Podcasts about variations

Robert Schumann is a big name in classical music. However, in his own lifetime, Robert Schumann wasn't “the” Schumann. His wife was the famous one. Clara Schumann was an internationally known virtuoso who delighted audiences for 60 years, including the periods before, during, and after her eight pregnancies, Robert's illness, and eventual death. Visit the website (herhalfofhistory.com) for sources, transcripts, and pictures. Support the show on my Patreon page for bonus episodes, polls, and a general feeling of self-satisfaction. Or make a one-time donation on Buy Me a Coffee. Join Into History for a community of ad-free history podcasts plus bonus content. Visit Evergreen Podcasts to listen to more great shows. Follow me on Threads as Her Half of History. Music used in this episode include the following free or licensed tracks: · Robert Schumann's Kinderszenen, Op. 15: Träumerei · Clara Schumann's Soirees Musicales Opus 6: Ii. Notturno , performed by David Ezra Okonsar · Robert Schumann's Album for the Young, Op. 68, No. 10 "The Happy Farmer," performed by Trygve Larsen from Pixabay · Clara Schumann's Variations on a Theme by Robert Schumann, Opus 20, performed by David Ezra Okonsar · Clara Schumann's Soirees Musicales Opus 6: I. Toccatina, performed by David Ezra Okonsar Learn more about your ad choices. Visit megaphone.fm/adchoices

The 404 code means that a server could not find a client-requested webpage. Variations of the error message include "404 Error," "404 Page Not Found" and "The requested URL was not found." Because who needs show notes?!?!

In this episode, we're joined by Paul Faecks, the Founder of Plasma, and Zaheer of Split Capital, to discuss Plasma, a blockchain focused solely on providing stablecoin infrastructure. We dive into why general-purpose chains aren't optimized for stablecoin settlement, Plasma's architecture and how they will mitigate spam, and the broader implications for global payments, regulation, and the stablecoin economy's future as trillions move onchain. Thanks for tuning in! As always, remember this podcast is for informational purposes only, and any views expressed by anyone on the show are solely their opinions, not financial advice. -- Special thanks to our sponsor, dYdX! Stay up-to-date with DeFi's Pro Trading Platform by following dYdX on X: https://x.com/dYdX -- Follow Plasma: https://x.com/PlasmaFdn Follow Paul: https://x.com/pauliepunt Follow Zaheer: https://x.com/SplitCapital Follow Boccaccio: https://x.com/salveboccaccio Follow Blockworks Research: https://x.com/blockworksres Subscribe on YouTube: https://bit.ly/3foDS38 Subscribe on Apple: https://apple.co/3SNhUEt Subscribe on Spotify: https://spoti.fi/3NlP1hA Get top market insights and the latest in crypto news. Subscribe to Blockworks Daily Newsletter: https://blockworks.co/newsletter/ Join the 0xResearch Telegram group: https://t.me/+z0H6y2bS-dllODVh -- Timestamps: (0:00) Introduction (2:34) Why Build Plasma? (10:24) The PMF For Stablecoins (14:53) Plasma's Architecture (21:50) HotStuff-Inspired Consensus (25:17) dYdX Snippet (31:40) Zero Fees and Handling Spam (39:55) Competing With Tron (46:06) Variations of Stablecoins (50:59) Why Build on Bitcoin? (52:13) The Stablecoin Space Going Forward (1:04:52) Closing Comments -- Check out Blockworks Research today! Research, data, governance, tokenomics, and models – now, all in one place Blockworks Research: https://www.blockworksresearch.com/ Free Daily Newsletter: https://blockworks.co/newsletter -- Disclaimer: Nothing said on 0xResearch is a recommendation to buy or sell securities or tokens. This podcast is for informational purposes only, and any views expressed by anyone on the show are solely our opinions, not financial advice. Boccaccio, Danny, and our guests may hold positions in the companies, funds, or projects discussed.

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Research consistently shows that happy employees are more engaged, more productive, and stay with their companies longer. While many organizations recognize this connection, they often lack the data and insights needed to make meaningful improvements in their workplace culture. With different generations having different expectations from work and regional variations in what contributes to happiness, reliable metrics are essential for making the right decisions. So, how can employers better understand workplace happiness and use this data to attract and retain talent? My guest this week is Matt Ward, Head of Recruitment Services at WorkL. For their latest research report, WorkL surveyed 400,000 employees in 26 industries across 100 countries on the key drivers of workplace happiness. The results give us some fantastic insights that can help make talent acquisition and retention strategies significantly more effective. In the interview, we discuss: The findings from WorkL's latest workplace happiness report  The six key elements that contribute to workplace happiness Why workplace happiness is rising globally  Variations across generations and genders What is driving flight risk? The continued importance of flexibility at work How can Talent Acquisition teams leverage happiness data for competitive talent advantage? What does the future look like? Follow this podcast on Apple Podcasts Follow this podcast on Spotify

Research consistently shows that happy employees are more engaged, more productive, and stay with their companies longer. While many organizations recognize this connection, they often lack the data and insights needed to make meaningful improvements in their workplace culture. With different generations having different expectations from work and regional variations in what contributes to happiness, reliable metrics are essential for making the right decisions. So, how can employers better understand workplace happiness and use this data to attract and retain talent? My guest this week is Matt Ward, Head of Recruitment Services at WorkL. For their latest research report, WorkL surveyed 400,000 employees in 26 industries across 100 countries on the key drivers of workplace happiness. The results give us some fantastic insights that can help make talent acquisition and retention strategies significantly more effective. In the interview, we discuss: The findings from WorkL's latest workplace happiness report  The six key elements that contribute to workplace happiness Why workplace happiness is rising globally  Variations across generations and genders What is driving flight risk? The continued importance of flexibility at work How can Talent Acquisition teams leverage happiness data for competitive talent advantage? What does the future look like? Follow this podcast on Apple Podcasts Follow this podcast on Spotify

Research consistently shows that happy employees are more engaged, more productive, and stay with their companies longer. While many organizations recognize this connection, they often lack the data and insights needed to make meaningful improvements in their workplace culture. With different generations having different expectations from work and regional variations in what contributes to happiness, reliable metrics are essential for making the right decisions. So, how can employers better understand workplace happiness and use this data to attract and retain talent? My guest this week is Matt Ward, Head of Recruitment Services at WorkL. For their latest research report, WorkL surveyed 400,000 employees in 26 industries across 100 countries on the key drivers of workplace happiness. The results give us some fantastic insights that can help make talent acquisition and retention strategies significantly more effective. In the interview, we discuss: The findings from WorkL's latest workplace happiness report  The six key elements that contribute to workplace happiness Why workplace happiness is rising globally  Variations across generations and genders What is driving flight risk? The continued importance of flexibility at work How can Talent Acquisition teams leverage happiness data for competitive talent advantage? What does the future look like? Follow this podcast on Apple Podcasts Follow this podcast on Spotify

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Ce numéro fait la part belle aux nouveautés avec le nouvel album d' IQ ! Le célèbre groupe de rock dit "Néo progressif" part en tournée pour promouvoir ce nouvel opus (Dominion). Pour la France, ce sera au Casino de Paris dans le cadre du PROG ROCK FEST les 26 et 27 septembre aux côtés d'autres grands noms du genre ! De nouvelles parutions hexagonales aussi !  WEEND'Ô nous a promis un nouvel album cet année, enfin !!! En attendant on se délecte de leur nouveau single, tout comme de celui de CYSEV qui nous promettent de leur côté un EP prochainement, l'occasion de revenir avec délice sur ces deux formations très prochainement... Chez les ainés, les tôliers du genre en VF, il faut écouter FRANCIS DECAMPS, co-fondateur de ANGE qui revisite en solo le tout premier album du groupe franc-comtois : "Caricatures" ! En solo mais fort  bien entouré de guests, notamment ici de son talentueux neveu Tristan Décamps (actuel chant / clavier du groupe) pour une version magistrale de "Dignité" ! Enfin, pour les aficionados de sons plus "métalleux", MAANEN FACES est un groupe nantais et leur album "A Brillant Future" sort tout juste de la forge ! Le groupe se produira sur la scène du FLORIDE à Nantes le 26 avril aux cotés de RIPLEY FROM MARS et BLACK RADISH, ça va envoyer !! Autre concert nantais, mais dans un tout autre genre, la mystérieuse artiste suédoise ANNA VON HAUSSWOLFF se produira au LIEU UNIQUE ce dimanche dans le cadre du festival Variations en partenariat avec votre radio préférée ! Une occasion UNIQUE car l'artiste se fait rare (ce sera d'ailleurs sa seule date française), à retrouver donc dans un Lieu Unique, avec le Son UNique !   J'ai tout de même gardé un peu de places pour quelques productions du siècle dernier, avec l'ex-chanteur et cofondateur de SUPERTRAMP : ROGER HODGSON pour les 80's.  La décennie précédente était représentée par  GENESIS et DAVID BOWIE , ce dernier faisant par ailleurs l'objet d'une exposition photo à Paris jusqu'au 22 juin  : "Mr Jones's Long Hair", galerie MR8 (quartier du Marais). De superbes clichés de l'artiste par divers photographes, avis aux amateurs de belles images et du caméléon... Page Facebook de l'émission : AMAROK44

Scott brings you the latest from Prosper 2025, revealing the innovations that will empower you to succeed on Amazon. Discover cutting-edge tech for listing optimization, TikTok marketing, and private label repricing, and how other AI and emerging tools are reshaping e-commerce.   Episode Notes: 00:23- New Tech for Selling on Amazon in 2025 01:35 - Autopilot Brand 03:00 - Automato AI 05:12 - The TikTok Influence 08:06 - Tools and Agencies Aiding TikTok Marketing Efforts 10:05 - Pricing Innovations 11:15 - Variations and Optimization 14:27 - Prosper Show Reflections 16:25 - Conferences Comparison Related Post: The Ultimate Amazon Repricing Strategies: AI-Powered Price Optimization

Episode 164 Chapter 25, Electronic Music in Japan and The Asia-Pacific. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 25, Electronic Music in Japan and The Asia-Pacific from my book Electronic and Experimental music.   Playlist: ELECTRONIC MUSIC IN JAPAN AND THE ASIA-PACIFIC   Time Track Time Start Introduction –Thom Holmes 01:32 00:00 1.     Toshiro Mayuzumi, “Les Œuvres Pour La Musique Concrète X, Y, Z” (1953). Early work of tape music. 13:50 01:36 2.     Toru Takemitsu, “Vocalism Ai (Love)” (1956). For magnetic tape (condensed from a 72-hour tape montage. 04:11 15:22 3.     Makoto Moroi and Toshiro Mayuzumi, “Shichi No Variation (7 Variations)” (1956). Tape music for sine wave generators. 14:51 19:32 4.     Toru Takemitsu, “Sky, Horse And Death (Concrete-Music)” (1958). For magnetic tape. 03:28 34:24 5.     Group Ongaku, “Object” (1960). Recorded on May 8, 1960, at Mizuno's house. Performers were Chieko Shiomi, Mikio Tojima, Shukou Mizuno, Takehisa Kosugi, Yasunao Tone, and Yumiko Tanno. 07:34 37:50 6.     Toru Takemitsu, “Water Music” (1960). For magnetic tape. 09:41 45:26 7.     Michiko Toyama, “Aoi No Ue (Princess Hollyhock) (Music Drama for Tape and Narration).” For magnetic tape and reader. 07:05 55:06 8.     Group Ongaku, “Metaplasm Part 2” (1961). Live performance, 1961, at Sogetsu Kaikan Hall, Tokyo. Tadashi Mori (conductor), 09:08 01:02:10 9.     Akira Miyoshi (composer), opening excerpt to Ondine (1961). For orchestra, mixed chorus and electronic sounds. 04:32 01:11:18 10.   Joji Yuasa ‎– “Aoi No Ue” (1961). For voice and tape and based on The Tale of Genji written by Murasaki Shikibu in 11th century. Tape parts realized at NHK Electronic music studio. 29:50 01:15:50 11.   Kuniharu Akiyama, “Noh-Miso” (track 1) (1962). Tape music. Hitomi-Za is an experimental puppet theatre group. They had performed in February 13-17 in 1962 at Sogetsu Kaikan Hall. This program was consisted of three parts, and Joji Yuasa, Kuniharu Akiyama and Naozumi Yamamoto composed background sound for each part. 01:44 01:45:40 12.   Toshi Ichiyanagi, “Parallel Music” (1962). Tape music recorded at NHK Electric Music Studio, Tokyo Japan. 09:12 01:47:22 13.   Kuniharu Akiyam, “Demonstration of Nissei Theater” (excerpt) (1963). “Demonstration of Nissei Theater” composed in 1963 for a public demonstration of the stage machinery of the newly opened Nissei Theatre in Tokyo. 05:15 01:56:36 14.   Toshi Ichiyanagi, “Sound Materials for Tinguely” (1963). “Music For Tinguely” was composed at the studio of Sogetsu Art Center. This rare track comprises sound materials used for that composition. 03:31 02:01:54 15.   Joji Yusa, Tracks 1-4 (1963). Incidental music for NHK Radio, based on Andre Breton's "Nadja". "The actual chart of constellations was played by three players (violin, piano, vibraphone) which was supposed as the music score. And birds' voices, electronic sound, sound generated from inside piano, through music concrete technique and constructed at the NHK Electronic Music Studio." 04:24 02:05:26 16.   Maki Ishii, “Hamon-Ripples (For Chamber Ensemble, Violin And Taped Music)” (1965). Tape piece for violin and chamber orchestra. 10:01 02:09:46 17.   Joji Yuasa, “Icon on the Source Of White Noise” (1967). Tape work using white noise as material and designed for a multi-channel system. In the original version, several sound images of various widths (e.g. three loudspeakers playing simultaneously) moved at different speeds around the audience, who were positioned inside the pentagonal loudspeaker arrangement. 12:13 02:19:44 18.   Makoto Moroi, “Shosanke” (1968). Tape work fusing electronic sounds with those of traditional Japanese instruments. 13:20 02:31:54 19.   Minao Shibata, “Improvisation for Electronic Sounds” (1968). Tape piece for electronic sounds. 09:27 02:45:12 20.   Toshi Ichiyanagi, “Love Blinded Ballad (Enka 1969)” from the Opera "From The Works Of Tadanori Yokoo" (1969). Tape collage. 06:57 02:54:40 21.   Toshi Ichiyanagi, Music for Living Space (1969, Bijutsu Shuppan-Sha), composed for the Electric Faculty of Engineering of Kyoto University. Early Computer Music combined with Gregorian chant for Osaka Expo '70. 08:49 03:01:34 22.   Toshiro Mayuzumi, “Mandara” (1969). Tape piece for electronic sound and voices. 10:22 03:10:24 23.   Takehisa Kosugi,  “Catch-Wave” (Mano Dharma '74)” (1974). “Mano-Dharma '74” is an excerpt from a meta-media solo improvisation performed by Takehisa Kosugi. From his notes: “Sounds speeding on lights, light speeding on sounds music between riddles & solutions. ‘the deaf listen to sounds touching, watching.” 26:32 03:20:42 24.   Yoshi Wada ‎– Earth Horns with Electronic Drone, excerpt, (1974). Electronics by Liz Phillips. Pipehorn players Barbara Stewart, Garrett List, Jim Burton, Yoshi Wada. Composed by, recorded by Yoshi Wada. Recorded at Everson Museum of Art, Syracuse, New York, Sunday 2-5pm, February 24, 1974. 10:51 03:47:10 25.   Matsuo Ohno, Takehisa Kosugi, “B.G.M. Parts A-F” (1963). Music and effects later used for Astroboy. 06:59 03:57:48 26.   Joji Yuasa, “My Blue Sky (No. 1)” (1975). Tape parts realized at NHK Electronic music studio. 15:43 04:05:00   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

The new Lou Volpe Jazz Cast features clear and melodic leads over a solid rhythm guitar track. We hope you like it! The feature song this week is called "FEEL IT ( THE STYLE VERSION)". "THAT'S A GOOD START", TOSS AND TURN", "FEEL IT (THE STYLE VERSION)" and "EVERY ONCE IN A WHILE" {compliments of cosmic consciousness music ©2025 BMI} Enjoy!

主播｜李志明 嘉宾｜马家辉本期节目的嘉宾是知名作家，文化评论者马家辉先生，这是一次关于自我和家庭的对谈。《你不必着急成为一个大人》是马家辉与太太张家瑜的亲情散文之书，集结了三十年间二人写给女儿的文章。即便写作对象是女儿，创作的实质却是“为自己”，核心仍是探索自我与生命的关系。而字里行间流露出的温柔，则是他借用康德的“无上律令”对自己提出的要求和期待，但更是一种自我训诫。提到女儿时，马家辉的语调总会柔软几分，他回忆女儿幼时戒奶嘴的独立瞬间，也反思自己在冲突时的情绪失控，同时也因家庭的“语言治疗”习惯而庆幸着。谈及当下的原生家庭困境，马家辉拒绝简化善恶，两代人的痛苦，往往因社会支撑缺失而被放大，原谅或者不原谅，都是个体的命运选择。所谓亲子关系，终究是一场向内探索的旅程，父母与子女互为镜鉴，而后在漫长的岁月里与不完美的自己温柔和解。马家辉先生今天带着新书来做客，也有一段话要送给各位：你手里的这本书并不只是一父一母为孩子而写的文章。它更是自我叩问之书。之于我，“高中生”只是个象征符号，“过期的”则是个不太重要的年龄数字。高中生，其实也可以改头成小学生、大学生，或者社会人，而无论贴上什么标签，关键只在于是否仍对世界和生命抱持着探索的热情和探奇的欲望。｜song list｜片头曲：Sonata for Piano and Violin in E minor K. 304: 2. Tempo di minuetto片尾曲：12 Variations on "Ah, vous dirai-je, Maman", K.265 (300c)｜timeline｜01:53 《你不必着急成为一个大人》是自我叩问之书05:24 我希望女儿不要读我的文章，同样我也不敢读她的文章11:22 温柔是基于康德的“无上律令”，对自己提出的要求和期待18:07 接受自己是个“不完美”父亲，遗憾常有，有些事情就let go吧26:02 面对原生家庭问题，和解或是斗争都是个体的命运选择30:10 成长并非一个瞬间，而是点点滴滴的积累39:55 孩子的自由与管教如何平衡？44:37 乐观也是一种人生策略48:26 你是谁的父亲不重要，你是谁才最重要57:37 原生家庭的困境往往因社会支撑缺失而被放大1:02:10 对任何人都可以有期待，但永远无法控制1:06:32 成为父亲和丈夫以来最大的变化，是学会站在别人的角度看自己1:11:19 “家辉”背后的家族记忆与责任传承｜本期嘉宾｜马家辉，曾任职于广告公司、报社、杂志社，后赴美留学，先后取得美国芝加哥大学社会科学硕士、美国威斯康星大学社会学博士学位。曾担任《明报》副总编辑。出版散文集《大叔》《死在这里也不错》等。长篇小说《龙头凤尾》和《鸳鸯六七四》获多个文学奖项，有韩文及法文译本。现正撰写“香港三部曲”第三部《双天至尊》。｜相关链接｜本书是著名作家马家辉、张家瑜合著的散文集。自女儿出生之日起的成长轨迹与亲子互动片段，父母在女儿不断成长、转变过程中的喜悦、烦恼、惶惑和反省，在或轻快或深情的笔端一一呈现。父母心情熔铸一体，将温暖朴素的爱藏在日常岁月中，立体地展现了在孩子成长中，父母如何成为现在的父母。在整个过程中，他们一同经历了挫败并获得成长满足、失望，以及笑声和泪水促成了他们生命的惊喜与灵魂的更新。每个人都有自己的花期按照自己的节奏开花长大就好。｜节目中提到的书籍和电影｜《你不必着急成为一个大人物》作者：马家辉《大叔：我们终于可以聊聊走过的路》作者：马家辉《我是开豆腐店的，我只做豆腐》作者：小津安二郎《父亲的道歉信》作者：向田邦子《宛如阿修罗》导演：是枝裕和《年轻气盛》导演：索伦蒂诺《封神第一部：朝歌风云》导演：乌尔善｜相关图片｜逛模型店秋叶原李小龙模型61岁正是拼的年纪环球影城马老师爱扭蛋和抓娃娃机【收听平台】小宇宙｜喜马拉雅｜苹果播客｜网易云音乐｜荔枝｜蜻蜓FM｜QQ音乐｜酷我音乐｜酷狗音乐｜懒人听书｜微博音频｜三联中读｜听听FM｜猫耳FM｜Spotify｜YouTube｜关注我们｜移步点击日谈公园品牌官网（链接：https://www.ritanbbpark.com），了解更多微信公众号：日谈公园微博：@日谈公园小红书：日谈公园即刻：日谈李小日B站：日谈公园｜商务合作｜欢迎发送邮件至 bbpark@ritanbbpark.com

SpaceTime Series 28 Episode 37The Astronomy, Space and Science News PodcastExciting New Exoplanet Discovery, Evolving Dark Energy, and Insights into the Moon's Magnetic FieldIn this episode of SpaceTime, we uncover the discovery of a potential new exoplanet, TOI 2818C, located over a thousand light years away in the constellation Papus. This intriguing planetary candidate is estimated to be 10 to 16 times the size of Earth and orbits its host star in less than 16 Earth days. We delve into the innovative transit timing variations method employed by astronomers, which revealed the presence of this companion planet alongside the hot Jupiter TOI 2818b, and discuss the implications for our understanding of planetary formation in hot Jupiter systems.Dark Energy's Mysterious EvolutionWe also explore a groundbreaking study suggesting that dark energy may be evolving over cosmic time scales. Utilizing data from the Dark Energy Spectroscopic Instrument (DESI), scientists are piecing together the largest three-dimensional map of the universe, revealing hints that dark energy's influence could be changing. This discovery could challenge current cosmological models and reshape our understanding of the universe's fate.Dynamic Lunar Magnetic FieldAdditionally, we examine findings from China's Chang'e 6 mission, which indicate that the Moon's magnetic field has been more dynamic and lasted longer than previously thought. The analysis of lunar samples reveals a resurgence of the magnetic field around 2.8 billion years ago, suggesting that the Moon's interior remains geologically active, challenging earlier beliefs about its magnetic history.00:00 Space Time Series 28 Episode 37 for broadcast on 26 March 202500:49 Discovery of exoplanet TOI 2818C06:30 Transit timing variations method explained12:15 Implications for hot Jupiter planetary systems18:00 Evolving dark energy and the DESI findings22:45 Insights into the Moon's magnetic field dynamics27:00 Summary of recent astronomical discoveries30:15 Discussion on the health impacts of sugary beverageswww.spacetimewithstuartgary.comwww.bitesz.com

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Our most recent presentation was on our local 3 v 3 program. However, I also wanted to touch on additional 3 v 3 variations that coaches can use in season and out.Join US Website: www.coachsedge.coachEmail: contact@cramerbasketball.comCamps: www.Cramerbasketball.comOnline Training: https://cramerbasketball.mypthub.net/3/p/133059Twitter.com/coachsedge1Twitter.com/cramerbballFacebook.com/cramerbasketballYoutube.com/cramerbasketballInstagram.com/cramer_basketballBasketball coach basketball podcast basketball strategyPlayer development zone offense zone defense pressing pressure defense programbuilding team defense pack line defense baseline defense zone defense 1-3-1defense basketball united slapping glass coaching tips teach hoops how to coachbasketball basketball podcast youth basketball basketball camps basketballimmersion training basketball shooting tips basketball conditioning shootingdrills ball handling drills passing drills basketball drills basketballworkouts basketball drills youth basketball basketball drills open gymsshootouts scrimmages man to man defense basketball officials and deep dive refssports psychology shot selection dribble drive offense shooting coach freethrows athletic development

On this episode of Inside the Music, Artistic Director of Capital Region Classical Derek Delaney explores Rachmaninoff and the Russian composer's piano preludes and his variations on a theme of Chopin with live CRC performances by pianists Yefim Bronfman and Alexander Melnikov.Preludes, Op. 23No. 1 in F‐Sharp MinorNo. 2 in B‐flat MajorNo. 3 in D MinorNo. 4 in D MajorNo. 5 in G MinorNo. 6 in E‐flat MajorNo. 7 in C MinorYefim Bronfman [11/30/2002]Chopin Variations, Op. 22Alexander Melnikov [1/29/2017]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

L'invitée de la #SessionLive est l'artiste mauricienne Lisa Ducasse pour la sortie de l'album Iléisme. Teaser RFIL'iléisme, c'est d'abord, dans sa définition, l'acte de parler de soi à la troisième personne. Par extension, c'est tout acte de création qui pourrait être vu comme une forme d'iléisme, comme une fenêtre qu'on ouvrirait toujours dans le même sens : de soi vers le monde. Dans le motet dans ce qu'il referme de sons, il y a aussi la langue qui glisse, pour dire « île et isthme», l'île et la presqu'île. Et c'est bien en termes d'îlots, issus et faisant chacun partie d'une géographie, d'une cartographie imaginaires – celle des voyages, réels et rêvés, celle des échappées belles – que Lisa Ducasse a pensé les morceaux de ce premier album, aux côtés de Bénédicte Schmitt à la réalisation, avec Raphaël Séguinier à la batterie et aux percussions, Nicolas Mantoux aux synthés et guitares, Christelle Lassort au violon et Eve Risser au piano préparé.Seule en scène, clavier et platine vinyle au bout des doigts, Lisa Ducasse invite au voyage de ses textes et sa voix. Née à l'Ile Maurice et actuellement installée à Paris, elle conserve et cultive un attachement farouche à l'enfance et à la capacité d'émerveillement dans sa vie adulte et créative. Inspirées d'échappées réelles, ses chansons font preuve d'une volonté́ de dire la rencontre du vulnérable et de l'indomptable, en notes et en mots déliés, personnels et actuels. Après des années de performance de spoken word, et un recueil de poésie édité en 2017, Lisa sort un premier single remarqué aux côtés de Guillaume Poncelet, « Qui sont » (270k écoutes sur Spotify). Depuis, elle a été lauréate du dispositif Variations, du Chantier des Francofolies, #FoRTE et du FAIR. Elle multiplie les premières parties dans des salles parisiennes telles que l'Olympia avec Zazie, le Casino de Paris avec Alain Souchon, tout en parcourant la France aux côtés d'artistes tels que Pomme, Arthur H, Barbara Pravi, ou encore Bertrand Belin, et le monde en festivals (Fête de l'Humanité, Francofolies de La Rochelle, de Montréal, de La Réunion)... Après plusieurs singles, de nombreux voyages entre l'Amérique du Sud et Paris, et plus d'une centaine de concerts, son premier album, Iléisme, enregistré aux légendaires Labomatic Studios, a vu le jour en janvier 2025.Titres interprétés dans le grand studio- L'Essor Live RFI- Sahara, extrait de l'album - Partie Pour poème- Voleuse d'éclairs Live RFI.Line Up : Lisa Ducasse, chant, Jules Monnier, machines.Son : Mathias Taylor, Camille Roch.► Album Iléisme (Rising Bird 2025).Maison de la Poésie 2 avril COMPLET, 26 mai.+ Piers Faccini et Ballaké Sissoko.Walid Ben SelimAnthony JosephFacebook - YouTube. Réalisation : Hadrien Touraud.

L'invitée de la #SessionLive est l'artiste mauricienne Lisa Ducasse pour la sortie de l'album Iléisme. Teaser RFIL'iléisme, c'est d'abord, dans sa définition, l'acte de parler de soi à la troisième personne. Par extension, c'est tout acte de création qui pourrait être vu comme une forme d'iléisme, comme une fenêtre qu'on ouvrirait toujours dans le même sens : de soi vers le monde. Dans le motet dans ce qu'il referme de sons, il y a aussi la langue qui glisse, pour dire « île et isthme», l'île et la presqu'île. Et c'est bien en termes d'îlots, issus et faisant chacun partie d'une géographie, d'une cartographie imaginaires – celle des voyages, réels et rêvés, celle des échappées belles – que Lisa Ducasse a pensé les morceaux de ce premier album, aux côtés de Bénédicte Schmitt à la réalisation, avec Raphaël Séguinier à la batterie et aux percussions, Nicolas Mantoux aux synthés et guitares, Christelle Lassort au violon et Eve Risser au piano préparé.Seule en scène, clavier et platine vinyle au bout des doigts, Lisa Ducasse invite au voyage de ses textes et sa voix. Née à l'Ile Maurice et actuellement installée à Paris, elle conserve et cultive un attachement farouche à l'enfance et à la capacité d'émerveillement dans sa vie adulte et créative. Inspirées d'échappées réelles, ses chansons font preuve d'une volonté́ de dire la rencontre du vulnérable et de l'indomptable, en notes et en mots déliés, personnels et actuels. Après des années de performance de spoken word, et un recueil de poésie édité en 2017, Lisa sort un premier single remarqué aux côtés de Guillaume Poncelet, « Qui sont » (270k écoutes sur Spotify). Depuis, elle a été lauréate du dispositif Variations, du Chantier des Francofolies, #FoRTE et du FAIR. Elle multiplie les premières parties dans des salles parisiennes telles que l'Olympia avec Zazie, le Casino de Paris avec Alain Souchon, tout en parcourant la France aux côtés d'artistes tels que Pomme, Arthur H, Barbara Pravi, ou encore Bertrand Belin, et le monde en festivals (Fête de l'Humanité, Francofolies de La Rochelle, de Montréal, de La Réunion)... Après plusieurs singles, de nombreux voyages entre l'Amérique du Sud et Paris, et plus d'une centaine de concerts, son premier album, Iléisme, enregistré aux légendaires Labomatic Studios, a vu le jour en janvier 2025.Titres interprétés dans le grand studio- L'Essor Live RFI- Sahara, extrait de l'album - Partie Pour poème- Voleuse d'éclairs Live RFI.Line Up : Lisa Ducasse, chant, Jules Monnier, machines.Son : Mathias Taylor, Camille Roch.► Album Iléisme (Rising Bird 2025).Maison de la Poésie 2 avril COMPLET, 26 mai.+ Piers Faccini et Ballaké Sissoko.Walid Ben SelimAnthony JosephFacebook - YouTube. Réalisation : Hadrien Touraud.

“I am choosing me and all variations of me!” Many of us have been conditioned to believe that our value lies in fixing others.  But real transformation when we are truly grounded, we radiate stability, and the right people naturally align with us. Instead of chasing, fixing, or proving, we attract, inspire, and elevate. A follow up on my previous video “Doin it for me” which is all about self-regulation. Full video on Ariadna's YouTube channel under the same name. Check out our socials for more! Hug tighter, love stronger, Always Believe!

The true nature of Low Tide Orphanage begins to reveal itself. Trigger Warnings: child endangerment, child harm, body horror, torture/interrogation, asphixiation/drowning, abuse/child abuse, sacrifice, child sacrifice, horrific imagery, violence, religious concepts and imagery, medical trauma, immolation, death, gore, manipulation, PTSD Kenon Pearce as GM Jordache Richardson as Varien Tyris, Justin, and Brad Nikki Richardson as Clover Barrows and Terri Tabloid ISHNAR/KALCRIN HOMEBREW SETTING (C) by Kenon Pearce   Sound editing and design by Nikki Richardson CLICK THE LINK TO JOIN US! https://discord.gg/59axDYE3Sq JOIN US FOR FINALE DAY TODAY! Twitter/X and Bluesky: Kenon Pearce @mr_fugufish/mrfugufish Jordache Richardson @jdash24 Nikki Ri @thenikkiri   Website: totrpodcast.com Twitter: @totrcast Studio Twitter: @whiteravenpods  Facebook: @topoftheround Instagram: @topoftheround Bluesky: @totrpodcast CHECK OUT OUR NEW COMEDY IMPROV SHOW, STORY NOW LOADING: https://open.spotify.com/show/31Up8C0TY1UuxBca5pbO7z?si=2ed56eff677d4e26 https://www.podchaser.com/podcasts/story-now-loading-5947866 https://podcasts.apple.com/us/podcast/story-now-loading/id1788697091 Go to our website for MERCH! https://www.totrpodcast.com/merch.html#/   Support us on Patreon: https://www.patreon.com/topoftheround Buy us a cup of coffee on Ko-fi: https://ko-fi.com/topoftheround Join our Facebook Group! https://www.facebook.com/groups/476203760792265/   TOTR WIKIPEDIA! https://topoftheround.fandom.com/wiki/Top_of_the_Round_Wiki SEND US MAIL! White Raven Studios PO Box 603 Circle Pines MN 55014 SHADOWS OF THE DIVINE BY NICK HIGHAM https://www.nickjhigham.co.uk/ [REDACTED] Original Song written by Jordache Richardson Music by Bethany Yadon and Nikki Richardson Performed by Bethany Yadon and Nikki Richardson Produced by Nikki Richardson Music Courtesy of epidemicsound.com: Jokers by Mary Riddle Back from the Dark by Ruiqi Zhao Night of the Drowned by Dream Cave Sudden Rush by Dream Cave Ram the Walls by Euan Ford Breathe it in Deep by Hampus Naeselius Choose Your Weapon by Hampus Naeselius Mission One by Hampus Naeselius Not Today by Hampus Naeselius Blood Money by Hampus Naeselius Boiling Point by Hampus Naeselius Mayhem Apparatus by Jon Sumner Visible Blindness by Jon Sumner Misfeasance by Jon Sumner Caught in my Mind by Experia Confession by Edward Karl Hanson Close the Door Please by Lennon Hutton Speedboats by Hampus Naeselius He's Still Out There by Wendel Scherer Redeemed by Blue Saga Abandoned Wires by Hawea Waiting 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Do you have good control in your mindful edging practice but difficulty transferring that stamina to sex with your partner? Try mixing in some of these variations.⁠⁠⁠⁠⁠⁠⁠⁠⁠www.HolisticAlpha.com⁠⁠⁠⁠⁠⁠⁠⁠⁠Hosted by Steven Mathis. © Mathis Marketing LLC

Like a great classical composition, the Śrīmad Bhāgavatam unfolds as variations on a theme—repeating, refining, and revealing a singular truth through different stories and characters. That truth? Beyond the pursuit of pleasure (bhoga) and even the escape of liberation (mokṣa), the highest fulfillment is found in bhakti—a relationship of divine love. In this episode of Wisdom of the Sages, Raghunath and Kaustubha explore how this theme plays out in the dramatic encounter between Durvāsā Muni and King Ambarīṣa. More than just an ancient tale, their story touches on something deeply relevant—our modern struggles with power, ego, and the fear of surrender. What does it really mean when Vishnu declares that He is controlled by love? And how does this vision of the divine challenge our deepest assumptions about strength, authority, and freedom?

Like a great classical composition, the Śrīmad Bhāgavatam unfolds as variations on a theme—repeating, refining, and revealing a singular truth through different stories and characters. That truth? Beyond the pursuit of pleasure (bhoga) and even the escape of liberation (mokṣa), the highest fulfillment is found in bhakti—a relationship of divine love. In this episode of Wisdom of the Sages, Raghunath and Kaustubha explore how this theme plays out in the dramatic encounter between Durvāsā Muni and King Ambarīṣa. More than just an ancient tale, their story touches on something deeply relevant—our modern struggles with power, ego, and the fear of surrender. What does it really mean when Vishnu declares that He is controlled by love? And how does this vision of the divine challenge our deepest assumptions about strength, authority, and freedom?

durée : 00:14:36 - Disques de légende du vendredi 14 mars 2025 - Andreas Staier, immense claveciniste, donne sa version des Variations Goldberg en 2010. L'allemand a tout de même attendu l'âge de 45 ans pour porter au disque cette somme qui, d'une certaine manière, le regardait depuis des décennies…

learn how to ask what a word is in German

learn how to talk about your parents and siblings

I've been playing concerts with my flutist friend Joan Sparks for more decades than I care to admit. Our work together has included concerts, being Artists in Residence at schools and retirement communities, producing our own concert series, recording multiple CDs (actually even a couple of cassette tape recordings back in the day) and commissioning some significant works for the flute and harp concert repertoire. In fact, one of those works turned into an actual question on the TV show ”Jeopardy.” I'll tell you that story at the end of the podcast. Of course, our collaboration hasn't all been about work. We don't travel as much now for concerts as we used to, but we did a lot of traveling earlier in our career and naturally we are very close friends. In that time, I also learned a lot about the flute.  One of the biggest revelations I had was listening to Joan practice her long tones. Now this won't surprise any of you who have played melody line instruments, but as a harpist with some years of piano lessons in my youth, long tones were practically a new concept. On the harp, we don't hold a note. We simply play it and it goes effortlessly into the ether. No need to practice long tones.  But this also means that we have no control over a note once we've played it. We can't make it crescendo or decrescendo. We can't add vibrato to intensify it. We can't create a true legato, where one note connects seamlessly to the next.  I think this is partly why we harpists tend not to pay enough attention to phrasing. Yet, phrasing is the breath of the piece. It's the living component of the melody. It's what makes the song sing and the piece flow.  So today's podcast is essentially a guide to phrasing for harpists. We'll talk about everything from what a phrase is and how to identify it, to how to practice it so your melodies can sing. If you've been wondering how to get that “flow factor” into your playing, this will be important information for you, so stay tuned. Links to things I think you might be interested in that were mentioned in the podcast episode:  Join our March Seminar, “Variations on Bendemeer's Stream” Announcing the Finish It Course with The Quick Start Guide to Learning Like a Pro Harpmastery.com Get involved in the show! Send your questions and suggestions for future podcast episodes to me at podcast@harpmastery.com Looking for a transcript for this episode? Did you know that if you subscribe to this podcast on Apple Podcasts you will have access to their transcripts of each episode? LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-199    

master how to talk about your parents and siblings with the key pattern

The (March) madness continues here on the CoffeHouse with MORE La Folia variations for you! We hope you enjoy this rendition from the classical era this week. Be sure to like and share with a friend!  Music: https://imslp.org/wiki/12_Variations_%C3%BCber_die_Folie_d%27Espagne,_Wq.118/9_(H.263)_(Bach,_Carl_Philipp_Emanuel) https://creativecommons.org/licenses/by-nc/3.0/legalcode

Tonight: Someone is going to bleed and dribble trails in the snow for this very special 1-year anniversary episode of the seminal (note to self, google "seminal" to make sure it's not the other thing) episode of 10/10 You Are Great! For this very specialsode join us as we explore Jeff Rosenstock's classic record WORRY. and also worry about our lives, our futures, our pasts and Katy's Perry's future as an astronaut.And as always, 9 times out of 10 we'll be posting for you.POST-ing for you.Ska Dream.The Album: Jeff Rosenstock - Worry (2016)Album Anniversary: Jeff Rosenstock - We Cool? (2015). Read Chris' retrospective piece here.New Discoveries: Frog - 1000 Variations on the Same Song, Saorise Dream - Saorise Dream Hosted on Acast. See acast.com/privacy for more information.

Navigating Value-Based Pediatric Care: A Deep Dive with Dr. Sian JonesIn this episode, sponsored by Hippo Education and Freed AI Medical Scribes, join the hosts as they sit down with repeat guest Dr. Sian Jones, the president of Complete Child's Health, to discuss the nuances and implications of value-based contracts in pediatric care. They explore the definition of 'value' in healthcare, the challenges of short-term versus long-term savings, and the ethical considerations of preventive care for children. The conversation delves into the healthcare business model, the importance of quality metrics, and innovative approaches to healthcare funding and reimbursement. This comprehensive discussion aims to illuminate how value-based care can significantly impact child health and the pediatric community.00:00 Introduction and Sponsor Message00:40 Welcoming Dr. Sean: Pediatrician's View on Value-Based Contracts01:55 Defining Value in Pediatric Care03:44 Challenges in Measuring Value and Impact06:15 Insurance Companies and Value-Based Payments09:01 Ethical and Economic Questions in Pediatric Care10:55 Shared Savings and Preventive Care19:40 Direct-to-Employer Model and Ethical Considerations37:48 Ethical Dilemmas in Value-Based Care38:37 Challenges in Pediatric Care Quality39:14 Direct-to-Employer Healthcare Models40:06 Membership Models and Consumer Choice41:27 Variations in Pediatric Care42:05 Catastrophic Care and Reinsurance45:03 Medicaid for Children: Pros and Cons48:56 Investing in Preventive Care51:51 Healthcare Spending and Economic Impact54:24 Innovative Programs and Social Determinants of Health01:06:06 Aligning Financial Incentives with Quality Care01:08:58 Conclusion and Final ThoughtsSupport the show

Fact number one: harp technique is hard. That's a given. Making our fingers steady, stable and strong enough to play in mid-air, defying gravity with every pluck, is very challenging. That's a fact. Fact number two: our technique is a major factor in our playing. It enables us to play the music we want to play. Or it limits us. If our fingers can't play it, we can't play it. It's that simple. Fact number three: If you feel like your technique is holding you back, there are ways to fix that. And today I want to suggest two ways you might not have explored. These are two ways to use etudes and I think you will find that what we're talking about today is not the usual etude practice. I often talk about etudes as the missing link between the exercise drills that we do and the music we play. They provide a way to use a single technical skill like a specific fingering pattern in a musical context that is not as complicated as a regular repertoire piece. Practicing etudes in this way allows you to add expression, rhythm and other musical elements that aren't usually present in finger drills to the skill you've been practicing, but without all the challenges that show up in a “real” piece. This doesn't mean that etudes are easy, not by any means, But they do provide a way to step up a little more gradually to more intricate music. You practice your arpeggio exercise, then you practice an etude that uses those same arpeggios. Then you're ready to tackle the piece that has those arpeggios in it.  But that's not the way I'm looking at etudes today. Today, I want to tell you about two different ways to use etudes that will give you additional benefits, benefits like playing with more speed, more flow and helping you learn music faster. If you're the kind of harpist who loves etudes, you're going to absolutely love these ideas. And if you've been lukewarm at best about etudes, you might find yourself dusting off that etude book, because now you'll understand why etudes have been part of every musician's studies for hundreds of years. Simply because they work! Links to things I think you might be interested in that were mentioned in the podcast episode:  Work with a Harp Mastery® Certified Coach in our new Lessons program. Learn my new “Variations on Bendemeer's Stream” in our March Seminar course. Become a My Harp Mastery member - join today! Harpmastery.com Get involved in the show! Send your questions and suggestions for future podcast episodes to me at podcast@harpmastery.com LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-198  

In a new episode of the Conversations with Commerce Trust podcast, Chief Investment Officer and host David Hagee is joined by Matt Schmitt, Director of Equity Strategy to compare the historical performance of U.S. versus international equities and discuss economic factors that impact the performance of international equities.Economic factors influencing international equity returns include:Differences in economic growth and market segments abroad relative to the U.S.Variations in the interest rate environment across different countriesCurrency fluctuations relative to investment performanceTariffs and their impact on international economiesFind all of our Podcasts at: https://www.commercetrustcompany.com/research-and-insights/podcasts

Antonín Dvořák - Symphonic VariationsSlovak Philharmonic Orchestra Stephen Gunzenhauser, conductorMore info about today's track: Naxos 8.550271Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Donald Macleod delves into the lives and music of The Turkish FiveIn 1923 the Turkish Republic came into being. On the agenda for the founding father and first president, Mustafa Kemal Atatȗrk, was the aim to develop a new Turkish musical language, and to disassociate culturally with the Ottoman past. This new musical culture would be a blend of traditional Turkish music, in combination with Western classical music.A group of composers known as the Turkish Five were pioneers in this movement to form a synthesis between East and West. They included Cemal Reşit Rey (1904-1985), Ulvi Cemal Erkin (1906-1972), Hasan Ferit Alnar (1906-1978), Ahmet Adnan Saygun (1907-1991) and Necil Kâzim Akses (1908-1999). The Turkish Five became hugely influential in their home country as composers, teachers, conductors and artistic directors, and also became well known abroad, receiving many honours.This week, Donald Macleod is joined by Prof. Mine Doğantan-Dack and Dr. Emre Araci to delve into the impact these composers had on the music in the Turkish Republic. Music featured: Ulvi Cemal Erkin: Camdan sakiz akiyor (Seven Folk Songs) Piano Concerto (excerpt) Duyuşlar (excerpt) Piano Quintet (Ritmico e enérgico) Seven Folk Songs (excerpt)Ahmet Adnan Saygun: Meseli, Op 25 (Anadolu'dan) Piano Concerto No 1, Op 34 (excerpt) Theme and Variations, Op 2 String Quartet No 1, Op 27 (excerpt) Yunus Emre, Op 26 (excerpt) Halay, Op 25 (Anadolu'dan) String Quartet No 2, Op 35 (Grave) Köröğlu, Op 41 (Ten Turkish Folk Songs) Piano Concerto No 2, Op 71 (excerpt)Necil Kâzim Akses: Concerto for Orchestra (excerpt) Five Turkish Piano Pieces (excerpt) Violin Concerto (Adagio – Allegro) Andante (Ten Piano Pieces) Five Pieces for Piano (excerpt)Cemal Reşit Rey: Three Turkish Folks Songs (Twelve Anatolish Folk Songs) Nomad Zeybek Air (Turkish Scenes) Feast (Instantanés) Fatih Sultan Mehmet “Le Conquerant” Andante and AllegroHasan Ferit Alnar: Piano Trio (excerpt) Şu Yamaçta (8 Piano Pieces) Uyuşuk Dans (8 Piano Pieces) Concerto for Qānūn and String Orchestra (Allegro poco moderato) Piano Trio (excerpt)Presented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for The Turkish Five https://www.bbc.co.uk/programmes/m002822p And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Wolfgang Amadeus Mozart - 12 Variations on Ah, Vous Dirai-je, MamanFrancesco Nicolosi, pianoMore info about today's track: Naxos 8.550612Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

In this interview I am once again joined by Prajwal Ratna Vajracharya, a tantric priest in a centuries old Newari Buddhist family lineage and master of the religious dance tradition of Charya Nritya. Prajwal Vajracharya reveals the rich world of Newari life rituals, in which major life events such as birth, coming of age, marriage, and death are celebrated by religious and community rites. Prajwal Vajracharya explains the initiation rituals for boys and girls, including a 12-day dark retreat in which girls are taught essential knowledge by community members, and reveals how divination and astrology are used to determine a child's name and life path. Prajwal Vajracharya also discusses the importance of purity and discipline, bespoke rituals to clear obstacles, find a partner, and heal illness, and reflects on the challenges in bringing his ritual tradition to the USA. … Video version: https://www.guruviking.com/podcast/ep295-life-cycle-rituals-prajwal-ratna-vajracharya-3 Also available on Youtube, iTunes, & Spotify – search ‘Guru Viking Podcast'. … Topics include: 00:00 - Intro 01:02 - Life cycle rituals of the Newari tradition 02:17 - Pregnancy and birth rituals 04:40 - Is Western culture traumatising? 05:21 - Creating a happy pregnancy 06:28 - Rituals for infancy 08:28 - The baby knows what it needs 09:31 - Naming and earring rituals 11:39 - Divination and adornment rituals 12:50 - The 1 year ritual 13:41 - Egg, fish, and wine 14:26 - 2nd year ritual 16:!6 - 7th year initiation ritual for boys 17:54 - 12-day dark retreat initiation ritual for girls 20:28 - Variations among castes in Nepal 21:23 - Special, old age ritual for the 77th year 23:02 - 88th year and a rebirth ritual 25:42 - Grieving customs for parent's death 27:36 - Science of rituals and living a happy life 28:29 - In Nepal, everyone takes care of their parents 29:07 - Lack of dementia in Nepal 29:44 - Ritual as a family and community activity 31:20 - Obstacle removal, house blessing, and healing rituals 32:44 - Clay-pot rebirth ritual at 99 years old 35:53 - Respecting the elderly 36:48 - How to choose a child's name 38:25 - Spiritual names 38:58 - Divination to determine the child's career and life path 40:39 - What did Prajwal's son choose? 42:02 - Astrology chart for a new baby 42:53 - The Chudakarma ritual and monastic training 43:49 - Ritual obligations as a Vajrācārya 48:40 - When rituals go wrong! 50:28 - Origin of and textual sources for Newari rituals 52:37 - Purity and preparing for ritual 54:47 - Discipline and respecting others 55:52 - Rituals to get a girlfriend and other life situations 58:08 - The many benefits of rituals 01:01:35 - The complexities of married life 01:03:06 - Bringing Newari ritual traditions to the West 01:05:34 - Innovation and training Westerners in Vajrācārya rituals 01:08:10 - Self-initiation and awakening the channel and nerves 01:09:13 - An American Vajrācārya? 01:10:00 - Challenging reactions in Nepal 01:11:52 - Gurū maṇḍala, the heart of Newari ritual 01:13:40 - Mudrā healing … Previous episodes with Prajwal Ratna Vajracharya: - https://www.guruviking.com/search?q=prajwal To find out more about Prajwal Ratna Vajracharya, visit: - https://www.dancemandal.com/ 
For more interviews, videos, and more visit: - www.guruviking.com Music ‘Deva Dasi' by Steve James

Josef Labor - Theme and VariationsPremysl Vojta, hornOliver Triendl, pianoMore info about today's track: Capriccio C5430Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

For over two years, I, Chaz Volk, successfully released one episode of Jewish content per week. Each episode averaged 30 minutes, offering Torah insights and glimpses into Jewish diasporic cultures. This endeavor was nothing less than a passion project—one that I balanced alongside my day-to-day work life. My primary goal was to learn. Coming from a conservative/secular Jewish background, my knowledge was limited. It still is, humbly speaking. However, I am proud to say that I have grown tremendously since the show's inception. I write this with a deep sense of care and pride, knowing how far I've come from my initial understanding. The show opened doors, connecting me with rabbis, coaches, actors, professionals, musicians, and content creators. I had the unique opportunity to learn from so many incredible voices, exploring the theology of Judaism through its many lenses. The show itself achieved notable success, ranking as the 17th-largest Jewish podcast in the world from 2023 to the present. Occasionally, I even received public recognition for my work. Despite not considering myself a thought leader (seriously, I've only ever been a student), I was able to foster a community. The learning experience was so personally fulfilling that it ultimately inspired me to study Torah full-time at Aish HaTorah, embracing the rich Jewish tradition of yeshiva. While in Israel, I had the honor of recording in-person interviews at a studio in the Old City. Unfortunately, that studio shut down, forcing my show into an unexpected hiatus. But as Hashem would have it (because there's no such thing as luck—only Hashem), I was invited to speak for Aish's "Gesher" program. I was granted one-time access to a rabbi's camera and microphone equipment, seizing the opportunity to publicly share my story. In my speech, I revealed the two other reasons I created this show: To make it clear, once and for all, that there is NO SUCH THING AS A BAD JEW Revenge Why revenge? Tune in to find out. 00:00 Parshas Mishpatim 06:52 Historical Context of Slavery Laws 10:12 Hebrews' Mindset  13:52 A Shameful Quarrel 16:23 Final Moments 18:34 Variations of Judaism 24:33 The Dream 25:53 Disconnection 30:32 THERE IS NO SUCH THING AS A BAD JEW 34:08 Divine Justice 34:40 A Revenge Story About Chaz Volk: Chaz Volk grew up in Thousand Oaks, California, where he began his Torah studies until becoming Bar Mitzvah at Temple Etz Chaim. From a young age, he was keenly aware of his uniqueness and often found himself the token Jew in non-Jewish settings. In middle school, Chaz experienced his first encounter with antisemitism—an experience that, rather than distancing him from his heritage, only strengthened his connection to his Jewish identity. Later, he attended San Francisco State University, where he became deeply involved with SF Hillel as both a volunteer and an intern. From early on, he recognized the university's social climate and its stance on Jews and Zionism. Chaz eventually became the lead plaintiff in the class-action lawsuit Volk v. CSU Board of Trustees—a case that he and his legal representation won. Since then, he has proudly embraced his Jewish identity and actively participated in Jewish communities across Southern California. Most recently, Chaz experienced an emotional awakening during an organized trip to Israel. There, he adopted new Jewish practices that remain an integral part of his life today. Currently, he is a volunteer and frequent participant in Aish HaTorah's programming. Through this show, he aims to promote Aish's programs, events, and resources while sharing valuable Jewish teachings. Connect with Bad Jew: BadJew.co https://linktr.ee/badjew BadJewPod@gmail.com Ig @BadJewPod TikTok @BadJewPod

Ferdinand Ries - Variations on Swedish National AirsChristopher Hinterhuber, pianoGavle Symphony Orchestra Uwe Grodd, conductorMore info about today's track: Naxos 8.557844Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

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Cesar Franck - Symphonic VariationsValerie Tryon, pianoRoyal Philharmonic Orchestra Kenneth Woods, conductorMore info about today's track: Somm 250Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

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The day this podcast episode is released, we will be living Day 55 of this year 2025. According to the calendar, we've already had 55 days this year to get things done, to grow, to accomplish. We've had 55 days to play the harp. If you set goals at the beginning of the year, this is a good time to check in on them. Are you where you thought you'd be? Are you ahead of the game, checking things off your list and moving on to your next steps? If you are, here's a huge high five from me. That's the way to create harp happiness. Today we are going to revisit your goals. We'll look at how far you've come, confirm your direction and realign your course if necessary. We will focus on the progress you've been making and where your next steps may be. But if you haven't seen the progress you had hoped for or expected, no worries. Progress is tricky to measure and sometimes hard to spot, even when it's happening. When you're walking the path, you can't always tell how far you've come or how far you still have to go, and that can be unsettling or even frustrating.  We're talking today about how to create progress and, more importantly, how to measure it. I'll share the three things I think are absolutely necessary for you to make progress, and I'll give you some ideas for progress markers you can use to make sure you're moving in the right direction.  I want you to keep this in mind too: sometimes all you need is a fresh look at where you want to go and what you need to do to get there. It is often that simple. And I think that's what our time together today will help you do, find those simple next right steps to move you and your harp playing forward. Links to things I think you might be interested in that were mentioned in the podcast episode:  Work with a Harp Mastery® Certified Coach in our new Lessons program. Learn my new “Variations on Bendemeer's Stream” in our March Seminar course. Harpmastery.com Get involved in the show! Send your questions and suggestions for future podcast episodes to me at podcast@harpmastery.com LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-197  

L'idée selon laquelle les femmes parleraient plus que les hommes est un stéréotype largement répandu. Certaines affirmations, souvent relayées par les médias ou des ouvrages populaires, suggèrent que les femmes prononceraient trois fois plus de mots par jour que les hommes. Mais que disent les études scientifiques sur cette question ?Les données scientifiquesUne étude majeure de 2007 menée par Mehl et al., publiée dans Science, a examiné cette question de manière empirique. Les chercheurs ont équipé 396 participants (hommes et femmes) d'un enregistreur portable captant leurs conversations tout au long de la journée. Résultat :- Les femmes prononçaient en moyenne 16 215 mots par jour- Les hommes prononçaient en moyenne 15 669 mots par jourLa différence de 546 mots est statistiquement insignifiante, ce qui contredit l'idée d'un écart majeur entre les sexes en termes de quantité de parole.Variations contextuelles et individuellesSi les hommes et les femmes parlent en moyenne autant, le contexte joue un rôle déterminant. Des recherches montrent que les femmes tendent à parler plus dans des contextes sociaux ou intimes, tandis que les hommes dominent souvent la parole dans des environnements formels (réunions, débats, etc.). Une méta-analyse de Leaper et Ayres (2007) suggère que les hommes sont plus enclins à monopoliser la parole lorsqu'il s'agit de prise de décision ou d'autorité.D'autres travaux, comme ceux de James & Drakich (1993), montrent que dans les conversations mixtes, les hommes interrompent plus souvent les femmes et parlent davantage dans des contextes publics, tandis que les femmes parlent plus en privé.Pourquoi ce stéréotype persiste-t-il ?L'origine du mythe selon lequel les femmes parleraient plus trouve probablement ses racines dans des perceptions biaisées et des normes sociales. Une étude de Mulac et al. (2001) a révélé que les gens perçoivent souvent le discours féminin comme plus prolixe, même lorsqu'il ne l'est pas objectivement.ConclusionLes preuves scientifiques montrent que les hommes et les femmes parlent en moyenne autant. Les différences observées sont davantage liées au contexte qu'au sexe biologique. Ce mythe persiste en raison de biais cognitifs et de normes culturelles, mais il est largement démenti par les études empiriques. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Many athletes struggle with similar aspects of the lifts. This is because snatches and cleans will always be snatches and cleans, without much external unpredictability. Pull variations are intended to emphasize phases of the lift that must be trained perfectly. How you program these movements, including high and low stress days, to your specific population of athletes SHOULD be meaningfully different than most other coaches. Listen in as we discuss our favorite things, including snatch high pulls, low stress training days, and creating your own training system. Enjoy.Buy our books:https://usastore.weightliftinghouse.com/collections/books code PHILWL for 10% offFollow Max and sign up for CoachLogik:https://www.instagram.com/max_aita/https://app.coachlogik.com/loginFollow me and get coaching:https://www.instagram.com/josh_philwl/Onyx:https://www.onyxstraps.com/ with code PHILWL for 10% off

In this episode, I discuss the best carb and calorie-efficient foods for muscle growth, how to optimize deadlift variations, my top tips for problem-solving, and lots more. As always, these questions come directly from my Instagram followers, who take advantage of my weekly Q&As in my stories. If you have a question you're dying to have answered, make sure you follow me on Instagram (@muscleforlifefitness) and look out for the Q&A posts. Your question might just make it into a podcast episode! If you like this type of episode, let me know. Send me an email (mike@muscleforlife.com) or direct message me on Instagram. And if you don't like it, let me know that too or how you think it could be better. --- Timestamps: (00:00) Intro (03:59) Behind neck press safer? (05:58) Are you natural? (06:15) Alcohol? (06:44) Night shifts, thyroid issues (08:05) Problem-solving tips? (12:51) Trapper vs. sumo (14:27) Trump conviction (15:37) Eating disorders? (19:37) Best recent books? (31:17) Bulking/cutting duration (32:05) Zone 2 during workouts? (33:19) Carb-efficient foods? (34:21) Favorite oblique exercises? (35:01) CrossFitters jacked? (35:46) Best reps for growth? (37:57) Lean bulking tips? (40:16) Why no Legion in stores? (43:27) Kayaking step count? (43:48) No TRT? --- Mentioned on the Show: Whey+ Thinner Leaner Stronger Coaching Page The Story of Philosophy The Martian: A Novel Can't Hurt Me: Master Your Mind and Defy the Odds Never Finished: Unshackle Your Mind and Win the War Within The Four Pillars of Investing, Second Edition: Lessons for Building a Winning Portfolio The Art of Strategy: A Game Theorist's Guide to Success in Business and Life