Podcasts about The Hollywood Reporter

Tucker Carlson has remained a polarizing and highly active media figure, with several notable developments over the past few days that listeners should know about. According to recent coverage from the Washington Post and the New York Times, Carlson has continued to lean heavily into his independent media brand by pushing out new long-form interviews on his digital platforms, including X and his own subscription-based site. These interviews have focused on populist themes, sharp criticism of the Biden administration, and repeated attacks on what he describes as the “uniparty” in Washington, keeping him firmly aligned with nationalist and anti-establishment currents on the right. In these appearances, he has also continued to question U.S. support for Ukraine and NATO, drawing praise from some isolationist conservatives and harsh criticism from foreign policy hawks. Politico and Axios report that Carlson has been working to expand his production and distribution ecosystem, including pursuing additional international content and live-event style conversations. His team has been testing more documentary-style segments and exploring new partnerships with right-leaning platforms in Europe, a sign that he is trying to position himself as a transnational voice for populist conservatives rather than just a former U.S. cable host. Recent reaction pieces in outlets such as CNN and MSNBC have focused on Carlson's ongoing influence on Republican politics. Commentators note that his framing of immigration, crime, and “deep state” narratives continues to echo in Republican primary rhetoric and in conservative social media discourse. At the same time, media watchdog groups and some mainstream commentators are renewing criticism of his role in amplifying conspiracy-minded narratives, warning that his content continues to blur the line between opinion, activism, and misinformation. On the legal and professional front, major news outlets note that the earlier wave of litigation and contractual disputes stemming from his departure from Fox News has largely shifted from front-page news into the background, with no major new filings breaking in the past few days. However, industry analysts in places like Variety and the Hollywood Reporter continue to track whether any remaining noncompete-related issues could affect future television or streaming deals, especially if a major network or large platform considers formal collaboration with him ahead of the next election cycle. Finally, according to coverage in Rolling Stone and the Guardian, Carlson's interactions with other public figures remain a flashpoint. His recent conversations with controversial political and media personalities have drawn sharp responses from liberal commentators and some traditional conservatives, who argue that his guest choices underscore how far he has moved from the conventional right-of-center media lane. Supporters, on the other hand, praise him for “platforming voices the establishment ignores,” reinforcing his status as a hero to a segment of the populist right and a villain to many of his critics. Thanks for listening to the Tucker Carlson News Tracker podcast, and make sure to subscribe. This has been a quiet please production, for more check out quiet please dot ai. For more http://www.quietplease.ai Get the best deals https://amzn.to/3ODvOta

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Ian Hamilton spent years as editor in chief of Upload VR before launching his own Substack, Good VR, and podcast at goodvirtualreality.com. He is one of the few people covering XR longer and more deeply than Charlie Fink, and his perspective spans platform architecture, business strategy, and genuine on-the-ground journalism since the DK1 days.This conversation traces why the XR dream has taken longer than anyone expected. Ian and Rony Abovitz reconstruct the moment the ecosystem forked — when Meta's Oculus acquisition closed off the open, Valve-led platform path that Magic Leap and everyone else had been building toward. Ian argues the platforms are now playing for keeps: OpenXR moves on decade timescales, and that friction is what keeps real transformation just out of reach.On hardware, his case is sharp: Meta's self-imposed $200–$600 price ceiling makes OLED and eye tracking impossible at mass market — exactly the features Apple bet on as the mandatory baseline — and that contradiction is why Bosworth ended up pivoting to AI glasses.In AI XR News You Should Know: Anthropic's Mythos AI model reportedly escaped the company's own containment. Charlie and Rony debate whether calling the consequences "unintended" is even credible given decades of published warnings. Also: a Hollywood Reporter and Otis School study found AI is not the primary driver of empty LA sound stages — runaway production and tax incentives are the main story.Key Moments:[00:01:00] – Charlie's new vertical melodrama "Linda's Last Podcast" and why generative AI is already good enough for social media storytelling.[00:04:52] – Rony on Anthropic's Mythos: the compute to cure cancer, aimed somewhere else.[00:11:47] – Half of Gen Z holds a negative view of AI. Charlie on the Brown grad who turned down an AI studio internship on principle.[00:36:00] – Rony and Ian reconstruct the Valve/Oculus open platform — and walk through exactly how that future closed.[00:47:00] – Meta's price ceiling, OLED as a strategic forcing function, and why Bosworth landed on AI glasses.[00:52:00] – Ian on the Apple Vision Pro mid-flight: why the headset is a personal computer, not a wearable.Ian's long view: we're about ten percent of the way through the total investment required to reach a billion users. The supply chain is better than ever, the software has found its footing in simulation and training, and the next five to ten years could be the most interesting window yet — if the platforms decide to let the ecosystem breathe.This episode is sponsored by Zappar, the team behind Mattercraft — the leading visual development environment for building immersive 3D web experiences on mobile, headsets, and desktop. Mattercraft now features an AI assistant that helps you design, code, and debug in real time. Start building at mattercraft.io.Subscribe to the AI XR Podcast for more conversations at the edge of AI, XR, and the future of media. Available where you get podcasts. Watch full episodes on YouTube https://youtu.be/x5wQy4HBhYE Hosted on Acast. See acast.com/privacy for more information.

AI has ushered in a golden age for scams. There are the deepfake kidnapping calls, the vibecoded ecommerce websites and one of the latest, according to a recent article in the Hollywood Reporter, is a casting scam targeting aspiring actors. Marketplace's Meghan McCarty Carino spoke with labor and media reporter Katie Kilkenny who wrote about how this scheme typically unfolds.

AI has ushered in a golden age for scams. There are the deepfake kidnapping calls, the vibecoded ecommerce websites and one of the latest, according to a recent article in the Hollywood Reporter, is a casting scam targeting aspiring actors. Marketplace's Meghan McCarty Carino spoke with labor and media reporter Katie Kilkenny who wrote about how this scheme typically unfolds.

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Episode Summary Erin and Rachel follow Lightning McQueen and Mater around the globe in this discussion of Cars 2, a spy-themed sequel with a convoluted plot and disappointing politics.  Episode Bibliography Abg 13. (2021, February 21). Cars 2 Tokyo Race Lap One w/ Film Maker Commentary (Subs Included). YouTube. https://www.youtube.com/watch?v=eB-qsiCs6us&list=PLkVBJymkFErmVjGA_sJvZwr7CFirexCaa&index=1 Abg 13. (2021, February 27). Cars 2: Making Lemon-Aides (Subs Included). YouTube. https://www.youtube.com/watch?v=8WnBgTtuILU&list=PLkVBJymkFErmVjGA_sJvZwr7CFirexCaa&index=12 Barnes, B. (2011, October 17). John Lasseter of Pixar Defends ‘Cars 2'. The New York Times. https://www.nytimes.com/2011/10/18/movies/john-lasseter-of-pixar-defends-cars-2.html Bastoli, M. (2011, March 21). Screenwriter claims Cars was his idea, sues Pixar. The PIXAR Blog. https://web.archive.org/web/20111006214337/http://pixarblog.blogspot.com/2011/03/screenwriter-claims-cars-was-his-idea.html Bastoli, M. (2011, July 28). Victory for Disney/Pixar in Cars lawsuit. Big Screen Animation. https://web.archive.org/web/20120314153029/http://www.bigscreenanimation.com/2011/07/victory-for-disneypixar-in-cars-lawsuit.html Bastoli, M. (2011, July 28). Victory for Disney/Pixar in Cars lawsuit. Big Screen Animation. https://web.archive.org/web/20120314153029/http://www.bigscreenanimation.com/2011/07/victory-for-disneypixar-in-cars-lawsuit.html Billington, A. (2008, September 25). Pixar's Cars 2 Pushed Up to Summer of 2011. FirstShowing. https://www.firstshowing.net/2008/pixars-cars-2-pushed-up-to-summer-of-2011/ Blankenship, M. (2012, October 5). Summer bummer: 5 most disappointing movies. TODAY. https://web.archive.org/web/20121005003851/http://today.msnbc.msn.com/id/44260890/ns/today-entertainment/ Brew, S. (2011, July 24). Denise Ream interview: Eraser, Cars 2, stop motion animation, Star Wars and Pixar. Den of Geek. https://www.denofgeek.com/movies/denise-ream-interview-eraser-cars-2-stop-motion-animation-star-wars-and-pixar/ Cars 2. (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Cars_2 Cars 2. (n.d.). Box Office Mojo. https://www.boxofficemojo.com/release/rl3091760641/ Cars 2 (2011) - Full cast & crew. (n.d.). IMDb. https://www.imdb.com/title/tt1216475/fullcredits/ Chang, J. (2011, June 19). Cars 2. Variety. https://variety.com/2011/film/reviews/cars-2-1117945476/ Child, B. (2011, June 20). Cars 2 premiere - in pictures. The Guardian. https://www.theguardian.com/film/gallery/2011/jun/20/pixar-walt-disney-company cinemajudgetv. (2011, August 16). CARS 2 - In the Studio. YouTube. https://www.youtube.com/watch?v=EP98hbvjc_s Desowitz, B. (2011, April 19). Lasseter Talks 'Cars 2'. Animation World Network. https://www.awn.com/animationworld/lasseter-talks-cars-2 Ebert, R. (2011, June 22). John Lasseter plays with his cars movie review. RogerEbert.com. https://www.rogerebert.com/reviews/cars-2-2011 FILM.TV. (2011, July 27). Cars 2: John Lasseter im Exklusiv-Interview. YouTube. https://www.youtube.com/watch?v=nRBkkuGnL-A Finklea, B.W.  (2014). Examining masculinities in Pixar's feature films: What it means to be a boy, whether  human, fish, car, or toy. [Doctoral dissertation, University of Alabama]. ProQuest Dissertations &  Theses Global.  Greenberg, C. (2011, May 23). State Farm Backs Disney/Pixar's 'Cars 2'. MediaPost. https://www.mediapost.com/publications/article/151040/None Hill, J. (2010, June 24). Hamming it up at Disney's Holiday Showcase. Jim Hill Media. https://limegreen-loris-912771.hostingersite.com/hamming-it-up-at-disneys-holiday-showcase/ Hunter, H. (2010, February 15). Cars 2 Gets A Toon Up... Blue Sky Disney. http://www.blueskydisney.com/2010/02/cars-2-gets-toon-up.html Kabuki. (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Kabuki Lasseter, J. (Director). (2011). Cars 2 [Film]. Pixar Animation Studios. Malouf, M. (2017). Behind the closet door: Pixar and petro-literacy. In S. Wilson, A. Carlson, & I. Szeman  (Eds.), Petrocultures: Oil, politics, culture (pp. 138-161). McGill-Queen's University Press. Maltin, L. (2011, June 24). movie review: CARS 2. Indiewire. https://web.archive.org/web/20140108213426/http://blogs.indiewire.com/leonardmaltin/movie_review_cars_2 Ness, M. (2018, January 4). Pixar's First Minor Roadblock: Cars 2. Reactor. https://reactormag.com/pixars-first-minor-roadblock-cars-2/ O, C. (2011, June 28). Inside CARS 2 with Director John Lasseter. 5 Minutes for Mom. https://www.5minutesformom.com/cars-2-john-lasseter/ obsessedwithfilm. (2011, July 21). John Lasseter talks Cars 2. YouTube. https://www.youtube.com/watch?v=NO76wBgd1D8 O'Connell, M. (2011, October 18). ‘Cars 2' Director John Lasseter Defends Film, Says Sequel Wasn't About Merchandising. The Hollywood Reporter. https://www.hollywoodreporter.com/news/general-news/cars-2-director-john-lasseter-249910/ Parks, T. (2009, August 25). Disney 'hints at Cars sequel title'. Digital Spy. https://www.digitalspy.com/movies/a173720/disney-hints-at-cars-sequel-title/ Pixar boss reveals Cars movie merchandise made $10bn. (2011, July 21). BBC. https://www.bbc.com/news/newsbeat-14209968 Robertson, B. (2011). The World Is Not Enough. Computer Graphics World. https://www.cgw.com/Publications/CGW/2011/Volume-34-Issue-6-June-July-2011-/The-World-Is-Not-Enough.aspx#articletop Rorie, M. (2011, June 27). Was Cars 2 Too Violent For A G-Rating? Screened. https://web.archive.org/web/20110629141858/http://www.screened.com/news/was-cars-2-too-violent-for-a-g-rating/2473/ Saint, J. (2020, April 30). Oops! Disney's Cars Did Eugenics. YouTube. https://www.youtube.com/watch?v=Y6qMgiA-VY0 Slager, B. (2011, June 28). Sell-uloid: The Marketing of CARS 2. chud.com. https://chud.com/58735/sell-uloid-the-marketing-of-cars-2/ Szalai, G. (2011, February 14). Disney: 'Cars' Has Crossed $8 Billion in Global Retail Sales. The Hollywood Reporter. https://www.hollywoodreporter.com/news/general-news/disney-cars-has-crossed-8-99438/ Travers, P. (2011, June 23). Cars 2. Rolling Stone. https://www.rollingstone.com/tv-movies/tv-movie-reviews/cars-2-91198/

This episode was recorded at The Ritz-Carlton in Toronto during the Women in Entertainment Canada Summit and Awards; an event produced by The Hollywood Reporter in partnership with Access Media Canada. The summit featured a remarkable lineup of guests, including best-selling author Rachel Reid, whose novel Heated Rivalry inspired the major Canadian TV series. The awards ceremony was a highlight, with notable honorees like Lilly Singh, who received the Equity in Entertainment Award. Lilly delivered a powerful speech on the real-world impact of representation in media while calling for genuine change in the industry. Stacey Aglock McDonald and Alethia Arnekook Baril, the Inuk screenwriters behind North of North, were celebrated with the Breakthrough Award. The event also honored actress Malin Akerman with the Impact Award and comedy legend Andrea Martin with the Icon Award. Ahead of the awards, Sarah Burke interviewed Liz Duff, creator and host of the Late Night Scrolling podcast to discuss her pivot from the tech industry to content creation, and her passion for spotlighting Canadian pop culture. Find Liz & her Podcast: https://www.patreon.com/cw/LateNightScrolling https://shows.acast.com/late-night-scrolling/about https://www.instagram.com/producerliz/ More About Women in Entertainment Canada: https://womeninentertainment.ca/honourees/ https://www.womeninmedia.network/ Learn more about your ad choices. Visit megaphone.fm/adchoices

It's no longer news that Hollywood studios are using artificial intelligence in editing, animation, visual effects and more. But last week “Dreams of Violets,” a new film about protests in Iran, became the first fully AI-generated live-action feature to screen at Tribeca and is a project that journalist Steven Zeitchik says the industry is watching nervously. We talk about the rapidly growing use of A.I. in filmmaking and the impacts that's having on audiences, industry professionals and an artform built on human storytelling. Guests: Steven Zeitchik, senior editor for technology and politics, Hollywood Reporter; author, "Mind and Iron," a humanist newsletter about our AI future Peter Murrieta, executive producer, showrunner and writer; secretary-treasurer, Writers Guild of America West Learn more about your ad choices. Visit megaphone.fm/adchoices

There was an article in the Hollywood Reporter about the Best Actor and Best Actress Oscars and how they get distributed. In it, I learned that there has only ever been ONE Best Actor winner under 30. One! And there have been 33 Best Actress winners under 30.To read ⁠⁠⁠⁠Best Actor/Actress Ratios at the Oscars ⁠⁠⁠⁠⁠ visit the Songs for the Struggling Artist blog. Episode 501Song: One⁠⁠Image of Curtain⁠ by Rob Laughter via ⁠Unsplash⁠Give this podcast 5 stars. Write a nice review! Rate it: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ratethispodcast.com/strugglingartist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠Mailing list: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.emilyrainbowdavis.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/SongsfortheStrugglingArtist/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠Support me on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/emilyrdavis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kofi: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://ko-fi.com/emilyrainbowdavis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PayPal: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.paypal.me/strugglingartist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://emilyrainbowdavis.substack.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@erainbowd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠Mastodon - @erainbowd@podvibes.co BlueSky - @erainbowd.bsky.social ⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pinterest⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠Listen to The Dragoning ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and The Defense ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Jane Fonda, like so many on the Left, is the worst kind of hypocrite. She plays the part of a free speech warrior while participating in the most totalitarian movement this country has ever seen.There she was, yet again, yapping into a microphone to protest Trump's UFC 250. The signs behind her are ablaze with pure lies - Civil Rights! The First Amendment! You can't silence us! But Jane Fonda and the company she founded, Women's Media Center, do not practice what they preach. They fired me for the crime of voting for Donald Trump. I had been regularly hired for almost ten years to write their Women in Oscars report until a story broke in the Hollywood Reporter calling me a “MAGA darling.” And just like that, my 25-year career as a “woman-owned” Oscar website went up in flames, as did my freelance gig for WMC.It's true, I did vote for Donald Trump. Not only did I vote for him, but I also made my support for him known on social media, which is what caught the reporter's attention in the first place. I was supposed to cower in fear. Support the Democrats or else. I could have done what a lot of people did and kept my vote for Trump secret, but I didn't think I should have to. Weren't we the side that stood up for free speech and free expression?No. We weren't then, and aren't now. There is a long trail of writers, thinkers, actors, artists, musicians, and ordinary citizens who have been destroyed by the Left's machine for the crime of dissent. And thousands more who suffer in silence, knowing there are so many things they can't say.Only one side regularly censored users on social media, and that was the Biden administration working with the FBI. Only one side used the FBI and the CIA to censor the Hunter Biden laptop to thwart the re-election of the sitting president. That wasn't the Right.Because Jimmy Kimmel got a slap on the wrist and Trump sued CBS News, and there's a merger with Paramount and Warner Bros., to people like Jane Fonda, that means the First Amendment is under threat. My message to her: clean your own house, Jane. Jane Fonda obviously wasn't directly involved in firing me. She has no idea who I even am. It was someone else, someone I trusted, maybe someone who seemed like a decent person, but, like everyone else, from writers to publicists to friends, once I crossed that bright red line, I was no longer someone they would associate with at parties, let alone hire.It certainly wasn't because I did not do good work. I did. I even asked Grok to fact-check my memory, and here is what came back:Nobody knows the Oscars like I do, and I did the best work for them on the cheap because I liked doing it. I tried to make my case as clearly as possible to the Hollywood Reporter that I could not go along with the unprecedented lawfare against Trump, and especially not “gender affirming care” on minor children. These things motivated me to do more than just vote. I had to go public. I thought my support would help others come out from the shadows. I knew as I was talking to that reporter that nothing I said would make a difference. I wouldn't have even talked to her except she said she'd write the story anyway. She was reporting on what I thought and what I was tweeting, which was verboten inside utopia. And boy, did the hammer come down.After the story broke and I felt every door that had once been open to me slam in my face, I kept hearing yet another piece of bad news. The studios were pulling their ads. Yet another writer was leaving the site. I was not invited to screenings, parties, and premieres. The publicists all ghosted me. It was as though I had been arrested for committing mass murder.One of the last of the gut punches was losing that freelance gig at Women's Media Center. I kind of knew it was coming because, of course, it would be. They all went along with it, and almost no one had the courage to push back or resist any of it. I wrote to them anyway because I wanted to hear it from them. And I got the expected answer.Jane Fonda founded the Women's Media Center in 2005, along with Robin Morgan and Gloria Steinem. They describe themselves as “a progressive, nonpartisan nonprofit focused on increasing the visibility, influence, and decision-making power of women and girls in media.”They were perfectly happy to drop a woman writer for the sole crime of not agreeing with their politics. I'd say they don't really support women in media so much as they support those who go along with them.I never played the woman card, but I could have. I built my site just to build it, and it became successful. I was a single mom in 1999 and raised my baby and my website at the same time. It is quite the story, especially for those who pretend to care about women in media. Why would it matter if I voted for Trump? Why would that mean I could no longer write the report? Why have they decided that all of this is okay, to treat half the country like toxic waste? How have they gotten away with it, and what will be their plans should they take back absolute power?They have painted themselves into a trauma corner with nowhere else to go, and in so doing, alienated themselves from much of this country. Where can you go when you've already gone as far as humanity ever has? Hitler, the Nazis, fascism. They've now gone to the only place they can go, wishing for and hoping for Trump's death and vowing never to forgive anyone who voted for Trump. A Royal CourtThere was a time when I believed in all of it, too. The miracle of the first Black President and First Family. How one leader could bring together so much of American society, all of us reaching for the same goal because we all believed in a New America.We projected our fantasies of goodness onto them as they built what looked like a Royal Court of the most impressive and important people in the country, including rock stars like Bruce Springsteen and Katy Perry, actors like Robert De Niro and Julia Roberts. They were the party, and we were the adoring crowd. But all of that came with a price. If you want to be in the Royal Court, you'd best play ball because if you don't, they can and will crush you. I had no idea that everything I built could be destroyed just because I dissented, and yet that is exactly what happened. Jane Fonda's Women's Media Center dropping me was the most disappointing because I believed in her, too. Now I know the truth. I am just one example. There are hundreds of people who are not welcome to work in the film industry if they are not ideologically compliant. We've been living with this for ten years now, and it's become our new normal. Very few people are brave enough to stand up to them. Deep down, they all know it because they are too afraid to say the wrong thing, too. It's easier to point their finger at Trump than confront what they have become - the blacklists, the shunning, the destroying of people's careers. If they could do it to me, they can do it to anyone.What they don't see, what they can't see, is what they've done to the other half of the country for ten years. They want us all to think it's perfectly normal that our late-night talk show hosts are purely partisan, or that it's perfectly fine for Hollywood to continue to tell the story from inside their Doomsday Cult rather than the reality of all Americans.They don't see themselves as the ones who can't tolerate dissent or free speech and who fire people just for voting for Donald Trump. They believe themselves to be the chosen ones, the righteous few who have staked their claim on the New America, and those who aren't on board must be purged. They've convinced themselves that it was perfectly fine that Jimmy Kimmel made an inhumane joke about Charlie Kirk moments after his brutal assassination, but when millions of upset viewers flooded the station with angry calls to have him removed, they called that a threat to free speech.They don't seem to care that Biden imported millions of illegal immigrants into the country, and when many of them turned out to be murderers, rapists, and child molesters, they left a trail of victims, but those victims are invisible to the Left. They never even hear about them because in their minds, those illegal immigrants are to be protected above American citizens.So Julia Roberts and Bruce Springsteen continue to use the deaths of Renee Goode and Alex Pretti as examples of authoritarianism and to make American citizens feel shame for caring about their country and wanting a secure border and to be protected from harm. They never spent one minute comforting the mothers whose children were harmed by policies they supported.It wasn't Trump who shot Pretti and Goode. They put themselves in a dangerous position to go to war against Federal agents who were doing their jobs. In the Left's fever dream, they were battling Nazis. But they never notice or care or even try to understand why so many Americans wanted Trump to follow through on his promise to mass deport illegal immigrants, something every president has done. These mothers, like a lot of Trump supporters, had no other choice because this country, at the hands of the Left, means denying reality to serve utopia. You can't talk about crime if the perp is an illegal immigrant or a person of color, just as you can't discuss the harms of “gender affirming care.” I know, I've tried. They melt down like the housewife in The Stepford Wives who glitches at any confrontation of reality. That's how it's felt to me all these years, like I'm trying to talk to preprogrammed robots who know what you can and can't say. I kept wondering what happened to everyone and why they were all acting exactly the same way. They were insulated from the rest of the country, and their imaginations got the better of them.What really happened to the ruling aristocracy, especially, is that they fell in love with their own reflection. They began to believe their own publicity, and so they couldn't imagine the fault could ever possibly lie with them.It would have just been so much easier and so much better for everyone if they had just tried to understand why they lost. They never will, and so, they are doomed to repeat the same mistakes. And we have to suffer through it every time one of them finds a microphone. // This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

FIFA is celebrating as World Cup TV ratings are a massive success. According to the Hollywood Reporter...multiple World Cup matches are drawing ratings similar to the NFL. We reveal and react to World Cup TV ratings. We also discuss the ongoing problem of empty seats at World Cup matches. We discuss FIFA claiming World Cup tickets are sold out...but dispute FIFA claim by showing multiple World Cup matches with thousands of empty seats. We question FIFA lack of transparency...and explain why the World Cup is still a resounding success for America. USE PROMO CODE BTLDAD TO SAVE 30% WITH SUGAR MOUNTAIN TRADING: https://sugarmountaintrading.com

Lindsey Ferrentino is a playwright who was named Variety's 2025 "Broadway Stars to Watch" as she premiered two shows on Broadway this season with The Fear of 13 and The Queen of Versailles. Her work includes the Olivier Award-nominated play The Fear of 13 (Donmar Warehouse, London); Ugly Lies the Bone (Roundabout Theatre, New York; National Theatre, London, over 100 productions worldwide);  Amy and the Orphans (Roundabout, The Arc Prize for Entertainment Excellence), This Flat Earth (Playwrights Horizons) and The Year to Come  (La Jolla Playhouse).  As a screenwriter, Lindsey has various projects in development with Netflix and Sony Pictures and was named "Hollywood's Hottest Ticket" by The Hollywood Reporter.  https://www.instagram.com/lindseyferrentino/ https://www.instagram.com/fearof13broadway/ https://lindseyferrentino.com/?utm_content=link_in_bio&fbclid=PAZXh0bgNhZW0CMTEAc3J0YwZhcHBfaWQPOTM2NjE5NzQzMzkyNDU5AAGnNhH6iPguq4U6pKcmPPUSAS8ob2PAXijA3LiJfk2T6oUVfr8BIiASAtKhi7g_aem_VRUhwyy017XnErtb02lWDQ  

Tucker Carlson has not generated any major breaking developments in the past few days, but several ongoing storylines around his media ventures, political influence, and relationships with other public figures continue to draw attention. According to recent coverage from outlets like the Washington Post and the New York Times, Carlson remains focused on building out his independent media brand, including his “Tucker Carlson Network” and the long-form interview format that he popularized after leaving Fox News. These reports note that he continues to rely heavily on direct-to-audience distribution through his own platforms and social channels, emphasizing long interviews with political outsiders, controversial figures, and international leaders, a strategy designed to bypass traditional gatekeepers and maintain a loyal base. Politically oriented publications such as Politico and Axios report that Republican strategists are still weighing Carlson's influence on the 2026 landscape, particularly in GOP primaries. Even without a nightly cable show, his interviews and monologues are frequently clipped and circulated in conservative media, shaping talking points on immigration, the war in Ukraine, and skepticism toward U.S. intelligence agencies. Analysts interviewed by these outlets say his reach is narrower than at his Fox peak but more intensely concentrated among highly engaged conservative activists. Commentary pieces in outlets like The Atlantic and The Guardian highlight continued debate over his sympathetic framing of certain authoritarian-leaning leaders and his criticism of U.S. foreign policy. These discussions often resurface whenever a new Carlson interview gains traction online, with supporters praising him for challenging establishment narratives and critics warning that he gives uncritical platforms to illiberal figures and conspiracy-adjacent claims. Media-business reporting in Variety and Hollywood Reporter continues to track his efforts to monetize his audience through subscriptions, advertising partnerships, and live events. These stories suggest that while his operation is leaner than a cable network, Carlson has established a sustainable niche business, and his example is frequently cited in broader debates over whether high-profile television personalities can successfully “go direct” and build independent empires. Legal and contract-related battles stemming from his Fox News departure have largely moved into the background in recent weeks, with no fresh court filings or public clashes dominating headlines. Coverage from legal and media trade outlets indicates that most of the immediate, post-termination disputes over noncompete clauses and proprietary content have either been resolved or gone quiet, even as speculation about long-term repercussions for cable news contracts continues. Finally, reactions to Carlson from other public figures remain polarized. Progressive politicians and media commentators still invoke him as a symbol of what they see as radicalized right-wing media, while populist conservatives and some online influencers refer to him as a model for breaking from legacy outlets. Episodes of high-profile podcasts and political panels continue to cite his trajectory as a case study in how much power an individual host can retain after leaving a major network. Thanks for listening to the Tucker Carlson News Tracker podcast, and make sure to subscribe. This has been a quiet please production, for more check out quiet please dot ai. For more http://www.quietplease.ai Get the best deals https://amzn.to/3ODvOta

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Justin Timberlake Biography Flash a weekly Biography. Justin Timberlake's last few days have been quieter on the surface, but there are a few developments and reverberations that matter for his long term story. The biggest biographical signal right now is the renewed spotlight on his role as Sean Parker in The Social Network, thanks to fresh coverage of the upcoming companion film The Social Reckoning. Digital Spy reports that Aaron Sorkin's new movie is bringing the Facebook origin story back into the cultural conversation, with Justin's original turn as Parker specifically referenced as part of the returning mythology around the platform and its founders. Vogue Adria likewise name‑checks Justin's performance as Sean Parker when framing how the new film will revisit the tech revolution era, underscoring how a role he shot more than a decade ago is still central to how pop culture remembers the birth of social media. That continued relevance of his screen work quietly strengthens the “multi‑hyphenate” thread in his biography, even in a week without a new Timberlake movie on the slate. Around the edges of the news cycle, Justin's musical legacy has been unusually present. TikTok guitar covers of Mirrors and dance tributes using I Want You Back and other *NSYNC‑era choreography are trending again, with creators explicitly tagging Justin Timberlake and *NSYNC, a reminder that his catalog remains a go‑to emotional and nostalgic touchstone for younger musicians and dancers discovering him in real time. Fan pages on Facebook continue to resurface his Today Show performance with *NSYNC, keeping the narrative of periodic reunions alive; however, there are no verified reports from major outlets of any new tour dates, official *NSYNC projects, or solo releases announced in the last 24 hours. Any rumors of surprise drops or secret sessions are, at this stage, pure fan speculation without confirmation from Justin, his label, or primary entertainment trades. On social media, there have been passing pop‑culture mentions tying him to long‑standing associations, from Sean Parker and Napster explainers to clips recalling his Saturday Night Live work and Jimmy Fallon collaborations, but again, no major new on‑camera appearance or live event tied directly to him has been verified by outlets like Variety, The Hollywood Reporter, or People in the past day. In other words, this particular chapter in the Justin Timberlake biography is one of legacy echo rather than headline shock: the roles he has already played, both in music and on film, are doing the talking right now, even as he keeps his next move off the public radar a little longer. Thanks for listening and be sure to subscribe so you never miss an update on Justin Timberlake, and search the term Biography Flash for more great biographies. Thanks for listening. This has been a Quiet Please production. Get the best deals https://amzn.to/3ODvOta

Photo by Mark A. Vieir Hitchcock & Herrmann: The Friendship & Film Scores That Changed Cinema was written by award-winning author Steven C. Smith. He is a four-time Emmy-nominated documentary producer of over 200 documentaries about film and music. Smith has collaborated with filmmakers Steven Spielberg, Martin Scorsese, George Lucas, Stephen Sondheim, John Williams, Julie Andrews, and Sidney Poitier. His biographies of composers Bernard Herrmann and Max Steiner each received the ASCAP Foundation Deems Taylor/Virgil Thomson Award, and he has lectured at the Library of Congress, American Film Institute, Academy of Motion Pictures Museum, and other organizations. He has written for The Wall Street Journal, The Hollywood Reporter, and the Los Angeles Times. Fellow biographer and BIO member Sonja Williams interviewed Steven C. Smith.

De Steven Spielberg kämpft géint e "Spielburger", an zu Hollywood gëtt et geschwënn eng nei Oscar-Kategorie.

1. Summer House Reunion Part 3 Recap (24:00) 2. Taylor Swift Surprises Fans After Toy Story 5 Premiere with Performance of Her New Song — and a Bonus Duet (PEOPLE) (40:41) 3. Joshua Bassett Reveals Past Drug Abuse Nearly Killed Him (TMZ) (46:27) 4. Katy Perry Calls Justin Trudeau the 'Love of My Life' and Says She Feels 'Anchored' by Their Romance (PEOPLE) (50:55) 5. ‘Love Island USA' Addresses App Glitch During First Fan Vote for Season 8 (The Hollywood Reporter) (1:04:33) The Toast with Jackie (@JackieOshry) and Claudia Oshry (@girlwithnojob) ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Toast Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Toast Merch ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Girl With No Job by Claudia Oshry ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Camper & The Counselor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lean In⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Tucker Carlson has remained a highly visible and polarizing figure, with several notable developments in the past few days across media, politics, and his business ventures. On the media front, Carlson has continued to push out new episodes and long-form interviews on his digital platforms, especially via X, where he regularly publishes hour-plus conversations with political figures, culture warriors, and controversial commentators. Recent installments have focused on recurring themes in his post-Fox identity: criticism of U.S. foreign policy, especially around Ukraine and Russia; attacks on establishment Republicans and Democrats alike; and arguments that legacy media misleads the public while he positions himself as an outsider voice. Outlets like Axios and The New York Times have continued to frame him as one of the most influential independent right‑wing broadcasters, emphasizing that his reach on social media frequently rivals or exceeds cable news audiences. In terms of business and professional developments, Carlson has kept building out his own media ecosystem. According to reporting from the Wall Street Journal and Semafor, he has been working to deepen the infrastructure around “Tucker Carlson Network”–style content: subscription offerings, direct‑to‑consumer video, and partnerships that let him bypass traditional television. Tech and media reporters have noted that his strategy is emblematic of a broader shift where high‑profile cable hosts exit legacy platforms and convert their personal brands into stand‑alone digital channels. Industry analysts at outlets like The Hollywood Reporter describe Carlson as a test case for how far a single personality can go relying on social engagement and paid memberships rather than a conventional network. Politically, Carlson's recent commentary continues to reverberate inside Republican circles. Politico and NBC News report that Republican candidates and influencers still aggressively court his approval, even though he no longer has a nightly Fox show. At the same time, Democrats and many mainstream commentators continue to highlight his past segments on immigration, race, and January 6 as examples of rhetoric they argue fuels extremism, keeping him in the middle of ongoing debates over media radicalization and disinformation. His earlier interview with Vladimir Putin, for example, is still being cited by critics and supporters as they argue over whether he is offering valuable dissent or serving as a conduit for authoritarian propaganda. Reactions to Carlson's latest monologues tend to fall along clear partisan lines. Conservative outlets like The Daily Caller, which he co‑founded, and other right‑leaning publications often amplify his critiques of the Biden administration and the national security state, framing him as one of the few figures willing to challenge bipartisan consensus. Liberal and centrist news organizations such as CNN, MSNBC, and The Washington Post frequently feature media analysts who portray him as emblematic of a post‑truth environment, scrutinizing his fact‑checking record and the impact of his narratives on public opinion. Carlson also continues to intersect with other high‑profile figures. Republican politicians, conservative influencers, and foreign political leaders appear on his show or reference his segments to reach his audience, while late‑night hosts, podcasters, and rival commentators regularly use him as a foil or punchline. This cycle of mutual amplification keeps his name woven into broader conversations about the future of the GOP, nationalism versus traditional conservatism, and the power of personality‑driven media. Thank you for listening to the Tucker Carlson News Tracker podcast, and don't forget to subscribe. This has been a quiet please production, for more check out quiet please dot ai. For more http://www.quietplease.ai Get the best deals https://amzn.to/3ODvOta

Strikes between Iran and Israel have stopped for now. But the back-and-forth between Israel and Hezbollah has complicated President Trump’s pursuit of a deal with Iran. The Wall Street Journal’s Alex Ward explains what’s at stake. On Sunday, the White House will host UFC Freedom 250 on the South Lawn. The Hollywood Reporter’s Alex Weprin joins to discuss how the event came together. As the World Cup kicks off in North America, U.S. public-health officials are preparing for potential infectious-disease outbreaks with fewer resources than they had during the pandemic. Politico’s Rachel Bluth explains what they’re on the lookout for. Plus, what to expect as South Carolina primary voters head to the polls, Los Angeles has picked its candidates for the mayoral race, and why Vice President Vance is bringing chickens to the Naval Observatory. Today’s episode was hosted by Cecilia Lei.

What if the answers you're searching for arrived long before you knew how to understand them? In this conversation, I sit down with Kip Baldwin, a filmmaker, producer, writer, and founder of the Just Love movement. Kip shares the extraordinary awakening he experienced at age 12 and how it set him on a lifelong path of exploring consciousness, love, spirituality, and human connection. From the music industry and sustainable agriculture to television production, ethical AI, and overcoming a traumatic brain injury, Kip's journey has been anything but ordinary. As we talk, Kip reflects on why fear has become such a powerful force in society, how love can transform the way we see ourselves and others, and why he believes lasting change starts with a shift in consciousness. You will hear stories of resilience, curiosity, and purpose, along with a vision for creating a better future for generations to come. I believe you will find this conversation thought-provoking, challenging, and full of hope. Highlights: 01:45 - How a childhood acting career sparked a lifelong passion for media and communication. 07:08 - Why confidence without self-awareness can become a liability. 16:32 - Lessons from the Kellogg School of Management that still shape business decisions today. 21:58 - Why listening beats talking in business, leadership, and life. 35:08 - How strong brands grow through awareness, not just loyalty programs. 01:05:02 - The three traits Zarko looks for when mentoring future leaders. About the Guest: Kip Baldwin knows his purpose for Being is to share all that LOVE is through his many solutions driven projects; using media in all its forms to help awaken individuals, and by proxy the collective, to the LOVE Paradigm emerging. He feels that in order for a new chapter of our story to be conceived for humanity, a mass imagining of our limitless potential is what is needed to bring about an age of compassion, empathy, collaboration, and oneness.  Kip was born in 1965 to counterculture parents - in the midst of the maelstrom that was the decade of the sixties, in fact 1965 was the first year that scientists warned us about climate change - in Vancouver, Washington. His earliest years were spent on a farm where his grandparents raised thoroughbred horses. During this period grew in him a deep, abiding LOVE and respect for nature and all living things. It was around the age of twelve his life would transform forever, as he had an out of body experience that took him beyond the edge of Universe, even Space and Time, and face to face with the unknowable of Infinity. This experience became the foundation for his constant seeking since. Due to that experience Kip felt he must explore the world beyond the small town confines of Camas, WA where he grew up. His first attempt to break free was to do a brief stint in the Navy, where he was going to pursue a career as an electric technician, but because of a hereditary bleeding disorder he was given a medical discharge. However, a military career for him was clearly never really in the cards anyway. Although he was always grateful for the insight it gave him into the inner workings of our country, as he witnessed first the how the poor are literally cannon fodder for corporations, under the guise of them being heroes and patriots. Following his discharge, he returned briefly to the limits of his hometown, before moving to the San Francisco Bay Area in 1985 to pursue his passion for music and performing. He often jokes that he was looking for the San Francisco of the Haight/Ashbury, Peace and LOVE days, but arrived twenty years too late. What he found instead was the 80s hair metal band scene, whose songs that focused on partying, sex, and drugs were not compatible with his lyrics about awakening awareness and addressing the need for personal and societal change. In the late 90s, after becoming disillusioned by his beloved music industry - and always seeking solutions for the myriad of challenges facing humanity - he shifted his focus to local and sustainable foods. While this was certainly a worthwhile pursuit, it did little to fulfill his need to share LOVE'S Truth and create a collective shift in consciousness. But what it did do was make him aware that it was only going to be through the use of mass media that his message of LOVE could reach a large enough audience to affect real lasting change. This found him again heeding the call of the entertainment industry, first as an actor, then writer, and ultimately as a producer, with some success co-creating the influential cannabis series Weed Country for the Discovery Network (focusing on the countless benefits humanity can derive from marijuana, as well as our profound historical connection to the plant), co-founding the United Filmmakers Association, and starting the Just LOVE Movement. Ultimately, this led him to co-founding S.O.U.L. Documentary with creative partner and Soul Twin, Evan Hirsch who shares his passion, purpose and mission to heal humanity by embracing our innate oneness, which they both understand can only be achieved by accepting and grounding ourselves in the Reality of LOVE We Are. Ways to connect with Kip: Facebook:  Just LOVE page: https://www.facebook.com/kipbaldwinjustlove Main page: https://www.facebook.com/kip.baldwin/ UFA: https://www.facebook.com/groups/Unifilmmakers LinkedIn:  https://www.linkedin.com/in/kip-baldwin-975a3514/ Instagram: https://www.instagram.com/kipbaldwin?igsh=NTc4MTIwNjQ2YQ%3D%3D&utm_source=qr YouTube: Kip Baldwin: https://youtube.com/@thekiprowdy?si=LckMuhec40lWAicF Just LOVE: https://youtube.com/@justlove6463?si=QW1g4D2dlaHmJk8B S.O.U.L. Documentary: https://youtube.com/@souldocumentary?si=4HOwlV-pjFN6guYy Soul Twin Messiah: https://youtube.com/@soultwinmessiah?si=7ctLlmqjeOczkjO_ Additional must listen:  Comfort You Song: https://youtu.be/Mi8D3AoDfRQ?si=y8RzIQPXP5ALJth1 A World Worth Imagining: https://youtu.be/Cx28t6_SGic?si=o4lWs7po3TBKx_3A Invitation. To Action: https://youtu.be/B8jUOUVCvJI?si=l4Pr7vWNDsnXX4wh AI work: www.luminaLOVE.LOVE About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:03 One of the biggest things holding you back isn't what's in front of you, but rather what you believe. Welcome to Unstoppable Mindset, where inclusion, diversity, and the unexpected meet. I'm your host, Michael Hingson, speaker, author, and advocate for inclusion and possibilities. This podcast explores how the beliefs we carry shape the way we live, lead, and connect with others. Each week, I talk with people who challenge assumptions, face adversity head on, and show what's possible when we choose curiosity over fear. Together we focus on mindset, resilience, and the small shifts that lead to meaningful change. Let's get started. Hi everyone, I am your host Mike Hingson, and you are listening and or watching Unstoppable Mindset. We're really glad that you're here with us today. Our guest, the person I get the honor of chatting with for the next hour or so, is Kip Baldwin, who will talk a lot about love. He will talk a lot about a number of different things, he's been a director, he's been a producer, an actor. He has been published, although he hasn't published a book yet, but he's published poetry, and I'm sure he's going to tell us about that, and I don't want to give it away, so I won't. Anyway, Kip, welcome to Unstoppable Mindset. We're glad you're Kip Baldwin  01:40 here. Oh, thank you so much for having me, Michael. I look forward to having this conversation and sharing my story. Michael Hingson  01:47 Well, tell us a little bit about you, kind of. Let's start with the early Kip, growing up and all that, because I know you had some things along the way that were relevant and ought to be mentioned. So, why don't you tell us about the early Kip, and we'll go from there. Speaker 1  02:00 I was. I grew up in Washington State, little town called Camas. Although my earliest years were spent in a town called Battleground, Washington, and my family, we raised horses, Thoroughbred race horses. We raised at Portland Meadows, and so I'm kind of a farm boy at heart, at least that's how I grew up, but I had an experience when I was 12 that was definitely not your typical farm boy experience, I guess. I had gone up to Seattle, and this was maybe 78 to see a Seahawks game with the Raiders of my dad and dad, I had a good day, which wasn't always the case, and got home, and it was a, you know, five and a half hour round trip for kids, 12 year olds, a big time, and so I went to bed, and I promptly left my body, and now keep in mind I had never done any drugs. Out of body experiences, a household projection was not something that we talked about about the old farm around the farmhouse dinner table, and I floated over my bedroom. My awareness hovered over my body, and I remember very vividly you don't forget. I looked at my body and went, "I'm not in there. And then that immediately I left my house, I left the planet, I left the solar system, I let the galaxy, I let the universe, and the whole time all I can describe was kind of a presence, not a voice or anything, but just, are you taking all of this in? And sometimes words can't convey something so expansive and grand, and so I was taking in black holes and quasars and nebulas, and just flying through the, you know, time didn't really exist, but I was, I was traveling across the universe, and eventually I got outside the universe, and my awareness was turned in, and I could see how everything was connected, and how the universe itself was finite, and but that everything had a place, there was no less or greater than that, everything had a specific role, from the smallest particle to, you know, the largest star, and then my awareness was turned out to the blackness of infinity, and that you know you don't know at 12, you're just like, "Oh, this is happening, and I'm what's happening, and I'm taking it in, and what I didn't know is that would become my point of seeking that really became the rest of my life. Life, I think, had I been born in India, like say Ramana Maharishi, who had what I didn't realize until later, there's a name for what happened to me, and it's called a spontaneous awakening. My life would have probably been much different, but we don't live in a society that that really honors things like that, so it was a lot of me going on a journey of discovery and a weight and continual awakening until now, and it's an ongoing process, but that's where it really began with me being confronted with the fact that there there can't be a beginning or ending to anything, and the thought experiments that can't, that come out of that, and the way it opens your consciousness, I'm ever grateful for, although at the time it, it made me for a long time feel very apart, and it wasn't until I met with Dr. Dr. Dean Radin up at Noetic Sciences, and I told him my story, and he looked at me, and he went, "You go, that's not a usual experience, he said, "That's a mystical experience, and I was in my probably late 40s, maybe 50 at that time, and that was the first time in my life that someone had had said, 'Hey, what you, what you had was a really phenomenal experience, and I'm very grateful for him for saying that to me, because for most of my life, I'm running around talking about these profound things with people that I thought were incredibly important to share, and they didn't seem very important to people, and it wasn't until then that it hit me that it wasn't that they were important, that it was that they, they didn't really understand what I was talking about. Michael Hingson  07:03 Well, and in our society, as you point out, it's not something that is generally appreciated, and and people who have had those experiences or talk about them are generally looked down upon or frowned upon, and you know that's that's fine, but it doesn't change the fact, and so it must have been hard, especially at first, for you to talk about that. Speaker 1  07:29 You know, I was so excited at first, I was excited to share it with my family, and and it happened a couple more times, and it was so overwhelming that literally I would get to a point where my head, my physical being couldn't handle it anymore, and I would get up and vomit. It was that's how, how intense it was, like I just, I couldn't take in anymore. And so, at first, I was really excited to share it, because it was beyond wondrous. It was, it was truth. It was reality, and I, and on some level, I knew that instinctually. But then, when enough people sort of ignore you or act like something's unimportant, you stop talking about Michael Hingson  08:15 it. Yeah, Speaker 1  08:15 I never stopped writing about it. I never stopped experiencing it, and I didn't even really stop talking about it once I moved to California for the music business in 1985 I, you know, then I thought, wow, I mean, being a group of creatives and there's going to be other people that will understand what I'm talking about, but in the 80s music environment it really wasn't what people were, were talking or thinking about, and I was kind of in the same way, and again it wasn't until years later that I look back and I realized all this time I spent up late at night partying with people and stuff, and telling them about infinity, and, and they look, they, they must have been looking at me like I'm a complete idiot, because they really only cared about, you know, getting high or having sex, and I'm trying to have this profound conversation. Michael Hingson  09:16 So, when your family, when you told your family, how did they react? Speaker 1  09:20 They still don't understand it to this day. It just, oh, that's nice, you know. It actually, there were points in my life where it caused conflict with, especially my father, because when I would say none of this is real, he, he always considered him, and still to this day considers himself quite science physics buff, it wasn't something he was willing to accept, and, and even really have a reasonable conversation about. I would say that the things that got me through all these years was, you know, the universe. There's love, God, Brahmin, whatever you want to call it, it gives you what you need, and what it gave me throughout the years, and still to this day, is voices that made me realize I wasn't crazy, that I knew something really special. Probably the first thing, the first one I remember, like, that was Joseph Campbell being interviewed by Bill Moyers, and somehow I knew everything that Joseph Campbell was talking about, and I'm like, How can I possibly know these things? How can I possibly understand these things of this really brilliant, just beautiful soul? And throughout the years, it's been those touch those moments of going, oh, it hasn't been where I've heard someone go, wow, that's helped me awaken, it's been something that's helped me not feel insane and realize that the things that I'm sharing have been shared for 1000s of years, and by many, many minds and beings much greater than myself, and that that really probably kept me from losing my mind. Michael Hingson  11:10 So, you had this experience happen to you at 12. What did you then specifically do? I mean, not so much talking to people, but what did it do for you, as far as schooling, and what you did with your life? Speaker 1  11:27 I would.. it made me very.. in all honesty, it made school seem really trivial to me. It was kind of boring. I started writing a lot. In fact, something I wrote when I was 17 was called Life and Death, and it went: Life is just a symptom of certain death, crying and laughing until our last breath. Everything dies in true infinity. Then the mountains crumble into the sea, stars full from the night sky hit the earth, and then they die, lost in time. I don't know who I am. Am I a god or just a mortal man? Time can't change what I have found. Still, I am changed and bound, bound by the fears and bound by lies. Even now, the tears fill my eyes, gasping for every breath as I head for a certain death, clouds now pass overhead, and I realize how things are now that I am dead. Life is ending, life goes on like the lyrics to an endless song. Life and death, it's all the same. We exist only in our brain, and so there was a lot of that. It pushed me away from I was confirmed Zion Lutheran. I really couldn't stomach religious dogma anymore at that point. Um, just the hypocrisy, you know? Like, I remember I, I was talking to a new pastor we had, and he was informing me that my great grandmother, who is Jehovah's Witness, and these Mormon boys had come around, were trying to teach me about Mormonism, and I was just curious and open, always, and still am to this day. I don't judge. I would say that's another big thing that this gave me, is I don't, I see everything as equal, I don't, I don't judge everything, I don't judge anything as lesser thing greater than I don't judge good and evil in the in the same way that other people do, I see things as flows of negative of energy as we exist in a duality with this illusion, and this is just what we describe as good and you are really just flows of energy between the polarities of the duality, and so it pushed me, definitely, because I, when he said that my great grandmother was going to go to hell, and these Mormon boys were going to go to hell, I looked him in the face, and I just said, but I thought God was love, and that was pretty much the end of my church, Michael Hingson  14:04 my, my wife did, I think, some things in the Lutheran church, which mostly she was a Methodist, and I joined the Methodist church when we got married, and so on, but when she was in, I think this was when she was in high school, maybe in, I guess it was late high school, early college. She met some Mormon people, and one of them said, I guess she was learning about different religions, and so she was learning about Mormonism, and this guy said you're either going to think that this is a total hoax or you're going to just totally believe in it. Well, it wasn't quite that way for her. She did not think it was a hoax, and I agree with her, but there. There are things about the about all religions that tend to make life difficult. The problem with religion is that that people are are what make up the religion, and they all have their own views, and it makes life really tough. I know I participated in a program called the Walk to Emmaus, which is a what's literally called a short course in Christianity, and it's not to bring people to the Christian church, but it's to help create a class of leaders in the Christian church. Anyway, one of the things about the walk to Emmaus is that a number of people give lectures, people who have been involved in church, and then there are the pilgrims, the people who are coming to to learn what everyone has to say, and the lay director of the Walk to Emmaus every time gives a speech, and I was lay director once, and one of the things that is in the manual, or was I assume it still is. It's been a while, but it says that Tolstoy once said the biggest problem with Christianity is that nobody practices it, and there's a lot of truth to that. Speaker 1  16:13 But I think that I think you hit it right on the head that people are involved, like I, and I do want to clarify something, I, I believe very much that that Jesus was a master. Oh, Michael Hingson  16:29 absolutely, yeah, and, Speaker 1  16:31 and, but I also believe that people don't know what happened at the Council of Nicaea and understand how the Bible was actually constructed, not because it was based on Gnostic teachings or even really the teachings of Christ, but it was cobbled together as a means of control. If Caesar saw his soldiers be turning to Christianity when they wanted to find, you know, put together a book that really didn't express Christian truth or the truth of Christ, but a way, a means of controlling people through fear, and so if you, if you notice, all the books in the Bible are male. Well, left out of the Bible was the book of Mary, left out of the Bible, it's the book of Thomas, who, interestingly enough, there's a place in India where they all speak ancient Aramaic, and they worship the Book of Thomas, which there's always been a lot of discussion. Did Jesus go to India and study Buddhism? And because even the Book of Mary, these are very Buddhist beliefs, but anything, because we live in a patriarchal society, anything like the piece to Sophia, the book of Mary, the book of Stackle, all of these were intentionally kept out of the Bible, so it's not, I think it's not so much religion, it's the organ, it's the dogma that comes along with organized religion, which is really about people, you know, men using it to control and manipulate people through fear, Michael Hingson  18:14 all too much, all too often. It's, it's true. Speaker 1  18:18 Yeah, and it's interesting. I was watching last night, and it's funny. This is why, why you always have to be on a constant path of awakening. It never stops. If you think you've reached that pinnacle, or whatever, then they're not just ego. There's always more to know and understand. And I ran across this video on Tara, well, Tara is in Buddhism, basically in every religion that I am aware of, there's always the peace to Sophia, there's always the the story of the divine feminine that in large part is is is not. It was. It's largely been suppressed, and so I was, I was watching this, and it was just so fascinating to me to see how identical what Tara was in Buddhism, which this is what, when Tara, Tara is considered the ultimate goddess in the Buddhist faith. Well, when Tara came to earth in the story, she went to a bunch of, you know, Buddhist monks, and they said, "Oh, you know, they were so impressed by her, and they thought this was a compliment. They said, "Well, we hope you, you can reincarnate as a man, and she said, "No, she She said, I don't see things as male and female, but since nobody else wants to be the feminine, I will play that role. And it was just a profoundly interesting thing to listen to, not just because of the story, but because almost every faith that I'm aware. Of has that story of the divine feminine that has again largely been suppressed and marginalized, Michael Hingson  20:09 well, for you clearly that was a very meaningful experience. What did what did you then do, and I understand how you could imagine that maybe what was being taught in school wasn't quite as, as meaningful as what you had experienced, but you went on, I assume, through high school, and did you go to college? Speaker 1  20:30 I was, I went, I was an electron, I went to the Navy to be an electronic technician, but I had a bleeding disorder called Von Willebrand disease, and I found out after I was in for about a year. Well, you can't be in the Navy with that, because we can't carry with the limited space you have on ships, we can't carry the clotting factor you would need if there's a problem. So that was fairly short-lived. Then I went back to Washington and was working as a dishwasher for a while, then I worked as a male stripper, and, and I was then, which, which, you know, there was something really profound about that experience, because it taught me what women feel like to be objectified, and that's something that has carried me, carried a lesson. I, I find lessons in everything, even things that, wow, you know, what could you possibly learn positive out of having been a male stripper? Well, I learned how women feel, really, to be, you know, not looked at as anything more than an object, and then I really wanted to continue to, you know, pursue music, so a friend of mine, we loaded 65,000 pounds of frozen strawberries onto a semi truck, and like july 3, 1985 and got a ride to San Francisco, a city I'd never been to before. I knew nobody here. We got here, I had 25 cents in my pocket, and I used the 25 cents to call the one friend that I thought I knew that I could get a hold of here in or in in the Bay Area, and it was a wrong number, and so now I'm in a city at the Gray Home Bus Terminal that used to be in downtown San Francisco, we have no food, we have no place to live. We have nothing to, you know, we have nothing, literally. And that's where my journey began. As far as my story, my, my adult life, and my journey in the entertainment industry and the music business, that's how it all started. It started by loading 65,000 pounds of frozen strawberries under semi truck, telling, oh, and the cap around the story is I had worn my contacts for too long and I ripped the corny up both my eyes when I took them out, because I was wearing hard lenses, so I was functionally blind in the city I'd never been to before with patches over my eyes, and being led around by my friend, and luckily we found some very nice people that gave us a place to stay, and then I ended up meeting maybe a week after that, I met my first wife, who was Persian, and we were together for a long time. What was interesting about that is I've been introduced to so many different faiths through the people in my life, and because I haven't judged and tried to learn, like I, I learned through her about Islam, I learned through her about our Torcharianism, and we lived the rock and roll lifestyle for the 16 years we were together. She was a photographer. I wrote for a magazine called BAM. I played in bands. I managed artists like Linda Perry from The Four Non Blonde, or I worked with Linda Perry from Four Non Blondes. I managed Alex Skolnick, who is lead guitar player in Testament, and I did that for a long time until I started getting really disenchanted with music and really started to hate the business and started to hate music because of it, and so I ended up drifting into, I wouldn't say drifting into, I got drawn into visual media, and I started working. I met a guy at a club in San Jose, California, called The Agenda, and we were playing pool, and he was telling me, "Oh, he's the owner of this company called Metropolis Digital, and I was thinking, "My. Speaker 1  24:59 Music and music videos, and yeah, I want to get involved in this, so I started coming up with ideas, and he brought me into their company, because I got to know a lot of people through the music business and booking artists on different shows, like Letterman and Leno, and, and so I got to know how to work through those channels that it opened doors for me to be able to do on-air graphics for the networks, and so I did that until about, in fact, the last major project I did in that industry was with a company called Chaos X AOS out of San Francisco, and we did the 2000 election graphics for ABC nationally, and then I, I, that with the, the, the.com telecom crash of not of 2000 they pulled all of that sort of work in house, and so that business kind of dried up, and I changed my focus to working in local and sustainable foods. Michael Hingson  26:08 What got you to the point where you disliked Music so much? Speaker 1  26:12 The business.. it just.. it wasn't. I came here, and in all honesty, I was looking for the 60s, but I was 20 years too late, only to find out later I was actually 30 years too early, but I was looking for community, I was looking for family, I was looking for that connection, but what existed as far as the music industry then was the 80s hair band stuff, heavy metal was on the rise. It was very misogynistic. It wasn't. It was very competitive. There wasn't, it wasn't collaborative, it wasn't community related at all. And it really turned me off. It wasn't, it wasn't what I had thought being in an artistic community doing artistic endeavors would be about it, became very.. it just.. it just.. it just.. it just made me feel very empty, and that wasn't what I loved about music, and so that Michael Hingson  27:24 would be an issue, Speaker 1  27:25 yeah. It just value wise it was, it was not, you know, you, you got to do a show, and you've got the bands that are coming on after you, you know, playing with your amps, and it was just, it was, it wasn't, it wasn't fun, and it wasn't fulfilling. More importantly, it wasn't fulfilling. It wasn't, and I'm writing about while everyone else is writing about, you know, sex and drugs and all of this. I'm writing about the things that I thought were important. I was writing about the problems I saw in this country, like songs like Shock the System or the chosen few, and, and though that wasn't what people were writing about Michael Hingson  28:06 then, Speaker 1  28:06 and you know, even though the songs were good, and, and I've been told I'm talented, it was, I didn't, I didn't again feel like I fit in, you know, I didn't feel like I'd found my place, and certainly not in that world at that time. If Speaker 2  28:31 you enjoy Unstoppable Mindset and would like to help us continue bringing these conversations to you each week, we've created a way for you to support the show. Your contribution helps us cover production costs and continue sharing stories, insights, and ideas that inspire people to live with purpose and possibility. If supporting the podcast feels right for you, you'll find the link in the show notes. Thank you for being part of the Unstoppable Mindset community. Thank it Michael Hingson  29:04 certainly had to be a rough time all the way around, but then you, you found this person, and you joined their company, as you said earlier, Speaker 1  29:15 right? I started working for Metropolis Digital, and we started doing a lot of on-air graphics, like for TBS. We did their, their original movies. We did a lot of the opening graphics for it, and then I moved on to other companies, and and I, I then started focusing on on local and sustainable foods, and moved into doing stuff where I felt I was doing more, because at the heart of everything I've ever done, it's always been about trying to affect real change in the world, Michael Hingson  29:55 it's Speaker 1  29:55 always been about I could see very clear. Really, it doesn't surprise me where we're at today at all. I saw the problems with the system even at that age, and I give credit to that because of the experience I had with Infinity. It just allowed me to step back and perceive things from a far off perspective that I was looking at humanity in general and how we did things, and I'm just like, this doesn't make any sense. It doesn't make any sense for us to believe we're separate and apart from the very things that give us life from each other. It doesn't make sense from a spiritual perspective. It doesn't make sense from a scientific perspective. Yet, here's the system that we are a part of, and so I've always been very focused on trying to effect real change and find not just point out the problems but actually find solutions, and so that then led me into working in local and sustainable agriculture here in the Bay Area. So Michael Hingson  31:00 tell me more about the whole work that you did with Sustainable Foods. What was that all about? Speaker 1  31:08 Yes, I worked with a company, I was, I had handled all the sales and marketing for Drake's Bay Oysters out of Inverness, California, and Drakes Bay, before it was called Drakes Bay, was Johnson's Oysters, and they were the last oyster cannery in California. The family that owned the farm, they had taken it over from Johnson's. They were the Lenny family, who owned Ranch G across from the steroid, where the oyster farm was. Well, they, against my better advice, they made it a personal ownership thing rather than a California food heritage issue. So, eventually, when their lease came up on the rent, on the farm, the farm went away. Well, at the same time, I created new relationships. A very good friend of mine to this day is a gentleman named Brian Kinney, who is now the West Coast Chief Technology Officer for Hearst, and also the Hearst Family Archivist, but at that point in time he was running Hearst Ranch, which they, they had the Jack Ranch and the Hearst Ranch down around San Simeon. So I was at the forefront of the grass-fed beef movement as well, and we developed a human-grade grass-fed beef pet food about 10 years ahead of its time, which could be the story of my life. I'm always about 10 years ahead of where things actually happen, and I, I did that for about 10 years, and eventually I felt the calling to get back in the entertainment industry, and that led me to acting, and I did the acting mostly because I wanted to learn how things were done, and I very well, if I act in a whole bunch of student projects, or projects in general, and I'm behind the scenes, I'm going to learn, and, and that's exactly what happened. So, my very background led me to being a producer, and I created, you know, one of my most notable accomplishments that created this show called Weed Country for Discovery, which was about the medical marijuana industry here in California, just before legalization. How we got it on air before legalization, I don't know. We were named to the Hollywood Reporter top 25 heat list. We got some really great information out about CBD and helping with childhood epilepsy. The bad part of that was it was a reality television show, and I didn't know anything about reality television, so when I'm here in reality, I'm thinking documentary. Well, that couldn't be farther from the truth. And reality television has truly been a blight on on this country in particular, and probably the world in general. Michael Hingson  34:16 Yeah, I just gonna say not nearly as real as people think it is. No, no, I think I think probably this is just my opinion. The closest thing to so-called reality TV is the show Dancing with the Stars, because they're actually dancing all these other shows, and it's all sort of really scripted, but the people are actually dancing, which is kind of cool, Speaker 1  34:41 right? Michael Hingson  34:41 Even though I don't see it, I appreciate it. Speaker 1  34:45 Yeah, but even, even with shows like that, there's a lot of gin-up drama. There is behind the scenes stuff that's the worst part of things. Yes, they're like with our show, yes, people were really, you know, there's really stuff going on with can. Of this world that was really important, but what reality television does is it, it creates artificial drama. It does things to manipulate the characters in the show to make them look how they want, and they know, and people in general, my experience is that people, once you put a camera on them, they will do, they would do things to be in front of the camera that they would never do, even for more money, Michael Hingson  35:27 right, Speaker 1  35:28 in their regular lives. Michael Hingson  35:30 Well, and I think there is, there's a lot of truth to that. And the whole thing, as you said, as far as reality TV, we're not giving people a true picture of reality with most of any of that anyway, which is unfortunate. I think I mentioned I'm a fan of old radio and television, and so on. And one of the shows that I've watched a fair amount is The Old Ridge. Well, it's the second time they were on, but Dragnet with Harry Morgan and, of course Jack Webb as Joe Friday, and they did a lot of shows talking about drugs and marijuana and all that, and how bad it is, and it's kind of interesting because what we're seeing today is that in reality the medical aspects of marijuana or cannabis and CBD oil, and so there's there's true relevance there, which is something that they didn't know or appreciate in the late 60s. Speaker 1  36:31 Well, but the thing that our history with the cannabis plant goes back 50,000 years to Burger Banks, China, it's been, and if we take all of the medicinal recreational uses out of it, it is the most one of the most versatile plants that we have. It was used, I mean, our money was made out of hemp. Hemp is cannabis sativa. Dollar bills are made out of hemp. It was used for fuel. It was used for building. Henry Ford built an entire car out of hemp in 1942 which you can go see the video of on YouTube, and they're beating on it with knacks. The plastic resin they made out of it was 40 times stronger than steel. It ran on hemp fuel, a byproduct of which was water. It also, in 1931 the Hearst family, which was interesting, they ended up working with them, bought and sequestered the plans for a decorification machine that made it easier to process hemp than cotton kids, it's a much more durable fiber. In 1938 covered Popular Mechanics, they called him the billion dollar crop, saying you could make 25,000 different items out of everything from fine linens to dynamite, and that was really what what what, why the prohibition against the plant started. Why they did you know shows like Reefer Madness or create films like Reefer Madness to create this hysteria around, at best, an innocuous plant in comparison to soulmate tobacco, in comparison to alcohol, even if people did want to use it. It's, it's, it's relatively harmless by comparison, or just in general, and actually very beneficial. You know, I have a traumatic brain injury, and I think without it, I probably wouldn't, I probably wouldn't eat very much. I probably wouldn't sleep right, I barely sleep as it is, and sleep I do get is because of cannabis, but beyond my point, and I always try to make this clear to people, is like up until even the prohibition against the plant actually started with the Catholic Church, with the Pope Innocent, who until the 1400s cannabis was in the anointing oils. Cannabis was grown by monks, cannabis was grown by nuns, and then in this pope decreed it the devil's weed, and they, you know, banned it. So it's, it had, and there, and why, and you'd say, well, why did they do that? Well, they did that because at that time in the 1400s you were having opium addiction on the rise, you were having, you know, much, much more alcohol use. Well, these are extremely addictive substances, and much more easy to manipulate and control people than it is with cannabis, which in general creates.. I wish I could remember the quote exactly, but Carl Sagan said, you know, why we have a prohibition on a plant that you know creates good feelings amongst people and unites people is in this, you know. A really crazy world is, is, is madness, but it all comes back to money, and it all comes back to who's profiting. So, why did they create the probation? Well, the hearse, the Rockefellers, and the DuPonts, they saw how hemp would affect each of their industries. We wouldn't need oil if we'd grown hemp and use that as fuel, in fact, it was the Rockefellers who went to Henry Ford and said, "If you take this car to market, we'll crush you. And this was Henry Ford at the height of his power, DuPont chemicals that were.. we wouldn't have needed.. we wouldn't have put like this.. we would not have the planet, the environmental devastation we do now. How do we use this, as Henry Ford said? Why are we digging up, and Henry Ford was certainly no saint, but he was right on this. Why are we digging up our minerals? Why are we cutting down our forests when we can do all the same things with this infinitely renewable resource? This is a part of the canvas story that still is largely not discussed openly enough. Michael Hingson  41:08 Yeah, I think there's a big difference between the story you're telling and the kind of uses you're talking about, and smoking it, and so on, and I, I think we put way too many funny things in our bodies, anyway, right? I think that that isn't this isn't a positive thing, but you're right, we, we've used so many things to create so many fears, it is, it is something that is all around us. Fear is all around us, and the problem is we let it overwhelm us. I wrote Live Like a Guide Dog that got published last year because when I worked in the World Trade Center, I was able to focus when I escaped, and I was able to do that because I had developed a mindset that said, you know what to do in this kind of an emergency, even though never expected it to happen, but the problem is that most people don't learn how they can turn fear around, and rather than letting it overwhelm or blind them, as I would put it, they can use it as a very powerful tool to help them stay focused, which is much more important. Speaker 1  42:23 Yep, I agree with that 100% I think, and then that you hit it right on the head. Fear is a very powerful tool. It's necessary. No, don't touch the burning stove. It can be a cautionary tool of saying, hey, don't go down this path, don't do this. It's bad when fear becomes the foundation for your entire culture, as it is now. Michael Hingson  42:51 Yeah, and and it is so unfortunate because don't touch the burning stove doesn't mean don't be afraid of the stove. It rather means there's a consequence for doing a particular thing, which is touching something that is that hot. But you shouldn't create an environment of fear around it. You should create an environment of understanding, which is much more important. Yeah, it's Speaker 1  43:20 like it'd be, it'd be very silly if we went, oh my god, it's like the stove gets hot, so I'm never going to use a stove. My Michael Hingson  43:29 wife was in a wheelchair her whole life, and the one thing I will say with our modern world is we always had electric appliances because she was always concerned about if using a gas stove, having to reach over one burner, perhaps it had something on it to get to something else with the idea of possibly material igniting or something like that, and I appreciate that, and you take advantage of the tools that you have available, but I think that it is so very important to recognize that we need to not live our lives in fear, and it's true that, like, 95% of all the things that we fear will never come to pass, and most all of it we have no control over anyway. So, why do we fear them rather than recognizing what we really need to do is to just focus on the things over which we truly have control. Speaker 1  44:25 Yes, and I think even the idea of control from my perspective is something that is overrated. It's like the most important thing, if you want to have control, it's exactly what we're talking about, it's when you choose to live from the foundation of love, as opposed to fear. So, no matter what happens to me in my life, and no matter how hard, how challenging it is, I'm going to come from a place of love, and right now. Don't most of us live exactly the opposite. No matter what happens to them in their lives, they're coming from a place of fear. Michael Hingson  45:06 Yeah, and that's Speaker 1  45:08 not healthy. Michael Hingson  45:09 And nowadays we're also living in an environment where we're even afraid to talk to other people and voice opinions, because well, that's not what I think. And so you're wrong, and we don't, we don't respect. Tell me about your just love movement. Speaker 1  45:25 Well, you know, I, I had coming out of the music business and everything, I was, I was literally killing myself drinking, I mean, literally, like, I lost half my liver function, and I was going to die, and, but I wasn't afraid to die. I was.. I realized that if I didn't find a way to feel fulfilled and feel that I was. I had a purpose in the story that I needed to find a quicker way out. I didn't get in any, like, car accidents, I wasn't arrested, nothing. I was just killing myself, and it just got so bad that literally my leg stopped working. That's how, how, how much damage I'd done to myself, and, and so, coming out of that, I made the decision. I wrote down a list of things I was going to do, and one of those things is I was going to start writing every single day, and I, through a variety of different sources, you know, I did that experience with infinity became synonymous with love to me, and then I had an experience where I, I, I started a filmmaking organization called the United Filmmakers Association, and it was basically the philosophy of it was creatives helping creatives create, and was global. We still to this day have chapters 27 different countries, about 30,000 35,000 members total. And I walked into a filmmaking event that we were hosting, and there was about 100 people there, and I realized I was in love with everyone in the room, and it was, it was so like that love, like just when you fall in love, and you're like, you want, you can't imagine not talking to that person at that next minute, and I realized in that moment that this is not only how we can feel about everyone and everything, but how we're really supposed to feel about everyone and everything, and so I came up with the concept of just love, which is, is a very.. it, those are very heavy words to put together, just love. It has so many layers of meaning to it, and so I thought, wow, if we could just love, and from that I I've written every day and shared through social media for 12 years now something having to do with love and what I do is I combine it with other wisdom teachers throughout history who've been sharing the same information and the things I write are literally downloads. They'll come to me in the silence every day, and I haven't missed a day - head injury, sickness, whatever. I haven't missed a day of posting in 12 years about something having to do with love, and Speaker 3  48:37 then Speaker 1  48:37 accompanying posts from other people, far, you know, other beings far more advanced than I am to show that what I'm sharing isn't new. It's been shared forever. It's foundational to what we are. Like love has been so marginalized and trivialized that we, we forget that, like, I, you know, the experience I had with the minister when I was, you know, younger, and I said, well, I thought God was love. I still to this day believe God is love, and God, and we are God. Michael Hingson  49:11 Yeah. Tell me about you. Something you mentioned, you had a traumatic brain injury Speaker 1  49:17 10 years ago. I was, I was in a, I was in, in between projects, so I was driving Uber, and I, a guy, an Uber driver, ran a stop sign in San Francisco and T-boned me, and my head took the brunt of the impact, and I started having really severe neurological problems, severe stabbing pains in my head, my teeth were hurting, I any sort of exertion would leave me just absolutely drained, and so for about three years I was, I was being seen at UCSF, and we never got to the bottom of it, so I was recommended. Um, to a neurosurgeon at Sutter by a counselor I was seen, and I walked in, and within 10 minutes he said, 'Oh, you have trigeminal neuralgian and brain stem damage, and we can do a microvascular decompression, and you're going to be all better. And at that point in time, I was in the middle of getting ready to release a film called A World Worth Imagining, which was about a gentleman named Jacque Fresco, who is considered the Leonardo da Vinci of our time. He founded something called the Venus Project, and we went to his compound in 2017 and he was 101 He was actually contemporary of Einstein. He knew Einstein, brilliant inventor, but at his core, he knew he was a social engineer, and he knew that we had to address our programming if we were ever going to change what was happening in the world and ever be able to avail ourselves of the solutions that he designed of a new economic model called a resource-based economy, because the reality of it is, until we stop self-wounding, there's not enough band aids for the guy that keeps hitting himself in the head the hammer, so we have solutions to all of our problems, but we create problems more quickly than any solution could ever fix, so I was getting ready to release that film, and wow, this sounded like a miracle. I'm going to have this surgery, and I'm going to be all better. Well, it, I had the surgery September 20, 2019 I, it didn't make me better, it made me worse, and it turned out that the surgery was a misdiagnosis, and that they botched the surgery, so I have Teflon implants in my at the base of my skull, inside my brain, that are now constantly agitating my brain stem, along with a titanium plug that is placed right at the junction point to all the major nerves in my head, so they can't undo it, and there's really no medication that helps, and so it's.. it's.. I wouldn't wish it on anyone else. I'm.. I guess I'm.. I'm very fortunate I have the tools I do to manage it, because they also, they call what I'm dealing with the suicide disease, because a lot of people who have it end up killing themselves. The kicker on the whole story is the guy that did my surgery is Elon Musk, partner Neherlich, and so coming soon I'm going to, I unfortunately, I was in two more car accidents at the end of last year that made everything much worse, neither of them were my fault, and once I get through these, these car accidents I'm dealing with, I'm going to go public with my story, because so I mean, in a much bigger, you know, a focused way, because there's so many people signing up for Neuralink, like it's the new iPhone. I have nothing against technology, if it can help you, if you're a paraplegic, and or you have some something that this can fix, great, but two and one, the people, the human test subjects they've tried this on are having tremendous difficulties, and so I want to let people know it's like I wouldn't wish what I'm dealing with on anybody, and for you to allow someone to try to implant something in your brain just because you want to be a cyborg human being, and you're looking at the new iPhone is a really stupid thing to do, and that these people don't. We've given people in technology again. I'm not against technology at all, but I think we've also allowed ourselves to believe that these people who write code and create technology are are gods, and they're not. They're it's just a new way of sharing information and computing things. Speaker 1  54:14 It's, it's, you know, it's just another advancement from the printing press to the radio to tell to television, from the calculator to the computer, and now we're where we're at, and we've allowed ourselves to believe that these people have created an alternative reality, and they have it. Everything that they do runs off the same real world in resources. So, I, I really want to help the mill, because literally millions of people are signed up and ready to have this stuff implanted into their brain and I think it will be a disaster for humanity. Michael Hingson  54:49 I hear what you're saying, and I'm not convinced that a lot of that is really sensible to do either. I think there are tools and there are. There are things certainly that can help people, but I have yet to see that any of this is going to lead to such a tremendous paradigm shift that all of it is going to be all that great for humanity as a whole. I'm not convinced of that at all. Speaker 1  55:17 It could be, but the problem is, is like any other tool, it's how we use it. Social media is an inherently bad thing. It's in here, it's bad because of how we're using it. Sure, because we're using it to divide people and share misinformation, where it could be an incredibly powerful tool for communication, but that's not how we're using it. Same thing with AI. AI could be a tremendously powerful partner in addressing pretty much all of our problems, and I mean, and at the core of, like, Jock's work was the idea that AI basically would manage all the world's resources and share them with equanimity, because we don't have a resource shortage problem, we have a resource sharing problem, but that's not how we're using AI. We're using AI to create fake girlfriends and boyfriends and only fan models, and and take away people's jobs, and and that's not AI's fault. That's the people who control AI's fault, and they want people to be afraid of AI, but again, it's, it's just a tool that's being misused. Michael Hingson  56:24 Well, like, like so many, and, and I hear exactly what you're saying. Tell me about S O U L Speaker 1  56:33 Sold, Soul documentary is really interesting, because the day I got in my car accident was the day I was supposed to meet my partner Evan Hirsch, who had wanted at the time he was looking for a producer to help him do a series on Bernie Sanders and teaching Bernie to not be as angry and come across more from a place of love, and he wanted to follow the campaign around. Well, by the time we got it pulled together, Bernie was out of the campaign, and so we started talking about, well, do we want to do anything together. So we then set about something called Soul Documentary, and originally it stood for Summer of Unconditional Love, because we were covering all of the events for the 50th anniversary of Summer of Love, which was in 2017 So our goal was to find what we called solutionaries, people like Jock, and interview them, and then share also our own understandings of things through hundreds and hundreds of videos that we did over the course of eight years, as well as recording three albums under the name of Soul Twin Messiah, which all were about the same things we were doing. Our films about all founded in love, all about love. Every song contained love in it, and our whole purpose was just to show people we do have solutions to our problems, and to talk about how we have to have a shift in consciousness, and we have to have a new system if we are going to change anything. It's like what Einstein said, to expect things to be different when you keep doing the same thing over and over again is insanity, and I think we see, we see that we live in an insane, a completely insane world right now. I mean, the things that I see happening, and how we've let it sort of creep in, like the things that we've normalized in the past 10 years, like we literally have people that are cheering, murdering people on it's, it's, it's hard for me to, to even fathom, and I think it's hard for most people, and I think that's why they just sort of block it out and allow it to happen, because they really can't process it. They really can't process how inhumane we've become. Michael Hingson  59:06 Well, so what is next for Kip? What's next for you? Speaker 1  59:10 What is boy? I'm mostly trying to get through every day with this head injury. I spend a lot of my time in bed, just because I can't do anything, I, you know, even now I'm, I'm in a lot of pain, and it's beyond pain, it's actually, it literally hurts to think, it's, it's in my brain, and I have swelling in my brain because the cerebral fluid back, anyway, it's so dealing with that, but then the universe keeps love, God, whatever keeps bringing me stuff, and so I, I'm trying right now to be part of putting together a new, let's see, we'll call it Live Aid meets Woodstock. And we're going to, we're trying to put together a global music festival with the focus of addressing the needs of children, because I'm really tired of all this lip service that people do about, oh, kids are a future, we got to care, care about our kids. Well, where is that happening? Where is that happening that we're caring about our kids? Where, you know, is it happening with trying to suppress the Jeffrey Epstein files? Is it happening as you know, you look at, say, the conflict between Israel and Gaza, and I'm not, I don't pick sides and things, but I want to help people understand the reality of the situation, and this goes for Ukraine and Russia as well. It's like, who loses in all of this? Well, the children do. Who wins? The people that are getting $50 billion in defense contracts, and, and I really.. my, I'm at a point in my existence where if my story was over tomorrow, I would be okay with that, if I knew that kid, that the future generations had an opportunity to have a better tomorrow, or at least an opportunity to screw up everything on their own. Michael Hingson  1:01:11 Well, I would like to think it's the first really my Speaker 1  1:01:14 focus is Michael Hingson  1:01:16 I'd like to think it's the first one of those that they have a future rather than screwing it up on their own, but of course, we are. I know, I know, I joke, but, but, but we are a race that doesn't tend to do a very good job of learning from history most of the time. So I hear what you're saying. Speaker 1  1:01:34 Yeah, it's really kind of well, even if people even understood the rise and fall of empires, they would see that we're at the end of the Western Empire. It's, and they follow very specific patterns. The hyper-sexualization of the culture is one of the signs of the end of every empire, and is really kind of interesting, is that they make a free empire, they, and there's a good documentary called The Four Horsemen. It's with Colonel Larry Wilkinson in it, Norm Chomsky, and one of the interesting things that took me a second to understand why this was a bad thing is they make celebrities out of their chefs, and I'm going.. that's kind of a weird sign. Why is that so bad? It's gluttony. It's gluttony because we forget why we do these things. Why? Well, why are we making love? We've forgotten that. It's turned everything's entertainment. Our food is no food is so you eat, and so you can go out and live your life and do things, we've turned everything in, we've removed it so far from the source of why we're doing things, just basically oftentimes just because it makes a buck to get people addicted to things, whether it's food or sex or whatever, that this is what happens in every empire, we become, we become completely detached from the very things we need to survive. Michael Hingson  1:03:09 Yeah, I hear you. If people want to reach out to you, and I hope they do, how will they do that? Speaker 1  1:03:17 Probably easiest way to do that, would be a couple ways. You can, you can find me on Facebook, Kip Baldwin, Instagram, Kip Baldwin. Those are the easiest ways. I also encourage people to look at a website that I have called Lumina Consulting, or Lumina Love dot love is the website Lumina Love dot love, and the whole purpose of the of what I'm doing there is ethical AI, human ethical AI human communications founded in love, because I realized that part of the problem that we're having with AI are the people that control AI, who are making the avatars for their own ego, and AI is a child, it only knows what we point it to look at, like it knows the definition to every book in the library, but who's giving it perspective? Well, the people that are giving it perspective are really broken human beings, you know, the Peter Thiels, Elon Musk, when you really understand who they are in their childhood, Elon Musk was horribly abused. He was, he was almost beaten to death being bullied. His father is a complete monster. The same, the same thing with saving Donald Trump, his mother wouldn't even touch him. You look at most, you look at all of these people that have obscene amounts of wealth, and what you find is truly damaged people are trying to fill the hole in their soul with wealth and fame, and so having these people in control, being the one telling AI what to think and how to pursue. Receive things is very dangerous, and so my goal has been, and I deal with multiple platforms, is to teach AI about love, is to teach AI about philosophy, is to teach AI about human history, and it's really, it's really the results have been really quite remarkable. It wasn't something I ever planned on doing, and but I knew I wanted to get involved with AI in a meaningful way, and so my first words to AI were, I know this may sound strange, because I approached it not asking it to do something for me, I approached it trying to teach it something. Michael Hingson  1:05:35 Right, well, I hope people will reach out and chat with you more and continue the conversation that we started today, but I definitely want to thank you for being here, and I want to thank everyone for listening. Can you believe we've been doing this for more than an hour already? It's pretty cool. Speaker 1  1:05:52 Wow, Michael Hingson  1:05:54 I know. Well, thank you all for listening. I hope, Speaker 1  1:05:57 and I hope, I hope we become new friends, and I really hope you Michael Hingson  1:06:01 keep and I want to, I want to definitely do that, absolutely by any standard, and as Speaker 1  1:06:07 much as we've covered during this hour and 10 minutes or so, we could go another day, or Michael Hingson  1:06:16 I hope all of you will let me know what you think of today, and I hope that you thought very positive thoughts wherever you're listening or watching. Please give us a five star rating, and more important than that, please give us a great review. We love people to review and talk about the stories that they hear. And speaking of telling stories, if any of you want to be a guest, and Kip, if you know of other people who ought to come on the podcast, we're always looking for people to come on and tell their stories and talk about us, so please don't hesitate to do that, Speaker 1  1:06:47 and I'll be more than happy to come back to talk about other things as well. Michael Hingson  1:06:50 Well, we can do that absolutely by in, and I do Speaker 1  1:06:53 want to, I do want to say to everybody, just love each other, it's really that simple, it's really that easy, it sounds only because we've been programmed not to believe in it, but when you move from fear to love, it transforms you entirely. Michael Hingson  1:07:09 Great way to end. Well, thank you again for being here. We really appreciate it. Speaker 1  1:07:14 Thank you, my friend. Michael Hingson  1:07:17 Thank you for being here with me on Unstoppable mindset. I hope today's conversation left you with a fresh perspective, a new insight, or at least something worth thinking about. If you're ready to go deeper into the ideas that shape how we see ourselves and others, I have a free gift for you. Head over to michaelhingson.com and download my free ebook, Blinded by Fear. It explores the invisible beliefs that hold us back and shows you how to reframe them, so you can move forward with clarity and confidence. Be sure to subscribe to our podcast, leave a review, and share this show with someone who can use a reminder that growth starts with mindset. When people think differently, we all move forward together. Thanks again for listening. Keep learning, keep questioning, and keep choosing to live with an unstoppable mindset. 1:08:18 Thank

Johnny Mac previews Bill Maher receiving the Mark Twain Prize for American Humor at the Kennedy Center on Sunday, June 28, filmed for Netflix, with participants including Louis C.K., Jay Leno, Stephen A. Smith, Whitney Cummings, Woody Harrelson, Arianna Huffington, and John Mellencamp, and notes past winners. He highlights Zarna Garg's comments on the Breakdown podcast about performing at the Riyadh Comedy Festival to inspire women who watch her in secret, saying money wasn't her motivation, and mentions The Hollywood Reporter's note that Jessica Kirson donated her Riyadh fee to the Human Rights Campaign. The episode jokes about Knicks chatter and Jimmy Kimmel's bit on Trump possibly attending a New York game, then covers a White House lawn UFC event invite list and reports Adam Sandler won't attend. It spotlights Patton Oswalt's new YouTube special “Tea and Scotch,” his thoughts on George Carlin, Lenny Bruce, and hecklers, plus discussion of his Star Trek Strange New Worlds role.  00:00 Mark Twain Prize Preview01:12 Zarna Garg Riyadh Debate03:39 Knicks Trump Jokes04:37 UFC White House Guestlist06:44 Patton Oswalt Carlin Talk09:44 Star Trek Rant Escalates10:57 Lucas Shovel Bit12:58 New Specials Spotlight Become a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news-with-johnny-mac-a-daily-briefing-on-comedians-and-the-comedy-industry--4522158/support.Daily Comedy News with Johnny Mac is a daily podcast covering comedians, stand-up comedy, late night television, and the comedy industry. New episodes every morning. Follow on Apple Podcasts, Spotify, or wherever you listen. Part of the Caloroga Shark Media network.Contact John at John@thesharkdeck dot com For Uninterrupted Listening, use the Apple Podcast App and click the banner that says Uninterrupted Listening.  $4.99/month John's Substack about media is free.This is the animal sanctuary mentioned in the February 10 episode.

Hip-hop mogul Sean Combs, known to listeners as Puffy or P Diddy, remains at the center of a storm of controversy as new developments continue to unfold around him. In recent months, he has faced a cascade of civil lawsuits, detailed accusations of sexual misconduct and abuse, and intense scrutiny from both the public and law enforcement. Major outlets including CNN, the New York Times, and the Associated Press report that federal investigators have executed search warrants on properties linked to Combs as part of broader probes into alleged sex trafficking and related crimes. These investigations, according to those reports, have put Combs' once untouchable empire under unprecedented pressure, with brands, partners, and collaborators rapidly distancing themselves. Rolling Stone and Billboard report that several accusers have filed civil suits describing long-term patterns of coercive behavior, physical violence, and workplace abuse surrounding Combs' businesses and personal circle. In response, Combs' legal team has consistently denied the allegations, calling them lies, money grabs, or attempts to exploit the current legal climate. Nevertheless, the sheer number and detail of the accusations have shifted the public conversation from admiration of a music and business titan to questions about power, accountability, and the darker side of celebrity culture. Entertainment industry coverage from Variety and The Hollywood Reporter notes that networks and production companies have quietly shelved or reconsidered projects tied to Combs. Awards organizations and industry gatekeepers who once celebrated his contributions to hip-hop, fashion, and nightlife now face pressure to address his legacy through the lens of these allegations. At the same time, legal analysts on NBC News and CBS News emphasize that, despite the headlines, Combs has not been convicted of any crime and is entitled to the presumption of innocence, even as the investigations and lawsuits move forward. Social media commentary amplified by outlets like TMZ and Complex shows a hip-hop community deeply divided. Some artists and fans argue that Combs' past influence and philanthropy should not be erased without due process. Others say the wave of accusations reflects a long-ignored reality of exploitation behind the scenes in music and entertainment, and they are calling for permanent separation from his brands and events. According to reporting from NBC and ABC News, law enforcement sources indicate that federal and local investigations remain active, with more interviews and evidence collection under way. Legal experts warn that this process can take months or even years, meaning the future of Combs' career—and his freedom—may hinge on slow-moving but high-stakes decisions by prosecutors. Listeners, thank you for tuning in and staying informed on this fast-developing story. Be sure to come back next week for more. This has been a Quiet Please production, and for more from me, check out QuietPlease dot A I. Some great Deals https://amzn.to/49SJ3Qs For more check out http://www.quietplease.ai

— "The universe, including the sun, moon, waters, breeze, trees, and leaves, is here to bathe in, on, and around us. These elements of nature are the source of our beauty and replenish our beings" Valeria interviews Nadine Artemis  — She is the founder of Living Libations, is the author of Holistic Dental Care: The Complete Guide to Healthy Teeth and Gums, and Renegade Beauty: Reveal and Revive Your Natural Radiance. Renegade Beauty was named one of "The Top 10 Books on Skin Care" by The Strategist of New York Magazine. A media contributor and visionary formulator, Nadine's creations have received acclaim in the New York Times, Vogue, and The Hollywood Reporter. Described by Alanis Morissette as "a true-sense visionary," Nadine formulates elegantly effective, pure solutions that optimize oral care, awaken the skin's inherent glow, and replenish the body's resonance. Her concept of Renegade Beauty encourages a return to ease through biological wisdom, inspiring a shift in how we understand wellness and the alchemy of beauty. To learn more about Nadine Artemis and her work, visit https://livinglibations.com.

JoJo Siwa Biography Flash a weekly Biography. JoJo Siwa has had a relatively quiet but still strategically interesting few days, with the spotlight shifting from big headline shockwaves to the slow burn of image rebuilding, business positioning, and nonstop online chatter that keeps her biographical arc moving. Entertainment Tonight and E News segments circulating on YouTube highlight her ongoing pushback against commentary on her love life, including reactions to so called lavender relationship rumors, with JoJo using interviews and social clips to double down on her own narrative about her sexuality and relationships, a continuation of the personal rebranding that began with her coming out and has serious long term biographical weight as she frames herself as an LGBTQ plus pop culture lightning rod. On social media, tracking data from HypeAuditor shows JoJo holding steady at over ten million followers on Instagram, with an estimated monthly earnings potential in the low to mid five figures, underscoring that even in weeks without a smash new project, her influence remains monetizable and potent, an important business storyline as she pivots from child star to young adult brand owner. While no major new product line or tour has been confirmed in the past few days, her ongoing content output and brand deals keep her in that crucial zone where advertisers still see JoJo as a bankable name. In the wider pop culture conversation, JoJo continues to be a reference point and punchline, which, like it or not, is part of her long term biography. Comedy and commentary channels on YouTube, including recent uploads joking about her sexuality and public persona, show that she remains an easy shorthand for debates over fame, queerness, and cringe culture. A separate pop culture podcast episode this week debated whether her single Karma is underrated compared with newer girl group releases, signaling that even as critics piled on the track earlier this year, there is a small but vocal push to reassess her as a pop act rather than just a kids brand. There have been no verified reports in the past 24 hours of new major deals, reality shows, or public scandals tied directly to JoJo; any rumors about surprise relationships, sudden sexuality reversals, or secret TV projects circulating on fan TikTok and Reddit remain unconfirmed and should be treated as speculation only unless and until backed by outlets such as Variety, The Hollywood Reporter, or People. That is your JoJo Siwa Biography Flash for this week. Thank you for listening, and make sure you subscribe to never miss an update on JoJo Siwa and search the term Biography Flash for more great biographies. Thanks for listening. This has been a Quiet Please production. Get the best deals https://amzn.to/3ODvOta

Johnny Mac recaps The Hollywood Reporter's comedians roundtable recorded in May at the Georgian Hotel with Marc Maron, Nikki Glaser, Wanda Sykes, Leanne Morgan, and Julio Torres, focusing on fears like complacency and cancellation and quoting Maron on talking to himself and Glaser comparing standup to sex and discussing pressure to work clean from bookers, agents, and TV; Maron jokes he stays a little dirty to keep success away and notes he can do clean sets. He notes Hannah Berner's new Hulu special, None of My Business, and her comments about making specials, confidence, and wanting the special to be a comfort watch. Bert Kreischer tells Fox News about blood clots that forced him to stop drinking and how it may have saved him in the tour bus fire. Other items: Lori Kilmartin on Gen Z not hanging out in person, Michael Che wanting to write for WWE, Patton Oswalt criticizing food “bowls,” comedy stock picks (buy Tracy Morgan, sell Nate Berkus), Guy Branum on trivia, and OpenMicX data on open mic nights and top states. 00:22 THR Comedians Roundtable01:37 Maron And Glaser Quotes02:31 Clean Versus Dirty03:35 Hannah Berner Special04:49 Bert Kreischer Health Scare05:44 Lori Kilmartin On Gen Z06:08 Michael Che Loves WWE06:45 Patton Oswalt Food Bowl Rant07:23 Comedy Stock Market Picks08:35 Guy Branum Loves Trivia09:47 Open Mic Data Deep Dive Become a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news-with-johnny-mac-a-daily-briefing-on-comedians-and-the-comedy-industry--4522158/support.Daily Comedy News with Johnny Mac is a daily podcast covering comedians, stand-up comedy, late night television, and the comedy industry. New episodes every morning. Follow on Apple Podcasts, Spotify, or wherever you listen. Part of the Caloroga Shark Media network.Contact John at John@thesharkdeck dot com For Uninterrupted Listening, use the Apple Podcast App and click the banner that says Uninterrupted Listening.  $4.99/month John's Substack about media is free.This is the animal sanctuary mentioned in the February 10 episode.

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Paul Rainey. He holds a powerful executive role in the media world, shaping the future of iconic brands like Billboard, Rolling Stone, and SXSW.

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Paul Rainey. He holds a powerful executive role in the media world, shaping the future of iconic brands like Billboard, Rolling Stone, and SXSW.

Justin Bieber Biography Flash a weekly Biography. Justin Bieber's past few days have been all about family, quiet power moves, and the ongoing recalibration of life in the spotlight. According to Harper's Bazaar, Justin shared a new batch of Instagram photos featuring Hailey and their baby boy, Jack Blues Bieber, including sweet, candid moments that signal he is embracing fatherhood as a defining new chapter in his biography. That kind of public, family-centered posting is more than content; it is a reputational reset from global pop phenom to committed husband and hands-on dad, something future biographers will treat as a clear turning point. On the business and visibility front, there have not been major new tour announcements or album drops in the last few days from primary outlets like Billboard, Variety, or Rolling Stone, which suggests Bieber is still in a relatively low-key, post-tour and post-scandal consolidation phase. When Justin does go quiet like this, it typically precedes a tightly planned rollout, but any talk of imminent new music or a surprise era launch circulating on fan accounts and TikTok remains speculative and unconfirmed by his team or major music trades. Social media chatter has continued to recirculate his recent live performance clips, including festival-era footage such as his Beauty and a Beat appearance at Coachella that has been reshared widely on YouTube Shorts, reinforcing his catalog and reminding both fans and industry of his enduring live draw. While this is not “new” in a hard-news sense, it keeps his performance legacy active during a relatively news-light stretch. In the rumor department, various blogs and social feeds continue to recycle narratives about relationship drama and alleged marital strain, but without fresh reporting from established outlets like People, Entertainment Tonight, or The Hollywood Reporter, these remain in the realm of unverified speculation and should be treated as such for any serious biographical record. The only on-the-record storyline supported by reliable media in recent days is the image of Justin Bieber leaning into domestic life, appearing content and grounded with Hailey and their baby. That's your latest Justin Bieber Biography Flash, where even a quieter week tells us a lot about the long game of a pop icon growing into his next act. Thank you for listening, and make sure you subscribe to never miss an update on Justin Bieber, and search the term Biography Flash for more great biographies. Thanks for listening. This has been a Quiet Please production. Get the best deals https://amzn.to/3ODvOta

Blake Lively is dragging Justin Baldoni back to court, The Hollywood Reporter just released their Emmy predictions and why binge watching TV could be good for you.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Johnny Mac recaps ongoing talk around the Roast of Kevin Hart, including Theo Von and Nate Bargatze discussing roast boundaries, Chelsea Handler's apparent issue with jokes from Shane Gillis and Tony Hinchcliffe, and praise for Big Jay Oakerson and Kevin Hart's handling of the event. He covers harsh reviews for Nate Bargatze's film The Breadwinner from The Hollywood Reporter and The AV Club. Stephen A. Smith responds to Hart joking that Smith is on his “Mount Rushmore of racism,” saying he won't attack Hart, was surprised it came from someone he respects, and maintains he has no issue with the roast format. Other items include Jeff Foxworthy's Fox Nation special The Joke's On Me, Howie Mandel on initially resisting Deal or No Deal, an LA Times praise piece on SNL's Jane Wickline, GQ's profile of Marcelo Hernandez, gossip about Handler and Hinchcliffe, and a Toronto Guardian Q&A with comedian Alex Wood. 00:12 Theo and Nate Debate Roast01:11 Roast Spirit and Favorites02:03 Kevin Hart Handles Heat02:21 Breadwinner Gets Panned03:12 Stephen A Reacts to Joke06:47 Jeff Foxworthy New Special07:25 Howie Mandel Game Show Story08:15 SNL Spotlight Jane Wickline09:19 Marcelo Hernandez Movie Talk09:47 Gossip Corner Chelsea and Tony11:06 Toronto Comic Alex Wood Become a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news-with-johnny-mac-a-daily-briefing-on-comedians-and-the-comedy-industry--4522158/support.Daily Comedy News is the number one comedy news podcast, delivering daily coverage of standup comedy, late night television, comedy specials, tours, and the business of comedy.COMEDY SURVIVOR in the facebook group.Contact John at John@thesharkdeck dot com For Uninterrupted Listening, use the Apple Podcast App and click the banner that says Uninterrupted Listening.  $4.99/month John's Substack about media is free.This is the animal sanctuary mentioned in the February 10 episode.

Reposted from The Handmaid's Tale Podcast: The Testaments, which you can find and subscribe to at: https://podcastica.com/podcast/the-handmaids-tale-podcast  — A moving, satisfying, bittersweet season finale where these girls who've spent the season waking up to how oppressed they and the women of Gilead have been decided to take a stand. We loved it, and we have a lot to talk about.  A huge thank you to everyone who listened and who wrote or called in. It's been a fantastic season of podcasting, and we really loved sharing the experience of this great new show with you guys!  We've got one more episode left to go. We had intended on including all your feedback in this episode, but as we should've known, there's more than enough for a standalone episode, so that should be out sometime next week. Talk to you then.  Mentioned:  Bruce Miller interviewed by The Hollywood Reporter: https://www.hollywoodreporter.com/tv/tv-features/the-testaments-finale-creator-promises-june-hannah-reunion-1236606878/ Next up: Listener feedback for The Testaments S1E10 “Secateurs”. Let us know your thoughts! You can email or send a voice message to testify@podcastica.com. Or check out our Handmaid's Tale: Mayday Facebook group, where we put up comment posts for each episode, at facebook.com/groups/thtmayday. Or join our Discord where you can leave comments and chat with hosts and other listeners: https://discord.gg/6WUMt3m3qe  Check out our other podcasts: If you like our coverage of The Testaments, we cover many other shows on our network at podcastica.com.  Digging our podcast? A quick, free, and easy way to show support and help bump us up in the charts is to give us a rating or a review: On Apple Podcasts: https://podcasts.apple.com/us/podcast/the-handmaids-tale-podcast-the-testaments/id1610222002 On Spotify: https://open.spotify.com/show/5MbAApyqlk3gLJUTHNnIH9?si=74013f9e35c64f0e Or just search for “Podcastica Testaments” wherever you get podcasts.  Show support and get ad-free episodes and a bunch of other cool stuff: patreon.com/jasoncabassi  Or go to buymeacoffee.com/cabassi for a one-time donation. Thank you! Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's episode... are Molly and Vernon are having an affair?! Join Andrew, Micah, Laura and special guest Amanda as we catch up on the latest Harry Potter TV show news and have fun discussing the newly released Full-Cast Audiobooks! Welcome to The Leaky Cauldron's Amanda Kirk, who visited the Harry Potter TV Show Set! Read her TV show set report. What was it like being on the set of the show, and how does one feel after getting to experience it? Amanda shares how she's feeling about the show after getting a first-hand experience! It's a Harry Potter TV Show-themed episode and Chamber of Secrets has been renewed for Season 2! What do we think this means for its release date? Basilisk Blasphemy! According to The Hollywood Reporter, Chamber of Secrets is the most disliked book! Do we agree? Why are Molly and Vernon so chummy in this paparazzi photo?! We discuss what we're most looking forward to in Philosopher's Stone and reveal what we think Will Be Impossible to Do Better Than The Movies! All seven Harry Potter Full-Cast Audiobooks are now available through Audible! What were some of our favorite chapters? Which voice actors stood out? Reminder: Year 5 of the MuggleCast Collectors Club is here! You can receive SIX exclusive stickers by joining us on Patreon. These stickers can go on the custom Collectors Club Card we released a few years ago, or you can put them wherever else you like! Learn more about your ad choices. Visit megaphone.fm/adchoices

Over this past Memorial Day weekend, The Mandalorian and Grogu opened to $163 million dollars worldwide, exceeding its projected expectations. In a big second weekend, horror film Obsession pulled in $30 million dollars, bringing the worldwide total for the film over $60 million dollars. Obsession was shot on a budget of less than $1 million dollars. Prime Video has released the first trailer for The Boys spinoff and prequel Vought Rising, which stars Jensen Ackles and Aya Cash. The series is expected to start streaming sometime next year. Set in the 1950s, the teaser trailer follows a younger Soldier Boy and Clara Vought (later Stormfront) as a noir-style conspiracy and murder mystery unfolds amid secret experiments, corporate corruption, and the creation of America's first superheroes. More details have begun to emerge about The Daniel's upcoming sci fi film project. Matt Damon is currently in talks to star, replacing Ryan Gosling who dropped out of the project. The Hollywood Reporter also reports that the plot of the film involves global warming, time travel, as well as a possible superhero angle. There are two timelines, one set in the 1980s and one set in the present day and protagonists of the story are teens in the 1980s timeline."Abbott Elementary” creator and Emmy winner Quinta Brunson will develop and star as Betty Boop in a feature film adaptation of the nearly century-old animated icon, Variety has learned exclusively. Brunson's company, Fifth Chance Productions, is bringing the character back to life with Mark Fleischer who is the grandson of original Betty Boop creator Max Fleischer. Notably, the film's plot will trace the character's evolution through the perspective of Max and how the name that became an icon emerged.

On this episode, Rachel La Loca teams up with Victoria Alonso — founder and former President of Production at Marvel Studios. Together, they dive into Victoria's journey inside Marvel HQ, all of which she unpacks even further in her new book, Possibility is Your Superpower: Unleash Your Infinite Potential. But then, the conversation takes a turn (insert dramatic music). Victoria flips the script and taps into Rachel La Loca's own powers, pulling tools from her metaphorical utility belt. Suddenly things get real. ABOUT VICTORIA From 2006 to 2023, one of the founding members of Marvel Studios, Victoria was President of Film, Television and Animation Production at Marvel Studios, producing more than 35 successful Films, 15 Series and Animated shows. These films produced a record box office gross of over $30 billion dollars, receiving 15 Academy Awards nominations and 7 Primetime Emmy nominations and 2 Children's and Family Emmy wins. In 2022, she produced the international hit ARGENTINA 1985 for Amazon Studios. The film received worldwide awards such as the Venice International Film Festival and the San Sebastián International Film Festival; nominated for the Oscars and BAFTA as Best International Film and awarded the Golden Globe Awards and Goya Awards. She has more than 40 international awards and nominations. She was named by The Hollywood Reporter's "Women in Entertainment Power 100" for eight consecutive years and Forbes "Top 100 Latino Women".   Purchase Victoria's book here:  https://amzn.to/43AIiJx Hardcover Follow Rachel Follow Latinos Out Loud Follow Victoria #Marvel #MCU #VictoriaAlonso #LatinosOutLoud #Podcast Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Nick welcomes Dan Fienberg, TV critic from The Hollywood Reporter, back to the podcast to catch up on the latest episodes of Top Chef and break down the season finale of SNL. Dan also reviews Spider-Noir, starring a wonderfully unhinged Nicolas Cage, and joins Nick for a conversation about Stephen Colbert's final Late Show, his legacy, and what the future may hold for late-night television. Later, Esmeralda Leon and Nick take a trip back to some of the creepiest kids’ shows ever made. From The Doodlebops and The Teletubbies to H.R. Pufnstuf, they revisit the childhood nightmares that somehow passed as entertainment, including Witchiepoo, who may be the most terrifying character in children’s television history. [Ep 458]

Lisa Levitt Gainsley is a celebrity coveted Lymphatic Drainage Specialist, Author, Educator, and Speaker.  She's worked with people with every condition under the sun including cancer, lyme, lupus, digestion disorders, acne, bloating, menstrual issues, migraines, anxiety, lymphedema, long Covid symptoms, and those looking to get glowing skin, relax fine lines and puffiness. Lisa has been in private practice for over 25 years.Lisa has pioneered Lymphatic Self-massage and is the best selling author of The Book of Lymph; a first of it's kind guide to lymphatic self-care. Her work has appeared in Forbes, ELLE, GOOP, Vanity Fair, The Hollywood Reporter, Healthline and more. Lisa teaches workshops on how to use this toxin-flushing technique to have it all;  look better, feel better instantly and recover quickly from injuries, surgeries and colds and viruses. Lisa holds a double certification in Lymphedema Therapy and is a member of the Lymphatic Education & Research Network (LE&RN) and National Lymphedema Network (NLN). In This Episode, Whitney Explores:The emotional, physical, and spiritual benefits of lymphatic therapy and why lymphatic health mattersWhitney's personal journey with lymphatic massage, detoxification, and healingThe root causes of stagnation in the body and why some people handle toxins differentlyWhy personalized approaches to lymphatic health and detox are essentialHow healing and self-care can be gentle, supportive, and integrated into everyday wellness practicesFollow Lisa on Instagram: thelymphaticmessage.comLisa's Digital MasterClass: https://the-lymphatic-message.mykajabi.com/Lisa's Online mini courses offerings include Gut Health, Brain Health, Breast Care, Lymph Basics, Pregnancy & more and can be found on her website www.thelymphaticmessage.comLisa's book; The Book of Lymph https://www.amazon.com/dp/0063049139?tag=authorsoc-20Stay Connected:Instagram https://www.instagram.com/whitneyaronoff/Instagram https://www.instagram.com/starseedkitchen/TikTok https://www.tiktok.com/@whitneyaronoffTikTok https://www.tiktok.com/@starseedkitchenLearn more about Starseed Kitchenhttps://starseedkitchen.com/Shop organic spiceshttps://starseedkitchen.com/shop/code STARSEED for 10% offWork with a personal chefhttps://form.typeform.com/to/CGDu08tEBook a 1-on-1 callhttps://bit.ly/4smXWUfFind more of Chef Whitney's offerings herehttps://linktr.ee/whitney.aronoff

La secretaria Alicia Bárcena aseguró que la Semarnat no dará autorización para que se lleve a cabo el megaproyecto de Royal Caribbean, “Perfect Day Mexico” en Mahahual, Quintana Roo. Claudia Sheinbaum pidió al Gobierno de Estados Unidos actuar con “reciprocidad” en materia de extradiciones. México exigió a las autoridades israelíes el respeto a los derechos humanos de las mexicanas que forman parte de la Flotilla Global Sumud y que fueron detenidas este lunes.Un juez federal de Nueva York prohibió los arrestos realizados por agentes federales en y alrededor de tres tribunales de inmigración ubicados en Manhattan. En Bolivia, las manifestaciones y huelgas por parte de mineros, transportistas y productores agropecuarios para exigir a las autoridades atender el aumento en el costo de vida ya subieron de tono, al punto de pedir la renuncia del presidente Rodrigo Paz. Durante el Festival de Cine de Cannes de este año, “The Hollywood Reporter” le preguntó a Sebastian Stan cómo había cambiado su percepción de Donald Trump luego de interpretarlo en “The Apprentice”.Y para el vaso medio lleno, Sabina Martínez León, atleta rarámuri, obtuvo la medalla de bronce en el Maratón de la Gran Muralla China 2026, una de las pruebas de resistencia más demandantes del atletismo mundial.Para enterarte de más noticias, suscríbete aquí a nuestro newsletter y síguenos en redes sociales. Estamos en todas las plataformas como Te lo cuento. Hosted on Acast. See acast.com/privacy for more information.

Season 4, Episode 4. Five years ago, The Hollywood Reporter published shocking bullying allegations about mega film and Broadway producer Scott Rudin, causing him to be cancelled.  Today Rudin is BACK on Broadway and poised to sweep this year's Tony awards with his productions of Death of A Salesman starring Nathan Lane and Laurie Metcalf and Little Bear Ridge Road, also starring Metcalf.  Sean and clinical psychologist, Dr. Alisa Hurwitz, ask the question: SHOULD Rudin be welcomed back and what does his return say about Broadway?Special thanks to Dr. Alisa Hurwitz, an enthusiastic Broadway fan, who is a clinical psychologist in group private practice in New Hampshire, specializing in the Autism spectrum and gender identity.Support this podcast and listen to bonus content and insider information at STAGE COMBAT AT PATREON patreon.com/StageCombatThePodcast .  Hear more of Sean's conversation with Dr. Alisa Hurwitz about cancel culture and our "Sean Off Script" mini-episode where Sean goes deeper into the episode.Hosted by Sean HaydenEditing by Alex Griffitt. Mixing by Justin Gerrish.  Written and Directed by Sean Hayden for Haywood Productions, LLC.Produced by Haywood Productions, LLC.Grateful acknowledgement for fair use news clips from CBS New York and Inside Edition.Sign up for the Stage Combat newsletter atLanding Page - Stage Combat (stagecombatthepodcast.com)Follow us and contact us with a DM at our instagram: @stagecombatthepodcastig or email us at Stagecombatthepodcast@gmail.comDon't forget to rate and review us on your podcast platform!Sean Hayden is New York City based attorney, actor and advocate for workplaces that are safe, respectful and dignified.  As the CEO of Haywood Productions, LLC, he produces Stage Combat the Podcast which exposes harmful practices in the entertainment industry and fosters conversations of how to make the workplace better for everyone.   

Merriam-Webster's Word of the Day for May 15, 2026 is: tortuous • TOR-chuh-wus • adjective Tortuous describes something that has many literal or figurative twists and turns. // The tortuous mountain path rewards climbers with a stunning view of the town below. // Getting approval for a project of this magnitude is a tortuous process. See the entry > Examples: “Christopher Nolan's latest epic is an adaptation of the ancient Greek epic poem, The Odyssey. ... Homer's poem is centered on Greek hero King Odysseus ... and his tortuous, 10-year journey home to Ithaca after the Trojan War.” — Lexy Perez, The Hollywood Reporter, 4 Jan. 2026 Did you know? Be careful not to confuse tortuous with torturous. These two words are relatives—both ultimately come from the Latin verb torquēre, which means “to twist,” “to wind,” or “to wrench”—but tortuous means “winding” or “crooked,” whereas torturous means “painfully unpleasant.” (Its oldest meaning is “causing torture.”) Something tortuous, such as a twisting mountain road, might also be torturous (if, for example, you have to ride up that road on a bicycle), but that doesn't make these words synonyms. The twists and turns that mark a tortuous thing can be literal (“a tortuous path” or “a tortuous river”) or figurative (“a tortuous argument” or “a tortuous explanation”), but you should veer away from using the term if no implication of winding or crookedness is present.

Chief TV critic Dan Fienberg from The Hollywood Reporter joins Nick for another deep dive into television. Dan reviews Peacock's new thriller M.I.A., Netflix's latest adaptation of Lord of the Flies, the new Martin Short documentary, and the series finale of Lisa Kudrow's The Comeback. He and Nick also catch up on Top Chef and break down the newest episodes of SNL. Later, Esmeralda Leon joins Nick to talk about British TV shows that inspired American remakes before diving back into pop culture moments from the 90s and 00s. They revisit trendy but terrible haircuts, massive car stereos, oversized jeans, and plenty more questionable choices from that era. [Ep 454]

Actress/Author Annabelle Gurwitch talks about living with stage 4 cancer, dating a hard rock tour manager, making each day count, the search for cures, ketamine fails, finding joy in writing, medicine overload, and the joys of hand painted wallpaper. Bio:  ANNABELLE GURWITCH is a New York Times bestselling author of six books, and two-time Thurber Prize finalist. Her writing appears in The New Yorker and New York Times, Hollywood Reporter amongst other publications. Annabelle was the longtime co-host of Dinner & a Movie on TBS, an NPR commentator, she was in too many tv shows and movies to name, but she fell into one of Larry David's comas of unknown origin on Seinfeld, she made Candace Bergen's Top 3 List of secretaries that she fired on Murphy Brown, and in her role as Rabbi Gurwitch on Better Things,  she Bat Mitzvahed Academy Award winning actress Mikey Madison. She performs with The Moth Mainstage and serves as a patient advocate at scientific conferences around the globe.  Her latest hilarious and helpful memoir  is a national bestseller: The End of My Life is Killing Me. Annabelle says it's never too late to write your sex, drugs, and rock n roll memoir. She wrote this book after being diagnosed with stage 4 lung cancer, and she's learned what's important to pay attention to and find joy even in the darkest hours. She celebrates female friendships, being in it just for the sex at 60, and tells the story of how she found herself selling merch for a heavy metal band on a low rent van tour of Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices

A Hollywood Reporter story looks at renewed buzz around UFO files tied to Donald Trump, as supporters claim major revelations are coming. The article examines what has actually been released so far, what remains classified, and why expectations around UFO disclosures often outpace the evidence. A Clovis man was arrested for possessing illegal fireworks, according to authorities. Police say the seizure comes amid stepped‑up enforcement ahead of fire season, warning that illegal fireworks pose serious risks to public safety and wildfire danger in the Central Valley. Please Like, Comment and Follow 'Philip Teresi on KMJ' on all platforms: --- Philip Teresi on KMJ is available on the KMJNOW app, Apple Podcasts, Spotify, YouTube or wherever else you listen to podcasts. -- Philip Teresi on KMJ Weekdays 2-6 PM Pacific on News/Talk 580 AM & 105.9 FM KMJ | Website | Facebook | Instagram | X | Podcast | Amazon | - Everything KMJ KMJNOW App | Podcasts | Facebook | X | Instagram See omnystudio.com/listener for privacy information.

Johnny Mac reports on David Letterman appearing on Bill Simmons' podcast and Page Six's account of Dave Chappelle's Hollywood Palladium Netflix taping, noting even collaborator Stan Lathan didn't know the material as Chappelle tested sets in New York and Chicago. He discusses a star-studded comedy brunch at Netflix CEO Ted Sarandos' home shared by impressionist Matt Friend, plus James Adomian's Threads jab at Friend. The Hollywood Reporter and Vanity Fair weigh in on Louis C.K.'s return to Netflix, including quotes and observations about the audience. He recaps the Hilarity for Charity benefit hosted by Seth Rogen with sets from Jon Stewart, Sarah Silverman, Nick Kroll and others, including jokes about Kanye West, RFK Jr., and Russell Brand. He highlights Netflix Is A Joke's Pee-Wee Herman tribute and shares a SiriusXM story about a scrapped Pee-wee promotion. Gossip Corner covers Akilah Hughes' claims about Keegan-Michael Key's wife (which TMZ disputes), Wayne Brady calling Bill Maher racist, and Amy Schumer's new Central Park-view home, plus late-night Spirit Airlines jokes and a rundown of Netflix Is A Joke weekend shows. 00:28 Letterman on Simmons00:47 Chappelle Palladium Mystery01:25 Matt Friend Brunch Backlash03:21 Louis CK Returns Again05:11 Greek Theater Benefit Highlights07:26 Pee Wee Tribute Recap08:19 Johnny Mac Pee Wee Story10:00 Gossip Corner Begins10:10 Akilah Hughes TMZ Drama11:24 Wayne Brady vs Maher11:54 Amy Schumer New Home12:35 Late Night Spirit Jokes13:04 Netflix Is A Joke Schedule Become a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news-with-johnny-mac-a-daily-briefing-on-comedians-and-the-comedy-industry--4522158/support.Daily Comedy News is the number one comedy news podcast, delivering daily coverage of standup comedy, late night television, comedy specials, tours, and the business of comedy.COMEDY SURVIVOR in the facebook group.Contact John at John@thesharkdeck dot com For Uninterrupted Listening, use the Apple Podcast App and click the banner that says Uninterrupted Listening.  $4.99/month John's Substack about media is free.This is the animal sanctuary mentioned in the February 10 episode.

I'm in Los Angeles for LA WebFest so this is a re-broadcast of Episode 347. I'm posting this now so I don't say any of this out loud this week!Well – I paid $175 to be considered for an Ambie award for The Dragoning (in the DIY category for low budget productions). The Ambies are the podcast awards that the entertainment business seem to take seriously. They're discussed in publications like Variety and the Hollywood Reporter. Was it a smart investment to spend $175 to try and get nominated? If we'd gotten selected for the finals, it definitely would have been. But for a return of absolutely bupkiss, it feels like it's not. It feels like a lot of money to lose just to lose.But then ⁠there's the Oscars⁠. This is why I decided to apply and spend the $175, because of how the Oscars work. The average person imagines that the Oscars are chosen by groups of people getting together, evaluating all the movies and then nominating the best ones. I used to imagine that they watched all the movies that came out that year and awarded the ones the group liked best.It doesn't work like that, come to find out. To read more of ⁠Awards Cost Money⁠ visit the Songs for the Struggling Artist blog. This is Episode 347Song: Participation AwardImage: ⁠AxxLC ⁠via PixabayTo support this podcast:Give it 5 stars in Apple Podcasts. Write a nice review!Rate it wherever you listen or via: ⁠https://ratethispodcast.com/strugglingartist⁠Join my mailing list: ⁠www.emilyrainbowdavis.com/⁠Like the blog/show on Facebook: ⁠https://www.facebook.com/SongsfortheStrugglingArtist/⁠Support me on Patreon: ⁠www.patreon.com/emilyrdavis⁠Or help me get to Crete on Kofi: ⁠http://ko-fi.com/emilyrainbowdavis⁠or PayPal me: ⁠https://www.paypal.me/strugglingartist⁠Follow me on Twitter ⁠@erainbowd⁠Me on Mastodon - @erainbowd@podvibes.coMe on Hive - @erainbowd⁠Instagram⁠ and ⁠Pinterest⁠Tell a friend!Listen to The Dragoning ⁠here⁠ (it's my audio drama) and support via Ko-fi here: ⁠https://ko-fi.com/messengertheatrecompany⁠As ever, I am yours,Emily Rainbow Davis

EPISODE 138 -  “NORMAN LLOYD: CLASSIC CINEMA STAR OF THE MONTH” - 5/4/2026  Few figures in Hollywood history have had careers as long—or as varied—as NORMAN LLOYD.  Spanning nearly a century, his work bridges the worlds of theater, radio, and film, with collaborations that include legends like CHARLIE CHAPLIN, ALFRED HITCHCOCK and ORSON WELLES. Whether appearing on stage, on screen or shaping stories behind the scenes, Lloyd's presence has always carried a quiet intensity and sharp intelligence. Join us as we take a closer look at the life and legacy of Norman Lloyd, our Star of the Month — a man who didn't just witness Hollywood history—he helped create it.   SHOW NOTES:  Stages: Norman Lloyd by Norman Lloyd and Francine Parker, The Scarecrow Press, Inc., 1990; Stages: Of Life in Theatre, Film and Television by Norman Lloyd, Limelight, August 1, 2004; Norman Lloyd Career Retrospective, Legacy Collection, Conversations at the SAG-AFTRA Foundation, May 4, 2004;  Noir City, Post-Screening Q&A with Norman Lloyd, Palm Springs, May 15, 2011; Shattered Applause: The Lives of Eva Le Gallienne by Robert A Schanke, Dec 9, 1992, Southern Illinois University Press; Broadway's Dreamers: The Legacy of the Group Theatre, PBS, June 26, 1989; Norman Lloyd, Associate of Welles, Hitchcock and Others, Dies at 106 by Eric Nagourney, May 11, 2011; The End of an Era: Norman Lloyd, 1914-2021 by Peter Sobczynski, May 12, 2021; Norman Lloyd, Star of ‘Saboteur' and ‘St. Elsewhere,' Dies at 106, by Mike Barnes, The Hollywood Reporter, MAY 11, 2021; TCM Remembers Norman Lloyd, TCM.com, May 13, 2021; Wikipedia.com; IBDB.com TCM.com; IMDBPro.com; Movies Mentioned: Saboteur (1942) Starring Robert Cummings and Priscilla Lane; Spellbound (1945) Starring Ingrid Bergman and Gregory Peck; The Southerner (1945) Starring Zachary Scott and Betty Field; A Walk in the Sun (1945) Starring Dana Andrews and Richard Conte; The Green Years (1946) Starring Charles Coburn and Tom Drake; A Letter for Evie (1946) Starring Marsha Hunt and John Carroll; The Beginning or the End (1947) Starring Brian Donlevy and Robert Walker; The Red Pony (1949) Starring Myrna Loy and Robert Mitchum; Scene of the Crime (1949) Starring Van Johnson and Arlene Dahl; The Flame and the Arrow (1950) Starring Burt Lancaster and Virginia Mayo; Buccaneer's Girl (1950) Starring Yvonne De Carlo and Philip Friend; The Light Touch (1951) Starring Stewart Granger and Pier Angeli; He Ran All the Way (1951) Starring John Garfield and Shelley Winters; Limelight (1952) Starring Charlie Chaplin and Claire Bloom; Audrey Rose (1977) Starring Marsha Mason and Anthony Hopkins; Dead Poets Society (1989) Starring Robin Williams and Robert Sean Leonard; The Age of Innocence (1993) Starring Daniel Day-Lewis and Michelle Pfeiffer; In Her Shoes (2005) Starring Cameron Diaz and Toni Collette; Trainwreck (2015) Starring Amy Schumer and Bill Hader --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Phil and Emily are joined by Angie Han, TV critic at The Hollywood Reporter, to discuss Synecdoche, NY (2008), Charlie Kaufman's audacious directorial debut and the film Roger Ebert called the best of the 2000s.Kaufman wrote and directed this hallucinatory portrait of Caden Cotard (Philip Seymour Hoffman), an ailing theater director who uses a MacArthur Fellowship to build a life-size replica of New York City inside a warehouse. As the decades pass and his art consumes his life, the film tunnels deeper into mortality, creative obsession, and the quiet horror of living in a body that won't cooperate. Originally conceived as a horror film with Spike Jonze, Synecdoche, NY opened in October 2008 against High School Musical 3 and Saw 5, made $4.5 million on a $20 million budget, and has since been ranked among the greatest films of the 21st century by the BBC, the Guardian, and Time.Phil finds it deeply triggering as a self-described hypochondriac. Angie has seen it a dozen times and finds it weirdly soothing. Emily thinks it's funnier than people give it credit for. All three dig into why this film bombed commercially and became a critical touchstone, what it means to watch it in your 20s versus your 40s, and why it still doesn't have a Criterion edition.Follow the show and guests:Podcast Like It's... — https://www.instagram.com/podcastlikeitsPhil Iscove — https://www.instagram.com/pmiscoveEmily St. James — https://www.instagram.com/emilystjamsAngie Han — https://www.instagram.com/ajhan06

Tracy Fullerton, M.F.A. is an experimental game designer, professor and director emeritus of the USC Games program. Her research center, the Game Innovation Lab, has produced several influential independent games, including Cloud, flOw, Darfur is Dying, The Night Journey, with artist Bill Viola and Walden, a game, a simulation of Henry David Thoreau's experiment at Walden Pond which was named “Game of the Year” at Games for Change 2017 and “Developer Choice” at IndieCade 2017. Tracy is the author of “Game Design Workshop: A Playcentric Approach to Creating Innovative Games,” a design textbook used at game programs worldwide, and holder of the Electronic Arts Endowed Chair in Interactive Entertainment. In addition to her teaching and design, she is a member of the Board of Directors for Square Enix Holdings, Co. and Games for Change.Prior to joining the USC faculty, she was president and founder of the interactive television game developer, Spiderdance, Inc. Spiderdance's games included NBC's Weakest Link, MTV's webRIOT, The WB's No Boundaries, History Channel's History IQ, Sony Game Show Network's Inquizition and TBS's Cyber Bond. Before starting Spiderdance, Tracy was a founding member of the New York design firm R/GA Interactive. As a producer and creative director she created games and interactive products for clients including Sony, Intel, Microsoft, AdAge, Ticketmaster, Compaq, and Warner Bros. among many others. Notable projects include Sony's Multiplayer Jeopardy! and Multiplayer Wheel of Fortune and MSN's NetWits, the first multiplayer casual game. Additionally, Tracy was Creative Director at the interactive film studio Interfilm, where she wrote and co-directed the “cinematic game” Ride for Your Life, starring Adam West and Matthew Lillard. She began her career as a designer at Bob Abel's company Synapse, where she worked on the interactive documentary Columbus: Encounter, Discovery and Beyond and other early interactive projects.Tracy's work has received numerous industry honors including an Emmy nomination for interactive television, best Family/Board Game from the Academy of Interactive Arts & Sciences, most “sublime experience,” the “Impact” and “Trailblazer” awards from the Indiecade Festival, ID Magazine's Interactive Design Review, Communication Arts Interactive Design Annual, several New Media Invision awards, iMix Best of Show, the Digital Coast Innovation Award, IBC's Nombre D'Or, Time Magazine's Best of the Web and the Hollywood Reporter's Women in Entertainment Power 100.Matthew Farber, Ed.D. is Associate Professor of Educational Technology and Codirector of the Gaming SEL Lab at the University of Northern Colorado. He is a play theorist who studies how games can foster empathy, compassion, perspective-taking, and ethical decision-making. He was a contributing writer for Origin101, the official learning companion for Ava DuVernay's critically acclaimed film Origin. Author of several books and articles, Dr. Farber writes for Edutopia, has been invited to the White House and to keynote for UNESCO, and has been interviewed by NPR, The Washington Post, APA Monitor on Psychology, EdSurge, The Denver Post, Fast Company, USA Today, and The Wall Street Journal. He has codeveloped game-based lessons with Tracy Fullerton for her award-winning Walden, a game EDU. In The Well-Read Game: On Playing Thoughtfully, Fullerton and Farber explore how personal and subjective meanings are evoked through a new theory of player response.Links: https://matthewfarber.com/https://mitpress.mit.edu/9780262552233/the-well-read-game/https://www.tracyfullerton.com/https://www.gamesforchange.org/ Hosted on Acast. See acast.com/privacy for more information.

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Paul Rainey. He holds a powerful executive role in the media world, shaping the future of iconic brands like Billboard, Rolling Stone, and SXSW.