Podcasts about Allegro

Send a textHeat pressed down on Newton in August 1871 like a hand over a mouth, and by midnight the town was a fuse. We open on a drought-stricken railhead where class divides sharpened nerves, the dance band was sent home, and the room held its breath. Then everything snapped. Hugh Anderson strode into Perry Tuttle's hall and dropped lawman Mike McCluskey with a shot that turned a tense crowd into a battlefield. Amid the chaos, a coughing teenager named James Riley locked the doors, drew twin Colts, and harvested the room with terrifying precision—an unassuming figure who authored one of the bloodiest gunfights on the frontier and then vanished into the Kansas night.From there, the wires caught fire. Editors rebranded Newton as “Blooton,” feeding the East's appetite for frontier horror while reformers seized the carnage to push temperance and law. We dive into how correspondent E.J. Harrington—writing as Allegro—built a legend that sold papers, including the polished lie of the “Great Duel” where McCluskey's brother and Anderson allegedly died together. We set the record straight: Anderson was smuggled South, healed, married, and lived long. The myth endured because it offered symmetry the facts refused to give.The real ending took shape in steel and soil. When rails reached Wichita, the cattle trade moved on. Newton traded saloons for schoolhouses, brothels for church steeples, and six-shooters for threshing machines. Mennonite farmers arrived with turkey red wheat, barbed wire cinched the open range, and a new civic identity took root. Through it all, Riley remained a shadow—possibly consumed by illness, possibly drifting down the line—proof that the West wasn't just won in gun smoke, but manufactured in headlines and remade by commerce and community.If this story reframed how you think about the Wild West—where legend wrestles with ledger—tap follow, share with a history lover, and leave a review telling us which version of the story you believe.Support the showIf you'd like to buy one or more of our fully illustrated dime novel publications, you can click the link I've included.

Concertmaster Juliana Athayde shares the mindset shifts and life choices that shaped her career, from betting on herself early on to leading an orchestra and building a full life beyond the practice room. In this conversation, we explore: • The leap of faith that led her to turn down a dream job and invest in herself • What great orchestral leadership actually looks like beyond playing well • Why "perfect or disaster" thinking traps so many musicians • The powerful idea that performance needs no rear view mirror • How audition panels are often rooting for you more than you think • The difference between practicing mindfully and "punching the time card" in the practice room • Why recording yourself and actually listening can transform your progress • How motherhood reshaped her priorities, practice efficiency, and perspective • Why a richer life outside music ultimately deepens your artistry • The simple but powerful question that can change everything: What if things went right? A thoughtful conversation about leadership, performance, growth, and choosing the bigger life in music.   If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   JULIANA ATHAYDE Eastman: https://www.esm.rochester.edu/directory/athayde-juliana/ Chamber Music Rochester: https://www.chambermusicrochester.org/artistic-directors     Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

Send a textHeat shimmers above the Santa Fe tracks as Newton, Kansas splits in two: polished mahogany and temperance to the north, canvas alleys and all-night revelry to the south. We guide you through the second act of a borderland drama where the railroad doesn't just deliver cattle and cash—it redraws morals, loyalties, and the limits of law. Perry Tuttle's roaring dancehall, the Gold Room's careful smiles, and a fiddler-reporter named Allegro weave a soundscape where stories pay better than truth and reputation is coin.At the heart of the conflict stand two badges that should have kept the peace and instead crack it open. Mike McCluskey, the unyielding Yankee enforcer, and Billy Bailey, a Texan gambler pinned with borrowed authority, become emblems for bigger wars: North versus South, rail versus range, progress versus pride. When election day whiskey greases ballots for railroad bonds, tempers boil. A public humiliation spills into sunlight, and a gut shot renders a verdict no courtroom can soften. The town fractures along the rails and along the story each side needs to survive—self-defense for the railroad men, cold-blood for the Texans.Hovering at the edge is James Riley, a frail eighteen-year-old with consumption and no fear left to spend. His quiet loyalty to McCluskey changes the odds in ways bluster never could, turning a feud into a fuse. As McCluskey flees, hears he's cleared, and boards the return train, the badge feels like a shield, but the grass by the tracks says otherwise. We stop at the moment before the ambush, the air heavy with lead that hasn't flown yet, and a town holding its breath.If you're drawn to Old West history, railroad town politics, true crime on the frontier, and the anatomy of honor cultures colliding with new power, this chapter delivers vivid storytelling, textured context, and a cliff that promises a hard landing. Subscribe, share with a friend who loves gritty Western lore, and leave a review to tell us: was it justice or revenge?Support the showIf you'd like to buy one or more of our fully illustrated dime novel publications, you can click the link I've included.

Luigi Boccherini (1743-1805) – Quintetto per archi in do minore, G.355 1.      Adagio non tanto [00:00]2.      Allegro assai [08:17]3.      Tempo di Minuetto [13:18]4.      Finale. Presto [17:17] Europa Galante

Georg Muffat (1653–1704): Propitia Sydera, Concerto Grosso n. 12 Sonata.Grave [00:00]Sonata. Allegro[01:10]Aria [03:08]Gavotta [05:28]Grave-Ciaconna [06:27]Borea [15:06] Cölner Barockorchester

Francesco Maria Veracini (1690–1768) - Ouverture n. 6 in sol minore1.      Allegro [00:00]2.      Largo [03:27]3.      Allegro [05:45]4.      Menuet [08:15] Ensemble ZefiroAlfredo Bernardini, conductor

La fisonomía de Pablo Iglesias denotaba un grave desequilibrio. Podemos nace corrupto, es un excremento del Estado de partidos. Presentado por Luis Díaz, intervienen Pedro Manuel González y Antº. Gª-Trevijano. https://diariorc.com/radio-tv/radio-libertad-constituyente/rlc-2014-12-04-corrupcion-libertad-constituyente-etimologias/ Música: Allegro, concierto para piano nº9 de Mozart. -------- - Vía iVoox: haz clic en APOYAR (botón de color azul). - Vía Paypal: https://www.paypal.com/donate?hosted_button_id=Y4WYL3BBYVVY4 - Vía Patreon: https://www.patreon.com/MCRC_es ------------ mcrc.es diariorc.com yonovoto.info

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutch Logo design by Robbie Mailer Howat robbiemailerhowat Thank you for listening - please do get in touch with any comments!

When your heart is racing and your brain starts whispering "don't mess this up," it's easy to think the goal is to shut the thoughts down. But that fight is often the thing that turns normal pre performance activation into full anxiety. In this short episode, I borrow the first rule of improv, "Yes, and," and show you how to use it as a musician. Not to become fearless, but to stay in the music even when doubt is in the room. In this episode, you'll hear: ·         The difference between normal activation and anxiety, and how the "second layer" of thoughts creates the spiral ·         Why denial and forcing yourself to "stop thinking" usually backfire right before performance ·         How to use "Yes, and" as validation, so your nervous system feels supported instead of bullied ·         Real scripts for the moments musicians actually struggle with, feeling behind in practice, tight in the warmup room, or rattled by a mistake on stage ·         A one minute breath reset you can do anywhere, 4 count inhale, 6 count exhale, paired with "Yes" and "And" ·         A simple challenge for today, catch one scary thought, validate it, and keep going   If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

Today ON VINYL VIBRATIONS I FEATURE THE MUSIC OF the MULTI-TALENTED, Camille Saint-Saens. M1 Saint-Saens: Symphony No.1 in E Flat, Op 2, III Adagio, (Saint-Saens 1853), Capitol Records/Angel, 1973 (10:00)  M2 SAINT-SAENS: Symphony No.2 in A Minor, Op 55, II Adagio, (Saint-Saens 1859), Capitol Records/Angel, 1973 (3:59)  M3 Symphony No.2 in A Minor, Op 55, IV Prestissimo, (Saint-Saens 1859), Capitol Records/Angel, 1973 (7:19)  M4 Saint-Saens: Symphony No.3 in C Minor Op 78 (Organ Symphony), Philadelphia Orchestra, I Allegro Moderato, Poco adagio, (Saint-Saens 1886) Columbia Records, 1963 (9:00) M5 Saint-Saens: Symphony No.3 in C Minor Op 78 (Organ Symphony), Philadelphia Orchestra, II Maestoso, Allegro, (Saint-Saens 1886) Columbia Records, 1963 (7:20) M6 The Swan – The Carnival of the Animals XIII, (Saint-Saens 1886), Silhouettes -Virgil Fox/Organ” Capitol Records, 1960 (2:39)  Saint-Saens lived from 1835 to 1921, and was born in PARIS. He was a composer, organist, conductor and pianist of the Romantic Era, that's music that was featured throughout the 19th century. He was a musical prodigy, of course. He had perfect pitch. A grand aunt taught him some piano basics at three, and he was a music pupil at the age of 7. He gave informal performances at the age of 5, and his public debut was at age 10 performing the music of Mozart and Beethoven. He and studied at the Paris Conservatoire starting at age 13 to age 18. His first “job” was a ORGANIST at the Saint Merri Church – 26,000 parishioners. That sounds like a typical trajectory for a young musical prodigy. But, unlike other music students, Saint-Saens had a broad focus. He was a multi-tracker of the day, with varying and distinguished interests such as the study of Latin, Greek, Divinity and Mathematics. He was talented amateur Astronomer throughout his adult life.   In today's podcast I review portions of 4 SAINT-SAENS COMPOSITIONS, pieces composed between 1853 and 1886, or when Saint-Saens was from the age of 17 to 50. We will hear 6 movements from 4 works – those 4 works are Symphony No. 1 Symphony No. 2 Symphony No. 3 Carnival of the Animals

Evaristo Felice Dall'Abaco (1675 - 1742) - Concerto a più istrumenti, Op. 5 n. 6 in re maggiore Allegro - 0:05Aria cantabile - 4:02Ciaccona (Allegro e spiccato) - 5:13Rondeau (Allegro) - 7:57Allegro - 9:01  Bremer Barockorchester

Chillout Classic w Radiu Spin #122 Urodziny Mozarta 1. J.S. Bach - Aria z Wariacji Goldbergowskich - Jean Rondeau.2. W. A. Mozart - Divertimento D-dur KV 136, I. Allegro, Hagen Quartet.3. W.A. Mozart - Koncert na flet i harfę KV 299 cz.II Andantino, Samuel Coles, Naoko Yoshino, English Chamber Orchestra.4. W.A. Mozart - Kwartet fortepianowy Es- dur KV 493, cz. II Larghetto, Yo-Yo Ma, Emanuel Ax, Isaac Stern, Jaime Laredo.5. W.A. Mozart - Kwintet klarnetowy A-dur KV 581 "Stadler" cz. II Larghetto, Michel Portal, Cherubini Quartet.6. W.A. Mozart - Symfonia g-moll KV550, cz. IV Allegro assai Berliner Philharmoniker, Sir Simon Rattle.7. W.A. Mozart - Eine Kleine Nachtmusik KV 525, cz. II Romance. Andante, Academy of St. Martin in the Fields, Sir Neville Marriner.8. Golden Cage - Dardust.

Centre de la spirale d’Ulam Au centre de la feuille, on met le 1 ; à sa droite immédiate le 2 ; au-dessus du 2, le 3 ; à gauche du 3, le 4 puis le 5 ; en dessous du 5, le 6, etc. ; et on continue ainsi, déroulant progressivement autour du 1, comme la coquille d’un escargot, une spirale de nombres croissants. Ensuite, on identifie les nombres premiers ; puis on efface les autres nombres, qui ne sont pas premiers. Dessiner la spirale d’Ulam Au bout d’un long moment, la figure ressemblera à ceci, puis à ceci : Apparaissent, ça et là, des lignes, obliques, verticales et horizontales, des lignes entrecroisées qui font un peu penser aux structures de Widmanstätten sur les météorites métalliques ; des lignes qui marquent que, dans le repère entortillé conçu sur un coin de table par Stanislaw Ulam tandis qu’il s’ennuyait ferme à une conférence de mathématiques (ou peut-être d’autre chose : de physique nucléaire ou même de littérature puisqu’il fréquenta, plus tard, l’Ouvroir de littérature potentielle) ; des lignes, donc, apparaissent qui marquent que, dans ce repère entortillé et spiraleux, ce qu’on connaissait comme le chaos des nombres premiers prend forme et ordonnancement, des structures y apparaissant. Je trouve extraordinaire cette illustration de l’Out of the box. Dans le repère, le monde orthonormé où nous avons nos habitudes, les nombres premiers, ces particules élémentaires de la mathématique, forment un archipel anarchique, erratique, un Morbihan sans toit ni loi. Mais il suffit de tourner un peu la tête, de modifier l’angle de vue en plaçant les nombres d’une autre manière, d’une manière spiraleuse et fibonacienne, pour faire surgir d’immenses régularités, des arrangements, des linéarités jusqu’alors demeurées invisibles : soudain des droites, des droites imparfaites, pleines de trous et de blancs, des droites qui s’interrompent sans qu’on sache pourquoi et qui réapparaissent sans qu’on sache comment, mais des droites évidentes qui montrent et démontrent qu’une structure existe, structure dont on ne comprend pas vraiment l’architecture, avec ces lignes qui parfois émergent et parfois replongent dans le désordre mais qui sont indiscutablement là, présentes, comme est présent et bien présent, dans la polyphonie broussailleuse de l’Allegro du Troisième concerto brandebourgeois de Bach, le thème principal. A suivre… En illustration musicale, le début de l’Allegro du troisième concerto brandebourgeois de Jean-Sébastien Bach Cet article La spirale d’Ulam 1. Lignes est apparu en premier sur Aldor (le blog).

Jak wygląda budowanie firmy, gdy przez rok albo dwa nic nie wychodzi tak, jak to zaplanowałeś? Jak poradzić sobie z wyzwaniami szybkiego skalowania, kiedy w tym samym momencie musisz przygotować dokument ogłoszenia upadłości? Co sprawia, że mimo tych wydarzeń następnego dnia wstajesz i próbujesz - często czwarty, piąty, a nawet siódmy raz?Gościem wyjątkowego odcinka naszej audycji, rozmowy o numerze 100, jest @Grzegorz Wójcik, pomysłodawca i prezes @Autenti, europejskiej platformy usług zaufania. Człowiek, który odrzucił pracę w korporacjach na topowych stanowiskach, by stworzyć standard i zmienić oblicze rynku podpisywania dokumentów elektronicznie.Czego jeszcze dowiesz się z tego odcinka?✅ Dlaczego Autenti, której przewodzi Grzegorz, jest praktycznie co roku inną organizacją? ✅ Co się dzieje w głowie prezesa, gdy ma gotowy dokument do złożenia wniosku o upadłość, a firma dynamicznie rośnie w tym samym czasie? ✅ Dlaczego scenariusze alternatywne to nie pesymizm, a profesjonalizm?✅ Co frustruje Grzegorza w polskiej przedsiębiorczości i dlaczego rodzimy ekosystem inwestycyjny wciąż przegrywa z tym z zagranicy? ✅ Dlaczego wąska specjalizacja przestaje być atutem i co ją może zastąpić w czasach sztucznej inteligencji?W tej rozmowie #bezlukru nie zabraknie historii o trudnych etapach ekspansji zagranicznej i różnicach kulturowych, których nie pokona żadna technologia. Poznasz plany naszego gościa walki o europejski czempionat, sposoby na to, jak motywować się w dążeniu do celu i wiele więcej. Nie przegap dzisiejszej premiery - wystarczy jedno kliknięcie ▶️

Alessandro Scarlatti (1660-1725)Concerto grosso, Sinfonia No. 2 in re maggiore1.      Spiritoso2.      Adagio 00:00:583.      Allegro 00:02:014.      Adagio 00:04:015.      Presto 00:05:27 Concerto grosso, Sinfonia No. 3 in re minore1.      Vivace 00:07:312.      Adagio 00:08:103.      Andante 00:09:474.      Adagio 00:11:535.      Allegro 00:13:10 Capella TiberinaAlexandra Nigito, clavicembalo

Heartbeats in Harmony Host: Anna Harsh Dancer, Author, Director of Allegro Dance Company.This episode offers quick tips on dancing with a partner. How to connect on a deeper level that helps make choreography come to life.Website: www.AnnaHarsh.com Website for Allegro www.AllegroDanceCompany.net #PartnerDance #TheDanceFloorPodcast #PerformanceJoin the company today! Allegro is Hiring! Like, Share and Subscribe today! Thanks for listening!

Niccolò Jommelli (1714-1774) - Sinfonia in sol maggiore 1.      Allegro2.      Largo 03:02 3.      Allegro assai 05:24 Karl-Heinz Schickhaus, hackbrettMünchener KammerorchesterHans Stadlmair, conductor

La corrupción es material y moral. En el régimen de partidos es imposible impedir la corrupción. La no separación de poderes y la no representación evitan el control del poder. Presentado por Luis Díaz, intervienen Pedro Manuel González y Antº. Gª-Trevijano. https://diariorc.com/radio-tv/radio-libertad-constituyente/rlc-2014-12-04-corrupcion-libertad-constituyente-etimologias/ Música: Allegro, concierto para piano nº9 de Mozart. -------- - Vía iVoox: haz clic en APOYAR (botón de color azul). - Vía Paypal: https://www.paypal.com/donate?hosted_button_id=Y4WYL3BBYVVY4 - Vía Patreon: https://www.patreon.com/MCRC_es ------------ mcrc.es diariorc.com yonovoto.info

TEENAGE FANCLUB: Star sign THE DOGS: G.U.I.L.T.Y. THE DOGS: Hate chu FRANCESC TÀRREGA (ft ANDRÉS SEGOVIA): Recuerdos de la Alhambra DEXY'S MIDNIGHT RUNNERS: Soul finger MUJERES: Caen imperios MIRACLE WORKERS: Go now LA ÉLITE: Historia triste LA ÉLITE: Nuit folie TEENAGE FANCLUB: Is this music? EDDIE COCHRAN: Somethin'else ORIGAMI HOLOGRAM: Bats in the attic NORA ORLANDI: Lo strano vizio della signora Wardh (seq 18) DANNY & THE DREAMERS: Eternal love HEATWAVES: By the sea THE BEATLES: Her majesty CHUMBAWAMBA: Her majesty TY: Devil tattoo TEENAGE FANCLUB: Get funky THE DARLING BUDS: It's all up to you LOQUILLO Y TROGLODITAS: Ya no puedo bailar PRISM SHORES: Kid gloves TCHAIKOWSKY: Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: 1. Allegro non troppo e molto maestoso ROSSANO: Ti voglio tanto bene ACxDC: Science ist krieg ROCÍO JURADO: Lo siento mi amor + Charles Bukowski

When the world feels heavy and your body is bracing, it is weirdly easy to start treating music like it has to justify itself. You practice anyway. You show up anyway. But inside, you are carrying pressure, tension, and that quiet question most musicians do not say out loud: how do I keep doing this without burning out or breaking down? In Episode 250, I sit down with Dr. Brianne Borden and Claire Howard, co-owners of Yoga for All Musicians, for a conversation that is equal parts grounding, honest, and immediately useful. ·         Why "just focus on the music" is not always possible, and what to do when the world follows you into the practice room ·         The simple check in skill most musicians never learn, and why it changes everything from practice choices to injury prevention ·         How classical music culture trains disconnection, and what trauma informed teaching and cueing can actually feel like ·         A reframing of expectations that sounds small, but hits hard once you try it in real life ·         A short centering plus neck and shoulder reset you can do before you play, especially if you live in jaw and shoulder tension If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Yoga for All Musicians ·         Website: https://www.yogaforallmusicians.com/ ·         Instagram: https://www.instagram.com/yogaforallmusicians/ ·         Facebook: https://www.facebook.com/YogaforAllMusicians ·         Their podcast on Spotify: https://open.spotify.com/user/uif3r1ampypupkhj12tzgzpvx ·         Their app: o   Android: https://apps.apple.com/us/app/fit-by-wix/id1552621043 o   Apple: https://apps.apple.com/us/app/fit-by-wix/id1552621043   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

This Day in Legal History: Jacobson v. MassachusettsOn this day in legal history, the Supreme Court issued its decision in Jacobson v. Massachusetts (1905), a case that defined the balance between individual liberty and public health. The dispute arose during a smallpox outbreak when Massachusetts authorized local governments to require vaccinations. Henning Jacobson refused the vaccine, arguing that the mandate violated his personal liberty under the Constitution. The case presented a fundamental question: how far can the state go in protecting the health of its citizens?In a 7–2 decision, the Court upheld the compulsory vaccination law. The justices reasoned that individual freedoms are not absolute. Writing for the majority, the Court explained that the Constitution permits reasonable regulations to protect public health and safety. This authority stems from the state's “police power,” a broad power to enact laws for the welfare of the community. The Court emphasized that liberty does not include the right to act in a way that harms others. During an epidemic, the government may impose measures necessary to prevent disease from spreading.The decision established an enduring precedent for public health regulation. It has been cited in later cases involving quarantine laws, vaccine mandates, and emergency health orders. More than a century later, Jacobson remains central to debates about the limits of government authority in times of crisis.A federal judge in California sharply reduced a jury pool in a class action securities trial against Elon Musk after many potential jurors said they could not be impartial. Out of 92 candidates, 38 were dismissed after admitting they could not fairly judge the case, prompting Musk's attorney to argue that strong personal hostility toward his client was affecting the process. The lawsuit, brought by former Twitter investors, alleges that Musk made misleading statements in 2022 to depress the company's stock price while negotiating its purchase. Musk denies the allegations.Judge Charles R. Breyer reminded jurors that their verdict must be based only on evidence presented at trial, not personal opinions about Musk. Several prospective jurors expressed strong views, both positive and negative, and some were removed for cause. One man who said he believed Musk should be in prison but could be fair in a civil case was not selected. Others who openly supported Musk or dismissed class actions as frivolous were also excluded. By the end of the day, a nine-member jury was seated.The case centers on claims that Musk's tweets about the deal being “on hold” and about the percentage of fake accounts misled investors. The judge previously ruled that investors plausibly alleged securities law violations and certified a class of affected shareholders. He also denied early summary judgment motions, allowing the case to proceed to trial. The upcoming trial will determine whether Musk's public statements violated federal securities laws during the 2022 acquisition process.‘Hate' For Musk Quickly Narrows Jury Pool In Twitter Deal Trial - Law360Jeffrey Epstein's estate has agreed to pay up to $35 million to settle a class action lawsuit alleging that two of his longtime advisers helped facilitate his sex trafficking scheme. The proposed agreement was disclosed in a federal court filing in Manhattan and must still be approved by a judge. The lawsuit, filed in 2024, targeted Darren Indyke, Epstein's former personal lawyer, and Richard Kahn, his longtime accountant, who serve as co-executors of the estate.Attorneys for the victims claimed the two men assisted Epstein by managing a network of corporations and financial accounts that concealed his activities and enabled payments to victims and recruiters. As part of the settlement, neither Indyke nor Kahn admitted wrongdoing. Their attorney stated they were prepared to contest the claims at trial but chose to settle to bring closure and resolve remaining potential claims against the estate.The estate has already distributed substantial sums to victims. A compensation program previously paid out $121 million, and an additional $49 million has been resolved through other settlements. According to defense counsel, the new agreement will offer a confidential path to compensation for individuals who have not yet settled claims.Epstein died in a New York jail in 2019, and his death was ruled a suicide.Epstein estate agrees to $35 million settlement in victim class action | ReutersThe Trump administration announced plans to scale back federal limits on mercury and other hazardous air pollutants emitted by coal-fired power plants. Officials said easing these standards would help utilities manage costs and maintain reliable baseload electricity as power demand rises, particularly from artificial intelligence data centers. The move targets updates made during the Biden administration to the Mercury and Air Toxics Standards (MATS), which built on regulations first adopted in 2012.The Biden-era revisions would have significantly reduced allowable mercury emissions and cut releases of toxic metals such as arsenic, nickel, and lead. Supporters of those rules argued they would generate hundreds of millions of dollars in public health savings by lowering exposure to harmful pollutants. The Supreme Court previously declined to pause the updated standards while legal challenges proceeded.Environmental and public health advocates warn that weakening the rule could increase health risks, especially for children and other vulnerable populations, since mercury exposure can impair neurological development. The EPA, however, stated that the original 2012 rule already provides sufficient public health protection and that the newer requirements impose costs exceeding their benefits.The rollback aligns with broader administration efforts to support coal power, including declaring an energy emergency, granting temporary exemptions to dozens of coal plants, and revisiting prior climate-related regulatory findings. Coal plants currently produce less than one-fifth of U.S. electricity but remain significant sources of hazardous air pollution.Trump EPA to weaken rule limiting harmful mercury, air toxics from coal plants | ReutersA federal judge in California ruled that PepsiCo and its Frito-Lay division can block a proposed class action brought by convenience store owners alleging unfair pricing practices. The stores claimed the company favored large national retailers by offering them better wholesale prices, in violation of the Robinson-Patman Act, which prohibits certain forms of price discrimination. The lawsuit sought to represent thousands of independently owned California stores that said they lost significant sales as a result of the alleged practices.U.S. District Judge Mónica Ramírez Almadani determined that the plaintiffs failed to show that all proposed class members suffered the same type of injury, a key requirement for class certification under federal law. She explained that price discrimination claims typically require detailed, transaction-specific evidence, making broad class treatment difficult. The court agreed with the defendants' argument that resolving the claims would require individualized inquiries into each store's circumstances.Although the judge rejected the class action request, she did not dismiss the underlying lawsuit. Instead, she allowed the plaintiffs to revise and refile their class allegations. Attorneys for the convenience stores said they plan to amend the complaint to provide additional detail about how Frito-Lay allegedly disadvantaged smaller retailers.PepsiCo, Frito-Lay win US court order barring class action in snack pricing lawsuit | ReutersThe U.S. Supreme Court ruled 6–3 that the International Emergency Economic Powers Act (IEEPA) does not authorize President Donald Trump to impose broad tariffs under a declared national emergency. In a majority opinion by Chief Justice John Roberts, the Court emphasized that the Constitution assigns the power to levy taxes and duties exclusively to Congress, not the executive branch. The case arose after President Trump declared national emergencies related to drug trafficking and trade deficits and then imposed sweeping tariffs on imports from numerous countries, including Canada, Mexico, and China.Small businesses and several states challenged the tariffs, arguing that IEEPA permits the president to “regulate” importation but does not explicitly authorize the imposition of duties. Lower courts agreed, and the Federal Circuit largely affirmed those rulings before the cases reached the Supreme Court. The majority concluded that the statutory term “regulate . . . importation” cannot be read to include the power to impose taxes, especially given Congress's consistent practice of clearly and specifically granting tariff authority in other statutes. The Court also relied on the “major questions” doctrine, reasoning that such sweeping economic authority requires clear congressional authorization, which IEEPA does not provide.The justices rejected arguments that emergency powers or foreign affairs concerns justified a broader interpretation. They noted that no prior president had used IEEPA to impose tariffs in its nearly 50-year history. As a result, the Court affirmed the Federal Circuit's decision invalidating the tariffs and directed dismissal of a related case for lack of jurisdiction.Justices Strike Down Trump's Emergency TariffsThis week's closing theme is by Louis Spohr.This week's closing theme features music by Spohr, a composer who stood at the crossroads between the Classical and early Romantic eras. Born in 1784, Spohr was a celebrated violinist, conductor, and teacher whose reputation in his lifetime rivaled many of his contemporaries. Though his name is less familiar today, he played an important role in shaping early nineteenth-century orchestral and chamber music. His style combines Classical clarity with the expressive warmth that would define the Romantic movement.Spohr wrote four clarinet concertos, each showcasing the instrument's growing technical and expressive range. The Clarinet Concerto in F minor reflects both virtuosity and lyricism, qualities that made the clarinet increasingly popular in concert halls of the time. The first movement, Allegro assai, opens with dramatic orchestral energy before introducing the soloist in sweeping, agile lines. The music balances precision with expressive phrasing, demanding both technical control and emotional depth from the performer.Throughout the movement, Spohr allows the clarinet to sing as much as it dazzles. Rapid passages are paired with moments of lyrical calm, highlighting the instrument's wide tonal palette. The dialogue between soloist and orchestra feels conversational rather than combative, giving the concerto an elegant cohesion. As our closing theme, this Allegro assai offers drive, color, and a glimpse into a composer once central to Europe's musical life.Without further ado, Louis Spohr's Clarinet Concerto in F minor, the first movement, the Allegro assai – enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Arcangelo Corelli (1653-1713) - Concerto grosso in re maggiore, Op. 6 No. 1Largo – Allegro Largo – Allegro [2:34]Largo [5:18]Allegro [8:38]Allegro [10:28] Stefano Rossi, violinoAnnie Gard, violinoBremer Barockorchester

Homenaje al guitarrista recientemente fallecido Ralph Towner con novedades de guitarristas como Julian Lage, Brad Shepik, Mary Halvorson, John Hart, Zacc Harris, Joel Harrison, Wolfgang Musthspiel, Kurt Rosenwinkel, Olivier Jambois, Rubén Reinaldo y el nuevo proyecto de Carlos Vidal y Nacho Margelí, Músicas Confusas.Temas que suenan en el programa:01 01 1990 Oregon - Treffpunkt Jazz, Ludwigsburg 14 Silence Of A Candle - Ralph Towner Paul McCandless Trilok Gurtu Glen Moore (4' 30'')02 2024 Julian Lage - Scenes from Above 02 Red Elm - John Medeski Jorge Roeder Kenny Wollesen (4' 38'')03 2023 Believers - Hard Believer 03 In the Weeds - Brad Shepik Sam Minaie John Hadfield (4' 23'')04 2022 Illegal Crowns - Unclosing 09 Soul of the Grey - Taylor Ho Bynum Mary Halvorson Benoît Delbecq Tomas Fujiwara (5' 12'')05 2024 John Hart - Love Is 06 Pee Wee - Kirk Knuffke Carlos DeRosa (4' 08'')06 2024 Atlantis Quartet - Live at Berlin 03 Bucket List - Brandon Wozniak Zacc Harris Chris Bates Pete Hennig (5' 44'')07 2025 Joel Harrison - Guitar Talk vol II 12 Song For Carla Bley - Wolfgang Musthspiel (4' 41'')08 2026 Carlos Vidal & Nacho Margelí Músicas Confusas - Lawns (Carla Bley) (5' 19'')09 2025 Kurt Rosenwinkel - The Brahms Project 10 Symphony No. 4 III. Allegro giocoso - Jean-Paul Brodbeck Lukas Traxel Jorge Rossy (3' 49'')10 2021 Olivier Jambois - Eclosio 05 El cebo - Gregory Sallet Sax Jim Black (4' 55'')11 2025 Rubén Reinaldo - Fusión olívica 04 Tres Islas Cíes - Antonio López Gustavo Hernán David Faílde (4' 55'')

Luigi Boccherini (1743-1805) - Quintetto per archi in Do minore, G.3771.      Molto lento (Grave assai) – Allegro assai2.      Andantino con innocenza [04:24]3.      Minuetto [10:22]4.      Grave assai come prima – Allegro assai [13:03] Philharmonia Ensemble Berlin

A Felicidade para o filósofo grego Aristóteles é tida como um bem para todos quando se torna uma virtude conquistada pelo Ser Humano.  Neste episódio, os professores Danilo Gomes e José Roberto convidam a reconhecer o filósofo em potencial presente em cada nós, que somos capazes de refletir sobre vida, morte e felicidade. O diálogo aprofunda a relação entre felicidade, conhecimento e amizade, quando se torna uma experiência individual, e é verdadeiramente humana quando é compartilhada e se completa na amizade e na convivência ética, tornando-se um bem que alcança a todos e fortalece a vida em comum. Participantes: José Roberto e Danilo Gomes Trilha Sonora: Ludwig van Beethoven - Sinfonia n. 02 Ré Maior - opus 36 - Allegro  

Los partidos estatales son los principales agentes de la corrupción siendo la corrupción factor de gobierno en el Estado de partidos. La verdad nunca es parcial. Hasta que no se abra un periodo de libertad constituyente, la corrupción en España no cesará. Presentado por Luis Díaz, intervienen Pedro Manuel González y Antº. Gª-Trevijano. https://diariorc.com/radio-tv/radio-libertad-constituyente/rlc-2014-12-04-corrupcion-libertad-constituyente-etimologias/ Música: Allegro, concierto para piano nº9 de Mozart. -------- - Vía iVoox: haz clic en APOYAR (botón de color azul). - Vía Paypal: https://www.paypal.com/donate?hosted_button_id=Y4WYL3BBYVVY4 - Vía Patreon: https://www.patreon.com/MCRC_es ------------ mcrc.es diariorc.com yonovoto.info

In this episode, we unpack how unrealistic expectations quietly overload your brain, tighten your body, and slow your progress. And more importantly, how to reset them so they actually work for you. You'll learn: • Why high standards are not the problem but misaligned expectations are • How pressure and perfectionism interfere with learning • A simple expectation audit you can use before practice or performance • How to shift from "I should" to "What can I do today?" • A powerful on stage reframe that turns anxiety into expression If you've been pushing hard but not feeling better, this one will help you breathe, refocus, and move forward with clarity.   If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

Irish classical and folk violinist Aoife Ní Bhriain and keyboard player Rick Wakeman are Jeffrey Boakye and Anna Phoebe's first guests as they begin a brand new series. Valentine's Day vibes are in the air so expect a bit of love as we embark on a new playlist, taking us from a sweet disco classic to a precocious pop/country megastar via Thor and Mozart.Producer Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:[03'55] Love is in the Air by John Paul Young [11'07] Love's Dream by Rick Wakeman ft Roger Daltrey [18'40] Thor: Ragnarok by Mark Mothersbaugh [25'45] Allegro moderato from Violin Concerto No 1 in B-flat Major by Mozart [33'40] The Outside by Taylor SwiftOther music in this episode:Berghain by Rosalía ft Björk Whip it by DEVO Arena Fight by Mark Mothersbaugh

Bei Regisseurin Elisabeth Stöppler wurde Wagners romantische und politisch missbrauchte Fest-Oper zur makabren Begleitmusik für Deutschlands fatalen Weg in die Nazi-Diktatur. Besonders einer der Regie-Einfälle sorgte für Empörung.

What if your path takes longer than you thought it would? What if you don't win the job straight out of school. Or even straight out of your twenties? And what if that's not failure, but just a different kind of success? In this episode, I sit down with Bill Denton, Principal Trumpet of the Lyric Opera of Chicago, to talk about what it really means to stay in the game. Bill won his job at 50. Before that? He taught high school band, drove to gigs, kept showing up, and stayed connected to his playing through real life, not a perfect timeline. This conversation is for anyone who's ever wondered: ·         Am I too late? ·         Is it still worth it? ·         What if my career doesn't look like theirs? Tune in to hear what long-term commitment really looks like, how to stay ready without burning out, and why your timeline doesn't have to match anyone else's. Whether you're navigating auditions, comparison, or just the quiet pressure of being "on time," this one's for you.  Find out more information about Bill on his website: https://dentonliumusicacademy.com/bios/    If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.    

This week, Kate Molleson, joined by Dr John Purser, explores the life and music of Erik Chisholm – one of Scotland's most original and adventurous composers. From his early fascination with folk melody and the piano in Glasgow, through his championing of new music and his wide‑ranging artistic friendships, to his bold ventures in opera, ballet and international musical life, Chisholm's story is one of restless curiosity and invention. We follow his journey from Scotland to India, Singapore and South Africa, tracing the ideas, collaborations and passions that shaped his distinctive voice.Music featured includes: Airs from the Patrick MacDonald Collection: Nos. 18, 23–26 Piano Sonatina No. 1 Straloch Suite: Nos. 1–2 Piano Concerto No. 1 “Piobaireachd”: I & IV Violin Concerto: II. Allegro scherzando The Three Worthies; Dirge for Summer; Snail, Snail, Shoot Out Your Horn Dance Suite for Orchestra: III. March; IV. Reel Piobaireachd: Nos. 1–4 Piano Concerto No. 2 “Hindustani”: III. Rondo burlesca Pictures from Dante (After Doré): I. Inferno; II. Paradisio Poems of Love Symphony No. 2 “Ossian”: Prelude; Allegro animado; Epilogue Piano Sonata in A major “a Rhiobain Dearg”: IV. Allegro moderato Tango Scottish Airs for Children: Nos. 6–12 From the True Edge of the Great World: Preludes 1, 8, 9 Ceol Mòr Dances: Nos. 1–2 Night Song of the Bards: Bard 3; Bard 4 Simoon: excerpts Dance Suite for Orchestra and Piano: I. Allegro energico; II. PiobaireachdPresented by Kate Molleson.Produced by Ellie Ajao for BBC Audio Wales and West.For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Erik Chisholm (1904-1965) https://www.bbc.co.uk/programmes/m002qh44.And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z.

The term "classical music" includes a wide variety of music and artists. This hour we take a look at what that category really means. We celebrate the form and help you figure out how to start listening to the genre. Plus, how video game music is bringing new listeners to classical music and live orchestras. GUESTS: Matthew Aucoin: American composer, conductor, writer, pianist, and a 2018 MacArthur Fellow. He is author of “The Impossible Art: Adventures in Opera” and is co-founder of the American Modern Opera Company. His opera “Euridyce” was produced by the Metropolitan Opera in 2021, making him the youngest composer in nearly a century to have an opera produced by The Met Arianna Warsaw-Fan Rauch: Author of “Declassified: A Low-Key Guide to the High-Strung World of Classical Music”. She is also a violinist who has performed in venues around the world Carolyn Kuan: Music Director of the Hartford Symphony Orchestra. In 2025, she led the acclaimed world premiere of Huang Ruo’s "The Monkey King" at San Francisco Opera. Her recording of Huang Ruo’s "An American Soldier" with the American Composers Orchestra received a 2026 Grammy nomination J. Aaron Hardwick: An internationally active professional conductor, professor of music at Wake Forest University, and Director of the Wake Forest University Symphony Orchestra, recognized for his work in classical and contemporary repertoire and innovative orchestral programming, including video game music MUSIC FEATURED (in order): Symphony No. 5 I. Trauermarsch – Gustav Mahler, Claudio Abbado, Berlin Philharmonic 21 Hungarian Dances No. 5 – Johannes Brahms, Claudio Abbado, Berlin Philharmonic Revolucion Diamantina Act IV: Speaking the unspeakable – Gabriela Ortiz, Gustavo Dudamel, LA Phil Don’t Look Down I. Hammerspace – Christopher Cerrone, Sandbox Percussion Symphony No. 41 “Jupiter” IV. Molto Allegro – W.A. Mozart, Seiji Ozawa, Mito Chamber Orchestra String Quartet No. 8 II. Allegro molto – Dmitri Shostakovich, Dover Quartet 6 Bagatelles for Wind Quintet III. Allegro grazioso – Gyorgy Ligeti, Claudio Abbado, Chamber Orchestra of Europe Overture to A Midsummer Night’s Dream – Felix Mendelssohn, Seiji Ozawa, Boston Symphony Orchestra An American Soldier Act II Scene 1: Hey Danny – Huang Ruo, Carolyn Kuan, American Composers' Orchestra Hi – Caroline Shaw CUT FOR TIME The Monkey King Act II Scene 3 – Huang Ruo, Carolyn Kuan, San Francisco Opera Tears of the Kingdom Main Theme – Manaka Kataoka Temple of Time Theme Montage – The Legend of Zelda NES (1986) Style – Loeder Music Ocarina of Time (1998) – Koji Kondo Breath of the Wild (2017) – Yasuaki Iwata Planetrise – Inon Zur (Starfield) Lumiere – Lorien Testard (Clair Obscur: Expedition 33) CUT FOR TIME Atsu’s Theme – Toma Otowa (Ghost of Yōtei) CUT FOR TIME The Perfect Wave – Austin Wintory Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Simon Alcock, Mike Wozniak, Gemma Arrowsmith, Sammy Dobson, Margaret Cabourn-Smith, Henry Paker, Tom Crowley and Linnea Sage join in this month as we learn about the new charity, Bolog-No.Stock media provided by Setuniman/Pond5.com and Soundrangers/Pond5.comMusic credit courtesy of epidemicsound.com:It's All About Us/Jaslyn EdgarMozart - Violin Sonata in A major, K. 526 III. Presto/Conway KuoMozart - Violin Sonata in E minor, K. 304 II. Tempo di minuetto/Blair McMillenMozart - Violin Sonata in G major, K. 301 I. Allegro con spirito/Conway KuoBackspace/Blue SagaWhat's on My Mind (Instrumental Version)/John RunefeltLunch Break in Milan/Trabant 33 

When practicing feels impossible, it's not because you're lazy or undisciplined. In this episode, I walk you through the simple mindset shifts and practical strategies that help you stop pushing and start showing up with more ease, clarity, and self-respect. You'll learn: ·         Why waiting for motivation doesn't work ·         A five-step mental reset to ease into practice ·         How to reduce friction and make your routine feel lighter ·         A quick trick to spark momentum on low-energy days ·         How to leave a session feeling proud—even when it wasn't perfect If you've been feeling stuck or resistant, this episode will help you reconnect with your purpose and make practicing feel more doable again. If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.      

Camille Saint-Saens - Allegro AppassionatoMaria Kliegel, celloBournemouth Sinfonietta Jean-Francois Monnard, conductorMore info about today's track: Naxos 8.553039Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Donald Macleod takes a tour of the life of Franz Xaver Mozart, son of Wolfgang Amadeus Mozart, with guest Professor Cliff Eisen.Music featured: Piano Concerto No 1 in C, Op 14 (excerpt) Das Finden, Op 27 No 2 (Drei Deutsche Lieder) Variations on a Minuet from W. A. Mozart's Don Giovanni, Op 2 Piano Quartet in G minor Op 1 Variation 28 for Anton Diabelli's Waltz Piano Concerto No 1 in C, Op 14 (Allegro maestoso) Rondo in F, Op 4 (excerpt) Nein! (Sechs Lieder, No 3) Violin Sonata in B flat, Op 7 Piano Concerto No 1 in C, Op 14 (Adagio) Polonaise mélancolique No 5 in F minor, Op 17 Piano Concerto No 1 in C, Op 14 (Allegretto) Violin Sonata in F, Op 15 (excerpt) Sinfonia in D Das liebende Mädchen (Sechs Lieder, No 1) An spröde Schönen (Sechs Lieder, No 2) Piano Sonata in G Violin Sonata in F, Op 15 (Polonaise) In der Väter Hallen ruht, Op 12 Piano Concerto No 2 in E flat, Op 25 (excerpt) Variations on a Theme of an Ukrainian Folk Song, Op 18 An Emma, Op 24 Grand Sonata for piano and cello in E, Op 19 Polonaise mélancolique, Op 22 No 1 (Risoluto) Piano Concerto No 2 in E flat, Op 25 (Allegro con brio) Engel Gottes künden Rondo in E minor Polonaise mélancolique, Op 22 No 2-4 An den Abendstern, Op 27 No 1 Piano Concerto No 2 in E flat, Op 25 (excerpt)Presented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales & West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Franz Xaver Wolfgang Mozart (1791-1844): https://www.bbc.co.uk/programmes/m002q4m1And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Jed talks about Krystian Zimerman's Deutsche Grammophon recordings of Schubert's Piano Sonatas in A Major D. 959 and B-Flat Major D. 960Links to selected movements are here:D. 959 – II. Allegretto - https://www.youtube.com/watch?v=fubKC4TNi2g&list=PLsUQ1iTYBB1W0lEePuydi5ytSzbgscj3k&index=2D. 960 – IV. Allegro ma non troppo - https://www.youtube.com/watch?v=Z8WNaFz_F0UConsider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomaven

What does it really take to grow as an artist without burning out? In this powerful conversation, I'm joined by bestselling author and performance expert Brad Stulberg to explore what excellence actually means, and how we can pursue it in a way that feels deeply fulfilling, not exhausting. Brad's new book, The Way of Excellence, offers a grounded and practical roadmap for anyone looking to sustain high-level work over time. Whether you're navigating auditions, refining your craft, or questioning how to stay connected to music in a chaotic world, this episode is for you. You'll learn how to: ·         Redefine excellence as a process of becoming, not a fixed destination ·         Align your ambition with your core values for a stronger sense of purpose ·         Balance self-discipline with self-kindness, especially when motivation is low ·         Use the "brave new world" mindset to face fear and uncertainty ·         Build emotional resilience so you can keep showing up when it counts ·         Stay consistent without getting stuck in hustle or burnout ·         Create progress that's sustainable, satisfying, and deeply your own This episode is a must-listen for musicians who want to stay inspired, grounded, and intentional in the way they grow. Brad brings wisdom from elite performers across fields — and his insights will help you rethink what excellence can look like in your own musical life. Tune in and take away practical tools to support your artistry, your mindset, and your well-being. Grab The Way of Excellence: A Guide to True Greatness and Deep Satisfaction in a Chaotic World HERE!   If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Brad Stulberg Grab The Way of Excellence: A Guide to True Greatness and Deep Satisfaction in a Chaotic World HERE: https://amzn.to/4jWCsd1 Website: https://www.bradstulberg.com/ Instagram: https://www.instagram.com/bradstulberg/ X: https://x.com/bstulberg LinkedIn: https://www.linkedin.com/in/brad-stulberg-009b168b/   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.      

In this episode we look at the published version of Chapter 22. We talk about how proactive Anne is in these final chapters, the arrival of Charles, Mary and the Musgrove clan, Louisa's change in personality, how the Musgroves all want Anne to be with them, and the first time Wentworth actually refers to the time he and Anne were together.The characters we discuss is are Charles and Mary Musgrove. In the historical section, Michael talks about the shooting, and for popular culture Harriet looks at two books that retell Persuasion from the point of view of another character.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Sheila Kaye-Smith and G.B. Stern, Talking of Jane Austen (1943) and More Talk of Jane Austen (1950)Historical discussion:E. W. Bovill, English Country Life, 1780-1830 (1962) ‘The Thing About Willoughby's Pointers with guest Dr. Stephanie Howard-Smith‘, The Thing About Austen podcast, Episode 73Popular culture discussion:Amanda Grange, Captain Wentworth's Diary (2007)Dorothea-Sofia Rossellini, Mrs Clay: The Austen Expert's Companion to ‘Persuasion' (2016) Diana Birchall, In Defense of Mrs Elton (1999) Creative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Are you juggling big technique goals and an upcoming performance? Struggling to fix your vibrato while also cramming notes for an audition? You're not alone, and you're not doing it wrong. In this episode, we unpack why chasing long-term mastery and short-term perfection at the same time can leave you overwhelmed, stuck, and second-guessing everything. You'll learn: ·         How to separate growth work from prep work without sacrificing either ·         Why perfectionism in your "big goal" might be sabotaging your current deadline ·         A smarter way to structure your practice when everything feels important ·         One essential mindset shift to help you stay grounded and actually make progress This is for you if you've ever felt like no matter how hard you work, you're not getting better fast enough, or worse, like you're falling behind. Let's fix that.   If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

This Day in Legal History: 18th Amendment to the US ConstitutionOn January 16, 1919, the 18th Amendment to the United States Constitution was ratified, marking a pivotal moment in American legal history by establishing the prohibition of alcoholic beverages. The amendment prohibited “the manufacture, sale, or transportation of intoxicating liquors” for consumption in the United States and its territories. It was the culmination of decades of temperance activism, led by organizations such as the Women's Christian Temperance Union and the Anti-Saloon League, which argued that alcohol was responsible for societal problems including crime, poverty, and domestic violence.The amendment passed Congress in December 1917, but ratification by the states was required for it to take effect. That threshold was reached on January 16, 1919, when Nebraska became the 36th state to ratify it. One year later, on January 17, 1920, the Volstead Act—the federal statute enforcing the amendment—went into effect, ushering in the Prohibition era.However, the law led to unintended consequences. Rather than curbing alcohol consumption, it fueled the rise of organized crime, as bootleggers and speakeasies flourished across the country. Enforcement proved difficult and inconsistent, and public support for prohibition waned through the 1920s.Ultimately, the 21st Amendment repealed the 18th Amendment on December 5, 1933, making it the only constitutional amendment ever to be entirely repealed. The legacy of the 18th Amendment remains significant as a historical experiment in moral legislation and the limits of constitutional power.A federal judge in Virginia will soon decide whether Dominion Energy can resume construction on its $11.2 billion Coastal Virginia Offshore Wind project, which was halted by the Trump administration last month. The Interior Department paused five offshore wind projects on December 22, citing classified concerns about radar interference and national security. Dominion is now challenging that pause in court, arguing that it violated procedural and due process laws and is causing the company significant financial harm—around $5 million in daily losses. Dominion has already invested nearly $9 billion in the project, which began construction in 2023 and is planned to power 600,000 homes.Similar legal challenges from other developers, including Orsted and Equinor, have already succeeded in federal courts in Washington, allowing their Northeast offshore wind projects to proceed. Those decisions raise the stakes for Dominion's case, which could influence the broader offshore wind industry amid continued hostility from the Trump administration toward the sector. Trump has long criticized wind energy as costly and inefficient. While the outcomes of these lawsuits may let projects move forward, industry uncertainty remains due to ongoing legal battles and political opposition.US judge to weigh Dominion request to restart Virginia offshore wind project stopped by Trump | ReutersA federal judge in Boston, William Young, said he will issue an order to protect non-citizen academics involved in a lawsuit challenging the Trump administration's deportation of pro-Palestinian student activists. The upcoming order would block the government from altering the immigration status of the scholars who are parties to the case, absent court approval. Young emphasized that any such action would be presumed retaliatory and would require the administration to prove it had a legitimate basis.The lawsuit stems from Trump's executive orders in early 2025 directing agencies to crack down on antisemitism, which led to arrests and visa cancellations for several students, including Columbia graduate Mahmoud Khalil and Tufts student Rumeysa Ozturk. These moves targeted those expressing pro-Palestinian or anti-Israel views on campus. Young previously ruled that these actions violated the First Amendment by chilling free speech rights of non-citizen academics.In his comments, Young described Trump as “authoritarian” and sharply criticized what he called the administration's “fearful approach to freedom.” He limited his forthcoming order to members of academic groups like the AAUP and Middle East Studies Association, rejecting a broader nationwide block as too expansive. Meanwhile, the administration, which plans to appeal Young's earlier ruling, accused the judge of political bias.US judge to shield scholars who challenged deporting of pro-Palestinian campus activists | ReutersA federal judge in California has dismissed a lawsuit filed by the U.S. Justice Department seeking access to the state's full, unredacted voter registration list. Judge David Carter ruled that the department's claims were not strong enough under existing civil rights and voting laws, and that turning over detailed voter data—such as names, birth dates, driver's license numbers, and parts of Social Security numbers—would violate privacy protections.Carter emphasized that centralizing such sensitive information at the federal level could intimidate voters and suppress turnout by making people fear misuse of their personal data. The lawsuit, filed in September by the Trump administration, targeted California and other Democrat-led states for allegedly failing to properly maintain voter rolls, citing federal law as justification for demanding the data.California Secretary of State Shirley Weber welcomed the decision, stating her commitment to defending voting rights and opposing the administration's actions. The DOJ had reportedly been in discussions with the Department of Homeland Security to use voter data in criminal and immigration probes. Critics argue the push was driven by baseless claims from Trump and his allies that non-citizens are voting in large numbers.US judge dismisses Justice Department lawsuit seeking California voter details | ReutersWhy can't people harmed by ICE just sue the agents themselves?U.S. Immigration and Customs Enforcement (ICE) is a federal agency under the Department of Homeland Security, created in 2003. It enforces immigration laws and investigates criminal activities involving border control, customs, and immigration. ICE derives its authority from various federal statutes, including the Immigration and Nationality Act, and its agents operate with broad discretion during enforcement actions.Suing ICE agents or the agency itself is legally difficult. Individuals cannot usually sue federal agents directly because of sovereign immunity, a legal doctrine that protects the government and its employees from lawsuits unless explicitly allowed by law. One such exception is the Federal Tort Claims Act (FTCA) of 1946, which permits lawsuits against the federal government when its employees cause injury or damage while acting within the scope of their employment. Under the FTCA, victims can bring wrongful death or negligence claims, as Renee Good's family is now considering.However, FTCA claims are limited. Plaintiffs cannot seek punitive damages or a jury trial, and compensation is capped based on state law where the incident occurred. The government is also shielded from liability for discretionary decisions made by its employees—meaning if the ICE agent used judgment during the incident and it's deemed reasonable, the claim can be dismissed. In Good's case, the government will likely argue self-defense.Suing ICE agents personally is even harder. The Bivens v. Six Unknown Named Agents case in 1971 created a narrow legal path for suing federal officials for constitutional violations, but courts have since restricted its use. In 2022, the Supreme Court ruled that Bivens does not apply to border agents conducting immigration enforcement, further insulating ICE officers from personal liability.Criminal prosecution of federal agents is also rare. State prosecutors may bring charges, but only if they can prove the agent acted clearly outside the scope of their duties and in an objectively unlawful way—a high bar that is seldom met.This week's closing theme is by Ludwig van Beethoven. Beethoven, one of the most influential composers in Western music history, revolutionized the classical tradition with works that bridged the Classical and Romantic eras.This week's theme is Franz Liszt's transcription of Beethoven's Symphony No. 5 in C minor, Op. 67 — specifically, the first movement, Allegro con brio, catalogued as S.464/5. As one of the most iconic works in classical music, Beethoven's Fifth needs little introduction, but hearing it through Liszt's fingers offers a fresh perspective on its brilliance. In this solo piano version, Liszt doesn't simply condense Beethoven's orchestral power—he reimagines it, capturing the storm, structure, and spirit of the original with astonishing fidelity and virtuosity.The movement begins with the unforgettable four-note “fate” motif, its rhythmic insistence rendered on the piano with punch and precision. From there, Liszt unfolds Beethoven's dramatic argument, demanding the pianist conjure the textures of a full orchestra with nothing but ten fingers and a well-calibrated pedal. Every surging crescendo, sudden silence, and harmonic twist remains intact, though filtered through Liszt's Romantic sensibility and pianistic imagination.It's a piece that asks as much of the performer as it does of the listener—requiring clarity, power, and emotional depth. As a transcription, it's both a tribute and a transformation, placing Beethoven's revolutionary energy in the hands of a single interpreter. We chose this movement not just for its fame, but for how it exemplifies two musical giants in dialogue—Beethoven, the architect of modern symphonic form, and Liszt, the artist who made the orchestra speak through the piano.Without further ado, Beethoven's Symphony No. 5 in C minor, Op. 67 — the first movement, Allegro con brio. Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Sebastian Ogórek, szef serwisu Wyborcza.biz, rozmawia z Markiem Różyckim, ekspertem logistyki, partnerem zarządzającym w firmie Last Mile Experts. Trwa rywalizacja między dwoma największymi firmami rynku automatów paczkowych – InPost i Allegro. Kto na tej rywalizacji zyskuje? Dlaczego Polacy tak uwielbiają automaty paczkowe? Jak to rozwiązanie przyjęło się na innych rynkach? O co mogło chodzić w tajemniczej próbie przejęcia InPostu w ostatnich dniach? I jak na handel wpłyną nowe przepisy nakazujące płacenie 3 euro za każdy produkt w paczce przybywającej z Chin? Więcej podcastów na: https://wyborcza.pl/podcast. Piszcie do nas w każdej sprawie na: listy@wyborcza.pl.

Lee Child is a writer who is best known for his series of bestselling novels featuring Jack Reacher. Reacher is an enigmatic 6ft 5in, 17-stone ex-military police major who rights wrongs before disappearing off into the sunset. The books have sold in their millions around the world and have inspired two films starring Tom Cruise and a television series.Lee Child was born James - Jim - Grant in 1954 and grew up in Birmingham. He studied Law at the University of Sheffield and then joined the presentation department at Granada Television where he was a shop steward and became a thorn in the side of the management. At 40 he was made redundant and sat down to write his first Reacher novel Killing Floor. He found himself an agent and the novel was published in March 1997 - the franchise was up and running. In the UK Lee outsells both Stephen King and John Grisham and worldwide he sells between 12 and 15 million copies a year.In 2020 Lee announced that he was handing over the Reacher franchise to his younger brother Andrew Grant. The two brothers have worked on several novels since then and the thirtieth Reacher title features both brothers' names on the cover.Lee Child was appointed CBE in the 2019 Queen's Birthday Honours. He lives in the Lake District with his wife Jane. They have one daughter.DISC ONE: She Loves You - The Beatles DISC TWO: (I Can't Get No) Satisfaction - The Rolling Stones DISC THREE: So What - Miles Davis DISC FOUR: Tchaikovsky: Piano Concerto No. 1 in B-Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito. Performed by Stephen Hough (piano) and Minnesota Orchestra, conducted by Osmo Vänskä DISC FIVE: Joe's Blues - Joe Pass DISC SIX: The Lemon Song - Led Zeppelin DISC SEVEN: Für Elise (Bagatelle No. 25 in A minor) Composed by Ludwig Beethoven and performed by Lang Lang DISC EIGHT: Delibes: Lakmé / Act 1: "Sous le dôme épais" (Flower Duet) Performed by Renée Fleming (soprano), Susan Graham (mezzo soprano), Philharmonia Orchestra, conducted by Sebastian Lang-Lessing BOOK CHOICE: Killing Floor by Lee Child LUXURY ITEM: A mechanical wind-up watch CASTAWAY'S FAVOURITE: So What - Miles Davis Presenter: Lauren Laverne Producer: Paula McGinley

If you've ever had one of those days where you know what you should do, but everything in you wants to procrastinate, avoid, or zone out... this episode is for you. I'm sharing one of my favorite mindset tools: a simple sentence structure you can use when motivation is low, when self-doubt is loud, or when you just feel stuck. It's a trick I return to again and again to get myself into action and back into alignment with who I want to become. Inside, you'll hear exactly how it works, why it helps you make progress without needing a massive pep talk, and how to use it right away in your practice, performance prep, or daily habits. This might be the shift that changes everything. Tune in and try it for yourself.   If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.   ·  Self‑Efficacy: The Exercise of Control https://www.scribd.com/document/394892404/Albert-Bandura-Self-Efficacy-The-Exercise-of-Control-W-H-Freeman-Co-1997-pdf Scribd ·  Identity‑Based Motivation and Health https://deepblue.lib.umich.edu/bitstream/2027.42/89940/1/oyserman_fryberg_yoder_2007_identity_based_motivation_and_health._jpsp.pdf Deep Blue Repositories ·  Identity‑Based Motivation and Health Disparities (Journal of Social Issues) https://dornsife.usc.edu/daphna-oyserman/wp-content/uploads/sites/232/2023/11/oyserman_et_al_2014_jsi.pdf USC Dornsife ·  Identity‑Based Motivation and Core Processes https://rcgd.isr.umich.edu/wp-content/uploads/2018/08/oyserman2015ibm.pdf rcgd.isr.umich.edu ·  Identity‑Based Motivation and the Motivational Consequences of Difficulty https://dornsife.usc.edu/daphna-oyserman/wp-content/uploads/sites/232/2024/12/Social-Personality-Psych-2024-Oyserman-Identity-Based-Motivation-and-the-Motivational-Consequences-of-Difficulty.pdf USC Dornsife

In this solo episode, Dr. Gauthier breaks down a powerful mindset shift that can transform your musical growth and career. If you're tired of working harder and still feeling stuck, this is the episode for you.

In this inspiring backstage pass conversation, Tim Higgins, principal trombone of the Chicago Symphony Orchestra and acclaimed composer, arranger, and educator, shares the real work behind long-term success in music. Whether you're preparing for auditions or building artistic depth in your playing, this episode offers mindset shifts and practical tools you can apply today. In this episode, you'll learn: ·         What Tim believes is at the core of audition success and how to train it with consistency ·         How to build and refine your sound concept over time ·         The surprising mindset that keeps him inspired after years in the job ·         Why technique is only part of the equation and how to think like an artist ·         How he navigates vulnerability, identity, and self-worth in a high-pressure career ·         The one thing he'd tell any musician working toward a big goal this year ·         Why long-term growth is not just possible, but powerful Whether you're chasing a job, deepening your artistry, or trying to stay motivated in the middle of it all this is a conversation you'll want to revisit.   If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.