Podcasts about variations

Is the overhead press worth it for most lifters? In this episode of Beast Over Burden, Niki Sims and Andrew Jackson take a hard look at the most skipped lift in strength training: the overhead press. They break down why it's often abandoned, what makes it frustrating, and how to rebuild your pressing with smarter technique, variations, and programming for long-term strength and longevity. Whether you're dealing with shoulder pain, struggling with progress, or questioning if it's even worth your time, this episode gives you a clear, no-nonsense answer. ✅ What You'll Learn Why the overhead press gets skipped—and whether that's a mistake How to modify the press to fit your body and goals Variations like landmine and dumbbell presses that reduce pain and boost results How to think of the press as a movement skill, not just a lift Strategies for programming vertical pressing into a long-term training plan When to rotate, reduce, or temporarily remove the press ⏱ Timestamps 00:00 – Intro: Is the overhead press worth it? 02:10 – Why lifters skip the press 05:45 – Making pressing work for your body 08:25 – Smarter variations: landmine, dumbbell, incline 12:40 – The press as a skill-based lift 15:10 – Programming adjustments for recovery and sustainability 18:00 – Giving the press a second chance

Teachhoops.com⁠ ⁠WintheSeason.com⁠ Are you looking to revolutionize your training and truly elevate your performance? This video dives deep into the science of effective practice, focusing on powerful techniques and the strategic use of constraints. We'll explore the "Constraints-Led Approach" (CLA), showing you how to design training environments that encourage natural skill development and problem-solving, just like in a real game. Learn how to manipulate rules, equipment, space, and even the number of players to create specific challenges that force you to adapt and learn. Forget repetitive drills that don't translate to game situations! We'll cover individual constraints (like fatigue or skill level), environmental constraints (like weather or crowd noise), and task constraints (like rules or scoring systems). Discover how understanding and adjusting these elements can unlock deeper learning and more robust skill acquisition across any sport. Whether you're an athlete, coach, or just curious about optimizing your training, this video will provide actionable insights to help you get the most out of every practice session and truly master your craft. 20 SEO Keywords: practice techniques, constraints-led approach, sports training, skill development, coaching strategies, athlete performance, motor learning, ecological dynamics, sports science, deliberate practice, training drills, problem-solving, skill acquisition, representative design, individual constraints, task constraints, environmental constraints, sports psychology, coaching tips, performance enhancement New Platform Launch: The hosts introduce a new coaching platform launching in the fall, designed to provide dynamic basketball practice plans tailored to different age groups and skill levels. Coaches can sign up for the waiting list at coachingyouthhoops.com/waitlist to get early access and discounts. Benefits of Constraints: Constraints help mimic real-game scenarios, making practices more effective. They keep players engaged by adding variety and preventing monotony in drills. Players develop better decision-making and adaptability on the court. Practical Applications: The hosts share practical examples, such as the "Queen of the Court" drill where players dribble within a confined area while trying to knock each other's balls out. Variations include shooting layups or free throws to get back in the game. Coaches can involve players in creating constraints to give them ownership and make drills more enjoyable. Encouraging Creativity: Coaches are encouraged to be creative in designing drills with constraints. They should look at traditional drills and find ways to modify them to better simulate game conditions and address specific team needs. Final Thoughts and URLs: By incorporating constraints into practice, coaches can significantly enhance the training experience, making it more effective and enjoyable for young athletes. This approach not only improves individual skills but also fosters better team dynamics and prepares players for real-game situations. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this four-episode segment, Flavor Odyssey hosts Robby Ras and Randy Griggs explore classic cocktail recipes, creating new variations designed to pair perfectly with a premium cigar. This week, they tackle the Manhattan, typically made with bourbon, sweet vermouth, and bitters. Mix up your own Manhattan variation and join the fun! Pairings Randy: Black Walnut Manhattan & Liga Privada No. 9

This week Justin and Bryan join Matthew to talk about the various play styles in MCP that they get joy out of and why they have seen success with those archetypes. If you would like to further support the channel go here to find out more: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Thegamersguild⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Please join us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Or find us on Facebook here.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you are in the US, shop at:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://gamechefs.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to help support the guild and use code: GamersGuild to save an additional 15% on your order!  If you are in the UK, shop at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://www .tritex-games.co.uk/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to help support the guild and use code: TRITEXGGCP5 to save an additional 5% on any of your MCP purchases! You can also find Tritex Games on Facebook here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/tritexgames/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and on Twitter here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/TritexGamesLtd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

En 1745, un prince exilé, Charles-Édouard Stuart, débarque en Écosse avec sept compagnons. Quelques mois plus tard, il menace Londres à la tête d'une armée de Highlanders et manque de peu de prendre le pouvoir et de changer l'Histoire. Cet épisode retrace la révolte jacobite de 1745-1746, dernière grande tentative de restaurer les Stuarts sur le trône d'Angleterre. Une épopée tragique mêlant batailles, intrigues diplomatiques et panache, jusqu'au désastre de Culloden. Découvrez l'histoire vraie qui a inspiré tant de romans, de films et de séries comme "Outlander". #LLCE***Mon roman : L'affaire écossaiseÉcosse, 1745.Ewan a tout perdu. Rejeté, trahi, il devient Leslie, un espion au service du roi de France.Sa mission : soutenir la révolte jacobite… sans exposer la France.Mais des rues glacées de Suède aux landes des Highlands, rien ne se passe comme prévu.Traqué par un consul anglais, piégé par une espionne insaisissable, Leslie s'enfonce dans un monde où la loyauté vacille et la guerre se joue dans l'ombre.Son objectif : sauver le prince Charles-Édouard Stuart après Culloden.Mais certains secrets valent-ils qu'on y sacrifie sa vie ?Inspiré de faits réels, L'Affaire écossaise est un thriller historique haletant, entre espionnage, drames personnels et grande Histoire.Disponible en ebook et en livre : https://amzn.eu/d/h4D0qr9***T'as qui en Histoire ? * : le podcast qui te fait aimer l'Histoire ?Pour rafraîchir ses connaissances, réviser le brevet, le bac, ses leçons, apprendre et découvrir des sujets d'Histoire (collège, lycée, université)***✉️ Contact: tasquienhistoire@gmail.com*** Sur les réseaux sociaux ***Facebook : https://www.facebook.com/TasQuiEnHistoireTwitter : @AsHistoire Instagram : @tasquienhistoireTiktok : @tasquienhistoire *** Crédits sonores ***SunoOutlander - The Battle Of Culloden - Uninterrupted Cut@TributeVideo(Série « Outlander » sur Netflix)https://www.youtube.com/watch?v=uTR1x3yEyQE@Wikimedia commonsJean-Philippe Rameau, Gavotte and Variations (5)Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org.The Skye Boat Song (1884) played on the bagpipes by the Clan Stewart Pipe Band.https://commons.wikimedia.org/wiki/File:Skye_Boat_Song.ogg Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

MARTY EHRLICH “THIS TIME” c. 2024Sometimes this time, Twelve for Black Arthur, Variations on a vampMarty Ehrlich (as,ts) John Hebert (b) Nasheet Waits (d) HANK JONES “THE ORACLE” New York, March, 1989Blood count, Maya's dance, Trane connectionsHank Jones (p) Dave Holland (b) Billy Higgins (d) TEDDY EDWARDS “THE INIMITABLE TEDDY EDWARDS” New York, June 25, 1976Mean to me, Imagination, One by oneTeddy Edwards (ts) Duke Jordan (p) Larry Ridley (b) Freddie Waits (d) Continue reading Puro Jazz 11 de junio, 2025 at PuroJazz.

What does a rare Qurʾānic manuscript from the 1st century AH reveal about the early history of Islam?In this seminar, Dr Morteza Karimi-Nia, a leading scholar in Qurʾānic manuscript studies, presents his research on Codex Mashhad, a nearly complete Qurʾān written in ḥijāzī script and preserved in the Āstān-i Quds Library in Mashhad. Comprising 252 folios, this codex offers unique insights into the transmission, orthography, and arrangement of the Qurʾānic text during Islam's formative period.Key themes include:

MARTY EHRLICH “THIS TIME” c. 2024Sometimes this time, Twelve for Black Arthur, Variations on a vampMarty Ehrlich (as,ts) John Hebert (b) Nasheet Waits (d) HANK JONES “THE ORACLE” New York, March, 1989Blood count, Maya's dance, Trane connectionsHank Jones (p) Dave Holland (b) Billy Higgins (d) TEDDY EDWARDS “THE INIMITABLE TEDDY EDWARDS” New York, June 25, 1976Mean to me, Imagination, One by oneTeddy Edwards (ts) Duke Jordan (p) Larry Ridley (b) Freddie Waits (d) Continue reading Puro Jazz 11 de junio, 2025 at PuroJazz.

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview Dr. Brittany Lasch, trombone soloist and professor at Indiana University.   About Brittany: A winner of the S&R Foundation Washington Award and Astral Artists National Auditions, trombonist Brittany Lasch brings authenticity and unshakeable commitment to all aspects of her music-making. Increasingly in demand as a soloist with orchestras and brass bands alike, Brittany balances an intensive performance career with her role as a sought-after educator and newly appointed Assistant Professor of Trombone at the renowned Jacobs School of Music at Indiana University. As a serial collaborator and commissioner of composers, Brittany is a musical explorer creating new repertoire for her instrument from some of today's most compelling voices, and true ambassador in expanding recognition for the trombone as a powerful solo voice for today. Brittany has appeared as a soloist with ensembles ranging from the U.S. Army Band “Pershing's Own”, Rodney Marsalis Philadelphia Big Brass, and for concerto performances with the Queens Symphony, National Repertory Orchestra, Bucks County Symphony, Bowling Green Philharmonia, Manhattan School of Music Philharmonia, and others across the country. With playing described as “masterful” (Syracuse Post-Standard), American Record Guide recently hailed Brittany as an "excellent soloist" across a diverse range of repertoire.  Brittany has been a featured guest artist at numerous festivals, including the International Trombone Festival, the International Women's Brass Conference, and the American Trombone Workshop. She was a winner of the National Collegiate Solo Competition hosted by the U.S. Army Band, the Eisenberg-Fried Brass Concerto Competition at the Manhattan School of Music, the Zulalian Foundation Award in Boston. Her trombone quartet Boston Based won the 2017 International Trombone Association's Quartet Competition. In 2018, Brittany was awarded 2nd place in The American Prize Solo Instrumentalist competition. A prizewinner in numerous other competitions, she received the coveted John Clark Award upon graduation from the Manhattan School of Music for outstanding accomplishment in brass performance. For six seasons, Brittany was the Principal Trombone of the Detroit Opera Orchestra at the Detroit Opera House. She has performed with orchestras nationwide, including the San Francisco Symphony, Los Angeles Philharmonic, Indianapolis Symphony, St. Louis Symphony, Detroit Symphony, Nashville Symphony, The Florida Orchestra, Toledo Symphony Orchestra, ProMusica Chamber Orchestra, Rhode Island Philharmonic, the Oregon Bach Festival Orchestra, the Vermont Symphony, Albany Symphony, Syracuse Symphony, and the New World Symphony in Miami Beach. She participated in the Verbier Festival Orchestra for two summers, and has also appeared at the Spoleto USA Festival, the Pacific Music Festival in Sapporo, Japan, the Castleton Festival, and the Aspen Music Festival. An active presence in the global trombone community, Brittany's performances for the current and past seasons include Argentina's Trombonanza, Portugal's Gravíssimo Festival, as well as appearances in Japan and Korea. As an advocate for new music, Brittany has commissioned and performed several new pieces for the trombone, including acclaimed composer Reena Esmail's major Sonata for Trombone and Piano, which she commissioned for her Astral Artists recital in Philadelphia. Brittany gave the premiere of the orchestrated version of Martin Kennedy's Theme and Variations for Trombone and Orchestra with the BGSU Philharmonia under the direction of Dr. Emily Brown. She also recorded the work with the BGSU Philharmonia, which was recently released on the Albany Records label. Other recent projects include collaborations with composers Inez McComas, Adam Har-zvi, and David Miller. Her debut solo album Dark Horse features works by Samuel Adler, Tony Plog, Reena Esmail, Shawn Davern, and the album's pianist, Thomas Weaver. A native of Park Ridge, Illinois, Brittany earned her Doctor of Musical Arts degree from Boston University, where she received the Brass Department Award. She also holds a Master of Music degree from Yale School of Music. With a deep commitment to education, she has previously served as faculty at the College of Musical Arts at Bowling Green State University and the Boston University Tanglewood Institute. She has also been a featured teacher and performer at summer festivals, including the Sewanee Music Festival and the DC Trombone Workshop. Recent residencies include those at the University of Central Arkansas, James Madison University (Tromblow'in), University of Iowa, Oklahoma State University, Stetson University, the University of Florida, and as the guest artist at the 2023 Frühling Posaunen hosted at Ithaca College. She has presented masterclasses at universities across the country and internationally. Brittany Lasch is an Edwards Trombone Performing Artist. She also proudly uses and endorses ChopSaver Lip Care. Outside of music, Brittany has recently completed her eleventh full marathon and loves spending time with her cats, Clove and Poppyseed.

Dr. Shannon Manning is a Michigan State University (MSU) Foundation Associate Professor in the Department of Microbiology and Molecular Genetics. The goal of Shannon's research is to understand how pathogens (bacteria or viruses) cause disease in people. How likely a person is to get sick may be due to the different types of pathogens they are exposed to, but also genetic variation within a specific type of pathogen. Not every bacteria of a particular species is exactly identical, and some are more effective at attaching to targets and infecting hosts. When she's not working in the lab, Shannon loves spending time with her family. On the weekends, Shannon can often be found at soccer games, swim meets, and other activities cheering on her four kids. Gardening is also one of her favorite hobbies, and she has been cultivating a wonderful assortment of flowers. She earned her B.S. in biology from the University of Michigan, her M.P.H. in Hospital and Molecular Epidemiology, and her Ph.D. in Molecular Epidemiology from the University of Michigan. Afterwards, Shannon was awarded an Emerging Infectious Disease Postdoctoral Fellowship from the Center for Disease Control and Prevention. Shannon is with us today to tell us all about her journey through life and science.

Before he took the leap and started his own, BreWskey (https://www.brewskey.ca) cofounder Derrick Robertson was a process engineer who helped design breweries. That background was invaluable when building out a brewhouse and cellar in a building that's a historic landmark in Vieux-Montréal. With multiple spaces and sprawling patios, BreWskey is popular among travelers who drink plenty of pale lager in warmer months—with many who also appreciate BreWskey's creative and contemporary approach to hazy IPA. Robertson has an unquenchable thirst for experimentation, treating each batch on their two- and 10-barrel systems as an opportunity to tweak variables, test ingredients, and dial in processes. He's not afraid to brew beer with a point of view informed by his own tastes—witbier without phenolic Belgian yeast, for example—and he's always up for experiments, such as pushing 34/70 to see just how much heat it can endure. When it comes to hazy IPA, however, he can't bear the astringent burn that certain hops exacerbate, so he's dialed in processes to turn beers at brewpub speed with robust body and just enough haze—because, as he says, there is such a thing as too much haze. In this episode, Robertson discusses: balancing brewpub and taproom beer menus with an on-the-fly creative process adjusting the beer program week to week, based on tourism trends brewing white beer with London Ale III while replacing certain yeast-driven flavors with targeted ingredient additions using New Zealand hops strategically for light color without the burn the fungibility of many hazy IPA grain bills selecting hop varieties, such as Rakau, that improve the expression of others why Riwaka is like smoked malt avoiding “Galaxy paste” when brewing with the Australian hop accepting inefficient extraction techniques when using certain hops, to avoid picking up off-flavors dialing in his hop palette to eight to 10 hops, while expanding the number of lots of each dry-hop bench-testing for lot selection, to understand how the rub connects to the actual flavors and aromas in finished beer And more. This episode is brought to you by: G&D Chillers (https://gdchillers.com): For years G&D Chillers has chilled the beers you love, partnering with 3,000+ breweries across North America and beyond. With our 24/7 service and support, your brewery will never stop. Remote monitor your chiller for simple and fast access to all the information you need, and gain peace of mind your operation is running smoothly. Berkeley Yeast (https://berkeleyyeast.com). Berkeley Yeast bioengineers ordinary strains and make them extraordinary—enhancing the flavors you want and eliminating the ones you don't. Visit berkeleyyeast.com to learn more and start brewing with science on your side. Old Orchard (https://www.oldorchard.com/brewer): As breweries expand beyond beer into other segments like mocktails and CBD beverages, Old Orchard is here to help. We can formulate custom blends featuring specialty ingredients. More information and free samples are waiting at oldorchard.com/brewer. Indie Hops (https://indiehops.com) Lórien seamlessly combines traditional elements of European noble hops with an elegant twang of American modernity. Learn more about Lórien and the rest of Indie's varieties at www.indiehops.com. Indie Hops — Life is short. Let's make it flavorful. Steel Chill Cups (https://SteelChillCups.com) Steel Chill-Cups are the perfect promotional tool! Crafted from 100% recyclable steel and proudly made in the USA. Discover how Steel Chill-Cups can “Put your brand on every pour”—visit SteelChillCups.com today! Arryved (https://www.arryved.com) Not only does Arryved offer a world-class POS built specifically for breweries, but they also provide Arryved Brewery Management, e-commerce, and more to help breweries scale and thrive. Visit arryved.com to learn more. Paktech (https://www.paktech-opi.com) With a minimalist design, durable functionality you can rely on, and custom color matching, PakTech helps brands stand out while staying sustainable. Trusted by craft brewers nationwide, they offer a smarter, sustainable way to carry your beer. To learn more, visit paktech-opi.com Brewery Workshop (https://breweryworkshop.com) If you're launching a brewery or acquiring an existing one, consider our brewery workshop and new brewery accelerator, September 14 through 17th in Fort Collins, Colorado. Over four days, we engage in panel discussions, technical brewery tours, networking, and small working group sessions that help you better understand and prepare for the challenges of brewery operation. Tickets are on sale now.

For the second week in a row Joe kicks off the show by giving away FREE STUFF to his audience! He then answers 3 listener questions. TOPICS INCLUDE: 1) If Joe could hand out one free ass whoopin' to anyone on earth [with no legal ramifications] who would it be? 2) Joe's Go-To [Low Back Friendly] Leg Workout That Doubles as a Mobility Routine! 3) Joe's Top 5 Favorite Push-up Variations for Advanced Lifters... And MORE! *For a full list of Show Notes + Timestamps visit www.IndustrialStrengthShow.com. IMPORTANT LINKS DeFranco-brand supplements [code: MuscleUpJune] Team Forever Strong [1-Week Free Trial] Joe D's Instagram Rogue Plate Carrier Hyper Vest Pro

La question de savoir s'il faut dire « un après-midi » ou « une après-midi » revient souvent, et à juste titre, car l'usage oscille entre les deux genres depuis des siècles. Une construction hybrideLe mot après-midi est un composé formé de la préposition après et du mot midi. Historiquement, le mot midi est masculin : on dit le midi pour désigner le milieu de la journée ou la région du sud de la France. Ainsi, par simple accord grammatical, après-midi devrait logiquement hériter du genre masculin.Mais dans la langue parlée, de nombreuses personnes disent instinctivement « une après-midi », sans doute influencées par d'autres expressions liées à la journée : « une matinée », « une soirée », « une journée », toutes féminines. L'esprit associe naturellement après-midi à ces moments du jour souvent évoqués au féminin.Que disent les dictionnaires ?Les principaux dictionnaires comme Le Petit Robert, Le Larousse ou encore le Trésor de la langue française reconnaissent tous après-midi comme un nom masculin, mais tolèrent aussi l'usage féminin. Cela signifie qu'aucune des deux formes n'est grammaticalement fautive. Toutefois, ils précisent que le genre masculin est de loin le plus courant et préféré dans la langue écrite soutenue.L'usage officielL'Académie française, qui fait autorité en matière de langue, considère après-midi comme un nom masculin. Dans ses recommandations, elle invite à employer « un après-midi » de manière systématique, en cohérence avec la règle grammaticale et l'histoire du mot.Variations selon les régionsL'usage féminin est davantage répandu dans certaines régions francophones, notamment en Belgique ou en Suisse romande, où l'on entend plus souvent « une après-midi ». En France, en revanche, le masculin domine nettement, surtout dans les écrits formels, la presse, l'administration ou l'enseignement.ConclusionMême si les deux genres sont tolérés à l'oral, c'est bien « un après-midi » qui reste la forme correcte et recommandée. Elle respecte l'étymologie du mot, l'usage majoritaire et les recommandations officielles. Pour éviter toute ambiguïté, surtout dans un cadre professionnel ou scolaire, il vaut donc mieux dire « un après-midi agréable » plutôt que « une après-midi ensoleillée », même si cette dernière ne serait pas considérée comme une faute grave. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

For the second week in a row Joe kicks off the show by giving away FREE STUFF to his audience! He then answers 3 listener questions. TOPICS INCLUDE: 1) If Joe could hand out one free ass whoopin' to anyone on earth [with no legal ramifications] who would it be? 2) Joe's Go-To [Low Back Friendly] Leg Workout That Doubles as a Mobility Routine! 3) Joe's Top 5 Favorite Push-up Variations for Advanced Lifters... And MORE! *For a full list of Show Notes + Timestamps visit www.IndustrialStrengthShow.com. IMPORTANT LINKS DeFranco-brand supplements [code: MuscleUpJune] Team Forever Strong [1-Week Free Trial] Joe D's Instagram Rogue Plate Carrier Hyper Vest Pro

Treasuries rallied as tepid US economic data reinforced expectations for Federal Reserve interest rate cuts this year. The 10-year Treasury yield fell 10 basis points to the lowest level in almost a month. Equity-index futures for Asia were mixed while an index of US-listed Chinese shares rose 2%. We get a read on markets from Willem Sels, Global Chief Investment Officer at HSBC Global Private Banking and Premier Wealth. Plus - economic activity declined slightly in the US in recent weeks, indicating tariffs and elevated uncertainty are rippling across the economy, the Federal Reserve said in its Beige Book survey of regional business contacts. Mentions of tariffs came up 122 times in the Beige Book, compared with 107 in the prior report. Variations of the word "uncertain" appeared 80 times. We look at what it may mean for monetary policy with David Bahnsen, Founder and Chief Investment Officer at the Bahnsen Group.See omnystudio.com/listener for privacy information.

How do top agents stay visible and connected—no matter the market shift?Jenn, Alyson, and Shelby talk local market challenges and buyer behavior across regions. They share real stories on pricing, FSBOs, and how visibility and preparedness help win listings. Whether you're targeting neighbors or shifting focus from sellers to buyers, this episode is packed with proven strategies.

Interpreten: Pablo Ferrández, Julien Quentin, Swedish Chamber Orchestra, Martin FröstLabel: Sony ClassicalEAN: 198028986328Manchmal darf es auch wohlklingender Hochglanz sein, der es zur CD der Woche auf radio klassik Stephansdom schafft. Wie das Album Moonlight Variations des Cellisten Pablo Ferrández. „Nachtmusiken“ scheinen derzeit Hochsaison zu haben, wenn man an die Nocturnes-, Serenaden- usw. CDs der vergangenen Wochen und Monate denkt. Mit der Nacht in der Musik hat sich nun auch Pablo Ferrández beschäftigt, und das, obwohl er laut eigener Aussage ein ausgesprochener Morgenmensch ist. Träumerische Melodien von Schumann, Schubert, Liszt, Debussy, Chopin, Ponce und Dvořák hat der junge Cellist Ferrández teils in Originalbearbeitungen, teils in Eigenarrangements mit Orchester- oder Klavierbegleitung aufgenommen. Mit den Rokoko-Variationen von Peter Iljitsch Tschaikowsky findet die CD aber auch einen ganz und gar nicht nächtlichen Höhepunkt, aus musikalischer Sicht aber völlig irrelevant…„Einer der Gründe, weshalb ich so gerne Lieder spiele, ist, dass wir mit dem Cello immer zu singen versuchen.“ So wird Pablo Ferrández im Beiheft der CD zitiert und genau das gelingt ihm auch in den unterschiedlichen Bearbeitungen auf dieser CD. Schon bei Rusalkas Lied an den Mond zur Eröffnung oder auch Schuberts Nacht und Träume. „Heil'ge Nacht, du sinkest nieder; Nieder wallen auch die Träume, wie dein Mondlicht durch die Räume, durch der Menschen stille Brust.“ Da ist er wieder, der Mond. Schumanns Träumerei oder der dritte Liebestraum von Liszt fügen sich genauso ins Spektrum und erhellen den musikalischen Nachthimmel, wie der kleine Stern Estrellita des mexikanischen Komponisten Manuel Ponce. Selten genug, dass das Hauptwerk einer CD, wie hier die Rokoko-Variationen von Tschaikowsky, zur Zugabe mutiert. Makellos und musikantisch gelingen die sieben Variationen auf ein Rokoko-Thema, wobei auch das Schwedische Kammerorchester unter Martin Fröst seinen Anteil daran hat. Aufmerksam wie die sprichwörtlichen Haftlmacher begleiten die Musikerinnen und Musiker und legen so ein Fundament, auf dem es sich wunderbar solieren lässt! Das Finale ist dabei ein feingezeichnetes Feuerwerk, bei dem sich Orchester- und Solostimme herrlich ineinander verschränken. (mg)

Contemporary art is a feast for the senses. But have we reduced art to vision? And what does the hand do, now that we have machines and automated ways of making, editing and showing images? And what are images?You wouldn't leave the shop without paying for your latte, right?Buy us a latte ;-)This episode is the second audio/video essay of the season. It will take you on a trip to a sensory shift across times, blurring the boundaries between line, image, wall, surface, paper, and machines. Where the hand is, what it does and how it is re-articulated by automation is promising and exciting if we let it. If you enjoyed this episode, and if you enjoy reading, Joana's Substack might be for you.I was invited to participate in a conversation on the occasion of the launch of Trajectories, Variations on a Gesture a book which is almost a sculpture or an exhibition in itself, containing 10 drawings made at Massana school of crafts (Barcelona) by Edouard Cabay. The director of the school, Xavi Capmany invited Cabay, an experimental architect and artist to bring his algorithmic practice at the heart of a school teaching manual crafts in order to create a dialogue between the different uses of the hand, of patterns, of the eye, the brain, muscle and memory. I dediced to start by reading a short text, which you can enjoy, in a longuer version, here.⁠SIGN UP⁠ for the NEWSLETTER! Be the first to know our upcoming episode, get our UNTIMELY BOOK RECOMMENDATIONS, and juicy facts + useful links.For behind the scenes clips, links to the artists and guests we cover, and visuals of the exhibitions we discuss follow us on Instagram: @exhibitionistas_podcastBluesky: @exhibitionistas.bsky.socialexhibitionistaspod@gmail.com#contemporaryart #artexhibitions #artmovement #experimentalart #automation #touch, #representation #craft #technology #artisticexpression, #contact #traces #artistresidency #edouardcabay #massanaschoolAbout us: If you enjoy the podcast If Books Could Kill and You Are Good, you will enjoy Exhibitionistas, where artists are unveiled through current and pertinent angles, and through thoughts and feelings. These podcasts were a great inspiration for our format because they're nerdy and engaging, researched and approachable. The co-host and the guest co-host engage in a conversation informed by an accessible and lively presentation of the subject, through which you can reflect on a show you've seen or discover it if you can't go, learn or re-evaluate artistic topics crossing over into our everyday lives.

Nous évoquons depuis quelque temps la possibilité de vous proposer chaque semaine un second épisode, au format court, dès que nous serons parvenus à rassembler au moins 500 contributeurs sur Tipeee. Vous trouverez ici un second test de ce futur nouveau format. Dites-nous donc ce que vous en pensez !Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Jonny, and Joel share tweaks to gameplay in the latest Minecraft snapshot, answer listener email about building with the happy ghast, and discuss the scope of rendering that Vibrant Visuals may try to focus in on.Show notes for The Spawn Chunks are here:https://thespawnchunks.com/2025/05/26/the-spawn-chunks-351-vibrant-variations/Join The Spawn Chunks Discord community!https://Patreon.com/TheSpawnChunksThe Spawn Chunks YouTube:https://youtube.com/thespawnchunks Hosted on Acast. See acast.com/privacy for more information.

learn how to ask about well-being

SLEERICKETS is a podcast about poetry and other intractable problems. My book Midlife now exists. Buy it here, or leave it a rating here or hereFor more SLEERICKETS, subscribe to SECRET SHOW, join the group chat, and send me a poem for Listener Crit!Leave the show a rating here (actually, just do it on your phone, it's easier). Thanks!Wear SLEERICKETS t-shirts and hoodies. They look good!SLEERICKETS is now on YouTube!For a frank, anonymous critique on SLEERICKETS, subscribe to the SECRET SHOW and send a poem of no more 25 lines to sleerickets [at] gmail [dot] com Some of the topics mentioned in this episode:– Fugitive/Refuge by Philip Metres– Dispatches from the Land of Erasure by Philip Metres– Cameron's new Substack, Minor Tiresias– What the Hell Is the Presidency for? by Jonathan Farmer– Svetlana Alexievich– The Penguin Anthology of Twentieth Century American Poetry, Ed. Rita Dove– Lena Khalaf Tuffaha– Fady Joudah– Steven Salaita– Norman Finkelstein– Lawrence Joseph– Heaven Looks Like Us (anthology of Palestinian Poetry)– Nationalism and Social Division in Black Arts Poetry of the 1960s by Philip Brian Harper– Phil's seelction of Contemporary Palestinian Poetry:“End of a Talk with a Jailer” by Samih al-Qasimhttps://behindthelinespoetry.blogspot.com/2007/07/samih-al-qasims-end-of-talk-with.html“We Travel Like Other People” by Mahmoud Darwishhttps://rihlajourney.wordpress.com/2009/01/03/mahmoud-darwish-b-palestine-1941-we-travel-like-other-people/“State of Siege” by Mahmoud Darwishhttp://www.alkalimah.net/Articles/Read/8027“Against” by Rashid Hussein:https://adimagazine.com/articles/three-poems-by-rashid-hussain/“We” by Ghayath Almadounhttps://themarkaz.org/we-and-4978-and-one-nights-by-ghayath-almadhoun/“Write My Name” by Zeina Azzamhttps://www.arabamerica.com/palestinian-cry-from-gaza-write-my-name-goes-viral-in-poem-by-palestinian-american/“Fuck Your Lecture on Craft, My People Are Dying” by Noor Hindihttps://www.poetryfoundation.org/poetrymagazine/poems/154658/fuck-your-lecture-on-craft-my-people-are-dying[…] by Fady Joudah“Jerusalem” by Naomi Shihab Nyehttps://www.poetryfoundation.org/poems/54296/jerusalem-56d2347ab7a20“All Things Not Considered” by Naomi Shihab Nyehttps://mayazmi.wordpress.com/2013/09/21/all-things-not-considered-naomi-shihab-nye-women-in-poetry/“Variations on a Last Chance” by Lena Khalaf Tuffaha https://themarkaz.org/lena-khalaf-tuffaha-two-poems/Frequently mentioned names:– Joshua Mehigan– Shane McCrae– A. E. Stallings– Ryan Wilson– Morri Creech– Austin Allen– Jonathan Farmer– Zara Raab– Amit Majmudar– Ethan McGuire– Coleman Glenn– Chris Childers– Alexis Sears– JP Gritton– Alex Pepple– Ernie Hilbert– Joanna PearsonOther Ratbag Poetry Pods:Poetry Says by Alice AllanI Hate Matt Wall by Matt WallVersecraft by Elijah BlumovRatbag Poetics By David Jalal MotamedAlice: In FutureBrian: @BPlatzerCameron: Minor TiresiasMatthew: sleerickets [at] gmail [dot] comMusic by ETRNLArt by Daniel Alexander Smith

Podcast Hosts:Grant Broggi: Marine Veteran, Owner of The Strength Co. and Starting Strength Coach.Jeff Buege: Marine Veteran, Outdoorsman, Football Fan and LifterTres Gottlich: Marine Veteran, Texan, Fisherman, Crazy College Football Fan and LifterJoin the Slack and Use code OKAY:https://buy.stripe.com/dR6dT4aDcfuBdyw5ksCheck out BW Tax: https://www.bwtaxllc.comBUY A FOOTBALL HELMET: https://www.greengridiron.com/?ref=thestrengthco14th Marine Reg T Shirts: https://usafulfillmentservices.com/14th-marine/TIMESTAMPS:00:00 - ROLL CALL15:54 - SPORTS27:21 - HAIR WASHING FREQUENCY33:47 - SQUAT VARIATIONS56:28 - MCCS01:04:43 - SIGN OFF

Today's podcast features Tony Holler. Tony Holler is a veteran high school track and field coach, renowned for his "Feed the Cats" sprint training philosophy. With over 40 years of coaching experience in both track and football, Holler has become a leading voice in athlete-centered speed development. He is the head track coach at Plainfield North High School in Illinois, where his teams have consistently produced elite sprinters and state champions. He is also the co-founder of the Track Football Consortium, a popular coaching event that bridges the gap between sprint and team sport development. In a day where the methods are many, Tony Holler has created a training system where he keeps the simple things simple, but off-sets that simplicity with a variety filled “X-Factor” training day that runs like a power-oriented basketball practice in many ways. On today's podcast, Tony speaks on his formative experiences as an athlete, young coach, and teacher that have led him to his current positions in coaching. Tony speaks extensively on his X-Factor workouts, inspiration from his dad's basketball practices, and the keys to the variability in both plyometrics and wicket variations that define the training day. He also speaks on X-Factor paving the way for a simpler, competitive speed workout on the following day. Tony also touches on how the “feed the cats” methods have influenced the successful distance program at Plainfield North, along with many other nuggets of wisdom. Today's episode is brought to you by Hammer Strength. Use the code “justfly25” for 25% off any Lila Exogen wearable resistance training, including the popular Exogen Calf Sleeves. For this offer, head to Lilateam.com View more podcast episodes at the podcast homepage. (https://www.just-fly-sports.com/podcast-home/) Timestamps 8:37- Competitive Coaching Styles in Track and Field 16:59- Fostering Passionate Learning Environments for Success 22:06- Sports Engagement and Flow for Long-term Passion 32:04- Color-Coded X Factor Athletic Training Program 43:54- X Factor Workouts for Recovery and Performance 50:29- Transitioning from Survival to Performance Mindset 59:49- Optimizing Sprint Performance Through Varied Techniques 1:02:08-Enhancing Speed with Varied Wickets in Training 1:08:16- Focused Timed Sprints for Effective Performance 1:12:30- Optimizing Coaching Practices for Large Groups 1:15:01- Intentional Training for Optimal Athletic Performance 1:22:07- Optimizing Cross Country Runs for Peak Performance Quotes: (4:45) “Baseball is not a hard sport, but they made baseball hard for us” - Tony Holler (5:50) “I grew up with this weird mix of Neil Young and General Patton” - Tony Holler (13:00) “There is no defense in track… it's not a zero-sum game, which I love” - Tony Holler (20:30) “I think like and love come before excellence” - Tony Holler (32:10) “In basketball, my father would start practice with stations, and stations were things like we jump back and forth over a balance beam, and then we go forward, back and forth. And then the next station was jump rope, and the next station was lateral slides back and forth, touching the lane lines. And we do that kind of thing in X Factor because what I have found is that basketball players seem to be the healthiest, most durable track athletes.” - Tony Holler (35:30) “Our favorites are the extreme ISO lunge that we do not do for five minutes. We do it for more like a minute. You know, maybe we're not cooking the steak long enough. But this is very important. Always err on the side of less.” - Tony Holler (00:44:15) “I color code our speed workouts and our X factor workouts as yellow, which to me means caution. And that caution is don't let today ruin tomorrow. Almost always the day after an X factor workout is a sprint workout for us” - Tony Holler (47:40) “Speed is repetitive. X factor is very much flex” - Tony Holler

learn how to use essential social expressions

In this episode of Words on a Wire, host Daniel Chacón welcomes back poet Adela Najarro to discuss her powerful new collection, Variations in Blue, published by Red Hen Press. With warmth, candor, and insight, Najarro reflects on how art, memory, and community shape her work. Najarro also pays tribute to her literary influences, including Pablo Neruda, while critically reimagining their legacies through a feminist lens. This moving dialogue is a testament to the power of poetry to confront silence, reclaim narrative, and build connection.

Welcome back to another deep dive on The Board Drill Podcast!

Adela Najarro's fifth poetry collection, Variations in Blue, was selected by the Letras Latinas/ Red Hen Collaborative for publication in March, 2025. The California Arts Council recognized her as an established artist for the Central California Region, appointing her as an Individual Artist Fellow. Her extended family left Nicaragua and arrived in San Francisco during the 1940s; after the fall of the Somoza regime, the last of the family settled in the Los Angeles area.Adela is the Board President for Círculo de poetas and Writers and works with the Latinx community nationwide, promoting the intersection of creative writing and social justice. Adelanajarro.comJoin the Hive Live! Tuesday, May 13, at Bookshop Santa Cruz, to hear Francisco Aragón and Adela Najarro.More about Letras Latinas here. 

This week we open up a sermon series where we talk about the dragon slaying stories in the Bible and what they’re trying to communicate. Learn more about Blue Ocean […]

In this episode we answer emails from Luc, Ellen and Andrew.  We discuss Luc's target portfolio, the process for evaluating and choosing new assets for a portfolio -- comparing why managed futures pass the test, while covered call fund and TIPs funds don't --, what's actually in our personal variation of the Golden Ratio portfolio, finding old podcast episodes and basic rebalancing principles as to timing.  And learn some Canadian French and Minnesota vernacular along the way.Links:  Andrew Beer Interview on Masters In Business Podcast:  Andrew Beer on the Hedge Fund … - Masters in Business - Apple PodcastsRPR Episode 40 on YouTube:  Episode 40: Answering A Question About Big ERN's Gold Analysis From Joseph K.Kitces Article on Rebalancing:  Optimal Rebalancing – Time Horizons Vs Tolerance BandsBreathless Unedited AI-Bot Summary:What makes a truly resilient portfolio? In this revealing episode, Frank Vasquez pulls back the curtain on both theoretical and practical aspects of risk parity investing through thoughtful listener questions.When a software engineer from French-speaking Canada shares his leveraged risk parity portfolio, Frank offers nuanced guidance on balancing potential returns with sustainability. Rather than dismissing leverage entirely, he suggests a more measured approach—reducing exposure to funds like UPRO while maintaining their rebalancing benefits. This practical compromise exemplifies Frank's philosophy of building portfolios that remain psychologically manageable through market turbulence.The conversation takes a fascinating turn as Frank reveals his framework for evaluating new investment opportunities. Unlike many advisors who chase trends, his three-question methodology ensures only truly valuable assets earn portfolio space. His explanation of why managed futures succeeded where TIPS failed demonstrates how professional-grade analysis can be applied to personal investing. "The truth is," Frank notes, "a lot of otherwise viable or interesting strategies actually just don't fit into what we're trying to do here."Perhaps most valuable is Frank's unprecedented breakdown of his personal portfolio holdings. Beyond the expected allocations to stocks, bonds, gold and alternatives, he shares his experiments with direct indexing of property and casualty insurance companies—a Warren Buffett-inspired approach that provided positive returns even during 2022's difficult markets. This rare glimpse into a professional's actual implementation bridges the gap between theory and practice.Whether you're questioning how often to rebalance, wondering about international exposure, or simply curious about how a professional approaches their own money, this episode delivers actionable insights while maintaining Frank's trademark blend of humor and wisdom. Ready to build a portfolio that marches to a different drummer? This is the roadmap you've been waiting for.Support the show

Join US Website: www.coachsedge.coachEmail: contact@cramerbasketball.comCamps: www.Cramerbasketball.comOnline Training: https://cramerbasketball.mypthub.net/3/p/133059Twitter.com/coachsedge1Twitter.com/cramerbballFacebook.com/cramerbasketballYoutube.com/cramerbasketballInstagram.com/cramer_basketballBasketball coach basketball podcast basketball strategyPlayer development zone offense zone defense pressing pressure defense programbuilding team defense pack line defense baseline defense zone defense 1-3-1defense basketball united slapping glass coaching tips teach hoops how to coachbasketball basketball podcast youth basketball basketball camps basketballimmersion training basketball shooting tips basketball conditioning shootingdrills ball handling drills passing drills basketball drills basketballworkouts basketball drills youth basketball basketball drills open gymsshootouts scrimmages man to man defense basketball officials and deep dive refssports psychology shot selection dribble drive offense shooting coach freethrows athletic development

There are now multiple phase 3 studies on combination transarterial chemoembolization (TACE) and immunotherapy showing a significant benefit over TACE alone. How do these findings change the hepatocellular carcinoma (HCC) treatment algorithm? In this multidisciplinary episode of the BackTable Podcast, Dr. Richard Finn (Medical Oncologist at UCLA) and Dr. Julius Chapiro (Interventional Radiologist at Yale University) join host Dr. Chris Beck to discuss immunotherapy, TACE, emerging trends in HCC treatment, and the future of the field.---This podcast is supported by an educational grant from Guerbet.---SYNPOSISThe doctors highlight the importance of high quality clinical data and the pivotal studies shaping current best practices. They explore the role of the different players on the multidisciplinary team and compare the oncologic and radiologic perspectives. Additionally, they discuss the synergy between TACE and immunotherapy, the criteria for selecting appropriate treatments, and the ongoing need for research and collaboration.---TIMESTAMPS00:00 - Introduction 03:35 - HCC from an Oncologic Perspective 05:33 - Radiological Perspective on Liver Cancer06:50 - Referral Patterns and Organizing a Multidisciplinary Approach18:01 - Explaining TACE and Variations in the Procedure27:27 - Choosing the Right Procedure for HCC36:13 - Making a Decision on Medical Treatment Candidacy 42:23 - Importance of Data Driven HCC Treatment, Practical Insights, and Studies to Know55:30 - Planning an Approach for a TACE Procedure01:02:26 - Final Thoughts and Future Prospects in Liver Cancer Treatment---RESOURCESBarcelona Staging System:https://www.ncbi.nlm.nih.gov/books/NBK569796/table/Ch3-t0001/TRACE Trial:https://pubs.rsna.org/doi/full/10.1148/radiol.211806PREMIERE Trial:https://www.gastrojournal.org/article/S0016-5085(16)34971-X/fulltextEMERALD-1 Trial:https://ascopubs.org/doi/10.1200/JCO.2024.42.3_suppl.LBA432LEAP O12 Study:https://www.thelancet.com/journals/lancet/article/PIIS0140-6736(24)02575-3/abstract

Episode 151 (from June 23, 2023) How Language Variations Shape LiteracyLanguage and reading go hand in hand—but how can we leverage students' linguistic strengths to support literacy?In this episode, Julie Washington, a professor at the University of California, Irvine, who specializes in the intersection of language and literacy, breaks down the power of language variations, like African American English, and how understanding them can transform how we teach reading.Key Takeaways:✅ Language variations are a strength, not a barrier ✅ Students need to navigate both their home dialect and academic language ✅ Educators must set high expectations while embracing linguistic diversityJulie shares research-backed insights and practical strategies to help educators create inclusive, effective literacy instruction. Tune in and learn how to make a real impact!ResourcesTeaching Reading to African American Children by Julie Washington and Mark Seidenberg The Opportunity Myth by TNTPThe Academic English Mastery Program by LAUSD We answer your questions about teaching reading in The Literacy 50-A Q&A Handbook for Teachers: Real-World Answers to Questions About Reading That Keep You Up at Night.Grab free resources and episode alerts! Sign up for our email list at literacypodcast.com.Join our community on Facebook, and follow us on Instagram, Facebook, & Twitter.

Overview:In this episode, Ryan and Brian dive into a recent Christianity Today article by Daniel Silliman that sparked controversy by discussing scholar Jeffrey Paul Garcia's research suggesting Jesus' crucifixion may not have involved nails. The hosts explore the article's implications, the role of biblical scholarship, and the historical and archaeological evidence surrounding crucifixion. They also reflect on the importance of careful scholarship and its presentation to the public.Key Topics Discussed:Introduction to the Christianity Today ArticleArticle by Daniel Silliman references Jeffrey Garcia's research, which proposes that ropes, not nails, may have been used in Jesus' crucifixion.Published around Easter, leading to a firestorm of responses due to its timing and implications.Ryan notes he heard Garcia present this paper at the Society of Biblical Literature (SBL) meeting in 2006, highlighting the slow dissemination of scholarly work.Context of Biblical ScholarshipRyan defines a scholar as someone deeply engaged in study, emphasizing that it's not an elite category but a commitment to rigorous inquiry.Describes the SBL as a diverse gathering of scholars, including conservatives, nonbelievers, and others, studying Christian, Hebrew, and intertestamental texts.Contrasts how ideas are received in scholarly settings versus congregational ones, noting the skepticism scholars face at SBL.The Article's Claims and EvidenceGarcia's argument: Nails are not explicitly mentioned in the Synoptic Gospels (Matthew, Mark, Luke), and some ancient sources suggest ropes were used in crucifixions.Ryan counters with literary evidence:John 20 explicitly mentions nail marks in Jesus' hands (verses 25, 27).Luke 24:39-40 implies wounds in Jesus' hands and feet, supporting the nail narrative.Archaeological evidence:Yohanan's skeleton (found in Jerusalem post-Six Days War) with a nail in the heel bone, suggesting nails were used.Govello skeleton in Italy, another crucified individual with ankle damage.Nails were often reused due to the value of iron, explaining scarce archaeological remains.Ancient Roman inscription lists nails as essential for crucifixion, reinforcing their use.Response to the ArticleChristianity Today's evangelical roots (founded with Billy Graham's involvement) make the article's publication surprising, as it was perceived to question scriptural inerrancy.Silliman issued an apology, admitting he didn't consider John 20 or the impact on readers' views of inerrancy.Ryan and Brian critique the article's presentation in a popular outlet, which may lack the scholarly nuance needed for such claims.Historical and Archaeological Insights on CrucifixionRyan references Martin Hengel's book, Crucifixion in the Ancient World and the Folly of the Message of the Cross, which details the widespread use of crucifixion by Romans.Crucifixion was not just execution but public humiliation, often near roads for visibility.Variations in crucifixion methods:Crosses were likely lower than depicted in media.Shapes varied (e.g., capital T vs. small t).Some were crucified post-mortem for display.Example: Peter's upside-down crucifixion per church tradition.Yohanan's leg fractures were likely post-mortem, not evidence of crurifragium (leg-breaking to hasten death), as initially thought.The Role of Scholarship in FaithRyan defends...

Joshua 4:21-24 — What are the characteristics of a revival? How do they start and what are the results? In this sermon on Joshua 4:21–24 titled “Revival Sermon: Variations Between Revivals,” Dr. Martyn Lloyd-Jones unpacks the powerful ways revival has affected the church and why the church must plead and pray for revival today. He relates revivals to the stones that were questioned by the children of the Israelites. The stones were a memorial there to remind the people and all the nations that the hand of the Lord is mighty. God has done great things and is still doing great things. A revival causes the people to be humbled by the glory and majesty of the Lord. It always results in praise and worship to God. Men and women who are converted during a revival become members of a church and abide in the faith. They become concerned for the lives of others who do not know God. Dr. Lloyd-Jones explains that there are many ways a revival starts, but only after first recognizing that it is an act of God, not a production of humanity. It may start suddenly or gradually, or it may start in a small group or a great crowd. There are many ways it can start and there are variations in the ways it can end. But the reason for revival never changes. It is so that the people will know the mighty hand of the Lord.

Joshua 4:21-24 — What are the characteristics of a revival? How do they start and what are the results? In this sermon on Joshua 4:21–24 titled “Revival Sermon: Variations Between Revivals,” Dr. Martyn Lloyd-Jones unpacks the powerful ways revival has affected the church and why the church must plead and pray for revival today. He relates revivals to the stones that were questioned by the children of the Israelites. The stones were a memorial there to remind the people and all the nations that the hand of the Lord is mighty. God has done great things and is still doing great things. A revival causes the people to be humbled by the glory and majesty of the Lord. It always results in praise and worship to God. Men and women who are converted during a revival become members of a church and abide in the faith. They become concerned for the lives of others who do not know God. Dr. Lloyd-Jones explains that there are many ways a revival starts, but only after first recognizing that it is an act of God, not a production of humanity. It may start suddenly or gradually, or it may start in a small group or a great crowd. There are many ways it can start and there are variations in the ways it can end. But the reason for revival never changes. It is so that the people will know the mighty hand of the Lord.

Joshua 4:21-24 — What are the characteristics of a revival? How do they start and what are the results? In this sermon on Joshua 4:21–24 titled “Revival Sermon: Variations Between Revivals,” Dr. Martyn Lloyd-Jones unpacks the powerful ways revival has affected the church and why the church must plead and pray for revival today. He relates revivals to the stones that were questioned by the children of the Israelites. The stones were a memorial there to remind the people and all the nations that the hand of the Lord is mighty. God has done great things and is still doing great things. A revival causes the people to be humbled by the glory and majesty of the Lord. It always results in praise and worship to God. Men and women who are converted during a revival become members of a church and abide in the faith. They become concerned for the lives of others who do not know God. Dr. Lloyd-Jones explains that there are many ways a revival starts, but only after first recognizing that it is an act of God, not a production of humanity. It may start suddenly or gradually, or it may start in a small group or a great crowd. There are many ways it can start and there are variations in the ways it can end. But the reason for revival never changes. It is so that the people will know the mighty hand of the Lord.

Joshua 4:21-24 — What are the characteristics of a revival? How do they start and what are the results? In this sermon on Joshua 4:21–24 titled “Revival Sermon: Variations Between Revivals,” Dr. Martyn Lloyd-Jones unpacks the powerful ways revival has affected the church and why the church must plead and pray for revival today. He relates revivals to the stones that were questioned by the children of the Israelites. The stones were a memorial there to remind the people and all the nations that the hand of the Lord is mighty. God has done great things and is still doing great things. A revival causes the people to be humbled by the glory and majesty of the Lord. It always results in praise and worship to God. Men and women who are converted during a revival become members of a church and abide in the faith. They become concerned for the lives of others who do not know God. Dr. Lloyd-Jones explains that there are many ways a revival starts, but only after first recognizing that it is an act of God, not a production of humanity. It may start suddenly or gradually, or it may start in a small group or a great crowd. There are many ways it can start and there are variations in the ways it can end. But the reason for revival never changes. It is so that the people will know the mighty hand of the Lord. To support this ministry financially, visit: https://www.oneplace.com/donate/603/29

Robert Schumann is a big name in classical music. However, in his own lifetime, Robert Schumann wasn't “the” Schumann. His wife was the famous one. Clara Schumann was an internationally known virtuoso who delighted audiences for 60 years, including the periods before, during, and after her eight pregnancies, Robert's illness, and eventual death. Visit the website (herhalfofhistory.com) for sources, transcripts, and pictures. Support the show on my Patreon page for bonus episodes, polls, and a general feeling of self-satisfaction. Or make a one-time donation on Buy Me a Coffee. Join Into History for a community of ad-free history podcasts plus bonus content. Visit Evergreen Podcasts to listen to more great shows. Follow me on Threads as Her Half of History. Music used in this episode include the following free or licensed tracks: · Robert Schumann's Kinderszenen, Op. 15: Träumerei · Clara Schumann's Soirees Musicales Opus 6: Ii. Notturno , performed by David Ezra Okonsar · Robert Schumann's Album for the Young, Op. 68, No. 10 "The Happy Farmer," performed by Trygve Larsen from Pixabay · Clara Schumann's Variations on a Theme by Robert Schumann, Opus 20, performed by David Ezra Okonsar · Clara Schumann's Soirees Musicales Opus 6: I. Toccatina, performed by David Ezra Okonsar Learn more about your ad choices. Visit megaphone.fm/adchoices

The 404 code means that a server could not find a client-requested webpage. Variations of the error message include "404 Error," "404 Page Not Found" and "The requested URL was not found." Because who needs show notes?!?!

Thu, 17 Apr 2025 23:00:00 +0000 https://seesee.podigee.io/s3e18-andrei-ionita 8b306c6e95ffcb5e607b501afe394bac In this episode, we have an in-depth conversation with Andrei Ioniță, the prodigious Romanian cellist and winner of the 2015 International Tchaikovsky Competition. We explore the emotional profundities and rich spectrum of colors that the cello can evoke, and how it reflects the subtleties of human emotion. Andrei shares his thoughts on playing Bach, discussing the personal connection he has with his instrument and his journey as a musician. He also reflects on the nuances of gut strings, the importance of good posture for a cellist, the physical sensation of the cello resting against his body, and how this intimate embrace influences emotional expression and depth of sound, particularly in the intense, low register passages. In this episode dedicated to music, Andrei also discusses his Romanian heritage and how the voice of Romania speaks through his bow, offering a personal insight into his cultural identity. In this episode, he takes us inside his experience during the 15th Tchaikovsky Competition and talks about his most difficult decisions as a musician. Most powerfully, Andrei opens up about how he conveys his whole soul through his music, sharing the courage it takes to be vulnerable and break through at the highest emotional peaks, only to let go and invite the listener into a shared human experience through his playing. This episode is a real treat for the ears and the heart! Andrei Ioniță's carrier it's a journey of emotional reflection and artistic courage – You'll understand what it is meant to “play from the gut”. Website: https://www.andreiionitacellist.com https://www.haefligerproduction.com/andrei-ionita https://www.symphonikerhamburg.de/laeiszhalle-orchester-symphoniker-hamburg/andrei-ionita-135 Instagram: ionita_andrei94 Facebook: Andrei Ioniță - Cellist This episode's Playlist and Playlist's credits: · Papandopulo, Boris. Rhapsodia Concertante: I. Introduzione Tempo Libero. Performed by Oliver Triendl and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD · Tchaikovsky, Pyotr Ilyich. Variations on a Rococo Theme, Op. 33 (var. VII e Coda : Allegro vivo). Performed by Cellist Andrei Ioniță and the Münchener Philharmoniker conducted by Valery Gergiev recorded at the Philharmonie im Gasteig (Munich, Germany), on May 12, 2017 20:00 © A Coproduction by Munich Philharmonic Orchestra & Telmondis // In Association with medici.tv & Takt1 https://www.youtube.com/watch?v=-6dyn2LRxVo · Brett, Dean. 11 Oblique Strategies No. 1. Listen to the Quiet Voice. Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brett, Dean. 11 Oblique Strategies No. 5. What are the Sections Sections of? Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brahms, Johannes. Cello Suite No. 1 G Major, BWV 1007: I. Prelude. Performed byAndrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brahms, Johannes. Cello Suite No. 1 in G Major BWV 1007: III. Courante. Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brahms, Johannes. Clarinet Trio in A Minor, Op. 114: I. Allegro. Performed by Pablo Barragán, Andrei Ioniță, and Juan Pérez Floristán. On Brahms: Complete Clarinet Sonatas & Trio. IBS Classical, 2018. CD. · Papandopulo, Boris. Concertino in modo antico, OP.56 II Aria. Performed by Oliver Triendl, Amaury Coeytaux, Vanessa Szgeti, and Andrei Ioniță. On Boris Papandopulo:Works for Piano & Strings, CPO-555106-2, 2021.CD · Dmitri, Shostakovich. Sonata for Cello and Piano in D Minor, Op.40. The XV International Tchaikovsky Competition. Performed by Andrei Ioniţă: Cellist and Seong-Jin Cho: Pianist. Concert recorded at the Salle des Combins (Verbier, Switzerland), on July 25, 2018. © Idéale Audience with the participation of medici.tv https://www.youtube.com/watch?v=iHPd1dN89bM · Dmitri, Shostakovich. Cello Concerto No. 1 in E-flat major, Op. 107 4. Allegro con moto. Performed by Andrei Ionuț Ioniță with the Mariinsky Theatre Symphony Orchestra conducted by Valery Gergiev. The XV International Tchaikovsky Competition's Winners' Concert. Recorded at the Great Hall of the Moscow Conservatory, on July 2, 2015. © MUSEEC/medici.tv https://www.youtube.com/watch?v=zzaCNTlJciI · Dmitri Shostakovich. Cello Concerto No. 1 in E-flat major, Op. 107 with the Draft. Performed by Andrei Ionuț Ioniță Orchestra of the Shostakovich State Academic Saint Petersburg Philharmonic conducted by Nikolai Alexeev. Cello: Final Round - Candidate #2 - First Prize - Recorded at the Grand Hall of the Saint Petersburg Philharmonia, on June 28, 2015, 7:45 p.m. https://www.youtube.com/watch?v=QfkQt0gSiJI · Henryson, Svante. Black Run. Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Enescu, George: Piano Quartet No. 1 in D Major, Op. 16: II Andante mesto. Performed by Catalin Serban, Andrei Ioniță, Karolina Errera, Suyeon Kang. On Mélodies Infinies: Fauré & Enescu Piano Quartets. Naxos 8.551477, 2024. CD · Papandopulo, Boris. Rapsodia Concertante: I. Introduziene. Tempo libero. Performed by Oliver Triendl, Amaury Coeytaux, Vanessa Szgeti, and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD · Rachmaninoff, Sergei: Sonata -Moll OP 19. Lento- Allegro moderato. 2. Allegro scherzando. 3 Andante. 4 Allegro mosso. Performed by Andrei Ioniță and Andrei Ioniță (Violoncello), Catalin Serban (Piano). Kammermusik am Max-Planck-Institut für Bildungsforschung in Zusammenarbeit mit Konzertleben e.V. January 17th, 2024. https://www.youtube.com/watch?v=QqpFqwfoBDg · Saint-Saëns, Camille. Concerto No.1 in A minor for Cello and Orchestra Op. 33. Performed by Solist Andrei Ioniță and the Filarmonica George Enescu conducted by Stefan Ausbury Opening Concert October 7th, 2020, at the Romanian Athenaeum lived-streamed on the Institutions Website and YouTube Channel. https://www.youtube.com/watch?v=ktTHMbFcyp4 · Papandopulo, Boris. Rapsodia Concertante: I. Introduziene. Tempo libero. Performed by Oliver Triendl, Amaury Coeytaux, Vanessa Szgeti, and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD · Rachmaninoff, Sergei: Sonata -Moll OP 19. Lento- Allegro moderato. 2. Allegro scherzando. 3 Andante. 4 Allegro mosso. Performed by Andrei Ioniță and Andrei Ioniță (Violoncello), Catalin Serban (Piano). Kammermusik am Max-Planck-Institut für Bildungsforschung in Zusammenarbeit mit Konzertleben e.V. January 17th, 2024. https://www.youtube.com/watch?v=QqpFqwfoBDg · Fauré, Gabriel: Piano Quartet No. 1 in C Minor, Op. 15: III Adagio. Performed by Catalin Serban, Andrei Ioniță, Karolina Errera, Suyeon Kang. On Mélodies Infinies: Fauré & Enescu Piano Quartets. Naxos 8.551477, 2024. CD https://www.youtube.com/watch?v=ktTHMbFcyp4 · Saint-Saëns, Camille. Concerto No.1 in A minor for Cello and Orchestra Op. 33. Performed by Solist Andrei Ioniță and the Filarmonica George Enescu conducted by Stefan Ausbury Opening Concert October 7th, 2020, at the Romanian Athenaeum lived-streamed on the Institutions Website and YouTube Channel. https://www.youtube.com/watch?v=ktTHMbFcyp4 · Brahms, Johannes. Clarinet Trio in A Minor, Op. 114: I. Allegro. Performed by Pablo Barragán, Andrei Ioniță, and Juan Pérez Floristán. On Brahms: Complete Clarinet Sonatas & Trio. IBS Classical, 2018. CD. · Papandopulo, Boris. Rhapsodia Concertante: III. Danza. Allegro. Performed by Oliver Triendl and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD Albums: Available in all Platforms https://open.spotify.com/intl-de/album/3Cqhwf6m3Gl8i0HfDTzln1 https://www.naxos.com/CatalogueDetail/?id=C5463 https://open.spotify.com/intl-de/artist/4ITCrIEQbzQVUO8CPHhdLP 3 18 full no Cellist,World famous orchestras,world famous conductors,Tchaikovsky Competition,Bach,Shostakovich,Enescu,Fauré,Gut strings,Posture Dr. Cecilia Ponce Rivera

In this episode, we're joined by Paul Faecks, the Founder of Plasma, and Zaheer of Split Capital, to discuss Plasma, a blockchain focused solely on providing stablecoin infrastructure. We dive into why general-purpose chains aren't optimized for stablecoin settlement, Plasma's architecture and how they will mitigate spam, and the broader implications for global payments, regulation, and the stablecoin economy's future as trillions move onchain. Thanks for tuning in! As always, remember this podcast is for informational purposes only, and any views expressed by anyone on the show are solely their opinions, not financial advice. -- Special thanks to our sponsor, dYdX! Stay up-to-date with DeFi's Pro Trading Platform by following dYdX on X: https://x.com/dYdX -- Follow Plasma: https://x.com/PlasmaFdn Follow Paul: https://x.com/pauliepunt Follow Zaheer: https://x.com/SplitCapital Follow Boccaccio: https://x.com/salveboccaccio Follow Blockworks Research: https://x.com/blockworksres Subscribe on YouTube: https://bit.ly/3foDS38 Subscribe on Apple: https://apple.co/3SNhUEt Subscribe on Spotify: https://spoti.fi/3NlP1hA Get top market insights and the latest in crypto news. Subscribe to Blockworks Daily Newsletter: https://blockworks.co/newsletter/ Join the 0xResearch Telegram group: https://t.me/+z0H6y2bS-dllODVh -- Timestamps: (0:00) Introduction (2:34) Why Build Plasma? (10:24) The PMF For Stablecoins (14:53) Plasma's Architecture (21:50) HotStuff-Inspired Consensus (25:17) dYdX Snippet (31:40) Zero Fees and Handling Spam (39:55) Competing With Tron (46:06) Variations of Stablecoins (50:59) Why Build on Bitcoin? (52:13) The Stablecoin Space Going Forward (1:04:52) Closing Comments -- Check out Blockworks Research today! Research, data, governance, tokenomics, and models – now, all in one place Blockworks Research: https://www.blockworksresearch.com/ Free Daily Newsletter: https://blockworks.co/newsletter -- Disclaimer: Nothing said on 0xResearch is a recommendation to buy or sell securities or tokens. This podcast is for informational purposes only, and any views expressed by anyone on the show are solely our opinions, not financial advice. Boccaccio, Danny, and our guests may hold positions in the companies, funds, or projects discussed.

Research consistently shows that happy employees are more engaged, more productive, and stay with their companies longer. While many organizations recognize this connection, they often lack the data and insights needed to make meaningful improvements in their workplace culture. With different generations having different expectations from work and regional variations in what contributes to happiness, reliable metrics are essential for making the right decisions. So, how can employers better understand workplace happiness and use this data to attract and retain talent? My guest this week is Matt Ward, Head of Recruitment Services at WorkL. For their latest research report, WorkL surveyed 400,000 employees in 26 industries across 100 countries on the key drivers of workplace happiness. The results give us some fantastic insights that can help make talent acquisition and retention strategies significantly more effective. In the interview, we discuss: The findings from WorkL's latest workplace happiness report  The six key elements that contribute to workplace happiness Why workplace happiness is rising globally  Variations across generations and genders What is driving flight risk? The continued importance of flexibility at work How can Talent Acquisition teams leverage happiness data for competitive talent advantage? What does the future look like? Follow this podcast on Apple Podcasts Follow this podcast on Spotify

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Scott brings you the latest from Prosper 2025, revealing the innovations that will empower you to succeed on Amazon. Discover cutting-edge tech for listing optimization, TikTok marketing, and private label repricing, and how other AI and emerging tools are reshaping e-commerce.   Episode Notes: 00:23- New Tech for Selling on Amazon in 2025 01:35 - Autopilot Brand 03:00 - Automato AI 05:12 - The TikTok Influence 08:06 - Tools and Agencies Aiding TikTok Marketing Efforts 10:05 - Pricing Innovations 11:15 - Variations and Optimization 14:27 - Prosper Show Reflections 16:25 - Conferences Comparison Related Post: The Ultimate Amazon Repricing Strategies: AI-Powered Price Optimization

主播｜李志明 嘉宾｜马家辉本期节目的嘉宾是知名作家，文化评论者马家辉先生，这是一次关于自我和家庭的对谈。《你不必着急成为一个大人》是马家辉与太太张家瑜的亲情散文之书，集结了三十年间二人写给女儿的文章。即便写作对象是女儿，创作的实质却是“为自己”，核心仍是探索自我与生命的关系。而字里行间流露出的温柔，则是他借用康德的“无上律令”对自己提出的要求和期待，但更是一种自我训诫。提到女儿时，马家辉的语调总会柔软几分，他回忆女儿幼时戒奶嘴的独立瞬间，也反思自己在冲突时的情绪失控，同时也因家庭的“语言治疗”习惯而庆幸着。谈及当下的原生家庭困境，马家辉拒绝简化善恶，两代人的痛苦，往往因社会支撑缺失而被放大，原谅或者不原谅，都是个体的命运选择。所谓亲子关系，终究是一场向内探索的旅程，父母与子女互为镜鉴，而后在漫长的岁月里与不完美的自己温柔和解。马家辉先生今天带着新书来做客，也有一段话要送给各位：你手里的这本书并不只是一父一母为孩子而写的文章。它更是自我叩问之书。之于我，“高中生”只是个象征符号，“过期的”则是个不太重要的年龄数字。高中生，其实也可以改头成小学生、大学生，或者社会人，而无论贴上什么标签，关键只在于是否仍对世界和生命抱持着探索的热情和探奇的欲望。｜song list｜片头曲：Sonata for Piano and Violin in E minor K. 304: 2. Tempo di minuetto片尾曲：12 Variations on "Ah, vous dirai-je, Maman", K.265 (300c)｜timeline｜01:53 《你不必着急成为一个大人》是自我叩问之书05:24 我希望女儿不要读我的文章，同样我也不敢读她的文章11:22 温柔是基于康德的“无上律令”，对自己提出的要求和期待18:07 接受自己是个“不完美”父亲，遗憾常有，有些事情就let go吧26:02 面对原生家庭问题，和解或是斗争都是个体的命运选择30:10 成长并非一个瞬间，而是点点滴滴的积累39:55 孩子的自由与管教如何平衡？44:37 乐观也是一种人生策略48:26 你是谁的父亲不重要，你是谁才最重要57:37 原生家庭的困境往往因社会支撑缺失而被放大1:02:10 对任何人都可以有期待，但永远无法控制1:06:32 成为父亲和丈夫以来最大的变化，是学会站在别人的角度看自己1:11:19 “家辉”背后的家族记忆与责任传承｜本期嘉宾｜马家辉，曾任职于广告公司、报社、杂志社，后赴美留学，先后取得美国芝加哥大学社会科学硕士、美国威斯康星大学社会学博士学位。曾担任《明报》副总编辑。出版散文集《大叔》《死在这里也不错》等。长篇小说《龙头凤尾》和《鸳鸯六七四》获多个文学奖项，有韩文及法文译本。现正撰写“香港三部曲”第三部《双天至尊》。｜相关链接｜本书是著名作家马家辉、张家瑜合著的散文集。自女儿出生之日起的成长轨迹与亲子互动片段，父母在女儿不断成长、转变过程中的喜悦、烦恼、惶惑和反省，在或轻快或深情的笔端一一呈现。父母心情熔铸一体，将温暖朴素的爱藏在日常岁月中，立体地展现了在孩子成长中，父母如何成为现在的父母。在整个过程中，他们一同经历了挫败并获得成长满足、失望，以及笑声和泪水促成了他们生命的惊喜与灵魂的更新。每个人都有自己的花期按照自己的节奏开花长大就好。｜节目中提到的书籍和电影｜《你不必着急成为一个大人物》作者：马家辉《大叔：我们终于可以聊聊走过的路》作者：马家辉《我是开豆腐店的，我只做豆腐》作者：小津安二郎《父亲的道歉信》作者：向田邦子《宛如阿修罗》导演：是枝裕和《年轻气盛》导演：索伦蒂诺《封神第一部：朝歌风云》导演：乌尔善｜相关图片｜逛模型店秋叶原李小龙模型61岁正是拼的年纪环球影城马老师爱扭蛋和抓娃娃机【收听平台】小宇宙｜喜马拉雅｜苹果播客｜网易云音乐｜荔枝｜蜻蜓FM｜QQ音乐｜酷我音乐｜酷狗音乐｜懒人听书｜微博音频｜三联中读｜听听FM｜猫耳FM｜Spotify｜YouTube｜关注我们｜移步点击日谈公园品牌官网（链接：https://www.ritanbbpark.com），了解更多微信公众号：日谈公园微博：@日谈公园小红书：日谈公园即刻：日谈李小日B站：日谈公园｜商务合作｜欢迎发送邮件至 bbpark@ritanbbpark.com

SpaceTime Series 28 Episode 37The Astronomy, Space and Science News PodcastExciting New Exoplanet Discovery, Evolving Dark Energy, and Insights into the Moon's Magnetic FieldIn this episode of SpaceTime, we uncover the discovery of a potential new exoplanet, TOI 2818C, located over a thousand light years away in the constellation Papus. This intriguing planetary candidate is estimated to be 10 to 16 times the size of Earth and orbits its host star in less than 16 Earth days. We delve into the innovative transit timing variations method employed by astronomers, which revealed the presence of this companion planet alongside the hot Jupiter TOI 2818b, and discuss the implications for our understanding of planetary formation in hot Jupiter systems.Dark Energy's Mysterious EvolutionWe also explore a groundbreaking study suggesting that dark energy may be evolving over cosmic time scales. Utilizing data from the Dark Energy Spectroscopic Instrument (DESI), scientists are piecing together the largest three-dimensional map of the universe, revealing hints that dark energy's influence could be changing. This discovery could challenge current cosmological models and reshape our understanding of the universe's fate.Dynamic Lunar Magnetic FieldAdditionally, we examine findings from China's Chang'e 6 mission, which indicate that the Moon's magnetic field has been more dynamic and lasted longer than previously thought. The analysis of lunar samples reveals a resurgence of the magnetic field around 2.8 billion years ago, suggesting that the Moon's interior remains geologically active, challenging earlier beliefs about its magnetic history.00:00 Space Time Series 28 Episode 37 for broadcast on 26 March 202500:49 Discovery of exoplanet TOI 2818C06:30 Transit timing variations method explained12:15 Implications for hot Jupiter planetary systems18:00 Evolving dark energy and the DESI findings22:45 Insights into the Moon's magnetic field dynamics27:00 Summary of recent astronomical discoveries30:15 Discussion on the health impacts of sugary beverageswww.spacetimewithstuartgary.comwww.bitesz.com

Like a great classical composition, the Śrīmad Bhāgavatam unfolds as variations on a theme—repeating, refining, and revealing a singular truth through different stories and characters. That truth? Beyond the pursuit of pleasure (bhoga) and even the escape of liberation (mokṣa), the highest fulfillment is found in bhakti—a relationship of divine love. In this episode of Wisdom of the Sages, Raghunath and Kaustubha explore how this theme plays out in the dramatic encounter between Durvāsā Muni and King Ambarīṣa. More than just an ancient tale, their story touches on something deeply relevant—our modern struggles with power, ego, and the fear of surrender. What does it really mean when Vishnu declares that He is controlled by love? And how does this vision of the divine challenge our deepest assumptions about strength, authority, and freedom?