Podcasts about Renaissance

It's been quite a while since I've answered listener questions, so here are a bunch on everything from the best depictions of siege warfare in movies to the pre-Indo-European languages of Europe.Patrick launched a brand-new history show! It's called Past Lives, and every episode explores the life of a real person who lived in the past. Subscribe now: https://bit.ly/PWPLAAnd don't forget, you can still Get The Verge: Reformation, Renaissance, and Forty Years that Shook the World in hardcopy, ebook, or audiobook (read by Patrick) here: https://bit.ly/PWverge.Listen to new episodes 1 week early, to exclusive seasons 1 and 2, and to all episodes ad free with Wondery+. Join Wondery+ for exclusives, binges, early access, and ad free listening. Available in the Wondery App https://wondery.app.link/tidesofhistoryBe the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Medici are remembered as enlightened patrons of art—the family behind Michelangelo, Botticelli, and the Renaissance itself.That version of history is incomplete.In this episode of Hidden Forces in History, we strip away the marble and mythology to examine Medici family as they actually were: a private banking dynasty that embedded itself inside moral authority, captured a republic without abolishing it, and rewrote its legacy through art, architecture, and storytelling.We follow the money—from Florentine ledgers to the Vatican—showing how the Medici:• Plugged into Church finance to gain leverage across Europe• Used patronage as a form of long-term propaganda• Helped trigger the Reformation through indulgence financing• Lost their bank—but preserved their legendThis isn't just a Renaissance story.It's a repeatable playbook—one still used by modern elites, foundations, and institutions today.Same system.Different century.

ABOUT JENNIFER:LinkedIn Profile: https://www.linkedin.com/in/thejenniferwalsh/ Websites:https://www.walkwithwalsh.comBio:For nearly 30 years, Jennifer has been at the forefront of transformative movements in beauty, retail, & biophilic design. As a consummate innovator, she has been dedicated to reimagining the human experience, whether through pioneering retail concepts, creating immersive outdoor experiences, or driving biophilic design solutions across industries.In the 1990s, Jennifer founded Beauty Bar, the first experiential omni-channel beauty brand in the U.S., introducing open-sell environments, curbside service, and men's skincare departments, concepts that reshaped how people shop for beauty. This trailblazing work integrated biophilic principles long before they became mainstream, earning recognition as an industry innovator. After selling Beauty Bar ultimately purchased by Amazon in 2011, she continued to build groundbreaking businesses and brands, always staying ahead of the curve. Another first was created in 2014 with Pride & Glory, a collegiate beauty brand. Today, she guides large and small scale biophilic design projects to create spaces that promote human flourishing. From Recharge Rooms to retail spaces, homes, schools, and urban landscapes, her work transforms environments into ecosystems of opportunity. All inspired from lived experiences. Jennifer helps organizations leverage the neuroscience of nature to enhance experiences, foster resilience, and build deeper connections within their organizations.SHOW INTRO:Welcome to Episode 84! of the NXTLVL Experience Design podcast…In every episode we follow our catch phrase of having “Dynamic Dialogues About DATA: Design, Architecture, Technology and the Arts.” And as we continue on this journey, we'll have guests that are thought provoking futurists, AI technology mavens, retailers, international hotel design executives as well as designers and architects of brand experience places.We'll talk with authors and people focused on wellness and sustainable design practices as well as neuroscientists who will continue to help us look at the built environment and the connections betw een our mind-body and the built world around us.We'll also have guests who are creative marketing masters from international brands and people who have started and grown some of the companies that are striking a new path for us follow.If you like what you hear on the NXTLVL Experience Design show, make sure to subscribe, like, comment and share with colleagues, friends and family.The NXTLVL Experience Design podcast is always grateful for the support of VMSD magazine.VMSD brings us, in the brand experience world, the International Retail Design Conference. I think the IRDC is one of the best retail design conferences that there is bringing together the world of retailers, brands and experience place makers every year for two days of engaging conversations and pushing us to keep on talking about what makes retailing relevant. You will find the archive of the NXTLVL Experience Design podcast on VMSD.com.Thanks also goes to Shop Association the only global retail trade association dedicated to elevating the in-store experience. SHOP Association represents companies and affiliates from 25 countries and brings value to their members through research, networking, education, events and awards. Check then out on SHOPAssociation.org Today, EPISODE 84… I talk with Jennifer Walsh who for nearly 30 years, has been at the forefront of transformative movements in beauty, retail, & biophilic design. Jennifer is an innovator, and has been dedicated to reimagining the human experience, whether through pioneering retail concepts, creating immersive outdoor experiences, or driving biophilic design solutions across industries.Talking about biophilic design isn't new on the podcast, this time though we bolt on retailing, neuroscience and experience. This conversation is more introspective and looks at one's motivation to change to considering our environments and biophilic design from the point of view of sense of well-being and personal growth.We'll get there in a minute but... first a few thoughts…*                     *                          *                          *If you go back to the early episodes of the podcast, you'll come across Bill Browning. Bill and I connected while I was working the hospitality industry and focusing my efforts on the redesign of the Westin guestroom and lobby design strategy.Bill's world is Biophilic – both literally and philosophically, may be even existentially. He literally wrote the book on Biophilic Design's 14 principles, which now includes a 15th with the addition of ‘Awe,' and he has written a more recent publication with Katie Ryan called “Nature Inside,” it is a terrific handbook to implementing Biophilic design principles in built environments.I think a lot about the design of places where nature has been completely eliminated - think major downtown cities in any corner of the world.It is also not lost on me that when I sit working in my Home Office I have the extraordinarily good fortune to lookout on 2 1/2 acres of green space with a rolling hill down towards a creek that when it rains particularly hard overflows and becomes a small river in my backyard. But this point of view to my backyard and the way I feel sitting on my deck having a morning coffee is not just about the warm feeling of my cup in my hands but that there are key principles of biophilic design at play - namely refuge and prospect. Being exposed daily to these perspectives towards a forest at the back of my property I have an immediate body sense of calm, wonder and awe.I see sun rises to the left of my property and sun sets to the right. The re are Canada geese that, like clockwork, fly over my backyard every fall as they migrate South. I'm attuned to the textures and colors of the sky and the varying degrees of light intensity - bright and brilliant and dreary and diffused.All of these features of a natural world have the effect of putting me at ease.In the past few years, I've begun to connect that mind body experience, the somatic experience of natural places, with what I understand about neuroscience and our long evolutionary history of living the largest proportion of our human development among trees - in a real jungle versus the concrete ones that we have now built all around us.It's no surprise that the Japanese practice of Shinrin-yoku – forest bathing – is actually therapeutic. When we immerse ourselves in a forest atmosphere, using all five senses to connect with nature, we are promoting stress reduction and well-being. Slowing down, and taking mindful walks, appreciating sights, sounds, and smells is so good for us and yet many of us, especially those who are city dwellers, rush from place to place making sure to stay on the clock moving from one appointment to the next and filling our schedules every day with a mind-numbing number of things to check off on our To Do List Taking a moment to disconnect from technology calms the mind and body and has proven benefits like lower stress hormones and boosting immunity.The multi layered, highly textured and colored natural environments that we have evolved from, are often being replaced by environments of banality that actually have deep psychological effects when we are continually exposed to boring buildings.Bringing this intuitive sense, that natural environments support well-being, into the design of built environments, and intentionally creating places that reference biophilic principles, often proves very hard to do in a world where efficiency and productivity leading to increased profitability are what we are taught to drive towards as a reflection of success.Many times, adding plants to a space is an afterthought, like decoration, to make things look better - but they are not really being incorporated as a strategy for building environments to enhance well-being. Interestingly though, when people learn more about how to apply biophilic principles, beyond simply introducing plants as a nod to creating more nature-based experiences, they begin to also understand that their assumptions about adding additional cost may not be well founded. If you consider designing with nature in mind from the get-go, incorporating principles of biophilic design in the places we build as part of the strategy, then managing the costs is totally achievable.Anthropologie stores are a great example of introducing living green walls to their stores. Too be sure, these are not without expense both in their implementation and maintenance but the effect of walking up the grand staircase with this green wall rising from floor to ceiling across multiple levels feels wonderful. I still remember one of my first experiences in the Anthropologie store on Regent Street in London and have since sought to find similar experiences in other retail stores around the world. Design ideas like the green walls in Anthropologie stores is a conscious, intentional, move that enhances experience as well as environmental air quality. We simply feel better when we were places like this and if that turns into reduced absenteeism of associates or increased customer visits then… all the better. There's no question that being under a wash of fluorescent light standing on hard surfaces or sitting in cubicles is perhaps one of the worst ways to be productive and happy in our workplaces. I would imagine that sales associates in Anthropologie stores generally feel better than in big boxes with uniform high intensity lighting, relentless aisles of merchandise, hard surfaces and stale air with no natural sunlight.Full disclosure, when I look back over my career of designing retail places, very infrequently has the design team spent time considering what it would be like to be a sales associate in one of these places. Standing for hours on end in environments that are depleting leads to poor interactions between sales teams and customers. Seems kind of obvious but when people feel better in their workplaces, they're more likely to translate that to positive interactions with guests. More positive interactions with guests could naturally lead to larger basket size and increased number of return visits. All good if you're a retailerAnd yet, we seldom see retail places that fully embrace ideas that support well-being through the strategic introduction of biophilic design principles.New disciplines in the world of neuroscience like neuroaesthetics are beginning to be more widely accepted in the design community and there is a broader recognition about the positive effects of creating environments that apply principles of biophilia that enhance a sense of well-being. And while there is a growing trend of wider adoption of neuroaesthetics we need to keep on beating the drum about environments that are actually good for us.This is where the story leads to my guest Jennifer Walsh.In the 1990s, Jennifer founded Beauty Bar, the first experiential omni-channel beauty brand in the U.S., introducing open-sell environments, curbside service, and men's skincare departments - concepts that reshaped how people shop for beauty. Jennifer says that she just wanted people to feel good when they came into her store and she somehow intuitively knew that introducing elements of biophilia, though I'm not sure that we actually even had a name for it back then, into her store, would attract people, have them stay longer and return more often.Jennifer's integration of biophilic principles, long before they became mainstream, earned her recognition as an industry innovator. After Beauty Bar was ultimately purchased by Amazon in 2011, she continued to build groundbreaking businesses and brands, always staying ahead of the curve.Today, she guides large and small scale biophilic design projects to create spaces that promote human flourishing. In retail spaces, homes, schools, and urban landscapes, her work transforms environments into ecosystems of opportunity. All inspired from lived experiences. Jennifer helps organizations leverage the neuroscience of nature to enhance experiences, foster resilience, and build deeper connections within their organizations.ABOUT DAVID KEPRON:LinkedIn Profile: linkedin.com/in/david-kepron-9a1582bWebsites: https://www.davidkepron.com    (personal website)vmsd.com/taxonomy/term/8645  (Blog)Email: david.kepron@NXTLVLexperiencedesign.comTwitter: DavidKepronPersonal Instagram: https://www.instagram.com/davidkepron/NXTLVL Instagram: https://www.instagram.com/nxtlvl_experience_design/Bio:David Kepron the Retail Studio Principal for the architecture and design firm Little (https://www.littleonline.com). He is a multifaceted creative professional with a deep curiosity to understand ‘why', ‘what's now' and ‘what's next'. He brings together his background as an architect, artist, educator, author, podcast host and builder to the making of meaningful and empathically-focused, community-centric customer connections at brand experience places around the globe. David is a former VP - Global Design Strategies at Marriott International. While at Marriott, his focus was on the creation of compelling customer experiences within Marriott's “Premium Distinctive” segment which included: Westin, Renaissance, Le Meridien, Autograph Collection, Tribute Portfolio, Design Hotels and Gaylord hotels. In 2020 Kepron founded NXTLVL Experience Design, a strategy and design consultancy, where he combines his multidisciplinary approach to the creation of relevant brand engagements with his passion for social and cultural anthropology, neuroscience and emerging digital technologies. As a frequently requested international speaker at corporate events and international conferences focusing on CX, digital transformation, retail, hospitality, emerging technology, David shares his expertise on subjects ranging from consumer behaviors and trends, brain science and buying behavior, store design and visual merchandising, hotel design and strategy as well as creativity and innovation. In his talks, David shares visionary ideas on how brand strategy, brain science and emerging technologies are changing guest expectations about relationships they want to have with brands and how companies can remain relevant in a digitally enabled marketplace. David currently shares his experience and insight on various industry boards including: VMSD magazine's Editorial Advisory Board, the Interactive Customer Experience Association, Sign Research Foundation's Program Committee as well as the Center For Retail Transformation at George Mason University.He has held teaching positions at New York's Fashion Institute of Technology (F.I.T.), the Department of Architecture & Interior Design of Drexel University in Philadelphia, the Laboratory Institute of Merchandising (L.I.M.) in New York, the International Academy of Merchandising and Design in Montreal and he served as the Director of the Visual Merchandising Department at LaSalle International Fashion School (L.I.F.S.) in Singapore.  In 2014 Kepron published his first book titled: “Retail (r)Evolution: Why Creating Right-Brain Stores Will Shape the Future of Shopping in a Digitally Driven World” and he is currently working on his second book to be published soon. I caught up with Bryan at the SHOP Marketplace event in Charlotte and chatted about his focus on shaping what comes next in digital signage and experiential design. The NXTLVL Experience Design podcast is presented by VMSD magazine and Smartwork Media. It is hosted and executive produced by David Kepron. Our original music and audio production is by Kano Sound. The content of this podcast is copywrite to David Kepron and NXTLVL Experience Design. Any publication or rebroadcast of the content is prohibited without the expressed written consent of David Kepron and NXTLVL Experience Design.Make sure to tune in for more NXTLVL “Dialogues on DATA: Design Architecture Technology and the Arts” wherever you find your favorite podcasts and make sure to visit vmsd.com and look for the tab for the NXTLVL Experience Design podcast there too.

In this episode of Christ the Center, we welcome Josiah Leinbach to discuss William Whitaker's A Disputation on Holy Scripture—a monumental sixteenth-century defense of sola Scriptura, newly edited and republished by Prolego Press. Written in 1588 against leading Roman Catholic theologians such as Robert Bellarmine, Whitaker's work offers a comprehensive treatment of Scripture's authority, canon, clarity, and sufficiency. Leinbach explains how Whitaker combined Renaissance humanism with scholastic rigor, engaging Scripture, church history, and patristic sources to show that Protestant convictions about Scripture were neither novel nor reactionary, but deeply rooted in the catholic tradition of the church. The conversation also explores the modern relevance of Whitaker's work—especially amid contemporary debates over authority, tradition, and ecumenism. Leinbach reflects on how advances in historical and textual scholarship have confirmed many of the Reformers' arguments, while Rome's own positions have shifted over time. Whitaker's insistence on the perspicuity of Scripture, the singular infallibility of God's Word, and the Spirit's inward testimony offers not only apologetic clarity but deep pastoral comfort. This episode invites listeners to recover confidence in Scripture as God's clear and sufficient means of revealing Christ to his people. Watch on YouTube Chapters 00:07 Introduction 01:08 William Whitaker's A Disputation on Holy Scripture 07:25 Leinbach's Transition from History to Machine Learning 18:10 Whitaker's Polemical Approach 22:03 The Canon of Scripture 25:50 The Perspicuity of Scripture 28:29 Biblical Authority 32:02 The Testimony of the Holy Spirit 35:27 Ecumenical Dialogue Yesterday and Today 48:10 Future Works 52:25 Conclusion Participants: Camden Bucey, Josiah Leinbach

In this episode of Inside the Brand Experience, Invision's SVP of Marketing and host Laliv Hadar sits down with Jessie Young, Senior Brand Director at Eventbrite, to unpack the IRL renaissance reshaping how brands build community.Jessie shares what Eventbrite's data is revealing about the surge in in-person experiences—from phone-free gatherings to hyper-local gatherings—and why audiences are demanding more intimacy, belonging, and authenticity from events.You'll hear how brands can design experiences that prioritize connection over attendance, tap into local culture (yes, even cheese raves!), and use technology in a human-first way to fuel loyalty, advocacy, and movement-building. 

Every year, new archaeological discoveries claim to rewrite what we think we knew about the ancient Americas, but how much can we trust the initial reports we see? Professor Shane Miller, now of the University of Alabama, joins me again to place the White Sands footprints and other key sites in their proper context.Patrick launched a brand-new history show! It's called Past Lives, and every episode explores the life of a real person who lived in the past. Subscribe now: https://bit.ly/PWPLA And don't forget, you can still Get The Verge: Reformation, Renaissance, and Forty Years that Shook the World in hardcopy, ebook, or audiobook (read by Patrick) here: https://bit.ly/PWverge.Listen to new episodes 1 week early, to exclusive seasons 1 and 2, and to all episodes ad free with Wondery+. Join Wondery+ for exclusives, binges, early access, and ad free listening. Available in the Wondery App https://wondery.app.link/tidesofhistoryBe the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

If you're going to be a writer, it's best to find yourself in a place where there's plenty to write about, and fifteenth-century Italy was definitely one of those places. For a young member of the powerful Alberti family, it was the perfect place to study everything from law, to theology, to architecture, and to write it all down to educate - and to entertain. This week, Danièle speaks with David Marsh about Leon Battista Alberti's life and writing, in and around the great figures of fifteenth-century Italy.This podcast is made possible by the generous support of listeners like you! To find out how to help spread the joy of medieval history, please visit patreon.com/themedievalpodcast

durée : 00:58:34 - Avec philosophie - par : Géraldine Muhlmann, Nassim El Kabli - Les "Essais" de Montaigne ont été rédigés sur une période d'environ 20 ans, où le penseur de la Renaissance, réfléchit à la nature humaine et à la vie en société. Retiré du monde, mais ancien magistrat et acteur engagé dans la vie publique, il s'est révélé un véritable “animal politique”. - réalisation : Nicolas Berger - invités : Philippe Desan Professeur d'histoire culturelle à l'université de Chicago et directeur des Montaigne Studies; Jean Balsamo Professeur honoraire de littérature française à l'université de Reims

The case for EU membership for Greenland, why the exodus of Syrians from Turkey is a headache for businesses, and religion versus modernity in the Western Isles. Then: Nokia's comeback, an all-female Renaissance ensemble, and a profile of the young disability advocate fighting for more rights in Poland. + EU membership for Greenland Op-ed https://shorturl.at/eCwRb + ?maca=en-podcast_inside-europe-949-xml-mrss

Dans l'imaginaire collectif, le bouffon de cour est presque toujours un homme. Pourtant, les archives montrent que des femmes occupaient aussi ce rôle, en particulier dans les cours princières et royales d'Europe. Elles étaient plus rares, mais pas exceptionnelles.Comme leurs homologues masculins, les bouffonnes pouvaient être :des artistes comiques,des musiciennes ou chanteuses,des conteuses,ou des personnes présentant une singularité physique ou mentale, ce qui correspond malheureusement aux normes de l'époque.Elles remplissaient les mêmes fonctions essentielles : divertir, désamorcer les tensions, parfois dire des vérités qu'aucun courtisan n'osait formuler.Le cas emblématique de Jane FooleLa plus célèbre d'entre elles est Jane Foole, active au début du XVIᵉ siècle en Angleterre. Elle servit successivement Henri VIII et surtout sa fille Marie Ire d'Angleterre, dite « Bloody Mary ».Contrairement à ce que son nom pourrait laisser penser, Foole n'était pas forcément son nom de naissance, mais une désignation liée à sa fonction. Jane apparaît régulièrement dans les comptes royaux : elle recevait un salaire, des vêtements, parfois même des cadeaux, preuve qu'elle occupait une place reconnue à la cour.Les sources suggèrent qu'elle était probablement atteinte d'un handicap mental, ce qui, dans la logique cruelle de l'époque, faisait partie de sa “fonction”. Mais réduire Jane Foole à cela serait une erreur. Sa longévité à la cour — plusieurs décennies — indique qu'elle était appréciée, protégée et intégrée, notamment par Marie Tudor, qui semblait très attachée à elle.La présence de bouffonnes est d'autant plus intéressante qu'elles combinaient deux marginalités : être femme dans un monde politique dominé par les hommes, et être bouffon, donc hors des hiérarchies sociales classiques. Cela leur donnait parfois une liberté de parole encore plus singulière.Mais cette même marginalité explique aussi pourquoi elles ont été moins bien documentées. L'histoire officielle, écrite par des hommes, a largement ignoré ces figures jugées secondaires.Oui, il y eut des bouffonnes au Moyen Âge et à la Renaissance. Jane Foole en est la preuve la plus solide : une femme, salariée de la cour d'Angleterre, occupant un rôle central dans la vie quotidienne des souverains. Son histoire rappelle que le rire, la transgression et la parole libre n'étaient pas réservés aux hommes — même si la mémoire historique, elle, l'a longtemps fait croire. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

This week, Rick continues his conversation about Michael Eisner and the Disney Renaissance.  In this episode, he talks about the two highest grossing animated movies of the Renaissance.

durée : 00:57:29 - Avec philosophie - par : Géraldine Muhlmann, Nassim El Kabli - Si Montaigne a lu et repris les textes des sceptiques antiques, son scepticisme diffère de celui des Anciens. Dès lors, peut-on toujours le considérer comme un auteur sceptique ? Si oui, comment définir son scepticisme ? En retrouve-t-on des traces dans l'écriture de ses "Essais" ? - réalisation : Nicolas Berger - invités : Sylvia Giocanti Professeure à l'Université de Paris 1 Panthéon-Sorbonne; Frédéric Brahami Directeur d'études de l'EHESS (Centre Raymond Aron); Marie-Luce Demonet Professeur émérite de littérature française du XVI e siècle, spécialiste des rapports entre littératures, langues et théories du signe à la Renaissance

In this episode, Diana's special guest Jake Doberenz, founder of Theophany Media and host of the Creatively Christian podcast, shares his expertise on effective Bible study. The discussion covers essential principles of biblical interpretation, the importance of studying scripture in community, and approaches to understanding difficult passages. Listeners are also guided on selecting appropriate Bible translations and utilizing various online resources, ensuring a comprehensive and balanced approach to scripture study. The episode concludes with a prayer for listeners' spiritual journey and their engagement with the scriptures. Bio: Jake Doberenz isn't one thing. He identifies as a polymath, a Renaissance man, or a multipotentialite–one interest or specialty can't contain him. But enough of the third-person. I am a writer, speaker, minister, and creative thinker living in Oklahoma City, OK with my wife Samantha. My most significant role is the founder and president of Theophany Media, a Christian education company dedicated to helping Christians engage with culture through new media. I have earned my Master of Theological Studies at Oklahoma Christian University, the same place I earned my Bachelor's degree in Bible with a minor in Communication Studies. I also worked at my alma mater as a Resident Director and Bible TA. I write fiction and nonfiction in a variety of mediums, including poetry, short stories, books, stage plays, academic essays, and devotionals. I also venture out into other mediums, like podcasts and video. My favorite topics of choice to discuss and write about (though always changing) include: creating Christian art, helping people understand the Bible better, Christian identity, theology of social media, use of humor in faith messages, superheroes and theology, and a Christian response to culture. If you want to see his progress, achievements, and appearances sign up for the newsletter so you'll never miss an update! website: Home – Jake Doberenz 00:00 Introduction and Sponsor Message 00:47 Welcome to the Podcast 01:44 Introducing the Guest: Jake Doberenz 02:43 Jake's Background and Interests 05:56 Jake's Teaching Journey 10:46 Bible Study for Abuse Survivors 13:25 Choosing the Right Bible Translation 18:42 Understanding the Bible Without Knowing Greek or Hebrew 21:34 Basic Rules of Bible Interpretation 25:43 Embracing Uncomfortable Bible Stories 26:47 Using Jesus as a Lens for Interpretation 30:54 The Importance of Community in Bible Study 34:14 Red Flags in Spiritual Leadership 37:02 Recommended Bible Study Resources 41:33 Exploring Different Perspectives 44:58 Connecting with the Speaker 46:29 Closing Prayer and Final Thoughts   Website: https://dswministries.org Subscribe to the podcast: https://dswministries.org/subscribe-to-podcast/ Social media links: Join our Private Wounds of the Faithful FB Group: https://www.facebook.com/groups/1603903730020136 Twitter: https://twitter.com/DswMinistries YouTube: https://www.youtube.com/channel/UCxgIpWVQCmjqog0PMK4khDw/playlists Instagram: https://www.instagram.com/dswministries/ Facebook: https://www.facebook.com/DSW-Ministries-230135337033879 Keep in touch with me! Email subscribe to get my handpicked list of the best resources for abuse survivors! https://thoughtful-composer-4268.ck.page #abuse #trauma Affiliate links: Our Sponsor: 753 Academy: https://www.753academy.com/ Can't travel to The Holy Land right now? The next best thing is Walking The Bible Lands! Get a free video sample of the Bible lands here! https://www.walkingthebiblelands.com/a/18410/hN8u6LQP An easy way to help my ministry: https://dswministries.org/product/buy-me-a-cup-of-tea/ A donation link: https://dswministries.org/donate/ Jake Doberenz [00:00:00] Special thanks to 7 5 3 Academy for sponsoring this episode. No matter where you are in your fitness and health journey, they've got you covered. They specialize in helping you exceed your health and fitness goals, whether that is losing body fat, gaining muscle, or nutritional coaching to match your fitness levels. They do it all with a written guarantee for results so you don't waste time and money on a program that doesn't exceed your goals. There are martial arts programs. Specialize in anti-bullying programs for kids to combat proven Filipino martial arts. They take a holistic, fun, and innovative approach that simply works. Sign up for your free class now. It's 7 5 3 academy.com. Find the link in the show notes. Welcome to the Wounds of the Faithful Podcast, brought to you by DSW Ministries. Your host is singer songwriter, speaker and domestic violence advocate, [00:01:00] Diana . She is passionate about helping survivors in the church heal from domestic violence and abuse and trauma. This podcast is not a substitute for professional counseling or qualified medical help. Now here is Diana. Hey there, everybody. Come on in, set for a spell. How are you guys doing? I appreciate your support in listening to the podcast, and I hope that you are enjoying some really encouraging words and practical things for you to do your own Bible study and read the word of God for yourself. We have a new guest on the show now I'm very familiar with his podcast, creatively Christian. I've been on his podcast. His show has a few different interviewers. And so [00:02:00] Andrea Sandifer, who you guys know that was on the show, she interviewed me on her show. And our guest today, Jake Doberenz, the man behind that podcast, he is a funny guy. He likes to bring humor from the Bible. And I've been reading his blog and following his newsletters. And his Facebook group. So I thought he would be a great addition to the podcast , and I think you're gonna love him. I'm gonna tell you a little bit about him. He has a lot of interest here, so here we go. Jake, Doberenz isn't one thing. He identifies as a polymath, a renaissance man or a multipotentialite. One interest or specialty, can't contain him. So he [00:03:00] says of himself, but enough of the third person. I'm a writer, speaker, minister, and creative thinker, living in Oklahoma City, Oklahoma. My most significant role is the founder and president of Theophany Media. A Christian education company dedicated to helping Christians engage with culture through new media. I have earned my Master of Theological studies at Oklahoma Christian University, the same place I earned my bachelor's degree in Bible with a minor in communication studies. I also worked at my alma matter as a resident director and bible ta. I write fiction and nonfiction in a variety of mediums, including poetry, short stories, books, stage plays, academic essays, and [00:04:00] devotionals. I also venture out into other mediums like podcasts and video, my favorite topics of choice to discuss and write about. Although always changing, include creating Christian art, helping people understand the Bible better. Christian identity, theology of social media, use of humor in faith messages, super heroes and theology, any Christian response to culture. So this is gonna be awesome. So I hope that you enjoy my conversation with Jake Doberenz. Please welcome to the show, Jake Doberenz. Thanks for coming on today. Sure thing, anytime. I'm glad to be here. I really enjoyed being on your [00:05:00] podcast, A creatively Christian, and Andrea interviewed me and then she was on my podcast and I follow your Facebook group and get your. Very humorous email newsletter. And so I thought you were the perfect fit to come on to the podcast. And you're a bible geek like me, and you have a different perspective on life. In the Bible, you find humor in the Bible, which a lot of people don't find the Bible very funny. So welcome to the show. Yeah, I'm glad to be here providing some humor and quite possibly even some wisdom and intelligent comments. We'll see if we get to that part. So you haven't been on the podcast before, so. Tell the folks a little bit about yourself and your family. Okay? Yeah. Always a fun question because where do you [00:06:00] start? Where do you end? But yeah. I am in Oklahoma City right now. I'm an Oregon native and got stuck in Oklahoma. Stuck sounds too negative, but I got planted here. That sounds better. I got my bachelor's degree in biblical studies with a minor in communication studies. I have a Master's of Theological studies and for a while I was kind of going down the Bible professor route. That was gonna be my thing. And it's not like completely off the table right now, but it is not my chief kind of path anymore because there are not a lot of jobs in that area and there's a lot of different things there that make it quite challenging. A lot of schooling, a lot of debt for maybe not so much reward, but we'll see what the future brings. I am still flexing my desires to write and teach. That has always been what I wanted to do, even when the subject changed, even when it [00:07:00] was cat psychology or whatever, I always wanted to write and teach and so I'm still doing that in in different ways. I'm certainly still using my degrees, even though I'll be going into teaching middle school geography this year. Ooh, kind of a new adventure. Add some more skills and weird things on my resume. That's kind of how I do it. So geography. Cool. I think that's me. Yeah. Yeah. That's very brave. Middle school, that particular age, did you pick the age group you were teaching or did they just kind of throw you in there? I applied to high school and middle school. I wasn't going to do anybody under middle school and the high school jobs never called me back. And the, I got some different offerings on the middle school side of thing, so I said, okay, that's what you want me to do. God, I will walk into this wilderness. And then they gave me some kind of choices between, and I chose sixth grade specifically, so I'll be with, with sixth graders. [00:08:00] They, uh, we still have some childlike heart and wonder. They're not so jaded like they get when they're a little older, but they're just mature enough where you can start to get a little more serious. So good age. Hmm. I liked sixth grade. It was a good year. We'll be praying for you either way, because that's a lot of work and mm-hmm. But geography's cool. I like Bible geography. Ever since I went to Israel in 2019. How different reading the Bible is when you've been to those places. Have you been to Israel? I haven't. No, I haven't. Yeah. If you're into geography, you would really love going to Israel for obvious reasons, of course, but geography, it just makes the Bible come alive when you've been to the place where Jesus put legion into the herd of pigs and over the cliff. Sure. And I've been to that cliff, and so you can see it now in your head. It's awesome. Or you've been on the Sea of [00:09:00] Galilee and you can actually imagine Jesus walking on the water and because been in the boat. So, yeah, I'm just getting into being interested in geography right now. There you go. Yeah. Cool. What would you say is your particular specialty as far as Bible goes? Yeah. I did my master's thesis on Paul's view of spiritual formation, specifically from one Corinthians chapter three, verse three. Four, just around there. So that's a very specific kind of thing. Most of my training has actually been more on the New Testament side. Specifically Paul, I've done a lot of more academic work with the use of children as a metaphor in the Bible. I've done work with that in both Paul and the Gospels. Sexuality in the New Testament has been something I've kind of explored. [00:10:00] Nowadays though, I have more of theological interests and I'm asking some different kinds of questions. You don't divorce theology from the Bible, but they're just different kinds of questions and different kinds of, and ways and sources for that. But in terms of Bible, yeah, a lot of studying Paul and a lot of thinking about sort of how he makes arguments and specifically like in that thesis, it was all about how he used this metaphor about. Being an infant in Christ, what does all that mean? And how does that reflect how we grow as people? And so I've gone down those kind of rabbit trails a lot my my day. That's really interesting. A Paul's usually a favorite Bible character. Most people, though you can, you never go wrong with the Apostle Paul now. So today we're talking about Bible study for abuse survivors. And reason why we're doing this is because when we've gone through abuse, usually there's some spiritual [00:11:00] abuse involved and we want to distance ourself from God because we've experienced that spiritual abuse and that affects our relationship with God. And a lot of people once they leave or get out of the abuse. Then they're like, okay, I don't wanna read the Bible, I don't wanna pray, and I don't wanna go to church anymore. I don't trust anybody. But I'm trying to encourage on this podcast to come and if you have questions, let's talk about the questions. So, so I've kind of answered my own question, why should we study the Bible for ourselves? But what would you say to that or add to that? Yeah, I think what I would add to that is that, um, one thing that our teachers or pastors or scholars don't have is that they're not you. You are yourself and you come with your experiences and you come [00:12:00] with your own personality and identity, and you are gonna often pick up things that other people might miss, or you're gonna just sort of focus on things more realize as a thread of a theme or something like that. We, we shouldn't come to the Bible biased necessarily, or with too many preconceived notions. 'cause then the text starts to say what we want it to say. That's not what I'm saying. But we do bring ourselves to the text and we have to admit that like, I'm not reading this in a vacuum. I'm reading this because of who I am and what I've experienced and all these things like that. And I think that's really powerful. And I think the Bible is, it's strong enough to take it. Like it's not about pulling whatever meaning you want from it, like I said, but it is about seeing things that are hidden in this multi-layered onion like text here that has so much stuff in it that we can't expect. Even a really smart [00:13:00] guy to just know everything. So yeah, we gotta study the Bible for ourselves. We gotta do our own digging and our own reading. See what we can find. Yeah, I like that answer. Bringing yourself to the table that's. Different than what somebody else would bring to the table. So let's start with something everybody asks about. When it comes to Bible study, you go to the bookstore and you're trying to pick out a Bible, and there's a gazillion different Bible versions out there, and too many versions, in my opinion. Which one do I pick? Does it matter? At the end of the day, it probably doesn't matter. There are those that are better than others, and I'm the term better here. You can use that in different ways. I'm using the term better as in. More accurate to the text, although, hey, we are translating language here. [00:14:00] Translation is an art, not a science, which makes us a little uncomfortable. We can still get that meaning across. You're a, you're an artist and you're a creative. You can still communicate accurately and faithfully even through a song or something like that. And so in the same way, translation is a little bit of an art form and there are people that have to choose certain words, and I think this means that. So yeah, there are some that are more quote unquote scholarly and others that are more paraphrased, like the message, or it's something like the amplified Bible that is just trying to sort of squeeze some more possible meaning out there by becoming like glorified the Sorut. So you got some different options. Most readings are probably not gonna hurt you, at least. As long as you understand like kind of what's going on here. I know in the past the King James has had the word unicorns in it and that that threw some people off and then later we're like, actually we should have translated that. Like Gazelle was not supposed to be translated unicorn. So [00:15:00] okay, we can get some things here that might throw some people off, but as long as we kind of give some grace to the translators, something like the King James is older and we have some different data. We have some older manuscripts that we're pulling from now. So yeah, it's gonna be a little bit more closer to what the originals were saying kind of thing. So yeah, there are those considerations, but I don't think you're gonna make or break your faith if you read the ESV over the NRSV or something like that. Yeah, well I came from a camp that, uh, they were very definitive in what Bible you should read and which ones you should not read and Sure. And they were very dogmatic in that I've changed my stance since then. Because I've actually dug into that sort of thing that okay, you, so you're saying that most of the mainline translations out there, we will still get the main [00:16:00] point of what Bio was trying to say. Right. Yeah, I don't know any that are too left field and crazy or something like that. There are versions, like, I could be wrong about this, but I think the Jehovah's Witness has versions of the Bible that seem to play a little fast and loose with some things and have cut out some different stuff. So obviously I wouldn't necessarily recommend that for Christians. The only other thing I would say is make sure a bunch of different people were involved. Most translations are. Large groups of people. And then you have things like I mentioned the message that Eugene Peterson did, it was just him, but he wasn't necessarily trying to make a definitive thing. That's more of a paraphrase translation, which is like a devotional rather than something to study. So there are just different uses for all these different things. There are, I could go into the weeds. My dad used to own a Christian bookstore. Oh. And so you have your thought for thought translations and then you have your word for word. And [00:17:00] some people think word for word is better because it's more accurate. But the thing, the problem is the Bible might literally say X, but when we translate that word to today, it makes no sense because language is weird like that. And then so the thought for thought is going to be more of an interpretation, but they're trying to say, okay, but what this is trying to say is this and, and here's a thought that you can digest and that makes sense to you. So it's just kind of what you want, but thanks to the internet. In fact, on another screen here, I have pulled up Bible gateway.com. That's what I use a lot. You can look through all sorts of different translations and compare and contrast. If I really wanted to study with more than one, it's legal in most states, so go for it. It's funny you mentioned the message because that was my first Bible when I got saved. My okay friend that I met in high school, I told her I had gotten saved and I didn't have a Bible, and she gave me the message, which [00:18:00] was her Bible, and I loved it. Oh yeah. I highlighted that thing and Oh yeah. And I just tore it up with underlining and I couldn't wait to read it. And then of course you get to Bible college and they tear it out of your hands, so yeah. But yeah, I like the ESV today. I have. A really nice archeology study Bible I bought and I've, I've read the King James most of my Christian life. And switching to another translation was really eye-opening. All this different stuff that I hadn't seen before just popped out, like I didn't know the Bible said that. Wow. It's pretty neat. So along the same lines, do we have to be a Greek and Hebrew scholar to understand the Bible? I hope not because I struggled through Greek and barely made that alive, and so languages are not my strong [00:19:00] suit. Uh, but I think the answer is of course, no. You don't have to be. It depends on what kind of study you're doing, and I probably should have mentioned that earlier, but there's a way to look at the Bible in an academic, scholarly way, and there are some Christians that. Think that's wrong or bad? I don't think it's bad. It's just one way to look at it. When I am in scholarship, when I'm writing this college paper, I am, I have to kind of slice and dice it and I'm doing a work that an atheist could do. It's that kind of work. But then there's another way to look at the Bible that is much more pastorally or for spiritual formation, the kind of thing that treats the text as sacred that an atheist can't do. So if you're doing the academic work, it really helps to know the words because you're trying to get as precise as possible and getting into there. But luckily for us, other people have done the work for us and we have these English translations, so woo. You don't need to know Hebrew and Coin a Greek and [00:20:00] a little bit of Aramic and like Daniel or whatever. Like we don't have to know that because somebody else has done the work for us. And I mentioned already like. There's a lot of people involved in a Bible translation, not just one guy. It's, a lot of people have done this work and they've argued and yelled at each other and come to some conclusions to say, this is the best we can do right now. This is what we got. So, yeah, we don't have to, we don't have to be language PS so, woo. Lucky. Yes. Yeah. I mean, I'm a language geek. I love languages. Personally, I speak two languages besides English, but I haven't taken any Greek or, or Hebrew, maybe someday, but they didn't cover that in my Bible college. But it's good that we already have the tools online that, hey, this is a translation for that word in. There's really no, no real argument about it is there along mainline denominations. Yeah. Most people probably aren't gonna tell you. You have to know all those languages unless somebody there. There are groups of people that would say [00:21:00] the only inspired text of the Bible is the actual original Greek and Hebrew. And so our English translations are not inspired. But that's a minority view. That's not super common. Yeah. Yeah. The most people can understand. The inspiration still comes through, even when it's translating different languages. The word of gods for the whole world, not just those that can speak actually dead languages that nobody speaks today like Latin. Yeah. So now we're gonna get into the nitty gritty here. Okay. When we are sitting down with our Bible and we're deciding to. Study a passage of scripture or maybe a book. What are some basic rules of interpretation? Now we use the fancy big word hermeneutics, but like the basic ones that you really shouldn't ignore in order to. Do a proper Bible study. This is one that gets definitely drilled [00:22:00] into in Bible school and in other contexts, but it's that actual, it's a word context like context is key. Context is king, and one of the best things we can do is zoom out. So if we're looking at a particular scripture. Like one verse, we zoom out to the chapter. Those headings or whatever aren't like God inspired or whatever, but they're helpful to kind of see what the flow of things are. Then we can zoom out to the book level and sometimes zoom out to the biblical level and things like that. But that is always key. Sometimes we get into trouble thinking that the Bible is just like, the whole thing is like Proverbs, where everything's just disconnected and you got these good one-liners and they're fun and they're good zingers, but most of it is some kind of story or, and Paul, I mentioned that being some of my background, Paul's letters are arguments they build on top of each other, and so you can see if we're trying to look at something wild like. One [00:23:00] Corinthians 14 or something, we can understand it because by just kind of going a little backwards and Oh, okay. So that's always really important. And a lot of times authors in the Bible will also tell us kind of their themes and tell us what they really want us to get across. The gospel of John, for instance, is written so that we may believe Luke talks about writing in a, an orderly account of things. So we have some of these statements that if we zoom out a little bit, oh, okay, we can make sense of this in light of that. And so different things like that. But we could go all day into the hermeneutics and then the other fancy word, X of Jesus and that kind of stuff. But at the end of the day, a tool anybody can use is something I learned in elementary school when there was a hard word. It was called rat read around the text. Read around the text. Ooh, that's the acronym there. And that just helps us understand, wait, what is going on? What does Paul mean when he says this? Why is [00:24:00] this guy saying this in judges? Let's take a look. What else is going on here? So it's just a great tool that anybody can use be if they can just zoom out a little bit and read the rest of the Bible and the rest of the passage. Everybody gives a different answer to that question. Now, obviously when we read the Bible, we come upon these passages or some of the stories that are either difficult to understand or it's a topic that we don't wanna deal with. It's really hard to swallow. Like a lot of times it's the genocide passages, of course. Mm-hmm. And or similar things like that. What do we do when we encounter those passages? Yeah. There are also passages that are sometimes called, and the genocide fits into this, but passages called texts of terror. A lot of passages about different abuse situation, and [00:25:00] I won't go into all of those, but I'm sure a lot of us can come up with some things that mm-hmm. Can be triggering in the Bible that seem just really messed up and stuff like that. So I think what's important, first of all is we recognize the, the gut feeling, the awkwardness talk to the beginning about how I see humor in the Bible and I do, I think there are some things in the Bible that we should laugh at. It's actually hilarious. Tell us about what Jonah gets swallowed by a big fish. That's funny. You should be laughing. And it's hilarious that he wants this city destroyed and he's supposed to be a prophet of God and he's not doing his job description and stuff like that. So like. When it's funny, we should laugh and when it's not funny, when it's uncomfortable, we should be okay being uncomfortable. I, I remember when I did college ministry for a time, we talked about the story of, oh man, I can't remember if it's Eli, I think it's Elijah. [00:26:00] And when they make fun of him for being bald and he calls these, she bears to attack these 40 youths, and he, this kid would kid could not get over it. He's like, why is this in the Bible? This is ridiculous. And I just tried to help him. Yeah, let's feel that first. Let's feel that, oh boy, we got some emotions here. So step one, I think it's totally okay to feel those things and then we can do some digging. Again, it's that zooming out. Let's look at the context here. Let's look what's going on there. A lot of times I think some of these texts of terror or uncomfortable texts, um. Sometimes they're not as bad when we look at it through maybe a historical lens or something, but sometimes we can't just justify them really nice and neatly, like some of the stuff about genocide. So ultimately, I have to go back to Jesus because. Jesus is the ultimate expression of God. It is the best [00:27:00] lens into the divine that we've ever seen. It's through this person of Jesus. And so sometimes we got to use our Jesus magnifying glass and look over the scripture and say, that's awkward. I don't like that very much. This makes me, this triggers me. This is, uh, but we put Jesus over and say, but through Christ, we don't have to live like that. We can recognize that there. There are plenty of examples of what not to do in the Bible. Jesus calls us to a different way and Jesus shows us that some things that maybe people thought were really godly and divine at certain points were not. So at the end of the day when things make us uncomfortable, I say feel it. But then ultimately, let's just go back. What does Jesus say? And if Jesus words are kind of. Don't seem to jive with this other crazy stuff going on here. Let's just, let's follow Jesus over some of this, [00:28:00] this other uncomfortable things. Hmm. So it's probably not a satisfying answer, but that's kind of like the point, like we try too hard sometimes to wrap everything in a pretty bow, but sometimes we just can't. With the Bible, the Bible is complicated and that's what makes it powerful. It's not always so neat and tidy and doesn't always make you feel good. It is a like Christ. It is both human, fully human and fully divine. And in that there's some awkward tension. There are some, there are human emotions and human things that that bleed through the divine pages of scripture. I appreciate the honest answer and yeah, I think that was a great answer. It was just reading through the patriarchs and wow, you just wrap your head around how much they messed up. And that's not how God wanted us to live. That's just an example of God just lets [00:29:00] everybody see how these people messed up. But still, God used them in a mighty way. God still gave them grace and forgiveness and love and mercy. I was just on Twitter and that's a dangerous place is Christian Twitter. Oh my goodness. And there was a big thread about some people, they didn't believe that Jesus was the same God as the God of the Old Testament. They cut the line because they thought Jesus over here in the New Testament, his attribute seems so different than. The God of the Old Testament. I don't necessarily agree with that, but that was an interesting concept. That's how they dealt with those horrible stories. I'm just gonna just trust in Jesus and just believe in Jesus and throw everything else away. Yeah. That's a heresy in the second century that, um, yeah. You know, unfortunately haven't quite gotten rid of completely, but is that's what that's called still alive and, [00:30:00] yeah. Oh, that's what you call it. Okay. There's your little fun little historical theology trivia, but yeah, there's probably a word for it. But that goes into my next question is how do you study the Bible and read it and make sure that you're not slipping into some heretical teaching, because I personally know some people that they believe some stuff that's way off base that nobody else. And mainline Christianity believes in, but they're like quoting Bible verses and taking them outta context. How do we avoid going down that path? Yeah, yeah. I had a youth minister who used to joke that if you wanted to, he could justify kicking babies across the room from scripture. Like that was just his wild example because yeah, people can kind of justify the whole gambit of things. So I think now we talked about why it's important to study the Bible for yourself. [00:31:00] At the same time though, I think this living, breathing scripture. Is something that we must read through community. You can do your own work, do your own prep, but ultimately the Bible belongs to all of us. And so we need to read in community. And that can mean your pastors and teachers and your scholars. It can also mean your neighbor and your friend and your kids and your mom and your cousin from a couple states away. But it can also mean dead people, not like seance or whatever, but like, um-ing, you know, read these old preachers and read the church fathers and the church mothers and like, we got 2000 years of Christian history here. There's some wild stuff, but there's some good stuff too. So I say we read scripture in community and you come to your own conclusions. Don't just copy paste whatever Mr. X, Y, Z says, but. What do they [00:32:00] think? And when we start looking at, oh, Christians have kind of seemed to think this for a long time, probably a direction we should lean in. I don't know. I guess people could be wrong, but the way the spirit works I think is a lot of times through community. And it's a way to check, it's a checks and balance for ourselves. So I think that sometimes we can get a little, a little wild with our own interpretations, but we bring in other people. What do you think? Did you see this too? Is this accurate? Is this, does this fit in with historical context of first century Palestine? Or whatever kind of questions you want to ask community. So that's flesh and blood people, but that's also books and podcasts and all sorts of things. I just think we're made to be together. And honestly, when I studied Paul's view of spiritual formation for my thesis, I didn't get to dive into it too much, but what I kept coming across is spiritual formation is not a. You on your own [00:33:00] kind of thing. It is something that happens with people who are this great cloud of witnesses that is cheering you on and it's helping you out. So I think that's a great way to kind of check, check ourselves, and then of course, use your brain. Let's be logical here that scripture probably not actually talking about America because it was written 3000 years ago. I don't know. Thank you. Um, so, so stuff like that, we gotta use our brains. Yeah. I like when you talk about community, because I think, and I've seen this before people go off the rails, is that they're isolating themselves. Mm-hmm. They don't wanna go to church because they don't trust, they don't trust people that they've been hurt. But even if we can't drag ourselves to church just yet in our healing process, yeah. There are other ways to create community and checks and balances. So that's a really good point. We really don't want [00:34:00] to be that guy that started his own denomination on a couple bible verses. Yeah, we got plenty of denominations. I think we're set for a little bit, so let's just chill out for now. Yeah, that's crazy. So like if we're in a community, we're under our Bible teacher or a pastor or Sunday school class, what would be like a red flag that would put your antennas up? Hey, you may wanna check this out for this preacher teacher saying is not a good thing. Are there any like red flags that you would look for? I think arrogance is definitely a big red flag. Ooh, good one. And that is how you get into spiritual, spiritually abusive situations. Definitely. And what I mean by arrogance is people that are not willing to be corrected, not willing to admit the wrong, not willing to learn. I was privileged to have professors where I was getting my Bible degrees. People with [00:35:00] PhDs from the prestigious British universities who would listen to student comments and be like, that's really interesting. Or, heard it like that. Tell me more about that. And one of my Hebrew Bible professors spoke like nine languages. Most of those are dead ones. And still he's curious to know what these 20-year-old college students are thinking. Which is wild because he is way smarter than us. But he is. These guys were adopting this posture of, I can learn from anybody here. I want your perspective. And I could be wrong. We gotta have some things where we have a firm foundation and where we don't sway. We absolutely have to have those. There are some people these days that I think sort of lean too heavily into the wishy-washy. It depends on the day, what I'm feeling, cafeteria style Christianity. We can't do that. But we also can't go over here where it's, I figured it out when I was 30 years old, when I was 40 years old, and now I'm like, [00:36:00] done. I'm done learning. Got it right. I to be the only one to get it right. And that's how denominations start, right? Ooh, everybody else got it wrong all the time. Now I'm right. So that's dangerous. So let's learn from people who are themselves. Learners who are willing to be challenged and to ask questions and wanna know your take on things. I know from being in ministry settings that oftentimes I am the guy with the more Bible degrees than most people in the room. But then there'll be these 70-year-old church ladies who have lived this and they've been in the Bible their whole life. I can learn from them. Mm-hmm. They have something to say, even though they've never read the text in Greek. They have something to add to the conversation. Mm-hmm. So we need to be learners. I love that. That is so awesome and so very true. The Holy Spirit speaks to each of us individually and gives us different [00:37:00] lessons and we can share those lessons. Now, you as a scholarly person, you must have some favorite resources that you use to study the bible. Can you recommend some specific resources that are maybe easy to use? Yeah, there's a couple websites, Bible gateway, I mentioned that already. They have. Some free commentaries and bible encyclopedias and things kind of on the sidebar there. So as you're looking to scripture, you could glorify and study Bible or have access to chunks from different commentaries. And for a while, while I was doing some more preaching, I actually did the paid, there's a kind of a paid version that it was like five bucks a month or something really cheap like that. It just got access to more things so I can have the scripture here and then all my resources next to it. And that was handy. Bible hub.com is also another one. [00:38:00] Um, that one's especially good if you do wanna look at the language stuff, knowing that you're not a scholar, you can say, but what is that Greek word? And you can click on it and it will show you the definitions, show you other places in scripture it's used. You can kind of get a feel for that. So that's a really good one for people who are not, who don't know the languages or. Like me who always needed help with my Greek homework or something like that. So yeah, those come to mind. But man, like we are, we at our fingertips. There's a lot of good stuff out there. A lot of bad stuff, no doubt. But there are podcasts and all sorts of books and there's just, there's a lot of good stuff there. Wouldn't even know where to begin, just sort of thinking broadly. But I think Bible gateway, Bible hub, easy. Anybody can access those for free. And you don't necessarily need a giant library or really expensive commentary sets 'cause they're really expensive. Yeah. That's why my parents get me one commentary for my birthday and [00:39:00] for Christmas each year. And so in 50 years I'll have the full set or whatever. That's not true. That's, it'll actually probably be. I can't do the math however it takes to get 66 books. But anyway. Wow. All I had in bible college that we were allowed to have is Matthew Henry commentary, which is kind of on the dry side. Yeah. Most Bible professors would pass out hearing you say that. It's not bad stuff, but bad, but it's not, it's not easy to read it's thing, let's just say. Yeah. And we were allowed to read Weirs, BE'S books. It's a pretty good series about where I came from. John MacArthur's commentaries were like hearsay. Oh, okay. The Baptist didn't like the, at least the churches that I was in, they didn't like MacArthur's stuff, but, and I had the actual strong concordance. I still own that's, yeah, sure. So sort of a free way to get that, besides if you don't want to get a giant [00:40:00] volume. Yeah. I like to read the physical books too. Sure. Nothing, not knocking the physical. But yeah, if people are on a budget, yeah, people are on a budget and you can't go and buy those big, huge coffee table books. Or if you're near a Christian university, see if you can get a library card that's, they have tons of stuff. I can walk in there and there are a whole shelf of like Genesis commentaries or whatever. It could be information overload. But also I can, I'll pick up a couple different volumes of different perspectives and I'll read what they each have to say about the verse or chapter I'm dealing with and I can kind of synthesize a conclusion. And that's how you do it. Yeah. I'll also mention, I, we were allowed to. Listen on the radio, Jay Vernon McGee and yeah, he was definitely expository. He [00:41:00] would go verse by verse and go through the entire Bible verse by verse, which I thought was really good. And I don't agree with everything he said, but that's the way I learned a lot of stuff was through verse by verse radio program back in the day. Mm. I'm dating myself, aren't I? It's all good here. All good. No, we talked a lot about a bunch of different stuff. Is there anything about Bible study that we didn't talk about that you would like to mention? I know there's so much, uh, yeah, I just touched on it a little bit, but I kind of wanna bring it back. Look at different views than yours. If you are really charismatic, then look at something that's not quite charismatic, or if you are. I won't go. I'll skip all those differences. You know what? You are read some of the stuff that's a little different. Stuff that challenges you. That's how we grow. That's how we grow, [00:42:00] is to hear something a little different. And the thing is, you're not required to believe it. Right. You can just read it and at least know what they're saying. I know in my Christian upbringing, and not necessarily I was intentional, but I only knew my side of the argument. Or if I knew somebody else's argument, it was this straw man version that was just not accurate. And then I, you go to the big wide world and be like, oh wait, there are lots of different views. And those people are actually smart and they have things to say about this, but somebody else is the opposite and they're also a smart person. What's going on? It's just good to expose ourselves to different things. In most cases we could, we, you can choose your own boundaries and things like that. Mm-hmm. It doesn't mean if you're studying something in the Old Testament, you have to read the Jewish and the Muslim and the Mormon view of what. It doesn't mean you have to go there, but just check out some different things. Have your favorite commentaries. Do it, but every once in a while [00:43:00] peek into your, your local heretic and see what they have to say. I dunno, maybe not a heretic, somebody who's a little different. You, you, your istic. Yeah. Our last guest was talking about Calvinism and stuff, but yeah, doesn, excellent suggestion because I definitely was in my own camp for many years until I got out of my abusive situation and started looking into other views and I have since changed nothing major. I didn't change any major views, but I realized that okay, there are other Godly people. Now I see they can use scripture to defend their position too. And there's a little bit of wiggle room in there for sure. Sure. For different viewpoints. I went and did a study and looked at somebody else's view on a tertiary argument. Sure. Tertiary doctrine. It's not a doctrine of the faith, but [00:44:00] something that's very important and it's like, okay, I'm not gonna be judgmental. And that was hard for me to change my viewpoint. Yeah, yeah. But they gave me really great scriptural evidence. So yeah, that's kind of a sideline, but you made excellent point. But anyway, I appreciate you sharing all this valuable information and your view, viewpoint, and it's fascinating. Everybody has different answers for these questions. I've asked everybody the same questions. Right. And they're all giving me different answers, which I think that's very helpful. Oh yeah. Yeah. Very helpful. Yeah, getting people exposed to different things and again, like I am me and you are you, and we're different. And that's the point. Like we all come together with our different focuses and our different backgrounds and knowledge, and together we are the body of Christ. Amen. And that's beautiful. So tell the folks [00:45:00] how people can connect with you and you have resources and maybe if they wanna play stump the Bible teacher, they can email you. Yeah, you can find that all about me@jakedobern.com. D-O-B-E-R-E-N-Z as in zebra. And that's kind of my home base on the interwebs. If you do jake dovers.com/email, you can get on my email list that was mentioned earlier where I talk about. Funny stories from my life that have spiritual points, and I bring out spiritual points from that. And yeah, you can definitely contact me through social media or email, and that's all on my website there. So I'll let you track me down and tell me how wrong I am and all of that kind of stuff. That's fun. It comes with the territory, so totally okay with that. And then lastly, I do a bunch of work with Christian creatives, with Fiani [00:46:00] Media, and as was mentioned, I produce the Creatively Christian podcast. So I would love for you to check that out if that's kind of your thing, if that's your area. Yeah. You guys have a real great variety of guests on that show. It's not just one particular kind of art. You guys represent a lot of different ones, which is fun. Oh yeah. And we're trying to get more variety all the time. Awesome. Now. I don't usually have guests pray on the show, but would you pray for our listeners in their journey in the scriptures? Of course. Let's go ahead and pray. Heavenly God, we come to you in prayer on this podcast episode and we ask that whoever's listening now in the future, in a couple years, where wherever we are, that, that we can be receptive to how you speak to us through scripture and through our [00:47:00] communities that help us see scripture. Let the spirit guide us as we dive into this sacred but sometimes confusing and complicated documents. Lord, I ask that you give us the wisdom to be able to rightly divide your word and to remain faithful even when our own preferences might wanna lean in a different direction. Lord, thank you so much for the ministry of this podcast. We pray that people continue to have healing and continue to find themselves in a better place, both in the world and with you spiritually. In Jesus' name, amen. Amen. Thank you so much for coming on the show. God bless you. Sure thing. God bless you. Thank you for listening to the Wounds of the Faithful Podcast. If this episode has been helpful [00:48:00] to you, please hit the subscribe button and tell a friend. You could connect with us at DSW Ministries dot org where you'll find our blog, along with our Facebook, Twitter, and our YouTube channel links. Hope to see you next week.

DescriptionDavid Diener, Assistant Professor of Education at Hillsdale College and president of The Alcuin Fellowship, joins Christopher Perrin to reflect on how a philosopher's training can become a vocational doorway into the renewal of classical education. Drawing from years in K–12 school leadership and now higher education, Diener describes why classical schools often foster unusually rich intellectual community—and why that matters in an age of academic fragmentation. He also introduces Hillsdale's Master of Arts in Classical Education (MACE), a program designed to address one of the movement's biggest bottlenecks: forming well-equipped teachers and administrators. The conversation highlights how enduring philosophical anchors—from Plato and Aristotle to Aquinas—can be translated into concrete classroom practice. Diener then traces the role of The Alcuin Fellowship in deepening the movement's historical and theoretical grounding, including its influence on The Liberal Arts Tradition. Finally, they look outward to the global growth of classical Christian education, including partnerships and training initiatives in Africa, such as the Rafiki Foundation, and expanding work across Latin America. David Diener has a forthcoming monograph in Spanish that will provide chapter-length essays on various aspects of classical Christian education. Additionally, he has an upcoming course on ClassicalU.com will release in the spring of 2026.Episode OutlineFrom philosophy to teaching: Diener's academic formation, early teaching experience abroad, and why education became his focusWhy classical schools attract scholars: the “faculty-of-friends” culture and how it can outpace typical undergraduate settingsHillsdale's MACE program: structure, distinctives, and the need for teacher formation at scaleThe Alcuin Fellowship: purpose, retreats, the “scholar-practitioner” model, and the ecosystem role it playsPublications and intellectual consolidation: how collaborative work helped birth The Liberal Arts Tradition by Kevin Clark, DLS, and Ravi Jain Global and Latin American growth: partnerships, conferences, and emerging networks across continentsKey Topics & TakeawaysFormation Through Practices: What we repeatedly do shapes what we love.Classical Schools as Intellectual Communities: Classical faculties often cultivate cross-disciplinary conversation and shared learning in ways that counter modern academic siloing.Theory-to-Practice Formation: Strong programs don't leave philosophy abstract—they press big ideas into classroom realities and school leadership decisions.The Teacher-Leader Pipeline is the Bottleneck: Sustainable growth depends on forming more capable teachers and administrators, not merely opening more schools.Why MACE is Built the Way it is: A shared core creates common language and vision; later specialization prepares teachers and leaders for distinct roles.Fellowship as Infrastructure for Renewal: The Alcuin Fellowship functions as a hub for scholar-practitioners who think deeply and serve schools faithfully.From Local Renewal to Global Opportunity: The movement's growth is increasingly international, with meaningful work underway in Africa and expanding initiatives in Latin America.Questions & DiscussionWhat kind of “fragmentation” have you experienced in education (or your own formation)?What practices have helped you move toward integration?Why might a classical school faculty create stronger intellectual friendship than many modern institutions?Compare your current context to a “lunch-table culture” where teachers learn together across disciplines. What would it take to cultivate that kind of shared learning where you are?What is the role of a fellowship (formal or informal) in renewing an educational tradition?Identify one fellowship function you most need: reading, conversation, research, mentoring, or mutual sharpening. What could be your next practical step to build that community?How should the classical renewal relate to other organizations and conferences in the movement?What do you hope conferences and associations provide beyond inspiration (formation, scholarship, standards, support)? How can leaders prevent “event energy” from replacing sustained local practice?What opportunities—and challenges—come with global growth of classical Christian education?Discuss the difference between exporting a model and serving a local culture with deep roots. What do “curriculum accessibility” and “teacher training resources” mean in practical terms?Suggested Reading & ResourcesThe Liberal Arts Tradition by Kevin Clark, DLS, and Ravi JainThe Liberal Arts Tradition (Audiobook) by Kevin Clark, DLS, and Ravi JainRafiki FoundationThe Rafiki Foundation PodcastAssociation of Classical Christian Schools (ACCS)Society for Classical Learning (SCL)Hillsdale CollegeHillsdale AcademyThe Alcuin FellowshipDr. Christopher Perrin on Substack 

Nous sommes le 1ᵉʳ janvier 1531, à Bruxelles. Marie de Hongrie est officiellement nommée gouvernante générale des Pays-Bas par son frère, l'empereur Charles Quint. Elle succède à sa tante, Marguerite d'Autriche, et prend ainsi les rênes d'un ensemble de provinces parmi les plus riches et les plus instables d'Europe. Fille de Philippe le beau et de Jeanne de Castille, dite « la folle », la jeune femme de vingt-cinq ans a été élevée entre la cour de Bourgogne et celle d'Espagne. Elle possède une solide culture humaniste et, veuve du Roi de Hongrie, elle a pu affuter son sens politique et militaire lors des conflits avec les Turcs. Sous la tutelle de son tout puissant frère, Marie va toutefois parvenir à s'imposer comme une dirigeante énergique, capable de tenir tête aux nobles régionaux comme aux puissances étrangères. Elle concentre son action sur trois axes majeurs : stabiliser les provinces, renforcer l'autorité centrale et préserver la paix intérieure. Elle modernise l'administration, soutient les finances publiques, encourage le commerce et veille à la défense des frontières, notamment face aux ambitions françaises. Jouant un rôle diplomatique non négligeable, négociant avec habileté pour éviter les guerres coûteuses, son gouvernement assurera aux Pays-Bas une période de relative prospérité et de cohésion. A l'instar des élites de l'époque, elle est une mécène qui protège les artistes, elle correspond avec Érasme et fait de sa cour un foyer intellectuel brillant. Après vingt-cinq ans de pouvoir, Marie de Hongrie se retire en 1555, laissant l'image d'une souveraine pragmatique, cultivée et tenace. Elle reste l'une des figures importantes de la Renaissance européenne, une femme qui sut gouverner avec intelligence dans un monde dominé par les hommes. Avec nous : Gilles Docquier, conservateur de la section d'Histoire régionale et domaniale au Domaine et Musée royal de Mariemont. Co-commissariat de l'exposition : Marie de Hongrie – Art et Pouvoir à la Renaissance ». Dirige le catalogue avec Jean-Marie Cauchies. Sujets traités : Marie de Hongrie, Leadership, diplomatie et vision, Europe, Charles Quint , Autriche, Philippe le beau, Jeanne de Castille Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Get on all fours and slurp the spilled beer from the cement, because we are back for our surprise eighth season of new/old Wie is de Mol episodes - and we're beginning the year by going all the way back to 2012's offering in Iceland & Spain! Over these nine weeks, three guys who are too old to do the 3am wake up call - Logan, Michael & Bindles - will be recapping and negotiating their way through everything that happened on another season with a very interesting backstory now built upon further by Renaissamce, beginning with the first episode and elimination of Marion. In this episode - we reveal why we didn't cover Renaissamce, Logan helps Michael plan a trip, we go through our summers, Michael has been to a premiere, Bindles feels left out, a years-long quest continues, there's some Traitors (Quebec) Talk, we explain how Fuzzy could have known (and been wrong) about this, William overstates the budget, Canada's new favourite dating show is announced, we decide who is dumb, blunt and famous respectively, some bingo ground rules are set, we explain how you can get us to do Australia 6, Logan has a unique complaint, Maarten tries to big brain this show, there's a fundamental problem with the bridge challenge, we find time for some movie reviews, Logan locks in his first suspicions of the season, we have a new sneaky mystery and Michael tries out a new outro. Thank you for listening - we will see you next week for Episode 2! Please note: This season is intended on being spoiler-free, so please watch the episodes along with us. As with our coverage of Seasons 9, 11, 14, 16 & 17, there are no spoilers due to Logan not having seen the season before. However, any season we have already covered (WIDM 9-11, 14, 16-25 and Renaissance; België 4-13) is fair game though.  This episode is supported by our friends over at Zencastr. Create your podcast today! Social Media: Facebook Twitter Instagram YouTube Bluesky Threads Patreon

In this week's episode of Spanish Loops, we look into one of the most fascinating and misunderstood artistic languages of the Iberian Peninsula: Mudejar art.Together with Fran, we explore how Mudejar emerged in Christian territories between the 12th and 16th centuries, shaped by Muslim artisans who continued working after the Christian reconquest. While often confused with Islamic or Arabic art, Mudejar is not a religious style but a cultural and architectural hybrid, blending Islamic decorative techniques with Christian Romanesque, Gothic, and later Renaissance structures.We break down the key differences between Arabic art, developed under Islamic rule from the 8th century onward and Mudejar art, which reused elements such as horseshoe arches, intricate tilework, wooden ceilings, and geometric patterns, but placed them in churches, palaces, and civic buildings commissioned by Christian patrons.Fran and I guide you through timelines, visual clues, and real examples across Spain, helping you understand when, where, and why these styles evolved the way they did. More importantly, we share how recognizing these differences changes the way you look at Spanish cities forever.This episode is not just about art history. It's about coexistence, adaptation, and the unique cultural DNA that defines Spain.Plug in, look closer, and let the walls speak.

//The Wire//2300Z January 12, 2026////ROUTINE////BLUF: IRANIAN PROTESTS CONTINUE AS PRESIDENT TRUMP REAFFIRMS AMERICAN INVOLVEMENT. VEHICLE RAMMING ATTACK REPORTED AT PROTEST IN LOS ANGELES. PROTESTS CONTINUE IN MINNEAPOLIS.// -----BEGIN TEARLINE------International Events-Middle East: The situation in Tehran remains tense as demonstrations continue. Over the weekend, pro-regime, pro-Ayatollah demonstrations were carried out, in opposition to the anti-regime protests which have been regular over the past two weeks.Analyst Comment: As one might expect, the pro-regime demonstrations have been covered extensively by Iranian state TV, so the true scale of these demonstrations is not known. The internet outage continues nationwide, so the wider context of how serious the overall situation is developing is hard to discern. In Washington, President Trump has made increasingly more substantial statements regarding American involvement, indicating that the United States may become more actively involved in overthrowing the government of Iran in the very near future. These statements have been understandably vague, however in the context of the current demonstrations this is probably the early indication and warning of another round of American strikes (or more direct involvement) at some point.-HomeFront-USA: Around the nation, various protests and states of civil unrest continued over the weekend, with some being more kinetic than others. Protests remained constant in the usual cities; Portland, Minneapolis, Manhattan, Philadelphia, Chicago, and Washington D.C. all were host to anti-ICE demonstrations.California: Anti-ICE protests continue state-wide, however other types of protests and demonstrations are underway, which have increased in severity over the past few days. In Los Angeles, a vehicle ramming attack was reported at an Iranian protest Sunday afternoon, which resulted in the wounding of several demonstrators. The demonstration itself was an anti-regime/pro-Shah protest, in support of overthrowing the Ayatollah. As demonstrators were marching up Veteran Avenue to the east of the Federal Building, one assailant drove a Uhaul truck north up Veteran Avenue, conducting a slow-speed ramming into the crowd, before coming to a halt at the corner of Rochester and Veteran Ave. After the vehicle came to a halt, the driver was detained by police, and has not yet been identified.Analyst Comment: This incident was a deliberate attack, as evidenced by the signage that had been affixed to the Uhaul truck by the attacker. Despite these signs, however, the motive remains unclear as the messages are contradictory. The attacker's signs referenced, anti-Shah, anti-regime, and anti-Ayatollah sentiments, so it's not really clear what ideology the attacker was trying to support. Nevertheless, the attack was conducted for ideological reasons, even if they aren't immediately clear at the moment.-----END TEARLINE-----Analyst Comments: In Minneapolis, a general state of unrest continued over the weekend, with various insurgent groups increasing the intensity of their efforts. Several independent journalists have been assaulted by the mobs at varying locations, as parts of the city descend into a state of lawlessness.Most of the violence has been contained to a few hotspots around the city. In the downtown area, the Renaissance and Hilton Hotels have remained under a state of unrest following the destruction caused by rioters over the weekend. Smaller, but more long-term protest sites have been established at these locations, in addition to the persistent protest that is ongoing at the Whipple Federal Building to the south of the city.This afternoon a riot broke out to the east of the Renee Good shooting site, at the corner of E 34th Street and Park Avenue. Rioters attacked ICE agents, which resulted in the deployment of te

Glory   Series - The Gospel of Luke   Jordan Rice   Luke 9:28-36   What you live for determines what holds you together.   Give to support the ministry of Renaissance Church: https://renaissancenyc.com/give   Keep up with Renaissance by filling out a connection card: https://renaissancenyc.ccbchurch.com/goto/forms/5/responses/new

AI didn't kill creativity — it buried it under a mountain of soulless slop. The boys are back with Jim Kukral, recovering politician, cancer survivor, proud Clevelander, and Admiral of the Cleveland Floaters — to torch the algorithmic apocalypse. From Coca-Cola's AI holiday ads to the coming “Chipotle Effect” (when robots make your burrito so perfect it finally creeps you out), Jim says humanity's last unfair advantage is… being human. So he quit his job and started throwing wild, screen-free boat parties on Lake Erie to prove it. Meanwhile, Chad asks the uncomfortable question:Are we really ready to fight back — or are we already too comfy with our AI girlfriends and digital cages? Laughter, existential dread, sweaty dance floors, and zero filters.This one hits different.

34-time Guinness World Record holder Adam Winrich joins Passion Pod to break down the real world of professional whip cracking—how a whip crack breaks the sound barrier, what it takes to set Guinness records, and what it was like appearing on Conan and America's Got Talent. Adam also shares wild travel stories (Australia, Italy, China), Renaissance festival life on the road, and how viral videos impact a performer's career. Follow Passion Pod: Website: https://passionpod.org Instagram: @passionpod TikTok: @passionpodofficial YouTube: Passion Pod

On this episode, Razib talks to returning guest, Francis Young, a historian who teaches at Oxford. Young specialises in the history of religion and belief from ancient times to the present day, and provides expert indexes for academic books and translates medieval and early modern Latin. He holds a PhD from Cambridge University and is the author, editor or co-author of over 20 books. On his last visit to the podcast, he discussed his book Pagans in the Early Modern Baltic, an account of the practices and persistence of Baltic paganism down to the 16th-century, the age of the Renaissance and Reformation. Today he discusses his new book, Silence of the Gods: The Untold History of Europe's Last Pagan Peoples. Razib and Young first discuss what it means to be "pagan" in a European context, first during Classical Antiquity, but more recently in Northern Europe down to the early modern period. Young discusses how it is difficult to understand and define paganism without reference to Christianity, which was a major force in shaping the nature of pagan religion in Northern Europe. Razib asks about the specific nature of northeast Baltic paganism, and in particular, the late survivals of pre-Christian religion among Lithuanians and Estonians, and the differences between the two groups. Young explains his understanding of different religious practices and the various forms of non-Christian practice that persisted among different groups, including mixed "creole" identities. Razib also inquires about the Mari El, a Finnic group in the Urals that might be the only continuously officially pagan people in Europe, as well as evidence Young reports that Estonian peasants were never truly fully Christianized.

durée : 00:58:00 - Avec philosophie - par : Géraldine Muhlmann, Nassim El Kabli - Dans sa découverte du Nouveau Monde, Montaigne s'interroge sur la notion de barbarie. En comparant les peuples dits "sauvages" aux Européens, il renverse les préjugés. Comment reconnaître l'autre comme autre, sans le réduire ? - réalisation : Nicolas Berger - invités : Bernard Sève Professeur émérite en esthétique et philosophie de l'art à l'université de Lille; Frank Lestringant Professeur de littérature française à l'université Paris-Sorbonne, spécialiste de la Renaissance

When Shakespeare called the sisters in Macbeth "weird," he did not mean what we mean by the word today. In early modern England, "weird" carried deep associations with fate, prophecy, and supernatural power—ideas rooted in classical mythology, medieval folklore, and Renaissance belief. In this episode of That Shakespeare Life, we explore what "weird" really meant in the 16th and early 17th centuries, and how that meaning reshapes our understanding of one of Shakespeare's most famous groups of characters. Joining me are Dr. Anne-Maree Wicks and Professor Laurie Johnson, co-authors of Weird Shakespeare: The Weird Sisters and Macbeth, whose research traces the shifting language, textual history, and performance traditions surrounding Macbeth's enigmatic sisters. Together, we examine why Shakespeare never actually uses the phrase "weird sisters" in the play itself, how early spellings like weyward complicate modern interpretations, and when editors began standardizing the word as "weird." We also explore whether these figures may originally have been understood as fairies or nymphs rather than witches—and how later historical events, including witch trials and changing beliefs about the supernatural, shaped how audiences came to see them. This conversation invites us to step back into Shakespeare's world, where language was fluid, meanings were unstable, and the boundary between fate, folklore, and fear was anything but clear.

Send us a textIn this solo episode of The Renaissance Podcast, I'm sharing 5 powerful (and very real) ways to stop being your own biggest obstacle in 2026—in your business, visibility, and leadership.If you're done waiting, overthinking, people-pleasing, or carrying everything alone, this episode is your permission slip to move differently this year.Here's what we cover:1. Stop Waiting for Perfect Progress beats perfection. Done and posted beats ideas stuck in drafts. 2026 is about momentum.2. Delegate & Trust Growth happens when you stop being the bottleneck. I share exactly what I outsource to my assistant—from meeting scheduling and sales tracking to calendar protection, appointments, and light Canva support. You don't need a full-time hire to get support, but you do get out of it what you put into it.3. Detach from Comparison If content consumption is making you feel behind, it's time to pause. Your lane. Your timing. Your story. Less scrolling, more creating.4. Embrace Failure as Data Every failure is feedback. I talk about auditing what didn't work in 2025, doing postmortems, and using slow seasons to be proactive instead of reactive. Failure isn't a stop sign—it's a compass.5. Prioritize CEO Energy Protect your time and energy. Say no more often. Be less available. Clarity fuels growth more than busyness ever will.If 2026 is your year to own your role, your time, and your vision, this episode is for you.Episode Partner: NexusPoint NexusPoint helps founders step out of operator mode through smarter systems and trusted global support—so you can delegate with confidence and protect your CEO energy. I personally work with NexusPoint and it's been key in reclaiming my time.Exclusive for listeners: NexusPoint is waiving their $500 recruiting fee.

Welcome back to RPGBOT.Podcast, where Ash is a Top GM™, Tyler is still emotionally processing Bastions, and Randall has discovered that Eberron finally lets you live your best divorced-dad-with-a-houseboat fantasy. In Part 2 of our review of Eberron: Forge of the Artificer, we leave the artificer workshop behind and dive headfirst into dragonmarked intrigue, mobile bastions, noir detectives, political backstabbing, and the deeply dangerous question: "What if my base could walk?" This episode contains airships, crime fiction, economic monopolies, and at least one moment where we realize the answer to most Eberron problems is "build a bigger construct." Show Notes In RPGBOT.Podcast – Eberron: Forge of the Artificer (Part 2), the hosts continue their in-depth review of the book by shifting focus away from the artificer class and into the broader Eberron ecosystem. This episode examines the character options beyond artificers, including dragonmarked feats, reworked species, and the lore implications of opening dragonmarks to wider character concepts. From there, the discussion moves into Bastions, including mobile bases like airships, lightning rail trains, and ships—raising important questions about gameplay practicality, narrative freedom, and whether your party should legally be allowed to own a war machine. The back half of the episode explores Eberron's storytelling frameworks, including noir-inspired Sharn inquisitives, dragonmarked house intrigue, and campaign structures built around politics, monopolies, and inevitable wars. Key Takeaways Dragonmarks are the backbone of this book. If you like dragonmarked houses, intrigue, and economic power struggles, this chapter delivers in spades. New species updates are a big win. Warforged as constructs, kalashtar as aberrations, and revamped korovar (half-elves) meaningfully impact gameplay and spell interactions. Dragonmark feats heavily favor spellcasters. Martials should be cautious—many benefits scale best with spellcasting. Mobile Bastions are conceptually excellent and mechanically… messy. Airships, trains, and ships are cool, but DMs will need to smooth the edges. Eberron leans hard into genre play. Noir detective stories, Renaissance-style intrigue, and political drama are clearly supported. High-level play quietly breaks old Eberron assumptions. The book embraces higher-level NPCs and epic conflicts, even if it bends earlier canon. Everything eventually leads to war. Political intrigue, dragonmarked monopolies, and bastions all point toward large-scale conflict—and that's very on-brand for Eberron. Welcome to the RPGBOT Podcast. If you love Dungeons & Dragons, Pathfinder, and tabletop RPGs, this is the podcast for you. Support the show for free: Rate and review us on Apple Podcasts, Spotify, or any podcast app. It helps new listeners find the best RPG podcast for D&D and Pathfinder players. Level up your experience: Join us on Patreon to unlock ad-free access to RPGBOT.net and the RPGBOT Podcast, chat with us and the community on the RPGBOT Discord, and jump into live-streamed RPG podcast recordings. Support while you shop: Use our Amazon affiliate link at https://amzn.to/3NwElxQ and help us keep building tools and guides for the RPG community. Meet the Hosts Tyler Kamstra – Master of mechanics, seeing the Pathfinder action economy like Neo in the Matrix. Randall James – Lore buff and technologist, always ready to debate which Lord of the Rings edition reigns supreme. Ash Ely – Resident cynic, chaos agent, and AI's worst nightmare, bringing pure table-flipping RPG podcast energy. Join the RPGBOT team where fantasy roleplaying meets real strategy, sarcasm, and community chaos. How to Find Us: In-depth articles, guides, handbooks, reviews, news on Tabletop Role Playing at RPGBOT.net Tyler Kamstra BlueSky: @rpgbot.net TikTok: @RPGBOTDOTNET Ash Ely Professional Game Master on StartPlaying.Games BlueSky: @GravenAshes YouTube: @ashravenmedia Randall James BlueSky: @GrimoireRPG Amateurjack.com Read Melancon: A Grimoire Tale (affiliate link) Producer Dan @Lzr_illuminati

Zach Kass is a global AI advisor and former head of go-to-market at OpenAI, where he led the teams responsible for sales, partnerships and customer success. He was at OpenAI when the company launched ChatGPT in 2022. Motley Fool contributors Rachel Warren and Rich Lumelleau talk to Kass about his new book, The Next Renaissance: AI and the Expansion of Human Potential. Host: Rachel Warren, Rich Lumulleau Guest: Zack Kass   Producer: Bart Shannon, Mac Greer  Advertisements are sponsored content and provided for informational purposes only. The Motley Fool and its affiliates (collectively, "TMF") do not endorse, recommend, or verify the accuracy or completeness of the statements made within advertisements. TMF is not involved in the offer, sale, or solicitation of any securities advertised herein and makes no representations regarding the suitability, or risks associated with any investment opportunity presented. Investors should conduct their own due diligence and consult with legal, tax, and financial advisors before making any investment decisions. TMF assumes no responsibility for any losses or damages arising from this advertisement. We're committed to transparency: All personal opinions in advertisements from Fools are their own. The product advertised in this episode was loaned to TMF and was returned after a test period or the product advertised in this episode was purchased by TMF. Advertiser has paid for the sponsorship of this episode Learn more about your ad choices. Visit megaphone.fm/adchoices

Dave Tourjé: You Have to Destroy What You Create to Become FreeWhen Dave Tourjé was two years old, he had a box of wooden blocks. Every day he'd dump them on the floor, stack them into towers of color, admire what he built—then destroy it and start over.That ritual never stopped.Tourjé is a painter, a punk rock musician, a skateboarder, and a founding member of the California Locos—a collective of LA artists who represent the city's raw, multicultural energy. When he sat down with me for Audio Signals Podcast, we talked about survival, rebellion, and what it really takes to stay free as an artist."You have to learn to destroy what you're creating to really become free," Tourjé told me. "Otherwise you're gonna be trapped by your own creation."He calls himself a lucky survivor of the eighties. Born in 1960, raised in Los Angeles, he hit the punk rock scene at 19, got his first skateboard at 7, and was riding swimming pools by the time urethane wheels made it possible. He studied art on scholarship but quit when they asked him to do papier-mâché in college. "That was third grade for me," he said. "I just said, fuck this. I'm outta here."He's the only practicing artist from that program.When galleries started selling his concrete and steel furniture around the world, Tourjé thought they'd embrace his paintings too. Instead, they told him to stick with what was selling. When collectors wanted commissioned work in different colors, he walked away. "I was not built to do it," he said. "So I bowed out."Instead of finding a patron, he built one. A construction company that runs without him—a machine that pays him without requiring him to owe anything to anyone. "It's going to be my patron," he explained. "It's a similar model, but without all the social implications."That freedom let him focus on the California Locos, a collective he assembled around 2011 with friends who were all leaders in their own corners of LA culture—surf, skate, street art, tattoo, photography. "We are basically Los Angeles," he said. "A very honest reflection."Their book, Renaissance and Rebellion, tells the story from the sixties to now. It's published by Drago in Rome and distributed internationally. They're currently showing at the California Surf Museum in Oceanside, with museum shows lined up for 2027 and Spain on the horizon.But the moment that stuck with me came at the end of our conversation. We talked about how musicians destroy as they create—every live performance disappears the moment it's played. "It's like painting a painting that as soon as you put it down and you go to get the next paint, the paint is gone."And when someone looks at his paintings and sees something he never intended? He doesn't correct them. "The story is the painting," he said. "As soon as the artist says what it's about, everybody has to abide by the rules."He refuses to impose meaning. Once he's done, he becomes an observer. The work is no longer his—it's an object from the past. He's already onto the next thing.That's what freedom looks like after a lifetime of rebellion.Stay tuned. Subscribe. And remember—we are all made of stories.-- Marco_______________________________________________________________________________________Audio Signals Podcast

durée : 00:56:01 - Very Good Trip - Aujourd'hui, avant-dernière étape, déjà, de notre voyage, durant laquelle nous allons explorer une des périodes les plus surprenantes du parcours qu'a suivi notre héros. Une des plus créatives de sa vie. - réalisé par : Stéphane Ronxin Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Fluent Fiction - Catalan: Art, Youth, and Heartbeats: A Museum Love Tale Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ca/episode/2026-01-10-08-38-20-ca Story Transcript:Ca: En un matí fred d'hivern, un grup d'estudiants de l'institut va arribar al Museu Nacional d'Art de Catalunya.En: On a cold winter morning, a group of high school students arrived at the Museu Nacional d'Art de Catalunya.Ca: Marc, un noi tranquil i amant de la història i l'art, caminava amb el cor bategant una mica més ràpid de l'habitual.En: Marc, a quiet boy and lover of history and art, walked with his heart beating slightly faster than usual.Ca: Estava emocionat i, al mateix temps, nerviós.En: He was excited and, at the same time, nervous.Ca: Avui volia impressionar Laia, la seva companya de classe.En: Today he wanted to impress Laia, his classmate.Ca: "Mira, Marc," va dir la Laia, apuntant amb curiositat a una escultura gòtica.En: "Look, Marc," said Laia, pointing curiously at a Gothic sculpture.Ca: Les seves paraules van tallar el silenci del museu com un raig de llum.En: Her words cut through the museum's silence like a beam of light.Ca: Ell somrigué, intentant mantenir la calma.En: He smiled, trying to stay calm.Ca: "És veritat que els artistes d'aquesta època només volien representar temes religiosos?"En: "Is it true that the artists of this era only wanted to portray religious themes?"Ca: Marc va inspirar profundament.En: Marc took a deep breath.Ca: "Sí... bé, en part," va començar, recordant el que havia llegit sobre l'art medieval.En: "Yes... well, partly," he began, remembering what he had read about medieval art.Ca: "Volien mostrar la seva devoció a Déu i també explicar històries als qui no sabien llegir.En: "They wanted to show their devotion to God and also tell stories to those who couldn't read.Ca: Però..." Va posar-se nerviós, conscient que podia perdre la seva atenció.En: But..." He got nervous, aware that he might lose her attention.Ca: La Núria, la professora que acompanyava els estudiants, els va escoltar de prop i va intervenir amb un somriure engrescador.En: Núria, the teacher accompanying the students, listened closely and intervened with an encouraging smile.Ca: "Molt bé, Marc.En: "Very good, Marc.Ca: Però recorda que l'art també reflectia la vida quotidiana i els valors de l'època."En: But remember that art also reflected the everyday life and values of the time."Ca: "És molt interessant," va dir la Laia.En: "That's very interesting," said Laia.Ca: "Què et sembla aquesta pintura, Marc?" Van aturar-se davant d'un gran llenç del Renaixement.En: "What do you think of this painting, Marc?" They stopped in front of a large Renaissance canvas.Ca: La Laia va somriure, i Marc va sentir el calor a les seves galtes.En: Laia smiled, and Marc felt the warmth on his cheeks.Ca: "Saps alguna cosa especial sobre ella?"En: "Do you know anything special about it?"Ca: El cor de Marc va començar a córrer.En: Marc's heart began to race.Ca: "Bé... l'art del Renaixement... eh, volia capturar la realitat amb precisió," va dir, vacil·lant.En: "Well... Renaissance art... uh, it wanted to capture reality with precision," he said, hesitating.Ca: "Està ple de detall i... eh... comitats... no, no, commutatives... oh!"En: "It's full of detail and... uh... commulations... no, no, commutatives... oh!"Ca: Laia va riure amb dolçor.En: Laia laughed sweetly.Ca: "Tranquil, Marc. M'agrada que t'esforcis.En: "Relax, Marc. I like that you try.Ca: Potser podríem preguntar a la Núria?"En: Maybe we could ask Núria?"Ca: Amb un sentiment de alleugeriment, Marc va acceptar l'ajuda.En: With a feeling of relief, Marc accepted the help.Ca: "Sí," va dir, formant un somriure amb confiança renovada.En: "Yes," he said, forming a smile with renewed confidence.Ca: "Núria, ens dones un cop de mà amb això?"En: "Núria, could you give us a hand with this?"Ca: "Per descomptat!" va dir la Núria, apropant-s'hi.En: "Of course!" said Núria, approaching.Ca: Els va parlar sobre l'evolució de les tècniques artístiques, la influència de la ciència i l'humanisme.En: She talked to them about the evolution of artistic techniques, the influence of science, and humanism.Ca: Marc i Laia escoltaven amb atenció, compartint mirades de complicitat.En: Marc and Laia listened attentively, sharing glances of complicity.Ca: Després d'aquell matí al museu, Marc va sentir que alguna cosa havia canviat.En: After that morning at the museum, Marc felt that something had changed.Ca: No només havia après més sobre l'art, sinó que havia après que no calia impressionar ningú.En: Not only had he learned more about art, but he had also learned that he didn't need to impress anyone.Ca: El seu esforç sincer ja era prou especial.En: His sincere effort was already special enough.Ca: La Laia ho apreciava, i això valia més que qualsevol coneixement.En: Laia appreciated it, and that was worth more than any knowledge.Ca: Junts, van prometre seguir aprenent i explorant les belleses de l'art, mà a mà, sota la llum tènue i càlida del museu.En: Together, they promised to keep learning and exploring the beauties of art, hand in hand, under the dim and warm light of the museum. Vocabulary Words:the morning: el matíthe heart: el corto beat: bategarthe breath: l'alèthe devotion: la devocióthe sculpture: l'esculturathe beam: el raigthe era: l'èpocato portray: representarthe teacher: la professorato intervene: intervenirencouraging: engrescadorthe painting: la pinturathe canvas: el llençthe warmth: el calorto hesitate: vacil·larto appreciate: apreciarthe influence: la influènciahumanism: l'humanismethe glance: la miradaattentively: amb atencióthe relief: l'alleugerimentthe effort: l'esforçthe silence: el silencito approach: apropant-s'hithe technique: la tècnicathe values: els valorscomplicity: la complicitatdim: tènueto explore: explorar

Fluent Fiction - Italian: Epic Discoveries: Giovanni's Renaissance Art Quest Find the full episode transcript, vocabulary words, and more:fluentfiction.com/it/episode/2026-01-10-23-34-02-it Story Transcript:It: Era una mattina fredda d'inverno a Firenze.En: It was a cold winter morning in Firenze.It: Giovanni camminava verso la Galleria degli Uffizi.En: Giovanni was walking towards the Galleria degli Uffizi.It: La Befana era appena passata, e la città era ancora piena di decorazioni e luci festose.En: La Befana had just passed, and the city was still full of decorations and festive lights.It: Giovanni era un appassionato storico dell'arte, specializzato nel Rinascimento.En: Giovanni was a passionate art historian, specializing in the Renaissance.It: Quel giorno, aveva un obiettivo chiaro: trovare un quadro specifico per il suo prossimo corso universitario.En: That day, he had a clear goal: to find a specific painting for his next university course.It: Era in cerca d'ispirazione per catturare l'attenzione dei suoi studenti.En: He was seeking inspiration to capture the attention of his students.It: Giunto agli Uffizi, la galleria era affollata.En: Having arrived at the Uffizi, the gallery was crowded.It: I turisti, incuranti del freddo, erano attratti dalle opere d'arte famose.En: Tourists, undeterred by the cold, were attracted to the famous works of art.It: Le sale con i soffitti alti erano piene di sussurri di ammirazione.En: The rooms with high ceilings were filled with whispers of admiration.It: Giovanni attraversava i corridoi con pazienza, cercando di evitare gruppi di persone che si fermavano davanti ai capolavori.En: Giovanni patiently made his way through the corridors, trying to avoid groups of people stopping in front of the masterpieces.It: Ma, ben presto, si accorse che il quadro che cercava non era al suo posto abituale.En: But soon, he realized that the painting he was looking for was not in its usual place.It: Rimase perplesso.En: He was puzzled.It: Non poteva tenere il suo corso senza parlare di quel dipinto.En: He couldn't conduct his course without discussing that painting.It: Decise di chiedere aiuto a un membro del personale del museo.En: He decided to ask for help from a museum staff member.It: Vide un curatore, Luca, con i capelli grigi e il sorriso gentile.En: He saw a curator, Luca, with gray hair and a gentle smile.It: "Buongiorno", disse Giovanni con tono speranzoso.En: "Good morning," Giovanni said hopefully.It: "Sto cercando un dipinto particolare che è stato spostato.En: "I am looking for a particular painting that has been moved.It: Può aiutarmi?"En: Can you help me?"It: Luca annuì comprensivo.En: Luca nodded understandingly.It: "Certo, oggi abbiamo spostato diversi quadri per una nuova installazione.En: "Of course, today we moved several paintings for a new installation.It: Ti accompagno a cercarlo."En: I'll help you find it."It: Seguendo Luca, Giovanni si rese conto che a volte chiedere aiuto era necessario.En: Following Luca, Giovanni realized that sometimes asking for help was necessary.It: Dopo aver attraversato diverse sale, si fermarono davanti al quadro tanto desiderato.En: After crossing several rooms, they stopped in front of the much-desired painting.It: Proprio lì, in tutta la sua bellezza rinascimentale.En: Right there, in all its Renaissance beauty.It: Era un'opera di una tale intensità che Giovanni si sentì subito ispirato.En: It was a work of such intensity that Giovanni immediately felt inspired.It: Le linee, i colori, il significato: tutto era perfetto per la sua lezione.En: The lines, the colors, the meaning: everything was perfect for his lesson.It: "Grazie infinite," disse a Luca, grato e pieno di entusiasmo rinnovato.En: "Thank you so much," he said to Luca, grateful and full of renewed enthusiasm.It: Lasciando la galleria, Giovanni sentì l'aria fredda sul viso.En: Leaving the gallery, Giovanni felt the cold air on his face.It: Era pronto per il suo prossimo corso, con nuove idee ardenti.En: He was ready for his next course, with burning new ideas.It: Tornando a casa, rifletté sulla giornata.En: On his way home, he reflected on the day.It: Aveva imparato l'importanza della pazienza e del chiedere aiuto.En: He had learned the importance of patience and asking for help.It: Con un sorriso, pensò al suo racconto, ora completo e pieno di nuove prospettive.En: With a smile, he thought about his narrative, now complete and full of new perspectives.It: E così il freddo giorno d'Epifania si trasformò in una giornata di scoperte e riflessioni per Giovanni, un vero miracolo dell'arte e del potere di condividere le conoscenze.En: And so, the cold Epifania day turned into a day of discoveries and reflections for Giovanni, a true miracle of art and the power of sharing knowledge. Vocabulary Words:the gallery: la galleriathe decoration: la decorazionethe lights: le lucithe historian: lo storicothe Renaissance: il Rinascimentothe inspiration: l'ispirazionethe ceiling: il soffittothe whisper: il sussurrothe admiration: l'ammirazionethe corridor: il corridoiothe masterpiece: il capolavorothe curator: il curatorethe smile: il sorrisothe installation: l'installazionethe painting: il quadrothe room: la salathe course: il corsothe theme: il temathe intensity: l'intensitàthe meaning: il significatothe enthusiasm: l'entusiasmothe air: l'ariathe idea: l'ideathe perspective: la prospettivathe miracle: il miracolothe knowledge: le conoscenzethe discovery: la scopertato inspire: inspirareto reflect: rifletterethe narrative: il racconto

Tell us what you think of the show! This Week in Cleantech is a weekly podcast covering the most impactful stories in clean energy and climate featuring Paul Gerke of Factor This and Tigercomm's Mike Casey.This week's episode features special guest Ivan Penn from The New York Times, who wrote about surging optimism for nuclear power in the U.S.This week's "Cleantecher of the Week" is Mariangela Hungria, a Brazilian agronomist and microbiologist who won the 2025 World Food Prize for her work on microbes that feed plants nitrogen, allowing farmers to cut fertilizer costs and pollution. This Week in Cleantech — January 9, 2026 Trump administration halts offshore wind projects from Virginia to New England, in major blow to clean power — POLITICOThe 4 Things Standing Between the U.S. and Venezuela's Oil — Heatmap NewsThe Positive Climate News You May Have Missed This Year — BloombergChina's BYD overtakes Tesla as world's top EV seller for first time — CNBCOptimism About Nuclear Energy Is Rising Again. Will It Last? — New York TimesWant to make a suggestion for This Week in Cleantech? Nominate the stories that caught your eye each week by emailing Paul.Gerke@clarionevents.com

This show has been flagged as Clean by the host. In our next look at the game mechanics for Civilization V we examine the topic of Science and how to win a Science victory. This is something that has been in Civilization from the very beginning, but in Civilization V there are some changes worth addressing. Playing Civilization V, Part 7 Science In most respects this is not all that different in Civ 5. Most of the techs are the same, there is a tech tree that is pretty similar, and you need to keep up in Science for any victory condition you are seeking. You may want to just beat your enemies into submission, but if you are using Chariots while they have Tanks, you aren't going to have success. But also it is obvious that if you are going for a Science victory, you need to really focus on this. So many of these tips should be followed for any victory condition, but should be mandatory if you are going for a Science victory. The mechanics of researching technologies is that you have to accumulate a certain amount of Science to discover a new technology, but this amount goes up over time, so you have be continuously looking to increase your output of Science to keep up. for instance, one of your first Techs would be Pottery, which has a cost of 35 Science. But in your Capital city you get 3 Science from your Palace, and let's say you have a population of 2, so you are generating 5 Science per turn. That means you will research Pottery in 7 turns. But the Education tech costs 485 Science, Astronomy costs 780, Scientific Theory costs 1650, Plastics 4700, and Particle Physics 6000. These are all key techs to advance your Science to a Science Victory. So you can see that you need to be continually increasing your Science. To start with, Population=Science. You get one Science for every one point of population. That does not, however, mean that you need to have a lot of cities to get there. 4-5 well developed cities are quite sufficient, and adding more cities can cause Unhappiness problems. Since higher population itself can cause Unhappiness there is no good reason to add to the problem. Buildings The next boost you can give to Science is by building city improvements. The first, which comes early in the game, is the Library, which is available once you research Writing. A Library boosts the Science output of a city by one Science for every two citizens (roughly a 50% boost, rounded down), so building those early pays off. Because advancing through the tech tree is a process of accumulating Science, the earlier you can get these boosts the better. The other population-based boost is the Public School (available when you research Scientific Theory), which also boosts Science by one for every two citizens, and also offers a Specialist slot for a Science Specialist. And since more population means more Science, the Granary (available when you research Pottery) is a good building because it helps to grow your population. There is one other building worth mentioning which is the Observatory (available when you discover Astronomy). It doesn't depend on population, but on location. You have to have a city that is located directly next to a Mountain to build this, but it adds 50% to the Science output of the city. Mountains are otherwise useless (unless you are the Incas), but if you want a Science boost and happen to see good location (the ideal spot is an isolated mountain that is not part of a mountain range so you don't lose farming and mining production) this can be great boost. Scientist Specialists You can at a certain point take some of your citizens out of the farming and mining and turn them into Specialists, but you have to have a slot for them, and those slots come in buildings as well. We've already mentioned Public Schools providing one slot. Universities (available when you discover Education) provide 2 slots, as well as boosting the city output of Science by 33%. The other Science building, which comes late in the game, is the Research Lab (available when you discover Plastics) which adds another Specialist slot, plus 4 Science, and then adds 50% to the Science Output of the city. It comes too late to help much in most of the Tech Tree, but is essential to research the Space techs, which are very expensive. Wonders The first one to try for is the Great Library. It gives you a free Library in the city, +3 Science per turn, and a free tech. Use the free tech to get an expensive tech like Philosophy. Oracle provides 1 Great Person Point per turn towards a Great Scientist. Hanging Gardens provides +6 Food per turn (boosting your population), and a free Garden which boosts your Great Person Points by 25%. Leaning Tower of Pisa increases your Great Person Points by 25% in all cities, plus a free Great Person of your choice when you build it. Porcelain Tower gives you +50% from Research Agreements, plus a free Great Scientist. and Hubble Space Telescope provides two Great Scientists, a free Spaceship Factory in the city where it was built, and +25% production for spaceship parts. All of the above are World Wonders, which means you are in competition with other players to build them, and only one player can be successful in each case, so you won't get them all. You can sometimes rush a World Wonder by “chopping”, i.e. using your workers to cut down Forests for added production, but you need to have high production cities to build Wonders in general. There is one National Wonder to focus on, though, the National College. Every player can build their own version of any National Wonder. The National College can be built only when you have a Library in every one of your cities. Your strategy should be to build it as soon as possible, so don't build more than 3-4 cities before you get to this. It gives you +3 Science, plus an increase of 50% in the Science output of the city you build it in. Great Scientists As you work on your Science you will accumulate Great Person Points towards getting a Great Scientist. Some wonder produce Great Person Points, and all of your Science Specialists produce Great Person Points as well. As these add up you will suddenly see a Great Scientist appear. In the early game, the best thing to do is use this Great Scientist to build an Academy. Move the GS to any tile within your city and create the Academy there. It will yield at least +8 Science, bu there are also modifiers that can add to that. The alternative which is better later in the game is to use the Great Scientist to get a free Tech discovery. The reason is that early in the game that +8 Science is very significant, and it can accumulate over time. Combine that with things like an Observatory and a University that increase the city output and it can add up nicely over time. But by perhaps the Medieval Era, and certainly the Renaissance Era, you start running out of time for that accumulation. Meanwhile, the techs have gotten so expensive that a free Tech is the better option. Research Agreements These become available once you research Education. You have to have a Declaration of Friendship with the other player to create one. You each put a certain amount of gold into the pot to fund the research, and after a period of time (usually 30 turns) you each get an amount of Science from it. The way it is calculated is based on the partner that produced the least amount of Science during the agreement. From a science standpoint if you are ahead in Science it probably won't benefit you to enter into the agreement. But it does build your relationship with the other player so I wouldn't avoid them altogether. If you are behind in Science it can help you, of course. Policies and Ideologies Given that you should probably be building tall (4-5 cities) instead of wide (8-12 cities), it makes sense to start out with Tradition instead of Liberty. But once you get to the Renaissance you will want to enable the Rationalism tree to maximize your Science. When you get to Ideologies, you have a choice to make. Ignore Autocracy as that is not a Science-oriented choice. If you have 3-5 cities, Freedom is the best Ideology because Specialists require less food (Civil Society), and have reduced Unhappiness (Universal Suffrage). With a wide strategy (more than 5 cities) Order starts to look better. Getting Worker's Faculties will give +25% Science from every Factory. Exploration and Techs Exploration is generally a good idea for a variety of reasons, but one to focus on here is the effect of meeting other players. In the first place, if you find other players who have researched techs you do not yet have, you can trade for them. You do this whenever possible. Remember, the other players will all be trading with each other anyway, so if you don't participate you will simply fall behind. If you have a nice tech and can trade it to just two other players, you will jump up two techs along the tech tree, and that can be huge. If you hold onto it as a secret, some other player will research it, and they will trade it and get that boost instead. So trade whenever you can. Another advantage is that when you discover that another player has a tech you don't have yet, your cost to research it goes down. Trade This is the next Science boost we will cover. when you set up a trade route with either another player or a City-State, one of the benefits can be an increase to your Science. The main benefit of trade routes is money, at least the way I play, so I will always start by looking for the best addition to my Treasury, but if I can choose between equivalent monetary rewards but one trade route offers more Science I might prefer that if I am going for a Science victory. Choosing an Empire There are many Empires you can play, and some of them are oriented to a Science victory. The two obvious choices are Babylon and Korea. Babylon gets a free Great Scientist when you discover Writing, which is very early, so you should use it to put down an Academy. And it earns Great Scientists 50% faster. Korea's advantage comes from +2 Science from all specialists and from all Great Person tile improvements, plus you get a tech boost each time a Science building or wonder is built in the Capital. Of course, you can win a Science victory with any Empire if you are careful about leveraging your Empire's strengths. For example, Venice and Portugal can rake in the gold in huge amounts, and you can buy a lot of stuff that way. Or with the Celts you generate a ton of Faith, and that can be used to buy buildings and Great Scientists with the right Social Policies. Conclusion This is just a quick overview of the Science path, and there is always more to learn. If you really want to dive into the Science options and get a Science Victory, the Civilization Fanatics site has a pretty good strategy guide at https://forums.civfanatics.com/threads/science-victory-guide-any-difficulty.530940/. Links: https://forums.civfanatics.com/threads/science-victory-guide-any-difficulty.530940/ https://www.palain.com/gaming/civilization-v/playing-civilization-v-part-7/ Provide feedback on this episode.

The rise of the Roman Republic was built on conquest and war, but also on the massively expanding economy of Italy as a whole and Rome in particular. What was it like to live through that, and what did an expanding economy actually mean?Patrick launched a brand-new history show! It's called Past Lives, and every episode explores the life of a real person who lived in the past. Subscribe now: https://bit.ly/PWPLAAnd don't forget, you can still get The Verge: Reformation, Renaissance, and Forty Years that Shook the World in hardcopy, ebook, or audiobook (read by Patrick) here: https://bit.ly/PWverge.Listen to new episodes 1 week early, to exclusive seasons 1 and 2, and to all episodes ad free with Wondery+. Join Wondery+ for exclusives, binges, early access, and ad free listening. Available in the Wondery App https://wondery.app.link/tidesofhistoryBe the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What began as an off-the-cuff observation turned into a full-blown conversation after listeners weighed in on the differences between Beyoncé's Renaissance film and Taylor Swift's End of an Era.In this episode, I unpack your comments and explore what might actually be driving the contrast — race, leadership style, perfectionism, collaboration, narrative choices, or something deeper.This isn't about competition. It's about power, perception, and how different women are allowed to move through the world — and be believed when they do.Let's talk about it.Also!  I want to know more about you.If you have a few minutes, take the listener survey below and tell me where you're listening from, what you want more of, and what conversations you want this show to explore next.Take my survey here!https://forms.gle/yf5XvCUGyDn9tYUZ7Subscribe for monthly bonus episodes:https://www.patreon.com/c/queenthingspodhttps://queenthings.substack.com/Join the conversation:TikTok -@queenthingspod⁠,⁠ @iam_kjmiller⁠YouTube - www.youtube.com/@iamkjmillerIG:⁠@kjmillerReferences:The Art of Loving - Album by Olivia Dean:https://open.spotify.com/album/0l8zYqoUeBYg47Gmevq9HZ?si=0Liwb4fUQBKtPHnHq2Op1QMy TikTok on End of an Era vs. the Renaissance Documentary:https://www.tiktok.com/@iam_kjmiller/video/7591937416143850765Taylor's End of an Era Docuseries:https://www.disneyplus.com/browse/entity-a948a435-fdcc-4cbe-b699-85dd62fec60bBeyoncé's Renaissance Documentary:https://en.wikipedia.org/wiki/Renaissance:_A_Film_by_Beyonc%C3%A9Ashley Tisdale's Article from The Cut:https://www.thecut.com/article/ashley-tisdale-french-mom-group-mean-girls-parenting.html@erica_mags TikTok about the article:https://www.tiktok.com/@erica_mags/video/7590906583794732319?lang=enGirl Get Up feat. SZA:https://open.spotify.com/track/2igNvPf7RLTZG688Mx8GtU?si=5dd8d1fe96454392

Jensen Huang Just Won IEEE's Highest Honor. The Reason Tells Us Everything About Where Tech Is Headed.IEEE announced Jensen Huang as its 2026 Medal of Honor recipient at CES this week. The NVIDIA founder joins a lineage stretching back to 1917—over a century of recognizing people who didn't just advance technology, but advanced humanity through technology.That distinction matters more than ever.I spoke with Mary Ellen Randall, IEEE's 2026 President and CEO, from the floor of CES Las Vegas. The timing felt significant. Here we are, surrounded by the latest gadgets and AI demonstrations, having a conversation about something deeper: what all this technology is actually for.IEEE isn't a small operation. It's the world's largest technical professional society—500,000 members across 190 countries, 38 technical societies, and 142 years of history that traces back to when the telegraph was connecting continents and electricity was the revolutionary new thing. Back then, engineers gathered to exchange ideas, challenge each other's thinking, and push innovation forward responsibly.The methods have evolved. The mission hasn't."We're dedicated to advancing technology for the benefit of humanity," Randall told me. Not advancing technology for its own sake. Not for quarterly earnings. For humanity. It sounds like a slogan until you realize it's been their operating principle since before radio existed.What struck me was her framing of this moment. Randall sees parallels to the Renaissance—painters working with sculptors, sharing ideas with scientists, cross-pollinating across disciplines to create explosive growth. "I believe we're in another time like that," she said. "And IEEE plays a crucial role because we are the way to get together and exchange ideas on a very rapid scale."The Jensen Huang selection reflects this philosophy. Yes, NVIDIA built the hardware that powers AI. But the Medal of Honor citation focuses on something broader—the entire ecosystem NVIDIA created that enables AI advancement across healthcare, autonomous systems, drug discovery, and beyond. It's not just about chips. It's about what the chips make possible.That ecosystem thinking matters when AI is moving faster than our ethical frameworks can keep pace. IEEE is developing standards to address bias in AI models. They've created certification programs for ethical AI development. They even have standards for protecting young people online—work that doesn't make headlines but shapes the digital environment we all inhabit."Technology is a double-edged sword," Randall acknowledged. "But we've worked very hard to move it forward in a very responsible and ethical way."What does responsible look like when everything is accelerating? IEEE's answer involves convening experts to challenge each other, peer-reviewing research to maintain trust, and developing standards that create guardrails without killing innovation. It's the slow, unglamorous work that lets the exciting breakthroughs happen safely.The organization includes 189,000 student members—the next generation of engineers who will inherit both the tools and the responsibilities we're creating now. "Engineering with purpose" is the phrase Randall kept returning to. People don't join IEEE just for career advancement. They join because they want to do good.I asked about the future. Her answer circled back to history: the Renaissance happened when different disciplines intersected and people exchanged ideas freely. We have better tools for that now—virtual conferences, global collaboration, instant communication. The question is whether we use them wisely.We live in a Hybrid Analog Digital Society where the choices engineers make today ripple through everything tomorrow. Organizations like IEEE exist to ensure those choices serve humanity, not just shareholder returns.Jensen Huang's Medal of Honor isn't just recognition of past achievement. It's a statement about what kind of innovation matters.Subscribe to the Redefining Society and Technology podcast. Stay curious. Stay human.My Newsletter? Yes, of course, it is here: https://www.linkedin.com/newsletters/7079849705156870144/Marco Ciappelli: https://www.marcociappelli.com/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Pendant plus de cinq siècles, ils n'étaient qu'une hypothèse, un détail mystérieux dans des carnets griffonnés à l'envers. Aujourd'hui, des chercheurs italiens viennent de confirmer leur existence : des tunnels souterrains conçus par Léonard de Vinci ont bien été découverts sous le château des Sforza, à Milan.Le Castello Sforzesco est l'un des symboles les plus imposants de la Renaissance italienne. Construit au XVe siècle par la puissante famille Sforza, il servait à la fois de résidence, de forteresse et de centre de pouvoir militaire. C'est précisément dans ce contexte que Léonard de Vinci arrive à Milan, vers 1482, au service du duc Ludovic le More. L'artiste n'est alors pas seulement peintre : il est aussi ingénieur militaire, architecte et stratège.Dans ses célèbres carnets, Léonard dessine des plans complexes de fortifications, de bastions… et de galeries souterraines. Longtemps, les historiens ont cru qu'il s'agissait de projets théoriques, voire de simples exercices intellectuels. Mais les technologies modernes ont changé la donne.En 2024, une équipe de chercheurs italiens a utilisé des techniques de radar à pénétration de sol, de scans laser et de modélisation 3D pour explorer les fondations du château. Les résultats sont sans appel : plusieurs galeries étroites et voûtées, situées à plusieurs mètres sous terre, correspondent précisément aux schémas de Léonard de Vinci. Certaines relient différentes parties du château, d'autres semblent mener vers l'extérieur des remparts.À quoi servaient ces tunnels ? Les hypothèses convergent vers un usage militaire et stratégique. Ces passages permettaient de déplacer des soldats discrètement, de ravitailler la forteresse en cas de siège, ou encore d'offrir une voie de fuite aux dirigeants. L'une des galeries pourrait même avoir été conçue pour permettre au duc de rejoindre rapidement les troupes stationnées à l'extérieur du château.Ce qui rend cette découverte fascinante, c'est la précision de Léonard de Vinci. Ses dessins, vieux de plus de 500 ans, se révèlent d'une exactitude remarquable, tant dans les proportions que dans l'orientation des structures. Ils confirment que Léonard ne se contentait pas d'imaginer : il concevait des ouvrages destinés à être construits et utilisés.Aujourd'hui encore, une grande partie de ces tunnels reste inaccessible au public, pour des raisons de sécurité et de conservation. Mais leur validation scientifique éclaire d'un jour nouveau le génie de Léonard de Vinci et rappelle que la Renaissance ne s'est pas seulement jouée sur les murs des palais, mais aussi sous terre, dans l'ombre des stratégies et de l'ingénierie.Une preuve de plus que, cinq siècles plus tard, Léonard de Vinci continue de révéler ses secrets. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Fluent Fiction - Catalan: Chance Encounter on La Rambla: An Artist's Rainy Renaissance Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ca/episode/2026-01-08-08-38-20-ca Story Transcript:Ca: La Rambla lluïa un aire màgic sota la pluja d'hivern.En: La Rambla had a magical air beneath the winter rain.Ca: Les llums dels aparadors reflectien sobre el paviment mullat, creant un mosaic de colors que captivava a tots els passejants.En: The shop window lights reflected on the wet pavement, creating a mosaic of colors that captivated all the passersby.Ca: Martí, un artista barceloní, seia sota una marquesina fora d'un cafè, protegint-se del xàfec sobtat.En: Martí, a Barcelona artist, sat under an awning outside a café, shielding himself from the sudden downpour.Ca: En Martí estava sumit en els seus pensaments, recordant la seva recent ruptura i com aquesta havia apagat la seva inspiració artística.En: Martí was lost in his thoughts, recalling his recent breakup and how it had dimmed his artistic inspiration.Ca: Al costat, una veu alegre el va treure dels seus pensaments.En: Beside him, a cheerful voice pulled him away from his thoughts.Ca: "Hola, et molesta si comparteixo el teu espai?" va preguntar Neus, una estudiant de literatura de Girona.En: "Hi, do you mind if I share your space?" asked Neus, a literature student from Girona.Ca: Ella estava de visita a la ciutat, il·lusionada per escriure assaigs de viatge.En: She was visiting the city, excited to write travel essays.Ca: Martí va assentir amb un somriure tímid, intentant centrar-se en el seu quadern d'esbossos.En: Martí nodded with a shy smile, trying to focus on his sketchbook.Ca: Però la mirada brillant de Neus i la seva energia positiva eren ineludibles.En: But Neus's bright gaze and her positive energy were inescapable.Ca: Va sentir-se impulsiu d'ensenyar-li els seus dibuixos de Barcelona sota la pluja.En: He felt impulsive to show her his drawings of Barcelona in the rain.Ca: Ella va mirar els seus esbossos amb admiració i curiositat.En: She looked at his sketches with admiration and curiosity.Ca: "És preciós," va dir Neus.En: "It's beautiful," said Neus.Ca: "Barcelona sota la pluja té una màgia especial, oi?"En: "Barcelona in the rain has a special magic, doesn't it?"Ca: En Martí va assentir, encara dubitatiu.En: Martí nodded, still hesitant.Ca: Però Neus va seguir parlant.En: But Neus continued talking.Ca: Li explicava la seva idea de captar històries inesperades en el seu viatge.En: She was explaining her idea of capturing unexpected stories on her trip.Ca: Compartien les seves anècdotes mentre la pluja seguia caient.En: They shared their anecdotes while the rain kept falling.Ca: A mesura que la pluja s'intensificava, també ho feia la seva conversa.En: As the rain intensified, so did their conversation.Ca: Martí li va explicar com la seva relació fallida havia ofuscat la seva creativitat, mentre Neus parlava de la seva passió per la narrativa.En: Martí told her how his failed relationship had clouded his creativity, while Neus spoke of her passion for storytelling.Ca: Tots dos van adonar-se que s'inspiraven mútuament.En: They both realized they inspired each other.Ca: Quan la pluja va parar, Martí i Neus sabien que havien creat un vincle especial.En: When the rain stopped, Martí and Neus knew they had created a special bond.Ca: Martí va sentir una nova onada d'inspiració, mentre Neus va decidir que valia la pena restar més temps a Barcelona per descobrir més històries.En: Martí felt a new wave of inspiration, while Neus decided it was worth staying in Barcelona longer to discover more stories.Ca: Van entrar al cafè per prendre un cafè i continuar parlant sobre la seva vida i els seus somnis.En: They entered the café to have coffee and continue talking about their lives and dreams.Ca: Martí comprenia que no sempre cal buscar la inspiració; sovint és davant nostre en les formes més inesperades.En: Martí understood that you don't always need to seek inspiration; it's often right in front of us in the most unexpected forms.Ca: Neus va entendre que una bona història no té límits.En: Neus understood that a good story has no limits.Ca: Va decidir quedar-se a Barcelona una mica més, per veure què més podia escriure.En: She decided to stay in Barcelona a little longer to see what more she could write about.Ca: I així, enmig de La Rambla brillant sota la pluja, Martí i Neus van trobar una connexió que els va enriquir a tots dos, recordant-los que les millors històries sovint són les que no busquem.En: And so, amidst La Rambla shining under the rain, Martí and Neus found a connection that enriched them both, reminding them that the best stories are often the ones we don't seek out. Vocabulary Words:the awning: la marquesinathe downpour: el xàfecthe breakup: la rupturathe sidewalk: el pavimentthe sketchbook: el quadern d'esbossosto shield: protegir-seto captivate: captivarhesitant: dubitatiuthe anecdotes: les anècdotessudden: sobtatthe connection: la connexióunexpected: inesperatimpulsive: impulsiurainy: plujósthe storyteller: el narrador/la narradorato enrich: enriquirto intensify: intensificar-sethe gaze: la miradathe inspiration: la inspiracióthe magic: la màgiato dim: apagarthe bond: el vinclethe mosaic: el mosaicto sketch: esbossarthe essay: l'assaigto comprehend: comprendrethe story: la històriato capture: captarthe reflection: el reflexthe storyteller's passion: la passió del narrador/de la narradora

The Beauty of Obedience   Carvens Lissaint   Acts 9:10–19   Obedience is an invitation not to follow rules, but to follow Jesus.   Give to support the ministry of Renaissance Church: https://renaissancenyc.com/give   Keep up with Renaissance by filling out a connection card: https://renaissancenyc.ccbchurch.com/goto/forms/5/responses/new

Martina Tellini is an Italian professional belly dancer, teacher, and choreographer known for her dynamic, powerful, and natural style. Born in Florence, she began her artistic path with music, singing, and acting before dedicating herself to dance. Martina trained extensively with leading figures of Oriental Dance, including Randa Kamel, Tito Seif, Yousry Sharif, and Wael Mansour, and went on to win numerous international competitions across Europe and Asia, as well as becoming a finalist at the prestigious Raqs of Course Festival in Cairo. She has performed, taught, and judged worldwide. Deeply committed to artistic individuality, Martina's teaching focuses on strong technique, unconventional choreography, and helping dancers discover their own unique voice. Alongside her belly dance career, she is also the president of the Renaissance dance association Il Lauro, performing historical dance across Italy and Europe.In this episode you will learn about:- Starting belly dance directly in festivals and masterclasses, not beginner classes- How progressing too fast can cost you foundational technique- When audience love can mask what you need to work on — but competition feedback exposes it- The role of choreography vs. improvisation at different career stages- How pregnancy reshaped priorities, body awareness, and paceShow Notes to this episode:Find Martina Tellini on Instagram, Youtube and Facebook. Details and training materials for the BDE castings are available at www.JoinBDE.comFollow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast

Les Enluminures podcasts transform the past into the present with untold stories, research, science, and histories of Medieval and Renaissance artworks through illuminating lectures, gallery talks, in-house research, and interviews with collectors and scholars. For our series Book of Hours Reimagined, Dr. Sandra Hindman welcomes Evelien Hauwaerts for a very special podcast episode. Together, they explore the exquisite and inspiring work Books of Hours, Books of Hope, delving into its artistry, historical significance, and the ways in which it reimagines the traditional devotional manuscript for a contemporary audience. Join us for an illuminating conversation that bridges past and present, offering fresh perspectives on this timeless treasure.   Cover image: © 2025 Hannibal Books / Simon & Schuster. Used for review/commentary.

From the January 5 Episode: A New Year's MVP Ballot, The Jokic Injury and a Jaylen Brown Renaissance, The Pistons and Their Possibilities

Winfield Bevins is an author, a visual artist, and the founding director of Creo Arts, a non-profit that exists to bring beauty, goodness, and truth to the world through the arts. His new book is How Beauty Will Save the World: Recovering the Power of the Arts for the Christian Life. In this episode, Winfield and Jonathan Rogers talk about how beauty will save the world. They also talk about a modern Renaissance of the arts, moving from beauty to truth, and making space for Sabbath rest.Support the show: https://therabbitroom.givingfuel.com/memberSee omnystudio.com/listener for privacy information.

What was the role of experimentation in early science? How did past scientific paradigms continue to influence current scientific discourse? What is the utility of understanding the history of science for modern scientists?Peter Dear is a professor emeritus of history at Cornell University, and the author of several books, including The World as We Know It: From Natural Philosophy to Modern Science and Discipline and Experience: The Mathematical Way in the Scientific Revolution.Greg and Peter discuss the evolution of science from natural philosophy, addressing how scientific progress is not simply a linear journey towards greater knowledge. Peter talks about the transformative periods like the Renaissance and the scientific revolution, and the debate over the definition and significance of terms like 'scientific revolution.' They also explore how today's scientific practices are deeply rooted in 19th-century developments. Their conversation also covers the historical context behind Newton's and Darwin's work among other famous scientists throughout history.*unSILOed Podcast is produced by University FM.*Episode Quotes:The two “registers” of science09:50: Science nowadays, and through the course of the last, well, developing over the last two centuries, really in the 19th and 20th centuries, science is still talked of as if it were a naturaln actual philosophy, even if that term is not used very much anymore. Science is sometimes regarded as something that is about understanding the universe, understanding the natural world as if it is an intellectual enterprise and just an intellectual enterprise. And at the same time, it is also regarded as something that is practically useful, practically valuable, and these two different registers for talking about science, I think, sort of ride alongside one another and switch back and forth depending on how it is that people want to represent any particular kind of knowledge.The birth of experimentation22:23: One of the things about experimentation, is that it was a matter of developing practices, procedures for generating knowledge claims about nature that were different from the ways in which experience had been used, particularly in Aristotelian or quasi-Aristotelian context, to talk about the behavior of nature. Experiments are a particular way of understanding what experience is useful for in making sense of the world.The twin dimensions of science40:30: I think all scientists have always relied on the twin dimensions of science, the fact that science can be regarded as an actual philosophy when it's talking about the way things are, and the fact that science can be regarded as, or talked about in terms of, instrumentality. When you are focusing on the capabilities, the practical capabilities, the particular ideas and procedures enable you to do, and at different times and places, scientists will sometimes play up the natural philosophy side of things and at other times play up the instrumentality side of things, depending on what it is interested in talking about at the time. But I think everyone, all scientists, regard those as both essential elements, so to speak, of what scientific inquiry is all about.Show Links:Recommended Resources:Scientific RevolutionFrancis BaconParacelsusAristotleNicolaus CopernicusGalileo GalileiIsaac NewtonRené DescartesRobert BoyleTaxonomyCharles LyellAlbert EinsteinThomas KuhnGuest Profile:Academia PapersProfessors Emeriti List at Cornell UniversityGuest Work:Amazon Author PageThe World as We Know It: From Natural Philosophy to Modern ScienceRevolutionizing the Sciences: European Knowledge in Transition, 1500-1700Revolutionizing the Sciences: European Knowledge and Its Ambitions, 1500-1700Discipline and Experience: The Mathematical Way in the Scientific RevolutionThe Intelligibility of Nature: How Science Makes Sense of the WorldMersenne and the Learning of the SchoolsResearchGate Page Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Episode: 1500 1500th episode and 2000 AD: A poor time to summarize.  Today, we reach a landmark.

Médecin originaire de Provence, Michel de Notre-Dame, s'est fait connaitre à la cour de Catherine de Médicis et dans le monde sous le nom de Nostradamus. Dans la seconde partie de son récit, Jean des Cars vous raconte comment cet homme, qui fascine encore de nos jours, a prédit nombre d'épisodes décisifs de la Renaissance. (rediffusion) Au Cœur de l'Histoire est un podcast Europe 1.- Présentation : Jean des Cars- Diffusion : Clara Ménard Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Runic writing carries connotations of magic and fantasy, but it was a widespread, useful, and long-lasting system of writing. Professor Tom Birkett has written a fantastic overview of runic writing that returns it to the real time and place in which it existed - Runes: A Concise History.Patrick launched a brand-new history show! It's called Past Lives, and every episode explores the life of a real person who lived in the past. Subscribe now: https://bit.ly/PWPLAAnd don't forget, you can still Get The Verge: Reformation, Renaissance, and Forty Years that Shook the World in hardcopy, ebook, or audiobook (read by Patrick) here: https://bit.ly/PWverge.Listen to new episodes 1 week early, to exclusive seasons 1 and 2, and to all episodes ad free with Wondery+. Join Wondery+ for exclusives, binges, early access, and ad free listening. Available in the Wondery App https://wondery.app.link/tidesofhistorySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.