Podcasts about Garrard

Aliia Roza is a former secret agent turned women's empowerment coach, public speaker, and influencer with over 1 million followers on Instagram who specialized in seduction and psychological manipulation to dismantle human and drug trafficking networks for the Russian government. Born in Karaganda, Kazakh SSR, in the former USSR to a distinguished Kazakh-Tatar military family, father Colonel Timerbulat Roza of the KGB 1st Chief Directorate (retired FSB general-lieutenant), mother Gulnara Roza daughter of Red Army Colonel Khasan Timerbulatov (Order of the Red Banner, Berlin 1945); she was rigorously trained under a state program for officers' children in martial arts and psychological conditioning, later graduating from Russia's Military Academy of Internal Affairs and earning a master's in fashion from London's Istituto Marangoni plus certification in human sexuality from Kinsey University. Selected for elite KGB-style training, Roza infiltrated criminal rings to rescue underage girls from sex trafficking; during one mission she was abducted and beaten by gang members but rescued by a target who had fallen in love with her, prompting her final operation, witness-protection status, defection from Russia, identity change, and relocation to Europe. Since 2018 an ambassador for London's Best Beginnings Charity (endorsed by the British Royal Family and personally introduced to Queen Elizabeth II and King Charles III), Roza founded the Roza Club, organizing 30+ humanitarian events backed by Cartier, Rolls Royce, Damiani, Roberto Cavalli, and House of Garrard to aid underprivileged women and children in London and Paris. A 2017 Miss Asia International Beauty crowned by Sushmita Sen, she earned Forbes Woman Empowerment recognition at Cannes and Venice Film Festivals (2019, 2022) and speaks at the United Nations and World Changers Summit in Vatican City. She co-hosts the podcast To Die For with Neil Strauss, has signed with Topic Studios for a life documentary, and is writing a book exposing KGB spy techniques to help readers spot manipulation in relationships and daily life; her column “How to Dress Like a Spy” translates espionage confidence into practical fashion and self-empowerment advice for women. Shawn Ryan Show Sponsors: Get $10 Off @BRUNT with code SRS at https://bruntworkwear.com/SRS #BRUNTpod Head to https://lumen.me/SRS for 15% off your purchase. Ready to upgrade your eyewear? Check them out at https://roka.com and use code SRS for 20% off sitewide. Go to https://helixsleep.com/srs for 20% Off Sitewide Aliia Roza Links: Book Preorder - https://www.rozaclub.com/spybook IG - https://www.instagram.com/aliiaroza YT - https://www.youtube.com/channel/UCOlgX-RrnrBsbWpNhkGtd9w LI - https://www.linkedin.com/in/aliia-roza-17710a39 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Because student loans are a part of veterinary life for many of us, student loan expert Paul Garrard joins us this week for an in-depth yet approachable conversation about the federal  changes slated to take effect July 1, 2026. Paul breaks down the elimination of Grad PLUS loans, new federal borrowing caps, new and changing repayment options, and the status of the Public Service Loan Forgiveness program. It's a great episode to help you make an informed decision about your loans and repayment strategy.For more student loan resources-- including short video modules and an up-to-date repayment plan comparison chart-- visit the Finance section of myvetlife.avma.org.Thank you to our podcast partner, the AVMA Career Center. Are you a veterinary professional looking for a position change or even a complete change of scenery? The AVMA Career Center is THE place for all veterinary professionals to find the next step in their career journey. Learn more and explore career resources at https://www.avma.org/careersRemember, we want to hear from you! Please be sure to subscribe to our feed on Apple Podcasts and leave us a rating and review. You can also contact us at MVLpodcast@avma.orgFollow us on social media @AVMAVets #MyVetLife #MVLPodcast

Jaguars Today w/Mike Dempsey, Tony Smith & David Garrard 12-8-25 by 1010 XL Jax Sports Radio

Jaguars Today w/Mike Dempsey, Tony Smith & David Garrard 12-1-25 by 1010 XL Jax Sports Radio

Jaguars Today w/Mike Dempsey, Tony Smith & David Garrard 11-24-25 by 1010 XL Jax Sports Radio

Jaguars Today w Mike Dempsey, Tony Smith David Garrard 11-17-25 by 1010 XL Jax Sports Radio

Jaguars Today w/Mike Dempsey, Tony Smith & David Garrard 11-3-25 by 1010 XL Jax Sports Radio

After more than five decades leading some of the most complex business transformations across enterprise and government, Ken Garrard has seen it all – from billion-dollar portfolios to local government restructures that changed lives. But what stands out isn't the scale of his projects, it's the humanity behind them. In this conversation, Ken shares how a lifetime of systems thinking, resilience, and belief in people has shaped not only his work, but the way he lives. At 73, he's still building, still learning, and still leading – carrying forward the dream he once shared with his late wife and proving that purpose doesn't retire. Key Highlights ~ How a simple spreadsheet turned into a $50 billion cost saving and a new way to prioritise what matters. ~ Why cascading strategy into every role changed how people saw their purpose at work. ~ The power of mentoring and watching teams grow beyond what they thought possible. ~ What leadership truth only time can teach – patience, perspective, and the value of slowing down. ~ How legacy, not titles, defines a meaningful career. Ken's story is a reminder that leadership isn't about the noise or the next big thing – it's about consistency, clarity, and care for the people around you. His life's work shows that real success lies in building systems that work, teams that thrive, and a legacy that lasts. Connect with Ken: LinkedIn | APO Powered by KEPA Software: LinkedIn | Website  This episode is brought to you by: Cell Wellness Co Connect with Kirsty Gee:  LinkedIn |  Instagram | Website

John, Paul, George and Ringo; Abraham, Martin and John; Coles and Garrard. The list goes on but it has nothing to do with this show or anything else to be honest. On the show this week - a word salad of immense intellectual importance to which Mensa, Densa and several other of Santa's reindeers have been alerted. Sport of all peculiarities is covered plus homage to the fallen with the weekly Deathalyser. And the Grand Finale - the best and worst Aussie game shows. Come on down customers for a pick of the wheel HARD. Kevin Hillier, Mark Fine, Stephen J Peak, Ken Francis Follow us on Facebook...https://bit.ly/2OOe7ag Post-production by Steve Visscher | Southern Skies Media for Howdy Partners Media | www.howdypartnersmedia.com.au/podcasts © 2025See omnystudio.com/listener for privacy information.

Jaguars Today w/Tony Smith & David Garrard 10-27-25 by 1010 XL Jax Sports Radio

Steve, McNew, Justine and Katie talk about some insight on the Garrard County situation thanks to some real journalism. TBD music by Kevin MacLeod (incompetech.com).   Important Links: Patreon: https://www.patreon.com/theabvnetwork Our Events Page: bourbonpalooza.com Check us out at: abvnetwork.com. The ABV Barrel Shop: abvbarrelshop.com   Join the revolution by adding #ABVNetworkCrew to your profile on social media.

Jaguars Today w/Mike Dempsey, Tony Smith & David Garrard 10-20-25 by 1010 XL Jax Sports Radio

On Saturday we'll be sharing epsiodes of Crown and Controvery's first season.  You can listen to the rest of Seaosn 1 and Season 2 in the Crown and Controversy feed AND you may also like Crown and Controversy: Norway.It was the sapphire seen around the world. But when Prince William gave Kate Middleton his mother's engagement ring, it wasn't just a romantic gesture—it was a message. In this episode, we explore the complicated legacy of Diana's iconic Ceylon sapphire, from its selection out of a Garrard catalog to its reemergence on Kate's finger decades later.Why did Diana choose it? Why did William pass it on? And what did Harry really think? We unpack the symbolism, the scandals, and the pressures that came with this glittering relic of a turbulent past. For Kate, wearing the ring meant accepting not only William—but the myths, ghosts, and scrutiny that came with Diana's memory.Check out "Palace Intrigue Presents: King WIlliam" here.

Jaguars Today w/Mike Dempsey, Tony Smith & David Garrard 10-13-25 by 1010 XL Jax Sports Radio

Jaguars Today w/Mike Dempsey, Tony Smith & David Garrard 10-6-25 by 1010 XL Jax Sports Radio

Jaguars Today w/Mike Dempsey, Tony Smith & David Garrard 9-29-25 by 1010 XL Jax Sports Radio

Jaguars Today w/Mike Dempsey, Tony Smith & David Garrard 9-22-25 by 1010 XL Jax Sports Radio

Jaguars Today w/Mike Dempsey, Tony Smith & David Garrard 8-18-25 by 1010 XL Jax Sports Radio

Steve, Jeremy and Renee talk about what's next for Garrard County Distilling as they face bankruptcy. The Bourbon Show music (Whiskey on the Mississippi) is by Kevin MacLeod (incompetech.com). Important Links: ABV Network Shop: https://shop.abvnetwork.com/ YouTube: https://bit.ly/3kAJZQz Patreon: https://www.patreon.com/theabvnetwork Check us out at: abvnetwork.com. Join the revolution by adding #ABVNetworkCrew to your profile on social media.

Jaguars Today w/Tony Smith & David Garrard 8-11-25 by 1010 XL Jax Sports Radio

Period poverty is a global community health dilemma that has long been overlooked. A condition described as having insufficient access to menstrual products, education, and sanitation facilities. This week Dr. Greg talks with Skylar Davis, who has taken it upon herself to address period poverty through her nonprofit, Period Y'all.

It's This Week in Bourbon for April 18th, 2025. Garrard County Distilling Co. has closed only after 1 year in operation, Cream of Kentucky moves to Kentucky Artisan Distillery, and Angel's Envy launches its newest Cellar Collection Series.Show Notes: Garrard County Distilling Co. closes after a year, faces $2.2M lawsuit. Kentucky River returns to normal, Buffalo Trace begins flood recovery. Cream of Kentucky partners with Kentucky Artisan Distillery as its home place. RD1 Spirits announces May 14, 2025 opening of new Lexington distillery. Graeter's & New Riff Distilling collaborate on Bourbon Ball Ice Cream. Rolling Fork Spirits re-releases Bourbon de Luxe small batch, 119 proof, $64.99. 2XO releases The Vinyl Blend bourbon, featuring high and moderate rye mash bills, $99.99. ANGEL'S ENVY releases Rye finished in French Oak Extra Añejo Tequila barrels, $269.99. Support this podcast on Patreon Learn more about your ad choices. Visit megaphone.fm/adchoices

Steve, McNew, Jeff, Katie & Tim talk about the fact Garrard County Distilling shuts down operations after just about a year in business. TBD music is by Kevin MacLeod (incompetech.com).   Important Links: Patreon: https://www.patreon.com/theabvnetwork Our Events Page: bourbonpalooza.com Check us out at: abvnetwork.com. The ABV Barrel Shop: abvbarrelshop.com   Join the revolution by adding #ABVNetworkCrew to your profile on social media.

The 16:9 PODCAST IS SPONSORED BY SCREENFEED – DIGITAL SIGNAGE CONTENT The UK-based research and advisory firm Futuresource Consulting sends a big team every year to the ISE trade show in Barcelona, and then a few weeks later releases a big report that serves as a technical recap for the pro AV community - both for people who could not attend, and for people like me who did, but didn't have anywhere near enough time to see everything. The 2025 report is out now and the good news is that it is a free download - a departure for a company that produces detailed reports that are typically paywalled and tend to cost at least four figures. In this podcast, I chat with Ted Romanowitz, a principal consultant focused mainly on LED, and Morris (or Mozz) Garrard, who heads the pro displays file and looks more at LCD and OLED. We get into a bunch of things in a too-short 30 minute interview. You'll hear about mass-transferred Chip On Board tech. Where Chip On Glass, also known as MicroLED, is at. And we also get into LCD, OLED, e-paper and projection. Have a listen. Subscribe from wherever you pick up new podcasts. TRANSCRIPT Ted and Morris, thank you for joining me. You guys are from Futuresource Consulting.  Every big trade show, like an ISE or an Infocomm and some other ones as well, but those are the ones I'm most familiar with, Futuresource sends a whole bunch of people to these shows. I'm curious how many people at Futuresource are on the pro display file, and why do you go to trade shows like ISE?  Morris Garrard: Dave, I'm glad to jump in. Thank you again for your time today, and looking forward to tossing with you. Overall, we took nearly 20 analysts and business development people to ISE which shows Futuresource's commitment to the trade show and our clients, specifically the Pro AV, we took four analysts, and I'm on the consulting and advisory side, so we had a really good representation across all the technologies: projection, flat panel, interactive, and LED.  I assume the reason that you go is it's a very efficient way to see a whole bunch of new stuff and touch base with a whole bunch of companies under one roof in a matter of days. Morris Garrard: Oh, absolutely. For me, it's just always, you walk in and you hit that Hall 3 where a lot of the display companies are, and it's just. Like that first impression you go, oh my gosh, here we are. How am I gonna do all this?  It's always nice. I always start at the Lang booth because they always do a nice job of having that big wow something right there at the major intersection. Yeah, they've done well with that. One thing about Futuresource is that the great majority of the material you put out is understandably paywalled. That's your business, you're producing subject matter expertise reports and selling them. So I'm always a bit curious about a complete 180 with these post-show reports. They're very detailed, there are many pages, and it's almost boy, that's more than you needed to do. Morris Garrard: Yes, I think it's, this year was something between 40 and 50 pages to cover the many, different areas of our practices, but, yeah, we think it adds value to our clients to see the latest and greatest, what's happening and not just a reporting of this product announcement or that product announcement, but it provides the context of what's really happening the undercurrents and the, big stories, the technology transitions, if you will, that are happening that are driving shifts in the industry. That kind of helps us open doors with clients to have deeper Engagements with them based on our unique insights.  Ted Romanowitz: I think just to add to that as well is we don't produce these show reports solely for the benefit of our clients. We also work with an extensive research network that benefits from these show reports, as well as other industry bodies that we work with, like trade associations, for example, and our channel partners as well.  It's a way, obviously, that you're getting driving awareness of the sort of work that you guys do and what is possible behind the paywall.  Ted Romanowitz: Exactly that. Yeah. It's a brilliant opportunity to raise our profile and also to raise the profile of the analysts working within these product sectors as well. So we're already four minutes in, and I've got about half an hour to chat with you guys. So we should dive straight into some of what you saw and came away with, and I would say that the biggest thing is probably LED in the context of pro display, anyway. So let's skip past audio and some of those other areas. You talked a lot in the report about mass transfer chips on board. Can you, first of all, describe what that is? Because we're in an industry that's overwhelmed by acronyms and why they're important, and what's the distinction? Why are you saying mass transferred when you're processing COB with mass transferred? Ted Romanowitz: Yes, and not only are there a lot of acronyms, Dave, but the problem is that terms are being misused, and I've heard you talk about that a little bit. It's a really strategic inflection point that's happening right now, literally right in front of our very eyes at ISE, where you're shifting from packaged LED technologies that have driven the industry for 20 years where the LED: red, blue, green are packaged and then picked and placed onto a PCB. That's shifting to package list technologies where the individual chiplets are red, blue, and green and are being mass transferred. So instead of one pixel at a time, they're doing thousands, and when you think about it in context, a 4k display is over 8.2 million pixels. So if you can transfer thousands at a once instead of one by one, you save a lot of time, and so this package list technology is like a chip on board where the backplane is a PCB and it's a passive driver and then chip on glass or what we call micro LED. Truly micro LED, that is, sub-100 micrometers mass transferred onto a TFT black backplane with an active driver. So at ISE, you saw this crazy tidal wave, I'm going to go with that term, this crazy tidal wave of companies that are announcing COB, and the biggest thing is that they're coming to the fruition of manufacturing processes so that they can mass transfer instead of pick and place. So the cost is going to be a lot less to make them, first of all, because you don't have to package first, then pick and place, and then secondly, because you can mass transfer.  So we expect, and this is going to, within maybe the next 12 months following, this could drive up to a 50 percent decrease in the ASPs, average sales price of 1.5 millimeters and below. It's just truly amazing. We've been hearing about this for several years, Futuresource has been writing about it, and now it's happening right before our eyes.  With COB, there are other inherent advantages as well, right? The first one would be that as they're manufactured, the finished modules have some sort of protective coating on them. That's just fundamental to how they do them, right? Versus SMD, it's the older school packaged LED displays where they're unprotected unless they've got this glue on board coating, and they're more prone to damage.  Ted Romanowitz: Yes, exactly, and those processes have been perfected over the last two to three years. So not only can you do a nice job of encapsulating it, but they can repair the LEDs as well, even after encapsulation.  So that's a major thing that's happening, and one of the things that I saw at the show was i5LED actually had a double difficult display that they did in the sense that it's a corner, an inside corner, which is difficult to do with LEDs to get, so there's not any seams or anything. But then the second thing they did is they put a touch overlay on an encapsulated COB display so you could touch. It had multi-touch on it. So again, really interesting to see the future of what's happening.  Yeah, because touch and LED were different worlds for the longest time, and it's only been recently where you start to see IR frames around displays that would make them interactive, and you wouldn't want to touch a conventional SMB display because it was going to damage it.  Ted Romanowitz: Exactly, especially when you get to 1.2 millimeters and below. The joke has always been that you needed to put a little tray underneath the LED wall that you were touching to capture all of the LED pixels that were falling off. But now, that's improved with all these new manufacturing techniques.  Are there benefits as well to COB in terms of energy consumption or brightness, things like that? Ted Romanowitz: Yeah, and the answer is yes. It's really incredible to see. Early in the LED market, if you've got 600 nits that was a lot, now you're seeing indoor displays at a 1000 or 1500 nits, which allows you to put them in a high ambient light situation, room that has Florida ceiling windows, like an office or an atrium, or even in a store window or of course outdoors in a kind of a kiosk or a standalone LED display. So this package is like technology; the chips are getting so small that you're filling in the space between the chips with an ultra black covering. That increases the contrast ratio and makes HDR content sing.  Yeah, it's like the old days of plasma displays and how their big benefit was deep blacks.  Ted Romanowitz: Exactly.  Yeah, so one of the things I came away with from ISE, and I had the impression in earlier shows as well, but really amplified this year with all the talk around micro LED and how it's coming, and that's like the ultimate super premium display.  I would look at the current product line of manufacturers who are doing COB and think, okay, that's more than good enough. I don't know that the world needs to get to micro LED video walls for us to finally have good-looking LED video walls. We're already there.  Ted Romanowitz: That's true, but really, it comes down to a cost basis, and this is where we've modeled. Working with some of the biggest OEMs and ODMs in the world, we've modeled the volume that they're going to be able to produce over the next several years, and the quality that they'll be able to deliver in mass quantities, and basically, the outcome is that by the early 2030s, let's say a 77-inch or 80-inch micro LED display chip on glass will be $4,000 or less and so that brings it into mass adoption and really makes it useful for, not only does it enable the close up viewing that chip on glass does, or chip on board, but it enables a price point where you're going to see it broadly deployed in meeting rooms and corporate, you'll see it in classrooms and education, all across stadiums, venues, hospitality, every different market vertical is going to be impacted by a price point of LED that's comparable to LCD today within the next several years.  Why wouldn't that happen just with COB?  Ted Romanowitz: It's the cost basis of being able to do things on a PCB is more expensive versus a TFT backplane. Over the long run, it has to shift towards a TFT backplane, a glass backplane.  The barrier to that happening right now is unlike COB, where mass transfer appears to have been worked out. It's still a work in progress on the chip on the glass or micro LED side, right? Ted Romanowitz: It is. There are a few other roadblocks that have to be overcome for chip on glass to be in volume with high quality, high yields, and when that happens, then you'll start seeing the volume ramp and the price really starts to drop.  So there will be a day, early in the next decade, when chip-on-glass micro LED displays have the same dimensions, same resolution, everything else would be at price parity with LCD. Ted Romanowitz: Yes, with LCD today. What Moss has been looking at with the rest of the team is what's gonna happen with flat panel LCD, interactive LCD, and projection. What are the unique instances where those need to be implemented, best-fit applications and what they're doing to drive price down and add value, differentiate to keep extending those product life cycles. Moss, is there much runway still for LCD? I'm also very curious about OLED, which keeps getting better technically but is still pretty narrowly defined, particularly on the pro-AV side.  Morris Garrard: Yeah. I think there are a few nuances here that we need to consider when we're talking about the LCD product lifecycle.  How we looked at this in our recent strategic market outlook was to split the market into three parts. So first, looking at the video will market, then looking at the digital signage market, and then looking at what we define as the presentation market, so in front of classroom, front of boardroom devices. Video wall, I think it's no real surprise that it is certainly being cannibalized by LED the fastest. We're already seeing that kind of impact happening at, I think, back in 2020; even LED overtook LCD as the main contributor to market value in the video wall market. If we then look at digital signage, which obviously would include screens that are sub 100 inch, which typically would have the price per resolution advantage over LED. We're already seeing LED making inroads to that market as well, so it's actually in 2025 that we're expecting LED to overtake LCD as the main contributor to the market value. Then, looking at the presentation market, which is very much dominated by the likes of interactive flat panel display, but then also obviously nontouching in many boardrooms as well. Obviously, there is still that cost consciousness when it comes to presentation displays. However, in the more narrow pixel pitch segments, as Ted mentioned, that price attrition that we're expecting over the next few years, it's going to rapidly increase the adoption of LEDs within the boardroom, especially the boardroom, and perhaps less so in K12, which obviously makes up the bulk of the education segment. But we're expecting by 2028 that LED will overtake LCDs and market value share by that point. That's not to say necessarily that the LCD market is going away in volume terms. I think the key point is in terms of value. Prices are continuing to erode to really race to the bottom on LCD. And then obviously, yeah, with volume starting to flatten out, LED is making inroads quite rapidly.  What about OLED? Morris Garrard: OLED's an interesting one. I think the key stumbling block for OLED in the professional displays market has been the price, as opposed to LCD. We're looking at around about 1.5 to 2X differential, which within the cost conscious mindset, especially in signage, but also in presentation displays as well. It has presented an obstacle to adoption. So OLED, we're looking at around 1% of volumes across the global market in terms of volume, and really that's stayed quite stable over the last few years, hasn't ramped as perhaps was expected a few years ago,  One thing that was intriguing to me was reading some of the stuff coming out of CES and then going to ISE, and I went to the TCL booth, I believe and they had a 120 or 125-inch something, giant TV, and I was thinking, okay, that I know what they're doing with these things. There's local dimming and everything else, and the visuals coming out of these displays are stunning. They look borderline OLED quality and at that form factor, as costs come down on manufacturing those things, they are starting to approach, very close in size to all in LED displays that a lot of manufacturers have in their product lines to simplify things for meeting spaces, conference rooms and so on. Do you see these LCDs getting some traction, supplanting the all-in-one LEDs?  Morris Garrard: Do you know what, Dave? That's a really interesting point because we had a number of conversations at ISE about the opportunity for larger than 100-inch LCDs. I think my answer to those individuals was that there may be an opportunity for now. I think the price attrition that we're seeing on all-in-one LEDs will bring those displays into, maybe not into price parity, then at least, within the same kind of ballpark.  But I think the other key issue with, let's take 120 inch LCD, for example, is the logistics of it. If you're in a boardroom and you're on the fifth floor, and you've got to fit a 120-inch LCD into a lift, then where we're based in Europe, that's absolutely not going to happen. Maybe in North America where you guys have your freight elevators and whatnot, but I think in terms of being able to install the display itself. You're not carrying that on the stairs.  Morris Garrard: Exactly, and let's say someone does crack it on the floor as they're installing it, then you've got to replace the whole thing. Whereas with an LED wall, it's just one module that needs to be replaced. I think there are those challenges as well that will limit the opportunity in that segment.  Are you seeing much innovation when it comes to LCD and OLEDs?  Morris Garrard: I would say in terms of the commercial LCD market, over the last few years, the key points of innovation have been, as you say, OLED initially, 8K resolution, 21:9, and then high brightness and kind of outdoor displays lumped into one. Those have really been the key points of development.  In terms of market adoption, though, they haven't really taken off. I would say high brightness and outdoors are probably the best examples, accounting for around 2 to 4% of market volumes, whereas the rest is still lingering around 1 to 2%. There was a lot of buzz and quite a bit of activity at ISE around electronic ink products, e-paper products, particularly on the color side. They've gotten bigger. There were 75-inch versions there. I had seen them earlier when I was over in Taiwan, and I thought, okay, this is interesting, but it's really early days, and this is a proof of concept more than anything else because yeah, they didn't look bad, but they didn't look good.  Morris Garrard: Yeah, I think e-paper is an interesting one and I think it presents a fantastic opportunity to the pro displays industry as a whole I think there has been a bit of maybe industry confusion around the purpose and the intended use case for e-paper and I think the point that really needs clarifying is that e-paper is not here to replace lcd I think in many ways it's there to complement LCD. Yes, it's there to replace print.  Morris Garrard: It's there to replace print, exactly, and one of the key conversations around that exact point is, would using the 16:9 aspect ratio be the most appropriate? Obviously, for signage customers that are used to digital signage, then yes, but for those end users that are replacing print signage would actually like the A Series, for example, be a more appropriate sizing range to use. I think that this market segment is still figuring some of those things out. But yeah, definitely a lot more, A lot more on on show at ISE this year, which was fantastic to see, and even new brands as well, not only kind of new models from those brands that were already active in the space. As I say, it's the early adopter phase at the moment, but I think certainly a lot of industry potential.  It was interesting, though, because, with all the buzz around it, I don't know that many people because they don't have a reason to be paying that close attention to it. They don't understand that all of these color e-paper displays are coming from one manufacturer, and whether it's Samsung Sharp or Agile Display Solutions, they're remarketing and tweaking E Ink's product. Is there any other manufacturer out there that you've run into that's actually coming up with something that is also color e-paper? I'm aware of some ESL manufacturers who are not using E Ink, but that's monochrome stuff.  Morris Garrard: Yeah, I would say really the pioneer is obviously E Ink. I have seen some Chinese facsimiles, but I would say, generally, the major brands that we work with are working with E INk.  Tearing through stuff here out of necessity, but I wanted to ask about projection.  Morris Garrard: With projection, I think, there is a tendency within the industry to focus on all of the innovation that's happening in LED especially, and thinking that projection is going away silently, but we're still expecting the projection is going to be a very robust component of market value by the end of the decade. We're still looking at a multi-billion-dollar industry by 2029 or 2030.  I would say the conversation within projection has shifted; it's a very mature product segment, of course. We're not really seeing the kind of product revolutions anymore in terms of feature sets or whatnot, the conversation has now shifted more towards the applications for projection. So where can projection be used where other display technologies may not be appropriate? One of the key applications, of course, that's grabbing a lot of headlines is projection mapping, for example, being able to scale an image at a massive scale onto things like historic buildings, for example. You're not going to be doing that with led in, historic cities in Europe, for example, it's just not going to happen. But finding other applications as well, for projection where the other technologies just wouldn't be able to be deployed basically.  When I go to a giant show, like an ISE, I will run into folks like you two and lots of other industry people who've been around for a long time, and we'll always have the conversation of: so,  what did you see that? I need to go see that as well, and I have my own thoughts around that, but I'm curious if there are technologies or particular manufacturers who you came across and thought, “Oh, that's interesting”. Ted Romanowitz: I'll jump in and say, both the chips on board, the wall at Samsung and the LG magnet at their booth looked fantastic, and then you saw chip on glass actually demonstrated in a large format, 136 inch at LG, as a kind of a TV kind of format. Samsung had the transparent micro LED, which I think shows they're starting to evolve their thinking. It's such a cool technology, but I think everyone's struggling with what the killer application for transparent micro LED is just because companies have been struggling with the idea of a transparent OLED. Where does it really fit in? Those are some of the killer things that I saw.  The waterfall at Lang booth. I thought it was incredibly cool, as was the kinetic LED display facing the LG booth. Not practical, but it's cool.  Yeah, and that one, I was impressed by a lot more than previous kinetic LED walls that I've seen because this was more like a game show spinning tile thing where you didn't have all this, very tight synchronizing of modules to make it look good, and I saw another kinetic LED wall I was talking to an old industry friend who said, yeah, this thing's cool, but it's breaking down every half an hour because his stand was right next to it. So it's handled with care.  Ted Romanowitz: Yeah, I thought the other cool part of that kinetic display at LG was the fact that they drew in a social media aspect where you could, upload your picture and they do a little AI magic and all of a sudden you can see Dave Haynes right up there in the middle of the LG kinetic wall. Yes, you could, but I tried that, and it turned me into a guy going through a gender transition, which I'm not quite sure how that happened.  Ted Romanowitz: We love everybody. So that's good. We love you for just who you are, Dave. That's all I'm gonna say about that. It's a side of me I hadn't thought about, but some people said you look good like that. I don't know. Okay, sorry, but it ain't happening.  Moz, how about you?  Morris Garrard: Yeah, we've already touched on it. Compared with the conversations I was having around e-paper at the end of last year, I was amazed to see larger than 32-inch form factors, let alone 75 inches. I think it was at the Dynascan booth. I was just impressed purely with the progress that technology is making in such a short space of time. So yeah, that, for me, was the takeaway.  All right. This has been great. We could have easily spoken for three hours, but we had limited time somehow or other. I appreciate you guys jumping on the phone with me.  Ted Romanowitz: Thanks so much. It's a pleasure, and we're headed over to Taiwan and Korea, so maybe we can talk again and give you some feedback on what we saw at Touch Taiwan with some of the big OEMs and ODMs in Asia.  You gonna have some Soju? Ted Romanowitz: I will definitely have that.  Alright, thanks, guys.  Morris Garrard: Thanks so much, Dave.

I minus 60 grader og konstant og totalt mørke drager Cherry Garrard afsted fra sin hytte på antarktis i selskab med Edward Wilson og Henry Bowers på en fuldstændig vanvittig slæderejse. Deres mål er at finde kejserpingvinens æg. De tre falder i gletsjersprækker, bliver ramt af storm, Cherrys tænder bliver ødelagt af de voldsomme rystelser han har i sin frostfyldte sovepose og hans briller fryser fast til huden. Og det er bare en brøkdel af elendigheden. Rejsen er blevet kaldt den værste i verden og er en afstikker fra den senere så berømte sydpolsfærd, hvor engelske Robert Falcon Scott og hans mænd skulle forsøge atnå sydpolspunktet som de første. Medvirkende: Thomas Ubbesen, medlem af Eventyrernes Klub, journalist og forfatter. Thomas har et indgående kendskab til mange arktiske og antarktiske ekspeditioner og har også bidraget med historier til bogen Ukendt Land.  

We are continuing the theme of “amazing Mississippi women” this Women's History Month with today's guest. Marion Garrard Barnwell grew up in the Mississippi Delta, where her writing life began at age thirteen with a column in the town newspaper. For twenty-five years, she taught writing and literature classes at Delta State University, and her 2024 book, All the Things We Didn't Say, includes her grandmother's 1956 memoir (published for the first time), which Barnwell both reveres and laments, and which challenged her to write her own memoir. An educator, playwright, essayist and more, Marion joins us today to explain how special it is to be a female writer from the Magnolia State.Marshall Ramsey, a nationally recognized, Emmy award winning editorial cartoonist, shares his cartoons and travels the state as Mississippi Today's Editor-At-Large. He's also host of a "Now You're Talking" on MPB Think Radio and "Conversations" on MPB TV, and is the author of several books. Marshall is a graduate of the University of Tennessee and a 2019 recipient of the University of Tennessee Alumni Professional Achievement Award. Hosted on Acast. See acast.com/privacy for more information.

Steve and Darren taste All Nations at the ABV Barrel Shop tasting bar. TBD music is by Kevin MacLeod (incompetech.com).   Important Links: Patreon: https://www.patreon.com/theabvnetwork Our Events Page: bourbonpalooza.com Check us out at: abvnetwork.com. The ABV Barrel Shop: abvbarrelshop.com   Join the revolution by adding #ABVNetworkCrew to your profile on social media.

In this episode, Jim and Todd hit the road and head out to Lancaster Kentucky, home of Garrard County Distilling Co. Listen in as we dive into the story of distillery and its brand All Nations. Smokeys Lifestyle Cigars The Hill House Bed and Breakfast  Be sure to check out our private Facebook group, "The Bourbon Roadies" for a great group of bourbon loving people. You will be welcomed with open arms!

On the 131st episode of the Long Relief podcast, Jordan and Josh are back to recap the recent NFL playoff action and give their divisional round picks. They discuss the Chiefs coming off the bye to face the Texans, the Rams playing for all of California, and much more before transitioning into discussing the upcoming college football National Championship game, Hector Banana Bread, Deion Sanders to the Cowboys rumors, and many more quick hits. They end with a Joe Biden-themed challenge as his Presidency comes to a close. Follow @longreliefcast on Twitter!

In this special episode of our historical series, we shine a spotlight on the life and times of James Garrard, the 2nd Governor of Kentucky. Join us as we journey back in time to explore the pivotal role he played in shaping the early years of the Bluegrass State.James Garrard's leadership during a crucial period in Kentucky's history left an indelible mark on the Commonwealth. From his election as governor to his contributions to Kentucky's statehood, we'll delve into the fascinating stories and achievements of this remarkable figure. Discover the challenges he faced, the decisions he made, and the enduring impact of his legacy on Kentucky's development.Join us for a captivating episode that celebrates the life and leadership of Governor James Garrard, an essential figure in Kentucky's formative years. Subscribe to our channel and stay tuned for this insightful exploration of history. Our Links: https://linktr.ee/Kyhistorypod

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In this episode, I had the good fortune of speaking with Craig Garrard better known as Boots. This is the second time Boots has been on the Horse's mouth, if you haven't heard his first go back to episode 3 and give it a spin, in that episode boots was fresh off the back of surviving a brain aneurysm and as a result having double brain surgery, a truly wild tale of survival ! In this episode we chime back in on where he's at today, leaving his old business and starting the Joymill surfboard factory in Torquay, we had a great yarn exploring diet, health, modern pressures, surfing, following intuition to see what kinda ra ra you can extract out of your days on earth with loved ones and keeping the ship upright as we creep up there on the ol totem pole of age. Cheers Boota  Hope you enjoy our chat 

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JF Garrard provides tips for authors on how to use the author network and network effectively to increase your platform and sell more books.

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Designed by Claudia Garrard and handmade by the 38 trusted seamstresses who comprise our sewing room, Lenora's offerings bear an unmistakable, unparalleled mark of quality. The story of Lenora is a special one. It all started with Dina Yang, a pioneering Vietnamese designer whose expertise and superior craftsmanship set the industry standard. Eventually, Claudia took the reins, excited to build and grow the brand to reach an even wider swath of women. Today, she continues to elevate Lenora through new offerings, expanded collections, and ever-strengthening relationships with the legions of women searching for a certain level of care and attention to detail that has become increasingly rare in the nightwear market. For first-time and longtime clients alike, the spark of recognition when they find what they've been longing for in Lenora is instant, and an enduring connection is born.After all, we outfit the moments when women are most essentially themselves—the times when they unwind, recharge, sleep, become mothers, nurture family, find refuge, cultivate calm, seek solace, dream dreams… Lenora is a tribute to personal well-being through quality, comfort, and a bit of permissive indulgence. Stitch by stitch, yard by precious yard, Lenora shapes the wardrobe for life's most unguarded and intimate moments. That requires trust. And care. And a commitment to service and excellence in an industry that often prizes profit above people. We never confuse the two. From Lenora's sewing room to our clients' closets, our mission is to lift up and support all of the women in our orbit. --- Support this podcast: https://podcasters.spotify.com/pod/show/howdshedothat/support