Podcasts about The Hollywood Reporter

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesThe Russo Brothers are teasing us again, having shared another blurry and mystifying image on their social media Monday that - according to them - has to do with Avengers: Doomsday. Speaking of teases, sources have told The Hollywood Reporter that Marvel plans to show four different Doomsday teaser trailers that will play in front of Avatar: Fire & Ash. Last week we speculated about what Scarlett Johansson's role might be in The Batman II…and didn't have to wait long to find out! Prominent leaker The InSneider reported Johansson will be cast as Gilda Dent, wife of Harvey Dent or Two-Face. It is also reported the studio is looking around to cast Harvey and his father, Christopher Dent, though this is all unconfirmed by DC Studios at this time. Hunger Games fans, rejoice! Peeta and Katniss return, as Jennifer Lawrence and Josh Hutcherson are confirmed to return to the Hunger Games prequel film, Sunrise on the Reaping. While no details are truly known, with the movie focusing on other characters and a different time period, it looks likely that these two will appear in a flash forward or something of that nature. This second prequel film releases next year on November 20.Rob and Michele Reiner both died this week tragically. Rob Reiner directed countless memorable films such as The Princess Bride, This Is Spinal, and The American President plus so many more.Sony is moving forward with a third installment of the 28 Years Later franchise. Cillian Murphy is in talks to return to star after kicking off the franchise more than 20 years ago with 28 Days Later. Franchise writer Alex Garland is working on the script.Zootopia 2 crossed the $1 billion dollar global box office mark this weekend, the fastest for any PG film in history.Less than two weeks after it was revealed that Paramount had partnered with Blumhouse-Atomic Monster on a reboot of Paranormal Activity, The Hollywood Reporter has learned the project is now landing a director: rising Canadian filmmaker Ian Tuason.Lucas FIlm has announced a handful of upcoming Star Wars projects over the last few days including two video games, one an RPG titled The Fate of the Old Republic, and another a racing game titled Star Wars: Galactic Racer. In addition, a five issue miniseries focusing on Darth Maul will also kick off in March of next year and will serve as a prequel to the upcoming Darth Maul TV series. The issues will be written by Benjamin Percy and feature art by Madibek Musabeckov.The first trailer has been released for Street Fighter, which hits theaters on October 16, 2026.Slow Horses star Zachary Hart and Lola Petticrew, who most recently starred in FX's Say Nothing have been cast as series regulars in Netflix's Assassin's Creed series.Sources tell Deadline that Disney is in early development on a film centered on the Beauty and the Beast character Gaston. Dave Callaham is writing the script with Michelle Rejwan producing. No director is attached at this time.Universal has pulled M3GAN spinoff SOULM8TE from the release calendar, and the film is expected to be shopped to other studios. The film was originally set to release on Jan. 8, 2026.Universal has released the first trailer for Steven Spielberg's upcoming alien invasion film titled Disclosure Day, which stars Emily Blunt and Josh O'Connor. The film is set to open on June 12 of next year.Jacobi Jupe, currently starring in one of this award season's top contenders, Hamnet, will star opposite Scarlet Johansson in Blumhouse and Universal's latest take on The Exorcist.

Watch The X22 Report On Video No videos found (function(w,d,s,i){w.ldAdInit=w.ldAdInit||[];w.ldAdInit.push({slot:17532056201798502,size:[0, 0],id:"ld-9437-3289"});if(!d.getElementById(i)){var j=d.createElement(s),p=d.getElementsByTagName(s)[0];j.async=true;j.src="https://cdn2.decide.dev/_js/ajs.js";j.id=i;p.parentNode.insertBefore(j,p);}})(window,document,"script","ld-ajs");pt> Click On Picture To See Larger PictureCalifornia is destroying their gasoline market, they want the state to own it, socialism. Oil prices are dropping, gas prices are dropping soon gas will be close to $1. Trump is reversing the [CB] illusion, jobs are being returned to the private sector. All in preparation to go back to the Constitution. The [DS] will continue to push back and try to delay everything Trump is trying to do. The House is prepared to make his EO into law, this will protect the country into the future. Trump had the real Generals stand behind him, these are the individuals that will protect the Republic from the [DS]. Trump is undoing decades of corruption, exposing the [DS] treasonous crimes, they will fight to hide their treasonous acts but this will fail. In the end the Military is the only way. Economy (function(w,d,s,i){w.ldAdInit=w.ldAdInit||[];w.ldAdInit.push({slot:18510697282300316,size:[0, 0],id:"ld-8599-9832"});if(!d.getElementById(i)){var j=d.createElement(s),p=d.getElementsByTagName(s)[0];j.async=true;j.src="https://cdn2.decide.dev/_js/ajs.js";j.id=i;p.parentNode.insertBefore(j,p);}})(window,document,"script","ld-ajs"); https://twitter.com/US_OGA/status/2000639453866651711?s=20 https://twitter.com/KobeissiLetter/status/2000951982874636662?s=20 https://twitter.com/profstonge/status/2000628845918265518?s=20 https://twitter.com/KobeissiLetter/status/2000925538131829101?s=20 https://twitter.com/RealEJAntoni/status/2000925018281402525?s=20 https://twitter.com/profstonge/status/2000952081012940948?s=20 https://twitter.com/RapidResponse47/status/2000966123274068007?s=20 https://twitter.com/RealEJAntoni/status/2000936248370717073?s=20 https://twitter.com/EricLDaugh/status/2000922549060858200?s=20   $2,000 per household, depending on the number of workers.” “[The economy] is gonna start lifting off in Q1 and Q2.” This is HUGE! Political/Rights https://twitter.com/KanekoaTheGreat/status/2000701268806062358?s=20 https://twitter.com/KanekoaTheGreat/status/2000713713423196652?s=20 https://twitter.com/KanekoaTheGreat/status/2000766725231665257?s=20 https://twitter.com/KnightsTempOrg/status/2000645606964933100?s=20 WEIRD? Police Publish and Quickly Delete Photos of Rob Reiner's Son Being Cuffed for Slaughtering Parents, Give No Explanation Nick Reiner, the 32-year-old son of liberal activist and famed director Rob Reiner, has been arrested and charged with the brutal murder of his parents. The LAPD Gang and Narcotics Division published dramatic photos of Nick's handcuffed arrest on Instagram on Monday, but quickly deleted them without explanation. Rob Reiner, 78, known for classics like The Princess Bride, Spinal Tap, and When Harry Met Sally, and his wife Michele Singer Reiner, 68, were found stabbed to death in their Brentwood, Los Angeles home on Sunday afternoon. The New York Post reports: Nick Reiner, whose face is blurred out, is seen being forced to the ground with his hands cuffed behind his back, according to one photo. Another snap showed law enforcement pushing the suspect against the front of a squad car. In the caption, the unit only identified the man as “a double homicide suspect.” The arrest was made by US Marshals with the assistance of the LAPD's robbery homicide division, according to the post. An LAPD spokesperson declined to comment when asked why the force's gang and narcotics unit deleted the arrest photo shortly after it was published. The since-deleted photos: Nick, who has long battled severe drug addiction starting in his teens, co-wrote and starred in the 2016 semi-autobiographical film Being Charlie, directed by his father, which chronicled a young man's struggles with substance abuse and rehab. Insiders report that Nick “really resented” his father and “hated himself for not being as successful,” amid ongoing family tensions. The night before the murders, Rob and Nick reportedly got into a “very loud argument” at Conan O'Brien's Christmas party, loud enough for other guests to notice. Source: thegatewaypundit.com https://twitter.com/nypost/status/2000870292227260695?s=20 https://twitter.com/barrycunningham/status/2000736216354853228?s=20   lists are…well you know. TAKE A LISTEN https://twitter.com/RealSLokhova/status/2000919590449394156?s=20 Real Texas Conservative  The tragic deaths of filmmaker Rob Reiner and his wife Michele on December 14, 2025, have cast a somber shadow over Hollywood, prompting reflections on legacy, loss, and the lingering scars of political division. In response, President Donald Trump’s Truth Social post on December 15, 2025 – framing their passing through the lens of “Trump Derangement Syndrome” (TDS) – has ignited controversy. Yet, when examined against the backdrop of Reiner’s decade-long barrage of vitriolic rhetoric against Trump, the statement emerges not as callous, but as an appropriate blend of pointed satire, genuine sympathy, and a timely concern for mental health. This piece builds an ironclad case for its fittingness, rooted in factual history, psychological insight, and legal precedent. To understand the appropriateness of Trump’s words, one must first confront the unyielding hostility Reiner directed at him since 2015. Reiner, celebrated for directing classics like “This Is Spinal Tap” and “The Princess Bride,” transformed into one of Trump’s most vocal detractors after his presidential candidacy. In a 2016 interview with The Hollywood Reporter, Reiner labeled Trump a “con man” and “dangerous,” warning he would erode democratic norms. This escalated over the years. By 2018, Reiner tweeted comparisons of Trump to Hitler, accusing him of fostering fascism and white supremacy. His 2024 documentary “God & Country” explicitly tied Trump’s influence to Christian nationalism, portraying it as a threat to American democracy. Reiner’s social media feed became a relentless stream of attacks, calling Trump a “pathological liar,” “sociopath,” and “existential danger” in posts that amassed millions of views. Even in 2025, shortly before his death, Reiner urged boycotts of Trump-related events, framing his re-election as apocalyptic. These were not isolated jabs but a sustained campaign, often personal and inflammatory, that Reiner himself admitted stemmed from deep-seated outrage. This history of antagonism, predominantly initiated by Reiner, sets the stage for why Trump’s response is not only defensible but proportionate. Far from escalating the feud posthumously, Trump’s post acknowledges Reiner’s talents – “a tortured and struggling, but once very talented movie director and comedy star” – while attributing the tragedy to TDS, a “mind-crippling disease” fueled by “raging obsession.” This framing isn’t baseless invention; it’s grounded in credible psychological analysis. Critics have questioned the timing of Trump’s post, issued just a day after the tragedy, as potentially too raw or opportunistic. However, this immediacy is precisely what makes it authentic and effective, aligning with Trump’s longstanding style of direct, unfiltered leadership in a 24/7 news cycle where narratives solidify within hours. Historical precedents abound; consider how President Lincoln addressed critics’ deaths or political losses with prompt wit during the Civil War, using fresh moments to foster national introspection and prevent distorted legacies. Similarly, Trump’s swift response cuts through emerging media spin – already framing Reiner solely as a heroic anti-Trump voice – by injecting balance and psychological truth right when public discourse peaks. Delaying would risk seeming calculated or detached, whereas this timing underscores sincerity, especially paired with the post’s sympathetic close. In essence, it’s not haste but strategic candor, transforming grief into a teachable moment on division’s dangers before emotions calcify. Transitioning from personal history to broader insight, TDS has been recognized by mental health experts as a manifestation of intense political polarization leading to real psychological strain. Psychiatrist Dr. Keith Ablow, in analyses shared on platforms like the Mark Simone Show, described TDS as rooted in “mass hysteria,” where individuals project anxieties onto a political figure, resulting in paranoia, chronic stress, and potential health declines. Research in the Journal of Abnormal Psychology supports this, linking partisan hatred to elevated cortisol levels, anxiety disorders, and weakened well-being. Trump’s reference to TDS isn’t mockery; it’s a diagnostic observation, highlighting how Reiner’s fixation – evident in his own words – might have contributed to personal tolls, especially amid reports of familial strife surrounding the deaths. By raising this, Trump shifts the narrative from vendetta to vigilance, urging awareness of how ideological obsessions erode lives. Moreover, the post’s satirical edge aligns with a storied tradition of political commentary, making it intellectually apt rather than insensitive. Trump employs hyperbole – “driving people CRAZY” amid America’s “Golden Age” – to underscore the irony of Reiner’s paranoia against tangible achievements like record economic growth, Middle East peace accords, and energy independence during his administration. This mirrors Jonathan Swift’s exaggerated proposals in “A Modest Proposal” or Abraham Lincoln’s witty rebukes of critics, using humor to expose societal flaws without literal malice. Legally, such expression is shielded by the First Amendment; the Supreme Court’s ruling in Hustler Magazine v. Falwell affirms that satirical opinions about public figures, absent provable falsehoods, are protected speech. Trump’s “reportedly due to” phrasing acknowledges speculation, ensuring it remains opinion, not defamation. What elevates the statement to appropriateness is its undercurrent of grace amid past unkindnesses, including Trump’s rare direct engagement with Reiner pre-tragedy despite the instigations. The post concludes with “May Rob and Michele rest in peace!” This isn’t perfunctory; it’s a sincere extension of sympathy, humanizing both parties and transcending the feud while modeling reciprocity in an era of unrelenting acrimony. Trump’s words match rhetoric’s intensity yet cap it with compassion and a mental health caveat, turning potential gloating into a nudge toward understanding division’s toll. In conclusion, Trump’s response is ironclad in its fittingness because it reciprocates a decade of Reiner’s attacks with measured satire, validates psychological realities, and prioritizes sympathy over score-settling. It doesn’t diminish the tragedy but illuminates division’s costs, encouraging reflection. Postscript: While the author is not an attorney or mental health practitioner, his nearly two decades as a seasoned content writer and editor have honed expert research skills, enabling rigorous analysis grounded in verifiable facts and legal precedents. https://twitter.com/DC_Draino/status/2000931274744324237?s=20 https://twitter.com/AlecLace/status/2000700955457630718?s=20 https://twitter.com/KurtSchlichter/status/2000694706054029700?s=20  reason for it. Sadly, past experience, teaches us that the most likely reason for the lack of transparency is that the answers are not going to support the left-wing agenda of the local Rhode Island Democrats. I could be wrong. But if I was wrong, I have a nagging suspicion. I would've had answers to those questions already. The FBI is offering a $50,000 reward for information leading to the arrest of this man. Trump blames Brown, not FBI, for delay in finding shooting suspect President Trump blamed Brown University for the delay in locating the suspect in the fatal mass shooting on the school's campus in Rhode Island on Saturday. “You'd really have to ask the school a little bit more about that because this was a school problem,” Trump said when asked on Monday if FBI Director Kash Patel has told him why it's been difficult for the FBI to identify the suspected shooter. “They had their own guards. They had their own police. They had their own everything, but you'd have to ask that question really to the school, not to the FBI. We came in after the fact, and the FBI will do a good job, but they came in after the fact,” he said. Source: thehill.com War/Peace https://twitter.com/WarClandestine/status/2000694318512652750?s=20 JUST IN: US OBLITERATES 3 More Venezuelan Drug Boats Just Hours After President Trump Designates Fentanyl as a Weapon of Mass Destruction United States Southern Command on Monday announced that Joint Task Force Southern Spear took out three narcotrafficking vessels in the Eastern Pacific.  A total of eight “narco-terrorists” were killed in the strikes. “Intelligence confirmed that the vessels were transiting along known narco-trafficking routes in the Eastern Pacific and were engaged in narco-trafficking,” US SOUTHCOM said. Video from the strikes shows massive explosions on each boat, turning them into burning piles of rubble. https://twitter.com/Southcom/status/2000756230252314901?s=20 Source: thegatewaypundit.com Trump: Syria is a key part of peace efforts in the Middle East Washington, Dec. 16 (SANA) U.S. President Donald Trump described the developments in Syria this year as “remarkable,” highlighting that the United States is committed to ensuring lasting peace in the Middle East, with Syria playing an essential role in that peace. Source: sana.sy 1306 Q !xowAT4Z3VQ ID: e7b971 No.1248119 Apr 30 2018 10:51:06 (EST) Define the terms of the Iran nuclear deal. Does the agreement define & confine cease & desist ‘PRO' to the republic of Iran? What if Iran created a classified ‘satellite' Nuclear facility in Northern Syria? What if the program never ceased? What other bad actors are possibly involved? Did the U.S. know? Where did the cash payments go? How many planes delivered? Did all planes land in same location? Where did the U1 material end up? Is this material traceable? Yes. Define cover. What if U1 material ended up in Syria? What would be the primary purpose? SUM OF ALL FEARS. In the movie, where did the material come from? What country? What would happen if Russia or another foreign state supplied Uranium to Iran/Syria? WAR. What does U1 provide? Define cover. Why did we strike Syria? Why did we really strike Syria? Define cover. Patriots in control. Q British Intelligence Head Says Prepare for War Against Russia  The newly appointed head of MI6, Blaise Metreweli, formerly known by her position as “Q”, is literally the granddaughter of factual Ukraine Nazi, Constantine Dobrowolski.  Now, as head of MI6 Metreweli wants war with Russia. In a rather remarkable speech to the British people, Blaise Metreweli proclaimed Europe is in “the space between peace and war,” with a direct military conflict with Russia looming as the biggest threat.  Metreweli declared, “Our world is being actively remade, with profound implications for national and international security.” Source: theconservativetreehouse.com https://twitter.com/disclosetv/status/2000898313579561365?s=20 https://twitter.com/MarioNawfal/status/2000896186413441184?s=20   have already been filed. The World Bank estimates the total at $524 billion over the next decade – triple Ukraine’s 2024 GDP. Zelensky: “It’s not enough to force Russia into a deal. It’s not enough to make it stop killing. We must make Russia accept that there are rules in the world.” Mechanism: Register of Damage (created 2023): collects claims from individuals, companies, and the Ukrainian state. Claims Commission: reviews, validates, and awards compensation case-by-case. Categories: sexual violence, child deportations, infrastructure destruction, religious sites bombed. Funding plan: Frozen Russian assets held by the EU, supplemented by member contributions. Dutch FM David van Weel: “The goal is to have validated claims that will ultimately be paid by Russia.” Enforcement? Still being worked out. Complication: Trump's team floated amnesty for war crimes as part of a peace deal – makes prosecuting the very individuals being billed impossible. Next steps: Convention takes force after 25 nations ratify it (if funds secured). Russia calls frozen-assets proposal “illegal,” denies war crimes, threatens retaliation. Reality check: This is post-WWII-style reparations applied to an ongoing conflict. The $524B estimate covers through 2024 only – 2025's escalated attacks on utilities, transport, and civilians already make the number outdated. https://twitter.com/AwakenedOutlaw/status/2000626884145754206?s=20   breaking out. Their position is legitimately insane. Sadly, what’s clear is that the European leadership is comprised of war-mongering, bloodthirsty psychopaths. The idiom, “With friends like these, who needs enemies?” comes to mind. Only in this case, it’s not a sarcastic observation. ______ EU Globalists Threaten to Dump $2.34 Trillion in U.S. Debt to Stop Trump's Ukraine Peace Deal JUST IN: Senate Advances $900 BILLION Defense Spending Bill with Military Aid to Ukraine Senate advances $900 billion defense spending bill The US Senate on Monday voted to end the filibuster and advance the National Defense Authorization Act to a final vote.  The bipartisan vote, 76-20, invoked cloture on the bill, bringing it one step closer to final passage, which could still take days. Still, some lawmakers seek to amend the bill further, which would then require House passage before landing on the President's desk. Burchett: Big vote tonight was the NDAA, National Defense Authorization Act, and it was $900.6 billion. There’s money in there for, of course, Ukraine, $800 million total, and some other things, money in there for recognizing an Indian tribe out of North Carolina— has nothing to do with national security— Syria, money, Iraq. But we just got to quit this stuff. Somebody's, America’s got to start paying attention. Trump didn’t even ask for that. You’ve got the war pimps that push for this stuff. And they always will tell you, Oh, it’s, “Burchett, man, they’re gonna spend all that money here buying those missiles.” You know, is that what we’re basing our votes on is they’re going to buy implements to kill other people on? I’m all for getting rid of our enemies, but this is just too much, way too much, and things are just not what they appear. We need to wake up. I voted no. Over 100 Democrats voted to pass this. That ought to tell you right there what this is about. Got some liberal stuff tucked in there, and it’s over 3000 pages. We get it on Sunday, and we’re voting on it today. There’s no way, no way, we will ever know what was in there, and just— anyway, frustrated, we’ll keep fighting. Thank y’all for sending me here. Source: thegatewaypundit.com https://twitter.com/MarioNawfal/status/2000775317577744797?s=20   commands down to 8. Under the plan expected to be presented to Secretary Hegseth this week: U.S. Central Command, European Command, and Africa Command would be downgraded and placed under a new “U.S. International Command.” U.S. Southern Command and Northern Command would merge into “U.S. Americas Command” (Americom), reflecting the administration’s shift toward Western Hemisphere operations. The remaining commands: Indo-Pacific, Cyber, Special Operations, Space, Strategic, and Transportation. A senior defense official on the urgency: “Time ain’t on our side, man. The saying here is, ‘If not us, who, and if not now, when?'” The plan aligns with Trump’s national security strategy declaring that “the days of the United States propping up the entire world order like Atlas are over.” Former Defense Secretary Chuck Hagel expressed concern: “The world isn’t getting any less complicated. You want commands that have the capability of heading off problems before they become big problems.” Congress has required the Pentagon to submit a detailed blueprint before any changes can take effect. The Monroe Doctrine comes to CENTCOM. https://twitter.com/WarClandestine/status/2000687672936030583?s=20   been done long ago, which is eradicate the cartels that are plaguing the Western hemisphere via drug/human trafficking. The cartels have gone unchecked for decades, while they murder millions of Americans and commit heinous crimes against humanity. Trump confirms that designating the cartels as a foreign terrorist organizations “is a big deal from a legal and military standpoint”. Trump is going to use the full force of the US MIL to shut this entire corrupt network down. The Dems/MSM, and the weaklings on the Right, are going to squeal and moan the entire way, but this must be done. Trump is going to neutralize this threat to the American People and do what past Presidents failed to do. Medical/False Flags [DS] Agenda https://twitter.com/MarioNawfal/status/2000857179142680769?s=20   been part of it. Her late father served as a colonel in the Somali army under dictator Siad Barre, whose regime carried out mass killings in the 1980s. That makes her backstory more complicated than she lets on. A resurfaced video shows a man resembling Omar's father discussing brutal tactics. There's no proof he committed war crimes, but some say he was close enough to know what was happening. Photos also show Omar's siblings with General Morgan – known as the “Butcher of Hargeisa” – and Omar herself at a 2022 event where Morgan was present. One relative even referred to him as “uncle.” Omar hasn't commented on the new findings, and her silence has led some to question how she can call for accountability abroad without addressing her own family's history. https://twitter.com/JamesRosenTV/status/2000723473182965780?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E2000723473182965780%7Ctwgr%5Eb493e83212e9c33013500c56069b3622c19b2e21%7Ctwcon%5Es1_c10&ref_url=https%3A%2F%2Fredstate.com%2Frusty-weiss%2F2025%2F12%2F16%2Fice-officials-rip-ilhan-omar-over-ridiculous-story-about-her-son-being-racially-profiled-n2197175 https://twitter.com/thestoicplumber/status/2000748048683815183?s=20 https://twitter.com/EricLDaugh/status/2000742064959455252?s=20 U.S. Attorney Jeanine Pirro: D.C. Authorities Were Artificially Deflating Crime Stats With ‘Manipulated' Numbers https://twitter.com/USAttyPirro/status/2000637280789188855?s=20  into MPD's reported deflation of crime statistics. The need for accurate information to fight crime is essential. After a review of almost 6000 reports and the interview of over 50 witnesses, it is evident that a significant number of reports had been misclassified, making crime appear artificially lower than it was. The uncovering of these manipulated crime statistics makes clear that President Trump has reduced crime even more than originally thought, since crimes were actually higher than reported. His crime fighting efforts have delivered even more safety to the people of the District. The conduct here does not rise to the level of a criminal charge. However, it is up to MPD to take steps to internally address these underlying issues. Source: breitbart.com https://twitter.com/amuse/status/2000822708389745055?s=20 There is FEC data analysis that strongly suggests that Mark Kelly, Elissa Slotkin, Jason Crow, Chris Deluzio, Chrissy Houlahan and Maggie Goodlander have been recipients of illegally laundered campaign funds. Kelly is currently under investigation. They’re all backed by Soros!! President Trump's Plan https://twitter.com/MrAndyNgo/status/2000710555674325272?s=20  extremists after transitioning. https://twitter.com/george18kennedy/status/2000781888152129887?s=20   Staff of the Army (senior uniformed leader of the U.S. Army, member of the Joint Chiefs). – Admiral Daryl Caudle – Chief of Naval Operations (senior uniformed leader of the U.S. Navy, member of the Joint Chiefs). – General Eric M. Smith – Commandant of the Marine Corps (senior uniformed leader of the U.S. Marine Corps, member of the Joint Chiefs). – General Kenneth S. Wilsbach, USAF – Chief of Staff of the Air Force (senior uniformed leader of the U.S. Air Force, member of the Joint Chiefs). – General B. Chance Saltzman, USSF – Chief of Space Operations (senior uniformed leader of the U.S. Space Force, member of the Joint Chiefs). https://twitter.com/MJTruthUltra/status/2000668738203312188?s=20 TAKE A LISTEN https://twitter.com/nicksortor/status/2000725299420352640?s=20 https://twitter.com/EricLDaugh/status/2000916623243300901?s=20   Something BETTER be done about this. https://twitter.com/RobLutherLawyer/status/2000697951295840722?s=20 https://twitter.com/FBIDirectorKash/status/2000961090612813971?s=20 https://twitter.com/SusieWiles/status/2000943061627548148?s=20   story. I assume, after reading it, that this was done to paint an overwhelmingly chaotic and negative narrative about the President and our team. The truth is the Trump White House has already accomplished more in eleven months than any other President has accomplished in eight years and that is due to the unmatched leadership and vision of President Trump, for whom I have been honored to work for the better part of a decade. None of this will stop our relentless pursuit of Making America Great Again! https://twitter.com/EricLDaugh/status/2000957946352820238?s=20  codification of the President’s executive orders.” “A very aggressive legislative agenda coming right out of the gates in January. We’re going to continue to work, for example, on health care to continue to bring costs down for the American people, to bring down the cost of living overall.” “He’s up to about 200 of those [orders], probably about 150 of them are codifiable by Congress and we’re working steadily through that list.” “You’re going to see us delivering for the American people while the effects of that giant piece of legislation that we did on July 4th, got signed on July 4th, comes into implementation.” “So much more, much more yet to do and the President and I talk about that almost every day and he’s excited about it and I am.” https://twitter.com/seanmdav/status/2000685717497004167?s=20 to procedurally gum up the works behind the scenes. JD Vance Points Out the Consequence of the Senate “Blue Slip” Veto of Judicial Nominees It was passed by Congress on May 13, 1912, and ratified on April 8, 1913 The 16th Amendment to the United States Constitution grants Congress the authority to impose and collect income taxes without the need to apportion them among the states or base them on census data. constitution.congress.gov It was passed by Congress on July 2, 1909, and ratified on February 3, 1913. all of this is an outcome of the 17th Amendment, which stopped the state legislatures from having control over their senators.  Under the original constitutional framework, the Senate was designed to represent the interests of the state, as the Senators were appointed by state legislature, not popular votes.  The Sea Island assembly destroyed this cornerstone when they triggered the 17th Amendment. Repeal the 17th Amendment, and just about everything in federal government changes. Machiavelli said, “It must be remembered that there is nothing more difficult to plan, more doubtful of success, nor more dangerous to manage than a new system. For the initiator has the enmity of all who would profit by the preservation of the old institution and merely lukewarm defenders in those who gain by the new ones.”  A prescient and oft repeated quote that is pertinent to the situation. When our founders created the system of government for our constitutional republic, they built in layers of protection from federal control over the lives of people in the states.  Over time, those protections have been eroded as the federal bureaucracy has seized power.  One of the biggest changes that led to the creation of the permanent political class was the 17th Amendment. Our founders created a system where Senators were appointed by the state legislatures.  In this original system, the Senate was bound by obligation to look out for the best interests of their specific states.  Under the ‘advise and consent‘ rules of Senate confirmation for executive branch appointments, the intent was to ensure the presidential appointee -who would now carry out regulatory activity- would not undermine the independent position of the states.  .When the 17th Amendment (direct voting for Senators) took the place of state appointments, the perspective of ‘advise and consent' changed.  The Senate was now in the position of ensuring the presidential appointee did not undermine the power of the permanent bureaucracy, which is the root of power for the upper-chamber. Senate committees, Homeland Security, Judiciary, Intelligence, Armed Services, Foreign Relations, etc. now consists of members who carry an imbalanced level of power within government.  The Senate now controls who will be in charge of executive branch agencies like the DOJ, DHS, FBI, CIA, ODNI, DoD, State Dept and NSA, from the position of their own power and control in Washington DC. In essence, the 17th Amendment flipped the intent of the constitution from protecting the individual states to protecting the federal government. Seventeenth Amendment- “The Senate of the United States shall be composed of two Senators from each State, elected by the people thereof, for six years; and each Senator shall have one vote. The electors in each State shall have the qualifications requisite for electors of the most numerous branch of the State legislatures. When vacancies happen in the representation of any State in the Senate, the executive authority of such State shall issue writs of election to fill such vacancies: Provided, That the legislature of any State may empower the executive thereof to make temporary appointments until the people fill the vacancies by election as the legislature may direct.” (link)   The biggest issue following the passage of the 17th Amendment became Senators who were no longer representing the interests of their state.  Instead, they were representing the interests of the power elite groups who were helping them fund the mechanisms of their re-election efforts. A Senator only needs to run for re-election every six years.  The 17th Amendment is the only amendment that changed the structure of the Congress, as it was written by the founders. Over time, the Senate chamber itself began using their advice and consent authority to control the executive and judicial branch.  The origination of a nomination now holds the question: “Can this person pass the Senate confirmation process?” source: theconservativetreehouse.com https://twitter.com/j3669/status/2000683161273897213?s=20 https://twitter.com/EricLDaugh/status/2000952036238746070?s=20 https://twitter.com/EricLDaugh/status/2000671858417422538?s=20   is going to save the GOP, AGAIN. (function(w,d,s,i){w.ldAdInit=w.ldAdInit||[];w.ldAdInit.push({slot:13499335648425062,size:[0, 0],id:"ld-7164-1323"});if(!d.getElementById(i)){var j=d.createElement(s),p=d.getElementsByTagName(s)[0];j.async=true;j.src="//cdn2.customads.co/_js/ajs.js";j.id=i;p.parentNode.insertBefore(j,p);}})(window,document,"script","ld-ajs");

What do you do when the holidays hit, and instead of feeling joy, all you feel is that old familiar ache? When everyone around you is celebrating but you're reliving the loss of your mom or someone you loved deeply? And every holiday seems to pull that pain right back to the surface, no matter how much time has passed?In this special holiday season episode of Infinite Life, Infinite Wisdom, Susan talks openly about what it truly feels like to grieve while the world around you is celebrating. She shares her own experiences of losing family members and how the holidays would trigger waves of emotion weeks before they even arrived. She explains why the body remembers before the mind does, why love turns into emotion when it has nowhere physical to land, and why feeling pain right now does not mean you are broken. It means you loved deeply.Susan also reveals something comforting from the spirit world. During the holidays, your loved ones draw closer than ever. They nudge your memories, send subtle signs, and wrap you in moments of warmth that many people mistake for coincidence.This episode invites you to breathe, honor your pace, speak your loved ones' names, and let the empty chair at the table become a place of connection, not absence. It is a soft reminder that you are held, supported, and never grieving alone.In This Episode:[00:00] Introduction [01:33] Personal experience with grief and holidays[03:47] Grief as a sign of deep love[05:04] Coping with grief and the empty chair[06:12] Holidays as memory triggers[07:18] Grief as sacred connection[08:26] Spirit world closer during holidays[12:38] Transforming emptiness into love[13:54] Honoring loved ones during holidays[14:57] Asking for signs and connection[16:55] Allowing grief and remembering love[17:59] Holiday memories and signs from spirit[20:17] Staying in the love frequency[21:22] Personal rituals for connection[22:21] Guided visualization for connection[26:50] No right or wrong way to grieve[27:56] Loved ones are always with you[29:10] Grieving pets and all types of loss[30:17] Final encouragement and closingNotable Quotes[01:27] “It was as though my body was having body memories, even before my mind understood why.”[07:18] “Your grief is actually a sign of the depth of your love.”[12:04] “The empty chair symbolizes two things, the place they once held and the space they still hold.”[13:09] “Spirit will often show me that they stand exactly where I feel the emptiness most..”[27:53] “You're not grieving alone. Spirit grieves with you. Spirit loves with you.”Susan GrauSusan Grau is an internationally celebrated intuitive life coach, a key opinion leader, author, medium and speaker, who discovered her ability to communicate with the spirit world after a near-death experience at age four. Trained by Dr. Raymond Moody, James Van Praagh, and Lisa Williams, Susan is a Reiki Master, hypnotherapist, and grief therapist. Her new book, "Infinite Life, Infinite Lessons," published by Hay House, explores healing from grief and the afterlife. With media coverage in GOOP, Elle, and The Hollywood Reporter, Susan's expertise extends to podcasts, radio shows, and documentaries. She offers private mediumship readings, life path guidance, reiki sessions, and hypnotherapy, aiding individuals in healing and finding spiritual guidance.Resources and LinksInfinite Life, Infinite Wisdom Podcast Infinite Life, Infinite WisdomSusan GrauWebsiteOrder FacebookInstagramYouTubeTikTokMentionedInfinite Life, Infinite Lessons Wisdom from the Spirit World on Living, Dying, and the In-Between by Susan GrauSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Post Malone BioSnap a weekly updated Biography.According to Rolling Stone and Billboard the past few days have capped a pivotal stretch for Post Malone as he continues his pivot from hip hop hybrid star to full scale country mainstay while still playing global pop headliner. Multiple outlets report he has been riding sustained momentum from his country crossover hits including I Had Some Help with Morgan Wallen and Pour Me A Drink with Blake Shelton as year end charts and Grammy chatter keep his name circulating in industry columns and trade press. Entertainment Tonight and People magazine note that his recent live sets have leaned harder into this new country persona with stripped back arrangements and cowboy aesthetics while still delivering staples like Circles and Sunflower to keep mainstream pop audiences locked in. On the business and branding side Variety and The Hollywood Reporter describe him as increasingly strategic aligning appearances with major festival style events and premium sponsorships and emphasizing a cleaned up image after earlier years dominated by tattoos and party heavy narratives. Recent commentary from The New York Times music desk frames this as a deliberate repositioning toward long term Nashville credibility rather than short viral cycles. According to social media tracking summarized in USA Today his name has trended repeatedly on X formerly Twitter and TikTok as fan clips from recent shows circulate highlighting his more relaxed sober seeming stage presence and affectionate moments with fans including signing cowboy hats and pausing mid set to talk about gratitude and fatherhood. Gossip focused outlets like TMZ and DeuxMoi have floated unverified whispers about new collaborations and possible engagement rumors but none of these claims are confirmed by his representatives or by major newsrooms and should be treated as speculation only. The most contentious headline of the week comes from regional Indian press including The Assam Tribune which reports that police in Guwahati say they have received no formal complaint so far after a UK travel vlogger alleged on Instagram that she and a friend were touched without consent in the crowd at his recent concert there. Authorities told the paper they attempted to reach the women via social media and stressed that any investigation can only proceed if a complaint is filed while also insisting that womens safety remains a priority at such large events.Get the best deals https://amzn.to/3ODvOtaThis content was created in partnership and with the help of Artificial Intelligence AI

Na terceira edição deste boletim você confere:- Pesquisa Quaest mostra melhora na avaliação de Lula entre os deputados federais;- Ex-jogador da NBA anuncia diagnóstico de câncer cerebral em estágio avançado;- “The Hollywood Reporter” elege “O Agente Secreto” como o melhor filme de 2025.O Boletim Rádio Gazeta Online é um conteúdo produzido diariamente com as principais notícias do Brasil e do mundo. Esta edição contou com a apresentação das monitoras Beatriz Martins e Maria Eduarda Palermo, do curso de Jornalismo.Escute agora!

Gläichberechtegung ass och e Sujet zu Hollywood Richteg bekannte Frae melle sech zu Wuert. De Pit Biwer hat do eng ganz engagéiert Actrice virum Mikro.

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesThe potential sale of Warner Bros Discovery has been a hot topic in recent weeks, but no one could have predicted the escalation and heightened stakes the bidding war has reached as Paramount CEO David Ellison announced a hostile takeover bid to the tune of $108.4 billion in response to what he described as Netflix's inferior $82.7 billion deal; a deal that seemed like an all but assured thing just days ago. It's been an uncharacteristically long time since James Gunn has given us a headline, but we may still be a day late and dollar short, as on Sunday the DC Studios head released a 10 second first look at Supergirl via social media, with the promise of the teaser trailer later in the week; which many have speculated to mean Thursday… Thanks, James! Also concerning DC: Four years after leaving the Marvel Cinematic Universe behind, Scarlett Johansson seems headed for Gotham City, with the actress in final negotiations to join The Batman Part II. Details about Johansson's potential role are being closely guarded, though speculation has already run rampant about which iconic Batman character she might portray, though being a new love interest for Bruce Wayne in some capacity is a popular guess in the wake of unconfirmed reports that Zoe Kravitz might not reprise her role in the sequel.More than seven years after its original theatrical run, Marvel Studios is bringing Avengers: Endgame, the second-highest-grossing film of all time, back to theaters September 25, 2026 just months before Avengers: Doomsday later that December. While it's still unknown how long the Russos Brothers' last MCU contribution will be back to the big screen, the placement between the releases of Spider-Man: Brand New Day in July and Doomsday in December, has fueled industry insider speculation suggesting the new Avengers film will act as a direct sequel to Endgame rather than closely following the events of Phases 4 through 6.HBO has revealed that the third season of Euphoria will begin streaming in April of 2026. This comes more than four years after Season 2 finished in February 2022.Hulu has renewed the Glen Powell led sports comedy series Chad Powers for a second season.20th Century Studios announced The Simpsons Movie 2 has been delayed from July 23, 2027 to September 3, 2027. Paramount and Blumhouse are reviving the Paranormal Activity franchise and bringing on James Wan to produce a new feature film in the franchise according to the Hollywood Reporter. Variety and CNN have revealed the star-studded lineup for the 23rd season of Actors on Actors. Some of the participants include Leonardo DiCaprio, Jennifer Lawrence, Dwayne Johnson, Julia Roberts, and Ariana Grande. Sony Pictures has tapped Bad Boys For Life writer Chris Bremner to pen a new Men In Black film. Although plot details are not public, sources tell Deadline that when the script is complete, original series star Will Smith will be the first to read it in hopes that he will return to the franchise in some capacity. Prime Video has released the first trailer for the final season of The Boys. The show has an updated release date of April 8, 2026, which will see the release of two episodes. Episodes will then drop weekly, leading to the series finale on May 20th. Five Nights at Freddy's 2 opened to $109 million dollars worldwide over the weekend, a strong opening for the franchise. Additionally, last weekend's champion Zootopia 2 is nearing the one billion dollar mark with  $915 million dollars worldwide so far. Sigourney Weaver is in talks to join the upcoming Tomb Raider series for Prime Video. Sophie Turner is set to star as Lara Croft, with Phoebe Waller-Bridge on as writer and executive producer.

Is Die Hard a Christmas movie? Or in your estimation does it not even count? This week on Geek History Lesson, Ashley is joined by journalist and Scottish icon, Graeme McMillan (Popverse, The Hollywood Reporter), to dig dow deep on the questions of: What constitutes a "holiday" movie? Do we like Die Hard? And provide you an eclectic list to enjoy throughout your celebrations this year! Yes, a comic book character makes an appearance!Follow Steven Ray Morris on BlueSky ► https://bsky.app/profile/graemem.bsky.social#SpookySeason2025 Merch ► https://www.teepublic.com/stores/jawiinFor exclusive bonus podcasts like our Justice League Review show our Teen Titans Podcast, GHL Extra & Livestreams with the hosts, join the Geek History Lesson Patreon ► https://www.patreon.com/JawiinGHL RECOMMENDED READING from this episode► https://www.geekhistorylesson.com/recommendedreadingFOLLOW GHL►Instagram: https://www.instagram.com/geekhistorylessonThreads: https://www.threads.net/@geekhistorylessonTik Tok: https://www.tiktok.com/@geekhistorylessonFacebook: http://www.facebook.com/geekhistorylessonGet Your GHL Pin: https://geekhistorylesson.etsy.comYou can follow Ashley at https://www.threads.net/@ashleyvrobinson or https://www.ashleyvictoriarobinson.com/Follow Jason at https://www.threads.net/@jawiin or https://bsky.app/profile/jasoninman.bsky.socialThanks for showing up to class today. Class is dismissed!

Last week, it was announced that Netflix will acquire Warner Bros. in a $82.7 billion dollar deal with massive implications for the entertainment industry. The deal would leave the streaming service in charge of one of the biggest Hollywood film studios, HBO, and many famous pieces of intellectual property, including Harry Potter and DC Comics. But competitor Paramount is also vying for a deal. Georg Szalai, global business editor at The Hollywood Reporter, discusses what this deal would mean for Hollywood, responses from the industry, and the potential consequences for movie theaters and streaming services.

Well, we recently talked about the first Chronicle of Narnia … the book! Yet many fans found or rediscovered this series thanks to the Disney-distributed, Walden Media–made film from director Andrew Adamson. Want to feel old? That was two decades ago! So now we shall look back at Narnia's journey to the box office with The Lion, the Witch and the Wardrobe, which released twenty years ago on Dec. 9, 2005. Episode sponsors Edmund Spenser’s The Faerie Queen A Faie Tale by Vince Mancuso MYTH: Reign of the Immortals by J. F. Nickens Mission update New at Lorehaven: Netflix's New ‘Frankenstein' Reveals Why a Time-Shifted ‘Magician's Nephew' Film May Work , Daniel Whyte IV Subscribe free to get updates and join the Lorehaven Guild Coming in January: our book quest through Stephen Lawhead's fantasy novel Taliesin Backstory: Mark Joseph Mark Joseph is a music and film producer, author, columnist and founder of MJM Entertainment Group, a multi-faceted entertainment company with interests in film, publishing, music, TV production and film consulting. Joseph got his start in television as an anchor for NHK and CNN's The Entertainment Report in the 1990's and his company MJM produced documentaries and supervised the international release of over a hundred albums by various pop and rock artists. In addition to producing his own films, he oversees a marketing team that has marketed 75 films since 2001. From 2000-2005 he worked in development and marketing for Walden Media and Crusader Entertainment and oversaw a grassroots marketing team. He has served as a producer on 15 films, including Max Rose starring Jerry Lewis, The Vessel starring Martin Sheen, America, Japan: Searching For The Dream, Frank vs. God and others. Joseph is the author of four books including The Lion, The Professor & The Movies: Narnia's Journey To The Big Screen and has been a regular contributor to publications like Forbes, The Hollywood Reporter, Variety, USA Today, The Huffington Post and FoxNews.com. He is currently a senior columnist for Newsweek and hosts the podcast The Mark Joseph Show. Most recently, he produced the film Reagan, starring Dennis Quaid and published the book Making REAGAN: A Memoir from the Producer of the REAGAN Movie. He also produced the film's two soundtracks including songs from Bob Dylan, Clint Black, Gene Simmons of KISS, Tanya Tucker and others. Mark and his wife Kara have six children and reside in Southern California. YAF.org: Mark Joseph Facebook: MJM Entertainment Group Instagram: @markjoseph00 The Lion, The Professor & The Movies: Narnia's Journey To The Big Screen Making REAGAN: A Memoir from the Producer of the REAGAN Movie 1. Narnia's journey from book to screen … The Lion, the Witch and the Wardrobe got one TV animation (1979) Then the story (plus two more) came to live-action BBC TV (1988) Yet it was the Walden Media–made film that went bigger (2005) That film released just twenty years ago in the U.S., Dec. 9, 2005 Mark Joseph's role from those early days as Narnia pre-producer 2. … Through the winter of production … Stephen first learned this was official in a NY Times ad Dec. 2003. Early rumors included Disney aid (true), Kidman's Witch (untrue). Director: Andrew Adamson. Early casting. Scriptwriters and team. In the afterglow of LOTR, Narnia also filmed much in New Zealand. WETA Workshop did armor work. Other studios did visual effects. The Lion, the Witch and the Wardrobe film released Dec. 9, 2005. 3. … And into the spring of fan acclaim Teasers and trailers pleased fans, with only a few early hiccups. Against a $180 million budget, earned $745 million worldwide. Led to two sequels that earned less. Ended. Restart didn't work. Now we have Greta Gerwig starting with The Magician's Nephew. Any informal shared advice, constructive criticism, final memories. Com station Top question for listeners How did you first see The Lion, the Witch and the Wardrobe (2005)? Terri Hamilton recalls her Narnia origin tale (ep. 289): I found the Narnia series in my school library when I was in 4th grade, and yes, they were in the proper order. It was a watershed moment for me. I bought myself a boxed set a few years later. Boy, did I look for portals! When I get into a discussion about the book order, I point out The Magician's Nephew is a prequel, explaining the back story of the first book. Next on Fantastical Truth “We do not celebrate Christmas that way.” “We do not read those kinds of books.” “We ‘do not handle, do not taste, do not touch.'” We know our world is full of rebellion against God's law. But many people overreact to moral license with a strict imposing of out-of-context or made-up laws. Faithful saints call this legalism, and Christian fantasy fans know plenty about this. When that social-media pastor rebukes your favorite sci-fi, or that relative raises a judgy eyebrow at holiday dinners, how you can respond with grace, truth, and love for legalists?

If the holidays leave you feeling more stressed than joyful, you're not alone. In this episode, Sarah talks with Kati Morton, licensed therapist and author of Why Do I Keep Doing This? about the real reasons holiday anxiety shows up—and what you can do about it. From family dynamics to people-pleasing to the pressure of packed schedules, Kati shares practical tools to help you feel calmer and more in control this season.Kati Morton is a licensed therapist (LMFT), bestselling author, and longtime mental health educator who has spent more than a decade helping people make sense of their emotions. Her third book, Why Do I Keep Doing This? (December 9, 2025, Hachette), explores the emotional loops we know aren't helping us and what it actually takes to change them.Since launching her YouTube channel in 2011, Kati has built a global community of over 1.5 million subscribers and 156 million views. What began as a quiet effort to explain therapy online has become a trusted resource for people navigating trauma, anxiety, self-harm, and emotional overwhelm. Her calm, clear approach has made her a consistent voice in a space that changes constantly.Kati's work often reaches far beyond digital platforms. In the past year, she's been at the center of two viral cultural moments: her TODAY Show segment on “eldest daughter syndrome,” which went viral and was later covered by Vogue, and her appearance on Pod Meets World, where she guided the cast of Boy Meets World through a raw conversation about trauma on set. Kati has been featured on top-rated shows such as TODAY Show, CNN, E! News, CBS The Doctors, Dr. Phil, and The Dr. Drew Show, she has also appeared in numerous prestigious digital outlets such as the New York Times, USA Today, The Hollywood Reporter, Glamour UK, Bustle, INSIDER, HUFFPOST, and many more.Kati also hosts the long-running podcast Ask Kati Anything, featuring guests like Khalyla Kuhn, Shane Dawson, and Rosanna Pansino, and speaks regularly for companies like Google, YouTube, and Unilever on emotional resilience and trauma literacy.At her core, Kati makes big emotions feel understandable and reminds people they're not broken for feeling what they feel.For more information, go to www.KatiMorton.comFollow Kati Morton on Yo

2 Filmgréisste um Mikro vun eisem Hollywood Reporter De Mel Gibson ka virun der Kamera glänzen, awer assuréiert och hannert der Kamera. Seng vergaange Produktioune weisen dat, awer och déi Nei. D'Nicole Kidman freet sech iwwerdeem s op d'Golden Globes, do ginn de Méinden d'Nominéierunge publik gemaach.

Another fantastic conversation with Cindy Ambuehl, Christie's International Real Estate, Los Angeles. With over $2 billion in career sales, Cindy Ambuehl stands as one of Los Angeles' most sought-after real estate powerhouses, consistently ranking among the top producers in one of the world's most competitive luxury markets. Her unparalleled expertise, relentless work ethic, and commitment to excellence have earned her the trust of the region's most discerning buyers, sellers, and industry leaders.Even amidst the challenges of the 2024 market, Cindy achieved extraordinary success, closing 34 transactions with a total sales volume exceeding $315 million. Her achievements place her among the top professionals in the industry, ranking #10 in California and #26 in the nation by sales volume.Recognized as one of Hollywood's Top 30 Real Estate Agents by The Hollywood Reporter and named among Variety's "Showbiz Real Estate Elite," Cindy continually secures a coveted spot on RealTrends' prestigious "The Thousand" rankings, solidifying her reputation as a leader in luxury real estate.CindyAmbuehl.comDRE# 01821934

Award-winning author and business executive Margaret Heffernan has written extensively about uncertainty. Her book Uncharted: How to map the future became an instant bestseller and featured on Bloomberg's Best Books of 2021 list. Her most recent book Embracing Uncertainty: How writers, musicians and artists thrive in an unpredictable world outlines how creatives use ambiguity to stimulate innovation and novel ideas. In this episode, Jen, Dom and Cat chat with Margaret to her views on the power of conversation. In ambiguous and chaotic work landscapes, convening group discussions to hear diverse perspectives and harness collective intelligence is a new leadership meta-skill.   About Margaret Heffernan Dr. Margaret Heffernan produced programmes for the BBC for 13 years.  She then moved to the US where she spearheaded multimedia productions for Intuit, The Learning Company and Standard&Poors. She was Chief Executive of InfoMation Corporation, ZineZone Corporation and then iCast Corporation, was named one of the “Top 25” by Streaming Media magazine and one of the “Top 100 Media Executives” by The Hollywood Reporter.  The author of six books, Margaret's third book, Willful Blindness : Why We Ignore the Obvious at our Peril was  named one of the most important business books of the decade by the Financial Times. In 2015, she was awarded the Transmission Prize for  A Bigger Prize: Why Competition isn't Everything and How We Do Better, described as “meticulously researched…engagingly written…universally relevant and hard to fault.” Her TED talks have been seen by over 13 million people and in 2015 TED published Beyond Measure: The Big Impact of Small Changes. In 2020, she published Uncharted: How to map the future, which quickly became a bestseller and was nominated for the Financial Times Best Business Book award, was one of Bloomberg's Best Books of 2021 and was chosen as the “Medium Best of the Best” business book. 2025 saw the publication of Embracing Uncertainty: How Writers, Musicians and Artists Thrive in an Unpredictable World, described as ‘a timely, insightful book….Heffernan highlights what it takes to excel in turbulent times.' In 2024, she was inducted into the  Thinkers50 Hall of Fame, in recognition of her lasting impact on management thinking.  She is a Professor of Practice at the University of Bath, Lead Faculty for the Forward Institute's Responsible Leadership Programme and, through Merryck & Co., mentors CEOs and senior executives of major global organizations. She chairs the board of DACS and is a parish councillor.   Find Margaret on LinkedIn: https://www.linkedin.com/in/margaret-heffernan-ab5205/ Margaret's website:                   https://www.mheffernan.com/ Margaret on Substack:             https://heffernanm.substack.com/ Margaret's TED talks: https://www.ted.com/talks/margaret_heffernan_the_human_skills_we_need_in_an_unpredictable_world https://www.ted.com/talks/margaret_heffernan_the_dangers_of_willful_blindness

Tinseltown's most notorious pimp was convicted of providing high-class ‘call girls' to undercover police officers on 2nd December, 1994. It followed a dramatic sting involving the LAPD, the Beverly Hills police department, the state alcoholic beverage control agency and the state attorney General's office. They seized her ‘little black book' (actually a red Gucci diary) full of high-profile names, but the only celebrity client of hers that testified was Charlie Sheen. In this episode, Arion, Rebecca and Olly consider whether Fleiss' own desire for profile was part of her undoing; explain how she had unseated ‘Madam Alex' from the top of the tree; and reveal the role of Travellers Cheques in her most famous client's downfall… There was a surprising next chapter to Fleiss' career - as a carer for parrots - which we discuss in today's bonus bit, only available for supporters of the show. Just click Subscribe in Apple Podcasts, or head over to Patreon.com/Retrospectors (top two tiers only) to hear it, and a weekly bit of bonus content every single week. By so doing, you're also supporting our show - so, thanks! Further Reading: • ‘HEIDI FLEISS GUILTY OF PANDERING' (The Washington Post, 1994): https://www.washingtonpost.com/archive/lifestyle/1994/12/03/heidi-fleiss-guilty-of-pandering/d836cdbd-4461-47d2-9038-45842269c3c9/ • ‘Heidi Fleiss on Her Arrest, Macaw Cause and “Drug Addict” Ex Tom Sizemore' (The Hollywood Reporter, 2018): https://www.hollywoodreporter.com/lifestyle/lifestyle-news/heidi-fleiss-her-arrest-macaw-cause-drug-addict-tom-sizemore-1117449/ • ‘Jurors in the Heidi Fleiss trial watch videotape of police arresting four alleged prostitutes' (AP, 16 Nov 1994): https://www.youtube.com/watch?v=gO0mQUA0bVw This episode first aired in 2021 Love the show? Support us!  Join 

In this deeply personal episode of Infinite Life, Infinite Wisdom, Susan Grau shares her journey with infertility, grief, and the painful longing to be a mother. She opens up about her struggles with infertility, including six surgeries, failed in vitro attempts, and the emotional toll it took on her. Susan reflects on the moments of desperation, from pretending to be pregnant in baby stores to enduring the excruciating heartbreak of repeatedly seeing negative pregnancy tests.Despite all the pain, Susan's story is one of resilience, faith, and ultimately, empowerment. She discusses the emotional rollercoaster of infertility and the support that her husband provided during this difficult journey. Susan also talks about the transformative moment when she adopted her first child, and the overwhelming joy she felt when she held her baby girl for the first time.However, her story doesn't end there. Susan shares how the desire for a family continued to shape her life and how, after many years of trying, the unexpected blessings of motherhood arrived in the form of another beautiful daughter. She speaks openly about the pain of failed adoptions, the emotional turmoil of wanting children but not being able to have them biologically, and how her grief and yearning ultimately led to a deeper understanding of her soul's path.Through all the hardship, Susan's message is clear: the journey of infertility and grief isn't just about the loss, it's about finding empowerment in the process. Susan emphasizes that no one goes through these trials alone, whether it's infertility, grief, or loss of any kind. Support is key, and understanding the pain of others is part of the healing process.In This Episode:[00:00] Introduction to Susan's Journey with Infertility & Grief[02:00] The Struggles of Infertility: A Personal Story[05:00] The Pain of Repeated Failure and the Quest for Parenthood[08:00] The Role of Support Systems During Infertility and Loss[10:00] Adoption: The First Step Towards Becoming a Mom[13:00] The Unexpected Blessing: The Birth of a Second Daughter[16:00] The Emotional Toll of Failed Adoptions and Loss[19:00] Empowerment Through Grief: How to Find Strength in Your Struggles[21:00] The Power of Support: Understanding the Importance of Being There for Loved Ones[23:00] Learning to Trust Spirit and the Path Ahead[26:00] Grief and Empowerment: Overcoming Obstacles to Find New Avenues[28:00] Final Thoughts on Infertility, Loss, and Empowerment[30:00] The Importance of Letting Go and Allowing Spirit to Guide YouNotable Quotes“Grief is in the corner doing pushups, waiting for you to be vulnerable. You have to build your strength to walk through it.” – Susan Grau“The journey isn't just about the loss, it's about finding empowerment through the process and the growth that comes with it.” – Susan Grau“When I held my daughter for the first time, I knew she was meant to be mine. It was the most healing moment of my life.” – Susan Grau“No matter what form your family comes in, it's the love that defines what it means to be a mother or a father.” – Susan Grau“We have to trust that spirit is guiding us, even when it doesn't look the way we expected. We have to get out of our own way.” – Susan GrauSusan GrauSusan Grau is an internationally celebrated intuitive life coach, a key opinion leader, author, medium and speaker, who discovered her ability to communicate with the spirit world after a near-death experience at age four. Trained by Dr. Raymond Moody, James Van Praagh, and Lisa Williams, Susan is a Reiki Master, hypnotherapist, and grief therapist. Her new book, "Infinite Life, Infinite Lessons," published by Hay House, explores healing from grief and the afterlife. With media coverage in GOOP, Elle, and The Hollywood Reporter, Susan's expertise extends to podcasts, radio shows, and documentaries. She offers private mediumship readings, life path guidance, reiki sessions, and hypnotherapy, aiding individuals in healing and finding spiritual guidance.Resources and LinksInfinite Life, Infinite Wisdom Podcast Infinite Life, Infinite WisdomSusan GrauWebsiteOrder FacebookInstagramYouTubeTikTokMentionedInfinite Life, Infinite Lessons Wisdom from the Spirit World on Living, Dying, and the In-Between by Susan GrauSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Multiverse News, Your source for Information about all your favorite fictional universes.When Wicked: Part One released this time last year, it broke a slew of records for a Hollywood adaptation of a Broadway Show, as well for its talent behind and in front of the camera. Now Wicked: For Good has finally arrived on the scene and with a $150 million domestic, and $226 million global opening weekend, it has broken nearly every record its predecessor established, including Best Global and Domestic Opening for a Movie Based on a Broadway Show, as well as for stars Ariana Grande, Cynthia Erivo and director Jon M. Chu. It's no surprise with numbers like these that Universal Pictures is already “underway” with ways to continue the franchise on the screen, according to the studio's chief marketing executive, Michael Moses.Scarlett Johansson will star in Mike Flanagan's upcoming adaptation of The Exorcist. Backed by Universal and Blumhouse, Flanagan's film is said to be in the universe of The Exorcist, but is not a remake or sequel according to the director. Flanagan's take on the story was greenlit last year, more than 50 years after the original film came out in 1973.Wolverines never say die…at least that's the takeaway from Hugh Jackman's comments recently on the Graham Norton show. When asked about his time as the iconic X-Men character, Jackman replied “Maybe. I'm never saying never again…” and went on to elaborate about having declared he wouldn't play Logan until the Deadpool & Wolverine opportunity came about.Amazon is officially moving forward with a new Stargate TV series from producer Martin Gero, who began his career in the original franchise. The project continues the legacy that started with the 1994 film starring James Spader and Kurt Russell and expanded through Stargate SG-1 and multiple spinoffs.HBO has renewed several HBOMAX series for second seasons including crime drama Task and comedies I Love LA and The Chair Company as well as House of the Dragon for a 4th season and Knight of the Seven Kingdoms for a 2nd season.Paramount, Comcast and Netflix have submitted bids to acquire all or part of Warner Bros. Discovery and a sale decision is expected to be made before Christmas, although regulators would most likely take at least a year to approve the sale.Per an exclusive from The Hollywood Reporter exclusive, we've learned that Paramount is actively in talks with veteran producer Neal H. Morris, whose claims to fame include the Fast & The Furious and Sonic The Hedgehog film franchises, to kickstart a new live action Teenage Mutant Ninja Turtles film franchise.Sony Pictures has made one of the biggest book acquisitions of 2025, landing film adaptation rights to James Islington's Hierarchy series. The move comes as the book series' second installment, The Strength of the Few, debuts at No. 1 on the New York Times best-seller list following its Nov. 11 U.S. release.A24 has dropped the first trailer for How To Make A Killing, which stars Glen Powell and Margaret Qualley. The film debuts in theaters on Feb. 20th.Eva Green has been cast as Aunt Ophelia in season 3 of Netflix's Wednesday, a character that was teased at the end of season 2.FX will adapt Ubisoft's video game series Far Cry into an anthology series, Variety has learned. Noah Hawley and Rob Mac will create the series and Mac will also star.Barbara Broccoli‘s Eon Productions, the former producer of the James Bond franchise, and Qatar's newly launched Film Committee are jointly producing a film adaptation of William Shakespeare's “Othello,” directed and starring David Oyelowo, and also featuring Rachel Brosnahan and Cynthia Erivo.Toby Wallace has been cast in a lead role in Netflix‘s upcoming “Assassin's Creed” TV series.

Justin Bieber BioSnap a weekly updated Biography.Justin Bieber has been making headlines in the past few days with a mix of personal style changes, business ventures, and public appearances. According to IMDb, Bieber made a notable public appearance at the 2025 World Series, debuting a clean-shaven look alongside his wife Hailey Bieber. The couple cheered for the Toronto Blue Jays at Dodger Stadium, marking a fresh-faced era for the singer. Rolling Stone and The Hollywood Reporter also noted Bieber's enthusiastic support for the Blue Jays, including a playful thumbs-down gesture toward Shohei Ohtani.On the business front, AOL reports that Bieber is gearing up to launch a new fashion line called SKYLRK. He's been teasing apparel and accessories on Instagram, tagging @SKYLRK in his posts and adding the brand to his bio. While there's no official launch date yet, fans can sign up for updates on the SKYLRK website. This move comes as Bieber appears to have stepped back from promoting his previous streetwear label, Drew House.Bieber's support for his wife Hailey's beauty brand, rhode, continues to be a highlight. AOL notes that Justin is “beyond proud” of Hailey following the $1 billion acquisition of rhode by e.l.f. cosmetics. Hailey will now serve as Chief Creative Officer and Head of Innovation for rhode, with Justin sharing her announcement on his Instagram.In personal news, People magazine reported that Bieber made a brief appearance in Hailey's 29th birthday video, cheering her on. This comes amid ongoing speculation about his health and career, but no new official statements have been made.A less flattering story emerged from MARCA, which reported that Bieber was photographed urinating in public during a golf game in Palm Springs, California. The incident, while minor, drew attention due to the potential legal penalties for public urination in California.Overall, Bieber's recent activities reflect a blend of personal reinvention, business expansion, and continued public engagement, all of which are shaping his evolving public image.Get the best deals https://amzn.to/3ODvOtaThis content was created in partnership and with the help of Artificial Intelligence AI

Nick shares more about the celebrations planned for his new book, “40 Years, 40 Films,” and how listeners can snag copies before the holidays. TV critic Dan Fienberg from The Hollywood Reporter drops by with sharp takes on recent SNL episodes, the Eddie Murphy documentary “Being Eddie,” the newest season of “A Man in the Inside,” and reviews of “The Beast in Me,” “The Assassin,” and the Susan Powter documentary, along with a quick look at what's coming in the new season of “Stranger Things.” Later, Esmeralda Leon joins Nick for a lively chat about cooking, holiday dishes, kitchen chaos, and the pressure of pulling off ambitious menus without sabotaging the turkey. [Ep 406]

This week on Music Tectonics, we're continuing our Conference Conversations series with highlights from the Music Tectonics Conference. Over the next several weeks, we'll be sharing our favorite discussions, interviews, and panels that capture what's happening right now in music innovation.   Today, we're featuring a conversation with Ethan Millman from the Hollywood Reporter. Ethan breaks down one of the biggest music industry trends: the blurring lines between music distribution and record labels. We explore how label services are evolving, why distribution deals have become the hottest topic in music business, and what artists need to know when choosing between distributors and record labels.   Whether you're an independent artist navigating distribution options, a music industry professional tracking the latest trends, or a music tech founder building solutions for the creator economy, this conversation offers essential insights into the future of music distribution and artist services.   The News! Baby Shark creator Pinkfong goes public with $372m valuation AI Music Platform Suno Valued at $2.45 Billion Suno will be reading Robert Kyncl's new blog post very closely, as WMG CEO vows to 'legislate, litigate, license' in the era of AI music creation Explosively Viral Track 'I Run' by HAVEN Yanked From Spotify and Other Platforms Over AI 'Artist Impersonation' — Turns Out Suno Is Where It All Started The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

Episode SummaryErin and Rachel hop on down to 1920's New Orleans, where Disney's first Black princess spends most of her time as a frog in the Louisiana bayou. The Princess and the Frog (2010) provided much needed representation, but leaves a lot to be desired in terms of its race, class, and gender politics. Episode BibliographyThe 82nd Academy Awards | 2010. (n.d.). Oscars. https://www.oscars.org/oscars/ceremonies/2010/P?qt-honorees=1#block-quicktabs-honoreesAyres, C. (2009, December 12). The Princess and the Frog: Disney's black fairytale. The Times. https://www.thetimes.com/culture/tv-radio/article/the-princess-and-the-frog-disneys-black-fairytale-lcpnw3pj3jcBaker, E.D. (2002). The Frog Princess. Bloomsbury.Barnes, B. (2009, May 29). Her Prince Has Come. Critics, Too. The New York Times. https://www.nytimes.com/2009/05/31/fashion/31disney.htmlBreaux, R. M. (2010). After 75 years of magic: Disney answers its critics, rewrites African American history, and cashes in on its racist past. Journal of African American Studies, 14(4), 398-416. doi: 10.1007/s12111-010-9139-9Chang, J. (2009, November 24). The Princess and the Frog. Variety. https://variety.com/2009/digital/features/the-princess-and-the-frog-1200477289/Davis, A.M. (2014). Handsome heroes and vile villains: Men in Disney's feature animation. John Libbey & Company. Debruge, P. (2016, November 22). Disney's Pixar Acquisition: Bob Iger, John Lasseter Reanimated Studio. Variety. https://variety.com/2016/film/features/disney-pixar-acquisition-bob-iger-john-lasseter-1201923719/Disney Archives, The. (2025, January 14). The Princess and the Frog - Magic in the Bayou: The Making of a Princess. YouTube. https://www.youtube.com/watch?v=t9Gfgey_Oc8Disney Enterprises, Inc. (2009). The Princess and the Frog Production Notes. Oscars.org. https://web.archive.org/web/20100408202417/http://www.oscars.org/press/presskits/nominations/pdf/princess_and_the_frog.pdfEbert, R. (2009, December 9). At Disney, they still remember how to make movies like they used to movie review (2009). RogerEbert.com. https://www.rogerebert.com/reviews/the-princess-and-the-frog-2009Firehouse Five Plus Two - Wikipedia. (n.d.). Wikipedia, the free encyclopedia. https://en.wikipedia.org/wiki/Firehouse_Five_Plus_TwoFoundas, S. (2009, December 10). The Princess and the Frog. Dallas Observer. https://www.dallasobserver.com/arts-culture/the-princess-and-the-frog-6405784/Frog Prince, The. (2025, October 17). In Wikipedia. https://en.wikipedia.org/wiki/The_Frog_PrinceGallo, P. (2006, February 28). Mouse inks music man. Variety. https://variety.com/2006/film/markets-festivals/mouse-inks-music-man-1117939042/Gehlawat, A. (2010). The strange case of "The Princess and the Frog:" Passing and the elision of race. Journal of African American Studies, 14(4), 417-431. doi: 10.1007/s12111-010-9126-1Gilchrist, T. (2009, October 23). Interview: 'Princess and the Frog' Directors Ron Clements and John Musker. Moviefone. https://web.archive.org/web/20130921054004/http://news.moviefone.com/2009/10/23/interview-princess-and-the-frog-directors-ron-clements-and-jo/Gregory, S. M. (2010). Disney's second line: New Orleans, racial masquerade, and the reproduction of whiteness in The Princess and the Frog. Journal of African American Studies, 14(4), 432-449. doi: 10.1007/s12111-010-9138-xGuerrero, E. (1993). The Black image in protective custody: Hollywood's biracial buddy films of the eighties. In M. Diawara (Ed.), Black American cinema (pp. 237–246). Routledge.Hill, J. (2006, November 12). Monday Mouse Watch: Why a change of composers on “The Frog Princess” caused lots of WDFA staffers to lose their composure. Jim Hill Media. https://limegreen-loris-912771.hostingersite.com/monday-mouse-watch-why-a-change-of-composers-on-the-frog-princess-caused-lots-of-wdfa-staffers-to-lose-their-composure/Holt, K. (2006, June 23). Rhett Wickham: It's Baaack! Laughing Place. https://www.laughingplace.com/news-id510530.aspHoneycutt, K. (2009, November 24). The Princess and the Frog — Film Review. The Hollywood Reporter. https://www.hollywoodreporter.com/movies/movie-reviews/princess-frog-film-review-93780/Kayembe, B. (2021, March 9). Why are we still depicting Black women as 'Mammies'? Shado Mag. https://shado-mag.com/articles/opinion/why-are-we-still-depicting-black-women-as-mammies/Killer Reviews Staff. (2009). The Princess and the Frog Filmmakers Interview. Killer Reviews. https://web.archive.org/web/20100829054531/http://www.killerreviews.com/dispinterview.php?intid=1859King, C.R., Bloodsworth-Lugo, M.K., & Lugo-Lugo, C.R. (2010). Animated representations of Blackness. Journal of African American Studies, 14(4), 395-397. doi: 10.1007/s12111-010-9141-2King, S. (2009, November 22). Q & A with ‘Princess and the Frog' animators. Los Angeles Times. https://www.latimes.com/archives/la-xpm-2009-nov-22-la-ca-princess22-2009nov22-story.htmlLeah Chase. (n.d.). Wikipedia, the free encyclopedia. https://en.wikipedia.org/wiki/Leah_ChaseLeap of Faith: The Princess and the Frog. (2010, January 17). The Independent. https://www.the-independent.com/arts-entertainment/films/features/leap-of-faith-the-princess-and-the-frog-1870801.htmlLester, N. A. (2010). Disney's The Princess and the Frog: The pride, the pressure, and the politics of being a first. The Journal of American Culture, 33(4), 294-307. Malkin, M. (2007, February 5). Alicia Keys into Next Movie Role. E! Online. https://web.archive.org/web/20070210054735/http://www.eonline.com/gossip/planetgossip/blog/index.jsp?uuid=d21d0e39-9f0d-4b01-b81d-3989932f34abMcGee, A.M. (2012). Haitian vodou and voodoo: Imagined religion and popular culture. Studies in Religion, 41(2). doi: 10.1177/0008429812441311Misick, B. (2020, October 29). Controversy Over 'The Princess and the Frog'. Essence Magazine. https://www.essence.com/news/critics-dispute-princess-and-the-frog/Moffitt, K. R. (2019). Scripting the way for the 21st-century Disney princess in The Princess and the Frog. Women's Studies in Communication, 42(4), 471-489. doi: 10.1080/07491409.2019.1669757Moffitt, K. R., & Harris, H. E. (2014). Of negation, princesses, beauty, and work: Black mothers reflect on Disney's The Princess and the Frog. Howard Journal of Communications, 25(1), 56–76. doi:10.1080/10646175.2014.865354Myrlados, A. (2021, January 18). The Princess and The Frog: A case in cultural revisionism. The Enlightenment. https://lifeisgoodblog.com/2021/01/18/princess-and-frog-cultural-revisionism/Ness, M. (2016, June 2). The End of an Era: Disney's The Princess and the Frog. Reactor. https://reactormag.com/the-end-of-an-era-disneys-the-princess-and-the-frog/New Orleans Voodoo. (2025). New Orleans. https://www.neworleans.com/things-to-do/multicultural/traditions/voodoo/Noyer, J. (2010, June 1). The Princess And The Frog's Directors John Musker and Ron Clements take us to “the other side” of animation! Animated Views. Retrieved September 22, 2025, from https://animatedviews.com/2010/the-princess-and-the-frog-directors-john-musker-and-ron-clements-take-us-to-the-other-side-of-animation/Panaram, S., Rogers, H., & Stoddard, T. (n.d.). The Princess and the Frog: Rewriting Jazz Age History and Culture. The Black Atlantic. https://sites.duke.edu/blackatlantic/sample-page/contemporary-film-and-black-atlantic/history/disneyfied-histories-disneys-intentional-inaccuracy-historical-films-and-the-black-atlantic/the-princess-and-the-frog-and-rewriting-jazz-age-history-and-culture/Parasecoli, F. (2010). A taste of Louisiana: Mainstreaming Blackness through food in The Princess and the Frog. Journal of African American Studies, 14(4), 450-468. doi:  10.1007/s12111-010-9137-yPérez, E. (2021). “I got voodoo, I got hoodoo”: Ethnography and its objects in Disney's The Princess and the Frog. Material Religion, 17(1), 56-80. doi: 10.1080/17432200.2021.1977954Pinsky, M. I. (2010, January 7). What Walt Wrought. Wall Street Journal. https://www.wsj.com/articles/SB10001424052748703580904574638143338424878The Princess and the Frog. (n.d.). Box Office Mojo. https://www.boxofficemojo.com/release/rl3916137985/Robertson, B. (2010, January). The Tradition Lives On. Computer Graphics World. https://www.cgw.com/Publications/CGW/2010/Volume-33-Issue-1-Jan-2010-/The-Tradition-Lives-On.aspxRoush, G. (2009, October 21). Interview: Princess And The Frog Directors John Musker And Ron Clements. Plus 7 Brand New Images! LatinoReview.com. https://web.archive.org/web/20091022114309/http://www.latinoreview.com/news/interview-princess-and-the-frog-directors-john-musker-and-ron-clements-plus-7-brand-new-images-8310Schwarzbaum, L. (2009, December 18). The Princess and the Frog. Entertainment Weekly. https://ew.com/article/2009/12/18/princess-and-frog-2/Sciretta, P. (2009, 28 February). WonderCon: The Princess And The Frog And The Future Of 2D Animation At Disney. Slash Film. https://www.slashfilm.com/502703/wondercon-the-princess-and-the-frog-and-the-future-of-2d-aniamtion-at-disney/Scott, M. (2009, November 22). New Orleans setting for 'Princess and the Frog' is a Disney dream come true for one man. NOLA.com. https://www.nola.com/entertainment_life/movies_tv/new-orleans-setting-for-princess-and-the-frog-is-a-disney-dream-come-true-for/article_c84036c3-ff1c-5fcd-94e3-9f7e916b774e.htmlScott, N. (2009, December 12). For 'Princess and the Frog,' Disney animators go back to the drawing board. NOLA.com. https://www.nola.com/entertainment_life/movies_tv/for-princess-and-the-frog-disney-animators-go-back-to-the-drawing-board/article_70787df8-b6ee-575d-9a0e-f1648f40cced.htmlSharkey, B. (2009, November 25). Review: 'The Princess and the Frog'. Los Angeles Times. https://www.latimes.com/archives/la-xpm-2009-nov-25-la-et-princess25-2009nov25-story.htmlTaylar. (2022, November 12). The Firehouse Five Plus Two - Disney's Jazz Band. The Disney Classics. https://www.thedisneyclassics.com/blog/firehouse-five-plus-twoTejada, A. (2020, July 14). Representation Without Transformation: Can Hollywood Stop Changing Cartoon Characters of Color? Reactor. https://reactormag.com/representation-without-transformation-can-hollywood-stop-changing-cartoon-characters-of-color/Terry, E.J. (2010). Rural as racialized plantation vs rural as modern reconnection: Blackness and agency in Disney's Song of the South and The Princess and the Frog. Journal of African American Studies, 14(4), 469-481. doi: 10.1007/s12111-010-9132-3Turner, S.E. (2013). Blackness, bayous and gumbo: Encoding and decoding race in a colorblind world. In Cheu, J. (Ed.), Diversity in Disney films: Critical essays on race, ethnicity, gender, sexuality, and disability (pp. 83-98). McFarland & Company.Update: Princess Anika and the Frog. (n.d.). E! News. https://www.eonline.com/news/59173/update-princess-anika-and-the-frogWhelan, B. (2012). Power to the princess: Disney and the creation of the 20th century princess narrative. Interdisciplinary Humanities, 29(1), 21–34.Wloszczyna, S. (n.d.). Enchanting return to 2-D: Disney animation conjures magical kingdom of yore. USA Today. https://usatoday30.usatoday.com/printedition/life/20070503/d_cover03.art.htm

A presença brasileira voltou a estremecer Hollywood nesta semana. Depois que a Academia de Artes e Ciências Cinematográficas divulgou nas redes sociais uma foto de Wagner Moura no Governors Awards, o público fez história, novamente: foram mais de 156 mil comentários, um número que superou, de longe, as reações dedicadas a outras grandes estrelas da noite. Cleide Klock, correspondente da RFI em Los Angeles Esse mar de engajamento, que havia acontecido também no ano passado com a foto de Fernanda Torres, marcou simbolicamente o início da campanha “para valer” de Moura nos Estados Unidos. Um dia antes de ir à festa, ele conversou com a RFI e já falava do poder dos brasileiros nas redes sociais. “Eu estava com a Nanda [Fernanda Torres] no Governors Awards ano passado. Eu lembro da gente conversando ali e lembro dela falando assim: 'eu não tirei a foto ainda, vou lá tirar'. A foto da Nanda teve um milhão de likes. As fotos de todas as estrelas americanas que estavam lá não tiveram nem um milésimo do que ela teve. Eu acho maravilhoso!", lembrou o protagonista de “O Agente Secreto”. Wagner Moura agora vê a história se repetir no engajamento e no favoritismo do filme de Kleber Mendonça Filho na categoria de produção internacional. Após finalizar uma temporada teatral no Brasil, o ator desembarcou em Los Angeles e já iniciou uma agenda intensa de campanha para o Oscar. Paralelamente, como é padrão na temporada, ele também faz campanha para o Globo de Ouro, Critics' Choice e demais premiações dos sindicatos que moldam o rumo da corrida. “Fiquei um tempo afastado dessa parte. Kleber Mendonça Filho viajou muito, e agora estou totalmente comprometido com isso. É muito bom, porque você senta com os outros atores, escuta seus colegas também de outros lugares, que fizeram outros filmes maravilhosos esse ano. Isso é uma troca muito boa. Você poder ouvir outras pessoas, de outras latitudes no mundo, falando do seu filme. Estamos aqui nos Estados Unidos, e depois vou para muitos países europeus, Inglaterra, Itália, Espanha, França. É campanha, é isso, é viajar e falar do filme pelo mundo”, diz. A perna cabeluda Nesta última semana, Wagner Moura participou da primeira sessão paga de “O Agente Secreto” em território americano. No dia 26 o filme entra em circuito comercial nos Estados Unidos. O ator também comentou quais são as conversas mais frequentes após as sessões. “Eu acho muito engraçadas as perguntas sobre a perna cabeluda. A primeira vez que eu ouvi falar da perna cabeluda foi na música de Chico Science, que inclusive é a música que eu botei na abertura do Marighella, que diz que 'Galeguinho do Coque não tinha medo da perna cabeluda'. Só agora, trabalhando com o Kleber, fui entender que a perna cabeluda virou uma lenda urbana no Recife porque jornalistas, para driblar a censura, em vez de denunciar a brutalidade policial, diziam que quem tinha feito aquelas coisas havia sido essa perna saltitante. Ela virou notícia no jornal e as pessoas trancavam a porta da casa por medo da perna cabeluda", explicou o ator. “É muito bom isso, você ver um pedaço do seu país sendo mostrado. Acho muito importante que o público fora do Brasil veja aquilo, mas acho mais importante que nós brasileiros também vejamos. Não consigo entender ainda a lógica de quem não acha que o governo deveria apoiar a cultura, de que a cultura não é uma coisa importante para o desenvolvimento do país. Fico querendo ver algum argumento", reitera. Favoritismo Wagner não é apenas favorito nas redes: as listas iniciais de possíveis indicados a melhor ator ao Oscar 2026 já colocam o ator brasileiro ao lado de nomes como Ethan Hawke (Blue Moon), Leonardo DiCaprio (Uma Batalha Após a Outra), Timothée Chalamet (Marty Supreme) e Michael B. Jordan (Pecadores). Mas foi a atualização mais recente do The Hollywood Reporter que surpreendeu até os fãs mais otimistas. Wagner Moura aparece como o número 1 entre os favoritos. “Mostra que você está num momento muito bonito da trajetória como artista, tendo esse tipo de reconhecimento. Essa indicação ainda não veio e não gosto de ficar falando disso, mas é maravilhoso. É um filme brasileiro, um ator brasileiro. Eu acho maneiro. Na Bahia, o pessoal tem orgulho”, brinca. O filme "O Agente Secreto" não nasceu para entrar na corrida do Oscar, mas do desejo de entregar um filme sólido, impactante, com identidade brasileira e potência universal. Quando um trabalho é feito com essa qualidade, o Oscar deixa de ser um objetivo distante e passa a ser uma consequência possível. Mas envolve muitas camadas, entre elas a de ter um distribuidor poderoso, como a Neon, que aposta na campanha nos Estados Unidos. “Já fiz tanto filme. Fiz muito filme ruim, sempre com o intuito de fazer bem, mas é difícil. Quando vem um bom, você fica querendo que aquilo esteja nas discussões, nas conversas, como 'O Agente Secreto' está. Não digo que o Oscar é um sonho, mas é claro que às vezes você pensa que o filme poderia estar ali. Já fiz alguns filmes em que pensei nisso, como o próprio 'Tropa de Elite', o 'Guerra Civil', que foi um filme que fiquei muito surpreso de ter passado batido, no ano passado, na premiação dos Oscars”, lamenta. O reconhecimento crítico, o carinho do público e a empolgação dos brasileiros que têm um engajamento sem igual em qualquer lugar do mundo, apenas aceleraram um movimento que já está em curso, apesar de ter ainda muito chão pela frente e muita coisa pode acontecer no meio do caminho. A festa do Oscar acontece em 15 de março. “Eu gostei tanto de fazer 'O Agente Secreto', foi uma coisa tão importante para mim, e as pessoas gostam dele. Então, para mim, para Kleber, é incrível a gente poder estar falando, viajando o mundo, conversando com as pessoas, ouvindo o tipo de pergunta que as pessoas fazem sobre o filme em diferentes partes do mundo, sobre a cultura brasileira, de Pernambuco, do Recife, do Nordeste. É maravilhoso", resume Wagner Moura.

A renowned mythologist, story expert  and the Executive Director for the Joseph Campbell Foundation who has been featured on the BBC, the History Channel, the LA Times.and The Hollywood Reporter. He explores mythology as the stories we use to make sense of the world around us.  John consults and works with government and cultural leaders around the world, as well as organizations such as HBO, DC Comics, Paramount Pictures, Nickelodeon, A24 Films, Atlas Obscura, and The John Maxwell Leadership Foundation, bringing his deep understanding of cultural narratives and myth to a wide array of audiences. He has worked with New York Times best-selling authors, YouTube influencers, Eisner winners, Emmy winners, Academy Award nominees, magicians, and cast members from Saturday Night Live. He holds a PhD in Mythology & Depth Psychology and is the author of six influential books on storytelling. 

Wicked: For Good movie is in theaters this week, so please enjoy this wonderful conversation from the AOK library with the film's director Jon M. Chu. He and Robert Peterpaul to discuss being a kind leader on set, acts of kindness from Ariana Grande and Cynthia Erivo, his spellbinding memoir Viewfinder and more. Rejoicify - this is a thought-provoking chat filled with STAR-studded surprise guests! We're OBSESSULATED! Jon M. Chu is known for his visually stunning blockbuster films, as well as his kinetic work across various genres from groundbreaking series to commercials and films. Additionally, his unique storytelling ability has earned him the honor of inclusion on the Hollywood Reporter's Power 100 list as well as Variety's New Hollywood Leaders. Most recently, Chu directed Universal Pictures' critically acclaimed WICKED 1 & 2, starring Oscar-nominees Cynthia Erivo and Ariana Grande. Part 1 of the feature-film adaptation of the record-breaking musical phenomenon released in theaters on November 22 and quickly became a box-office hit, becoming the highest-grossing Broadway adaption in domestic box office history in its second week earning over $350 million globally. His memoir, Viewfinder, is his journey from growing up in the Silicon Valley to transitioning to Hollywood and helming major studio projects, released Summer 2024. The book is an uplifting tale of belonging, creativity and learning to see who you truly are. His other projects include the critically acclaimed adaptation of Lin-Manuel Miranda's Tony Award-winning musical IN THE HEIGHTS for Warner Bros. Studios as well as the worldwide phenomenon CRAZY RICH ASIANS, which was nominated for numerous awards, including a SAG Award, a Golden Globe and PGA Award. It is one of the top 10 highest grossing romantic comedies of all time and the highest in a decade. It was also the first contemporary studio picture in more than 25 years to feature an all-Asian cast and opened a new chapter in Asian-American representation in Hollywood. Chu is attached to direct the highly anticipated biopic for Britney Spears based on her memoir, The Woman in Me, with Universal. He is also in development on Dr. Seuss' OH, THE PLACES YOU'LL GO! with Warner Bros and JJ Abrams' Bad Robot, which will be his first animated film. His previous films include GI. JOE: RETALIATION, NOW YOU SEE ME 2, JUSTIN BIEBER'S NEVER SAY NEVER and many more representing over 1.3 billion dollars in the worldwide box office. Thank you to Ariana Grande, Cynthia Erivo, Ethan Slater, Michelle Yeoh and Simon Hayes for the special surprise, and to Welcome to Times Square for supporting our Big Apple dreams. Follow Jon: @jonmchu Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Let us be glad. Let us be grateful. Learn more about your ad choices. Visit megaphone.fm/adchoices

Travel nightmares, cocktail jazz, & laughing gas…oh my!  This week, JVN is joined by comedian and certified delight, Heather McMahan (host, Absolutely Not) They're talking: baths vs. showers, jazz scatting, preferred quesadilla orders, comedy in 2025, mid-flight medical emergencies, eyelashes, meeting people where they're at, finding rituals that ground you, healthcare in the UK, The Golden Bachelor, and much much more!  Heather McMahan is an actress, comedian, and podcaster whose sharp humor and self-deprecating storytelling have made her one of the most beloved voices in comedy today. Her Netflix special Son I Never Had! debuted in 2023 to widespread acclaim, holding a Top 10 position for a full week. Known for her candor, relatability, and ability to find humor in chaos, Heather has toured internationally, selling out iconic venues including Radio City Music Hall during her Comeback Tour. She's been called “an auditory David Sedaris for the millennial set” by The Hollywood Reporter and continues to connect with fans across stand-up, television, and her hit podcast: Absolutely Not Catch her in The Bamboozled Tour continuing this spring.  Full Getting Better Video Episodes now available on YouTube.  Follow Heather McMahan on Instagram @heatherkmcmahan Follow Getting Better on Instagram @gettingbetterwithjvn  Follow Jonathan on Instagram @jvn Check out the JVN Patreon for exclusive BTS content, extra interviews, and much much more - check it out here: www.patreon.com/jvn  Senior Producer, Chris McClure Producer, Editor & Engineer is Nathanael McClure Production support: Chad Hall Our theme music is also composed by Nathanael McClure. Curious about bringing your brand to life on the show? Email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today in the business of podcasting: The deadline to submit to The Podscape is this Friday, Cloudflare outage plays havok with the internet, The Hollywood Reporter and Spotify post the hour-long roundtable with Golden Globes Best Podcast nominees, IAB Australia confirms dates for early 2026 events and survey for Audio Advertising State of Nation, Digidal looks at the growing sophisitication of influencer marketing, and Local Files Club brings a new twist to audio fiction monetization. Find links to every article covered by heading to the Download section of SoundsProfitable.com, or by clicking here to go directly to today's installment.

Today in the business of podcasting: The deadline to submit to The Podscape is this Friday, Cloudflare outage plays havok with the internet, The Hollywood Reporter and Spotify post the hour-long roundtable with Golden Globes Best Podcast nominees, IAB Australia confirms dates for early 2026 events and survey for Audio Advertising State of Nation, Digidal looks at the growing sophisitication of influencer marketing, and Local Files Club brings a new twist to audio fiction monetization. Find links to every article covered by heading to the Download section of SoundsProfitable.com, or by clicking here to go directly to today's installment.

-According to The Hollywood Reporter, Disney+ might soon play host to user-generated short-form AI videos. Iger said, “the other thing that we're really excited about, that AI is going to give us the ability to do, is to provide users of Disney+ with a much more engaged experience, including the ability for them to create user-generated content and to consume user generated content — mostly short-form — from others.” -Verizon had a marked drop in postpaid wireless customers, losing 7,000 customers in that segment compared with a gain of 18,000 in Q3 2024. CEO Dan Schulman said, "we are going to take bold and fiscally responsible action to redefine Verizon's trajectory at this critical inflection point for our company. These will not be incremental changes." -Blue Origin's New Glenn rocket launch marks the first time the space startup has been able to catch a New Glenn booster for later reuse. The maiden flight of the rocket in January was successful in the sense that it got New Glenn into space, but Blue Origin wasn't able to save the booster from a watery grave. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We're finishing our monstrous double-feature with a look at the romance of the 1958 B-movie I Married a Monster from Outer Space! Join in as we discuss movie marketing, aliens we'd marry, and the movie's surprisingly rich feminist perspective. Plus: How does this movie compare to The Blob? What are the Andromedans' fake bodies made of? And do they even actually like human women? Make sure to rate, review, and subscribe! Next week: Ronin (1998)------------------------------------------------------Key sources and links for this episode:I Married a Monster from Outer Space in the TCM Archive"Inside Elio's Catastrophic Path: America Ferrera's Exit, Director Change, and Erasure of Queer Themes" (The Hollywood Reporter)"Man-Thing Vs Swamp Thing: Both were Based on an Older Monster" (Comic Book Resources)"Legend's Two-Star Review that (Almost) Nobody Noticed" (BBC)

Enrique Melendez is a celebrated fashion stylist known for his daring collaborations with Wednesday star Jenna Ortega. He's been on The Hollywood Reporter's list of the Top 25 Celebrity Stylists two years in a row and recently received an InStyle Imagemaker Award. This week, Melendez joins Who What Wear co-founder Hillary Kerr to dig into the Wednesday season 2 press looks and discuss Ortega's dramatic style evolution from Disney kid to gothic-glam fashion darling. There's no doubt you've seen Ortega's most adventurous looks on your feed in recent months—from the latex snakeskin Ashi Studios gown that kicked off the press tour to the bejeweled Givenchy top at the Emmys. Today, Melendez shares how those looks—and many more—came to be. Watch this episode on Youtube here!Listen to Enrique's episode from 2023 here!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Enrique Melendez is a celebrated fashion stylist known for his daring collaborations with Wednesday star Jenna Ortega. He's been on The Hollywood Reporter's list of the Top 25 Celebrity Stylists two years in a row and recently received an InStyle Imagemaker Award. This week, Melendez joins Who What Wear co-founder Hillary Kerr to dig into the Wednesday season 2 press looks and discuss Ortega's dramatic style evolution from Disney kid to gothic-glam fashion darling. There's no doubt you've seen Ortega's most adventurous looks on your feed in recent months—from the latex snakeskin Ashi Studios gown that kicked off the press tour to the bejeweled Givenchy top at the Emmys. Today, Melendez shares how those looks—and many more—came to be. Watch this episode on Youtube here!Listen to Enrique's episode from 2023 here!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Two articles caught our attention. The first was in The Hollywood Reporter about a new movie theater concepts with private rooms and high end food in New York. The second was a story about the power of IMAX in the movie industry, per the Wall Street Journal.  In this episode, Joe Pine, Aransas Savas, and Dave Norton discuss the evolving landscape of the movie theater experience, particularly in light of the pandemic's impact. They explore new concepts in Hollywood, such as premium movie theaters and IMAX, and how these innovations cater to changing consumer preferences. The conversation emphasizes the importance of customization, personalization, and the need for theaters to create engaging experiences that resonate with audiences. The hosts also provide valuable insights for experience strategists on how to adapt to these trends and enhance the overall consumer experience. Takeaways The pandemic significantly impacted the movie theater industry, leading to a decline in attendance. Premiumization is a key trend in the film industry, focusing on enhancing the overall experience. Customization and personalization are crucial for attracting audiences back to theaters. Consumers decide the 'when' or the situation, then watch the movie Theaters need to innovate and create engaging environments to compete with home viewing. Experience strategists should measure the money value of time (MVT) in their offerings. The integration of social components can enhance the movie-going experience. Chapters 01:23 Hollywood's New Movie Theater Concepts 02:38 The Impact of the Pandemic on Movie Theaters 04:47 Premiumization in the Film Industry 06:40 Customization and Personalization of Movie Experiences 08:57 Consumer Preferences Post-COVID 11:38 The Role of IMAX and Alternative Experiences 16:41 Innovations in the Theater Space 20:15 Key Takeaways for Experience Strategists   Read More: https://www.hollywoodreporter.com/business/business-news/inside-metro-private-cinema-tim-league-movie-theater-1236311204/ https://www.wsj.com/business/media/imax-movie-release-trend-6f4587a2?st=PKpj1G&reflink=desktopwebshare_permalink Podcast Sponsors: Learn more about Stone Mantel https://www.stonemantel.co Sign up for the Experience Strategist Substack here: https://theexperiencestrategist.substack.com  

Send us a Question!MOVIE DISCUSSION: Shirleon joins Melvin to discuss Death Note: The Last Name, a sequel to 2006's Japanese live-action adaptation, Death Note, that released 3-months later. The two look at the film as a unit with its predecessor, its successes as a stand-alone sequel, and compare it to the anime (as well as the Western Netflix adaptation).Topics:(PATREON EXCLUSIVE) 26-minutes discussing "Evil AI is Boring Now - Which is Kind of Scary", a think piece from James Hibberd on The Hollywood Reporter, and wondering what makes AI/AGI movies interesting, or not, in 2025. (PATREON EXCLUSIVE)How Death Note: The Last Name truncates the the latter-half of the source material, reordering some things and altering others outright, works pretty well.Shirleon enjoyed seeing the Death Note story unfold in a new, better-handled manner. It helped her better understand what she likes about the overall narrative.If these adaptations are missing anything, it's the monologues.Melvin wonders why a "Set in the world of Death Note" anthology movie or series hasn't been created, and he elevator-pitches five ideas that could be explored.Talking about the recurrent line "Sacrifices are necessary.".Melvin felt the ending satisfied the main thematic beats of its source material. Shirleon feels different.Recommendations:Alien: Earth (2025) (TV Series)Terminator 2: Judgement Day (1991) (Movie)Support the showSupport on Patreon for Unique Perks! Early access to uncut episodes Vote on a movie/show we review One-time reward of two Cinematic Doctrine Stickers & Pins Social Links: Threads Website Instagram Facebook Group

Jim Hill and Drew Taylor salute Veterans Day and talk about Xavier “X” Atencio, the new Disney Editions book celebrating the Imagineer behind the Haunted Mansion's “Grim Grinning Ghosts.” Then, Drew and Jim dive into the weekend box office — from Predator: Badlands breaking franchise records to the upcoming Zootopia 2 — before Jim goes solo to finish his deep-dive on the 20th anniversary of Chicken Little: Disney's first CG feature and the film that changed everything at the studio. HIGHLIGHTS Disney Legend spotlight: The new Xavier X. Atencio biography reveals rare sketches, wartime cartoons, and Haunted Mansion concept art — including the one-eyed cat that almost was. Box office breakdown: Predator: Badlands lifts Disney past $4 billion for 2025, while Zootopia 2's early projections could redeem TRON: Ares' underperformance. Streaming watch: Netflix's In Your Dreams wins praise from Collider and The Hollywood Reporter; Star Wars: Visions Vol. 3 drops on Disney+. The forgotten fowl: Why Chicken Little struggled in 2005 — from corporate pressure and story changes to a release window crushed by Goblet of Fire. Animation turning point: How Pixar's arrival, John Lasseter's leadership, and Ratatouille's success permanently shifted Disney away from hand-drawn animation. Hosts Jim Hill — X/Twitter: @JimHillMedia | Instagram: @JimHillMedia | Website: jimhillmedia.com Drew Taylor — X/Twitter: @DrewTailored | Instagram: @drewtailored | Website: drewtaylor.work Patreon Support Fine Tooning and the entire Jim Hill Media Podcast Network at patreon.com/jimhillmedia Follow Us Facebook: @JimHillMediaNews | YouTube: @jimhillmedia | TikTok: @jimhillmedia Producer Credits Edited by Dave Grey Produced by Eric Hersey — Strong Minded Agency Sponsor This episode is brought to you by UnlockedMagic.com — where Disney and Universal fans can save up to 12% on park tickets and after-hours events like Mickey's Very Merry Christmas Party and Jollywood Nights. Powered by the same trusted team behind DVC Rental Store and DVC Resale Market. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nick welcomes Dan Fienberg, TV critic for The Hollywood Reporter, back to the podcast for another round of sharp television talk. They dive into the most recent Saturday Night Live episodes and the latest TV news before Dan reviews several new releases, including Vince Gilligan's sci-fi comedy “Pluribus” starring Rhea Seehorn, Emma Thompson's mystery “Down Cemetery Road,” Netflix's tense thriller “Death By Lightning” featuring Michael Shannon, and Ken Burns' sweeping new documentary on the American Revolution. Later, Esmeralda Leon joins Nick to discuss James Bond films and her volunteer work with Nourishing Hope, a Chicago-based organization providing food, mental health counseling, and other essential services for people in need. They also talk about the strain caused by the ongoing SNAP program disruptions during the government shutdown and how listeners can help support the effort. It's a thoughtful mix of pop culture, compassion, and classic Nick & Esma chemistry.[Ep 401]

Kathy talks about surviving Trump, the Groundlings, Stand-up, her parents who loved show biz, Sia, Joan Rivers, relationships, dating younger guys, saving every dime, and why she made Jay pay for their date. Bio: Two-time Emmy and Grammy award-winning comedian Kathy Griffin is a towering figure on television, on tour and in publishing. In 2013, Kathy was inducted into the Guinness Book of World Records for writing and starring in an unprecedented 20 televised stand-up specials - more than any comedian in history. In 2014, Kathy made history again with her 6th consecutive Grammy nomination and first win for Best Comedy Album (Kathy Griffin: Calm Down Gurrl), joining Whoopi Goldberg and Lily Tomlin as the only other female comedians to ever win Grammy awards for Best Comedy Album. Her hit Bravo series, Kathy Griffin: My Life on the D-List aired for 6 years and won 2 Emmys. It was nominated every single year of its run. The series also earned her a GLAAD Media Award for Best Reality Program.Kathy starred on NBC's Suddenly Susan and guest starred on multiple legendary TV series including Seinfeld, Law & Order: SVU, Glee, You, and Curb Your Enthusiasm. Additionally, she has lent her unique voice to animated characters in Shrek Forever After, The Simpsons, American Dad, Futurama and Dilbert. Kathy's unrivaled style of humor and prolific comedy pedigree has made her one of television's go-to hosts for premier live events. Kathy drew huge worldwide audiences to CNN's New Year's Eve special, which she co-produced and co-hosted with Anderson Cooper for 10 years. Kathy co-hosted The Billboard Music AwardsLIVE three years in a row, the 41st annual Daytime Emmy Awards LIVE and AARP's Movies for Grownups Gala. Her sure-fire hosting success led to her own LIVE late night talk show, Kathy.Also an accomplished author, Kathy's memoir, Official Book Club Selection: A Memoir According to Kathy Griffin, debuted at #1 on the New York Times Bestseller List. Her much-anticipated second book, Kathy Griffin's Celebrity Run-Ins: My A-Z Index, was also a New York Times Best Seller. On the stage, Kathy has performed standup for hundreds of thousands around the globe. Buoyed by her fiercely dedicated fans, Kathy's live performances are legendary and in a class of their own. The fiery redhead has sold out shows to rave reviews throughout North America, Europe, Australia and Asia at such iconic venues as The Sydney Opera House, The Mark Taper Forum, Madison Square Garden, Carnegie Hall and The Kennedy Center. Kathy has also performed for active military servicemen and women in such war zones as Iraq, Afghanistan, Kuwait, and Uzbekistan. She has graced the covers of The Hollywood Reporter, Adweek, and The Advocate, and has had in-depth profiles in New York Magazine and Forbes.In addition to performing, writing and producing, Kathy is a renowned speaker and has taken her empowering messages of equality through activism and humor all over the country. Kathy's passionate advocacy for women, the LGBT community, and other disenfranchised groups have been displayed through numerous candid and intimate conversations with award-winning journalists and moderators from The Los Angeles Times, The New York Times, The Hudson Union Society, 92Y, as well as tech giants Google and AOL. She has been honored in this area with multiple awards including The Human Rights Campaign's Ally for Equality, GLAAD's Vanguard Award, The Trevor Life Award from the Trevor Project, Iraq and Afghanistan Veterans of America's Leadership in Entertainment honor, the Harvard College Distinguished Service Partner Award, Veterans Tickets Foundation Distinguished Donor Award, the Lambda Legal Liberty Award, a two-time Ladies' Home Journal “Funny Ladies We Love” Recipient, and a Gracie Award for Outstanding Female Lead.

Jim Hill and Drew Taylor salute Veterans Day and talk about Xavier “X” Atencio, the new Disney Editions book celebrating the Imagineer behind the Haunted Mansion's “Grim Grinning Ghosts.” Then, Drew and Jim dive into the weekend box office — from Predator: Badlands breaking franchise records to the upcoming Zootopia 2 — before Jim goes solo to finish his deep-dive on the 20th anniversary of Chicken Little: Disney's first CG feature and the film that changed everything at the studio. HIGHLIGHTS Disney Legend spotlight: The new Xavier X. Atencio biography reveals rare sketches, wartime cartoons, and Haunted Mansion concept art — including the one-eyed cat that almost was. Box office breakdown: Predator: Badlands lifts Disney past $4 billion for 2025, while Zootopia 2's early projections could redeem TRON: Ares' underperformance. Streaming watch: Netflix's In Your Dreams wins praise from Collider and The Hollywood Reporter; Star Wars: Visions Vol. 3 drops on Disney+. The forgotten fowl: Why Chicken Little struggled in 2005 — from corporate pressure and story changes to a release window crushed by Goblet of Fire. Animation turning point: How Pixar's arrival, John Lasseter's leadership, and Ratatouille's success permanently shifted Disney away from hand-drawn animation. Hosts Jim Hill — X/Twitter: @JimHillMedia | Instagram: @JimHillMedia | Website: jimhillmedia.com Drew Taylor — X/Twitter: @DrewTailored | Instagram: @drewtailored | Website: drewtaylor.work Patreon Support Fine Tooning and the entire Jim Hill Media Podcast Network at patreon.com/jimhillmedia Follow Us Facebook: @JimHillMediaNews | YouTube: @jimhillmedia | TikTok: @jimhillmedia Producer Credits Edited by Dave Grey Produced by Eric Hersey — Strong Minded Agency Sponsor This episode is brought to you by UnlockedMagic.com — where Disney and Universal fans can save up to 12% on park tickets and after-hours events like Mickey's Very Merry Christmas Party and Jollywood Nights. Powered by the same trusted team behind DVC Rental Store and DVC Resale Market. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we're excited to present a special conversation from the 63rd New York Film Festival between Ethan Hawke and Willem Dafoe, moderated by Film at Lincoln Center programmer Maddie Whittle. This talk is sponsored by The Hollywood Reporter. Two films in this year's NYFF lineup center on artists confronting the passage of time: Richard Linklater's Blue Moon stars Ethan Hawke as the legendary lyricist Lorenz Hart, fretful and embittered at the prospect of his one-time creative partner scaling the heights of musical-theater celebrity; Kent Jones's Late Fame adapts Arthur Schnitzler's novella about a once-upon-a-time New York poet, played by Willem Dafoe, who is intoxicated by the sudden attentions of a coterie of twentysomething would-be literati. Each film taps into extraordinary reserves of wit and melancholy via the contributions of their lead actors, titans of contemporary American cinema and exemplary interpreters of the cultural forces that have defined their respective generations. NYFF was thrilled to bring together Hawke and Dafoe for an in-depth discussion of their craft, their creative philosophies, and their portrayals of aging artists on the brink of an uncertain future. The 63rd New York Film Festival is presented in partnership with Rolex.

Jordan and Brooke are rejoined by writer and critic David Canfield (The Hollywood Reporter) for a realllll Southern charmer. We discuss the director wanting to stay "out of the bedroom" in this adaptation (whatever that means), how gay you can get without confirming it's gay, food as intimacy, surprise cannibalism, and queer icon Kathy Bates. TUWANDA!Follow us on Twitter, Bluesky, and IG! (And Jordan's Letterboxd / Brooke's Letterboxd)Follow David on Twitter and on The Hollywood Reporter!For privacy & ad info, visit: audacyinc.com/privacy-policy/

The moment has arrived! That is, an actual announcement of Doctor Who's future from the BBC (and not the outgoing Disney+) in the form of a last hurrah from Russell T Davies and Bad Wolf by way of a Christmas special in 2026, along with official confirmation of Turf and Surf hitting the iPlayer this Christmas and Disney+ in February. What does this portend for both the present and future of Doctor Who? The Three Who Rule put on their television detective hats and as usual solve nothing, as do many entertainment journalists including friend of the show Kyle Anderson, and lesser lights such as Variety, Deadline, and The Hollywood Reporter. Plus the usual Big Finish cover over-analysis, a smidgen of Can*Con, and the conclusion of our four-part Classic Series Commentary for "The Sun Makers"! Links: Support Radio Free Skaro on Patreon BBC Confirms future of Doctor Who, splitting from Disney, and a new Christmas special in 2026 The War Between the Land and the Sea' comes to BBC One and BBC iPlayer in December, Disney+ in 2026 Deadline: Why Disney Ditched 'Doctor Who' Nerdist: Kyle Anderson's take on the separation of Disney and the BBC Variety: 'Doctor Who': Disney+ Exits Partnership With the BBC as 2026 Christmas Special Confirmed Deadline: Disney+ Officially Exiting 'Doctor Who' Partnership With BBC After Two Seasons Hollywood Reporter: Disney+ Ends 'Doctor Who' Partnership, BBC Commits to Continue Series Entertainment Weekly: Disney+ drops Doctor Who — here's what that means for the long-running show's future The Secrets Behind the SCARIEST Moments of Doctor Who – The Whoniverse Show Big Finish Paul Spragg Memorial Short Trips Opportunity 2025 winner announced Big Finish Doctor Who: Halloween – Sea Smoke and Other Stories released When the Stars Screamed: A Dalek Anthology Charity Book available As King of Kensington turns 50, it shows the challenge of keeping classic Canadian TV in circulation Nabil Shaban obituary by Toby Hadoke Commentary: The Sun Makers Part Four

Merriam-Webster's Word of the Day for October 31, 2025 is: hobgoblin • HAHB-gahb-lin • noun A hobgoblin is a mischievous goblin that plays tricks in children's stories. When used figuratively, hobgoblin refers to something that causes fear or worry. // This Halloween we were greeted at our door by werewolves, mummies, and a wide assortment of sweet-toothed hobgoblins. See the entry > Examples: “Vampires and zombies took a big bite out of the horror box office in Sinners and 28 Years Later, and with Del Toro's Frankenstein hitting theaters next week, it would seem that a return to classic marquee monsters is one of the stories of this summer's movie season. But there's one old-school hobgoblin that's lurking around the edges of this narrative, omnipresent, repeated across a number of notable new titles, but still somehow avoiding the limelight: the witch ...” — Payton McCarty-Simas, The Hollywood Reporter, 25 Aug. 2025 Did you know? While a goblin is traditionally regarded in folklore as a grotesque, evil, and malicious creature, a hobgoblin tends to be more of a playful troublemaker. (The character of Puck from Shakespeare's A Midsummer Night's Dream might be regarded as one.) First appearing in English in the early 1500s, hobgoblin combined goblin (ultimately from the Greek word for “rogue,” kobalos) with hob, a word from Hobbe (a nickname for Robert) that was used both for clownish louts and rustics and in fairy tales for a mischievous sprite or elf. The American writer Ralph Waldo Emerson famously applied the word's extended sense in his essay Self-Reliance: “A foolish consistency is the hobgoblin of little minds, adored by little statesmen and philosophers and divines.”

It's Friday, October 31st, A.D. 2025. This is The Worldview in 5 Minutes heard on 140 radio stations and at www.TheWorldview.com.  I'm Adam McManus. (Adam@TheWorldview.com) By Adam McManus Sudanese police arrest pastor for not giving Muslim the church In an apparent attempt by a Muslim businessman in Sudan, Africa to seize church property, the police arrested and jailed a pastor on October 28th in River Nile State, reports Morning Star News. At 6:00pm, two police officers arrived at the home of Rev. Daud Kachu of the Sudan Presbyterian Evangelical Church in Atbara and presented him with an arrest warrant. When congregation members said he needed to speak with the church attorney first, the officers initially feigned understanding, but two other policemen, hiding behind the church building, appeared and forced Pastor Kachu into a vehicle. They took him to the Atbara police station, where he was jailed. An intensive interrogation followed on October 29th, and police conveyed the Muslim businessman's demand that he had 30 days to vacate the church premises. The police officers said, “The law is above your religion.” Police demanded that the pastor sign a document stipulating that he would no longer object to anyone trying to seize the church property, but the pastor refused. Rev. Kachu, who has led the church for 30 years, was initially denied bail, but police later released him after intervention by the church attorney. In Psalm 105:15, God warns, “Do not touch My anointed ones, and do My prophets no harm.” Box Office Massacre: October Revenue Falls to 27-Year Low, Excluding Pandemic Halloween is shaping up to be scarier than ever for Hollywood and its exhibition partners, but not in a good way, according to The Hollywood Reporter. Domestic box office revenue for October 2025 is expected to come in at roughly $425 million — the worst showing in 27 years, according to Comscore. This excludes October 2020, the heart of the COVID-19 pandemic,  Two problems. First, many October titles simply didn't resonate with general audiences. Second, fewer people are going to the silver screen. MN Supreme Court allows men, pretending to be women, to compete in powerlifting The Minnesota Supreme Court ruled unanimously on October 22nd that men have a right to cheat in women's sports, reported Fox News. The particular sport in question makes the ruling even more outrageous—powerlifting -- where men have a decided strength advantage biologically speaking.   Don't forget: This is the state where Governor “Tampon Tim” Walz put tampons in boys' bathrooms while letting boys go into girls' bathrooms.   Walz and his Democrat predecessor, Mark Dayton, appointed all of the state's Supreme Court justices. The fact that the decision was unanimous proves how the Left is “all in” on radical transgender ideology.   The New Left tells women today, “You have to let a man watch you undress and your daughter has to compete against boys.” Trouble In Chinatown In New York City's Chinatown district, illegal vendors are selling counterfeit merchandise like fake Gucci purses, designer clothing, and  high-end watches, reports Breitbart.com. That's not only illegal, it also hurts legitimate merchants who cannot compete with the fake knockoffs. Merchants have repeatedly complained to the city, but to no avail.   Federal immigration police launched an enforcement operation. They arrested nine illegal aliens, most of whom had committed additional crimes. Their rap sheets included robbery, assaulting police officers, drug trafficking, drug possession, forgery, and domestic violence.   Gary Bauer of Campaign for Working Families, wrote, “This enforcement operation was a ‘win-win' for New York City. Immigration police got rid of illegal merchants and criminals. “But what happened? There was a riot in Chinatown as leftists rushed into the streets to prevent immigration police from doing their jobs. This is what the Left has fomented around America. They have inspired an insurrection that is resisting federal law enforcement.” Tucker Carlson: Abortion enthusiasts have a “religious fanaticism” about killing In the footsteps of the late Charlie Kirk, conservative commentator Tucker Carlson took a strong stand for life recently during a Turning Point USA event at Indiana University in response to a pro-abortion student, reports LifeSiteNews.com. Listen. STUDENT: “A lot of what's happening in this country with people using religion to justify their stance against abortion. People are using religion….” CARLSON: “May I just suggest something.  I've never seen religious fanaticism like I see among the abortion enthusiasts. (applause) From my perspective, it's so obviously a child sacrifice rite. “The number of unintended pregnancies in an age of universally available free birth control is probably pretty low. They happen, okay.  The wicked, gleeful enthusiasm that people have for abortion.” STUDENT: “Who is enthusiastic?” CARLSON: “Oh? Shout your abortion? (laughs) I think there's some enthusiasm. Putting an abortion truck outside the Democratic Convention? There's a lot of enthusiasm for it. “I kind of believed the ‘My body, my choice' thing. I really thought that's what it was about. Bodily autonomy.” STUDENT: “That is what's it's about?” CARLSON: “Really? So, where were you on the COVID Vax?” (cheers applause) It's not about that. What it's about is killing. It's about killing and the thrill that people derive from killing another human being and the power they feel when they kill.” STUDENT: “Is that a real argument that you're making?” CARLSON: “No, it's not an argument. It's a reality.  I've seen it when people plan wars. I've actually seen that happen. I've seen it when people in power show videos of them killing people with drones or whatever. And they get so high from it. There's no greater thrill than extinguishing life because that makes you ‘God.' I think that's the most evil thing there is, and one of the greatest temptations that people have is to kill because it makes them feel powerful.” Isaiah 59:7 says, “Their feet rush into sin; they are swift to shed innocent blood. They pursue evil schemes; acts of violence mark their ways.” Wheel of Fortune no longer family friendly And finally, ANNOUNCER: “From the Sony Pictures studio, it's America's Game …” PEOPLE: “Wheel of Fortune.” The Wheel of Fortune game show is no longer family friendly, reports OneMillionMoms.com. Sadly, they have recently added a puzzle category entitled “What the Fun” which winks at the insinuated profanity of the most obscene word in the English language, making Wheel of Fortune no longer suitable for family viewing. After Pat Sajak hosted it for 41 years, Ryan Seacrest replaced him as Vanna White continues to reveal the correct letters in the hangman style guessing game that enriches contestants with cash and prizes, Parents will have to explain to their children that the primetime program they were once allowed to watch is no longer a clean show. Let the executives at Wheel of Fortune know that you do not approve by signing the online petition which is linked in our transcript today at www.TheWorldview.com. Close And that's The Worldview on this Friday, October 31st, in the year of our Lord 2025. Follow us on X or subscribe for free by Spotify, Amazon Music, or by iTunes or email to our unique Christian newscast at www.TheWorldview.com.  I'm Adam McManus (Adam@TheWorldview.com). Seize the day for Jesus Christ.

Each week, The Hollywood Reporter's Mikey O'Connell attempts to stay on top of the latest in TV and entertainment (and stay sane) with a little help from his colleagues, friends and a revolving door of actors, comics, writers, showrunners and filmmakers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Merriam-Webster's Word of the Day for October 25, 2025 is: wreak • REEK • verb Wreak means “to cause something very harmful or damaging.” It is often used with on or upon. // The virus wreaked havoc on my laptop. See the entry > Examples: “Ours is a geography of cataclysm: Santa Anas wreak their psychic wrath; the odor of disaster seeps from the street like that sulfurous egg smell of the La Brea Tar Pits.” — John Lopez, The Hollywood Reporter, 6 Sept. 2025 Did you know? In its early days, wreak was synonymous with avenge, a meaning exemplified when Shakespeare's Titus Andronicus proclaims “We will solicit heaven, and move the gods / To send down Justice for to wreak our wrongs.” This sense is now archaic, but the association hasn't been lost: although wreak is today most often paired with havoc, it is also still sometimes paired with words like vengeance and destruction. We humbly suggest you avoid wreaking any of that, however, no matter how badly you may crave your just deserts.