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2 episodes with rich run
2 episodes with rich run
2 episodes with rich run
2 episodes with rich run
In The Politics of the Marvel Cinematic Universe (UP of Kansas, 2022), Drs. Nicholas Carnes and Lilly J. Goren ask what lessons does Marvel – a “hulking, hegemonic media franchise” teach the public? What might we learn about ourselves and our understanding of the world from this “cinematic juggernaut?” Popular texts encourage audiences to imagine worlds different from their own. Questioning their current political worlds is at the heart of speculative fiction. The Marvel Cinematic Universe is a “cultural leviathan” with numerous interconnected movies, streaming series on Disney+, and an increasingly diverse cast of superheroes. The Politics of the Marvel Cinematic Universe brings together over 25 scholars with diverse specialties and methodologies to analyze how the MCU narrates, reproduces, mirrors, and impacts political and social ideas. Dr. Carnes and Dr. Goren break the book into three main parts focusing on political origin stories, use and abuse of political power and evolving diversity in the bodies of the heroes, villains, and victims. The contributors interrogate how the MCU engages – and affects – political society using language accessible to MCU fans and providing contributions to research in various subfields of political science. They conclude that “Entertaiment media is itself a site where politically relevant messages are sent and received – pop culture is itself an arena of contemporary politics.” Nicholas Carnes is Professor of Public Policy and Sociology at Duke University. His publications include The Cash Ceiling: Why Only the Rich Run for Office—And What We Can Do About It (Princeton University Press, 2018) and White-Collar Government: The Hidden Role of Class in Economic Policy Making (University of Chicago Press, 2013). Lilly J. Goren is a Professor of Political Science and Global Studies at Carroll University and co-host of New Books in Political Science. Her publications include co-editing Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Publishers, 2015) and Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In The Politics of the Marvel Cinematic Universe (UP of Kansas, 2022), Drs. Nicholas Carnes and Lilly J. Goren ask what lessons does Marvel – a “hulking, hegemonic media franchise” teach the public? What might we learn about ourselves and our understanding of the world from this “cinematic juggernaut?” Popular texts encourage audiences to imagine worlds different from their own. Questioning their current political worlds is at the heart of speculative fiction. The Marvel Cinematic Universe is a “cultural leviathan” with numerous interconnected movies, streaming series on Disney+, and an increasingly diverse cast of superheroes. The Politics of the Marvel Cinematic Universe brings together over 25 scholars with diverse specialties and methodologies to analyze how the MCU narrates, reproduces, mirrors, and impacts political and social ideas. Dr. Carnes and Dr. Goren break the book into three main parts focusing on political origin stories, use and abuse of political power and evolving diversity in the bodies of the heroes, villains, and victims. The contributors interrogate how the MCU engages – and affects – political society using language accessible to MCU fans and providing contributions to research in various subfields of political science. They conclude that “Entertaiment media is itself a site where politically relevant messages are sent and received – pop culture is itself an arena of contemporary politics.” Nicholas Carnes is Professor of Public Policy and Sociology at Duke University. His publications include The Cash Ceiling: Why Only the Rich Run for Office—And What We Can Do About It (Princeton University Press, 2018) and White-Collar Government: The Hidden Role of Class in Economic Policy Making (University of Chicago Press, 2013). Lilly J. Goren is a Professor of Political Science and Global Studies at Carroll University and co-host of New Books in Political Science. Her publications include co-editing Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Publishers, 2015) and Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science
In The Politics of the Marvel Cinematic Universe (UP of Kansas, 2022), Drs. Nicholas Carnes and Lilly J. Goren ask what lessons does Marvel – a “hulking, hegemonic media franchise” teach the public? What might we learn about ourselves and our understanding of the world from this “cinematic juggernaut?” Popular texts encourage audiences to imagine worlds different from their own. Questioning their current political worlds is at the heart of speculative fiction. The Marvel Cinematic Universe is a “cultural leviathan” with numerous interconnected movies, streaming series on Disney+, and an increasingly diverse cast of superheroes. The Politics of the Marvel Cinematic Universe brings together over 25 scholars with diverse specialties and methodologies to analyze how the MCU narrates, reproduces, mirrors, and impacts political and social ideas. Dr. Carnes and Dr. Goren break the book into three main parts focusing on political origin stories, use and abuse of political power and evolving diversity in the bodies of the heroes, villains, and victims. The contributors interrogate how the MCU engages – and affects – political society using language accessible to MCU fans and providing contributions to research in various subfields of political science. They conclude that “Entertaiment media is itself a site where politically relevant messages are sent and received – pop culture is itself an arena of contemporary politics.” Nicholas Carnes is Professor of Public Policy and Sociology at Duke University. His publications include The Cash Ceiling: Why Only the Rich Run for Office—And What We Can Do About It (Princeton University Press, 2018) and White-Collar Government: The Hidden Role of Class in Economic Policy Making (University of Chicago Press, 2013). Lilly J. Goren is a Professor of Political Science and Global Studies at Carroll University and co-host of New Books in Political Science. Her publications include co-editing Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Publishers, 2015) and Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
In The Politics of the Marvel Cinematic Universe (UP of Kansas, 2022), Drs. Nicholas Carnes and Lilly J. Goren ask what lessons does Marvel – a “hulking, hegemonic media franchise” teach the public? What might we learn about ourselves and our understanding of the world from this “cinematic juggernaut?” Popular texts encourage audiences to imagine worlds different from their own. Questioning their current political worlds is at the heart of speculative fiction. The Marvel Cinematic Universe is a “cultural leviathan” with numerous interconnected movies, streaming series on Disney+, and an increasingly diverse cast of superheroes. The Politics of the Marvel Cinematic Universe brings together over 25 scholars with diverse specialties and methodologies to analyze how the MCU narrates, reproduces, mirrors, and impacts political and social ideas. Dr. Carnes and Dr. Goren break the book into three main parts focusing on political origin stories, use and abuse of political power and evolving diversity in the bodies of the heroes, villains, and victims. The contributors interrogate how the MCU engages – and affects – political society using language accessible to MCU fans and providing contributions to research in various subfields of political science. They conclude that “Entertaiment media is itself a site where politically relevant messages are sent and received – pop culture is itself an arena of contemporary politics.” Nicholas Carnes is Professor of Public Policy and Sociology at Duke University. His publications include The Cash Ceiling: Why Only the Rich Run for Office—And What We Can Do About It (Princeton University Press, 2018) and White-Collar Government: The Hidden Role of Class in Economic Policy Making (University of Chicago Press, 2013). Lilly J. Goren is a Professor of Political Science and Global Studies at Carroll University and co-host of New Books in Political Science. Her publications include co-editing Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Publishers, 2015) and Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
In The Politics of the Marvel Cinematic Universe (UP of Kansas, 2022), Drs. Nicholas Carnes and Lilly J. Goren ask what lessons does Marvel – a “hulking, hegemonic media franchise” teach the public? What might we learn about ourselves and our understanding of the world from this “cinematic juggernaut?” Popular texts encourage audiences to imagine worlds different from their own. Questioning their current political worlds is at the heart of speculative fiction. The Marvel Cinematic Universe is a “cultural leviathan” with numerous interconnected movies, streaming series on Disney+, and an increasingly diverse cast of superheroes. The Politics of the Marvel Cinematic Universe brings together over 25 scholars with diverse specialties and methodologies to analyze how the MCU narrates, reproduces, mirrors, and impacts political and social ideas. Dr. Carnes and Dr. Goren break the book into three main parts focusing on political origin stories, use and abuse of political power and evolving diversity in the bodies of the heroes, villains, and victims. The contributors interrogate how the MCU engages – and affects – political society using language accessible to MCU fans and providing contributions to research in various subfields of political science. They conclude that “Entertaiment media is itself a site where politically relevant messages are sent and received – pop culture is itself an arena of contemporary politics.” Nicholas Carnes is Professor of Public Policy and Sociology at Duke University. His publications include The Cash Ceiling: Why Only the Rich Run for Office—And What We Can Do About It (Princeton University Press, 2018) and White-Collar Government: The Hidden Role of Class in Economic Policy Making (University of Chicago Press, 2013). Lilly J. Goren is a Professor of Political Science and Global Studies at Carroll University and co-host of New Books in Political Science. Her publications include co-editing Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Publishers, 2015) and Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
In The Politics of the Marvel Cinematic Universe (UP of Kansas, 2022), Drs. Nicholas Carnes and Lilly J. Goren ask what lessons does Marvel – a “hulking, hegemonic media franchise” teach the public? What might we learn about ourselves and our understanding of the world from this “cinematic juggernaut?” Popular texts encourage audiences to imagine worlds different from their own. Questioning their current political worlds is at the heart of speculative fiction. The Marvel Cinematic Universe is a “cultural leviathan” with numerous interconnected movies, streaming series on Disney+, and an increasingly diverse cast of superheroes. The Politics of the Marvel Cinematic Universe brings together over 25 scholars with diverse specialties and methodologies to analyze how the MCU narrates, reproduces, mirrors, and impacts political and social ideas. Dr. Carnes and Dr. Goren break the book into three main parts focusing on political origin stories, use and abuse of political power and evolving diversity in the bodies of the heroes, villains, and victims. The contributors interrogate how the MCU engages – and affects – political society using language accessible to MCU fans and providing contributions to research in various subfields of political science. They conclude that “Entertaiment media is itself a site where politically relevant messages are sent and received – pop culture is itself an arena of contemporary politics.” Nicholas Carnes is Professor of Public Policy and Sociology at Duke University. His publications include The Cash Ceiling: Why Only the Rich Run for Office—And What We Can Do About It (Princeton University Press, 2018) and White-Collar Government: The Hidden Role of Class in Economic Policy Making (University of Chicago Press, 2013). Lilly J. Goren is a Professor of Political Science and Global Studies at Carroll University and co-host of New Books in Political Science. Her publications include co-editing Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Publishers, 2015) and Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoices
In The Politics of the Marvel Cinematic Universe (UP of Kansas, 2022), Drs. Nicholas Carnes and Lilly J. Goren ask what lessons does Marvel – a “hulking, hegemonic media franchise” teach the public? What might we learn about ourselves and our understanding of the world from this “cinematic juggernaut?” Popular texts encourage audiences to imagine worlds different from their own. Questioning their current political worlds is at the heart of speculative fiction. The Marvel Cinematic Universe is a “cultural leviathan” with numerous interconnected movies, streaming series on Disney+, and an increasingly diverse cast of superheroes. The Politics of the Marvel Cinematic Universe brings together over 25 scholars with diverse specialties and methodologies to analyze how the MCU narrates, reproduces, mirrors, and impacts political and social ideas. Dr. Carnes and Dr. Goren break the book into three main parts focusing on political origin stories, use and abuse of political power and evolving diversity in the bodies of the heroes, villains, and victims. The contributors interrogate how the MCU engages – and affects – political society using language accessible to MCU fans and providing contributions to research in various subfields of political science. They conclude that “Entertaiment media is itself a site where politically relevant messages are sent and received – pop culture is itself an arena of contemporary politics.” Nicholas Carnes is Professor of Public Policy and Sociology at Duke University. His publications include The Cash Ceiling: Why Only the Rich Run for Office—And What We Can Do About It (Princeton University Press, 2018) and White-Collar Government: The Hidden Role of Class in Economic Policy Making (University of Chicago Press, 2013). Lilly J. Goren is a Professor of Political Science and Global Studies at Carroll University and co-host of New Books in Political Science. Her publications include co-editing Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Publishers, 2015) and Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
In The Politics of the Marvel Cinematic Universe (UP of Kansas, 2022), Drs. Nicholas Carnes and Lilly J. Goren ask what lessons does Marvel – a “hulking, hegemonic media franchise” teach the public? What might we learn about ourselves and our understanding of the world from this “cinematic juggernaut?” Popular texts encourage audiences to imagine worlds different from their own. Questioning their current political worlds is at the heart of speculative fiction. The Marvel Cinematic Universe is a “cultural leviathan” with numerous interconnected movies, streaming series on Disney+, and an increasingly diverse cast of superheroes. The Politics of the Marvel Cinematic Universe brings together over 25 scholars with diverse specialties and methodologies to analyze how the MCU narrates, reproduces, mirrors, and impacts political and social ideas. Dr. Carnes and Dr. Goren break the book into three main parts focusing on political origin stories, use and abuse of political power and evolving diversity in the bodies of the heroes, villains, and victims. The contributors interrogate how the MCU engages – and affects – political society using language accessible to MCU fans and providing contributions to research in various subfields of political science. They conclude that “Entertaiment media is itself a site where politically relevant messages are sent and received – pop culture is itself an arena of contemporary politics.” Nicholas Carnes is Professor of Public Policy and Sociology at Duke University. His publications include The Cash Ceiling: Why Only the Rich Run for Office—And What We Can Do About It (Princeton University Press, 2018) and White-Collar Government: The Hidden Role of Class in Economic Policy Making (University of Chicago Press, 2013). Lilly J. Goren is a Professor of Political Science and Global Studies at Carroll University and co-host of New Books in Political Science. Her publications include co-editing Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Publishers, 2015) and Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
Link to learn more about Jesse Rich and Forward Progressions:Website: https://www.forwardprogressions.com/Facebook: https://www.facebook.com/jesse.rich.37Instagram: @jessetrichTo learn more about body smart:Website: www.bodysmartutah.comFacebook: https://www.facebook.com/BodySmartPTUtahInstagram: @bodysmartptPhone number: 801-479-4471
On this week's episode, Bilal and Trenton discuss Tony Romo’s new deal and Run Rich Run from the NFL Combine. Follow us on Twitter @BilMalik15, @trenton_szeto, and @rdpsports!
Bob sits down with Rich Eisen to talk about football, Ripper Magoos, their cameo on Billions together and much more! Lauren is still single and Timmy is still zapped.
Nacho Tierno and Darren Paul are back with a bumper round up of FOUR Racing club wins, including the win over Diego Maradonna's Gimnasia and a historic debut for our professional women's outfit! Photo credit: Leandro Pepe This week’s podcast image is of Mili Menendez, goalscoring superstar of our women’s team, in honour of this week’s momentous news! Get in touch with the show on twitter @racingclubuk State of Mind by Jeris (c) copyright 2015 Licensed under a Creative Commons Attribution Noncommercial (3.0) license. dig.ccmixter.org/files/VJ_Memes/52166 Ft: Psykick
Research shows that working-class people almost never become politicians, but Carmen Castillo is both a hotel housekeeper and a three-term Providence Rhode Island City Council member. Yet when Carmen first began to work as a housekeeper, the only English words she knew were "yes" and "no." How did she do it? Carmen Castillo is featured in the documentary film Councilwoman. Professor Nick Carnes' book is The Cash Ceiling: Why Only the Rich Run for Office. Subscribe to the Policy 360 podcast. Read the episode transcript. Image: Melissa Carrico Music: The Zeppelin by Blue Dot Sessions / Licensed under Creative Commons Attribution.
In 2018, much attention has been drawn to candidates like Alexandria Ocasio-Cortez and Randy Bryce: candidates for Congress who've made a living doing working class jobs. They are unusual because Congressional candidates are almost always drawn from white collar professions. Why do so few working class candidates run for office? Are workers unfit to govern? Do workers care about politics less? In The Cash Ceiling: Why Only the Rich Run for Office and What We Can Do About It (Princeton University Press, 2018), Nicholas Carnes says “no”, the conventional wisdom is all wrong. Carnes is the Creed C. Black Professor of Public Policy and Political Science at Duke University's Sanford School of Public Policy. Carnes' book shows the real barriers to more working-class people running for office are that they lack the time and are rarely asked. Synthesizing a variety of new sources of data, Carnes finds that political parties do not look to workers to run, preferring instead professionals drawn from a small array of fields. Carnes does not stop at diagnosing the problem. He offers practical solutions to increase the number of working-class candidates and likely working-class elected officials in the future. Learn more about your ad choices. Visit megaphone.fm/adchoices
In 2018, much attention has been drawn to candidates like Alexandria Ocasio-Cortez and Randy Bryce: candidates for Congress who’ve made a living doing working class jobs. They are unusual because Congressional candidates are almost always drawn from white collar professions. Why do so few working class candidates run for office? Are workers unfit to govern? Do workers care about politics less? In The Cash Ceiling: Why Only the Rich Run for Office and What We Can Do About It (Princeton University Press, 2018), Nicholas Carnes says “no”, the conventional wisdom is all wrong. Carnes is the Creed C. Black Professor of Public Policy and Political Science at Duke University’s Sanford School of Public Policy. Carnes’ book shows the real barriers to more working-class people running for office are that they lack the time and are rarely asked. Synthesizing a variety of new sources of data, Carnes finds that political parties do not look to workers to run, preferring instead professionals drawn from a small array of fields. Carnes does not stop at diagnosing the problem. He offers practical solutions to increase the number of working-class candidates and likely working-class elected officials in the future. Learn more about your ad choices. Visit megaphone.fm/adchoices
In 2018, much attention has been drawn to candidates like Alexandria Ocasio-Cortez and Randy Bryce: candidates for Congress who’ve made a living doing working class jobs. They are unusual because Congressional candidates are almost always drawn from white collar professions. Why do so few working class candidates run for office?...
In 2018, much attention has been drawn to candidates like Alexandria Ocasio-Cortez and Randy Bryce: candidates for Congress who’ve made a living doing working class jobs. They are unusual because Congressional candidates are almost always drawn from white collar professions. Why do so few working class candidates run for office? Are workers unfit to govern? Do workers care about politics less? In The Cash Ceiling: Why Only the Rich Run for Office and What We Can Do About It (Princeton University Press, 2018), Nicholas Carnes says “no”, the conventional wisdom is all wrong. Carnes is the Creed C. Black Professor of Public Policy and Political Science at Duke University’s Sanford School of Public Policy. Carnes’ book shows the real barriers to more working-class people running for office are that they lack the time and are rarely asked. Synthesizing a variety of new sources of data, Carnes finds that political parties do not look to workers to run, preferring instead professionals drawn from a small array of fields. Carnes does not stop at diagnosing the problem. He offers practical solutions to increase the number of working-class candidates and likely working-class elected officials in the future. Learn more about your ad choices. Visit megaphone.fm/adchoices
In 2018, much attention has been drawn to candidates like Alexandria Ocasio-Cortez and Randy Bryce: candidates for Congress who’ve made a living doing working class jobs. They are unusual because Congressional candidates are almost always drawn from white collar professions. Why do so few working class candidates run for office? Are workers unfit to govern? Do workers care about politics less? In The Cash Ceiling: Why Only the Rich Run for Office and What We Can Do About It (Princeton University Press, 2018), Nicholas Carnes says “no”, the conventional wisdom is all wrong. Carnes is the Creed C. Black Professor of Public Policy and Political Science at Duke University’s Sanford School of Public Policy. Carnes’ book shows the real barriers to more working-class people running for office are that they lack the time and are rarely asked. Synthesizing a variety of new sources of data, Carnes finds that political parties do not look to workers to run, preferring instead professionals drawn from a small array of fields. Carnes does not stop at diagnosing the problem. He offers practical solutions to increase the number of working-class candidates and likely working-class elected officials in the future. Learn more about your ad choices. Visit megaphone.fm/adchoices
In 2018, much attention has been drawn to candidates like Alexandria Ocasio-Cortez and Randy Bryce: candidates for Congress who’ve made a living doing working class jobs. They are unusual because Congressional candidates are almost always drawn from white collar professions. Why do so few working class candidates run for office? Are workers unfit to govern? Do workers care about politics less? In The Cash Ceiling: Why Only the Rich Run for Office and What We Can Do About It (Princeton University Press, 2018), Nicholas Carnes says “no”, the conventional wisdom is all wrong. Carnes is the Creed C. Black Professor of Public Policy and Political Science at Duke University’s Sanford School of Public Policy. Carnes’ book shows the real barriers to more working-class people running for office are that they lack the time and are rarely asked. Synthesizing a variety of new sources of data, Carnes finds that political parties do not look to workers to run, preferring instead professionals drawn from a small array of fields. Carnes does not stop at diagnosing the problem. He offers practical solutions to increase the number of working-class candidates and likely working-class elected officials in the future. Learn more about your ad choices. Visit megaphone.fm/adchoices
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