Podcasts about Poland

H.W. Brands describes how, by the summer of 1939, the destruction of Poland by German and Soviet forces confirmed that war was imminent, prompting Roosevelt to invoke neutrality laws as required by Congress. Despite his desire for privacy, Lindbergh began using his celebrity status to secure national radio airtime, feeling a duty to prevent Americafrom repeating what he viewed as the "mistake" of the First World War. His father, a former congressman, had been driven out of politics for opposing American intervention in 1917, a legacy that instilled in Lindbergh a profound distrust of politics as a "mean business" where truth was rare. Lindbergh argued that Britain and France were launching a war they could not win and would eventually force the United States into a permanent presence in Europe. During this period, he consulted with figures like Herbert Hoover, who suggested forming a committee that would eventually become "America First," and visited the "House of Morgan" through his wife's family connections. British observers, such as Harold Nicolson, were less impressed, dismissing Lindbergh as a "schoolboy" who possessed technical talent but lacked a mature understanding of diplomacy and the complexities of governing a great empire. Lindbergh remained unfazed by British criticism, asserting that he was an American and that his country's interests were distinct from those of the British Empire. (2)1936

H.W. Brands explains how, following the massacre in Poland, Roosevelt sought to modify the Neutrality Acts—laws passed in the mid-1930s specifically to prevent the types of economic and travel entanglements that had drawn the U.S.into World War I. Roosevelt argued that providing weapons to Britain and France would allow them to defend themselves, thereby keeping American troops out of the conflict. Lindbergh and anti-interventionist Senators like Burton Wheeler and Robert Borah remained deeply skeptical, believing Roosevelt was being "transactional" and dishonest about his true intent to lead the U.S. into a new European order. Roosevelt countered by attacking his critics early, using the word "isolation" like a "plague" and characterizing their views as well-meaning but ignorant. While some suggested Lindbergh as a potential 1940 Republican presidential candidate, he refused to enter politics, preferring to challenge the president through the airwaves. Roosevelt carefully shaped public opinion, fearing the type of backlash Woodrow Wilson faced for getting too far ahead of the populace. When France fell in just six weeks to the German Blitzkrieg in 1940, Lindbergh felt vindicated, arguing that American troops would have merely been trapped on the beaches. Meanwhile, Winston Churchill manipulated Roosevelt with warnings that a falling British government might surrender its fleet to Germany, successfully pressuring the president to send American destroyers to Britain. (3)1927

A memoir of a child's forced relocation to Siberia under Stalin's Gulag system reveals the potential for true human kindness in the face of extraordinary hardship.  In April of 1940, six-year-old Ida woke to the sound of pounding on her door. Soviet soldiers forcibly packed her and her mother onto a train with thousands of their neighbors and deported them to remote Siberia, leaving them stranded to survive the brutal winter in subhuman conditions. Looking back, Ida shares their struggles: foraging for food, trying to reunite with her imprisoned father, spending weeks in a desolate hospital with typhoid fever, and adapting to shifts in the political climate to make the long journey home to Poland. Ida published this acclaimed memoir in her native Polish in 2011. Here, Ida's granddaughter, Isabella Skrypczak, translates her babcia's words and provides additional context—including describing the remarkable life Ida has gone on to live as a pioneering doctor. In the vein of Anne Frank's The Diary of a Young Girl, A Polish Girl in Siberia: Surviving and Transcending Exile (Disruption Books, 2026) chronicles Ida's experiences on a lesser-known front of the Second World War. Together, Ida and Isabella reflect on how every small act of kindness contributed to Ida's liberation from exile and ability to build a life and a family. Her story celebrates the capacity of the human spirit to not only survive trauma but thrive beyond it.Ida Kinalska-Pietruska survived childhood exile to Siberia during the Soviet Union's World War II assault on Poland. When she returned to Poland as a teen, she began studying medicine. A pioneering endocrinologist, she founded the School of Endocrinology and Diabetology in Białystok and led the region's first endocrinology clinic for twenty years. Ida has authored more than four hundred publications, mentored countless other doctors, and collaborated across the international medical community, including using her research to make widely known the Chernobyl disaster's effects on people's endocrinological health. She has been honored with the Order Odrodzenia Polski, Poland's second-highest civilian state award, and two Doctor Honoris Causa titles, reflecting her resilience, brilliance, and global impact on science and humanity.Isabella Skrypczak is an author, intuitive healer, and former HR professional in Big Tech whose work bridges the seen and unseen. Born to Polish immigrants and raised in Houston, Texas, she spent every summer with her grandmother in Poland. When her grandmother's memoir gained national attention in Polish media, Iza felt called to translate it into English—an act of love, remembrance, and advocacy. As war returned to Eastern Europe, she recognized the urgency in sharing this history with the Western world. She lives in Austin, Texas, with her daughter, Kamila.Stephen Satkiewicz is an independent scholar with research areas spanning Civilizational Sciences, Social Complexity, Big History, Historical Sociology, Military History, War Studies, International Relations, Geopolitics, and Russian and East European history. He is currently the Book Review Editor for Comparative Civilizations Review. Learn more about your ad choices. Visit megaphone.fm/adchoices

A memoir of a child's forced relocation to Siberia under Stalin's Gulag system reveals the potential for true human kindness in the face of extraordinary hardship.  In April of 1940, six-year-old Ida woke to the sound of pounding on her door. Soviet soldiers forcibly packed her and her mother onto a train with thousands of their neighbors and deported them to remote Siberia, leaving them stranded to survive the brutal winter in subhuman conditions. Looking back, Ida shares their struggles: foraging for food, trying to reunite with her imprisoned father, spending weeks in a desolate hospital with typhoid fever, and adapting to shifts in the political climate to make the long journey home to Poland. Ida published this acclaimed memoir in her native Polish in 2011. Here, Ida's granddaughter, Isabella Skrypczak, translates her babcia's words and provides additional context—including describing the remarkable life Ida has gone on to live as a pioneering doctor. In the vein of Anne Frank's The Diary of a Young Girl, A Polish Girl in Siberia: Surviving and Transcending Exile (Disruption Books, 2026) chronicles Ida's experiences on a lesser-known front of the Second World War. Together, Ida and Isabella reflect on how every small act of kindness contributed to Ida's liberation from exile and ability to build a life and a family. Her story celebrates the capacity of the human spirit to not only survive trauma but thrive beyond it.Ida Kinalska-Pietruska survived childhood exile to Siberia during the Soviet Union's World War II assault on Poland. When she returned to Poland as a teen, she began studying medicine. A pioneering endocrinologist, she founded the School of Endocrinology and Diabetology in Białystok and led the region's first endocrinology clinic for twenty years. Ida has authored more than four hundred publications, mentored countless other doctors, and collaborated across the international medical community, including using her research to make widely known the Chernobyl disaster's effects on people's endocrinological health. She has been honored with the Order Odrodzenia Polski, Poland's second-highest civilian state award, and two Doctor Honoris Causa titles, reflecting her resilience, brilliance, and global impact on science and humanity.Isabella Skrypczak is an author, intuitive healer, and former HR professional in Big Tech whose work bridges the seen and unseen. Born to Polish immigrants and raised in Houston, Texas, she spent every summer with her grandmother in Poland. When her grandmother's memoir gained national attention in Polish media, Iza felt called to translate it into English—an act of love, remembrance, and advocacy. As war returned to Eastern Europe, she recognized the urgency in sharing this history with the Western world. She lives in Austin, Texas, with her daughter, Kamila.Stephen Satkiewicz is an independent scholar with research areas spanning Civilizational Sciences, Social Complexity, Big History, Historical Sociology, Military History, War Studies, International Relations, Geopolitics, and Russian and East European history. He is currently the Book Review Editor for Comparative Civilizations Review. Learn more about your ad choices. Visit megaphone.fm/adchoices

Del is back from Poland and France after touring with “An Inconvenient Study,” and one thing became clear: countries across Europe followed the same COVID playbook. The question is, who was coordinating the script? Del is determined to find out.Then, Jefferey Jaxen breaks down the media panic over RFK Jr., ACIP, and vaccines returning to the national spotlight, along with new questions about AI-designed vaccines and the latest concerns over the screwworm outbreak.Plus, biohacking pioneer Dave Asprey stops by the studio to discuss the cutting edge of longevity science—and why the future of extending human life may be closer than most people realize.Guests: Dave AspreyBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-highwire-with-del-bigtree--3620606/support.

Polish prosecutors have opened a formal investigation into potential links between Jeffrey Epstein's trafficking network and activities connected to Poland after newly released U.S. documents suggested the possibility that victims may have been recruited there. Authorities from the National Prosecutor's Office said the probe will examine suspected human trafficking that may have occurred between 2009 and 2019 involving women and girls who were allegedly recruited under false pretenses and then transported abroad for sexual exploitation. Investigators are focusing on whether Polish citizens, including minors, were targeted as part of a broader international trafficking scheme tied to Epstein and his associates. The inquiry is being handled by a specialized investigative team established specifically to examine the Polish threads emerging from the newly disclosed Epstein records.The investigation could expand beyond trafficking allegations to examine the activities of an organized criminal group operating internationally and any crimes connected to Poland, whether committed within the country or involving Polish citizens abroad. Prosecutors said the probe was triggered after reviewing the large trove of Epstein-related documents released in the United States, which raised credible suspicions that trafficking may have involved recruitment efforts in Poland. As part of the investigation, Polish authorities plan to seek evidence and cooperation from other European countries while also encouraging potential victims to come forward. Officials have emphasized that the goal is to determine the full scope of any Polish connections to Epstein's network and to pursue criminal accountability wherever Polish jurisdiction applies.to contact me:bobbycapucci@protonmail.comsource:Poland launches investigation into Epstein filesBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Gavin landed back in Australia just the day before recording, and he and Ken settle in for a full debrief on WDC 2026 in Athens. From the venues and the social activities to all four of Gavin's games and the top board, this one covers it all. Intro Ken sets up the episode – this one is going to be almost entirely about WDC 2026 Athens, because Gavin was there and has only just landed back in Australia (as at the time of recording) (15 secs) He notes the DBN coverage gave a strong account of the boards and Ed's player interviews, but plenty of the magic from Spyros Dovas and his organising team didn't make it to the stream (45 secs) Drinks are introduced: Ken is on one of his home-brew lagers with a kick, and Gavin is working through a leftover Sicilian Nero d'Avola that has turned a little sour – a fitting metaphor, he suggests, for how his first round went (1 min 45 secs) The tournament in aggregate Ken asks Gavin to give a broad overview – location, numbers, facilities, atmosphere (2 mins 45 secs) Around 106 players registered, though some didn't show due to last-minute issues. Approximately 5 Australian players couldn't attend because their original flights were routed through the Middle East (3 mins 30 secs) The geopolitical context: as of recording, the Middle East airspace situation was in week nine of its shutdown, forcing Australian travellers to reroute via Singapore, Hong Kong, or Malaysia. Some also baulked at the US transit option due to the documentation requirements (4 mins 30 secs) Despite the drop-outs, the turnout was excellent and genuinely representative – a heavy European component split between the UK and the rest of Europe, a strong French contingent, players from the Netherlands, Belgium, Germany, Poland, and Norway, a good number of Americans and a couple of Canadians (including Chris Brand), around 10 Australians, and a couple of Kiwis (Dominick Stephens and Craig Purcell). The local Greek contingent, given the Athens club had only been running for about 18 months, was especially impressive (3 mins 30 secs) Tournament format: three regular rounds followed by a fourth round of tiered top boards. Rather than a single top board, the format featured seven simultaneous top boards – the top 7 players went to the premier board, players 8–14 played the second tier, 15–21 the third, and so on down through the field. Crucially, players who volunteered to sit out for round four to help with numbers kept their ranking position (7 mins) Ken and Gavin discuss how the tiered format means the fourth round is never a dead rubber – every board is still competing for something meaningful (8 mins 15 secs) Discussion of the central clock arrangement: effectively federation-based rather than a literal single clock, with the two main venues coordinating their start times by communication (9 mins 30 secs) The venues The main venue was the upstairs function space of a beachside restaurant operation – excellent location right on the waterfront, but somewhat cramped for negotiations once all the boards were in (9 mins 45 secs) As a result, boards were redistributed to the secondary venue: the Anchor bar, about 150–200 metres down the road. Gavin played two games in each location and considered the Anchor the better play space – more open, well ventilated, and with a large covered outdoor area next to a (drained) pool (11 mins) The colour-coded sash system made it easy to identify players by country but created the amusing challenge of locating your specific Italy in a room full of Italys from different boards (13 mins) The third venue – an outdoor shaded area – was reserved for the premier top board. Unlike Milan's car park, this one had good shade and plenty of room for spectators around the giant shadow board (13 mins 30 secs) Pre-tournament social activities Gavin outlines the structure: you could do as much or as little as you liked. He landed well due to a useful 5.5-hour Singapore layover that helped reset his body clock, and flew over on the same flight as tournament director Jamal Blakkarly (16 mins) They were met at Athens airport by Spyros, his wife, and daughter, who drove them to breakfast at a beautiful harbour-side restaurant in one of the small inlet bays east of Piraeus (18 mins 15 secs) Pre-tournament island stay: Gavin spent two days on Serifos, the island Spyros recommended and which has personal significance to his family (his grandfather was christened there). Spyros provided a detailed Google Map of the best spots. With the tourist season barely starting, Gavin got excellent last-minute accommodation at a family-run hotel and had the beaches almost entirely to himself (18 mins 45 secs) The island was so off-season that locals were literally still painting their furniture and kerbs in preparation. Gavin did the recommended hikes and swims, and the hotel gifted him a dry-bag left behind by a previous guest (20 mins 30 secs) Back in Athens overnight, Gavin caught up with a multinational squad of players including Shane, Brandon, Max, Zoe, Justin Law, Bradley Grace, and Karthik. They had dinner at an Italian restaurant with the Acropolis lit up above them (22 mins 30 secs) Hydra day trip (Wednesday): players caught the fast ferry from Piraeus out to Hydra (about 1.5 hrs). The island has a refined Venetian-Greek port feel, with rustic paths and rock beaches beyond. The group visited the Museum of the 1821 Greek Revolution, full of local history and artefacts. Gavin wore one of his Diplomacy shirts and ended up being an ambassador for the hobby to an American grandmother and her debate-champion granddaughter from North Carolina – and pointed them towards David Hood and the local hobby there (24 mins 15 secs) The water temperature at the beach was about 4–5 degrees colder than Australia, which meant the Europeans loved it and Gavin did not go in (26 mins 30 secs) Acropolis and Athens tour (Thursday): guided tour of the Acropolis by what Spyros described as the best guides operating there, followed by a walk through the Plaka and past the Panathenaic Stadium (venue of the first modern Olympics in 1896), then a seafood lunch at a beautiful harbourside restaurant (30 mins) Temple of Poseidon (Thursday evening): the most popular activity – the bus was packed. About halfway there, Spyros took everyone on an unannounced detour to a beach bar where they had the place to themselves, a wonderful surprise. The Temple itself sits on a peninsula with 270-degree sea views. Spyros told the story of how the Aegean got its name from that location, and a huge group photo was taken (31 mins 15 secs) Tournament production values Gavin describes the production as setting new high-water marks for tournament organisation – high enough that the Chicago 2027 organising team would be wondering how to match it. Every player had a colour-coded sash matching their country, a branded WDC Athens notepad in their country colour, and a matching pen for every round (33 mins) The awards were 3D-printed Greek god statues for the podium finishers, complemented by a full suite of themed awards for the top players in each country and for notable gameplay (34 min) Special awards included: the Ajax Award for 8th place overall (the brilliant fighter who just missed out); the Archimedes Award for the most innovative play; the Leonidas Award for the player who fought on against insurmountable odds; and professionally screen-printed awards for best performance as each of the seven Great Powers (35 mins 45 secs) Gavin's games Round 1 – France – Board: Agkystri (View game) Gavin introduces his first game and the board composition: he played France, with Danae Stamataki (Austria-Hungary, local Greek player who topped the board on 10 supply centres and won best Austria), Sabrina Ahuja "Sabi" as England, Brian Ecton as Germany, Jean-Louis Delattre as Italy, Teo Ananiadis as Russia, and Frank Oosterom from the Netherlands as Turkey (37 mins 15 secs) The plan was a Western Triple working with England and Germany, with the goal of neutralising a strong-looking Italy early. It didn't come together as intended (37 mins 45 secs) The infamous mis-order: Gavin had two builds and intended fleet Brest plus a second build. Instead he built fleet Brest and placed the build directly in MAO, effectively waiving his second build. The DBN commentators interpreted this as a genius strategic waive; Ken's interpretation was somewhat more grounded. Gavin confirms Ken was correct (39 mins) The other players on the board didn't share DBN's generous reading of the situation. Germany immediately moved into Burgundy and kept flipping between fronts as his position allowed. Italy kept pressing France throughout. Gavin found himself squeezed down to a single unit in the English Channel (40 mins 30 secs) Final turn plan: England agreed to convoy an army across to Picardy to support Gavin back into Brest. Instead, Sabi walked into an open Paris. Gavin ended the game with zero supply centres and was eliminated (42 mins 15 secs) Gavin notes he made his disappointment known professionally, and that he subsequently had a drink with Sabi – but not that night (44 mins 15 secs) Round 2 – England – Board: Lemnos Not covered by DBN. Gavin played England; the board included Dominick Stephens (New Zealand) as Germany, Chris Brand (Canada) as Russia, Ruben Sanchez as Italy, Roberto Perego (Italy) as France, Robert Schuppe as Turkey, and Anastasia "Nastja" Styles as Austria-Hungary (46 mins) The plan was a Northern Alliance of England, Germany, and Russia. It unravelled immediately when Chris opened Moscow to Livonia and Dominick interpreted it as aggressive – resulting in a Germany-Russia war from the outset (46 mins 15 secs) Gavin adapted: knowing Germany was occupied in the east, he gave Russia some space and opened into Belgium, with Dominick and Chris both honouring his request to take Norway unopposed via fleet (46 mins 45 secs) Dominick and Gavin worked to grind down Roberto Perego's France, who ground out a hard-fought game staying alive on 2 centres. Ruben Sanchez's Italy played a deft game, flipping between alliances with Turkey and Austria (49 mins 15 secs) Dominick topped the board on 10; Ruben came in at 9; Gavin finished at 7. The game was meant to run to 1909 but drew earlier when the position stabilised. Gavin reflects he may have drawn too early, with both Dominick and Ruben suggesting he had room to push for another two centres (50 mins) Round 3 – Germany – Board: Symi (View game) Gavin played Germany. The board included Shane Armstrong (Australia) as France, Mikalis Kamaritis as Italy, Alex Maslow (USA) as Russia, Steven Hogue (USA) as Austria, Alex Lebedev (Russia) as England, and Jack Johns as Turkey (51 mins 15 secs) The strategic context: only Mikalis Kamaritis and Alex Lebedev were realistically in contention for the top board from this game. Shane and Gavin identified this early and committed to supporting the player they believed deserved to be there (52 mins 45 secs) Shane and Gavin opened with a Sealion against England, while Gavin also walked a careful line with Alex Lebedev, who initially felt more threatened by France than Germany. Austria was eliminated in 1903, and England in 1904 (53 mins 45 secs) A notable moment: Gavin slipped an army from the North Sea into an unoccupied London – a move he acknowledged was unnecessary, created friction with Alex Lebedev, and which he would not make again. He apologised on the day (56 mins 15 secs) Mikalis told Gavin and Shane to wait until 1905 – and delivered. He launched from his eastern position, took two dots off Russia and one off Turkey in a single year, then steamrolled from there. Alex Maslow was a strong and enjoyable player who nearly flipped the alliance but ultimately couldn't (56 mins 15 secs) The game agreed to a draw of 10-10-14 (Shane-Gavin-Mikalis), which the three felt would get Mikalis comfortably onto the top board. In the final adjudication Mikalis took one extra dot away from Shane, making the final scores 15-10-9 (58 mins 15 secs) Round 4 – Austria – Board: Myconos (View game) Gavin made it onto the fourth round, placed into the 6th top board. The board featured Shane Armstrong again as Turkey, Emmett Wainwright as England, Patrick Jacobson as France, Nathan Lester as Germany, Cameron Taylor as Italy, and Richard Bolton as Russia (59 mins 30 secs) The standout introduction: Nathan Lester, son of Dan Lester (who Gavin played against at Bangkok WDC). Same voice, same playing style, same persuasive meta-game arguments – but with a mullet and dressed like he's in an 80s rock video, and without the beard-stroking (1 hr 0 mins 45 secs) Gavin and Shane, having just played together in Round 3, ended up as Austria and Turkey respectively – not a natural alliance. Gavin didn't trust it but it held. Italy and France both kept fighting hard throughout (59 mins 45 secs) The game drew in 1906, with Shane and Emmett both finishing on 8, Gavin on 6 as Austria. Everyone then rushed across the road to watch the top board (1 hr 3 mins 45 secs) The top board Ken asks about Mikalis's diplomatic style. Gavin: exceptional situational awareness, communicates clearly and directly, asked and answered the "what do you want from this game?" question in a way that built immediate trust, and was good to his word on timing (1 hr 4 mins) Gavin arrived at the top board mid-1906 (his own game had just drawn). The top board was played outdoors under a well-shaded tree with plenty of room for negotiations, guarded by two or three people ensuring other players and passing members of the public couldn't crowd the board (1 hr 5 mins) The giant shadow board: a massive life-size replica board was set up nearby so all spectators could follow the game without approaching the real board. Andrew Goff read out the orders and the shadow board was updated after each adjudication – the same setup used at Milan WDC (1 hr 7 mins 45 secs) When Gavin arrived, he felt Bradley Grace had the game. The shift came late – Mikalis made a decisive move in the endgame that separated him from a closely matched France/Germany contest (1 hr 9 mins) Congratulations to Mikalis Kamaritis – well deserved, Gavin says. And to Bradley Grace: so close, but it will happen (1 hr 9 mins) The awards ceremony included Mikalis receiving both the championship belt and a traditional olive laurel wreath – a detail that was not captured in the DBN stream. Ken flags this as something future broadcasts should consider covering (1 hr 11 mins 15 secs) A Best Shane Cubis Award was also created – won by a Greek player who loudly lobbied Spyros for an award on the basis of how much he'd helped out. An AI-generated image of Shane Cubis in 1901 attire featured on the award, to the complete bafflement of the European and American contingents (1 hr 12 mins 50 secs) Game hobby and future WDCs The Chicago Windy City Weasels delivered a presentation promoting WDC 2027, enthusiastically received by the assembled players (1 hr 13 mins 15 secs) The 2028 bid: Melbourne was the only bid, and it was unanimously approved. Andrew Goff (Goffy) presented it. WDC 2028 Melbourne will be held at the MCG – the Melbourne Cricket Ground – with the conference rooms used for regular play, and the premier top board played on the MCG wicket itself. The countdown timer will run on the MCG scoreboard. Notionally scheduled for the last weekend of February 2028 – the weekend after the Formula One Grand Prix and the weekend before the first AFL round (1 hr 14 mins 30 secs) For international context: roughly equivalent to playing at Yankee Stadium, Madison Square Garden, the Camp Nou, or Bayern Munich's Allianz Arena. English players will recognise the MCG as where English cricket hopes traditionally come to die (1 hr 15 mins 15 secs) Also at the game hobby: a unanimous vote to amend and modernise the WDC charter, which dates from around 2000–2001 and doesn't reflect current online play, email communication, or the organisational structures of the Asia-Pacific and European hobbies. Four representatives (from NADF, the Asia-Pacific Diplomacy Association, and the European and UK hobbies) will draft amendments to be presented at WDC 2027 Chicago, with ratification at WDC 2028 Melbourne (1 hr 18 mins) Wrap up Gavin acknowledges the full organising effort: approximately 10 people working behind the scenes alongside Spyros and Jamal to make everything run. The Greek hobby and Athens Diplomacy Club can be enormously proud (1 hr 20 mins 30 secs) The Armistice Party: held between rounds three and four in the venue near the pool area. A DJ with a custom app allowed all attending players to nominate up to 10 songs each, with the crowd then voting in real time from four options for what came next. Gavin describes it as stunningly well thought through (1 hr 22 mins) Ken summarises: meticulously planned, wonderful venue, brilliant location, great games, fantastic people. Gavin: you got it in one. Thank you to Spyros, Jamal, and everyone they played with (1 hr 23 mins) Addendum – recorded one week later Ken and Gavin explain the addendum: a few things were either forgotten or lost in the original recording, so they've caught up a week later to cover them (1 hr 25 mins 45 secs) The Cane Toad The Cane Toad tournament will not run in 2026 – Gavin has made the decision to rest it for the year and bring it back bigger and better in 2027 (1 hr 26 mins 30 secs) Reasons: Gavin no longer lives in Brisbane where the tournament has historically been based, and several attempts to get a local game going have been completely unsuccessful. He feels it would be unfair to interstate players to travel to Queensland only to play mostly other interstate players rather than a meaningful proportion of locals (1 hr 27 mins 30 secs) He also flags cost-of-living pressures and fuel costs as factors, noting that the fuel excise which had been removed is about to be reinstated (1 hr 28 mins 45 secs) Ken and Gavin have a brief riff on whether cane toads actually hibernate, and whether the tournament might one day move to a different Queensland location (1 hr 28 mins 45 secs) Gavin shares a long-held dream of running the Cane Toad on the beach under a sun-safe setup. Council regulations require public liability insurance – but the Asia Pacific Diplomacy Association is in the process of organising exactly that for tournament directors, which may open the door in future (1 hr 29 mins 15 secs) Tournament news The Sydney Cup is on the weekend of 4–5 July. Gavin would love to go but has used up his diplomacy credits between Greece and starting a new job – it'll have to stay in the bank for now (1 hr 30 mins 45 secs) A New Zealand tournament is being discussed for the week before WDC 2028 Melbourne (late February 2028). Three New Zealand players who attended WDC 2026 in Athens have flagged interest in hosting something, on the logic that if you're travelling all the way from Europe or the US, a short hop across the Tasman to New Zealand is well worth building into the itinerary (1 hr 32 mins) Ken enthusiastically endorses the idea and encourages anyone planning for WDC 2028 Melbourne to factor in a week in New Zealand beforehand (1 hr 33 mins 30 secs) Challenge for next episode Over his birthday lunch, Gavin's son surprised him with an accurate recall of his WDC result. This leads Gavin to issue a challenge for the next episode: both Ken and Gavin will do some homework and come back with three or four online diplomacy resources that people may not know about, to raise awareness of what the community has put together over the years (1 hr 34 mins 45 secs) Around the grounds VDiplomacy gets an introduction for any listeners who aren't familiar: a sibling platform to WebDiplomacy, it hosts classic games but is particularly known for its range of variants (1 hr 36 mins 30 secs) The Dionysus Reimagined game recap – the ancient Greece variant Ken and Gavin set up in the lead-up to WDC Athens. Ken soloed, eliminating Gavin in the final year. Gavin notes that technically his last dot was taken so late that his result registers as a survive rather than an elimination (1 hr 38 mins 45 secs) Gavin played Athens and found himself defending on all fronts from early on: Sparta (who built only armies and had nowhere to go but north), the Macedonians pressing from the north, Byzantium late in the game, and Rhodes. Ken played Byzantium and credits his early token luck as a key advantage, picking up all his bid supply centres including one he expected to bounce – giving him fleet dominance in the Aegean from the start (1 hr 40 mins) The bid mechanics are recapped for any listeners unfamiliar with the variant: each player has 4 tokens to bid on non-core supply centres; outbid or bounce and you don't get the build. Ken's fortunate opening bids gave him a decisive early position (1 hr 40 mins 30 secs) A practical tip for vDiplomacy players: always open the large map after adjudication. The small map can omit orders that didn't go through, making moves look different from what was actually played. Ken noted several instances in the Dionysus game where support orders that failed simply weren't visible on the small map (1 hr 45 mins 45 secs) Ken congratulates himself on the win and notes the ratings gap between the two has now closed to around 100 points (1 hr 47 mins 30 secs) New game announced: Gavin has set up a Pirates game titled Ahoy Mateys on vDiplomacy. Gunboat, 2-day 2-hour phase length. Ken explains the extra 2 hours: it gradually shifts the adjudication time back toward Australian time zones in games where everyone readies up early (1 hr 48 mins) Pirates variant overview: a 13-player variant set in the golden age of piracy in the Caribbean, created by Gavin in collaboration with Ollie (the vDiplomacy site administrator). The 13 players are broken into three factions (1 hr 51 mins 45 secs): Europeans – Spain, England, France, and Holland, who nominally control supply centres across the map but must capture them to make them count Pirates – five pirates, four historical (Montbas, Brasiliano, de la Cueva, and Johnson) and one fictitious: El Guapo, borrowed from the movie The Three Amigos Privateers – one per European power, operating as private navies with letters patent. They can attack anyone except their sponsoring power (and vice versa). The Dunkirkers serve Spain, Henry Morgan serves England, François Le Jones serves France, and the Rocherson serves Holland Unit rules: all units are fleets, but there are two types – Clippers (move up to two spaces, standard attack strength) and Frigates (move one space, attack at 1.5x strength). A single clipper cannot defend against an attacking frigate, but a clipper supported by another clipper can. Five marked spots on the board allow transformation between unit types (1 hr 57 mins 45 secs) Special rules: a voodoo witch's hut in Cuba allows a fleet on the north coast to teleport to the south coast and vice versa. And a 14th non-playing character – a Hurricane – spins up each storm season in a random sea territory, moves randomly in the fall turn, and destroys anything in its path with an effectively unstoppable attack strength, also resetting any supply centre it passes through to neutral (1 hr 59 mins) Ken commits to reading the full rules before play begins, notes Pirates has a genuine following on vDiplomacy with games regularly in progress, and suspects he may get slaughtered (2 hr 1 min 15 secs) Gavin and Ken wrap up the show (2 hr 2 mins 15 secs) Venue: At home Drinks for the interview: Ken: One of his home brews – a lager with a bit of a kick Gavin: A Baliamo Nero d'Avola from Sicily – opened two weeks prior, which he noted had become a little sour and bitter compared to its fresh opening, much like his first round at the tournament Just a reminder you can support the show by giving it 5 stars on iTunes or Stitcher. And don't forget if you want to help pay off the audio equipment… or get the guys more drunk, you can also donate at Patreon, plus you get extra podcast episodes! Lastly, don't forget to subscribe so you get the latest Diplomacy Games episodes straight to your phone. Thanks as always to Dr Dan aka "The General" for his rockin' intro tune.

The Communist Party of Great Britain (Marxist-Leninist) held a screening of the landmark 1948 Polish film The Last Stage (Ostatni etap). Directed by Wanda Jakubowska — a communist, resistance fighter, and survivor of Auschwitz — the film was among the first cinematic depictions of the Nazi concentration camps and the organised resistance that developed within them. Several Auschwitz survivors appear in the film, portraying roles closely connected to their own lived experiences just a few years after the liberation, adding a rare and powerful layer of direct testimony and lived experience to its reconstruction of events. Produced in postwar people's democratic Poland and filmed partly on location at Auschwitz itself, The Last Stage stands as both historical testimony and a forceful affirmation of the role played by communists in the struggle against fascism and genocide. At a time when our ruling class seeks to discredit communists and anti-imperialists as “anti-Semitic” for expressing solidarity with oppressed peoples and resisting imperialist war, occupation, sanctions, and national oppression, this screening reasserts a clear historical record: communists were at the forefront of the struggle against racism, fascism, colonialism, and war. The CPGB-ML stands firmly against all forms of racism, including anti-Semitism, while rejecting attempts to weaponise such accusations in order to silence political solidarity and internationalist struggle. George Korkovelos, Cultural Secretary of the CPGB-ML, delivered an in-depth introductory presentation. This event forms part of the party's wider cultural and political work to defend historical memory, strengthen proletarian internationalism, and uphold the struggle for liberation everywhere. ______________________________________________ Subscribe! Donate! Join us in building a bright future for humanity! http://www.thecommunists.org http://www.lalkar.org http://www.redyouth.org Telegram: https://t.me/thecommunists Twitter: / cpgbml Soundcloud: / proletarianradio Rumble: https://rumble.com/c/theCommunists Odysee: https://odysee.com/@proletariantv:2 Facebook: / cpgbml Online Shop: https://shop.thecommunists.org/ Education Program: Each one teach one! http://www.londonworker.org/education... Join the struggle! https://www.thecommunists.org/join/ Donate: https://www.thecommunists.org/donate/

There's a particular kind of trader Agnieszka Wood keeps meeting, and for years she was that trader herself. This is someone who has done the work — taken the courses, read the books, and can explain risk management so clearly you'd assume they taught it for a living — and who then sits down at their own screen and exits a winner too early out of fear, or breaks the exact rule they reviewed in their journal that very morning. The knowledge is genuinely there, which is what makes the question that follows so confusing: I know better than this, so why did I just do that? In Episode 82, Agnieszka sits inside that gap between knowing and doing, and looks at why reaching for the old high-achiever's move — learn more, study harder, add more rules — never seems to close it. Drawing on her own years in NLP and performance psychology, and on what she's watched genuinely change the traders she works with, she explores why what a trader knows and what a trader does under pressure are run by two very different parts of them, and why the real shift happens in a place most traders have never been told to look. It's a grounded, compassionate episode for anyone who has ever known exactly what to do at the desk and watched themselves do the opposite anyway.   About Agnieszka Wood Founder and CEO of Ahead Coach, Trading Mindset Coach and Trader Agnieszka Wood, is a passionate and accomplished day trader with over a decade of hands-on experience in the financial markets. Coming originally from Poland but having spent most of her life abroad, notably in the Netherlands and the United States, Agnieszka brings a diverse perspective to her work. Her journey is marked by conquering challenges, a deep passion for self-development, a commitment to unlocking her full potential, and a relentless pursuit of excellence. Since 2019, Agnieszka has taken on the role of Founder and CEO of Ahead Coach, a coaching platform where she conducts her transformative work as a Trading Mindset Coach. Through Ahead Coach, she offers coaching programs for traders that draw on her extensive 20+ year background in Neuro Linguistic Programming (NLP), life coaching and her own experience in trading. Her holistic approach is designed to empower individuals not only in their trading endeavors but also in all aspects of life. Agnieszka's influence extends beyond her coaching practice. She is a respected speaker at various trading events, where she shares her insights and knowledge with fellow traders and enthusiasts. In the trading education industry, she is known for her expertise in mindset coaching, helping traders overcome psychological barriers and build consistency. Passionate about guiding individuals towards tangible results, Agnieszka thrives on taking on new initiatives and projects that promote personal growth. Her multifaceted expertise, unwavering dedication, and holistic approach make her a trusted coach for those seeking transformation and success. Click here to explore different ways we can work together. ____________________________________✉ Contact me: launchyourlife@aheadcoach.com____________________________________▶️ My website: https://www.aheadcoach.com/▶️ X: https://x.com/Ahead_Coach▶️ Instagram: https://www.instagram.com/ahead.coach/▶️ Facebook: https://www.facebook.com/agnieszkawoodpage/

Author Julie Brill joined "The Shmooze" to speak about her recently released "Hidden in Plain Sight: A Family Memoir and the Untold Story of the Holocaust in Serbia". As a child, Julie held two conflicting beliefs. She knew Germans had murdered her Jewish grandfather in occupied Yugoslavia, yet she somehow believed the Holocaust had never come to his hometown of Belgrade. The family anecdotes her father passed down—a blend of his early memories and what his mother told him—didn't match what Julie had heard about Germany, Poland, and Anne Frank in Holland during World War II. Episode 411 June 12, 2026 Amherst, MA

Born and raised in the Philippines, Alma spent much of her life repeating patterns she couldn't fully understand, patterns shaped by childhood experiences, cultural conditioning, relationships, and subconscious beliefs formed early in life.For years, she searched for change through external circumstances, believing a new environment, relationship, or achievement might finally bring the freedom she was looking for. Yet the same emotional struggles and recurring patterns continued to surface.In this episode of Back At It, Alma shares her journey from growing up in the Philippines, to building a life abroad in Dubai and later Poland, and how those experiences ultimately led her toward deeper trauma-informed healing and Root Cause Therapy.Tune in on the latest episode of Back At It as Alma and David explore how childhood environments shape adult relationships, the hidden impact of subconscious beliefs, the patterns many Filipinos silently carry through generations, and what becomes possible when we begin addressing challenges at their roots rather than only managing the symptoms.Today, Alma is a trauma-informed coach and Root Cause Therapy practitioner who helps people uncover the subconscious beliefs, emotional conditioning, and survival patterns shaping how they show up in life, from self-abandonment and people-pleasing to emotional suppression and difficulty trusting themselves, so they can break recurring patterns and create meaningful change in their relationships, decisions, and lives.TIMESTAMPS:(00:00): Intro(01:30): In-depth to her conditioning growing up in the Philippines(08:08): How childhood memories would lead to limiting beliefs played out in adulthood(16:31): Mother & Father Wound(22:44): Moving to Dubai and trying to seek validation(30:43): Moving to Poland and confronting her trauma(36:27): Discovery of Root Cause Therapy(47:37): The changes in her life as a result of root cause therapy: digging into the root of her emotions and behavior(56:09): First steps to apply root cause therapy into your own life(59:39): Her goal using root cause therapy as a means to help Filipinos break multi-generational behavior and be themselves(1:07:10): The habits to build to be proud of who you are(1:12:11): Where does Alma see herself in the next 5 years?(1:16:29): Not regretting learning root cause therapy later rather than sooner(1:18:58): The main lesson she wants her children to learn as they grow up(1:21:39): Closing Remarks

WarRoom Battleground EP 1029: Top EU Court Forces Catholic Poland To Accept “Gay Marriages” Confected In Other EU Countries

GG Hawkins continues No Film School's 2026 distribution experiment with filmmaker Pete Ohs, focusing on the release of Erupcja, his Warsaw-shot microbudget feature starring Charli XCX, Lena Góra, Will Madden, and Jeremy O. Harris. Pete breaks down how the movie was made, how its TIFF premiere led to a deal with One Two Special, and what he learned from theatrical touring, Q&As, VOD timing, marketing assets, fan edits, and the emotional sustainability of releasing independent films. In this episode, No Film School's GG Hawkins and guest Pete Ohs discuss... Making Erupcja in Warsaw, Poland, with Charli XCX and a small, experimental production model How SAG's Global Rule One affected the budget of an international indie production Premiering at TIFF and navigating sales conversations with CAA and multiple distributors Why Pete chose One Two Special based on alignment, communication, and “vibes” Building a release around Q&As, theatrical events, and in-person audience engagement Creating playful marketing assets, including a zine, a voicemail phone line, and fan-edit materials Releasing trailer stems and encouraging remix culture around the film How theatrical box office expectations were framed for a movie made under $100,000 The limits of relying on actors or stars to carry indie film promotion Why filmmakers should treat Q&As as another form of storytelling The idea of “regional filmmaking” and creating meaningful local releases Finishing and releasing projects as part of sustaining a long-term filmmaking practice Memorable Quotes: “We went to Poland in August of 2024 for two weeks with half of an outline and shot the movie in order.” “If the numbers were better or the percentages were better, but the vibe was worse. I would have been suffering.” “The work doesn't end.” “Treat it as practice for storytelling.” Guests: Pete Ohs Resources: Erupcja on IMDb No Film School: How a Film Score Actually Gets Made (Step by Step) & Pete Ohs' Distribution Experiment of 2026 No Film School: Pete Ohs' 2026 Distribution Experiment #1: 'OBEX' No Film School: Pete Ohs Rethinks How We Make Movies Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram

It's the local watering hole. The place where business is done, and moments are celebrated. And it's the place where you can literally see a man about a horse. It's the medieval pub. This week, Danièle speaks with Peter Dobek about the public houses of medieval Krakow, what they looked like inside and out, and what they actually had on tap.This podcast is made possible by the generous support of listeners like you! To find out how to help spread the joy of medieval history, please visit patreon.com/themedievalpodcast

On this week's Talkhouse Podcast we've got an absolute legend of the punk rock world in conversation with one of his band's biggest fans—who also happens to play bass in one of the world's most famous rock bands. It's Joe Keithley and Duff McKagan. Joe Keithley has been known for the vast majority of his life as Joey Shithead, singer and guitarist for the band D.O.A., which is coming up on its 50th year of existence. D.O.A. are absolute legends that have always existed on the margins—I don't think they'd have it any other way—and who influenced and crossed paths with countless bands over the years. They're credited with bringing the word “hardcore” into the punk lexicon with their album Hardcore ‘81, and guys like Billie Joe Armstrong and Kurt Cobain were vocal fans. Politics and activism have always been part of D.O.A.'s DNA, so it's no surprise that Keithley decided to run for office in his native Burnaby, Canada. It was a surprise, even to him, that he actually won, and he's been representing his area for nearly eight years. There's a new documentary out now called Something Better Change that covers his life both as a musician and a politician, and it's definitely worth your time. It even comes as a DVD extra in a new double-LP greatest hits collection called Take on the Tyrants: The Very Best of Punk Rock's Most Enduring Band. Check out the trailer for the doc right here. Duff McKagan is a lifelong D.O.A. fan; as you'll hear in this chat, he was onto them super early, including attending a legendary hardcore festival in Canada. McKagan probably needs no introduction here: He's the longtime bassist and founding member of Guns N' Roses, with whom he still tours—he Zooms into this chat having just landed in Poland for some gigs. But McKagan's fascinating career and history goes well beyond GnR; he was part of the Seattle punk scene starting as a teen, and he's been a member of more bands, big and small, than you can count. He's also an accomplished writer whose autobiography is well worth a read and he's got a string of solo albums and collaborations. He's always busy, and he clearly loves music, as you'll hear in this chat. In addition to talking about his love for D.O.A., McKagan talks with Keithley here about the good old days of punk rock, diving deep on Black Flag in particular. They also chat about Keithley's political career and his new venture as the face of a Canadian guitar company. It's a fun, lively conversation—enjoy. 0:00 — Intro 2:40 — Start of Conversation 3:26 — On how D.O.A shaped Duff's perspectives on music, and on receiving their album 4:47 — On traveling in Europe on tour, and cities with the best rock audiences 7:52 — On traveling through East and West Germany, and how fans got new music in East Germany 9:53 — On D.O.A's documentary, Something Better Change, and the politics, music, and punk culture that inspired them both 14:05 — On the Vietnam War and its impacts on music 15:05 — On Joe's political campaigns, door-knocking, and learning about diverse cultures 18:57 — On crossing borders on tour 22:12 — On local politics and aggressive campaign commercials 24:44 — On touring, and attending graduations 26:23 — On Joe's new line of guitars 27:46 — On D.O.A's influence on Duff, D.O.A's early days, and meeting other punk musicians Thanks for listening to the Talkhouse Podcast, and thanks to Joe Keithley and Duff McKagan for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time! Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠Talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.

Neil tells us about the remotest ATM on Earth and how Jimmy Carter made a show of himself in Poland.Meanwhile Dave has compiled a list of the most expensive items rich people have purchased.To listen to Dave on the radio check outhttps://www.todayfm.com/shows/dave-mo...To see Neil on tour check outhttps://www.neildelamere.com/reinvent...Presented and Produced by Neil Delamere and Dave MooreEdited by Diarmuid O'BrienMusic by Dave MooreArtwork by Ray McDonnell Hosted on Acast. See acast.com/privacy for more information.

The minerals inside your phone, your car, and U.S. fighter jets almost all pass through one country: China. Dr. Gracelin Baskaran, founding director of the Critical Minerals Security Program at CSIS, joins Sir Richard Dearlove and Rosanna Lockwood to explain how China built a stranglehold on rare earth production, and what it will actually take to break it. Critical Minerals are this century's defining supply chain vulnerability: it's a demand problem, a democracy problem, and, for the West, a race against a country that isn't swayed by elections. Also: Israel's espionage escalation against US officials, Poland's rise as Europe's top defense power, and the fall of Orbán's Hungary. In this episode: (00:00) Intro: China's Rare Earth Minerals Takeover (01:43) World Cup 2026 Preview (03:50) Middle East Conflict Updates (06:57) Israel Spying on US Officials? (08:43) Bill Pulte Named Intelligence Director (10:27) US APAC Strategy Shifts (14:41) Poland Becomes Europe's Defense Power (16:44) Hungary After Orbán's Fall (19:57) China's Critical Minerals Chokehold (27:12) Western Mining Supply Chain Crisis (38:28) Frontier Markets: Africa's Mineral Race (57:32) Taiwan Crisis and Mineral Shortages Show Notes:  The New York Times: https://www.nytimes.com/2026/06/06/us/politics/pentagon-sees-growing-espionage-threat-from-israel.html Hosted by Sir Richard Dearlove (former MI6 Chief) and guest co-host Rosanna Lockwood (International Journalist).  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode Miles is joined by Lesley Chamberlain to discuss her newly-published monograph, 'Undoing the Moral Empire: Moral Philosophy in post-War Britain'. https://www.bloomsbury.com/uk/undoing-the-moral-empire-9781350457751/ After 1945, Britain wanted to be a new country. The authority of state and church were giving way, the Empire was dismantled, and it was no longer clear who was leading whom in matters of morals. Individuals were left to reinvent their ethical lives anew. The lives and works of the philosophers discussed in this book were caught up this sea-change. Bernard Williams, Philippa Foot, Iris Murdoch, Richard Wollheim, Charles Taylor and Alasdair MacIntyre were all characters in search of a moral England, with a particular vision of the good society. From communitarianism to swinging Sixties' individualism, and radical theories of art – which understood questions of ambiguity, error and forgiveness more than the state ever could – this is the story of their sometimes convergent but often discrepant ideas on ethical life in the second half of the twentieth century. Undoing the Moral Empire is a work of biography, social history and the history of ideas that masterfully reconstructs the shifting sentiments of the post-war era, reconfiguring enduringly relevant questions of freedom, virtue, and society. Lesley is an author, literary critics and translator whose work has focused on Rilke, Nietzsche, German philosophy, Conservative Modern Russia, Heidegger, Van Gogh, Lenin, Freud, travel writing, cuisine in Russia and Poland, journalism and fiction – twelve books in all. She's also the author of the forthcoming chapter on Murdoch and Russian Literature in the Oxford Handbook of Iris Murdoch. This new book marks a homecoming for Lesley. You can find out much more about her work at her website: http://lesleychamberlain.co.uk/

fWotD Episode 3324: UEFA Euro 2016 final Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Thursday, 11 June 2026, is UEFA Euro 2016 final.The UEFA Euro 2016 final was the final match of UEFA Euro 2016, the fifteenth edition of the European Championship, UEFA's quadrennial competition for national football teams. The match was played at the Stade de France in Paris, France, on 10 July 2016, and was contested between Portugal and hosts France.The 24-team tournament began with a group stage, from which 16 teams qualified for the knockout stage. En route to the final, Portugal finished third in Group F, with draws against Iceland, Austria and Hungary. Portugal then defeated Croatia in the last 16, Poland in the quarter-finals after a penalty shoot-out, and progressed to the final after beating Wales 2–0 in the semi-finals. Meanwhile, France finished as winners of Group A, beating Romania and Albania before drawing with Switzerland. In the knockout stage, France defeated the Republic of Ireland in the last 16, Iceland in the quarter-finals, and progressed to the final after beating Germany 2–0 in the semi-finals.The final took place in front of 75,868 spectators, and was refereed by English official Mark Clattenburg. Following a goalless 90 minutes which saw Portugal captain Cristiano Ronaldo depart the match through injury, Portugal then took the lead in the 108th minute through substitute Eder, after his low shot from 25 yards (23 m) beat France goalkeeper Hugo Lloris. This would prove to be the contest's only goal, as Portugal won 1–0 to claim their first major tournament title.In winning the final, Portugal became the tenth different nation to win the European Championship, twelve years after losing their first final, at home in the 2004 tournament. France became the second host team to lose the final, after Portugal, and suffered their first defeat at a major tournament hosted in the country since the 1960 European Nations' Cup third-place play-off against Czechoslovakia. This was the fifth European Championship final to end in a draw after 90 minutes of play, and the second whose winners were decided by extra time, after the inaugural final in 1960. As the winners, Portugal gained entry into their first FIFA Confederations Cup, which was played in Russia in 2017.This recording reflects the Wikipedia text as of 00:52 UTC on Thursday, 11 June 2026.For the full current version of the article, see UEFA Euro 2016 final on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Arthur.

After Oleksandr Usyk defeated Tyson Fury in late 2024 for the heavyweight championship, the Ukrainian boxer held up a sabre that once belonged to the 17th Century Ukrainian Cossack Hetman,  Ivan Mapeza, who this episode is dedicated to.    Usyk's fortitude spoke to Ukraine's resilience against a larger foe who initiated the type of vainglorious War Tolstoy condemns, with all of his soul, in W&P.Showcasing the weapon was a transcendent moment of Usyk bringing history to Life.  This ability is something Tolstoy shares given who often he reaches into the past to make literary points. In W&P, for example, Tolstoy cites the Classical world and more recent influences. He skillfully adapts the famous quote from Voltaire: "If god did not exist, it would be necessary to invent him." The Frenchman also had a well-known correspondence with Catherine II, who some of W&P's characters look to as illustrative of an idealized past. Yet part of her reputation involves keeping so many under serfdom. Voltaire urged her to release her serfs.Quite forgotten is how Voltaire contributed to Mazepa becoming an icon of the Romantic age. Victor Hugo, Lord Byron & Franz List, also elevated Mazepa to a status Tolstoy himself briefly references in his 1857 work “Youth.” Tolstoy wrote that if he reaches the age of 70, he envisions that a lovely young woman could love him as easily as she could love….a Mazeppa.Mazepa was born to a noble Cossack family near Kyiv. His father was a town otaman (leader) and his mother instilled in her son a deep devotion to God and Cossack culture. Mazepa received a European education and served at the Polish royal court.  While quite young, he is said to have fallen in love with the wife of a Polish nobleman and to have been punished through being tied to a wild horse and carried back to the Land of the Cossacks, where he was adopted by one of their communities and rose to leader.  He was Hetman from 1687 – 1709.    Mazepa remains a key figure in Ukrainian-Russian relations given he decided to turn his allegiance to Sweden over the Czar during  the Great Northern War. This conflict was fought between Sweden and an anti-Swedish coalition led by Moscow. This intermittent affair lasted about 20 years and involved control over Northern Europe and the Baltics.  Sweden initially did well causing Peter to move his troops inward and draw Charles to invade.The conflict made its way to Mazepa's Cossacks,  whose status and allegiance greatly changed over the previous generation. Since 1654, many were uneasy allies with the Czar after withdrawing support for Poland.  They now felt subject to excessive demands for troops to be used in projects like building canals and fortresses, where they could be worked to sickness and death and used as proverbial “cannon fodder”Thus, in 1708, Mazepa aligned with Charles, giving him 5,000 Cossacks.  Mazepa felt he was choosing the lesser of two evils. Later that year, there was a race of belligerents to Mazepa's home city of Baturyn.  20,000 Russian soldiers commanded by Alexander Menshikov overwhelmed this military arsenal and food store. When the city fell, there was this infamous slaughter of the civilian population.   A number were tied to makeshift crosses or boards and floated down the local river.The next summer, on June  27, 1709, the armies faced off near Poltava, where Peter & Charles were on-hand directing troops. The Czar prevailed and this turn in history explains why Sweden never became a great power. This battle also had a major role in propelling Russia to their status. Yet that fire in the hearts of Ukrainians for independence was not extinguished over the next few centuries. Today, a Ukrainian state exists which exacts quite the toll on Russian aggression.  Ukrainians revere Mazepa for making the best choice he could.Mazepa was excommunicated from the Russian Orthodox Church and Czar Peter also ordered all portraits of the man destroyed. Similarly, Tolstoy,  was separated from the Orthodox Church in 1901 through a Church Proclamation.  Tolstoy's writing on religion led to the church to declare him as a “false teacher” imbued with “intellectual pride.”   This leads me to the second reference to I have found from Tolstoy on Mazppa, which is the  book “Life of Tolstoy” by Tolstoy's long-time English friend and translator,  Alymer Maude.  Maude describes how Tolstoy studied the life of Mazepa upon a friendly wager as a law student.

Katja Hoyer is a German-British historian who has made a career out of explaining Germany to the world—and, just as importantly, to Germans themselves. Born in East Germany in 1985 and now based in Britain, she has written acclaimed histories of the German Empire, the GDR, and most recently the Weimar Republic. Tyler and Katja discuss why communism made East Germans more loyal to the system while it bred dissidents in Poland and Hungary, how happy or unhappy life in the GDR actually was, Tyler's own bleak day-trip to East Berlin in 1984, the underrated literature of the GDR (Christa Wolf, Brigitte Reimann), whether Good Bye, Lenin! got the era right, why it's no coincidence that Richter and Polke came from the East, the strange coexistence of communist prudishness and Germany's nudist culture, what Merkel's East German background did and didn't give her as a chancellor, why East Germans remain dramatically underrepresented in leadership positions today, what makes Weimar the cultural and spiritual heart of Germany, why relatively few Jews ever settled there, how much the citizens of Weimar knew about Buchenwald, what actually killed the Weimar Constitution, how she'd rewrite the Treaty of Versailles, Hitler's citizenship problem, underrated German thinkers, the complacency behind Germany's current economic decline, which side of the Weißwurstäquator she'd choose to live on, and much more. Read a full transcript enhanced with helpful links, or watch the full video on the new dedicated Conversations with Tyler channel. Recorded March 30th, 2026. Other ways to connect Follow us on X and Instagram Follow Tyler on X Follow Katja on X Sign up for our newsletter Join our Discord Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here. Timestamps: 00:00:00 - Intro 00:05:34 - East German Artistic Creations  00:10:55 - Angela Merkel's East German Background 00:14:08 - East German Underrepresentation Today 00:17:02 - East Germans vs. West Germans 00:20:32 - Goethe and Weimar's Cultural Heritage 00:27:09 - What Weimar Knew About Buchenwald 00:31:10 - Why the Weimar Constitution Failed 00:35:21 - Prussia, Bavaria, and Where Nazism Took Root 00:38:23 - Rewriting the Treaty of Versailles 00:39:59 - Historical Antisemitism in Germany 00:42:27 - Hitler's Citizenship problem 00:45:14 - Weimar's Best Cultural Creations 00:47:02 - The Most Underrated German Thinker 00:49:07 - Improving Weimar 00:52:58 - Germany's Economic Malaise 00:55:38 - Living in Britain as a German Historian 01:00:49 - Outro

A Euphrates River War update. Europe's digital noose tightens—digital IDs as your digital twin, Poland vetoes Brussels' censorship law. Mark of the beast infrastructure? Iran launches missiles at Israel as Macron pushes a suicidal two-state solution in Paris. Straight from the headlines to the headlines of prophecy—this is Bible Prophecy 101 on this edition of the Endtime Show! 👉 Subscribe for daily updates on world events and prophecy👉 Learn more at https://watch.osn.tv/browse ⭐️: True Gold Republic: Get The Endtime Show special on precious metals at https://www.endtimegold.com 📱: It's never been easier to understand. Stream Only Source Network and access exclusive content: https://watch.osn.tv/browse 📚: Check out Jerusalem Prophecy College Online for less than $60 per course: https://jerusalemprophecycollege.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of DSC's Campfires, host Larry Weishuhn shares the thrilling details of his recent European roe deer hunt. He recounts his journey through Sweden, Poland, and Scotland alongside friends Mark and Carol Little, as well as expert guides Stefan and Sofia Bengtsson from Scandinavian Pro Hunters. Larry's deep passion for the sport and the delicious rewards of the hunt shine through as he details the beautiful landscapes, his gear, and the magnificent animals he encountered along the way. Larry compares the European roe deer to the whitetailed deer of European countries. These deer have a notably small body size, typically weighing between 50 and 60 pounds. Beyond the challenge of the hunt, Larry notes that the meat from these deer is absolutely delicious. The three-nation hunt was initially created as a donation for the DSC Foundation Gala in 2025. The package was generously put together by Larry alongside Stefan and Sofia Bengtsson of Scandinavian Pro Hunters. Mark and Carol Little purchased the hunt at the gala to help fund various DSC Foundation projects. The actual hunt came to fruition shortly before recording, taking place in May 2026. Larry traveled from Austin to London to Copenhagen, eventually driving across the waterway to the southernmost tip of Sweden. The group hunted on a large estate managed by Scandinavian Pro Hunters. This property featured a beautifully rehabilitated waterway that now supports abundant wildlife and sea-run trout. Carol Little successfully harvested a great deer early in the trip. Larry hunted from a "hochsitz" (an open-top deer blind) using Stefan's single-shot K95 Blaser rifle chambered in 6.5 Creedmoor. He harvested a mature, silver-medal buck with gorgeous ivory-colored antler tips. The group traveled by train from Malmo to Copenhagen, then flew directly into Warsaw, Poland. The Polish hunting grounds were highly agricultural, filled with apple orchards, blackberries, and strawberries. Larry hunted with Stefan and a local English-speaking guide named Derek. Using an R8 Blaser in .243, Larry shot a buck late in the evening. The local property manager used a thermal drone, which is completely legal in Poland, to recover the deer in the dark. This buck scored as a silver medal and featured a unique 3x4 point configuration. On a subsequent outing in Poland, Larry successfully used an 8x57 JS rifle to take another beautiful silver-medal buck. The final leg involved flying into Glasgow, Scotland, and driving to an area near Inverness. Larry hunted with a local Scottish guide named George. Larry used George's 6.5x55 Swede rifle to stalk and harvest another incredible roe deer buck. In total, Larry took four roe deer during the trip, including three 3x3s and two featuring a fourth point. Larry will be attending the Texas Wildlife Association Convention in San Antonio from July 23rd to July 26th. He will also be present at the upcoming DSC Summer Expo and DSC Gala. Another Scandinavian Pro Hunter trip will be auctioned off at the DSC Gala. Listeners can find full written stories and photos on Larry's website at larryweishuhn.net. Video coverage of the hunt will be available on Carbon TV and his YouTube channel, A Sportsman's Life. More information on the DSC Foundation and their conservation efforts can be found at dscf.org and biggame.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

Can you start at the bottom of an industry, back yourself before anyone else does, raise millions, build a fast-growth startup and sell it within three years?FOR THE FULL STORY GET KAROLINA'S NO.1 BEST SELLING BOOK ‘HER PLAY' Karolina Pelc is an entrepreneur, investor, advisor, author and the founder of BeyondPlay, the iGaming startup she launched in 2021, raised £6.1 million for, and sold to FanDuel within just three years.Want more BTB goodness!? Connect Here: https://buildingthebrand.co.uk/newsletterKarolina's journey started far from the world of startup exits, venture capital and acquisition deals. At 19, she trained as a casino dealer in Poland, worked in tough casino environments, moved to London, lived in difficult conditions, worked on cruise ships, and eventually fought her way into the online gaming industry from the very bottom of the career ladder.In this episode of Building The Brand, Karolina breaks down how she turned lived experience in real-world casinos into a powerful insight about the future of online gaming. She explains how she raised £1.2 million from a pitch deck, built BeyondPlay through the pandemic, scaled the team to 50 people, navigated product pivots, licensing complexity, investor pressure, founder burnout and eventually sold the company to FanDuel.She also shares why she does not believe in luck, why starting again can be a strategic move, why founders cannot make everyone like them, and why hustle only works when it is intentional.Karolina shares:▪️ Why she does not believe luck created her success▪️ Why she was willing to start again in a junior role▪️ How real-world casino experience shaped the idea for BeyondPlay▪️ Raising £1.2 million from a deck during the pandemic▪️ Why approval cannot be the operating system for founders▪️ Selling BeyondPlay to FanDuel within three years▪️ What really happens during a fast acquisition processFind out more about Karolina Pelc here:https://karolinapelc.com/Key Moments:0:00 — Karolina Pelc on quitting, growth, pressure and selling BeyondPlay1:07 — Why Karolina does not believe in luck3:16 — Starting, funding and selling BeyondPlay within three years6:57 — The brutal training process to become a dealer8:00 — Her first major casino customer and early resilience12:19 — Arriving in London and the reality of starting again17:35 — Homelessness and learning the hard way21:20 — Reality distortion filter, belief and ambitious goals24:05 — Understanding the different levels of the casino world30:47 — Moving from casinos and cruise ships into online gaming34:35 — The idea that eventually became BeyondPlay37:21 — Raising £1.2 million during the pandemic44:18 — What BeyondPlay actually built50:33 — Regulation, licensing and startup complexity52:21 — The risky second product that changed the company57:00 — Founder mode and transparent leadership59:00 — Why CEOs cannot have everyone agree with them1:00:12 — Work-life balance, values and startup reality1:06:40 — People pleasing, burnout and founder pressure1:09:30 — Building BeyondPlay with an exit in mind1:11:13 — Selling the company in two months1:14:54 — What the day of signing the deal actually felt like1:17:13 — Leaving the company after acquisition1:19:49 — Achievement addiction, writing the book and what comes next1:24:14 — Who Karolina wrote the book for

As the war in Ukraine enters its fourth year , Europe finds itself facing a monumental geopolitical shift. With the United States under an erratic presidency taking a highly transactional, unpredictable approach to its historic alliances , the transatlantic network that has guaranteed Western security for eighty years is under profound strain. Can Europe truly step up to secure its own future , or is the dream of "strategic autonomy" just a lot of hot air?In this episode, hosts Patrick Bishop and Roger Moorhouse sit down with historian, author, and political commentator Dr. Helene von Bismarck. Together, they unpack the fragile state of European diplomacy, the erosion of international norms , and the rising tide of populism that threatens to derail Western resolve.They also dive into Helene's latest book, Fantastic Kingdom: A Foreigner's Portrait of the United Kingdom. Helene offers a sharp, constructive, yet brutally honest perspective on Britain's current grand strategic blindness, its inward-looking political debate, and the dangerous intersection between the global security crisis and the domestic crisis of liberal democracy.In this episode, we discuss:The Transatlantic Rift: Why European governments—from Berlin to Paris to London—are terrified of a fracturing NATO and how they are struggling to prepare for an unpredictable White House.The Power of Historical Memory: How ancient rivalries are being rewritten in lockstep cooperation (such as Poland and Germany) , and how visiting a Latvian museum reveals the deep-seated trauma that still shapes European responses to Russia.The Danger of Stereotypes: How crises like Brexit revive lazy national clichés just when we can least afford them.The Inward-Looking Kingdom: Helene's deep disappointment with the current Labor government's fear of bold reform, and why ignoring international affairs to appease domestic populism is a losing strategy for any government.Security vs. Welfare: Why the modern debate around cutting social spending to fund defence is fundamentally flawed, and why protecting democracy and protecting state security are two sides of the same coin.Join the Conversation: If you have a question about the war in Ukraine or any of the conflicts we cover, email us at podbattleground@gmail.comFollow us on:X - @PodBattlegroundInstagram - podbattlegroundProducer: James HodgsonA Goalhanger Podcast Hosted on Acast. See acast.com/privacy for more information.

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Leighton catches up with friend of the pod, Renate Roeleveld, CEO of the GCAE, where we look at what's happening, including the upcoming Conference in November.  The theme will be around experience and we touch on this throughout.  Hugo Mills then joins us to discuss The R&A's mission to grow the game around the world and the challenges of increasing participation across both established and emerging golf markets. Drawing on his work with more than 160 golf federations globally, Hugo shares insights into how different countries are approaching golf development, why accessibility remains one of the sport's biggest challenges, and the role that new formats, urban facilities, simulators and short-form golf experiences can play in attracting new players. The conversation explores the importance of making golf easier to access and more affordable to start, while also highlighting examples of innovative work taking place in countries such as Malta, Poland, Chile and Colombia. Hugo also discusses golf's growing social value, from health and wellbeing benefits to community impact, and why these factors could help unlock greater investment in the sport in the years ahead. A fascinating look at the future of golf development and the opportunities that exist to bring the game to new audiences around the world. https://www.randa.org/about-us https://www.gcaeconference.eu/gcae-conference/ Connect with Us: Instagram: @golfclubtalkuk Website: Golf Club Talk UK https://www.linkedin.com/in/leighton-walker-2708b627/   A big thanks to our partners: Toro - Click here for more information Himalayas Golf - Click here for more information   Support us here: https://buymeacoffee.com/gctuk Rate & Review Please leave a 5-star review and share this episode with your golf circle!  

Welcome Mary Pero, our newest co-host here at Women Worth Knowing!Mary is a certified ghostwriter and book coach, worship leader, and former missionary to Poland and Ireland who loves a good story. When she's not filling in for Cheryl or Robin, you can find her reading, writing, and dreaming up new projects for her husband in their historic English Revival home in Southern California.Resources:Website: https://marypero.com/Social: https://www.instagram.com/maryperohttps://www.facebook.com/MaryPero.BookCoach.Ghostwriter/

Karolina Wydra's performance as Zosia in Vince Gilligan's new hit series "Pluribus" is impressive on many levels, but it wasn't until I talked to her for this podcast that I realized the absolute herculean challenge this role is for an actor. Zosia is part of the single consciousness, and is no longer ruled by the hang-ups, shortcomings, and flaws of a normal human existence. "Remember, she has no nerves!" Gilligan kept telling her. Luckily Wydra faced the challenge head-on. On this episode, she talks about her journey from Poland to America, from model to actor, dipping in various acting disciplines before she created her own blend, and the break she took from her career to feed another love in her life. It was during that break, when her reps had dropped her, that the Pluribus team went looking for her, not knowing that it was her absolute dream to work for Gilligan. This is an inspiring episode about being fully dedicated to the work, following your heart, and letting love lead the way. Back To One is the in-depth, no-nonsense, actors-on-acting podcast. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Subscribe to Back To One on Substack Follow Back To One on Instagram

For the Make a Wish Foundation – tune in to hear a sweet child's unique and meaningful request when granted anything she could ever want. -------- Thank you for listening! Your support of Joni and Friends helps make this show possible.     Joni and Friends envisions a world where every person with a disability finds hope, dignity, and their place in the body of Christ. Become part of the global movement today at www.joniandfriends.org   Find more encouragement on Instagram, TikTok, Facebook, and YouTube.

On this weekly simulcast we take a look at the situation in Crimea. How bad is the fuel shortage? What is Poland doing to prepare against the next move?  YouTube - https://www.youtube.com/watch?v=uG0xMq7jxsI  Channel Support - https://www.paypal.com/ncp/payment/FGHPVTVAPRUNU Jeff Nyquist - www.jrnyquist.blog Trevor Loudon - www.trevorloudon.com and www.keywiki.org  Lee Wheelbarger - www.klwworldnews.com Follow us on X: @Anderson10x3 @JRNyquist @TrevorLoudon1 @KLWNews1

In this week's episode, Dave is joined by Bartosz Skwarczek, Founder and Chairman of G2A, for a fascinating conversation about trust, artificial intelligence, and how digital marketplaces are preparing for the next era of online commerce. Bartosz shares the story behind G2A's growth from a small gaming business in Poland to one of the world's largest digital entertainment marketplaces, serving more than 35 million users across 180 countries. What began as a traditional online store evolved into a global marketplace, creating an ecosystem where buyers and sellers can connect at scale while maintaining security and trust. A key theme throughout the episode is the changing nature of trust in the age of AI. Historically, trust in e-commerce centred on the relationship between buyers, sellers, and marketplaces. However, as AI agents become increasingly capable of making decisions on behalf of users, businesses are now facing a new challenge: how do consumers learn to trust autonomous systems? The discussion explores research conducted by G2A and Juniper Research, which found that around 30% of consumers would already be willing to allow an AI agent to complete an entire purchasing journey on their behalf, including selecting products and making payments. While adoption is still in its early stages, the findings suggest that consumer attitudes towards AI are evolving rapidly. Another important theme is the rise of agentic commerce. As AI agents become more sophisticated, future transactions may increasingly take place between autonomous systems acting on behalf of both buyers and sellers. This creates new challenges around governance, accountability, and verification, raising important questions about how trust can be established in an AI-driven marketplace. The conversation also highlights G2A's long-standing investment in artificial intelligence. Long before the recent AI boom, the company was using machine learning to power anti-fraud systems and improve security. Today, AI supports a wide range of functions across the organisation, from fraud prevention and operational efficiency to customer experience and decision-making. Fraud prevention is another major focus of the discussion. As AI tools become more accessible, both businesses and bad actors are becoming more sophisticated. Bartosz explains how G2A combines seller verification, payment security, real-time anomaly detection, and continuous data analysis to create a secure environment while maintaining a seamless customer experience. Finally, the conversation turns to the future of AI adoption. Rather than viewing AI as simply another productivity tool, Bartosz argues that organisations must embed it into their culture, processes, and ways of working. As AI agents become increasingly capable, the companies that succeed will be those that can balance innovation with trust, transparency, and security. For anyone interested in artificial intelligence, digital commerce, fintech, and the future of trust online, this episode offers valuable insights into how marketplaces are adapting to a world where humans and AI increasingly work side by side.

(The Real Reason I Still Keep Going Even When It Feels Pointless)Real work. The kind that doesn't show up on social media. The kind that doesn't get recognized, that feels invisible—until it doesn't.I come from a family of immigrants. My dad's family moved from Poland in the 1930s and ended up in the far north of Canada. They were homesteaders—settling into this cold, isolated place that couldn't have been more different from what they left behind.They didn't speak the language. They didn't have money. But they knew how to work. And they knew that if they didn't figure it out, no one else would do it for them.My dad wasn't someone who gave advice. He wasn't the kind of guy to sit you down and say, “Here's what matters.” He just did it. He just worked.He did shift work—two days on, two days off, three days on, three days off—for decades. And even on his days off, he'd wake up, eat something quick, and go right back outside to work on something. He was always fixing things. Always building something. Always moving.And that was our normal. Nobody in our house paid someone to fix anything. If the car broke down, he'd fix it in the garage. If the dishwasher broke, he'd take it apart. If something needed to be built, we built it. That's just what you did.Everything in our house was DIY. Because we didn't have another option.There were six kids. We didn't have much. But we knew how to work and how to save. That's what we were taught.And here's where it gets complicated.Because now—after going through school, getting a PhD, becoming a professor, building this R3ciprocity Project—I see the world so differently. I'm in a totally different space than my parents were. And yet…That mindset is still with me. That constant drive to work. To build. To keep going even when it feels pointless.Day after day. When no one's watching. When the results aren't coming in. When you're not sure it's ever going to pay off.I'm building something that I can't fully explain. And every single day I have to remind myself: just show up. Just keep doing the work.You don't need clarity to keep going. You just need courage.You just need to get up and try again tomorrow.Because here's what I've learned watching my parents, and especially my dad: faith isn't about having all the answers. Faith is what you do when you don't have the answers. When the future is completely unclear and you do the work anyway.There's a kind of quiet resilience in people who just keep going—who don't wait for permission, or praise, or proof.I still remember how quiet he was. How much he worked. How much he provided for us without ever needing to be seen.And now I get it. Now that I'm a dad, and I'm building something that feels impossible most days—I get it.You don't need to be perfect. You don't need to be efficient. You just need to show up.

Happy Mindful Monday Everyone! In this week's episode, our host Allie Brooke sits down with Katarzyna (Kasia) Dodd. She  is a European-licensed psychologist, therapist, and author who is completely shifting how we approach subconscious healing. She is the developer of the Inner Parent Theory—a powerful and necessary missing piece of the traditional Inner Child framework —which she explores deeply in her book, You Are the Dream of the Universe. As a true pioneer in somatic and energy work, Katarzyna introduced Emotional Freedom Techniques (EFT) to Poland and created the Inherence® Process, a dedicated method for restoring an unshakeable connection with your deepest Self. Born in Kraków, she spent 22 years in the United States before relocating to the Indian Ocean coast of Africa, bringing a highly global and expansive perspective to her practice. Her newest book, The Chameleon's Game, exposes the hidden psychological traps of covert narcissism. In this episode, she breaks down those draining dynamics and provides a clear, actionable roadmap for reclaiming your self-trust, personal clarity, and peace.   In this episode, they discuss; Rebuilding from the Ground Up: The vital first step to constructing a supportive, protective "Inner Parent" immediately following a relationship that shattered self-worth. Embodiment vs. Intellectualizing Healing: Why logically understanding toxic dynamics isn't enough to heal, and how the Inherence® Process bridges that gap to restore connection with the "deep Self." Real-Time Nervous System Regulation: Navigating sudden triggers, fear, or intrusive memories using immediate somatic tools (like EFT and meditation) rather than defaulting to old subconscious safety mechanisms. The Anatomy of a Grounded Boundary: The critical energetic difference between setting a boundary fueled by reactive fear and anger versus one anchored by a calm, empowered Inner Parent. How To Connect w| Kasia https://katarzynadodd.com https://peakpowereft.com The Growth METHOD. FREE Membership◦ ⁠⁠⁠⁠⁠⁠⁠⁠Join Here!⁠⁠⁠⁠⁠⁠⁠⁠ 1:1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ GROWTH MINDSET COACHING PROGRAMS!◦ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Application Form ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ What are the coaching sessions like?⁠⁠• Tailored weekly discussion questions and activities to spark introspection and self-discovery.• Guided reflections to help you delve deeper into your thoughts and feelings.• Thoughtfully facilitated sessions to provide maximum support, accountability, and growth.• Please apply for a FREE discovery call with me!• Allie's Socials• Instagram:@thegrowthmindsetgal• TikTok: @growthmindsetgal• Email: thegrowthmindsetgal@gmail.comLinks from the episode• Growth Mindset Gang ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠ Broadcast Channel⁠⁠⁠⁠⁠⁠⁠⁠• Growth Mindset Gang ⁠⁠⁠⁠⁠⁠⁠⁠Newsletter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• Growth Mindset Gal ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• Better Help Link: Save 10%SubstackDonate to GLOWIGloci 10% off Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Lecture from festival of Bhagavatam / Wykład z festiwalu Bhagavatam Ustka, Poland 2026-05-31

In this episode, Ania and Roy dive into everyone's favourite topic — Wakacje (Vacation)! They chat about when they prefer to take their holidays, what comes to mind when they think of time off, and the classic debate: active holidays vs. lazy all-inclusive resorts. Roy shares his plans for Ibiza, while Ania admits she is firmly on "Team Lazy". Along the way, you'll learn plenty of Polish vocabulary for describing holidays, travel preferences, and relaxing.  

In this episode, Ania and Roy tackle a topic close to every Polish learner's heart — the very first words and sounds you encounter when learning Polish! Roy shares his honest experience as a foreigner living in Poland: from the very first Polish word he ever heard (spoiler: it's a swear word!), to the hardest names and phrases to pronounce, to the hilarious story of using the wrong word at a very formal meeting. Along the way, Ania reveals the most common pronunciation mistakes her students make and explains why making mistakes is actually a vital part of the process.  

There is a custom that some observe to read the section of the Ketoret from a piece of parchment upon which the text of the Ketoret is written in ink and in the same format as in a Sefer Torah. I was exposed to this custom for the first time when praying with Hacham Ovadia Yosef. When the time came for the recitation of the Ketoret, his assistant brought him a parchment from which the Hacham read the Ketoret. This custom is mentioned by Rav Haim Palachi (Turkey, 1788-1868), both in Kaf Ha'haim and in Ru'ah Haim. It appears also earlier, in Seder Ha'yom (Rav Moshe Ben Machir, Safed, 16 th century). These works emphasize the great value and benefit of observing this custom, how it brings wealth and prosperity – just as the Kohen who offered the Ketoret in the Bet Ha'mikdash was blessed with wealth. However, this custom is subject to a great deal of controversy. The majority view among the Rishonim – a position held by both the Rambam and the Rosh – forbids writing a portion of the Torah on parchment. This is based on the Gemara's discussion in Masechet Gittin (60a), where we read that Rabba explicitly forbade writing a portion of the Torah on parchment for a child to study from. By contrast, the Rif (Rav Yishak Alfasi, Morocco, 1013-1103) ruled that it is permissible to write a portion of the Torah on parchment. Maran (author of the Shulhan Aruch), in Bet Yosef, reconciles the Rif's lenient ruling with the Gemara's discussion in Masechet Gittin by noting that other Amoraim disagreed with Rabba's ruling. They allowed writing a small portion of Torah on parchment as this became necessary to ensure the continuity of Torah, that it will not be forgotten. However, despite Maran's defense of the Rif's position in Bet Yosef, in the Shulhan Aruch he follows the stringent opinion of the Rambam and the Rosh. And, generally speaking, when we find conflicting rulings in the Bet Yosef and Shulhan Aruch, it is assumed that the ruling in the Shulhan Aruch – Maran's later work – is the more authoritative position, and should be followed. It would thus seem that one may not write the section of the Ketoret on parchment, or hire a Sofer to do so. By contrast, numerous Ashkenazic Poskim ruled leniently. The Bayit Hadash (Rav Yoel Sirkis, Poland, 1561-1640) writes that the custom is to allow writing sections of the Torah on parchment, and this is the view also of the Shach (Rav Shabtai Ha'kohen, 1621-1662), the Taz (Rav David Segal, 1586-1667), and other Ashkenazic authorities. In modern times, this view was accepted by the Hazon Ish (Rav Avraham Yeshaya Karelitz, 1878-1953). The famous "Lederman Shul" in Bnei-Brak, where Rav Chaim Kanievsky (1928-2022) would pray, features on the wall a large piece of parchment with the Ketoret section, following the lenient ruling of the Hazon Ish. Accordingly, Hacham Ovadia ruled that if a Sepharadi wishes to observe this custom, he must purchase the parchment specifically from an Ashkenazic Sofer, as preparing such a parchment is allowed by Ashkenazic Poskim, but forbidden for Sepharadim because of the Shulhan Aruch's stringent ruling. A number of Sephardic Poskim disagreed with Hacham Ovadia on this point. Most notably, Rav Moshe Levi (1961-2000), in his Tefila Le'Moshe, writes that the Shulhan Aruch forbids writing a small portion of the Torah on parchment only because this is disrespectful to the Torah. However, writing the entire section of the Ketoret, which includes the Gemara's discussion elucidating the Biblical text, is not in any way disrespectful, and is thus permissible even according to the Shulhan Aruch. Others note the practice among Kabbalists to pray from texts written on parchment that included passages from the Torah – thus demonstrating that the Shulhan Aruch's stringent ruling was not accepted. Moreover, as mentioned earlier, the custom to recite the Ketoret from a text written on parchment appears already in Seder Ha'yom – a work by a contemporary of Maran. Some have pointed to this source as further evidence that the Shulhan Aruch's stringent ruling was not necessarily accepted. Regardless, in light of Hacham Ovadia's ruling, it is proper for a Sepharadi who wishes to observe this custom to purchase the parchment from an Ashkenazic Sofer. If, however, a Sephardic Sofer prepared such a parchment, it may be used.

At 16, after seven years of isolation, pain and physical and emotional abuse Christine Sadry reached a breaking point. She was battered, bruised, and could no longer see a way forward. In that moment of deep despair, she attempted to take her life. As she was slipping into unconsciousness, something deep within her stirred — a spark of life that refused to go out. She called a friend just to thank her for her friendship. Her friend heard something in Christine's voice and sensed something was wrong. That phone call saved her life. And it also became a turning point. That moment of hopelessness became the beginning of her strength.   Christine Sadry was born in Poland, behind the Iron Curtain, and was adopted in 1964 by a Polish American couple living in the United States. After graduating from West Catholic Girls High School in Philadelphia, Pennsylvania, she worked at the United States Social Security Administration from 1973 to 1979. She started her 31-year career with the United Nations in 1979, working on international conferences. Later, she began working with the United Nations peacekeeping missions in Angola, Mozambique, former Yugoslavia, Sierra Leone, and the Democratic Republic of Congo.    13 Years Lost was selected as a finalist for the Independent Book Publishers Award! The ceremony in St. Paul, Minnesota, was a beautiful celebration of literary voices and creative spirits.                                       Grab your copy NOW Christine had a deep need to give voice to her story that was buried for so long to help others who have endured pain in silence. She wanted to show that even in the face of abandonment, trauma, and isolation, it is possible to heal, to rise and to live a life with hope and meaning. Standing alone in the baggage claim of JFK International Airport, nine-year-old Christine Sario anxiously awaited the arrival of her new parents. After the untimely death of her beloved mother and the abandonment by her father, Christine was sent by her grandmother to the United States and the hope of a better future. Her resilience led her to New York City, where she started over with her daughter, Dana. There, she will begin a remarkable, exciting career at the United Nations. This is the extraordinary story of a Polish immigrant who overcame unthinkable challenges and embraced the American dream. Follow Christine as she defies the odds, travels the world, is blessed by the Pope, and finds true love. C

For decades, the striker had one job: stand in the box and score goals. Then Guardiola made them midfielders, Klopp made them defenders, and now Erling Haaland has arrived to destroy the system. Welcome back to FUT IN REVIEW | World Cup Daily. In Episode 5, host GPM is joined by Art (all the way from Poland) and John (live from Perth) to settle the ultimate football debate.Has the classic center-forward actually died, or is Haaland proving it was just waiting? More importantly, which tactical system will conquer the World Cup this summer?We dive deep into the evolution of the game's most iconic shirt:The Classic Hitmen: Remembering the era of Alan Shearer, Gabriel Batistuta, Didier Drogba, and El Fenómeno (R9).The Guardiola Revolution: How the False Nine system with Lionel Messi and Roberto Firmino changed football forever.The Haaland Paradox: Why Manchester City's tactical mastermind brought in a 35 km/h blonde Viking to win the treble—and why the False Nine might just be a workaround for when you don't have Haaland.The Ultimate World Cup Test: Fluid football vs. Brute force. We contrast tournament favorites Spain (building around Yamal and Nico Williams without a traditional striker) against dark horses Norway (completely built around feeding Haaland).The Complete Forward: Why Harry Kane is the ultimate modern template—and whether he will secure the Golden Boot for England.The Lewandowski Dilemma: Art breaks down why Robert Lewandowski thrives at Barcelona but struggles as a classic 9 for Poland.Listen Early & Win Prizes: Want to hear every episode the exact second we finish recording? Join our Patreon to unlock instant early access, lock in your picks for the official Predictor League, and enter the World Cup Sweeps! Check us out at patreon.com/futinreviewRate the Show: Support our daily grind! Take 10 seconds to hit that 5-star review button on Spotify or Apple Podcasts. It helps us massively to reach more football fans worldwide.Share the Passion: Share this episode with that one mate who still complains that modern strikers don't know how to score a classic bullet header!Instagram: @futinreviewTikTok: @futinreviewpodcastWebsite: futinreview.com00:00 - Did Guardiola and Klopp Kill the Striker? Welcome to Episode 500:43 - Patreon Sweeps, Predictor Leagues & Welcoming Art and John01:56 - Positionless Football: Are Modern Strikers Expected to Do Everything?03:53 - The Legend of Alan Shearer & Batistuta: What Made the Classic 9 So Deadly?05:01 - The Lewandowski Paradox: Thriving at Barca vs. Struggling for Poland06:48 - The R9 Hype & The Guardiola False Nine Revolution08:24 - Roberto Firmino's System: Is Creating Space More Valuable Than Goals?11:18 - Gaggenpressing & The Smart Press: Is it Fair to Ask Strikers to Defend?13:22 - The "Dark Arts" of Chasing Center-Backs & The Vinicius Jr. Defense Debate14:36 - The Haaland Upgrade: Alan Shearer Reborn in a 21st-Century Athlete16:40 - Why Pep Guardiola Ditched the Strikerless System for a Nordic Finisher18:43 - World Cup Tactical War: Spain's Fluidity vs. Norway's Brute Force22:01 - Harry Kane: The Complete Blueprint of the Ultimate Modern Striker24:14 - World Cup 2026 Winner Predictions: France, Portugal, or a Surprise Netherlands Win?25:36 - Golden Boot Picks: Kylian Mbappé, Harry Kane, or a South American Surprise?26:50 - Outro: Support the Patreon

Elena Poniatowska, Mexico's most celebrated journalist and one of the most significant literary voices in the Spanish-speaking world, argues in this conversation that the crisis of contemporary journalism is inseparable from the collapse of critical reading—and that both are symptoms of a deeper cultural abandonment. Born in Paris in 1932 to a French-Polish father and Mexican mother, Poniatowska contends that her formation as a writer was shaped by displacement, by learning to listen to those rendered voiceless by history, and by understanding that journalism must be an act of solidarity before it is anything else. Widely credited with helping to establish the genre of testimonio in Latin American letters, she transformed the voices of the marginalised into literature that forced an entire nation to confront its own silence. She maintains that her landmark work La Noche de Tlatelolco was not a journalistic achievement but a moral obligation, and reflects on her decision to refuse the Xavier Villaurrutia Prize, asking who would award the dead. Poniatowska insists that the greatest threat to literature and journalism today is not artificial intelligence but the disappearance of patience—the willingness to sit with a text, a story, or a life long enough for meaning to emerge. At 94, she affirms her belief in the innate goodness of human beings as not a sentiment but a necessity.Elena Poniatowska, la periodista más célebre de México y una de las voces literarias más significativas del mundo hispanohablante, sostiene en esta conversación que la crisis del periodismo contemporáneo es inseparable del colapso de la lectura crítica—y que ambos son síntomas de un abandono cultural más profundo. Nacida en París en 1932 de padre franco-polaco y madre mexicana, Poniatowska afirma que su formación como escritora estuvo marcada por el desplazamiento, por aprender a escuchar a quienes la historia había silenciado, y por comprender que el periodismo debe ser ante todo un acto de solidaridad. Ampliamente reconocida por haber contribuido a establecer el género del testimonio en las letras latinoamericanas, transformó las voces de los marginados en literatura que obligó a una nación entera a confrontar su propio silencio. Sostiene que su obra emblemática La Noche de Tlatelolco no fue un logro periodístico sino una obligación moral, y reflexiona sobre su decisión de rechazar el Premio Xavier Villaurrutia, preguntando quién iba a premiar a los muertos. Poniatowska insiste en que la mayor amenaza para la literatura y el periodismo hoy no es la inteligencia artificial sino la desaparición de la paciencia—la disposición a permanecer con un texto, una historia o una vida el tiempo suficiente para que emerja el significado. A los 94 años, reafirma su creencia en la bondad innata de los seres humanos no como un sentimiento sino como una necesidad.English transcript:SAVAGE MINDS — Elena PoniatowskaJulian Vigo (00:00:15):Welcome to Savage Minds.Julian Vigo (00:00:26):I am your host, Julian Vigo.Julian Vigo (00:00:30):Today's guest is Elena Poniatowska Amor,Julian Vigo (00:00:33):daughter of a French father of Polish origin, Jean E.Julian Vigo (00:00:37):Poniatowski, and Mexican mother Paula Amor.Julian Vigo (00:00:41):She was born in Paris in 1932.Julian Vigo (00:00:46):She has practiced journalism since 1953 at the newspapers El Día, Excélsior, Novedades, and La Jornada.Julian Vigo (00:00:57):She is the first woman to receive the National Journalism Prize.Julian Vigo (00:01:02):Among her works is La Noche de Tlatelolco,Julian Vigo (00:01:05):a classic since its publication, for which she was awarded the Xavier Villaurrutia Prize,Julian Vigo (00:01:12):which she refused, asking who was going to award the dead.Julian Vigo (00:01:17):Her novels and stories include La Flor de Lis,Julian Vigo (00:01:20):De Noche Vienes and Tlapalería,Julian Vigo (00:01:24):Paseo de la Reforma,Julian Vigo (00:01:26):Hasta No Verte Jesús Mío,Julian Vigo (00:01:28):The Life of a Mexican Soldadera,Julian Vigo (00:01:31):Querido Diego Te Abraza Quiela, Tinísima, winner of the Mazatlán Prize in 1992, La Piel del Cielo,Julian Vigo (00:01:40):winner of the Alfaguara Novel Prize in 2001, and El Tren Pasa Primero,Julian Vigo (00:01:48):about the lives of Mexican railway workers,Julian Vigo (00:01:52):winner of the Rómulo Gallegos International Novel Prize in 2007. Leonora won the Premio Biblioteca Breve Seix Barral in 2011. El Universo o Nada (2013) is the biography ofJulian Vigo (00:02:07):astrophysicist Guillermo Haro. Ondas de la Niña Mala is her first poetry collection, andJulian Vigo (00:02:14):her children's books include Boda en Chimalistac, La Vendedora de Nubes,Julian Vigo (00:02:20):El Burro que Metió la Pata, Sansimonsi, illustrated by Rafael Barajas el Fisgón, and ElJulian Vigo (00:02:27):Niño Estrellero by Fernando Robles, and El Charito Cantor by Osvaldo Hernández.Julian Vigo (00:02:34):Her most recent novel, El Amante Polaco, portrays the last king of Poland, Stanisław AugustJulian Vigo (00:02:41):Poniatowski. Translated into 20 languages. Gabi Brimmer and Las Mil y Una, the story ofJulian Vigo (00:02:48):Paulina,Julian Vigo (00:02:49):address social issues.Julian Vigo (00:02:52):After receiving honorary doctorates from UNAM and UAM,Julian Vigo (00:02:57):she was awarded them from the University of Puebla,Julian Vigo (00:03:01):Sonora, Estado de México,Julian Vigo (00:03:04):Guerrero,Julian Vigo (00:03:06):Chiapas, and Puerto Rico.Julian Vigo (00:03:09):She also received honorary degrees from the New School for Social Research in New York,Julian Vigo (00:03:13):Manhattanville College, and Florida Atlantic University in the United States, and fromJulian Vigo (00:03:19):Paris 8,Julian Vigo (00:03:19):La Sorbonne, and Pau-Pyrénées, as well as the Maria Moors Cabot Prize for Journalism atJulian Vigo (00:03:27):Columbia University, New York, in 2004, and from the Universidad Complutense, Madrid, inJulian Vigo (00:03:32):2015.Julian Vigo (00:03:34):She received the French Legion of Honour at the rank of Officer, the Gabriela Mistral Prize from Chile, and inJulian Vigo (00:03:41):2006, the Courage Award from the International Women's Media Foundation.Julian Vigo (00:03:43):In 2013 she was awardedJulian Vigo (00:03:49):the Miguel de Cervantes Prize for literature in the Spanish language, and she received theJulian Vigo (00:03:55):Belisario Domínguez Medal in 2022.Julian Vigo (00:03:58):This is the highest honour granted by the Senate of the Mexican Republic, along with theJulian Vigo (00:04:05):Carlos Fuentes International Prize for Literary Creation in the Spanish Language in 2023.(00:04:12):I welcome Elena Poniatowska to Savage Minds.Julian Vigo (00:04:19):I wanted to begin with a memory I have of you.Julian Vigo (00:04:22):In 1993,Julian Vigo (00:04:25):I think,Julian Vigo (00:04:27):or 94 —Julian Vigo (00:04:28):one of those two years —Julian Vigo (00:04:29):I was in Puebla,Julian Vigo (00:04:31):Cholula,Julian Vigo (00:04:32):teaching at the Universidad de las Américas.Julian Vigo (00:04:35):Yes.Julian Vigo (00:04:36):And you came to give a talk at an observatory — I believe it was Tonantzintla.Elena Poniatowska (00:04:44):Yes, of course.Elena Poniatowska (00:04:46):Yes, I remember it, andJulian Vigo (00:04:49):you made a great impression on me that day. But I must confess that your entire life's work made a great impression on me — not only on me. I wanted to begin with your formation, your life, because you were born in France andJulian Vigo (00:05:12):how do you remember your childhood in France, and what elements of that world did you bring with you when you arrived in Mexico in 1942?Elena Poniatowska (00:05:21):Well, thank you very much for your interest.Elena Poniatowska (00:05:29):I can tell you that I was born in 1932 in Paris, France, because my mother Paula Amor marriedElena Poniatowska (00:05:42):Juan Poniatowski, who held a noble title — that of prince —Elena Poniatowska (00:05:54):because the last king of Poland was Stanisław Poniatowski, who was, I believe, one ofElena Poniatowska (00:06:07):the lovers —Elena Poniatowska (00:06:09):one of the younger lovers of the Empress of Russia, Catherine the Great.Elena Poniatowska (00:06:21):My mother was a woman born also in Paris, of Mexican origin, who leftElena Poniatowska (00:06:32):France because of the Mexican RevolutionElena Poniatowska (00:06:36):and went to live with her parents — Pablo Amor and Elena Iturbe de Amor — inElena Poniatowska (00:06:49):Biarritz, and they later moved to Paris. My mother always spoke Spanish with a French accent. She had two sisters who also lived in France for a long time,Elena Poniatowska (00:07:07):and they were rather Frenchified. She met my father Jean Poniatowski in Paris andElena Poniatowska (00:07:20):married him, and I was born in 1932 in Paris.Elena Poniatowska (00:07:25):I would like to knowJulian Vigo (00:07:31):more about this experience, because as you probably know — especially Americans and Canadians — they think everyone wants to come to their countries. But something they don't know until they travel is that in Mexico, Honduras, and all of Latin America there is a great deal of immigration, people from every country in the world. Why not?Elena Poniatowska (00:08:01):Her mother was in France; my mother was Mexican, born in France. Her family — she had a grandmother, my mother's great-grandmother, who was Russian, and in general her father was educated in England, so they wereElena Poniatowska (00:08:29):Mexicans — Amor is a Mexican surname — but they were very closely tied to Europe. For my mother, living in Europe was very natural becauseElena Poniatowska (00:08:49):she first attended a boarding school in Switzerland, in Lausanne,Elena Poniatowska (00:08:56):and then was in Paris. At a Rothschild ball she met my father JuanElena Poniatowska (00:09:07):Poniatowski and married him in 1931,Elena Poniatowska (00:09:17):or perhaps at the beginning of 1932, because I was born on the 19th of May 1932.Elena Poniatowska (00:09:29):My sister was born in 1933.Julian Vigo (00:09:34):As a child who spoke French and had to learn Spanish, in what way did language become your first tool for survival?Elena Poniatowska (00:09:47):Well, I also know English and French. Language, for me — learning Spanish in Mexico — was obviously about communicating with people in the streetElena Poniatowska (00:09:56):and with friends at school. But French remained my mother tongue, andElena Poniatowska (00:10:03):later I dedicated myself to speaking Spanish with the people at home, with the MexicansElena Poniatowska (00:10:14):I met at school.Elena Poniatowska (00:10:23):Curiously, I attended an English school called the Windsor School, but I learned SpanishJulian Vigo (00:10:38):in the street — one always learns Spanish better in the street. You learn so much from people in Mexico. I found people very warm and open. On the other hand, for Mexicans in my country, it's not the same at all.Julian Vigo (00:10:59):What was the first moment you felt that writing was the only possible way to understand the Mexico around you?Elena Poniatowska (00:11:11):Well, I would never say it was the only possible way.Elena Poniatowska (00:11:17):I think that at twenty,Elena Poniatowska (00:11:22):twenty-one years old, returning from studying at a convent of nuns, I had theElena Poniatowska (00:11:30):good fortune to be able to start writing at a newspaper called, at that time,Elena Poniatowska (00:11:42):Excelsior.Elena Poniatowska (00:11:43):They asked me to submit a daily article,Elena Poniatowska (00:11:48):an interview,Elena Poniatowska (00:11:51):a chronicle, and I did so with enormous enthusiasm and great pleasure, because it allowed meElena Poniatowska (00:12:00):to know Mexico much better, and also to meet great figures of Mexico such asElena Poniatowska (00:12:09):Diego Rivera,Elena Poniatowska (00:12:11):José Clemente Orozco, actresses like Dolores del Río and María Félix, architects likeElena Poniatowska (00:12:20):Luis Barragán, and writers — even writers of my own generation, or slightlyElena Poniatowska (00:12:31):older than me — such as Juan Rulfo,Elena Poniatowska (00:12:38):Rosario Castellanos, Carlos Fuentes, and of course Octavio Paz.Julian Vigo (00:12:46):What a rich life! María Félix — what a figure!Julian Vigo (00:12:52):How was your experience beginning in journalism in the early 1950s in a predominantly male environment?Elena Poniatowska (00:13:05):Well, I was truly very lucky, because people were very kind andElena Poniatowska (00:13:14):even affectionate towards me. No one ever refused me an interview. I was able to reach Alfonso Reyes, Octavio Paz,Elena Poniatowska (00:13:25):the great architect Luis Barragán, José Vasconcelos the philosopher, and all were veryElena Poniatowska (00:13:40):kind and cordial with me, as were important actors like Ignacio LópezElena Poniatowska (00:13:51):Tarso,Elena Poniatowska (00:13:52):and of course those I already mentioned — Dolores del Río, María Félix — and singers, and also many visitors who came from Europe, the United States, or Latin America to perform in Mexico.Elena Poniatowska (00:14:20):Did you know El Indio Fernández?Elena Poniatowska (00:14:23):Yes,Elena Poniatowska (00:14:24):of course —Elena Poniatowska (00:14:25):I interviewed him,Elena Poniatowska (00:14:26):I knew El Indio Fernández, who by ten in the morning was already offering me a tequila, whichElena Poniatowska (00:14:35):I did not drink, as I'm not accustomed to drinking. And also many otherElena Poniatowska (00:14:47):famous actors of that era, like the comedian Cantinflas, whoseJulian Vigo (00:14:56):real name was Mario Moreno. Cantinflas — I know his work. Wow. And you were in Mexico during the same period as Luis Buñuel?Elena Poniatowska (00:15:06):Yes, I ended up with Luis Buñuel — yes, we had a great friendshipElena Poniatowska (00:15:15):because out of affection he came to have lunch at my house several times, so I saw him on manyElena Poniatowska (00:15:24):occasions. We even went together to the prison of Lecumberri to visit, for example, aElena Poniatowska (00:15:33):Colombian who had committed an offence and was imprisoned — his name wasElena Poniatowska (00:15:42):Álvaro Mutis.Julian Vigo (00:15:45):And you have lived through and narrated great social transformations.Julian Vigo (00:15:51):Do you think that today's digital democratisation of public opinion helps social justice, or does it rather dilute real struggles into mere narratives of identity and likes?Elena Poniatowska (00:16:08):Well, I think the Mexican Revolution,Elena Poniatowska (00:16:15):led by a man like Emiliano Zapata, was extraordinary in redistributing the lands and haciendas of Mexico and in giving all MexicansElena Poniatowska (00:16:32):access to better education, better formation, a better life. I consider thatElena Poniatowska (00:16:46):Emiliano Zapata was one of the great heroes of Mexico, even though he personally took away the haciendas of my grandparents, the Amors and the Iturbes.Julian Vigo (00:17:06):What did you learn from the great intellectuals of your youth?Julian Vigo (00:17:08):You mentioned Juan Rulfo, Alfonso Reyes, and many others.Julian Vigo (00:17:15):What influenced your decision to dedicate your life to letters?Elena Poniatowska (00:17:20):No, they did not influence my decision to dedicate myself to letters.Elena Poniatowska (00:17:26):I met them later.Elena Poniatowska (00:17:30):I began as a journalist, a modest journalist, at the newspaper Excelsior in 1953 —Elena Poniatowska (00:17:42):I think 1952 or 1953. Very young. I had come from an education at a convent of nuns inElena Poniatowska (00:17:53):Philadelphia, and I decidedElena Poniatowska (00:17:57):to write chronicles and interviews to get to know Mexico better. I came to know those figures through my work as a journalist, and because I could question themElena Poniatowska (00:18:14):in the language I knew and had learned as a child — at ten years old — which is Spanish. My other languages until then had beenElena Poniatowska (00:18:22):English,Elena Poniatowska (00:18:27):and French, which is my mother tongue.Julian Vigo (00:18:32):You are known for the testimonio.Julian Vigo (00:18:36):At what exact point did you feel that traditional fiction was not sufficient to capture Mexican reality?Elena Poniatowska (00:18:47):As I mentioned, I began by engaging with many valuable MexicansElena Poniatowska (00:18:54):who received me in their homes, gave me their opinions. At the same time as I received what they wished to give me,Elena Poniatowska (00:19:04):I observed how their homes were, how they treated the people around them — their wives, their children, their servants — and all of that helped meElena Poniatowska (00:19:22):to know Mexico better. I also spent a great deal of time in the streets — that is, with the poorest people, whom I was able to reachElena Poniatowska (00:19:34):through my own nature and also with the help of a great Mexican illustrator, Alberto Beltrán. In the street he made sketches of everything the Mexicans did — the newspaper vendors,Elena Poniatowska (00:19:59):the taco sellers,Elena Poniatowska (00:20:03):the women making corn tortillas by hand,Elena Poniatowska (00:20:12):the bakeries, and then the hardware stores where everything was sold — from nails toElena Poniatowska (00:20:22):cleaning cloths — and all of that was a very vital andElena Poniatowska (00:20:32):generous apprenticeship in learning to see the lives of working Mexicans.Julian Vigo (00:20:40):But it is an art — to be able to listen to people, to their voices.Julian Vigo (00:20:53):How did you learn to listen to the voice of the other?Elena Poniatowska (00:20:58):Well, I think it is a natural inclination.Elena Poniatowska (00:21:03):It is not learned.Elena Poniatowska (00:21:05):It is not forced.Elena Poniatowska (00:21:06):It is a way of being.Elena Poniatowska (00:21:10):I am far more interestedElena Poniatowska (00:21:11):in speaking of what others do, how they do it, and who they are, than in speaking of myself, my sensations, my emotions. And I have done this from a very young age, so it has become a habit — it is part of my daily life.Julian Vigo (00:21:36):Do you believe that the testimonio is essentially an act of political resistance?Elena Poniatowska (00:21:44):I think so.Elena Poniatowska (00:21:45):It helps enormously to know the thinking of those who have no power, who are not in power, who do not consider themselves political, who are not leaders — although I did have the great privilege of interviewing leaders and very important figures in Mexico,Elena Poniatowska (00:22:14):such as, for example, the Spanish refugee of the Civil War, Luis Buñuel.Julian Vigo (00:22:26):And how was the process of gathering the voice of Jesusa Palancares?Julian Vigo (00:22:32):How long did it take you to absorb her story?Elena Poniatowska (00:22:38):Well, it was a privilege. I heard her — she was doing laundry in a popular building, a building where many Mexicans lived who had noElena Poniatowska (00:22:56):economic resources. Everything she said caught my attention enormously. I approached her and asked if I could visit her at her home,Elena Poniatowska (00:23:13):which was a very poor house, obviously far from the area where I lived. And so I went toElena Poniatowska (00:23:26):see her once a week. We became friends, and she began telling me her life. And that is howElena Poniatowska (00:23:36):the novel Hasta No Verte Jesús Mío came about. When it was published,Elena Poniatowska (00:23:43):she asked me to give her ten copies to give to her friends —Elena Poniatowska (00:23:52):the bricklayers or the people she had worked with.Julian Vigo (00:24:00):And why did she choose the testimonial genre for Hasta No Verte Jesús Mío?Julian Vigo (00:24:09):It is one of the testimonial novels because —Elena Poniatowska (00:24:16):She didn't really choose it — she didn't. It was I who gathered her words andElena Poniatowska (00:24:27):assembled them in the best way I could. But she did not choose it.Elena Poniatowska (00:24:34):She could not read or write. She did not know how to read or write. But she asked for the books, and I — the cover of the book, what goes on the outside, is the Santo Niño de Atocha, a small Christ child that she liked.Julian Vigo (00:25:08):And I saw it in the street, and so I put it there so she would be happy. But I was asking you about the testimonial genre — in 1969 it was not a common thing in literature.Julian Vigo (00:25:26):How was this novel received?Julian Vigo (00:25:30):I wonder if people were confused.Julian Vigo (00:25:32):Is it a true story or is it fiction?Elena Poniatowska (00:25:35):No, it was very well received. The book was greatly liked.Elena Poniatowska (00:25:41):Immediately many editions came out and it was translated into English and French.Julian Vigo (00:25:51):And I wonder if at that time — less so today — people were confused because they did not know if it was a completely real story or partly real. Because the novel Hasta No Verte Jesús Mío was categorised as a novel.Elena Poniatowska (00:26:16):Yes, that's right, that is what it was.Elena Poniatowska (00:26:19):It is a novel based on a character — a woman who was in the Mexican Revolution, the life of a soldadera. To what extent is Jesusa an invented character or a real woman? I have said it, I have written it many times: Jesusa is a real character. After that I wroteElena Poniatowska (00:26:49):other books about other women who were also real characters. I had the joy of knowing Jesusa in person, but for example Tina Modotti, the main character ofElena Poniatowska (00:27:08):the novel Tinísima, I did not know. And other novels about other women and other characters I also did not know.Julian Vigo (00:27:22):What lessons about the resilience of Mexican women did you learn from Jesusa that remain relevant today?Elena Poniatowska (00:27:31):All the women in Mexico whom I see and engage with and encounter in the streetElena Poniatowska (00:27:41):and who come to my house — they are women who have known how to struggle and continue to struggle. For example, one woman, Rosario Ibarra de Piedra, whose son was disappeared, and who searched all of Mexico — she is obviously one of the heroines who has most caught my attention.Julian Vigo (00:28:10):And especially in recent years — almost thirty years — the femicides and the disappearances of men and women. You are still fighting for your society, and I think literary words have the power to carry reality forward. I am thinking of La Noche de Tlatelolco — that was the first book of yours I read. It is incredible. I have no words. Thank you. It is one of the best books of the twentieth century, and I teach it. It is astonishing. Can you speak about why you began that work, and also for those listening now who do not know the history of what happened in Mexico?Elena Poniatowska (00:29:03):Well, in general I can tell you that I received letters from a prisoner in the jail — Jesús Sánchez García — and I began going to Lecumberri, which was called the Black Palace of Lecumberri. It was no palace — it was a prison with bars and cells. I asked permission from the prison director — I believe his name was Martín del Campo — and he gave it to me. That is how I went to gather life stories from men, and later, at the women's prison, from women who had nothing to do with my own life, who bore no resemblance to what I hadElena Poniatowska (00:30:03):lived or what I would go on to live.Elena Poniatowska (00:30:16):That was an enormous enrichment for me, and a knowledge of an unknown Mexico that also helped me understand MexicoElena Poniatowska (00:30:31):— a Mexico to which I owe a great deal.Elena Poniatowska (00:30:35):I think that everything I am I owe to the voice, and to the gift of their voice, that the poorest Mexicans gave me — those I was able to approach over years and years,Elena Poniatowska (00:30:52):going to the prison and sometimes going to their own very poor homes, called vecindades, which were located in the very neighbourhoods where the prisons were.Julian Vigo (00:31:11):How did you manage the pain and trauma of the testimonies you heard while assembling the book?Elena Poniatowska (00:31:22):Pain is not managed. To manage something is to seek something. Pain is simply assumed and lived. So the pain is in the words written in the book.Julian Vigo (00:31:46):And why did you choose the technique of a collage of voices rather than a linear, chronological narrative for this book?Elena Poniatowska (00:31:57):I have many other books that speak even of personal stories — books that contain much of biography.Julian Vigo (00:32:13):Yes, but it is very interesting how you wove those narratives together in this book. It is very beautiful, in fact.Julian Vigo (00:32:24):Was there any moment during the writing of La Noche de Tlatelolco when you felt fear or censorship?Elena Poniatowska (00:32:33):Well, there was always the dread of entering terrain unknown to me.Elena Poniatowska (00:32:40):Ultimately, I was educated —Elena Poniatowska (00:32:45):I spent time in the United States at a convent to be educated, not to become a nun — it was called the Sacred Heart Convent.Elena Poniatowska (00:33:03):When I came out I was speaking English. My mother tongue is French. And when I left there, my strongest desire was truly to know Mexico — the country I had arrived in at the age of ten, but in which I had received an educationElena Poniatowska (00:33:30):in both English and French, not in Spanish.Julian Vigo (00:33:36):More than fifty years later, what impact do you think that book has on the collective memory of young Mexicans today?Elena Poniatowska (00:33:48):Well, I think that is a question that should be put to them.Elena Poniatowska (00:33:55):What I can say is that I have receivedElena Poniatowska (00:33:59):a great deal of affection from young people — many come to find me at my home, and I give lectures and talks with some frequency. Remember that I am already 94 years old and have lost the use of my left eye, which prevents me from seeing well. So within my limitations,Elena Poniatowska (00:34:27):I remain in contact with the people who want to see me, which for me produces great enthusiasm and which I experience as great support.Julian Vigo (00:34:42):The book you wrote is something very specific — evidently about Mexico — but it is still a book with which everyone can identify. If we look around today, where there are acts of political repression in almost every country in the world in one form or another — and I know your books are translated into many languages — I wonder whether the power of La Noche de Tlatelolco came from the form of the narration itself, not only from the fact that you confronted the government, the police, and justice. You narrated a story of the people seeking justice, yes, but literature itself was also seeking truth within its pages. There are wars everywhere, there is too much sadness. After the lockdown — which was less bad in Mexico than here in Italy — we are living through a very difficult moment. Do you sometimes think of this book as a model for dialogue, for collaboration, for moving forward together, the people united?Elena Poniatowska (00:36:09):Well, what I love about this book is that it has so many voices — many voices gathered from mothers of families, from children of political prisoners. For me it was a great learning experience to go to the prison in Mexico and see a world I did not know, to be accepted in that world, to go frequently to hear and gather the voices of political prisoners and of young people whoElena Poniatowska (00:36:52):didn't even have strong political ideas but were imprisoned because they had stolen something in a market. It meant entering a world I was completely unfamiliar with,Elena Poniatowska (00:37:13):to which I did not belong. And it was an enormous lesson — a very generous lesson — in how the lives of others can be. That is what I have dedicated myself to over many years, because I remain a journalist and continue writing about disasters such asElena Poniatowska (00:37:39):not only the massacre of the 2nd of October, but what the earthquake of 1985 meant for Mexico and the loss, for many Mexicans, of their families and their homes.Julian Vigo (00:37:59):Yes. You documented the earthquake of ‘85 — a moment when the Mexican government was completely paralysed and it was civil society that took control to rescue the city.Julian Vigo (00:38:15):Do you believe that peoples are still alone in the face of tragedy, or is that organic solidarity you described an invincible force?Elena Poniatowska (00:38:29):Yes,Elena Poniatowska (00:38:29):of course.Elena Poniatowska (00:38:30):I believe — that is why I believe in the invincible force of Mexicans, who help and support each other, who run to answer a cry for help. They are the ones who save themselves by saving others. I believe in that truth. It is a truth I lived, that I witnessed,Elena Poniatowska (00:38:57):and for me it is a lesson, a way of life.Julian Vigo (00:39:03):Does it reflect the structural abandonment of the seamstresses, the inhabitants, those who live in vecindades, and the poorest?Julian Vigo (00:39:13):How did you manage, in the midst of the chaos, the dust, and the mourning of those days, to earn the trust of people so that they would share their most painful and raw testimonies?Elena Poniatowska (00:39:30):Well, I have two physical advantages.Elena Poniatowska (00:39:32):I am small in stature. I frighten no one. No one is afraid of me. I can go anywhere. I am not someone who imposes anything at all, and I know how to listen. So by listening to others' voices, I gather them, I keep them, I memorise them,Elena Poniatowska (00:40:03):and then I put them on paper.Elena Poniatowska (00:40:06):That is the most solitary and difficult moment — writing about what happens to others,Elena Poniatowska (00:40:21):their sorrows,Elena Poniatowska (00:40:22):their joys,Elena Poniatowska (00:40:24):their defeats and also their triumphs —Elena Poniatowska (00:40:28):and making books and articles from them. Because I am also a journalist sinceElena Poniatowska (00:40:38):1953. I am now 94 years old.Julian Vigo (00:40:47):You're listening to Savage Minds.Julian Vigo (00:40:49):If you're enjoying the show, take a second to subscribe at savageminds.co.Julian Vigo (00:40:54):Feel free to comment below or drop us a line to share your thoughts.Julian Vigo (00:40:59):Support independent media today.Julian Vigo (00:41:01):Now, let's get back to it.Julian Vigo (00:41:15):Many consider that the earthquake of ‘85 not only brought down buildings but also toppled the myth of the Mexican State's absolute control — marking the true birth of modern citizenship in the country.Julian Vigo (00:41:33):From your perspective as a chronicler —Elena Poniatowska (00:41:40):I think Mexicans have always had enormous character and enormous capacity to defend themselvesElena Poniatowska (00:41:49):in spite of their own poverty, or in spite of the total absence of outside help.Elena Poniatowska (00:42:02):There was in Mexico a Mexican Revolution,Elena Poniatowska (00:42:08):a country conquered by very cruel conquerors, and yet the country has continued to forge ahead and has continued to demonstrate its bravery and courage in allElena Poniatowska (00:42:28):circumstances — one of which was, for example, the earthquake, in which the neighbours themselvesElena Poniatowska (00:42:37):helped each other before the State or the so-called government did anything.Elena Poniatowska (00:42:46):So I think it is a country with many very brave men, women, and children who save themselves, who know how to look after themselves.Elena Poniatowska (00:43:03):Of course there are people who don't know how to do it, and there are people who sometimes end upElena Poniatowska (00:43:12):in prison or in hospital. But in general Mexico is a country of very solidary people, people who help each other and defend themselves.Julian Vigo (00:43:31):What I love about your books in general is that you give voice — you shed light on the lives that are forgotten.Julian Vigo (00:43:42):Do you feel that in this book, for example, or in Nadie Me Verá Llorar, the author's voice becomes more present or closer to her characters than in your earlier works?Elena Poniatowska (00:43:56):No,Elena Poniatowska (00:43:57):I think that element is present in all my works — in Hasta No Verte Jesús Mío, in the book about the 2nd of October, in the earthquake — and it is always present in everything I still do at the newspaper where I work. I am in a certain way a chronicler and aElena Poniatowska (00:44:21):participant in the lives of other Mexicans.Julian Vigo (00:44:27):And I also notice that many of your works are about women — Tinísima, the life of Tina Modotti, a woman who lived so many lives in one. Leonora. And I wanted to ask — before we get to those books — about Querido Diego Te Abraza Quiela. Why did you choose that subject? Not only Diego Rivera but his first wife.Elena Poniatowska (00:44:59):I was moved to learn that in Paris, Angelina Beloff had gone to Mexico to seeElena Poniatowska (00:45:12):Diego Rivera, whom she had supported in Paris. He had lived with her and had livedElena Poniatowska (00:45:22):off her, because she was the one with a salary. He was a very young painter withoutElena Poniatowska (00:45:33):money, without resources. She helped him. And when she went to Mexico, she had also hadElena Poniatowska (00:45:42):the only male child that Diego Rivera ever had, who died of cold in Paris. And when she decided to go to Mexico — in a sense, to get to know the country of her lover — she decided to go to the Palacio de Bellas Artes because she knew that heElena Poniatowska (00:46:11):would be there. And he walked right past her — past the seat, one of those red velvet seats in the Palacio de Bellas Artes, called butacas, in which she was sitting — he walked past and did not even recognise her.Elena Poniatowska (00:46:40):That story struck me deeply, and that is why I decided to write the small book —Elena Poniatowska (00:46:55):it is not a very long book —Elena Poniatowska (00:46:58):called Querido Diego, Te Abraza Quiela.Julian Vigo (00:47:00):In Tinísima, what was it that drew you to the life of Tina Modotti?Elena Poniatowska (00:47:08):In reality it came from a request to make a film. The cinematographerElena Poniatowska (00:47:17):Gabriel Figueroa told me that a film was going to be made about Tina Modotti, the Italian woman who had been in Mexico. So I began interviewing all the people who had knownElena Poniatowska (00:47:38):Tina Modotti. And even when I was invited to France for a conference, I had theElena Poniatowska (00:47:47):opportunity to go to Udine in Italy to meet and get to know the siblings of Tina Modotti —Elena Poniatowska (00:48:00):to see them, interview them, speak with them.Elena Poniatowska (00:48:05):Then when I was told that the film about Tina Modotti in Mexico was no longer going to be made because there was no money, I — who had gone at my own expense to that conference in France and another writers' conference inElena Poniatowska (00:48:37):Italy — decided to launch into writing the novel called Tinísima, because I hadElena Poniatowska (00:48:48):interviewed many old communists whom I had gone to visitElena Poniatowska (00:48:56):in their various homes — generally very modest, very poor homes.Elena Poniatowska (00:49:03):I did not want to let them down, and so the novel Tinísima was published.Julian Vigo (00:49:10):And to what extent does Tina Modotti represent the struggle of the woman artist in the twentieth century?Elena Poniatowska (00:49:19):To the extent that she commits herself —Elena Poniatowska (00:49:23):she takes photographs of Mexico alongside Edward Weston, and then goes alongsideElena Poniatowska (00:49:33):Commander Carlos of the Fifth Regiment to Spain — she goes to the Spanish Civil War and becomes a nurse, caring evenElena Poniatowska (00:49:52):on the ground for the bodies that had fallen on the earth before taking them to the Red Cross — giving them first aid and dedicating herself to saving lives,Elena Poniatowska (00:50:08):or helping to save lives. I believe that many soldiers did not die thanks to the care of this womanElena Poniatowska (00:50:19):who was in the trench following the doctors.Julian Vigo (00:50:25):You have said that the writer must be a bridge.Julian Vigo (00:50:29):Between what worlds do you think it is most necessary to build bridges — or should we be breaking bridges today?Elena Poniatowska (00:50:38):No, I think one should never break a bridge, for anything.Elena Poniatowska (00:50:42):I think one mustElena Poniatowska (00:50:45):communicate — that the most important thing in the life of any human being is dialogue. Peoples too must dialogue with others in order to know each other. I think Mexico must have a dialogue with the United States, and that many Mexicans who have returned fromElena Poniatowska (00:51:09):the United States because TrumpElena Poniatowska (00:51:12):did not want to receive them, has rejected them — well, they nevertheless had, with another nation or with the inhabitants of another nation, knowledge and dialogue.Elena Poniatowska (00:51:28):And that I believe is what is called,Elena Poniatowska (00:51:34):within Catholicism if you like, or within any religion by whatever name it may be called — that is human fraternity. The otherElena Poniatowska (00:51:50):is the one who exists and who awaits you and whom you must help, because perhapsElena Poniatowska (00:51:58):one day you will need him to extend a hand to you.Julian Vigo (00:52:05):Trump is certainly a character, but I see the situation as too tragic for Americans — the United States, still my country — because the reality is that a large part of the Western world has absolutely no idea of the immense cultural, intellectual, and spiritual richness of Mexico.Julian Vigo (00:52:30):For me, it's not only Trump —Julian Vigo (00:52:32):but Americans, Canadians, etc.Julian Vigo (00:52:35):know nothing about the sharpest chroniclers of this country. If you had to open the eyes of an international audience completely unaware of Mexico's depth, what would you say is the most valuable treasure of Mexican identity that the rest of the world is missing?Elena Poniatowska (00:53:01):Well, I must say that many North Americans have come and written about Mexico — anthropologists and sociologists. We have Oscar LewisElena Poniatowska (00:53:17):and many others who have written about the poorest Mexicans, starting in Tepoztlán, a city near Mexico City, following them to the vecindades in the city where they took refuge and found very modest work. So yes, there have been North AmericansElena Poniatowska (00:53:44):who have written about the richness and beauty of Mexico, and their books areElena Poniatowska (00:53:53):translated into Spanish and are admired and appreciated by Mexicans who are grateful that attention is paid to them. So one cannot say that no one who has come from outside has cared about Mexico — in archaeology, in anthropology, as well as figures like Frances Toor, who was a North American woman who created a magazineElena Poniatowska (00:54:39):called Mexico Today and wrote extensively about Mexican customs and lived in Taxco.Elena Poniatowska (00:54:41):For example, a certain William Spratling enriched himself personally but helped many Mexicans inElena Poniatowska (00:54:51):Taxco to learn how to work silver and sell silver. And still today many foreigners and tourists go to buy silver objectsElena Poniatowska (00:55:10):that come from a mine discovered by foreigners — and clearly alsoElena Poniatowska (00:55:20):plundered, one might say, by foreigners.Julian Vigo (00:55:30):Because not everything is entirely good or entirely bad. But I was referring to the fact that — as you know, having been in the United States and many other countries — Trump and far too many people insufficiently educated about Mexico think that all Mexicans want to invade the United States. But the reality is otherwise. In Mexico there was a great cinematic tradition, for example. Mexican cinema has greatly influenced Hollywood — not only today but throughout history. The Oscar statuette itself was modelled on the body of El Indio Fernández. People do not know the depth of Mexican philosophy. I am thinking of Sor Juana, who contributed so much to poetry, theatre, even science — if we think of her letter to Sor Filotea, who was actually Manuel Fernández de Puebla. That dialogue was very important. Western feminists know nothing of these exchanges between those two figures. But for me Mexico has an enormous and very important force in the history of philosophy, science, and feminism. And I am thinking of Octavio Paz's book on Sor Juana Inés de la Cruz, called Sor Juana Inés de la Cruz, or The Traps of Faith. You knew Paz closely. Did you have conversations with him about his perspective on this book — especially regarding the power dynamics of the Church and the silencing she suffered as an intellectual woman?Elena Poniatowska (00:58:09):No, but I think you are mixing very many topics into one question, and it isElena Poniatowska (00:58:18):difficult to answer you because you are speaking of very diverse things that evenElena Poniatowska (00:58:27):happened in different centuries.Elena Poniatowska (00:58:30):Sor Juana — there have always been in Mexico,Elena Poniatowska (00:58:34):before Octavio Paz, people who dedicated themselves to reading,Elena Poniatowska (00:58:40):studying, and getting to know Sor Juana Inés de la Cruz.Elena Poniatowska (00:58:45):I will not add more names to those you mentioned, but there are many studies and many Sor Juana scholars in Mexico, as well as at the University of SantaElena Poniatowska (00:59:01):Barbara, California, in Paris, in France —Elena Poniatowska (00:59:04):there are many studies on the great figures of Mexico — not only The Traps of Faith by the Mexican poet Octavio Paz. So these are studies that will continue and do continue. In California, for example, Sara Poot HerreraElena Poniatowska (00:59:32):is dedicated to studying Sor Juana Inés de la Cruz, along with many other scholars — I don't know if she is still living — whose name was Rivers. All of these are studies that have been carried out in Mexico and outside Mexico.Julian Vigo (00:59:55):No, I was asking specifically about Paz's book because you knew him and —Elena Poniatowska (01:00:03):I knew him,Elena Poniatowska (01:00:04):I admired him, and I also wrote about him. I have a book about him. I admired him,Elena Poniatowska (01:00:12):I knew him, his poetry dazzled me. And he is a man whom I have admired since getting to know him, and whom I also hold with affection.Julian Vigo (01:00:29):I asked about your relationship with him because sometimes it happens to me too — with other writers — one asks or someone asks me, “Why did you do that?” It is a dialogue. Because that book, The Traps of Faith, had something very important — not only for Mexico but it placed the image of Sor Juana before the world. Many people began to ask who this nun was because it is very important. I was asking about the presentation Paz gave of her — whether you had any dialogues with Paz from your own perspective.Elena Poniatowska (01:01:20):Well, yes, of course. But there were others who also spoke at great length about Sor Juana de la Cruz — other Mexicans before Octavio Paz, other Mexicans who, for example, also concerned themselves with indigenous peoples, such as a priest — Ángel María Garibay — who was also a Sor Juana scholar. So there are many studies on Sor Juana Inés de la Cruz and there are Sor Juana scholars in Santa Bárbara, for example, such as Doctor Sara Poot Herrera and others — a woman by the name of Rivers and many more.Julian Vigo (01:02:16):You have dedicated your life to listening and giving voice to those who have none, through the chronicle and literature.Julian Vigo (01:02:26):Today,Julian Vigo (01:02:27):with social media,Julian Vigo (01:02:28):it seems that everyone has a platform for opinions.Julian Vigo (01:02:32):But are we really listening?Julian Vigo (01:02:36):What happens to the power of the word when it becomes a constant noise, as in social media?Elena Poniatowska (01:02:45):I don't know.Elena Poniatowska (01:02:46):I suppose it loses efficacy.Elena Poniatowska (01:02:49):But that depends on the activity of each human being.Elena Poniatowska (01:02:58):There are people — elderly people, for example, people already old — for whom life,Elena Poniatowska (01:03:08):even in institutions, in care homes, means turning the television on from morning until night and being entertained — that is, entertained without making the least effort of criticism or thought in front ofElena Poniatowska (01:03:29):the television.Elena Poniatowska (01:03:31):I have seen that this has been very important in keeping the elderly calm andElena Poniatowska (01:03:41):allowing them to die little by little in institutions called health facilities, where they have thisElena Poniatowska (01:03:52):constant and rather sad entertainment. ButElena Poniatowska (01:03:59):as they say in Mexico: no hay de otra — there is no other option, or no other option has been found, or there are not enough people willing to dedicate themselves to attending to and caring for others. So I see it as an end of lifeElena Poniatowska (01:04:28):for an individual who was once a thinking individual, who knew how to act,Elena Poniatowska (01:04:37):who knew how to elevate himself,Elena Poniatowska (01:04:41):to become a better human being. And I find it sad.Julian Vigo (01:04:46):Today, and for twenty years now, I have noticed as a university professor that students are reading less and less. Today, with so-called artificial intelligence — so-called because intelligence it is not — students are not reading. How can literature or journalism restore the true value and depth of words when we are in a world full of social media, opinions, and videos of a cat doing something funny?Elena Poniatowska (01:05:31):Your question is very difficult because I don't have the answer.Elena Poniatowska (01:05:37):What I can say is that ultimately it depends on the teachers.Elena Poniatowska (01:05:44):It depends on students having a good teacher,Elena Poniatowska (01:05:49):because even I have seen in classes —Elena Poniatowska (01:05:54):in different classes —Elena Poniatowska (01:05:57):that many young people continue looking at their phones while the teacher is writing onElena Poniatowska (01:06:07):the board, or speaking, or giving a class.Elena Poniatowska (01:06:13):So we shall see whether the destiny of young people will depend on what theyElena Poniatowska (01:06:21):learn from their phone. I don't have a phone —Elena Poniatowska (01:06:27):I never bought one,Elena Poniatowska (01:06:28):never got one. Or whether they will be able to go beyond themselvesElena Poniatowska (01:06:37):and beyond above all what the phone wants to give you or teach you or not teach youElena Poniatowska (01:06:46):or distract you from — because ultimately it is a distraction. Yes.Julian Vigo (01:06:53):Writing something to share — in quotation marks — they are sharing nothing in the end. I have noticed that many people are sharing articles they have not read. Young people are embracing identity politics and cancel cultureJulian Vigo (01:07:16):in the absence of any engagement with material reality today.Julian Vigo (01:07:21):That is my fear —Julian Vigo (01:07:23):that the millennials,Julian Vigo (01:07:26):this generation of thirty-year-olds,Julian Vigo (01:07:31):are fixated on pronounsJulian Vigo (01:07:36):but do nothing to help their neighbour.Julian Vigo (01:07:41):They do nothing to fight for living wages.Elena Poniatowska (01:07:46):Well, not all of them.Elena Poniatowska (01:07:49):It's a generalisation, of course.Elena Poniatowska (01:07:54):But I think you are right.Elena Poniatowska (01:07:58):It is a generalisation, because in any case there are human beings who live for others.Julian Vigo (01:08:08):We are in two camps today, because during the lockdown I noticed that many people — even on the right — were fighting for the poor in the United States, where I published. I could not publish a single article questioning the lockdown. That is when I started Savage Minds, because I was asking: what is happening? I no longer recognise this world in which the left is pushing people not to speak. We weren't talking about the lockdown, and the right was speaking very openly. And I see that politically, left and right — there is no longer that dichotomy, so to speak.Elena Poniatowska (01:09:02):Yes,Elena Poniatowska (01:09:03):I thank you greatly for your interest and I thank you enormously for this conversation. I feel animated,Elena Poniatowska (01:09:11):I feel glad to hear what you are saying.Elena Poniatowska (01:09:19):But I do feel that,Elena Poniatowska (01:09:22):as you say,Elena Poniatowska (01:09:23):the speed,Elena Poniatowska (01:09:26):the pace of all events,Elena Poniatowska (01:09:29):the television —Elena Poniatowska (01:09:32):it sets critical thinking and reflection on events to one side,Elena Poniatowska (01:09:41):because everything must be immediate, mustn't it?Elena Poniatowska (01:09:46):That is to say, everything ends in a second. Even the deepest interests sometimes last onlyElena Poniatowska (01:09:56):a few — one might even think, as we say in Mexico,Elena Poniatowska (01:10:01):un ratito — just a little while. There is no continuity in ideas orElena Poniatowska (01:10:12):even in purposes. There is something we all know called habit, and each personElena Poniatowska (01:10:21):lives according to the habits they have established in order to keep going —Elena Poniatowska (01:10:28):to keep existing, if you will. To make it to night, fall asleep, and know that you will wake the following day. Or perhaps you won't wake, because — well, for example, IElena Poniatowska (01:10:45):am a person of 94 years old and I have no certainty that I will see the following morning. ButElena Poniatowska (01:10:55):what I do believe is thatElena Poniatowska (01:10:58):I believe in the innate goodness of every human being.Elena Poniatowska (01:11:03):I have to believe in it, because I need that hope.(01:12:02): Get full access to Savage Minds at www.savageminds.co/subscribe

This week on Grumpy Old Geeks, Brian and Jason once again survey the smoldering wreckage of the tech industry and discover that the people building the future are increasingly being sued by governments, publishers, customers, employees, and occasionally reality itself. California is coming after 23andMe over its catastrophic data breach, Florida is taking a swing at OpenAI, CNN has joined the ever-growing conga line of companies suing Perplexity, and Meta somehow decided the solution to improving AI is recording employees' every mouse click while generously allowing them a whole 30-minute privacy break. Meanwhile, Google's own engineers are sharing memes about how much Google's AI tools suck, Microsoft apparently wants users addicted to its new AI assistant - first taste's free! - and Anthropic is preparing to go public with a valuation that makes even the most irrational dot-com era investor look financially responsible.The AI arms race continues producing exactly the kinds of outcomes you'd expect when venture capitalists start huffing their own press releases. Instagram's AI support bot reportedly helped hackers steal accounts because apparently "Are you sure you're the owner?" was considered an optional step. Suno raised another $400 million while fighting copyright lawsuits, Paramount+ seems to have let AI create the ugliest Star Trek thumbnail in Federation history, and Stan Lee has now been digitally resurrected because modern capitalism looked at death and said, "Nice try." Over in transportation, BYD is so confident in its self-driving technology that it's willing to pay for your accidents, while Tesla owners are discovering their old Full Self-Driving contracts may have quietly received software updates of the legal variety. Somewhere in a conference room, a lawyer just whispered, "Let's not put that in writing," ten years too late.Elsewhere, governments worldwide continue their ongoing experiment of raising children by confiscating smartphones. Malaysia has implemented a social media ban for kids under 16, Poland wants phones and smartwatches locked away at school, and Kentucky schools just collected $27 million from social media companies accused of building products as addictive as cigarettes.Dave Bittner drops by for a visit and we discuss Spotify listeners apparently preferring old music because new music keeps getting algorithmically focus-grouped into oblivion and a healthy dose of Star Wars, Downton Abbey, Derry Girls, Lego, books, gadgets, and AI-generated jazz. Add it all up and you've got another week where the only thing moving faster than technology is the legal department trying to keep up.Sponsors:DeleteMe - Get 20% off your DeleteMe plan when you go to JoinDeleteMe.com/GOG and use promo code GOG at checkout.Shopify - Sign up for your one-dollar-per-month trial today at Shopify.com/grumpyPrivate Internet Access - Go to GOG.Show/vpn and sign up today. For a limited time only, you can get OUR favorite VPN for as little as $2.03 a month.SetApp - With a single monthly subscription you get 240+ apps for your Mac. Go to SetApp and get started today!!!1Password - Get a great deal on the only password manager recommended by Grumpy Old Geeks! gog.show/1passwordShow notes at https://gog.show/749Watch on YouTube at https://youtu.be/A1sv2BEzWBkShow NotesVibe Coders are Script KiddiesDestroy the BroligarchyColorado Governor Vetoes Surveillance Pricing Ban as Public Backlash Against the Tech GrowsCalifornia sues 23andMe over 2023 data breach that affected 7 million usersFlorida sues OpenAI, Sam Altman, in first-of-its-kind lawsuit over violent incidentsMeta will reportedly let employees take 30-minute breaks from its tracking programInstagram is alerting users who were targeted by hackers during AI chatbot attacksGoogle Employees Internally Share Memes About How Its AI SucksGoogle ordered to put clearer links in AI search and let UK publishers opt outMicrosoft Wants to 'Make People Addicted' to its New AI Assistant, Internal Documents RevealMeta, other social networks will pay $27 million to settle Kentucky school district lawsuitMalaysia's under-16 social media ban carries fines up to $2.5 millionPoland wants to ban phones and smartwatches in schoolsCNN is the latest media company to sue PerplexityStill facing copyright lawsuits, AI music generator Suno raises another $400MBYD is assuming financial liability if you crash while using its self-driving techAnthropic is set to go public after filing paperwork with the SECData Center Operators Are Trying to Fix Their Water Use ProblemsTesla Owners Say Their Old FSD Contracts Were Quietly ChangedStan Lee's voice and likeness have been resurrected, thanks to AIParamount+ used AI to make the ugliest Star Trek thumbnail ever2026 World Cup Wall ChartI Am Not a Robot: My Year Using AI to Do (Almost) Everything by Joanna SternCarl's Doomsday Scenario: Dungeon Crawler Carl Book 2 by Matt DinnimanWisdom Takes Work: Learn. Apply. Repeat. by Ryan HolidayBelkin Connect 4-Port USB-C Hub - USB C Hub Multiport Adapter Dongle with 4 USB-C 3.2 Gen 2 Ports - High-Speed 10G Data Transfer for Laptop, MacBook, iPad, PC, and More - 100W PD - $32.24Dave BittnerThe CyberWireHacking HumansCaveatControl LoopOnly Malware in the BuildingThe Mandalorian Season 1Star Wars: RebelsWrapped up the Downton Abbey series rewatchBuffy and Ted Lasso star Anthony Head dies at 72Almost through the Derry Girls series.Lego Mando and Grogu set (mild spoiler)AI generated JazzThe Biggest Hits on Spotify Right Now Are a Blast From the PastSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Bet Yosef (commentary to the Tur by Maran Rav Yosef Karo, author of the Shulhan Aruch) cites Rav Yishak Abuhab (Spain, 1433-1493) as stating that when one recites the list of the eleven spices of Ketoret, he must do so carefully, from a written text, in order to ensure not to mistakenly omit any of the spices. As we say in the section from the Gemara recited in the Ketoret section, "Im Hisar Ahat Mi'kol Samaneha Hayab Mita" – leaving out even one of the eleven ingredients of the Ketoret constitutes a capital offense, punishable by death. Since we read the Ketoret section in lieu of the offering of the Ketoret in the Bet Ha'mikdash, one who mistakenly skips one of the ingredients would be in violation of this capital offense. The Bet Yosef speculates that this might be the reason why Ashkenazic communities do not recite the Ketoret section on weekday mornings – due to the concern that one might recite this section quickly, given the pressures of the workweek, and mistakenly omit one of the spices. Indeed, the Rama (Rav Moshe Isserles, Poland, 1530-1572) explains on this basis the Ashkenazic custom not to recite the Ketoret on weekdays. The Bet Yosef comments that if the Ashkenazim received a tradition to omit the Ketoret on weekdays, then he certainly will not argue with their tradition, but if this is done only due to the fear of skipping one of the spices, then this practice is not acceptable. He explains that when the Gemara speaks of the death penalty as the punishment for leaving out one of the spices of the Ketoret, this refers to the Kohen Gadol offering a deficient incense on Yom Kippur. The only time it was ever permissible to enter the Kodesh Ha'kodashim – the inner sanctum of the Bet Ha'mikdash – was when the Kohen Gadol went there to perform the special Yom Kippur service, and this required the offering of Ketoret. If the Ketoret was deficient and thus invalid, then the Kohen Gadol would be in violation of a capital offense when he entered the Kodesh Ha'kodashim on Yom Kippur. It goes without saying that this has no relevance at all to somebody who mistakenly omits one of the spices when reciting the section of the Ketoret and listing its ingredients. A different view is held by the Rambam, who maintained that a Kohen incurs the death penalty for offering a deficient Ketoret even on ordinary weekdays, and not only on Yom Kippur. However, even according to the Rambam, the punishment is incurred not for bringing a deficient Ketoret, but rather for entering the Bet Ha'mikdash for naught, since the offering brought was not valid. Clearly, this does not apply to one who mistakenly skips one of the spices while reciting the Ketoret. Moreover, even if one insists that offering a deficient Ketoret itself constitutes a capital offense, there is no basis for extending this to a person who omits one of the spices during the recitation of this section. Therefore, while of course one should always try to ensure to recite all the words of the entire prayer service properly, there is no reason to be especially "scared" when listing the ingredients of the Ketoret.

Today's podcast is coming to you from a hotel room in Poland, as Primordial plays Mystic festival tonight, they say.....say what you see so that's what I'm doing today, discussing what goes into getting you from your front door to the stage, all the things that have to go right and how with 3 hours sleep in 32 hours you end up back at home staring out the window at the rain....the show is looking for sponsors....if you think this is something you are interested in, get in touchAlan.averill@gmail.comfollow menemtheanga_primordialprimordial_officialon the gramsupport the show over at :https://patreon.com/AlanAverillPrimordial on Spotifyhttps://open.spotify.com/artist/0BZr6WHaejNA63uhZZZZek?si=yFFV8ypSSDOESUX62_0TzQFor info on my work as a booking agent go to:https://www.facebook.com/DragonProductionsOfficialor email alan@dragon-productions.comPrimordial cds/lps available fromhttps://www.metalblade.com/primordial/death metalVERMINOUS SERPENThttps://open.spotify.com/artist/54Wpl9JD0Zn4rhpBvrN2Oa?si=zOjIulHXS5y9lW1YHMhgTAdoomDREAD SOVEREIGN https://open.spotify.com/artist/60HY4pl0nbOrZA6u2QnqDN?si=sxQ5_1htR6G3WIvy1I_wXAgothAPRILMENhttps://open.spotify.com/artist/7GzLO1YJClmN5TvV4A37MJ?si=cRXSk24lQKWSqJG-B8KbWQSupport this show http://supporter.acast.com/agitators-anonymous-the-alan-averill-podcast. Hosted on Acast. See acast.com/privacy for more information.

Misha Glenny and guests discuss one of the great writers on Central Europe after the first world war and on the dying of the old orders with the collapse of the Austro-Hungarian empire. As a German speaking Jew from Brody in the north-eastern edge of that Empire, which was then in Galicia, next in Poland and is now in Ukraine, Roth (1894 - 1939) was to spend his short life moving first to Lviv then to Vienna and finally to Paris via Berlin without ever finding a settled home. Roth explored the loss of homeland and anticipated the dangers of the new nationalism through his journalism and in his novels including Radetzky March, Job, Rebellion and Flight Without End, and his books were among the first the Nazis burned.With Helen Chambers Emeritus Professor of German at the University of St AndrewsDeborah Holmes Associate Professor of Modern German Literature at the University of SalzburgAnd Jon Hughes Reader in German and Cultural Studies at Royal Holloway, University of LondonProducer: Simon TillotsonReading list:Jon Hughes, Facing Modernity: Fragmentation, Culture and Identity in Joseph Roth's Writing in the 1920s (MHRA, 2006) Heinz Lunzer and Victoria Lunzer-Talos, Joseph Roth: Leben und Werk in Bildern (Kiepenheuer & Witsch, 1994)Keiron Pim, Endless Flight: The Life of Joseph Roth (Granta, 2022)Joseph Roth (trans. Deborah Holmes, ed. Helen Constantine), Vienna Tales (Oxford University Press, 2014)Joseph Roth (trans. and ed. Michael Hofmann), A Life in Letters (Granta, 2012)Joseph Roth (trans. Michael Hofmann), Collected Shorter Fiction (Granta, 2001)Joseph Roth (trans. Michael Hofmann), Rebellion (Granta, 2000)Joseph Roth (trans. Michael Hofmann), The Radetzky March (Granta, 2022)Joseph Roth (trans. Michael Hofmann), The Legend of the Holy Drinker (Granta, 2022)Joseph Roth (trans. Michael Hofmann), The Wandering Jews (Granta, 2001)Joseph Roth (trans. Michael Hofmann), What I Saw: Reports from Berlin 1920-1933 (Granta, 2022)Joseph Roth (trans. Michael Hofmann), The Hotel Years: Wanderings in Europe Between the Wars (Granta, 2015)Joseph Roth (trans. Michael Hofmann), Reports from a Parisian Paradise: Essays from France 1925-1939 (Granta, 2004)Joseph Roth (trans. Michael Hofmann), The Emperor's Tomb (Granta, 2013)Joseph Roth (trans. Michael Hofmann), The String of Pearls (Granta, 1999)Joseph Roth (trans. Michael Hofmann), The White Cities: Reports From France 1925-1939 (Granta, 2013)Joseph Roth (trans. David Le Vay), Weights and Measures (Pushkin Press, 2024)Joseph Roth (trans. Daved Le Vay and Beatrice Musgrave), Flight Without End (Pushkin Press, 2024)Joseph Roth (trans. Ruth Martin), The Coral Merchant: Essential Stories (Pushkin Press, 2020)Joseph Roth (trans Will Stone), On the End of the World (Pushkin Press, 2019)Joseph Roth (trans. Dorothy Thompson), Job: The Story of a Simple Man (Granta, 2022)Wilhelm Von Sternburg, Joseph Roth: Eine Biographie (Kiepenheuer & Witsch, 2009)In Our Time is a BBC Studios ProductionSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.

Day 1,560.Today, Sweden impounds a Russian cargo ship allegedly exporting Ukrainian grain from occupied territories. Then, as images of the results of yesterday's Ukrainian strikes in and around St Petersburg start to appear, Marco Rubio denies any knowledge at all of a US delegation at the nearby economic forum, just as said participants show that they really don't like the press asking them questions one little bit. Dom reports how Nato Secretary General Mark Rutte has directly addressed Russian men, telling them that if they go to fight in Ukraine “you'll be left to suffer in the mud and die”, and Lily looks at a tight vote in the US House of Representatives over Ukraine funding that managed, just, to get over the line. And later, we go hull down with Hamish de Bretton Gordon looking at his new book about tanks and ask: given the lessons we're learning from Ukraine, is his book out of date already, or released just in the nick of time?Contributors: Dom Nicholls (Host on Ukraine: The Latest). @DomNicholls on X.Lily Shanagher (Telegraph journalist). @lilyshanagher on X.With thanks to Hamish de Bretton-Gordon.Producer: Phil AtkinsSenior Producer: Lilian FawcettVideo Producer: Sophie O'SullivanSocial Producer: Katie InglisStudio Director: Meghan SearleExecutive Editor: Francis DearnleyCreated by David KnowlesNOW IN FULL VIDEO WITH MAPS & BATTLEFIELD FOOTAGE:Every episode is now available on our YouTube channel shortly after the release of the audio version. You will find it here: https://www.youtube.com/@UkraineTheLatest CONTENT REFERENCED:Rebuilding U.S. Missile Inventory: A Multiyear Project (Centre for Strategic and International Studies)https://www.csis.org/analysis/rebuilding-us-missile-inventory-multiyear-project'Heavy attack' hits Zaporizhzhia Thermal Power Plant, IAEA says (Kyiv Independent)https://kyivindependent.com/heavy-attack-hits-zaporizhzhia-thermal-power-plant-serving-russian-occupied-nuclear-plant-iaea-says/ Peter Magyar interview with Allgemeine Zeitung (in German)https://www.faz.net/aktuell/politik/ausland/peter-magyar-im-interview-wo-orban-recht-hatte-accg-200892861.htmlHamish's book Tank Command: How the Tank Changed the Face of Battle is out now:https://linktr.ee/TankCommandRussia considers working age of 12 to solve wartime jobs crisis (Antonia Langford for The Telegraph)https://www.telegraph.co.uk/world-news/2026/06/04/russia-considers-working-age-12-to-solve-wartime-job-crisis/Putin is under pressure as the Ukraine war finally comes to Moscow and St Petersburg (Hamish de Bretton-Gordon for The Telegraph)https://www.telegraph.co.uk/news/2026/06/04/putin-russia-st-petersburg-drone-strikes-moscow-casualties/ EMAIL US:Contact the team on ukrainepod@telegraph.co.uk. We continue to read every message, and seek to respond to as many on air and in our newsletter as possible.HIGHLIGHTS:Sweden impounds a Russian cargo ship allegedly exporting Ukrainian grain from occupied territoriesUS delegation at ‘Putin's Davos' refuses to speak to journalists Hosted on Acast. See acast.com/privacy for more information.

Put salt (aka sodium chloride) in your pasta water and you'll end up with delicious spaghetti. Put pure sodium in it instead… and it will explode. It's the latest edition of “The Element of Surprise,” our occasional series about the hidden stories behind the periodic table's most unassuming atoms, isotopes, and molecules. This time we're talking all about sodium. It's the periodic table's saltiest element. It powers your body like a battery and you need it to survive. So why is too much of it bad for you? Plus, how did salt help the North win the Civil War? Featuring Raychelle Burks, Trisha Pasricha, Ashley Dumas. Produced by Felix Poon. For full credits and transcript, visit outsideinradio.org. SUPPORT Outside/In is made possible with listener support. Click here to become a sustaining member of Outside/In.  Follow Outside/In on Instagram or join our private discussion group on Facebook. LINKS Watch a 1947 newsreel of the US Army disposing thousands of pounds of pure sodium into a lake in Washington State, causing massive explosions. See images of the Slanic Salt Mine in Romania and the Wieliczka Salt Mine in Poland, now major tourist sites. Check out Theodore Gray's “Sodium Party” YouTube video series where he drops sodium chunks of various sizes into water to observe how they explode. Here's the first video in the series.Want to learn more about the role of salt throughout human history? Read Mark Kurlansky's Salt: A World History. Learn more about your ad choices. Visit megaphone.fm/adchoices

DC Comics still doesn't get it. Pride Month is over, and the sooner they learn that, the better. A reporter for GB News (Britain's News Channel) tried to talk to the protestors outside of the Delaney Hall ICE facility and got a hefty dose of what we Yanks call "fatigue." The body cam footage in the murder of Henry Nowak, a British man stabbed to death by our greatest strength, has been released. Nowak died after he was stabbed multiple times and, instead of the police helping him, they put him in cuffs because racism or something. We'll see if the body cam footage sheds any new light on the subject. Poland and France. Unchecked illegal immigration and Islamification or tradition and closed borders. Which way? GUEST: Josh Firestine Link to today's sources: https://www.louderwithcrowder.com/sources-june-2-2026 Go to http://blackoutcoffee.com/CROWDER and use code CROWDER for 20% off your first order! Download Rumble Wallet now and enjoy the benefits of financial and personal freedom! https://rumblewallet.onelink.me/bJsX/crowder Share clips from the show & compete to get a mention on the show! Where to get clips: Telegram: http://t.me/LWCClips Discord: https://discord.gg/nfRAZxEbAV Submit link for tracking: https://forms.gle/HZwz7Q7C9hkHecxTA Foundation Daily is made up of premium ingredients to reduce inflammation and stress and promote clean energy and mental clarity. Subscribe now and receive 40% off for life. https://foundationdaily.com/ DOWNLOAD THE RUMBLE APP TODAY: https://rumble.com/our-apps Join Rumble Premium to watch this show every day! http://louderwithcrowder.com/Premium Get your favorite LWC gear: https://crowdershop.com/ Bite-Sized Content: https://rumble.com/c/CrowderBits Subscribe to my podcast: https://feeds.libsyn.com/576250/rss FOLLOW ME: Website: https://louderwithcrowder.com/ X: https://x.com/scrowder Instagram: http://www.instagram.com/louderwithcrowder Facebook: https://www.facebook.com/stevencrowderofficial Music by @Pogo

Day 1,558.Today, as more civilians across Ukraine are murdered by Russia in the latest mass aerial attack we look to the US for a response, given Russian Foreign Minister Sergey Lavrov told U.S. Secretary of State Marco Rubio last week that Russia planned only to strike Ukrainian "decision-making centers". We ask, again, when the United Nations is going to take a meaningful interest in the war, and look at the continuing diplomatic spat between Ukraine and Poland. And later, we examine possibly the most consequential election for Putin in years: this weekend's contest in Armenia and a, perhaps surprising, intervention by Donald Trump.Contributors: Dom Nicholls (Host on Ukraine: The Latest). @DomNicholls on X.Venetia Rainey (Telegraph journalist and host on Iran: The Latest). @venetiarainey on X.James Kilner (Russia Analyst). @Jkjourno on X.Producer: Phil AtkinsSenior Producer: Lilian FawcettVideo Producer: Sophie O'SullivanSocial Producer: Katie InglisStudio Director: Meghan SearleExecutive Editor: Francis DearnleyCreated by David KnowlesNOW IN FULL VIDEO WITH MAPS & BATTLEFIELD FOOTAGE:Every episode is now available on our YouTube channel shortly after the release of the audio version. You will find it here: https://www.youtube.com/@UkraineTheLatest CONTENT REFERENCED:Listen to our sister podcast, Iran: The Latest: https://www.telegraph.co.uk/iran--the-latest/Read the Irish Times' coverage of the Aughinish Alumina story: https://www.irishtimes.com/tags/aughinish-alumina/Magyar signals Ukraine reset ahead of expected talks with Zelenskyy next week (Politico)https://www.politico.eu/article/hungary-peter-magyar-ukraine-volodymyr-zelenskyy-upcoming-talks/Danish shipyard still servicing LNG tankers for Russia trade (Financial Times)https://www.ft.com/content/945c6085-e14a-4acb-8e41-3986e7486480?syn-25a6b1a6=1Russian Officer Accused of Bucha Atrocities Secures Candidate Slot for Parliament Elections (United 24 Media) https://united24media.com/world/russian-officer-accused-of-bucha-atrocities-secures-candidate-slot-for-parliament-elections-19382 EMAIL US:Contact the team on ukrainepod@telegraph.co.uk. We continue to read every message, and seek to respond to as many on air and in our newsletter as possible.HIGHLIGHTS:'Loser' Putin rains missiles on Ukraine as Russia 'out of ideas' Zelensky warns Moscow there are ‘no safe roads' in south and east Hosted on Acast. See acast.com/privacy for more information.

Abelardo de la Espriella will face left-winger Ivan Cepeda in Colombian presidential run-off in three weeks. The two offer strikingly different visions of how to tackle Colombia's challenges, including violence and drug crime. Also: France and Germany have condemned Israel's deepest incursion into southern Lebanon in a quarter of a century. Berlin said it was a cause for serious concern, while Paris has called for an emergency meeting of the UN Security Council; the new pill that can double the survival rate for patients with advanced pancreatic cancer, one of the world's deadliest forms of the disease; the mice plague that is wreaking havoc on rural Australian farms; and why people will now once again be able to take the 666 bus to Hel in Poland.The Global News Podcast brings you the breaking news you need to hear, as it happens. Listen for the latest headlines and current affairs from around the world. Politics, economics, climate, business, technology, health – we cover it all with expert analysis and insight. Get the news that matters, delivered twice a day on weekdays and daily at weekends, plus special bonus episodes reacting to urgent breaking stories. Follow or subscribe now and never miss a moment. Get in touch: globalpodcast@bbc.co.uk