Podcasts about Mirandola

Neste episódio, os professores Jerusa Garay e Danilo Gomes apresentam a fascinante trajetória de Giovanni Pico della Mirandola, um dos grandes representantes do Renascimento. Nascido em 1463, no norte da Itália, Pico destacou-se por sua ousadia intelectual e pelo desejo de unificar os diversos saberes da humanidade. Movido por uma busca incansável por conhecimento, percorreu cidades como Bolonha, Paris e Florença, reunindo ideias de diferentes tradições filosóficas e espirituais. Resultado dessa investigação profunda, elaborou 900 teses que propunham uma visão integradora do saber. Na introdução dessas teses, escreveu o célebre Discurso sobre a Dignidade do Homem, verdadeiro manifesto sobre a liberdade e o potencial do ser humano. Suas ideias provocaram a Igreja, e Pico chegou a ser ameaçado pela Inquisição, sendo salvo por Lorenzo de Medici. De volta a Florença, vive até sua morte precoce, aos 31 anos, deixando um legado humanista grandioso. A partir de sua vida e obra, este episódio convida à reflexão sobre quem somos e qual o sentido de nossa existência, inspirando-nos a buscar, com coragem e generosidade, uma visão mais ampla e unificada do conhecimento. Participantes: Jerusa Garay e Danilo Gomes Trilha Sonora: Mozart – Sinfonia nº 40 em Sol menor, K. 550

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/van-leer-institute

This week Jeff and Dave are back in the studio to discuss the leading light of early fourth-century Christian rhetoric. 'No whey', you say? Yes, it's true. The guys again take a look at the North African rhetorical tradition that produced such greats of Christian apologetics as Minucius Felix, Tertullian, Cyprian of Carthage, and Arnobius of Sicca. What should we make of Lactantius' accomplishment? Is he really the crème de la crème, or merely pushed forward by inevitable social forces, not an instance of the 'great man theory'? And what about his rhetorical feats in the grisly Deaths of the Persecutors, Divine Institutes, God's Workmanship, and more? Was Pico della Mirandola correct that Lactantius "equalled Cicero, or maybe even surpassed him in eloquence"? Come along for the ride as we wrap up this two-parter on the man who was well suited to his times, interacting with the cabbage-loving Diocletian, a host of enemies of the Christian faith, and even the big guy, Constantine. And bee sure to check out Dave's free Latin lessons here: Deaths of the Persecturors Epitome of the Divine Institutes  

Giuseppe Vettori"Persona e Pluralismo"Leo S. Olschki Editorewww.olschki.itNella Chiesa di San Marco a Firenze, sono raccolte le spoglie di alcuni dei più grandi uomini che nel corso di 500 anni hanno dedicato opere e parole decisive sul valore della Persona. Nel testo se ne ricorda due: Pico della Mirandola e Giorgio La Pira. Il primo, nella sua Orazione sulla dignità dell'uomo, esalta la visione di un uomo collocato “al centro del mondo”, “né celeste né terreno, né mortale né immortale”, “investito dell'onore di decidere liberamente”. Nel 1944 il secondo, durante la fuga per sottrarsi a un ordine di cattura della polizia fascista, inizia una riflessione sulla condizione dell'uomo del suo tempo, muovendo da una Weltanschauung capace di dare risposta agli interrogativi sui problemi essenziali della realtà e della Storia. Da quelle radici nasce l'idea di Persona, da affermare, oggi, come fonte e sintesi dei criteri di valutazione dell'umano. Senza alcun rilievo giusnaturalistico e senza alcuna riduzione identitaria, ma con una tecnica basata su un'oggettività ideale e giuridica espressa da due fattori: il Pluralismo, sociale e politico, e un'azione ordinante della dimensione sempre nuova dell'esistenza.Giuseppe Vettori è professore emerito dell'Università di Firenze. Ha fondato nel 1995, la collana “Persona e mercato” ed è direttore dell'omonima rivista. I suoi studi sulla Persona, il Contratto, l'Efficacia, l'Opponibilità, i Rimedi sono confluiti in lavori monografici tra i quali si segnala, da ultimo, Effettività tra legge e diritto (2020). Un'attenzione particolare è stata dedicata al diritto europeo nei volumi Diritto dei contratti e “Costituzione” europea (2005) e Diritto privato e ordinamento comunitario (2009). Tra il 2011 e il 2015 è stato coordinatore del Dottorato di Diritto Privato Europeo promosso dall'Università degli Studi di Firenze e dall'Istituto Italiano di Scienze Umane (SUM), ora Scuola Normale Superiore. Ha partecipato in qualità di relatore e coordinatore a moltissimi convegni e incontri nazionali e internazionali in Italia, Germania, Francia, Spagna, Argentina, Cuba. - (settembre 2024) -IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

This week's podcast features Elena Mirandola, the CEO of F.C. Como Women. You'll discover: The essential qualities required to be a CEO of a Women's Football Team Strategies for building an effective team in business How Elena applies her transferable business skills within the Women's Football Industry The advantages of board training in both football clubs and businesses Elena shares how exercise boosts her energy in her Football Industry Role & Much More!! Connect with Ed Here: Connect with Ed on LinkedIn: https://www.linkedin.com/in/edbowers101/ Follow Ed on Instagram:  https://www.instagram.com/edbowers101/

On today's episode, I'm joined by Elena Mirandola, CEO of FC Como Women — the first club to be backed by Mercury13, a pioneering women's football consortium with bold ambitions to build a global multi-club network and unlock the commercial potential of the women's game. Elena's path to becoming a football club CEO is anything but conventional. Her career began in digital marketing, working with global powerhouse brands before moving to work directly with travel platform Expedia just as the pandemic struck. In our conversation, we explore the unique business model of FC Como Women, from its approach to branding and operating like a tech start-up to its success in attracting blue-chip sponsors like Nike. We also discuss the unique opportunities and challenges of running a women-only football club — one of only two to do so in Italy's top flight. Time Stamps 3:00 – Elena's Unconventional Path to CEO 7:00 – Addressing Gender Disparity 10:00 – Reframing the Women's Football 'Product' 12:00 – Overcoming Infrastructure Challenges 14:00 – Speaking to a Global Audience 17:00 – BEYOND: Launching an Educational Program for their Players 18:00 – Understanding the Modern Female Fan 20:00 – Building Partnerships with Global Brands 21:00 – Merchandising & Nike Partnership 27:00 – Adopting a Female-First Approach 30:00 – Building a Fan Database from Scratch 32:00 – Empowering Female Athletes as Content Creators 36:00 – Avoiding the Pitfalls of the Men's Game 40:00 – Future Ambitions & Mercury13's Multi-Club Vision Additional Links  Como Women appoint new CEO and COO following Mercury/13 takeover, plus more Nike announces multi-year deal with FC Como Women Women's football investors Mercury/13 'ripping up blueprint' on club ownership Giorgio Chiellini makes six-figure investment in women's soccer, inspired by watching Angel City DAZN has partnered with F.C. Como Women to bring Exclusive Content and Behind-the-Scenes Access Connect with Elena on LinkedIn - Here Connect with Andy on LinkedIn - Here

Giulio Busi"Giovanni. Il discepolo che Gesù amava"Mondadori Editorewww.mondadori.itIl Vangelo di Giovanni è il più colto dei Vangeli ma anche il meno affidabile dal punto di vista storico. È questa un'opinione antica, diffusa, tenace. Ed è però un'opinione profondamente falsa.Al di là degli stereotipi che durano da circa due millenni, Giulio Busi porta alla luce un altro Giovanni: un evangelista calato nella vita di Gerusalemme, che conosce come le proprie tasche i meandri della città santa, è esperto delle usanze e delle consuetudini ebraiche, e possiede i dettagli minuti della giurisprudenza d'Israele.Giovanni non è solo fonte storica di prim'ordine. È fuoco mistico, e polemica intransigente. Il suo Vangelo ruota attorno al «discepolo che Gesù amava», presentato come testimone oculare dei momenti salienti della vita, morte e resurrezione di Gesù. È lui, Giovanni, questo discepolo senza nome?Per scoprirlo, occorre spostarsi dalla Terra d'Israele in Asia Minore, a Efeso, una metropoli opulenta di traffici, che pullula di idee e di fermenti. Qui risiede «l'Anziano», come lo chiamano i fedeli, che si raccolgono per sentirlo parlare e ne rimangono ammaliati. Solo lui, infatti, sa raccontare in quel modo, con quel tono. Perché, tra i vecchi della comunità, solo lui ha conosciuto e toccato con mano Gesù.Ora Gerusalemme è lontana, scomparsa oltre il mare, le colline. Affondata tra i lutti. Il Tempio distrutto, i sacerdoti dispersi, il culto interrotto. Anche Giovanni se n'è andato, ha lasciato la città santa. Ma i ricordi, quelli non se ne vanno facilmente. È come se Gesù gli fosse ancora accanto e i suoi occhi inimitabili continuassero a fissarlo con severità e, insieme, con dolcezza.Austero e mansueto nello stesso sguardo, implacabile e amoroso in un'unica parola, così era il Maestro. E così Giovanni cerca di descriverlo, con la voce che un po' gli trema, per la vecchiaia e per l'emozione. Dai suoi ricordi, dalle sue esperienze e dalla sua straordinaria creatività teologica nasce il Vangelo che, più di ogni altro, apre la strada verso il mistero di Gesù.Giulio Busi è professore ordinario alla Freie Universität di Berlino e presidente della Fondazione Palazzo Bondoni Pastorio. Ha scritto di mistica ebraica, di storia rinascimentale, della filosofia di Giovanni Pico della Mirandola. Collaboratore di lungo corso delle pagine culturali del «Sole – 24 Ore», ha uno stile letterario inconfondibile, incalzante e, al tempo stesso, documentatissimo. Per Mondadori ha pubblicato: Lorenzo de' Medici (2016), Michelangelo (2017), Marco Polo (2018), Cristoforo Colombo (2020), Giulio II (2021) e Gesù, il ribelle (2023).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Saverio Campanini"Cabbalisti cristiani"Gershom ScholemAdelphiwww.adelphi.itTre saggi acuminati che illustrano il fascino esercitato dalla Qabbalah sui lettori cristiani d'ogni tempo.A cura, e con un saggio, di Saverio Campanini.Che la Qabbalah sprigioni un fascino difficilmente spiegabile è fuori di dubbio: chiunque entri in contatto con essa si sente interpellato, come se quelle oscure dottrine non aspettassero altri per sciogliere gli antichi nodi dell'irradiazione divina. Un fascino cui non hanno potuto sottrarsi molti lettori cristiani – da Giovanni Pico della Mirandola ai platonici rinascimentali, da Knorr von Rosenroth a Isaac Newton, dagli alchimisti ai «fratelli muratori» –, che con i dogmi segreti della mistica ebraica hanno avvertito una profonda affinità. Massimo studioso della Qabbalah, Gershom Scholem non ha mancato di dire la sua su questa robusta corrente del pensiero europeo. Persuaso com'era che la Qabbalah fosse la quintessenza dell'ebraismo, Scholem ha tentato di denunciare la sua versione cristiana come illegittima, frutto di un malinteso o di una frode, giungendo tuttavia a riconoscere, alla fine della vita, che la passione per quegli insegnamenti esoterici era stata accesa in lui proprio dalla lettura di un cabbalista cristiano. E così, nei tre illuminanti saggi qui raccolti, non solo troveremo una storia di quel pensiero sotterraneo, ma potremo anche scorgere in filigrana una riluttante autobiografia.Gershom Scholem (1897-1982) è una delle massime figure nel campo degli studi ebraici, in particolare della mistica, in cui ha tracciato nuovi percorsi di ricerca. Oltre che autore di opere fondamentali sulla Cabbalà, è stato docente universitario e ha svolto un'intensa attività di conferenziere.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

¡Llega la quinta temporada! En el episodio de hoy, exploramos la fascinante vida de Giovanni Pico della Mirandola, uno de los filósofos más emblemáticos del Renacimiento italiano. Nacido en 1463 en Mirandola, Italia, Pico provenía de una noble familia que le brindó una educación esmerada en latín, griego y filosofía clásica. Pico es célebre por su obra "Discurso sobre la dignidad del hombre", una defensa apasionada del potencial humano y la libertad intelectual, que se convirtió en un hito del humanismo renacentista. Además de su legado filosófico, la vida personal de Pico estuvo marcada por profundas amistades con figuras como el poeta Angelo Poliziano, relaciones que muchos historiadores interpretan como indicativas de su homosexualidad, y lo demás, está dentro, así que ha escucharlo y a compartirlo! La playlist del episodio: https://open.spotify.com/playlist/6BZX9kUXJ3gJ8nGTMDIFRL?si=e58f84edba464840

Welcome to episode 164 of Sports Management Podcast. Elena Mirandola is the newly appointed CEO of F.C. Como Women. FC Como is the first club in Mercury/13's portfolio and they are playing in the Italian Serie A Femminile. We spoke about: Being appointed CEO of FC Como Treating women's football as a business FC Como's partnership with NIKE Female empowerment Her best advice for young people in sports Her vision for FC Como And much more! Follow Sports Management Podcast on social media Instagram Twitter LinkedIn YouTube www.sportsmanagementpodcast.com

Elena Bosi"Mio padre è nato per i piedi"Neri Pozza Editorewww.neripozza.itL'affascinante affresco di una famiglia e di un'intera comunità raccontata con un tono allegro e solo in apparenza leggero, che nasconde storie di grande solitudine.A tre anni, Giulia è una bambina spigliata, autonoma, sempre con la risposta pronta. Forse anche perché la nonna ha l'abitudine di servirle un caffellatte ogni mattina, salvo poi lamentarsi di quanto sia nervosa. Però, visto che abita a Concordia sulla Secchia, un paesino in provincia di Modena, Giulia è anche una bambina che a tre anni può andarsene in giro da sola sul suo triciclo – l'importante è che non esca mai dai portici – fingendo di fare acquisti nei negozi e cantando Bandiera rossa, come le hanno insegnato gli anziani clienti della pasticceria di famiglia. È con loro che Giulia è cresciuta: nonni, zii, zie, vicini di casa e di bottega, parenti acquisiti, passanti, ragazze, mamme, vecchi e commercianti, tutti personaggi di un microcosmo bizzarro e meraviglioso, memorabile. Dal nonno che ha perso un polmone in una tempesta di sabbia durante la guerra alla zia suora che ipnotizza i topi; dal dottor Francesco, dentista che sa curare tutti i mali, alla libraia Arpalice che non vende libri ma manda i clienti in biblioteca; da Lina, una cliente con la fissa delle zucche, alla zia Tilde, capace di riconoscere le donne incinte dal collo. Un mondo che Giulia descrive con tono allegro e solo in apparenza leggero, perché l'ironia e il brio di chi la circonda sono spesso un modo per esorcizzare la malinconia e la solitudine. Una solitudine a cui ogni personaggio risponde a modo suo: chi confidandosi con la luna, chi cercando presagi felici nei sogni propri e altrui, chi con una battuta, una fuga o una grande abbuffata.Con Mio padre è nato per i piedi Elena Bosi, «la figlia dei portici», crea così l'affresco di una famiglia e di un'intera comunità, un romanzo corale che ci restituisce un mondo sorprendente e poetico che forse sta scomparendo.Mia mamma è convinta che nella data e nell'ora di nascita, e nel modo in cui si svolge il parto, sia già racchiuso il destino della persona. Mio padre è nato per i piedi. Parto podalico, si dice adesso. «Nascono tutti per la testa» dice mia mamma, «lui no, lui doveva nascere per i piedi». «Certo!» risponde mio padre. «A fare come gli altri si fa sempre in tempo». «Ma come ho fatto a sposarlo?» mi chiede mia mamma. «Dimmelo te, come ho fatto?»«Ho letto Mio padre è nato per i piedi mentre Elena Bosi lo scriveva, un capitolo dopo l'altro, e l'ho sentita che mi chiedeva, e si chiedeva, perché lo stava scrivendo, e il modo in cui, alla fine, se ne è accorta, il modo in cui ha trovato questo perché è una cosa che, ancora adesso, è passato un anno e mezzo, mi commuove».Paolo NoriElena Bosi è nata nel 1978 a Mirandola e vive a Mirandola ma è di Concordia, dove è cresciuta. Traduce, insegna e scrive. Mio padre è nato per i piedi è il suo primo romanzo. IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

What is Qabalah? This is a scholarly exploration of Hermetic Qabalah, an esoteric tradition steeped in history and rich in spiritual practice. This detailed video presentation covers the evolution of Hermetic Qabalah from its origins in ancient Jewish mysticism through its adaptation in Christian and Renaissance thought to its pivotal role in contemporary Western esotericism. We start by defining Hermetic Qabalah and distinguishing it from Jewish Kabbalah and Christian Cabala, highlighting the unique blend of mysticism, philosophy, and theology that characterizes each form. Discover how figures like Giovanni Pico della Mirandola influenced the Christian reinterpretation of Kabbalistic ideas and how these ideas permeated Renaissance thought. The video further delves into the core structure of the Tree of Life, explaining its symbolic representation of the universe's spiritual and material aspects. Learn about the sefirot, the paths that connect them, and their implications for personal and spiritual development. We will also cover primary texts like the Zohar and Sepher Yetzirah, their historical significance, and their roles in the practice of Qabalah. Additionally, we explore the modern application of Hermetic Qabalah in traditions such as Thelema and its integration into practices like modern Witchcraft and the Golden Dawn system. CONNECT & SUPPORT

PICO e la pratica basata sulle evidenzeNon c'entra Pico de Paperis e nemmeno Pico della Mirandola, ma e' un acronimo.- P patient/problem- I intervento- C compara- O outcome - risultato - esitoIdeale per eliminare i preconcetti e gli elementi qualitativi per introdurre analisi scientifiche nei contesti professionali

Galileu era astrônomo. E astrólogo. Essas duas maneiras de interpretar os céus foram aos poucos se afastando. Entra em cena um novo personagem: Pico della Mirandola. Ele será o guia deste episódio, para investigar o que aconteceu quando a astrologia e a astronomia se separaram.Vinte Mil Léguas vai ao ar toda segunda-feira, apresentado por Leda Cartum e Sofia Nestrovski. Trilha original de Fred Ferreira.https://www.livrariamegafauna.com.br/>Entrevistada: Bia MachadoAcesse: https://www.livrariamegafauna.com.br/pra-ver-e-ouvir/podcasts/vinte-mil-leguas-terceira-temporada/ Siga nas redes: @livrariamegafaunaEntre em contato: podcast@livrariamegafauna.com.br

Emilio BraghinContinua il viaggio. Passato e futuro di un alimento: il formaggio Parmigiano ReggianoMemoria Festival, Mirandolawww.memoriafestival.it25 Maggio 2024, ore 15:00Continua il viaggio. Passato e futuro di un alimento: il formaggio Parmigiano ReggianoCon Emilio Braghin, Alberto Pecorari e Mario ZannoniUn sapore che di certo non si dimentica è quello del Parmigiano Reggiano, un'eccellenza gastronomica del territorio, di cui Emilio Braghin, presidente sezione di Modena del Consorzio, Mario Zannoni, professore e storico e tecnico esperto e Alberto Pecorari, responsabile dei servizi istituzionali del Consorzio, illustrano tutte le virtù.In collaborazione con il Consorzio del Formaggio Parmigiano Reggianohttps://www.parmigianoreggiano.com/it/“Et eravi una montagna tutta di formaggio Parmigiano grattugiato, sopra la quale stavan genti, che niuna altra cosa facevan, che fare maccheroni e ravioli e cuocerli in brodo di capponi, e poi li gittavan quindi giù, e chi più ne pigliava, più se n'aveva”Giovanni Boccaccio, Decamerone, 1351, nel descrivere il Paese del Bengodi.Emilio Braghin, presidente della sezione di Modena e membro del comitato esecutivo del Consorzio Formaggio Parmigiano Reggiano, è stato funzionario dell'Associazione Interprovinciale Produttori Carne, funzionario Legacoop settore agricolo zootecnico lattiero-caseario, funzionario responsabile ufficio soci conferimento latte panne e Parmigiano Reggiano del consorzio Granterre, ricoprendo nello stesso periodo diversi incarichi, tra cui quello di amministratore del gruppo Granlatte e collaborando con la Regione Emilia Romagna e il Ministero delle politiche Agricole. Ha fatto parte delle Commissioni di indagini governative per le quote latte ed è stato membro del COPA-COGECA con la Commissione Agricoltura Europea nel settore lattiero-caseario. Dal 2011 è presidente della Cooperativa Casearia Castelnovese SCA e dal 2012 è Amministratore del Consorzio Formaggio Parmigiano Reggiano.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Don't have a lot of time and need to refresh your memory on a unit? Check out the QUICK HITS! Overview of Humanism, secularism, printing press, vernacular languange, influence of Ancient Greece and Rome, Civic Humanism in Italy, Christian Humanism in the North, and the people to know: Petrach, Machiavelli, Mirandola, Erasmus, and Thomas More.

Een hoorcollege geschiedenis van de westerse wijsbegeerte, van de 6e eeuw tot de 16e eeuw Uitgegeven door Home Academy Publishers B.V. Spreker: Johan Braeckman

Links For The Occult Rejects, NY Patriot Show, and The Spiritual Gangsters https://linktr.ee/occultrejectsandfriendsCash Apphttps://cash.app/$theoccultrejectsVenmo@NYPatriot1978Links For The Spiritual Gangstershttps://linktr.ee/thespiritualgangsterspodcastCloak & Dagger Coffeehttps://cloakanddaggercoffee.com/CLOAK11 Discount Code

Raphael Ebgi"Sette"Le avventure di un simboloLe Edizioni del Mulinowww.mulino.itLa promessa di un sapere senza confini.La mente umana incontra il sette quando si spinge in luoghi di meraviglia. Quando riflette sugli abissi del male, o sulle altezze, ben più difficili, del bene. Quando deve dare ordine alla musica dell'universo, o quando prova a immaginare, a occhi aperti, una via che conduca fuori dal mondo. O quando, infine, deve pensare l'inizio e la fine di tutto, come insegna il libro dei libri, la Bibbia, che crea il mondo in sette giorni. Raccontare la storia del sette significa avventurarsi in spazi in cui i numeri si trasformano in divinità, in elementi della natura, nella materia dei sogni e in speranze di pace. Una storia solo apparentemente lontana, perché il mistero del sette non ha mai smesso di affascinarci, e continua a riaffiorare fra le trame della nostra vita.Raphael Ebgi insegna Storia della Filosofia all'Università Vita-Salute San Raffaele di Milano. Ha curato per i Millenni Einaudi i volumi «Giovanni Pico della Mirandola. Mito, magia, qabbalah» (con G. Busi, 2014), «Umanisti italiani. Pensiero e destino» (con M. Cacciari, 2016), e «Marsilio Ficino. Anima Mundi: Scritti filosofici» (2021).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Giulio Busi"Gesù il re ribelle"Una storia ebraicaMondadori Editorewww.mondadori.itChi è, veramente, Gesù? Sappiamo cosa è diventato dopo la sua morte, in duemila anni di fede cristiana. Ma come lo considerano i contemporanei? Cosa pensano quando lo ascoltano parlare e mentre lo vedono agire?Poco prima della fine, egli pronuncia su di sé parole enigmatiche: «Io so da dove vengo, e dove vado. Voi, invece, non sapete da dove vengo e dove vado» (Gv 8,14). Può questo messaggio di un «re» ebreo illuminare anche l'origine e la meta della nostra vita?Attraverso un fitto e appassionato dialogo con i Vangeli, Giulio Busi traccia il profilo di un Gesù ribelle, assai diverso dall'immagine del buon pastore, mite e mansueto, trasmessa da gran parte della tradizione cristiana. È il Gesù della polemica e dell'invettiva. E, insieme, il Gesù visionario che sovverte e trascende ogni limite di spazio e di tempo, in continuo movimento tra il «qui» della sofferenza e della sopraffazione e il «là» della pace e della vita spirituale.A delinearsi con chiarezza in queste pagine è, in particolare, una «storia ebraica» del maestro di Nazaret. Per lui, infatti, gli ebrei non sono mai «loro» ma «noi». E se la sua ribellione s'indirizza anche contro l'élite religiosa giudaica, è pur sempre la ribellione di un ebreo, orgoglioso della propria appartenenza, che sa interpretare la Torah in modo straordinariamente raffinato, eppure libero, nuovo, creativo.Alla fine, Gesù è un re proscritto, su cui pende un ordine di arresto. Un rabbi itinerante braccato e costretto a nascondersi. Quando sale a Gerusalemme per l'ultima Pasqua, sa che verrà tradito, catturato, percosso, ucciso. I suoi si sbandano, rinnegano. Solo un gruppo di donne non lo lascia nell'ora più oscura. E soltanto una donna cerca il proprio maestro e per prima lo trova, all'alba, in un giardino, al di là della morte.Il giudaismo ha rifiutato il regno senza potere impersonato da Gesù. Il cristianesimo ha trasformato la missione errante dei primi discepoli ebrei, senza famiglia e senza averi, senza bagaglio e senza armi, in una realtà solida, ben costruita, capace di durare per millenni. Ma la ribellione di Gesù ancora continua.Giulio Busi è professore ordinario alla Freie Universität di Berlino e presidente della Fondazione Palazzo Bondoni Pastorio. Ha scritto di mistica ebraica, di storia rinascimentale, della filosofia di Giovanni Pico della Mirandola. Collaboratore di lungo corso delle pagine culturali del «Sole – 24 Ore», ha uno stile letterario inconfondibile, incalzante e, al tempo stesso, documentatissimo. Per Mondadori ha pubblicato: Lorenzo de' Medici (2016), Michelangelo (2017), Marco Polo (2018), Cristoforo Colombo (2020) e Giulio II (2021).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

In season 3 episode 2 I sit down with translator (the Hermetic Physician: The Magical Teachings of Giuliano Kremmerz and the Fraternity of Myriam, 2022) author (The Magic Door - A Study on the Italic Hermetic Tradition: Myth, Magic, and Metamorphosis in the Western Inner Traditions, 2019) and scholar David Pantano. We had an excellent and fascinating discussion on Hesperia, the healing practices of Giuliano Kremmerz, the work of Renaissance Magic Marsilio Ficino, Pico della Mirandola, and Giordano Bruno, the Italic Hermetic Traditions, and more! This is one of the most interesting and significant areas of Western esotericism and history in general for me and no one knows it like David. David Pantano: https://www.innertraditions.com/author/david-pantano https://www.facebook.com/david.pantano.5 Ike Baker: http://ikebaker.com Support Arcanvm for $5/mo.: http://patreon.com/arcanvm Follow Ike & the Arcanvm Channel: @a.r.c.a.n.v.m (IG) http://facebook.com/Arcanvvm Contact Ike: arcanvvm@gmail.com #hermeticism #hesperia #esotericism --- Support this podcast: https://podcasters.spotify.com/pod/show/arcanvm/support

An intense and heartfelt discussion of Greg Kaminski's dangerous new book. On the vicissitudes and wonders of the spiritual path from the perspective of Dzogchen/Tantra and the 9 spheres of divinity. Greg Kaminsky is a practitioner of Vajrayana Buddhism and a close student of Traktung Rinpoche. He is also a scholar of medieval studies, an explorer of Mysteries with a deep knowledge of Western esotericism, and a long-time podcaster. His prior works include an essay in "The Art and Science of Initiation" (2019) and the forthcoming "Celestial Intelligences—Angelology, Cabala, and Gnosis: Giovanni Pico della Mirandola's Quest for the Perennial Philosophy" (2021). Additionally, he has authored two books on Vajrayana, including "A Revelation of Wonderment: Reflections on Traktung Rinpoche's 9 Spheres Teachings (2017-2022)" and "PRONAOS: Reflections on the Preliminary Practices of Buddhist Tantra from a Western Perspective."'(202) You can find Greg's podcast, "Occult of Personality," at http://occultofpersonality.net/. You can reach him via email at brothergreg@protonmail.com. New Courses at Parallax: https://parallax-media.eu/courses/og-rose-look-at-the-birds-of-the-air https://parallax-media.eu/courses/the-hard-way-with-luke-behncke Subscribe to our Substack: https://parallax.substack.com/ Parallax Events: https://parallax-media.eu/parallax-academy-calendar Parallax Academy: https://parallax-media.eu/curriculum Membership: https://parallax-media.eu/parallax-academy-calendar --- Send in a voice message: https://podcasters.spotify.com/pod/show/podcast-c709ee4/message

During the Renaissance, Kabbalists attempted to synthesize and interpret Kabbalah through a Neoplatonic lens, based on the belief that Plato had studied the secrets of Judaism. Join us as we explore the secret of Plato and Kabbalah in the Italian Renaissance. 00:00 Platonism and Kabbalah during the Renaissance 01:30 Shout out 04:06 Changing Favours 06:27 The Rise of Plato 15:14 How did Plato know Kabbalah? 20:12 Prisca Theologia, Perennial Philosophy 24:58 Case Study: The Sefirot 32:57 Italy vs Spain 37:57 Ripple Effects of the Renaissance 41:01 Summary 43:34 Reading Recs 43:57 Thank you & Shout out Sources and Recommended Readings: • Abraham Melamed, “The Myth of the Jewish Origins of Philosophy in the Renaissance: from Aristotle to Plato,” in Jewish History, 26(1-2), 2012, pp. 41–59., 214—219. • Abraham Melamed, The Myth of the Jewish Sources of Science and Philosophy, 2009, pp. 214-219, 299-315 • Abraham Melamed, The Philosopher-King in Medieval and Renaissance Jewish political Thought (Albany, 2002), 229, n. 30. • Alexander Altmann, "Lurianic Kabbalah in a Platonic Key: Abraham Cohen Herrera's Puerta del Cielo," HUCA 53 (1982) • Chaim Wirszubski, Pico della Mirandola's Encounter with Jewish Mysticism • Hava Tirosh-Rothschild, Between Worlds: The Life and Thought of Rabbi David ben Judah Messer Leon (Albany, 1991), 50, 233. • Miquel Beltran, The Influence of Abraham Cohen de Herrera's Kabbalah on Spinoza's Metaphysics. Leiden, The Netherlands: Brill, 2016 • Moshe Idel "Differing Conceptions of Kabbalah in the Early 17th Century,"in I. Twersky and B. Septimus, eds., Jewish Thought in the 17th Century (Cambridge: Harvard University Press, 1987), 138-41, 155-57 • Moshe Idel, "Jewish Mystical Thought in the Florence of Lorenzo il Magnifico," in La cultura ebraica all'epoca di Lorenzo il Magnifico, ed. D. Liscia Bemporad and I. Zatilli (Florence, 1998), pp. 31-32 • Moshe Idel, "Kabbalah and Ancient Philosophy in R. Isaac and Judah Abravanel", in The Philosophy of Leone Ebreo, eds. M. Dorman and Z. Levi (Tel Aviv, 1985) (in Hebrew), pp. 73-112, 197. • Moshe Idel, "Kabbalah, Platonism and Prisca Theologia: the Case of Menashe ben Israel,” Menasseh ben Israel and his World, Leiden, The Netherlands: Brill, 1989, pp. 207-219. • Moshe Idel, "The Anthropology of Yohanan Alemanno: Sources and Influences," Topoi 7 (1988): pp. 201-10; reprinted in Annali di storia dell'esegesi 7 (1990): 93-112; • Moshe Idel, “The Magical and Neoplatonic Interpretations of The Kabbalah in the Renaissance,” in Jewish Thought in the Sixteenth Century, by Bernard Dov Cooperman (ed.), Cambridge, MA: Harvard University Press, 1983, pp. 186-242 • Moshe Idel, “Italy in Safed, Safed in Italy: Toward an Interactive History of Sixteenth-Century Kabbalah,” in David B. Ruderman and Giuseppe Veltri, eds., Cultural Intermediaries: Jewish Intellectuals in Early Modern Italy, University of Pennsylvania Press, 2004, p. 243 • Moshe Idel, “Jewish Kabbalah and Platonism in the Middle Ages and Renaissance” in Lenn Goodman, Neoplatonism and Jewish Thought, State University of New York Press, 1992, pp. 319-351 • Moshe Idel, “Metamorphoses of a Platonic Theme in Jewish Mysticism,” in Jewish Studies at the Central European University 3: 67 • Moshe Idel, “Particularism and Universalism in Kabbalah, 1480-1650,” in Essential Papers on Jewish Culture in Renaissance and Baroque Italy, edited by David B. Ruderman, 1992, p. 327-8, 338 • Moshe Idel, Kabbalah in Italy, 1280-1510: A Survey, Yale University Press, 2007 • Richard Popkin, “Spinoza, Neopiatonic Kabbalist?,” in Lenn Goodman, Neoplatonism and Jewish Thought, 1992, pp. pp. 367-410 • S. Toussaint, "Ficino's Orphic Magic or Jewish Astrology and Oriental Philosophy? A Note on Spiritus, the Three Books on Life, Ibn Tufayl, and Ibn Zarza," Ac- cademia 2 (2000): 19-33

This episode dives into the concept of perennial philosophy, its origins, key figures, and its influence on various religious and philosophical traditions, discussing thinkers like Marsilio Ficino, Giovanni Pico della Mirandola, Philo of Alexandria, and Aldous Huxley. Source: https://en.wikipedia.org/wiki/Perennial_philosophy

Giovanni Pico della Mirandola è considerato il prototipo del filosofo rinascimentale: scopriamo perché.

From the type of snake that appears in Michelangelo's “Last Judgment,” to the suspected poisoning of Pico dell Mirandola and Angelo Poliziano, to Lorenzo Lotto's unorthodox “Annunciation,” to Brunelleschi's role in the development of linear perspective, and much, much more - this episode answers the very questions that you ask me about the great art, artists and history of the Italian Renaissance.

A chance to hear what happens on the other side.  We offer you, as a New Year present, a selection of snippetty bits from our Patreon episodes - Isabella of Castile, Leonardo da Vinci, Pico della Mirandola, Sultan Mehmet and Caterina Sforza. https://www.patreon.com/Tudoriferous 

Today on the show, we look at the life of a man synonymous with the Italian Renaissance: Giovanni Pico della Mirandola. @1517 #christianhistory #christian #history  — SHOW NOTES are available: https://www.1517.org/podcasts/the-christian-history-almanac GIVE BACK: Support the work of 1517 today CONTACT: CHA@1517.org SUBSCRIBE: Apple Podcasts Spotify Stitcher Overcast Google Play FOLLOW US: Facebook Twitter Audio production by Christopher Gillespie (gillespie.media).

Our plans for the immediate future are to write 901 theses on every topic imaginable, with many of them focusing on how much utopias suck and how bad tattoos will look in the future! Along with this, we discuss humanism in the fifteenth century, looking at how various thinkers valued education and classical literature in order to argue for peace and the importance of the common person. We discuss one of the first feminist authors, Christine de Pizan, the somewhat crazy Pico della Mirandola, the great thinkers Erasmus and Sir Thomas More, and conclude with Montaigne. Humanism brings up many great questions, such as the importance of pacifism, how we can bring together all forms of knowledge to find the truth, and monarchy being the best form of government.  Follow us on Twitter! @UlmtdOpinions

Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Walter Pater, in full Walter Horatio Pater, (born August 4, 1839, Shadwell, London, England—died July 30, 1894, Oxford, Oxfordshire), was an English critic, essayist, and humanist whose advocacy of “art for art's sake” became a cardinal doctrine of the movement known as Aestheticism. Pater was educated at King's School, Canterbury, and at Queen's College, Oxford, where he studied Greek philosophy under Benjamin Jowett. He then settled in Oxford and read with private pupils. In 1864 he was elected to a fellowship at Brasenose College. Pater's early intention to enter the church gave way at this time to a consuming interest in classical studies. Pater then began to write for the reviews, and his essays on Leonardo da Vinci, Sandro Botticelli, Pico della Mirandola, Michelangelo, and others were collected in 1873 as Studies in the History of the Renaissance (later called simply The Renaissance). His delicate, fastidious style and sensitive appreciation of Renaissance art in these essays made his reputation as a scholar and an aesthete, and he became the centre of a small group of admirers in Oxford. In the concluding essay in The Renaissance, Pater asserted that art exists for the sake of its beauty alone, and that it acknowledges neither moral standards nor utilitarian functions in its reason for being. These views brought Pater into an association with Algernon Charles Swinburne and with the Pre-Raphaelites.Marius the Epicurean (1885) is his most substantial work. It is a philosophical romance in which Pater's ideal of an aesthetic and religious life is scrupulously and elaborately set forth. The setting is Rome in the time of Marcus Aurelius; but this is a thin disguise for the characteristically late-19th-century spiritual development of its main character. Imaginary Portraits (1887) are shorter pieces of philosophical fiction in the same mode. Appreciations (1889) is a return to the critical essay, this time largely on English subjects. In 1893 came Plato and Platonism, giving an extremely literary view of Plato and neglecting the logical and dialectical side of his philosophy. Pater's Greek Studies (1895), Miscellaneous Studies (1895), and Essays from The Guardian (privately printed, 1896; 1901) were published posthumously. Also published posthumously was his unfinished romance, Gaston de Latour (1896).The primary influence on Pater's mind was his classical studies, coloured by a highly individual view of Christian devotion and pursued largely as a source of extremely refined artistic sensations. In his later critical writings Pater continued to focus on the innate qualities of works of art, in contrast to the prevailing tendency to evaluate them on the basis of their moral and educational value. Pater's early influence was confined to a small circle in Oxford, but he came to have a widespread effect on the next literary generation. Oscar Wilde, George Moore, and the aesthetes of the 1890s were among his followers and show obvious and continual traces both of his style and of his ideas.From https://www.britannica.com/biography/Walter-Pater. For more information about Walter Pater:The Renaissance: https://www.ucpress.edu/book/9780520036642/the-renaissance“Art vs. aestheticism: the case of Walter Pater”: https://newcriterion.com/issues/1995/5/art-vs-aestheticism-the-case-of-walter-paterThe Renaissance: https://www.gutenberg.org/files/2398/2398-h/2398-h.htm“Walter Pater”: https://campuspress.yale.edu/modernismlab/walter-pater/

Sophia Howlett is the President for the School for International Training. In this episode we discuss her book Re-evaluating Pico: Aristotelianism, Kabbalism, and Platonism in the Philosophy of Giovanni Pico della Mirandola, alongside discussions on Ficino, God, and Kabbalah. Become part of the Hermitix community: Hermitix Twitter - https://twitter.com/Hermitixpodcast Support Hermitix: Patreon - https://www.patreon.com/hermitix Donations: - https://www.paypal.me/hermitixpod Hermitix Merchandise - http://teespring.com/stores/hermitix-2 Bitcoin Donation Address: 3LAGEKBXEuE2pgc4oubExGTWtrKPuXDDLK Ethereum Donation Address: 0x31e2a4a31B8563B8d238eC086daE9B75a00D9E74

Independent historian Michael Hoffman expounds the epistemology of the non-conforming historians known as “revisionists” — those who defy political correctness and risk the ire of cancel culture as part of their voyage of discovery. Using as his palette the monarchy of Elizabeth I, the Jesuits, quantum physics, the campaign against mammonism and capitalism, the Protestant-Catholic wars of religion, Shakespeare and Marlowe, the British Secret Service and the occult from John Dee to Pico della Mirandola, Hoffman illustrates the meaning and function of revisionist history in its indispensable service to the expansion of human knowledge.

Vittorino Andreoli"Memoria Festival"https://memoriafestival.it/Vivere insieme a un malato di menteCon Vittorino AndreoliSabato 1° Ottobre 2022Memoria Festival“È vero tutto questo, o sta accadendo nella mia testa? – Certo che sta accadendo dentro la tua testa! Dovrebbe voler dire che non è vero?”. Dalla magia di Harry Potter alla verità che sogni, incubi, immaginazione, paure, sono reali, benché immateriali. Ecco perché vivere insieme a chi è affetto da alterazioni della mente è non solo una sfida ma, anche, un viaggio negli angoli più insondati di noi stessi. Un itinerario che lo psichiatra Vittorino Andreoli propone al pubblico del Festival.Vittorino Andreoli, psichiatra di fama mondiale, è stato direttore del Dipartimento di Psichiatria di Verona – Soave ed è membro della New York Academy of Sciences. È presidente del Section Committee on Psychopathology of Expression della World Psychiatric Association. È autore di libri che spaziano dalla medicina, alla letteratura alla poesia e collabora con la rivista “Mente e Cervello”. Tra le ultime sue opere: nel 2018 Il silenzio delle pietre (Rizzoli), Beata solitudine. Il potere del silenzio (Piemme) e Homo stupidus stupidus. L'agonia di una civiltà (Rizzoli), Le sorgenti del sogno. Un viaggio nella psiche umana (Marsilio, 2020); con Solferino, per cui dirige anche la collana “Le scienze dell'uomo”, L'uomo col cervello in tasca (2019), Una certa età (2020), La famiglia digitale (2021), Le origini della coscienza (2021), Storia del dolore e Contaminazione (2022).IL POSTO DELLE PAROLEAscoltare fa Pensarehttps://ilpostodelleparole.it/

This week Jeff and Dave take a sustained look at an-oft discussed but ill-defined notion: what, if anything, gives people dignity? Drawing on the work of famous, late scholar Charles Trinkaus (The Scope of Renaissance Humanism), the guys trace this notion from Cicero through the Greek and Latin fathers and into the trecento. Thanks to the diligent spadery of Chuck T., you'll enjoy a who's who of what's what when it comes to key themes and ideas surrounding what separates man (and woman) from animal, the noble brute. In the end it all comes down to Petrarch, Ficino, Mirandola, and Peter 'Et' Cetera of Chicago fame. The jinx here may be lower than normal, but the substance is swole. Don't miss it!

Un reformista visionario o un fanático exaltado. Conoce la historia del controvertido fraile que gobernó la ciudad de Florencia en pleno Renacimiento Bibliografía: Fletcher, Catherine. (2021). La Belleza y el Terror. Una Historia alternativa del Renacimiento. España: Taurus. Cisa, Javier. (Octubre, 2005). Savonarola. El fraile que gobernó Florencia. Historia y Vida, 451, 56-65. FE DE ERRATAS: En lugar de Piero della Mirandola el nombre correcto es Pico della Mirandola

Image credit: Portrait of Giovanni Pico della Mirandola, by Tobias Stimmer, 1589

Filósofo Renascentista, humanista, eclético, PICO DELLA MIRANDOLA desde a infância impressionava por seus dotes intelectuais que incluíam uma extraordinária memória e dons artísticos muito desenvolvidos.  Em sua breve vida - morreu aos 31 anos de idade - contribuiu de forma importante para essa grande virada cultural que foi o Renascimento. A professora e voluntária de Nova Acrópole Ana Cristina Machado nos fala brevemente sobre Pico Della Mirandola em 2022, em nosso estúdio em Brasília. Dúvidas? Converse conosco no whatsapp: https://bityli.com/s2vhF Receba nosso conteúdo no seu celular. Canal Nova Acrópole no TELEGRAM: https://www.t.me/novaacropolebrasil Sugestões, colaborações, observações pelo whatsapp 61 9 8361 57 53 - Voluntários Membros da Nova Acrópole Asa Sul #picodellamirandola #renascimento #renascentista #mirandola #humanismo #anacristinamachado #novaacropole #filosofia #cultura #voluntariado #newacropolis #nuevaacropole #volunteer #culture #philosophy  #palestrasfilosoficas #filosofiaaplicada  #filosofiaamaneiraclassica  #autoconhecimento #sentidodevida #vidainterior #consciencia #luciahelenagalvao #professoraluciahelena #acropoleplay #palestrafilosoficanovaacropole

Greg Kaminsky discusses how Kabbalah was adopted from Judaism into Christianity, by Giovanni Pico della Mirandola, as well as his spiritual beliefs and practices. Among these, Pico believed in a hierarchy of angels that could be engaged with and emulated by human beings and that, by doing so, we could make ourselves divine.

Hello and welcome back to the Startup Geometry Podcast. This episode is brought to you by Windcastle Press, where a new pair of hardbacks of my translation of Giordano Bruno's On The Shadows Of Ideas will soon be available. We're back after a long break to talk to Greg Kaminsky, host of the Occult of Personality Podcast, and author of two new books: Pronaos, dealing with the ngondro or preliminary practices of Vajrayana Buddhism, and Celestial Intelligences, dealing with the esoteric writings of Renaissance philosopher and magus Giovanni Pico della Mirandola, best known for his manifesto Oration on the Dignity of Man.   Download the episode here, or find us on your favorite podcatcher.

¿Quién fue Giovanni Pico della Mirandola y por qué se le conoce como ‘El Príncipe de la Concordia’? ¿En qué consistió ‘La Disputa’, su gran proyecto de vida? ¿Qué sentido e importancia le da Pico a la libertad del ser humano dentro de la creación divina? En este capítulo de El Libro Rojo me acompaña Carlos Goñi, doctor en Filosofía por la Universidad de Barcelona y autor de numerosas obras sobre historia antigua, mitología o educación.

Our beloved Archbishop Hebda joins us on Practicing Catholic to enlighten us on the upcoming Vatican Synod implemented by Pope Francis. Next, Nick Chalmers returns for an Evening with the Mirandola Ensemble, a program featuring music from the Flemish Renaissance. Lastly, Deacon Mickey Friesen of our archdiocesan Center for Mission provides an update on the Venezuelan Mission during its 50th anniversary!

¿Qué papel tuvieron nombres como Marsilio Ficino o Giovanni Pico della Mirandola en la recuperación de la sabiduría platónica en la Italia del Renacimiento? ¿Qué sucedió con la tradición judía una vez que fueron expulsados de la península ibérica? ¿Cómo ocurrió el encuentro entre esta cábala judía y otros saberes como el hermetismo, la alquimia o el propio cristianismo? En este capitulazo de El Libro Rojo charlo con Mireia Valls, escritora, profesora y especialista en el estudio del símbolo y la tradición.