Podcast appearances and mentions of Colin Stetson

持续四天、活动遍布荷兰海牙市中心的 Rewire 音乐节结束了，留下的是三分的不舍与七分的饱腹感。每天不停地走路、观演、消化、回味，我也深知能有这样的机会大量咀嚼新鲜的音乐是一件多么奢侈的事情。 在这期节目里，我根据自己的笔记整理了 Rewire 2025 的个人观演亮点，希望在社媒平台全体玩梗的间隙，能尽量以平和的角度分享感受。 节目中插入的都是手机拍摄的现场录音，如果觉得音质较差，不妨听听原版；如果音质较差也觉得好听，那么未来这些音乐人有机会看到的时候一定不要错过呀。 Show Notes: 01:03 和谐组：Alvin Curran，Natural Wonder Beauty Concept 10:21 吓人组：Colin Stetson 13:06 爵士组：Nala Sinephro，Ben LaMar Gay Ensemble，Elliot Galvin 21:19 对照组：Panda Bear，Erika de Casier 27:52 破坏组：Moin，caroline，YHWH Nailgun 37:40 催眠组： Alessandro Cortini，more eaze & claire rousay，石桥英子，Kali Malone 44:58 优雅组：Arooj Aftab 48:00 跳舞组：Two Shell，Djrum，Zoë Mc Pherson 50:20 太极组：Laurie Anderson 《周末变奏》开通豆瓣页面，欢迎标记、点评！ → 选曲/撰稿/配音/制作/包装：方舟 → 主题音乐：Yu Su → 题图版式：六花 → 私信/合作联络： 微博/网易云/小宇宙 @线性方舟 → 《周末变奏》WX听友群敲门群主：aharddaysnight

This episode of Sync Music Matters is an interview with NYX's  Sian O'Gorman about the scoring of the BBC series Dope Girls NYX is a collective of experimental vocalists and electronic artists based in London. In Greek mythology, NYX is the primordial goddess of the night, born from chaos giving birth to light and day. And it's this duality which inspires their creativity. NYX blend traditional vocal techniques with cutting-edge sound design, and in doing so they craft sonic worlds that bridge the ancient and the futuristic In 2020 their collaborative album Deep England with Gazelle Twin was named one of The Guardian's top ten contemporary albums and in 2021 NYX received Film London's Breakthrough Talent Award. They have just completed their debut TV score for the BBCs Dope Girls due out in the first half of 2025 and are due to release their debut album NYX in March 2025 Some of Sian's musical influences which aren't mentioned in the show include: Her hero Joe Hisaishi "I listen to my Miyazaki film soundtracks almost daily" The Dark Crystal Age of Resistance OST by Daniel Pemberton Mica Levi's Zone of Interest score "My mind was completely blown" Colin Stetson forever! Centred around care, connection, and collaboration, the collective creates immersive sonic landscapes that traverse the full spectrum of human emotion – from the depths of grief to ecstatic joy. Their work balances ritualistic intensity with playful exploration, offering audiences a transformative experience to ground themselves in the power of sound and embodiment. Drawing on influences from psychoacoustics, somatic practices, and experimental sound design, NYX operates at the intersection of composition and improvisation. At the heart of NYX's artistry is a distinct compositional process led by music director Sian O'Gorman. Each piece begins as a deeply personal act of vocal experimentation and layering, evolving into dynamic sonic landscapes shaped collaboratively with performers. This process blends improvisation with precise direction, resulting in music that feels both curated and alive. 00:00:00 Introduction 00:02:00 Interview with NYX - What was your path into music 20:19:06 Under The Skin - Dope Girls and the debut Album NYX 56:16:00 Getting a Taste - What music and art has influenced you? You can find out more and listen to NYX on their website www.nyx-edc.com/ NYX on Instagram

The saxophonist has spent his life developing his unique, physically demanding performance style.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Scottish piper Brìghde Chaimbuel has quickly vaulted from the traditional-music scene to an international profile, in part thanks to her recent collaboration with saxophonist/composer Colin Stetson. In this episode, she discusses how music by Allan Macdonald, the Rhodopea Kaba Trio, and Steve Reich guided her own work. She'll appear at the Big Ears Festival in March 2025.See omnystudio.com/listener for privacy information.

We update our running list of the year's best songs with a slice of pop perfection from Oso Oso, harrowing sounds from Colin Stetson, a blissful journey with composer Christopher Rountree and more.Featured songs and artists:1. Oso Oso: "dog without its bark," from life till bones2. Christopher Rountree: "Almanac," from 3BPM3. Colin Stetson: "Hollowing," from The love it took to leave you4. Emily D'Angelo: "Freezing," from Freezing5. Lia Kohl: "Tennis Court Light, Snow," from Normal Sounds6. Gabriela Ortiz: Kauyumari, from Revolución DiamantinaQuestions, comments, suggestions or any feedback at all always welcome: allsongs@npr.orgLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Nossos artistas estão com o tesão de 7 Anittas? Nesta edição, Cleber Facchi (@cleberfacchi), Isadora Almeida (@almeidadora), Renan Guerra (@_renanguerra) e Nik Silva (@niksilva) mergulham nas relações complexas entre a música brasileira e o sexo, discutindo liberdade sexual, moralismos e outros babados para maiores. Apoie a gente: https://apoia.se/podcastvfsm Não Paro De Ouvir ➜ FKA Twigs https://tinyurl.com/3desh4x7➜ Maquinas https://tinyurl.com/2p97unx5➜ RAYE https://tinyurl.com/4rf93n7c➜ Joey Bada$$ & Chlöe https://tinyurl.com/5n7b4zf9➜ Hinds https://tinyurl.com/47dy6up9➜ The Dare https://tinyurl.com/3te9yh6j➜ Ivana Wonder https://tinyurl.com/233t7hkz➜ Dora Morelembaum https://tinyurl.com/2fjhj66d➜ Juliano Guerra & Vitor Ramil https://tinyurl.com/3m9mrn7f➜ Batata Boy https://tinyurl.com/2k62h4h6➜ Colin Stetson https://tinyurl.com/yfc9fs72➜ Floating Points https://tinyurl.com/cuybtcky➜ Pélico https://tinyurl.com/y4wj3udf➜ The Weeknd https://tinyurl.com/2s3pas5e➜ Meu Nome Não É Portugas https://tinyurl.com/3y69htct➜ Julie https://tinyurl.com/3n8vhzat➜ Slipmami https://tinyurl.com/37ad5mky➜ Nilüfer Yanya https://tinyurl.com/mr274jw2➜ Porches https://tinyurl.com/36yrcx3r Você Precisa Ouvir Isso ➜ A Última Profecia (Max)➜ A Substância (Cinemas)➜ A Sétima Profecia (Amazon Prime Video)➜ The Beatles: Yellow Submarine (Darkside Books)➜ Delicioso - Da Cozinha para o Mundo Playlist Seleção VFSM: https://bit.ly/3ETG7oEContato: sobremusicavamosfalar@gmail.com

3e émission de la 60e session...Cette semaine, jazz moderne et avant-jazz! En musique: Marquis Hill sur l'album Composers Collective: Beyond the JukeBox  (Black Unlimited Music Group, 2024); Caroline Davis sur l'album Portals, Volume 2: Returning  (Intakt, 2024); John Escreet sur l'album the epicenter of your dreams  (Blue Room, 2024); Patricia Brennan Septet sur l'album Breaking Stretch  (Pyroclastic, 2024); Matt Mitchell sur l'album Zealous Angles  (Pi Recordings, 2024); Colin Stetson sur l'album The love it took to leave you  (Envision, 2024)...

Although ranking tracks and declaring a ‘Best of 2024' can be subjective, one thing is certain: whenever local legend Dan Ryan announces new music, he's generally an overwhelming favourite. His most recent release, Cromags, may be his best yet. Ryan creates a true masterpiece by melding tribal rhythms with uplifting chords and poignant vocals, resulting in a composition that would feel right at home on a Hans Zimmer soundtrack. Electronic music has become increasingly flashy and performative, often lacking any mystique it once held. Our Instagram feeds are flooded with every detail of our favourite producers' lives, many of whom reveal all their secrets in the name of ‘content.' Yet, when a mysterious artist like Dan Ryan reveals a track of such high calibre, it feels like a beacon of hope. It reminds us that there are still artists out there making extraordinary music who prefer to remain under the radar. Whenever this Irish producer grants us a glimpse of his work, we stop, listen, and rewind repeatedly. Our culture has grown alarmingly comfortable with mediocrity. We're often more focused on churning out generic music to keep pace with rapidly changing algorithms than on creating something truly exceptional. This obsession with quantity over quality has diluted the music landscape, leaving artists struggling to produce just another ‘okay' track. Dan Ryan, however, is a refreshing contrast. Rarely heard from and content with letting his music speak for itself, he emerges infrequently but always delivers a masterpiece when he does. Cromags is a masterful fusion of classic tribal percussion and otherworldly sound design, evoking a soundtrack that is fit for humanity's ascent into a new world. The track radiates effortless cool, with Ryan pushing energy to its limits before unleashing moments of explosive intensity, like a lion bursting from a cage. This dystopian groove seamlessly bridges our past and present, delivering something refreshingly new and irresistibly infectious. When asked about the idea for the track Dan and the video that accompanies it, he said “The original idea for the video was to just showcase the landscape of Ireland. I recorded it on two different bike trek trips across Ireland during lockdown times and just filmed all of what I saw and the people I met along the way. Churches and religious statues are a big part of the landscape of rural Ireland, so that became a big part of the video.” “The song samples a tune called “Reborn” by Colin Stetson; it's the soundtrack from a movie called Hereditary, and I fell in love with the song when I heard it and immediately imagined big, banging breaks behind it. There is a sample of a woman speaking on the track—she's a dying woman talking about what she will miss about life, which I think fits really well with the tune and gives it a real life-and-rebirth vibe. I think the video ended up highlighting the beauty of Ireland and the happiness of just being alive riding a bike across the country.“ SC: @danryan724 IG: https://www.instagram.com/ryandan725/ Four Four Magazine 
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Episode 705: July 21, 2024 playlist: Jonnine, "Southside Girl" (Southside Girl) 2024 Modern Love Beautify Junkyards, "Somersault" (Nova) 2024 Ghost Box Current 93, "A Long Shadow Falls XX (excerpt)" (The Long Shadow Falls) 2024 Dirter Colin Stetson, "The love it took to leave you" (The love it took to leave you (Single)) 2024 Invada Trans Am, "Music For Dogs" (Liberation) 2004 Thrill Jockey Elska, "Anna" (Dancing Alone) 2024 Time Released Sound Nuno Beats, "With Wine" (Sai do Coração) 2024 Principe Yann Novak, "Seeing Light Without Knowing Darkness (Lawrence English Remix)" (The Voices of Theseus) 2024 Room40 Charif Megarbane, "Allarme" (Habibi Funk Limited 002: Hamra / Red) 2024 Habibi Funk Luke Elliott, "Stellar Overflow" (Every Somewhere) 2024 AKP Four Tet, "Calamine" (Dialogue) 1999 Output Magnolia Electric Co., "Hope Dies Last" (Josephine) 2009 Secretly Canadian Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

This week: the crew discusses new songs from Colin Stetson, Fire-Toolz, Body Count feat. Joe Bad, Ferg, and more! In the news topics:

The time has finally come. Will and Jared, with special guest Steven, sit down at a large wooden table by candlelight to discuss the A24 horror film written and directed by Ari Aster: Hereditary!Is Jared a little too fascinated with this movie? How did Steven fare watching the film after avoiding it out of fear since 2018? Is Ari Aster, like, okay? Did you just hear something? Listen to find out!You can find the band Swamp on Spotify, Instagram, and Facebook.The now-defunct Youtube channel we reference is Every Frame A Painting.Our outro track  is "Reborn" by Colin Stetson off the Hereditary Soundtrack. Hail Paemon.Cover art by @DogBitesBackNYEmail the show at podcast@debaserpod.comFollow Will on Instagram and Jared on Twitter.Follow the show on Instagram and Twitter.

Die Brainwashed - Radio Edition ist eine einstündige Show mit Musik von den Künstlern und Labels auf Brainwashed.com. 1. Kaya North, "The Temple (Hymn)" (Myths) 2023 Lost Tribe Sound 2. Leo Takami, "Next Door" (Next Door) 2023 Unseen Worlds 3. The Clientele, "Blue Over Blue" (I Am Not There Anymore) 2023 Merge 4. The Magnetic Fields, "Epitaph For My Heart" (69 Love Songs) 1999 Merge 5. Brin and Dustin Wong, "Texture V: Sunset Chime" (Texture II) 2023 Leaving 6. Vanishing Twin, "Afternoon X" (Afternoon X) 2023 Fire 7. Sault, "Morning Sun" (11) 2022 Forever Living Originals 8. Elisabeth Klinck, "Winter Song" (Picture a Frame) 2023 Hallow Ground 9. Laika, "Falling Down" (Wherever I Am I Am What Is Missing) 2003 Too Pure 10. Matt Weston, "Halfway To Smearing" (Embrace This Twilight) 2023 7272Music 11. Colin Stetson, "Infliction" (When we were that what wept for the sea) 2023 52Hz 12. Black Tape For A Blue Girl, "jamais pars" (mesmerized by the sirens (2023 stereo mix)) 2023 Projekt * Eine Sendung vom 30. Juli 2023. # Brainwashed - Radio Edition Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening. * http://brainwashed.com

Michael Feuerstack discusses his thoughtful and infectious new album Eternity Mongers, its social, philosophical, and interpersonal lyrical themes, a discussion about the phrase “It is what it is,” and Michael's new song, “What Isn't What it Is,” creating an artistic space to convey thoughts and ideas and Larry David's Curb Your Enthusiasm, making an album in a Nova Scotia shack with producer Charles Austin and bringing a talented horn section and guest vocalists into the mix, upcoming tour dates and work with Land of Talk, Bell Orchestre, and the Luyas, celebrating Snailhouse, other future plans, and much more.Support vish on Patreon! Thanks to Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Related episodes/links:Ep. #808: Land of TalkEp. #601: Michael FeuerstackEp. #555: Land of TalkEp. #485: Richard Reed ParryEp. #117: Charles Austin of the Super FriendzEp. #115: Jeremy Gara & Samir Khan of KeplerEp. #75: Michael FeuerstackEp. #18: Colin Stetson & Sarah NeufeldSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Brìghde Chaimbeul, Rhodri Davies, Sam Amidon and Linda Buckley discuss the roles of tradition and place in music, and what they might think about when performing.Brìghde Chaimbeul is a Gaelic musician, composer and bagpipe player. Her music stems from traditional Gaelic material, particularly sourced from archival recordings, of songs, stories and music from the Highlands and islands of Scotland. It also explores wider musical influences, such as a variety of global piping traditions from eastern Europe, Cape Breton and Ireland. She has collaborated with artists including Ross Ainslie, Gruff Rhys, Martin Green, Carlos Nunez and Allan MacDonald. Last year she released the album Carry Them With Us in collaboration with Colin Stetson, weaving together textural drones, trance atmospheres and instrumental folk traditions.Rhodri Davies is a Welsh musician who plays harp, electric harp and live electronics, as well as building harp installations. He started playing the harp at the age of 7 and is classically trained on the orchestral pedal harp; he also plays harps from a range of different cultures, modifying their sounds with different techniques and pushing the boundaries of how the instrument can sound. He's released seven solo albums and regularly works with groups such as Hen Ogledd, Cranc, the Sealed Knot and Common Objects. Sam Amidon is an American singer, songwriter, and multi-instrumentalist from Vermont. He plays the fiddle, guitar and banjo, and is a member of the Icelandic music collective/record label Bedroom Community. He has released a string of acclaimed albums, ranging in theme from interpretations of traditional Irish fiddle pieces to old-time melodies and tales from traditional American folk history. His collaborators include classical composer Nico Muhly, experimental composer/producer Ben Frost, composer/violinist Eyvind Kang, guitar legend Bill Frisell and veteran jazz drummer Milford Graves.Linda Buckley is an Irish composer and musician who creates electronic and acoustic music working across many disciplines, most notably film, and drone and dark ambient music. She's worked in many collaborative contexts, including scoring films such as Nothing Compares by Kathryn Ferguson and To The Moon by Tadhg O'Sullivan. Recent collaborators include Liam Byrne and Crash Ensemble, Gudrun Gut and Andrew Zolinsky.

Podcast de DAVID FENECH pour webSYNradio. Avec des morceaux de The Monks, Andew Liles + Jean Hervé Péron, Glaxo Babies, Renaldo and the Loaf, Felix Kubin, Fritz Muller, Iggy + The Stooges, H.N.A.S, Volcano the Bear, Nervous Norvus, Jac Berrocal + David Fenech + Ghédalia Tazartès, Connan Mockasin, Brigitte Fontaine, Colin Stetson, Jr + His Soulettes, Ashik Feyzullah Tchinar, Flaming Tunes, R Stevie Moore, Steve Reich, Guillaume de Machaut, Benjamin Britten, Meredith Monk. http://synradio.fr/david-fenech/

We're back after a four month hiatus to bring you our list of the top 100 albums of 2023. Is it, at bare minimum, a month and a half late? Yes. By "we" do we mean "just Brad because Sean wouldn't want any part of this nonsense"? Yes again. But whatever, we're doing it anyway. It has been another great year for music, which at this point should not be shocking. We've got incredible team-ups galore, big names from the past making a mark in the present, new names bursting on to the scene, everything and the kitchen sink albums, spoken word weirdness, hip-hop standard bearers still innovating, gloopy synths, the sounds of a haunted house, and above all else, a lot of very aggressive, noisy music. It was a hell of a year. So... enjoy? (We'll be back to our regularly scheduled programming... eventually. Probably soon. We are still reeling from the Detroit Lions losing the NFC Championship game, so it might be a while) Artists Discussed (In Alphabetical Order): 2FAC, Aaron Dilloway, Aho Ssan, Altin Gun, Ana Frango Elétrico, Armand Hammer, Bandler Ching, BBBBBBB, Bill Orcutt, Billy Woods & Kenny Segal, Bounaly, Brass Riot, Bully, Caterina Barbieri, Charif Megarbane, Colin Stetson, Dead Times, Deena Abdelwahed, Disclosure, Divide and Dissolve, DJ Finale, DJ Girl, DJ Smiley Bobby, EABS & Jaubi, El Michels Affair & Black Thought, Ellen Arkbro, Embarker, Emergency Group, Euglossine, Fever Ray, Fire Toolz, Forest Swords, Gazelle Twin, Gezan & Million Wish Collective, Great Falls, Guilty Simpson & Uncommon NASA, Hitech, Hourloupe, Hyphyskazerbox, ICECOLDBISHOP, Jana Winderen, Janelle Monáe, Jlin, JPEGmafia & Danny Brown, Judgitzu, Karen y los Remedios, Katarsi, KEN Mode, Kool Keith & Real Bad Man, Kouns and Weaver, Larry Wish, Lauren Bousfield, Loraine James, Lost Girls, Lunch Money Life, Madlib, Meyhem Lauren, & DJ Muggs, Mallwalker, Marina Herlop, Matmos, MC Yallah, Mendoza Hoff Revels, MIKE, Mike Nigro, Model/Actriz, Mukqs, M-Ziq, Natalia Beylis & Eimear Reidy, Neupink, Novatron, Nuovo Testamento, Oozing Wound, OrangeTone, Organized Cream, Ortopedia Tecnica, Osees, Paavoharju, Physique, PoiL/Ueda, Private Lives, RP Boo, Screaming Females, Shit And Shine, Sightless Pit, Silver Apples & Makoto Kawabata, Sunik Kim, Sweeping Promises, TALSounds, Tee Vee Repairman, Teeth of the Sea, That Mexican OT, The Gate, The HIRS Collective, Tim Hecker, Tinashe, Tzusing, Victoria Monet, Vorsicht Kinder, Wound Man, Zoh Amba/Chris Corsano/Bill Orcutt --- Website: www.queenvenerator.com Instagram: https://www.instagram.com/queenvenerator/ Bluesky: https://bsky.app/profile/queenvenerator.bsky.social

Jūsų dėmesiui Domanto Razausko geriausių praėjusių metų albumų apžvalga. Klasika, džiazas ir pasaulio muzika. Antroje dalyje - geriausi džiazo ir improvizacinės muzikos leidiniai!Albumų sąrašas:For Mahalia, With Love. James Brandon Lewis / Red Lily Quintet. Išleido „TAO Forms“;Den sämsta lösningen av alla. Per Texas Johansson. Išleido „Moserobie Music Production“;Drifting. Mette Henriette. Išleido ECM;Echoes. Fire! Orchestra. Išleido „Rune Grammofon“;The Omnichord Real Book. Meshell Ndegeocello. Išleido „Blue Note“;When we were that what wept for the sea. Colin Stetson. Išleido „52hz“;M_unit: Beyond Orbits. Miho Hazama. Išleido „Edition Records“;Refract. Blankfor.ms, Jason Moran, Marcus Gilmore. Išleido „Red Hook Records“;Since Time Is Gravity. Natural Information Society. Išleido „Eremite“.Dance Kobina. Joe Chambers. Išleido „Blue Note“;Ved. Domantas Razauskas

Fue presidenta y cofundadora de la Asociación Madres de Plaza de Mayo, protagonista central de las primeras marchas por la aparición con vida de los 30 mil detenidos desaparecidos secuestrados durante la dictadura cívico militar que se extendió entre 1976 y 1983. Hebe María Pastor de Bonafini tenía 93 años cuando murió el 20 de noviembre de 2022 y su compromiso de lucha se mantuvo hasta el final de sus días. Había nacido en la ciudad de Ensenada el 4 de diciembre de 1928 y en 1942 se casó Humberto Bonafini, con quien tuvo tres hijos: Jorge Omar, Raúl Alfredo y María Alejandra. A comienzos de 1977 su hijo mayor Jorge Omar fue secuestrado y desaparecido en La Plata, y en diciembre de ese mismo año corrió la misma suerte su otro hijo, Raúl. Además, al año siguiente desapareció su nuera, María Elena Bugnone Cepeda, esposa de Jorge. En 1979 inició su tarea como presidenta de Madres, luego del secuestro y desaparición de la primera titular Azucena Villaflor, entidad en la que se destacó por la lucha por los derechos humanos, contra la impunidad de los culpables de crímenes de lesa humanidad, junto a la reivindicación de la militancia revolucionaria de los detenidos desaparecidos y asesinados. Hebe no sólo reivindicó las luchas de sus propios hijos, sino que impulsó el reclamo colectivo de las Madres: "Todos son nuestros hijos". Como titular de la Fundación Madres de Plaza de Mayo, promovió el crecimiento de esa institución; impulsó la creación de un instituto universitario nacional – hoy devenido en Universidad -, un periódico, una radio, una casa cultural y una librería. Estos hitos coinciden con sus ideas de que los derechos humanos debían conjugarse con los derechos sociales. De la mano de esa concepción nunca ocultó sus preferencias políticas que quedaron expresadas en sus posiciones intransigentes ante las desigualdades. Las cenizas de Hebe fueron esparcidas días después de su muerte en un hoyo cavado en el jardín del perímetro que rodea la Pirámide de Mayo. La recordamos y reconstruimos parte de su historia a través de testimonios conservados en el Archivo Histórico de Radio Nacional. FICHA TÉCNICA Edición: Fabián Panizzi Música y testimonios Quis est quis (M Batkovic) Mario Batkovic & Colin Stetson [2021 del Álbum “Introspectio”] 1976-01-17 Martínez de Perón, María Estela (Presidente de La Nación) Convocatoria Consejo Seguridad Interna - Adelanto Elecciones 2020-03-02 Pastor de Bonafini, Hebe - La historia de las Madres (Mateando con Hebe N°48 - Madres Organización) 1976-02-16 Amerise, José (Dip FREJULI) Mascetti, César (Periodista) Rumores de un Golpe de Estado 2020-03-02 Pastor de Bonafini, Hebe - La historia de las Madres (Mateando con Hebe N°48 - Madres org) 1975-11-23 De la Rúa, Fernando (Senador) Napoli, Antonio (Senador) Atentado a Solari Yrigoyen (Instituto del Diagnóstico) 1974-08-01 Funeral Ortega Peña 1974-03-23 Mesa, Edgardo (Cronista) Atentado contra Juan Manuel Abal Medina (Barrio Norte) 2020-03-02 Pastor de Bonafini, Hebe - La historia de las Madres (Mateando con Hebe N°48 - Madres org) 1976-03-17 Balbin, Ricardo (Pres UCR) Crisis Institucional 2020-03-02 Pastor de Bonafini, Hebe - La historia de las Madres (Mateando con Hebe N°48 - Madres org) 1976-03-24 Mentesana, Juan (Locutor Oficial) Comunicado Nº2 Estado de Sitio Primordium finale (M Batkovic) Mario Batkovic & Colin Stetson [2021 del Álbum “Introspectio”] 2020-03-02 Pastor de Bonafini, Hebe - La historia de las Madres (Mateando con Hebe N°48 - Madres org) 1976-09-22 Propaganda Juventud Invitation to the Voyage (J Kent) Julia Kent [2015 del Álbum “Asperities”] 2020-03-02 Pastor de Bonafini, Hebe - La historia de las Madres (Mateando con Hebe N°48 - Madres org) 2020-03-09 Pastor de Bonafini, Hebe - La historia de las Madres (Mateando con Hebe N°49 - Madres org) 2020-03-02 Pastor de Bonafini, Hebe - La historia de las Madres (Mateando con Hebe N°48 - Madres org) 1976 Publicidad Unámonos

Listen to the sixth and final episode of our new six-part podcast series, Making Tracks. Bradley Kulisic from Singing Light Music talks to music leaders Holly and Frankie about music management, marketing and distribution. Bradley has worked with artists and independent record labels since 2002. His DIY ethic was shaped by working with Dischord, Southern Records, Constellation and Barry Adamson. He has run campaigns for artists like Peaches, The Jon Spencer Blues Explosion and Colin Stetson. He manages Pigs Pigs Pigs Pigs Pigs Pigs Pigs, Eleni Drake, Holy Moly & the Crackers and more. Singing Light Music was launched 2019 with the intention of bringing all these experiences together under one umbrella, to help demystify the music business and to offer support and guidance on releasing records, physical and digital distribution and rights management for artists, creators, managers and labels. Making Tracks, is our six-part podcast series, a podcast from behind the production desk, for songwriters and music producers who are ready to step into the studio. Music producer and educator Lisa Murphy and team lift the lid on the North East music industry by interviewing people working directly in the industry about how they use music technology in their music making. Making Tracks is a songwriting and music production course delivered by professional music producers in professional recording studios in the North East. Whether you're looking to take your first steps, develop your existing knowledge, or work towards becoming a professional producer, there's a Making Tracks course for you. This podcast series is brought to you by Access Music Production CIC in collaboration with The Glasshouse International Centre for Music. At the time of recording, The Glasshouse was called Sage Gateshead, so you may hear some references to our old name.

Live podcast recording with composer Colin Stetson from Film Fest Gent and the World Soundtrack Awards in Belgium. Composer and musician Colin Stetson is a nominee for the WSA Discovery of the Year Award, and sits down with Robert Kraft to talk about how he keeps his music fresh, his musical mind healthy and his performing career exciting. They also discuss his recent work, including THE MENU and HEREDITARY. Recorded on location by Film Fest Gent in front of a live audience in October 2023.

Spooky Season continues as the guys discuss the A24 horror movie Hereditary directed by Ari Aster! But first is Ludacris the most famous person from Atlanta? What sketch did Jake do with Anthony? Were the guys able to do a smooth transition? Is this movie a modern horror classic? What kind of weed pairs with this movie? What do we think of Colin Stetson's score? Did Toni Colette deserve an Oscar? Did Cody misremember the movie? Is this a horror movie or a movie about family drama? Is there a sense of dread throughout? Did Martin Scorsese like this movie? Who did it better Hereditary or Dinner for Shmucks? Did Anthony go through the school of hard knocks for Tetris? Is there a lot of death in this movie? What is the most iconic death of the movie? How is Ann Dowd? Do we make every choice deliberately? Who would we be in the movie? Is the entire town in the cult? Would Cody join a cult? At what point does the movie go beserkles? What lead up to the rise of A24 ‘s brand of “elevated horror”? Was Satan big in the 70's? Is Satanic Karen joining Betty Yayo 69 as a part of the Dark Golden Girls? What sends the guys into a laughing fit at the end of the episode? Find out the answer to this and more on the next spooky addition of Comics and Chronic! Check out our Patreon: https://www.patreon.com/ComicsandChronic Check out our website: ⁠⁠⁠⁠⁠⁠⁠https://www.comicsandchronic.com/⁠⁠⁠⁠⁠⁠⁠ New episodes every THURSDAY Follow us on social media! Instagram // Twitter // TikTok : @comicsnchronic YouTube: www.youtube.com/channel/UC45vP6pBHZk9rZi_2X3VkzQ E-mail: comicsnchronicpodcast@gmail.com Cody Twitter: @Cody_Cannon Instagram: @walaka_cannon TikTok: @codywalakacannon Jake Instagram: @jakefhaha Anthony Instagram // Twitter // TikTok : @mrtonynacho YouTube: youtube.com/nachocomedy

Episode 644: July 30, 2023 playlist: Kaya North, "The Temple (Hymn)" (Myths) 2023 Lost Tribe Sound Leo Takami, "Next Door" (Next Door) 2023 Unseen Worlds The Clientele, "Blue Over Blue" (I Am Not There Anymore) 2023 Merge The Magnetic Fields, "Epitaph For My Heart" (69 Love Songs) 1999 Merge Brin and Dustin Wong, "Texture V: Sunset Chime" (Texture II) 2023 Leaving Vanishing Twin, "Afternoon X" (Afternoon X) 2023 Fire Sault, "Morning Sun" (11) 2022 Forever Living Originals Elisabeth Klinck, "Winter Song" (Picture a Frame) 2023 Hallow Ground Laika, "Falling Down" (Wherever I Am I Am What Is Missing) 2003 Too Pure Matt Weston, "Halfway To Smearing" (Embrace This Twilight) 2023 7272Music Colin Stetson, "Infliction" (When we were that what wept for the sea) 2023 52Hz Black Tape For A Blue Girl, "jamais pars" (mesmerized by the sirens (2023 stereo mix)) 2023 Projekt Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Esta semana, en una nueva sesión de Rebelión Sónica, destacamos el trabajo del artista del sonido canadiense Tim Hecker, centrándonos en su nuevo disco “No Highs”. Editado el 07 de abril por el prestigioso sello Kranky, el álbum está integrado por 11 pistas que combinan electrónica con elementos acústicos aportados por el piano y el saxo modal a cargo de su compatriota, el destacado vientista Colin Stetson. De acuerdo al comunicado de difusión de "No Highs", “las piezas acumulan y evitan el drama, más en sintonía con la resaca que con el crescendo. Hecker menciona la ‘negación’ como una especie de musa: la sensación de tumulto sin grandilocuencia, éxtasis atado, un escape del escapismo. El suyo es un antagonismo a la vez brusco y seductor, carente de resolución, que hace señas al oyente cada vez más profundo en sus alquimias en escala de grises de inquietud magistral”. En la parte final del programa, viajamos al pasado en la historia musical de Hecker, para escucharlo con música de su álbum de 2018, “Konoyo”, el noveno de su trayectoria, también publicado con Kranky.

"Eternal Trans Siberian" by Gnoomes from Ax Ox; "Monotony II" by Tim Hecker featuring Colin Stetson from No Highs; "Sunset Theater" by Golden Hallway Music from Rules and Chance Vol 3; "Finding Ways" by Constant Smiles from Kenneth Anger; "Silent Embrace" by Mono from Heaven, Vol I; "The Sons and Daughters of Poor Eternal" by ALL HANDS_MAKE LIGHT from their self titled album; "Heaven Surrounds Us Like a Hood" by Yves Tumor from Praise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds); "Greenfingers" by Daniel O'Sullivan from the reissue of The Physic Garden; "Waterfall End Sequence" by Dialect from Advanced Myth; "A Flash in the Pan" by Megan Alice Clune from Furtive Glances; "Shiny Gilded Boulevard" by Purling Hiss from Drag On, Girard.

Gary chats with Brighde Chaimbeul, one of the most innovative and exciting musicians to have emerged in Scotland in recent years. Brighde explains the thinking and the influences behind her brand new album, Carry Them With Us , a collaboration with experimental saxophonist, Colin Stetson. As well as sampling the delights of that, we also dip into another wonderful new album, Diad, from Tim Edey and Ross Ainslie. There's sets too from the Scottish Gas Caledonia Pipe Band, from Willie McCallum and from Breton pipe maker and musician, Xavier Boderiou. Tracks Played1. Tim Edey and Ross Ainslie with 'Jim Tweedie's Sea Legs' (J A MacGee), Humours of KiltyClougher (trad), Tatter Jack Walsh (trad), the Girl of the House (trad) from Diadhttps://rossainslie.bandcamp.com/2.  Scottish Gas Caledonia Pipe Band with Glengarry's Lament (trad), The Conundrum (Peter Macleod),  Carradale Bay (T Muirhead) from Out of the Bluehttps://www.greentrax.com/3. Brighde Chaimbeul, 'Banish the Giant of Doubt and Despair' (trad) from Carry Them With Ushttps://brighdechaimbeul.bandcamp.com/album/carry-them-with-us4.  Brighde Chaimbeul, 'The Haunting' (trad) from Carry Them With Ushttps://brighdechaimbeul.bandcamp.com/album/carry-them-with-us5. Ross Ainslie, Brighde Chaimbeul and Steven Byrnes, 'Dodd's' from Lashttps://rossainslie.bandcamp.com/album/las6. Willie McCallum, A.A. Cameron's Strathspey, Donald Ruadh, Wiseman's Exercise (C Campbell) The White Eyebrow, The Piping Poodle, The Night We Had The Goats, MacPherson's Reel, Inverinate House from Hailey's Songhttps://www.templerecords.co.uk/products/william-mccallum-haileys-song7. Xavier Boderiou with 'Matt Hayes' and 'My Former Wife' (private recording)https://boderiou.com/en/https://xavierboderiou.bandcamp.com/8. Tim Edey and Ross Ainslie with 'Lullaby for Mel' (Ross Ainslie) from Diad https://rossainslie.bandcamp.com/Links MentionedTobar an Dualchais / Kist of Riches Online Archivehttps://www.tobarandualchais.co.uk/Lowland and Border Pipers' Societyhttps://lbps.net/The Eagle Pipers Societyhttps://eaglepipers.wordpress.com/Tickets for the Capt John A MacLellan MBE Memorial Dinnerhttps://eaglepipers.wordpress.com/capt-john-a-maclellan-memorial-dinner-tickets/Colin Stetson (Brighde's collaborator)https://www.colinstetson.com/For Tour Dates Mentioned seehttps://www.rossainslie.com/livehttps://www.brichaimbeul.com/ticketsSupport the show

An important update about visiting the stone store, plus some news from Bob Rockwell III and Lunar Corp. Album of the Day is: https://colinstetson.bandcamp.com/album/chim-ra-i Additional Links: https://lunarcorp.bandcamp.com/album/an-astral-stroll-through-lunar-park https://madaboutrecordslabel.bandcamp.com/album/robert-rockwell-iii-androids Wednesday episodes are exclusively on Patreon. foxydigitalis.zone patreon.com/foxydigitalis twitter: @foxydigitalis Instagram: @foxy.digitalis

Composer Colin Stetson (The Menu, Hereditary, Color Out of Space) talks about capturing a fresh sound for The Menu, trying not to collapse while playing saxophone, and why it makes for terrible bar tricks. Interview by Kenny Holmes and Matt Schrader.

Composer Colin Stetson explains how he scored The Menu, the brilliant foodie black comedy which stars Anya Taylor-Joy, Nicholas Hoult and Ralph Fiennes.

Ruinous beauty, hauling a bass sax up the stairs, Hendrix's face, worlds of breath. The saxophonist and composer discusses his important albums.Colin's picks:Hendrix – Band Of GypsysPeter Brötzmann / Bill Laswell – Low LifeEnya – Shepherd MoonsSam Cooke – Live At The Harlem Square Club, 1963Colin's new album Chimæra I is out now via ROOM40. You can also grab it on Colin's Bandcamp. Colin's website is here.Donate to Crucial Listening on ko-fi: https://ko-fi.com/cruciallistening

When composing the perfect cinematic feast, music is that "mot juste" or the proverbial cherry on top....On this episode we going with the chef's recommendation as we dive into 'The Menu' and talk with composer Colin Stetson.A couple (Anya Taylor-Joy and Nicholas Hoult) travels to a coastal island to eat at an exclusive restaurant where the chef (Ralph Fiennes) has prepared a lavish menu, with some shocking surprises.It's an absolute delight when we get to talk about one of the movies of the year in 'The Menu; which is coming to VOD platforms (and possibly Disney+ here in Canada) next week as we got the pleasure of sitting down with Colin to ask him about getting the job, the challenges of composing for the screen along with the creative payoffs and so very much more.

Episode 606: December 11, 2022 playlist: Ryoji Ikeda, "ultratronics 01" (ultratronics) 2022 Noton Jonnine, "Three Spider Bites" (Maritz) 2023 Idle Press Andrew Chalk, "Bright Rivers Run" (Bright Rivers Run / Shimmer in the Sun) 2022 Faraway Press Katie Kim, "Mona" (Hour Of The Ox) 2022 I Actually Like Music Ben LaMar Gay, "Agua Futurism" (Certain Reveries) 2022 International Anthem Ak'chamel, "Amazonian Tribes Mimicking The Sound of Chainsaws With Their Mouths" (A Mournful Kingdom of Sand) 2022 Akuphone sanr, "vesvese" (ramak (siddet denetimi)) 2022 Lost Tribe Sound Ensamble Kafka (feat. Steven Brown), "La Bateleur" (Ensamble Kafka) 2013 Independent Recordings / 2022 Klanggalerie Richie Culver, "I Was Born By The Sea" (I was born by the sea) 2022 Reif Le Millipede, "8th Leg" (Legs and Birds) 2023 Gutfeeling Colin Stetson, "Cerberus (reduction)" (Chimaera I) 2022 Room40 The Clean, "Tally Ho!" (Tally Ho! / Platypus) 1981 Flying Nun Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Meet musician Colin Stetson the composer for the new movie "The Menu", starring Ralph Fiennes. Stetson masters the art of melding his multi-instrument mastery into one incredible score. Colin talks all things business and being a music maestro.The score for The Menu is an evolution from any other score Stetson has done in the past. The string-forward and percussive music uses grotesque soundscapes and motifs to mirror the psychosis of the main character (Ralph Fiennes).As the narrative builds, Stetson creates unique musical moments, some given only at a specific time and place, and others that weave a thread throughout the film. Rather than creating character themes, he created a theme for the menu that interacts with characters, giving the menu a sense of self; an off-kilter pretension that instigates discomfort in the listener.The film's concept allowed Stetson to use eccentric and experimental instrumentation: playing glasses with chopsticks, hitting tuning forks on Tibetan bowls, using pans as percussion; making the score fit the environment while keeping it separate from the diegetic sounds of the kitchen. He uses his own undulus vocals which clone the full orchestra of strings.“From my first reading of the script to our last moments on the mix stage, my experience creating the music on this film has been an absolute joy, as the themes, refrains, and aesthetic have seemed to jump right off of the page and screen for me with every brilliant turn of phrase, perfect edit, and wickedly delivered performance. It is pure pleasure working with such an incredible team and I am truly grateful for the whole of it,” says Stetson.A couple (Anya Taylor-Joy and Nicholas Hoult) travels to a coastal island to eat at an exclusive restaurant where the chef (Ralph Fiennes) has prepared a lavish menu, with some shocking surprises. To Learn more about Colin Stetston Check out his website: https://www.colinstetson.com/Listen to the Stay on Course Podcast: https://www.podpage.com/stay-on-course-ingredients-for-success/ To learn more about Julie Riga and her mission to Stay On Course, visit her website: www.julieriga.comJulie Riga is a certified coach, trainer, speaker and author with over 20 years of experience in the Pharma Industry. Julie's education is vast with studies that include business, communications, training and executive coaching. Julie started on this journey because she had a strong desire to pass on the knowledge and skills passed on to her by her father, Ennio Riga, and inspirational man who taught her how to keep going irrespective of the challenges that life may present you with. Based in New Jersey, Julie have travelled the world supporting corporations, business leaders and individuals on their journey of empowerment and growth.

Meet musician Colin Stetson the composer for the new movie "The Menu", starring Ralph Fiennes. Stetson masters the art of melding his multi-instrument mastery into one incredible score. Colin talks all things business and being a music maestro. The score for The Menu is an evolution from any other score Stetson has done in the past. The string-forward and percussive music uses grotesque soundscapes and motifs to mirror the psychosis of the main character (Ralph Fiennes). As the narrative builds, Stetson creates unique musical moments, some given only at a specific time and place, and others that weave a thread throughout the film. Rather than creating character themes, he created a theme for the menu that interacts with characters, giving the menu a sense of self; an off-kilter pretension that instigates discomfort in the listener. The film's concept allowed Stetson to use eccentric and experimental instrumentation: playing glasses with chopsticks, hitting tuning forks on Tibetan bowls, using pans as percussion; making the score fit the environment while keeping it separate from the diegetic sounds of the kitchen. He uses his own undulus vocals which clone the full orchestra of strings. “From my first reading of the script to our last moments on the mix stage, my experience creating the music on this film has been an absolute joy, as the themes, refrains, and aesthetic have seemed to jump right off of the page and screen for me with every brilliant turn of phrase, perfect edit, and wickedly delivered performance. It is pure pleasure working with such an incredible team and I am truly grateful for the whole of it,” says Stetson.A couple (Anya Taylor-Joy and Nicholas Hoult) travels to a coastal island to eat at an exclusive restaurant where the chef (Ralph Fiennes) has prepared a lavish menu, with some shocking surprises.Join Our Community And Create A Buzz For Your BusinessGet Our Favorite Microphone Here: The Shure MV7⬇https://shure.pxf.io/c/3476149/879980/12212?prod=aonic50&source=facebookWhy We LOVE The Shure MV7:Shure's SM7B mic is a long-time favorite among producers and recording engineers. Now Shure offers a version of this legendary mic at a modest price designed for podcasters and gamers: meet the MV7.The Shure MV7 features both USB and XLR outputs. So you can record directly to your smartphone or computer, or run the signal through a traditional audio mixer. And you can do both simultaneously — a great way to save a backup recording. The MV7 has a built-in headphone jack for monitoring, with a built-in touch panel for easy volume adjustment. #shureFollow us on all social spaces @themediacastersJoin The Mediacasters Community FREE for a limited time: https://themediacasters.mn.coGet our #1 new book release! The book, Audiocasters teaches you how to launch, market, and, monetize your podcast! Get it here!Instagram: https://www.instagram.com/themediacastersPodcast website: https://themediacasters.comThe network website, with all our community, shows: https://podpage.com/themediacastersTo Learn More About Your Hosts: Jules and Corinna

This week, John is REPLACED by Matt from the Matt and Mark Movie Show to discuss The Menu (at 14:00), the new Mark Mylod (Succession, GoT) thriller starring Ralph Fiennes, Anya Taylor-Joy, and Nicholas Hoult, oh and John Leguizamo and Judith Light (Who's The Boss?), oh and Tony Winner Reed Birney and Oscar nominee Janet McTeer and movie-stealer Hong Chau (Downsizing, Watchmen), oh and Mark St. Cyr (HWM:TM:TS, Marshall), oh and so many more amazing memorable people. Once we get to the film, we discuss the film's Dark Comedy vs Satire elements, the cast, the ensemble, and why it worked so well!  Find all of our Socials at: https://linktr.ee/theloveofcinema Additional Cast/Creatives: Will Ferrell, Adam McKay, Christine Brucato, Peter Grosz, Aimee Carrero, Paul Adelstein, Seth Reiss, Will Tracy, Peter Deming, Colin Stetson. Guest co-host: Matt Gilbert from The Matt and Mark Movie Show. Hosts: Jeff Ostermueller, John Say. Edited and produced by Dave Green. Music: soundcloud.com/dasein-artist Beer: @cbarrozo.beer

Welcome to Right on Cue, the podcast where we interview film, TV, and video game composers about the origins and nuances of their latest works.   It's hard to think of a more overt lens through which to satirize the divisions of class more than through food: Fast food vs. haute cuisine, Michelin stars over star-shaped chicken nuggets. Mark Mylod's The Menu is a sizzling satire of the snootiness of fine dining, and the class conflicts it unfurls.   Set on a remote island that's home to one of the most exclusive restaurants in the world, The Menu treats us to a multi-course prix fixe of mayhem centered around high-profile chef Julian Slowik (a beautifully ostentatious Ralph Fiennes). But as the eclectic group of well-off diners sample one conceptually-minded meal after another, it becomes clear there's more than meets the eye for Chef Slowick's menu.   Accompanying each course of the menu Mylod, his cast, and screenwriters Seth Reiss and Will Tracy have set out for us is a cheekily propulsive score courtesy of Hereditary composer Colin Stetson. He lays out ornate soundscapes and unusual instruments (glasses played with chopsticks, pans as percussion) with the same perverse mirth as Fiennes' devilish chef, granting each course, and each sick joke on Chef Slowik's guests, a unique voice. And all throughout lays an arch counterpoint to the kind of chamber-music regalness we aesthetically associate with fine dining.   It's a pleasure to welcome Colin Stetson to the podcast to talk about all these ideas and more.   You can find Colin Stetson at his official website here.   The Menu is currently playing in theaters. You can also listen to the score on your preferred music streaming service courtesy of Milan Records.

I interview Colin Stetson, composer of The Menu film soundtrack (Nov 14, 2022) My show is brought to you by:⁠⁠⁠⁠⁠ ⁠⁠https://amazon.com/shop/sparkthegenius⁠⁠⁠ Please click there before every time you shop on Amazon, to support me for free!⁠⁠⁠⁠⁠ ⁠⁠https://go.sparkthegenius.com/neo50⁠⁠ Canadians get $50 for signing up for the free Neo cash back credit card and free high interest money account at that special link. Follow my ⁠⁠⁠Instagram⁠⁠⁠. For a free gift card, sign up for TikTok ⁠⁠⁠here⁠⁠⁠ then follow my ⁠⁠⁠TikTok⁠⁠⁠. Subscribe to my ⁠⁠⁠YouTube⁠⁠⁠. Click follow at my ⁠⁠⁠Amazon page⁠⁠⁠. SHOP MY MERCH: Buy my shirts at my ⁠⁠⁠Amazon Merch⁠⁠⁠. DEALS FROM MY SPONSORS: ⁠⁠⁠Free trial⁠⁠⁠ of Amazon Prime. ⁠⁠⁠Free online speed dating --- Send in a voice message: https://podcasters.spotify.com/pod/show/sparkthegenius/message

Even by our exacting standards, this episode of the Independent Music Podcast is out of this world. From experimental club music to DIY lofi garage rock, from Jewish folk music to airy baroque jazz, the music on this podcast really pushes the boundaries of classification. Highlights abound, but whatever the hell Moth Cock are drinking needs posting our way, and the Melt-Banana-esque ferocity of industrial duo Sea Moss is a delightful return. Arcanist – on Nebraskan DIY specialists Moonworshipper is exceptional, whilst the first glimpse of the new record from Faten Kanaan is truly exquisite. To listen to the full episode, please join our Patreon: patreon.com/independentmusicpodcast. Tracklisting Rilla – Magatama (Svbkvlt, China) Faten Kanaan – Ard Diar (Fire Records, UK) Arcanist – Here There be Monsters (Moonworshipper Records, USA) Moth Cock – Finn McCool (Hausu Mountain Records, USA) Sea Moss – Candy Run (Ramp Local, USA) Black Ox Orkestar – Mizrakh Mi Ma'arav (Constellation Records, Canada) Lila Tirando A Violeta & Sueuga – Residual Self Image (Soul Feeder, Germany) At Her Open Door – CINA (Chinabot, UK) Grimório de Abril – Lua de Lixo (Moon of Trash) (Crash Symbols, USA) Colin Stetson – Chimæra I (Room40, USA) This week's episode is sponsored by The state51 Conspiracy, a creative hub for music. Head to state51.com to find releases by JK Flesh vs Gnod, Steve Jansen, MrUnderwSood, Wire, Ghost Box, Lo Recordings, Subtext Records and many more Produced and edited by Nick McCorriston.

Lee and Leah lose their heads for their Halloween episode, covering Ari Aster's harrowing horror film Hereditary (2018). Family trauma; Toni Collette's fantastic performance; decapitated children; naked, smiling men in the closet; John Cena (?), and the value of re-watches are just a few of the things talked about in this episode. The hosts also talk about what they've watched recently. "Hereditary" IMDB  Lee's recent Cinema Degeneration appearance.  Featured Music: "Charlie" & "Mothers & Daughters" by Colin Stetson.

Halloween is upon us, and with Halloween comes a creepy plethora of freaky cult films, scary soundtracks, and a fascination with the horrific and the macabre that overtakes culture by a storm. For this episode, host Azariah Mai sits down with saxophonist, multireedist, and composer Colin Stetson for our very own Halloween special. We'll be getting spooky with it as we discuss his work on the soundtrack of the renowned 2018 horror film ‘Hereditary' and the 2022 release of Texas Chainsaw Massacre the Netflix sequel. Colin has worked with the likes of Arcade Fire, Bon Iver and Bell Orchestre. We'll also listen to the track ‘All Aboard' from the upcoming film ‘The Menu' hitting cinemas this November 18th, the soundtrack of which has been produced by stetson himself. Hosted on Acast. See acast.com/privacy for more information.

For the latest episode of Signal Path, Zakia Sewell speaks with Colin Stetson, a multi-instrumentalist composer best known for his radical, full-body approach to playing the saxophone with Tom Waits, Arcade Fire, Laurie Anderson and Bon Iver, as well as his eerie scores for films like Hereditary and The Texas Chainsaw Massacre.

Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show. COLIN STETSON Colin Stetson was born and raised in Ann Arbor, spent a decade in San Francisco and Brooklyn honing his formidable talents as a horn player, eventually settling in Montreal in 2007. Over the years he has worked extensively, live and in studio, with a wide range of bands and musicians including Tom Waits, Arcade Fire, Bon Iver, TV On The Radio, Feist, Laurie Anderson, Lou Reed, Bill Laswell, Evan Parker, The Chemical Brothers, Animal Collective, Hamid Drake, LCD Soundsystem, The National, Angelique Kidjo, Fink, and David Gilmore. Meanwhile he has developed an utterly unique voice as a soloist, principally on saxophones and clarinets, his intense technical prowess matched by his exhilarating and emotionally gripping skills as a songwriter. Stetson's astounding physical engagement with his instruments (chiefly bass and alto saxophones) produces emotionally rich and polyphonic compositions that transcend expectations of what solo horn playing can sound like. Stemming from that approach and aesthetic, he has been contributing regularly to the world of film, TV, and game scoring over the past decade with such titles as Hereditary (2018), The First (2018), Red Dead Redemption 2 (2018), Color Out of Space (2019), Barkskins (2020), Mayday (2021), Among The Stars (2021), Texas Chainsaw Massacre (2022), The Menu (2022), and Uzumaki (2023). TIMOTHY WILLIAMS Timothy Williams is a multi-award-winning composer best known for his work on Pearl, Finding You, Brightburn, and Get Out! Williams' films includes A24's Pearl, co-scored with Tyler Bates, Gravitas' The Swearing Jar, Roadside Attractions' Finding You, Screen Gems' Brightburn, directed by David Yarovesky, We Summon The Darkness, directed by Marc Meyers, which won best score award at ScreamfestLA; Wild Horses, directed by Robert Duvall; I.T., directed by John Moore, and Red Sky, for which Tim Williams was nominated Best Composer by Motion Picture Sound Editors and best score at the Hollywood Music in Media Awards. Williams has written additional music for the Academy Award® and Golden Globe® winner Get Out!, Guardians of the Galaxy Vol. 1 and Vol. 2, Hobbs and Shaw, Deadpool 2, 300, Watchmen, Super, Sucker Punch, and The Spy Who Dumped Me. Television work includes co-scoring AMC/Shudder Creepshow with Tyler Bates, Disney Junior's Piney, the Fox pilot Richard Lovely, and additional music on Fox's The Exorcist (S2), ABC's Missing and Comedy Network's Sym-Bionic Titan. A graduate of the National Film and Television School, Williams has received two Motion Picture SE Golden Reel Award nominations (Red Sky), four Thea Award wins, 10 ASCAP Plus Awards and won best score at the 24FPS Festival (Butterfly Circus), best score at ScreamfestLA 2019 (We Summon The Darkness) and best soundtrack nomination at the HMMA Awards (Red Sky). Tim has had multiple soundtracks released by Milan Records, Lakeshore Records, Varèse Sarabande and MovieScore Media.

For the 104th Record Club, we break down the minimalist one-man jazz of Colin Stetson, the idiosyncratic and incredibly powerful saxophonist who has carved out one of the most distinct presences in the modern era of the instrument. We discuss his techniques, the bizarre and multi-layered sounds he is able to pull out of the saxophone through sheer physical commitment, and the way these sounds manifest on his remarkable 2013 album New History Warfare Vol. 3: To See More Light. Watch the video version of this episode and subscribe to the channel here.

This week David, Helen & Anthony discuss the hugely popular directorial debut of Ari Aster, Hereditary! known as a key pillar of the horror genre! Does it still hold up upon rewatch? Is it still one of the greatest debuts from a new filmmaker?

In between composer interviews, The Film Scorer covers some of the best, most notable, and favorite film scores from January through March, 2022. These include a handful of films released in 2021 whose scores for some reason had delayed releases, like The Harder They Fall by Jeymes Samuel and Benedetta by Anne Dudley, as well as experimental scores like The Seed by Lucrecia Dalt, Texas Chainsaw Massacre by Colin Stetson, and Ted K by Blanck Mass (the latter of whom I recently interviewed), and a whole load more!  Keep your eye on The Film Scorer website for reviews and articles covering some of these scores and see below for articles covering some of my favorite scores for the following months, including detailed writeups and lists: January: https://thefilmscorer.com/the-best-film-scores-of-january-2022/

Music from garages, cyberspace and outer space, tributes and collaborations, and all around good energy in this set... The playlist features Wolcott Curran Collective; Kahil El'Zabar; Kyoto Jazz Sextet, Takeo Moriyama; Kevin Eubanks, Orrin Evans; Peter Somuah; C'mon Tigre, Colin Stetson; Francesca Remigi; Agnas Bros; Fabian Willmann. Detailed playlist at https://spinitron.com/RFB/pl/15869423/Mondo-Jazz (up to "Last Song"). Happy listening! Photo Credit: Sandro Miller

We're men of our word. As we look to clear all of our outstanding commitments from our old Patreon model (info on the new one - the Unsung Record Club - can be found here), there was one album we were asked to do that we'd been putting off for a while - New History Warfare Vol. 2: Judges by Colin Stetson. Our top subscriber Cory Robinson asked us to do this a while back, but it took us ages to get around to it. Why? Well, we actually tried to do it earlier on in the year. We listened to the record and thought that it would make a very interesting episode, but none of us could quite connect with it. A few episodes passed and we realised that we had to stop putting this one off and just go for it. For a podcast that primarily deals in rock music, and the various subgenres of, we do our best to expand our palette where possible. We've covered jazz briefly in the past of course, but nothing quite as avant-garde as this. This album, and indeed most of Colin's work, requires the listener to be in a certain mood. It's a mood that doesn't come easily when you're unfamiliar with the genre, and it's also something you can only really tackle if you're feeling up to the task because this is complex, challenging stuff. It's also musically and technically impressive. Oh, and physically impressive too - the things this guy can do on his own with just a saxophone and a bunch of mics in one room are truly stunning. So as you can imagine, it took us while to get into the mindset to tackle this album. On this episode, alongside chatting about Colin Stetson's extensive discography - soundtrack work included - we talk about mood albums as a whole, and discuss why it can sometimes be difficult to get into a song/band/album if you're just not in the mood for it. We also discuss how this affects the creation of this podcast as a whole. Yeah, that's right, we get fucking introspective this week folks. Is this an unsung classic? We certainly feel it is…

Moving is exhausting. This week your favorite matrimonial moshpit gives thanks for the journey so far. There's more love for Colin Stetson, another huge set of Sinister Sneaks and a review of the first half of Murderville. We love you all. Shout out to the Little Monsters and make sure to share the socials and review on your favorite podcatcher! Intro: 00:00:23 Colin Shredson: 00:05:18 News: 00:10:05 Sinister Sneaks: 00:18:35 Murderville Non-Spoiler Discussion: 00:34:47 Murderville Spoiler Discussion: 00:42:41 Outro: 00:59:98 --- Send in a voice message: https://anchor.fm/matrimony-madness/message

One of the many crafts that are crucial to creating the drama and emotion of a television program is the score. The composers of “Barkskins,” Colin Stetson, and “Sea of Shadows,” H. Scott Salinas, join host Stacey Wilson Hunt to talk about how they custom-created music for these ambitious projects; how they collaborate with showrunners; and the inspiration behind some of their favorite musical cues in each piece. For more information on “Barkskins,” “Sea of Shadows” and all of National Geographic’s 2020 Emmy® eligible programs, visit www.natgeotv.com/fyc. For Your Emmy® Consideration for: Outstanding Music Composition for a Limited Series, Movie or Special (Original Dramatic Score) — Colin Stetson, “Barkskins” Outstanding Music Composition for a Documentary Series or Special (Original Dramatic Score) — H. Scott Salinas, “Sea of Shadows” NOTE: This podcast was pre-recorded before the civil unrest and social justice reform movement taking place now in our country. See omnystudio.com/listener for privacy information.

Colin Stetson is an unbelievably talented saxophonist who has been on a very personal musical journey since a young age. An undisputed virtuoso, he has been blowing the minds of audiences around the world with his solo concerts since the early 2000s. His personal language is incredibly lyrical, using extended sax and extra musical mic'ing techniques to add multiples layers of complexity and soul to his work. He's worked closely with the Arcade Fire, Bon Iver, Tom Waits, Sara Neufeld and most recently with the quartet Ex-Eye. This conversation took place just a few weeks ago and was an utter delight.