Podcasts about interwar france

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Best podcasts about interwar france

Latest podcast episodes about interwar france

Pallonate in Faccia
Francia 1938: I Mondiali nell'Europa sull'orlo della guerra | Episodio 35

Pallonate in Faccia

Play Episode Listen Later Oct 14, 2022 29:36


Per molte ragioni, i Mondiali del 1938 possono rappresentare una sorta di spartiacque nella storia del calcio, dal punto di vista dell'organizzazione dei tornei sportivi - seguendo un processo già avviato dai Mondiali del 1934 in Italia e dalle Olimpiadi del 1936 a Berlino - ma anche a livello politico, in quanto ultima edizione del torneo prima dello scoppio della Seconda Guerra Mondiale. E sono stati un torneo tanto spettacolare quanto intriso di retroscena politici. LE FONTI USATE PER QUESTO EPISODIO: - MARTIN Simon, World Cup stunning moments: Mussolini's blackshirts' 1938 win, The Guardian - MOGGIA Valerio, Raoul Diagne, il primo campione afro-europeo, Pallonate in Faccia - TUMBLETY Joan, La Coupe du monde de football de 1938 en France: Émergence du sport-spectacle et indifférence de I'État, Vingtième Siècle. Revue d'histoire, Sciences Po University Press - TUMBLETY Joan, The Soccer World Cup of 1938: Politics, Spectacles, and La Culture Physique in Interwar France, French Historical Studies, Duke University Press La musica è "Inspired" di Kevin MacLeod [incompetech.com] Licenza C.C. by 4.0 POTETE SEGUIRE PALLONATE IN FACCIA QUI: sito internet > https://pallonateinfaccia.com Facebook > https://www.facebook.com/pallonateinfacciablog Twitter > https://twitter.com/pallonatefaccia Instagram > https://www.instagram.com/pallonateinfaccia Per contattarmi: pallonateinfaccia@gmail.com SOSTENETE PALLONATE IN FACCIA!

New Books in Music
Louis K. Epstein, "The Creative Labor of Music Patronage in Interwar France" (Boydell, 2021)

New Books in Music

Play Episode Listen Later Apr 6, 2022 58:56


Patronage has long been an important topic of study in musicology, but is much more likely to be one that specialists in medieval or renaissance music research. In The Creative Labor of Music Patronage in Interwar France (Boydell Press, 2021), Louis Epstein turns to patronage in the twentieth century to reveal an important part of the musical economy that is often overlooked. Many different types of patrons existed in this period, from music publishers and the French government to institutions and wealthy individuals. Far from mere sources of funding, early twentieth-century patrons collaborated closely with composers, treating commissions for new music as opportunities to express their own artistry. Although some of these patrons tried to interfere with the compositional process, most were engaged in a more subtle form of labor. For instance, they curated like-minded composers, encouraged people to write in expensive genres like opera or orchestral music, and supported French nationalism. Epstein also finds that the French example helped to influence the flowering of institutional patronage in post-World War II America. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

New Books in French Studies
Louis K. Epstein, "The Creative Labor of Music Patronage in Interwar France" (Boydell, 2021)

New Books in French Studies

Play Episode Listen Later Apr 6, 2022 58:56


Patronage has long been an important topic of study in musicology, but is much more likely to be one that specialists in medieval or renaissance music research. In The Creative Labor of Music Patronage in Interwar France (Boydell Press, 2021), Louis Epstein turns to patronage in the twentieth century to reveal an important part of the musical economy that is often overlooked. Many different types of patrons existed in this period, from music publishers and the French government to institutions and wealthy individuals. Far from mere sources of funding, early twentieth-century patrons collaborated closely with composers, treating commissions for new music as opportunities to express their own artistry. Although some of these patrons tried to interfere with the compositional process, most were engaged in a more subtle form of labor. For instance, they curated like-minded composers, encouraged people to write in expensive genres like opera or orchestral music, and supported French nationalism. Epstein also finds that the French example helped to influence the flowering of institutional patronage in post-World War II America. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

New Books in European Studies
Louis K. Epstein, "The Creative Labor of Music Patronage in Interwar France" (Boydell, 2021)

New Books in European Studies

Play Episode Listen Later Apr 6, 2022 58:56


Patronage has long been an important topic of study in musicology, but is much more likely to be one that specialists in medieval or renaissance music research. In The Creative Labor of Music Patronage in Interwar France (Boydell Press, 2021), Louis Epstein turns to patronage in the twentieth century to reveal an important part of the musical economy that is often overlooked. Many different types of patrons existed in this period, from music publishers and the French government to institutions and wealthy individuals. Far from mere sources of funding, early twentieth-century patrons collaborated closely with composers, treating commissions for new music as opportunities to express their own artistry. Although some of these patrons tried to interfere with the compositional process, most were engaged in a more subtle form of labor. For instance, they curated like-minded composers, encouraged people to write in expensive genres like opera or orchestral music, and supported French nationalism. Epstein also finds that the French example helped to influence the flowering of institutional patronage in post-World War II America. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

New Books in History
Louis K. Epstein, "The Creative Labor of Music Patronage in Interwar France" (Boydell, 2021)

New Books in History

Play Episode Listen Later Apr 6, 2022 58:56


Patronage has long been an important topic of study in musicology, but is much more likely to be one that specialists in medieval or renaissance music research. In The Creative Labor of Music Patronage in Interwar France (Boydell Press, 2021), Louis Epstein turns to patronage in the twentieth century to reveal an important part of the musical economy that is often overlooked. Many different types of patrons existed in this period, from music publishers and the French government to institutions and wealthy individuals. Far from mere sources of funding, early twentieth-century patrons collaborated closely with composers, treating commissions for new music as opportunities to express their own artistry. Although some of these patrons tried to interfere with the compositional process, most were engaged in a more subtle form of labor. For instance, they curated like-minded composers, encouraged people to write in expensive genres like opera or orchestral music, and supported French nationalism. Epstein also finds that the French example helped to influence the flowering of institutional patronage in post-World War II America. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

New Books Network
Louis K. Epstein, "The Creative Labor of Music Patronage in Interwar France" (Boydell, 2021)

New Books Network

Play Episode Listen Later Apr 6, 2022 58:56


Patronage has long been an important topic of study in musicology, but is much more likely to be one that specialists in medieval or renaissance music research. In The Creative Labor of Music Patronage in Interwar France (Boydell Press, 2021), Louis Epstein turns to patronage in the twentieth century to reveal an important part of the musical economy that is often overlooked. Many different types of patrons existed in this period, from music publishers and the French government to institutions and wealthy individuals. Far from mere sources of funding, early twentieth-century patrons collaborated closely with composers, treating commissions for new music as opportunities to express their own artistry. Although some of these patrons tried to interfere with the compositional process, most were engaged in a more subtle form of labor. For instance, they curated like-minded composers, encouraged people to write in expensive genres like opera or orchestral music, and supported French nationalism. Epstein also finds that the French example helped to influence the flowering of institutional patronage in post-World War II America. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

New Books in Dance
Louis K. Epstein, "The Creative Labor of Music Patronage in Interwar France" (Boydell, 2021)

New Books in Dance

Play Episode Listen Later Apr 6, 2022 58:56


Patronage has long been an important topic of study in musicology, but is much more likely to be one that specialists in medieval or renaissance music research. In The Creative Labor of Music Patronage in Interwar France (Boydell Press, 2021), Louis Epstein turns to patronage in the twentieth century to reveal an important part of the musical economy that is often overlooked. Many different types of patrons existed in this period, from music publishers and the French government to institutions and wealthy individuals. Far from mere sources of funding, early twentieth-century patrons collaborated closely with composers, treating commissions for new music as opportunities to express their own artistry. Although some of these patrons tried to interfere with the compositional process, most were engaged in a more subtle form of labor. For instance, they curated like-minded composers, encouraged people to write in expensive genres like opera or orchestral music, and supported French nationalism. Epstein also finds that the French example helped to influence the flowering of institutional patronage in post-World War II America. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

History of the Second World War
20: Fascism in Interwar France with Dr. Chris Millington

History of the Second World War

Play Episode Listen Later Aug 22, 2021 44:52


Follow Dr. Millington on Twitter: @DrCMillingtonA History of Fascism in France: From the First World War to the National Front https://www.bloomsbury.com/us/history-of-fascism-in-france-9781350006539

Art and Labor
READING – Selva Journal on the Salon des Indépendants

Art and Labor

Play Episode Listen Later Dec 4, 2020 81:45


We pump the breaks on our quarantidinal (word I just made up) looseness and read Emilie Anne-Yvonne Luse’s “This Is the Future Liberals Want”: The Crisis of Democracy and the Salon des Indépendants in Interwar France (1918–1939) from the second issue of Selva Journal. Read the piece and the of rest of the issue here! … Continue reading "READING – Selva Journal on the Salon des Indépendants"

Art and Labor
READING – Selva Journal on the Salon des Indépendants

Art and Labor

Play Episode Listen Later Dec 4, 2020 81:45


We pump the breaks on our quarantidinal (word I just made up) looseness and read Emilie Anne-Yvonne Luse’s “This Is the Future Liberals Want”: The Crisis of Democracy and the Salon des Indépendants in Interwar France (1918–1939) from the second issue of Selva Journal. Read the piece and the of rest of the issue here! … Continue reading "READING – Selva Journal on the Salon des Indépendants"

New Books in Communications
Rebecca Scales, “Radio and the Politics of Sound in Interwar France, 1921-1939” (Cambridge UP, 2016)

New Books in Communications

Play Episode Listen Later Apr 13, 2017 60:49


What did sound mean to French people as radio and other listening technologies began to proliferate in the early twentieth century? What was the nature and significance of French auditory culture in the years between the two world wars? These are two of the central questions that Rebecca Scales pursues in her new book, Radio and the Politics of Sound in Interwar France, 1921-1939 (Cambridge University Press, 2016). This is not a book focused on the institutional history or content of French radio during this period, however. Rather, Scales examines closely a range of ideas about sound and the development of what she calls the “radio nation,” a space of listening, cultural identity, and citizenship. Access to the airwaves, the “right to listen,” and the question of whether radio did or did not reflect the nation and its different members became vital areas of discussion and debate in the 1920 and 30s. Radio and the Politics…explores the dynamic history of radio at a critical juncture in modern French political and cultural history. Its chapters explore the perspectives of sound producers and consumers, including broadcasters, politicians, educators, medical professionals, radio amateurs, disabled veterans, and a variety of other listeners throughout France. The book considers the broad space of the radio soundscape from Paris to the provinces, and the movement of sound waves beyond/across the borders of “metropolitan” France, in Algeria, and to and from other nations. Along the way, the book delves into a range of themes: postwar recovery, class and political differences, the relationship of individual bodies to the national body, tensions between public and private spaces and interests, and state control and surveillance. At once a history of the senses and technology, of French politics, culture and everyday life, this compelling book will be of great interest to readers (and listeners!) across multiple fields. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca). *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

New Books Network
Rebecca Scales, “Radio and the Politics of Sound in Interwar France, 1921-1939” (Cambridge UP, 2016)

New Books Network

Play Episode Listen Later Apr 13, 2017 60:49


What did sound mean to French people as radio and other listening technologies began to proliferate in the early twentieth century? What was the nature and significance of French auditory culture in the years between the two world wars? These are two of the central questions that Rebecca Scales pursues in her new book, Radio and the Politics of Sound in Interwar France, 1921-1939 (Cambridge University Press, 2016). This is not a book focused on the institutional history or content of French radio during this period, however. Rather, Scales examines closely a range of ideas about sound and the development of what she calls the “radio nation,” a space of listening, cultural identity, and citizenship. Access to the airwaves, the “right to listen,” and the question of whether radio did or did not reflect the nation and its different members became vital areas of discussion and debate in the 1920 and 30s. Radio and the Politics…explores the dynamic history of radio at a critical juncture in modern French political and cultural history. Its chapters explore the perspectives of sound producers and consumers, including broadcasters, politicians, educators, medical professionals, radio amateurs, disabled veterans, and a variety of other listeners throughout France. The book considers the broad space of the radio soundscape from Paris to the provinces, and the movement of sound waves beyond/across the borders of “metropolitan” France, in Algeria, and to and from other nations. Along the way, the book delves into a range of themes: postwar recovery, class and political differences, the relationship of individual bodies to the national body, tensions between public and private spaces and interests, and state control and surveillance. At once a history of the senses and technology, of French politics, culture and everyday life, this compelling book will be of great interest to readers (and listeners!) across multiple fields. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca). *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

New Books in French Studies
Rebecca Scales, “Radio and the Politics of Sound in Interwar France, 1921-1939” (Cambridge UP, 2016)

New Books in French Studies

Play Episode Listen Later Apr 13, 2017 61:14


What did sound mean to French people as radio and other listening technologies began to proliferate in the early twentieth century? What was the nature and significance of French auditory culture in the years between the two world wars? These are two of the central questions that Rebecca Scales pursues in her new book, Radio and the Politics of Sound in Interwar France, 1921-1939 (Cambridge University Press, 2016). This is not a book focused on the institutional history or content of French radio during this period, however. Rather, Scales examines closely a range of ideas about sound and the development of what she calls the “radio nation,” a space of listening, cultural identity, and citizenship. Access to the airwaves, the “right to listen,” and the question of whether radio did or did not reflect the nation and its different members became vital areas of discussion and debate in the 1920 and 30s. Radio and the Politics…explores the dynamic history of radio at a critical juncture in modern French political and cultural history. Its chapters explore the perspectives of sound producers and consumers, including broadcasters, politicians, educators, medical professionals, radio amateurs, disabled veterans, and a variety of other listeners throughout France. The book considers the broad space of the radio soundscape from Paris to the provinces, and the movement of sound waves beyond/across the borders of “metropolitan” France, in Algeria, and to and from other nations. Along the way, the book delves into a range of themes: postwar recovery, class and political differences, the relationship of individual bodies to the national body, tensions between public and private spaces and interests, and state control and surveillance. At once a history of the senses and technology, of French politics, culture and everyday life, this compelling book will be of great interest to readers (and listeners!) across multiple fields. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca). *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

New Books in History
Rebecca Scales, “Radio and the Politics of Sound in Interwar France, 1921-1939” (Cambridge UP, 2016)

New Books in History

Play Episode Listen Later Apr 13, 2017 60:49


What did sound mean to French people as radio and other listening technologies began to proliferate in the early twentieth century? What was the nature and significance of French auditory culture in the years between the two world wars? These are two of the central questions that Rebecca Scales pursues in her new book, Radio and the Politics of Sound in Interwar France, 1921-1939 (Cambridge University Press, 2016). This is not a book focused on the institutional history or content of French radio during this period, however. Rather, Scales examines closely a range of ideas about sound and the development of what she calls the “radio nation,” a space of listening, cultural identity, and citizenship. Access to the airwaves, the “right to listen,” and the question of whether radio did or did not reflect the nation and its different members became vital areas of discussion and debate in the 1920 and 30s. Radio and the Politics…explores the dynamic history of radio at a critical juncture in modern French political and cultural history. Its chapters explore the perspectives of sound producers and consumers, including broadcasters, politicians, educators, medical professionals, radio amateurs, disabled veterans, and a variety of other listeners throughout France. The book considers the broad space of the radio soundscape from Paris to the provinces, and the movement of sound waves beyond/across the borders of “metropolitan” France, in Algeria, and to and from other nations. Along the way, the book delves into a range of themes: postwar recovery, class and political differences, the relationship of individual bodies to the national body, tensions between public and private spaces and interests, and state control and surveillance. At once a history of the senses and technology, of French politics, culture and everyday life, this compelling book will be of great interest to readers (and listeners!) across multiple fields. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca). *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

New Books in Sound Studies
Rebecca Scales, “Radio and the Politics of Sound in Interwar France, 1921-1939” (Cambridge UP, 2016)

New Books in Sound Studies

Play Episode Listen Later Apr 13, 2017 60:49


What did sound mean to French people as radio and other listening technologies began to proliferate in the early twentieth century? What was the nature and significance of French auditory culture in the years between the two world wars? These are two of the central questions that Rebecca Scales pursues... Learn more about your ad choices. Visit megaphone.fm/adchoices

politics french sound cambridge up interwar france rebecca scales
Exchanges: A Cambridge UP Podcast
Rebecca Scales, “Radio and the Politics of Sound in Interwar France, 1921-1939” (Cambridge UP, 2016)

Exchanges: A Cambridge UP Podcast

Play Episode Listen Later Apr 13, 2017 61:14


What did sound mean to French people as radio and other listening technologies began to proliferate in the early twentieth century? What was the nature and significance of French auditory culture in the years between the two world wars? These are two of the central questions that Rebecca Scales pursues in her new book, Radio and the Politics of Sound in Interwar France, 1921-1939 (Cambridge University Press, 2016). This is not a book focused on the institutional history or content of French radio during this period, however. Rather, Scales examines closely a range of ideas about sound and the development of what she calls the “radio nation,” a space of listening, cultural identity, and citizenship. Access to the airwaves, the “right to listen,” and the question of whether radio did or did not reflect the nation and its different members became vital areas of discussion and debate in the 1920 and 30s. Radio and the Politics…explores the dynamic history of radio at a critical juncture in modern French political and cultural history. Its chapters explore the perspectives of sound producers and consumers, including broadcasters, politicians, educators, medical professionals, radio amateurs, disabled veterans, and a variety of other listeners throughout France. The book considers the broad space of the radio soundscape from Paris to the provinces, and the movement of sound waves beyond/across the borders of “metropolitan” France, in Algeria, and to and from other nations. Along the way, the book delves into a range of themes: postwar recovery, class and political differences, the relationship of individual bodies to the national body, tensions between public and private spaces and interests, and state control and surveillance. At once a history of the senses and technology, of French politics, culture and everyday life, this compelling book will be of great interest to readers (and listeners!) across multiple fields. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca). *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/

New Books in Science, Technology, and Society
Rebecca Scales, “Radio and the Politics of Sound in Interwar France, 1921-1939” (Cambridge UP, 2016)

New Books in Science, Technology, and Society

Play Episode Listen Later Apr 13, 2017 60:49


What did sound mean to French people as radio and other listening technologies began to proliferate in the early twentieth century? What was the nature and significance of French auditory culture in the years between the two world wars? These are two of the central questions that Rebecca Scales pursues in her new book, Radio and the Politics of Sound in Interwar France, 1921-1939 (Cambridge University Press, 2016). This is not a book focused on the institutional history or content of French radio during this period, however. Rather, Scales examines closely a range of ideas about sound and the development of what she calls the “radio nation,” a space of listening, cultural identity, and citizenship. Access to the airwaves, the “right to listen,” and the question of whether radio did or did not reflect the nation and its different members became vital areas of discussion and debate in the 1920 and 30s. Radio and the Politics…explores the dynamic history of radio at a critical juncture in modern French political and cultural history. Its chapters explore the perspectives of sound producers and consumers, including broadcasters, politicians, educators, medical professionals, radio amateurs, disabled veterans, and a variety of other listeners throughout France. The book considers the broad space of the radio soundscape from Paris to the provinces, and the movement of sound waves beyond/across the borders of “metropolitan” France, in Algeria, and to and from other nations. Along the way, the book delves into a range of themes: postwar recovery, class and political differences, the relationship of individual bodies to the national body, tensions between public and private spaces and interests, and state control and surveillance. At once a history of the senses and technology, of French politics, culture and everyday life, this compelling book will be of great interest to readers (and listeners!) across multiple fields. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. A historian of culture and politics in the twentieth century, her current research focuses on the representation of nuclear weapons and testing in France since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca). *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as “hazy”). To hear more, please visit https://agonyklub.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Memory, Representation & Meaning
Irène Némirovsky and the “Jewish Question” in Interwar France

Memory, Representation & Meaning

Play Episode Listen Later Sep 10, 2010 87:38


jewish question interwar france