Podcasts about Hawai

"Every community has different values, and every community should have different choices. And that's why local food is so important so that local communities and local farmers can decide what's most important to them and how they want to connect the people who grow our food with the people who are seeking nourishment." —Andy Naja-Riese "The health of our Farmers Market is really dependent upon the health of our farmers." —Tanner Keys   Wonder why local food sometimes costs more, or if it's really worth the effort to shop there? The real story behind farmers' markets is more complicated—and more important—than you might think. Andy Naja-Riese, CEO of the Agricultural Institute of Marin, and Tanner Keys, Cooperative Agreement Manager for the Islands of Remote Areas Regional Food Business Center, have spent years on the front lines of food access. Their work in California and Hawaii gives them a unique view on what it takes to make local food affordable, how certification and regulations shape what you see at the market, and why these markets matter for everyone. Listen in for honest talk about food prices, local farming, organic rules, food as medicine, and how farmers' markets are working to make healthy food available to all. You'll get practical insights, real solutions, and a fresh look at what's possible in your own community. Meet Andy: Andy Naja-Riese brings 17 years of experience in community food systems, public health, and food equity programs & policy. As Chief Executive Officer, he leads AIM's major programs, partnerships, strategic planning, advocacy, and fundraising, including a capital campaign for AIM's Center for Food and Agriculture in collaboration with AIM's Board of Directors. Andy joined AIM in 2018 after spending 10 years working for the Federal government, including the U.S. Department of Agriculture's Food and Nutrition Service.  Andy is currently the Co-Chair of the Marin County Healthy Eating Active Living (HEAL) Collaborative, serves on the Steering Committees of the Marin Carbon Project and Marin Community Health Improvement Plan, sits on the National Farm to School Network's Advisory Board, and represents AIM on the California Food and Farming Network & Food and Farm Resilience Coalition. He received the 2022 CVNL Heart of Marin Award for Excellence in Leadership and the 2023 Farmers Market Champion of the Year award from CAFF. He earned his master's degree from the T.H. Chan Harvard School of Public Health and his bachelor's degree from Cornell University's College of Agriculture and Life Sciences.  He lives with his husband and dog in Sonoma, where he enjoys backyard gardening, cooking farmers market hauls, eating bagels, and enjoying Northern California's natural beauty Website Facebook X Instagram LinkedIn YouTube   Meet Tanner: Tanner Keys grew up in an agricultural community & lifestyle that has instilled a passion for food & land. He has served in various roles with the Hawaiʻi Good Food Alliance (HGFA) beginning in 2022, helping the organization in its beginning years and later leading a project of HGFA, the Hawaiʻi Farmers Market Association. Before that, he served as the Team Leader to the FoodCorps Inc., an AmeriCorps program, from 2019 to 2021. Tanner has a B.S. in Business Administration from the University of Oregon, and it was his service in the Peace Corps (Timor-Leste ʻ16-ʻ18) that led him back to the path of supporting agriculture & food security. LinkedIn Connect with Hawai'i Good Food Alliance Website Instagram Facebook   Connect with NextGen Purpose: Website Facebook Instagram LinkedIn YouTube   Episode Highlights: 01:16 Geography and Food Access: How Location Changes Everything 06:13 Comparing Coasts: East vs West Market Experiences  10:38 Organic vs Certified— What “Certified” Really Means  16:53 Hawaii and California's Diversity  23:40 Making Markets Accessible  27:55 Permanent Market Dreams: Building for the Future  33:57 Are Farmers' Markets Expensive? The Real Price of Local Food   Resources: Podcast S5 Ep 27: AIM— Preserving the Farmer's Market for Everyone with Andy Naja-Riese Part 2S7 Ep1: Boosting a Healthy, Accessible Local Farm-to-Table Revolution with Andy Naja-Riese Part 2

Returning guest and program-builder Coach Isaac Wood joins Airey Bros Radio to break down his next big challenge: launching the men's cross country program at the University of the Pacific and re-energizing the women's team in Stockton, CA. Fresh off five NJCAA national titles at Salt Lake CC and Coach of the Year honors, Wood explains how he's translating JUCO dominance to NCAA Division I, why Pacific is a sleeper academic powerhouse, and what “UOP RG” (the regen mantra) means for culture, recruiting, and results. We get into year-one goals, West Coast Conference competition, race-day mindset vs. workout warriors, developing athletes into pro prospects, long-run routes through Lodi vineyards, and the season slate (San Francisco opener, Hawai‘i trip, big Minnesota test, Bronco Invite, WCC in Spokane, Regionals in Sacramento). If you're a recruit, parent, or running nerd, this one's loaded with actionable insight.

Legal experts discuss how specialty courts have shaped Hawaiʻi's judicial system; A Hawaiʻi guitarist showcases her unique sound on the national classical program "From the Top"

Derek Champagne talks with Jason Ferguson. Jason Ferguson wasn't supposed to make it—not out of his neighborhood, not into a Division I lockerroom, and definitely not to a tech IPO. But he's never followed the script. A former University of Hawai‘i football player, Jason is now a Sales Leader, speaker, coach, and author of Nobody's Legend, a self-help memoirrooted in truth, pain, and resilience.Raised in West Los Angeles, Jason faced violence, loss, and long odds. Football became his escape, and his obsession. Despite being undersized, he earned a full-ride scholarship through grit, vision, and relentless work. But when injuries ended his career, the identity he'd built crumbled, and he spiraled into addiction behindclosed doors. Jason's journey is one of rebuilding. From silence to significance. Today, he's a Director ofSales at ServiceTitan, where he helped scale the company through its hypergrowth years and successful IPO. He also coaches early-stage tech founders, helping them build high-performing revenue teams and sustainable growth strategies—grounded not in theory, but lived experience.Jason speaks on emotional intelligence, mental resilience, and transforming adversity into advantage, bringing unfiltered truth to audiences ranging from students to C-suite leaders.Nobody's Legend isn't just a memoir. It's a raw, unapologetic roadmap through chaos, self-destruction, and the long climb back to purpose. Told with unfiltered honesty and cinematic detail, this is the true story of a former D1 athlete who lost it all—football, identity, family, self-worth—and still found a way to rebuild from rock bottom.Jason Ferguson takes you inside the mind of an addict mid-withdrawal, a teenager chasing dreams in the unforgiving streets of L.A., and a grown man staring down the voice in his head telling him he's not enough. What unfolds isn't a comeback story. It's a reintroduction to who he was always meant to be.This book goes beyond motivation. It's about the war between your ears—the lies you believe, the doubts you feed, and the habits that either bury you or build you. Whether it's walking into a sales job in an oversized suit with nothing to lose or running sprints up a sand dune at 4 AM chasing a vision no one else could see, Nobody'sLegend reminds you that your pain isn't proof you're broken. It's proof you're not done yet.It's about mindset. It's about radical accountability. It's about getting hit and getting back up with youridentity intact. And most of all, it's about reminding every underdog, former screw-up, or misunderstood soul outthere that you don't have to be famous to be legendary.Order a copy of Nobody's Legend: https://jfinspires.com/book/Business Leadership Series Intro and Outro music provided by Just Off Turner: https://music.apple.com/za/album/the-long-walk-back/268386576

Cousin Vinnie was over as they prepared to take George to Hawai'i on vacation. We discussed their recent adventures in gender, being about as far into their nonbinary transmasculinization as Jess is, but living in a much bigger city, but neither possessing nor desiring passing privilege. We are here to share our entire intersectional experience with anyone who finds it beneficial, but we want to know what you connect with the most. You can let us know by clicking to a one-question anonymous survey at vote.pollcode.com/32371374. If you have a request/suggestion that isn't listed, comment! We can be found online at TransPanTastic.net, you can email us at TransPanTastic@gmail.com, and "TransPanTastic" is searchable on most social networks. We would love to hear from you, so let us know what you think or what you want to hear about!

Dr. Ty Tengan is a professor in the Department of Anthropology at University of Hawaiʻi at Mānoa whose work emphasizes ethnic studies in relation to Hawaiian identity and masculinity, sovereignty, land, and militarism. His activism and work extends to running oral history field schools, cultural workshops, water rights and burial site protection. In this conversation, Melissa and Clay talk about Tenganʻs work in native Hawaiian repatriation, and the profound significance of ʻiwi kupuna burial practices perpetuating indigenous worldview. We discuss the “forced amnesia” of colonization and the re-learning and re-membering Hawaiian traditions and practices, especially those around Hawaiian masculinity.

On today's program, we're revisiting stories of those who left their homelands to start new lives in Hawaiʻi.

Amy Hill is a legendary actress and comedian from South Dakota. She has over 180 television and film credits and has been a part of our favorite shows and movies over the past three decades. You might know her for her hilarious role as Grandma Kim on All-American Girl, Sue in 50 First Dates, Mrs. Ho-Kym in Next Friday, Mrs. Kwan in Cat in the Hat, or the unforgettable voice of Mrs. Hasagawa in Disney's Lilo & Stitch. More recently, she starred as "Kumu" on the hit reboot of Magnum P.I., and “Tūtū” in the live-action Lilo & Stitch. Today you can find her playing a different Tūtū on Prime Video's Ballard alongside local girl Maggie Q. In this episode we talk about her upbringing on the continent, her family, getting into acting, her most famous roles, stories with other actors, moving to Hawai'i, playing beloved Hawaiian characters, and so much more.Find Amy here:https://www.instagram.com/amyhillactor/Buy our merch on:Official website: https://keepitaloha.com/Support us on:Patreon: https://www.patreon.com/kamakadiasFollow us on:Instagram: https://www.instagram.com/keepitalohapod/Facebook: https://www.facebook.com/keepitalohapodTikTok: https://www.tiktok.com/@keepitalohapod

Download your FREE "What to Pack for Hawaii" checklist!Did you know that packing the wrong things for Hawaii can cost you time, money, and even your first day in paradise?For many travelers, Hawaii feels like an easy trip to pack for, but there are a few must-haves and overlooked items that can completely change your experience.

Farm Link Hawaiʻi's Claire Sullivan on the recent announcement that it will be carrying fresh milk from Hawaiʻi's last dairy farm, Cloverleaf Dairy, on Hawaiʻi Island; Bahman Sadeghi, who bought the Meadow Gold processing plant on Hawaiʻi Island five years ago, discusses the history of Hawaiʻi's dairy business.

In June 2025, Hōkūleʻa and her sister vessel, Hikianalia, restarted the Moananuiākea voyage around the Pacific from Hilo, Hawaiʻi. The 43,000-nautical-mile journey started in Alaska in 2023, and will cover hundreds of ports in nearly 40 countries and almost 100 indigenous territories by 2028.See omnystudio.com/listener for privacy information.

Josh Pacheco caught up with Portland State QB John-Keawe Sagapolutele as he prepares for a homecoming matchup against his former team, the Hawai‘i Rainbow Warriors, this Saturday.

Currently streaming on Apple TV+, “Chief of War” marks a breakout role for rising actor Siua Ikale'o, who plays Nahi, the youngest brother of Ka'iana (Jason Momoa).   Created by Jason Momoa and Thomas Pa'a Sibbett, “Chief of War” delivers an epic and unprecedented retelling of the unification and colonization of Hawaii, from an indigenous perspective. Momoa stars as warrior Ka'iana, striving to unite the islands in the late 18th century ahead of Western colonization.    To prepare for his role, Siua underwent immersive training in conversational Hawaiian (‘Ōlelo Hawai'i), sailing a traditional Wa'a canoe, Hawaiian martial art Lua, and stunt choreography.   Born in California and raised in the island Kingdom of Tonga, Siua is fluent in Tongan and deeply rooted in Polynesian culture. He made his television debut in 2022 with a guest star appearance on NCIS: Hawai'i as hitman Ricky Sio.   Want to watch: YouTube Meisterkhan Pod (Please Subscribe)  

Graeme Blair, co-director of the Deportation Data Project, talks about how President Donald Trump's immigration policies are being felt across the country and in Hawaiʻi; Nancy Holman, Kalaupapa National Historical Park superintendent, discusses what to expect as the park reopens for public tours this week

Hour 2 continues the Hawai'i athletics conversation as Giving Week is underway & we get into a brief preview of our expectations for the weekend of Hawai'i football against Portland State. Ku & Paul have a back-and-forth about "Phillies Home Run Gate" after a woman took a ball from a kid, thinking they disagree before finding common ground. We close out the day with more NFL discussion while Paul daydreams about being able to put in bets during October's slate. 

Happy Tuesday, beautiful people! Ku opens the day lamenting her Bears after a heartbreaking home loss against the Vikings to close out Week 1 of the 2025 NFL season & Paul tries to lighten the blow after the disappointment.  The hour closes out with a look into UH athletics as Paul gives the latest insight surrounding the Hawai'i men's basketball team after seeing the full group in action over the weekend and Ku & Paul pat themselves on the back again after three Rainbow Wahine volleyball players received weekly conference honors. 

On this week's episode of Next Level Minds, I sit down with entrepreneur, author, and U.S. Navy veteran Richie Breaux. Richie's story is one of resilience, faith, and bold leadership. After surviving two house fires as a kid and navigating the challenges of military service, Richie stepped into entrepreneurship with little more than a beat-up truck, a leap of faith, and a dream. Together with his wife Tiffany, he built a construction company in Hawai‘i that has grown into one of the fastest-rising in the country—earning a spot on the Inc. 5000 list and landing major projects like a $34M renovation for NBA star Zach LaVine. But Richie's true mission goes deeper than building homes. Through trauma, transition, and success, he discovered his higher calling: building people, not just businesses. In our conversation, Richie shares powerful lessons from his new book Builder of All Things—a raw, faith-driven look at overcoming adversity, finding purpose, and leading with conviction in today's world. If you're looking for a conversation that blends entrepreneurship, faith, and personal transformation, you won't want to miss this one. Connect with Richie here Subscribe to the Next Level Minds newsletter here

Karl Kim, head of the Pacific Urban Resilience Lab at the University of Hawaiʻi at Mānoa, shares how past threats inform the future of natural disaster planning; HPR's Cassie Ordonio reports on the resurgence of the ‘ahu 'ula, or Hawaiian feather cape

Tracking Hurricane Kiko at this hour, find out where the storm is heading and what it means for Hawai'i. Just in this morning - Japan's prime minister is stepping down, this comes after his party's historic defeats in July's parliamentary election. Plus, a possible break in the murder of a Halawa woman, police make an arrest in the case.See omnystudio.com/listener for privacy information.

Mafalda de Freitas, megaplastics program director at the Center for Marine Debris Research at Hawaiʻi Pacific University, talks about Hawaiʻi's only marine debris recycling center; Donor Mariel Tadena, stem cell recipient Nicole Fabela, and Erika Sevilla, spokesperson for the National Marrow Donor Program, share their stem cell story

He hualono kēia e hoʻolaha ana i nā moʻolelo a me nā manaʻo o nā kānaka e mālama ana i ke kuleana nui o ke koʻikoʻi ʻo ka hoʻōla i ka ʻōlelo Hawaiʻi. ʻO ka hoa kūkā o kēia pukana ʻo Helemano Ishibashi. He kumu kula kaiapuni ʻo ia no 30 makahiki.

Princess Mae and Tony Gaisoa are entrepreneurs from the Phillipines and American Samoa. Princess is a digital creator, influencer and sister of internet sensation and past podcast guest Bretman Rock. Tony is the owner and founder of USO Muscle Detailing and the commissioner of our fantasy football league that all of us are in. Together they are proud parents of 5 kids and one of the the best people to follow on social media.In this episode we talk about growing up in Hawai'i and American Samoa, raising their kids, how they met, their careers, their love for each other, future goals, and so much more.Find Princess here: https://www.instagram.com/realprincessmae/Find Tony here: https://www.instagram.com/tonygaisoa/Buy our merch on:Official website: https://keepitaloha.com/Support us on:Patreon: https://www.patreon.com/kamakadiasFollow us on:Instagram: https://www.instagram.com/keepitalohapod/Facebook: https://www.facebook.com/keepitalohapodTikTok: https://www.tiktok.com/@keepitalohapod

Asians and Asian Americans are numerous within the classical music industry, but their identities are often politicized and racialized in this Eurocentric musical genre. For the third episode of Obbligato on APEX Express, Isabel Li discusses this intersection with Mari Yoshihara, Professor of American Studies at the University of Hawaiʻi at Mānoa and Professor at the Center for Global Education at the University of Tokyo, Japan; author of many books, including Musicians from a Different Shore: Asians and Asian Americans in Classical Music (2007) and Dearest Lenny: Letters from Japan and the Making of the World Maestro (2019). Tonight's episode features music by Chinese American composer Zhou Tian. To learn more about Mari and her work, please visit her website: https://www.mariyoshihara.com/index.html  Musicians from a Different Shore: https://tupress.temple.edu/books/musicians-from-a-different-shore-2 Dearest Lenny: https://global.oup.com/academic/product/dearest-lenny-9780190465780?cc=jp&lang=en&  Transcript  Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.    00:00:53 Isabel Li  Good evening. You're listening to KPFA 94.1 FM. My name is Isabel Li and I'm delighted to be hosting a new edition of Obbligato on Apex Express, which is a semimonthly segment specifically about AAPI identities in classical music. Tonight's guest is someone I have been incredibly excited to speak to because her writings have actually very much informed my studies and research. In fact, her books are exactly about the subject matter of Obbligato. I am honored to be speaking to Mario Yoshihara, Professor of American Studies at the University of Hawaiʻi at Mānoa and Professor at the Center for Global Education at the University of Tokyo, Japan; author of many books, including Musicians from a Different Shore: Asians and Asian Americans in Classical Music, published in 2007, and Dearest Lenny: Letters from Japan and the Making of the World Maestro, which was published in 2019. Welcome to Obbligato on Apex Express. Mari, how are you doing?  00:01:55 Mari Yoshihara  I'm doing fine. Thank you for having me.  00:01:58 Isabel Li  Of course, my first question for you is how do you identify and what communities are you a part of?  00:02:06 Mari Yoshihara  Oh well, that's actually a little bit complicated I am. I am a Japanese woman who have spent a little bit over well, maybe not more than a little more than half of my life in the United States. Born in New York but raised in Tokyo, educated mostly in Japan, but also earned my graduate degrees in the United States and most of my academic career has been in Hawaii, so I've been in American academia for almost 30 years now, but I also have a dual appointment with the University of Tokyo in Japan. So I split my time between Japan and Hawaii now.  00:02:54 Isabel Li  Can you tell us a little bit about your work and your books? I had a chance to read Musicians from a Different Shore, but how would you summarize your research to someone who might not have read your book?  00:03:04 Mari Yoshihara  So I am a scholar of American studies, which is an interdisciplinary field that has anything to do with America broadly defined. And within that, my area of expertise is about, well, I would say I'm a scholar of US cultural history. US Asian relations, mostly US, East Asian relations, especially in the cultural dimension, cultural studies, gender studies, Asian American studies, etc. And so I have written a number of books, both in English and Japanese, but the one that you're referring to, Musicians from a Different Shore, is a book that I did research for more than 20 years ago and was published in 2007. It's a study of Asians and Asian Americans and classical music. So it was partly historical in that I examined the ways. which Western music, so-called western classical music, was introduced to East Asia and how also East Asians became have become so successful and prominent in this field that is generally considered a white European elite art form, so it was partly historical, but then the rest of the book was based on my ethnographic field work and interviews among Asians and Asian Americans in classical music looking at how well who these people are in the first place and then also how musicians, Asian and Asian musicians themselves, understand the relationship between their racial and cultural identity on the one hand, and their practice of Western classical music on the other, so that was my study.   And then I also wrote another book called Dearest Lenny. It's about—the subtitle is Letters from Japan and the Making of the World Maestro. It's about Leonard Bernstein's relationship with two very special individuals in Japan. And through that story, I interweave an account of various things. For one thing, how Leonard Bernstein became a world maestro and also the relationship between politics and arts, gender, sexuality, art and commerce, etcetera, etcetera. So that was my most recent book published in English and then, I'm sure we'll talk more about this, but I'm currently doing a follow up research on the on Musicians from a Different Shore, taking into account all the changes that have been taking place in the classical music industry in the United States in the past, I would say five years or so especially so that's my that's the abbreviated version of my research.  00:05:55 Isabel Li  That's really cool, and I also want to ask you about these changes, if you can talk a little bit about the classical music world. I feel like classical music is one of those genres that seems to be unchanging on the outside. But as a scholar of classical music, what types of changes have you observed that has influenced how AAPI identities play into this world?  00:06:18 Mari Yoshihara  Yeah, I think especially in the last, I would say, yeah, 5 to 10 years, especially in the last five years, classical music industry in the United, I mean I say specifically in the United States because I don't see the similar kind of changes taking place in Japan where I'm currently located. And I also don't really know the situation in Europe. But the field of classical music in the US is changing. I think most significantly because of movements like the Black Lives Matter movement and also with the onset of COVID and the rise of anti Asian hate, there's been a lot more heightened awareness about how issues of race and also class shapes classical music. So there's a lot more vibrant conversations and debates about these topics in the industry and also in terms of AAPI community, are the biggest changes, the biggest change I'm seeing is that Asian and Asian American musicians themselves are being a lot more vocal and active in issues of race and racism in the field and there I've encountered many Asian and Asian American musicians who have, for instance, you know organized events or organizations, or taken up various forms of advocacy and activism on these issues. So compared to, say, 20 years ago, 20, 25 years ago, when I was doing the original research, I see a lot more kind of, you know, explicit awareness and awareness and articulation of these issues by Asian and Asian American musicians themselves.  00:08:12 Isabel Li  That's really interesting. Just because classical music is also one of those genres, that doesn't seem like a genre that most people explicitly associate with politics or activism. What are some examples of these, like activist movements that you've observed within the Asian American community in classical music?  00:08:32 Mari Yoshihara  So for instance, some Asian and Asian American musicians are are becoming a lot more vocal about the actual like racism or sexism that they have themselves experienced, or that they witness in the industry, like in in schools, conservatories, orchestras, opera companies, etc. Either through the media or you know their own writing, and also like speaking up within the organizations that they work in. So that's one. There are other kinds of advocacy and activism in that they demand more diverse repertoire, and I think the repertoire is in terms of the industry industry changes. That's the area that's changing the most, the the kind of repertoire that many orchestras for instance perform have become a lot more– I mean overall it's still very white, European centered– but in terms of the actual numbers of pieces that are performed, works by living, composers and composers of color, women composers, etcetera. That is significantly increased in the last 10 years and that is, you know significantly to do with the advocacy and activism on the part of, you know, artists of color.  So yeah, so things like that and then, you know, many Asian, Asian American artists are doing their own programming, for instance, like event organizing programming. So yeah, those are the areas that I see changes. I see things happening that I didn't see 25 years ago.  00:10:20 Isabel Li  Definitely. I remember reading your book, and your book has been published since 2007, so a lot of changes have happened since then. But in general, when you did your research at first, what how would you summarize the dynamic of Asian identities, Asian American identities in this very Eurocentric field, it's a juxtaposition of two different cultures and identities that a lot of people also observe in orchestras. There's a large population of Asian and Asian American musicians, conductors just in general. It's a very large population, but yet this identity is still not quite represented in media. It's not quite seen, so talk to us a bit about this juxtaposition and how you observe these dynamics in your research.  00:11:10 Mari Yoshihara  Yeah. So. The thing is, Asians and Asian Americans are indeed numerically overrepresented in classical music, in the sense that compared to the general public, the the the proportion of Asians and Asian Americans in the overall US population, the number of Asian and Asian Americans in classical music indexed by things like the student body at major conservatories or membership roster of US orchestras, etcetera, Asians and Asian Americans percentage is higher than the general population, right. So in terms of the numbers, Asians and Asian Americans are, quote unquote overrepresented. But those numbers are not reflected in the actual like voice, power and influence that they have in the industry.   So that was my finding back 2025 years ago and I think that's still true today. Also, the thing about Asian, Asian American musicians is that it's a racialized category. They are seeing and treated as Asian. It's this racial category. But their identities and experiences as Asians is not at all uniform, right?   Some of these Asian musicians are Asian Americans, like multi generational Asian Americans whose parents or grandparents or great grandparents etcetera have come to the United States and they themselves are U.S. citizens. So that's one group.   Many Asian musicians working in the United States are people who were born and raised in Asia, places like China or South Korea, Japan, etcetera, and came to the United States as international students to study music, often at the college level, college conservatory level, so obviously these people have very different sense of identity and experience as Asians compared to say, you know 3rd, 4th generation Chinese Americans or 1.5 Korean Americans.   There are other people who live in the United States because they were very talented, very young musicians, and the whole whole family immigrated to the United States specifically for their music education. So Midori, the famous violinist, Midori is a case, example of this, but there are also a number of other, especially among Koreans and Chinese. There are families, the whole family immigrated to the United States when the child was a very promising musician at age 7 or something. So that's one group. They too have a different sense of identity and experience of Asians than the two former groups that I that I talked about.   There are other people who also came to the United States because not because of the music education, but because of their parents' profession, for instance. And they have transnational kind of family ties and you know, they move, they go back and forth between US and Asia, for instance. And then there are also mixed roots families where one parent is Asian and the other is non Asian.   And then there are also Asians who were born and raised in Europe for other parts of the globe and then came to the United States, for either personal or professional reasons.   So in other words, they're all Asians in terms of their racial identity. But what that means is really quite diverse and their experience as Asian and Asian American musicians is also quite diverse. So it's not as if you know, just because they're Asian, they share some kind of experience and identities around which they coalesce. So that's, you know, that was true 20, 25 years ago. And I think that's still true today.  More and more Asian musicians are coming to the United States to study, study or work in classical music, but especially because of this, like new influence, this Asian category is becoming even more diverse. However, because of the COVID, you know the rise of Anti Asian hate during the COVID pandemic, I think that heightened the awareness of, you know, these different kinds of Asians, the heightened awareness that they are Asians. First and foremost, you know, in, in that in the sense of being racialized in the United States. So I have talked with a number of musicians, Asians and Asian American musicians, who did not really, hadn't thought about their Asianness before. It wasn't at the forefront of their identity before, but during this rise of anti Asian hate it they became they basically became more politicized. You know, they had quite a politicized language and awareness to think about race and racism especially against Asians and Asian Americans.  00:16:31 Isabel Li  Yeah, that's a great point. It is a such a diverse group and there are so many different identities, even within just the Asian American framework AAPI, as a label is very, very diverse. And that applies to classical music as well. But I think there's also this social perception of Asian and Asian Americans as a group that also relates to the model minority stereotype that's historically been present and, for example, a lot of people might think of, like a young Asian or Asian American musician as being like a prodigy because they are technically skilled at their instrument, where like these social perceptions that exist both in media and in the culture around us, why do you think that is?  00:17:15 Mari Yoshihara  Well, that as you said, there is a model minority myth and there is a stereotype of Asians and Asian Americans as being very studious and diligent, but also quiet, right? I mean, they just quietly follow, like, obedient, obediently follow the instructions and that translates in the field of music as the stereotype that Asian musicians are technically very proficient but artistically non expressive. I mean, that's a very common stereotype that yeah, you know, practically any Asian, Asian Americans in classical music have been subjected to, you know, quite regularly and frequently. And I think that, yeah, that just comes with the overall kind of racial stereotype of Asians and Asians and Asian Americans in American society at large. And also the fact that, you know, classical music, especially in terms of instrumental performance, it is an area that is, it's something that is, indeed, technically very demanding, right? You need many, many years of disciplined training and a lot of practice. And there is a myth of merit– well, no, not entirely a myth– but there is this this very, you know, dearly held faith in meritocracy in classical music. The idea that if you have the chops you will be rewarded, you will be recognized and you know, no matter what kind of great artistic idea you might have, if you can't play the notes, you can't play the notes. That kind of ethos of meritocracy is particularly strong in classical music because of the technical demands of the genre, and that and that kind of, you know, goes hand in hand with the model minority methods for Asian Americans.  00:19:20 Isabel Li  Definitely. That's really interesting and another part of your book that was quite fascinating to me when I first read it was chapter 3. You talked about the intersection of gender as well as, you know, racial identity in classical music. The chapter is called Playing Gender and you talk about, I think at large don't necessarily associate classical music with a discipline that provides a stable job. It is an art form and there is kind of an uphill battle for artists in a sense like a starving artist myth there. We're not even a myth. Like if there's a starving artist image, whereas the image of a very successful classical musician there's this duality that you also mentioned in one of your other chapters about class. So what really interested me in for this chapter was that there was this intersection of power in classical music of who would go down the path that might not be traditionally as successful. How do you think gender dynamics play into this and how do you think they might have shifted within the last two decades or so?  00:20:20 Mari Yoshihara  Huh. I'm not sure if it has shifted all that much in the last two decades, but as you said, because music I mean, not just classical music, but music. Like, you know, arts in general is a field that is very like economically insecure in terms of career, right?   But at the same time. Classical music is associated with kind of, you know, bourgeois identity and just kind of overall cultivation and so, many Asian, Asian American parents are very eager to send their kids to, say, piano lessons, violin lessons, cello lessons, etcetera. To, you know, give them a well-rounded education and also because it is considered useful tool, you know, when you're going to college and stuff like, you know being, you know, being able to show that you're very talented violinist, for instance, is believed to help your college application.  So there's this, you know, both stereotype and reality that like, you know, places like Julliard Pre-College, very competitive, you know, school, like music education program for kids is filled with Asian, Asian American, you know, students and their parents who are waiting, waiting for them to come out of school.   So there's that. But how gender plays into this is that while both men and women are do study music at a young age. When it comes to, you know, choosing say, college, like what they would, what they would pursue at the college level, far fewer male students tend to choose music as their college major or go to conservatory and pursue it as a as a career. But I think it's both their own choice. And also especially for Asian and Asian Americans, like parental pressure to not pursue music professionally because of, you know, financial insecurity.   So there's that, and also how that plays into the actual experiences of Asian, Asian Americans musicians who do study music is that I have heard from a number of female Asian musicians that either their peers or especially their teachers are doubtful that they are actually serious about music. There is a stereotype that, you know, say for instance, Japanese or Korean female students at Juilliard School, Manhattan School or whatever, they are there because they, you know, they want to study music and then find a good husband and marry, you know, a lawyer or doctor or engineer or something. [laughs] And and not that that doesn't happen. But that's a stereotype of, you know, that's a racialized and gender stereotype that comes from these, you know, gender and class and racialized dynamics.  00:23:35 Isabel Li  And just for clarification, is the classical music world at large still a male dominated field?  00:23:41 Mari Yoshihara  Yes. Oh yes. Definitely. I mean, it depends on the segment of you know, I mean classical music is itself quite diverse. So if you look at, for instance, the string section, especially the violin section of the New York Philharmonic for instance, you will find that like, I think the majority of those violin players are Asian women, perhaps. But if you look at say for instance, the Faculty of Conservatories or music directors and major orchestras and said, I mean still very male dominated.  00:24:23 Isabel Li  Yeah. Yeah, definitely. I like how your book also has so many different layers for each chapter. So Chapter 3 was about the gender intersection with this, with this identity, and Chapter 4, was it Chapter 4, I believe it was about class, Class Notes, and you've already mentioned a little bit about how class plays into the perception of music, how class influences gender even. But there's a statement in there that you said that, “it's misleading to characterize Asian musicians as just coming from the upper middle class.” And it makes sense that people would think of musicians coming from this economic bracket, because classical music is an in and of itself a very kind of expensive undertaking. You need so many lessons, so many instruments. But tell us why this statement would be misleading.  00:25:15 Mari Yoshihara  Because I mean, first of all, most of the overwhelmed, I would say overwhelming majority of the Asian, Asian American musicians that I interviewed come from middle class backgrounds, many of them from so-called like professional executive class backgrounds in, meaning that their parents hold these professional executive positions, right. And that's why they were able to afford advanced musical studies from a fairly young age. They need, you know, sustained and disciplined and often costly, you know, lessons, you know, competitions, etcetera, auditions, travel, etcetera. So that's for sure, yeah.   At the same time, there are also Asian musicians who come from less privileged backgrounds, you know, immigrant families who have, because quite a few. I mean overall Asian American population, many immigrants experience downward social mobility upon immigrating to the United States because of, you know, oftentimes linguistic barriers or you know, or plain old racism. And so you're not Asian families that immigrate to the United States, like, for instance, if the parents have professional positions back in South Korea, oftentimes they become, you know, for instance, you know, small business owners and they experience downward social mobility. I mean, that's a very common scenario. Yeah, so now all Asian, Asian American musicians grow up in a privileged environment.  00:27:06 Isabel Li  Definitely a great point. Now before we move on to some discussions about Mari's research. First of all, thank you for tuning in to Obbligato on APEX Express, we'll be taking a short music break and as mentioned earlier, a great way to increase diversity within classical music is to uplift works by living composers. If you're listening to my first.  00:27:26 Isabel Li  Episode 2 months ago, you'll know that I featured music by Chinese American composer Zhou Tian. I'm happy to say that coming up next is one of Zhou's compositions inspired by a trip to Italy. This is a piece called Hidden Grace performed by the Formosa Trio.  27:45 – COMP MUSIC – Hidden Grace  00:35:34 Isabel Li  That was a piece called Hidden Grace, composed by Zhou Tian for a fascinating instrumentation of flute, Viola and heart coming up for our second piece. In this interview, break another movement by Zhou Tian, the third movement of his double concerto for violin and Viola, called Rendezvous.  35:58 – COMP MUSIC – Double Concerto for Violin and Viola, III. Rendezvous  00:41:09 Isabel Li  Noah Bendix-Balgley on violin, Shanshan Yao on viola, and the Hangzhou Philharmonic, playing the third and final movement of Zhou Tian's Double Concerto for violin and viola. So back to the conversation with Professor Mari Yoshihara.  00:41:25 Isabel Li  As you also mentioned before, you're working on an updated version of Musicians from a Different Shore. Can you talk–I don't know how much you can talk about your, like upcoming projects, but are you using similar research methods to what you've done before using ethnographic field work? You've mentioned the new changing dynamics of classical music in the United States with new waves of activism and awareness. What are some new topics of your chapters that you might focus on? So for your 2007 publication, you talked about your gender and class and how these intersect with identity. Are there any new things that you're drawing upon here?  00:42:02 Mari Yoshihara  Yeah. So I'm using basically the same research method. I'm interviewing actually some of the same people that appeared in Musicians from a Different Shore. Some people kept in touch with over the years, I've gone back to them and interviewed them to see the trajectories of their careers since the first time I interviewed them. But then I've also interviewed a bunch of other, you know, new musicians that I'm speaking with for the first time. So it's essentially an interview and ethnographic fieldwork-based research.  I told you earlier about I think one of the biggest changes is, as I said before, the activism and advocacy on the part of Asian, Asian American musicians themselves. So I have one chapter about that. Like, what? How? What kinds of advocacy and activism they're engaged in.   Another big change that I'm seeing is that compared to 20 years ago, there are a lot more Asian musicians in the field of opera.  00:43:01 Isabel Li  Ohh yeah.  00:43:02 Mari Yoshihara  Uh. Both as singers. Yeah, many of them singers, but also in other, you know, like for instance opera, you know, pianist for opera or be opera directors, et cetera. There are many more Asians in this particular field than what I saw 20 years ago. And I talked about this a little bit in my first book, but opera is a very particular kind of field within classical music.   How race plays into opera is very different from other areas of classical music because it's a theatrical art form. It's visually oriented, you know art form. And because singers have to be cast in order to, you know, sing on stage. So the racial politics in opera, you know, unfolds very differently from, say, for pianists or cellists or conductors or or composers.   So I now have a whole chapter about opera, especially Madame Butterfly, that this very fraught work, you know, opera that many Asian and Asian Americans have love hate relationships. A lot of pigeon-holing that happens in that through that opera. But also, production of new opera by Asian and Asian American artists, composers, directors, singers, etcetera. So I have a whole chapter about that.   And then I also will have another chapter about, you know, what it means to, you know, sit at the table, basically. Like stand on the podium and sit at the table, stand on the podium. Not only, I mean I will, I will have a whole discussion about Asian and Asian Americans conductors, but not only in that literal sense of, you know, standing at the podium, but like being at the table like in other words, not only, Asian and Asian American musicians playing music that are given to them and they are assigned to them that they're hired to play, but also having a real voice in the organizational and institutional dimensions of classical music industry. So the kinds of people, Asians, who are in these positions more executive positions with decision making power what their experiences are like. I'm going to have a chapter about that.   So those are some of my ideas. I'm still in the middle of the project, so I can't. I can't see the whole picture, but those are some of my current ideas.  00:45:48 Isabel Li  I see. And do you have an idea of when this book will be published or an updated version?  00:45:54 Mari Yoshihara  Well [laughs], my goal rather ambitious goal is to have it published in 2027, because that would be 20 years since Musicians from a Different Shore, so that would be ideal if I can make that.  00:46:08 Isabel Li  Well, yeah. Nice. That's really exciting, definitely. I will also kind of bridge, I guess my part of the research into this part of the interview, since I'd love to talk to you a little bit more about how classical music in general is portrayed in media.   So as I've introduced myself before, I had a back, I have a background in media studies as well as music history and theory. And what was really interesting to me in my senior thesis while I was doing research for that was I coined this term and it could just be loosely associated with the genre of film. But it's the “classical music film.” So think of any narrative fictional film you can think of with a classical musician in there. So it could be like Amadeus, where I think of like Tár. If you watch Tár like a lot of these depictions are quite understandably white and European, but they my senior thesis I've never really seen any depictions of Asian American or Asian classical musicians? I was wondering if you have ever watched a film like that, or could maybe talk a bit about maybe the lack of representation in media, how media plays into how people perceive classical music as a genre as a whole.  00:47:23 Mari Yoshihara  That is a very interesting question. I think you know, because of the stereotype of Asian and Asian American model minority and model minority stereotype often is associated with, you know, violin or piano-playing Asian American kids, I think. Asian, Asian American characters who are, you know, these kind of musical classical music geniuses appear here and there. But the ones that center on such a character as the main, you know, like the protagonist, come to think of it, I'm not sure if I've seen. I mean, I've seen several Korean dramas, you know, character, but those are Korean dramas, not Asian American, so more American works with Asian classical musicians…  00:48:21 Isabel Li  And I think also classical music as a genre is. It's interesting because classical music is also kind of underrepresented. It's not quite in the mainstream. And then one of my final questions for you is I do also want to take a second to acknowledge that your book was actually one of the only books that I could find about this topic. I think there are not that many other books about Asian and Asian Americans in classical music. I think there are a few other books and a few and definitely some papers that talk about this, but what got you interested in this field? And I don't know if you think there's a scarcity of information, but do you think there's relative scarcity of information about this topic?  00:49:01 Mari Yoshihara  Yeah. So how I got into it is. So I was a pretty serious student of piano when I was a child. That's like, yeah, that really kind of preoccupied my childhood and adolescence. But then I, for various reasons I ended up not going to a music Conservatory and became an academic.   And then once I entered academia and became a scholar of American studies, all I was studying was like race, gender, class. I mean, that's what  we do in American studies. And my first book, which was originally my doctoral dissertation, was a cultural history of orientalism and white women. So that was a study of the intersections of race and gender and to some extent class in American history.   So once I finished that book, I was thinking about what projects to work on next. And I happened to turn on the TV, and it just so happens that the Vienna Phil New Year's concert, conducted by Seiji Ozawa was playing on the TV and that was sort of my “aha” moment because I had always known or, you know, kind of generally aware that Asians and Asian Americans are, if not necessarily overrepresented, but, you know, they're quite numerous, you know. They're present. Their numerical presence is quite notable in classical music that is often associated with white, you know, European culture, elite culture.  So I was kind of curious about that phenomenon, but I hadn't really thought too much about it until I watched Seiji Ozawa were conducting the Vienna Phil. And that's when I thought, well, maybe I can kind of combine my classical music background and my academic training in studies of race, gender, class into this project. So that's when I decided to work on. You know, this topic of Asians and Asian Americans, classical music.  I think the reason that there hadn't been at least a book-length study on the topic until my book is that for one thing, classical music is considered to be kind of a very abstract absolute form of music. This ethos that it is kind of transcends– that it is a universal, transcendental kind of genre, that is sort of above things like politics or race or gender. Like it shouldn't matter that these, you know, individual identity, racialized gender identity shouldn't matter vis-à-vis the universalism of classical music. I mean that kind of ethos is very strong in this particular genre of music. I think that has a lot to do with it.   And also the study of classical music until rather recently, like musicological study of classical music, really tended to be focused on the study of composers and their works, right? It was the textual that, like it, was an analysis of Beethoven Symphony or, you know, Bach Fugues, etcetera. Yeah. It was really focused on the study of the score, the study of the composer's ideas, as reflected in the score, I mean that was the centerpiece of musicological approach to classical music.  And so sort of more sociological anthropological study of the musical practice is a relatively new approach in in the field of musicology. I'm not a musicologist. So that's not how I'm trained. But I think the academic approach to classical music was not very, kind of, open to the kinds of topics that I raised in Musicians from a Different Shore.  00:53:12 Isabel Li  Definitely. I see. And my very final fun question for you is can you name three of your favorite classical music pieces for any recommendations you have for the audience who might be listening, who might be wondering what they will listen to next?  00:53:27 Mari Yoshihara  Well, OK well. Pieces well, because I wrote a book about Leonard Bernstein. I mean, I ended up– I wrote a book about Leonard Bernstein. Not necessarily because I was an avid fan of Bernstein. It just kind of happened this this project. But nonetheless of while I was doing research and writing the book I did listen to a lot of Bernstein. I and I have come to really love Bernstein music and so. And you know, of course, everybody knows West Side Story, but he actually wrote many other pieces that may not be as well known.   Well among the pieces that I like, I like…which one should I choose? I will choose. Ohh well, I'll choose a piece that I learned myself as a pianist.  I learned the piece called “Touches” that he wrote. It was a commission piece for the Van Cliburn International Piano Competition, and it's kind of yeah, it's a chorale and variation. So that's very interesting and very interesting and very Bernstein-esque so well.   I'll OK, as an American study scholar. I'll, I'll stick with American pieces. I like someone Barber a lot. I like Barber “Excursions,” which I also learned to play.  00:55:04 Isabel Li  Yeah.  00:55:09 Isabel Li  Tough question.  00:55:11 Mari Yoshihara  Umm, Mason Bates piece that I also learned, “White Lies For Lomax.” This one was also, I believe…was it commissioned by the Cliburn? But no, maybe it wasn't. Yeah, I think it was commissioned. But anyway, I played it at the Van Cliburn International– the amateur competition of the Cliburn competition.  I did all these. So like Bernstein, Bates, Amy Beach piece I also played. Yeah, I'll stop there. I I wish you had prepped me for that then [laughs]–  00:55:42 Isabel Li  Oh my gosh. Great responses.  00:55:46 Mari Yoshihara  Hard to think on the spot.  00:55:47 Isabel Li  Yeah, I totally get that. Whenever people ask me for my favorite composer, I never have an answer. No, so I totally get it.   Well, thank you so much for your time, Mari. And thank you for your wonderful insights. I'll put the link to your books so that people can learn about your works on APEX Express on kpfa.org. So thank you so much for your time, Mari.  00:56:07 Mari Yoshihara  Thank you.  00:56:09 Isabel Li  As mentioned, please check our website kpfa.org to find out more about Mari Yoshihara, her scholarship, and links to two of her books. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world. Your voices are important.  00:56:31 Isabel Li  APEX Express is produced by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, and Cheryl Truong. Tonight's show was produced by Isabel Li. Thanks to the team at KPFA  for their support. Have a great night.  [OUTRO MUSIC]  The post APEX Express – 09.04.2025 – Obbligato with Mari Yoshihara appeared first on KPFA.

Sigmund and Devon attempt to predict what Apple will announce at next week's Awe Dropping event.   Pre-Roll Why September Is My Favorite Time of Year   Apple TV News Powerbeats Fit Teaser JENNIE X Beats | Special-Edition Beats Solo 4 TuneIn ‎RØDE Capture   Trailer Talk All Of You   Releases ‎NFL Retro Bowl '26 ‎Jeopardy! Daily Highest 2 Lowest ‎My Talking Tom Friends+ Apple Event — September 9   Extras What's Coming in September 2025 | Highest 2 Lowest, The Morning Show & More Chief of War — Jason Momoa's Message to the USC Football Team Chief of War — Jason Momoa & the Cast Share the Language of Hawaiʻi, ʻŌlelo Hawaiʻi Chief of War — Inside the Episode 106: "Ohana"   TV App Highlights Architecton Nobody 2 The Naked Gun Lilo & Stitch Mike Judge's Beavis & Butt-Head The Paper Friendship Task   Up Next Only Murders in the Building The Naked Gun   We want to hear from you! Contact us via our feedback form. Send us a voice message all week via iMessage or email to magic@macstories.net. Subscribe to Magic Rays of Light on YouTube and follow us on Mastodon and Bluesky. Sigmund Judge | Follow Sigmund on Mastodon or Bluesky Devon Dundee | Follow Devon on Mastodon or Bluesky

Steve Wood, president of the Aiea Community Board, discusses concerns he's heard from the community about the development of the new Aloha Stadium; Freelance investigative reporter Guthrie Scrimgeour reports on the Robinson family's ownership of 100,000 acres of Hawaiʻi land, including the island of Niʻihau

I'll admit it's not often these days that I'm talking to climate leaders, particularly those working on policy, who say it's an exciting time. This conversation was like a breath of fresh air. It's not getting the headlines it deserves, but innovation is literally electrifying our country. Sector by sector, state by state, our economy is being transformed by electric technology replacing outdated fossil fuel applications.To elevate and accelerate this wave of innovation, Hawaii State Senator Chris Lee and California Energy Commission Chair David Hochshild have teamed up to launch the Electric Innovation Initiative. The Initiative is starting with an awards event during NY Climate Week, recognizing breakthrough electrification projects with $10,000 cash awards. But beyond this event, the Initiative is a 10-year campaign to showcase innovation, advance learning and shape policy. In this conversation, we go deep into the context of why the Electric Innovation Initiative is needed, what sort of progress is happening at the state level, how states are learning from one another, the many benefits of electrification and much more. I learned a lot in this episode and was thrilled to hear there's much to celebrate in a still growing electrification movement. On today's episode, we cover:[03:27] David Hochschild & His Role at the California Energy Commission04:09] Chris Lee & His Energy work as a Hawaii State Senator[05:05] Details of the Electric Innovation Initiative[07:07] State Legislators Collaboration: Sharing best practices and policy replication[09:09] Why electrification progress needs more attention[10:52] State and local responses to federal rollbacks[13:18] Policy Options for States: Connecting policymakers with electrification leaders[15:44] Fast-Tracking Projects: Permitting and financing challenges[17:01] California's Permitting Reforms: Fast-track permitting for clean energy[18:49] California's approach to stable, long-term programs[21:01[ Hawai'i's 100% Renewable Mandate[23:05] Lessons from Hawaii and California: State leadership and policy replication[25:24] Legislator Network: Supporting new lawmakers and advancing innovation[28:54] State and local opportunities despite federal gridlock[32:57] Equity in Electrification: Directing investments to underserved communities[35:27] Vision for 2035: What a fully electrified future could look like[37:27] How listeners can support electrification[39:45] Optimism for the future and bipartisan collaborationResources MentionedElectric Innovation InitiativeCalifornia Energy CommissionHawai'i State LegislatureClimate Week NYCNational Caucus of Environmental LegislatorsConnect with usHawaii Senator Chris LeeCalifornia Energy Commission Chair David HochshildJason RissmanKeep up with Invested In ClimateSign...

This week on the Team Lally Real Estate Radio Show, we interview Duke Kimhan, Principal Broker of Hawaii Pacific Property Management. Duke reveals how he built one of Hawaii's most successful property management companies, from applying systems learned in the restaurant industry to creating compensation models that motivate unlimited growth. He also shares timely insights on Hawaii's rental market—why PM thrives in both slow and booming sales cycles—and breaks down new rules on property tax exemptions for homeowners renting part of their residence under income caps.We also have our Experts We Trust. Jodie Tanga of Pacific Rim Mortgage explains why buyers should get “off the fence” now as mortgage rates shift and competition heats up. You also hear from Haaheo Scanlan of PSI Seminars, who shares transformational tools for breaking through obstacles and finding flow.Who is Duke Kimhan?Duke Kimhan is the Owner and Principal Broker of Hawaii Pacific Property Management. Born and raised in Honolulu's Manoa Valley, Duke first found success as a restaurateur before transitioning into real estate, where he applied his leadership and business skills to build a thriving career. He holds multiple real estate designations and is deeply committed to ongoing education and professional growth. With expertise in investment properties, condos, military relocations, 1031 exchanges, and commercial real estate, Duke has established himself as a trusted advisor for clients across Hawaiʻi.Hawaii Pacific Property Management is one of Oʻahu's premier property management companies, dedicated to providing exceptional service to homeowners and investors. The company specializes in managing single-family homes, condos, and multi-unit complexes, offering comprehensive services designed to protect property values while maximizing rental income. With a strong focus on transparency, cutting-edge systems, and personalized care, Hawaii Pacific Property Management has become a go-to resource for military families, local homeowners, and international investors seeking peace of mind and expert guidance in Hawaiʻi's dynamic rental market.To reach Duke Kimhan, you may contact him in the following ways:Phone: (808) 445-9223Email: info@hipacficpm.comWebsite: HiPacificPM.com

This week on the Team Lally Real Estate Radio Show, we interview Duke Kimhan, Principal Broker of Hawaii Pacific Property Management. Duke reveals how he built one of Hawaii's most successful property management companies, from applying systems learned in the restaurant industry to creating compensation models that motivate unlimited growth. He also shares timely insights on Hawaii's rental market—why PM thrives in both slow and booming sales cycles—and breaks down new rules on property tax exemptions for homeowners renting part of their residence under income caps.We also have our Experts We Trust. Jodie Tanga of Pacific Rim Mortgage explains why buyers should get “off the fence” now as mortgage rates shift and competition heats up. You also hear from Haaheo Scanlan of PSI Seminars, who shares transformational tools for breaking through obstacles and finding flow.Who is Duke Kimhan?Duke Kimhan is the Owner and Principal Broker of Hawaii Pacific Property Management. Born and raised in Honolulu's Manoa Valley, Duke first found success as a restaurateur before transitioning into real estate, where he applied his leadership and business skills to build a thriving career. He holds multiple real estate designations and is deeply committed to ongoing education and professional growth. With expertise in investment properties, condos, military relocations, 1031 exchanges, and commercial real estate, Duke has established himself as a trusted advisor for clients across Hawaiʻi.Hawaii Pacific Property Management is one of Oʻahu's premier property management companies, dedicated to providing exceptional service to homeowners and investors. The company specializes in managing single-family homes, condos, and multi-unit complexes, offering comprehensive services designed to protect property values while maximizing rental income. With a strong focus on transparency, cutting-edge systems, and personalized care, Hawaii Pacific Property Management has become a go-to resource for military families, local homeowners, and international investors seeking peace of mind and expert guidance in Hawaiʻi's dynamic rental market.To reach Duke Kimhan, you may contact him in the following ways:Phone: (808) 445-9223Email: info@hipacficpm.comWebsite: HiPacificPM.com

“ASTRO JAM – Eclipse Season” for Pisces Lunar & Virgo Solar.Astro Jam: A Celestial Stage Play – Dynamic Eclipse Tensions”Get ready for a unique online theatrical experience as "Astro Jam" brings to life the dynamic interplay of planetary archetypes! This special event personifies the celestial bodies.The cosmos experiences eternal orbital change, filtering to activating the creative interplay between creation and destruction as the entire process of life evolves. Outer planets traveling (in apparent) retrograde since entering new cycles during Spring and early summer mark significant shifts dialoguing in collective and individual journeys.The 15° Lunar Eclipse on September 7 involves strong planetary patterns thrusting agendas of adjustment in the forefront as we grasp what values, attachments, habits, ideology to surrender or engage. Universal aspects also support authentic, in-the-moment revelations. This Piscean on the North Node asks for us to surrender to the deep process as we revolutionize how we think, communicate, and connect.The 29° Virgo Solar Eclipse on the Autumn Equinox September 21 promises a thrust of discernment again releasing what obstructs our truth. Our ambition for our day-to-day life to be focused with activities, people, and perspective activating a daily life harmonizing in alignment with values in supporting new roles we share.Imagine witnessing the consciousness of these planetary energies unfold before your eyes! Eight astrologers will embody these archetypes in a spontaneous, interactive dramatization, offering a "front row seat" to the celestial dance that influences our lives.In a captivating performance, these esteemed astrologers unravel the identity consciousness of the Lunar and Solar Eclipse charts. An experiential period providing insights into the profound changes and life adjustments influenced by powerful archetypes during this eclipse season.Joining Talk Cosmos founder and evolutionary astrologer consultant, Sue Rose Minahan, are seven renowned astrologers from across the globe – hailing from England, Australia, and various regions of the USA, from the East to the Mountain to the West Coast, and even Hawai'i. Don't miss this opportunity to gain a deeper understanding of the cosmic forces at play.You'll find their bios below and on the Talk Cosmos website. Be sure to stay connected with us and subscribe for all our latest episodes on YouTube, Facebook, radio, and podcasts!#TalkCosmos #RobertPacitti #DeepEarthAstrology #SueMinahan #jensachs #MelissaElviraBillington #TrustTheLongerJourneySubstack #JoliKnott #MarieONeill #PadmaLifeCoaching #SeanKelley #2025Astrology #jensachs #Bodhimindful #EvolutionaryAstro #TalkCosmos #YouTubepodcast #SusieCox #RobPacitti #Neptuneinpisces #jupiterincancer #uranusingemini #saturninaries #astrologycommunity #astrologyinsights #astrologyfacts #astrologytips #astrologyanswers #trending #podcasting #astrologywisdom #mysticvibes #astrofacts #astrologyinsights #eclipseseason #pisceslunareclipse #virgosolareclipse #15pisces #29virgo #anorecticdegrees #astrojam #astrologywisdomSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of Mastering La Vida, I sit down with Stephanie, the founder of Girls Walk West Oahu

We continue our two-part conversation with Dr. Ross Cordy, Pacific Island Hawaiian-Pacific studies at University of Hawai‘i West O‘ahu. Trained as both an archaeologist and ethnohistorian, Dr. Cordy's specialty is reconstructing the history of Hawai‘i as told from multiple data sources. In the second half of our discussion, we consider settlement patterns across the Hawaiian archipelago, as well as the rise of countries and kingdoms within the islands themselves. We also talk about the significance of cultural jewels like Wai‘anae and Kukaniloko on O‘ahu and the histories of places in Micronesia.

Keldin Calairo-Nakagawa and Lewa Davis-Medija are two singer/songwriters from the island of Moloka'i. They are the founders of the popular band High Watah which is a seven-piece reggae ensemble who is taking Hawai'i and the world by storm. With millions of streams and radio plays all over the world, they continue to share their music and captivate audiences. Their debut album, Watah Boys Vol.1, came out earlier this year and further showcases their unique sound, cementing their reputation as innovators within the island reggae genre. In this episode we talk about their lives on Moloka'i, small town living, starting their band High Watah, pursuing music full time, life on O'ahu, upcoming projects, and so much more.Find High Watah here: https://www.instagram.com/highwatah/Find Keldin here: https://www.instagram.com/keldin.calairo/Find Lewa here: https://www.instagram.com/imlevz/Buy our merch on:Official website: https://keepitaloha.com/Support us on:Patreon: https://www.patreon.com/kamakadiasFollow us on:Instagram: https://www.instagram.com/keepitalohapod/Facebook: https://www.facebook.com/keepitalohapodTikTok: https://www.tiktok.com/@keepitalohapod

Listen to 127 Future Now Show Dolphins In the first hour were lucky to get both Ed Ellsworth and Tamayo Brown as our guests this week, as they prepare to host their Dolphin Yoga Retreat next week on the Big Island of Hawaii. Both are seasoned explorers of dolphin and whale communications and will be offering a 6 day interspecies experience  at the famous Point House in the storied Kealakekua Bay on the Kona coast of the island of Hawaiʻi.  They share with us some of the magic that happens in their interspecies contact experiences. In the second hour we discuss the unusual info found so far by the James West Space Telescope, trained on 3I/ATLAS, the interstellar object approaching Mars.  We then check out a breakthrough in achieving ‘artificial photosynthesis,’ a holy grail of achieving true energy independence. Famed talk show host Billy Sunshine comes to visit us in studio and we bring him on to discuss robots for the elderly, self driving cars, and a supplement for cognition called ‘lithium oratate.’  A lively show, we thinks you’ll enjoy it!

Seth Colby steps into the role of Hawaiʻi's chief economist; The Hawaiʻi Department of Health addresses concerns over a rise in national cases of cannabis poisoning among children

Here it is, week 1 of ACC football and there are some enormous matchups coming your way. Will and Jim run down the schedule and make their picks. As always there are some random thoughts tossed in for good measure as well. See if you agree with their selections. The official start to the conference season began in Week 0 (shouldn't that be 1?) with Stanford traveling to Hawai'i where they dropped a frustrating game that hopefully won't be an indicator for the rest of the Cardinal schedule. ACC Football Be sure to listen, like and subscribe to ACC Nation podcast, check out our streaming radio and watch content on YouTube. Be sure to hook up with us on social media. You'll find your favorite platform at the top of our homepage. Have a safe Labor Day Weekend and enjoy the games.

Pope Francis prayed for Hawaii, Ukraine, and migrants during his Angelus address on August 13. Watch the video: https://www.youtube.com/watch?v=OC6oCoQoRO4 Recovery efforts continue following the catastrophic wildfires that burned the historic town of Lahaina on the island of Maui. Pope Francis sent a papal message to Bishop Larry Silva of the Diocese of Honolulu expressing his closeness and solidarity with all those affected. Bishop Silva shared his thoughts and how to help those in need on Maui in a letter on August 11, 2023. You can also read and reflect on his homily delivered on August 13th in Kapalua, Maui, after visiting Lahaina. To help the people of Maui recover, please prayerfully consider contributing to the Hawai'i Catholic Community Foundation at https://tinyurl.com/MauiCatholic or Catholic Charities USA at https://www.catholiccharitiesusa.org/?form=hawaii23

University of Hawaiʻi climate scientist Matthew Widlansky develops a new AI tool to help researchers explore complex data; Kaimuki High School teacher Chu Hong shares what her students are cultivating in WORMS club

8-26 Stanford & NFL QB legend, Andrew Luck joins the boys to discuss Stanford's nail biting loss to Hawai'i & how they will bounce back, and also chimes in on Brock Purdy & Jim HarbaughSee omnystudio.com/listener for privacy information.

Jana Ireijo is an Hawaii born muralist whose passion as a conservation artist is born out of a love of art that started at a very young age. Jana creates vanishing murals using charcoal gathered from areas recently affected by wildfires.  This material, formed by the heat of the flames, carries the story of destruction and renewal that is intrinsic to the natural world.  She says her art is a reflection of the transience and impermanence of life and nature. Born in Honolulu in 1968, Jana has spent most of her life in transit leaving the island for California, before attending grad school in New York, then as a divorced woman to Connecticut where she raised her family, and finally returning to Hawai'i in 2023, where she has come full circle. Jana is the eldest of three children; she has a younger sister and brother. Her parents Rona August, a realtor, father James Ireijo, and step-father Joel August (both attorneys) encouraged Jana as a child to explore the arts, taking her to museums and galleries, and ensuring she always had access to arts and crafts. It was her mother that recognized a natural talent and told Jana she would become an artist. When the time came to choice her career pathway, Jana was drawn to advertising and after graduating from H. P. Baldwin High School (Maui) in 1986, she headed for the University of Hawai'i at Manoa to earn a BFA in Graphic Design in1991.  She then attended Pratt Institute, New York, where she earned an MFA Painting in 1999.  Jana took ten years off from her art to raise a family before turning her hand to public murals and developing her own style. Now back in the islands as an empty nester, Jana has immersed herself in her passion for environmental issues, such as the ocean, deep sea mining, and helping her community. She is also working on her first book for children entitled Vanishing Moon.  Jana's links:https://janaireijo.co/https://www.instagram.com/janaireijo Some favorite female artists:Gillian Jagger - sculptor - she was my thesis advisor at Pratt, and a huge influence in my practice. Maya LinLita AlbuquerqueNina Bentley Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

Jana Ireijo is an Hawaii born muralist whose passion as a conservation artist is born out of a love of art that started at a very young age. Jana creates vanishing murals using charcoal gathered from areas recently affected by wildfires.  This material, formed by the heat of the flames, carries the story of destruction and renewal that is intrinsic to the natural world.  She says her art is a reflection of the transience and impermanence of life and nature. Born in Honolulu in 1968, Jana has spent most of her life in transit leaving the island for California, before attending grad school in New York, then as a divorced woman to Connecticut where she raised her family, and finally returning to Hawai'i in 2023, where she has come full circle. Jana is the eldest of three children; she has a younger sister and brother. Her parents Rona August, a realtor, father James Ireijo, and step-father Joel August (both attorneys) encouraged Jana as a child to explore the arts, taking her to museums and galleries, and ensuring she always had access to arts and crafts. It was her mother that recognized a natural talent and told Jana she would become an artist. When the time came to choice her career pathway, Jana was drawn to advertising and after graduating from H. P. Baldwin High School (Maui) in 1986, she headed for the University of Hawai'i at Manoa to earn a BFA in Graphic Design in1991.  She then attended Pratt Institute, New York, where she earned an MFA Painting in 1999.  Jana took ten years off from her art to raise a family before turning her hand to public murals and developing her own style. Now back in the islands as an empty nester, Jana has immersed herself in her passion for environmental issues, such as the ocean, deep sea mining, and helping her community. She is also working on her first book for children entitled Vanishing Moon.  Jana's links:https://janaireijo.co/https://www.instagram.com/janaireijo Some favorite female artists:Gillian Jagger - sculptor - she was my thesis advisor at Pratt, and a huge influence in my practice. Maya LinLita AlbuquerqueNina Bentley Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramAART on FacebookEmail: hollowellstudios@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

00:08 — Stephanie Kramer is a senior researcher at Pew Research Center. 00:33 — Amy Belsher is director of Immigrants' Rights Litigation at the New York Civil Liberties Union and worked on the case of Mata Velasquez who was taken by ICE during its new practice of stationing agents outside of immigration courts. 00:45 —  Abigail Kunkler is an EPIC Law Fellow focusing on surveillance oversight. Sergio Alcubilla is the Director of Community Engagement at the ACLU of Hawaiʻi. The post Data Shows US Immigrant Population Declining First Time in 50 Years; Lawsuit to End ICE Arrests at Mandated Court Hearings; Plus, How ICE Tracked Wire Transfers to Spy on Immigrants appeared first on KPFA.

Residents of Molokaʻi are pushing for new agricultural regulations in an effort to keep out invasive coconut rhinoceros beetles; Sara Kehaulani Goo charts the history of land ownership in Hawaiʻi through the lens of her own lineage in her new book "Kuleana"

8-26 Stanford & NFL QB legend, Andrew Luck joins the boys to discuss Stanford's nail biting loss to Hawai'i & how they will bounce back, and also chimes in on Brock Purdy & Jim HarbaughSee omnystudio.com/listener for privacy information.

Hawai'i's kicker learned how to kick a football by watching YouTube, then he nailed one to beat Stanford as time expired

The Stanford Medicine Postgame Show following Stanford's 23-20 loss to Hawai'i at Clarence "T.C." Ching Athletic Complex. Hear interim head football coach Frank Reich's postgame interview with Cardinal Sports Network announcers Troy Clardy & John Platz, plus reaction, analysis, and highlights.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The TreeCast says "aloha" to a new season! And Stanford Football is off and running with a Week 0 matchup at Hawai'i. Interim head football coach Frank Reich shares what's on his to-do list as the team shifts form training camp to the regular season. Sixth-year WR Bryce Farrell introduces us to all the new faces in the receiver room. And Andrea Adelson of ESPN & ACC Network reveals what intrigues her most about the Cardinal this year, and how things may shake out in the ACC!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On Wednesday's edition of WagerTalk Today, Ross "The Boss" Benjamin shares his favorite MLB bet for today's Texas Rangers vs Kansas City Royals matchup and takes a look at College Football action between Stanford and Hawaii. Jesse Schule stops by to give his 3 favorite College Football sleeper teams heading into the 2025 that we could make some money on. Andy Lang provides props and free picks and Gianni The Greek gives daily betting advice – don't miss out!Introduction 00:00Jesse Schule College Football Sleeper Teams 02:15Ross Benjamin – CFB: Stanford vs Hawai'i Free Pick 12:17Ross Texas Rangers vs Kansas City 22:00Andy Lang on Losing Stretches 26:07Andy Lang All Around the World Free Plays (MLB & PGA Tour Championship) 27:45Beer Controversy 29:30

In this week's episode of Bet On It direct from Las Vegas: Kelly Stewart, Marco D'Angelo and Gianni the Greek break down College Football Week 0 from a sports betting perspective, and share their personal NCAAF picks and predictions. Join Kelly, Marco and Gianni every Wednesday for Bet On It as we break down the football slate from a variety of betting angles.Introduction 00:00Iowa State vs Kansas St 00:47Fresno State vs Kansas 9:42Stanford vs Hawai'i16:25Recap 24:35

Glen Higa is the President of the Hawai`i Parkinson Association, a local volunteer group who informs people about Parkinson's Disease. https://parkinsonshawaii.org Find Glen on Insta: @heeeeegs51 Find Kyle's designs here: https://www.hilifeclothing.com/ Find Devon Nekoba here: @localboy56 Love watching HI*Sessions? Well, now you can join our Patreon community and directly impact our ability to continue making great videos like this one. For as little as $1/mo. you'll get early access to our content as well as cool exclusive stuff for the Patreon community. Visit http://www.patreon.com/hisessions and sign up today! Make sure you subscribe to get notified when we release new videos! Follow HI*Sessions: http://hisessions.com http://www.facebook.com/hisessions http://twitter.com/hisessionsl!

*Content warning: distressing topics, childhood abuse, death, psychological, sexual and physical violence of children, self-harm, murder, psychological and physical violence of children, substance use disorder, cultic abuse, Institutional child abuse, ‘troubled teen industry' (TTI), suicidal ideation, medical neglect, disability abuse, PTSD.  *Free + Confidential Resources + Safety Tips:  somethingwaswrong.com/resources    *SWW S23 Theme Song & Artwork:  The S24 cover art is by the Amazing Sara Stewart Follow Something Was Wrong: Website: somethingwaswrong.com  IG: instagram.com/somethingwaswrongpodcast TikTok: tiktok.com/@somethingwaswrongpodcast  Follow Tiffany Reese: Website: tiffanyreese.me  IG: instagram.com/lookieboo *Sources  Aspen Education Group, Lathrop Lybrook https://lathroplybrook.com/aspen-education-group/  Dark Forest: A Look Inside Controversial Wilderness Therapy Camps, Sierra Nevada Ally sierranevadaally.org/2023/08/02/dark-forest-a-look-inside-controversial-wilderness-therapy-camps/ Death of a 12-year-old boy at Trails Carolina ruled a homicide https://spectrumlocalnews.com/nc/charlotte/news/2024/06/24/trails-carolina-death-homicide Embark Behavioral Health  https://www.embarkbh.com/ Former attendees describe ‘nightmare' at therapy camp in NC mountains. DHHS suspended admissions after 12-year-old died, Carolina Public Press  https://carolinapublicpress.org/63565/camp-nc-mountains-dhhs-scrutiny-camper-death-sexual-assault-transylvania/  Hawai'i Department of Health's Office of Health Care Assurance Cites Pacific Quest Corp. for Illegally Operating Unlicensed Special Treatment Facilities or Therapeutic Living Programs https://health.hawaii.gov/news/newsroom/hawaii-department-of-healths-office-of-health-care-assurance-cites-pacific-quest-corp-for-illegally-operating-unlicensed-special-treatment-facilities-or-therapeutic-living-programs/ Health Department cites 2 teen treatment facilities on Big Island, Star Advertiser https://www.staradvertiser.com/2020/01/13/hawaii-news/health-department-cites-two-teen-treatment-facilities-in-keaau/  Lawsuit claims Trails Carolina misled parents, charged huge fees and created abusive environment, Spectrum News 1 https://spectrumlocalnews.com/nys/rochester/news/2025/04/30/trails-carolina-facing-new-class-action-lawsuit  NC therapy camp Trails Carolina where 2 have died faces lawsuit over child sexual assault, FOX 8 https://myfox8.com/news/north-carolina/nc-therapy-camp-trails-carolina-where-2-have-died-faces-lawsuit-over-child-sexual-assault/ New Leaf Academy https://en-academic.com/dic.nsf/enwiki/5109613  New Leaf Academy, ‘Programs for Troubled Teens' https://programsfortroubledteens.com/directory/new-leaf-academy/ No charges filed in death of child at Trails Carolina, WSPA https://www.wspa.com/news/local-news/no-charges-filed-in-death-of-child-at-trails-carolina/  Owner-Operators Help Provide Quality Care, Family Help & Wellness https://famhelp.com/owners/  Pacific Quest https://pacificquest.org/  Pacific Quest FAQ https://pacificquest.org/faq/  Pacific Quest Bridges the Gap Between Outdoor Wilderness Therapy and Residential Treatment Programs, Outdoor Sportswire https://www.outdoorsportswire.com/pacific-quest-bridges-the-gap-between-outdoor-wilderness-therapy-and-residential-treatment-programs/  Parents take ‘troubled teen' industry to court in lawsuit against owners of shuttered western NC wilderness therapy program  https://www.wral.com/story/parents-take-troubled-teen-industry-to-court-in-lawsuit-against-owners-of-shuttered-western-nc-wilderness-therapy-program/21671633/ Samantha's New Leaf Academy (now Embark Behavioral Health) Testimony, Unsilenced https://www.unsilenced.org/samanthas-testimony-new-leaf-academy-now-embark-behavioral-health-2007-2009/  Trails Carolina, Unsilenced https://www.unsilenced.org/program-archive/us-programs/north-carolina/trails-carolina/  'Where the hell am I?': Former campers describe harsh introduction to Trails Carolina, NBC News https://www.nbcnews.com/news/us-news/trails-carolina-wilderness-camp-death-rcna139942    Where does Trails Carolina stand 1 year since the death of 12-year-old boy at North Carolina troubled teen camp? https://myfox8.com/news/north-carolina/where-does-trails-carolina-stand-1-year-since-the-death-of-12-year-old-boy-at-north-carolina-troubled-teen-camp/