Podcasts about Popular culture

Julia and Miranda discuss Law Roach's heartbreaking retirement as a self-proclaimed image architect to the stars AND Tom Holland and Zendaya's wholesome, perfect, exciting, dog-walking relationship because ... well, just because. Ep. Recorded on Mar. 20, 2023. Support the show

This week we're returning to a Top Five List from the very beginning of this journey - and it kept getting pushed aside in the importance list, so it was great to get back to this early list and talk about our favorite Alien Horror Films! This show is a total anomaly in The Top Five Podcast - Kris and Annie and NO overlap!  Annie had movies on her list that I didn't have on mine AND that neither of us had seen.  I'm seeing a Kris and Annie Film Festival at our next in-person visit! It's crazy to think that this is Episode 42, and we're getting closer to Episode 50!!!  That means it's time for a celebration!  So send us your ideas for how to celebrate!!!  Send us an email at hello@thetopfivepodcast.com 

Julia and Miranda dive into the 2023 Academy Awards and you WON'T want to miss this (or any episode ever)! (BTW, Ruth Carter is the talented Wakanda Forever costume designer mentioned.) Ep. Recorded on Mar. 13, 2023. Support the show

OH GOOD LORD!!!  What a week it has been!  My sweet dog passed away on Tuesday and then I got sicker than I don't know what.  So y'all are getting this final Bonus Oscar Episode a tad bit late and definitely after you already know who won what this year. The ceremony itself?  Jimmy Kimmel was, okay, I guess...and maybe the jokes were naughty enough, but I felt like he held his own.  The grouping of all the presenters was...strange, I guess?  Is there another word for it?  Idris Elba and Nicole Kidman....I mean, they're both hot, but then what??? My favorite win of the night actually was Sarah Polley, getting the Best Adapted Screenplay for WOMEN TALKING.  I still remember watching her "come of age" in the 90's in all those Atom Egoyan films and loved that she became a writer/director.  And all the horror movie fans out there were swooning to see Jamie Lee Curtis get her first Oscar. anyway - we loved doing these bonus shows for y'all and I hope you enjoyed them.  What should my co-hosts and I take on next?  We'd LOVE to hear your thoughts - hello@thetopfivepodcast.com 

This new compendium Strategies for Navigating Graduate School and Beyond (APSA, 2022), is a true asset to the discipline of Political Science (and other graduate programs as well) in the myriad ways that it provides guidance, advice, and thoughtful reflection for those considering graduate work, in graduate school, and beyond. This book should be referenced not only by those who are at the nascent stages of their political science career, but also by their mentors, teachers, advisors, and peers to help better propel forward the discipline and those in it. I had the pleasure of interviewing Kevin Lorentz, Dan Mallinson, Julia Marin Hellwege, and Cherie Strachan about the book itself, which is available at no cost in electronic form from the American Political Science Association. (The book can be purchased in physical form from most booksellers.) The editors all noted that the project is important to the discipline, in opening up the mysteries of graduate school and beyond, to diminish inequities, and so that individual political scientists have a much better understanding of the workings of higher education, and how political science works at each entry point. The expectation is that this book will provide guidance along a path—it is not designed to be read cover to cover—but as a thoughtful exploration of particular points along a path of learning, developing a career, and engaging with political science as a discipline. After reading through Strategies for Navigating Graduate School and Beyond, I can certainly say that I wish I had access to these kinds of insight and guidance as I pursued my graduate work, moved into the job market, and as I started to work as a professional within this discipline. There are quite a few topics covered in this book, with 69 chapters, and 150 unique contributors. Kevin, Dan, Julia, Davin, and Cherie worked hard to bring is as many useful and important perspectives as possible, so that the information in this compendium is not targeted just at individuals at a particular kind of institution, or even within the academe itself. And it is clear from the contributing authors and their chapters that they all have sound advice and thoughtful insights to give based on their experiences and reflections. The chapters engage topics that range from the basic advice about grad school applications and choosing a program or developing a research portfolio to “how to conference” or “To Twitter or Not to Twitter”; from how to think about research, teaching, and diversity statements when applying for jobs to imposter syndrome in political science to overcoming academic isolation while in graduate school. These chapters and approaches help to enlighten readers on the hidden curriculum of graduate school, as well as the resources that are available for students or faculty members. The aim of this book is to help to move political science forward, to diversify the discipline, and to demystify the graduate experience. Strategies for Navigating Graduate School and Beyond has so many perspectives, intersectional identities, and experiences all contributing to the important advice and guidance for current and future political scientists. This book really is a benefit for Political Science as a discipline and for those who are engaged as political scientists. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

In The Politics of the Marvel Cinematic Universe (UP of Kansas, 2022), Drs. Nicholas Carnes and Lilly J. Goren ask what lessons does Marvel – a “hulking, hegemonic media franchise” teach the public? What might we learn about ourselves and our understanding of the world from this “cinematic juggernaut?” Popular texts encourage audiences to imagine worlds different from their own. Questioning their current political worlds is at the heart of speculative fiction. The Marvel Cinematic Universe is a “cultural leviathan” with numerous interconnected movies, streaming series on Disney+, and an increasingly diverse cast of superheroes. The Politics of the Marvel Cinematic Universe brings together over 25 scholars with diverse specialties and methodologies to analyze how the MCU narrates, reproduces, mirrors, and impacts political and social ideas. Dr. Carnes and Dr. Goren break the book into three main parts focusing on political origin stories, use and abuse of political power and evolving diversity in the bodies of the heroes, villains, and victims. The contributors interrogate how the MCU engages – and affects – political society using language accessible to MCU fans and providing contributions to research in various subfields of political science. They conclude that “Entertaiment media is itself a site where politically relevant messages are sent and received – pop culture is itself an arena of contemporary politics.” Nicholas Carnes is Professor of Public Policy and Sociology at Duke University. His publications include The Cash Ceiling: Why Only the Rich Run for Office—And What We Can Do About It (Princeton University Press, 2018) and White-Collar Government: The Hidden Role of Class in Economic Policy Making (University of Chicago Press, 2013). Lilly J. Goren is a Professor of Political Science and Global Studies at Carroll University and co-host of New Books in Political Science. Her publications include co-editing Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Publishers, 2015) and Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

In The Politics of the Marvel Cinematic Universe (UP of Kansas, 2022), Drs. Nicholas Carnes and Lilly J. Goren ask what lessons does Marvel – a “hulking, hegemonic media franchise” teach the public? What might we learn about ourselves and our understanding of the world from this “cinematic juggernaut?” Popular texts encourage audiences to imagine worlds different from their own. Questioning their current political worlds is at the heart of speculative fiction. The Marvel Cinematic Universe is a “cultural leviathan” with numerous interconnected movies, streaming series on Disney+, and an increasingly diverse cast of superheroes. The Politics of the Marvel Cinematic Universe brings together over 25 scholars with diverse specialties and methodologies to analyze how the MCU narrates, reproduces, mirrors, and impacts political and social ideas. Dr. Carnes and Dr. Goren break the book into three main parts focusing on political origin stories, use and abuse of political power and evolving diversity in the bodies of the heroes, villains, and victims. The contributors interrogate how the MCU engages – and affects – political society using language accessible to MCU fans and providing contributions to research in various subfields of political science. They conclude that “Entertaiment media is itself a site where politically relevant messages are sent and received – pop culture is itself an arena of contemporary politics.” Nicholas Carnes is Professor of Public Policy and Sociology at Duke University. His publications include The Cash Ceiling: Why Only the Rich Run for Office—And What We Can Do About It (Princeton University Press, 2018) and White-Collar Government: The Hidden Role of Class in Economic Policy Making (University of Chicago Press, 2013). Lilly J. Goren is a Professor of Political Science and Global Studies at Carroll University and co-host of New Books in Political Science. Her publications include co-editing Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Publishers, 2015) and Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In The Politics of the Marvel Cinematic Universe (UP of Kansas, 2022), Drs. Nicholas Carnes and Lilly J. Goren ask what lessons does Marvel – a “hulking, hegemonic media franchise” teach the public? What might we learn about ourselves and our understanding of the world from this “cinematic juggernaut?” Popular texts encourage audiences to imagine worlds different from their own. Questioning their current political worlds is at the heart of speculative fiction. The Marvel Cinematic Universe is a “cultural leviathan” with numerous interconnected movies, streaming series on Disney+, and an increasingly diverse cast of superheroes. The Politics of the Marvel Cinematic Universe brings together over 25 scholars with diverse specialties and methodologies to analyze how the MCU narrates, reproduces, mirrors, and impacts political and social ideas. Dr. Carnes and Dr. Goren break the book into three main parts focusing on political origin stories, use and abuse of political power and evolving diversity in the bodies of the heroes, villains, and victims. The contributors interrogate how the MCU engages – and affects – political society using language accessible to MCU fans and providing contributions to research in various subfields of political science. They conclude that “Entertaiment media is itself a site where politically relevant messages are sent and received – pop culture is itself an arena of contemporary politics.” Nicholas Carnes is Professor of Public Policy and Sociology at Duke University. His publications include The Cash Ceiling: Why Only the Rich Run for Office—And What We Can Do About It (Princeton University Press, 2018) and White-Collar Government: The Hidden Role of Class in Economic Policy Making (University of Chicago Press, 2013). Lilly J. Goren is a Professor of Political Science and Global Studies at Carroll University and co-host of New Books in Political Science. Her publications include co-editing Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Publishers, 2015) and Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In The Politics of the Marvel Cinematic Universe (UP of Kansas, 2022), Drs. Nicholas Carnes and Lilly J. Goren ask what lessons does Marvel – a “hulking, hegemonic media franchise” teach the public? What might we learn about ourselves and our understanding of the world from this “cinematic juggernaut?” Popular texts encourage audiences to imagine worlds different from their own. Questioning their current political worlds is at the heart of speculative fiction. The Marvel Cinematic Universe is a “cultural leviathan” with numerous interconnected movies, streaming series on Disney+, and an increasingly diverse cast of superheroes. The Politics of the Marvel Cinematic Universe brings together over 25 scholars with diverse specialties and methodologies to analyze how the MCU narrates, reproduces, mirrors, and impacts political and social ideas. Dr. Carnes and Dr. Goren break the book into three main parts focusing on political origin stories, use and abuse of political power and evolving diversity in the bodies of the heroes, villains, and victims. The contributors interrogate how the MCU engages – and affects – political society using language accessible to MCU fans and providing contributions to research in various subfields of political science. They conclude that “Entertaiment media is itself a site where politically relevant messages are sent and received – pop culture is itself an arena of contemporary politics.” Nicholas Carnes is Professor of Public Policy and Sociology at Duke University. His publications include The Cash Ceiling: Why Only the Rich Run for Office—And What We Can Do About It (Princeton University Press, 2018) and White-Collar Government: The Hidden Role of Class in Economic Policy Making (University of Chicago Press, 2013). Lilly J. Goren is a Professor of Political Science and Global Studies at Carroll University and co-host of New Books in Political Science. Her publications include co-editing Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Publishers, 2015) and Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Brandon and Rem weigh in on Hasbro/Wizards of the Coast's ill-fated OGL debacle! America stands for freedom; but if you think you're free, try walking into a deli and urinating on the cheese! 00:00:00 Intro 00:00:55 Dialogue 00:24:21 OGL SRD Discussion 01:06:53 Paizo OGL / Call to Action 01:08:10 DnD Shorts Shoutout 01:11:42 Outtro/Shoutouts https://youtu.be/ONN5vcF86wQ OGLinks! https://www.youtube.com/dndshorts https://www.dndbeyond.com/posts/1439-ogl-1-0a-creative-commons https://paizo.com/community/blog/v5748dyo6si7y?The-ORC-Alliance-Grows https://www.dndbeyond.com/attachments/39j2li89/SRD5.1-CCBY4.0License.pdf https://gizmodo.com/dnd-wizards-of-the-coast-ogl-1-1-open-gaming-license-1849950634 CHECK OUT OUR AWESOME MERCH! We have a myriad astonishing graphics available to show your love for Dueling Ogres! Wear it loud and proud or silent and deadly. Heh, fart jokes. Or if you want to support us another way, consider becoming a patron! For just pennies a day, you can feed and clothe these poor, destitute, abused ogres. (Quick, someone queue "In the Arms of an Angel"). And finally, if you just want to drop a one-time donation, you can click the third link and your donation will be automagically featured in the description of the YouTube version! https://www.duelingogres.com/bazaar-dueling-ogres-store/ https://duelog.me/patreon https://mercury.streamelements.com/duelingogres-6424/tip WRITE YOUR STUFF FOR US, PLEASE! Interested in writing geek-centric articles? Got a fever to let your inner writer out? Email us with an article to be published for thousands of readers to see! bloggers@duelingogres.com SMASH ALL THOSE social media LIKES AND SHARES AND retweets and pins and SUBSCRIBES FOREVER and JOIN OUR PATREON! They help us stay alive one more day! Literally, there are larger ogres over us. They're ruthless and terrifying. We cry tears of blood! ==CALL or TEXT us so we can play/read your question on air @ 978 DU-OGRES (978-386-4737)!! (Intro uses the "Black Vortex" track by Kevin Macleod (incompetech.com). Licensed under CC by attribution 3.0. Outro: Battle of Kings by Per Kiilstofte, licensed under CC by attribution 4.0 Int'l.) *Patreon Supporter Goal* |||............ 10% ............... 5/50 https://vod.strms.net/p/340356 _Most Recent Patron_ Bucky the Blacksmith - And I Helped! *Subscriber Goal* ||||........... 10% ............... 104/1K https://vod.strms.net/s/UC9kOqh4uVwVBMX2wEDWXW9g _Newest Subscriber_ Mackenzie Haught *Join the Ogre Den Discord!* https://discord.gg/DUsKghmjU5 *Tipper Shoutout!* https://mercury.streamelements.com/tip/duelingogres-6424

In this episode, Professor Mouse & the Cosmologists talk M3GAN, Lamar Jackson, and D&D. Stay off social media.

What, may you ask, is an "Oscar Moment?" Well, it's that performance that you want to watch over and over and over again on YouTube because it just blows your mind. OR - it's the acceptance speech that you watch over and over and over again on YouTube because it makes you laugh every time. OR - it's your very favorite Oscar Host and that one time when she picked on...? OR - it's that funny bit that those two presenters did and you absolutely can't get over how silly it was. Annie and I did have some overlap for this episode - but, hey, we're sisters.  Deal with it. Meanwhile - we've got one more great Oscar Week Bonus Episode for you this week and then we're going to get to some SUPER DUPER fun episodes about... song lyrics ensemble casts character actors And then - COME ONE - tell us how you feel about our lists!  We can take it!

Hey - it's Oscar Week!!!  (Yeah, we love the Oscars!!!) And Annie and I got together to record three special episodes this week!!  Although frankly, the Oscars are not what they used to be...but I think we always hold out for "this year's show will be better than last year's."  Sometimes it is, and sometimes it isn't.   We take on three lists this week for three super fun bonus episodes: Surprises and Snubs Oscar "Moments" Original Songs For Surprises and Snubs, Annie and I share our Top Five "favorite" situations where someone missed getting a nomination, has still never won after a bunch of nominations, a performance we weren't counting on, or a recipient we hadn't counted on.   So look forward to these three bonus episodes this week and let us know - did we get it right?  Which ones do you totally get and which do you totally hate?  Let us know!   hello@thetopfivepodcast.com  

In this episode, Professour Mouse, the Cosmologist, and Teddy discuss Lord of the Rings, Walker, and talk with ChatGPT. Email us at isthisjustbad@gmail.com.

Listen, Barney the Dinosaur loves you and loves me. He's straight up a Jesus allegory. If they want to cash in on the Jesus allegory one more time, let'em! Churches have been doing it with collections and tithes for hundreds of years! Tune in next time on DRAGON BALL Z! 00:00:13 Intro 00:00:57 Dialogue 00:28:10 #Quantum Foam 00:44:03 #Barney the Dinosaur Reboot 00:51:14 #OGL discussion teaser 00:53:58 Delta THCO 01:09:24 Shoutouts [youtube https://www.youtube.com/watch?v=U1yOdX-tKOo?version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent] Quantum Dinosaur Links https://www.kiplinger.com/investing/stocks/delta-8-and-9-thco-classified-as-schedule-i-drugs-this-week-in-cannabis-investing https://bigthink.com/hard-science/nothing-exist-quantum-foam/ https://www.tmz.com/2023/02/13/barney-dinosaur-reboot-makeover-mattel-dragged/ https://www.belloflostsouls.net/2023/02/hasbro-addresses-dds-ogl-misfire-with-investors.html ==CHECK OUT OUR AWESOME MERCH! We have a myriad astonishing graphics available to show your love for Dueling Ogres! Wear it loud and proud or silent and deadly. Heh, fart jokes. Or if you want to support us another way, consider becoming a patron! For just pennies a day, you can feed and clothe these poor, destitute, abused ogres. (Quick, someone queue "In the Arms of an Angel"). And finally, if you just want to drop a one-time donation, you can click the third link and your donation will be automagically featured in the description of the YouTube version! http://duelog.me/ogrebazaar https://duelog.me/patreon https://mercury.streamelements.com/duelingogres-6424/tip ==WRITE YOUR STUFF FOR US, PLEASE! Interested in writing geek-centric articles? Got a fever to let your inner writer out? Email us with an article to be published for thousands of readers to see! bloggers@duelingogres.com ==SMASH ALL THOSE social media LIKES AND SHARES AND retweets and pins and SUBSCRIBES FOREVER and JOIN OUR PATREON! They help us stay alive one more day! Literally, there are larger ogres over us. They're ruthless and terrifying. We cry tears of blood! ==CALL or TEXT us so we can play/read your question on air @ 978 DU-OGRES (978-386-4737)!! (Intro uses the "Black Vortex" track by Kevin Macleod (incompetech.com). Licensed under CC by attribution 3.0. Outro: Battle of Kings by Per Kiilstofte, licensed under CC by attribution 4.0 Int'l.) Patreon Supporter Goal |||............ 10% ............... 5/50 https://vod.strms.net/p/340356 _Most Recent Patron_ Bucky the Blacksmith - And I Helped! Subscriber Goal ||||........... 10% ............... 104/1K https://vod.strms.net/s/UC9kOqh4uVwVBMX2wEDWXW9g _Newest Subscriber_ Mackenzie Haught Join the Ogre Den Discord! https://discord.gg/DUsKghmjU5 Tipper Shoutout! https://mercury.streamelements.com/tip/duelingogres-6424

In this episode, Professor Mouse and the Cosmologist talk Physical: 100, Blockers, and Lamar Jackson. Email us at isthisjustbad@gmail.com.

Let's talk about zombies! Scholars Patricia Saldarriaga and Emy Manini have produced an engaging and important analysis of the idea of zombies, and how and why these particular monsters are omnipresent in American popular culture, especially these days. Zombies both represent and present ideas about the world in which we live, and Infected Empires: Decolonizing Zombies (Rutgers UP, 2022) examines these connections, helping us consider our relationship to this vision of the “undead” and why these monsters are indigenous to the Americas. Zombies reflect the colonial experience in the Americas, not only those who settled in both North and South America, but also in the approach taken to labor and those who labored. Saldarriaga and Manini examine the zombie as a representation of chattel slavery, which used the human body as a commodity like the other exploited resources in “the new world.” Those who were enslaved were essentially dead labor, according to Marxian conceptions, and the continued exploitation and disposability of workers continues this idea of the use of the undead in the modern world. Zombies as a concept can be seen within neoliberalism as corpses made into commodities, just as other commodities are valued or devalued based on supply and demand. Another avenue of exploration is how zombies live in an ablest world where they have very limited abilities—thus making us consider our own toggling between ableism and disability. In a sense, zombies push on the idea that disability itself is the norm. They represent the way that bodies should not look, with all the insides missing, or on the outside. They also reproduce in rather unique ways—not in the biologically expected way, but in the consumption of others to create more zombies. Thus, in a world with zombies, the patriarchal form of reproduction is replaced, erasing binary sex roles along the way. While we usually consider zombies as horror staples, they are, in fact, science fiction entities, since they are really a kind of futurity. Infected Empires: Decolonizing Zombies explores these myriad ways that zombies are symbolic of so much of what surrounds us in our everyday lives, but also what scares us. Zombies, if we think of them as a future, cause us a great deal of anxiety, since they demonstrate a post-human existence. Zombies regularly show us how we are literally eating ourselves. With the existential threat of global climate change, and the antagonism between humans and the nature world, zombies as metaphor and popular culture trope highlight our fears about the future as well as the long shadow of a colonial and enslaving past. Saldarriaga and Manini systematically explore the many dimensions of why zombies are so entrenched in our imaginaries and what these monsters are teaching us about ourselves and our fears and anxieties. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Let's talk about zombies! Scholars Patricia Saldarriaga and Emy Manini have produced an engaging and important analysis of the idea of zombies, and how and why these particular monsters are omnipresent in American popular culture, especially these days. Zombies both represent and present ideas about the world in which we live, and Infected Empires: Decolonizing Zombies (Rutgers UP, 2022) examines these connections, helping us consider our relationship to this vision of the “undead” and why these monsters are indigenous to the Americas. Zombies reflect the colonial experience in the Americas, not only those who settled in both North and South America, but also in the approach taken to labor and those who labored. Saldarriaga and Manini examine the zombie as a representation of chattel slavery, which used the human body as a commodity like the other exploited resources in “the new world.” Those who were enslaved were essentially dead labor, according to Marxian conceptions, and the continued exploitation and disposability of workers continues this idea of the use of the undead in the modern world. Zombies as a concept can be seen within neoliberalism as corpses made into commodities, just as other commodities are valued or devalued based on supply and demand. Another avenue of exploration is how zombies live in an ablest world where they have very limited abilities—thus making us consider our own toggling between ableism and disability. In a sense, zombies push on the idea that disability itself is the norm. They represent the way that bodies should not look, with all the insides missing, or on the outside. They also reproduce in rather unique ways—not in the biologically expected way, but in the consumption of others to create more zombies. Thus, in a world with zombies, the patriarchal form of reproduction is replaced, erasing binary sex roles along the way. While we usually consider zombies as horror staples, they are, in fact, science fiction entities, since they are really a kind of futurity. Infected Empires: Decolonizing Zombies explores these myriad ways that zombies are symbolic of so much of what surrounds us in our everyday lives, but also what scares us. Zombies, if we think of them as a future, cause us a great deal of anxiety, since they demonstrate a post-human existence. Zombies regularly show us how we are literally eating ourselves. With the existential threat of global climate change, and the antagonism between humans and the nature world, zombies as metaphor and popular culture trope highlight our fears about the future as well as the long shadow of a colonial and enslaving past. Saldarriaga and Manini systematically explore the many dimensions of why zombies are so entrenched in our imaginaries and what these monsters are teaching us about ourselves and our fears and anxieties. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Let's talk about zombies! Scholars Patricia Saldarriaga and Emy Manini have produced an engaging and important analysis of the idea of zombies, and how and why these particular monsters are omnipresent in American popular culture, especially these days. Zombies both represent and present ideas about the world in which we live, and Infected Empires: Decolonizing Zombies (Rutgers UP, 2022) examines these connections, helping us consider our relationship to this vision of the “undead” and why these monsters are indigenous to the Americas. Zombies reflect the colonial experience in the Americas, not only those who settled in both North and South America, but also in the approach taken to labor and those who labored. Saldarriaga and Manini examine the zombie as a representation of chattel slavery, which used the human body as a commodity like the other exploited resources in “the new world.” Those who were enslaved were essentially dead labor, according to Marxian conceptions, and the continued exploitation and disposability of workers continues this idea of the use of the undead in the modern world. Zombies as a concept can be seen within neoliberalism as corpses made into commodities, just as other commodities are valued or devalued based on supply and demand. Another avenue of exploration is how zombies live in an ablest world where they have very limited abilities—thus making us consider our own toggling between ableism and disability. In a sense, zombies push on the idea that disability itself is the norm. They represent the way that bodies should not look, with all the insides missing, or on the outside. They also reproduce in rather unique ways—not in the biologically expected way, but in the consumption of others to create more zombies. Thus, in a world with zombies, the patriarchal form of reproduction is replaced, erasing binary sex roles along the way. While we usually consider zombies as horror staples, they are, in fact, science fiction entities, since they are really a kind of futurity. Infected Empires: Decolonizing Zombies explores these myriad ways that zombies are symbolic of so much of what surrounds us in our everyday lives, but also what scares us. Zombies, if we think of them as a future, cause us a great deal of anxiety, since they demonstrate a post-human existence. Zombies regularly show us how we are literally eating ourselves. With the existential threat of global climate change, and the antagonism between humans and the nature world, zombies as metaphor and popular culture trope highlight our fears about the future as well as the long shadow of a colonial and enslaving past. Saldarriaga and Manini systematically explore the many dimensions of why zombies are so entrenched in our imaginaries and what these monsters are teaching us about ourselves and our fears and anxieties. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Let's talk about zombies! Scholars Patricia Saldarriaga and Emy Manini have produced an engaging and important analysis of the idea of zombies, and how and why these particular monsters are omnipresent in American popular culture, especially these days. Zombies both represent and present ideas about the world in which we live, and Infected Empires: Decolonizing Zombies (Rutgers UP, 2022) examines these connections, helping us consider our relationship to this vision of the “undead” and why these monsters are indigenous to the Americas. Zombies reflect the colonial experience in the Americas, not only those who settled in both North and South America, but also in the approach taken to labor and those who labored. Saldarriaga and Manini examine the zombie as a representation of chattel slavery, which used the human body as a commodity like the other exploited resources in “the new world.” Those who were enslaved were essentially dead labor, according to Marxian conceptions, and the continued exploitation and disposability of workers continues this idea of the use of the undead in the modern world. Zombies as a concept can be seen within neoliberalism as corpses made into commodities, just as other commodities are valued or devalued based on supply and demand. Another avenue of exploration is how zombies live in an ablest world where they have very limited abilities—thus making us consider our own toggling between ableism and disability. In a sense, zombies push on the idea that disability itself is the norm. They represent the way that bodies should not look, with all the insides missing, or on the outside. They also reproduce in rather unique ways—not in the biologically expected way, but in the consumption of others to create more zombies. Thus, in a world with zombies, the patriarchal form of reproduction is replaced, erasing binary sex roles along the way. While we usually consider zombies as horror staples, they are, in fact, science fiction entities, since they are really a kind of futurity. Infected Empires: Decolonizing Zombies explores these myriad ways that zombies are symbolic of so much of what surrounds us in our everyday lives, but also what scares us. Zombies, if we think of them as a future, cause us a great deal of anxiety, since they demonstrate a post-human existence. Zombies regularly show us how we are literally eating ourselves. With the existential threat of global climate change, and the antagonism between humans and the nature world, zombies as metaphor and popular culture trope highlight our fears about the future as well as the long shadow of a colonial and enslaving past. Saldarriaga and Manini systematically explore the many dimensions of why zombies are so entrenched in our imaginaries and what these monsters are teaching us about ourselves and our fears and anxieties. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Let's talk about zombies! Scholars Patricia Saldarriaga and Emy Manini have produced an engaging and important analysis of the idea of zombies, and how and why these particular monsters are omnipresent in American popular culture, especially these days. Zombies both represent and present ideas about the world in which we live, and Infected Empires: Decolonizing Zombies (Rutgers UP, 2022) examines these connections, helping us consider our relationship to this vision of the “undead” and why these monsters are indigenous to the Americas. Zombies reflect the colonial experience in the Americas, not only those who settled in both North and South America, but also in the approach taken to labor and those who labored. Saldarriaga and Manini examine the zombie as a representation of chattel slavery, which used the human body as a commodity like the other exploited resources in “the new world.” Those who were enslaved were essentially dead labor, according to Marxian conceptions, and the continued exploitation and disposability of workers continues this idea of the use of the undead in the modern world. Zombies as a concept can be seen within neoliberalism as corpses made into commodities, just as other commodities are valued or devalued based on supply and demand. Another avenue of exploration is how zombies live in an ablest world where they have very limited abilities—thus making us consider our own toggling between ableism and disability. In a sense, zombies push on the idea that disability itself is the norm. They represent the way that bodies should not look, with all the insides missing, or on the outside. They also reproduce in rather unique ways—not in the biologically expected way, but in the consumption of others to create more zombies. Thus, in a world with zombies, the patriarchal form of reproduction is replaced, erasing binary sex roles along the way. While we usually consider zombies as horror staples, they are, in fact, science fiction entities, since they are really a kind of futurity. Infected Empires: Decolonizing Zombies explores these myriad ways that zombies are symbolic of so much of what surrounds us in our everyday lives, but also what scares us. Zombies, if we think of them as a future, cause us a great deal of anxiety, since they demonstrate a post-human existence. Zombies regularly show us how we are literally eating ourselves. With the existential threat of global climate change, and the antagonism between humans and the nature world, zombies as metaphor and popular culture trope highlight our fears about the future as well as the long shadow of a colonial and enslaving past. Saldarriaga and Manini systematically explore the many dimensions of why zombies are so entrenched in our imaginaries and what these monsters are teaching us about ourselves and our fears and anxieties. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Let's talk about zombies! Scholars Patricia Saldarriaga and Emy Manini have produced an engaging and important analysis of the idea of zombies, and how and why these particular monsters are omnipresent in American popular culture, especially these days. Zombies both represent and present ideas about the world in which we live, and Infected Empires: Decolonizing Zombies (Rutgers UP, 2022) examines these connections, helping us consider our relationship to this vision of the “undead” and why these monsters are indigenous to the Americas. Zombies reflect the colonial experience in the Americas, not only those who settled in both North and South America, but also in the approach taken to labor and those who labored. Saldarriaga and Manini examine the zombie as a representation of chattel slavery, which used the human body as a commodity like the other exploited resources in “the new world.” Those who were enslaved were essentially dead labor, according to Marxian conceptions, and the continued exploitation and disposability of workers continues this idea of the use of the undead in the modern world. Zombies as a concept can be seen within neoliberalism as corpses made into commodities, just as other commodities are valued or devalued based on supply and demand. Another avenue of exploration is how zombies live in an ablest world where they have very limited abilities—thus making us consider our own toggling between ableism and disability. In a sense, zombies push on the idea that disability itself is the norm. They represent the way that bodies should not look, with all the insides missing, or on the outside. They also reproduce in rather unique ways—not in the biologically expected way, but in the consumption of others to create more zombies. Thus, in a world with zombies, the patriarchal form of reproduction is replaced, erasing binary sex roles along the way. While we usually consider zombies as horror staples, they are, in fact, science fiction entities, since they are really a kind of futurity. Infected Empires: Decolonizing Zombies explores these myriad ways that zombies are symbolic of so much of what surrounds us in our everyday lives, but also what scares us. Zombies, if we think of them as a future, cause us a great deal of anxiety, since they demonstrate a post-human existence. Zombies regularly show us how we are literally eating ourselves. With the existential threat of global climate change, and the antagonism between humans and the nature world, zombies as metaphor and popular culture trope highlight our fears about the future as well as the long shadow of a colonial and enslaving past. Saldarriaga and Manini systematically explore the many dimensions of why zombies are so entrenched in our imaginaries and what these monsters are teaching us about ourselves and our fears and anxieties. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The idea behind this show was somewhat inspired by that scene in WHEN HARRY MET SALLY when Harry calls Sally to tell her that CASABLANCA is on TV and they watch the last few minutes "together" while on the phone.  Harry's comment about the "best last line of a movie ever," inspired Annie and me to rally around our own favorite last lines of movies. And - as usual - they are not what you think they are going to be!  SPOILER ALERT - the last line of CASABLANCA didn't make either of our lists.   God bless Annie for reminding me about a couple of great Christian Slater films from the 90's that I really loved and really need to watch again...soon.   What topics do you want to see us cover in this show?  Email us at hello@thetopfivepodcast.com and let us know what sounds fun.   Fourth Wall Movies Ensemble Casts Character Actors Superhero Films Funniest Slow Motion Sequences Which of these do you want to see us take on?  

In this episode, Professor Mouse and the Cosmologist talk the Super Bowl, live react to the Flash trailer, and talk about Knock at the Cabin.

Political Scientist and presidential scholar Stephen Knott has a new book specifically focusing on the 35th president, John F. Kennedy. This book is not exactly a biography, since it is an interesting analysis not just of Kennedy himself as president, but also the context in which Kennedy is considered, understood, and positioned. Coming to Terms with John F. Kennedy (UP of Kansas, 2022) is also a kind of intellectual autobiography of Knott himself, and his evolving consideration of Kennedy as president, but also Kennedy within our collective imaginaries. Knott started his career at the JFK Library in Massachusetts, and he traces how this initial encounter with Kennedy hagiography and the protection of the Kennedy idea contributed to his own skepticism about Kennedy as president. At the same time, Knott has spent much of his intellectual career researching and analyzing presidents from George Washington to Joe Biden, and he has come back to Kennedy to re-evaluate his own assessment of this famous and tragic president, and, importantly, the reality of President John F. Kennedy as opposed to the sanitized and mythologized version of the 35th president. Coming to Terms with John F. Kennedy re-examines the historical touchstones of the Kennedy Administration, digging into what really happened during the Cuban Missile Crisis, the kinds of concessions that were made to Soviet Premier Nikita Khrushchev, instead of the cinematic heroics of the way this incident is usually portrayed. Knott also explores the critique of Kennedy in regard to civil rights and racial progress—re-assessing the more critical narrative about Kennedy and his disconnection from these issues—finding, instead, that Kennedy was moving forward with caution but with commitment. Kennedy's words themselves are also a key focus of the book—from the best-known speeches to more obscure presentations of presidential rhetoric. And while JFK is often lauded for his oratory, Knott makes the case that the appeal in Kennedy's speeches and rhetoric is to our better angels, as citizens and as a country, which is particularly important to understanding the role and place of the United States in this post-WWII period. This analysis positions Kennedy within a rather rarified pantheon as one of America's top orators—with speeches that reflected a patriotic literacy, advocating for unity, and appealing to reason. This is a fascinating book, graceful and accessible in the writing, and interesting in the many threads woven together to consider Kennedy's presidency itself and the position it occupies in American history and our understanding of the United States. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Political Scientist and presidential scholar Stephen Knott has a new book specifically focusing on the 35th president, John F. Kennedy. This book is not exactly a biography, since it is an interesting analysis not just of Kennedy himself as president, but also the context in which Kennedy is considered, understood, and positioned. Coming to Terms with John F. Kennedy (UP of Kansas, 2022) is also a kind of intellectual autobiography of Knott himself, and his evolving consideration of Kennedy as president, but also Kennedy within our collective imaginaries. Knott started his career at the JFK Library in Massachusetts, and he traces how this initial encounter with Kennedy hagiography and the protection of the Kennedy idea contributed to his own skepticism about Kennedy as president. At the same time, Knott has spent much of his intellectual career researching and analyzing presidents from George Washington to Joe Biden, and he has come back to Kennedy to re-evaluate his own assessment of this famous and tragic president, and, importantly, the reality of President John F. Kennedy as opposed to the sanitized and mythologized version of the 35th president. Coming to Terms with John F. Kennedy re-examines the historical touchstones of the Kennedy Administration, digging into what really happened during the Cuban Missile Crisis, the kinds of concessions that were made to Soviet Premier Nikita Khrushchev, instead of the cinematic heroics of the way this incident is usually portrayed. Knott also explores the critique of Kennedy in regard to civil rights and racial progress—re-assessing the more critical narrative about Kennedy and his disconnection from these issues—finding, instead, that Kennedy was moving forward with caution but with commitment. Kennedy's words themselves are also a key focus of the book—from the best-known speeches to more obscure presentations of presidential rhetoric. And while JFK is often lauded for his oratory, Knott makes the case that the appeal in Kennedy's speeches and rhetoric is to our better angels, as citizens and as a country, which is particularly important to understanding the role and place of the United States in this post-WWII period. This analysis positions Kennedy within a rather rarified pantheon as one of America's top orators—with speeches that reflected a patriotic literacy, advocating for unity, and appealing to reason. This is a fascinating book, graceful and accessible in the writing, and interesting in the many threads woven together to consider Kennedy's presidency itself and the position it occupies in American history and our understanding of the United States. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Political Scientist and presidential scholar Stephen Knott has a new book specifically focusing on the 35th president, John F. Kennedy. This book is not exactly a biography, since it is an interesting analysis not just of Kennedy himself as president, but also the context in which Kennedy is considered, understood, and positioned. Coming to Terms with John F. Kennedy (UP of Kansas, 2022) is also a kind of intellectual autobiography of Knott himself, and his evolving consideration of Kennedy as president, but also Kennedy within our collective imaginaries. Knott started his career at the JFK Library in Massachusetts, and he traces how this initial encounter with Kennedy hagiography and the protection of the Kennedy idea contributed to his own skepticism about Kennedy as president. At the same time, Knott has spent much of his intellectual career researching and analyzing presidents from George Washington to Joe Biden, and he has come back to Kennedy to re-evaluate his own assessment of this famous and tragic president, and, importantly, the reality of President John F. Kennedy as opposed to the sanitized and mythologized version of the 35th president. Coming to Terms with John F. Kennedy re-examines the historical touchstones of the Kennedy Administration, digging into what really happened during the Cuban Missile Crisis, the kinds of concessions that were made to Soviet Premier Nikita Khrushchev, instead of the cinematic heroics of the way this incident is usually portrayed. Knott also explores the critique of Kennedy in regard to civil rights and racial progress—re-assessing the more critical narrative about Kennedy and his disconnection from these issues—finding, instead, that Kennedy was moving forward with caution but with commitment. Kennedy's words themselves are also a key focus of the book—from the best-known speeches to more obscure presentations of presidential rhetoric. And while JFK is often lauded for his oratory, Knott makes the case that the appeal in Kennedy's speeches and rhetoric is to our better angels, as citizens and as a country, which is particularly important to understanding the role and place of the United States in this post-WWII period. This analysis positions Kennedy within a rather rarified pantheon as one of America's top orators—with speeches that reflected a patriotic literacy, advocating for unity, and appealing to reason. This is a fascinating book, graceful and accessible in the writing, and interesting in the many threads woven together to consider Kennedy's presidency itself and the position it occupies in American history and our understanding of the United States. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Political Scientist and presidential scholar Stephen Knott has a new book specifically focusing on the 35th president, John F. Kennedy. This book is not exactly a biography, since it is an interesting analysis not just of Kennedy himself as president, but also the context in which Kennedy is considered, understood, and positioned. Coming to Terms with John F. Kennedy (UP of Kansas, 2022) is also a kind of intellectual autobiography of Knott himself, and his evolving consideration of Kennedy as president, but also Kennedy within our collective imaginaries. Knott started his career at the JFK Library in Massachusetts, and he traces how this initial encounter with Kennedy hagiography and the protection of the Kennedy idea contributed to his own skepticism about Kennedy as president. At the same time, Knott has spent much of his intellectual career researching and analyzing presidents from George Washington to Joe Biden, and he has come back to Kennedy to re-evaluate his own assessment of this famous and tragic president, and, importantly, the reality of President John F. Kennedy as opposed to the sanitized and mythologized version of the 35th president. Coming to Terms with John F. Kennedy re-examines the historical touchstones of the Kennedy Administration, digging into what really happened during the Cuban Missile Crisis, the kinds of concessions that were made to Soviet Premier Nikita Khrushchev, instead of the cinematic heroics of the way this incident is usually portrayed. Knott also explores the critique of Kennedy in regard to civil rights and racial progress—re-assessing the more critical narrative about Kennedy and his disconnection from these issues—finding, instead, that Kennedy was moving forward with caution but with commitment. Kennedy's words themselves are also a key focus of the book—from the best-known speeches to more obscure presentations of presidential rhetoric. And while JFK is often lauded for his oratory, Knott makes the case that the appeal in Kennedy's speeches and rhetoric is to our better angels, as citizens and as a country, which is particularly important to understanding the role and place of the United States in this post-WWII period. This analysis positions Kennedy within a rather rarified pantheon as one of America's top orators—with speeches that reflected a patriotic literacy, advocating for unity, and appealing to reason. This is a fascinating book, graceful and accessible in the writing, and interesting in the many threads woven together to consider Kennedy's presidency itself and the position it occupies in American history and our understanding of the United States. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Political Scientist and presidential scholar Stephen Knott has a new book specifically focusing on the 35th president, John F. Kennedy. This book is not exactly a biography, since it is an interesting analysis not just of Kennedy himself as president, but also the context in which Kennedy is considered, understood, and positioned. Coming to Terms with John F. Kennedy (UP of Kansas, 2022) is also a kind of intellectual autobiography of Knott himself, and his evolving consideration of Kennedy as president, but also Kennedy within our collective imaginaries. Knott started his career at the JFK Library in Massachusetts, and he traces how this initial encounter with Kennedy hagiography and the protection of the Kennedy idea contributed to his own skepticism about Kennedy as president. At the same time, Knott has spent much of his intellectual career researching and analyzing presidents from George Washington to Joe Biden, and he has come back to Kennedy to re-evaluate his own assessment of this famous and tragic president, and, importantly, the reality of President John F. Kennedy as opposed to the sanitized and mythologized version of the 35th president. Coming to Terms with John F. Kennedy re-examines the historical touchstones of the Kennedy Administration, digging into what really happened during the Cuban Missile Crisis, the kinds of concessions that were made to Soviet Premier Nikita Khrushchev, instead of the cinematic heroics of the way this incident is usually portrayed. Knott also explores the critique of Kennedy in regard to civil rights and racial progress—re-assessing the more critical narrative about Kennedy and his disconnection from these issues—finding, instead, that Kennedy was moving forward with caution but with commitment. Kennedy's words themselves are also a key focus of the book—from the best-known speeches to more obscure presentations of presidential rhetoric. And while JFK is often lauded for his oratory, Knott makes the case that the appeal in Kennedy's speeches and rhetoric is to our better angels, as citizens and as a country, which is particularly important to understanding the role and place of the United States in this post-WWII period. This analysis positions Kennedy within a rather rarified pantheon as one of America's top orators—with speeches that reflected a patriotic literacy, advocating for unity, and appealing to reason. This is a fascinating book, graceful and accessible in the writing, and interesting in the many threads woven together to consider Kennedy's presidency itself and the position it occupies in American history and our understanding of the United States. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Was your favorite film approved by Uncle Sam? And just how much of your streaming watchlist did the CIA curate? On today's episode, Calvin and Alex are joined by Dr. Roger Stahl, Professor of Communication Studies at the University of Georgia, to discuss the widespread problem of US information operations in the motion picture industry–including, most recently, the 2022 box office smash Top Gun: Maverick. Thanks to Roger's research team on his recent documentary Theaters of War (2022), we now know much more about the curious scripting and production relationships between entertainment studios and the US security state than we did until very recently. Their work has uncovered thousands of screen properties whose content was directly altered to serve US propaganda goals – as well as many hundreds of shows and movies that never saw the light of day due to lack of official support. So, with Roger's help, we analyze the recent history of major military- and intelligence-approved cinema and TV hits, working our way backwards from Maverick to the original Top Gun (1986), Zero Dark Thirty (2012), Rules of Engagement (2000), and even – huh??? – the comedy Meet the Parents (2000), among others. We also discuss the recent Amazon streaming success Jack Ryan (2018-present) and how its second season manufactured consent in real time for US coup-mongering in Venezuela. As we work through these examples, we also consider the overarching rhetorical ideologies in the military documents Roger's research team has been studying: from the military's curious appeals to the value of “accuracy” to patterns in types of content they deem to be “showstoppers” (leading to withdrawal of official support). We also ask whether this gigantic domestic influence operation can be properly termed “information warfare,” and what kinds of policy changes are needed to address it. For example, should there be a disclaimer included with trailers and posters for movies co-produced by the US military? Or, more radically, should these aspects of military policy be simply abolished? We hope you enjoy our deep-dive into an extremely fascinating and timely topic with a rhetorical studies expert doing valuable investigative journalism and documentary filmmaking. If you have a Kanopy subscription, check out Roger Stahl's 2022 documentary Theaters of War to learn much, much more. Works and Concepts Referenced in this EpisodeJenkins, T. (2016). The CIA in Hollywood: How the agency shapes film and television. University of Texas Press.Tom Secker's investigative journalism website Spy Culture.Stahl, R. (2022, May 30). Why does the Pentagon give a helping hand to films like ‘Top Gun'?. LA Times. Stahl, R. (2009). Militainment, Inc.: War, Media, and Popular Culture. Routledge.Stahl, R. (2022). Theaters of War. Media Education Foundation. Available on Kanopy. Stahl, R. (2018). Through the crosshairs: War, visual culture, and the weaponized gaze. Rutgers University Press.Stahl, R. (2016). Weaponizing speech. Quarterly journal of speech, 102(4), 376-395.

In this episode, Professor Mouse, the Cosmologist, and Teddy discuss Andor, Wakanda Forever, and other bits and bobs.

OMG - if you thought the WORST movie sequel episode was a toughie, wait until this one!!! You probably will not be surprised at any of our selections, but Annie and I had a really fun time discussing our favorites.  And, yes, there's a tiny bit of overlap...but we're sisters, what do you want us to do? Annie even remembered seeing some of these movies with me back in the day...which is another reason why it's so fun doing this show with her.  We each have certain memories of films that are different from each other, even when we see those films together.   And, yes, the show notes are getting a little sketchy and I take full responsibility for that.  It's a matter of getting an episode out for you fine people to enjoy - so if you REALLY want to see the show notes amped up, you are gonna just have to send us an email and tell us.  Really.  We WANT to hear from you!! hello@thetopfivepodcast.com   

Every time you think the controllers of the “music” industry have debased and toxified “entertainment” as far as is possible, the sick, diseased demons sitting atop these industries find new ways to take things even lower. Guesting this episode is Rhys Dawney, proprietor of the Schism podcast. Fortunately, Rhys can bear to wade through the so-called “hip-hop” culture of the 2000s to identify and comment on the insane satanic agendas being aimed at Gen Z. Along the way we discuss such subjects as: What the hell's happening with Kanye West? Just WHY has Drake been the biggest thing in “hip-hop” for the past 15 years? “Hip-hop”s Gay mafia; the pushing of Transgenderism, Transhumanism and A.I. through “music”; Travis Scott's demonic performance at Astroworld; Mind-controlled artists and their dissociative “alters”; why nobody cares about the Tim Westwood or Afrika Bambaataa allegations. Ultimately though, we end on a high note, observing that many from “Gen Z” are seeing through the bullshit that's been foisted on them. When the mind-control no longer works, neither do the agendas. Rhys' ‘Schism' podcast archives can be found here: https://theschism.podbean.com/

In this episode, Professor Mouse, the Cosmologist, and Teddy discuss James Gunn's announcement regarding the upcoming slate of DC movies and television shows.

TOYS!!!  Who doesn't love TOYS!!!  Especially Gen-Xers like me and my buddy Heather Zeitzwolfe, who is my co-host today as we talk about our Top Five Favorite Toys from the 1970s. Were you into Barbies?  What about Hot Wheels?  Or you might have enjoyed Lite Brite.  Regardless, we hope you enjoy our reminiscing about our own favorites back when most toys weren't necessarily plugged in and/or required a joystick, LOL. We'd love to hear more about your favorite Top Ten Categories - is there something we haven't taken on yet?  Or one of our lists that you liked or hated?  I promise you - we want to know!  Shoot us an email at hello@thetopfivepodcast.com 

You will love Alex Clark if you don't already know and love her.  She is here to share her love of conservative politics and popular culture.  Hear what she thinks of Beyonce, transgender M&M's, and birth control.  You won't want to miss this episode.

In this episode, Professor Mouse and the Cosmologist talk NFL, conspiracy theories, Andor, and Stellan. isthisjustbad@gmail.com

For almost a year now, we have been absorbing news and information about Russia's invasion of Ukraine. There are a variety of different, or competing, narratives to explain and define what we understand about the origins of this conflict and the ongoing military successes and failures on the ground in Ukraine and in Russia. I had the chance to interview Jordan Miller for PostScript (a special series that allows scholars to comment on pressing contemporary issues) about his work on narrative and attempts to influence the activities within the field of battle in Ukraine. Miller is finishing his dissertation on this topic at the War Studies Program at the Royal Military College of Canada. Miller's research specifically focusses on these narrative dynamics, which are influential to battlefield success and potentially the outcome of this war. In our discussion, we examine the various points of information that were being put forward by Russia and by the United States before Russia moved into Ukraine in February of 2022. The intention of this approach is to “inoculate” the public by highlighting the misleading or false narratives that will be forthcoming to try to shape global understandings of the war. As the war progressed, Ukraine also actively tried to shape perception of its own capacity, heroics, and commitment to success against Russian aggressions. We also saw a shift in approaches in the fall and winter since there was concern about the impact of energy scarcity in western Europe and in Ukraine. Miller's work builds on basic concepts like propaganda – and what ultimately makes this effective within situations like Ukraine, or other global military contests. As we discuss on the podcast, the images and ideas that have come out of Ukraine—of humanized citizens and soldiers, of the citizen army there that has come forward to push against the Russian war machine, of soldiers adopting cats and dogs as they continue to fight—all contribute to an overall concept of the Ukrainian people and their capacity to potentially defeat the Russian Army. Ukrainian efforts in this regard also speak to particular audiences, like NATO member countries and their citizens, the United Nations General Assembly, as well as to Russian citizens and soldiers. This kind of effort—to communicate ideas and images to key audiences is an important component of the useful implementation of narrative within the field of battle, even if it is not on the battlefield itself. Join us for this conversation about the capacity to manage narrative within global political situations – and how this applies, in particular, the current war in Ukraine. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

For almost a year now, we have been absorbing news and information about Russia's invasion of Ukraine. There are a variety of different, or competing, narratives to explain and define what we understand about the origins of this conflict and the ongoing military successes and failures on the ground in Ukraine and in Russia. I had the chance to interview Jordan Miller for PostScript (a special series that allows scholars to comment on pressing contemporary issues) about his work on narrative and attempts to influence the activities within the field of battle in Ukraine. Miller is finishing his dissertation on this topic at the War Studies Program at the Royal Military College of Canada. Miller's research specifically focusses on these narrative dynamics, which are influential to battlefield success and potentially the outcome of this war. In our discussion, we examine the various points of information that were being put forward by Russia and by the United States before Russia moved into Ukraine in February of 2022. The intention of this approach is to “inoculate” the public by highlighting the misleading or false narratives that will be forthcoming to try to shape global understandings of the war. As the war progressed, Ukraine also actively tried to shape perception of its own capacity, heroics, and commitment to success against Russian aggressions. We also saw a shift in approaches in the fall and winter since there was concern about the impact of energy scarcity in western Europe and in Ukraine. Miller's work builds on basic concepts like propaganda – and what ultimately makes this effective within situations like Ukraine, or other global military contests. As we discuss on the podcast, the images and ideas that have come out of Ukraine—of humanized citizens and soldiers, of the citizen army there that has come forward to push against the Russian war machine, of soldiers adopting cats and dogs as they continue to fight—all contribute to an overall concept of the Ukrainian people and their capacity to potentially defeat the Russian Army. Ukrainian efforts in this regard also speak to particular audiences, like NATO member countries and their citizens, the United Nations General Assembly, as well as to Russian citizens and soldiers. This kind of effort—to communicate ideas and images to key audiences is an important component of the useful implementation of narrative within the field of battle, even if it is not on the battlefield itself. Join us for this conversation about the capacity to manage narrative within global political situations – and how this applies, in particular, the current war in Ukraine. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

For almost a year now, we have been absorbing news and information about Russia's invasion of Ukraine. There are a variety of different, or competing, narratives to explain and define what we understand about the origins of this conflict and the ongoing military successes and failures on the ground in Ukraine and in Russia. I had the chance to interview Jordan Miller for PostScript (a special series that allows scholars to comment on pressing contemporary issues) about his work on narrative and attempts to influence the activities within the field of battle in Ukraine. Miller is finishing his dissertation on this topic at the War Studies Program at the Royal Military College of Canada. Miller's research specifically focusses on these narrative dynamics, which are influential to battlefield success and potentially the outcome of this war. In our discussion, we examine the various points of information that were being put forward by Russia and by the United States before Russia moved into Ukraine in February of 2022. The intention of this approach is to “inoculate” the public by highlighting the misleading or false narratives that will be forthcoming to try to shape global understandings of the war. As the war progressed, Ukraine also actively tried to shape perception of its own capacity, heroics, and commitment to success against Russian aggressions. We also saw a shift in approaches in the fall and winter since there was concern about the impact of energy scarcity in western Europe and in Ukraine. Miller's work builds on basic concepts like propaganda – and what ultimately makes this effective within situations like Ukraine, or other global military contests. As we discuss on the podcast, the images and ideas that have come out of Ukraine—of humanized citizens and soldiers, of the citizen army there that has come forward to push against the Russian war machine, of soldiers adopting cats and dogs as they continue to fight—all contribute to an overall concept of the Ukrainian people and their capacity to potentially defeat the Russian Army. Ukrainian efforts in this regard also speak to particular audiences, like NATO member countries and their citizens, the United Nations General Assembly, as well as to Russian citizens and soldiers. This kind of effort—to communicate ideas and images to key audiences is an important component of the useful implementation of narrative within the field of battle, even if it is not on the battlefield itself. Join us for this conversation about the capacity to manage narrative within global political situations – and how this applies, in particular, the current war in Ukraine. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

For almost a year now, we have been absorbing news and information about Russia's invasion of Ukraine. There are a variety of different, or competing, narratives to explain and define what we understand about the origins of this conflict and the ongoing military successes and failures on the ground in Ukraine and in Russia. I had the chance to interview Jordan Miller for PostScript (a special series that allows scholars to comment on pressing contemporary issues) about his work on narrative and attempts to influence the activities within the field of battle in Ukraine. Miller is finishing his dissertation on this topic at the War Studies Program at the Royal Military College of Canada. Miller's research specifically focusses on these narrative dynamics, which are influential to battlefield success and potentially the outcome of this war. In our discussion, we examine the various points of information that were being put forward by Russia and by the United States before Russia moved into Ukraine in February of 2022. The intention of this approach is to “inoculate” the public by highlighting the misleading or false narratives that will be forthcoming to try to shape global understandings of the war. As the war progressed, Ukraine also actively tried to shape perception of its own capacity, heroics, and commitment to success against Russian aggressions. We also saw a shift in approaches in the fall and winter since there was concern about the impact of energy scarcity in western Europe and in Ukraine. Miller's work builds on basic concepts like propaganda – and what ultimately makes this effective within situations like Ukraine, or other global military contests. As we discuss on the podcast, the images and ideas that have come out of Ukraine—of humanized citizens and soldiers, of the citizen army there that has come forward to push against the Russian war machine, of soldiers adopting cats and dogs as they continue to fight—all contribute to an overall concept of the Ukrainian people and their capacity to potentially defeat the Russian Army. Ukrainian efforts in this regard also speak to particular audiences, like NATO member countries and their citizens, the United Nations General Assembly, as well as to Russian citizens and soldiers. This kind of effort—to communicate ideas and images to key audiences is an important component of the useful implementation of narrative within the field of battle, even if it is not on the battlefield itself. Join us for this conversation about the capacity to manage narrative within global political situations – and how this applies, in particular, the current war in Ukraine. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science