questions for me or my guests you would like answered on the podcast? Share them with me HERE!   Practicing for Peak Performance: Your Step-by-step Roadmap to Optimal Performance! Get you self-paced program HERE and transform how you perform TODAY!   Mind Over Finger Visit MindOverFinger.com for resources on mindful practice and information on how to work with me. Sign up for my newsletter to receive your free guide to a highly productive mindful practice and to get the transcripts of the Mind Over Finger Podcast episodes delivered to your inbox. Join the Join the Mind Over Finger Community  for access to my live videos and to exchange with a community of like-minded musicians. www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/   THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. A HUGE thank you to my fantastic producer, Bella Kelly, who makes this podcast as pleasant to listen to as possible for you!  

In this episode, I explain why we feel nervous and I offer strategies to help understand and find comfort with performance anxiety. Find complete show notes here: www.mindoverfinger.com/podcast   DOWNLOAD THE TRANSCRIPT FROM THIS EPISODE HERE   DOWNLOAD YOUR FREE WORKSHEET HERE   Do you have specific questions for me or my guests you would like answered on the podcast? Share them with me HERE!   Practicing for Peak Performance: Your Step-by-step Roadmap to Optimal Performance! Get you self-paced program HERE and transform how you perform TODAY! HOLIDAY SPECIAL – Use Code: 10OFF at check out for 10% off my groundbreaking performance preparation course Practicing for Peak Performance until December 19, 2022   Mind Over Finger Visit mindoverfinger.com for resources on mindful practice and information on how to work with me. Sign up for my newsletter to receive your free guide to a highly productive mindful practice and to get the transcripts of the Mind Over Finger Podcast episodes delivered to your inbox. Join the Join the Mind Over Finger Community  for access to my live videos and to exchange with a community of like-minded musicians. Www.mindoverfinger.com Https://www.facebook.com/mindoverfinger/ Https://www.facebook.com/groups/mindoverfinger Https://www.instagram.com/mindoverfinger/   THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. A HUGE thank you to my fantastic producer, Bella Kelly, who makes this podcast as pleasant to listen to as possible for you!

Donald Macleod explores the recently unearthed life and works of Leokadiya Kashperova, one of the most talented composers and pianists of her generation. The name of Leokadiya Kashperova was, for many decades, recorded in mainstream musical history as a footnote: the piano teacher of Igor Stravinsky. Her full story as a musician and composer has finally now been unearthed, through the researches of Dr Graham Griffiths, supported by Radio 3's Forgotten Women Composers project in collaboration with the Arts and Humanities Research Council. This week, in the year of her 150th anniversary, Donald Macleod is joined by Graham Griffiths to rediscover this once renowned musician. Featuring many specially made recordings and UK premieres. Kashperova was one of the most talented composers and pianists of her generation, described as ‘a most welcome phenomenon of St Petersburg's musical life'. She studied composition with Nikolay Solovyov and piano with Anton Rubinstein. Both Glazunov and Balakirev favoured Kashperova in the interpretation of their music and she travelled internationally as a soloist to destinations such as Berlin and London. She also often performed her own compositions. Prior to 1917 most of Kashperova's works were published and heard, but the arrival of the Russian revolution caused her voice to be silenced. Public performances of Kashperova's music stopped altogether because of her connections with the gentry. Private performances were rare. She continued to compose but now without any hope of hearing it played. Music Featured: Symphony in B minor, Op 4 (excerpt) The Murmuring of the Rye (In the Midst of Nature) Cello Sonata in E minor, Op 1 No 2 (Allegro appasionato) Symphony in B minor, Op 4 (Andante – Allegro risoluto) Night Cello Sonata in G major, Op 1 No 1 (Allegro moderato) Piano Trio in A minor, Op Posth (Scherzo: Allegro) Piano Concerto in A minor (Allegro maestoso – Molto allegro) UK Premiere Autumn Leaf No 1 (In the Midst of Nature) Symphony in B minor, Op 4 (Andante) Nachtgebet (Songs of Love: 12 Romances, No 11) UK Premiere Cello Sonata in E minor, Op 1 No 1 (excerpt) Dich Einz'gen lieb' ich (Songs of Love: 12 Romances, No 6) UK Premiere Wiedersehen (Songs of Love: 12 Romances, No 8) UK Premiere Piano Trio in A minor, Op Posth (excerpt) Symphony in B minor, Op 4 (Finale: Andante sostenuto – molto allegro) Presented by Donald Macleod Produced by Luke Whitlock For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Leokadiya Kashperova (1872-1940) https://www.bbc.co.uk/programmes/m001fwz0 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Professor Jean Golding is an epidemiologist who is best known for founding the Children of the Nineties study - more formally known as the Avon Longitudinal Study of Parents and Children. The most detailed project of its kind anywhere in the world, it has followed the lives of children who were born in Avon during 1991 and 1992 and helped scientists make important discoveries about everything from peanut allergy to the effects of long Covid. Jean was born in Cornwall in 1939. As a toddler she suffered two bouts of tuberculosis and spent several weeks in hospital. Then at 13 she contracted polio, leading to a three-month hospital stay. After graduating in mathematics from Oxford University, her first job involved completing calculations for the 1958 perinatal mortality survey, set up to collect information about the social and obstetric factors associated with stillbirth and death in early infancy. By the time she started designing the Children of the Nineties study, Jean was well used to working with large data-sets, but the new project was bigger than ever. It collected more than 1.5m biological samples including blood, placenta, hair, nails and teeth along with thousands of questionnaires. As well as expanding medical knowledge, the study has influenced government policy. Jean retired from the study in 2005. She was awarded an OBE for services to medical science in 2012 and today is Emeritus Professor of Paediatric and Perinatal Epidemiology at the University of Bristol. DISC ONE: The ‘Trelawny' National Anthem by The Fisherman's Friends DISC TWO: Under Milk Wood (Part 1) read by Richard Burton DISC THREE: Bad Penny Blues by Humphrey Lyttelton DISC FOUR: Dawn Chorus by BBC Sound Effects DISC FIVE: The Hippopotamus Song by Flanders & Swann DISC SIX: A Hymn to Him by Rex Harrison DISC SEVEN: Piano Quintet in A Major, Op. Posth. 114, D. 667 "The Trout": I. Allegro vivace by Melos Ensemble DISC EIGHT: Bring Me Sunshine by Morecambe and Wise BOOK CHOICE: The Oxford Book of Twentieth-century English Verse LUXURY ITEM: A mobility power chair CASTAWAY'S FAVOURITE: Dawn Chorus by BBC Sound Effects Presenter Lauren Laverne Producer Paula McGinley

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽&云公子，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：587586744 背景音乐：1.Dave Greening - Infatuation；2.Claudio Arrau - Piano Sonata No. 13 in A major, D. 664 (Op. 120)：1. Allegro moderato；3.Brambles - Pink And Golden Billows；4.Painless Destiny - You Are My Only Hope。

I share with you a framework that will help you bring about different results in the practice room, on stage, and in your life. DOWNLOAD YOUR FREE WORKSHEET HERE DOWNLOAD THE TRANSCRIPT FROM THIS EPISODE HERE   Do you have specific questions for me or my guests you would like answered on the podcast? Share them with me HERE! HOLIDAY SPECIAL – Use Code: 10OFF at check out for 10% off my groundbreaking performance preparation course Practicing for Peak Performance until December 19, 2022   Practicing for Peak Performance: Your Step-by-step Roadmap to Optimal Performance! Get you self-paced program HERE and transform how you perform TODAY!  (And don't forget to use code 10OFF at check out for your discount!  Valid until December 19, 2022.)   The Life Coach School Find more information on The Life Coach School and the work of Brooke Castillo at: www.thelifecoachschool.com    Mind Over Finger Visit MindOverFinger.com for resources on mindful practice and information on how to work with me. Sign up for my newsletter to receive your free guide to a highly productive mindful practice and to get the transcripts of the Mind Over Finger Podcast episodes delivered to your inbox. Join the Join the Mind Over Finger Community  for access to my live videos and to exchange with a community of like-minded musicians. www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/   THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. A HUGE thank you to my fantastic producer, Bella Kelly, who makes this podcast as pleasant to listen to as possible for you!

Rudolf Buchbinder – Soirée de Vienne sounds echoes of the celebrated Austrian pianist's home city in the form of music closely associated with it. The recording, released by Deutsche Grammophon on 25 November, captures both the lost world of salon soirées and Vienna's legendary attitude to life, with its heady blend of intensity and insouciance, earthiness, and beauty.Track Listing:1 Soirée de Vienne, Op. 56 04:472 No. 2, Pizzicato-Polka 03:323 No. 1 in D Major (Arr. Tausig for Piano) 05:534 Waltz in G-Flat Major, D.Anh.I/14 "Kupelwieser Walzer" 01:295 No. 5, Allegro, ma non troppo. 03:156 Fantaisie-impromptu, Op. 66 04:367 No. 2 in E-Flat Major 03:498 No. 2 in C-Sharp Minor 03:439 No. 2 in B Minor 04:0410 No. 1 in A-Flat Major :3411 Liebeslied, S. 566 (After Schumann's Widmung, Op. 25 No. 1) 03:2712 I. Allegro molto moderato 08:4013 II. Allegro 04:4014 III. Andante 06:0115 IV. Allegretto 07:5116 Frühlingsstimmen Walzer, Op. 57 06:1917 No. 6 in A Minor (After Schubert) 06:37Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

One of the things that really sets Gabriel Fauré apart is the singing style of his music. He was an exceptional and prolific composer of song so it's no wonder that we hear that singing quality even in his instrumental works. Fauré's "Morceau de Concours" is an incredibly special tiny gem. Don't be fooled by the title. Though he wrote it as a sight-reading examination piece for students at the Paris Conservatory, it is a poetic lullaby. -A musical balm for this most dark time of year. MUSIC: Georg Philip Telemann, Fantaisie No. 12, performed by Karen KevraGabriel Fauré, Sicilienne, Op. 78, performed by Karen KevraFrédéric Chopin, Waltz in E flat major, performed by Jeffrey Chappell George Gershwin, Rhapsody in Blue, performed by George Gershwin, piano with Paul Whiteman and the  Paul Whiteman Orchestra (Recorded June 10, 1924)Gabriel Fauré, Violin Sonata no.1, op. 13, Allegro molto, performed by Arthur Grumiaux, violin, and Paul Crossley, pianoGabriel Fauré, Piano Trio No. 1, Allegro molto moderato, performed by Marguerite Long, piano,  Jean Pasquier, violin, Pierre Pasquier, viola, Etienne Pasquier, celloGabriel Fauré, Piano Trio No. 1, Scherzo: allegro vivo, performed by Marguerite Long, piano,  Jean Pasquier, violin, Pierre Pasquier, viola, Etienne Pasquier, celloAdjutant's Call/French Foreign Legion March, US Marine BandGabriel Fauré, Cantique de Jean Racine, Op. 11, performed bythe Cambridge Singers, Cambridge Singers, City of London SinfoniaGabriel Fauré, Morceau de Concours, performed by Karen KevraSupport the show