Podcasts about Lucrezia Marinella

Artemisia Gentileschi is by far the most famous woman artist of the premodern era. Her art addressed issues that resonate today, such as sexual violence and women's problematic relationship to political power. Her powerful paintings with vigorous female protagonists chime with modern audiences, and she is celebrated by feminist critics and scholars. Artemisia Gentileschi and Feminism in Early Modern Europe (Reaktion Books, 2020) breaks new ground by placing the artist in the context of women's political history. Mary D. Garrard, noted Gentileschi scholar, shows that the painter most likely knew or knew about contemporary writers such as the Venetian feminists Lucrezia Marinella and Arcangela Tarabotti. She discusses recently discovered paintings, offers fresh perspectives on known works, and examines the artist anew in the context of feminist history. This beautifully illustrated book gives for the first time a full portrait of a strong woman artist who fought back through her art. Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices

Artemisia Gentileschi is by far the most famous woman artist of the premodern era. Her art addressed issues that resonate today, such as sexual violence and women's problematic relationship to political power. Her powerful paintings with vigorous female protagonists chime with modern audiences, and she is celebrated by feminist critics and scholars. Artemisia Gentileschi and Feminism in Early Modern Europe (Reaktion Books, 2020) breaks new ground by placing the artist in the context of women's political history. Mary D. Garrard, noted Gentileschi scholar, shows that the painter most likely knew or knew about contemporary writers such as the Venetian feminists Lucrezia Marinella and Arcangela Tarabotti. She discusses recently discovered paintings, offers fresh perspectives on known works, and examines the artist anew in the context of feminist history. This beautifully illustrated book gives for the first time a full portrait of a strong woman artist who fought back through her art. Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices

Artemisia Gentileschi is by far the most famous woman artist of the premodern era. Her art addressed issues that resonate today, such as sexual violence and women's problematic relationship to political power. Her powerful paintings with vigorous female protagonists chime with modern audiences, and she is celebrated by feminist critics and scholars. Artemisia Gentileschi and Feminism in Early Modern Europe (Reaktion Books, 2020) breaks new ground by placing the artist in the context of women's political history. Mary D. Garrard, noted Gentileschi scholar, shows that the painter most likely knew or knew about contemporary writers such as the Venetian feminists Lucrezia Marinella and Arcangela Tarabotti. She discusses recently discovered paintings, offers fresh perspectives on known works, and examines the artist anew in the context of feminist history. This beautifully illustrated book gives for the first time a full portrait of a strong woman artist who fought back through her art. Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Artemisia Gentileschi is by far the most famous woman artist of the premodern era. Her art addressed issues that resonate today, such as sexual violence and women's problematic relationship to political power. Her powerful paintings with vigorous female protagonists chime with modern audiences, and she is celebrated by feminist critics and scholars. Artemisia Gentileschi and Feminism in Early Modern Europe (Reaktion Books, 2020) breaks new ground by placing the artist in the context of women's political history. Mary D. Garrard, noted Gentileschi scholar, shows that the painter most likely knew or knew about contemporary writers such as the Venetian feminists Lucrezia Marinella and Arcangela Tarabotti. She discusses recently discovered paintings, offers fresh perspectives on known works, and examines the artist anew in the context of feminist history. This beautifully illustrated book gives for the first time a full portrait of a strong woman artist who fought back through her art. Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Artemisia Gentileschi is by far the most famous woman artist of the premodern era. Her art addressed issues that resonate today, such as sexual violence and women's problematic relationship to political power. Her powerful paintings with vigorous female protagonists chime with modern audiences, and she is celebrated by feminist critics and scholars. Artemisia Gentileschi and Feminism in Early Modern Europe (Reaktion Books, 2020) breaks new ground by placing the artist in the context of women's political history. Mary D. Garrard, noted Gentileschi scholar, shows that the painter most likely knew or knew about contemporary writers such as the Venetian feminists Lucrezia Marinella and Arcangela Tarabotti. She discusses recently discovered paintings, offers fresh perspectives on known works, and examines the artist anew in the context of feminist history. This beautifully illustrated book gives for the first time a full portrait of a strong woman artist who fought back through her art. Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Artemisia Gentileschi is by far the most famous woman artist of the premodern era. Her art addressed issues that resonate today, such as sexual violence and women's problematic relationship to political power. Her powerful paintings with vigorous female protagonists chime with modern audiences, and she is celebrated by feminist critics and scholars. Artemisia Gentileschi and Feminism in Early Modern Europe (Reaktion Books, 2020) breaks new ground by placing the artist in the context of women's political history. Mary D. Garrard, noted Gentileschi scholar, shows that the painter most likely knew or knew about contemporary writers such as the Venetian feminists Lucrezia Marinella and Arcangela Tarabotti. She discusses recently discovered paintings, offers fresh perspectives on known works, and examines the artist anew in the context of feminist history. This beautifully illustrated book gives for the first time a full portrait of a strong woman artist who fought back through her art. Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

Artemisia Gentileschi is by far the most famous woman artist of the premodern era. Her art addressed issues that resonate today, such as sexual violence and women's problematic relationship to political power. Her powerful paintings with vigorous female protagonists chime with modern audiences, and she is celebrated by feminist critics and scholars. Artemisia Gentileschi and Feminism in Early Modern Europe (Reaktion Books, 2020) breaks new ground by placing the artist in the context of women's political history. Mary D. Garrard, noted Gentileschi scholar, shows that the painter most likely knew or knew about contemporary writers such as the Venetian feminists Lucrezia Marinella and Arcangela Tarabotti. She discusses recently discovered paintings, offers fresh perspectives on known works, and examines the artist anew in the context of feminist history. This beautifully illustrated book gives for the first time a full portrait of a strong woman artist who fought back through her art. Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Artemisia Gentileschi is by far the most famous woman artist of the premodern era. Her art addressed issues that resonate today, such as sexual violence and women's problematic relationship to political power. Her powerful paintings with vigorous female protagonists chime with modern audiences, and she is celebrated by feminist critics and scholars. Artemisia Gentileschi and Feminism in Early Modern Europe (Reaktion Books, 2020) breaks new ground by placing the artist in the context of women's political history. Mary D. Garrard, noted Gentileschi scholar, shows that the painter most likely knew or knew about contemporary writers such as the Venetian feminists Lucrezia Marinella and Arcangela Tarabotti. She discusses recently discovered paintings, offers fresh perspectives on known works, and examines the artist anew in the context of feminist history. This beautifully illustrated book gives for the first time a full portrait of a strong woman artist who fought back through her art. Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Artemisia Gentileschi is by far the most famous woman artist of the premodern era. Her art addressed issues that resonate today, such as sexual violence and women's problematic relationship to political power. Her powerful paintings with vigorous female protagonists chime with modern audiences, and she is celebrated by feminist critics and scholars. Artemisia Gentileschi and Feminism in Early Modern Europe (Reaktion Books, 2020) breaks new ground by placing the artist in the context of women's political history. Mary D. Garrard, noted Gentileschi scholar, shows that the painter most likely knew or knew about contemporary writers such as the Venetian feminists Lucrezia Marinella and Arcangela Tarabotti. She discusses recently discovered paintings, offers fresh perspectives on known works, and examines the artist anew in the context of feminist history. This beautifully illustrated book gives for the first time a full portrait of a strong woman artist who fought back through her art. Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

An evening webinar lecture with Tamara Albertini (University of Hawai'i at Manoa). Part of our summer webinar series on "Reason and Beauty in Renaissance Christian Thought and Culture," presented in collaboration with the American Cusanus Society After a brief review of women humanists like Laura Cerata, Cassandra Fedele, Lucrezia Marinella, and Isotta Nogarola, the presentation will focus on Moderata Fonte's dialogue The Merit of Women Where One Clearly Discovers How Dignified and Perfect They Are (1600). In that dialogue, Fonte creates a locus amoenus characterized by a centered garden visited by seven female interlocutors to discuss what options women have to take charge of their lives. The presentation will end by comparing and contrasting Fonte's garden with Giovanni Pico della Mirandola's paradise in his Oration on the Dignity of Man (1486)

Refutation of misogyny in Moderate Fonte and Lucrezia Marinella.

Es esta pequeña píldora rescatamos la vida y obra de aquellas mujeres que nacieron, murieron o hicieron algún hito histórico en el mes en el que estamos. En esta ocasión, traemos a Rosario Weiss Zorrilla,Yaa Asantewaa y Lucrezia Marinella. ¿Quieres conocerlas? Nos hablan sobre ellas Tania Lezcano, Alba Ferrera y Jéssica Murillo

According to sixteenth-century writer Moderata Fonte, the untapped potential of women to contribute to the liberal arts was “buried gold.” Exploring the work of Fonte and that of many other incredible women, Meredith K. Ray‘s new book explores women's contributions to the landscape of scientific culture in early modern Italy from about 1500 to 1623. Women in this period were engaging with science in the home, at court, in vernacular literature, in academies, in salons, and in letters, and Daughters of Alchemy: Women and Scientific Culture in Early Modern Italy (Harvard University Press, 2015) looks both at women's practical engagements with science and with their literary engagements with natural philosophy. Ch. 1 brings us to the Romagna, and to the formidable Caterina Sforza's experiments with alchemical recipes as compiled in a manuscript that exists today in only a single manuscript copy. Both recipes and secrets were forms of currency in this context, and Ch. 2 looks at the vogue for printed “books of secrets” in sixteenth century Italy. This chapter pays special attention to the influential Secrets of Alexis of Piedmont (1555) and the Secrets of Signora Isabella Cortese, while also exploring the influence of books of secrets on other early modern literary genres including vernacular treatises, dialogues, and letter collections. Ch. 3 look at the literature of debate over women, or querelle des femmes that flourished in the sixteenth and seventeenth centuries, looking particularly closely at the intertwining discourses about women and science in Moderata Fonte's writing of chivalric romance and dialogue, and in Lucrezia Marinella's epic poetry and pastoral writing. Ch. 4 moves us to Padua and Rome, where women had begun, by the early seventeenth century, to participate in scientific discourse in more formal ways. Here, Ray looks closely at Camilla Erculiani's letters on natural philosophy (1584) that defended women's aptitude for science, and at her networking with scientific communities in Poland and her eventual questioning by the Inquisition. The chapter then turns to Margherita Sarrocchi's work, her epic poem Scanderbeide, and her fascinating relationship with Galileo. It is a fascinating book that will be of interest to readers eager to learn more about the history of science, literature, and/or women in early modernity. If you listen closely to the interview, you'll also hear me comparing Caterina Sforza to Doritos. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

According to sixteenth-century writer Moderata Fonte, the untapped potential of women to contribute to the liberal arts was “buried gold.” Exploring the work of Fonte and that of many other incredible women, Meredith K. Ray‘s new book explores women's contributions to the landscape of scientific culture in early modern Italy from about 1500 to 1623. Women in this period were engaging with science in the home, at court, in vernacular literature, in academies, in salons, and in letters, and Daughters of Alchemy: Women and Scientific Culture in Early Modern Italy (Harvard University Press, 2015) looks both at women's practical engagements with science and with their literary engagements with natural philosophy. Ch. 1 brings us to the Romagna, and to the formidable Caterina Sforza's experiments with alchemical recipes as compiled in a manuscript that exists today in only a single manuscript copy. Both recipes and secrets were forms of currency in this context, and Ch. 2 looks at the vogue for printed “books of secrets” in sixteenth century Italy. This chapter pays special attention to the influential Secrets of Alexis of Piedmont (1555) and the Secrets of Signora Isabella Cortese, while also exploring the influence of books of secrets on other early modern literary genres including vernacular treatises, dialogues, and letter collections. Ch. 3 look at the literature of debate over women, or querelle des femmes that flourished in the sixteenth and seventeenth centuries, looking particularly closely at the intertwining discourses about women and science in Moderata Fonte's writing of chivalric romance and dialogue, and in Lucrezia Marinella's epic poetry and pastoral writing. Ch. 4 moves us to Padua and Rome, where women had begun, by the early seventeenth century, to participate in scientific discourse in more formal ways. Here, Ray looks closely at Camilla Erculiani's letters on natural philosophy (1584) that defended women's aptitude for science, and at her networking with scientific communities in Poland and her eventual questioning by the Inquisition. The chapter then turns to Margherita Sarrocchi's work, her epic poem Scanderbeide, and her fascinating relationship with Galileo. It is a fascinating book that will be of interest to readers eager to learn more about the history of science, literature, and/or women in early modernity. If you listen closely to the interview, you'll also hear me comparing Caterina Sforza to Doritos. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

According to sixteenth-century writer Moderata Fonte, the untapped potential of women to contribute to the liberal arts was “buried gold.” Exploring the work of Fonte and that of many other incredible women, Meredith K. Ray‘s new book explores women's contributions to the landscape of scientific culture in early modern Italy from about 1500 to 1623. Women in this period were engaging with science in the home, at court, in vernacular literature, in academies, in salons, and in letters, and Daughters of Alchemy: Women and Scientific Culture in Early Modern Italy (Harvard University Press, 2015) looks both at women's practical engagements with science and with their literary engagements with natural philosophy. Ch. 1 brings us to the Romagna, and to the formidable Caterina Sforza's experiments with alchemical recipes as compiled in a manuscript that exists today in only a single manuscript copy. Both recipes and secrets were forms of currency in this context, and Ch. 2 looks at the vogue for printed “books of secrets” in sixteenth century Italy. This chapter pays special attention to the influential Secrets of Alexis of Piedmont (1555) and the Secrets of Signora Isabella Cortese, while also exploring the influence of books of secrets on other early modern literary genres including vernacular treatises, dialogues, and letter collections. Ch. 3 look at the literature of debate over women, or querelle des femmes that flourished in the sixteenth and seventeenth centuries, looking particularly closely at the intertwining discourses about women and science in Moderata Fonte's writing of chivalric romance and dialogue, and in Lucrezia Marinella's epic poetry and pastoral writing. Ch. 4 moves us to Padua and Rome, where women had begun, by the early seventeenth century, to participate in scientific discourse in more formal ways. Here, Ray looks closely at Camilla Erculiani's letters on natural philosophy (1584) that defended women's aptitude for science, and at her networking with scientific communities in Poland and her eventual questioning by the Inquisition. The chapter then turns to Margherita Sarrocchi's work, her epic poem Scanderbeide, and her fascinating relationship with Galileo. It is a fascinating book that will be of interest to readers eager to learn more about the history of science, literature, and/or women in early modernity. If you listen closely to the interview, you'll also hear me comparing Caterina Sforza to Doritos. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

According to sixteenth-century writer Moderata Fonte, the untapped potential of women to contribute to the liberal arts was “buried gold.” Exploring the work of Fonte and that of many other incredible women, Meredith K. Ray‘s new book explores women’s contributions to the landscape of scientific culture in early modern Italy from about 1500 to 1623. Women in this period were engaging with science in the home, at court, in vernacular literature, in academies, in salons, and in letters, and Daughters of Alchemy: Women and Scientific Culture in Early Modern Italy (Harvard University Press, 2015) looks both at women’s practical engagements with science and with their literary engagements with natural philosophy. Ch. 1 brings us to the Romagna, and to the formidable Caterina Sforza’s experiments with alchemical recipes as compiled in a manuscript that exists today in only a single manuscript copy. Both recipes and secrets were forms of currency in this context, and Ch. 2 looks at the vogue for printed “books of secrets” in sixteenth century Italy. This chapter pays special attention to the influential Secrets of Alexis of Piedmont (1555) and the Secrets of Signora Isabella Cortese, while also exploring the influence of books of secrets on other early modern literary genres including vernacular treatises, dialogues, and letter collections. Ch. 3 look at the literature of debate over women, or querelle des femmes that flourished in the sixteenth and seventeenth centuries, looking particularly closely at the intertwining discourses about women and science in Moderata Fonte’s writing of chivalric romance and dialogue, and in Lucrezia Marinella’s epic poetry and pastoral writing. Ch. 4 moves us to Padua and Rome, where women had begun, by the early seventeenth century, to participate in scientific discourse in more formal ways. Here, Ray looks closely at Camilla Erculiani’s letters on natural philosophy (1584) that defended women’s aptitude for science, and at her networking with scientific communities in Poland and her eventual questioning by the Inquisition. The chapter then turns to Margherita Sarrocchi’s work, her epic poem Scanderbeide, and her fascinating relationship with Galileo. It is a fascinating book that will be of interest to readers eager to learn more about the history of science, literature, and/or women in early modernity. If you listen closely to the interview, you’ll also hear me comparing Caterina Sforza to Doritos. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

According to sixteenth-century writer Moderata Fonte, the untapped potential of women to contribute to the liberal arts was “buried gold.” Exploring the work of Fonte and that of many other incredible women, Meredith K. Ray‘s new book explores women’s contributions to the landscape of scientific culture in early modern Italy from about 1500 to 1623. Women in this period were engaging with science in the home, at court, in vernacular literature, in academies, in salons, and in letters, and Daughters of Alchemy: Women and Scientific Culture in Early Modern Italy (Harvard University Press, 2015) looks both at women’s practical engagements with science and with their literary engagements with natural philosophy. Ch. 1 brings us to the Romagna, and to the formidable Caterina Sforza’s experiments with alchemical recipes as compiled in a manuscript that exists today in only a single manuscript copy. Both recipes and secrets were forms of currency in this context, and Ch. 2 looks at the vogue for printed “books of secrets” in sixteenth century Italy. This chapter pays special attention to the influential Secrets of Alexis of Piedmont (1555) and the Secrets of Signora Isabella Cortese, while also exploring the influence of books of secrets on other early modern literary genres including vernacular treatises, dialogues, and letter collections. Ch. 3 look at the literature of debate over women, or querelle des femmes that flourished in the sixteenth and seventeenth centuries, looking particularly closely at the intertwining discourses about women and science in Moderata Fonte’s writing of chivalric romance and dialogue, and in Lucrezia Marinella’s epic poetry and pastoral writing. Ch. 4 moves us to Padua and Rome, where women had begun, by the early seventeenth century, to participate in scientific discourse in more formal ways. Here, Ray looks closely at Camilla Erculiani’s letters on natural philosophy (1584) that defended women’s aptitude for science, and at her networking with scientific communities in Poland and her eventual questioning by the Inquisition. The chapter then turns to Margherita Sarrocchi’s work, her epic poem Scanderbeide, and her fascinating relationship with Galileo. It is a fascinating book that will be of interest to readers eager to learn more about the history of science, literature, and/or women in early modernity. If you listen closely to the interview, you’ll also hear me comparing Caterina Sforza to Doritos. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

According to sixteenth-century writer Moderata Fonte, the untapped potential of women to contribute to the liberal arts was “buried gold.” Exploring the work of Fonte and that of many other incredible women, Meredith K. Ray‘s new book explores women’s contributions to the landscape of scientific culture in early modern Italy from about 1500 to 1623. Women in this period were engaging with science in the home, at court, in vernacular literature, in academies, in salons, and in letters, and Daughters of Alchemy: Women and Scientific Culture in Early Modern Italy (Harvard University Press, 2015) looks both at women’s practical engagements with science and with their literary engagements with natural philosophy. Ch. 1 brings us to the Romagna, and to the formidable Caterina Sforza’s experiments with alchemical recipes as compiled in a manuscript that exists today in only a single manuscript copy. Both recipes and secrets were forms of currency in this context, and Ch. 2 looks at the vogue for printed “books of secrets” in sixteenth century Italy. This chapter pays special attention to the influential Secrets of Alexis of Piedmont (1555) and the Secrets of Signora Isabella Cortese, while also exploring the influence of books of secrets on other early modern literary genres including vernacular treatises, dialogues, and letter collections. Ch. 3 look at the literature of debate over women, or querelle des femmes that flourished in the sixteenth and seventeenth centuries, looking particularly closely at the intertwining discourses about women and science in Moderata Fonte’s writing of chivalric romance and dialogue, and in Lucrezia Marinella’s epic poetry and pastoral writing. Ch. 4 moves us to Padua and Rome, where women had begun, by the early seventeenth century, to participate in scientific discourse in more formal ways. Here, Ray looks closely at Camilla Erculiani’s letters on natural philosophy (1584) that defended women’s aptitude for science, and at her networking with scientific communities in Poland and her eventual questioning by the Inquisition. The chapter then turns to Margherita Sarrocchi’s work, her epic poem Scanderbeide, and her fascinating relationship with Galileo. It is a fascinating book that will be of interest to readers eager to learn more about the history of science, literature, and/or women in early modernity. If you listen closely to the interview, you’ll also hear me comparing Caterina Sforza to Doritos. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

According to sixteenth-century writer Moderata Fonte, the untapped potential of women to contribute to the liberal arts was “buried gold.” Exploring the work of Fonte and that of many other incredible women, Meredith K. Ray‘s new book explores women’s contributions to the landscape of scientific culture in early modern Italy from about 1500 to 1623. Women in this period were engaging with science in the home, at court, in vernacular literature, in academies, in salons, and in letters, and Daughters of Alchemy: Women and Scientific Culture in Early Modern Italy (Harvard University Press, 2015) looks both at women’s practical engagements with science and with their literary engagements with natural philosophy. Ch. 1 brings us to the Romagna, and to the formidable Caterina Sforza’s experiments with alchemical recipes as compiled in a manuscript that exists today in only a single manuscript copy. Both recipes and secrets were forms of currency in this context, and Ch. 2 looks at the vogue for printed “books of secrets” in sixteenth century Italy. This chapter pays special attention to the influential Secrets of Alexis of Piedmont (1555) and the Secrets of Signora Isabella Cortese, while also exploring the influence of books of secrets on other early modern literary genres including vernacular treatises, dialogues, and letter collections. Ch. 3 look at the literature of debate over women, or querelle des femmes that flourished in the sixteenth and seventeenth centuries, looking particularly closely at the intertwining discourses about women and science in Moderata Fonte’s writing of chivalric romance and dialogue, and in Lucrezia Marinella’s epic poetry and pastoral writing. Ch. 4 moves us to Padua and Rome, where women had begun, by the early seventeenth century, to participate in scientific discourse in more formal ways. Here, Ray looks closely at Camilla Erculiani’s letters on natural philosophy (1584) that defended women’s aptitude for science, and at her networking with scientific communities in Poland and her eventual questioning by the Inquisition. The chapter then turns to Margherita Sarrocchi’s work, her epic poem Scanderbeide, and her fascinating relationship with Galileo. It is a fascinating book that will be of interest to readers eager to learn more about the history of science, literature, and/or women in early modernity. If you listen closely to the interview, you’ll also hear me comparing Caterina Sforza to Doritos. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

According to sixteenth-century writer Moderata Fonte, the untapped potential of women to contribute to the liberal arts was “buried gold.” Exploring the work of Fonte and that of many other incredible women, Meredith K. Ray‘s new book explores women’s contributions to the landscape of scientific culture in early modern Italy from about 1500 to 1623. Women in this period were engaging with science in the home, at court, in vernacular literature, in academies, in salons, and in letters, and Daughters of Alchemy: Women and Scientific Culture in Early Modern Italy (Harvard University Press, 2015) looks both at women’s practical engagements with science and with their literary engagements with natural philosophy. Ch. 1 brings us to the Romagna, and to the formidable Caterina Sforza’s experiments with alchemical recipes as compiled in a manuscript that exists today in only a single manuscript copy. Both recipes and secrets were forms of currency in this context, and Ch. 2 looks at the vogue for printed “books of secrets” in sixteenth century Italy. This chapter pays special attention to the influential Secrets of Alexis of Piedmont (1555) and the Secrets of Signora Isabella Cortese, while also exploring the influence of books of secrets on other early modern literary genres including vernacular treatises, dialogues, and letter collections. Ch. 3 look at the literature of debate over women, or querelle des femmes that flourished in the sixteenth and seventeenth centuries, looking particularly closely at the intertwining discourses about women and science in Moderata Fonte’s writing of chivalric romance and dialogue, and in Lucrezia Marinella’s epic poetry and pastoral writing. Ch. 4 moves us to Padua and Rome, where women had begun, by the early seventeenth century, to participate in scientific discourse in more formal ways. Here, Ray looks closely at Camilla Erculiani’s letters on natural philosophy (1584) that defended women’s aptitude for science, and at her networking with scientific communities in Poland and her eventual questioning by the Inquisition. The chapter then turns to Margherita Sarrocchi’s work, her epic poem Scanderbeide, and her fascinating relationship with Galileo. It is a fascinating book that will be of interest to readers eager to learn more about the history of science, literature, and/or women in early modernity. If you listen closely to the interview, you’ll also hear me comparing Caterina Sforza to Doritos. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices

According to sixteenth-century writer Moderata Fonte, the untapped potential of women to contribute to the liberal arts was “buried gold.” Exploring the work of Fonte and that of many other incredible women, Meredith K. Ray‘s new book explores women’s contributions to the landscape of scientific culture in early modern Italy from about 1500 to 1623. Women in this period were engaging with science in the home, at court, in vernacular literature, in academies, in salons, and in letters, and Daughters of Alchemy: Women and Scientific Culture in Early Modern Italy (Harvard University Press, 2015) looks both at women’s practical engagements with science and with their literary engagements with natural philosophy. Ch. 1 brings us to the Romagna, and to the formidable Caterina Sforza’s experiments with alchemical recipes as compiled in a manuscript that exists today in only a single manuscript copy. Both recipes and secrets were forms of currency in this context, and Ch. 2 looks at the vogue for printed “books of secrets” in sixteenth century Italy. This chapter pays special attention to the influential Secrets of Alexis of Piedmont (1555) and the Secrets of Signora Isabella Cortese, while also exploring the influence of books of secrets on other early modern literary genres including vernacular treatises, dialogues, and letter collections. Ch. 3 look at the literature of debate over women, or querelle des femmes that flourished in the sixteenth and seventeenth centuries, looking particularly closely at the intertwining discourses about women and science in Moderata Fonte’s writing of chivalric romance and dialogue, and in Lucrezia Marinella’s epic poetry and pastoral writing. Ch. 4 moves us to Padua and Rome, where women had begun, by the early seventeenth century, to participate in scientific discourse in more formal ways. Here, Ray looks closely at Camilla Erculiani’s letters on natural philosophy (1584) that defended women’s aptitude for science, and at her networking with scientific communities in Poland and her eventual questioning by the Inquisition. The chapter then turns to Margherita Sarrocchi’s work, her epic poem Scanderbeide, and her fascinating relationship with Galileo. It is a fascinating book that will be of interest to readers eager to learn more about the history of science, literature, and/or women in early modernity. If you listen closely to the interview, you’ll also hear me comparing Caterina Sforza to Doritos. Enjoy!

According to sixteenth-century writer Moderata Fonte, the untapped potential of women to contribute to the liberal arts was “buried gold.” Exploring the work of Fonte and that of many other incredible women, Meredith K. Ray‘s new book explores women’s contributions to the landscape of scientific culture in early modern Italy from about 1500 to 1623. Women in this period were engaging with science in the home, at court, in vernacular literature, in academies, in salons, and in letters, and Daughters of Alchemy: Women and Scientific Culture in Early Modern Italy (Harvard University Press, 2015) looks both at women’s practical engagements with science and with their literary engagements with natural philosophy. Ch. 1 brings us to the Romagna, and to the formidable Caterina Sforza’s experiments with alchemical recipes as compiled in a manuscript that exists today in only a single manuscript copy. Both recipes and secrets were forms of currency in this context, and Ch. 2 looks at the vogue for printed “books of secrets” in sixteenth century Italy. This chapter pays special attention to the influential Secrets of Alexis of Piedmont (1555) and the Secrets of Signora Isabella Cortese, while also exploring the influence of books of secrets on other early modern literary genres including vernacular treatises, dialogues, and letter collections. Ch. 3 look at the literature of debate over women, or querelle des femmes that flourished in the sixteenth and seventeenth centuries, looking particularly closely at the intertwining discourses about women and science in Moderata Fonte’s writing of chivalric romance and dialogue, and in Lucrezia Marinella’s epic poetry and pastoral writing. Ch. 4 moves us to Padua and Rome, where women had begun, by the early seventeenth century, to participate in scientific discourse in more formal ways. Here, Ray looks closely at Camilla Erculiani’s letters on natural philosophy (1584) that defended women’s aptitude for science, and at her networking with scientific communities in Poland and her eventual questioning by the Inquisition. The chapter then turns to Margherita Sarrocchi’s work, her epic poem Scanderbeide, and her fascinating relationship with Galileo. It is a fascinating book that will be of interest to readers eager to learn more about the history of science, literature, and/or women in early modernity. If you listen closely to the interview, you’ll also hear me comparing Caterina Sforza to Doritos. Enjoy! Learn more about your ad choices. Visit megaphone.fm/adchoices