Podcasts about Allegro

Johann Baptist Vanhal (1739 – 1813) – Quartetto per archi in do minore, Op. 1 n. 41.      Allegro Moderato2.      Adagio 04:533.      Minuetto – Trio 08:134.      Allegro 12:43 Lotus String Quartet

Allegro maestoso e vivace (Sonata II) Felix Mendelssohn (1809-1849) - Robert Griffith, organ by First Community Church

Johan Svendsen (1840 – 1911) – Quintetto per archi in do maggiore Op. 5 (1867)1.      Andante - Allegro 0:002.      Tema con variazioni. Moderato quasi andantino 10:003.      Finale. Allegro 23:15 Oslo String QuartetHenning Kraggerud, violino

We’ve been doing these shows where we don’t book any guests, where we fill the hour with your calls. And your calls have been interesting and surprising and amusing. This hour, the conversation winds around to The 79th Tony Awards, central casting, The Knicks, “Strike Force Five”, wildflowers, vampires, “60 Minutes”, unidentified aerial phenomenon … Anything. (Seemingly) everything. These shows are fun for us, and they seem to be fun for you, too. So we did another one. Music featured (in order): String Quartet No. 10 in E-flat major, Op. 51, "Slavonic": IV. Finale, Allegro assai – Antonín Dvořák, as performed by the Stamitz Quartet Probably Up – Lawrence Don’t Leave Me Behind (Acoustic) – Beta Radio Things We Like To Do – NRBQ Don’t Remind Me – Amber Mark, Anderson .Paak Canned Heat – Ginger Root In These Shoes? – Kirsty MacColl Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Franz Berwald (1796-1868) – Quartetto per archi n.1, in sol minore (1818) 1.      Allegro moderato [00:00]2.      Poco Adagio [11:26]3.      Scherzo. Allegro [15:32] – Trio [18:01]4.      Allegretto [21:38] Lysell String Quartet

Un libro per il fine settimana, in compagnia diFederico Iannacconedella libreriaPagina 21di Locarno.

Johan Severin Svendsen (1840-1911) – Ottetto per archi in la maggiore op.3Per quattro violini, due viole e due violoncelli 1.      Allegro risoluto ben marcato  00:002.      Allegro scherzoso  11:323.      Andante sostenuto  19:294.      Moderato - Allegro assai con fuoco  30:55 The Kontra QuartetAnton Kontra, violino I Boris Samsing, violino IIPeter Fabricius, violaMorten Zeuthen, violoncelloLars Bjgrnkjer, violino IIIPer Lund Madsen, violino IVBjarne Boie Rasmussen, viola IILars Holm Johansen, violoncello II

Edvard Grieg (1843 – 1907) - Quartetto per archi n. 1 in Sol minore, Op. 271.      Un poco andante - Allegro molto ed agitato 2.      Romanze. Andantino 13.213.      Intermezzo. Allegro molto marcato - Più vivo e scherzando 20:214.      Finale. Lento - Presto al saltarello 27:00 Auryn Quartet

Sie sei eine «kompromisslose Künstlerinnenpersönlichkeit»: Zu diesem Schluss kam die Jury im Auswahlprozess für den «Eurovision Young Musicians»-Wettbewerb. Am 6. Juni wird die junge Pianistin Manoush Toth im Finale in Armenien auftreten. Wie kompromisslos findet sie sich selbst? Ruhe. Das empfindet Manoush Toth, wenn sie am Klavier sitzt und einfach alles stimmt. Und gleichzeitig spüre sie die Kraft des Moments; das Wissen, dass genau dieser Moment zähle. Man wünscht Manoush Toth, dass sich diese Ruhe am Abend des 6. Juni in ihr ausbreiten wird. Dann findet in der armenischen Hauptstadt Jerewan das Finale des Musikwettbewerbs «Eurovision Young Musicians» statt, der alle zwei Jahre von der European Broadcasting Union (EBU) ausgerichtet wird und jungen Klassiktalenten eine grosse Bühne bietet. Im Rahmen der Förderung von Schweizer Musiktalenten bei SRF wurde die 19-Jährige von einer Fachjury als Teilnehmerin ausgesucht. Für diesen besonderen Auftritt hat sie sich für ein Stück von Schumann entschieden – allerdings nicht von Robert, sondern von Clara, dessen Ehefrau. «Clara Schumann wird immer mehr aufgeführt. Aber noch immer zu wenig», begründet Manoush Toth ihre Wahl. Dabei gehöre ihr Klavierkonzert zu den wichtigsten des 19. Jahrhunderts. Das verrät viel über Manoush Toth. Und was sie damit meint, wenn sie sagt, dass sie sich einen ernsthaften Zugang zur klassischen Musik wünsche. Weil Ernsthaftigkeit in ihrem Fall vor allem Offenheit und Neugierde bedeutet: «Wenn man die Hintergründe der klassischen Musik kennt, dann öffnet sich einem ein ganz besonderer Schatz.» Sie selbst nahm das erste Funkeln dieses Schatzes bereits im Alter von zwei Jahren wahr. Fast gleichzeitig mit dem Sprechen sei die Musik in ihr Leben gekommen. Und entsprechend vertraut fühle sie sich an, bis heute. Aufgewachsen ist sie zuerst auf den kanarischen Inseln, später im Berner Oberland. Sie und ihre Geschwister gehen nicht zur Schule, werden zu Hause von den Eltern unterrichtet. Paradiesisch sei das gewesen, sagt Manoush Toth. Doch mit dem Eintritt in die Hochschule für Musik Basel stand sie dadurch vor Herausforderungen, die sich anderen jungen Menschen nicht stellen. Im Gespräch mit Melanie Pfändler erzählt Manoush Toth von dieser Zeit, von dem Druck, den sie sich selbst auferlege, von der engen musikalischen Zusammenarbeit mit ihrem Bruder Anatol und ihrer jüngeren Schwester Anouk und von diesem magischen Moment auf der Bühne, wenn alles noch ganz still ist und sie ihre Finger auf die Tasten legt. Die Musiktitel: - W.A. Mozart: 3. Allegro, aus Sinfonie Nr. 31 D-Dur KV 297 «Pariser» (Freiburger Barockorchester; Gottfried von der Goltz, Leitung) - Antonin Antonín Dvořák: 3. Poco adagio, aus Klaviertrio Nr. 3 f-Moll op. 65 (Isabelle Faust, Violine; Jean-Guihen Queyras, Violoncello; Alexander Melnikov, Klavier) - Francis Poulenc: 3. Allegro ma non troppo, aus Doppelkonzert d-Moll (Sylviane Deferne & Pascal Rogé, Klavier; Philharmonia Orchestra; Charles Dutoit, Leitung) - Billy Joel: The Stranger - Franz Schubert: Impromptu Ges-Dur D 899 op. 90 (Radu Lupu, Klavier)

Johann Sebastian Bach (1685-1750) – Concerto per clavicembalo in do minore BWV 10521.      Allegro 2.      Adagio  08:133.      Allegro  15:05 hr-Sinfonieorchester – Frankfurt Radio Symphony ∙Stéphane Fuget, clavicembaloJean-Christophe Spinosi, Conductor

It's the 50th episode of "From Pencils to Pixels!" To commemorate the occasion, Scott and Michael look back 50 years ago, at animation from 1976. From that year, they discuss the Peanuts TV special "It's Arbor Day, Charlie Brown," the Italian feature film "Allegro non troppo," the debut of such Saturday morning cartoons as "Jabberjaw," animation created to celebrate the Bicentennial, and more. They also discuss animation they've been catching up on, such as the Disney+ series "Maul: Shadow Lord," and the Netflix film, "Swapped." Find more From Pencils to Pixels: The Animation Celebration Podcast at: www.rf4rm.com Follow the show on Facebook: https://www.facebook.com/share/1BH6dKaVMe/?mibextid=LQQJ4d Follow the hosts on social media: Scott on X/Twitter: @scotthopkins76 Michael on X/Twitter: @mlyonsfl I Michael's website: www.wordsfromlyons.com Rate, review, & subscribe to From Pencils to Pixels on Apple podcasts I Google Play I Stitcher                

Johann Christian Bach (1735 –1782) - Concerto in Re minore per tastiera, archi e basso continuo W.C 701.      Allegro assai 00:002.      Adagio affettuoso 06:463.      Allegro 13:55 The Hanover BandAnthony Halstead, clavicembalo

Antonín Dvořák (1841-1904) – Quartetto per archi n. 1 in la maggiore, Op. 2, B 8 1.      Andante. Allegro [00:00]2.      Adagio affettuoso ed appassionato [08:20]3.      Allegro scherzando [16:58]4.      Allegro animato [22:13] Zemlinsky Quartet

Guest After 11 years at IBM, Brooke Erol left a "great job on paper" to pursue a more aligned, purpose-driven life. She founded Your Best Life Inc. to help professionals find meaning at work, and later Purposeful Business to support leaders in building people-centered organizations. She is the author of More Than A Paycheck and Create a Life You Love, and speaks globally on leadership and purposeful work. Summary In this conversation, career coach and author Brooke Erol explores the changing nature of work, fulfillment, and identity in an era shaped by burnout, layoffs, and artificial intelligence. Drawing from her own experience at IBM, she reflects on realizing early in her career that many people were "chasing the weekend" rather than finding meaning in their work. That realization eventually led her to write More Than a Paycheck, a guide designed to help individuals develop greater self-awareness and agency in their careers. Brooke argues that self-awareness is foundational to meaningful work, yet modern life leaves little room for reflection. She encourages people to intentionally create time to examine what energizes them, what no longer serves them, and which limiting beliefs may be shaping their choices. Throughout the discussion, she emphasizes that traditional career formulas—go to college, get a corporate job, retire happily—are no longer reliable in today's unstable job market. The conversation also examines the disruptive impact of AI, especially on younger workers and recent graduates, while highlighting the growing value of trade and skilled labor careers. Brooke encourages people to remain adaptable, continuously learn new skills, and consider side projects or entrepreneurial paths alongside traditional employment. The discussion closes with reflections on retirement, purpose, and identity. Brooke and Jeff agree that fulfillment comes not from stopping work entirely, but from continuing to contribute, learn, connect, and pursue activities that make life meaningful. The Essential Point Brooke's central message is that people must take greater ownership of their careers and lives by developing self-awareness, questioning inherited assumptions about work, and intentionally pursuing work that aligns with who they are. She also stresses that fulfillment and purpose are not luxuries reserved for retirement—they are essential parts of a healthy, sustainable life at every stage. Social MediaWebsite: www.yourbestlifeinc.com Instagram: https://www.instagram.com/careeryoulove/ LinkedIn: www.linkedin.com/in/ozlemerol LinkedIn Newsletter: Career Path YOU Love: https://www.linkedin.com/newsletters/7234651608981065729/ All My Books Page: https://www.yourbestlifeinc.com/books More Than a Paycheck: https://www.yourbestlifeinc.com/books/morethanapaycheck A New Earth by Eckhart Tolle About Jeff Jeff Ikler is the Director of Quetico Leadership and Career Coaching. "Quetico" (KWEH-teh-co). He works with leaders in all aspects of life to identify and overcome obstacles in their desired future. He came to the field of coaching after a 35-year career in educational publishing. Prior to his career in educational publishing, Jeff taught high school U.S. history and government. Jeff has hosted the "Getting Unstuck—Cultivating Curiosity" podcast for 5 years. The guests and topics he explores are designed to help listeners think differently about the familiar and welcome the new as something to consider. He is also the co-host of the Cultivating Resilience – A Whole Community Approach to Alleviating Trauma in Schools, which promotes mental health and overall wellness. Jeff co-authored Shifting: How School Leaders Can Create a Culture of Change. Shifting integrates leadership development and change mechanics in a three-part change framework to help guide school leaders and their teams toward productive change. Show Credits "Getting Unstuck" is commercial-free. It's brought to you by Jeff Ikler, his amazing guests, and Neil Hughes, the best engineer a podcaster could ask for. "Getting Unstuck" theme music: Original composition of "Allegro ben ritmato e deciso" by George Gershwin. Arrangement and recording courtesy of Bruno Lecoeur.

What happens when the audition is closer than you expected and the preparation feels impossible? In this episode, I'm talking about how to handle high pressure performance situations when time is short, nerves are high, and your brain keeps telling you it's not enough. We dive into mindset, performance psychology, nervous system regulation, and the surprising ways urgency can actually work in your favor. In this episode: • Why resisting the situation drains the energy you need to perform • How to stop spiraling and start preparing effectively • What short timelines can teach you about trust, resilience, and performance under pressure   Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

Conductor Ben Gernon and baroque recorder player Heidi Fardell open the new series alongside Jeffrey Boakye and Anna Phoebe as they add the first five tracks, taking us from a steamy New York summer to a celebrated Bach composition that violinist Joshua Bell has described as 'not just one of the greatest pieces of music ever written, but one of the greatest achievements of any man in history'. Throw in Gershwin, Louis XIV and a very serious musical accident, and you've got a cornucopia of an opening episode.Producer Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Summer in the City by The Lovin' Spoonful An American in Paris by George Gershwin Overture to Phaëton by Jean-Baptiste Lully Ain't It Strange by Patti Smith Violin Partita No. 2 in D Minor (the Chaconne) by J.S. Bach Other music in this episode:Batman Theme by Neil Hefti & his Orchestra 12 Sonatas Op. 11 'Parensi': No 7 in A Minor: II. Allegro by Robert Valentine, performed by Heidi Fardell Because The Night by Patti Smith

Joahnn Sebastian Bach (1685-1750) – Concerto per organo in la minore BWV 593 da Vivaldi1.      (senza indicazione di tempo) 2.      Adagio 4:123.      Allegro 7:35Karl Richter, organoSilbermann Organ in Arlesheim

Michal Král z Pricemania popisuje, že slovenský e-commerce trh je menší než český, a proto firmy mnohem dřív tlačí k expanzi do zahraničí. Za nejzajímavější slovenské příběhy považuje značky jako GymBeam, Be Lenka nebo Shapen, které staví na vlastním produktu a značce. Velkou změnu trhu podle něj přinesly marketplace platformy typu Temu a Allegro, které výrazně změnily podmínky pro menší e-shopy. V rozhovoru vysvětluje i to, proč je podle něj správně zvolený brand a vlastní produkt zásadní pro dlouhodobý růst firmy. Tato epizoda je součástí podcastu, který pro vás od roku 2015 připravuje Jiří Rostecký. Videa k podcastům najdete na jeho webu: www.rostecky.cz (Sponzorováno) Veškerá doporučení, informace, data, služby, reklamy nebo jakékoliv jiné sdělení zveřejněné na našich stránkách je pouze nezávazného charakteru a nejedná se o odborné rady nebo doporučení z naší strany. Podrobnosti na odkazu https://rostecky.cz/upozorneni.

Alessandro Marcello (1673–1747) – dai 6 Concerti "La Cetra" Concerto n. 5 in si bemolle maggiore    1.      Moderato       2.      larghetto staccato          02:46         3.      Presto, ma non molto    04:46        Concerto n. 6 in sol maggiore   1.      Allegro                              06:542.      Larghetto. con sordini    09:27         3.      Vivace                                12:16 Camerata BernThomas Füri, conductor

Franck Ferrand revient sur l'un des plus grands chefs-d'œuvre du répertoire au programme de cette soirée festive : la 5ème Symphonie de Beethoven.

What does it actually take to win a major orchestra audition? In this deeply personal episode, I take you behind the scenes of my winning audition for the Lyric Opera Orchestra at 47 years old. I'm sharing the real preparation process, the mental work, the conditioning, and the mindset shifts that carried me through 90 days of intense preparation and into the audition room. In this episode: • How I prepared mentally, physically, and musically while working full time and raising a family • Why trust under pressure matters more than "feeling confident" • The surprising gap between how a performance feels and how it actually sounds     If you're ready to step on stage with confidence, perform at your best, and win that next audition, join me inside The Music Mastery Experience. Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

Grieg: String Quartet No. 2 in F Major: I. Sostenuto - Allegro vivaceOslo QuartetMore info about today's track: Naxos 8.550879Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

WATCH THIS EPISODE ON YOUTUBE People have likely climbed on boulders for all of human history, but in the late 1800's, one man began advocating for climbing on boulders as a way to become a better climber. His name was Oscar Eckenstein, and he fundamentally changed the way we climb. Was he the first boulderer? EXCLUSIVE DISCOUNTS ➡️ https://link.powercompanyclimbing.com/stone-pod FREE BONUS EPISODES ➡️ https://link.powercompanyclimbing.com/secretstoners-pod   Resources can be found at https://www.plugtoneaudio.com/written-in-stone   Music: "Concerto No. 4 in F minor, Op. 8, RV 297, 'L'inverno' (Winter)" The Modena Chamber Orchestra (https://musopen.org) Licensed under Creative Commons: By Attribution 4.0 License https://creativecommons.org/licenses/by/4.0/ "String Quartet no. 2 in B minor - IV. Allegro furioso" Steve's Bedroom Band (https://musopen.org) Licensed under Creative Commons: By Attribution 4.0 License https://creativecommons.org/licenses/by/4.0/ "Nocturne in B flat minor, Op. 9 no. 1" Eduardo Vinuela (https://musopen.org) Licensed under Creative Commons: By Attribution 4.0 License https://creativecommons.org/licenses/by/4.0/ "String Quartet, Op.25 - II. Intermezzo. Andante con moto, quasi allegretto" Steve's Bedroom Band (https://musopen.org) Licensed under Creative Commons: By Attribution 4.0 License https://creativecommons.org/licenses/by/4.0/ "The Wand of Youth, Suite no. 1, Op. 1a - II. Serenade ( For String Quartet - Jones)" Steve's Bedroom Band (https://musopen.org) Licensed under Creative Commons: By Attribution 4.0 License https://creativecommons.org/licenses/by/4.0/  

What if confidence is not the absence of doubt? In this deeply honest conversation, violinist Robert Sanders shares what changed internally as he navigated auditions, pressure, comparison, and eventually won a full time position with the Bruckner Orchestra Linz. This episode is not about becoming fearless. It's about learning how to stop fighting yourself so aggressively underneath the pressure. In this episode: • Why self doubt does not disappear even at a high level • How Robert shifted from battling doubt to "dancing" with it • The surprising mindset shift that changed his audition experience • Why learning to work with yourself changes everything under pressure If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Robert Sanders Website: www.robertsandersviolin.com       Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

You know that feeling when you walk off stage thinking, "I can play so much better than this"? In this episode, I unpack three powerful patterns I saw during the Musicians Edge Challenge with more than 300 musicians and why so many performers lose access to themselves under pressure even when they've prepared brilliantly. In this episode: • Why your best playing can feel impossible to recreate on demand • What really happens when a different version of you shows up on stage • Why many musicians keep trying to solve the wrong problem If you're ready to close the gap between how you play in the practice room and who you become under pressure, the Music Mastery Experience is open for enrollment now. Inside MME, we work on performance preparation, self trust, mindset, nervous system regulation, and the hidden patterns that shape your performances. Enrollment closes May 20 and we begin June 1. Learn more at mindoverfinger.com/mme   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

Johan Fasch: Concerto a 8 in D Major, III. AllegroThomas Reiner, trumpet Südwestdeutsches Kammerorchester Pforzheim Sebastian Tewinkel, conductorMore info about today's track: Naxos 8.570501Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Johannes Brahms: Serenade No. 1 in D Major, Op. 11, Rondo-AllegroBelgian Radio and Television Philharmonic OrchestraAlexander Rahbari, conductorMore info about today's track: Naxos 8.553227Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

In our final episode on Persuasion, we talk about how much more satisfactory this is than the original ending, the purpose of the discussion between Mrs Croft and Mrs Musgrove, the conversation between Anne and Captain Harville, Wentworth's letter, his feeling that he had a moral obligation to marry Louisa and the wrap-up of the story.The character we discuss is Anne Elliot. In the historical section, Michael talks about the British Navy at the end of, and after, the Napoleonic Wars, and for popular culture Harriet discusses various modernised versions of Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Character discussion:YouTube video: Karolina Żebrowska, Why Does Hollywood Hate Gentle Characters? ‖ Netflix “Persuasion” Review (2022)Popular culture discussion:Melissa Nathan, Persuading Annie (2000)Sara Marks, Modern Persuasion (2017)Sonali Dev, Recipe for Persuasion (2020)Sarah Dass, Where the Rhythm Takes You (2021)Uzma Jalaluddin, Much Ado About Nada (2023)Melodie Edwards, Once Persuaded Twice Shy (2024)Rhombus Media, Slings and Arrows (2003-2006) [mentioned but not a Persuasion adaptation]Diana Peterfreund, For Darkness Shows the Stars (2012)John Wyndham, The Chrysalids (1955) [mentioned but not a Persuasion adaptation]Suzanne Collins, The Hunger Games (2008) [mentioned but not a Persuasion adaptation]Creative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

If you've ever stood in the wings before a performance and wondered how you got there — not in a good way — this episode is for you. Marie-Michel Beauparlant is an accomplished cellist, a mom of twins, and one of the most honest guests we've had on the show. She talks about the years she spent hiding behind section playing because solo performing felt impossible, the guilt of chasing an audition with six-month-old twins at home, and what it actually took to go from dreading the spotlight to being, as she puts it herself, a little addicted to it. This is a real conversation about the inner life of a working musician — and it will stay with you. In this episode you will discover: Why perfectionism and stage fright so often go hand in hand and what Marie-Michel did to start untangling them How she went from barely advancing in auditions to winning two orchestra positions and making finals consistently The mindset shift that led her to remove the word failure from her vocabulary entirely How finding a community of musicians facing similar challenges made her feel less alone and normalized the struggles she had been carrying quietly for years The simple question she asks herself before every practice session that keeps her grounded and motivated What winning really looks like when you stop making it only about the outcome   Want to experience this kind of transformation in your own musical life? The doors to the Music Mastery Experience open June 1st. Visit mindoverfinger.com/mme to learn more and book your free call today. Spots are limited.   Book your FREE Music Mastery Experience Clarity Call with Renée HERE Download the transcript from this episode HERE       Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.    

Edward Elgar - Serenade, Op. 20 - Allegro PiacevoleCapella Istropolitana Adrian Leaper, conductorMore info about today's track: Naxos 8.554161Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Title: The Divine Saxon Track: Hasse: Sinfonia for Strings in G Minor: I. Allegro. Op.5 no. 6 Artist: Concerto Köln & Pablo Heras-Casado Publisher: ℗ 2014 Deutsche Grammophon GmbH, Berlin

George Gershwin - Piano Concerto in F, III. Allegro AgitatoKathryn Selby, pianoSlovak Radio Symphony Orchestra Richard Hayman, conductorMore info about today's track: Naxos 8.550295Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

You know that feeling when you nail a passage in rehearsal, and then the harder you try to repeat it, the faster it falls apart? In this solo episode, Dr. Renée-Paule reveals why the desire to play well is often the very thing getting in your way. This one hits close to home for any musician who has ever spiraled mid-performance wondering why their preparation suddenly feels like it vanished. ·         The reason a passage that felt effortless on the first attempt can completely unravel by the third, and why it has nothing to do with your technique. ·         How monitoring your own performance in real time activates the wrong part of your brain and turns you into a spectator of your own playing. ·         Why high expectations belong in the practice room and become an obstacle the moment you walk on stage. ·         A simple 60-second ritual to do right before you perform that shifts your entire relationship with the moment.   Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, join the Musician's Edge Challenge.   Join the Musician's Edge Challenge HERE If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

You've prepared the excerpts. You've done the mock auditions. You've done everything right — and something still slips when it matters most. In this episode, Dr. Renée-Paule Gauthier gets to the heart of what's actually separating the players who walk off feeling like themselves from the ones who walk off wondering what just happened. The answer isn't what you think — and it's more within your reach than you realize. In this episode: ·         Why the problem is almost never the excerpts ·         The difference between preparing your excerpts and preparing yourself ·         What attentional narrowing does to your musicality under pressure ·         The one question that begins to change everything   Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, join the Musician's Edge Challenge.   Join the Musician's Edge Challenge HERE If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.  

BRAHMS: Concierto para violín y orquesta en Re Mayor, Op. 77 (36.02). G. Kremer (vl.), Orq. Real del Concertgebouw de Amsterdam. Dir.: N. Harnoncourt. TELEMANN: Ouverturae (Grave – Allegro – Grave) (Suite para tres oboes, cuerda y continuo en Sol menor) (7.48). Concentus Musicus Wien. Dir.: N. Harnoncourt.Escuchar audio

Albrecht, Jörg www.deutschlandfunk.de, Corso

You practiced it a thousand times. You knew it cold. And then you walked on stage and something vanished. If that sounds familiar, this episode is for you. Renee breaks down one of the most frustrating and misunderstood experiences in a musician's life: the gap between how you play in the practice room and how you play under pressure. More importantly, she explains exactly why it happens and why practicing more is often not the answer. In this episode: ·         Why the practice room and the stage are literally different brain states, and what that means for how you prepare ·         The Yerkes-Dodson law and what it reveals about pressure, performance, and the sweet spot most musicians blow right past ·         Why cortisol is not your enemy but why it makes you blank on passages you know perfectly well ·         The concept of context-dependent memory and why your hard-earned skills can feel strangely out of reach the moment the context changes ·         The question most musicians never ask after a disappointing performance, and why asking the wrong one keeps the gap firmly in place ·         A simple but powerful reflection to try before your next practice session that begins to close the gap for good Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, join the Musician's Edge Challenge.   Join the Musician's Edge Challenge HERE If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.    

What if the thing holding back your performance had nothing to do with how many hours you practice? Gunnery Sergeant Shannon Kiewitt, clarinetist with "The President's Own" United States Marine Band and fitness coach for musicians, has spent years performing at the highest level without a single performance-related injury. In this conversation, she shares exactly how fitness transforms not just your body, but your sound, your confidence, and your career. In this episode: ·         Why posture and physical imbalances affect the way you sound ·         The truth about weightlifting and musicians ·         How fitness builds endurance, focus, and mental resilience on stage ·         What a realistic fitness routine looks like for a musician's unpredictable schedule ·         How competing in a bodybuilding show helped Shannon conquer performance anxiety ·         One simple thing you can start doing today   Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, join the Musician's Edge Challenge.   Join the Musician's Edge Challenge HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   SHANNON KIEWITT Bio: https://www.marineband.marines.mil/About/Members/Article/2605066/gunnery-sgt-shannon-kiewitt/ Instagram: https://www.instagram.com/thefitclarinetist/ YouTube: https://www.youtube.com/@shannonfitwit Work with Shannon: https://www.trainerize.me/profile/getfitwithshannonkiewitt/Shannon.Kiewitt?fbclid=IwAR0nBm45UVE4SSUWHRaaAJVgCYpp4rmNFNkxqqTrGmUe9sd37fOreyP1P5A&utm_source=ig&utm_medium=social&utm_content=link_in_bio     Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

You're putting in the hours. You're showing up. So why does it still feel like nothing is moving? This episode gets right to the heart of that frustration and offers a way out.   In this episode: ·         Why repetition without intention reinforces the problem, not the solution ·         The real difference between practicing notes and practicing performance ·         How the inner critic silently derails your practice session ·         The one thing to write down before you pick up your instrument Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, join the Musician's Edge Challenge.   Join the Musician's Edge Challenge HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

Antonín Dvořák - Bagatelles: Poco AllegroRyoko Morooka, harmoniumFine Arts QuartetMore info about today's track: Naxos 8.574513Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

March is Women's History Month, and in this special episode of Busy Kids Love Music, we explore a powerful and important question: If women have been composing for centuries…why were so many of their names forgotten? Instead of focusing on just one composer, this episode looks at the bigger historical picture — uncovering the social, cultural, and publishing barriers that kept many brilliant women composers from being widely remembered. You'll hear excerpts from stunning works and discover why these composers deserve a permanent place in music history. Featured Composers & Works Fanny Mendelssohn (1805–1847) Piano Trio in D Minor, Op. 11 – I. Allegro molto vivace Clara Schumann (1819–1896) Piano Concerto in A Minor, Op. 7 Florence Price (1887–1953) Symphony No. 1 in E Minor  Amy Beach (1867–1944) Romance, Op. 23 In This Episode, You'll Learn: Why women composers were often discouraged from writing large-scale orchestral works How publishing, performance, and teaching influence which music survives Why genre bias shaped the way music history was written How modern musicians are rediscovering and performing long-overlooked works Why listening itself can be an act of honoring history Listener Challenge This week, choose a female composer you don't know well. Listen to: One of the podcast episodes linked below OR A piece of her music  A free printable listening guide is available here to help you go deeper. Previous podcast episodes on female composers to check out and use with your Listening Challenge printable: Episode 15: Fanny Mendelssohn | Busy Kids Do Piano Episode 42: Clara Schumann | Busy Kids Do Piano Episode 66: The Life and Music of Florence Price | Busy Kids Do Piano Episode 92: Lili Boulanger | Busy Kids Do Piano Episode 116: Nina Simone | Busy Kids Do Piano Episode 118: Fanny Crosby | Busy Kids Do Piano Episode 160: The Life of Imogen Holst | Busy Kids Do Piano Episode 171: Margaret Bonds | Busy Kids Do Piano Thanks for listening to Busy Kids Love Music! See you next time as we continue discovering the stories — and the sounds — behind classical music.

这次我们想聊聊当三个女人聚在一起，能够创造出什么。 过去两周，我和朋友们先后去看了话剧九人的最新作品《三妇志异》。从 2021 年 3 月在剧场第一次看到《春逝》，走出剧场兴奋地马上做了一期节目，到后来跟不同朋友、不同播客节目聊《春逝》《双枰记》《对称性破缺》，再到这次看到《三妇志异》，不知不觉我们竟然一起走了这么久，已经走了这么远，未来还可以走得更远！《三妇志异》是一次全新的创作尝试，话剧九人的导演、编剧朱虹璇，邀请了另外两位编剧温方伊和陈思安一起共同创作，重新讲述那些在我们千百年历史长河中的故事。本期节目，我们邀请到的是曾和我们一起聊过话剧作品《对称性破缺》的朋友——鲸鱼。我们对《三妇志异》这部作品进行了细致的分析和情感分享，也一起回顾我们看过的一系列话剧九人的作品，聊聊我们与九人一起成长的感受。※友情提示：因为我们会在节目中深入聊到《三妇志异》里每个故事的部分核心表达，可能会有不同程度的剧透，如果你非常介意剧透，可以在剧场看完作品之后再来收听。但《三妇志异》是听到剧透，也完全不妨碍要到现场去看、去感受那种细腻的表达和冲破传统框架那股力量的作品。本期节目你将听到：[01:09]《三妇志异》是一个怎样的作品？为什么要重写故事？[08:02]《踵火》：新的「哪吒」，新与旧的残酷交锋，强大的女性同盟[28:32]《飞光》：上官婉儿、太平公主以及那个「走得更远的女人」武曌[37:43]《木兰》：我要主动飞身上马，奔向我选择的自由，因为我想要[58:01] 《慧眼》：当你拥有财富，拥有能力，拥有一双慧眼，为什么不用它来成就自己？[1:12:17] 《蛇精之家》：当许仙决定「出走」，「遮羞布」们一片片掉落[1:19:29]《女人国》：当一个在男权世界长大的女性主义者来到看似完美的女人国，她会获得幸福和满足吗？[1:26:23] 中国历史上的另一段「三妇重写故事」：三位女性跨越时间，接力书写《再生缘》[1:32:45] 一起从《四张机》《春逝》《双枰记》开始的旅程[1:48:40] 和《对称性破缺》《庭前》一起真正长大[1:57:07] 在《翻山海》里，活出自己，不必再借任何人之口说出我心声【节目主播/制作】主播/制作：VC微博：@VividCrystal 小红书：@午夜飞行VC 【节目互动】微博：@午夜飞行Official 公众号：午夜飞行【商务合作】商务合作联系邮箱：hello@marcastmedia.com或添加微信：hellomarcast 【欢迎加入听友群】入群方式 A：微信添加小助手 Amber (ID: hellomarcast)，拉你入群入群方式 B：关注公众号「午夜飞行」 ，回复「听友群」三个字，即可获取入群通道 【本集音乐】1. Piano Sonata No.1 in C, K.2791. Allegro - 内田光子 2. 重新睁开眼 - 王仁丹 3. Reflection - Christina Aguilera 4. 春逝 - 韩雨佳,吴三畏 5. 登基 - 孙术乔 6. 间奏曲 - 孙术乔 7. 间奏曲I - 孙术乔 8. 部分音乐素材来自「南方人物周刊」视频号视频《在经典叙事废墟上，她们另起炉灶》【封面图片】图片来自话剧九人官方微博【节目出品】本节目由 Marcast 播客厂牌制作出品，也欢迎你订阅收听 Marcast 旗下的其他播客节目，你可以通过以下方式找到我们：- 小红书：@Marcast - 公众号：Marcast - 微博：@Marcast - 进听友群请添加微信：hellomarcast- 一键订阅 Marcast 制作出品的节目：https://www.xiaoyuzhoufm.com/collection/podcast/68775bfa2524d1e7dc6fc41d- 欢迎加入 3000+ 朋友一起订阅 Beads Newsletter 每周一封精选英文播客内容分享，为你提取、总结那些 90% 的人听不到的、隐藏在声音里的一手信息、知识、经验、工具、趣味和审美，和你一起拓展认知和视野，每周一上午发送，订阅地址：https://beads.beehiiv.com© 2026 Marcast Media

Looking for transcripts? ⁠Click here!⁠⁠Where did the old episodes go?⁠Follow us on Blue Sky! @hoteldayradioCredits and Attributions:Hotel Daydream is licensed under a⁠ ⁠Creative Commons Attribution-ShareAlike 4.0⁠⁠ International License.Music and respective CC licenses:Music used and edited under a CC-BY-SA-4.0Divertimento, written and performed by Robert RønnesMusic used from a EFF Open Audio LicenseClarinet Concerto in A major, K.622 (Mozart, Wolfgang Amadeus), 1. Allegro, Performed by the University of Washington Symphony, Abraham Kaplan (conductor), December 1987.Music used from the Public Domain:Il testamento di Angela by Carlo Pedini, performed by Laura Vinciguerra CC0

If you've ever felt your body work against you in a performance, if tension, fear, or a loss of control has crept into your playing and you don't know why, and if you've wondered whether it can actually get better, this episode is for you. Gabriel Radford, Third Horn of the Toronto Symphony Orchestra, was diagnosed with focal dystonia at the height of his career. He came back playing better than before, and co-founded the Embouchure Project to help other musicians do the same. This conversation is honest, practical, and full of things musicians rarely hear spoken out loud. What you'll take away: ·         Why fear can show up long before a playing problem becomes visible, and what that early signal means ·         What neuroscience tells us about why the body stops cooperating, and how to reverse it ·         Why rigid practice routines may be working against you ·         The one daily habit that can rewire your relationship with your instrument ·         What the Embouchure Project is ·         And much more! If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   GABRIEL RADFORD AND THE EMBOUCHURE PROJECT Bio: https://www.tso.ca/about/orchestra/members-of-the-orchestra/gabriel-radford Website: https://www.theembouchureproject.org/ Instagram: https://www.instagram.com/theembouchureproject/ Facebook: https://www.facebook.com/groups/881319796540674/ YouTube: https://www.youtube.com/@TheEmbouchureProject Spotify: https://open.spotify.com/show/6jOd5wjakuvJmZuiaGoKqP     Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

You walk out of a rehearsal replaying every mistake. You sit down to practice and the voice in your head says, it should be better by now. You open Instagram and somehow everyone else seems more confident, more established, further along. This episode is for that moment. Renée shares a short, honest pep talk for musicians navigating doubt and the uncomfortable gap between where they are and where they wish they were. What you'll take away: ·         Why accepting where you are is not the same as giving up and how that distinction changes everything about how you move forward ·         The arrival fallacy: why telling yourself "I'll feel better when I reach that level" is a trap that keeps postponing your peace indefinitely ·         A simple gratitude practice for when doubt shows up mid-practice not as a feel-good exercise, but as a way to literally retrain your brain's attention ·         How to receive difficult feelings without sinking into them, using the same returning-to-breath logic you already know from practice ·         Why the doubts will come back even after a good day and why that means nothing is broken ·         The one question worth asking yourself when your mind starts to spiral: what will I do with this next precious minute?   If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

Carl Stamitz - Clarinet Concerto No. 1: AllegroKalman Berkes, clarinet Nicolaus Esterhazy SinfoniaMore info about today's track: Naxos 8.553584Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Concertmaster Juliana Athayde shares the mindset shifts and life choices that shaped her career, from betting on herself early on to leading an orchestra and building a full life beyond the practice room. In this conversation, we explore: • The leap of faith that led her to turn down a dream job and invest in herself • What great orchestral leadership actually looks like beyond playing well • Why "perfect or disaster" thinking traps so many musicians • The powerful idea that performance needs no rear view mirror • How audition panels are often rooting for you more than you think • The difference between practicing mindfully and "punching the time card" in the practice room • Why recording yourself and actually listening can transform your progress • How motherhood reshaped her priorities, practice efficiency, and perspective • Why a richer life outside music ultimately deepens your artistry • The simple but powerful question that can change everything: What if things went right? A thoughtful conversation about leadership, performance, growth, and choosing the bigger life in music.   If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   JULIANA ATHAYDE Eastman: https://www.esm.rochester.edu/directory/athayde-juliana/ Chamber Music Rochester: https://www.chambermusicrochester.org/artistic-directors     Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.