Podcasts about University press

Send us a textThis is an interview with author Elizabeth DeWolfe, who tells the fascinating story of two women "hidden in history" from the Gilded Age. Her recent book, Alias Agnes - The Notorious Tales of a Gilded Age Spy, brings to light a woman, Madeleine Pollard, who was promised a better life from a Kentucky congressman, and continued an affair with him for a number of years. The congressman eventually married someone else, and Madeline decided to bring him to trial, frankly with solid evidence that he had promised to marry her. The defense team for the congressman, came up with the clever idea to hire another woman - to become a friend of Madeleine's with an assumed alias, essentially to "spy" on her. This interview will definitely "whet your whistle" to learn more and read the full story of the outcome of this trial and eventually the lives of two women, navigating the sometimes difficult society of the 1890's. Elizabeth DeWolfe is professor of history at the University of New England (Biddeford, Maine) and the award-winning author of The Murder of Mary Bean, and, Shaking the Faith. Her most recent work is Alias Agnes: The Notorious Tale of a Gilded Age Spy. Her website is:www.elizabeth.dewolfe.com or (link here). Her book is available at number of online venues or please check your local bookstore:University Press of KentuckyDeWolfe and WoodBookshopAmazonBarnes and NobleI too just published a Gilded Age biogrhapy - The Miniature Painter Revealed: Amalia Kussner's Gilded Age Pursuit of Fame and Fortune. It can be purchased either at your local bookstore or online at: Amazon, Barnes and Noble, Bookshop.org, or the Indiana Historical Society. There is a new podcast series, exclusively about her life and the many unsolved mysteries, Searching for Amalia - link here. It can also be found on Apple, Spotify and most other podcast platforms (just look up "Searching for Amalia").My social media: Threads (@phihpod), Instagram (@phihpod), or Facebook ( Kathleen Langone Author). My website: www.kathleenlangone.com (link here). 

Welcome to Light On Light Through episode 413, in which I interview Mike Grynbaum about his book Empire of the Elite: Inside Condé Nast, the Media Dynasty That Reshaped America, which was just published today. Condé Nast is the publisher of The New Yorker, Vanity Fair, Vogue, GQ, Wired, and other iconic magazines, so we had a lot to talk about. order Empire of the Elite Maureen Dowd interviews Mike Grynbaum at the 92nd Street Y tonight! Mike Grynbaum's "Mangia Mafia! Food, Punishment, and Cultural Identity in The Sopranos" in The Essential Sopranos Reader, eds. David Lavery, Douglas Howard, and Paul Levinson; University Press of Kentucky, 2011 Excerpt from Empire of the Elite in The Hollywood Reporter

Founded in 1780, what would become Transylvania University was established over a decade before Kentucky even became a state. In 1818, Horace Holley—a Yale-educated minister from Connecticut—took over as president of the fledgling institution. Holley attempted to transform the institution, but ran into a host of difficulties. Join us today for a discussion with a former research fellow, who has written a book exploring Holley's life and the tumultuous time that he spent at Transylvania. Dr. James P. Cousins is the President of Kentucky Wesleyan College. He holds a PhD from the University of Kentucky and has published widely on the history of education. He co-authored, Collaboration and the Future of Education: Preserving the Right to Think and Teach Historically. A former research fellow at the Kentucky Historical Society, Dr. Cousins will talk to us today about his book “Horace Holley: Transylvania University and the Making of Liberal Education in the Early American Republic,” which he published with the University Press of Kentucky. Kentucky Chronicles is inspired by the work of researchers worldwide who have contributed to the scholarly journal, The Register of the Kentucky Historical Society, in publication since 1903. https://history.ky.gov/explore/catalog-research-tools/register-of-the-kentucky-historical-society Hosted by Dr. Allen A. Fletcher, associate editor of The Register of the Kentucky Historical Society and coordinator of our Research Fellows program, which brings in researchers from across the world to conduct research in the rich archival holdings of the Kentucky Historical Society. https://history.ky.gov/khs-for-me/for-researchers/research-fellowships Kentucky Chronicles is presented by the Kentucky Historical Society, with support from the Kentucky Historical Society Foundation. https://history.ky.gov/about/khs-foundation This episode was recorded and produced by Gregory Hardison, with support and guidance from Dr. Stephanie Lang. Our theme music, “Modern Documentary” was created by Mood Mode and is used courtesy of Pixabay. Other backing tracks are used courtesy of Pixabay or are original compositions by Gregory Hardison. To learn more about our publication of The Register of the Kentucky Historical Society, or to learn more about our Research Fellows program, please visit our website: https://history.ky.gov/ https://history.ky.gov/khs-podcasts

This Independence Day, Breaking Battlegrounds celebrates American liberty with a powerful lineup of guests. We kick off the show with Alex Swoyer, legal affairs reporter for The Washington Times, to discuss her new book Lawless Lawfare, which exposes how the justice system has been weaponized to target Donald Trump and his supporters. Then, ASU Professor Donald Critchlow takes us back to the roots of our founding principles—unpacking the meaning behind “life, liberty, and the pursuit of happiness,” the truth behind Yankee Doodle, and how the American Revolution stood apart from the rest. We close with Jason Chaffetz, whose new book They're Coming for You warns how powerful institutions are quietly building systems of control that threaten our freedoms. This Independence Day, we're reminded that the fight for liberty lives on—and there's no better place to defend it than the greatest country in the world. Happy Independence Day from all of us at Breaking Battlegrounds!www.breakingbattlegrounds.voteTwitter: www.twitter.com/Breaking_BattleFacebook: www.facebook.com/breakingbattlegroundsInstagram: www.instagram.com/breakingbattlegroundsLinkedIn: www.linkedin.com/company/breakingbattlegroundsTruth Social: https://truthsocial.com/@breakingbattlegroundsShow sponsors:Invest Yrefy - investyrefy.comOld Glory DepotSupport American jobs while standing up for your values. OldGloryDepot.com brings you conservative pride on premium, made-in-USA gear. Don't settle—wear your patriotism proudly.Learn more at: OldGloryDepot.comDot VoteWith a .VOTE website, you ensure your political campaign stands out among the competition while simplifying how you reach voters.Learn more at: dotvote.vote4Freedom MobileExperience true freedom with 4Freedom Mobile, the exclusive provider offering nationwide coverage on all three major US networks (Verizon, AT&T, and T-Mobile) with just one SIM card. Our service not only connects you but also shields you from data collection by network operators, social media platforms, government agencies, and more.Use code ‘Battleground' to get your first month for $9 and save $10 a month every month after.Learn more at: 4FreedomMobile.comAbout our guest:Originally from Texas, Alex Swoyer left the Lone Star State to attend the Missouri School of Journalism where she graduated with a bachelor's degree in journalism with an emphasis in broadcast.She has experience covering stories in the mid-Missouri, Houston and southwest Florida areas where she worked at local affiliate TV stations and received a First Place Mark of Excellence Award from the Society of Professional Journalists.After graduating from law school in Florida, she decided to leave the courtroom and return to the newsroom as a legal affairs reporter for The Washington Times. Follow her on X @ASwoyer.Purchase her new book Lawless Lawfare on Amazon.-Donald T. Critchlow, Katzin Family Professor, teaches courses on American political history, political conspiracy, and contemporary American history. He was awarded the Zebulon Pearce Distinguished Teaching Award in Humanities in 2021. He serves as co-director of the undergraduate certificate Program in Political History and Leadership in the School of Historical, Philosophical, and Religious Studies. The program's mission is to promote a greater understanding of the foundations of democratic society and actual leadership training through undergraduate education and civic involvement. The program sponsors public lectures, academic seminars, internships, and undergraduate scholarships. He is founding editor the Journal of Policy History a quarterly academic journal published by Cambridge University Press.,In 2018, he was named Katzin Family Professor.He published in 2021 "Revolutionary Monsters: Five Men Who Turned Liberation into Monsters" (Regnery Press) appeared. In 2020, "In Defense of Populism: Social Protest and Democratic Change,"(University of Pennsylvania Press) and in 2018, he published "Republican Character: From Nixon to Reagan" (University of Pennsylvania Press, 2018), which appeared in paperback in 2020. Other publications include "American Political History: A Very Short Introduction" (Oxford University Press, 2015), and "When Hollywood Was Right: How Movie Moguls, Film Stars, and Big Business Remade American Politics," published by Cambridge University Press in 2013. Other publications include "The Conservative Ascendancy: How the GOP Made Political History" (Harvard University Press, 2007; rev. and updated edition University Press of Kansas. 2011); "Phyllis Schlafly and Grassroots Conservatism" (Princeton University Press, 2005); "Intended Consequences: Birth Control, Abortion, and the Federal Government" (Oxford University Press, 1999, pap. 2001); "Studebaker: The Life and Death of an American Corporations" (Indiana University Press, 1997); and the "Brookings Institution: Expertise and the Public Interest in a Democratic Society" (Northern Illinois University Press, 1989). He is general editor for the new Oxford Encyclopedia of American Political and Legal History. "The Oxford Handbook on American Political History," co-edited with Paula Baker, has been submitted to Oxford University Press.After receiving his doctoral degree in History from the University of California, Berkeley, Critchlow became a professor at the University of Notre Dame and later chair of the History Department at Saint Louis University. He has been a visiting professor at Hong Kong University and Warsaw University. He has lectured extensively in the United States, Europe, and China. He is the founding editor of the Journal of Policy History, a quarterly published by Cambridge University Press.His books are regularly reviewed in the New York Times Book Review, New Republic, National Review, The Nation, The New Yorker, Washington Post Book Review, and other magazines and newspapers. He has appeared on C-Span Books, NPR's Talk of the Nation, BBC World News, and numerous talk-radio programs. He has written for the Washington Post, New York Observer, New York Post, National Review, and Claremont Review of Books.Follow what he's doing here: https://cai.asu.edu/Facebook: Center for American Institutions X: @CAIatASU-Jason Chaffetz is a Fox News contributor, bestselling author, and former Chairman of the U.S. House Oversight Committee. He is the author of They're Coming For You, The Puppeteers, and The Deep State. Based in Utah, Jason is a leading voice on government accountability and conservative policy, and he regularly shares insights on national issues through media appearances and his platform, JasonInTheHouse.com. Follow him on X @jasoninthehouse.Purchase his new book They're Coming for You on Amazon. Get full access to Breaking Battlegrounds at breakingbattlegrounds.substack.com/subscribe

The Beauchamp-Sharpe tragedy of 1825, sometimes called the Kentucky tragedy, involves a politician, a young lawyer, and the lawyer’s wife. It unfolds as a story of sexual scandal and political intrigue that ultimately led to murder. Research: Beauchamp, Jereboam O. “The confession of Jereboam Beauchamp (written by himself) who was executed at Frankfort, Ky., for the murder of Col. Solomon P. Sharp, a member of the legislature, and late attorney-general of Ky. To which is added some poetical pieces written by Mrs. Ann Beauchamp, who voluntarily put a period to her existence on the day of the execution of her husband, and was buried in the same grave with him.” H.T. Goodsell. Kentucky. https://digital.library.cornell.edu/catalog/sat1109 “Beauchamp’s Trial.” The Frankfort Argus. May 10, 1826. https://www.newspapers.com/image/1040984938/?match=1&terms=beauchamp Bruce, Dickson D. “The Kentucky Tragedy: A Story of Conflict and Change in Antebellum America.” Louisiana State University Press. 2006. Coleman, J. Winston, Jr. “THE BEAUCHAMP - SHARP TRAGEDY: An Episode of Kentucky History During the Middle 1820's.” ROBERTS PRINTING COMPANY. Frankfurt, KY. 1950. Accessed online: https://babel.hathitrust.org/cgi/pt?id=inu.32000013353117&seq=9&format=plaintext Coleman, J. Winston. “The Beauchamp-Sharp tragedy; an episode of Kentucky history during the middle 1820's.” ROBERTS PRINTING COMPANY. FRANKFORT, KENTUCKY. 1950. Accessed online: https://babel.hathitrust.org/cgi/pt?id=inu.32000013353117&seq=9 Cooke, J.W. “THE LIFE AND DEATH OF COLONEL SOLOMON P. SHARP PART 1: UPRIGHTNESS AND INVENTIONS; SNARES AND NETS.” The Filson Club History Quarterly. Vol. 72, No. 1. January 1998. https://filsonhistorical.org/wp-content/uploads/publicationpdfs/72-1-3_The-Life-and-Death-of-Colonel-Solomon-P.-Sharp-part-1-Uprightness-and-Inventions-Snares-and-Net_Cooke-J.W..pdf “Horrible Assassination.” The Frankfort Argus. Nov. 9. 1825. https://www.newspapers.com/image/1044971148/?match=1&terms=solomon%20sharp Jillson, Willard Rouse. “THE BEAUCHAMP—SHARP TRAGEDY IN AMERICAN LITERATURE.” Register of Kentucky State Historical Society, vol. 36, no. 114, 1938, pp. 54–60. JSTOR, http://www.jstor.org/stable/23371707 Kimball, William J. “The ‘Kentucky Tragedy:’ Romance or Politics.” The Filson Club History Quarterly. Vol. 48. 1974. https://filsonhistorical.org/wp-content/uploads/publicationpdfs/48-1-3_The-Kentucky-Tragedy-Romance-of-Politics_Kimball-William-J..pdf “The Murderer od Col. Sharp.” Republican Banner. Nov. 28, 1825. https://www.newspapers.com/image/603858007/?match=1&terms=Jereboam%200.%20Beauchamp “The Mutilated Act.” Lexington Weekly Press. June 20, 1825. https://www.newspapers.com/image/1183393429/?match=1&terms=Jereboam%200.%20Beauchamp “Romantic 1825 Tragedy.” Kentucky Historical Society. https://history.ky.gov/markers/romantic-1825-tragedy Schoenbachler, Matthew G. “Murder and Madness: The Myth of the Kentucky Tragedy.” University Press of Kentucky. 2009. Gates, W. B. “William Gilmore Simms and the Kentucky Tragedy.” American Literature, vol. 32, no. 2, 1960, pp. 158–66. JSTOR, https://doi.org/10.2307/2922674 “To the Public.” Woodstock Observer and Windsor and Orange County Gazette. Aug, 29, 1826. https://www.newspapers.com/image/489194545/?match=1&terms=Jereboam%200.%20Beauchamp See omnystudio.com/listener for privacy information.

The nineteenth-century spread of democracy in Britain and its colonies coincided with an increase in alcohol consumption and in celebratory public dinners with rounds of toasts. British colonists raised their glasses to salute the Crown in rituals that asserted fraternal equality and political authority. Yet these ceremonies were reserved for gentlemen, leaving others – notably women and Indigenous people – on the political margins. Drink and Democracy: Alcohol and the Political Imaginary in Colonial Australia (McGill-Queen's University Press, 2025) by Dr. Matthew Allen traces the development of democratic ideas in New South Wales through the history of public drinking and temperance. As the colony transformed from a convict autocracy to a liberal democracy, Dr. Allen argues, public drinking practices shaped the character of the emerging political order. The ritual of toasting was a symbolic display of restraint – drunkenness without loss of self-control – that embodied the claim to citizenship of white male settlers. Yet the performative sobriety of the temperance movement was also democratic, a display of respectability that politicized its supporters around a rival vision of responsible citizenship. Drink was a way to police the limits of the political realm. The stigma of female drunkenness worked to exclude women from the public sphere, while perceptions of heavy drinking among Aboriginal people cast them as lacking self-control and hence unworthy of political rights. Drink and Democracy reveals that long before the introduction of the franchise, colonists in Australia imagined themselves as citizens. Yet even as democracy expanded, drink marked its limits. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The nineteenth-century spread of democracy in Britain and its colonies coincided with an increase in alcohol consumption and in celebratory public dinners with rounds of toasts. British colonists raised their glasses to salute the Crown in rituals that asserted fraternal equality and political authority. Yet these ceremonies were reserved for gentlemen, leaving others – notably women and Indigenous people – on the political margins. Drink and Democracy: Alcohol and the Political Imaginary in Colonial Australia (McGill-Queen's University Press, 2025) by Dr. Matthew Allen traces the development of democratic ideas in New South Wales through the history of public drinking and temperance. As the colony transformed from a convict autocracy to a liberal democracy, Dr. Allen argues, public drinking practices shaped the character of the emerging political order. The ritual of toasting was a symbolic display of restraint – drunkenness without loss of self-control – that embodied the claim to citizenship of white male settlers. Yet the performative sobriety of the temperance movement was also democratic, a display of respectability that politicized its supporters around a rival vision of responsible citizenship. Drink was a way to police the limits of the political realm. The stigma of female drunkenness worked to exclude women from the public sphere, while perceptions of heavy drinking among Aboriginal people cast them as lacking self-control and hence unworthy of political rights. Drink and Democracy reveals that long before the introduction of the franchise, colonists in Australia imagined themselves as citizens. Yet even as democracy expanded, drink marked its limits. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

The nineteenth-century spread of democracy in Britain and its colonies coincided with an increase in alcohol consumption and in celebratory public dinners with rounds of toasts. British colonists raised their glasses to salute the Crown in rituals that asserted fraternal equality and political authority. Yet these ceremonies were reserved for gentlemen, leaving others – notably women and Indigenous people – on the political margins. Drink and Democracy: Alcohol and the Political Imaginary in Colonial Australia (McGill-Queen's University Press, 2025) by Dr. Matthew Allen traces the development of democratic ideas in New South Wales through the history of public drinking and temperance. As the colony transformed from a convict autocracy to a liberal democracy, Dr. Allen argues, public drinking practices shaped the character of the emerging political order. The ritual of toasting was a symbolic display of restraint – drunkenness without loss of self-control – that embodied the claim to citizenship of white male settlers. Yet the performative sobriety of the temperance movement was also democratic, a display of respectability that politicized its supporters around a rival vision of responsible citizenship. Drink was a way to police the limits of the political realm. The stigma of female drunkenness worked to exclude women from the public sphere, while perceptions of heavy drinking among Aboriginal people cast them as lacking self-control and hence unworthy of political rights. Drink and Democracy reveals that long before the introduction of the franchise, colonists in Australia imagined themselves as citizens. Yet even as democracy expanded, drink marked its limits. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

The nineteenth-century spread of democracy in Britain and its colonies coincided with an increase in alcohol consumption and in celebratory public dinners with rounds of toasts. British colonists raised their glasses to salute the Crown in rituals that asserted fraternal equality and political authority. Yet these ceremonies were reserved for gentlemen, leaving others – notably women and Indigenous people – on the political margins. Drink and Democracy: Alcohol and the Political Imaginary in Colonial Australia (McGill-Queen's University Press, 2025) by Dr. Matthew Allen traces the development of democratic ideas in New South Wales through the history of public drinking and temperance. As the colony transformed from a convict autocracy to a liberal democracy, Dr. Allen argues, public drinking practices shaped the character of the emerging political order. The ritual of toasting was a symbolic display of restraint – drunkenness without loss of self-control – that embodied the claim to citizenship of white male settlers. Yet the performative sobriety of the temperance movement was also democratic, a display of respectability that politicized its supporters around a rival vision of responsible citizenship. Drink was a way to police the limits of the political realm. The stigma of female drunkenness worked to exclude women from the public sphere, while perceptions of heavy drinking among Aboriginal people cast them as lacking self-control and hence unworthy of political rights. Drink and Democracy reveals that long before the introduction of the franchise, colonists in Australia imagined themselves as citizens. Yet even as democracy expanded, drink marked its limits. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/australian-and-new-zealand-studies

The nineteenth-century spread of democracy in Britain and its colonies coincided with an increase in alcohol consumption and in celebratory public dinners with rounds of toasts. British colonists raised their glasses to salute the Crown in rituals that asserted fraternal equality and political authority. Yet these ceremonies were reserved for gentlemen, leaving others – notably women and Indigenous people – on the political margins. Drink and Democracy: Alcohol and the Political Imaginary in Colonial Australia (McGill-Queen's University Press, 2025) by Dr. Matthew Allen traces the development of democratic ideas in New South Wales through the history of public drinking and temperance. As the colony transformed from a convict autocracy to a liberal democracy, Dr. Allen argues, public drinking practices shaped the character of the emerging political order. The ritual of toasting was a symbolic display of restraint – drunkenness without loss of self-control – that embodied the claim to citizenship of white male settlers. Yet the performative sobriety of the temperance movement was also democratic, a display of respectability that politicized its supporters around a rival vision of responsible citizenship. Drink was a way to police the limits of the political realm. The stigma of female drunkenness worked to exclude women from the public sphere, while perceptions of heavy drinking among Aboriginal people cast them as lacking self-control and hence unworthy of political rights. Drink and Democracy reveals that long before the introduction of the franchise, colonists in Australia imagined themselves as citizens. Yet even as democracy expanded, drink marked its limits. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Pensiamo sempre che cadere in una setta sia qualcosa che succede agli altri. A chi è fragile, suggestionabile, isolato. Mai a noi.Ma la verità è più inquietante: le nuove forme di manipolazione si mimetizzano tra corsi di crescita personale, percorsi spirituali, new age, comunità online e promesse di grande realizzazione. Non servono mantelli o messe nere: basta un link, una live, un social... e un gruppo che, da disfunzionale, diventa abusivo.In questa puntata, esploriamo l'evoluzione delle sette dal modello classico alle sette 3.0, analizzando meccanismi psicologici, tecniche di reclutamento e testimonianze reali.Perché nessuno è immune, e riconoscere i segnali è il primo passo per proteggersi.____________________Link utiliCesap (Centro Studi Abusi Psicologici) - nel quale sono disponibili due tesi di laurea relative all'argomentoLa Pulce nell'Orecchio____________________BibliografiaFrankfurter, D. (2006). Evil incarnate: Rumors of demonic conspiracy and satanic abuse in history. Princeton University Press.Nathan, D., & Snedeker, M. (1995). Satan's silence: Ritual abuse and the making of a modern American witch hunt. Basic Books.Richardson, J. T., Best, J., & Bromley, D. G. (Eds.). (1991). The Satanism scare. Aldine de Gruyter.Victor, J. S. (1993). Satanic panic: The creation of a contemporary legend. Open Court.De Young, M. (2004). The day care ritual abuse moral panic. McFarland & Company.Ellis, B. (2000). Raising the devil: Satanism, new religions, and the media. University Press of Kentucky.Cohen, S. (2011). Folk devils and moral panics: The creation of the mods and rockers (3rd ed.). Routledge. (Opera originale pubblicata nel 1972)____________________Documentari e video informativiDocuserie NetflixDancing for the Devil: The 7M TikTok Cult (2024)The Program: Cons, Cults and Kidnapping (2024)The Doomsday Cult of Antares de la Luz (2024)Raël: The Alien Prophet (2024)Waco: American Apocalypse (2023)Escaping Twin Flames (2023)Hell Camp: Teen Nightmare (2023) How to Become a Cult Leader (2023)The Family (2019)Wild Wild Country (2018)The Keepers (2017)Elisa True CrimeIl caso di Roberta RepettoIl caso NXIVMMarco CrepaldiAbusi in una setta neopagana: il caso di Emanuele+++SCOPRI NEXUS ARCANUM CONTATTI, CONTENUTI & NOVITA'-> ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Qui⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Iscriviti a Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Se vuoi fare una donazione:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠paypal.me/nexusarcanum⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PODCAST INSIEME?⁠⁠⁠⁠⁠⁠⁠⁠⁠Leggi il bando!⁠⁠⁠

We take a deep dive into a single dance company – the tumbling, twisty, transporting Pilobolus – through the eyes of Robert Pranzatelli, who has written a wonderfully involving book about the company and its work. Pilobolus began in 1971, at Dartmouth College in New Hampshire. It grew out of dance classes held at the then all-male university, and soon found a following in the US and beyond – one early description of their work was Dr Seuss meets Monty Python. Seeing them perform also changed Robert Pranzatelli's life, as he tells us.Robert Pranzatelli is the author of a number of essays published by the Paris Review and other literary journals, and a longtime staff member of Yale University Press. His book Pilobolus: A Story of Dance and Life is published by the University Press of Florida.Robert's book: https://www.ubcpress.ca/pilobolusPilobolus in New York: https://pilobolus.org/tour-dates/2025/the-joyce"Why Dance Matters" is a dance podcast featuring inspiring conversations with extraordinary people from the world of dance and beyond. Hosted by David Jays, editor of Dance Gazette, this podcast explores how dance shapes lives and why it matters to us all. Brought to you by the RAD, which inspires the world to dance, these insightful stories will surprise and delight. Tune in and discover more on our website. Hosted on Acast. See acast.com/privacy for more information.

Women, Art, Freedom: Artists and Street Politics in Iran offers an insightful look at the 2022 Woman, Life, Freedom uprising in Iran, sparked by the tragic murder of Jina Mahsa Amini at the hands of the “morality police” for violating hijab rules. Beyond its feminist undertones and the remarkable courage of the young protesters, what sets this uprising apart from previous ones is the abundant and diverse art it has inspired. This book, rather than merely analyzing the artworks that garnered attention on social media platforms, brings to light lesser-known grassroots artistic movements that played a crucial role within their immediate local communities. Engaging with primarily Iran-based artists, it uncovers their role in shaping guerrilla interventions and street occupations and in articulating distinct forms of peaceful civil disobedience. By drawing on a broad spectrum of historical and theoretical sources, this book further reveals the origins and inspirations of Iran's protest art. Focusing mainly on the interconnections between the public sphere, women's bodies, and feminist viewpoints, Women, Art, Freedom underscores the vital role of artists in championing global justice and equality.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

L'esercito giapponese riesce finalmente nel difficile scopo di conquistare le fortificazioni di Port Arthur. Tuttavia la guerra a terra finirà per divenire uno stallo. Lo scontro fra i due imperi verrà deciso in una delle battaglie navali più importanti della storia. Le conseguenze dell conflitto russo-giapponese avranno ripercussioni geopolitiche di lunghissimo termine.Seguimi su Instagram: @laguerragrande_podcastSe vuoi contribuire con una donazione sul conto PayPal: podcastlaguerragrande@gmail.comScritto e condotto da Andrea BassoMontaggio e audio: Andrea BassoFonti dell'episodio:Jesse Alexander, World War Zero - The Russo Japanese War 1904-1905, The Great War, 2022 Herbert Bix, Hirohito and the Making of Modern Japan, HarperCollins, 2000  Georges Blond, Admiral Togo, Jarrolds Publishers, 1961  Noel Busch, The Emperor's Sword: Japan vs Russia in the Battle of Tsushima, Funk and Wagnalls, 1969  Shannon R. Butler, Voyage to Tsuhima, Naval History 26, 2012  Franco Cardini, Sergio Valzania, La scintilla: da Tripoli a Sarajevo. Come l'Italia provocò la Prima Guerra Mondiale, Mondadori, 2014  Micheal Clodfelter, Warfare and Armed Conflicts, a statistical reference, Volume II 1900–91, McFarland, 2017  Richard Connaughton, Rising Sun and Tumbling Bear, Cassell, 2003  J. Corbett, Maritime Operations In The Russo-Japanese War 1904–1905, Naval Institute Press, 1915  Marc Ferro, Nicholas II: Last of the Tsars, Oxford University Press, 1995  Orlando Figes, A People's Tragedy: The Russian Revolution, 1891-1924, Jonathan Cape, 1996Robert Forczyk, Russian Battleship vs Japanese Battleship, Yellow Sea 1904–05, Osprey, 2009  R. Garson, Three Great Admirals – One Common Spirit?, The Naval Review 87, 1999  Andrew Gordon, Social Protest In Imperial Japan: The Hibiya Riot of 1905, Asia-Pacific Journal: Japan Focus 12, 2014  Stephen Gwynn, Spring Rice to Robert H. M. Ferguson. The Letters and Friendships of Sir Cecil Spring Rice: A Record, Houghton Mifflin, 1929  Kyung Moon Hwang, A History of Korea, Palgrave, 2010  Marius Jansen, The Making of Modern Japan, Harvard University Press, 2002  Geoffrey Jukes, The Russo-Japanese War 1904–1905. Essential Histories, Osprey Publishing, 2002  Yōko Katō, What Caused the Russo-Japanese War: Korea or Manchuria?, Social Science Japan Journal 10, 2007  Donald Keene, Emperor of Japan, Meiji and his World, 2005  Eugene Kim, Japanese Rule in Korea (1905–1910): A Case Study, Proceedings of the American Philosophical Society 106, 1962  Yoji Koda, The Russo-Japanese War: Primary Causes of Japanese Success, Naval War College Review 58, 2005  William Koenig, Epic Sea Battles, Octopus Publishing Group, 1977  Rotem Kowner, Historical Dictionary of the Russo-Japanese War, The Scarecrow Press, 2006  Thomas Lyell, Case History of Japan, 1948  Cristopher Martin, The russo-japanese war, Abelard Schuman, 1967  Francis McCullagh, With the Cossacks; Being the Story of an Irishman who Rode with the Cossacks throughout the Russo-Japanese War, Nash, 1906  Bruce Menning, Bayonets before bullets: The Imperial Russian Army, 1861–1914, Indiana University, 1992  Ian Nish, The Origins of the Russo-Japanese war, Longman, 1985  John Noss, Man's Religions, 1980  Oyama Iwao, The National Archives of Japan, National Diet Library  Sarah Paine, The Sino-Japanese War of 1894–1895: Perceptions, Power, and Primacy, Cambridge University Press, 2003  Costantine Pleshakov, The Tsar's Last Armada: Epic Voyage to the Battle of Tsushima, 2002  Roger Reese, The Imperial Russian Army in Peace, War, and Revolution, 1856-1917, University Press of Kansas, 2019  Geoffrey Regan, The Battle of Tsushima 1905, The Guinness Book of Decisive Battles Guinness Publishing, 1992  Edwin Reischauer, Storia del Giappone, Bompiani, 2013  Edward Rhoads, Manchus and Han: Ethnic Relations and Political Power in Late Qing and Early Republican China, 1861–1928, University of Washington Press, 2011  Andrew Rhodes, Same Water Different Dreams: Salient Lessons of the Sino-Japanese War for Future Naval Warfare, Journal of Advanced Military Studies 11, 2020  John Röhl, Wilhelm II: Into the Abyss of War and Exile, 1900–1941, Cambridge University Press, 2014   Lawrence Sondhaus, Naval Warfare, 1815–1914, Routledge, 2001  Richard Storry, Japan and the Decline of the West in Asia, 1894–1943, St. Martins' Press, 1979  Hew Strachan, The First World War. To Arms, Oxford University Press, 2003  The San Bernardino Daily Sun, 30 May 1934  The Straits Times, 4 June 1934  Hesibo Tikowara, Before Port Arthur in a Destroyer: The Personal Diary of a Japanese Naval Officer, John Murray, 1907  Togo Heihachiro, Encyclopaedia Britannica  Ko Unoki, International Relations and the Origins of the Pacific War, Springer, 2016  Vauvineux, Affairs du Corée, 1897  Denis e Peggy Warner, The Tide at Sunrise: A History of the Russo-Japanese War: 1904-1905, Charter House, 1974  Anthony Watts, The Imperial Russian Navy, Arms and Armour Press, 1990  Allen Wildman, The End of the Russian Imperial Army: The Old Army and the Soldiers' Revolt (March-April 1917), Princeton University Press, 1980In copertina: Il capitano Lebediev, in servizio presso una delle fortificazioni di Port Arthur, difende uno dei bastioni della fortezza da solo contro centinaia di soldati giapponesi che eseguono una "scala umana", dal Petit Journal del 25 settembre 1904.Ishikari Lore di Kevin MacLeod è un brano concesso in uso tramite licenza Creative Commons Attribution 4.0. https://creativecommons.org/licenses/by/4.0/Fonte: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100192Artista: http://incompetech.com/

Front Row Classics welcomes author, Christopher McKittrick, to celebrate Vera Miles. Chris recently penned a book called "Vera Miles: The Hitchcock Blonde Who Got Away". Brandon and Chris discuss how Miles' shaped her life & career on her own terms. We also discuss her relationship with Alfred Hitchcock while making films like "Psycho" and "The Wrong Man".  "Vera Miles: The Hitchcock Blonde Who Got Away" is available from University Press of Kentucky wherever books are sold.  Christopher McKittrick is the author of Gimme All Your Lovin': The Blues, Boogie, and Beard of ZZ Top's Billy F. Gibbons, Somewhere You Feel Free: Tom Petty and Los Angeles, and Can't Give It Away on Seventh Avenue: The Rolling Stonesand New York City. His work has appeared in the Wall Street Journal, New York Times, USA TODAY, and more. McKittrick is also a regular contributor on podcasts and radio programs concerning film, music, and pop culture.  

Five Ellington related books, all published by University Press of Mississippi. Continue reading →

Join me for a fascinating conversation with one of today's leading voices in environmental studies, Daniel Macfarlane, as we explore his new book The Lives of Lake Ontario: An Environmental History (McGill-Queen's University Press, 2024). Please see the description of the book below, then tune in to hear Dr. Macfarlane share the insights, research, and stories that shaped this important work. Lake Ontario has profoundly influenced the historical evolution of North America. For centuries it has enabled and enriched the societies that crowded its edges, from fertile agricultural landscapes to energy production systems to sprawling cities. In The Lives of Lake Ontario Daniel Macfarlane details the lake's relationship with the Indigenous nations, settler cultures, and modern countries that have occupied its shores. He examines the myriad ways Canada and the United States have used and abused this resource: through dams and canals, drinking water and sewage, trash and pollution, fish and foreign species, industry and manufacturing, urbanization and infrastructure, population growth and biodiversity loss. Serving as both bridge and buffer between the two countries, Lake Ontario came to host Canada's largest megalopolis. Yet its transborder exploitation exacted a tremendous ecological cost, leading people to abandon the lake. Innovative regulations in the later twentieth century, such as the Great Lakes Water Quality Agreements, have partially improved Lake Ontario's health. Despite signs that communities are reengaging with Lake Ontario, it remains the most degraded of the Great Lakes, with new and old problems alike exacerbated by climate change. The Lives of Lake Ontario demonstrates that this lake is both remarkably resilient and uniquely vulnerable. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Join me for a fascinating conversation with one of today's leading voices in environmental studies, Daniel Macfarlane, as we explore his new book The Lives of Lake Ontario: An Environmental History (McGill-Queen's University Press, 2024). Please see the description of the book below, then tune in to hear Dr. Macfarlane share the insights, research, and stories that shaped this important work. Lake Ontario has profoundly influenced the historical evolution of North America. For centuries it has enabled and enriched the societies that crowded its edges, from fertile agricultural landscapes to energy production systems to sprawling cities. In The Lives of Lake Ontario Daniel Macfarlane details the lake's relationship with the Indigenous nations, settler cultures, and modern countries that have occupied its shores. He examines the myriad ways Canada and the United States have used and abused this resource: through dams and canals, drinking water and sewage, trash and pollution, fish and foreign species, industry and manufacturing, urbanization and infrastructure, population growth and biodiversity loss. Serving as both bridge and buffer between the two countries, Lake Ontario came to host Canada's largest megalopolis. Yet its transborder exploitation exacted a tremendous ecological cost, leading people to abandon the lake. Innovative regulations in the later twentieth century, such as the Great Lakes Water Quality Agreements, have partially improved Lake Ontario's health. Despite signs that communities are reengaging with Lake Ontario, it remains the most degraded of the Great Lakes, with new and old problems alike exacerbated by climate change. The Lives of Lake Ontario demonstrates that this lake is both remarkably resilient and uniquely vulnerable. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Join me for a fascinating conversation with one of today's leading voices in environmental studies, Daniel Macfarlane, as we explore his new book The Lives of Lake Ontario: An Environmental History (McGill-Queen's University Press, 2024). Please see the description of the book below, then tune in to hear Dr. Macfarlane share the insights, research, and stories that shaped this important work. Lake Ontario has profoundly influenced the historical evolution of North America. For centuries it has enabled and enriched the societies that crowded its edges, from fertile agricultural landscapes to energy production systems to sprawling cities. In The Lives of Lake Ontario Daniel Macfarlane details the lake's relationship with the Indigenous nations, settler cultures, and modern countries that have occupied its shores. He examines the myriad ways Canada and the United States have used and abused this resource: through dams and canals, drinking water and sewage, trash and pollution, fish and foreign species, industry and manufacturing, urbanization and infrastructure, population growth and biodiversity loss. Serving as both bridge and buffer between the two countries, Lake Ontario came to host Canada's largest megalopolis. Yet its transborder exploitation exacted a tremendous ecological cost, leading people to abandon the lake. Innovative regulations in the later twentieth century, such as the Great Lakes Water Quality Agreements, have partially improved Lake Ontario's health. Despite signs that communities are reengaging with Lake Ontario, it remains the most degraded of the Great Lakes, with new and old problems alike exacerbated by climate change. The Lives of Lake Ontario demonstrates that this lake is both remarkably resilient and uniquely vulnerable. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

Join me for a fascinating conversation with one of today's leading voices in environmental studies, Daniel Macfarlane, as we explore his new book The Lives of Lake Ontario: An Environmental History (McGill-Queen's University Press, 2024). Please see the description of the book below, then tune in to hear Dr. Macfarlane share the insights, research, and stories that shaped this important work. Lake Ontario has profoundly influenced the historical evolution of North America. For centuries it has enabled and enriched the societies that crowded its edges, from fertile agricultural landscapes to energy production systems to sprawling cities. In The Lives of Lake Ontario Daniel Macfarlane details the lake's relationship with the Indigenous nations, settler cultures, and modern countries that have occupied its shores. He examines the myriad ways Canada and the United States have used and abused this resource: through dams and canals, drinking water and sewage, trash and pollution, fish and foreign species, industry and manufacturing, urbanization and infrastructure, population growth and biodiversity loss. Serving as both bridge and buffer between the two countries, Lake Ontario came to host Canada's largest megalopolis. Yet its transborder exploitation exacted a tremendous ecological cost, leading people to abandon the lake. Innovative regulations in the later twentieth century, such as the Great Lakes Water Quality Agreements, have partially improved Lake Ontario's health. Despite signs that communities are reengaging with Lake Ontario, it remains the most degraded of the Great Lakes, with new and old problems alike exacerbated by climate change. The Lives of Lake Ontario demonstrates that this lake is both remarkably resilient and uniquely vulnerable. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Join me for a fascinating conversation with one of today's leading voices in environmental studies, Daniel Macfarlane, as we explore his new book The Lives of Lake Ontario: An Environmental History (McGill-Queen's University Press, 2024). Please see the description of the book below, then tune in to hear Dr. Macfarlane share the insights, research, and stories that shaped this important work. Lake Ontario has profoundly influenced the historical evolution of North America. For centuries it has enabled and enriched the societies that crowded its edges, from fertile agricultural landscapes to energy production systems to sprawling cities. In The Lives of Lake Ontario Daniel Macfarlane details the lake's relationship with the Indigenous nations, settler cultures, and modern countries that have occupied its shores. He examines the myriad ways Canada and the United States have used and abused this resource: through dams and canals, drinking water and sewage, trash and pollution, fish and foreign species, industry and manufacturing, urbanization and infrastructure, population growth and biodiversity loss. Serving as both bridge and buffer between the two countries, Lake Ontario came to host Canada's largest megalopolis. Yet its transborder exploitation exacted a tremendous ecological cost, leading people to abandon the lake. Innovative regulations in the later twentieth century, such as the Great Lakes Water Quality Agreements, have partially improved Lake Ontario's health. Despite signs that communities are reengaging with Lake Ontario, it remains the most degraded of the Great Lakes, with new and old problems alike exacerbated by climate change. The Lives of Lake Ontario demonstrates that this lake is both remarkably resilient and uniquely vulnerable. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Join me for a fascinating conversation with one of today's leading voices in environmental studies, Daniel Macfarlane, as we explore his new book The Lives of Lake Ontario: An Environmental History (McGill-Queen's University Press, 2024). Please see the description of the book below, then tune in to hear Dr. Macfarlane share the insights, research, and stories that shaped this important work. Lake Ontario has profoundly influenced the historical evolution of North America. For centuries it has enabled and enriched the societies that crowded its edges, from fertile agricultural landscapes to energy production systems to sprawling cities. In The Lives of Lake Ontario Daniel Macfarlane details the lake's relationship with the Indigenous nations, settler cultures, and modern countries that have occupied its shores. He examines the myriad ways Canada and the United States have used and abused this resource: through dams and canals, drinking water and sewage, trash and pollution, fish and foreign species, industry and manufacturing, urbanization and infrastructure, population growth and biodiversity loss. Serving as both bridge and buffer between the two countries, Lake Ontario came to host Canada's largest megalopolis. Yet its transborder exploitation exacted a tremendous ecological cost, leading people to abandon the lake. Innovative regulations in the later twentieth century, such as the Great Lakes Water Quality Agreements, have partially improved Lake Ontario's health. Despite signs that communities are reengaging with Lake Ontario, it remains the most degraded of the Great Lakes, with new and old problems alike exacerbated by climate change. The Lives of Lake Ontario demonstrates that this lake is both remarkably resilient and uniquely vulnerable. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography

How do media producers appeal to international audiences in the streaming era? In this episode of the Global Media & Communication podcast, our host Juan Llamas-Rodriguez interviews Elia Cornelio Marí about her research on Mexican melodramas, Netflix algorithms, and television in translation. In this episode you will hear about: Why melodrama became an important genre in the development of Netflix's original series across Latin America How translation affects the reception of television in Mexico and Italy The concept of “cultural proximity” and how it helps explain what TV series become popular across different national cultures The Global Media & Communication podcast series is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Guest Biography: Elia Cornelio Marí is Assistant Professor at the Universidad Juárez Autónoma de Tabasco, Mexico. She holds a PhD in Communication, Technology and Society by La Sapienza University of Rome, and a M.A. in Media Studies by the University of Texas at Austin. She specializes in television studies. Her publications focus on the original production of Netflix for Mexico, the reception of dubbed television by international audiences, and the practice of binge-watching among college students. She is a member of RELATA, the Latin American Network of Audience and Reception Studies. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). CreditsInterview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-RodriguezEdited by: Anna Gamarnik Keywords: algorithms, animation, dubbing, Mexico, Netflix, translation Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

How do media producers appeal to international audiences in the streaming era? In this episode of the Global Media & Communication podcast, our host Juan Llamas-Rodriguez interviews Elia Cornelio Marí about her research on Mexican melodramas, Netflix algorithms, and television in translation. In this episode you will hear about: Why melodrama became an important genre in the development of Netflix's original series across Latin America How translation affects the reception of television in Mexico and Italy The concept of “cultural proximity” and how it helps explain what TV series become popular across different national cultures The Global Media & Communication podcast series is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Guest Biography: Elia Cornelio Marí is Assistant Professor at the Universidad Juárez Autónoma de Tabasco, Mexico. She holds a PhD in Communication, Technology and Society by La Sapienza University of Rome, and a M.A. in Media Studies by the University of Texas at Austin. She specializes in television studies. Her publications focus on the original production of Netflix for Mexico, the reception of dubbed television by international audiences, and the practice of binge-watching among college students. She is a member of RELATA, the Latin American Network of Audience and Reception Studies. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). CreditsInterview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-RodriguezEdited by: Anna Gamarnik Keywords: algorithms, animation, dubbing, Mexico, Netflix, translation Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

“Some writers confuse authenticity, which they ought always to aim at, with originality, which they should never bother about.” So said W. H. Auden and so we see demonstrated in Michael Powell's Peeping Tom (1960), which boldly employs every convention of the horror film in order to achieve a stunning, authentic portrait of a disturbing mind at work. But Mark is no ordinary slasher: he's an artist who is also a perfectionist and whose compulsion to destroy is like the compulsion to create. As Mark gives his all for the sake of his art, so did Michael Powell, whose reputation never recovered from the scandal of this film. It was released in the same year as Psycho, which it resembles, yet the two audiences across the Atlantic had very different reactions to their homegrown killers. The University Press of Mississippi offers an excellent series of collected interviews. Here's their volume on Michael Powell. Incredible bumper music by John Deley. Please subscribe to the show and consider leaving us a rating or review. You can find our hundreds of episodes here on the New Books Network or wherever you get your podcasts. Follow the show on X and on Letterboxd–and email us at fifteenminutefilm@gmail.com with requests and recommendations. Also check out Dan Moran's substack, Pages and Frames, where he writes about books and movies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

How do media producers appeal to international audiences in the streaming era? In this episode of the Global Media & Communication podcast, our host Juan Llamas-Rodriguez interviews Elia Cornelio Marí about her research on Mexican melodramas, Netflix algorithms, and television in translation. In this episode you will hear about: Why melodrama became an important genre in the development of Netflix's original series across Latin America How translation affects the reception of television in Mexico and Italy The concept of “cultural proximity” and how it helps explain what TV series become popular across different national cultures The Global Media & Communication podcast series is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Guest Biography: Elia Cornelio Marí is Assistant Professor at the Universidad Juárez Autónoma de Tabasco, Mexico. She holds a PhD in Communication, Technology and Society by La Sapienza University of Rome, and a M.A. in Media Studies by the University of Texas at Austin. She specializes in television studies. Her publications focus on the original production of Netflix for Mexico, the reception of dubbed television by international audiences, and the practice of binge-watching among college students. She is a member of RELATA, the Latin American Network of Audience and Reception Studies. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). CreditsInterview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-RodriguezEdited by: Anna Gamarnik Keywords: algorithms, animation, dubbing, Mexico, Netflix, translation Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

“Some writers confuse authenticity, which they ought always to aim at, with originality, which they should never bother about.” So said W. H. Auden and so we see demonstrated in Michael Powell's Peeping Tom (1960), which boldly employs every convention of the horror film in order to achieve a stunning, authentic portrait of a disturbing mind at work. But Mark is no ordinary slasher: he's an artist who is also a perfectionist and whose compulsion to destroy is like the compulsion to create. As Mark gives his all for the sake of his art, so did Michael Powell, whose reputation never recovered from the scandal of this film. It was released in the same year as Psycho, which it resembles, yet the two audiences across the Atlantic had very different reactions to their homegrown killers. The University Press of Mississippi offers an excellent series of collected interviews. Here's their volume on Michael Powell. Incredible bumper music by John Deley. Please subscribe to the show and consider leaving us a rating or review. You can find our hundreds of episodes here on the New Books Network or wherever you get your podcasts. Follow the show on X and on Letterboxd–and email us at fifteenminutefilm@gmail.com with requests and recommendations. Also check out Dan Moran's substack, Pages and Frames, where he writes about books and movies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

How do media producers appeal to international audiences in the streaming era? In this episode of the Global Media & Communication podcast, our host Juan Llamas-Rodriguez interviews Elia Cornelio Marí about her research on Mexican melodramas, Netflix algorithms, and television in translation. In this episode you will hear about: Why melodrama became an important genre in the development of Netflix's original series across Latin America How translation affects the reception of television in Mexico and Italy The concept of “cultural proximity” and how it helps explain what TV series become popular across different national cultures The Global Media & Communication podcast series is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Guest Biography: Elia Cornelio Marí is Assistant Professor at the Universidad Juárez Autónoma de Tabasco, Mexico. She holds a PhD in Communication, Technology and Society by La Sapienza University of Rome, and a M.A. in Media Studies by the University of Texas at Austin. She specializes in television studies. Her publications focus on the original production of Netflix for Mexico, the reception of dubbed television by international audiences, and the practice of binge-watching among college students. She is a member of RELATA, the Latin American Network of Audience and Reception Studies. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). CreditsInterview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-RodriguezEdited by: Anna Gamarnik Keywords: algorithms, animation, dubbing, Mexico, Netflix, translation Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

How do media producers appeal to international audiences in the streaming era? In this episode of the Global Media & Communication podcast, our host Juan Llamas-Rodriguez interviews Elia Cornelio Marí about her research on Mexican melodramas, Netflix algorithms, and television in translation. In this episode you will hear about: Why melodrama became an important genre in the development of Netflix's original series across Latin America How translation affects the reception of television in Mexico and Italy The concept of “cultural proximity” and how it helps explain what TV series become popular across different national cultures The Global Media & Communication podcast series is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Guest Biography: Elia Cornelio Marí is Assistant Professor at the Universidad Juárez Autónoma de Tabasco, Mexico. She holds a PhD in Communication, Technology and Society by La Sapienza University of Rome, and a M.A. in Media Studies by the University of Texas at Austin. She specializes in television studies. Her publications focus on the original production of Netflix for Mexico, the reception of dubbed television by international audiences, and the practice of binge-watching among college students. She is a member of RELATA, the Latin American Network of Audience and Reception Studies. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). CreditsInterview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-RodriguezEdited by: Anna Gamarnik Keywords: algorithms, animation, dubbing, Mexico, Netflix, translation Learn more about your ad choices. Visit megaphone.fm/adchoices

Figures of Freedom: Representations of Agency in a Time of Crisis takes on the idea and terminology of freedom, examining our understanding of this concept and our relationship to the word itself as well as what it means to society, culture, and politics. Randy Laist and Brian A. Dixon, two scholars who often explore popular culture to better understand the society and politics all around us, have brought their admirable skills to Figures of Freedom, where they have assembled a broad array of contributors exploring freedom in a host of different venues and artifacts. The thrust of the book is to examine representations of freedom in the early 21st century, and the authors look at this evolving nature of freedom in popular culture 21st century texts, where they trace this shifting discourse across time and geography. Broad questions are at the heart of Figures of Freedom: who gets to be free? What is freedom? How does freedom work or play out in different situations and settings? Is freedom itself an archaic idea in the face of rising dictatorships and authoritarian governments, where voices of freedom are being silenced? Freedom is often a concept and term that one understands from an individualistic perspective—my freedom is constrained by governmental actions or limited by societal norms or protected by the Bill of Rights. Liberty, which is often connected to freedom, especially in American discourse, is considered by these authors as more communal, and as part of a delicate balance within the U.S. constitutional system, but the advocacy for individual freedom has eclipsed liberty in the 21st century. Laist and Dixon frame their book by examining some of the facets of freedom, which may be ugly (Elizabeth Anker's conception in her 2022 book), or masculinized (Linda Zerilli's idea in her 2005 book), or colonial (Mimi Thi Nguyen thoughts in her 2012 book), or otherwise characterized by some quality constraining some dimensions of freedom. The contributing authors take up many of these concepts and use them to explore these ideas within a variety of narrative popular culture artifacts from the first part of the 21st century. These include, but are not limited to, Matthew Weiner's television series Mad Men, Don DeLillo's Zero K, Jonathan Franzen's Freedom, Ta-Nehisi Coate's Between the World and Me, Colson Whitehead's Underground Railroad, Pixar's Toy Story films, Sam Esmail's television series Mr. Robot, and many more. Figures of Freedom: Representations of Agency in a Time on Crisis wrestles with what it means to be free and how we, as citizens, consume this idea through many of our cultural artifacts. At times, we may feel free but are, in fact, limited by unseen or unknown political, cultural, or societal constraints. Laist and Dixon compel us to consider our own understanding of freedom, particular in context of the idea of liberty, and how these ideas are shaped and shifted by the world around us, especially in the ways we see freedom represented within film and literary narratives. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her at lgoren@carrollu.edu or find her at Bluesky: @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Send us a textCan you feel it? Well, if you don't live in New Orleans right now, maybe not but LIVE IT vicariously through me and my family! Douglas and my oldest daughter LOVE Jazz Fest. Me, you may ask? Nope. I went back 13 years ago to surprise my sweet mama! We took her to see Al Green and it was epic. It was hot. It was super bright and my skin turned 7 shades of red. I'm good on that, but I LOVE to see the happiness flow through my family and the rest of partakers. This year, I thought it would be super cool to welcome the King of Food Reviews and All things NOLA! Who none other than NOLA.COM's inspirational food and culture writer, Ian McNulty! And y'all... he is the REAL DEAL.Foodies are intimidating, usually. Remember that guy that would come to review  the food in the Disney movie Ratatouille? Ok- well that is NOT Ian. I was able to sit down and really hear the passion in his voice and the love in his heart for New Orleans. Ian McNulty has been writing about the life and culture of New Orleans since 1999 as a reporter, columnist, and author. He is a staff writer for the New Orleans Advocate, where he focuses on the food culture of one of the world's great food cities, and his radio commentaries air weekly on the New Orleans NPR affiliate. He is author of A Season of Night: New Orleans Life after Katrina and Louisiana Rambles: Exploring America's Cajun and Creole Heartland, both published by University Press of Mississippi. The latter was named one of the top travel books by the Society of American Travel Writers. (courtesy google.com) Sit down, grab some Iced Tea and get inspired by Mr. McNulty's journey from North to South and all in between. Find his book all over and here! https://www.amazon.com/Season-Night-Orleans-after-Katrina/dp/1934110914______________________________________________________________________________________________Then later, we welcome New York Times Best Selling Duo from the Illustrated Baby Sitter's Club series and the Superman Adventures Comics, Raina Telgemeier and Scott McCloud!The two teamed up with Scholastic to create a children's novel that allow kids' own wheels to turn while submerging them into a world that explores their own understanding of topics like death. My oldest daughter loved it. It was so cute to see her curled up on the couch or her bed reading this book with such pride. She was so excited to review it for me. "Makayla is bursting with ideas but doesn't know how to make them into a story. Howard loves to draw, but he struggles to come up with ideas and his dad thinks comics are a waste of time. Lynda constantly draws in her sketchbook but keeps focusing on what she feels are mistakes, and Art simply loves being creative and is excited to try something new. They come together to form The Cartoonists Club, where kids can learn about making comics and use their creativity and imagination for their own storytelling adventures!"Find this BRAND NEW and NEWLY RELEASED BOOK EVERYWHERE! Like... Literally!And here...https://a.co/d/6KvHVa6Thank you to our family of amazing sponsors! Ochsner Hospital for ChildrenWww.ochsner.orgRouses MarkersWww.rousesmarkets.comSandpiper VacationsWww..sandpipervacations.comCafe Du Monde www.shop.cafedumonde.com The Law Firm of Forrest Cressy & James Www.forrestcressyjames.comComfort Cases Www.comfortcases.orgNew Orleans Ice Cream CompanyWww.neworleansicecream.comERA TOP REALTY: Pamela BreauxAudubon Institute www.auduboninstitute.orgUrban South Brewery www.urbansouthbrewery.com

Figures of Freedom: Representations of Agency in a Time of Crisis takes on the idea and terminology of freedom, examining our understanding of this concept and our relationship to the word itself as well as what it means to society, culture, and politics. Randy Laist and Brian A. Dixon, two scholars who often explore popular culture to better understand the society and politics all around us, have brought their admirable skills to Figures of Freedom, where they have assembled a broad array of contributors exploring freedom in a host of different venues and artifacts. The thrust of the book is to examine representations of freedom in the early 21st century, and the authors look at this evolving nature of freedom in popular culture 21st century texts, where they trace this shifting discourse across time and geography. Broad questions are at the heart of Figures of Freedom: who gets to be free? What is freedom? How does freedom work or play out in different situations and settings? Is freedom itself an archaic idea in the face of rising dictatorships and authoritarian governments, where voices of freedom are being silenced? Freedom is often a concept and term that one understands from an individualistic perspective—my freedom is constrained by governmental actions or limited by societal norms or protected by the Bill of Rights. Liberty, which is often connected to freedom, especially in American discourse, is considered by these authors as more communal, and as part of a delicate balance within the U.S. constitutional system, but the advocacy for individual freedom has eclipsed liberty in the 21st century. Laist and Dixon frame their book by examining some of the facets of freedom, which may be ugly (Elizabeth Anker's conception in her 2022 book), or masculinized (Linda Zerilli's idea in her 2005 book), or colonial (Mimi Thi Nguyen thoughts in her 2012 book), or otherwise characterized by some quality constraining some dimensions of freedom. The contributing authors take up many of these concepts and use them to explore these ideas within a variety of narrative popular culture artifacts from the first part of the 21st century. These include, but are not limited to, Matthew Weiner's television series Mad Men, Don DeLillo's Zero K, Jonathan Franzen's Freedom, Ta-Nehisi Coate's Between the World and Me, Colson Whitehead's Underground Railroad, Pixar's Toy Story films, Sam Esmail's television series Mr. Robot, and many more. Figures of Freedom: Representations of Agency in a Time on Crisis wrestles with what it means to be free and how we, as citizens, consume this idea through many of our cultural artifacts. At times, we may feel free but are, in fact, limited by unseen or unknown political, cultural, or societal constraints. Laist and Dixon compel us to consider our own understanding of freedom, particular in context of the idea of liberty, and how these ideas are shaped and shifted by the world around us, especially in the ways we see freedom represented within film and literary narratives. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012). Email her at lgoren@carrollu.edu or find her at Bluesky: @gorenlj.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

The year 1889 is so full of meaning in the history of the Great Plains. To Samuel Western (that's his real name, seriously), it connotes the writing of constitutions, five of them, all in the Great Northwest — North Dakota, South Dakota, Montana, Wyoming, and Idaho — as authorized by Congress in the Omnibus Bill of 1889. He writes about them in his new book from University Press of Kansas, The Spirit of 1889: Restoring the Lost Promise of the High Plains and Northern Rockies.

The infamous annual ritual of spring break—where thousands of college students head to the same warm location and go crazy—can seem like it's always been here. But it hasn't. The spring break phenomenon is a holdover from midcentury teen culture that has endured by changing, just enough, to be passed from one generation to the next. In this episode we're going from the beaches of Fort Lauderdale to Daytona, from the movie screen to the TV set, from MTV to Instagram reels, from its start to its surprisingly recognizable present, as we follow the evolving, self-reinforcing rite that is spring break. You'll hear from former MTV staffers Doug Herzog, Salli Frattini, Alan Hunter, and Joe Davola, along with John Laurie, Kaylee Morris, and Slate writer Scaachi Koul. This episode was written by Willa Paskin and Katie Shepherd and produced by Katie. It was edited by Evan Chung, Decoder Ring's supervising producer. Our show is also produced by Max Freedman. Merritt Jacob is Senior Technical Director. Thank you to Bob Friedman and Allan Cohen, producers of Spring Broke; David Cohn, Derreck Johnson, and Ivylise Simones. If you have any cultural mysteries you want us to decode, please email us at DecoderRing@slate.com, or leave a message on our hotline at 347-460-7281. Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Sources for This Episode Koul, Scaachi. “From ‘Girls Gone Wild' to ‘Your Body, My Choice',” Slate, Dec. 13, 2024. Laurie, John. “Spring Break: The Economic, Socio-Cultural and Public Governance Impacts of College Students on Spring Break Host Locations,” University of New Orleans Dissertation, Dec. 19, 2008. Mormino, Gary R. Land of Sunshine, State of Dreams: A Social History of Modern Florida, University Press of Florida, 2008. Schiltz, James. “Time to Grow Up: The Rise and Fall of Spring Break in Fort Lauderdale,” The Florida Historical Quarterly, Fall 2014. Spring Broke, dir. Alison Ellwood, Bungalow Media + Entertainment, 2016. Thompson, Derek. “2,000 Years of Partying: The Brief History and Economics of Spring Break,” The Atlantic, March 26, 2013. Learn more about your ad choices. Visit megaphone.fm/adchoices

The infamous annual ritual of spring break—where thousands of college students head to the same warm location and go crazy—can seem like it's always been here. But it hasn't. The spring break phenomenon is a holdover from midcentury teen culture that has endured by changing, just enough, to be passed from one generation to the next. In this episode we're going from the beaches of Fort Lauderdale to Daytona, from the movie screen to the TV set, from MTV to Instagram reels, from its start to its surprisingly recognizable present, as we follow the evolving, self-reinforcing rite that is spring break. You'll hear from former MTV staffers Doug Herzog, Salli Frattini, Alan Hunter, and Joe Davola, along with John Laurie, Kaylee Morris, and Slate writer Scaachi Koul. This episode was written by Willa Paskin and Katie Shepherd and produced by Katie. It was edited by Evan Chung, Decoder Ring's supervising producer. Our show is also produced by Max Freedman. Merritt Jacob is Senior Technical Director. Thank you to Bob Friedman and Allan Cohen, producers of Spring Broke; David Cohn, Derreck Johnson, and Ivylise Simones. If you have any cultural mysteries you want us to decode, please email us at DecoderRing@slate.com, or leave a message on our hotline at 347-460-7281. Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Sources for This Episode Koul, Scaachi. “From ‘Girls Gone Wild' to ‘Your Body, My Choice',” Slate, Dec. 13, 2024. Laurie, John. “Spring Break: The Economic, Socio-Cultural and Public Governance Impacts of College Students on Spring Break Host Locations,” University of New Orleans Dissertation, Dec. 19, 2008. Mormino, Gary R. Land of Sunshine, State of Dreams: A Social History of Modern Florida, University Press of Florida, 2008. Schiltz, James. “Time to Grow Up: The Rise and Fall of Spring Break in Fort Lauderdale,” The Florida Historical Quarterly, Fall 2014. Spring Broke, dir. Alison Ellwood, Bungalow Media + Entertainment, 2016. Thompson, Derek. “2,000 Years of Partying: The Brief History and Economics of Spring Break,” The Atlantic, March 26, 2013. Learn more about your ad choices. Visit megaphone.fm/adchoices

The infamous annual ritual of spring break—where thousands of college students head to the same warm location and go crazy—can seem like it's always been here. But it hasn't. The spring break phenomenon is a holdover from midcentury teen culture that has endured by changing, just enough, to be passed from one generation to the next. In this episode we're going from the beaches of Fort Lauderdale to Daytona, from the movie screen to the TV set, from MTV to Instagram reels, from its start to its surprisingly recognizable present, as we follow the evolving, self-reinforcing rite that is spring break. You'll hear from former MTV staffers Doug Herzog, Salli Frattini, Alan Hunter, and Joe Davola, along with John Laurie, Kaylee Morris, and Slate writer Scaachi Koul. This episode was written by Willa Paskin and Katie Shepherd and produced by Katie. It was edited by Evan Chung, Decoder Ring's supervising producer. Our show is also produced by Max Freedman. Merritt Jacob is Senior Technical Director. Thank you to Bob Friedman and Allan Cohen, producers of Spring Broke; David Cohn, Derreck Johnson, and Ivylise Simones. If you have any cultural mysteries you want us to decode, please email us at DecoderRing@slate.com, or leave a message on our hotline at 347-460-7281. Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Sources for This Episode Koul, Scaachi. “From ‘Girls Gone Wild' to ‘Your Body, My Choice',” Slate, Dec. 13, 2024. Laurie, John. “Spring Break: The Economic, Socio-Cultural and Public Governance Impacts of College Students on Spring Break Host Locations,” University of New Orleans Dissertation, Dec. 19, 2008. Mormino, Gary R. Land of Sunshine, State of Dreams: A Social History of Modern Florida, University Press of Florida, 2008. Schiltz, James. “Time to Grow Up: The Rise and Fall of Spring Break in Fort Lauderdale,” The Florida Historical Quarterly, Fall 2014. Spring Broke, dir. Alison Ellwood, Bungalow Media + Entertainment, 2016. Thompson, Derek. “2,000 Years of Partying: The Brief History and Economics of Spring Break,” The Atlantic, March 26, 2013. Learn more about your ad choices. Visit megaphone.fm/adchoices

The infamous annual ritual of spring break—where thousands of college students head to the same warm location and go crazy—can seem like it's always been here. But it hasn't. The spring break phenomenon is a holdover from midcentury teen culture that has endured by changing, just enough, to be passed from one generation to the next. In this episode we're going from the beaches of Fort Lauderdale to Daytona, from the movie screen to the TV set, from MTV to Instagram reels, from its start to its surprisingly recognizable present, as we follow the evolving, self-reinforcing rite that is spring break. You'll hear from former MTV staffers Doug Herzog, Salli Frattini, Alan Hunter, and Joe Davola, along with John Laurie, Kaylee Morris, and Slate writer Scaachi Koul. This episode was written by Willa Paskin and Katie Shepherd and produced by Katie. It was edited by Evan Chung, Decoder Ring's supervising producer. Our show is also produced by Max Freedman. Merritt Jacob is Senior Technical Director. Thank you to Bob Friedman and Allan Cohen, producers of Spring Broke; David Cohn, Derreck Johnson, and Ivylise Simones. If you have any cultural mysteries you want us to decode, please email us at DecoderRing@slate.com, or leave a message on our hotline at 347-460-7281. Want more Decoder Ring? Subscribe to Slate Plus to unlock exclusive bonus episodes. Plus, you'll access ad-free listening across all your favorite Slate podcasts. Subscribe now on Apple Podcasts by clicking “Try Free” at the top of the Decoder Ring show page. Or, visit slate.com/decoderplus to get access wherever you listen. Sources for This Episode Koul, Scaachi. “From ‘Girls Gone Wild' to ‘Your Body, My Choice',” Slate, Dec. 13, 2024. Laurie, John. “Spring Break: The Economic, Socio-Cultural and Public Governance Impacts of College Students on Spring Break Host Locations,” University of New Orleans Dissertation, Dec. 19, 2008. Mormino, Gary R. Land of Sunshine, State of Dreams: A Social History of Modern Florida, University Press of Florida, 2008. Schiltz, James. “Time to Grow Up: The Rise and Fall of Spring Break in Fort Lauderdale,” The Florida Historical Quarterly, Fall 2014. Spring Broke, dir. Alison Ellwood, Bungalow Media + Entertainment, 2016. Thompson, Derek. “2,000 Years of Partying: The Brief History and Economics of Spring Break,” The Atlantic, March 26, 2013. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the Global Media & Communication podcast series, a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Today, our host Juan Llamas-Rodriguez interviews Martín Echeverría about his book Political Entertainment in a Post Authoritarian Democracy: Humor in the Mexican Media (Routledge, 2024), co-written with Frida Rodelo. In this episode you will hear about: The affordances and limitations of YouTube for the political media ecosystem The role of memes in generating political interest among politically disinterested groups How people's distrust of news organizations impact the communication environment for political news How restrictions on political speech have shifted in Mexico in the last few decades Guest Biography: Martín Echeverría is the Head of the Center for Studies in Political Communication at the Benemérita Universidad Autónoma de Puebla, Mexico. He holds a PhD in Communication and Culture from the University of Seville, Spain, and serves as Co-Chair of the Political Communication Section of the International Association of Media and Communication Research (IAMCR). His research, which focuses on the mediatization of politics, media systems, and the reception and political effects of media, has been published in leading journals such as The International Journal of Press/Politics, International Journal of Communication, Journalism Studies, and top Latin American outlets. He is the author and editor of several books, including Media and Politics in Post-Authoritarian Mexico: The Continuing Struggle for Democracy (Palgrave Macmillan, 2024) and Political Entertainment in a Post-Authoritarian Democracy (Routledge, 2023), the latter receiving the AEJMC 2024 Knudson Award for the best book on Latin American media in the United States. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). Credits Interview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-Rodriguez  Edited by: Anna Gamarnik Keywords: authoritarianism, memes, Mexico, political communication, political satire, YouTube Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Welcome to the Global Media & Communication podcast series, a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Today, our host Juan Llamas-Rodriguez interviews Martín Echeverría about his book Political Entertainment in a Post Authoritarian Democracy: Humor in the Mexican Media (Routledge, 2024), co-written with Frida Rodelo. In this episode you will hear about: The affordances and limitations of YouTube for the political media ecosystem The role of memes in generating political interest among politically disinterested groups How people's distrust of news organizations impact the communication environment for political news How restrictions on political speech have shifted in Mexico in the last few decades Guest Biography: Martín Echeverría is the Head of the Center for Studies in Political Communication at the Benemérita Universidad Autónoma de Puebla, Mexico. He holds a PhD in Communication and Culture from the University of Seville, Spain, and serves as Co-Chair of the Political Communication Section of the International Association of Media and Communication Research (IAMCR). His research, which focuses on the mediatization of politics, media systems, and the reception and political effects of media, has been published in leading journals such as The International Journal of Press/Politics, International Journal of Communication, Journalism Studies, and top Latin American outlets. He is the author and editor of several books, including Media and Politics in Post-Authoritarian Mexico: The Continuing Struggle for Democracy (Palgrave Macmillan, 2024) and Political Entertainment in a Post-Authoritarian Democracy (Routledge, 2023), the latter receiving the AEJMC 2024 Knudson Award for the best book on Latin American media in the United States. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). Credits Interview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-Rodriguez  Edited by: Anna Gamarnik Keywords: authoritarianism, memes, Mexico, political communication, political satire, YouTube Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

Welcome to the Global Media & Communication podcast series, a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Today, our host Juan Llamas-Rodriguez interviews Martín Echeverría about his book Political Entertainment in a Post Authoritarian Democracy: Humor in the Mexican Media (Routledge, 2024), co-written with Frida Rodelo. In this episode you will hear about: The affordances and limitations of YouTube for the political media ecosystem The role of memes in generating political interest among politically disinterested groups How people's distrust of news organizations impact the communication environment for political news How restrictions on political speech have shifted in Mexico in the last few decades Guest Biography: Martín Echeverría is the Head of the Center for Studies in Political Communication at the Benemérita Universidad Autónoma de Puebla, Mexico. He holds a PhD in Communication and Culture from the University of Seville, Spain, and serves as Co-Chair of the Political Communication Section of the International Association of Media and Communication Research (IAMCR). His research, which focuses on the mediatization of politics, media systems, and the reception and political effects of media, has been published in leading journals such as The International Journal of Press/Politics, International Journal of Communication, Journalism Studies, and top Latin American outlets. He is the author and editor of several books, including Media and Politics in Post-Authoritarian Mexico: The Continuing Struggle for Democracy (Palgrave Macmillan, 2024) and Political Entertainment in a Post-Authoritarian Democracy (Routledge, 2023), the latter receiving the AEJMC 2024 Knudson Award for the best book on Latin American media in the United States. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). Credits Interview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-Rodriguez  Edited by: Anna Gamarnik Keywords: authoritarianism, memes, Mexico, political communication, political satire, YouTube Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Welcome to the Global Media & Communication podcast series, a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Today, our host Juan Llamas-Rodriguez interviews Martín Echeverría about his book Political Entertainment in a Post Authoritarian Democracy: Humor in the Mexican Media (Routledge, 2024), co-written with Frida Rodelo. In this episode you will hear about: The affordances and limitations of YouTube for the political media ecosystem The role of memes in generating political interest among politically disinterested groups How people's distrust of news organizations impact the communication environment for political news How restrictions on political speech have shifted in Mexico in the last few decades Guest Biography: Martín Echeverría is the Head of the Center for Studies in Political Communication at the Benemérita Universidad Autónoma de Puebla, Mexico. He holds a PhD in Communication and Culture from the University of Seville, Spain, and serves as Co-Chair of the Political Communication Section of the International Association of Media and Communication Research (IAMCR). His research, which focuses on the mediatization of politics, media systems, and the reception and political effects of media, has been published in leading journals such as The International Journal of Press/Politics, International Journal of Communication, Journalism Studies, and top Latin American outlets. He is the author and editor of several books, including Media and Politics in Post-Authoritarian Mexico: The Continuing Struggle for Democracy (Palgrave Macmillan, 2024) and Political Entertainment in a Post-Authoritarian Democracy (Routledge, 2023), the latter receiving the AEJMC 2024 Knudson Award for the best book on Latin American media in the United States. Host Biography: Juan Llamas-Rodriguez is a researcher and educator interested in how media theories allow us to critically analyze social phenomena on a global scale. He works as assistant professor in the Annenberg School for Communication and associate director of the Center for Advanced Research in Global Communication at the University of Pennsylvania. He is the author of Border Tunnels: A Media Theory of the US-Mexico Underground (University of Minnesota Press, 2023) and Y Tu Mamá También: A Queer Film Classic (McGill-Queen's University Press, 2025), and editor of Media Travels: Toward an Atlas of Global Media (Amherst College Press, 2025). Credits Interview by: Juan Llamas-Rodriguez Produced by: Juan Llamas-Rodriguez  Edited by: Anna Gamarnik Keywords: authoritarianism, memes, Mexico, political communication, political satire, YouTube Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Dorothy Arzner wasn’t the first female film director in the U.S., but she was really the only one working in the studio system during most of the period that’s known as the Hollywood Golden Age. Her short career was still incredibly prolific. Research: "Dorothy Arzner." Encyclopedia of World Biography Online, Gale, 2022. Gale In Context: U.S. History, link.gale.com/apps/doc/K1631009688/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=19d5d3af. Accessed 11 Mar. 2025. Bryant, Sara. “Dorothy Arzner’s Talkies: Gender, Technologies of Voice, and the Modernist Sensorium.” Modern Fiction Studies , Summer 2013, Vol. 59, No. 2, Women's Fiction, New Modernist Studies, and Feminism (Summer 2013) Via JSTOR. https://www.jstor.org/stable/26287651 Casella, Donna R. “What Women Want: The Complex World of Dorothy Arzner and Her Cinematic Women.” Framework: The Journal of Cinema and Media , SPRING & FALL 2009, Vol. 50, No. 1/2 (SPRING & FALL 2009). https://www.jstor.org/stable/41552560 Chuba, Kirsten. “Francis Coppola Helps Paramount Dedicate Building to Pioneer Director Dorothy Arzner.” Variety. https://variety.com/2018/film/news/dorothy-arzner-paramount-building-francis-coppola-1202715056/ D’Alessandro, Anthony. “Francis Ford Coppola & Paramount Dedicate Studio Building To Trailblazing Female Filmmaker Dorothy Arzner.” Deadline. 3/1/2018. https://deadline.com/2018/03/francis-ford-coppola-paramount-dorothy-arzner-jim-gianopulos-1202307320/ Field, Allyson Nadia. “Dorothy Arzner.” Women Film Pioneers Project. https://wfpp.columbia.edu/pioneer/ccp-dorothy-arzner/ Geller, Theresa L. “Arzner, Dorothy.” Senses of Cinema. 5/2003. https://www.sensesofcinema.com/2003/great-directors/arzner/ Kuperberg, Julia & Clara. “Dorothy Arzner, Pioneer, Queer, Feminist.” Wichita Films. 2022. Lane, Christina. "Directed by Dorothy Arzner." Velvet Light Trap, fall 1996, pp. 68+. Gale OneFile: Business, link.gale.com/apps/doc/A90190315/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=04146780. Accessed 11 Mar. 2025. Levy, Carly. “Dorothy Arzner: The Only Female Director of the Golden Age.” Video Librarian. 4/21/2023. https://videolibrarian.com/articles/essays/dorothy-arzner-a-golden-age-era-female-director/ Lewis, Maria. “Dorothy Arzner: mother of invention.” ACMI. https://www.acmi.net.au/stories-and-ideas/dorothy-arzner-mother-invention/ Lugowski, David M. “Queering the (New) Deal: Lesbian and Gay Representation and the Depression-Era Cultural Politics of Hollywood's Production Code.” Cinema Journal , Winter, 1999, Vol. 38, No. 2 (Winter, 1999). Via JSTOR. https://www.jstor.org/stable/1225622 Madsen, Axel. “The Sewing Circle : Hollywood's greatest secret : female stars who loved other women.” London : Robson. 1996. Mayer, So. “Dorothy Arzner: Queen of Hollywood.” BFI. 3/7/2015. https://www.bfi.org.uk/sight-and-sound/features/dorothy-arzner-queen-hollywood Norden, Martin F. “Exploring the work of Dorothy Arzner as a film-making teacher in southern California.” Film Education Journal. 2022. https://doi.org/10.14324/FEJ.05.2.01 Norden, Martin F., editor. “Dorothy Arzner: Interviews.” University Press of Mississippi. 2024. Tangcay, Jazz. “Women Were Better Represented in Hollywood During the Silent Film Era, AFI Study Reports (EXCLUSIVE).” 1/6/2023. https://variety.com/2023/film/news/women-hollywood-silent-film-era-american-film-institute-afi-1235480998/ Tatna, Meher. “Forgotten Hollywood: Dorothy Arzner.” Golden Globes. 2/16/2022. https://goldenglobes.com/articles/forgotten-hollywood-dorothy-arzner-articles-forgotten-hollywood-dorothy-arzner/ Tietjen, Jill S. and Barbara Bridges. “How Women Were Pushed Out of Hollywood—and Fought Their Way Back In.” Excerpt from "Hollywood: Her Story" The Helm. 4/22/2021. https://thehelm.co/hollywood-herstory-book/ See omnystudio.com/listener for privacy information.

Imprisonment was rarely used as punishment in Britain before 1800. The criminal justice system was based on terror and deterrence, sentencing convicts to the gallows at home and transportation overseas, with prisons serving primarily as holding spaces for the accused until the case against them was resolved. A major shift began in the late eighteenth century when imprisonment became an end in itself: a means to reform as well as to discipline criminal offenders. To Detain or to Punish: Magistrates and the Making of the London Prison System, 1750–1840 (McGill-Queen's University Press, 2025) by Dr. Kiran Mehta revisits this revolutionary moment as it played out in the metropolis of London. Dr. Mehta charts how Londoners, through their interactions with police, magistrates, and judges, became prisoners, and then follows them into the prison, revealing how these institutions were managed and experienced. Local authorities' increased use of imprisonment, for punishment as well as for detention, sparked the wholesale reconstruction and redesign of London's prison estate. It also spurred the consolidation of the modern notion that prisoners who had not yet been convicted of a crime, or who had not been sentenced to imprisonment, should be held separately from and treated differently to those incarcerated for punishment. Most notably, the requirement to labour became a distinguishing feature of punitive confinement. Challenging traditional ideas about who and what prisons were for and how they operated, To Detain or to Punish offers a radical reappraisal of London's prison system between 1750 and 1840.  This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Imprisonment was rarely used as punishment in Britain before 1800. The criminal justice system was based on terror and deterrence, sentencing convicts to the gallows at home and transportation overseas, with prisons serving primarily as holding spaces for the accused until the case against them was resolved. A major shift began in the late eighteenth century when imprisonment became an end in itself: a means to reform as well as to discipline criminal offenders. To Detain or to Punish: Magistrates and the Making of the London Prison System, 1750–1840 (McGill-Queen's University Press, 2025) by Dr. Kiran Mehta revisits this revolutionary moment as it played out in the metropolis of London. Dr. Mehta charts how Londoners, through their interactions with police, magistrates, and judges, became prisoners, and then follows them into the prison, revealing how these institutions were managed and experienced. Local authorities' increased use of imprisonment, for punishment as well as for detention, sparked the wholesale reconstruction and redesign of London's prison estate. It also spurred the consolidation of the modern notion that prisoners who had not yet been convicted of a crime, or who had not been sentenced to imprisonment, should be held separately from and treated differently to those incarcerated for punishment. Most notably, the requirement to labour became a distinguishing feature of punitive confinement. Challenging traditional ideas about who and what prisons were for and how they operated, To Detain or to Punish offers a radical reappraisal of London's prison system between 1750 and 1840.  This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's episodes on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

We've learned here at Spooked that secrets and curses can often lead to unexpected visitors. Some are friends and some… are foe.STORIESSilver DollarRoberta never thought the sinkhole on her family's farm held any secrets.Then Cousin Linzo came to visit.Thanks, Roberta, for sharing your story with us! Roberta Simpson Brown is a storyteller and author in Kentucky, where she's known as the Queen of the Cold-Blooded Tales. Check out her book Haunted Holidays from the University Press of Kentucky. Produced by Anne Ford, original score by Doug Stuart.The Banana TreeSrilatha's family is under a curse, but she doesn't know it. She's got other things to worry about–like whatever's waiting for her in the attic.Thank you, Srilatha, for sharing your story with Spooked! Srilatha is a comedian and storyteller in New York City. Produced by Anne Ford, original score by Lynx, artwork by Teo Ducot.

Invitée: Nina Studer. Voilà vingt ans que l'absinthe est à nouveau légale en Suisse, après presque un siècle d'interdiction. La fée verte a connu ses heures de gloire, elle a été célébrée par la bourgeoisie et les poètes, avant d'être accusée de causer folie et dégénérescence. Ce qui est moins connu, c'est l'importance qu'ont eu les colonies françaises - notamment l'Algérie - dans le développement et la chute de l'absinthe. Tribu reçoit Nina Studer, historienne de la médecine, collaboratrice à l'Institut Ethique Histoire Humanités de l'Université de Genève pour un projet de recherche soutenu par le FNS. Elle est l'autrice de «The Hour of Absinthe. A Cultural History of France's Most Notorious Drink», paru chez McGill-Queen's University Press (non-traduit).

In 1891 J. Murakami travelled from Japan, via San Francisco, to Vancouver Island and began working in and around Victoria. His occupation: creating permanent images on the skin of paying clients. From this early example of tattooing as work, in Needle Work: A History of Commercial Tattooing in Canada (McGill-Queen's University Press, 2024) Dr. Jamie Jelinski takes us from coast to coast with detours to the United States, England, and Japan as he traces the evolution of commercial tattooing in Canada over more than one hundred years. Needle Work offers insight into how tattoo artists navigated regulation, the types of spaces they worked in, and the dynamic relationship between the images they tattooed on customers and other forms of visual culture and artistic enterprise. Merging biographical narratives with an examination of tattooing's place within wider society, Dr. Jelinski reveals how these commercial image makers bridged conventional gaps between cultural production and practical, for-profit work, thereby establishing tattooing as a legitimate career. Richly illustrated and drawing on archives, print media, and objects held in institutions and private collections across Canada and beyond, Needle Work provides a timely understanding of a vocation that is now familiar but whose intricate history has rarely been considered. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1891 J. Murakami travelled from Japan, via San Francisco, to Vancouver Island and began working in and around Victoria. His occupation: creating permanent images on the skin of paying clients. From this early example of tattooing as work, in Needle Work: A History of Commercial Tattooing in Canada (McGill-Queen's University Press, 2024) Dr. Jamie Jelinski takes us from coast to coast with detours to the United States, England, and Japan as he traces the evolution of commercial tattooing in Canada over more than one hundred years. Needle Work offers insight into how tattoo artists navigated regulation, the types of spaces they worked in, and the dynamic relationship between the images they tattooed on customers and other forms of visual culture and artistic enterprise. Merging biographical narratives with an examination of tattooing's place within wider society, Dr. Jelinski reveals how these commercial image makers bridged conventional gaps between cultural production and practical, for-profit work, thereby establishing tattooing as a legitimate career. Richly illustrated and drawing on archives, print media, and objects held in institutions and private collections across Canada and beyond, Needle Work provides a timely understanding of a vocation that is now familiar but whose intricate history has rarely been considered. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

On the latest LGM podcast Erik and I had the extraordinary opportunity to interview John Bleasdale, author of The Magic Hours: The Films and Hidden Life of Terence Malick from the University Press of Kentucky. I heartily recommend the book, which for the most part takes a film-by-film approach to Malick's career. We weren't able […] The post LGM Podcast: The Magic Hours appeared first on Lawyers, Guns & Money.

Welcome back to another episode of Restoring the Soul. In today's special episode, we flip the roles a bit as Curt Thompson graciously takes the lead to explore the profound impact of Michael's new book, Sacred Attachment. Drawing from their personal stories, deep professional insights, and the latest in attachment theory, Curt and Michael delve into the book's central themes of spiritual exhaustion, divine love, and the transformative power of embracing our brokenness. They discuss how embodied experiences, like a long embrace, can reveal our deepest needs and longings for connection. Through their heartfelt conversation, you'll gain practical insights on nurturing your attachment to God and others, as well as the healing power of authentic community. Join us for this enriching discussion and discover how you, too, are an artifact of beauty in the grand mosaic of life's journey. Stay tuned!ENGAGE THE RESTORING THE SOUL PODCAST:- Follow us on YouTube - Tweet us at @michaeljcusick and @PodcastRTS- Like us on Facebook- Follow us on Instagram & Twitter- Follow Michael on Twitter- Email us at info@restoringthesoul.com Thanks for listening!