Podcasts about The Hollywood Reporter

Tinseltown's most notorious pimp was convicted of providing high-class ‘call girls' to undercover police officers on 2nd December, 1994. It followed a dramatic sting involving the LAPD, the Beverly Hills police department, the state alcoholic beverage control agency and the state attorney General's office. They seized her ‘little black book' (actually a red Gucci diary) full of high-profile names, but the only celebrity client of hers that testified was Charlie Sheen. In this episode, Arion, Rebecca and Olly consider whether Fleiss' own desire for profile was part of her undoing; explain how she had unseated ‘Madam Alex' from the top of the tree; and reveal the role of Travellers Cheques in her most famous client's downfall… There was a surprising next chapter to Fleiss' career - as a carer for parrots - which we discuss in today's bonus bit, only available for supporters of the show. Just click Subscribe in Apple Podcasts, or head over to Patreon.com/Retrospectors (top two tiers only) to hear it, and a weekly bit of bonus content every single week. By so doing, you're also supporting our show - so, thanks! Further Reading: • ‘HEIDI FLEISS GUILTY OF PANDERING' (The Washington Post, 1994): https://www.washingtonpost.com/archive/lifestyle/1994/12/03/heidi-fleiss-guilty-of-pandering/d836cdbd-4461-47d2-9038-45842269c3c9/ • ‘Heidi Fleiss on Her Arrest, Macaw Cause and “Drug Addict” Ex Tom Sizemore' (The Hollywood Reporter, 2018): https://www.hollywoodreporter.com/lifestyle/lifestyle-news/heidi-fleiss-her-arrest-macaw-cause-drug-addict-tom-sizemore-1117449/ • ‘Jurors in the Heidi Fleiss trial watch videotape of police arresting four alleged prostitutes' (AP, 16 Nov 1994): https://www.youtube.com/watch?v=gO0mQUA0bVw This episode first aired in 2021 Love the show? Support us!  Join 

Meryl Streep krut e weideren Oscar, wann och inoffiziell. An de Pit Biwer interesséiert sech fir e méi onbekannte Filmpräiss, den "Henrietta".

One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices

De Roland Emmerich huet dem Pit Biwer seng Passioun zum Kino erklärt awer och, firwat Hollywood "The Place To Be" ass

Welcome to Multiverse News, Your source for Information about all your favorite fictional universes.When Wicked: Part One released this time last year, it broke a slew of records for a Hollywood adaptation of a Broadway Show, as well for its talent behind and in front of the camera. Now Wicked: For Good has finally arrived on the scene and with a $150 million domestic, and $226 million global opening weekend, it has broken nearly every record its predecessor established, including Best Global and Domestic Opening for a Movie Based on a Broadway Show, as well as for stars Ariana Grande, Cynthia Erivo and director Jon M. Chu. It's no surprise with numbers like these that Universal Pictures is already “underway” with ways to continue the franchise on the screen, according to the studio's chief marketing executive, Michael Moses.Scarlett Johansson will star in Mike Flanagan's upcoming adaptation of The Exorcist. Backed by Universal and Blumhouse, Flanagan's film is said to be in the universe of The Exorcist, but is not a remake or sequel according to the director. Flanagan's take on the story was greenlit last year, more than 50 years after the original film came out in 1973.Wolverines never say die…at least that's the takeaway from Hugh Jackman's comments recently on the Graham Norton show. When asked about his time as the iconic X-Men character, Jackman replied “Maybe. I'm never saying never again…” and went on to elaborate about having declared he wouldn't play Logan until the Deadpool & Wolverine opportunity came about.Amazon is officially moving forward with a new Stargate TV series from producer Martin Gero, who began his career in the original franchise. The project continues the legacy that started with the 1994 film starring James Spader and Kurt Russell and expanded through Stargate SG-1 and multiple spinoffs.HBO has renewed several HBOMAX series for second seasons including crime drama Task and comedies I Love LA and The Chair Company as well as House of the Dragon for a 4th season and Knight of the Seven Kingdoms for a 2nd season.Paramount, Comcast and Netflix have submitted bids to acquire all or part of Warner Bros. Discovery and a sale decision is expected to be made before Christmas, although regulators would most likely take at least a year to approve the sale.Per an exclusive from The Hollywood Reporter exclusive, we've learned that Paramount is actively in talks with veteran producer Neal H. Morris, whose claims to fame include the Fast & The Furious and Sonic The Hedgehog film franchises, to kickstart a new live action Teenage Mutant Ninja Turtles film franchise.Sony Pictures has made one of the biggest book acquisitions of 2025, landing film adaptation rights to James Islington's Hierarchy series. The move comes as the book series' second installment, The Strength of the Few, debuts at No. 1 on the New York Times best-seller list following its Nov. 11 U.S. release.A24 has dropped the first trailer for How To Make A Killing, which stars Glen Powell and Margaret Qualley. The film debuts in theaters on Feb. 20th.Eva Green has been cast as Aunt Ophelia in season 3 of Netflix's Wednesday, a character that was teased at the end of season 2.FX will adapt Ubisoft's video game series Far Cry into an anthology series, Variety has learned. Noah Hawley and Rob Mac will create the series and Mac will also star.Barbara Broccoli‘s Eon Productions, the former producer of the James Bond franchise, and Qatar's newly launched Film Committee are jointly producing a film adaptation of William Shakespeare's “Othello,” directed and starring David Oyelowo, and also featuring Rachel Brosnahan and Cynthia Erivo.Toby Wallace has been cast in a lead role in Netflix‘s upcoming “Assassin's Creed” TV series.

We are joined by a very special guest: Payton McCarthy-Simas, author of That Very Witch: Fear, Feminism, and the American Witch Film, to dive deep into Rob Zombie's The Lords of Salem (2012) — a hypnotic, polarising, and deeply uncanny entry in modern witch cinema.Payton brings their expertise on American witch narratives to unpack the film's hallucinatory imagery, its lineage in Puritan panic, and its portrayal of witchcraft as both a site of feminist resistance and profound horror. We trace the film's depiction of addiction, grief, and bodily vulnerability, and explore how Zombie reimagines the witch's coven as a force that is at once communal, grotesque, and defiantly powerful.Join us as we interrogate whether The Lords of Salem offers liberation or damnation; how the film echoes real histories of persecution; and what it means to place a woman at the centre of a cosmic ritual she cannot escape. Expect discussions of trauma, ritual spectacle, psychedelic horror, and the complicated politics of representing female and non-binary bodies within witchcraft narratives.Tune in for an episode that's part cultural excavation, part fever dream.****Payton is an author, programmer, film critic, and video artist with a focus on horror and genre film. Their writing has been featured in The Hollywood Reporter, Film Daze, and The Brooklyn Rail among others, as well as spotlighted in The New York Times, CNN, and RogerEbert.com. Her short films and screenplays have been featured in several film festivals as well as shown at the Hammer Museum in Los Angeles. She is also the author of two books of nonfiction and film criticism, One Step Short of Crazy: National Treasure and the Landscape of American Conspiracy Culture (2024) and That Very Witch: Fear, Feminism, and the American Witch Film (2025).  Payton holds a Masters in Film and Media Studies from Columbia University and is a member of the Online Association of Female Film Critics and GALECA.***Editing and theme music by Adam Hynes @adamnarrowsFollow the hosts of Monstrous Flesh on social media @monstrous_flesh and @monstrousmeg

Nick shares more about the celebrations planned for his new book, “40 Years, 40 Films,” and how listeners can snag copies before the holidays. TV critic Dan Fienberg from The Hollywood Reporter drops by with sharp takes on recent SNL episodes, the Eddie Murphy documentary “Being Eddie,” the newest season of “A Man in the Inside,” and reviews of “The Beast in Me,” “The Assassin,” and the Susan Powter documentary, along with a quick look at what's coming in the new season of “Stranger Things.” Later, Esmeralda Leon joins Nick for a lively chat about cooking, holiday dishes, kitchen chaos, and the pressure of pulling off ambitious menus without sabotaging the turkey. [Ep 406]

This week on Music Tectonics, we're continuing our Conference Conversations series with highlights from the Music Tectonics Conference. Over the next several weeks, we'll be sharing our favorite discussions, interviews, and panels that capture what's happening right now in music innovation.   Today, we're featuring a conversation with Ethan Millman from the Hollywood Reporter. Ethan breaks down one of the biggest music industry trends: the blurring lines between music distribution and record labels. We explore how label services are evolving, why distribution deals have become the hottest topic in music business, and what artists need to know when choosing between distributors and record labels.   Whether you're an independent artist navigating distribution options, a music industry professional tracking the latest trends, or a music tech founder building solutions for the creator economy, this conversation offers essential insights into the future of music distribution and artist services.   The News! Baby Shark creator Pinkfong goes public with $372m valuation AI Music Platform Suno Valued at $2.45 Billion Suno will be reading Robert Kyncl's new blog post very closely, as WMG CEO vows to 'legislate, litigate, license' in the era of AI music creation Explosively Viral Track 'I Run' by HAVEN Yanked From Spotify and Other Platforms Over AI 'Artist Impersonation' — Turns Out Suno Is Where It All Started The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.  

Episode SummaryErin and Rachel hop on down to 1920's New Orleans, where Disney's first Black princess spends most of her time as a frog in the Louisiana bayou. The Princess and the Frog (2010) provided much needed representation, but leaves a lot to be desired in terms of its race, class, and gender politics. Episode BibliographyThe 82nd Academy Awards | 2010. (n.d.). Oscars. https://www.oscars.org/oscars/ceremonies/2010/P?qt-honorees=1#block-quicktabs-honoreesAyres, C. (2009, December 12). The Princess and the Frog: Disney's black fairytale. The Times. https://www.thetimes.com/culture/tv-radio/article/the-princess-and-the-frog-disneys-black-fairytale-lcpnw3pj3jcBaker, E.D. (2002). The Frog Princess. Bloomsbury.Barnes, B. (2009, May 29). Her Prince Has Come. Critics, Too. The New York Times. https://www.nytimes.com/2009/05/31/fashion/31disney.htmlBreaux, R. M. (2010). After 75 years of magic: Disney answers its critics, rewrites African American history, and cashes in on its racist past. Journal of African American Studies, 14(4), 398-416. doi: 10.1007/s12111-010-9139-9Chang, J. (2009, November 24). The Princess and the Frog. Variety. https://variety.com/2009/digital/features/the-princess-and-the-frog-1200477289/Davis, A.M. (2014). Handsome heroes and vile villains: Men in Disney's feature animation. John Libbey & Company. Debruge, P. (2016, November 22). Disney's Pixar Acquisition: Bob Iger, John Lasseter Reanimated Studio. Variety. https://variety.com/2016/film/features/disney-pixar-acquisition-bob-iger-john-lasseter-1201923719/Disney Archives, The. (2025, January 14). The Princess and the Frog - Magic in the Bayou: The Making of a Princess. YouTube. https://www.youtube.com/watch?v=t9Gfgey_Oc8Disney Enterprises, Inc. (2009). The Princess and the Frog Production Notes. Oscars.org. https://web.archive.org/web/20100408202417/http://www.oscars.org/press/presskits/nominations/pdf/princess_and_the_frog.pdfEbert, R. (2009, December 9). At Disney, they still remember how to make movies like they used to movie review (2009). RogerEbert.com. https://www.rogerebert.com/reviews/the-princess-and-the-frog-2009Firehouse Five Plus Two - Wikipedia. (n.d.). Wikipedia, the free encyclopedia. https://en.wikipedia.org/wiki/Firehouse_Five_Plus_TwoFoundas, S. (2009, December 10). The Princess and the Frog. Dallas Observer. https://www.dallasobserver.com/arts-culture/the-princess-and-the-frog-6405784/Frog Prince, The. (2025, October 17). In Wikipedia. https://en.wikipedia.org/wiki/The_Frog_PrinceGallo, P. (2006, February 28). Mouse inks music man. Variety. https://variety.com/2006/film/markets-festivals/mouse-inks-music-man-1117939042/Gehlawat, A. (2010). The strange case of "The Princess and the Frog:" Passing and the elision of race. Journal of African American Studies, 14(4), 417-431. doi: 10.1007/s12111-010-9126-1Gilchrist, T. (2009, October 23). Interview: 'Princess and the Frog' Directors Ron Clements and John Musker. Moviefone. https://web.archive.org/web/20130921054004/http://news.moviefone.com/2009/10/23/interview-princess-and-the-frog-directors-ron-clements-and-jo/Gregory, S. M. (2010). Disney's second line: New Orleans, racial masquerade, and the reproduction of whiteness in The Princess and the Frog. Journal of African American Studies, 14(4), 432-449. doi: 10.1007/s12111-010-9138-xGuerrero, E. (1993). The Black image in protective custody: Hollywood's biracial buddy films of the eighties. In M. Diawara (Ed.), Black American cinema (pp. 237–246). Routledge.Hill, J. (2006, November 12). Monday Mouse Watch: Why a change of composers on “The Frog Princess” caused lots of WDFA staffers to lose their composure. Jim Hill Media. https://limegreen-loris-912771.hostingersite.com/monday-mouse-watch-why-a-change-of-composers-on-the-frog-princess-caused-lots-of-wdfa-staffers-to-lose-their-composure/Holt, K. (2006, June 23). Rhett Wickham: It's Baaack! Laughing Place. https://www.laughingplace.com/news-id510530.aspHoneycutt, K. (2009, November 24). The Princess and the Frog — Film Review. The Hollywood Reporter. https://www.hollywoodreporter.com/movies/movie-reviews/princess-frog-film-review-93780/Kayembe, B. (2021, March 9). Why are we still depicting Black women as 'Mammies'? Shado Mag. https://shado-mag.com/articles/opinion/why-are-we-still-depicting-black-women-as-mammies/Killer Reviews Staff. (2009). The Princess and the Frog Filmmakers Interview. Killer Reviews. https://web.archive.org/web/20100829054531/http://www.killerreviews.com/dispinterview.php?intid=1859King, C.R., Bloodsworth-Lugo, M.K., & Lugo-Lugo, C.R. (2010). Animated representations of Blackness. Journal of African American Studies, 14(4), 395-397. doi: 10.1007/s12111-010-9141-2King, S. (2009, November 22). Q & A with ‘Princess and the Frog' animators. Los Angeles Times. https://www.latimes.com/archives/la-xpm-2009-nov-22-la-ca-princess22-2009nov22-story.htmlLeah Chase. (n.d.). Wikipedia, the free encyclopedia. https://en.wikipedia.org/wiki/Leah_ChaseLeap of Faith: The Princess and the Frog. (2010, January 17). The Independent. https://www.the-independent.com/arts-entertainment/films/features/leap-of-faith-the-princess-and-the-frog-1870801.htmlLester, N. A. (2010). Disney's The Princess and the Frog: The pride, the pressure, and the politics of being a first. The Journal of American Culture, 33(4), 294-307. Malkin, M. (2007, February 5). Alicia Keys into Next Movie Role. E! Online. https://web.archive.org/web/20070210054735/http://www.eonline.com/gossip/planetgossip/blog/index.jsp?uuid=d21d0e39-9f0d-4b01-b81d-3989932f34abMcGee, A.M. (2012). Haitian vodou and voodoo: Imagined religion and popular culture. Studies in Religion, 41(2). doi: 10.1177/0008429812441311Misick, B. (2020, October 29). Controversy Over 'The Princess and the Frog'. Essence Magazine. https://www.essence.com/news/critics-dispute-princess-and-the-frog/Moffitt, K. R. (2019). Scripting the way for the 21st-century Disney princess in The Princess and the Frog. Women's Studies in Communication, 42(4), 471-489. doi: 10.1080/07491409.2019.1669757Moffitt, K. R., & Harris, H. E. (2014). Of negation, princesses, beauty, and work: Black mothers reflect on Disney's The Princess and the Frog. Howard Journal of Communications, 25(1), 56–76. doi:10.1080/10646175.2014.865354Myrlados, A. (2021, January 18). The Princess and The Frog: A case in cultural revisionism. The Enlightenment. https://lifeisgoodblog.com/2021/01/18/princess-and-frog-cultural-revisionism/Ness, M. (2016, June 2). The End of an Era: Disney's The Princess and the Frog. Reactor. https://reactormag.com/the-end-of-an-era-disneys-the-princess-and-the-frog/New Orleans Voodoo. (2025). New Orleans. https://www.neworleans.com/things-to-do/multicultural/traditions/voodoo/Noyer, J. (2010, June 1). The Princess And The Frog's Directors John Musker and Ron Clements take us to “the other side” of animation! Animated Views. Retrieved September 22, 2025, from https://animatedviews.com/2010/the-princess-and-the-frog-directors-john-musker-and-ron-clements-take-us-to-the-other-side-of-animation/Panaram, S., Rogers, H., & Stoddard, T. (n.d.). The Princess and the Frog: Rewriting Jazz Age History and Culture. The Black Atlantic. https://sites.duke.edu/blackatlantic/sample-page/contemporary-film-and-black-atlantic/history/disneyfied-histories-disneys-intentional-inaccuracy-historical-films-and-the-black-atlantic/the-princess-and-the-frog-and-rewriting-jazz-age-history-and-culture/Parasecoli, F. (2010). A taste of Louisiana: Mainstreaming Blackness through food in The Princess and the Frog. Journal of African American Studies, 14(4), 450-468. doi:  10.1007/s12111-010-9137-yPérez, E. (2021). “I got voodoo, I got hoodoo”: Ethnography and its objects in Disney's The Princess and the Frog. Material Religion, 17(1), 56-80. doi: 10.1080/17432200.2021.1977954Pinsky, M. I. (2010, January 7). What Walt Wrought. Wall Street Journal. https://www.wsj.com/articles/SB10001424052748703580904574638143338424878The Princess and the Frog. (n.d.). Box Office Mojo. https://www.boxofficemojo.com/release/rl3916137985/Robertson, B. (2010, January). The Tradition Lives On. Computer Graphics World. https://www.cgw.com/Publications/CGW/2010/Volume-33-Issue-1-Jan-2010-/The-Tradition-Lives-On.aspxRoush, G. (2009, October 21). Interview: Princess And The Frog Directors John Musker And Ron Clements. Plus 7 Brand New Images! LatinoReview.com. https://web.archive.org/web/20091022114309/http://www.latinoreview.com/news/interview-princess-and-the-frog-directors-john-musker-and-ron-clements-plus-7-brand-new-images-8310Schwarzbaum, L. (2009, December 18). The Princess and the Frog. Entertainment Weekly. https://ew.com/article/2009/12/18/princess-and-frog-2/Sciretta, P. (2009, 28 February). WonderCon: The Princess And The Frog And The Future Of 2D Animation At Disney. Slash Film. https://www.slashfilm.com/502703/wondercon-the-princess-and-the-frog-and-the-future-of-2d-aniamtion-at-disney/Scott, M. (2009, November 22). New Orleans setting for 'Princess and the Frog' is a Disney dream come true for one man. NOLA.com. https://www.nola.com/entertainment_life/movies_tv/new-orleans-setting-for-princess-and-the-frog-is-a-disney-dream-come-true-for/article_c84036c3-ff1c-5fcd-94e3-9f7e916b774e.htmlScott, N. (2009, December 12). For 'Princess and the Frog,' Disney animators go back to the drawing board. NOLA.com. https://www.nola.com/entertainment_life/movies_tv/for-princess-and-the-frog-disney-animators-go-back-to-the-drawing-board/article_70787df8-b6ee-575d-9a0e-f1648f40cced.htmlSharkey, B. (2009, November 25). Review: 'The Princess and the Frog'. Los Angeles Times. https://www.latimes.com/archives/la-xpm-2009-nov-25-la-et-princess25-2009nov25-story.htmlTaylar. (2022, November 12). The Firehouse Five Plus Two - Disney's Jazz Band. The Disney Classics. https://www.thedisneyclassics.com/blog/firehouse-five-plus-twoTejada, A. (2020, July 14). Representation Without Transformation: Can Hollywood Stop Changing Cartoon Characters of Color? Reactor. https://reactormag.com/representation-without-transformation-can-hollywood-stop-changing-cartoon-characters-of-color/Terry, E.J. (2010). Rural as racialized plantation vs rural as modern reconnection: Blackness and agency in Disney's Song of the South and The Princess and the Frog. Journal of African American Studies, 14(4), 469-481. doi: 10.1007/s12111-010-9132-3Turner, S.E. (2013). Blackness, bayous and gumbo: Encoding and decoding race in a colorblind world. In Cheu, J. (Ed.), Diversity in Disney films: Critical essays on race, ethnicity, gender, sexuality, and disability (pp. 83-98). McFarland & Company.Update: Princess Anika and the Frog. (n.d.). E! News. https://www.eonline.com/news/59173/update-princess-anika-and-the-frogWhelan, B. (2012). Power to the princess: Disney and the creation of the 20th century princess narrative. Interdisciplinary Humanities, 29(1), 21–34.Wloszczyna, S. (n.d.). Enchanting return to 2-D: Disney animation conjures magical kingdom of yore. USA Today. https://usatoday30.usatoday.com/printedition/life/20070503/d_cover03.art.htm

A presença brasileira voltou a estremecer Hollywood nesta semana. Depois que a Academia de Artes e Ciências Cinematográficas divulgou nas redes sociais uma foto de Wagner Moura no Governors Awards, o público fez história, novamente: foram mais de 156 mil comentários, um número que superou, de longe, as reações dedicadas a outras grandes estrelas da noite. Cleide Klock, correspondente da RFI em Los Angeles Esse mar de engajamento, que havia acontecido também no ano passado com a foto de Fernanda Torres, marcou simbolicamente o início da campanha “para valer” de Moura nos Estados Unidos. Um dia antes de ir à festa, ele conversou com a RFI e já falava do poder dos brasileiros nas redes sociais. “Eu estava com a Nanda [Fernanda Torres] no Governors Awards ano passado. Eu lembro da gente conversando ali e lembro dela falando assim: 'eu não tirei a foto ainda, vou lá tirar'. A foto da Nanda teve um milhão de likes. As fotos de todas as estrelas americanas que estavam lá não tiveram nem um milésimo do que ela teve. Eu acho maravilhoso!", lembrou o protagonista de “O Agente Secreto”. Wagner Moura agora vê a história se repetir no engajamento e no favoritismo do filme de Kleber Mendonça Filho na categoria de produção internacional. Após finalizar uma temporada teatral no Brasil, o ator desembarcou em Los Angeles e já iniciou uma agenda intensa de campanha para o Oscar. Paralelamente, como é padrão na temporada, ele também faz campanha para o Globo de Ouro, Critics' Choice e demais premiações dos sindicatos que moldam o rumo da corrida. “Fiquei um tempo afastado dessa parte. Kleber Mendonça Filho viajou muito, e agora estou totalmente comprometido com isso. É muito bom, porque você senta com os outros atores, escuta seus colegas também de outros lugares, que fizeram outros filmes maravilhosos esse ano. Isso é uma troca muito boa. Você poder ouvir outras pessoas, de outras latitudes no mundo, falando do seu filme. Estamos aqui nos Estados Unidos, e depois vou para muitos países europeus, Inglaterra, Itália, Espanha, França. É campanha, é isso, é viajar e falar do filme pelo mundo”, diz. A perna cabeluda Nesta última semana, Wagner Moura participou da primeira sessão paga de “O Agente Secreto” em território americano. No dia 26 o filme entra em circuito comercial nos Estados Unidos. O ator também comentou quais são as conversas mais frequentes após as sessões. “Eu acho muito engraçadas as perguntas sobre a perna cabeluda. A primeira vez que eu ouvi falar da perna cabeluda foi na música de Chico Science, que inclusive é a música que eu botei na abertura do Marighella, que diz que 'Galeguinho do Coque não tinha medo da perna cabeluda'. Só agora, trabalhando com o Kleber, fui entender que a perna cabeluda virou uma lenda urbana no Recife porque jornalistas, para driblar a censura, em vez de denunciar a brutalidade policial, diziam que quem tinha feito aquelas coisas havia sido essa perna saltitante. Ela virou notícia no jornal e as pessoas trancavam a porta da casa por medo da perna cabeluda", explicou o ator. “É muito bom isso, você ver um pedaço do seu país sendo mostrado. Acho muito importante que o público fora do Brasil veja aquilo, mas acho mais importante que nós brasileiros também vejamos. Não consigo entender ainda a lógica de quem não acha que o governo deveria apoiar a cultura, de que a cultura não é uma coisa importante para o desenvolvimento do país. Fico querendo ver algum argumento", reitera. Favoritismo Wagner não é apenas favorito nas redes: as listas iniciais de possíveis indicados a melhor ator ao Oscar 2026 já colocam o ator brasileiro ao lado de nomes como Ethan Hawke (Blue Moon), Leonardo DiCaprio (Uma Batalha Após a Outra), Timothée Chalamet (Marty Supreme) e Michael B. Jordan (Pecadores). Mas foi a atualização mais recente do The Hollywood Reporter que surpreendeu até os fãs mais otimistas. Wagner Moura aparece como o número 1 entre os favoritos. “Mostra que você está num momento muito bonito da trajetória como artista, tendo esse tipo de reconhecimento. Essa indicação ainda não veio e não gosto de ficar falando disso, mas é maravilhoso. É um filme brasileiro, um ator brasileiro. Eu acho maneiro. Na Bahia, o pessoal tem orgulho”, brinca. O filme "O Agente Secreto" não nasceu para entrar na corrida do Oscar, mas do desejo de entregar um filme sólido, impactante, com identidade brasileira e potência universal. Quando um trabalho é feito com essa qualidade, o Oscar deixa de ser um objetivo distante e passa a ser uma consequência possível. Mas envolve muitas camadas, entre elas a de ter um distribuidor poderoso, como a Neon, que aposta na campanha nos Estados Unidos. “Já fiz tanto filme. Fiz muito filme ruim, sempre com o intuito de fazer bem, mas é difícil. Quando vem um bom, você fica querendo que aquilo esteja nas discussões, nas conversas, como 'O Agente Secreto' está. Não digo que o Oscar é um sonho, mas é claro que às vezes você pensa que o filme poderia estar ali. Já fiz alguns filmes em que pensei nisso, como o próprio 'Tropa de Elite', o 'Guerra Civil', que foi um filme que fiquei muito surpreso de ter passado batido, no ano passado, na premiação dos Oscars”, lamenta. O reconhecimento crítico, o carinho do público e a empolgação dos brasileiros que têm um engajamento sem igual em qualquer lugar do mundo, apenas aceleraram um movimento que já está em curso, apesar de ter ainda muito chão pela frente e muita coisa pode acontecer no meio do caminho. A festa do Oscar acontece em 15 de março. “Eu gostei tanto de fazer 'O Agente Secreto', foi uma coisa tão importante para mim, e as pessoas gostam dele. Então, para mim, para Kleber, é incrível a gente poder estar falando, viajando o mundo, conversando com as pessoas, ouvindo o tipo de pergunta que as pessoas fazem sobre o filme em diferentes partes do mundo, sobre a cultura brasileira, de Pernambuco, do Recife, do Nordeste. É maravilhoso", resume Wagner Moura.

A presença brasileira voltou a estremecer Hollywood nesta semana. Depois que a Academia de Artes e Ciências Cinematográficas divulgou nas redes sociais uma foto de Wagner Moura no Governors Awards, o público fez história, novamente: foram mais de 156 mil comentários, um número que superou, de longe, as reações dedicadas a outras grandes estrelas da noite. Cleide Klock, correspondente da RFI em Los Angeles Esse mar de engajamento, que havia acontecido também no ano passado com a foto de Fernanda Torres, marcou simbolicamente o início da campanha “para valer” de Moura nos Estados Unidos. Um dia antes de ir à festa, ele conversou com a RFI e já falava do poder dos brasileiros nas redes sociais. “Eu estava com a Nanda [Fernanda Torres] no Governors Awards ano passado. Eu lembro da gente conversando ali e lembro dela falando assim: 'eu não tirei a foto ainda, vou lá tirar'. A foto da Nanda teve um milhão de likes. As fotos de todas as estrelas americanas que estavam lá não tiveram nem um milésimo do que ela teve. Eu acho maravilhoso!", lembrou o protagonista de “O Agente Secreto”. Wagner Moura agora vê a história se repetir no engajamento e no favoritismo do filme de Kleber Mendonça Filho na categoria de produção internacional. Após finalizar uma temporada teatral no Brasil, o ator desembarcou em Los Angeles e já iniciou uma agenda intensa de campanha para o Oscar. Paralelamente, como é padrão na temporada, ele também faz campanha para o Globo de Ouro, Critics' Choice e demais premiações dos sindicatos que moldam o rumo da corrida. “Fiquei um tempo afastado dessa parte. Kleber Mendonça Filho viajou muito, e agora estou totalmente comprometido com isso. É muito bom, porque você senta com os outros atores, escuta seus colegas também de outros lugares, que fizeram outros filmes maravilhosos esse ano. Isso é uma troca muito boa. Você poder ouvir outras pessoas, de outras latitudes no mundo, falando do seu filme. Estamos aqui nos Estados Unidos, e depois vou para muitos países europeus, Inglaterra, Itália, Espanha, França. É campanha, é isso, é viajar e falar do filme pelo mundo”, diz. A perna cabeluda Nesta última semana, Wagner Moura participou da primeira sessão paga de “O Agente Secreto” em território americano. No dia 26 o filme entra em circuito comercial nos Estados Unidos. O ator também comentou quais são as conversas mais frequentes após as sessões. “Eu acho muito engraçadas as perguntas sobre a perna cabeluda. A primeira vez que eu ouvi falar da perna cabeluda foi na música de Chico Science, que inclusive é a música que eu botei na abertura do Marighella, que diz que 'Galeguinho do Coque não tinha medo da perna cabeluda'. Só agora, trabalhando com o Kleber, fui entender que a perna cabeluda virou uma lenda urbana no Recife porque jornalistas, para driblar a censura, em vez de denunciar a brutalidade policial, diziam que quem tinha feito aquelas coisas havia sido essa perna saltitante. Ela virou notícia no jornal e as pessoas trancavam a porta da casa por medo da perna cabeluda", explicou o ator. “É muito bom isso, você ver um pedaço do seu país sendo mostrado. Acho muito importante que o público fora do Brasil veja aquilo, mas acho mais importante que nós brasileiros também vejamos. Não consigo entender ainda a lógica de quem não acha que o governo deveria apoiar a cultura, de que a cultura não é uma coisa importante para o desenvolvimento do país. Fico querendo ver algum argumento", reitera. Favoritismo Wagner não é apenas favorito nas redes: as listas iniciais de possíveis indicados a melhor ator ao Oscar 2026 já colocam o ator brasileiro ao lado de nomes como Ethan Hawke (Blue Moon), Leonardo DiCaprio (Uma Batalha Após a Outra), Timothée Chalamet (Marty Supreme) e Michael B. Jordan (Pecadores). Mas foi a atualização mais recente do The Hollywood Reporter que surpreendeu até os fãs mais otimistas. Wagner Moura aparece como o número 1 entre os favoritos. “Mostra que você está num momento muito bonito da trajetória como artista, tendo esse tipo de reconhecimento. Essa indicação ainda não veio e não gosto de ficar falando disso, mas é maravilhoso. É um filme brasileiro, um ator brasileiro. Eu acho maneiro. Na Bahia, o pessoal tem orgulho”, brinca. O filme "O Agente Secreto" não nasceu para entrar na corrida do Oscar, mas do desejo de entregar um filme sólido, impactante, com identidade brasileira e potência universal. Quando um trabalho é feito com essa qualidade, o Oscar deixa de ser um objetivo distante e passa a ser uma consequência possível. Mas envolve muitas camadas, entre elas a de ter um distribuidor poderoso, como a Neon, que aposta na campanha nos Estados Unidos. “Já fiz tanto filme. Fiz muito filme ruim, sempre com o intuito de fazer bem, mas é difícil. Quando vem um bom, você fica querendo que aquilo esteja nas discussões, nas conversas, como 'O Agente Secreto' está. Não digo que o Oscar é um sonho, mas é claro que às vezes você pensa que o filme poderia estar ali. Já fiz alguns filmes em que pensei nisso, como o próprio 'Tropa de Elite', o 'Guerra Civil', que foi um filme que fiquei muito surpreso de ter passado batido, no ano passado, na premiação dos Oscars”, lamenta. O reconhecimento crítico, o carinho do público e a empolgação dos brasileiros que têm um engajamento sem igual em qualquer lugar do mundo, apenas aceleraram um movimento que já está em curso, apesar de ter ainda muito chão pela frente e muita coisa pode acontecer no meio do caminho. A festa do Oscar acontece em 15 de março. “Eu gostei tanto de fazer 'O Agente Secreto', foi uma coisa tão importante para mim, e as pessoas gostam dele. Então, para mim, para Kleber, é incrível a gente poder estar falando, viajando o mundo, conversando com as pessoas, ouvindo o tipo de pergunta que as pessoas fazem sobre o filme em diferentes partes do mundo, sobre a cultura brasileira, de Pernambuco, do Recife, do Nordeste. É maravilhoso", resume Wagner Moura.

A renowned mythologist, story expert  and the Executive Director for the Joseph Campbell Foundation who has been featured on the BBC, the History Channel, the LA Times.and The Hollywood Reporter. He explores mythology as the stories we use to make sense of the world around us.  John consults and works with government and cultural leaders around the world, as well as organizations such as HBO, DC Comics, Paramount Pictures, Nickelodeon, A24 Films, Atlas Obscura, and The John Maxwell Leadership Foundation, bringing his deep understanding of cultural narratives and myth to a wide array of audiences. He has worked with New York Times best-selling authors, YouTube influencers, Eisner winners, Emmy winners, Academy Award nominees, magicians, and cast members from Saturday Night Live. He holds a PhD in Mythology & Depth Psychology and is the author of six influential books on storytelling. 

Wicked: For Good movie is in theaters this week, so please enjoy this wonderful conversation from the AOK library with the film's director Jon M. Chu. He and Robert Peterpaul to discuss being a kind leader on set, acts of kindness from Ariana Grande and Cynthia Erivo, his spellbinding memoir Viewfinder and more. Rejoicify - this is a thought-provoking chat filled with STAR-studded surprise guests! We're OBSESSULATED! Jon M. Chu is known for his visually stunning blockbuster films, as well as his kinetic work across various genres from groundbreaking series to commercials and films. Additionally, his unique storytelling ability has earned him the honor of inclusion on the Hollywood Reporter's Power 100 list as well as Variety's New Hollywood Leaders. Most recently, Chu directed Universal Pictures' critically acclaimed WICKED 1 & 2, starring Oscar-nominees Cynthia Erivo and Ariana Grande. Part 1 of the feature-film adaptation of the record-breaking musical phenomenon released in theaters on November 22 and quickly became a box-office hit, becoming the highest-grossing Broadway adaption in domestic box office history in its second week earning over $350 million globally. His memoir, Viewfinder, is his journey from growing up in the Silicon Valley to transitioning to Hollywood and helming major studio projects, released Summer 2024. The book is an uplifting tale of belonging, creativity and learning to see who you truly are. His other projects include the critically acclaimed adaptation of Lin-Manuel Miranda's Tony Award-winning musical IN THE HEIGHTS for Warner Bros. Studios as well as the worldwide phenomenon CRAZY RICH ASIANS, which was nominated for numerous awards, including a SAG Award, a Golden Globe and PGA Award. It is one of the top 10 highest grossing romantic comedies of all time and the highest in a decade. It was also the first contemporary studio picture in more than 25 years to feature an all-Asian cast and opened a new chapter in Asian-American representation in Hollywood. Chu is attached to direct the highly anticipated biopic for Britney Spears based on her memoir, The Woman in Me, with Universal. He is also in development on Dr. Seuss' OH, THE PLACES YOU'LL GO! with Warner Bros and JJ Abrams' Bad Robot, which will be his first animated film. His previous films include GI. JOE: RETALIATION, NOW YOU SEE ME 2, JUSTIN BIEBER'S NEVER SAY NEVER and many more representing over 1.3 billion dollars in the worldwide box office. Thank you to Ariana Grande, Cynthia Erivo, Ethan Slater, Michelle Yeoh and Simon Hayes for the special surprise, and to Welcome to Times Square for supporting our Big Apple dreams. Follow Jon: @jonmchu Follow us: @artofkindnesspod / @robpeterpaul youtube.com/@artofkindnesspodcast Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Want to just say hi? Please email us: artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. Let us be glad. Let us be grateful. Learn more about your ad choices. Visit megaphone.fm/adchoices

Travel nightmares, cocktail jazz, & laughing gas…oh my!  This week, JVN is joined by comedian and certified delight, Heather McMahan (host, Absolutely Not) They're talking: baths vs. showers, jazz scatting, preferred quesadilla orders, comedy in 2025, mid-flight medical emergencies, eyelashes, meeting people where they're at, finding rituals that ground you, healthcare in the UK, The Golden Bachelor, and much much more!  Heather McMahan is an actress, comedian, and podcaster whose sharp humor and self-deprecating storytelling have made her one of the most beloved voices in comedy today. Her Netflix special Son I Never Had! debuted in 2023 to widespread acclaim, holding a Top 10 position for a full week. Known for her candor, relatability, and ability to find humor in chaos, Heather has toured internationally, selling out iconic venues including Radio City Music Hall during her Comeback Tour. She's been called “an auditory David Sedaris for the millennial set” by The Hollywood Reporter and continues to connect with fans across stand-up, television, and her hit podcast: Absolutely Not Catch her in The Bamboozled Tour continuing this spring.  Full Getting Better Video Episodes now available on YouTube.  Follow Heather McMahan on Instagram @heatherkmcmahan Follow Getting Better on Instagram @gettingbetterwithjvn  Follow Jonathan on Instagram @jvn Check out the JVN Patreon for exclusive BTS content, extra interviews, and much much more - check it out here: www.patreon.com/jvn  Senior Producer, Chris McClure Producer, Editor & Engineer is Nathanael McClure Production support: Chad Hall Our theme music is also composed by Nathanael McClure. Curious about bringing your brand to life on the show? Email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today in the business of podcasting: The deadline to submit to The Podscape is this Friday, Cloudflare outage plays havok with the internet, The Hollywood Reporter and Spotify post the hour-long roundtable with Golden Globes Best Podcast nominees, IAB Australia confirms dates for early 2026 events and survey for Audio Advertising State of Nation, Digidal looks at the growing sophisitication of influencer marketing, and Local Files Club brings a new twist to audio fiction monetization. Find links to every article covered by heading to the Download section of SoundsProfitable.com, or by clicking here to go directly to today's installment.

Today in the business of podcasting: The deadline to submit to The Podscape is this Friday, Cloudflare outage plays havok with the internet, The Hollywood Reporter and Spotify post the hour-long roundtable with Golden Globes Best Podcast nominees, IAB Australia confirms dates for early 2026 events and survey for Audio Advertising State of Nation, Digidal looks at the growing sophisitication of influencer marketing, and Local Files Club brings a new twist to audio fiction monetization. Find links to every article covered by heading to the Download section of SoundsProfitable.com, or by clicking here to go directly to today's installment.

Sean Combs, also known as Puffy and P Diddy, remains at the absolute center of the music industry's biggest criminal scandal in decades. Right now, he's serving a hefty 50-month prison sentence at the Fort Dix Federal Correctional Institute in New Jersey, having been convicted of transporting individuals for the purpose of prostitution back in October 2025. This verdict landed after a turbulent and highly publicized legal battle that stretched out for over a year, starting with his dramatic arrest in September 2024. According to BBC reporting covered on IMDb and FandomWire, Diddy was acquitted on the most serious sex trafficking and racketeering counts, but the court found him guilty on transportation charges involving his famous ex-girlfriend Cassie Ventura and another woman, only identified as Jane.The fallout from the case has given listeners a front-row seat to a trial that showcased not only allegations of forced sex work and violence but also claims of coercion, racketeering, and even arson and bribery, as detailed by LAist and The Hollywood Reporter. Cassie Ventura's testimony proved pivotal: she described years of alleged physical abuse, threats, and manipulation from Combs, including incidents where she said Combs attempted to blackmail her using secretly filmed videos. Other witnesses recounted shocking stories of grueling sex marathons, threats, and an environment of deep psychological control.Alongside the criminal proceedings, Combs faces the ordinary everyday struggles of life behind bars. Parade reports his release date was recently pushed back by a full month after he was allegedly found drinking homemade alcohol—classic prison “hooch”—and violating phone call rules. These infractions mean he's now eligible for release in June 2028 instead of May, but even that is not guaranteed if further incidents occur.Combs, once known for his glitzy Cîroc cocktail parties, has had his reality bleakly transformed. According to Audioboom, inside Fort Dix, he was reportedly caught with jailhouse moonshine made from fruit, sugar, and desperation. No private jets or entourages—just whatever can be brewed in a bag under a metal bunk.The cultural reverberations of Diddy's conviction have shaken the hip-hop world and even led to the resurfacing of wild claims about his private life, such as those made by Disney star Orlando Brown, highlighted in IBTimes. Meanwhile, the internet buzzes with rumors, new lawsuits, and questions about the future of Combs' empire.Listeners, thank you for tuning in to this week's Quiet Please production. We encourage you to come back next week for more breaking industry news, and remember—for more content and updates, check out Quiet Please Dot A I.Some great Deals https://amzn.to/49SJ3QsFor more check out http://www.quietplease.aiThis content was created in partnership and with the help of Artificial Intelligence AI

-According to The Hollywood Reporter, Disney+ might soon play host to user-generated short-form AI videos. Iger said, “the other thing that we're really excited about, that AI is going to give us the ability to do, is to provide users of Disney+ with a much more engaged experience, including the ability for them to create user-generated content and to consume user generated content — mostly short-form — from others.” -Verizon had a marked drop in postpaid wireless customers, losing 7,000 customers in that segment compared with a gain of 18,000 in Q3 2024. CEO Dan Schulman said, "we are going to take bold and fiscally responsible action to redefine Verizon's trajectory at this critical inflection point for our company. These will not be incremental changes." -Blue Origin's New Glenn rocket launch marks the first time the space startup has been able to catch a New Glenn booster for later reuse. The maiden flight of the rocket in January was successful in the sense that it got New Glenn into space, but Blue Origin wasn't able to save the booster from a watery grave. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We're finishing our monstrous double-feature with a look at the romance of the 1958 B-movie I Married a Monster from Outer Space! Join in as we discuss movie marketing, aliens we'd marry, and the movie's surprisingly rich feminist perspective. Plus: How does this movie compare to The Blob? What are the Andromedans' fake bodies made of? And do they even actually like human women? Make sure to rate, review, and subscribe! Next week: Ronin (1998)------------------------------------------------------Key sources and links for this episode:I Married a Monster from Outer Space in the TCM Archive"Inside Elio's Catastrophic Path: America Ferrera's Exit, Director Change, and Erasure of Queer Themes" (The Hollywood Reporter)"Man-Thing Vs Swamp Thing: Both were Based on an Older Monster" (Comic Book Resources)"Legend's Two-Star Review that (Almost) Nobody Noticed" (BBC)

Enrique Melendez is a celebrated fashion stylist known for his daring collaborations with Wednesday star Jenna Ortega. He's been on The Hollywood Reporter's list of the Top 25 Celebrity Stylists two years in a row and recently received an InStyle Imagemaker Award. This week, Melendez joins Who What Wear co-founder Hillary Kerr to dig into the Wednesday season 2 press looks and discuss Ortega's dramatic style evolution from Disney kid to gothic-glam fashion darling. There's no doubt you've seen Ortega's most adventurous looks on your feed in recent months—from the latex snakeskin Ashi Studios gown that kicked off the press tour to the bejeweled Givenchy top at the Emmys. Today, Melendez shares how those looks—and many more—came to be. Watch this episode on Youtube here!Listen to Enrique's episode from 2023 here!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Enrique Melendez is a celebrated fashion stylist known for his daring collaborations with Wednesday star Jenna Ortega. He's been on The Hollywood Reporter's list of the Top 25 Celebrity Stylists two years in a row and recently received an InStyle Imagemaker Award. This week, Melendez joins Who What Wear co-founder Hillary Kerr to dig into the Wednesday season 2 press looks and discuss Ortega's dramatic style evolution from Disney kid to gothic-glam fashion darling. There's no doubt you've seen Ortega's most adventurous looks on your feed in recent months—from the latex snakeskin Ashi Studios gown that kicked off the press tour to the bejeweled Givenchy top at the Emmys. Today, Melendez shares how those looks—and many more—came to be. Watch this episode on Youtube here!Listen to Enrique's episode from 2023 here!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Two articles caught our attention. The first was in The Hollywood Reporter about a new movie theater concepts with private rooms and high end food in New York. The second was a story about the power of IMAX in the movie industry, per the Wall Street Journal.  In this episode, Joe Pine, Aransas Savas, and Dave Norton discuss the evolving landscape of the movie theater experience, particularly in light of the pandemic's impact. They explore new concepts in Hollywood, such as premium movie theaters and IMAX, and how these innovations cater to changing consumer preferences. The conversation emphasizes the importance of customization, personalization, and the need for theaters to create engaging experiences that resonate with audiences. The hosts also provide valuable insights for experience strategists on how to adapt to these trends and enhance the overall consumer experience. Takeaways The pandemic significantly impacted the movie theater industry, leading to a decline in attendance. Premiumization is a key trend in the film industry, focusing on enhancing the overall experience. Customization and personalization are crucial for attracting audiences back to theaters. Consumers decide the 'when' or the situation, then watch the movie Theaters need to innovate and create engaging environments to compete with home viewing. Experience strategists should measure the money value of time (MVT) in their offerings. The integration of social components can enhance the movie-going experience. Chapters 01:23 Hollywood's New Movie Theater Concepts 02:38 The Impact of the Pandemic on Movie Theaters 04:47 Premiumization in the Film Industry 06:40 Customization and Personalization of Movie Experiences 08:57 Consumer Preferences Post-COVID 11:38 The Role of IMAX and Alternative Experiences 16:41 Innovations in the Theater Space 20:15 Key Takeaways for Experience Strategists   Read More: https://www.hollywoodreporter.com/business/business-news/inside-metro-private-cinema-tim-league-movie-theater-1236311204/ https://www.wsj.com/business/media/imax-movie-release-trend-6f4587a2?st=PKpj1G&reflink=desktopwebshare_permalink Podcast Sponsors: Learn more about Stone Mantel https://www.stonemantel.co Sign up for the Experience Strategist Substack here: https://theexperiencestrategist.substack.com  

Send us a Question!MOVIE DISCUSSION: Shirleon joins Melvin to discuss Death Note: The Last Name, a sequel to 2006's Japanese live-action adaptation, Death Note, that released 3-months later. The two look at the film as a unit with its predecessor, its successes as a stand-alone sequel, and compare it to the anime (as well as the Western Netflix adaptation).Topics:(PATREON EXCLUSIVE) 26-minutes discussing "Evil AI is Boring Now - Which is Kind of Scary", a think piece from James Hibberd on The Hollywood Reporter, and wondering what makes AI/AGI movies interesting, or not, in 2025. (PATREON EXCLUSIVE)How Death Note: The Last Name truncates the the latter-half of the source material, reordering some things and altering others outright, works pretty well.Shirleon enjoyed seeing the Death Note story unfold in a new, better-handled manner. It helped her better understand what she likes about the overall narrative.If these adaptations are missing anything, it's the monologues.Melvin wonders why a "Set in the world of Death Note" anthology movie or series hasn't been created, and he elevator-pitches five ideas that could be explored.Talking about the recurrent line "Sacrifices are necessary.".Melvin felt the ending satisfied the main thematic beats of its source material. Shirleon feels different.Recommendations:Alien: Earth (2025) (TV Series)Terminator 2: Judgement Day (1991) (Movie)Support the showSupport on Patreon for Unique Perks! Early access to uncut episodes Vote on a movie/show we review One-time reward of two Cinematic Doctrine Stickers & Pins Social Links: Threads Website Instagram Facebook Group

Justin Bieber BioSnap a weekly updated Biography.Justin Bieber has made headlines in the past few days for a string of public appearances and personal updates that, while not all career milestones, are certainly sparking discussion among fans and media alike. Most visually striking, Bieber stunned viewers at Game 3 of the 2025 World Series by showing up at Los Angeles' Dodger Stadium completely clean shaven for the first time in years, as reported by IMDb and Just Jared. Sporting a Blue Jays jersey and sitting with his wife Hailey, Bieber looked every bit the fervent fan, going viral for enthusiastically cheering Toronto against the Dodgers and even throwing a playful thumbs-down to Shohei Ohtani according to Rolling Stone and The Hollywood Reporter. The beard-free fresh look was a social media talking point immediately, with his new appearance interpreted by some as a sign of personal reinvention.Away from the world of baseball, the global pop star was also quietly back in the Grammy conversation. According to the Times of India, Bieber is among the prominent names receiving nominations for the upcoming 2026 Grammys, indicating that even in a period light on headline music releases, his legacy and recent collaborations keep him at the forefront of industry respect and fan anticipation.Meanwhile, speculation about his private life remained at a simmer. iHeartRadio and GQ featured Hailey Bieber discussing their marriage and the emotional complexities of living under constant public scrutiny. She emphasized that she and Justin are taking their marriage one day at a time, highlighting both vulnerability and resilience in face of ongoing attention. The tone in these reports suggests that while there is no sign of imminent drama, the couple remains watchful of their boundaries and well-being, a sentiment echoed across social media conversations.In business, no splashy new ventures have been confirmed, but Spreaker's recent Justin Bieber audio biography referenced his recent exit from the Drew House streetwear brand. Though that departure was previously covered, nothing in the last few days suggests a surprise business pivot or new entrepreneurial launch.For fans scanning for a bombshell headline, there has been no seismic announcement on the music front—no album drops, major tours, or viral live performances in recent days. The overall tenor is one of transition: a superstar pausing, perhaps recalibrating, but still managing to dominate social and pop culture discourse with every move. As headlines buzz about Bieber's World Series look, Grammy nod, and evolving marriage, it's clear his life remains compelling for reasons that reach far beyond the stage.Get the best deals https://amzn.to/3ODvOtaThis content was created in partnership and with the help of Artificial Intelligence AI

Jim Hill and Drew Taylor salute Veterans Day and talk about Xavier “X” Atencio, the new Disney Editions book celebrating the Imagineer behind the Haunted Mansion's “Grim Grinning Ghosts.” Then, Drew and Jim dive into the weekend box office — from Predator: Badlands breaking franchise records to the upcoming Zootopia 2 — before Jim goes solo to finish his deep-dive on the 20th anniversary of Chicken Little: Disney's first CG feature and the film that changed everything at the studio. HIGHLIGHTS Disney Legend spotlight: The new Xavier X. Atencio biography reveals rare sketches, wartime cartoons, and Haunted Mansion concept art — including the one-eyed cat that almost was. Box office breakdown: Predator: Badlands lifts Disney past $4 billion for 2025, while Zootopia 2's early projections could redeem TRON: Ares' underperformance. Streaming watch: Netflix's In Your Dreams wins praise from Collider and The Hollywood Reporter; Star Wars: Visions Vol. 3 drops on Disney+. The forgotten fowl: Why Chicken Little struggled in 2005 — from corporate pressure and story changes to a release window crushed by Goblet of Fire. Animation turning point: How Pixar's arrival, John Lasseter's leadership, and Ratatouille's success permanently shifted Disney away from hand-drawn animation. Hosts Jim Hill — X/Twitter: @JimHillMedia | Instagram: @JimHillMedia | Website: jimhillmedia.com Drew Taylor — X/Twitter: @DrewTailored | Instagram: @drewtailored | Website: drewtaylor.work Patreon Support Fine Tooning and the entire Jim Hill Media Podcast Network at patreon.com/jimhillmedia Follow Us Facebook: @JimHillMediaNews | YouTube: @jimhillmedia | TikTok: @jimhillmedia Producer Credits Edited by Dave Grey Produced by Eric Hersey — Strong Minded Agency Sponsor This episode is brought to you by UnlockedMagic.com — where Disney and Universal fans can save up to 12% on park tickets and after-hours events like Mickey's Very Merry Christmas Party and Jollywood Nights. Powered by the same trusted team behind DVC Rental Store and DVC Resale Market. Learn more about your ad choices. Visit megaphone.fm/adchoices

Nick welcomes Dan Fienberg, TV critic for The Hollywood Reporter, back to the podcast for another round of sharp television talk. They dive into the most recent Saturday Night Live episodes and the latest TV news before Dan reviews several new releases, including Vince Gilligan's sci-fi comedy “Pluribus” starring Rhea Seehorn, Emma Thompson's mystery “Down Cemetery Road,” Netflix's tense thriller “Death By Lightning” featuring Michael Shannon, and Ken Burns' sweeping new documentary on the American Revolution. Later, Esmeralda Leon joins Nick to discuss James Bond films and her volunteer work with Nourishing Hope, a Chicago-based organization providing food, mental health counseling, and other essential services for people in need. They also talk about the strain caused by the ongoing SNAP program disruptions during the government shutdown and how listeners can help support the effort. It's a thoughtful mix of pop culture, compassion, and classic Nick & Esma chemistry.[Ep 401]

Kathy talks about surviving Trump, the Groundlings, Stand-up, her parents who loved show biz, Sia, Joan Rivers, relationships, dating younger guys, saving every dime, and why she made Jay pay for their date. Bio: Two-time Emmy and Grammy award-winning comedian Kathy Griffin is a towering figure on television, on tour and in publishing. In 2013, Kathy was inducted into the Guinness Book of World Records for writing and starring in an unprecedented 20 televised stand-up specials - more than any comedian in history. In 2014, Kathy made history again with her 6th consecutive Grammy nomination and first win for Best Comedy Album (Kathy Griffin: Calm Down Gurrl), joining Whoopi Goldberg and Lily Tomlin as the only other female comedians to ever win Grammy awards for Best Comedy Album. Her hit Bravo series, Kathy Griffin: My Life on the D-List aired for 6 years and won 2 Emmys. It was nominated every single year of its run. The series also earned her a GLAAD Media Award for Best Reality Program.Kathy starred on NBC's Suddenly Susan and guest starred on multiple legendary TV series including Seinfeld, Law & Order: SVU, Glee, You, and Curb Your Enthusiasm. Additionally, she has lent her unique voice to animated characters in Shrek Forever After, The Simpsons, American Dad, Futurama and Dilbert. Kathy's unrivaled style of humor and prolific comedy pedigree has made her one of television's go-to hosts for premier live events. Kathy drew huge worldwide audiences to CNN's New Year's Eve special, which she co-produced and co-hosted with Anderson Cooper for 10 years. Kathy co-hosted The Billboard Music AwardsLIVE three years in a row, the 41st annual Daytime Emmy Awards LIVE and AARP's Movies for Grownups Gala. Her sure-fire hosting success led to her own LIVE late night talk show, Kathy.Also an accomplished author, Kathy's memoir, Official Book Club Selection: A Memoir According to Kathy Griffin, debuted at #1 on the New York Times Bestseller List. Her much-anticipated second book, Kathy Griffin's Celebrity Run-Ins: My A-Z Index, was also a New York Times Best Seller. On the stage, Kathy has performed standup for hundreds of thousands around the globe. Buoyed by her fiercely dedicated fans, Kathy's live performances are legendary and in a class of their own. The fiery redhead has sold out shows to rave reviews throughout North America, Europe, Australia and Asia at such iconic venues as The Sydney Opera House, The Mark Taper Forum, Madison Square Garden, Carnegie Hall and The Kennedy Center. Kathy has also performed for active military servicemen and women in such war zones as Iraq, Afghanistan, Kuwait, and Uzbekistan. She has graced the covers of The Hollywood Reporter, Adweek, and The Advocate, and has had in-depth profiles in New York Magazine and Forbes.In addition to performing, writing and producing, Kathy is a renowned speaker and has taken her empowering messages of equality through activism and humor all over the country. Kathy's passionate advocacy for women, the LGBT community, and other disenfranchised groups have been displayed through numerous candid and intimate conversations with award-winning journalists and moderators from The Los Angeles Times, The New York Times, The Hudson Union Society, 92Y, as well as tech giants Google and AOL. She has been honored in this area with multiple awards including The Human Rights Campaign's Ally for Equality, GLAAD's Vanguard Award, The Trevor Life Award from the Trevor Project, Iraq and Afghanistan Veterans of America's Leadership in Entertainment honor, the Harvard College Distinguished Service Partner Award, Veterans Tickets Foundation Distinguished Donor Award, the Lambda Legal Liberty Award, a two-time Ladies' Home Journal “Funny Ladies We Love” Recipient, and a Gracie Award for Outstanding Female Lead.

Jim Hill and Drew Taylor salute Veterans Day and talk about Xavier “X” Atencio, the new Disney Editions book celebrating the Imagineer behind the Haunted Mansion's “Grim Grinning Ghosts.” Then, Drew and Jim dive into the weekend box office — from Predator: Badlands breaking franchise records to the upcoming Zootopia 2 — before Jim goes solo to finish his deep-dive on the 20th anniversary of Chicken Little: Disney's first CG feature and the film that changed everything at the studio. HIGHLIGHTS Disney Legend spotlight: The new Xavier X. Atencio biography reveals rare sketches, wartime cartoons, and Haunted Mansion concept art — including the one-eyed cat that almost was. Box office breakdown: Predator: Badlands lifts Disney past $4 billion for 2025, while Zootopia 2's early projections could redeem TRON: Ares' underperformance. Streaming watch: Netflix's In Your Dreams wins praise from Collider and The Hollywood Reporter; Star Wars: Visions Vol. 3 drops on Disney+. The forgotten fowl: Why Chicken Little struggled in 2005 — from corporate pressure and story changes to a release window crushed by Goblet of Fire. Animation turning point: How Pixar's arrival, John Lasseter's leadership, and Ratatouille's success permanently shifted Disney away from hand-drawn animation. Hosts Jim Hill — X/Twitter: @JimHillMedia | Instagram: @JimHillMedia | Website: jimhillmedia.com Drew Taylor — X/Twitter: @DrewTailored | Instagram: @drewtailored | Website: drewtaylor.work Patreon Support Fine Tooning and the entire Jim Hill Media Podcast Network at patreon.com/jimhillmedia Follow Us Facebook: @JimHillMediaNews | YouTube: @jimhillmedia | TikTok: @jimhillmedia Producer Credits Edited by Dave Grey Produced by Eric Hersey — Strong Minded Agency Sponsor This episode is brought to you by UnlockedMagic.com — where Disney and Universal fans can save up to 12% on park tickets and after-hours events like Mickey's Very Merry Christmas Party and Jollywood Nights. Powered by the same trusted team behind DVC Rental Store and DVC Resale Market. Learn more about your ad choices. Visit megaphone.fm/adchoices

1257. El videopodcast sigue ganando protagonismo, y esta vez ha sido Netflix quien ha dado un paso más para consolidar su presencia en este formato. En este episodio reflexiono sobre el reciente acuerdo con Spotify y repaso la estrategia de estas grandes plataformas, que cada vez se parecen más entre sí y menos al ecosistema del podcasting independiente que muchas veces defendemos desde este lado del micrófono. Desde hace semanas se está hablando del acuerdo que permitirá que varios podcasts de Spotify Studios y The Ringer lleguen directamente al catálogo de Netflix. Pero no es la primera vez que la plataforma de la gran “N” acoge este tipo de contenidos. Ya habíamos visto otros ejemplos relacionados con sus propias series, que funcionan como complemento o contenido expandido —lo que antes era el comentario del director ahora se presenta como “podcast oficial”—. Sin embargo, esta nueva tanda incluye programas ajenos al catálogo de ficción, con temáticas que van desde el deporte hasta el true crime, pasando por estilo de vida o cultura pop. A lo largo del episodio también comento algunas declaraciones tanto de Netflix como de Spotify. En ellas se habla de dar más visibilidad a los creadores, de abrir nuevas vías de distribución, de llegar a audiencias globales… Todo muy bonito en el papel, pero en la práctica ya sabemos que esa visibilidad muchas veces solo se ofrece a cambio de jugar según sus normas: producir en vídeo, asumir formatos más visuales, utilizar sus herramientas, aceptar sus condiciones, etc. Y esto nos lleva de nuevo a una de las críticas habituales que lanzo desde este metapodcast: la zanahoria que cuelgan algunas plataformas para que corramos como locos detrás de promesas que pocas veces se cumplen._____________Durante años hemos presumido de tener la mejor sanidad del mundo. Pero algo ha cambiado. Hoy las listas de espera baten récords, faltan más de cien mil sanitarios y uno de cada cuatro españoles ya tiene un seguro privado.¿Qué le está pasando a nuestro sistema de salud? ¿Y por qué nadie parece capaz de arreglarlo? No es país para enfermos es un pódcast narrativo que investiga por qué la mejor sanidad del mundo está al borde del colapso. A través de historias de pacientes y sanitarios y del análisis de los expertos, explora asuntos como la avalancha de enfermos crónicos que se viene, el auge de la sanidad privada o la preparación para la próxima pandemia. Escucha 'No es país para enfermos' en tu plataforma de podcast favorita: https://pod.link/1849715001_____________ También menciono otro movimiento interesante que ha salido a la luz recientemente: Netflix estaría en conversaciones con Sirius XM para licenciar aún más videopodcasts, sacándolos incluso de YouTube. Esto demuestra que no se trata solo de una tendencia puntual, sino de una estrategia de crecimiento clara: absorber contenidos ya consolidados, empaquetarlos bajo su marca y convertirlos en reclamo para mantener suscriptores o arañar nuevos. Lo que quiero destacar es que detrás de cada uno de estos movimientos no hay un interés genuino por el podcasting como lo entendemos tú y yo. Hay una guerra de plataformas por la atención, por los datos, por las horas de reproducción. Y en esa guerra, el contenido es solo una herramienta más. Si funciona, se queda. Si no rinde, se borra. Así de simple. Por eso insisto tanto en que no pongamos todos los huevos en la misma cesta. Ni en Spotify, ni en Netflix, ni en ninguna otra plataforma que no tenga al podcaster en el centro de su modelo. Así que sí, está muy bien seguir las noticias, entender los movimientos estratégicos, incluso soñar con que nos llegue algún día una propuesta de esas gigantes. Pero sin perder de vista lo que somos, lo que hacemos y, sobre todo, para quién lo hacemos.Aquí está la nota de prensa de Spotify y la noticia de The Hollywood Reporter a las que hago referencia en este episodio:Spotify Studios and The Ringer Video Podcasts Are Coming to Netflixhttps://newsroom.spotify.com/2025-10-14/netflix-partnership-the-ringer-spotify-studios-video-podcasts/ Netflix Starts Bigger Push Into Video Podcastshttps://www.hollywoodreporter.com/business/digital/netflix-video-podcasts-1236417771/ _____________Consigue tu entrada para el directo de 'Estamos al mando' el 14 de noviembre en las Podnights Madrid a través de Eventbritehttps://www.eventbrite.es/e/entradas-estamos-al-mando-en-podnights-madrid-1547995098009?aff=oddtdtcreator_____________ ¡Gracias por pasarte 'Al otro lado del micrófono' un día más para seguir aprendiendo sobre podcasting! Si quieres descubrir cómo puedes unirte a la comunidad o a los diferentes canales donde está presente este podcast, te invito a visitar https://alotroladodelmicrofono.com/unete Además, puedes apoyar el proyecto mediante un pequeño impulso mensual, desde un granito de café mensual hasta un brunch digital. Descubre las diferentes opciones entrando en: https://alotroladodelmicrofono.com/cafe. También puedes apoyar el proyecto a través de tus compras en Amazon mediante mi enlace de afiliados https://alotroladodelmicrofono.com/amazon La voz que puedes escuchar en la intro del podcast es de Juan Navarro Torelló (PoniendoVoces) y el diseño visual es de Antonio Poveda. La dirección, grabación y locución corre a cargo de Jorge Marín. La sintonía que puedes escuchar en cada capítulo ha sido creada por Jason Show y se titula: 2 Above Zero.  'Al otro lado del micrófono' es una creación de EOVE Productora.

This week we're excited to present a special conversation from the 63rd New York Film Festival between Ethan Hawke and Willem Dafoe, moderated by Film at Lincoln Center programmer Maddie Whittle. This talk is sponsored by The Hollywood Reporter. Two films in this year's NYFF lineup center on artists confronting the passage of time: Richard Linklater's Blue Moon stars Ethan Hawke as the legendary lyricist Lorenz Hart, fretful and embittered at the prospect of his one-time creative partner scaling the heights of musical-theater celebrity; Kent Jones's Late Fame adapts Arthur Schnitzler's novella about a once-upon-a-time New York poet, played by Willem Dafoe, who is intoxicated by the sudden attentions of a coterie of twentysomething would-be literati. Each film taps into extraordinary reserves of wit and melancholy via the contributions of their lead actors, titans of contemporary American cinema and exemplary interpreters of the cultural forces that have defined their respective generations. NYFF was thrilled to bring together Hawke and Dafoe for an in-depth discussion of their craft, their creative philosophies, and their portrayals of aging artists on the brink of an uncertain future. The 63rd New York Film Festival is presented in partnership with Rolex.

Mr. Beast Biography Flash a weekly Biography.It has been a news-packed few days for Mr. Beast, and if you are following the highs, the drama, and the ambition, you're in the right place. I just dropped what might be my most personally revealing viral video yet, with YouTube buzzing over me reacting to a time-capsule message I filmed for myself at age 17. Back then, I had only 8,000 subscribers and I wondered if I'd hit one million by 2025 or be, in my words, “a loser.” Fast forward, and as Business Insider and others report, I addressed my younger self and talked about how “YouTube runs in my veins,” crediting sheer stubbornness for powering me through when no one believed the dream. Social media has been on fire, with fans sharing clips and doubling down on praise for sticking with the journey.But the last twenty-four hours have also seen a wave of mainstream headlines around my recent warnings about the future of online creators. As reported by Business Today and echoed by Storyboard18, I've been vocal on X expressing genuine fear about how AI tools like OpenAI's Sora will impact creator livelihoods. I called these “scary times for YouTube,” pointing out that when AI-generated videos are indistinguishable from real ones, the entire industry could be upended almost overnight. This isn't just personal anxiety—it's sparked a broader debate and tons of discussion in the creator economy over where original content goes from here.On the business front, Bloomberg just broke the story that Beast Industries—the empire I've been building—is now laying plans for a full-blown entertainment conglomerate, with no less than a real theme park in the works. The vision? Something to rival Disney. And that's just the start: we're already planning a “cinematic universe” and large-scale entertainment ventures, with me as the face of the brand. In parallel, Fortune and Business Insider report I've filed trademark applications to launch a MrBeast-branded mobile phone service by 2026, aiming for a disruptive Mint Mobile-style offering.Of course, controversy isn't far away. Malay Mail and IBTimes picked up my latest viral stunt where stuntman Eric had to escape from a burning house for a shot at half a million dollars. This video triggered an ethics debate across YouTube and Twitter, with some fans thrilled, but critics raising concerns about pushing the limits of spectacle in the name of entertainment.Meanwhile, philanthropy remains core. I smashed the 40 million dollar fundraising goal with #TeamWater, announced on YouTube and echoed across global media, to bring clean water to two million people. The outpouring of global support and viral celebration on social media has reminded everyone why giving back is still at the heart of everything.Just last week, The Hollywood Reporter revealed that I'll be honored at Operation Smile's New York gala with the Cotto Changemaker Award for my advocacy work, though I'll be joining virtually. It's been a whirlwind of business deals, headline-making stunts, and social commentary, all signaling another transformative period—not only for my brand, but for the creator world at large.Thanks for listening to the latest on Mr. Beast—subscribe now to never miss an update on the world's most-watched YouTuber, and if you want more great Biographies, search the term Biography Flash.And that is it for today. Make sure you hit the subscribe button and never miss an update on Mr. Beast. Thanks for listening. This has been a Quiet Please production."Get the best deals https://amzn.to/4mMClBvThis content was created in partnership and with the help of Artificial Intelligence AI

Jordan and Brooke are rejoined by writer and critic David Canfield (The Hollywood Reporter) for a realllll Southern charmer. We discuss the director wanting to stay "out of the bedroom" in this adaptation (whatever that means), how gay you can get without confirming it's gay, food as intimacy, surprise cannibalism, and queer icon Kathy Bates. TUWANDA!Follow us on Twitter, Bluesky, and IG! (And Jordan's Letterboxd / Brooke's Letterboxd)Follow David on Twitter and on The Hollywood Reporter!For privacy & ad info, visit: audacyinc.com/privacy-policy/

What do you do when someone looks you straight in the eye and lies again? When the truth is sitting right there, plain as day, yet they twist it, deny it, and make you question your sanity? In this episode of Infinite Life, Infinite Wisdom, Susan Grau gets real about what it means to live life on life's terms, especially when you're dealing with manipulative or dishonest people who twist the truth and leave you questioning your own reality. She dives into the painful experience of crazy making, where someone's lies and gaslighting can make you doubt what you know to be true. Susan shares personal stories of being caught in webs of deceit and how she's learned that sometimes, the best response isn't confrontation but silence. She reminds listeners that truth doesn't need defending, and that protecting your peace often means walking away rather than engaging with dysfunction. Through her own journey and years in Al-Anon, Susan reveals how trusting your intuition, setting boundaries, and refusing to spin the web alongside others can lead to freedom and self-respect. This heartfelt episode is a powerful reminder that not every battle needs to be fought and that your calm, not your argument, is your greatest strength. “When you're right, there's nothing to defend. And when you're wrong, there's no defense.” In This Episode: [00:01] Introduction and episode overview [01:17] The challenge of doing nothing [02:14] Recognizing gaslighting and twisted truths [03:20] Personal experience with manipulation [04:29] Al-Anon and the search for honesty [12:24] Ignoring intuition and the desire to “fix” others [14:18] People act according to who they are [15:15] Escaping the cycle of manipulation [17:01] Childhood roots of doubting your truth [17:51] Liars lie: accepting reality [18:44] Healthy responses: silence and truth [19:38] The world's indifference and self-validation [20:37] Letting go and self-care [22:32] Writing down the facts [26:21] Final thoughts and encouragement Notable Quotes [01:17] "Doing nothing is not easy. And that has to do with just taking care of myself. And sometimes silence is my best friend." — Susan  [15:22] "People do what they do because of who they are, not who you are." — Susan  Susan Grau Susan Grau is an internationally celebrated intuitive life coach, a key opinion leader, author, medium and speaker, who discovered her ability to communicate with the spirit world after a near-death experience at age four. Trained by Dr. Raymond Moody, James Van Praagh, and Lisa Williams, Susan is a Reiki Master, hypnotherapist, and grief therapist. Her new book, "Infinite Life, Infinite Lessons," published by Hay House, explores healing from grief and the afterlife. With media coverage in GOOP, Elle, and The Hollywood Reporter, Susan's expertise extends to podcasts, radio shows, and documentaries. She offers private mediumship readings, life path guidance, reiki sessions, and hypnotherapy, aiding individuals in healing and finding spiritual guidance. Resource and Links Infinite Life, Infinite Wisdom Podcast  Infinite Life, Infinite Wisdom Susan Grau Website Order  Facebook Instagram YouTube TikTok Mentioned Infinite Life, Infinite Lessons  Wisdom from the Spirit World on Living, Dying, and the In-Between  by Susan Grau https://al-anon.org/al-anon-meetings/

Information has come from friend of the show  @GreenLanternsPodcast  in which The Hollywood Reporter seemingly forgot that LANTERNS existed. Could this actually be a sign that the HBO series is being pushed back?

The moment has arrived! That is, an actual announcement of Doctor Who's future from the BBC (and not the outgoing Disney+) in the form of a last hurrah from Russell T Davies and Bad Wolf by way of a Christmas special in 2026, along with official confirmation of Turf and Surf hitting the iPlayer this Christmas and Disney+ in February. What does this portend for both the present and future of Doctor Who? The Three Who Rule put on their television detective hats and as usual solve nothing, as do many entertainment journalists including friend of the show Kyle Anderson, and lesser lights such as Variety, Deadline, and The Hollywood Reporter. Plus the usual Big Finish cover over-analysis, a smidgen of Can*Con, and the conclusion of our four-part Classic Series Commentary for "The Sun Makers"! Links: Support Radio Free Skaro on Patreon BBC Confirms future of Doctor Who, splitting from Disney, and a new Christmas special in 2026 The War Between the Land and the Sea' comes to BBC One and BBC iPlayer in December, Disney+ in 2026 Deadline: Why Disney Ditched 'Doctor Who' Nerdist: Kyle Anderson's take on the separation of Disney and the BBC Variety: 'Doctor Who': Disney+ Exits Partnership With the BBC as 2026 Christmas Special Confirmed Deadline: Disney+ Officially Exiting 'Doctor Who' Partnership With BBC After Two Seasons Hollywood Reporter: Disney+ Ends 'Doctor Who' Partnership, BBC Commits to Continue Series Entertainment Weekly: Disney+ drops Doctor Who — here's what that means for the long-running show's future The Secrets Behind the SCARIEST Moments of Doctor Who – The Whoniverse Show Big Finish Paul Spragg Memorial Short Trips Opportunity 2025 winner announced Big Finish Doctor Who: Halloween – Sea Smoke and Other Stories released When the Stars Screamed: A Dalek Anthology Charity Book available As King of Kensington turns 50, it shows the challenge of keeping classic Canadian TV in circulation Nabil Shaban obituary by Toby Hadoke Commentary: The Sun Makers Part Four

Merriam-Webster's Word of the Day for October 31, 2025 is: hobgoblin • HAHB-gahb-lin • noun A hobgoblin is a mischievous goblin that plays tricks in children's stories. When used figuratively, hobgoblin refers to something that causes fear or worry. // This Halloween we were greeted at our door by werewolves, mummies, and a wide assortment of sweet-toothed hobgoblins. See the entry > Examples: “Vampires and zombies took a big bite out of the horror box office in Sinners and 28 Years Later, and with Del Toro's Frankenstein hitting theaters next week, it would seem that a return to classic marquee monsters is one of the stories of this summer's movie season. But there's one old-school hobgoblin that's lurking around the edges of this narrative, omnipresent, repeated across a number of notable new titles, but still somehow avoiding the limelight: the witch ...” — Payton McCarty-Simas, The Hollywood Reporter, 25 Aug. 2025 Did you know? While a goblin is traditionally regarded in folklore as a grotesque, evil, and malicious creature, a hobgoblin tends to be more of a playful troublemaker. (The character of Puck from Shakespeare's A Midsummer Night's Dream might be regarded as one.) First appearing in English in the early 1500s, hobgoblin combined goblin (ultimately from the Greek word for “rogue,” kobalos) with hob, a word from Hobbe (a nickname for Robert) that was used both for clownish louts and rustics and in fairy tales for a mischievous sprite or elf. The American writer Ralph Waldo Emerson famously applied the word's extended sense in his essay Self-Reliance: “A foolish consistency is the hobgoblin of little minds, adored by little statesmen and philosophers and divines.”

It's Friday, October 31st, A.D. 2025. This is The Worldview in 5 Minutes heard on 140 radio stations and at www.TheWorldview.com.  I'm Adam McManus. (Adam@TheWorldview.com) By Adam McManus Sudanese police arrest pastor for not giving Muslim the church In an apparent attempt by a Muslim businessman in Sudan, Africa to seize church property, the police arrested and jailed a pastor on October 28th in River Nile State, reports Morning Star News. At 6:00pm, two police officers arrived at the home of Rev. Daud Kachu of the Sudan Presbyterian Evangelical Church in Atbara and presented him with an arrest warrant. When congregation members said he needed to speak with the church attorney first, the officers initially feigned understanding, but two other policemen, hiding behind the church building, appeared and forced Pastor Kachu into a vehicle. They took him to the Atbara police station, where he was jailed. An intensive interrogation followed on October 29th, and police conveyed the Muslim businessman's demand that he had 30 days to vacate the church premises. The police officers said, “The law is above your religion.” Police demanded that the pastor sign a document stipulating that he would no longer object to anyone trying to seize the church property, but the pastor refused. Rev. Kachu, who has led the church for 30 years, was initially denied bail, but police later released him after intervention by the church attorney. In Psalm 105:15, God warns, “Do not touch My anointed ones, and do My prophets no harm.” Box Office Massacre: October Revenue Falls to 27-Year Low, Excluding Pandemic Halloween is shaping up to be scarier than ever for Hollywood and its exhibition partners, but not in a good way, according to The Hollywood Reporter. Domestic box office revenue for October 2025 is expected to come in at roughly $425 million — the worst showing in 27 years, according to Comscore. This excludes October 2020, the heart of the COVID-19 pandemic,  Two problems. First, many October titles simply didn't resonate with general audiences. Second, fewer people are going to the silver screen. MN Supreme Court allows men, pretending to be women, to compete in powerlifting The Minnesota Supreme Court ruled unanimously on October 22nd that men have a right to cheat in women's sports, reported Fox News. The particular sport in question makes the ruling even more outrageous—powerlifting -- where men have a decided strength advantage biologically speaking.   Don't forget: This is the state where Governor “Tampon Tim” Walz put tampons in boys' bathrooms while letting boys go into girls' bathrooms.   Walz and his Democrat predecessor, Mark Dayton, appointed all of the state's Supreme Court justices. The fact that the decision was unanimous proves how the Left is “all in” on radical transgender ideology.   The New Left tells women today, “You have to let a man watch you undress and your daughter has to compete against boys.” Trouble In Chinatown In New York City's Chinatown district, illegal vendors are selling counterfeit merchandise like fake Gucci purses, designer clothing, and  high-end watches, reports Breitbart.com. That's not only illegal, it also hurts legitimate merchants who cannot compete with the fake knockoffs. Merchants have repeatedly complained to the city, but to no avail.   Federal immigration police launched an enforcement operation. They arrested nine illegal aliens, most of whom had committed additional crimes. Their rap sheets included robbery, assaulting police officers, drug trafficking, drug possession, forgery, and domestic violence.   Gary Bauer of Campaign for Working Families, wrote, “This enforcement operation was a ‘win-win' for New York City. Immigration police got rid of illegal merchants and criminals. “But what happened? There was a riot in Chinatown as leftists rushed into the streets to prevent immigration police from doing their jobs. This is what the Left has fomented around America. They have inspired an insurrection that is resisting federal law enforcement.” Tucker Carlson: Abortion enthusiasts have a “religious fanaticism” about killing In the footsteps of the late Charlie Kirk, conservative commentator Tucker Carlson took a strong stand for life recently during a Turning Point USA event at Indiana University in response to a pro-abortion student, reports LifeSiteNews.com. Listen. STUDENT: “A lot of what's happening in this country with people using religion to justify their stance against abortion. People are using religion….” CARLSON: “May I just suggest something.  I've never seen religious fanaticism like I see among the abortion enthusiasts. (applause) From my perspective, it's so obviously a child sacrifice rite. “The number of unintended pregnancies in an age of universally available free birth control is probably pretty low. They happen, okay.  The wicked, gleeful enthusiasm that people have for abortion.” STUDENT: “Who is enthusiastic?” CARLSON: “Oh? Shout your abortion? (laughs) I think there's some enthusiasm. Putting an abortion truck outside the Democratic Convention? There's a lot of enthusiasm for it. “I kind of believed the ‘My body, my choice' thing. I really thought that's what it was about. Bodily autonomy.” STUDENT: “That is what's it's about?” CARLSON: “Really? So, where were you on the COVID Vax?” (cheers applause) It's not about that. What it's about is killing. It's about killing and the thrill that people derive from killing another human being and the power they feel when they kill.” STUDENT: “Is that a real argument that you're making?” CARLSON: “No, it's not an argument. It's a reality.  I've seen it when people plan wars. I've actually seen that happen. I've seen it when people in power show videos of them killing people with drones or whatever. And they get so high from it. There's no greater thrill than extinguishing life because that makes you ‘God.' I think that's the most evil thing there is, and one of the greatest temptations that people have is to kill because it makes them feel powerful.” Isaiah 59:7 says, “Their feet rush into sin; they are swift to shed innocent blood. They pursue evil schemes; acts of violence mark their ways.” Wheel of Fortune no longer family friendly And finally, ANNOUNCER: “From the Sony Pictures studio, it's America's Game …” PEOPLE: “Wheel of Fortune.” The Wheel of Fortune game show is no longer family friendly, reports OneMillionMoms.com. Sadly, they have recently added a puzzle category entitled “What the Fun” which winks at the insinuated profanity of the most obscene word in the English language, making Wheel of Fortune no longer suitable for family viewing. After Pat Sajak hosted it for 41 years, Ryan Seacrest replaced him as Vanna White continues to reveal the correct letters in the hangman style guessing game that enriches contestants with cash and prizes, Parents will have to explain to their children that the primetime program they were once allowed to watch is no longer a clean show. Let the executives at Wheel of Fortune know that you do not approve by signing the online petition which is linked in our transcript today at www.TheWorldview.com. Close And that's The Worldview on this Friday, October 31st, in the year of our Lord 2025. Follow us on X or subscribe for free by Spotify, Amazon Music, or by iTunes or email to our unique Christian newscast at www.TheWorldview.com.  I'm Adam McManus (Adam@TheWorldview.com). Seize the day for Jesus Christ.

Each week, The Hollywood Reporter's Mikey O'Connell attempts to stay on top of the latest in TV and entertainment (and stay sane) with a little help from his colleagues, friends and a revolving door of actors, comics, writers, showrunners and filmmakers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Merriam-Webster's Word of the Day for October 25, 2025 is: wreak • REEK • verb Wreak means “to cause something very harmful or damaging.” It is often used with on or upon. // The virus wreaked havoc on my laptop. See the entry > Examples: “Ours is a geography of cataclysm: Santa Anas wreak their psychic wrath; the odor of disaster seeps from the street like that sulfurous egg smell of the La Brea Tar Pits.” — John Lopez, The Hollywood Reporter, 6 Sept. 2025 Did you know? In its early days, wreak was synonymous with avenge, a meaning exemplified when Shakespeare's Titus Andronicus proclaims “We will solicit heaven, and move the gods / To send down Justice for to wreak our wrongs.” This sense is now archaic, but the association hasn't been lost: although wreak is today most often paired with havoc, it is also still sometimes paired with words like vengeance and destruction. We humbly suggest you avoid wreaking any of that, however, no matter how badly you may crave your just deserts.

Today we jump back 15 years to the Oct. 21, 2010 episode of the PWTorch Livecast featuring PWTorch assistant editor James Caldwell and PWTorch columnist Greg Parks. They discussed with live callers on Kevin Nash's interview covering multiple WWE & TNA coverage, tonight's TNA Impact, Paul Heyman's vision for TNA if he joined the promotion, TNA Reaction with more explanation of "they," Kaval's booking on Smackdown, whether WWE can create marketable stars trying to create "comedic" sides to their stars, Japan vs. U.S. media coverage of wrestling, TMZ marketing JWoww vs. Cookie better than TNA would book it, and much more.In the previously VIP-exclusive Aftershow, they discussed who should be first in line to face Jeff Hardy for the TNA Title, what it says about TNA's booking that they don't have a strong babyface ready for Hardy, Bragging Rights overview & whether it's worth ordering & predictions on the top three matches, WWE Movies, including the Hollywood Reporter ripping "Knucklehead," the inevitable "Stand Up for WWE" campaign response telling the audience to stand up against elitist Hollywood movie reviewers, and so much more.Become a supporter of this podcast: https://www.spreaker.com/podcast/wade-keller-pro-wrestling-podcast--3076978/support.

This week, we sit down with writer, producer, essayist and friend Lindzi Scharf (whose work has appeared in The New York Times and The Hollywood Reporter no less!) Lindzi opens up about her journey through motherhood, grief, and joy. She shares the story of her daughter Evan, whose bright light continues to shape her family's world, and her son Reed, who carries that light forward. We talk about what it means to hold space for both heartbreak and happiness, the beautiful complexity of being a “medical mom,” and the lessons in presence that Evan left behind. From IVF and resilience to laughter and letting go of labels, Lindzi reminds us that people are not their diagnoses and that saying our children's names with love keeps them alive in the most powerful way. Resource links: theretaility.com joyfulgrief.substack.com @lindzischarf This episode is proudly sponsored by Wayfair! www.wayfair.com Follo​w Sarah Wright Olsen: IG: @swrightolsen Follow Teresa Palmer: IG: @teresapalmer  FB: https://www.facebook.com/teresamarypalmer/ DISCOUNT CODES: • Go to www.baeo.com and get 20% when using the code MOTHERDAZE20 • Go to www.lovewell.earth and get 20% when using the code MOTHERDAZE20 More about the show! • Watch this episode on YouTube here • Co-founders of @yourzenmama yourzenmama.com • Read and buy our book! "The Zen Mama Guide To Finding Your Rhythm In Pregnancy, Birth, and Beyond"  Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices

This conversation was originally recorded for Modi's podcast And Here's Modi (episode #106), where Uri appeared as a guest with Arthur Luxenberg. We're honored to share it here with Modi's permission. What unfolds is a funny, heartfelt, and deeply human dialogue about fearless communication, self-acceptance, and the power of belief. Follow @modi_live and tune-in @ahm_podcast See everything Modi: https://modilive.com/ - The voice you're trying to fix might just be the one the world most needs to hear. Every pause, every stumble, every moment of silence can hold a lesson in courage. And when someone — maybe a mother, a teacher, or a grandmother — believes in you before you believe in yourself, that belief can rewrite the entire story of who you become. In this powerful conversation, Uri Schneider joins world-famous comedian Modi Rosenfeld and renowned trial attorney Arthur Luxenberg to explore how two kids who grew up stuttering learned to speak fearlessly: one on stage, the other in the courtroom. Together, they open up about the emotional and practical realities of overcoming stuttering, the lifelong process of finding your voice, and the courage it takes to keep showing up, even when words don't come easily. Today's episode is a little different than usual. It was originally recorded for Modi Rosenfeld's podcast And Here's Modi (episode #106), where Uri appeared as a guest. What unfolds is a funny, heartfelt, and deeply human dialogue about fearless communication, self-acceptance, and the power of belief.  The conversation also features a remarkable story about Uri's father, Dr. Phil Schneider, and his sacred encounters with the Lubavitcher Rebbe — a profound reminder that communication isn't only about words; it's about presence, connection, and honoring the dignity behind every voice. This episode is a reminder that our voice is never the problem. Our belief in it is. Keep talking. Keep listening. And keep transcending.   In this episode on the power of belief, we discuss: Why overcoming stuttering isn't about perfect speech, but it's about being heard The four pillars of Uri's Transcending Stuttering framework: self-knowledge, self-adjustment, self-acceptance, and self-advocacy The incredible story of Dr. Phil Schneider's speech therapy work with the Lubavitcher Rebbe after his stroke How belief from one person can change the entire trajectory of a child's life What comedians and trial attorneys can teach us about fearless communication Practical do's and don'ts for supporting a child who stutters, without shame or pressure   TIMESTAMPS 00:00 – Introduction: The Fear We All Share and the Power of Belief 00:01:46 – Meet Modi Rosenfeld and Arthur Luxenberg: Two Kids Who Stuttered and Found Their Voice 00:03:45 – The Story Behind Schneider Speech and the Meaning of “Transcending Stuttering” 00:05:41 – Why Overcoming Stuttering Is About Talking More, Not Less 00:07:33 – From Silence to Self-Expression: Arthur's Journey and His Grandmother's Influence 00:12:31 – The Sacred Encounter: Dr. Phil Schneider and the Lubavitcher Rebbe 00:19:59 – What the Rebbe Taught About Dignity, Connection, and Communication Beyond Words 00:21:29 – The Four Pillars of the Transcending Stuttering Framework 00:26:40 – How Comedy, Courtrooms, and Courage Shape Fearless Communicators 00:38:28 – Practical Do's and Don'ts for Supporting People Who Stutter 00:44:56 – Why Belief Can Change a Life and How to Keep Talking Even When It's Hard 00:56:45 – Closing Reflections: The World Needs to Hear Your Voice   ABOUT THE GUEST: MODI ROSENFELD Voted one of the top 10 comedians in New York City by The Hollywood Reporter, Modi Rosenfeld is one of the comedy circuit's most sought after performers. Featured on HBO, CBS, NBC, ABC, Comedy Central, Howard Stern, and E! Entertainment, Modi has received rave reviews in The New York Times, Time Out NY and The New York Post.  Born in Tel Aviv, Israel, Modi emigrated with his family to the United States at the age of seven and was raised on Long Island. After graduating from Boston University, he worked as an investment banker until his first open-mic night made him realize that stand-up was his true calling.  Equipped with a sharp wit and a knack for reading an audience, Modi has gone on to become a successful fixture in New York's vibrant comedy scene, often doing bits that incorporate his heritage, and he is a hit with diverse Jewish audiences as well as fans of all backgrounds and beliefs.  Now a regular performer at the New York and Los Angeles comedy clubs, Modi also headlines around the country and across the globe. Modi has played himself on HBO's Crashing and Netflix's When Jews Were Funny. He's also appeared in several feature films and played leading roles in two: Waiting for Woody Allen, which won the LA Film Festival, and Stand Up, a feature-length film. In 2018, Mayor Bill De Blasio declared June 26th 'Mordechi Modi Rosenfeld Day' in the city of New York for his accomplishments and contributions to the artistic community. Modi is also the host of ‘And Here's Modi', the podcast.   ABOUT THE GUEST: ARTHUR LUXENBERG Arthur M. Luxenberg is an attorney and co-founder of Weitz & Luxenberg P.C., one of New York City's leading mass-tort and personal injury law firms. He serves on judicial screening and disciplinary committees for the New York State Supreme Court, Appellate Division, and has held leadership roles with the New York State Trial Lawyers Association and the New York City Bar Association. A committed philanthropist, Arthur and his wife, Randi, actively support charitable and humanitarian initiatives worldwide. QUOTES “The most important thing for people who stutter is to keep talking. And for the world to learn to listen.” “The danger of stuttering is less about the words and sounds getting stuck. It's more about not saying what you really want to say.” “Looking in the mirror and seeing you're worth it. You're perfectly imperfect, just like every other human being. That's the way we're made.”   ABOUT THE HOST Uri Schneider, M.A. CCC -SLP is co-founder and leader at Schneider Speech; creator and host of Transcending Stuttering; and former faculty at the University of California, Riverside School of Medicine.   SEE ALL SHOW NOTES http://www.transcendingx.com/podcast LEARN MORE at http://www.transcendingx.com and http://www.schneiderspeech.com

Ralph welcomes Professor Roddey Reid to break down his book “Confronting Political Intimidation and Public Bullying: A Handbook for the Trump Era and Beyond.” Then, we are joined by the original Nader's Raider, Professor Robert Fellmeth, who enlightens us on how online anonymity and Artificial Intelligence are harming children.Roddey Reid is Professor Emeritus at the University of California, San Diego where he taught classes on modern cultures and societies in the US, France, and Japan. Since 2008 he has researched and published on trauma, daily life, and political intimidation in the US and Europe. He is a member of Indivisible.org San Francisco, and he hosts the blog UnSafe Thoughts on the fluidity of politics in dangerous times. He is also the author of Confronting Political Intimidation and Public Bullying: A Handbook for the Trump Era and Beyond.I think we still have trouble acknowledging what's actually happening. Particularly our established institutions that are supposed to protect us and safeguard us—many of their leaders are struggling with the sheer verbal and physical violence that's been unfurling in front of our very eyes. Many people are exhausted by it all. And it's transformed our daily life to the point that I think one of the goals is (quite clearly) to disenfranchise people such that they don't want to go out and participate in civic life.Roddey ReidWhat's broken down is…a collective response, organized group response. Now, in the absence of that, this is where No King's Day and other activities come to the fore. They're trying to restore collective action. They're trying to restore the public realm as a place for politics, dignity, safety, and shared purpose. And that's been lost. And so this is where the activists and civically engaged citizens and residents come in. They're having to supplement or even replace what these institutions traditionally have been understood to do. It's exhilarating, but it's also a sad moment.Roddey ReidRobert Fellmeth worked as a Nader's Raider from 1968 to 1973 in the early days of the consumer movement. He went on to become the Price Professor of Public Interest Law at the University of San Diego (where he taught for 47 years until his retirement early this year) and he founded their Children's Advocacy Institute in 1983. Since then, the Institute has sponsored 100 statutes and 35 appellate cases involving child rights, and today it has offices in Sacramento and DC. He is also the co-author of the leading law textbook Child Rights and Remedies.I think an easy remedy—it doesn't solve the problem totally—but simply require the AI to identify itself when it's being used. I mean, to me, that's something that should always be the case. You have a right to know. Again, free speech extends not only to the speaker, but also to the audience. The audience has a right to look at the information, to look at the speech, and to judge something about it, to be able to evaluate it. That's part of free speech.Robert FellmethNews 10/17/25* In Gaza, the Trump administration claims to have brokered a ceasefire. However, this peace – predicated on an exchange of prisoners – is extremely fragile. On Tuesday, Palestinians attempting to return to their homes were fired upon by Israeli soldiers. Defense Minister Israel Katz claimed those shot were “terrorists” whose attempts to “approach and cross [the Yellow Line] were thwarted.” Al Jazeera quotes Lorenzo Kamel, a professor of international history at Italy's University of Turin, who calls the ceasefire a “facade” and that the “structural violence will remain there precisely as it was – and perhaps even worse.” We can only hope that peace prevails and the Palestinians in Gaza are able to return to their land. Whatever is left of it.* Despite this ceasefire, Trump was denied in his bid for a Nobel Peace Prize. The prize instead went to right-wing Venezuelan dissident María Corina Machado. Democracy Now! reports Machado ran against Venezuelan President Nicolás Maduro in 2023, but was “barred from running after the government accused her of corruption and cited her support for U.S. sanctions against Venezuela.” If elected Machado has promised to privatize Venezuela's state oil industry and move Venezuela's Embassy in Israel from Tel Aviv to Jerusalem, and in 2020, her party, Vente Venezuela, “signed a pact formalizing strategic ties with Israel's Likud party led by Prime Minister Benjamin Netanyahu.” Machado has also showered praise on right-wing Latin American leaders like Javier Milei of Argentina and following her victory, praised Trump's “decisive support,” even telling Fox News that Trump “deserves” the prize for his anti-Maduro campaign, per the Nation.* Machado's prize comes within the context of Trump's escalating attacks on Venezuela. In addition to a fifth deadly strike on a Venezuelan boat, which killed six, the New York Times reports Trump has ordered his envoy to the country Richard Grenell to cease all diplomatic outreach to Venezuela, including talks with President Maduro. According to this report, “Trump has grown frustrated with…Maduro's failure to accede to American demands to give up power voluntarily and the continued insistence by Venezuelan officials that they have no part in drug trafficking.” Grenell had been trying to strike a deal with the Bolivarian Republic to “avoid a larger conflict and give American companies access to Venezuelan oil,” but these efforts were obviously undercut by the attacks on the boats – which Democrats contend are illegal under U.S. and international law – as well as Secretary of State Marco Rubio labeling Maduro a “fugitive from American justice,” and placing a $50 million bounty on his head. With this situation escalating rapidly, many now fear direct U.S. military deployment into Venezuela.* Meanwhile, Trump has already deployed National Guard troops to terrorize immigrants in Chicago. The Chicago Sun-Times reports Pope Leo XIV, the first American Pope and a Chicago native, met with Chicago union leaders in Rome last week and urged them to take action to protect immigrants in the city. Defending poor immigrants is rapidly becoming a top priority for the Catholic Church. Pope Leo has urged American bishops to “speak with one voice” on the issue and this story related that “El Paso bishop Mark Seitz brought Leo letters from desperate immigrant families.” Chicago Cardinal Blase Cupich, also at the meeting with Leo and the union leaders, said that the Pope “wants us to make sure, as bishops, that we speak out on behalf of the undocumented or anybody who's vulnerable to preserve their dignity…We all have to remember that we all share a common dignity as human beings.”* David Ellison, the newly-minted CEO of Paramount, is ploughing ahead with a planned expansion of his media empire. His next target: Warner Bros. Discovery. According to the Hollywood Reporter, Ellison already pitched a deal to WB CEO David Zaslav, but the $20 per share offer was rejected. However, Ellison is likely to offer a new deal “possibly…backed by his father Larry Ellison or a third party like Apollo [Global Management].” There is also talk that he could go directly to the WBD shareholders if the corporate leadership proves unresponsive. If Ellison is intent on this acquisition, he will need to move fast. Zaslav is planning to split the company into a “studios and HBO business,” and a Discovery business, which would include CNN. Ellison is clearly interested in acquiring CNN to help shape newsroom perspectives, as his recent appointment of Bari Weiss as “editor-in-chief” of CBS News demonstrates, so this split would make an acquisition far less of an attractive prospect. We will be watching this space.* In another Ellison-related media story, Newsweek reports Barron Trump, President Trump's 19-year-old son, is being eyed for a board seat at the newly reorganized Tik-Tok. According to this story, “Trump's former social media manager Jack Advent proposed the role at the social media giant, as it comes into U.S. ownership, arguing that the younger Trump's appointment could broaden TikTok's appeal among young users.” Barron is currently enrolled in New York University's Stern School of Business and serves as an “ambassador” for World Liberty Financial, the “Trump family's crypto venture.” TikTok U.S., formerly owned and operated by the Chinese company ByteDance, is being taken over by a “consortium of American investors [including Larry Ellison's] Oracle and investment firm Silver Lake Partners,” among others.* As the government shutdown drags on, the Trump administration is taking the opportunity to further gut the federal government, seeming to specifically target the offices protecting the most vulnerable. According to NPR, “all staff in the [Department of Education] Office of Special Education and Rehabilitative Services (OSERS), with the exception of a handful of top officials and support staff, were cut,” in a reduction-in-force or RIF order issued Friday. One employee is quoted saying “This is decimating the office responsible for safeguarding the rights of infants, toddlers, children and youth with disabilities.” Per this report, OSERS is “responsible for roughly $15 billion in special education funding and for making sure states provide special education services to the nation's 7.5 million children with disabilities.” Just why exactly the administration is seeking to undercut federal support for disabled children is unclear. Over at the Department of Health and Human Services, headed by Secretary Robert F. Kennedy Jr., HHS sent out an RIF to “approximately 1,760 employees last Friday — instead of the intended 982,” as a “result of data discrepancies and processing errors,” NOTUS reports. The agency admitted the error in a court filing in response to a suit brought by the employees' unions. Even still, the cuts are staggering and include 596 employees at the Centers for Disease Control and Prevention and 125 at the Substance Abuse and Mental Health Services Administration, to name just a few. This report notes that other agencies, including the Departments of Justice, Treasury and Homeland Security all sent out inaccurately high RIFs as well.* The Lever reports Boeing, the troubled airline manufacturer, is fighting a new Federal Aviation Administration rule demanding additional inspections for older 737 series planes after regulators discovered cracks in their fuselages. The rule “would revise the inspection standards…through a regulatory action called an ‘airworthiness directive.'...akin to a product recall if inspectors find a defective piece of equipment on the plane…in [this case] cracks along the body of the plane's main cabin.” The lobbying group Airlines for America is seeking to weaken the rule by arguing that the maintenance checks would be too “costly” for the airline industry, who would ultimately have to bear the financial brunt of these inspections. Boeing is fighting them too because such a rule would make airlines less likely to buy Boeing's decaying airplanes. As this report notes, Transportation Secretary Sean Duffy – who oversees the FAA – “previously worked as an airline lobbyist…[and] Airlines for America recently selected the former Republican Governor of New Hampshire, Chris Sununu to be their chief executive officer.”* In more consumer-related news, Consumer Reports has been conducting a series of studies on lead levels in various consumer products. Most recently, a survey of protein powders and shakes found “troubling levels of toxic heavy metals,” in many of the most popular brands. They write, “For more than two-thirds of the products we analyzed, a single serving contained more lead than CR's food safety experts say is safe to consume in a day—some by more than 10 times.” Some of these products have massively increased in heavy metal content just over the last several years. CR reports “Naked Nutrition's Vegan Mass Gainer powder, the product with the highest lead levels, had nearly twice as much lead per serving as the worst product we analyzed in 2010.” The experts quoted in this piece advise against daily use of these products, instead limiting them to just once per week.* Finally, in a new piece in Rolling Stone, David Sirota and Jared Jacang Maher lay out how conservatives are waging new legal campaigns to strip away the last remaining fig leaves of campaign finance regulation – and what states are doing to fight back. One angle of attack is a lawsuit targeting the restrictions on coordination between parties and individual campaigns, with House Republicans arguing that, “because parties pool money from many contributors, that ‘significantly dilutes the potential for any particular donor to exercise a corrupting influence over any particular candidate' who ultimately benefits from their cash.” Another angle is a lawsuit brought by P.G. Sittenfeld, the former Democratic mayor of Cincinnati – who has already been pardoned by Trump for accepting bribes – but is seeking to establish that “pay-to-play culture is now so pervasive that it should no longer be considered prosecutable.” However, the authors do throw out one ray of hope from an unlikely source: Montana. The authors write, “Thirteen years after the Supreme Court gutted the state's century-old anti-corruption law, Montana luminaries of both parties are now spearheading a ballot initiative circumventing Citizens United jurisprudence and instead focusing on changing state incorporation laws that the high court rarely meddles with.The measure's proponents note that Citizens United is predicated on state laws giving corporations the same powers as actual human beings, including the power to spend on politics. But they point out that in past eras, state laws granted corporations more limited powers — and states never relinquished their authority to redefine what corporations can and cannot do. The Montana initiative proposes to simply use that authority to change the law — in this case, to no longer grant corporations the power to spend on elections.” Who knows if this initiative will move forward in Montana, but it does provide states a blueprint for combatting the pernicious influence of Citizens United. States should and must act on it.This has been Francesco DeSantis, with In Case You Haven't Heard. Get full access to Ralph Nader Radio Hour at www.ralphnaderradiohour.com/subscribe

This week, Nick reflects on the passing of his dear friend Tony Fitzpatrick, beloved Chicago artist, actor, writer, and all-around creative force. Nick shares heartfelt stories about Tony's incredible life, along with a memorable clip from Tony's appearance on the podcast that perfectly captures his wit, passion, and humanity. A true original, gone far too soon. Then, TV critic Dan Fienberg from The Hollywood Reporter returns to discuss a fresh slate of shows, including The Last Frontier, Monster: The Ed Gein Story, and Boots. Dan also reviews two standout documentaries, Stiller & Meara: Nothing is Lost and Mr. Scorsese. Finally, Esmeralda Leon joins Nick to remember Tony Fitzpatrick and dive into another round of hilariously bad celebrity projects. A touching and funny episode celebrating a Chicago legend and keeping the laughs going in his spirit. [Ep 394]

This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comMichael is a media critic and author. He's been a columnist for New York magazine, Vanity Fair, British GQ, the Hollywood Reporter, and the Guardian. Among his many books include four on Donald Trump — the third one we covered on the Dishcast, and the latest was All or Nothing: How Trump Recaptured America. He also co-hosts the podcast “Inside Trump's Head.”For two clips of our convo — on Trump's closest lackeys, and examples of the best resistance to Trump — head to our YouTube page.Other topics: lawfare as central to spurring Trump to run again; his epic comeback after losing in 2020; retribution; Michael's dinner with Donald and Melania; the near assassination and “Fight!”; 14 years as a reality TV star; his brilliant campaign stop at McDonald's; how he met Epstein; their obsession with young models; Karoline Leavitt morphing into a model; the cold arrangement of his marriage to Melania; Ghislaine Maxwell; Bill Clinton; how Trump treats female aides; Lindsey Halligan and the Comey indictment; Susie Wiles; Trump's surprising pick of Vance; his reluctant choice of Pence; Jared Kushner; Stephen Miller and targeting judges; Don Jr and crypto corruption; Musk's fundraising; January 6; McConnell's chance to remove Trump; Trump's strange deference to Netanyahu; the MAGA fissures over Israel and Epstein; the Mossad conspiracy over Kirk; Tucker 2028; Hegseth's speech to the generals; sending troops into US cities; Trump's visit with King Charles; Jerome Powell's backbone; the law firms, universities, and news outlets that caved; Mamdani; the legendary luck of Trump; and what he might do if Dems take back the House.Browse the Dishcast archive for an episode you might enjoy. Coming up: Charles Murray on finding religion, Karen Hao on AI, Michel Paradis on Eisenhower, David Ignatius on the Trump effect globally, Mark Halperin on the domestic front, and Arthur Brooks on the science of happiness. As always, please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.