Podcasts about new history warfare vol

For the 104th Record Club, we break down the minimalist one-man jazz of Colin Stetson, the idiosyncratic and incredibly powerful saxophonist who has carved out one of the most distinct presences in the modern era of the instrument. We discuss his techniques, the bizarre and multi-layered sounds he is able to pull out of the saxophone through sheer physical commitment, and the way these sounds manifest on his remarkable 2013 album New History Warfare Vol. 3: To See More Light. Watch the video version of this episode and subscribe to the channel here.

We're men of our word. As we look to clear all of our outstanding commitments from our old Patreon model (info on the new one - the Unsung Record Club - can be found here), there was one album we were asked to do that we'd been putting off for a while - New History Warfare Vol. 2: Judges by Colin Stetson. Our top subscriber Cory Robinson asked us to do this a while back, but it took us ages to get around to it. Why? Well, we actually tried to do it earlier on in the year. We listened to the record and thought that it would make a very interesting episode, but none of us could quite connect with it. A few episodes passed and we realised that we had to stop putting this one off and just go for it. For a podcast that primarily deals in rock music, and the various subgenres of, we do our best to expand our palette where possible. We've covered jazz briefly in the past of course, but nothing quite as avant-garde as this. This album, and indeed most of Colin's work, requires the listener to be in a certain mood. It's a mood that doesn't come easily when you're unfamiliar with the genre, and it's also something you can only really tackle if you're feeling up to the task because this is complex, challenging stuff. It's also musically and technically impressive. Oh, and physically impressive too - the things this guy can do on his own with just a saxophone and a bunch of mics in one room are truly stunning. So as you can imagine, it took us while to get into the mindset to tackle this album. On this episode, alongside chatting about Colin Stetson's extensive discography - soundtrack work included - we talk about mood albums as a whole, and discuss why it can sometimes be difficult to get into a song/band/album if you're just not in the mood for it. We also discuss how this affects the creation of this podcast as a whole. Yeah, that's right, we get fucking introspective this week folks. Is this an unsung classic? We certainly feel it is…

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  10e de la 25e session...   Cette semaine, une proposition étoffée en avant et free-jazz avec des disques récents et des formations européennes...   En musique:   Allisson Miller's Boom Tic Boom sur l'album No Morphine No Lillies (Royal Potato Family, 2013);   Rémi Charmasson, Drew Gress, André Jaume & Tom Rainey sur l'album Fly, Baby Fly (AMJI Series, 2013);   Joe Rosenberg sur l'album The Long and Short of It (Black Saint, 2003);   Vandermeyer / Van Hove / Lovens / Blume sur l'album Quat - Live at Hasselt (NoBusiness, 2013); Colin Stetson sur l'album New History Warfare Vol. 3: To See More Light (Constellation, 2013)...  En compte-rendu:   Rémi Bolduc et les Random Masters présenté le 4 novembre 2013 dernier à la salle Tana Schulich de l'Université Mcgill...      

  10e de la 25e session...   Cette semaine, une proposition étoffée en avant et free-jazz avec des disques récents et des formations européennes...   En musique:   Allisson Miller's Boom Tic Boom sur l'album No Morphine No Lillies (Royal Potato Family, 2013);   Rémi Charmasson, Drew Gress, André Jaume & Tom Rainey sur l'album Fly, Baby Fly (AMJI Series, 2013);   Joe Rosenberg sur l'album The Long and Short of It (Black Saint, 2003);   Vandermeyer / Van Hove / Lovens / Blume sur l'album Quat - Live at Hasselt (NoBusiness, 2013); Colin Stetson sur l'album New History Warfare Vol. 3: To See More Light (Constellation, 2013)...  En compte-rendu:   Rémi Bolduc et les Random Masters présenté le 4 novembre 2013 dernier à la salle Tana Schulich de l'Université Mcgill...      

"Blind Daughters of Gaza (Manyfingers Remix)" by Tokyo Bloodworm from Palestine; "From No Part of Me Could I Summon a Voice" by Colin Stetson from New History Warfare Vol. 2: Judges; "Cosmic Radio" by Wet Hair from In Vogue Spirit; "Cesium" by Hail the Titans from Hymns of Mare Nostrum; "Oxblood" by Implodes from Black Earth; "The New Black" by Roll the Dice from their self-titled album; "I Love Invisible People" by High Wolf from Etoile 3030; "Spray" by Alps from Easy Action; "Let's Make a Slave" by Prurient from Bermuda Drain; "Waiting for Time" by Paul White from The Strange Dreams of Paul White; "Krankendudel" by Eric Copeland from Waco Taco Combo; "December" by Sun Araw from the Houston Abtros 7"

"Blind Daughters of Gaza (Manyfingers Remix)" by Tokyo Bloodworm from Palestine; "From No Part of Me Could I Summon a Voice" by Colin Stetson from New History Warfare Vol. 2: Judges; "Cosmic Radio" by Wet Hair from In Vogue Spirit; "Cesium" by Hail the Titans from Hymns of Mare Nostrum; "Oxblood" by Implodes from Black Earth; "The New Black" by Roll the Dice from their self-titled album; "I Love Invisible People" by High Wolf from Etoile 3030; "Spray" by Alps from Easy Action; "Let's Make a Slave" by Prurient from Bermuda Drain; "Waiting for Time" by Paul White from The Strange Dreams of Paul White; "Krankendudel" by Eric Copeland from Waco Taco Combo; "December" by Sun Araw from the Houston Abtros 7"