Podcasts about early modern

Content Warning: This episode contains discussions of topics that may not be suitable for all audiences. Please listen with care.  In this episode, we explore the depictions of sex and sexuality in Shakespeare's A Midsummer Night's Dream. While this play (and many of Shakespeare's comedies) end with a hetero-normative marriage or three, we'll explore the depictions of queer sex in Early Modern literature and Shakespeare before diving into Early Modern England's fascination with bestiality and zoophilia.  Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast at patreon.com/shakespeareanyone Works referenced: BOEHRER, BRUCE THOMAS. “Bestial Buggery in A Midsummer Night's Dream.” The Production of English Renaissance Culture, edited by David Lee Miller et al., Cornell University Press, 1994, pp. 123–50. JSTOR, http://www.jstor.org/stable/10.7591/j.ctvr6970z.8. Accessed 29 Dec. 2022. Olson, Paul A. “A Midsummer Night's Dream and the Meaning of Court Marriage.” ELH, vol. 24, no. 2, 1957, pp. 95–119. JSTOR, https://doi.org/10.2307/2871824. Accessed 29 Dec. 2022. SANCHEZ, MELISSA E. “‘Use Me But as Your Spaniel': Feminism, Queer Theory, and Early Modern Sexualities.” PMLA, vol. 127, no. 3, 2012, pp. 493–511. JSTOR, http://www.jstor.org/stable/41616842. Accessed 29 Dec. 2022. Vanhoutte, Jacqueline. Age in Love: Shakespeare and the Elizabethan Court. University of Nebraska Press, 2019. Wyrick, Deborah Baker. “The Ass Motif in The Comedy of Errors and A Midsummer Night's Dream.” Shakespeare Quarterly, vol. 33, no. 4, 1982, pp. 432–48. JSTOR, https://doi.org/10.2307/2870124. Accessed 29 Dec. 2022.

Stephan Sanders-Faes is an historian of Central and Eastern Europe at the University of Bergen, Norway. He received his Ph.D. from the University of Graz in 2011 and obtained the Habilitation in Early Modern and Modern History from the University of Zurich in 2018. Before joining the Bergen faculty in 2020, he taught for ten years at the history departments at the Universities of Zurich and Fribourg, as well as held the István Deák Visiting Professorship in East Central European Studies at Columbia University in 2018. Stephan's research focuses on post-medieval Central and Eastern Europe (c. 1350-1850), with a particular interest in urban-rural relations, administrative, bureaucratic, and constitutional changes ("ABC history"), and state transformation — that is, the emergence, and change over time, of the European national state. He's the author of two books: Urban Elites of Zadar (2013); and Europas Habsburgisches Jahrhundert (2018). His next book will be Lordship and State Transformation: Bohemia and the Habsburg Monarchy from the Thirty Years War to the War of the Spanish Succession, expected in 2022.  He blogs on current events at https://fackel.substack.com. Fakel means “torch” in German. Currently, Stephan is investigating the diffusion of state authority into the rural periphery of Habsburg Lower Austria from the late eighteenth century to the advent of constitutional rule in 1860s, exploring the role of non-state actors as state-builders, the patterns of transition, and the social factors influencing them. His other contributions to the field includes consulting for the EU Commission's Research Executive Agency (Marie Curie-Skłodowska fellowships), the Polish National Science Centre (Narodowe Centrum Nauki), and the Swiss National Science Foundation, as well as serving on the international editorial board of Atti (published by the Center for Historical Research in Rovinj/Rovigo, Croatia), and as peer-reviewer for Annales: Histoire, Sciences Sociales, Archivio Veneto, and the Zeitschrift für Kunstgeschichte, among others. The KunstlerCast theme music is the beautiful Two Rivers Waltz written and performed by Larry Unger.

Hello and welcome to Medieval Murder, the podcast that brings all things gruesome and historical to the comfort of your own home or car or wherever it is you're listening from. My name is Hannah Purtymun and I'm here with my father Kevin Purtymun to discuss some of the most famous and infamous murders that took place in the Medieval and Early Modern periods. Today we will be discussing the Battle of North Inch and the Curse of Seath Mor.

Today, we have Dr. Ben Madley on the show. Benjamin Madley is a historian of Native America, the United States, and colonialism in world history. Born in Redding, California, he spent much of his childhood in Karuk Country near the Oregon border where he became interested in relations between colonizers and Indigenous people. Educated at Yale and Oxford, he writes about Native Americans as well as colonialism in Africa, Australia, and Europe, often applying a transnational and comparative approach. Yale University Press published his first book, An American Genocide: The United States and the California Indian Catastrophe, 1846-1873. Madley is currently co-editing The Cambridge World History of Genocide, Volume 2: Genocide in the Indigenous, Early Modern, and Imperial Worlds, 1535-1914(forthcoming, 2023), with historians Ned Blackhawk, Ben Kiernan, and Rebe Taylor. His current research explores Native American migration and labor in the making of the United States. Please enjoy our conversation.

Two stories from Celtic folklore of the things that lurk among us: witches that live in our home town, trolls that hold dance parties on the frozen wastes, and tiny, 1000-year-old fairy creatures who are buying drinks after work. The creature this week is the Giant of Smeeth, who would really like you to watch your language, please. ***Slight correction*** I mention that it is 9th century Scotland in the first story. It's...probably not? The stories are just kind of vaguely Medieval or Early Modern and it likely takes place in the late Middle Ages since witchcraft wasn't a capital offense in England until the 1500s.  The 9th century bit was part of a throwaway joke about margaritas at girl's night, but I thought it would be better to be more accurate. -- Membership: https://www.mythpodcast.com/membership -- Sponsor: This episode of Myths and Legends is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/myths and get on your way to being your best self.  -- Music: "The Ascent" by Chad Crouch "Down and Around" by Chad Crouch "October Shuffle" by Chad Crouch "Filesharer's Lament" by Chad Crouch "Running on Empty" by Chad Crouch

In April 1538 - to celebrate the birth of Prince Edward and the 30th anniversary of his reign - King Henry VIII began work on a royal palace in Surrey, designed to be unequalled as a celebration of the power and the grandeur of the Tudor dynasty: Nonsuch Palace.Henry spared no expense on the estate, spending nine years and £7.4 million in today's money on its construction. But less than 150 years later, the palace had been demolished by a mistress of King Charles II to pay off her debts.It wasn't until the summer of 1959 that Nonsuch Palace was excavated, by a team led by Professor Martin Biddle CBE. He joins Professor Suzannah Lipscomb in this episode of Not Just the Tudors, to talk about what they discovered about one of the great wonders of the Early Modern world.This episode was edited by Thomas Ntinas and produced by Rob Weinberg.For more Not Just The Tudors content, subscribe to our Tudor Tuesday newsletter here >If you'd like to learn even more, we have hundreds of history documentaries, ad free podcasts and audiobooks at History Hit - subscribe today! To download, go to Android > or Apple store > Hosted on Acast. See acast.com/privacy for more information.

On 30 January 1540, the Mexican Inquisition's trial of Pedro Ruiz Calderón began in New Spain. Calderón was a priest accused of using magic to find hidden gold, but what if that's exactly what a Spanish colonist was supposed to do?Researched, written, and produced by Corinne Wieben with the voice talent of Jack Krause and original music by Purple Planet.For more on Fray Juan de Zumárraga and the trial of Pedro Ruiz Calderón, check out Richard E. Greenleaf's Zumárraga and the Mexican Inquisition: 1536–1543 and John F. Chuchiak IV's The Inquisition in New Spain, 1536–1820.To hear more on heresy and sorcery trials in Latin America, check out Episode 29: The Good Angel.Episode sourcesSupport the showEnchantedPodcast.netFacebook/enchantedpodcastInstagram/enchantedpodcastTumblr/enchantedpodcastTwitter/enchantedpod

Hello and welcome to Medieval Murder, the podcast that brings all things gruesome and historical to the comfort of your own home or car or wherever it is you're listening from. My name is Hannah Purtymun and I'm here with my father Kevin Purtymun to discuss some of the most famous and infamous murders that took place in the Medieval and Early Modern periods. Happy holidays from everyone here at Medieval Murder! Today we will be discussing a smattering of medieval murdered popes, a potential series that could also be called, why you shouldn't choose the name John. If you have any listener questions, comments, or topic suggestions please feel free to reach our via our Twitter Account @MurderMedieval, our instagram account @MedievalMurder or via email at info.medievalmurder@gmail.com. Also, check out our new merch available on our website medievalmurder.org. For a limited time, until the end of January, we are offering a 15% discount for anyone who makes a purchase using the promo code MURDER. Happy New Year from all of us at Medieval Murder! Tune in later for our next podcast.

The Heirs of Vijayanagara: Court Politics in Early Modern South India by Lennart Bes is a comparative study investigating court politics in four kingdoms that succeeded the south Indian Vijayanagara empire during the 16th to 18th centuries: Ikkeri, Tanjavur, Madurai, and Ramnad. Building on a combination of unexplored Indian texts and Dutch archival records, this research offers a new analysis of political culture, power relations, and dynastic developments. The monograph provides detailed facts and insights that contest existing scholarship. By highlighting their competitive, fluid, and dynamic nature, it undermines the historiography viewing these courts as harmonic, hierarchic, and static. Far from being remote, ritualised figures, we find kings and Brahmins contesting with other courtiers for power. At the same time, by stressing continuities with the past, this study questions recent scholarship that perceives a fundamentally new form of Nayaka kingship. Thus, this research has important repercussions for the way we perceive both these kingdoms and their ‘medieval' precursors. In this episode of BIC Talks author Anirudh Kanisetti speaks to Indologist and author Lennart Bes. Subscribe to the BIC Talks Podcast on your favourite podcast app! BIC Talks is available everywhere, including iTunes, Spotify, Google Podcasts, Castbox, Overcast and Stitcher.  

Scripts of Blackness: Early Modern Performance Culture and the Making of Race (U Pennsylvania Press, 2022) shows how the early modern mass media of theatre and performance culture at-large helped turn blackness into a racial category, that is, into a type of difference justifying emerging social hierarchies and power relations in a new world order driven by colonialism and capitalism. In this book, Noémie Ndiaye explores the techniques of impersonation used by white performers to represent Afro-diasporic people in England, France, and Spain in the sixteenth and seventeenth centuries, using a comparative and transnational framework. She reconstructs three specific performance techniques--black-up (cosmetic blackness), blackspeak (acoustic blackness), and black dances (kinetic blackness)--in order to map out the poetics of those techniques, and track a number of metaphorical strains that early modern playtexts regularly associated with them. Those metaphorical strains, the titular scripts of blackness of this book, operated across national borders and constituted resources, as they provided spectators and participants with new ways of thinking about the Afro-diasporic people who lived or could/would ultimately live in their midst. Those scripts were often gendered and hinged on notions of demonization, exclusion, exploitation, animalization, commodification, sexualization, consensual enslavement, misogynoir, infantilization, and evocative association with other racialized minorities. Scripts of Blackness attempts to grasp the stories that Western Europeans told themselves through performative blackness, and the effects of those fictions on early modern Afro-diasporic subjects. Daniela Gutiérrez Flores is a Visiting Assistant Professor of Spanish Literature and Cultureat the Univeristy of California, Davis. She is interested in Food Studies, early modern history and literature, Latin American studies, and the history of material culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Scripts of Blackness: Early Modern Performance Culture and the Making of Race (U Pennsylvania Press, 2022) shows how the early modern mass media of theatre and performance culture at-large helped turn blackness into a racial category, that is, into a type of difference justifying emerging social hierarchies and power relations in a new world order driven by colonialism and capitalism. In this book, Noémie Ndiaye explores the techniques of impersonation used by white performers to represent Afro-diasporic people in England, France, and Spain in the sixteenth and seventeenth centuries, using a comparative and transnational framework. She reconstructs three specific performance techniques--black-up (cosmetic blackness), blackspeak (acoustic blackness), and black dances (kinetic blackness)--in order to map out the poetics of those techniques, and track a number of metaphorical strains that early modern playtexts regularly associated with them. Those metaphorical strains, the titular scripts of blackness of this book, operated across national borders and constituted resources, as they provided spectators and participants with new ways of thinking about the Afro-diasporic people who lived or could/would ultimately live in their midst. Those scripts were often gendered and hinged on notions of demonization, exclusion, exploitation, animalization, commodification, sexualization, consensual enslavement, misogynoir, infantilization, and evocative association with other racialized minorities. Scripts of Blackness attempts to grasp the stories that Western Europeans told themselves through performative blackness, and the effects of those fictions on early modern Afro-diasporic subjects. Daniela Gutiérrez Flores is a Visiting Assistant Professor of Spanish Literature and Cultureat the Univeristy of California, Davis. She is interested in Food Studies, early modern history and literature, Latin American studies, and the history of material culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Annie as she travels to Linlithgow Palace, the jewel of Scotland's Early Modern crown. Annie speaks to Nicki Scott, Senior Cultural Significance Advisor at Historic Environment Scotland, who describes what Linlithgow Palace would have been like several centuries past. We learn about the monarchs who lived in this spectacular palace. From the Great Hall to the chamber where Mary Queen of Scots was born, we imagine the power of this palace when it was standing strong.  Next, we meet Christa Gerdwilker, who is one of the leaders for High Level Masonry project currently underway across Historic Environment Scotland sites. Christa explains the cutting-edge inspections underway to protect the precious fabrics of Linlithgow and other historic buildings managed by Historic Environment Scotland. We get a behind-the-scenes glance into masonry conservation, and the increasingly important role conservators play in protecting historic buildings from the impact of climate change. How can we listen to the stones to understand how to save these monuments? What does it take to ensure Scotland's built heritage can withstand the coming centuries? 

Scripts of Blackness: Early Modern Performance Culture and the Making of Race (U Pennsylvania Press, 2022) shows how the early modern mass media of theatre and performance culture at-large helped turn blackness into a racial category, that is, into a type of difference justifying emerging social hierarchies and power relations in a new world order driven by colonialism and capitalism. In this book, Noémie Ndiaye explores the techniques of impersonation used by white performers to represent Afro-diasporic people in England, France, and Spain in the sixteenth and seventeenth centuries, using a comparative and transnational framework. She reconstructs three specific performance techniques--black-up (cosmetic blackness), blackspeak (acoustic blackness), and black dances (kinetic blackness)--in order to map out the poetics of those techniques, and track a number of metaphorical strains that early modern playtexts regularly associated with them. Those metaphorical strains, the titular scripts of blackness of this book, operated across national borders and constituted resources, as they provided spectators and participants with new ways of thinking about the Afro-diasporic people who lived or could/would ultimately live in their midst. Those scripts were often gendered and hinged on notions of demonization, exclusion, exploitation, animalization, commodification, sexualization, consensual enslavement, misogynoir, infantilization, and evocative association with other racialized minorities. Scripts of Blackness attempts to grasp the stories that Western Europeans told themselves through performative blackness, and the effects of those fictions on early modern Afro-diasporic subjects. Daniela Gutiérrez Flores is a Visiting Assistant Professor of Spanish Literature and Cultureat the Univeristy of California, Davis. She is interested in Food Studies, early modern history and literature, Latin American studies, and the history of material culture. Learn more about your ad choices. Visit megaphone.fm/adchoices

Scripts of Blackness: Early Modern Performance Culture and the Making of Race (U Pennsylvania Press, 2022) shows how the early modern mass media of theatre and performance culture at-large helped turn blackness into a racial category, that is, into a type of difference justifying emerging social hierarchies and power relations in a new world order driven by colonialism and capitalism. In this book, Noémie Ndiaye explores the techniques of impersonation used by white performers to represent Afro-diasporic people in England, France, and Spain in the sixteenth and seventeenth centuries, using a comparative and transnational framework. She reconstructs three specific performance techniques--black-up (cosmetic blackness), blackspeak (acoustic blackness), and black dances (kinetic blackness)--in order to map out the poetics of those techniques, and track a number of metaphorical strains that early modern playtexts regularly associated with them. Those metaphorical strains, the titular scripts of blackness of this book, operated across national borders and constituted resources, as they provided spectators and participants with new ways of thinking about the Afro-diasporic people who lived or could/would ultimately live in their midst. Those scripts were often gendered and hinged on notions of demonization, exclusion, exploitation, animalization, commodification, sexualization, consensual enslavement, misogynoir, infantilization, and evocative association with other racialized minorities. Scripts of Blackness attempts to grasp the stories that Western Europeans told themselves through performative blackness, and the effects of those fictions on early modern Afro-diasporic subjects. Daniela Gutiérrez Flores is a Visiting Assistant Professor of Spanish Literature and Cultureat the Univeristy of California, Davis. She is interested in Food Studies, early modern history and literature, Latin American studies, and the history of material culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Scripts of Blackness: Early Modern Performance Culture and the Making of Race (U Pennsylvania Press, 2022) shows how the early modern mass media of theatre and performance culture at-large helped turn blackness into a racial category, that is, into a type of difference justifying emerging social hierarchies and power relations in a new world order driven by colonialism and capitalism. In this book, Noémie Ndiaye explores the techniques of impersonation used by white performers to represent Afro-diasporic people in England, France, and Spain in the sixteenth and seventeenth centuries, using a comparative and transnational framework. She reconstructs three specific performance techniques--black-up (cosmetic blackness), blackspeak (acoustic blackness), and black dances (kinetic blackness)--in order to map out the poetics of those techniques, and track a number of metaphorical strains that early modern playtexts regularly associated with them. Those metaphorical strains, the titular scripts of blackness of this book, operated across national borders and constituted resources, as they provided spectators and participants with new ways of thinking about the Afro-diasporic people who lived or could/would ultimately live in their midst. Those scripts were often gendered and hinged on notions of demonization, exclusion, exploitation, animalization, commodification, sexualization, consensual enslavement, misogynoir, infantilization, and evocative association with other racialized minorities. Scripts of Blackness attempts to grasp the stories that Western Europeans told themselves through performative blackness, and the effects of those fictions on early modern Afro-diasporic subjects. Daniela Gutiérrez Flores is a Visiting Assistant Professor of Spanish Literature and Cultureat the Univeristy of California, Davis. She is interested in Food Studies, early modern history and literature, Latin American studies, and the history of material culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Scripts of Blackness: Early Modern Performance Culture and the Making of Race (U Pennsylvania Press, 2022) shows how the early modern mass media of theatre and performance culture at-large helped turn blackness into a racial category, that is, into a type of difference justifying emerging social hierarchies and power relations in a new world order driven by colonialism and capitalism. In this book, Noémie Ndiaye explores the techniques of impersonation used by white performers to represent Afro-diasporic people in England, France, and Spain in the sixteenth and seventeenth centuries, using a comparative and transnational framework. She reconstructs three specific performance techniques--black-up (cosmetic blackness), blackspeak (acoustic blackness), and black dances (kinetic blackness)--in order to map out the poetics of those techniques, and track a number of metaphorical strains that early modern playtexts regularly associated with them. Those metaphorical strains, the titular scripts of blackness of this book, operated across national borders and constituted resources, as they provided spectators and participants with new ways of thinking about the Afro-diasporic people who lived or could/would ultimately live in their midst. Those scripts were often gendered and hinged on notions of demonization, exclusion, exploitation, animalization, commodification, sexualization, consensual enslavement, misogynoir, infantilization, and evocative association with other racialized minorities. Scripts of Blackness attempts to grasp the stories that Western Europeans told themselves through performative blackness, and the effects of those fictions on early modern Afro-diasporic subjects. Daniela Gutiérrez Flores is a Visiting Assistant Professor of Spanish Literature and Cultureat the Univeristy of California, Davis. She is interested in Food Studies, early modern history and literature, Latin American studies, and the history of material culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Scripts of Blackness: Early Modern Performance Culture and the Making of Race (U Pennsylvania Press, 2022) shows how the early modern mass media of theatre and performance culture at-large helped turn blackness into a racial category, that is, into a type of difference justifying emerging social hierarchies and power relations in a new world order driven by colonialism and capitalism. In this book, Noémie Ndiaye explores the techniques of impersonation used by white performers to represent Afro-diasporic people in England, France, and Spain in the sixteenth and seventeenth centuries, using a comparative and transnational framework. She reconstructs three specific performance techniques--black-up (cosmetic blackness), blackspeak (acoustic blackness), and black dances (kinetic blackness)--in order to map out the poetics of those techniques, and track a number of metaphorical strains that early modern playtexts regularly associated with them. Those metaphorical strains, the titular scripts of blackness of this book, operated across national borders and constituted resources, as they provided spectators and participants with new ways of thinking about the Afro-diasporic people who lived or could/would ultimately live in their midst. Those scripts were often gendered and hinged on notions of demonization, exclusion, exploitation, animalization, commodification, sexualization, consensual enslavement, misogynoir, infantilization, and evocative association with other racialized minorities. Scripts of Blackness attempts to grasp the stories that Western Europeans told themselves through performative blackness, and the effects of those fictions on early modern Afro-diasporic subjects. Daniela Gutiérrez Flores is a Visiting Assistant Professor of Spanish Literature and Cultureat the Univeristy of California, Davis. She is interested in Food Studies, early modern history and literature, Latin American studies, and the history of material culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Scripts of Blackness: Early Modern Performance Culture and the Making of Race (U Pennsylvania Press, 2022) shows how the early modern mass media of theatre and performance culture at-large helped turn blackness into a racial category, that is, into a type of difference justifying emerging social hierarchies and power relations in a new world order driven by colonialism and capitalism. In this book, Noémie Ndiaye explores the techniques of impersonation used by white performers to represent Afro-diasporic people in England, France, and Spain in the sixteenth and seventeenth centuries, using a comparative and transnational framework. She reconstructs three specific performance techniques--black-up (cosmetic blackness), blackspeak (acoustic blackness), and black dances (kinetic blackness)--in order to map out the poetics of those techniques, and track a number of metaphorical strains that early modern playtexts regularly associated with them. Those metaphorical strains, the titular scripts of blackness of this book, operated across national borders and constituted resources, as they provided spectators and participants with new ways of thinking about the Afro-diasporic people who lived or could/would ultimately live in their midst. Those scripts were often gendered and hinged on notions of demonization, exclusion, exploitation, animalization, commodification, sexualization, consensual enslavement, misogynoir, infantilization, and evocative association with other racialized minorities. Scripts of Blackness attempts to grasp the stories that Western Europeans told themselves through performative blackness, and the effects of those fictions on early modern Afro-diasporic subjects. Daniela Gutiérrez Flores is a Visiting Assistant Professor of Spanish Literature and Cultureat the Univeristy of California, Davis. She is interested in Food Studies, early modern history and literature, Latin American studies, and the history of material culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Scripts of Blackness: Early Modern Performance Culture and the Making of Race (U Pennsylvania Press, 2022) shows how the early modern mass media of theatre and performance culture at-large helped turn blackness into a racial category, that is, into a type of difference justifying emerging social hierarchies and power relations in a new world order driven by colonialism and capitalism. In this book, Noémie Ndiaye explores the techniques of impersonation used by white performers to represent Afro-diasporic people in England, France, and Spain in the sixteenth and seventeenth centuries, using a comparative and transnational framework. She reconstructs three specific performance techniques--black-up (cosmetic blackness), blackspeak (acoustic blackness), and black dances (kinetic blackness)--in order to map out the poetics of those techniques, and track a number of metaphorical strains that early modern playtexts regularly associated with them. Those metaphorical strains, the titular scripts of blackness of this book, operated across national borders and constituted resources, as they provided spectators and participants with new ways of thinking about the Afro-diasporic people who lived or could/would ultimately live in their midst. Those scripts were often gendered and hinged on notions of demonization, exclusion, exploitation, animalization, commodification, sexualization, consensual enslavement, misogynoir, infantilization, and evocative association with other racialized minorities. Scripts of Blackness attempts to grasp the stories that Western Europeans told themselves through performative blackness, and the effects of those fictions on early modern Afro-diasporic subjects. Daniela Gutiérrez Flores is a Visiting Assistant Professor of Spanish Literature and Cultureat the Univeristy of California, Davis. She is interested in Food Studies, early modern history and literature, Latin American studies, and the history of material culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Scripts of Blackness: Early Modern Performance Culture and the Making of Race (U Pennsylvania Press, 2022) shows how the early modern mass media of theatre and performance culture at-large helped turn blackness into a racial category, that is, into a type of difference justifying emerging social hierarchies and power relations in a new world order driven by colonialism and capitalism. In this book, Noémie Ndiaye explores the techniques of impersonation used by white performers to represent Afro-diasporic people in England, France, and Spain in the sixteenth and seventeenth centuries, using a comparative and transnational framework. She reconstructs three specific performance techniques--black-up (cosmetic blackness), blackspeak (acoustic blackness), and black dances (kinetic blackness)--in order to map out the poetics of those techniques, and track a number of metaphorical strains that early modern playtexts regularly associated with them. Those metaphorical strains, the titular scripts of blackness of this book, operated across national borders and constituted resources, as they provided spectators and participants with new ways of thinking about the Afro-diasporic people who lived or could/would ultimately live in their midst. Those scripts were often gendered and hinged on notions of demonization, exclusion, exploitation, animalization, commodification, sexualization, consensual enslavement, misogynoir, infantilization, and evocative association with other racialized minorities. Scripts of Blackness attempts to grasp the stories that Western Europeans told themselves through performative blackness, and the effects of those fictions on early modern Afro-diasporic subjects. Daniela Gutiérrez Flores is a Visiting Assistant Professor of Spanish Literature and Cultureat the Univeristy of California, Davis. She is interested in Food Studies, early modern history and literature, Latin American studies, and the history of material culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Scripts of Blackness: Early Modern Performance Culture and the Making of Race (U Pennsylvania Press, 2022) shows how the early modern mass media of theatre and performance culture at-large helped turn blackness into a racial category, that is, into a type of difference justifying emerging social hierarchies and power relations in a new world order driven by colonialism and capitalism. In this book, Noémie Ndiaye explores the techniques of impersonation used by white performers to represent Afro-diasporic people in England, France, and Spain in the sixteenth and seventeenth centuries, using a comparative and transnational framework. She reconstructs three specific performance techniques--black-up (cosmetic blackness), blackspeak (acoustic blackness), and black dances (kinetic blackness)--in order to map out the poetics of those techniques, and track a number of metaphorical strains that early modern playtexts regularly associated with them. Those metaphorical strains, the titular scripts of blackness of this book, operated across national borders and constituted resources, as they provided spectators and participants with new ways of thinking about the Afro-diasporic people who lived or could/would ultimately live in their midst. Those scripts were often gendered and hinged on notions of demonization, exclusion, exploitation, animalization, commodification, sexualization, consensual enslavement, misogynoir, infantilization, and evocative association with other racialized minorities. Scripts of Blackness attempts to grasp the stories that Western Europeans told themselves through performative blackness, and the effects of those fictions on early modern Afro-diasporic subjects. Daniela Gutiérrez Flores is a Visiting Assistant Professor of Spanish Literature and Cultureat the Univeristy of California, Davis. She is interested in Food Studies, early modern history and literature, Latin American studies, and the history of material culture. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

with Justin Stearns hosted by Shireen Hamza and Taylor Moore | When you think of the history of science, what people and places come to mind? Scientific knowledge production flourished in early modern Morocco, and not in the places you might expect. This episode transports us into the intellectual and social worlds of Sufi lodges (zawāya) in seventeenth-century Morocco. Our guest, Justin Stearns, guides us through scholarly and educational landscapes far removed from the imperial urban centers of Fez and Marrakech. We discuss his new book, Revealed Sciences, which examines the development of the natural sciences through close study of works produced by rural Sufi scholars. Challenging the idea that the early modern period was one of intellectual decline, Stearns reveals the vibrant multi-ethnic, intellectual networks of the early modern Maghreb and the implications of their story for the history of science and the writing of history. We speak about paper mâché astrolabes, Borgesian fantasies, resisting the lure of triumphant narratives, and the importance of failure for creativity and innovation. « Click for More »

The Lost History of Cosmopolitanism: The Early Modern Origins of the Intellectual Ideal (Bloomsbury, 2020) challenges our most basic assumptions about the history of an ideal at the heart of modernity. Beginning in antiquity and continuing through to today, Leigh T.I. Penman examines how European thinkers have understood words like 'kosmopolites', 'cosmopolite', 'cosmopolitan' and its cognates. The debates over their meanings show that there has never been a single, stable cosmopolitan concept, but rather a range of concepts-sacred and secular, inclusive and exclusive-all described with the cosmopolitan vocabulary. While most scholarly attention in the history of cosmopolitanism has focussed on Greek and Roman antiquity or the Enlightenments of the 18th century, this book shows that the crucial period in the evolution of modern cosmopolitanism was early modernity. Between 1500 and 1800 philosophers, theologians, cartographers, jurists, politicians, alchemists and heretics all used this vocabulary, shedding ancient associations, and adding new ones at will. The chaos of discourses prompted thinkers to reflect on the nature of the cosmopolitan ideal, and to conceive of an abstract 'cosmopolitanism' for the first time. This meticulously researched book provides the first intellectual history of an overlooked period in the evolution of a core ideal. As such, The Lost History of Cosmopolitanism is an essential work for anyone seeking a contextualised understanding of cosmopolitanism today. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Lost History of Cosmopolitanism: The Early Modern Origins of the Intellectual Ideal (Bloomsbury, 2020) challenges our most basic assumptions about the history of an ideal at the heart of modernity. Beginning in antiquity and continuing through to today, Leigh T.I. Penman examines how European thinkers have understood words like 'kosmopolites', 'cosmopolite', 'cosmopolitan' and its cognates. The debates over their meanings show that there has never been a single, stable cosmopolitan concept, but rather a range of concepts-sacred and secular, inclusive and exclusive-all described with the cosmopolitan vocabulary. While most scholarly attention in the history of cosmopolitanism has focussed on Greek and Roman antiquity or the Enlightenments of the 18th century, this book shows that the crucial period in the evolution of modern cosmopolitanism was early modernity. Between 1500 and 1800 philosophers, theologians, cartographers, jurists, politicians, alchemists and heretics all used this vocabulary, shedding ancient associations, and adding new ones at will. The chaos of discourses prompted thinkers to reflect on the nature of the cosmopolitan ideal, and to conceive of an abstract 'cosmopolitanism' for the first time. This meticulously researched book provides the first intellectual history of an overlooked period in the evolution of a core ideal. As such, The Lost History of Cosmopolitanism is an essential work for anyone seeking a contextualised understanding of cosmopolitanism today. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Lost History of Cosmopolitanism: The Early Modern Origins of the Intellectual Ideal (Bloomsbury, 2020) challenges our most basic assumptions about the history of an ideal at the heart of modernity. Beginning in antiquity and continuing through to today, Leigh T.I. Penman examines how European thinkers have understood words like 'kosmopolites', 'cosmopolite', 'cosmopolitan' and its cognates. The debates over their meanings show that there has never been a single, stable cosmopolitan concept, but rather a range of concepts-sacred and secular, inclusive and exclusive-all described with the cosmopolitan vocabulary. While most scholarly attention in the history of cosmopolitanism has focussed on Greek and Roman antiquity or the Enlightenments of the 18th century, this book shows that the crucial period in the evolution of modern cosmopolitanism was early modernity. Between 1500 and 1800 philosophers, theologians, cartographers, jurists, politicians, alchemists and heretics all used this vocabulary, shedding ancient associations, and adding new ones at will. The chaos of discourses prompted thinkers to reflect on the nature of the cosmopolitan ideal, and to conceive of an abstract 'cosmopolitanism' for the first time. This meticulously researched book provides the first intellectual history of an overlooked period in the evolution of a core ideal. As such, The Lost History of Cosmopolitanism is an essential work for anyone seeking a contextualised understanding of cosmopolitanism today. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

The Lost History of Cosmopolitanism: The Early Modern Origins of the Intellectual Ideal (Bloomsbury, 2020) challenges our most basic assumptions about the history of an ideal at the heart of modernity. Beginning in antiquity and continuing through to today, Leigh T.I. Penman examines how European thinkers have understood words like 'kosmopolites', 'cosmopolite', 'cosmopolitan' and its cognates. The debates over their meanings show that there has never been a single, stable cosmopolitan concept, but rather a range of concepts-sacred and secular, inclusive and exclusive-all described with the cosmopolitan vocabulary. While most scholarly attention in the history of cosmopolitanism has focussed on Greek and Roman antiquity or the Enlightenments of the 18th century, this book shows that the crucial period in the evolution of modern cosmopolitanism was early modernity. Between 1500 and 1800 philosophers, theologians, cartographers, jurists, politicians, alchemists and heretics all used this vocabulary, shedding ancient associations, and adding new ones at will. The chaos of discourses prompted thinkers to reflect on the nature of the cosmopolitan ideal, and to conceive of an abstract 'cosmopolitanism' for the first time. This meticulously researched book provides the first intellectual history of an overlooked period in the evolution of a core ideal. As such, The Lost History of Cosmopolitanism is an essential work for anyone seeking a contextualised understanding of cosmopolitanism today. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Lost History of Cosmopolitanism: The Early Modern Origins of the Intellectual Ideal (Bloomsbury, 2020) challenges our most basic assumptions about the history of an ideal at the heart of modernity. Beginning in antiquity and continuing through to today, Leigh T.I. Penman examines how European thinkers have understood words like 'kosmopolites', 'cosmopolite', 'cosmopolitan' and its cognates. The debates over their meanings show that there has never been a single, stable cosmopolitan concept, but rather a range of concepts-sacred and secular, inclusive and exclusive-all described with the cosmopolitan vocabulary. While most scholarly attention in the history of cosmopolitanism has focussed on Greek and Roman antiquity or the Enlightenments of the 18th century, this book shows that the crucial period in the evolution of modern cosmopolitanism was early modernity. Between 1500 and 1800 philosophers, theologians, cartographers, jurists, politicians, alchemists and heretics all used this vocabulary, shedding ancient associations, and adding new ones at will. The chaos of discourses prompted thinkers to reflect on the nature of the cosmopolitan ideal, and to conceive of an abstract 'cosmopolitanism' for the first time. This meticulously researched book provides the first intellectual history of an overlooked period in the evolution of a core ideal. As such, The Lost History of Cosmopolitanism is an essential work for anyone seeking a contextualised understanding of cosmopolitanism today. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The Lost History of Cosmopolitanism: The Early Modern Origins of the Intellectual Ideal (Bloomsbury, 2020) challenges our most basic assumptions about the history of an ideal at the heart of modernity. Beginning in antiquity and continuing through to today, Leigh T.I. Penman examines how European thinkers have understood words like 'kosmopolites', 'cosmopolite', 'cosmopolitan' and its cognates. The debates over their meanings show that there has never been a single, stable cosmopolitan concept, but rather a range of concepts-sacred and secular, inclusive and exclusive-all described with the cosmopolitan vocabulary. While most scholarly attention in the history of cosmopolitanism has focussed on Greek and Roman antiquity or the Enlightenments of the 18th century, this book shows that the crucial period in the evolution of modern cosmopolitanism was early modernity. Between 1500 and 1800 philosophers, theologians, cartographers, jurists, politicians, alchemists and heretics all used this vocabulary, shedding ancient associations, and adding new ones at will. The chaos of discourses prompted thinkers to reflect on the nature of the cosmopolitan ideal, and to conceive of an abstract 'cosmopolitanism' for the first time. This meticulously researched book provides the first intellectual history of an overlooked period in the evolution of a core ideal. As such, The Lost History of Cosmopolitanism is an essential work for anyone seeking a contextualised understanding of cosmopolitanism today. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This lecture was given on October 14, 2022 as part of the Fall Thomistic Circles conference, "Life in the Cosmos: Contemporary Science, Philosophy, and Theology on the Origin and Persistence of Life on Earth(and Beyond?)." The two-day conference at the Dominican House of Studies in Washington, D.C. featured a stellar, cross-disciplinary lineup of speakers: scientists Jonathan Lunine (Cornell University) and Maureen Condic (University of Utah), philosopher Christopher Frey (University of South Carolina), and theologian Fr. Mauriusz Tabaczek, O.P. (Angelicum). This conference is part of the Thomistic Institute's Scientia Project. For more information on upcoming events, visit thomisticinstitute.org About the speaker: Christopher Frey is an associate professor in the department of philosophy at the University of South Carolina. Prof. Frey works primarily in Ancient Greek philosophy, especially Aristotle's natural philosophy and metaphysics. He is writing a book entitled The Principle of Life: Aristotelian Souls in an Inanimate World. It concerns the distinction between the animate and the inanimate, the unity of living organisms, nutrition, birth, death, and, more generally, what one's metaphysical worldview looks like if one takes life to be central. He also works in contemporary philosophy of perception and mind and has written extensively on the relationship between the intentionality and phenomenality of perceptual experience. In addition to these two main areas of research, he has secondary projects in metaphysics, the philosophy of action, Medieval philosophy, Early Modern philosophy, and the history of analytic philosophy.

While the loss of sight—whether in early modern Japan or now—may be understood as a disability, blind people in the Tokugawa period (1600–1868) could thrive because of disability. The blind of the era were prominent across a wide range of professions, and through a strong guild structure were able to exert contractual monopolies over certain trades. Blind in Early Modern Japan: Disability, Medicine, and Identity (U Michigan Press, 2022) illustrates the breadth and depth of those occupations, the power and respect that accrued to the guild members, and the lasting legacy of the Tokugawa guilds into the current moment. The book illustrates why disability must be assessed within a particular society's social, political, and medical context, and also the importance of bringing medical history into conversation with cultural history. A Euro-American-centric disability studies perspective that focuses on disability and oppression, the author contends, risks overlooking the unique situation in a non-Western society like Japan in which disability was constructed to enhance blind people's power. He explores what it meant to be blind in Japan at that time, and what it says about current frameworks for understanding disability. Glossary of foreign words/names: Zatōichi (a blind fictional hero) Kyokutei Bakin (a writer/author) Heike (a genre)  Biwa (a musical instrument) Koto< (a musical instrument)  Shamisen (a musical instrument) Ogino Chiichi (a blind musician) Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

While the loss of sight—whether in early modern Japan or now—may be understood as a disability, blind people in the Tokugawa period (1600–1868) could thrive because of disability. The blind of the era were prominent across a wide range of professions, and through a strong guild structure were able to exert contractual monopolies over certain trades. Blind in Early Modern Japan: Disability, Medicine, and Identity (U Michigan Press, 2022) illustrates the breadth and depth of those occupations, the power and respect that accrued to the guild members, and the lasting legacy of the Tokugawa guilds into the current moment. The book illustrates why disability must be assessed within a particular society's social, political, and medical context, and also the importance of bringing medical history into conversation with cultural history. A Euro-American-centric disability studies perspective that focuses on disability and oppression, the author contends, risks overlooking the unique situation in a non-Western society like Japan in which disability was constructed to enhance blind people's power. He explores what it meant to be blind in Japan at that time, and what it says about current frameworks for understanding disability. Glossary of foreign words/names: Zatōichi (a blind fictional hero) Kyokutei Bakin (a writer/author) Heike (a genre)  Biwa (a musical instrument) Koto< (a musical instrument)  Shamisen (a musical instrument) Ogino Chiichi (a blind musician) Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

While the loss of sight—whether in early modern Japan or now—may be understood as a disability, blind people in the Tokugawa period (1600–1868) could thrive because of disability. The blind of the era were prominent across a wide range of professions, and through a strong guild structure were able to exert contractual monopolies over certain trades. Blind in Early Modern Japan: Disability, Medicine, and Identity (U Michigan Press, 2022) illustrates the breadth and depth of those occupations, the power and respect that accrued to the guild members, and the lasting legacy of the Tokugawa guilds into the current moment. The book illustrates why disability must be assessed within a particular society's social, political, and medical context, and also the importance of bringing medical history into conversation with cultural history. A Euro-American-centric disability studies perspective that focuses on disability and oppression, the author contends, risks overlooking the unique situation in a non-Western society like Japan in which disability was constructed to enhance blind people's power. He explores what it meant to be blind in Japan at that time, and what it says about current frameworks for understanding disability. Glossary of foreign words/names: Zatōichi (a blind fictional hero) Kyokutei Bakin (a writer/author) Heike (a genre)  Biwa (a musical instrument) Koto< (a musical instrument)  Shamisen (a musical instrument) Ogino Chiichi (a blind musician) Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

While the loss of sight—whether in early modern Japan or now—may be understood as a disability, blind people in the Tokugawa period (1600–1868) could thrive because of disability. The blind of the era were prominent across a wide range of professions, and through a strong guild structure were able to exert contractual monopolies over certain trades. Blind in Early Modern Japan: Disability, Medicine, and Identity (U Michigan Press, 2022) illustrates the breadth and depth of those occupations, the power and respect that accrued to the guild members, and the lasting legacy of the Tokugawa guilds into the current moment. The book illustrates why disability must be assessed within a particular society's social, political, and medical context, and also the importance of bringing medical history into conversation with cultural history. A Euro-American-centric disability studies perspective that focuses on disability and oppression, the author contends, risks overlooking the unique situation in a non-Western society like Japan in which disability was constructed to enhance blind people's power. He explores what it meant to be blind in Japan at that time, and what it says about current frameworks for understanding disability. Glossary of foreign words/names: Zatōichi (a blind fictional hero) Kyokutei Bakin (a writer/author) Heike (a genre)  Biwa (a musical instrument) Koto< (a musical instrument)  Shamisen (a musical instrument) Ogino Chiichi (a blind musician) Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

While the loss of sight—whether in early modern Japan or now—may be understood as a disability, blind people in the Tokugawa period (1600–1868) could thrive because of disability. The blind of the era were prominent across a wide range of professions, and through a strong guild structure were able to exert contractual monopolies over certain trades. Blind in Early Modern Japan: Disability, Medicine, and Identity (U Michigan Press, 2022) illustrates the breadth and depth of those occupations, the power and respect that accrued to the guild members, and the lasting legacy of the Tokugawa guilds into the current moment. The book illustrates why disability must be assessed within a particular society's social, political, and medical context, and also the importance of bringing medical history into conversation with cultural history. A Euro-American-centric disability studies perspective that focuses on disability and oppression, the author contends, risks overlooking the unique situation in a non-Western society like Japan in which disability was constructed to enhance blind people's power. He explores what it meant to be blind in Japan at that time, and what it says about current frameworks for understanding disability. Glossary of foreign words/names: Zatōichi (a blind fictional hero) Kyokutei Bakin (a writer/author) Heike (a genre)  Biwa (a musical instrument) Koto< (a musical instrument)  Shamisen (a musical instrument) Ogino Chiichi (a blind musician) Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices

While the loss of sight—whether in early modern Japan or now—may be understood as a disability, blind people in the Tokugawa period (1600–1868) could thrive because of disability. The blind of the era were prominent across a wide range of professions, and through a strong guild structure were able to exert contractual monopolies over certain trades. Blind in Early Modern Japan: Disability, Medicine, and Identity (U Michigan Press, 2022) illustrates the breadth and depth of those occupations, the power and respect that accrued to the guild members, and the lasting legacy of the Tokugawa guilds into the current moment. The book illustrates why disability must be assessed within a particular society's social, political, and medical context, and also the importance of bringing medical history into conversation with cultural history. A Euro-American-centric disability studies perspective that focuses on disability and oppression, the author contends, risks overlooking the unique situation in a non-Western society like Japan in which disability was constructed to enhance blind people's power. He explores what it meant to be blind in Japan at that time, and what it says about current frameworks for understanding disability. Glossary of foreign words/names: Zatōichi (a blind fictional hero) Kyokutei Bakin (a writer/author) Heike (a genre)  Biwa (a musical instrument) Koto< (a musical instrument)  Shamisen (a musical instrument) Ogino Chiichi (a blind musician) Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a pathbreaking new book, today's guest, Jennifer Eun-Jung Row, asks how delay and haste in early modern French theater subverts the temporality of heteronormative politics and sexuality. Professor Row is the author of Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage, published by Northwestern University Press in 2022. A Professor of French at the University of Minnesota, Professor Row serves as the co-chair of the Arts and Design and Humanities Imagine for the project "Dreaming up the Change Disability Makes" and leads the CLA Interdisciplinary Collaborative Workshop on “Refusing Disposability: Racial and Disability Justice Toward Another World.” Professor Row's scholarship has been supported by the National Endowment of the Humanities and a Solmsen Postdoctoral Fellowship from the University of Wisconsin-Madison. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In a pathbreaking new book, today's guest, Jennifer Eun-Jung Row, asks how delay and haste in early modern French theater subverts the temporality of heteronormative politics and sexuality. Professor Row is the author of Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage, published by Northwestern University Press in 2022. A Professor of French at the University of Minnesota, Professor Row serves as the co-chair of the Arts and Design and Humanities Imagine for the project "Dreaming up the Change Disability Makes" and leads the CLA Interdisciplinary Collaborative Workshop on “Refusing Disposability: Racial and Disability Justice Toward Another World.” Professor Row's scholarship has been supported by the National Endowment of the Humanities and a Solmsen Postdoctoral Fellowship from the University of Wisconsin-Madison. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

In a pathbreaking new book, today's guest, Jennifer Eun-Jung Row, asks how delay and haste in early modern French theater subverts the temporality of heteronormative politics and sexuality. Professor Row is the author of Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage, published by Northwestern University Press in 2022. A Professor of French at the University of Minnesota, Professor Row serves as the co-chair of the Arts and Design and Humanities Imagine for the project "Dreaming up the Change Disability Makes" and leads the CLA Interdisciplinary Collaborative Workshop on “Refusing Disposability: Racial and Disability Justice Toward Another World.” Professor Row's scholarship has been supported by the National Endowment of the Humanities and a Solmsen Postdoctoral Fellowship from the University of Wisconsin-Madison. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices

In a pathbreaking new book, today's guest, Jennifer Eun-Jung Row, asks how delay and haste in early modern French theater subverts the temporality of heteronormative politics and sexuality. Professor Row is the author of Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage, published by Northwestern University Press in 2022. A Professor of French at the University of Minnesota, Professor Row serves as the co-chair of the Arts and Design and Humanities Imagine for the project "Dreaming up the Change Disability Makes" and leads the CLA Interdisciplinary Collaborative Workshop on “Refusing Disposability: Racial and Disability Justice Toward Another World.” Professor Row's scholarship has been supported by the National Endowment of the Humanities and a Solmsen Postdoctoral Fellowship from the University of Wisconsin-Madison. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In a pathbreaking new book, today's guest, Jennifer Eun-Jung Row, asks how delay and haste in early modern French theater subverts the temporality of heteronormative politics and sexuality. Professor Row is the author of Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage, published by Northwestern University Press in 2022. A Professor of French at the University of Minnesota, Professor Row serves as the co-chair of the Arts and Design and Humanities Imagine for the project "Dreaming up the Change Disability Makes" and leads the CLA Interdisciplinary Collaborative Workshop on “Refusing Disposability: Racial and Disability Justice Toward Another World.” Professor Row's scholarship has been supported by the National Endowment of the Humanities and a Solmsen Postdoctoral Fellowship from the University of Wisconsin-Madison. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In a pathbreaking new book, today's guest, Jennifer Eun-Jung Row, asks how delay and haste in early modern French theater subverts the temporality of heteronormative politics and sexuality. Professor Row is the author of Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage, published by Northwestern University Press in 2022. A Professor of French at the University of Minnesota, Professor Row serves as the co-chair of the Arts and Design and Humanities Imagine for the project "Dreaming up the Change Disability Makes" and leads the CLA Interdisciplinary Collaborative Workshop on “Refusing Disposability: Racial and Disability Justice Toward Another World.” Professor Row's scholarship has been supported by the National Endowment of the Humanities and a Solmsen Postdoctoral Fellowship from the University of Wisconsin-Madison. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In a pathbreaking new book, today's guest, Jennifer Eun-Jung Row, asks how delay and haste in early modern French theater subverts the temporality of heteronormative politics and sexuality. Professor Row is the author of Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage, published by Northwestern University Press in 2022. A Professor of French at the University of Minnesota, Professor Row serves as the co-chair of the Arts and Design and Humanities Imagine for the project "Dreaming up the Change Disability Makes" and leads the CLA Interdisciplinary Collaborative Workshop on “Refusing Disposability: Racial and Disability Justice Toward Another World.” Professor Row's scholarship has been supported by the National Endowment of the Humanities and a Solmsen Postdoctoral Fellowship from the University of Wisconsin-Madison. John Yargo is Visiting Assistant Professor of English at Boston College. He holds a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts