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The Writer Files: Writing, Productivity, Creativity, and Neuroscience
Award-winning author and journalist Elizabeth Arnott spoke with us about her early studies of serial killers, a wild journalism career, and her latest period-set crime novel THE SECRET LIVES OF MURDERERS' WIVES. Elizabeth Arnott has written critically acclaimed historical fiction as Lizzie Pook (her maiden name). As a journalist, she covered everything from true crime to Arctic exploration and appeared in publications such as The Sunday Times, National Geographic, The New York Times Book Review, and The Guardian among others. She has described her much-anticipated latest historical crime novel as Mad Men with murders, and Lessons in Chemistry with a body count. The Secret Lives of Murderers' Wives [available for pre-order and landing March 3, 2026; Berkley Hardcover], is a story that “... centers on three unlikely friends—all former wives of serial killers—and their efforts to solve a string of local killings in 1966 California.” The book was acquired in a heated seven-way auction and named one of “The Best Books for Book Clubs in 2026” by Glamour, and among “The 10 Most-Anticipated Mystery-Thriller Books of 2026” by Marie Claire. Parade wrote of the book, “... a story that feels like Bright Young Women collided with Mindhunter …. a propulsive, period-set whodunit perfect for anyone who loves early criminal profiling and Mad Men-era aesthetics with bite.” [This episode is sponsored by Ulysses. Go to ulys.app/writeabook to download Ulysses, and use the code FILES at checkout to get 25% off the first year of your yearly subscription."] [Discover The Writer Files Extra: Get 'The Writer Files' Podcast Delivered Straight to Your Inbox at writerfiles.fm] [If you're a fan of The Writer Files, please click FOLLOW to automatically see new interviews. And drop us a rating or a review wherever you listen] In this file Elizabeth Arnott, Milena and I discussed: Elizabeth's early obsession with the film Almost Famous Renting a flat above a brothel in grad school Her freewheeling freelance days traveling the globe for stories When her journalism career hit rock bottom The path to writing about the forgotten victims of violent crimes How to write a novel in six weeks And a lot more! Show Notes: Elizabeth Arnott on Instagram The Secret Lives of Murderers' Wives By Elizabeth Arnott – March 3, 2026 (Amazon) Elizabeth Arnott on Twitter Milena Gonzalez | Writer | Reader | Book Reviewer diary_of_a_book_babe on Instagram Kelton Reid Instagram Kelton Reid on Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices
Volume 77 of Brad & Mira For the Culture...Brad goes to the nursery...encounters an angry pit bull...confronts Mira about her unused Christmas gift...Mira rewatches Mad Men...Angry Adam returns with a vegeance...Kanye takes out a full-page ad in the Wall Street Journal...claims brain damage caused him to hate the Jews...Alex Honnold free solos a skyscraper...unleashes psychological trauma on millions....Erika Kirk begins another national tour...wants to 'make heaven crowded again'...& more... *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. This episode is sponsored by Ulysses. Go to ulys.app/writeabook to download Ulysses, and use the code OTHERPPL at checkout to get 25% off the first year of your yearly subscription." Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
How to Use AI for B2B Storytelling Without Losing Your Brand So many B2B companies and marketing teams waste budget on generic content that fails to resonate or support core business goals. In an era where AI-generated is everywhere, smaller B2B brands often struggle to maintain a unique identity while competing against larger firms with massive content engines. The key to staying relevant lies in a B2B brand’s ability to be authentic, human-centric, and strategically consistent despite the pressure to automate everything. So how can B2B brands effectively integrate AI into their marketing workflows without losing their unique voice and brand integrity? That's why we're talking to Nick Usborne (Founder, Story Aligned), who shared his expertise on leveraging AI through the lens of strategic storytelling. During our conversation, Nick discussed the critical distinction between simple narrative and a brand’s unique story, highlighting a significant gap where only 7% of top AI prompt libraries actually focus on storytelling. He shared actionable advice on building a “story vault,” training staff to avoid “brand drift,” and enforcing consistent AI usage to maintain the trust of the audience. Nick also underscored the importance of keeping human elements at the forefront of content creation to prevent AI from feeling overly mechanical, and advocated for a balanced approach that ensures scalable growth without sacrificing a brand's authenticity. https://youtu.be/dtgvg2-XXoU Topics discussed in episode: [02:53] The “Why” Behind AI Adoption: Why companies must embrace AI not just for efficiency, but to avoid being left behind by competitors who are already scaling their reach. [04:10] The “Moat” of Storytelling: Why narrative and voice can be easily copied by AI, but your brand's unique “lived story” is the only defensible moat you have. [11:27] Pitfalls of Inconsistent AI Use: The dangers of “shadow AI” use by employees (e.g., Using personal accounts vs. company custom GPTs) and how it leads to brand drift. [16:46] The Human Element vs. AI: Nick explains why AI can describe the beach but can't “feel the sand between its toes,” and why human “messiness” is key to connection. [24:26] Building a Story Vault: Nick provides a practical framework for formalizing your brand's folklore—from founder stories to customer service wins—so they can be systematically used in AI content. [28:17] Actionable Steps for Marketers: Three immediate steps to take: build your story vault, interview key stakeholders (founders, early employees), and analyze customer service transcripts for sentiment. [30:11] The Problem with “Killer Prompt” Libraries: Why copying “top 20 prompt” lists is a strategic mistake that leads to generic, non-differentiated content. Companies and links mentioned: Nick Usborne on LinkedIn Story Aligned Transcript Nick Usborne, Christian Klepp Nick Usborne 00:00 AI can do a wonderful job in many ways, but it’s never walked down the beach and felt the sand between its toes. It’s read about it. It’s never eaten ice cream. It’s read about that, but it’s never felt it. So that’s what I mean by lived experience. I think that content and stories that truly resonate with people you use those kind of touch points the the deeply human side of being alive. And like, say, I think AI can get close when you prompt it really well, but also, there’s a messiness that makes us recognize one another, the little mistakes we make. That’s what makes us human. We are messy. AI, it’s not very good at being messy. You can ask it to be messy, and it’ll try to figure that out, but it’s really not the same. And like I say, I think people are very sensitive to this kind of nuance. Christian Klepp 00:51 When brands rely on the same AI tools and prompts, they start to sound like everyone else. That loss of voice can hurt trust and lead to something called Brand drift. So how can B2B Marketing teams scale content with AI while staying true to their story? Welcome to this episode of the B2B Marketers in the Mission podcast, and I’m your host, Christian Klepp, today, I’ll be talking to Nick Usborne, who will be answering this question. He’s the Founder of Story Aligned, a training program for Marketing teams that want to scale content using AI while protecting the integrity of their brand story and voice. Tune in to find out more about what this B2B Marketers Mission is. Mr. Nick Usborne, welcome to the show, sir. Nick Usborne 01:32 Thank you very much. Thank you Christian. Thank you for having me. Christian Klepp 01:35 Pleasure to have you on the show. Nick, you know we had such a fantastic pre interview call. It was a bit of a you did drop a few hints and clues about what was to come, and I’m really looking forward to this conversation. I’m going to keep the audience in suspense a little while longer as I move us into the first question. So off we go. Nick Usborne 01:55 Okay. Christian Klepp 01:56 All right, so, Nick, you’re on a mission to equip Marketing teams to scale AI powered content while staying aligned with their organization, story and voice. So for this conversation, let’s focus on the topic of how to use AI for B2B content without losing trust. And it is at the time of the recording, the end of 2025 and of course, we’re going to talk about AI, but we’re going to zoom in on something specific as it pertains to B2B content and a little bit of branding in there as well. But I wanted to kick off this conversation with two questions, and I’m happy to repeat them. So the first question is, why do you believe it’s so important for brands and their Marketing teams to embrace AI so that they can scale? And the second question is, why does this approach require the right prompts and guardrails? I think that’s one thing that you mentioned in our previous conversation, the whole the whole piece about prompts and guardrails. Nick Usborne 02:53 Well, the first question, why do companies need to embrace AI? And the ridiculous answer to that. It’s not a good answer, but it’s true is that because everyone else is, because your competitors are, and they will create content at scale while you are not, and they will achieve reach that you can’t achieve without AI. And in fact, if they do it well, their content, their new content, will be very good, content deeply researched beyond perhaps what you can do. So it’s like everything within AI right now, like, like, Why? Why do all the companies like open AI and Google and Meta, why they all racing? Because if they don’t, someone else will get there first. And it’s, I’m not saying it’s a great reason, but I think it is the fundamental reason for companies to embrace AI, is that you will be left behind if you don’t. This is a transformational moment, and as much as we’d like to have choice, I think in this matter, we don’t have a lot of choice. So that’s my answer to that question. Repeat the second question for me. Christian Klepp 04:00 Absolutely, absolutely so based on, based on that, like, why does this approach require the right prompts and guardrails? Nick Usborne 04:10 As part of my business, I’m constantly researching this, and in particular, I’m researching the prompts people do so when say, could be writers coders, but in our world. Let’s say writers, principally, or marketers, are using AI. They’re using prompts, and they’re generally prompting about two things. One is narrative, like, what should we say? Or, you know, please write us a blog post about x. So that’s the that’s the topic, that’s the narrative. And then they’ll put in something say, oh, please do it in a voice that is authoritative and yet accessible. All right, so now that’s a voice. What they haven’t mentioned is what I think is the foundational layer, which is, which is story. And that’s important, because story is the only thing that is uniquely yours, if you have an narrative, if you, if you have voice, if you talk about something in a particular way, I can copy that with AI. I can copy it at scale. I can, I can look at the transcripts of Christian podcasts, and I can say, oh, I want to do one in exactly. Tell her the same topic. I can, you know, so when you focus on narrative, on what you write about in voice. I can copy it. There’s no moat. The only moat you have is with story, because every company’s story is unique. We can look at origin stories, foundation stories, we can look at customer stories through case studies, things like that. Those are always unique. No one else has Apple’s origin story. No one else has virgin Atlantic’s Founder’s story, etc. But we did some research recently. Actually, we did some research months ago, and I reconfirmed it earlier this week. I ran it. I ran it all again to look at the data. If you look at the top 20 prompt libraries that you know the big, trustworthy companies and organizations that put out prompt libraries for companies. If you look at the top 20 libraries and the 1000s and 1000s of prompts within there, 76% of those prompts are about the narrative. What to say? 17 are about voice. How do you sound? Only 7% relate to story. So this, to my mind, is where we have a problem. We have a disconnect. Everyone is going crazy, prompting for narrative and story, both of which have 0, zero mode, anyone can copy them at scale. And only 7% this very small percentage, are actually focusing on the one thing that is uniquely theirs and cannot be copied or challenged. So that when you say, when you, when you say I’m on a mission, that’s the mission for me to say, Hey guys, wake up. You’re You’re prompting the wrong things in the wrong way. Let’s like, go back and look at story Christian Klepp 07:12 Absolutely, absolutely. It almost sounds like an oxymoron to us to a certain degree, because you’re saying scaling B2B content using AI without losing trust. Because, you know, the narrative that I keep seeing on social media, particularly LinkedIn, is that if people are using AI, there is a bit of a trust factor there. But I think it’s to your point and correct me if I’m wrong, it’s being able to embrace AI and you leveraging it the right way, so it’s not, it’s not, it’s not to replace, it’s not to replace the writers, right, or to replace the Marketers, I hope not. Nick Usborne 07:50 It may replace some. But, yeah, yeah. I mean, I mean, you’re right, and the keyword you mentioned there is trust. I think, I think trust is going to be the most valuable commodity that a company can have in the months and years to come, because people don’t actually don’t if we’re talking about brand. So we’re trying to protect brand with story, right? And brand is something that a lot of companies have spent millions of dollars building and protecting over years or decades and well, one of the things let me come back to trust in a moment. But if I’m looking at brand, and I’m looking at all the stuff goes out there, it either builds brand or it burns brand. And if you burn brand, you lose trust. So if you’re going out with a whole bunch of content that sounds like everyone else is that it’s kind of meh. It’s ordinary. It’s in the middle, which is what AI is really good at. Without the right prompting, it will give you kind of in the middle, mediocre output. So you got to be much better at prompting than just like a, I don’t know, being careless about it, or taking a shortcut, shortcuts, or being lazy about it, because then you get brand drift, and all of a sudden the brand doesn’t sound quite right. And when that happens, you lose trust. And when you lose trust, you lose revenue. I mean, you really do. And people are getting very sensitive to brand of brand trust we saw recently. Was it tracker barrel tried to just change its logo. People freaked out. People freaked out. Christian Klepp 09:27 It was an awful rebrand, but, yes. Nick Usborne 09:30 Yeah, but it wasn’t. These weren’t. These weren’t. Saying is, I don’t think the design is up to snuff. It’s like, don’t mess with my tracker barrel. We actually feel very strongly about the brands. Talk to people who are absolute fans of Apple. Doesn’t matter that it costs twice as much, perhaps as not quite as good. It’s Apple. It’s my brand. Don’t mess with my brand. So we’re very sensitive to our loyalty to brands. And in fact, in some sense, it’s brand define us like a football team, a baseball team, in part, we can be defined by the brands that we support, local, Pepsi. You know, it’s like everywhere. So when a company uses AI carelessly at scale and all of a sudden that blog post, it kind of sounds like them, but something’s a tiny bit off. And then that LinkedIn update. Again, yeah, it’s them, but again, it’s, did I say is that the same as they were six months ago? You get the you get these little these little things that sound off, and now you get brand drift. And now you get people feeling uneasy, and the public are sometimes we think we can just make the public believe whatever we want them to believe, or companies to believe whatever we want them to believe, but actually, individuals, in their home lives and in their business lives are very, very sensitive to brand and they’re very, very sensitive to voice and what they hear, and if it’s off, they really don’t like it, and that does translate into loss of trust, and that does directly translate into loss of revenue. Christian Klepp 11:07 Absolutely. I’m going to move us on to the next set of questions, particularly that one pertaining to key pitfalls that Marketers need to avoid when they’re trying to scale their B2B content using AI without losing trust. So what are some of these key pitfalls they should avoid, and what should they be doing instead? Nick Usborne 11:27 What I’m hearing from inside a number of companies is that there is an inconsistency in how people are using AI and even when systems are in place, that not everyone follows the system. So it’s early days. It is. These are messy times for, you know, working with AI within companies. So I think it’s really important that companies do have some frameworks in place, that people within the organization are using the same tools in the same way, and that they are encouraged to be consistent in what they do. So I’ve heard stories of where companies are set up, you know, they’re using Copilot, or whatever they use, and then some of the manager will walk by someone’s desk, and they’re actually, actually, they’re using Claude on their phone. That person like phone, and it’s like, well, yeah, but no, this is now, you know, you have no control. You also have to get people to do what they ask. I was talking to a Founder the other day. She has a PR (Public Relations) company, plenty of clients, and she’s smart. She’s created custom GPTs for each client. So each custom GPT is trained on with with a kind of database of information on that client and the content, so that you know when you when you ask it to do something else, it’s already has the context and the voice instructions and everything, and you can and it’s great, you get this consistency. But she says, what’s happening is some of her employees come in in the morning, they start work on client X, and they’re using that custom GPT. Then they move on to client Y, but they keep using the original custom GPT and not switching out. So the management has put in the structure in place to be consistent and to output the best, you know, the best content, but the employees are not always playing game, you know, going along with that. So so I do think we’re in a messy period now where companies are not entirely sure how to apply this, how to structure it, what kind of frameworks and guidance to put in place. What guardrails to put in place? Like? Again, I’ve heard horror stories of people grabbing content that should not be shared and putting it into a large language model and then turning that into customer facing or public facing content. Christian Klepp 13:57 Oh, plagiarism. Nick Usborne 14:04 So yeah, it is messy. So what I would say is, before you even try to make the best of the use of AI that you do, need to put systems and frameworks in place and educate your staff. So if you want your staff to use AI effectively give them access to training. Don’t just throw them at a tool and say, go for it, because they won’t know what to do with it, or they’ll be able to create stuff, but they won’t be able to create good stuff. So invest in the systems, invest in the frameworks and instructions, and invest in training for the people who are going to be using the tools. Christian Klepp 14:46 Definitely some relevant points. I wanted to go back to something you said, though, because I think it’s really important. It’s certainly one thing to have the prompts and the guardrails in place and some kind of like, framework and structures. But to your earlier point, how do you enforce that? And I think you gave a really good example about like, if you have a custom GPT, and then they resort to like, using. Um Claude on their personal accounts, and then it’s a little bit like the wild west out there, isn’t it? Nick Usborne 15:06 It is, it is, and it’s and it’s, how do you enforce it? Well, that’s going to be a company by company decision. Like, like the Founder with the PR of the PR company, when she was telling me about how her employees just weren’t doing what they were asked. I was like, part of you is thinking about, why haven’t you kind of cracked down on this? But again, it depends on the company and what options you have when it comes to enforcing stuff like this. But I do think you need to, because then if we circle right back, if you have people who are untrained, and that’s the company’s responsibility to train their employees. If you have people who are untrained and they’re using these tools inconsistently, that is when you far more likely then to see errors for, you know, unforced errors like publishing stuff that you shouldn’t but you’re also going to see more brand drift, because you’re going to get this inconsistency between output and that is a disaster. Like I say, companies have sometimes spent, in a decade, several years in establishing and building a trustworthy brand. And people are very unforgiving. You can, you can lose all that goodwill very, very quickly. So, yeah, training frameworks make sure people are, you know, working within those boundaries, but as a company, it’s your responsibility to help make that happen. Christian Klepp 16:29 Yeah, yeah. Oh, absolutely, absolutely. You kind of brought this up already, but you mentioned that AI can help to scale content, but it can’t replicate your lived story, so please explain what you meant by that, and provide an example. If you can, Nick Usborne 16:46 AI can do a wonderful job in many ways, but you know, it’s never walked down the beach and felt the sand between its toes. It’s read about it. It’s never eaten ice cream. It’s read about that, but it’s never felt it. So that’s what I mean by lived experience. So I think that content and stories that truly resonate with people, you use those kind of touch points, the deeply human side of being alive and like say, I think AI can get close when you prompt it really well, but also there’s a messiness that makes us recognize one another, the little mistakes we make, that’s what makes us human. We are messy, and it’s not very good at being messy. You can ask it to be messy, and it’ll try to figure that out, but it’s really not the same. And like I say, I think people are very sensitive to this kind of nuance and the lived story. It’s the it’s the weird stuff. I think that resonates. So I’ve spent quite a bit of my career doing copywriting for companies, and for a long period, I was doing some freelance, a lot of freelance copywriting. So this is just a little side note, a little side story for you. I used to live on a hobby farm. We had some sheep and pigs and chickens and all that good stuff, the good life. And also had freelance customers. And I went in, and I was and I went, you know, you go out, you feed the animals, you come in, I sit down to work, and my client said, this is just on the phone. This is even before the internet. Client said, Hey, you’re late. I was just out farming the pig and feeding the pigs. And the guy says, what? And this, I hadn’t realized. I never told him that I lived on a farm. He thought somewhere. So anyway, we talked a little bit about the pigs, then we get to work. So the project we’re working on worked out really well, and it won an award. So we fly off to your hometown, Toronto, for the awards ceremony, direct marketing awards ceremony, and he stands up and he says, Thank you very much. Blah, blah, blah. And special thanks to Nick Usborne, the pig farming copywriter. And I’m like, I’m like, in the audience, and I’m thinking, oh, please no. This guy is like, rebranding me constantly in front of all my peers, all my potential clients for next year. Big drama turns out so, so that that’s messy, all right? AI wouldn’t do that, you wouldn’t imagine that it wouldn’t do that. That’s a deeply human moment of my humiliation and him laughing, and everyone slapping me on the back and laughing and asking about my pigs. Turns out, over the next 12 months, I got a few phone calls out of the blue. And I say, Hello, Nick Usborne. I said, Oh, is that Nick Usborne? The cover of James Barber. And I say, why? Yes. And so I actually got work out of that, because it was such a distinct difference from every other copywriter out there. I was the only copywriter who had pigs. So that was just a fun story, but it also speaks to the difference between humans and AI, and it’s a live that’s a lived experience, and it’s a lived anecdote, and I tell the story, and it’s a true story that is really important, I think so, even when we use AI, even when we use it at its best, and it can be really good when you use it well, I think everyone should keep leave space for the human in the loop, as they say, keep that human element in there, big for those stories. So I so I encourage companies to create what I call like a story vault. So there’s the obvious stories, like the Founder story, the origin story, the six original success story, also put in the little quirky stories, like that one I just described, and and make that part of your process. And also go, you know, if you’re creating something with AI and it’s a big project, take the time to go and interview someone, talk to someone, get a human story, put it in just because you’re using AI, doesn’t mean to say that everything you create has to be 100% AI, you can, you can? I do this all the time. I look for it a draft with AI, then I’d go back in and I’ll rewrite the beginning with an anecdote, like the small s story, not a big dramatic story, just a little story. And what it does then is that then connects it with us, because as people, we recognize stories. Story is profound to all of us. I think in every country in the world, parents read their children bedtime stories. It’s something we share in common. It’s how we communicate, and it’s how we recognize our humanity in a sense of like, if you tell me a story, you connect with me, and vice versa. So that’s why I think stories are so important in this world of AI, because if you just go AI, it can get a little cold, and sometimes, as a reader, you don’t quite understand what’s happening and why, but you kind of feel it. There’s an absence. There’s something missing, and that what’s what you feeling is missing is that human touch, that human element, Christian Klepp 21:59 Absolutely, absolutely. I mean, there’s like, there’s like, telltale signs, right? Like em dash being one of them, Nick Usborne 22:06 em dash Christian Klepp 22:07 Yes, or Yeah. Or it tends to, like, regurgitate the same type of war. It’s like, I find it loves using the word landscape or navigate, you know, things of that nature, right? Nick Usborne 22:20 Yeah. Christian Klepp 22:21 Or uses these funny like, you know, the colon or for, for, for titles of episodes, for examples. Nick Usborne 22:30 In titles, even when I give it clear instructions, do not use them. So sometimes, when I create content like that is, I’ll create it in with one model like say, GPT5, and I’ll take it over to flawed, and I’ll say, hey, please edit and clean this up for me, and remove any, you know, repetition or whatever. And sometimes it comes back say, hey, looks pretty clean, pretty good. Other times it’ll change stuff. And then, of course, always I will, you know, I will review. And that’s the other thing that the companies need to think about. Is that, at the moment, content generation at scale within companies, it is a bit like a conveyor belt in a factory of all these boxes flying off the end into the FedEx back of the FedEx van, and without, without any kind of quality control, which, which is actually what you do have with income within you know, if you’re manufacturing, and you do have quality control, and you pick out every 20th item or whatever to make sure that it’s good, a lot of that isn’t happening, that isn’t happening with a lot of people using AI is people don’t even see it. It’s fully automated, like, like a week’s worth of social media is automated, or a month’s work worth, and no one, no human, has read it or reviewed it. It’s just flying out automatically. And that is where at some point you’re inevitably going to have a problem. And it may not be a big problem, it may be lots and lots of small problems, lots of lots of things sounding not quite right, and then all of a sudden, when you’ve got enough little things not sounding right, then you start getting a medium sized problem. Christian Klepp 24:06 Yeah, yeah. No, exactly, exactly. Okay. Now, you talked about it a little bit in the beginning, but talk to us about some of these, these frameworks and these processes that B2B companies can use to help them, you know, organize themselves and reap those benefits of AI without losing trust. Like, what are some of these processes and frameworks? Nick Usborne 24:26 I do some training, and I have done a few rubrics where people can kind of use those to formalize the process. But I think if we talk about story, and I think I already mentioned the idea of each company having a story vault, so be formal and deliberate about it. Everyone can chat about their company’s stories, but if I say to you, hey, is there a folder? Can I can I get a Google folder and find a compilation of all of these stories? And have you graded those stories in terms of how strong and relevant? And they are, and how engaging they might be, or how evocative they might be, and the answer is almost always no, the story is around. But there’s no story vault, and there’s no rubric in place to grade those stories and decide which might be the most appropriate points at which to share those stories. So it’s that, it’s that formalizing the process, and I don’t like being 100% rules based, but I think in the AI world right now, where we are in that kind of messy middle period, I think it’s really important to have some systems in place so that we do have a consistent output, so that when you so that your brand doesn’t suffer from brand drift, and that you don’t make some significant missteps along the way. So somebody within the organization needs to be responsible for this. Maybe it’s the Chief AI Officer, if you have one, or otherwise, somebody in Marketing. So yeah, help people with training, but also help them by giving them some framework, some rubrics and some just a system like, you know, hey, picked up a story from customer service, put it in the story vault, categorize it. Customer service in the story vault says someone else can come back and find it. So it’s not just word of mouth. It’s not accidental. There’s a place where people can go to and then you’re going to do the same with narrative, the things we say. And you have another vault, as it were, and another rubric to to assess voice, how we say it. So it’s just this formalization of the process, and also trying to make sure that people use these systems as you put them in place. So somebody’s got to be walking along behind, behind and sort of, and again, it’s like, I guess, like early days of anything. Not every, not everyone will love the process. Not everyone loves using AI. But it’ll come. It’ll come. People will get in their heart better, not only using AI, but doing it well and following these processes. Christian Klepp 27:02 Okay, fantastic, fantastic. Let me just quickly recap, because I was writing this down. So obviously, having a story vault, grading them if you can, if possible, having systems and frameworks in place, training the team and getting them to familiarize themselves with the systems having a vault for narrative and voice, I think was the other piece. And finally, using, using the systems, once you have them, not letting them collect dust, as it were, right? Nick Usborne 27:32 Like and it is, I get it right now. I get it. It’s hard for a lot of companies, because I think using AI has been very kind of mixed. Some companies have dived straight in. Others are resistant, particularly companies that have compliance issues, financial, medical stuff like that. They’re being very careful, very cautious, and for very good reason. So the rate of adoption is very uneven at the moment, Christian Klepp 28:01 Absolutely, absolutely, all right. Nick you’ve given us plenty here, right? But if we’re going to talk about actionable tips, like something that somebody who’s listening to this conversation that they can take action on right after listening to this interview, what are like some of the top three things you would advise them to do? Nick Usborne 28:17 Well, I guess first is just we’ve talked quite a bit about the story, the story of collecting stories. Just do that because, like I say, I think story is your is your superpower, because it is the only place where you have a moat you don’t in what you say and how you say it. Anyone can copy you, and I can automate copying you through AI as well, but I cannot steal your story, because it’s just not true if, if it’s not my story. So I’d always start there and again, start, start that. Build the vault, select the story and formalize that process. Interview the Founders, if you can, interview early employees, even if they’re retired, interview the first three clients, if you can access them, interview customer service. So often overlooked, customer service in one way or another, so long as that’s not all automated, if there’s still humans in that loop, then have conversations with them. And you can, you can, you can, get transcripts, customer service transcripts, and feed them into AI and say, hey, please analyze and summarize this. What are, what are the most powerful messages we can get from our customer service? Sort of stream of content? Do? Do a sentiment analysis? What are people upset about? What are people happy about? So, yeah, story, I think, is like, I say, it will be your motive, it will be your savior. So first start to formalize that process of getting story and then making sure that it finds a place, somewhere in your automation of, you know, AI generated content, Christian Klepp 29:58 Fantastic, fantastic stuff. Okay, soapbox time. What is the status quo in your area of expertise that you passionately disagree with, and why? Nick Usborne 30:11 I guess again, I’m just going to overlapping. I don’t know what a status quo, but the thing that I passionately disagree with is is every time you see most or a social media title that says top 20 killer, unbeatable prompts. Christian Klepp 30:31 Oh, yeah. Nick Usborne 30:32 No, no, no, absolutely, just, just no for two reasons. One is that they’re going to be generic. They’re not going to apply to your company in particular, they’ll be generic, and just because they work for someone else does not mean they’re going to work for you. And like I say, we did, I’ve done research on those prompt libraries, and only 7% of them even touch on story. So if I’m writing stories, the most important thing almost all of those prompt libraries are missing out on that. They’re just focusing on narrative and voice and ignoring stories. So not good and and, yeah, so, so that is, I don’t know whether the status quo, but it’s something I keep seeing, and it irritates me when I get it. I understand why they’re doing it, but not helpful for your company. Christian Klepp 31:18 Yeah, you and me both. I mean, those are the those are the pulse they attempt to ignore immediately. I mean, I just skim through it and see the prompts, and I’m like, Nah, but I think it’s human nature too, isn’t it? Like everybody wants to chase the next hack. They want to find that the you know, the shortcut, like the quickest route to get something done. And I get that, but it sometimes does more harm than good. Nick Usborne 31:43 Easy button, but also to be fair and to be a little bit more generous. This is early days, and so people are looking for help. And if it says top 20, this is, oh my goodness, thank you. I’ll take that now. Over time, that’ll change, and people will become a little more sophisticated, I think, but like us, like you. You know, I get it. I understand why those those posts and titles are attractive, and that’s why people create them. But we can do better. We can do better Christian Klepp 32:12 Absolutely, absolutely we can, and we will, hopefully, all right, here comes the bonus question. I’ve been thinking about this one, but Nick Usborne 32:23 I feel strangely nervous. I feel nervous, but it’s a bonus question. Christian Klepp 32:30 Just breathe. Just breathe. I mean, clearly from this conversation, you know, writing is in your blood, right? It’s something that you are passionate about, but it’s also something you’ve done professionally for a long time, I suppose. The bonus question is, if you had an opportunity to meet your favorite writer or author, living or dead, who would it be, and what would you talk about? Nick Usborne 32:55 One of the people, I really admire, and I’ve already spoken to him, is David Abbott. So David Abbott is a copywriter from from England, and he had an agency called Abbot Mead Vickers, and he was an amazing writer. So I’ve already met him. Who I haven’t met I would like to re write to meet is Susie Henry. She was the copywriter behind a series of advertisements in the UK for an insurance company, and she is just a delightful writer, so I told you, well, no, I hadn’t told you. Maybe I will tell you I’m like, when I started out copywriting, it was at the tail end of the Mad Men period, and creatives were the Kings and Queens, and copywriting was such a craft, it was something to be absolutely proud of, like we’d go through so many drafts, and it was, I was, you know, I was, I was a craftsman, learning from other craftsmen. And David, ever I met, he was in a fantastic writer, just written Susie Henry so good, very, very conversational writer, which was very unusual for that time. So I’d like to meet and talk with her, and I still can’t remember the fiction writer. He’s science fiction writer. I completely lost blank on his name, and I’ve actually met him once briefly, but I’d like to get back to him and chat, but I can’t, because he’s he’s since passed. Christian Klepp 34:19 Oh, I see, I see, I see. All right, well, that’s quite the list of people, but, um, but yeah. No, fantastic. No. Nick, thank you so much for coming on the show and for sharing your experience and expertise with the listeners. And please quick introduction to yourself and how people can get in touch with you. Nick Usborne 34:37 All right. Hi. My name is Nick Usborne, so my business build Story Aligned. So storyaligned.com and what we do there is pretty much, what I’ve talked about today is we train teams within companies to look at story, narrative and voice with a lot of emphasis on story, because that’s where the note is, so if you get a Story Aligned, you’ll find we have a white paper you can download. We have a blog that you can read, the description of the training. So yeah, if this interests you, if you find this an interesting topic, there’s plenty to do when you get there. So Story Aligned, A, L, I, G, N, E, D, yeah. Story Aligned. Christian Klepp 35:21 Fantastic, fantastic. And we’ll be sure to pop that into the show notes so that it’ll be easy for everyone to access. But once again, Nick, thank you. Nick Usborne 35:28 Sorry, one last thing, if you want to please opening myself up, if you want to just talk to me directly, you can write to me at nick@storyaligned.com. Christian Klepp 35:38 Perfect, perfect. Nick, once again, thanks so much for your time. Take care, stay safe and talk to you soon. Nick Usborne 35:44 Thank you. Thank you for inviting me. It’s been a pleasure. Christian Klepp 35:47 Thank you. Bye for now. You.
This morning Katie brought up something interesting about the tv show 'Mad Men' which came out years ago... and it has stood the test of time! See omnystudio.com/listener for privacy information.
Don and Tom break down why hedge funds' so-called “comeback” doesn't justify their massive fees, showing how simple index portfolios continue to outperform. They challenge the idea of allocating even small amounts to speculative assets like Bitcoin, emphasizing academic research and real-world risk. The show covers Roth TSP strategies for young federal employees, the importance of international diversification, and why overcomplicated portfolios rarely add value. They also dismantle “Power of Zero” and life insurance retirement schemes, exposing their sales-driven motives. Throughout, Don and Tom reinforce their core message: disciplined saving, diversification, and simplicity beat hype, sales pitches, and emotional investing every time. 0:20 How the live radio show becomes a “magical” podcast and why Don controls the edit 1:55 Wall Street Journal hedge fund article feels like advertising 3:28 Hedge fund returns vs. outrageous fees 4:59 How simple 60/40 and 80/20 portfolios beat hedge funds 6:43 Jason in Sammamish and the Tesla/Bitcoin debate 8:11 Why speculative investing hurts regular savers 10:56 Bitcoin, hype, and institutional money myths 11:45 Bessenbinder research and why stock picking fails 13:09 Why money decisions stay emotional 14:03 Micro-cap stock failure rates 15:11 Roth TSP matching and young federal employees 16:32 When Roth vs. traditional makes sense 19:21 Mad Men, old computers, and optimism about the future 21:45 Asset allocation for young investors and AVUV vs. global funds 23:52 Why international investing matters 25:21 The case for simple one-fund portfolios 27:45 Advisors pushing annuities and insurance 29:14 Why LIRPs and “Power of Zero” plans are dangerous 34:43 Exposing insurance-driven “tax-free retirement” marketing 34:55 RetireMeet preview and upcoming events 36:39 Voice-to-text tools and listener questions Learn more about your ad choices. Visit megaphone.fm/adchoices
Alison Brie (Glow, Mad Men) joins Paul, June and Jason to discuss the 1984 breakdance drama Body Rock starring Lorenzo Lamas. LIVE from Largo in Los Angeles, they talk about Chilly's hairy chest, all the breakdance moves, post shower roast beef, and breaking the fourth wall. Plus, June believes she can breakdance with no practice. (Ep. #188 Originally Released 05/11/2018) • Do YOU want to pick the movie for an upcoming ep? Vote on our discord here• Get up to 20% off tix to see Jason in ALL OUT on Broadway with code ALLOUTPOD at AllOutBroadway.com• Go to hdtgm.com for tour dates, merch, FAQs, and more• Have a Last Looks correction or omission? Call 619-PAULASK to leave us a voicemail!• Submit your Last Looks theme song to us here• Join the HDTGM conversation on Discord: discord.gg/hdtgm• Buy merch at howdidthisgetmade.dashery.com/• Order Paul's book about his childhood: Joyful Recollections of Trauma• Shop our new hat collection at podswag.com• Paul's Discord: discord.gg/paulscheer• Paul's YouTube page: youtube.com/paulscheer• Follow Paul on Letterboxd: letterboxd.com/paulscheer• Subscribe to Enter The Dark Web w/ Paul & Rob Huebel: youtube.com/@enterthedarkweb• Listen to Unspooled with Paul & Amy Nicholson: unspooledpodcast.com• Listen to The Deep Dive with June & Jessica St. Clair: thedeepdiveacademy.com/podcast• Instagram: @hdtgm, @paulscheer, & @junediane• Twitter: @hdtgm, @paulscheer, & msjunediane • Jason is not on social media• Episode transcripts available at how-did-this-get-made.simplecast.com/episodesGet access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using the link: siriusxm.com/hdtgm Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Jo and Rob team up to take on that threesome, Don Draper parallels, room service orders, and more during this week's recap of Episode 3 of ‘Industry' Season 4. Intro (0:00)Homage to Jodi (0:43)‘Habseligkeiten': What We Carry With Us (1:35)Mailbag Check-in (3:31)Girlboss Yasmin (13:24)Muck Cuck (17:26)Let's Talk About Fascism (24:42)Needle Drop Corner (30:39)‘Mad Men' Energy (35:35)Shifting Team Dynamics (43:13)Shady Journalism Hour (46:04)Kenny's back! (Unfortunately/Fortunately?) (53:09)Eric's $10 Million Problem (55:12)Room Service Orders (56:53)Eric and Harper Go Head-to-Head (57:48)The Rishi/Sweet Pea Confrontation (1:03:37)Outro (1:05:40) Email us! harpsichordstrapon@gmail.com or prestigetv@spotify.com Hosts: Joanna Robinson and Rob MahoneyProducer: Devon RenaldoAdditional Production Support: Justin Sayles and Ashleigh Smith Subscribe to the Ringer TV YouTube channel here for full episodes of ‘The Prestige TV Podcast' and so much more! Learn more about your ad choices. Visit podcastchoices.com/adchoices
This week the system has let Ali & Ever down. We are talking sleep paralysis, sexual exploration, horse girl crushes on this podcast redo. If you don't like Mad Men you can lose my contact on episode 171 of Y'all Gay Podcast!Content warning: ICE kidnappings, depression, murder, rapeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
This Podcast is Making Me Thirsty (The World's #1 Seinfeld Destination)
Seinfeld Podcast Interview With Judy Kain. Judy played Lorraine Catalano in the Season 2 Seinfeld episode, "The Chinese Restaurant." You know Judy from more than 100 TV roles including, The Morning Show, Mad Men, The Odd Couple, General Hospital, and How We Roll…She also authored two books, "Life is Like a Hike: The Best View Comes After the Hardest Climb" and "I Booked It: The Commercial Actor's Handbook." Follow Judy: https://www.keepitrealacting.com/epkOur guests are Seinfeld writers, Seinfeld actors and actresses and Seinfeld crew.We also welcome well-known Seinfeld fans from all walks of life including authors, entertainers, and TV & Radio personalities.We analyze Seinfeld and breakdown the show with an honest insight. We rank every Seinfeld episode and compare Seinfeld seasons. If you are a fan of Seinfeld, television history, sitcoms, acting, comedy or entertainment, this is the place for you.Do us a solid, support the Podcast
Don and Tom tackle fears about U.S. national debt by breaking down who actually owns it (mostly Americans), why “China owns us” is wildly overstated, and why rising interest costs matter more than sensational headlines. They explain why government debt isn't a looming foreclosure scenario, how interest payments circulate back to investors, and why politics often distorts financial decision-making. The show also covers 60/40 portfolio resilience, the real role of bonds, listener questions on AVGE and DFAW, investing simplicity, and a nostalgic detour into Spam keys and Mad Men—ending with encouragement for disciplined, long-term investing. 0:05 National debt fears and the “Mr. Potter foreclosing America” analogy 0:27 Holiday movies, Home Alone sequels, and It's a Wonderful Life 1:13 Who really owns U.S. debt and why it matters 2:50 Japan, UK, and China holdings explained 4:02 Why foreign selling wouldn't crash the economy 5:13 Most U.S. debt is owned domestically 5:31 Interest payments now exceeding military spending 6:18 What debt interest really costs households 7:19 Why investors shouldn't panic over government debt 8:15 Politics vs. rational investing decisions 9:55 Debt, taxes, and what society is willing to give up 11:28 Historical tax rates and Mad Men economics 12:37 Military spending and post-WWII budgets 13:22 60/40 portfolios and market downturn protection 14:43 Worst historical declines for balanced portfolios 16:37 Long-term resilience of diversified investing 17:51 Bonds: income vs. volatility control 19:08 Spam keys, Hormel, and changing industries 20:52 AVGE, DFAW, and Apella portfolio structure 22:29 Simplicity vs. complexity in investing 23:47 Podcast longevity and download estimates Learn more about your ad choices. Visit megaphone.fm/adchoices
He's mysterious and aspirational, but is he even real? Or is he just a reflection of all of our society?The ‘finance bro' has become a pretty ubiquitous figure in the American zeitgeist. From American Psycho and Mad Men to the tech bros of Silicon Valley, he's taken many forms. And these days he has flipped genders in the hit HBO series Industry. But what makes the finance bro mythology so compelling? And why do we sign up to watch him again and again?To find out, Brittany is joined by chief correspondent at Business Insider and host of Channels, Peter Kafka and Roxana Hadadi, TV critic for Vulture and New York Magazine.Support Public Media. Join NPR Plus.Follow Brittany Luse on Instagram: @bmluseFor handpicked podcast recommendations every week, subscribe to NPR's Pod Club newsletter at npr.org/podclub.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Don and Tom open with sports banter and TV talk before diving into state-run retirement savings programs, explaining how auto-enrollment boosts participation and what fees and investment options really look like. They discuss why forced saving works, why Roth structures make sense, and how these plans compare to traditional IRAs. The conversation shifts to the emotional side of retirement, emphasizing purpose, “mattering,” and the mental health risks of disengagement. Listener calls cover annuity sales masquerading as fiduciary advice, helping a widowed parent invest conservatively, and managing old 401(k)s. The show closes with a thoughtful discussion of advisor fee models, self-management, and why planning and tax strategy matter more as retirement approaches. 0:04 Show intro, Broncos talk, Mad Men, and settling in 2:02 Retirement as the biggest lifetime expense 2:47 State-run retirement plans and auto-enrollment 3:47 Who really pays for “free” state plans 4:09 Why Roth-style saving makes sense 6:25 OregonSaves fees and State Street target-date funds 8:07 Limited investment choices in most retirement plans 9:24 Florida has no state savings plan 9:33 WSJ article on purpose and meaning in retirement 11:12 “Mattering” and being needed after retirement 12:19 Longevity after age 65 14:30 Retirement without a plan vs. needing structure 15:36 Depression and suicide risks in older retirees 16:52 Caller: “Fiduciary” selling indexed annuity 17:40 Why annuity pitches violate fiduciary duty 20:20 Knowing yourself before retiring 21:18 Caller: Helping widowed mother invest safely 22:33 When CDs and Treasuries make sense 23:47 Using brokerage CD ladders 26:34 Sports updates and listener mail 27:36 Old 401(k)s and consolidation 30:43 Listener saved $100K/year in advisory fees 31:47 AUM vs hourly vs flat-fee advisors 34:47 Subscription advisors and limited portfolios 35:51 Why advice matters more in retirement Learn more about your ad choices. Visit megaphone.fm/adchoices
On this week's episode, host Caryn Antonini is joined by Jason Liebig, America's foremost historian on candy and snack brand history, as well as a champion of the consideration of candy and snack brands as nostalgia and pop cultural touchstones. Jason's career began in the world of DC and Marvel Comics, where he learned the power of fandom and storytelling—skills that later shaped his unique voice in consumer packaged goods - brand history and innovation. He's consulted on ideation and design for major brands, such as Oreo, Skittles and Ferrara and helped usher in Big League Chew's first female mascot. Behind the scenes, Jason is known as “The Indiana Jones of Snacks” thanks to his massive archive of more than 100,000 pieces of vintage packaging, which he has used to advise shows like Mad Men, Stranger Things, Young Sheldon, The Goldbergs and The Queen's Gambit. Jason is currently the lead storyteller and on-screen star of the History Channel hits, The Food That Built America, The Mega-Brands That Built America, and Hazardous History with Henry Winkler.For more information on our guest:linkedin.com | IG @collectingcandyCaryn Antoniniwww.cultivatedbycaryn.com@carynantonini@cultivatedbycarynshow###Get great recipes from Caryn at https://carynantonini.com/recipes/
On this episode of the Osborne Adventure Podcast, it is just me, talking honestly about missing a deadline I made up, and what that revealed about how much pressure I was putting on myself. November 2025 became a hard line in the sand, and missing it forced me to confront the difference between progress and performance.I discuss revisiting the book A Voyage for Madmen and being reminded that this is the kind of adventure people used to undertake as individuals, not corporations or professional teams. There is no safety net beyond the choices we make every day. The timelines, the funding, and the mission all rest on us. This is our life, not a job. Despite missing some marks along the way, the mission itself has never changed.CLICK HERE to leave a comment or ask a question.CLICK HERE to check out our t-shirts, hoodies and hats!CLICK HERE to check out the Safe Bed Model 100 by Safe Place Bedding and use discount code "sleepwell10" for a 10% discount on anything on the site.A Huge Thanks to our Partners!Battle Born BatteriesGoDuRonstanTylaska MarineWichard GroupYacht SolutionsFor more information visit our website:www.osborneadventure.comDonate Today (Osborne Adventure is a 501c3 nonprofit):https://www.osborneadventure.com/donationsFollow Us on Instagram:www.instagram.com/osborneadventure
TRUMP AND FARAGE: Are They Talking Common Sense — or Madmen? #Trump #Farage #Davos #WEF #GlobalElite #MassMigration #SecureBorders #DEI #JonGaunt #JonGauntTV #LIVE Donald Trump walked straight into World Economic Forum in Davos and delivered a blistering message the global elite didn't want to hear. From green energy dogma to Greenland, Denmark, and world security, Trump made it clear: this wasn't a speech for the room — it was a message for the public. Just like Nigel Farage, Trump was speaking over the heads of the political and media class and directly to millions across the Western world who feel their countries are becoming unrecognisable. People who are fed up with uncontrolled migration. People exhausted by imposed woke DEI ideology. People who want secure borders, national sovereignty, and the right to be proud of their country without being lectured or labelled. The real divide today is no longer left vs right — it's the public versus a detached global elite and their allies in the mainstream media, who simply cannot cope with a world changing outside their control. And while all this was happening, one question remains unanswered: Where exactly was Keir Starmer? Never here Keir was HERE!
One-on-one pod recorded live and uncut from our hotel room at Wilco's Sky Blue Sky Festival in Cancun, Mexico. We chat about our live pod here with Katie Crutchfield and MJ Lenderman, the pros and cons of an all-inclusive resort, the makrut Lime leaf cake from Quartersheets, Al Roker's jailhouse Biscoff hack, bad ass kids on the plane, Gen Z's discovery of Mad Men, Spiritual Gangsters, we get to the bottom of 2016, Ben Affleck and Matt Damon are back on track, A$AP Rocky's SNL performance, will Heated Rivalry bros burn upon entry? And what to do when streamer nazi metrosexuals go to Miami. twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Our long hiatus is over! Just in time for everyone to be revisiting this masterpiece with HBO Max, we conclude our return to Mad Men in a packed 2-parter finale, starting with Season 7 Part One: The Beginning. (Rec. 5/25/25)
This week we have...Change of plans! Jermaine had a family situation and a technology glitch, so he will join us at the end of the month. You are stuck with Mike and Bill and we are determined to be Your Favorite Time Suck.Mike started out with his reading and it was one of our favorites from 24 Hours A Day and from January 6th. We have talked about it before, but we do explain the importance of the reading.We jumped into the show Mad Men, faith and determination, Bill Burr, wasted time, early happiness and joy and dangerous minds.We wrapped up talking about a Crown Royal commercial and the reason that we need to stick around.Enjoy the episode.Visit us Podcast www.sobernotmature.comStore www.sobernotmatureshop.comHobo www.themoderndayhobo.com
Episode Description: “If you were stuck in the last TV show you watched, where would you be—and could you survive?” That's the playful, thought-provoking question that launches this episode of The Sandy Show, sparking hilarious confessions and pop culture debates that will have you laughing and reminiscing.
SEASON 2 - EPISODE 175 - Embeth Davidtz - Actor / Director In this episode, of the Team Deakins Podcast, we speak with actor and director Embeth Davidtz (DON'T LETS GO TO THE DOGS TONIGHT, MAD MEN, SCHINDLER'S LIST). Embeth's directorial debut, DON'T LETS GO TO THE DOGS TONIGHT (an adaptation of the book of the same name written by Alexandra Fuller), is one of our favourite films from this past year, and we spend most of our conversation learning how Embeth pulled it off. The film is centered around the experiences of a young white child living in Zimbabwe at the end of the Rhodesian Bush War, and Embeth shares how her own childhood memories of South Africa's Apartheid influenced her telling of the story. Among many topics, we discuss: the film's effective use of voiceover, Embeth's approach to directing the lead child actress, managing a monkey break-in on location, the deceptive allure of the Steadicam, how the movie was financed, and whether or not she considered changing the title. We also reflect on the challenges of navigating a career in the entertainment industry, and we learn what Embeth has planned next. - Recommended viewing: DON'T LETS GO TO THE DOGS TONIGHT - This episode is sponsored by Aputure
There was a time when a movie title sequence was just the moment you grabbed your popcorn and waited for the real show to start. But in the mid-90s and early 2000's, that changed forever with films like Seven and shows like Mad Men and Stranger Things. The title sequence became a prologue—a metaphor for the film itself. This is a preview of a premium episode. To listen to the full interview, head over to our Substack:https://designbetterpodcast.com/p/mikon-van-gastel Our guest today, Mikon Van Gastel, was right there in the trenches of that revolution. After a formative and intense education at the Cranbrook Academy of Art—where the only teachers were artists in residence and your toughest critics were your peers—Mikon cut his teeth at the legendary studio Imaginary Forces. Today, Mikon is the Co-Founder and Chief Creative Officer of Sibling Rivalry, a hybrid brand studio and production company he founded with his best friend, Joe Wright. They've built a reputation for work that blurs the lines between branding, storytelling, and architecture.z In this episode, we explore the sheer scale of modern experience design. Mikon takes us behind the scenes of his work for the Sphere in Las Vegas—a venue he calls the “Champions League of content creation”. We discuss how to design for shared emotion, balancing the “collective gasp” of a 20,000-person audience with moments of intimate connection. We also dig into the business of creativity. Mikon opens up about the “sleepless nights” of running an agency in a project-based economy and how he refuses to transition fully into a management role, preferring to write treatments and stay hands-on with the work on nights and weekends. Whether you are designing software interfaces or directing films, Mikon's philosophy on collaboration and stripping away the noise to serve the core idea is something we can all learn from. Bio Mikon van Gastel is Director, CEO, and Co-Founder of creative agency Sibling Rivalry, based in New York and Miami. Originally from Holland, he earned his MFA from Cranbrook Academy of Art before launching his career at Imaginary Forces, where he designed award-winning title sequences for feature films and theatrical trailers. Van Gastel's work spans multiple disciplines, with notable projects in architecture and experience design including MoMA's interactive signage system, BMW World in Munich, the digital displays at Santiago Calatrava's World Trade Center Oculus, and most recently, immersive films for the world's first keynote inside The Sphere in Las Vegas. He also created a VR series with renowned curator Paola Antonelli. He continues to direct commercial campaigns and product launches for major brands including Apple TV+, Ford, Google, Target, BVLGARI, and Vogue, working with high-profile talent such as Drake, Taylor Swift, Lionel Messi, and Lewis Hamilton. Van Gastel speaks internationally about design integration and emerging industry trends at cultural and educational institutions worldwide. *** This is a premium episode on Design Better. We release two premium episodes per month, along with two free episodes for everyone. Premium subscribers also get access to the documentary Design Disruptors and our growing library of books: You'll also get access to our monthly AMAs with former guests, ad-free episodes, discounts and early access to workshops, and our monthly newsletter The Brief that compiles salient insights, quotes, readings, and creative processes uncovered in the show. And subscribers at the annual level now get access to the Design Better Toolkit, which gets you major discounts and free access to tools and courses that will help you unlock new skills, make your workflow more efficient, and take your creativity further. Upgrade to paid ***
This week Josh and Drusila discuss the incredible Japanese arthouse horror film Onibaba (1964). From wiki: “Onibaba (鬼婆; lit. "Demon hag"), also titled The Hole, is a 1964 Japanese historical drama and horror film written and directed by Kaneto Shindō. The film is set during a civil war in medieval Japan. Nobuko Otowa and Jitsuko Yoshimura play two women who kill infighting soldiers to steal their armor and possessions for survival, while Kei Satō plays the man who ultimately comes between them.”Also discussed: SLC Punk, Ghost World, Muriel's Wedding, A Swedish Love Story, Songs from the Second Floor, Roy Andersson, Mad Men, Wuthering Heights, and more!NEXT WEEK: 200th episode! We're doing a high brow low brow NUN double feature: Benedetta (2021) and The Nun (2018). Bloodhaus:https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/
CNF50 Is Dead! 2025 NYE LiveStream CNF50isDEAD! 2025 is finished. #CNF50 was the journey through that year—my response to the cultural milestone of #SNL50—but now that year is done. #CNF50isDEAD means we are moving into the new year, leaving the old way of doing things behind. This is the full breakdown of everything that defined 2025. From the Mad Men marathons and the deep dives into Star Trek and Pluribus, to the dental surgery recovery, hitting the big 5-0, and bringing home Vincent Von Cat. From the grind of the events industry to the highs of the stand-up stage and the community that showed up for it all, this is the final look back before we start what's next. A new podcast? Thank you to everyone who tuned into my live video! Join me for my next live video in the app. 00:00 Introduction and New Year's Eve Reflections 03:31 Media Consumption and Recommendations 05:05 Personal Milestones and Reflections 12:20 Entertainment Industry Insights 21:38 Comedy and Live Shows 40:52 Supporting Local Arts and Community 58:02 Debating 'Sinners': A Divisive Movie 59:20 Star Wars and Andor: A Fan's Perspective 01:00:17 Mountain Head and Other Entertainment Highlights 01:01:09 Podcast Adventures and James Bond Discussions 01:02:38 MC Chris and SNL 50: Memorable Moments 01:03:38 Birthday Celebrations and Facebook Fiascos 01:09:19 Vincent the Cat and Superman Obsession 01:15:36 Summer Highlights and TV Show Reviews 01:21:05 Reflecting on a Busy Year 01:35:30 Halloween Fun and Year-End Thoughts https://www.leaguepodcast.com https://www.vampcouncil.com https://facebook.com/leaguepodcast https://www.instagram.com/leaguepodcast https://bsky.app/profile/leaguepodcast.bsky.social https://www.threads.net/@leaguepodcast https://www.youtube.com/@leagueofordinarygentlemen https://www.youtube.com/@claynferno https://www.instagram.com/dursin https://www.instagram.com/claynferno https://dursin.substack.com https://claynferno.substack.com I Think This Is Great! with Clay N. Ferno is an interview podcast about people doing and being their best. We talk about compassionate work, working on teams, getting over hurdles and doing great things even when the chips are down. This is part productivity podcast and part interview show about fascinating people in my life. Welcome, and please let me know what you think is great!
En este episodio especial de cierre y comienzo de año, Lucas y Cristóbal comparten sus libros favoritos del año y usan esas lecturas como excusa para reflexionar sobre atención, dopamina, AI, creatividad, genios obsesivos, tecnología, poder y cómo leemos (y pensamos) en un mundo cada vez más ruidoso. __Muchas gracias a nuestro Sponsor, Analytics Town por apoyar este episodio!¿Quieres crear un producto basado en inteligencia artificial pero no sabes por dónde empezar?En Analytics Town te ayudamos a diseñar tu nuevo producto y modelo de negocio, desde la estrategia hasta la ejecución del software con módulos de IA.Descubrimos oportunidades para tu empresa y validamos tu idea.Armamos el diseño funcional y el modelo de negocio.Diseñamos y desarrollamos tu producto potenciado con Inteligencia Artificial.Te acompañamos en todo el proceso, desde la idea hasta convertirlo en negocio rentable...Si mencionas que vienes de Indie vs Unicornio, te llevas el primer diagnóstico gratis!
2025 has been the year of the LIVE! show at DT!HQ, so we're capping off the season with one more. Back in July, we braved the muggy streets of downtown Pittsburgh, PA and had our largest crowd yet at Tekko! With large crowds comes large responsibility and thus we asked: which IRL job would make the best subject matter for a JRPG? Andrew is marketing, Todd is installing, and Kyle is at home in bed. Recommended reading: You can find the PowerPoint at the following link. If your podcast app doesn't support links, please visit our website to find the slides at debatethiscast.com! https://docs.google.com/presentation/d/1btW1ztuclWB8N9mLE6JaVGVMjQiSbgTuE_X9o7vuOgc/edit?usp=sharing A massive thank you to the folks at Tekko Pittsburgh for inviting us to their event! You can find out more about their other events at https://tekko.us! Have you seen out Patreon? patreon.com/debatethiscast Have you seen our Instagram? instagram.com/debatethiscast Have you seen our Threads? threads.net/debatethiscast Want to send us an email? debatethiscast@gmail.com MERCH! We have that! Right now you can go on the internet and order things that say Debate This! On them! All you need to do is head to MerchThis.net and give us your money! Ever wanted socks with the DT! logo on them? Well now you can get em! One more time that website is MerchThis.net! Properties we talked about this week: Mad Men, Severance, Kingdom Hearts, Final Fantasy Tactics Advance, Triangle Strategy, Garrus Vakarian Music for Debate This! is provided by composer Ozzed under a creative commons license. Check out more of their 8-bit bops at www.ozzed.net!
This week's episode rewinds the chaotic final days of Sherrone Moore's tenure, as five women—speaking anonymously and not alleging anything criminal—describe a pattern of uncomfortable interactions with the former coach. From erratic emotional swings to late‑night DMs and the now‑identified apartment break‑in involving Paige Shiver, we unpack how a five‑year timeline of awkward encounters painted a picture of a man unraveling.Then we hit the news cycle you might've blinked and missed: • Devin Bush is found not guilty after a domestic dispute that somehow began with mashed potatoes and ended with conflicting stories, a smashed phone, and a judge ruling prosecutors didn't prove intent to harm. • Georgetown's Ed Cooley earns a one‑game suspension after launching a water bottle into the stands post‑loss. • Samson Nacua—yes, Puka's brother—is arrested after allegedly taking Lakers forward Adou Thiero's vehicle for a valet‑assisted joyride to the One Hotel in West Hollywood. The investigation rolls on.And finally, this week's Biggest Pickle: Brian Smith. The former Ohio University football coach managed to turn his office into a low‑budget Mad Men set—bourbon drawer included—before a string of letters, reprimands, and an investigation into an alleged relationship with a student ended in his firing. He's 45, looks older, and apparently thought dating someone college‑aged was a brilliant life choice. Smith is fighting the dismissal, but the timeline is… a lot.It's a full plate of sports chaos, questionable decisions, and the kind of stories that make you wonder how any of these people thought this would end well.
Get in the mood for Pervert 2025 with an exclusive mix by MadMen resident DJ Tony English ! Saturday 27th December @ SteelyardTickets at OnNation.Net
You follow Lindsay Manfredi's wild, non-linear path from merch table to main stage, and she shows you exactly how saying yes, showing up, and outworking your fear can change your entire trajectory. You hear how she moved to Florida at twenty chasing a rock-star dream, became an instant Cold superfan, and eventually landed the bass gig through a Twitter message that felt too unreal to be real. She talks candidly about law-of-attraction moments, why every Cold song has to matter, and where the line sits between authentic human creativity and formulaic or AI-generated music. Through it all, she reminds you that most fears never materialize and it takes the same effort to believe in yourself as it does to doubt yourself. Always Be Performing. From there, you shift into the discipline behind her artistry: preparing for tours months in advance, running the set nearly every day, and over-preparing so the stage actually feels fun. She shares how making the road feel like home keeps her grounded, and how her book “The Girl Who Cried Love” came from losing her sense of self and rebuilding true self-worth, not just confidence. You explore dropping habits that don't serve you, reconnecting with what you really value, and even why revisiting Mad Men taught her to only compete with herself. Finally, you wrap with a deep dive into in-ear monitor strategy, why a great mix beats great gear, and the small decisions that make performing sustainable for the long haul. 00:00:00 Gig Gab 513 – Monday, December 22nd, 2025 December 22nd: National Cookie Exchange Day Guest co-host: Linsday Manfredi NAMM coming up! GG Coverage Sponsor: Ultimate Ears Pro! 00:01:30 Twenty years old, moved to Florida to become a rock star Sprung Monkey needed a “merch girl”, Lindsay grabbed the gig Saw Cold, loved the music, loved Scooter's voice. Instant fan! Unfuckwithable: A Guide to Inspired Badassery 00:04:45 Bringing the Law of attraction into the rock world Lindsay's Cold tattoo made it into the album insert 00:06:00 Getting the Cold gig… on Twitter in 2014 Picture Yes was playing at The Vogue in Indianapolis on tour with Saving Abel Check your Facebook messages: “Will you be in our band?” 00:07:32 Always say “yes!” — Build the plane while you're flying it. Bought a 5-String 00:09:09 Play music because you love to play music No fluff songs in Cold Every song matters 00:11:25 Fuck AI to create music Is Formulaic Music from humans just as bad as AI-Created Music When do we hit the point where it's OK to use AI to create music 00:20:13 If you're an artist, you're going to create art. 85% of what we're afraid of won't happen. It takes just as much effort to have faith in something as it does to fear something 00:23:46 Transitioning from fan to band member Scooter says: “bring your personality to it!” Capture the original intent and emotion Lindsay rewrote the run in “So Long June” and… it was welcomed! 00:27:30 Preparing enough to have fun on stage Months of practice before a tour In order to have fun on stage… I need to be an over-preparer! Fender P-Bass at home to learn and prepare for tour Heavier strings on the practice bass Run the set every day (almost) 00:33:42 Start rehearsal in December for tour in April It's more fun to be prepared 00:36:10 Making the road feel like home Making your bunk your own Cold is a family Touring is my favorite thing to do 00:39:52 The Girl Who Cried Love, a Pivot to Self Worth Lindsay: I lost myself into what became a failed relationship Trying to prove my worth to someone who didn't see my worth So many of us aren't taught what our true worth is Asking herself: “Lindsay, what do you really want in your life? What is your purpose? What are your values?” The difference between confidence and self-worth. 00:45:33 It's hard to drop the shit that's not serving you 00:46:37 How can I make the world a little bit better? Being in the audience first makes everything so much clearer 00:47:51 Identifying a bad habit before you can drop it “My goal in life is to wake up laughing every day” 00:49:01 Revisiting Mad Men, of all things Better to compete with yourself 00:51:19 In Ear Monitors Having a great mix Mix is more important than gear Dissecting in-ears Universal Fits Dave recommends: Ultimate Ears Universal Fit Soundbrenner Wave Huberman Lab episode on hearing health 01:01:52 Gig Gab 513 Outtro Follow Lindsay Manfredi On IG @Lindsay Manfredi ColdArmy.com Contact Gig Gab! @GigGabPodcast on Instagram feedback@giggabpodcast.com Sign Up for the Gig Gab Mailing List The post Lindsay Manfredi's Road to Cold: Music, Micro-Pivots, and Radical Self-Worth — Gig Gab 513 appeared first on Gig Gab.
Beger, Lars Hendrik www.deutschlandfunk.de, Corso
It's the end of the year review, but with a twist. Jay is subjected to a Geek Quiz to see if he cuts the mustard with his geek cred after multiple years of soaking in knowledge from Art and Robbie. Will he pass and enjoy a lunch from Robbie and an extension of his co-host contract? Or is his future in jeopardy? (Can a guy of a certain age even be expected to remember things?) Take the quiz yourself along the way to see how you rate as a long time listener (or a future listener!) Meanwhile, Jay and Robbie lead off with Geeks of the Week, including a new (and stranger) thing premiere/finale that Netflix is doing, an interesting update to Mad Men streaming, and a rumor about a Marvel actress making the leap to DC. You heard it here next!
Dani Richa is the Chairman and Group CEO of Impact BBDO, the famed ad agency that partly inspired Matt Weiner's classic show Mad Men. Dani joins Diane Brady and Kristin Stoller On Leadership Next to talk about the night he spent watching ads from all over the world, his favorite campaigns, the project he killed, and advertising successfully in MENA. Of course, it wouldn't be a 2025 conversation without talking about AI and Dani dives in to discuss why ignoring AI tools would be a “missed opportunity,” while still believing that only humans “can do what's never been done before.”
Thanks to Spotify, we had to republish, but here ya go...again.After Opi gets done pouting, the topics of conversation become: Phillip Rivers, Hall of Famer or no? Joe Namath stats, sort of, last week's prediction results, Grim's computer prowess, Boom players, Bust players, Grimbo trying to pee at Arrowhead Stadium, Adara doesn't understand running backpower, Mad Men, Hightown, Stranger Things, & Knights Tale, The Patriot, and then moved to Sleepers, the NFL, and then we get into the meat of the podcast talking this week's FBFL playoff battles. 31:30 - This week's football video isn't football. It's atribute to our very own Greg Ventris who made history by starting the Moline Girls Wrestling Team. Congrats to Greg and the girls who are working so hard to create this historic moment!YouTube Link: OatB Ep. - 205 - WK 14 - Someonehas to win
:Have you ever wondered how it feels to say goodbye to a beloved Austin institution that's been serving up classic Tex-Mex for four decades? In this heartfelt episode of The JB and Sandy Show, the crew kicks things off with sad news: the iconic South Congress location of El Mercado is closing its doors for good this Wednesday, December 17th – but don't worry, the Burnet Road spot lives on, and you can still grab their famous salsa at HEB! The team dives into Austin's ever-changing landscape, debating Torchy's vs. Taco Deli (you're one or the other, right?), sharing hilarious foil-eating mishaps, and reminiscing about classics like Matt's El Rancho and the "all-American taco." They also reflect on saying farewell to longtime spots like Catfish Parlor and ponder what's next for that prime SoCo real estate (condos, anyone?).Things heat up with the Story We Love: Austin City Council just greenlit Southwest Airlines' huge expansion at ABIA, bringing 2,000 new jobs with an jaw-dropping average salary of $180,000! Could this mean more direct flights, cheaper fares, and Austin-based pilots and crews? The gang breaks it all down.Then, hop in the Wayback Machine as Sandy finally dives into the legendary Mad Men – four episodes in and already hooked on Don Draper's mysterious past (is he a deserter?!), the nonstop smoking and cocktails, pointy bras, and that shocking picnic litter scene. JB raves about rewatching it endlessly, while they marvel at the 1960s office antics and unforgettable characters like Christina Hendricks.Memorable moments include: "You're going to eat a little bit of foil" from Taco Deli tacos, tales of accidentally devouring In-N-Out wrapper paper, and laughs over vintage lingerie that looked like "the Egyptian pyramids." Cold weather debates, hot chocolate rants, and Pioneer Woman's shoutout to Austin's Trail of Lights round out this fun, nostalgic ride through Austin life and pop culture.Don't miss this mix of local heartbreak, big news, and binge-worthy TV talk – tune in now before El Mercado's final day slips away! Hit play, subscribe for more daily Austin vibes, leave us a review, and share with your fellow Texans who bleed breakfast tacos and Mad Men drama.
This week on Second Helpings, Jackie and MJ are back to talk more of this weeks goss'! Up top producer Adam, MJ and Jackie talk about the upcoming Bright Eyes anniversary shows, and Jackie gets more ready for Christmas by listening to Evermore for the first time this season, and then there's some more Tay talk including her recent Colbert appearance! JoJo Siwa announces a return to form with a massive bow filled cruise, HILARIA let us know she HAS to post photos of her kids, or else the papz won't leave her alone! Outside of the holiday season watches, Jackie's been bingin' "Madmen" with Geoff and lovin' it, as well as "Welcome to Derry" AND "Heated Rivalry" the mere image of Jacob Elordi made Jackie's brain break, but he's doing "Actors on Actors" with GOOP! Timothée Chalamet's Ping-Pong character gonna be on the Wheaties box, Jackie enjoyed "Rental Family", and Jackie hopes MJ, along with everyone gets PLURIB'D, and then a solemn moment of realization that this is the first non-DWTS episode until next season! All that and more on this weeks Second Helpings!Want even more Page 7? Support us on Patreon! Patreon.com/Page7Podcast Subscribe to SiriusXM Podcasts+ to listen to new episodes of Page 7 ad-free.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Send us a textRhea is back and she's just in time to join Angelo and Jay for a discussion about the latest developments in the Warner Brothers saga. It looked like it was going to be Netflix buying the storied company, but then, like a villain in a movie, Paramount swung back in with a hostile takeover attempt! Things are heating up and the gang breaks it down.THEN, Mad Men made its debut on HBO, and, despite the technical glitches that made Zaslav's team look completely incompetent, it vaulted into the top ten most streamed shows of the week. Angelo, Rhea, and Jay analyze what it is about a show that ended over a decade ago climbing its way back into the public's consciousness.ALL THAT, PLUS: British corner, Angelo's evolution on Pluribus, Jay's review of One More Shot, and much MUCH more!LISTEN NOW to stay up to date on all you need to know regarding the latest and greatest in television and the big screens.MAKE SURE TO VISIT OUR SPONSOR: Steven Singer Jewelers!The TV Show is a weekly podcast hosted by Jay Black, with regular guests Angelo Cataldi and Rhea Hughes. Each week, we dive into the new Golden Age of Television, with a discussion of the latest shows and news.
Jason Liebig, the Candy Historian and TV Consultant & Storyteller, joins the show to share his journey from DC Comics & Marvel Comics to becoming the leading expert on candy, snacks, and nostalgia for shows like Stranger Things and Mad Men. Hear how to get good at collecting things, the top candy entrepreneurship stories, which candies are related to each other, the most unusual candies in history, and the most creative use of chocolate. Connect with Jason at CollectingCandy.com, on social media @CollectingCandy, and on LinkedIn
Robin Schuldenfrei rejoins me to talk more Bauhaus! In this episode, we discuss her book Luxury and Modernism, covering the complexities of the Bauhaus, which had a leftwing ethos but produced luxury objects, and made them by hand to appear machine made. Robin talks us through how the contradiction between luxury and egalitarianism ran from Morris's arts and crafts movement to the Bauhaus, and modernism only became a truly "everyday" part of life during the colossal expansion of middle-class wealth in the midcentury, as celebrated by Life magazine and recreated in the show Mad Men
Erik Sena, Copy Manager at Refine Labs, shares his creative journey and how AI is reshaping the modern copywriter's toolkit. This honest and insightful discussion explores the human side of marketing innovation and the future of creative work.Speakers and RolesErik Sena – Copy Manager at Refine Labs; leads brand voice efforts internally and across client accounts, overseeing multiple writers and creative outputSteph Crugnola– Host of Stacking Growth: Called to ActionEvan Hughes – Co-host; provides perspective on marketing leadership and AI pressuresTopics CoveredEric's path into copywriting via creativity and pop culture inspirationEarly perceptions and hesitations around AI in creative rolesEvolving use of ChatGPT for creative brainstorming and brand alignmentInternal and external pressures driving AI adoption in marketingHuman vs AI: identifying what remains uniquely human in creative outputUsing tools like creative scorecards to evaluate tone and brand matchPredictions for a more human-centric creative futurePersonal growth and reflection in a rapidly changing industryQuestions This Video Helps AnswerHow can marketing creatives embrace AI without losing their voice?What are effective ways to use ChatGPT in a brand copywriting role?How do you balance human creativity with AI-enhanced workflows?What does it mean to stay human-first in a tech-heavy marketing world?What trends are shaping the future of creativity in marketing?Jobs, Roles, and Responsibilities MentionedCopywriter, Copy Manager, Creative Director, Designer, Art Director, Screenwriter, Marketing Leader, AI Prompt Engineer (implied use), Content Reviewer, Stakeholder (internal and client-side)Key TakeawaysAI is best used as a tool for efficiency and ideation, not replacementHuman creativity, emotion, and intuition remain irreplaceable in brand messagingPressure to adopt AI stems from both time constraints and industry evolutionCreative scorecards using AI can help align content with brand toneStaying proactive and adaptable is essential in modern marketing careersTimestamps[0:01:01] Eric shares his early love for storytelling and creativity[0:02:14] Inspiration from Mad Men leads to a career pivot into advertising[0:04:33] Eric's first real encounter with AI during the MidJourney/DALL-E rise[0:06:25] Why pressure (internal and external) pushed him to embrace AI[0:07:29] Tools used: ChatGPT as a creative partner and editing assistant[0:11:30] Use case: Creative scorecard to measure brand tone alignment[0:14:28] Coping with imposter syndrome and AI fear as a creative[0:19:42] Reflections on being a “multi-hyphenate” creative[0:23:03] Prediction: A return to human-first creativity in the next era[0:25:17] Career advice for new marketers: be proactive, think 10 steps aheadFrameworks and Concepts MentionedCreative Scorecard (internal framework to assess brand tone fit)Human-first marketing (ethos vs automation-heavy workflows)Multi-hyphenate creatives (embracing multiple creative roles)"Iron sharpens iron" mindset in creative improvementAI as thought partner vs AI as creator
This week on Kliq This, Kevin Nash and Sean Oliver settle into a wild mix of stories, opinions, and observations that only these two can deliver. The episode opens with a look at the shifting landscape of TV and wrestling distribution, which sends the conversation down a path that blends media changes with Kevin's dry, cutting perspective on how the business is adapting. It sets a tone that everything is on the table today. As the show gets moving, Kevin drifts into a run of personal stories that are funny, sharp, and sometimes unbelievable. A CPAP repair visit turns into a reflection on age. A routine oil change becomes a miniature saga about wiper blades and tire pressure. Long drives in the snow transform into beer math, cops in the rearview, and Kevin explaining how 18 beers somehow equals a quarter of the way to intoxicated. These stories flow fast, and they go places only Kevin can take them. From there, the conversation shifts into the world of wrestling. Kevin breaks down the physical reality of entrances, ring conditioning, performance rituals, and the small details most fans never get to hear. The talk deepens as they move to the mystery man from Survivor Series and the current discourse around wrestlers blowing up during matches. Kevin offers perspective that can only come from decades inside the ring and backstage. The episode also features a run of stories about legends like Harley Race and Andre, memories from the road, and reflections on working styles across generations. There are surprising detours involving stem cell treatments, Mad Men production errors, the structure of episodic wrestling, and what happens when you find yourself backstage with wrestlers who still believe in ritual and rhythm. Every few minutes brings something new that you did not see coming. By the end, the show swings from humor to industry insight to cultural commentary with a pace that feels effortless. Kevin and Sean move between TNA announcements, JCW talk, questions about who belongs under a hooded mask, and even a stark discussion about class and race in America. It is a heavy, hilarious, surprising, and wide ranging conversation that captures exactly why Kliq This remains one of the most unpredictable shows in wrestling media. Cash App-Download Cash App Today: https://capl.onelink.me/vFut/3v6om02z #CashAppPod. Cash App is a financial services platform, not a bank. Banking services provided by Cash App's bank partner(s). Prepaid debit cards issued by Sutton Bank, Member FDIC. See terms and conditions at https://cash.app/legal/us/en-us/card-agreement. Cash App Green, overdraft coverage, borrow, cash back offers and promotions provided by Cash App, a Block, Inc. brand. Visit http://cash.app/legal/podcast for full disclosures. Stopbox-Not only do you get 10% Off your entire order when you use code NASH10 at https://stopboxusa.com/NASH10, but they are also giving you Buy One Get One Free for their StopBox Pro. #stopboxpod Get Blitzed-Save 15% at Get-Blitzed.com by entering the code KLIQ at checkout. True Classic-Upgrade your wardrobe and save on @trueclassic at https://trueclassic.com/KLIQ ! #trueclassicpod 00:00 Kliq This #179:Andre Drank 108 beers in 48 minutes 04:09 was she 80? 09:54 How many beers to get drunk? 21:34 BREAK CASH APP 23:32 Harley Race 29:41 Wrestlers blowing up in the ring 33:51 Pre-Match Ritual 39:55 WHO is under the hood? 42:04 Working with Vince Russo 51:46 Pornhub YIR 52:34 MAD MEN ERRORS 53:43 STEM CELLS AND CELEBS 56:20 White excellence 59:46 The Climb on Saturday 01:01:03 War Games matches 01:03:29 Iyo Sky jump 01:05:25 BREAK STOPBOX 01:08:55 TNA Debut Curtis Calwell Center in DALLAS 01:10:15 "Off the Record with Michael Landsberg." 01:15:25 Brett was in a bar full of drunks in Montreal 01:22:09 20oz unopened Sprite 01:23:04 Why I missed Wrestlecade 01:31:28 BREAK GET BLITZED 01:33:30 www.KliqThisTV.com 01:33:47 How are the babyfaces from the SS main not on? 01:35:44 CENA COUNTDOWN 01:37:49 The announcerless games 01:43:45 Bron Breakker to center stage? 01:44:47 Sean taking Winstrol 01:47:58 BREAK TRUE CLASSIC 01:51:19 What's the 2026 draw after Cena? 01:52:43 ALL TIME? 01:55:44 FLORIDA MAN or JERSEY GUY 01:57:35 ASKNASH 01:57:43 WWENY 01:58:54 WWE Retirement tours? 02:00:13 Petco Park 02:01:01 Harley Race/Undertaker's hip 02:01:15 Russo vs HHH 02:01:24 Who Randy Savage thought was the future? 02:02:38 Gorilla Monsoon 02:05:03 Crocs 02:05:28 OUTRO
In which we talk Khloe Kardashian mold exposure, Rosalia's Southwest Airlines ventures, forgotten memories from Rihanna's 777 tour, Mad Men's 4K restoration errors, Sabrina Carpenter Trump songs, and Lily Allen's USB butt plugs. JOIN US ON PATREON BONUS EPISODES + TV TALK EVERY WEEK About Eating For Free: Hosted by journalists Joan Summers and Matthew Lawson, Eating For Free is a weekly podcast that explores gossip and power in the pop culture landscape: Where it comes from, who wields it, and who suffers at the hands of it. Find out the stories behind the stories, as together they look beyond the headlines of troublesome YouTubers or scandal-ridden A-Listers, and delve deep into the inner workings of Hollywood's favorite pastime. The truth, they've found, is definitely stranger than any gossip. You can also find us on our website, Twitter, and Instagram. Any personal, business, or general inquires can be sent to eatingforfreepodcast@gmail.com Joan Summers' Twitter, Instagram Matthew Lawson's Twitter, Instagram
Pressure is mounting for transparency on a “double tap” boat strike in the Caribbean that critics say may constitute a war crime. NBC News reports on how Defense Secretary Pete Hegseth is defending the administration’s actions. Trump pardoned the former Honduran president who was convicted of taking bribes from cartels that flooded the U.S. with cocaine. BBC News reports that the clemency comes as Hondurans are electing a new president. Services like 23andMe have revealed the existence of “surprise heirs” asking for a piece of the family inheritance. The Wall Street Journal’s Ashlea Ebeling explains how the development is throwing estate planning into chaos. Plus, ICE is set to crack down on Somali immigrants in Minnesota, a Republican win in Tennessee but Democrats gained ground, and why ‘Mad Men’ fans are catching some unexpected mistakes on streaming. Today’s episode was hosted by Shumita Basu.
Dave and Chuck the Freak talk about emailer opened bathroom door on old lady, rub and tug on Facebook Marketplace, driverless taxi drove through active police standoff, food delivery robots, a bunch of people used illegal disabled parking tags, people trying to help 88-year-old veteran retire, clip of Rodney Harrison freezing up during broadcast, athlete suffers mysterious burned legs at home, Diddy trying to get 50 Cent’s documentary removed from Netflix, Netflix removed screen casting feature, YouTube’s Top 5 best of 2025 lists, wrong Mad Men files delivered to HBO, Radiohead broke attendance record at O2 arena, road rage incident with motorcycles, man’s mistress seen scaling out of 10th story window, raccoon got into liquor store, tourist got stuck in vagina sculpture, man swallowed ‘Octopussy’ egg, are you pleased with your married sex life?, drug trafficking suspect fled police and got attacked by pit bull, couple busted cheating at casino, teens arrested after viral door kick challenge, school boys sang Xmas song on doorbell cam, IRS monitoring OnlyFans for tax crackdown, sea turtle found with tumor, and more!
Dave and Chuck the Freak talk about emailer opened bathroom door on old lady, rub and tug on Facebook Marketplace, driverless taxi drove through active police standoff, food delivery robots, a bunch of people used illegal disabled parking tags, people trying to help 88-year-old veteran retire, clip of Rodney Harrison freezing up during broadcast, athlete suffers mysterious burned legs at home, Diddy trying to get 50 Cent's documentary removed from Netflix, Netflix removed screen casting feature, YouTube's Top 5 best of 2025 lists, wrong Mad Men files delivered to HBO, Radiohead broke attendance record at O2 arena, road rage incident with motorcycles, man's mistress seen scaling out of 10th story window, raccoon got into liquor store, tourist got stuck in vagina sculpture, man swallowed ‘Octopussy' egg, are you pleased with your married sex life?, drug trafficking suspect fled police and got attacked by pit bull, couple busted cheating at casino, teens arrested after viral door kick challenge, school boys sang Xmas song on doorbell cam, IRS monitoring OnlyFans for tax crackdown, sea turtle found with tumor, and more!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Hawk asks what time it is, Cory has stories about women in Florida and Mad Men in Headlines, Halvy reviews Heated RivalrySee omnystudio.com/listener for privacy information.
Hawk asks what time it is, Cory has stories about women in Florida and Mad Men in Headlines, Halvy reviews Heated Rivalry
We might soon have the first big IPO of the AI era, and it doesn't look like it will be OpenAI. Amazon takes another few swings at Nvidia's dominance. Proof positive that self driving cars really are significantly safer. And the disastrous 4k upscaling of Mad Men. Anthropic taps IPO lawyers as it races OpenAI to go public (FT) Amazon's Custom Chips Pose Another Threat to Nvidia (WSJ) Amazon Has New Frontier AI Models—and a Way for Customers to Build Their Own (Wired) AWS puts Kiro and other AI agents to work on truly autonomous software development (SiliconANGLE) The Data on Self-Driving Cars Is Clear. We Have to Change Course. (NYTimes) Microsoft Lowers AI Software Growth Targets as Customers Resist Newer Products (The Information) The ‘Mad Men' 4K Stream on HBO Max Had So Many Problems (Not All of Which Involved a Barf Machine) (THR) Learn more about your ad choices. Visit megaphone.fm/adchoices
Rolling Stone has released their list of the best movies of 2025, a story about a drunk racoon and the 4K version of Mad Men accidently left a lot of extras in the shots.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Jared Harris (Chernobyl, Mad Men) joins us this week for a deeply personal and fascinating conversation about legacy, loss, and learning to trust himself as an actor. He opens up about growing up with his father Richard Harris, how that chaotic love shaped his view of art and fame, and the long road it took to find his own voice. Jared shares candid stories from Mad Men and Chernobyl, the pain of being written off a show, and the surprising moments of grace that came from failure. Thank you to our sponsors:
Coca-Cola is… sugar water. And somehow it's also America, Christmas, summertime, friendship and happiness. Today we tell the story of how The Coca-Cola Company amazingly transmogrified a beverage into emotion in all of our collective psyches, and ALSO built one of the most incredible scale economy businesses of all-time. And oh yeah, there's also cocaine, WW2, Mad Men, Warren Buffett, James Dean, Bill Cosby, Michael Jackson, Michael Ovitz, Steve Jobs, Bill Gates, McDonald's and Monsanto. So cozy up to the fire with your favorite images of Santa Claus and Polar Bears and enjoy an ice-cold episode of Acquired — always delicious, always refreshing.Sponsors:Many thanks to our fantastic Fall ‘25 Season partners:J.P. Morgan PaymentsWorkOSShopifySentry — Link to ACQ Cassette Players, use code “audiophile”Links:Sign up for email updates and vote on future episodes!The Hilltop ad / Mad Men finalePepsi Challenge commercialsPepsi's Michael Jackson commercialsCoke's Bill Cosby commercialsTwo liter bottles inflatingWorldly Partners' Multi-Decade Coca-Cola StudyFor God, Country, and Coca-ColaSecret FormulaAll episode sourcesCarve Outs:SkiErgSuper Smash Bros. UltimateClaudeNike Vomero PlusHermanos GutiérrezMore Acquired:Get email updates and vote on future episodes!Join the SlackSubscribe to ACQ2Check out the latest swag in the ACQ Merch Store!Note: Acquired hosts and guests may hold assets discussed in this episode. This podcast is not investment advice, and is intended for informational and entertainment purposes only. You should do your own research and make your own independent decisions when considering any financial transactions.