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Academy Award-winning screenwriter Josh Singer (Spotlight, The Post) discusses First Man (2018) with Matt Ryan as part of the Carsey-Wolf Center’s Script to Screen series. Singer talks about the depth of research necessary to write the screenplay for First Man, including the creative challenges involved in portraying Neil Armstrong who was known for being a man of few words in a film that also has long stretches of minimalistic dialogue, much of which was taken directly from Apollo 11 mission transcripts. Singer comments on his shared desire with director Damien Chazelle for maximum historical accuracy, and the challenges this presented when accounts and recollections of the events sometimes differed in detail. Singer mentions his extensive work consulting with those who were actually present during the mission and depicted in the film, including astronaut Buzz Aldrin, the family of Neil Armstrong, and other members of NASA. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34339]
Academy Award-winning screenwriter Josh Singer (Spotlight, The Post) discusses First Man (2018) with Matt Ryan as part of the Carsey-Wolf Center’s Script to Screen series. Singer talks about the depth of research necessary to write the screenplay for First Man, including the creative challenges involved in portraying Neil Armstrong who was known for being a man of few words in a film that also has long stretches of minimalistic dialogue, much of which was taken directly from Apollo 11 mission transcripts. Singer comments on his shared desire with director Damien Chazelle for maximum historical accuracy, and the challenges this presented when accounts and recollections of the events sometimes differed in detail. Singer mentions his extensive work consulting with those who were actually present during the mission and depicted in the film, including astronaut Buzz Aldrin, the family of Neil Armstrong, and other members of NASA. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34339]
Academy Award-winning screenwriter Josh Singer (Spotlight, The Post) discusses First Man (2018) with Matt Ryan as part of the Carsey-Wolf Center’s Script to Screen series. Singer talks about the depth of research necessary to write the screenplay for First Man, including the creative challenges involved in portraying Neil Armstrong who was known for being a man of few words in a film that also has long stretches of minimalistic dialogue, much of which was taken directly from Apollo 11 mission transcripts. Singer comments on his shared desire with director Damien Chazelle for maximum historical accuracy, and the challenges this presented when accounts and recollections of the events sometimes differed in detail. Singer mentions his extensive work consulting with those who were actually present during the mission and depicted in the film, including astronaut Buzz Aldrin, the family of Neil Armstrong, and other members of NASA. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34339]
Academy Award-winning screenwriter Josh Singer (Spotlight, The Post) discusses First Man (2018) with Matt Ryan as part of the Carsey-Wolf Center’s Script to Screen series. Singer talks about the depth of research necessary to write the screenplay for First Man, including the creative challenges involved in portraying Neil Armstrong who was known for being a man of few words in a film that also has long stretches of minimalistic dialogue, much of which was taken directly from Apollo 11 mission transcripts. Singer comments on his shared desire with director Damien Chazelle for maximum historical accuracy, and the challenges this presented when accounts and recollections of the events sometimes differed in detail. Singer mentions his extensive work consulting with those who were actually present during the mission and depicted in the film, including astronaut Buzz Aldrin, the family of Neil Armstrong, and other members of NASA. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34339]
Hello Filmy People!We are back after a little break with 3 reviews for your ears. First up A star is born, Seasoned musician Jackson Maine discovers -- and falls in love with -- struggling artist Ally. She has just about given up on her dream to make it big as a singer until Jackson coaxes her into the spotlight. But even as Ally's career takes off, the personal side of their relationship is breaking down, as Jackson fights an ongoing battle with his own internal demons. We then go through News, we then dive into First Man On the heels of their six-time Academy Award®-winning smash, La La Land, Oscar®-winning director Damien Chazelle and star Ryan Gosling reteam for Universal Pictures’ First Man, the riveting story of NASA’s mission to land a man on the moon, focusing on Neil Armstrong and the years 1961-1969. A visceral, first-person account, based on the book by James R. Hansen, the movie will explore the sacrifices and the cost—on Armstrong and on the nation—of one of the most dangerous missions in history. Written by Academy Award® winner Josh Singer (Spotlight), the drama is produced by Wyck Godfrey & Marty Bowen (The Twilight Saga, The Fault in Our Stars) through their Temple Hill Entertainment banner, alongside Chazelle and Gosling. Isaac Klausner (The Fault in Our Stars) executive produces. DreamWorks Pictures co-financed the film.We then give a reaction review to Netflix Daredevil season 3.The third season of the American web television series Daredevil, which is based on the Marvel Comics character of the same name, follows Matt Murdock / Daredevil, a blind lawyer-by-day who fights crime at night. When Wilson Fisk is released from prison, Murdock must decide between hiding from the world or embracing his life as a hero vigilante. The season is set in the Marvel Cinematic Universe (MCU), sharing continuity with the filmsand other television series of the franchise. It is produced by Marvel Television in association with ABC Studios, with Erik Oleson serving as showrunner, and series creator Drew Goddard acting as consultant.Stay Filmy
On the heels of their six-time Academy Award®-winning smash, La La Land, Oscar®-winning director Damien Chazelle and star Ryan Gosling reteam for Universal Pictures' First Man, the riveting story of NASA's mission to land a man on the moon, focusing on Neil Armstrong and the years 1961-1969. A visceral, first-person account, based on the book by James R. Hansen, the movie will explore the sacrifices and the cost—on Armstrong and on the nation—of one of the most dangerous missions in history. Written by Academy Award® winner Josh Singer (Spotlight), the drama is produced by Wyck Godfrey & Marty Bowen (The Twilight Saga, The Fault in Our Stars) through their Temple Hill Entertainment banner, alongside Chazelle and Gosling. Isaac Klausner (The Fault in Our Stars) executive produces. DreamWorks Pictures co-finances the film. This is our spoiler free movie review of Blakkklansman. Enjoy!
Hosts Phil Svitek (@PhilSvitek) & Demetri Panos (@DMovies1701) discuss First Man (2018) Review! On the heels of their six-time Academy Award®-winning smash, La La Land, Oscar®-winning director Damien Chazelle and star Ryan Gosling reteam for Universal Pictures’ First Man, the riveting story of NASA’s mission to land a man on the moon, focusing on Neil Armstrong and the years 1961-1969. A visceral, first-person account, based on the book by James R. Hansen, the movie will explore the sacrifices and the cost—on Armstrong and on the nation—of one of the most dangerous missions in history. Written by Academy Award® winner Josh Singer (Spotlight), the drama is produced by Wyck Godfrey & Marty Bowen (The Twilight Saga, The Fault in Our Stars) through their Temple Hill Entertainment banner, alongside Chazelle and Gosling. Isaac Klausner (The Fault in Our Stars) executive produces. DreamWorks Pictures co-finances the film. HELPFUL LINKS: Website - http://popcorntalk.com Follow us on Twitter - https://twitter.com/thepopcorntalk Merch - http://shop.spreadshirt.com/PopcornTalk/ ABOUT POPCORN TALK: Popcorn Talk Network is the online broadcast network with programming dedicated exclusively to movie discussion, news, interviews and commentary. Popcorn Talk Network is comprised of the leading members and personalities of the film press and community including E!’s Maria Menounos, Scott “Movie” Mantz, The Wrap’s Jeff Sneider, Screen Junkies and the Schmoes Know, Kristian Harloff and Mark Ellis who are the 1st and only YouTube reviewers to be certified by Rotten Tomatoes and accredited by the MPAA. Current Roster or Shows: -Disney Movie News -The Unproduced Table Read -I Could Never Be -On The Fly Filmmaking -Horror Movie News -Anatomy of a Movie -Box Office Breakdown -Meet the Movie Press -Guilty Movie Pleasures -Marvel Movie News -DC Movie News -Action Movie Anatomy -Watchalong Series! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Main Review: First Man (2018) On the heels of their six-time Academy Award®-winning smash, La La Land, Oscar®-winning director Damien Chazelle and star Ryan Gosling reteam for Universal Pictures' First Man, the riveting story of NASA's mission to land a man on the moon, focusing on Neil Armstrong and the years 1961-1969. A visceral, first-person account, based on the book by James R. Hansen, the movie will explore the sacrifices and the cost—on Armstrong and on the nation—of one of the most dangerous missions in history. Written by Academy Award® winner Josh Singer (Spotlight), the drama is produced by Wyck Godfrey & Marty Bowen (The Twilight Saga, The Fault in Our Stars) through their Temple Hill Entertainment banner, alongside Chazelle and Gosling. Isaac Klausner (The Fault in Our Stars) executive produces. DreamWorks Pictures co-finances the film. Scores - Ben -5, Trevor -5, Overview- 5/10 Check us out on itunes or on our website at www.tsucanshed.com Music: http://www.bensound.com
With clients like Kiefer Sutherland, Viola Davis, director Marc Webb, and Oscar-winning screenwriters Josh Singer (Spotlight) and Chris Terrio (Argo), Jamie Feldman is a mainstay on Hollywood Reporter's list of power lawyers. He joins the podcast to talk about leaving a traditional legal career to make his mark in entertainment, the protocol of Hollywood's wine-gifting culture, and the appropriate amount of gluteal cleft in a nudity clause.
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