Podcasts about singer

In episode 213, host Galit Friedlander and guest, Gerran Reese (Beyoncé, Kaytranda, Dancing With the Stars, Nike, Monsters of Hip-Hop), deconstruct the topic of virality in the dance world, Gerran's journey from a young working dancer in PDX to becoming a sought-after teacher in LA/globally, and the deeper work of staying true to yourself in an industry that doesn't always make it easy. Follow Galit: Instagram - https://www.instagram.com/gogalit Website - https://www.gogalit.com/ On-Demand Workout Programs -https://galit-s-school-0397.thinkific.com/collections You can connect with Gerran Reese on Instagram. Listen to DanceSpeak on Apple Podcasts and Spotify.

It's Pride Month, and what better time to focus on queer musical culture in all its various manifestations! As far back as I can remember, I have been an Opera Queen, and today I kick off our queer celebrations with the a tribute to one of our favorite divas, the late Grace Bumbry. The chutzpah that she demonstrated throughout her career found particularly thrilling manifestation when she began transitioning to soprano roles in the early 1970s. Always an intrepid singer, Bumbry had a confidence, a fearlessness that swept all before it. Sometimes her reach exceeded her grasp, but even so, the results were always breathtaking, more often than not in a good way. I am not going to make the tired claim that Bumbry should have remained a mezzo and that when she started singing soprano, she destroyed her instrument. This tired trope is belied by the evidence at hand, including an active singing career that lasted more than 60 years. A while back I did a version of this episode featuring her studio recordings of the soprano repertoire, but there's a wild, abandoned quality to her soprano singing that is especially compelling in live recordings. So today I have sought out live performances captured on recordings between 1971 and 2007 (at a seventieth birthday concert) which reveal La Bumbarina at her most thrilling, including excerpts from Tosca, La Gioconda, Il Trovatore, Nabucco, Porgy and Bess, Ernani, L'Africaine, Aida, Salome, and Anna Bolena with such co-stars as Franco Corelli, Norman Bailey, Louis Quilico, and her beloved frenemy Shirley Verrett. If you love Grace, you don't want to miss this episode. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Singer-songwriter Empara Mi, whose music has been heard in Transformers, The Traitors, Fortnite, and Our Planet, delves into her new singles, I Can't, and Masochist.

Wonder Love – Zingara Feat James Ingram – Zingara - Wheel LP – 1981Faithful – Lamont Dozier – Goldenhearted Soul – 2025Count On Me – Brian Owens feat Thomas Owens – 2025Time To Make A Change – Wilkstrom & Lewen feat Thomas Charles Blaize – Forthcoming house Of Good Groove 45 – 2025So Many Miles Away (Previously Unreleased) – Reggie Soul – Forthcoming Soul Junction 45 – 2025Just A Rehearsal – The Chosen Four Mr Sipp, LJ Echols, Vick Allen and Stevie J. Blues –Four Brothers – Malaco Records – 2025Finally Found – James Chappell III - 2025Like The Lord – LTate – 2025If We Try – Thee Sinseers – Colemine Records 45 – 2025Keep Me In Mind – Kelly Finnegan & Renaldo Domino – Colemine 45 – 2025I'm Trying – Johnnie Taylor – (Stax 45 Flip To Who's Making Love – 1968) – Forthcoming Ace/Kent CD Who's Making Love Stax Singles A's & B's 1966-1970 – 2025You Knock Me Out – Clarence Reid – (Alston 45 1971) Forthcoming Hit & Run 45 – 2025 I'm Your Little Chicken - Little Buck – The Complete New Orleans Reccordings – Charly LP - 2025Brothers & Sisters – James Emmanuel – 2025Give Peace A Chance - Eldrick Rodgers/Christopher Barnes - 2025We Don't Have To Be Alone – Thee Sacred Souls - 2025Shake Hands (All Over the World) – Carlton Jumel Smith – 2025Tried So Hard (Remaster) – Barbara Mason – (Oh How It Hurts Bear CD 1997) Forthcoming Hit & Run 45 – 2024Together – Gladys Knight & The Pips – (Silk N Soul Motown LP 1968) Forthcoming Ace/Kent Love Train - The Gamble & Huff Songbook CD – 2025Sending My Best Wishes (Reflex Revision Edit) - Garland Green - (Spring Records 45 1974) Ace/Kent Spring Revisited Ace/Kent 12” – 2025TLC (Tender Loving Care) – Bernard Calvin – (Ambush Records – 1974) Digital Reissue - 2025Groovy Thang (Previously Unreleased) – Reggie Soul – Forthcoming Soul Junction 45 – 2025DWLWY (Don_t Wanna Live Without You) – Isaac Geralds – 2025You Give me Life – Alvin Garrett – 2025Gigolos Get Lonely Too – Jay Avion – 2025Another Day – Majestic Arrows - The Magic Of The Majestic Arrows (Bandit Records LP 1973) Numero group Vinyl reissue – 2025All I Want Is You – Ujima – Complete Works – 2025Grateful for You – Gina Sedman – 1972 LP – 2025Nothing Can Separate Us – Priscilla Bailey - Greater Love - 20252am – Lil Jr – 2025Gently – Sho Nuff – 2025Be My Girl – Bear Man – 2025Krazy – Klass 1 – The Way It Should Be – 2025Mr Nobody is Somebody Now – Johnnie Taylor – (Stax 45 1969) Forthcoming Ace/Kent CD Who's Making Love Stax Singles A's & B's 1966-1970 – 2025If I Could Do It All Over - Little Buck – The Complete New Orleans Reccordings – Charly LP – 2025Tell On Me – Marcellus the Singer - 2025

A few weeks ago I had the idea of doing a program devoted to American orchestral song. It did not take me long to realize that once again “American [that is to say, US] Exceptionalism” was distorting my viewpoint, because there is a rich legacy of orchestral song not only in the United States, but also in both Canada and Latin America. Therefore I will concern myself separately with each of these diverse Americas. Today's episode is the first of two that plunges into a repertoire that, with a few exceptions, is, I daresay, virtually unknown to the majority of my audience: Latin American orchestral song. The exception is, of course, Heitor Villa-Lobos, but even his oeuvre reveals hidden riches. Though vocal music was not a focal point of his output, there remain, nonetheless, songs of his which are known throughout the world. I use these, and the semi-classical songs of Mexican Manuel M. Ponce, as a launching pad to this fascinating “dipping of the toes” into a repertoire that fully deserves our attention, and which includes a segment on another Mexican composer Silvestre Revueltas, as performed by a wide array of singers, including Bidú Sayão, Irma González, Ana Maria Martinez, Jennie Tourel, Lourdes Ambriz, Maura Moreira, and Nina Koshetz. We pay special tribute to iconic Brazilian (mezzo-)soprano Maria Lúcia Godoy, who recently died at the age of 100, and whom none other than Sayão claimed as her musical heir. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

*5:00am: Guess That City Job *6:00am: Post Party Fights, Homeowner Headaches *7:00am: Referrals Gone Wrong *8:00am: Singer's Biggest Hits, Family Pushing Boundaries

One of the most celebrated moments in childhood is when a person utters their very first words, stepping over a brand new threshold of communication. And from that moment on, all bets are off. This week, Danièle speaks with Julie Singer about what medieval people thought about infancy in general, how literary children could be vehicles for truth and justice, and how even in the Middle Ages kids were known to say the darnedest things.Help support this podcast on Patreon - go to https://www.patreon.com/medievalists

Ohio knows how to put on a show. Whether it's an aerial singing performance or winning one of television's biggest drag shows, Ohio is represented.

The ethics of the company in a highly politicized time. Businesses are increasingly social actors. They fund political campaigns, take stances on social issues, and wave the flags of identity groups. As a highly polarized public demands political alignment from the businesses where they spend their money, what's a company to do? Everyone's Business: What Companies Owe Society (University of Chicago Press, 2024) revises our understanding of business ethics in a world of unchecked corporate power. Political theorists Amit Ron and Abraham Singer show that the increasingly human-like role of companies in modern life is both the fundamental problem and inescapable fact of business ethics: corporate power makes business ethics necessary, and business ethics must strive to mitigate corporate power. Ron and Singer argue forcefully that the primary social responsibility of the modern business is to democracy, not politics. By wielding their newfound social influence on democratic institutions--elections, public debate, protest--businesses can be legitimated forces for good. Pragmatic and urgent, Everyone's Business offers an essential new framework for how we manufacture profit--and democracy--in our increasingly divided shared spaces. Amit Ron is associate professor of political science at Arizona State University. Abraham Singer is assistant professor of business at Loyola University Chicago. He is the author of The Form of the Firm: A Normative Political Theory of the Corporation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Ohio knows how to put on a show. Whether it's an aerial singing performance or winning one of television's biggest drag shows, Ohio is represented.

The ethics of the company in a highly politicized time. Businesses are increasingly social actors. They fund political campaigns, take stances on social issues, and wave the flags of identity groups. As a highly polarized public demands political alignment from the businesses where they spend their money, what's a company to do? Everyone's Business: What Companies Owe Society (University of Chicago Press, 2024) revises our understanding of business ethics in a world of unchecked corporate power. Political theorists Amit Ron and Abraham Singer show that the increasingly human-like role of companies in modern life is both the fundamental problem and inescapable fact of business ethics: corporate power makes business ethics necessary, and business ethics must strive to mitigate corporate power. Ron and Singer argue forcefully that the primary social responsibility of the modern business is to democracy, not politics. By wielding their newfound social influence on democratic institutions--elections, public debate, protest--businesses can be legitimated forces for good. Pragmatic and urgent, Everyone's Business offers an essential new framework for how we manufacture profit--and democracy--in our increasingly divided shared spaces. Amit Ron is associate professor of political science at Arizona State University. Abraham Singer is assistant professor of business at Loyola University Chicago. He is the author of The Form of the Firm: A Normative Political Theory of the Corporation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

What if doing the most good was simpler—and more within reach—than you ever imagined? In this powerful episode of The Greatness Machine, Darius is joined by world-renowned moral philosopher Peter Singer for a conversation that will challenge how you think about ethics, generosity, and your role in making the world better. Peter, best known for his groundbreaking work “The Life You Can Save,” shares thought-provoking insights on effective altruism, the moral obligations of those living in affluence, and how small, intentional actions can create ripple effects of real change. From fighting global poverty to advocating for animal rights, Peter's work has inspired millions to rethink their impact—and today, he might just do the same for you. In this episode, Darius and Peter will discuss: (00:00) Introduction to Effective Altruism (06:11) Understanding Effective Altruism (11:57) The Life You Can Save: A Nonprofit Overview (18:05) Philanthropy and Meaning in Life (23:55) Profit for Good: Business and Altruism (24:54) Profit for Good Conference: A New Business Paradigm (30:01) The Role of Bioethics in Modern Society (37:32) Activism and Personal Motivation in Ethical Issues (38:35) Reflections on Global Issues: Past and Present (41:42) Making a Difference: Individual Impact and Career Choices (47:07) Overcoming Barriers to Greatness Peter Singer is an Australian moral philosopher known for his work in applied ethics from a utilitarian perspective. He is Emeritus Professor of Bioethics at Princeton University and author of Animal Liberation and the influential essay “Famine, Affluence, and Morality.” Singer has shifted from preference to hedonistic utilitarianism over his career. He founded Monash University's Centre for Human Bioethics, co-founded Animals Australia, and established the nonprofit The Life You Can Save. Recognized as Australian Humanist of the Year in 2004, he is considered one of Australia's most influential public intellectuals. Sponsored by: Huel: Try Huel with 15% OFF + Free Gift for New Customers today using my code greatness at https://huel.com/greatness. Fuel your best performance with Huel today! Indeed: Get a $75 sponsored job credit to boost your job's visibility at Indeed.com/DARIUS. Notion: Get Notion Mail for free right now at notion.com/machine. ShipStation: Go to shipstation.com and use code GREATNESS to sign up for your FREE trial. Shopify: Sign up for a $1/month trial period at shopify.com/darius.  Connect with Peter: Website: https://www.petersinger.info/ Website: http://thelifeyoucansave.org/  Podcast: https://podcasts.apple.com/ee/podcast/lives-well-lived/id1743702376  Connect with Darius: Website: https://therealdarius.com/ Linkedin: https://www.linkedin.com/in/dariusmirshahzadeh/ Instagram: https://www.instagram.com/imthedarius/ YouTube: https://therealdarius.com/youtube Book: The Core Value Equation https://www.amazon.com/Core-Value-Equation-Framework-Limitless/dp/1544506708 Write a review for The Greatness Machine using this link: https://ratethispodcast.com/spreadinggreatness.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Hour 2 – The Drive wondered if with the advantage oh hindsight, would the Royals have made the Singer for India trade all over again.

Wilder Woods is the solo project of Bear Rinehart, the lead singer of multi-plantinum, Grammy-nominated, Billboard award winning, multiple Dove award-winning mega rock band NEEDTOBREATHE. We chat with Bear about how his prolific creative output forced his hand on starting Wilder Woods, juggling not only creating but performing with 2 drastically different projects, setting goals and intentions, knowing the path to those goals, internal perception of success and not only allowing things to unfold in their own time but enjoying them for what they are, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Wilder WoodsNEEDTOBREATHEp 60 - Lori McKennaNatalie HembyAnderson EastDaniel Tashian“The War of Art”Ep 27 - Mary GauthierEp 16 - Rodney CrowellBob Seger - Shame on the MoonJim ScottRyan TedderDrew HolcombEp 59 - Tyler RamseyPearl JamThe KillersTame ImpalaClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

Welcome to Start The Beat—a podcast documenting the Pittsburgh music scene's past, present, and future. This episode is available on YouTube, Spotify, Apple, and wherever you listen to podcasts. Links available at https://briansikeshowe.com/startthebeat. Start The Beat is proudly sponsored by Hellbender Vinyl.

Ever dreamt of opening your own bar — only to wonder if you're cut out for the chaos that comes with it?Gregg Singer didn't set out to open a bar. What started as a real estate deal turned into The Golden Monkey Lounge in Glens Falls, NY — and a crash course in what it really takes to run a bar from the ground up.This isn't a story about ribbon cuttings or flashy cocktails. It's about long nights, hard lessons, and figuring it out one stumble at a time.In this episode:The gut-check moments no one warns you about when starting a barWhy passion's just the starting point — and what actually keeps you afloatHow Gregg built a bar that regulars didn't just like — they belonged toHit play to hear what happens when a back-of-napkin idea turns into a full-blown bar — and the reality behind the dream.The Golden Monkey Lounge WebsiteThe Golden Monkey Lounge FacebookLearn More:Schedule a Strategy SessionBar Business Nation Facebook GroupThe Bar Business Podcast WebsiteChris' Book 'How to Make Top-Shelf Profits in the Bar Business'Thank you to our show sponsors, SpotOn and Starfish. SpotOn's modern, cloud-based POS system allows bars to increase team productivity and provides the reporting you need to make smart financial decisions. Starfish works with your bookkeeping software using AI to help you make data-driven decisions and maximize your profits while giving you benchmarking data to understand how you compare to the industry at large. **We are a SpotOn affiliate and earn commissions from the link above. A podcast for bar, pub, tavern, nightclub, and restaurant owners, managers, and hospitality professionals, covering essential topics like bar inventory, marketing strategies, restaurant financials, and hospitality profits to help increase bar profits and overall success in the hospitality industry.

Today's episode is about jazz in Slovakia. In the Slovak lesson, you are going to learn some words from today's topic. You will also learn how to say “Let me introduce... “ in Slovak. At the end of this episode, you can find my short dialogue about Slovak jazz.Episode notesIn today's episode, I'm talking about jazz in Slovakia. In the Slovak lesson, you are going to learn some words from today's topic. You will also learn how to say “Let me introduce... “ in Slovak. At the end of this episode, you can find my short dialogue about Slovak jazz.Slovak lesson1. jemný džez (soft jazz)2. džezový hudobník (jazz musician)3. spevák (singer)4. skladateľ (composer)5. organizátor (organizer)6. zakladateľ (founder)7. dlhoročný moderátor (longtime host)8. hudobný ambasádor (musical ambassador)9. charakteristický hlas (signature voice)10. rodisko džezu (birthplace of jazz)11. Dovoľ, aby som predstavil... (Let me introduce...)DIALOGUETom: Tak ty si zo Slovenska? Zaujímavé. Ale tam asi veľa džezu nemáte, čo? (So, you're from Slovakia? Interesting. But there's not much jazz there, huh?)Martin: Prosím? Akože nemáme džez? To si kde počul? (Excuse me? We don't have jazz? Where did you hear that?)Tom: No… neviem, nikdy som nepočul o žiadnom slovenskom džezmanovi. (I don't know… I've just never heard of any Slovak jazz musicians.)Martin: Tak dovoľ, aby som ti predstavil Petra Lipu. Spevák, skladateľ, legenda. Spieva džez už od 60-tych rokov a dokonca po slovensky! Vieš, aké to bolo odvážne počas komunizmu? (Well then, let me introduce to you Peter Lipa. Singer, composer, legend. He's been doing jazz since the '60s—and get this—he sings in Slovak! You know how bold that was during communism?)Tom: Fakt? Po slovensky? A znie to dobre? (Really? In Slovak? Does it sound good?)Martin: Znie to skvele! Jeho hlas má taký zvláštny chrapľavý tón, a je perfektný pre džez. (It sounds great! His voice has this weird, raspy tone…and it's perfect for jazz.Tom: Tak to musím počuť. (I need to hear that.)Martin: A vieš čo? Jeho posledný album NOLA nahrával v New Orleans. Takže ak rodisko džezu víta Slováka, musí robiť niečo správne. (And you know what? His latest album, NOLA, was recorded in New Orleans. So, if the birthplace of jazz welcomes a Slovak, he must be doing something right.)Tom: Dobre, dobre, presvedčil si ma. Slovensko má džez. A znie to, že ho má s dušou. (Alright, alright, you've convinced me. Slovakia has jazz. And it sounds like it has it with soul.)Martin: Presne tak. (Exactly.)Timestamps00:31 Introduction02:20 About jazz in Slovakia03:40 Fun fact 104:26 Fun fact 206:23 Fun fact 307:34 Fun fact 409:07 Fun fact 512:13 Slovak lesson16:44 Dialogue in Slovak18:13 Dialogue with the English translation20:57 Final thoughtsIf you have any questions, send it to my email hello@bozenasslovak.com. Check my Instagram https://www.instagram.com/bozenasslovak/ where I am posting the pictures of what I am talking about on my podcast. Also, check my website https://www.bozenasslovak.com © All copywrites reserved to Bozena O Hilko LLC

Josh Vernier joined The Drive to discuss Singer return to Kauffman tonight and the Royals scuffling offense.

Want to help your singers master pop stylings like belt, riffing, breathy tone, and yodel flips? Alexa has invited singing coach Hannah Smikle back to the podcast for this practical episode, to share 10 killer pop songs that unlock vocal agility, texture, and expressive flair. What vocal tools can help singers to progress into certain melodies, and how do you apply pop texture in a piano-only space? A must-listen for singing teachers looking to spark creativity in the studio!  WHAT'S IN THIS PODCAST? 1:56 Should singing teachers pick the songs?  3:15 How to collate a repertoire list  4:15 What is ‘popular' in pop? 6:13 What must a singer keep in mind? 9:42 Hannah's 10 song choices   About the presenter click HERE RELEVANT MENTIONS & LINKS Singing Teachers Talk - Ep.205 10 Songs to Inspire Your Singing Lessons Singing Teachers Talk - Ep.210 10 Songs to Celebrate Pride in Your Studio Singing Teachers Talk - Ep.51 How to Boost a Singer's Confidence  Singing Teachers Talk - Ep.112 Helping Musical Theatre Singers Build a Reliable Pop Toolbox Spotify Radio Singing Teachers Talk - Ep.112 Helping Musical Theatre Singers Build a Reliable Pop Toolbox Microphone SM58 Chris Johnson Teach Voice Arthur Lessac  ABOUT THE GUEST Hannah Smikle is a professional voice coach and vocalist with over 15 years' experience in the music industry. She has worked extensively as a live performer, backing vocalist, session singer, and recording artist. Known for her holistic, multi-disciplinary approach, Hannah combines technical expertise with industry insight to support singers both on stage and in the studio. She regularly engineers and coaches recording sessions, helping artists deliver authentic, high-quality vocals. Passionate about whole-person wellbeing, she integrates vocal health and counselling skills into her coaching. Hannah is a Vocal Habilitation Professional, Vocal Health First Aider, and committed to ongoing professional development.  SEE FULL BIO HERE Website Instagram: @vocalperformancecoaching  BAST Training helps singers gain the confidence, knowledge, skills & understanding required to be a successful singing teacher. "The course was everything I hoped it would be and so much more. It's an investment with so much return. I would recommend this course to any teacher wanting to up-skill, refresh or start up." Kelly Taylor, NZ ...morebasttraining.com | Subscribe | Email Us | FB Group

To the best of my knowledge, Kris Schultz is the second“merch slinger” I've met that went on to pursue a lyrical life as a troubadour in her own right.  My first experience was with Texas songwriter Kayla Ray as she first visited KC slinging merch for Jason Eady.  I love Kris' trajectory…. check this out.  Growing up in Topeka, Kansas, Kris was obsessed at an early age with the country songs of heartbreak and loss on the jukebox at a bar she visited regularly with her parents.  At an early age, she showed promise in several sports, especially the field part of track and field eventually accepted a scholarship to throw Javelin at Kansas State University, where she majored in Radio/Television Journalism.  While competing in the Texas Relays during her college career, she fell in love with Austin, TX.  And soon moved there with only a box of books & CDs, a small stereo, and a bag of clothes.  She walked into the city-ran Austin Music Network TV channel, asked for an internship, and soon was spending her days proof-checking videos of local music and taking in every note. But she still hadn't thought of playing music herself. After years assisting musicians as merch slinger, roadmanager and van driver, but never playing or singing herself, Kris eventually  acquired a guitar and began writing songs.She released her full-length album, Standard Issue Heart, inOctober 2021, has played such legendary venues as The Saxon Pub and Cactus Café in Texas, toured in the Midwest, Southwest and Southeastern US, has been featured in the live performance series “Songs In Places.”  Kris recently found herself in the Heartland and we connected to make an appearance on the Tasty Brew Music Radio Show happen.   Enjoy this performance and conversation with Austin transplant Kris Schultz.  Tasty Brew Music Radio Show "Showcasing the best of Americana/Roots Music in andfrom the Heartland!”Fridays 10 AM to Noon CST on 90.1FM KKFI Kansas CityCommunity Radio !!Since 2010, spinning a “tasty brew” of Americana/Bluegrass/Country/Roots Music… empowering the art of the song! "How can I listen?"Kansas City turn your radio dial to 90.1FM every Friday from 10 am to NoonAround the world use your cellphone or computer to go to www.kkfi.org and click the red "Live" button on the top left of the screen every Friday from 10 am til Noon Central Standard Time Missed it live? Or want to listen again? go to archive.kkfi.org to listen for up to 2 weeks from the date the episode aired! KKFI has a mobile app!? Download the app to listen live and see the current playlist, listen to replays, and see the entire show calendar including bios for each show & DJ. Tasty Brew Music with DJ Diana LinnFridays 10 am - Noon CST on90.1FM KKFI Kansas City Community Radio https://kkfi.org/program/tasty-brew/https://kkfi.org/program/tasty-brew/#tastybrewmusic #americanamusic #songwriter #rootsmusic #austinmusic

Cincinnati Reds vs. Kansas City Royals MLB Pick Prediction by Tony T. Reds at Royals 7:40PM ET—Brady Singer will start for Cincinnati. Singer has ten starts delivering an ERA of 4.88 with WHIP of 1.35. The right hander strikes out 20.8% with 10% walks. Ground balls sit at 34.2% with 1.22 home runs per nine innings. Daniel Lynch will start for KC. Lynch appeared in 22 games with an ERA of 1.57 with WHIP of 1.26. The lefthander fans 12.6% with 12.5% walks. Ground balls dealt at 49.3% with limited home run damage.

Side Quests is back and this episode's host is singer, actor and Cog fighting Toon, Cassidy Sledge! The game she is talking about today is Toontown Rewritten which is a fan revival of Towntown Online which was originally by Disney's Virtual Reality Studio and Schell Games. You can also find her work here! We have a Patreon! Gain access to episode shout outs, bonus podcasts, reviews, early downloads of regular episodes, an exclusive rss feed and more! Click here! You can find the show on Bluesky, Instagram and YouTube! Please rate and review us on Apple Podcasts! Rate us on Spotify! Wanna join the Certain POV Discord? Click here!  

Five years ago, I awoke to the horrifying news of the murder of George Floyd by a member of the Minneapolis Police Department. I had been working on cobbling together an episode on French Glamour, which quickly gave way instead to an impromptu episode of protest music through the ages which remains one of the Countermelody episodes of which I am most proud. Yesterday was the five-year commemoration of that horrific event, which sparked worldwide protests and which, for a while, seemed as if it might lead to systemic change. Five years later, we find ourselves in a true global nightmare. Almost everything that has changed has been for the worse, but my feelings about the system that has produced such calamity remains exactly the same as it has always been. For that reason, I am republishing that episode from five long years ago, in which I sought to “defer to those on the front lines to speak of their own experience and truth” in a program of protest music from the early twentieth century to the recent past. Nina Simone's song of rage “Mississippi Goddam” was a guiding force as I put the episode together, but we hear from a wide range of singers, from Donny Hathaway, Micki Grant, Pete Seeger, Mahalia Jackson, Odetta, Billie Holiday, Aretha Franklin, to Joan Baez, Cher, Barbra Streisand, Paul Robeson, and Marlene Dietrich. If you don't want to hear a political program, for goddess's sake, keep away, but if you do want to be infuriated, engaged, and ultimately uplifted, please listen in. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

What does it take to go solo as a Pop/R&B singer and songwriter in Canada? Canadian-Taiwanese artist Chynna (pronounced "China") shares the joys and the challenges she encountered on journey as an Asian-American artist. Lewis spoke to us after her first journey back to Taiwan as a performer. She's currently working on her second album, which is slated for release in the Winter of 2025. Hosted by ICRT's Hope Ngo. Find Chynna's music by clicking here. -- Hosting provided by SoundOn

Country music singer Brooke Eden shares how she went from never wanting to get married -- to ready to U-Haul with her now wife -- and how her career has grown since coming out.Fun fact about Brooke: Trisha Yearwood officiated her wedding and Garth Brooks sang during the ceremony!Click here to learn more about Brooke's music and tour info!Become a supporter of this podcast: https://www.spreaker.com/podcast/lesbian-chronicles-coming-out-later-in-life--5601514/support.

What does Memorial Day mean to you? Join me, Kyle McMahon, live from the West Lawn of the US Capitol as I present a special edition of Pop Culture Weekly, commemorating the National Memorial Day Concert 2025. This episode is a heartfelt tribute to the courageous men and women who have dedicated their lives to securing our freedoms. Hear from the incredibly talented opera singer Angel Blue, as she shares her family's deep military connections and the emotional significance of performing the Star-Spangled Banner. The conversation extends to veteran and country singer-songwriter Scotty Hasting, offering a poignant perspective on the event's significance for those who have served.The episode continues with moving conversations, including a heartfelt discussion with  actress Gretchen Mol portraying the real-life stories of military families, emphasizing the importance of remembrance and gratitude. Blair Underwood shares his personal connection to the military through his veteran father, highlighting the apolitical essence of the event while honoring veterans' sacrifices. Robert Patrick returns and we hear from the hosts themselves, Esai Morales and Gary Sinise.  Tune in to this deeply moving episode available on PBS, Facebook, and YouTube, and join us in honoring our nation's heroes.Check out our past National Memorial Day Concert specials here: 2024, 2023, 2022, 2021 and 2020.--------------------------Kyle McMahon's Death, Grief & Other Sh*t We Don't Discuss is now streaming. Listen here!--------------------------Get all the Pop Culture Weekly podcast info you could want including extra content, uncut interviews, photos, videos & transcripts at Podcast.PopCultureWeekly.comWatch celebrity interviews at Pop Culture Weekly's YouTube!Read the latest at PopCultureWeekly.comGet Social with Kyle on:Kyle McMahon FacebookKyle McMahon InstagramKyle McMahon TikTok Pop Culture Weekly YouTubeKyle McMahon Website

Good Sunday morning to you,I am just on a train home from Glasgow, where I have been gigging these past two nights. I've had a great time, as I always seem to do when I go north of the wall.But Glasgow on a Saturday night is something else. My hotel was right next to the station and so I was right in the thick of it. If I ever get to make a cacatopian, end-of-days, post-apocalyptic thriller, I'll just stroll through Glasgow city centre on a Friday or Saturday night with a camera to get all the B roll. It was like walking through a Hieronymus Bosch painting only with a Scottish accent. Little seems to have changed since I wrote that infamous chapter about Glasgow in Life After the State all those years ago. The only difference is that now it's more multi-ethnic. So many people are so off their heads. I lost count of the number of randoms wandering about just howling at the stars. The long days - it was still light at 10 o'clock - make the insanity all the more visible. Part of me finds it funny, but another part of me finds it so very sad that so many people let themselves get into this condition. It prompted me to revisit said chapter, and I offer it today as your Sunday thought piece.Just a couple of little notes, before we begin. This caught my eye on Friday. Our favourite uranium tech company, Lightbridge Fuels (NASDAQ:LTBR), has taken off again with Donald Trump's statement that he is going to quadruple US nuclear capacity. The stock was up 45% in a day. We first looked at it in October at $3. It hit $15 on Friday. It's one to sell on the spikes and buy on the dips, as this incredible chart shows.(In other news I have now listened twice to the Comstock Lode AGM, and I'll report back on that shortly too). ICYMI here is my mid-week commentary, which attracted a lot of attentionRight - Glasgow.(NB I haven't included references here. Needless to say, they are all there in the book. And sorry I don't have access to the audio of me reading this from my laptop, but, if you like, you can get the audiobook at Audible, Apple Books and all good audiobookshops. The book itself available at Amazon, Apple Books et al).How the Most Entrepreneurial City in Europe Became Its SickestThe cause of waves of unemployment is not capitalism, but governments …Friedrich Hayek, economist and philosopherIn the 18th and 19th centuries, the city of Glasgow in Scotland became enormously, stupendously rich. It happened quite organically, without planning. An entrepreneurial people reacted to their circumstances and, over time, turned Glasgow into an industrial and economic centre of such might that, by the turn of the 20th century, Glasgow was producing half the tonnage of Britain's ships and a quarter of all locomotives in the world. (Not unlike China's industrial dominance today). It was regarded as the best-governed city in Europe and popular histories compared it to the great imperial cities of Venice and Rome. It became known as the ‘Second City of the British Empire'.Barely 100 years later, it is the heroin capital of the UK, the murder capital of the UK and its East End, once home to Europe's largest steelworks, has been dubbed ‘the benefits capital of the UK'. Glasgow is Britain's fattest city: its men have Britain's lowest life expectancy – on a par with Palestine and Albania – and its unemployment rate is 50% higher than the rest of the UK.How did Glasgow manage all that?The growth in Glasgow's economic fortunes began in the latter part of the 17th century and the early 18th century. First, the city's location in the west of Scotland at the mouth of the river Clyde meant that it lay in the path of the trade winds and at least 100 nautical miles closer to America's east coast than other British ports – 200 miles closer than London. In the days before fossil fuels (which only found widespread use in shipping in the second half of the 19th century) the journey to Virginia was some two weeks shorter than the same journey from London or many of the other ports in Britain and Europe. Even modern sailors describe how easy the port of Glasgow is to navigate. Second, when England was at war with France – as it was repeatedly between 1688 and 1815 – ships travelling to Glasgow were less vulnerable than those travelling to ports further south. Glasgow's merchants took advantage and, by the early 18th century, the city had begun to assert itself as a trading hub. Manufactured goods were carried from Britain and Europe to North America and the Caribbean, where they were traded for increasingly popular commodities such as tobacco, cotton and sugar.Through the 18th century, the Glasgow merchants' business networks spread, and they took steps to further accelerate trade. New ships were introduced, bigger than those of rival ports, with fore and aft sails that enabled them to sail closer to the wind and reduce journey times. Trading posts were built to ensure that cargo was gathered and stored for collection, so that ships wouldn't swing idly at anchor. By the 1760s Glasgow had a 50% share of the tobacco trade – as much as the rest of Britain's ports combined. While the English merchants simply sold American tobacco in Europe at a profit, the Glaswegians actually extended credit to American farmers against future production (a bit like a crop future today, where a crop to be grown at a later date is sold now). The Virginia farmers could then use this credit to buy European goods, which the Glaswegians were only too happy to supply. This brought about the rise of financial institutions such as the Glasgow Ship Bank and the Glasgow Thistle Bank, which would later become part of the now-bailed-out, taxpayer-owned Royal Bank of Scotland (RBS).Their practices paid rewards. Glasgow's merchants earned a great deal of money. They built glamorous homes and large churches and, it seems, took on aristocratic airs – hence they became known as the ‘Tobacco Lords'. Numbering among them were Buchanan, Dunlop, Ingram, Wilson, Oswald, Cochrane and Glassford, all of whom had streets in the Merchant City district of Glasgow named after them (other streets, such as Virginia Street and Jamaica Street, refer to their trade destinations). In 1771, over 47 million pounds of tobacco were imported.However, the credit the Glaswegians extended to American tobacco farmers would backfire. The debts incurred by the tobacco farmers – which included future presidents George Washington and Thomas Jefferson (who almost lost his farm as a result) – grew, and were among the grievances when the American War of Independence came in 1775. That war destroyed the tobacco trade for the Glaswegians. Much of the money that was owed to them was never repaid. Many of their plantations were lost. But the Glaswegians were entrepreneurial and they adapted. They moved on to other businesses, particularly cotton.By the 19th century, all sorts of local industry had emerged around the goods traded in the city. It was producing and exporting textiles, chemicals, engineered goods and steel. River engineering projects to dredge and deepen the Clyde (with a view to forming a deep- water port) had begun in 1768 and they would enable shipbuilding to become a major industry on the upper reaches of the river, pioneered by industrialists such as Robert Napier and John Elder. The final stretch of the Monkland Canal, linking the Forth and Clyde Canal at Port Dundas, was opened in 1795, facilitating access to the iron-ore and coal mines of Lanarkshire.The move to fossil-fuelled shipping in the latter 19th century destroyed the advantages that the trade winds had given Glasgow. But it didn't matter. Again, the people adapted. By the turn of the 20th century the Second City of the British Empire had become a world centre of industry and heavy engineering. It has been estimated that, between 1870 and 1914, it produced as much as one-fifth of the world's ships, and half of Britain's tonnage. Among the 25,000 ships it produced were some of the greatest ever built: the Cutty Sark, the Queen Mary, HMS Hood, the Lusitania, the Glenlee tall ship and even the iconic Mississippi paddle steamer, the Delta Queen. It had also become a centre for locomotive manufacture and, shortly after the turn of the 20th century, could boast the largest concentration of locomotive building works in Europe.It was not just Glasgow's industry and wealth that was so gargantuan. The city's contribution to mankind – made possible by the innovation and progress that comes with booming economies – would also have an international impact. Many great inventors either hailed from Glasgow or moved there to study or work. There's James Watt, for example, whose improvements to the steam engine were fundamental to the Industrial Revolution. One of Watt's employees, William Murdoch, has been dubbed ‘the Scot who lit the world' – he invented gas lighting, a new kind of steam cannon and waterproof paint. Charles MacIntosh gave us the raincoat. James Young, the chemist dubbed as ‘the father of the oil industry', gave us paraffin. William Thomson, known as Lord Kelvin, developed the science of thermodynamics, formulating the Kelvin scale of absolute temperature; he also managed the laying of the first transatlantic telegraph cable.The turning point in the economic fortunes of Glasgow – indeed, of industrial Britain – was WWI. Both have been in decline ever since. By the end of the war, the British were drained, both emotionally and in terms of capital and manpower; the workers, the entrepreneurs, the ideas men, too many of them were dead or incapacitated. There was insufficient money and no appetite to invest. The post-war recession, and later the Great Depression, did little to help. The trend of the city was now one of inexorable economic decline.If Glasgow was the home of shipping and industry in 19th-century Britain, it became the home of socialism in the 20th century. Known by some as the ‘Red Clydeside' movement, the socialist tide in Scotland actually pre-dated the First World War. In 1906 came the city's first Labour Member of Parliament (MP), George Barnes – prior to that its seven MPs were all Conservatives or Liberal Unionists. In the spring of 1911, 11,000 workers at the Singer sewing-machine factory (run by an American corporation in Clydebank) went on strike to support 12 women who were protesting about new work practices. Singer sacked 400 workers, but the movement was growing – as was labour unrest. In the four years between 1910 and 1914 Clydebank workers spent four times as many days on strike than in the whole of the previous decade. The Scottish Trades Union Congress and its affiliations saw membership rise from 129,000 in 1909 to 230,000 in 1914.20The rise in discontent had much to do with Glasgow's housing. Conditions were bad, there was overcrowding, bad sanitation, housing was close to dirty, noxious and deafening industry. Unions grew quite organically to protect the interests of their members.Then came WWI, and inflation, as Britain all but abandoned gold. In 1915 many landlords responded by attempting to increase rent, but with their young men on the Western front, those left behind didn't have the means to pay these higher costs. If they couldn't, eviction soon followed. In Govan, an area of Glasgow where shipbuilding was the main occupation, women – now in the majority with so many men gone – organized opposition to the rent increases. There are photographs showing women blocking the entrance to tenements; officers who did get inside to evict tenants are said to have had their trousers pulled down.The landlords were attacked for being unpatriotic. Placards read: ‘While our men are fighting on the front line,the landlord is attacking us at home.' The strikes spread to other cities throughout the UK, and on 27 November 1915 the government introduced legislation to restrict rents to the pre-war level. The strikers were placated. They had won. The government was happy; it had dealt with the problem. The landlords lost out.In the aftermath of the Russian Revolution of 1917, more frequent strikes crippled the city. In 1919 the ‘Bloody Friday' uprising prompted the prime minister, David Lloyd George, to deploy 10,000 troops and tanks onto the city's streets. By the 1930s Glasgow had become the main base of the Independent Labour Party, so when Labour finally came to power alone after WWII, its influence was strong. Glasgow has always remained a socialist stronghold. Labour dominates the city council, and the city has not had a Conservative MP for 30 years.By the late 1950s, Glasgow was losing out to the more competitive industries of Japan, Germany and elsewhere. There was a lack of investment. Union demands for workers, enforced by government legislation, made costs uneconomic and entrepreneurial activity arduous. With lack of investment came lack of innovation.Rapid de-industrialization followed, and by the 1960s and 70s most employment lay not in manufacturing, but in the service industries.Which brings us to today. On the plus side, Glasgow is still ranked as one of Europe's top 20 financial centres and is home to some leading Scottish businesses. But there is considerable downside.Recent studies have suggested that nearly 30% of Glasgow's working age population is unemployed. That's 50% higher than that of the rest of Scotland or the UK. Eighteen per cent of 16- to 19-year-olds are neither in school nor employed. More than one in five working-age Glaswegians have no sort of education that might qualify them for a job.In the city centre, the Merchant City, 50% of children are growing up in homes where nobody works. In the poorer neighbourhoods, such as Ruchill, Possilpark, or Dalmarnock, about 65% of children live in homes where nobody works – more than three times the national average. Figures from the Department of Work and Pensions show that 85% of working age adults from the district of Bridgeton claim some kind of welfare payment.Across the city, almost a third of the population regularly receives sickness or incapacity benefit, the highest rate of all UK cities. A 2008 World Health Organization report noted that in Glasgow's Calton, Bridgeton and Queenslie neighbourhoods, the average life expectancy for males is only 54. In contrast, residents of Glasgow's more affluent West End live to be 80 and virtually none of them are on the dole.Glasgow has the highest crime rate in Scotland. A recent report by the Centre for Social Justice noted that there are 170 teenage gangs in Glasgow. That's the same number as in London, which has over six times the population of Glasgow.It also has the dubious record of being Britain's murder capital. In fact, Glasgow had the highest homicide rate in Western Europe until it was overtaken in 2012 by Amsterdam, with more violent crime per head of population than even New York. What's more, its suicide rate is the highest in the UK.Then there are the drug and alcohol problems. The residents of the poorer neighbourhoods are an astounding six times more likely to die of a drugs overdose than the national average. Drug-related mortality has increased by 95% since 1997. There are 20,000 registered drug users – that's just registered – and the situation is not going to get any better: children who grow up in households where family members use drugs are seven times more likely to end up using drugs themselves than children who live in drug-free families.Glasgow has the highest incidence of liver diseases from alcohol abuse in all of Scotland. In the East End district of Dennistoun, these illnesses kill more people than heart attacks and lung cancer combined. Men and women are more likely to die of alcohol-related deaths in Glasgow than anywhere else in the UK. Time and time again Glasgow is proud winner of the title ‘Fattest City in Britain'. Around 40% of the population are obese – 5% morbidly so – and it also boasts the most smokers per capita.I have taken these statistics from an array of different sources. It might be in some cases that they're overstated. I know that I've accentuated both the 18th- and 19th-century positives, as well as the 20th- and 21st-century negatives to make my point. Of course, there are lots of healthy, happy people in Glasgow – I've done many gigs there and I loved it. Despite the stories you hear about intimidating Glasgow audiences, the ones I encountered were as good as any I've ever performed in front of. But none of this changes the broad-brush strokes: Glasgow was a once mighty city that now has grave social problems. It is a city that is not fulfilling its potential in the way that it once did. All in all, it's quite a transformation. How has it happened?Every few years a report comes out that highlights Glasgow's various problems. Comments are then sought from across the political spectrum. Usually, those asked to comment agree that the city has grave, ‘long-standing and deep-rooted social problems' (the words of Stephen Purcell, former leader of Glasgow City Council); they agree that something needs to be done, though they don't always agree on what that something is.There's the view from the right: Bill Aitken of the Scottish Conservatives, quoted in The Sunday Times in 2008, said, ‘We simply don't have the jobs for people who are not academically inclined. Another factor is that some people are simply disinclined to work. We have got to find something for these people to do, to give them a reason to get up in the morning and give them some self-respect.' There's the supposedly apolitical view of anti-poverty groups: Peter Kelly, director of the Glasgow-based Poverty Alliance, responded, ‘We need real, intensive support for people if we are going to tackle poverty. It's not about a lack of aspiration, often people who are unemployed or on low incomes are stymied by a lack of money and support from local and central government.' And there's the view from the left. In the same article, Patricia Ferguson, the Labour Member of the Scottish Parliament (MSP) for Maryhill, also declared a belief in government regeneration of the area. ‘It's about better housing, more jobs, better education and these things take years to make an impact. I believe that the huge regeneration in the area is fostering a lot more community involvement and cohesion. My real hope is that these figures will take a knock in the next five or ten years.' At the time of writing in 2013, five years later, the figures have worsened.All three points of view agree on one thing: the government must do something.In 2008 the £435 million Fairer Scotland Fund – established to tackle poverty – was unveiled, aiming to allocate cash to the country's most deprived communities. Its targets included increasing average income among lower wage-earners and narrowing the poverty gap between Scotland's best- and worst-performing regions by 2017. So far, it hasn't met those targets.In 2008 a report entitled ‘Power for The Public' examined the provision of health, education and justice in Scotland. It said the budgets for these three areas had grown by 55%, 87% and 44% respectively over the last decade, but added that this had produced ‘mixed results'. ‘Mixed results' means it didn't work. More money was spent and the figures got worse.After the Centre for Social Justice report on Glasgow in 2008, Iain Duncan Smith (who set up this think tank, and is now the Secretary of State for Work and Pensions) said, ‘Policy must deal with the pathways to breakdown – high levels of family breakdown, high levels of failed education, debt and unemployment.'So what are ‘pathways to breakdown'? If you were to look at a chart of Glasgow's prosperity relative to the rest of the world, its peak would have come somewhere around 1910. With the onset of WWI in 1914 its decline accelerated, and since then the falls have been relentless and inexorable. It's not just Glasgow that would have this chart pattern, but the whole of industrial Britain. What changed the trend? Yes, empires rise and fall, but was British decline all a consequence of WWI? Or was there something else?A seismic shift came with that war – a change which is very rarely spoken or written about. Actually, the change was gradual and it pre-dated 1914. It was a change that was sweeping through the West: that of government or state involvement in our lives. In the UK it began with the reforms of the Liberal government of 1906–14, championed by David Lloyd George and Winston Churchill, known as the ‘terrible twins' by contemporaries. The Pensions Act of 1908, the People's Budget of 1909–10 (to ‘wage implacable warfare against poverty', declared Lloyd George) and the National Insurance Act of 1911 saw the Liberal government moving away from its tradition of laissez-faire systems – from classical liberalism and Gladstonian principles of self-help and self-reliance – towards larger, more active government by which taxes were collected from the wealthy and the proceeds redistributed. Afraid of losing votes to the emerging Labour party and the increasingly popular ideology of socialism, modern liberals betrayed their classical principles. In his War Memoirs, Lloyd George said ‘the partisan warfare that raged around these topics was so fierce that by 1913, this country was brought to the verge of civil war'. But these were small steps. The Pensions Act, for example, meant that men aged 70 and above could claim between two and five shillings per week from the government. But average male life- expectancy then was 47. Today it's 77. Using the same ratio, and, yes, I'm manipulating statistics here, that's akin to only awarding pensions to people above the age 117 today. Back then it was workable.To go back to my analogy of the prologue, this period was when the ‘train' was set in motion across the West. In 1914 it went up a gear. Here are the opening paragraphs of historian A. J. P. Taylor's most celebrated book, English History 1914–1945, published in 1965.I quote this long passage in full, because it is so telling.Until August 1914 a sensible, law-abiding Englishman could pass through life and hardly notice the existence of the state, beyond the post office and the policeman. He could live where he liked and as he liked. He had no official number or identity card. He could travel abroad or leave his country forever without a passport or any sort of official permission. He could exchange his money for any other currency without restriction or limit. He could buy goods from any country in the world on the same terms as he bought goods at home. For that matter, a foreigner could spend his life in this country without permit and without informing the police. Unlike the countries of the European continent, the state did not require its citizens to perform military service. An Englishman could enlist, if he chose, in the regular army, the navy, or the territorials. He could also ignore, if he chose, the demands of national defence. Substantial householders were occasionally called on for jury service. Otherwise, only those helped the state, who wished to do so. The Englishman paid taxes on a modest scale: nearly £200 million in 1913–14, or rather less than 8% of the national income.The state intervened to prevent the citizen from eating adulterated food or contracting certain infectious diseases. It imposed safety rules in factories, and prevented women, and adult males in some industries,from working excessive hours.The state saw to it that children received education up to the age of 13. Since 1 January 1909, it provided a meagre pension for the needy over the age of 70. Since 1911, it helped to insure certain classes of workers against sickness and unemployment. This tendency towards more state action was increasing. Expenditure on the social services had roughly doubled since the Liberals took office in 1905. Still, broadly speaking, the state acted only to help those who could not help themselves. It left the adult citizen alone.All this was changed by the impact of the Great War. The mass of the people became, for the first time, active citizens. Their lives were shaped by orders from above; they were required to serve the state instead of pursuing exclusively their own affairs. Five million men entered the armed forces, many of them (though a minority) under compulsion. The Englishman's food was limited, and its quality changed, by government order. His freedom of movement was restricted; his conditions of work prescribed. Some industries were reduced or closed, others artificially fostered. The publication of news was fettered. Street lights were dimmed. The sacred freedom of drinking was tampered with: licensed hours were cut down, and the beer watered by order. The very time on the clocks was changed. From 1916 onwards, every Englishman got up an hour earlier in summer than he would otherwise have done, thanks to an act of parliament. The state established a hold over its citizens which, though relaxed in peacetime, was never to be removed and which the Second World war was again to increase. The history of the English state and of the English people merged for the first time.Since the beginning of WWI , the role that the state has played in our lives has not stopped growing. This has been especially so in the case of Glasgow. The state has spent more and more, provided more and more services, more subsidy, more education, more health care, more infrastructure, more accommodation, more benefits, more regulations, more laws, more protection. The more it has provided, the worse Glasgow has fared. Is this correlation a coincidence? I don't think so.The story of the rise and fall of Glasgow is a distilled version of the story of the rise and fall of industrial Britain – indeed the entire industrial West. In the next chapter I'm going to show you a simple mistake that goes on being made; a dynamic by which the state, whose very aim was to help Glasgow, has actually been its ‘pathway to breakdown' . . .Life After the State is available at Amazon, Apple Books and all good bookshops, with the audiobook at Audible, Apple Books and all good audiobookshops. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.theflyingfrisby.com/subscribe

When the jazz singer Cécile McLorin Salvant was profiled in The New Yorker, Wynton Marsalis described her as the kind of talent who comes along only “once in a generation or two.” Salvant's work is rooted in jazz—in the tradition of Ella Fitzgerald and Sarah Vaughan and Abbey Lincoln—and she has won three Grammy Awards for Best Jazz Vocal Album. But her interests and her repertoire reach across eras and continents. She studied Baroque music and jazz at conservatory, and performs songs in French, Occitan, and Haitian Kreyòl. “I think I have the spirit of a kind of a radio d.j. slash curator,” she tells David Remnick. “It's almost like making a mixtape for someone and only putting deep cuts.” And even when singing the standards, she aims “to find the gems that haven't been sung and sung and sung over and over again.” During a summer tour, she visited the studio at WNYC to perform “Don't Rain on My Parade,” made famous by Barbra Streisand; “Can She Excuse My Wrongs,” by John Dowland, the English composer of the Elizabethan era; and “Moon Song,” an original from Salvant's album “Ghost Song.”This segment originally aired on May 31, 2024.

“It's everything I wanted it to be but it's also a lot of things I never expected.” Teddy Swims singer and songwriter.  From pain to purpose- On September 20, 2022, Ryan, Channing and Fred went to Atlanta to check out this YouTube sensation and social media famed singer who could cover songs which had people gravitating to his voice and unique style. Ryan ended that show saying 5 years from now, 'you will be a huge star and we can say we sat with you before anyone else,'...Well it only took two and half years and we are back sitting with the one and only, and We can say we knew him when... Now, global sensation, topping the charts with his hits Lose Control, Bed on Fire, The Door and many others- Teddy Swims, singer, songwriter who's journey from football fields to soulful sound waves captivated audiences worldwide has become one of the top artists in all of music and has remained the same guy through it all! In his powerful return to The Pivot Podcast, Jaten Dimsdale known as Teddy Swims, sits down with the guys to reflect on how life has transformed since his first appearance in 2022. Back then, he was a rising star trying to find his place. Now, he's a chart-topping artist with a global fanbase—and a much deeper understanding of himself. We traveled to meet up with Teddy on his US tour where he's selling out venues around the country to catch him before his big show, and to no surprise, he's as genuine as the first time we met him. Teddy shares the pivotal moments that led him to embrace his true passion for music, revealing the challenges and triumphs along the way to the top and what it's like to be living his dream. Teddy opens up about the personal growth he's undergone over the past few years—emotionally, mentally, and creatively. He speaks candidly about therapy, heartbreak, healing, and the lessons learned while navigating fame, relationships, and his own identity. From the raw vulnerability in his newest music to the clarity he's found offstage, Teddy bares it all about finding his life partner as he shares his biggest news and excitement around his next chapter- fatherhood. The discussion delves into the creative process behind Teddy's latest album, I've Tried Everything But Therapy , exploring the raw emotions and personal experiences that shaped his journey. Teddy reflects on the therapeutic power of music and how it serves as both a personal outlet and a means to connect with others. He opens up on growth as an artist and individual, as he navigates the complexities of fame, self-identity, and the pursuit of authenticity in an industry often defined by its superficiality. The conversation offers a rare glimpse into the mind of an artist continuing to redefine the boundaries of music and personal expression. It explores the transformation: of a man, an artist, and a soul finding peace after chaos. Whether you're just discovering Teddy or have followed him since the beginning, his journey will resonate, inspire, and hit home. Life after viral fame: What success really feels like The role therapy and mental health play in his creative process Lessons in love, loss, and letting go How his sound—and soul—have matured Listen in for an honest, moving conversation about change, growth, and what it really means to come home to yourself. Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode is sponsored by https://WE-PN.com Become your own VPN provider.To get 50% off enter promo code: kingraam50-------------------------This episode is sponsored by BetterHelp. Give online therapy a try at https://betterhelp.com/MASTYORASTY and get on your way to being your best self.-------------------------Gelareh Sheibani is an Iranian musician who was arrested and tried in court for the crime of "singing" as a woman. She was forced into exile and ended up in Malaysia, China, and eventually the USA. This is her story. https://www.instagram.com/gelareh.sheibanihttps://open.spotify.com/artist/0v8lZcXwmZqRBCRU4GL1aQ?si=sNTtMHi1Qb2gfZpRCaLOkw-------------------------To learn more about psychedelic therapy go to my brother Mehran's page at: https://www.mindbodyintegration.ca/ or to https://www.somaretreats.org for his next retreat.***Masty o Rasty is not responsible for, or condone, the views and opinions expressed by our guests ******مستی و راستی هیچگونه مسولیتی در برابر نظرها و عقاید مهمان‌های برنامه ندارد.***--------Support the showhttps://paypal.me/raamemamiVenmo + Revolut: @KingRaam Hosted on Acast. See acast.com/privacy for more information.

This episode features "We, the Fleet" written by Alex T. Singer. Published in the May 2025 issue of Clarkesworld Magazine and read by Kate Baker. The text version of this story can be found at: https://clarkesworldmagazine.com/singer_05_25 Support us on Patreon at https://www.patreon.com/join/clarkesworld?

EPISODE 131: Philadelphia native Tim Johnson Jr. has established himself as a dynamic singer, songwriter, producer, multi-instrumentalist, and actor. At just 10 years old, Johnson's talents led him and his family to Las Vegas, where he landed the coveted role of Young Simba in Disney's The Lion King. His acting career continued to flourish with roles in Everybody Still Hates Chris (Paramount), Saturdays (Disney), Ballers (HBO), Meet the Blacks 2, Fist Fight (Lionsgate), FBI (CBS), and critically acclaimed films such as We Were Meant To (Sundance 2023) and Pens and Pencils (2023 NAACP Image Award nominee). His commercial credits include major brands like Nike, Apple, Verizon, Baskin Robbins, and Sprite. In 2018, Johnson captivated audiences as a semi-finalist on FOX's The Four: Battle for Stardom, reaching millions worldwide. Since then, he has continued to carve his own path in the music industry, independently releasing singles, EPs, and two albums, all written and produced alongside his father. His signature blend of R&B, pop, and soul resonates deeply with his growing fan base, while his electrifying stage presence brings undeniable energy to every performance. instagram.com/cityboyjrContact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

I've been so lucky this week to cross paths with several beloved friends and colleagues, in some cases for the first time in ages. One of those friends of many years' standing is the legendary countertenor Drew Minter, with whom I made my very first appearances on the New York concert stage… well, a few years back now! Seeing Drew made me think not only to his influence on me in my early years of singing, but also of the influence of the earliest (and still to my mind the greatest) of all American countertenors, Russell Oberlin. A few years ago, I dedicated a pair of episodes to him, and today I present to you the second of those episodes, originally fashioned exclusively for my Patreon subscribers, yet another “refurbished” Countermelody episode that now sees the light of day. I explore Oberlin's performances of medieval and renaissance music, both with the New York Pro Musica (The Play of Daniel, Dufay, and Dowland) and with the Experiences Anonymes record label (Byrd and 13th Century French Polyphony). I also offer examples of Oberlin's expertise in performance of baroque music, offering two Bach arias (one performed with Leonard Bernstein, the other with Glenn Gould), and several Handel selections, including a complete cantata from one of his rarer LP releases. In addition, we hear a live excerpt of his Oberon in Midsummer Night's Dream opposite the late British soprano Joan Carlyle, as well as a surprising outing as one of the commedia dell'arte players in Strauss's Ariadne auf Naxos, opposite the Zerbinetta of the great African American coloratura soprano Mattiwilda Dobbs. There are additional surprises along the way. The episode opens with a heartfelt tribute to Drew, my reunion with whom prompted this episode in the first place. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Keith Wallen joins Loudwire Nights to dive into his solo career and also spends some time celebrating Breaking Benjamin's latest tour with Staind and Wage War.

A local specialist is shedding light on the brain condition that led singer Billy Joel to cancel concerts. full 51 Fri, 23 May 2025 23:09:44 +0000 mcmmQxArDv4tZco2fyLctOQAvqIVgzPh news Chicago All Local news A local specialist is shedding light on the brain condition that led singer Billy Joel to cancel concerts. A dive into the top headlines in Chicago, delivering the news you need in 10 minutes or less multiple times a day from WBBM Newsradio. 2024 © 2021 Audacy, Inc. News False

Tonight sees the 70th Ivor Novello awards taking place at Grosvenor House in London.  They are coveted in the UK music industry because they specifically celebrate songwriting. Singer-songwriter Lola Young leads the nominations this year including one for 'best song musically and lyrically' for her breakthrough hit Messy, which spent a month at number one in the UK earlier this year.  Does this spell good news for women in the music industry? Anita Rani is joined by Linda Coogan-Byrne to discuss. If you've ever had the bad luck of getting a UTI - or Urinary Tract Infection - you'll know how painful they can be. It's a bacterial infection which can affect the bladder, urethra or kidneys and give a burning or stinging sensation when you urinate. Yesterday, in a powerful parliamentary session, the Labour MP Allison Gardner spoke through tears as she described her experiences of chronic UTIs. The MP for Stoke on Trent is now hoping to launch a cross-party parliamentary group to look at chronic UTIs - Allison joins Anita, as does the GP Ellie Cannon. A major new exhibition opens this week at The Imperial War Museum in London. Called Unsilenced: Sexual Violence in Conflict, it looks at the atrocities inflicted during war and conflict from the First World War until the present day. Helen Upcraft is the exhibition's lead curator and Sara Bowcutt is the Managing Director of Women for Women International, one of the NGOs working in the field of sexual violence in conflict, who've also contributed to this exhibition. They join Anita in the studio.Women and listening... how do women listen? How good a listener are you? Two books out this month focus on listening, from listening to sounds to listening more deeply to other people. Anita speaks to writers Alice Vincent, and Emily Kasriel.Presenter: Anita Rani Producer: Corinna Jones

Live from Hickory its an all new Carolina Reeper Show!   In this jam packed episode, free money (thanks, residual checks), a wild debate on whether “gingers are Black people” (yes, seriously), a Slug Burger safari through Mississippi, and a spoof lounge singer promo that ruffled feathers.   Add in some rude TikTok trends, AI baby podcast chatter, and another epic midair KO by the Hickory Hammer—and you've got a full serving of Southern-fried comedy.   Also! Goodwill Hunting , eyebrow critiques, and the debut of the majestic toy horse of destiny. Saddle up!   All this and more on Carolina Reeper   Jon Reep Social Media: Facebook Twitter Instagram TikTok   For gifts and more in the Hickory, NC area check out Goodwill Northwest NC!    Go try the Jon Un-REEP-eatable Burger at the Hickory Social House!   Get you a Honda and a Hotdog at Hendrick Honda of Hickory!   Buy South in Ya Mouth BBQ Sauce here!

Welcome to The Waffle Shop!JACK IS BACKKKK!Joining me for a round two is the brilliant, BRIT Award Winning, Singer, songwriter Jack Garratt!Jack opens up about the inspiration behind his haunting new single ‘Catherine Wheel' and his forthcoming album ‘Pillars', reflecting on the importance of authenticity in his creative process and how rituals and self-care help him stay grounded in an often chaotic industry.We also get a bit deep about the realities of body dysmorphia, navigating self-sabotage, and how music has served as both a mirror and a medicine. Jack introduces the concept of love as a structure of three core pillars — self-love, platonic love, and romantic love — and the conversation explores the need for balance and presence in all three.Despite the heavy topics, Jack brings humour and relatability, reminding us that it's okay to laugh while healing and that being yourself is the most radical thing you can be.If you want to find out more, head to the below links:Jack GarrattThe Waffle Shop Podcast Hosted on Acast. See acast.com/privacy for more information.

EPISODE ORIGINALLY RELEASED OCTOBER 19, 2022 On this episode of R&B Money, Tank and J. Valentine are joined by the legendary Singer, Songwriter and Record Mogul, Kenneth “Babyface” Edmonds. Babyface has written and produced over 26 number-one R&B hits throughout his career and has won 12 Grammy Awards. Today he takes us back to Indiana where he began writing songs, breaking into the industry, writing mega-hits, and creating LaFace Records. Listen and enjoy! Follow The Podcast: Tank: @therealtank J Valentine: @JValentine Podcast: @RnbMoneyPodcastSee omnystudio.com/listener for privacy information.

Daren Thomas Magee - Real Fun, Wow! - is an illustrator, muralist, and designer based in Ojai California, who has used social media as a creative tool to grow a following (370,000 on instagram currently) and launch a company built on his artwork - selling prints, apparel and housewares of all kinds, and has grown to include multiple employees and collaborations with companies as far reaching as tiles, towels, and candles. We talk with Daren about tuning your instrument to the beauty of life around you, sacrifices you make to live in an inspiring place, play within a system not designed for play, creative inspiration in creating performative social media, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Darren Thomas MageeReal fun, wow!Keith Richards“1000 True Fans” essayBeyonceClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

Matisyahu joins Ralph Sutton and Dov Davidoff and they discuss Matisyahu moving to California from Pennsylvania, dealing with antisemitism, his first memory of music being the Axel F theme song from Beverly Hills Cop, wilderness therapy for troubled youth in Oregon, flying home first class while barefoot with lice and diseases, Matisyahu exploring identity and starting to wear a yarmulke, experiencing the world differently after extreme diets or therapy, when he became Matisyahu, his two oldest sons also pursuing music, a beatboxing contest between Matisyahu, Ralph, Dov and Dom, Matisyahu's first concert, first drug and first sexual experience and so much more!(Air Date: May 14th, 2025)Support our sponsors!YoKratom.com - Check out Yo Kratom (the home of the $60 kilo) for all your kratom needs!To advertise your product or service on GaS Digital podcasts please go to TheADSide.com and click on "Advertisers" for more information!You can watch The SDR Show LIVE for FREE every Wednesday and Saturday at 9pm ET at GaSDigitalNetwork.com/LIVEOnce you're there you can sign up at GaSDigitalNetwork.com with promo code: SDR for discount on your subscription which will give you access to every SDR show ever recorded! On top of that you'll also have the same access to ALL the shows that GaS Digital Network has to offer!Follow the whole show on social media!MatisyahuTwitter: https://twitter.com/MatisyahuInstagram: https://instagram.com/MatisyahuRalph SuttonTwitter: https://twitter.com/iamralphsuttonInstagram: https://www.instagram.com/iamralphsutton/Dov DavidoffTwitter: https://twitter.com/DovDavidoffInstagram: https://instagram.com/DovDavidoffShannon LeeTwitter: https://twitter.com/IMShannonLeeInstagram: https://instagram.com/ShannonLee6982The SDR ShowTwitter: https://twitter.com/theSDRshowInstagram: https://www.instagram.com/thesdrshow/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The story behind a trailblazing performer making beautiful music at New York's Metropolitan Opera House. Also, Dylan visits the owner of a candy shop serving up some of the best treats from around the world—all in one place. Plus, Craig meets an Oregon dad building a following by sharing his fun and creative DIY projects. And, NBC's Steve Patterson gets an exclusive look inside the top-secret Xbox lab at Microsoft.

In this episode, Dominic talks with artist and creative leader Calvin Nowell about what it looks like to walk through grief while holding on to God. Calvin shares about losing his entire family within a year, the impact of church hurt, and the slow process of healing through counseling, community, and worship.They talk about what it means to live honestly with pain, how worship can become a place of quiet restoration, and how creativity plays a role in making space for others to heal.Calvin is the founder of Aware Worship, The Choir Room, and Cmon Creative, and has worked behind the scenes with artists like CeCe Winans, Stevie Wonder, and Tori Kelly. His journey includes both loss and grace—and offers something meaningful for anyone learning to breathe again after heartache.Podcast Links:Pursuing FaithCalvin Nowell on Youtube

The former Danity Kane member endured a tough cross-examination but maintained that she witnessed Combs be violent toward his ex-girlfriend on more than one occasion. And Kerry Morgan, who says she and Cassie became best friends when they were both teenage models, says she too witnessed Combs asault Cassie. But when Combs assaulted Kerry, she says, she signed an NDA and broke ties with both of them. If you want to read NBC's coverage of the trial, check out our newsletter, “Diddy On Trial”: NBCNews.com/Diddy

05-19-25 - WWBD - His Kid Isn't A Great Singer Should He Pay 10k To Send Her To A School - His Stepkid Is 400lbs And Has Ruined His Couch Causing Problems - Should He Pursue Hot Girl In WheelchairSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In the second week of Sean “Diddy” Combs' trial witness Danity Kane Singer Dawn Richard returns to stand and today she's up against the Defense in a heated Cross Examination. Welcome to Surviving The Survivor, the podcast that brings you the #BestGuests in all of true crime. In this LIVE Diddy episode STS Host Joel Waldman will break down the very latest testimony and share the most important details about the case. Dawn Richard testified about a 2009 incident where she witnessed Combs allegedly attack his ex, Casandra “Cassie” Ventura, with a frying pan while she was making him eggs. Richard's testimony explains the abuse she saw and the fear instilled in her. Sean "Diddy" Combs is facing five criminal charges of sex trafficking, racketeering conspiracy and transportation to engage in prostitution. The music mogul has pleaded not guilty to all charged. Combs' defense team agrees Diddy and Cassie Ventura had a volatile relationship in which both parties were violent. They even claim Combs may be guilty of domestic abuse — but not the crimes he is actually being charged with. So the question remains...will the state prove their case? Is there reasonable doubt? The trial is expected to last eight weeks. Combs also faces more than 70 civil complaints, including one by Richard. He has denied all the allegations against him.⸻ #Support the show:All Things STS: Https://linktr.ee/stspodcastGet Joel's Book: Https://amzn.to/48GwbLxSupport the show on Patreon: https://www.patreon.com/SurvivingTheSurvivorCatch us live on YouTube: Surviving The Survivor: #BestGuests in True Crime - YouTubeVenmo Donations: @STSPodcast

Alors qu'il assurait la veille au soir ne jamais participer à "Mask Singer", Jeanfi Janssens a surpris Laurent Ruquier sur le plateau de TF1. Un mensonge droit dans les yeux ! Retrouvez tous les jours le meilleur des Grosses Têtes en podcast sur RTL.fr et l'application RTL.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This week Sam and Marcos welcome back deathcore titans Lorna Shore, discuss the separation of I Prevail and Brian Burkheiser, who or what is President(?), Pierce The Veil's insane setlist for new tour, Anthony Fantano murders Sleep Token, Adept return, reviews of new albums from Bury Tomorrow, The Callous Daoboys, Arm's Length, and Sleep Theory plus much more! News: I Prevail and Brian Burkheiser break-up, Sleep Token keeps topping the charts, Trivium and Bullet For My Valentine tour comes to a strange end, Pierce The Veil's insane setlist and more (7:19). Spotlight: Outsider Heart starting at (44:50).  New Music: Lorna Shore, President, Adept, The Rasmus, De'Wayne, and Beauty School Dropout starting at (52:31). Reviews: Bury Tomorrow (1:25:56), Arm's Length (1:36:04), The Callous Daoboys (1:54:13), and Sleep Theory.  Become a Patron to gain early access and exclusive benefits! Patreon: https://www.patreon.com/Sotspodcast Playlist: https://open.spotify.com/playlist/0jp0fpudUz7gvu0SFaXhK3?si=6cddbd5b63564c9a Youtube: https://www.youtube.com/@sotspod Discord: https://discord.com/invite/3egU3Dk Merch: https://www.sotspodcast.com/merch Twitter: https://twitter.com/SOTSPodcast Facebook: https://www.facebook.com/sotspodcast Instagram: https://www.instagram.com/sotspodcast TikTok: https://www.tiktok.com/@sotspodcast  Threads: https://www.threads.net/@sotspodcast?hl=en Bluesky: https://bsky.app/profile/sotspodcast.bsky.social

Singer, songwriter, pastor, and author Tauren Wells joins Blake to explore what true, lasting happiness looks like through a biblical lens. They unpack the idea that spiritual happiness is the anchor that gives meaning to every other kind of joy—whether vocational, relational, or even found in everyday moments like cleaning the house. The conversation centers around the foundational truth that spiritual happiness is the anchor that allows joy in all other areas to not only exist but to last. Together, they challenge the belief that God only cares about our sanctification, reminding listeners that He's also invested in our flourishing and delight. This conversation is a rich reminder that joy doesn't have to be loud to be real—and that God is at work even in the simplest of things. In this episode, you'll be able to… Understand the difference between fleeting happiness and lasting spiritual joy. Learn how to find contentment in the quiet, ordinary moments of life. Be encouraged that God cares about both your sanctification and your flourishing. Tauren is the author of Joy Bomb – available everywhere May 20! To connect with Tauren…Website: taurenwells.comInstagram: @taurenwellsFacebook: @taurenwellsofficialYouTube: @taurenwellsmusicPodcasts: The High Note Podcast | Alive and Wells Thanks to our sponsors! AquaTru - Get 20% off any aqua purifier when you use code BLAKE on AquaTru.com. AirDoctor - Visit airdoctorpro.com and get up to $300 off an air purifier when you using the code BLAKE and get a FREE 3-year warranty! Fatty15 - Take charge of your health by visiting fatty15.com/BLAKE and using the code HEALTHY to get an extra 15% off your 90-day subscription Starter Kit. Learn more about your ad choices. Visit megaphone.fm/adchoices