Podcasts about Allegro

This episode is packed with your best economic ideas from around the world and a penguin interview. It all comes together in this final session of Summer School 2026.Pack your parka, we're headed to Antarctica. The continent nobody owns, but everyone benefits from and plenty of economic activity if you know where to look.First, we'll travel back in time to the late 1970s when NPR was a scrappy young network, with a synth soundtrack, and tons of heart. Science reporter Ira Flatow took a trip to the South Pole that put NPR on the news industry map. We'll hear an excerpt where he brings us along through what life is like on the ice, including a memorable interview with the wildlife.Then we look inside McMurdo Station, the largest human settlement and research base on Antarctica to hear from a listener who managed the store at the base back in the 1980s. Normal retail rules do not apply. We'll also speak with an economist who has estimated the continent's monetary value, while asking questions like “why put a price tag on this uninhabitable land”? She makes the case we should consider the environmental benefit as a service.But, we can't let the episode and the series wrap without marking our achievements! You did it! As part of our graduation celebration, we hear from your fellow members of the summer school class of 2026. Listeners like you who have written in from around the globe with provocative economic ideas that could make life better for all of us if we just have the will to do it. Man did you all deliver on sending in ideas. We've curated our favorites. Way better than speeches.And don't forget your totally real, but not legal, diploma by taking our short online test. Don't worry if you need a refresher, catch up on past seasons of Planet Money Summer School here.Featured Episodes:The unexpected sounds of Antarctica (1979)A visit to McMurdo Station in Antarctica (1979)Featured Terms:Ecosystem as a service Consórcios (a type of ROSCA, a Rotating Savings and Credit Association)Social housingNatural capitalSupport:NPR+ (sponsor-free listening & bonus episodes) And please click “follow” in your podcast app so you don't miss an episode. NPR+Read: Our book: Planet Money: A Guide to the Economic Forces That Shape Your Life (Audiobook here) Our weekly longform Planet Money newsletterOur weekly Indicator link round-up newsletterFollow: InstagramTikTokYouTubeFacebookThis episode of Planet Money Summer School is hosted by Robert Smith. It was produced by Schuyler Swenson and Sophia Paliza-Carre and edited by Planet Money Executive Producer Alex Goldmark. It was fact-checked by Charlotte Isidore and engineered by Annlie Huang.Music: NPR Source Audio - “Caroldine”, “Pomp And Circumstance March No. 1 Allegro con molto”, “Bismuth Bossa”, “Rumba Cotidiana”, Moons of Saturn”, “Column and Law”, “Our Son the Potter”, “Hutter”, “And So It Goes | 10penny Organ”.Support public media with NPR+ and enjoy perks for over 25 podcasts like this one. Planet Money's perks include bonus episodes and sponsor-free listening. Learn more at plus.npr.org.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Rachmaninov: 10 Préludes, Op. 23, No. 8 in A-Flat Major: Allegro VivaceBoris Giltburg, pianoMore info about today's track: Naxos 8.574025Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Charles Gounod: Symphony No. 2 in Eb, IV: Finale, Allegro, Leggiero AssaiJyväskylä SinfoniaPatrick GalloisMore info about today's track: Naxos 8.557463Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Evaristo Felice Dall'Abaco (1675 - 1742) - Concerto a più istrumenti in re maggiore, op. 5 n. 61.      Allegro - 0:052.      Aria cantabile - 4:023.      Ciaccona (Allegro e spiccato) - 5:134.      Rondeau (Allegro) - 7:575.      Allegro - 9:01 Davide Monti, Margherita Zane (violin I e II)Yayoi Masuda, Giuseppe Cabrio, Lorenzo Gugole (violini di ripieno)Krishna Nagaraja (viola)Marco Dal Bianco (violoncello)Gianni Sabbioni (double bass)Matteo Scavazza (bassoon)Maria Christina Cleary (harp)Carmen Leoni (harpsichord e positive organ)

Sergej Rachmaninov (1873 - 1943) - Concerto per pianoforte e orchestra n. 2 in do minore, op. 181.               Moderato2.               Adagio sostenuto3.               Allegro scherzando Yuja Wang, pianoforteMariinsky Theatre Orchestra Valery Gergiev, conductor

Music: Brahms:： Cello Sonata No. 1 in E Minor, Op. 38： I. Allegro non troppo-(720p25) Production: Martin SteinbereithnerRecording: Fritz LoeweMastering: Harry KelevFactchecking: Piroshka KacsaMusic Selection: Jakob Dubi BaerCreative Director: Philip Wolff

Po początkowej euforii akcje SpaceX mocno spadły od czasu IPO, a równolegle na giełdzie w Korei doszło do krachu. O wnioskach z tego burzliwego okresu rynkowego oraz o powodach spadków na rynku złota rozmawiamy z Pawłem Wieprzowskim, zarządzającym w PKO TFI.

Antonio Rosetti: Sonata for Solo Harp in Eb, Op. 2, no. 2, I. Allegro assaiElizabeth Hainen, harpMore info about today's track: Naxos 8.555791Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Artur Nowakowski, Co-founder and CTO of Laniqo, joins SlatorPod to talk about the language technology platform's (LTP) origins, business model, and research-driven approach to AI translation.Artur shares that Laniqo emerged from machine translation research at Adam Mickiewicz University after his team won a WMT 2022 shared task, attracting PONS Langenscheidt, which became the company's main investor and helped commercialize the university's technology.Laniqo initially developed its own neural machine translation models but shifted toward open-source large language models as their translation capabilities improved. According to Artur, controlling and adapting these models remains essential for domain-specific use cases and lower-resource language pairs.He highlights Laniqo's work with Central and Eastern European ecommerce platform Allegro, where the LTP supports the translation of hundreds of millions of product offers. Key challenges include scalability, cost control, terminology, limited source context, and detecting critical errors across volumes that human linguists cannot review manually.Laniqo is also developing quality estimation tools that identify error spans, assign MQM categories, and suggest corrections. Its recently published ForMaT dataset supports research into PDF translation that preserves document layouts without relying on conversion to Microsoft Word.Looking ahead, Artur outlines how Laniqo plans to expand beyond text translation into voice, images, and broader language AI applications, while continuing to prioritize privacy and deeper domain adaptation.

Antonín Dvořák: Symphony No. 9 in e, Op. 95, IV: Allegro con fuocoSlovak Philharmonic OrchestraStephen Gunzenhauser, conductorMore info about today's track: Naxos 8.550271Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

This is the third and final part of my conversation with Ben Francis whose amazingly compelling new book is titled Careful the Spell You Cast — How Stephen Sondheim Extended the Range of the American Musical. Just like the book, our discussion has been structured around Sondheim's collaborators. In this episode we discuss his work with George Furth, John Weidman, Hugh Wheeler & James Lapine. And, as always, Sondheim's mentor and surrogate father Oscar Hammerstein II plays a big role in this conversation as well. Along the way nearing everyone of Sondheim's musicals are discussed including A Little Night Music, Anyone Can Whistle, Assassins, Company, Do I Hear A Waltz?, Follies, Gypsy, Into the Woods, Merrily We Roll Along, Passion, Road Show, Sunday In The Park With George, Sweeney Todd, and West Side Story as well as Rodgers & Hammerstein's Allegro. Ben Francis' other works include contributions to the Oxford Handbook Of Sondheim Studies, the Oxford Handbook of British Musicals, and the Oxford Handbook of Shakespeare and Music, as well as Christopher Hampton: Dramatic Ironist. Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Broadway Nation Patron Club members including our inaugural members Roger Kloresse, Neil Hoyt, and Chris Moad. My sincere thanks to all three of you for your loyal support! If you would like to help support the work of Broadway Nation I will information at the end of the podcast about how you too can become a Patron. If you are a fan ofBroadway Nation, I invite you too to become a PATRON! For a just $7.00 a month you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast.  All patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: ⁠https://broadwaynationpodcast.supercast.tech/⁠ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Fałszywa wiadomość o otwartej granicy uruchomiła dziesiątki tysięcy ludzi. Wyjaśniamy, jak dezinformacja doprowadziła do szturmu na Ceutę, dlaczego zginęły co najmniej 72 osoby i jaką rolę mogło odegrać Maroko.Sprawdzamy również, czy pierwszy od tygodni rejs tankowca LNG przez cieśninę Ormuz i zapowiedź rozmów USA z Iranem oznaczają uspokojenie na rynku ropy. Przyglądamy się globalnemu maratonowi indeksów PMI, problemom elektrowni jądrowych nad wysychającym Dunajem oraz wynikom spółek związanych ze sztuczną inteligencją.Marcel Zatoński opowiada natomiast, jak Mateusz Juroszek inwestuje rodzinne miliardy — od Allegro i Vinted po Atlético Madryt.Tekst Marcela Zatońskiego: https://www.pb.pl/od-atletico-madryt-przez-allegro-po-vinted-jak-mateusz-juroszek-inwestuje-rodzinne-miliardy-1264953PB Brief to poranny podcast „Pulsu Biznesu” o gospodarce, biznesie i rynkach.

Nicola Campogrande"Liberi tutti"Esce per ARIA classics "Liberi tutti", il nuovo album interamente dedicato alla musica orchestrale di Nicola Campogrande, tra i compositori italiani oggi più eseguiti nel mondo. A interpretarlo è l'ADDA Simfónica di Alicante diretta da Josep Vicent, affiancata da tre solisti d'eccezione: il pianista Claudio Bonfiglio, la chitarrista Anabel Montesinos e il Meta4 Quartet.Il disco raccoglie quattro partiture che disegnano un ritratto ampio della scrittura orchestrale di Campogrande. Si apre con "Decisamente allegro", pagina che dichiara fin dal titolo la cifra ottimista e comunicativa del compositore torinese, per proseguire con "R. Un ritratto per pianoforte e orchestra", cinque movimenti — Home, Occhi, Conquiste, Notte, Finale — affidati a Claudio Bonfiglio. Segue "Cinque modi per aprire un concerto", e poi il "Concerto allegro" per chitarra e orchestra, nei tre tempi Andante, Larghetto e Andante gioioso, con Anabel Montesinos solista. Il disco si chiude con il brano che dà il titolo all'intero album: "Liberi tutti. Concerto per quartetto d'archi e orchestra", con il Meta4 Quartet impegnato in un serrato dialogo con l'orchestra lungo i tre movimenti Moderato, Largo e Allegro.Proprio "Liberi tutti" è il cuore del progetto. Commissionato dall'Orchestra Sinfonica di Milano, dalla Punavuori Chamber Music Association finlandese e da ADDA Sinfónica, il concerto ha debuttato il 6 giugno 2025 all'Auditorium di Milano, per poi essere eseguito in Finlandia e in Spagna, dove ha ottenuto grande successo di pubblico e critica. Campogrande stesso ne ha raccontato la genesi in un testo che accompagna la partitura, "Sciogliere le categorie": un brano nato pensando a un presente in cui «le categorie si sciolgono in continuazione», dove i riferimenti logici sembrano smarriti e regna «una buona dose di caos» — ma affrontato, scrive il compositore, «con ottimismo, con allegria, immaginando che dalla confusione del presente possa emergere una vita diversa, consapevole, luminosa». Non a caso nel brano cadono anche i confini di genere: per alcuni tratti è musica sinfonica, per altri musica da camera, con il quartetto che dialoga al proprio interno secondo la tradizione e insieme si apre di continuo al confronto con l'intera orchestra.È una musica che parla direttamente a chi ascolta, senza bisogno di mediazioni intellettuali: lo ha notato la critica spagnola, che dopo la prima esecuzione ad Alicante ha scritto di una «avventura dello spirito» capace di restituire, tanto nell'esecuzione quanto nell'ascolto, «una sensazione di libertà lontana da canoni e rigide considerazioni prestabilite». Un giudizio che si potrebbe estendere all'intero album: quattro partiture diverse per organico e occasione, tenute insieme dallo stesso timbro riconoscibile — luminoso, generoso, capace di restare popolare senza mai essere banale."Liberi tutti" è disponibile su Spotify, YouTube e sulle principali piattaforme digitali. Le partiture sono pubblicate da Breitkopf & Härtel.Nicola Campogrande è nato a Torino nel 1969 ed è considerato oggi uno dei compositori italiani più importanti sulla scena internazionale. Diplomato ai conservatori di Milano e di Parigi, dal 2017 la sua musica è pubblicata in esclusiva da Breitkopf & Härtel. Dalla stagione 2023/2024 è compositore residente del Teatro Comunale di Bologna e dell'Orchestra Sinfonica di Milano.Nella sua musica critica e pubblico riconoscono una scrittura fresca ed espressiva, spesso al servizio di lavori dalla forte componente spettacolare: un linguaggio personale ma comprensibile, capace — come ha scritto il direttore Paul Daniel — di «creare musica che appartiene al pubblico, che non crea divisioni tra chi la esegue e chi la ascolta». Le sue partiture sono state eseguite da interpreti come Riccardo Chailly, Gianandrea Noseda, Roberto Abbado, Mario Brunello e Gauthier Capuçon, in sale come il Teatro alla Scala, la Wigmore Hall di Londra, la Philharmonie di Parigi e il Rudolfinum di Praga, e incise su oltre 35 CD.Appassionato di teatro musicale, ha firmato opere come "Olympia", "#Folon", "De bello gallico", "La notte di San Nicola" e "I due usignoli", oltre a un ricco catalogo sinfonico e cameristico che comprende, tra gli altri, la Sinfonia n. 2 "Un mondo nuovo", il Concerto per pubblico e orchestra e, più di recente, "Liberi tutti" per quartetto d'archi e orchestra.Dal 1998 conduce programmi culturali su Rai Radio3 ed è stato per anni critico musicale, prima de la Repubblica e ora del Corriere della Sera. È autore di diversi libri di divulgazione musicale, tra cui "Occhio alle orecchie" (2015), "100 brani di musica classica da ascoltare una volta nella vita" (2018) e, più di recente, "Storia della musica classica. Il racconto di un'avventura straordinaria, dal Medioevo a Spotify" (2024). Dal 2016 al 2023 è stato direttore artistico del festival MITO SettembreMusica; in precedenza lo è stato per undici anni dell'Orchestra Filarmonica di Torino. È membro del consiglio di amministrazione della Fondazione Musica per Roma. Vive a Roma, dove insegna anche alla Scuola Holden di Torino dal 1994.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Dlaczego ukraińskie drony atakują magazyny Wildberries, czyli platformy obsługującej ponad połowę rosyjskich zamówień internetowych? Wyjaśniamy, jak „rosyjski Amazon” stał się częścią wojennej logistyki i dlaczego problemy jego magazynów mogą odczuć miliony klientów oraz sprzedawców. Opowiadamy też o krwawej walce o kontrolę nad spółką, w którą zaangażowali się ludzie Ramzana Kadyrowa.Sprawdzamy reakcję rynków na decyzję Fed, wzrost cen ropy po eskalacji wokół Iranu oraz wyniki Microsoftu i Mety. Mówimy również o ofiarach handlu ludźmi zmuszanych do prowadzenia internetowych oszustw, decyzjach Banku Anglii i Banku Japonii, nadchodzących danych o gospodarce oraz przyszłości Blika po przejściu Dariusza Mazurkiewicza do Allegro.Na zakończenie Katarzyna Kapczyńska opowiada o rosnącej przepustowości polskich portów, wizycie MSC Venice w Gdyni i gospodarczym znaczeniu głębokowodnych terminali.

Claybourne Elder is a Grammy, SAG, Drama Desk, and Lucille Lortel nominee. He played John Adams on HBO's hit series “The Gilded Age” and was most recently seen on Broadway in the Tony Award-winning revival of Company, starring Patti LuPone. He is known for his performances on Broadway in Bonnie and Clyde, Sunday in the Park with George, Torch Song, and Sondheim on Sondheim at the Hollywood Bowl. Other New York performances include Hollis in Sondheim's Road Show, Strike Up the Band at Carnegie Hall, Do I Hear a Waltz? at New York City Center, and Allegro at Classic Stage Company. Learn more about your ad choices. Visit podcastchoices.com/adchoices

微信公众号：「慕柏读书」（mubaidushu)。主播：慕柏，365天每天更新一期。 文字版已在微信公众号【慕柏读书】发布 。V：mubaidushu365 背景音乐：1.凋叶棕 - うたげのあと.(花は幻想のままに)；2.Karl Leister,Ferenc Bognár,Johannes Brahms - Sonata No. 2 for Clarinet and Piano in E-Flat Major, Op. 120, No. 2 III. Andante con moto - Allegro；3.Rachel Currea - Song Without Words；4.Felix Mendelssohn - Violin Concerto in E minor：2. Andante- Y.Menuchin。

Felix Mendelssohn: Violin Concerto in d, Op. 64, II. Allegro non troppo - III. Allegro molto vivaceAlbrecht Menzel, violin Leipzig Symphony OrchestraRobbert van Steijn, conductorMore info about today's track: Naxos 8.551489Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Viviane Chassot gehört zu den renommiertesten Akkordeonistinnen überhaupt. Sie hat mitgeholfen, ihrem Instrument auch die klassische Musik zu erschliessen. Damit macht sie die klassische Musik auch jenen Menschen zugänglich, die sonst keinen Bezug zu ihr gehabt hätten. Geboren wird Viviane Chassot in Zürich. Sie wächst in Wollerau auf, wo das Akkordeon eine grosse Rolle spielt. Allerdings nicht im klassischen Bereich, sondern in Form eines Akkordeon-Orchesters, das es bis heute gibt. Viviane Chassot interessiert sich damals mehr fürs Ballett. Und zwar so sehr, dass es auch beruflich eine Option wird. Eine Ausbildung am Opernhaus Zürich wäre möglich. Da hört sie am Radio ein Stück von Johann Sebastian Bach. Gespielt auf einem Akkordeon. Das ändert alles. Vivianne Chassot ist Feuer und Flamme und entscheidet sich – weil in ihrer Familie nur ein Hobby erlaubt war – für das Akkordeon. Längst ist das Hobby Beruf. Viviane Chassot hat Werke von Haydn, Mozart und Rameau eingespielt und aufgeführt und so auch mit Grössen wie Simon Rattle oder Alfred Brendel zusammengearbeitet. Und sie verbindet Klassik, Jazz, neue Musik und Improvisation. Auch darin also eine Brückenbauerin. Von ihrer Pionierarbeit für das Instrument und ihrem differenzierten Zugang zum Klang, von ihrem Weg zum Erfolg und ihren Rückschlägen und Krisen, von ihrer Arbeit mit anderen Musikerinnen und Musikern und ihrer Liebe auch zur Rockmusik erzählt Viviane Chassot im Gespräch mit Gastgeber Michael Luisier. Die Musiktitel: - Meat Loaf: Alive - Joseph Haydn: Holde Gattin, dir zur Seite (Duett Adam&Eva), aus Die Schöpfung (Balthasar-Neumann-Ensemble; Thomas Hengelbrock, Leitung; Dorothee Mields, Eva; Locky Chung, Adam) - Aimee Mann / Rush: Time stand Still - Stefanie Heinzmann: Good - Johannes Brahms: 3. Allegro non troppo, aus Klavierkonzert Nr. 1 d-Moll op. 15 (Maurizio Pollini, Klavier; Berliner Philharmoniker; Claudio Abbado, Leitung) Der Einspieler: Josef Haydn: Presto, aus Klaviersonate e-Moll, Hob 16/34 (Viviane Chassot, Akkordeon) Erstausstrahlung: 23.11.2025

Foram cinco anos de trabalho para que a escritora e jornalista Paulliny Tort concluísse “Os Imortais”, romance que narra o encontro de um clã de neandertais com um grupo de homo sapiens. O livro, lançado no começo deste ano, já é a maior febre literária do ano e Tort é uma das presenças mais esperadas na edição de 24ª Flip, a Festa Literária Internacional de Paraty.Na entrevista ao Podcast da Semana, a escritora conta como chegou à linguagem crua e precisa do livro. “Limpei o texto de todos os anacronismos. Por exemplo, não tem o verbo sapatear porque, embora eles usem calçados, não são sapatos. Fiz uma pesquisa etimológica e limpei as figuras de linguagem. Foi um processo bem interessante e foi importante ele ter passado por esse estado de crueza. Mas depois eu fui voltando com as figuras de linguagem e com o que era mais sonoro e mais fluído para mim.”Mestre em Comunicação e Sociedade pela UnB, Tort é também autora de “Erva Brava” (Fósforo, 2024), seu primeiro livro de contos, que foi vencedor do prêmio da Associação Paulista de Críticos de Artes (APCA) e finalista do prêmio Jabuti 2022; e de “Allegro ma non troppo” (Oito e Meio, 2016), semifinalista do Prêmio Oceanos de Literatura.Ainda recente, “Os Imortais” já pode ser descrito como uma febre. Original e surpreendente, virou tema frequente nas redes sociais e fora delas. “A literatura toca no outro pela sensibilidade. Você pode se emocionar com um personagem que talvez você não concordasse com a forma como ele vive. Esse lugar da imaginação e do sentir que a literatura oferece é o que mais me interessa”, diz.Estudiosa da biologia (Tort fez cursos na área e um estágio em primatologia), conta que não pesquisou exatamente para escrever o livro, mas chegou a passar dias caminhando e fazendo jejum para reproduzir o que vivem seus personagens. “O jejum é um processo fisiológico e psíquico muito interessante, que não acontece só no corpo, mas na mente também, e muda a nossa percepção e a nossa relação com o tempo”, afirma.Roteiro e apresentação: Isabelle Moreira Lima

Ben Ullery, Principal Viola of the Los Angeles Philharmonic, joins me for a thoughtful conversation about curiosity, lifelong learning, and what it takes to keep growing as a musician while performing at the highest level. In this episode, we explore: Why curiosity is one of a musician's greatest assets What happens after you land your dream job The role of visualization in performance Why perfection isn't the goal How to keep growing throughout your musical career   If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   GUEST Website: https://benullery.com/ Instagram: https://www.instagram.com/bullerbot/ YouTube: https://www.youtube.com/@benullery     Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

Præludium: Louis-Nicolas Clérambault: Duo Fra det G.T.: Salme 103, 1-12 Salme: 393 "Fra Himmelen hid til os ned" Fra det N.T.: Matthæus 9, 27-34 Korvers: Mark Baumann: Hvis nogen vil følge efter mig (Tekst: Matthæus 16, 24-25) Salme: 380 "Op dog, Zion! Ser du ej" Postludium: Léon Boëllmann: Allegro moderato

微信公众号：「慕柏读书」（mubaidushu)。主播：慕柏，365天每天更新一期。 文字版已在微信公众号【慕柏读书】发布 。V：mubaidushu365 背景音乐：1.Raphaël Beau - St Eustache；2.Karl Leister,Ferenc Bognár,Johannes Brahms - Sonata No. 2 for Clarinet and Piano in E-Flat Major, Op. 120, No. 2 III. Andante con moto - Allegro；3.Steven Halpern - Light as a Feather；4.The O'Neill Brothers - Blue Moon。五岁那年，我梦见水缸破裂，醒来竟成真。靠一场梦为母亲洗清冤屈，却仍敌不过祖母的偏见。真相重要吗？人心为何如此固执？莫言《奇梦》带你看见偏见的牢笼。02:15 家庭矛盾：祖母的刻薄与母亲的隐忍04:23 梦境洗刷冤屈，母亲的清白终于得以昭雪06:26 奇迹中的冤案：母亲与祖母的复杂关系08:29 至爱亲朋的背叛：一个女孩的痛苦抉择10:37 与木板读书一起领略精彩世界——感谢您的收听！

Hilary Plattner is a writer of fiction, nonfiction, and poetry. Her debut memoir, The Momma Puzzle, was shortlisted for the Santa Fe Writers Project Literary Awards, and named a finalist for the Wandering Aengus and Trail to Table Book Awards. She holds an MFA in fiction writing from Columbia University and has taught writing at The New School. Previously, she founded and directed Brooklyn Writers, a community-based writing program. Her writing has been published in numerous literary journals, including Allegro, Cider Press Review, Fence, GSU Review, Gulf Coast, Synkroniciti and The Ledge. Listen in as we discuss how to write memoir using records left behind by family members, as well as the difficult topic of writing about family suicide. The QWERTY podcast is brought to you by the book, The Memoir Project: A Thoroughly Non-Standardized Text for Writing & Life. Read it, and begin your own journey to writing what you know. To learn more, join The Memoir Project free newsletter list and keep up to date on all our free webinars, instructive posts and online classes in how to write memoir, as well as our talented, available memoir editors and memoir coaches, podcast guests and more.

„Mój dziadek po wojnie chciał po prostu ocalić kawałek polskiej historii”. Co się dzieje, gdy zamiast budować tradycyjny biznes od zera, wchodzisz w wielopokoleniowe dziedzictwo ze stuletnią tradycją i postanawiasz wprowadzić rodzinny dom aukcyjny do ścisłej światowej czołówki?

C'est un trésor d'une valeur exceptionnelle : sept pièces pour flûte et harpe, composées en 1778 par Wolfgang Amadeus Mozart (1756-1791), ont été découvertes dans une réserve de la Bibliothèque nationale de France. Une découverte d'autant plus remarquable que le compositeur autrichien affectionnait peu ces deux instruments.C'est en février que François-Pierre Goy, conservateur au sein de l'institution depuis 1995, tombe par hasard sur ces partitions lors d'une vérification de routine. Le musicologue est alors intrigué par plusieurs éléments qui lui rappellent Mozart. L'expertise lève ses doutes : ce cahier est authentifié comme étant de la main du maître, qui l'aurait rédigé à l'âge de 21 ans, alors qu'il est installé à Paris et enseigne la musique à la fille du duc de Guînes.Depuis la découverte, le monde entier s'intéresse à ce trésor retrouvé et les pièces ont été jouées et diffusées, le 22 juin, en première mondiale sur France Musique.Quel est l'itinéraire de ces partitions, vieilles de plus de deux siècles ? Pourquoi Mozart donnait-il des leçons et où en était-il de sa carrière au moment de l'écriture de ces pièces ? Peut-on espérer d'autres découvertes similaires dans le futur ?Dans cet épisode du podcast « L'Heure du Monde », le conservateur François-Pierre Goy raconte avec émotion sa trouvaille et Marie-Aude Roux, journaliste spécialiste de la musique classique au service Culture du Monde, analyse la portée musicale et historique de ces partitions, avant de retracer le parcours de Mozart.Un épisode d'Esther Michon. Réalisation et musiques : Amandine Robillard. Présentation et rédaction en chef : Claire Leys. Dans cet épisode : entretien avec François-Pierre Goy, conservateur à la BNF ; entretien avec Thierry Bodin, expert en autographes musicaux ; archive d'un reportage de TF1 du 26 novembre 2024. Extraits musicaux : interprétation du manuscrit inédit dont les droits sont réservés au département de la Musique de la Bibliothèque nationale de France, l'intégralité de la musique est disponible dans le replay de l'émission « Relax » sur France Musique du 22 juin 2026 ; Die Zauberflöte (« Der Hölle Rache kocht in meinem Herzen ») de W.A. Mozart ; Lacrimosa (Requiem) de W.A. Mozart ; Violin Sonata in G Major, K.301 II.Allegro de W.A. Mozart, Piano Concerto No 23 in A Major, K488 II. Adagio et III.Allegro de W.A. Mozart ; Sonate pour piano No 11 en la majeur, K. 331 (K⁶ 300i), III. Rondo alla Turca de W.A. Mozart ; L'Orfeo, acte 1 de C. Monteverdi ; Konzert in C-Dur für Flöte, Viola da gamba und Cembalo de J.S. Bach.Cet épisode a été publié le 7 juillet 2026. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Pianist Stephen Siek served as a professor of music at Wittenberg University in Springfield, Ohio, where he taught piano, music history, American music, the aesthetics of music, and film music. He is currently Director of the Emeritus College Academy for Continued Learning at Arizona State University. He has performed and lectured at piano conferences for organizations such as the Historical Keyboard Society of America and the American Liszt Society. Siek is a specialist in the keyboard music of the Federalist Era American composer Alexander Reinagle. Reinagle was born in Edinburgh and immigrated to America in 1786, first briefly to New York before settling in Philadelphia and later Baltimore, where he died in 1809. He quickly became an important figure in the musical life of Philadelphia, where he performed at the 1787 Constitutional Convention and attracted the attention of George Washington. Siek will visit the Bay Area to perform the music of this little-known early American on Monday, July 20, 2026, the 240th anniversary of Reinagle's first performance in the United States, at Littlefield Concert Hall at Mills College at Northeastern University in Oakland. Siek joins the podcast to talk about the life and work of this underrecognized American composer.Music: Sonata in D I. Allegro con Brio, Sonata in E II. Adagio, Variations On "Steer Her Up And Had Her Gawn," Sonata in C II. Adagio, and Variations On "Lee Rigg" by Alexander Reinagle, performed by Stephen Siek (Titanic Records)pianosage.netFollow us on Instagram and Facebook.otherminds.orgContact us at otherminds@otherminds.org.The Other Minds Podcast is hosted and edited by Joseph Bohigian. Outro music is “Kings: Atahualpa” by Brian Baumbusch (Other Minds Records).

What if the goal isn't to work harder, but to find the right pace? In this episode, I talk with science writer Elizabeth Svoboda, author of The Art of Pacing, about flow, energy management, recovery, and the habits that help high performers sustain excellence without burning out. You'll hear about: • Why pacing matters more than most people realize • How to create the conditions for flow in practice and performance • What elite performers understand about recovery, resilience, and long term success   If you're tired of feeling like your performances don't consistently reflect what you're capable of, let's talk. Whether you're preparing for auditions, navigating performance pressure, rebuilding confidence, or looking for more freedom and consistency on stage, I'd love to help. Book a free discovery call HERE and let's explore what support would serve you best. Book your free consultation with Renée HERE   Download the transcript from this episode HERE   GUEST Grab the Art of Pacing here: https://amzn.to/4ewVAMa Website: https://elizabethsvoboda.com/ Instagram: https://www.instagram.com/svobodster/reels/ Facebook: https://www.facebook.com/elizabeth.a.svoboda     Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.  

Organ Sonata No.4, Mov I. Allegro con brio Felix Mendelssohn (1809-1847) - Tracy Qian, organ by First Community Church

Allegro maestoso e vivace (Sonata II) Felix Mendelssohn (1809-1849) - Robert Griffith, organ by First Community Church

We’ve been doing these shows where we don’t book any guests, where we fill the hour with your calls. And your calls have been interesting and surprising and amusing. This hour, the conversation winds around to The 79th Tony Awards, central casting, The Knicks, “Strike Force Five”, wildflowers, vampires, “60 Minutes”, unidentified aerial phenomenon … Anything. (Seemingly) everything. These shows are fun for us, and they seem to be fun for you, too. So we did another one. Music featured (in order): String Quartet No. 10 in E-flat major, Op. 51, "Slavonic": IV. Finale, Allegro assai – Antonín Dvořák, as performed by the Stamitz Quartet Probably Up – Lawrence Don’t Leave Me Behind (Acoustic) – Beta Radio Things We Like To Do – NRBQ Don’t Remind Me – Amber Mark, Anderson .Paak Canned Heat – Ginger Root In These Shoes? – Kirsty MacColl Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Sie sei eine «kompromisslose Künstlerinnenpersönlichkeit»: Zu diesem Schluss kam die Jury im Auswahlprozess für den «Eurovision Young Musicians»-Wettbewerb. Am 6. Juni wird die junge Pianistin Manoush Toth im Finale in Armenien auftreten. Wie kompromisslos findet sie sich selbst? Ruhe. Das empfindet Manoush Toth, wenn sie am Klavier sitzt und einfach alles stimmt. Und gleichzeitig spüre sie die Kraft des Moments; das Wissen, dass genau dieser Moment zähle. Man wünscht Manoush Toth, dass sich diese Ruhe am Abend des 6. Juni in ihr ausbreiten wird. Dann findet in der armenischen Hauptstadt Jerewan das Finale des Musikwettbewerbs «Eurovision Young Musicians» statt, der alle zwei Jahre von der European Broadcasting Union (EBU) ausgerichtet wird und jungen Klassiktalenten eine grosse Bühne bietet. Im Rahmen der Förderung von Schweizer Musiktalenten bei SRF wurde die 19-Jährige von einer Fachjury als Teilnehmerin ausgesucht. Für diesen besonderen Auftritt hat sie sich für ein Stück von Schumann entschieden – allerdings nicht von Robert, sondern von Clara, dessen Ehefrau. «Clara Schumann wird immer mehr aufgeführt. Aber noch immer zu wenig», begründet Manoush Toth ihre Wahl. Dabei gehöre ihr Klavierkonzert zu den wichtigsten des 19. Jahrhunderts. Das verrät viel über Manoush Toth. Und was sie damit meint, wenn sie sagt, dass sie sich einen ernsthaften Zugang zur klassischen Musik wünsche. Weil Ernsthaftigkeit in ihrem Fall vor allem Offenheit und Neugierde bedeutet: «Wenn man die Hintergründe der klassischen Musik kennt, dann öffnet sich einem ein ganz besonderer Schatz.» Sie selbst nahm das erste Funkeln dieses Schatzes bereits im Alter von zwei Jahren wahr. Fast gleichzeitig mit dem Sprechen sei die Musik in ihr Leben gekommen. Und entsprechend vertraut fühle sie sich an, bis heute. Aufgewachsen ist sie zuerst auf den kanarischen Inseln, später im Berner Oberland. Sie und ihre Geschwister gehen nicht zur Schule, werden zu Hause von den Eltern unterrichtet. Paradiesisch sei das gewesen, sagt Manoush Toth. Doch mit dem Eintritt in die Hochschule für Musik Basel stand sie dadurch vor Herausforderungen, die sich anderen jungen Menschen nicht stellen. Im Gespräch mit Melanie Pfändler erzählt Manoush Toth von dieser Zeit, von dem Druck, den sie sich selbst auferlege, von der engen musikalischen Zusammenarbeit mit ihrem Bruder Anatol und ihrer jüngeren Schwester Anouk und von diesem magischen Moment auf der Bühne, wenn alles noch ganz still ist und sie ihre Finger auf die Tasten legt. Die Musiktitel: - W.A. Mozart: 3. Allegro, aus Sinfonie Nr. 31 D-Dur KV 297 «Pariser» (Freiburger Barockorchester; Gottfried von der Goltz, Leitung) - Antonin Antonín Dvořák: 3. Poco adagio, aus Klaviertrio Nr. 3 f-Moll op. 65 (Isabelle Faust, Violine; Jean-Guihen Queyras, Violoncello; Alexander Melnikov, Klavier) - Francis Poulenc: 3. Allegro ma non troppo, aus Doppelkonzert d-Moll (Sylviane Deferne & Pascal Rogé, Klavier; Philharmonia Orchestra; Charles Dutoit, Leitung) - Billy Joel: The Stranger - Franz Schubert: Impromptu Ges-Dur D 899 op. 90 (Radu Lupu, Klavier)

It's the 50th episode of "From Pencils to Pixels!" To commemorate the occasion, Scott and Michael look back 50 years ago, at animation from 1976. From that year, they discuss the Peanuts TV special "It's Arbor Day, Charlie Brown," the Italian feature film "Allegro non troppo," the debut of such Saturday morning cartoons as "Jabberjaw," animation created to celebrate the Bicentennial, and more. They also discuss animation they've been catching up on, such as the Disney+ series "Maul: Shadow Lord," and the Netflix film, "Swapped." Find more From Pencils to Pixels: The Animation Celebration Podcast at: www.rf4rm.com Follow the show on Facebook: https://www.facebook.com/share/1BH6dKaVMe/?mibextid=LQQJ4d Follow the hosts on social media: Scott on X/Twitter: @scotthopkins76 Michael on X/Twitter: @mlyonsfl I Michael's website: www.wordsfromlyons.com Rate, review, & subscribe to From Pencils to Pixels on Apple podcasts I Google Play I Stitcher                

Guest After 11 years at IBM, Brooke Erol left a "great job on paper" to pursue a more aligned, purpose-driven life. She founded Your Best Life Inc. to help professionals find meaning at work, and later Purposeful Business to support leaders in building people-centered organizations. She is the author of More Than A Paycheck and Create a Life You Love, and speaks globally on leadership and purposeful work. Summary In this conversation, career coach and author Brooke Erol explores the changing nature of work, fulfillment, and identity in an era shaped by burnout, layoffs, and artificial intelligence. Drawing from her own experience at IBM, she reflects on realizing early in her career that many people were "chasing the weekend" rather than finding meaning in their work. That realization eventually led her to write More Than a Paycheck, a guide designed to help individuals develop greater self-awareness and agency in their careers. Brooke argues that self-awareness is foundational to meaningful work, yet modern life leaves little room for reflection. She encourages people to intentionally create time to examine what energizes them, what no longer serves them, and which limiting beliefs may be shaping their choices. Throughout the discussion, she emphasizes that traditional career formulas—go to college, get a corporate job, retire happily—are no longer reliable in today's unstable job market. The conversation also examines the disruptive impact of AI, especially on younger workers and recent graduates, while highlighting the growing value of trade and skilled labor careers. Brooke encourages people to remain adaptable, continuously learn new skills, and consider side projects or entrepreneurial paths alongside traditional employment. The discussion closes with reflections on retirement, purpose, and identity. Brooke and Jeff agree that fulfillment comes not from stopping work entirely, but from continuing to contribute, learn, connect, and pursue activities that make life meaningful. The Essential Point Brooke's central message is that people must take greater ownership of their careers and lives by developing self-awareness, questioning inherited assumptions about work, and intentionally pursuing work that aligns with who they are. She also stresses that fulfillment and purpose are not luxuries reserved for retirement—they are essential parts of a healthy, sustainable life at every stage. Social MediaWebsite: www.yourbestlifeinc.com Instagram: https://www.instagram.com/careeryoulove/ LinkedIn: www.linkedin.com/in/ozlemerol LinkedIn Newsletter: Career Path YOU Love: https://www.linkedin.com/newsletters/7234651608981065729/ All My Books Page: https://www.yourbestlifeinc.com/books More Than a Paycheck: https://www.yourbestlifeinc.com/books/morethanapaycheck A New Earth by Eckhart Tolle About Jeff Jeff Ikler is the Director of Quetico Leadership and Career Coaching. "Quetico" (KWEH-teh-co). He works with leaders in all aspects of life to identify and overcome obstacles in their desired future. He came to the field of coaching after a 35-year career in educational publishing. Prior to his career in educational publishing, Jeff taught high school U.S. history and government. Jeff has hosted the "Getting Unstuck—Cultivating Curiosity" podcast for 5 years. The guests and topics he explores are designed to help listeners think differently about the familiar and welcome the new as something to consider. He is also the co-host of the Cultivating Resilience – A Whole Community Approach to Alleviating Trauma in Schools, which promotes mental health and overall wellness. Jeff co-authored Shifting: How School Leaders Can Create a Culture of Change. Shifting integrates leadership development and change mechanics in a three-part change framework to help guide school leaders and their teams toward productive change. Show Credits "Getting Unstuck" is commercial-free. It's brought to you by Jeff Ikler, his amazing guests, and Neil Hughes, the best engineer a podcaster could ask for. "Getting Unstuck" theme music: Original composition of "Allegro ben ritmato e deciso" by George Gershwin. Arrangement and recording courtesy of Bruno Lecoeur.

What happens when the audition is closer than you expected and the preparation feels impossible? In this episode, I'm talking about how to handle high pressure performance situations when time is short, nerves are high, and your brain keeps telling you it's not enough. We dive into mindset, performance psychology, nervous system regulation, and the surprising ways urgency can actually work in your favor. In this episode: • Why resisting the situation drains the energy you need to perform • How to stop spiraling and start preparing effectively • What short timelines can teach you about trust, resilience, and performance under pressure   Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

Conductor Ben Gernon and baroque recorder player Heidi Fardell open the new series alongside Jeffrey Boakye and Anna Phoebe as they add the first five tracks, taking us from a steamy New York summer to a celebrated Bach composition that violinist Joshua Bell has described as 'not just one of the greatest pieces of music ever written, but one of the greatest achievements of any man in history'. Throw in Gershwin, Louis XIV and a very serious musical accident, and you've got a cornucopia of an opening episode.Producer Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Summer in the City by The Lovin' Spoonful An American in Paris by George Gershwin Overture to Phaëton by Jean-Baptiste Lully Ain't It Strange by Patti Smith Violin Partita No. 2 in D Minor (the Chaconne) by J.S. Bach Other music in this episode:Batman Theme by Neil Hefti & his Orchestra 12 Sonatas Op. 11 'Parensi': No 7 in A Minor: II. Allegro by Robert Valentine, performed by Heidi Fardell Because The Night by Patti Smith

Franck Ferrand revient sur l'un des plus grands chefs-d'œuvre du répertoire au programme de cette soirée festive : la 5ème Symphonie de Beethoven.

What does it actually take to win a major orchestra audition? In this deeply personal episode, I take you behind the scenes of my winning audition for the Lyric Opera Orchestra at 47 years old. I'm sharing the real preparation process, the mental work, the conditioning, and the mindset shifts that carried me through 90 days of intense preparation and into the audition room. In this episode: • How I prepared mentally, physically, and musically while working full time and raising a family • Why trust under pressure matters more than "feeling confident" • The surprising gap between how a performance feels and how it actually sounds     If you're ready to step on stage with confidence, perform at your best, and win that next audition, join me inside The Music Mastery Experience. Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

Grieg: String Quartet No. 2 in F Major: I. Sostenuto - Allegro vivaceOslo QuartetMore info about today's track: Naxos 8.550879Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

WATCH THIS EPISODE ON YOUTUBE People have likely climbed on boulders for all of human history, but in the late 1800's, one man began advocating for climbing on boulders as a way to become a better climber. His name was Oscar Eckenstein, and he fundamentally changed the way we climb. Was he the first boulderer? EXCLUSIVE DISCOUNTS ➡️ https://link.powercompanyclimbing.com/stone-pod FREE BONUS EPISODES ➡️ https://link.powercompanyclimbing.com/secretstoners-pod   Resources can be found at https://www.plugtoneaudio.com/written-in-stone   Music: "Concerto No. 4 in F minor, Op. 8, RV 297, 'L'inverno' (Winter)" The Modena Chamber Orchestra (https://musopen.org) Licensed under Creative Commons: By Attribution 4.0 License https://creativecommons.org/licenses/by/4.0/ "String Quartet no. 2 in B minor - IV. Allegro furioso" Steve's Bedroom Band (https://musopen.org) Licensed under Creative Commons: By Attribution 4.0 License https://creativecommons.org/licenses/by/4.0/ "Nocturne in B flat minor, Op. 9 no. 1" Eduardo Vinuela (https://musopen.org) Licensed under Creative Commons: By Attribution 4.0 License https://creativecommons.org/licenses/by/4.0/ "String Quartet, Op.25 - II. Intermezzo. Andante con moto, quasi allegretto" Steve's Bedroom Band (https://musopen.org) Licensed under Creative Commons: By Attribution 4.0 License https://creativecommons.org/licenses/by/4.0/ "The Wand of Youth, Suite no. 1, Op. 1a - II. Serenade ( For String Quartet - Jones)" Steve's Bedroom Band (https://musopen.org) Licensed under Creative Commons: By Attribution 4.0 License https://creativecommons.org/licenses/by/4.0/  

What if confidence is not the absence of doubt? In this deeply honest conversation, violinist Robert Sanders shares what changed internally as he navigated auditions, pressure, comparison, and eventually won a full time position with the Bruckner Orchestra Linz. This episode is not about becoming fearless. It's about learning how to stop fighting yourself so aggressively underneath the pressure. In this episode: • Why self doubt does not disappear even at a high level • How Robert shifted from battling doubt to "dancing" with it • The surprising mindset shift that changed his audition experience • Why learning to work with yourself changes everything under pressure If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Robert Sanders Website: www.robertsandersviolin.com       Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

You know that feeling when you walk off stage thinking, "I can play so much better than this"? In this episode, I unpack three powerful patterns I saw during the Musicians Edge Challenge with more than 300 musicians and why so many performers lose access to themselves under pressure even when they've prepared brilliantly. In this episode: • Why your best playing can feel impossible to recreate on demand • What really happens when a different version of you shows up on stage • Why many musicians keep trying to solve the wrong problem If you're ready to close the gap between how you play in the practice room and who you become under pressure, the Music Mastery Experience is open for enrollment now. Inside MME, we work on performance preparation, self trust, mindset, nervous system regulation, and the hidden patterns that shape your performances. Enrollment closes May 20 and we begin June 1. Learn more at mindoverfinger.com/mme   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.

Johan Fasch: Concerto a 8 in D Major, III. AllegroThomas Reiner, trumpet Südwestdeutsches Kammerorchester Pforzheim Sebastian Tewinkel, conductorMore info about today's track: Naxos 8.570501Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Johannes Brahms: Serenade No. 1 in D Major, Op. 11, Rondo-AllegroBelgian Radio and Television Philharmonic OrchestraAlexander Rahbari, conductorMore info about today's track: Naxos 8.553227Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

If you've ever stood in the wings before a performance and wondered how you got there — not in a good way — this episode is for you. Marie-Michel Beauparlant is an accomplished cellist, a mom of twins, and one of the most honest guests we've had on the show. She talks about the years she spent hiding behind section playing because solo performing felt impossible, the guilt of chasing an audition with six-month-old twins at home, and what it actually took to go from dreading the spotlight to being, as she puts it herself, a little addicted to it. This is a real conversation about the inner life of a working musician — and it will stay with you. In this episode you will discover: Why perfectionism and stage fright so often go hand in hand and what Marie-Michel did to start untangling them How she went from barely advancing in auditions to winning two orchestra positions and making finals consistently The mindset shift that led her to remove the word failure from her vocabulary entirely How finding a community of musicians facing similar challenges made her feel less alone and normalized the struggles she had been carrying quietly for years The simple question she asks herself before every practice session that keeps her grounded and motivated What winning really looks like when you stop making it only about the outcome   Want to experience this kind of transformation in your own musical life? The doors to the Music Mastery Experience open June 1st. Visit mindoverfinger.com/mme to learn more and book your free call today. Spots are limited.   Book your FREE Music Mastery Experience Clarity Call with Renée HERE Download the transcript from this episode HERE       Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.    

Edward Elgar - Serenade, Op. 20 - Allegro PiacevoleCapella Istropolitana Adrian Leaper, conductorMore info about today's track: Naxos 8.554161Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

George Gershwin - Piano Concerto in F, III. Allegro AgitatoKathryn Selby, pianoSlovak Radio Symphony Orchestra Richard Hayman, conductorMore info about today's track: Naxos 8.550295Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

You know that feeling when you nail a passage in rehearsal, and then the harder you try to repeat it, the faster it falls apart? In this solo episode, Dr. Renée-Paule reveals why the desire to play well is often the very thing getting in your way. This one hits close to home for any musician who has ever spiraled mid-performance wondering why their preparation suddenly feels like it vanished. ·         The reason a passage that felt effortless on the first attempt can completely unravel by the third, and why it has nothing to do with your technique. ·         How monitoring your own performance in real time activates the wrong part of your brain and turns you into a spectator of your own playing. ·         Why high expectations belong in the practice room and become an obstacle the moment you walk on stage. ·         A simple 60-second ritual to do right before you perform that shifts your entire relationship with the moment.   Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, join the Musician's Edge Challenge.   Join the Musician's Edge Challenge HERE If you're ready to step on stage with confidence, perform at your best, and finally feel secure in your playing, let's talk! Book a free discovery call and let's create a plan to get you there. Are you ready to take your playing and career to the next level and create a life that feels purposeful and joyful? Let's connect and explore how personalized coaching can support your journey. Click here to schedule your free consultation, and let's start turning your goals into reality.   Book your FREE Music Mastery Experience Discovery call with Renée HERE Book your free consultation with Renée HERE Download the transcript from this episode HERE   Mind Over Finger Click www.mindoverfinger.com/coaching to book your free consultation with me. Visit MindOverFinger.com for my online courses as well as free resources on peak performance. Grab my free workshops and PDF downloads by going to www.mindoverfinger.com/resources. Connect: https://www.youtube.com/@MindOverFinger https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfinger https://www.instagram.com/mindoverfinger/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme:  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson.