Podcasts about screenwriters

Host Jeff Goldsmith talks to writer-director Derrick Borte about his new film - The Get Out. Download my podcast here Copyright © Unlikely Films, Inc. 2026. All rights reserved. For more great content check out Backstory Magazine @ Backstory.net

In this episode, Jenny sits down with veteran screenwriter and producer Betty Sullivan, whose career has spanned nearly two decades in film and entertainment. Betty shares the joys and challenges of raising a beautifully blended, adopted, and diverse family while pursuing her creative passions in film, technology, design, and fashion. But Betty's story goes far beyond professional success. She opens up about living with an incurable neurological disease and how that unexpected journey has deepened her faith, changed her perspective, and taught her to trust God in new ways. She has a new romantic-comedy film titled,  "Love in StoryTown" that has just been released and we are going to hear the inspiration behind bringing uplifting stories to the screen. The lead actress is one of our favorites - Beverley Mitchell (from the tv series 7th Heaven)! Whether you're facing your own challenges, balancing family and career, or simply looking for a story filled with hope, faith, perseverance, and joy, this conversation will encourage your heart.

RECALL: Act Two In February 1961, the boys of Miami Military Academy are still marching, joking, fighting, shaving, bleeding, stealing, and pretending the world outside the gates is someone else’s problem. But the world is already inside the school. It is in the news from Cuba. It is in the old munitions bunkers by the bay. It is in the secrets the adults keep, the wounds they drink through, and the wars they keep handing down to children. Written by Academy Award nominee Bruce Davison, and once optioned and held by the great Al Pacino, RECALL is a funny, savage, deeply human coming-of-age drama about abandoned boys, broken fathers, old soldiers, Cuban exiles, secret weapons, and the machinery that turns fear into patriotism. Act Two begins as Stephen Lishinsky tries to survive the strange education of “A” Company. His head has been butchered. His pride has been beaten. His idea of honor has already taken a few direct hits. When he tries to run, Commander Patterson finds him at the bus stop and gives him the kind of broken advice only a broken soldier can give: if you are in a storm, sometimes the only move is to sit tight and let the morning come. But morning at Miami Military Academy is never clean. Coombs is missing. The Razor Fiend is back. Bear is bleeding into the sink. Lindquist, the feral boy from the mango trees, is pulled into uniform and passed off as a cadet because, at this school, identity is just another piece of equipment someone misplaced. Sally Barnes drifts through the place like a lit match, furious at her father, suspicious of Patterson, and impossible for Lishinsky to ignore. Patterson tries to protect her, but the past between him, Colonel Barnes, and Sally’s mother is its own battlefield. Meanwhile, Slouch and Bebop stop pretending their war is imaginary. The key to Bunker 3 becomes guns, ammunition, and contraband dragged through the machinery of a school that is already falling apart. Patterson lectures boys on amphibious landings while the real invasion waits in the shadows. Bebop is pulled closer to the Cuban exile cause. Slouch, half romantic and half criminal, follows him into the Everglades, into blindfolds, pistols, secret rooms, and men who do not look like teachers. There is comedy everywhere because boys make comedy out of terror. There is coconut rum, marching songs, bad haircuts, chocolate cokes, contraband, dirty jokes, and the Dade County Fair waiting like a reward for good behavior nobody intends to have. But underneath the noise, the rifles are getting heavier. The lies are getting harder to carry. And the adults are running out of time. RECALL is about boyhood at the exact moment history stops being a lesson and starts becoming a weapon. It is about fathers who failed, sons who improvise, countries that ask for sacrifice before they explain the cost, and boys who are still laughing because they do not yet understand what the world is loading. Starring Alan Rosenberg, Carson Bolde, Stone Garcia, Wesley Kimmel, Dan Lauria, Kensington Tallman, Roxton Garcia, Bruce Davison, Luca Diaz, Amari O’Neil, Amir O’Neil, David Errigo Jr., Zeke Alton, Gian Franco Rodriguez, Miki Yamashita, Nemil Mudvari, Sofia D’Marco, and Ashley Ciarra. A portion of proceeds from RECALL will benefit the National Veterans Foundation and the Lifeline for Vets. To support NVF or speak with a Veteran who understands, visit https://nvf.org or call 888-777-4443. Produced by Table Read Podcast and Manifest Media Productions, LLC. Executive Produced by Jack Levy, Shaan Sharma, and Mark Knell.See omnystudio.com/listener for privacy information.

JLB is joined by his friend and American Psycho screenwriter GUINEVERE TURNER! Guinevere shares some behind the scenes stories and talks about unapologetically telling queer stories throughout the years. Follow That Was Pretty Scary on Instagram and TikTokFollow Jon Lee Brody on Instagram Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Screenwriter and TV Producer - Russell T Davies - joins Gaby for a natter about his new series 'Tip Toe' - and his brilliant writing career (which includes 'It's A Sin', 'Dr Who' and 'Years & Years') He talks about predicting the future in his shows (there's no crystal ball apparently), writing 'on the nose', channelling anger into his work - and - bringing out the joy in his industry. Russell and the Pet Shop Boys have collaborated on a ballet of 'It's A Sin' - which is premiering soon. He tells us about that collaboration, and how much you have to change from the screenplay to what appears on stage. And of course - as with all our guests - Russell shares the thing that brings him joy in our Show n Tell section! Remember to please like and subscribe to our YouTube channel - and - follow the podcast on instagram too!

Screenwriter and improviser Will Saunders opens up about his personal weight loss journey with the help of GLP-1 drugs. Episode Links: Joe's Patreon Mr. Owl's Website

Watch the Best Scene Reading: https://youtube.com/shorts/IwwMYlr7Im4 Sasha, a rising star athlete with Olympic dreams, sees her future derailed after a brutal assault in college leaves invisible wounds that never fully heal #femalefestival #screenplay —— Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod https://www.facebook.com/wildsoundpod —— Love for you to try the Indy Film Festival AP. • Daily new film festival of the best new films from around the world. New archived festival to watch anytime. • Library of over 500+ award-winning films to watch anytime. Go to https://www.wildsound.ca and sign up for the free 3-day trial. Check out the daily film festival (and previous ones from last month) at https://www.wildsound.ca/browse Always an amazing lineup of films. Inspiring for storytellers.

Host Jeff Goldsmith talks to writer and showrunner, Eric Kripke, about The Boys Season 5. Download my podcast here Copyright © Unlikely Films, Inc. 2026. All rights reserved. For more great content check out Backstory Magazine @ Backstory.net

Host Jeff Goldsmith talks to host and correspondent, Michael Kosta, about writing for The Daily Show. Download my podcast here Copyright © Unlikely Films, Inc. 2026. All rights reserved. For more great content check out Backstory Magazine @ Backstory.net

Screenwriter and coach Aleia Kristene survived grueling hustle, but she walked away questioning whether the narrative of the suffering artist is actually a badge of honor or just unexamined trauma. In our conversation, she reveals how she transformed twenty years of family tragedy into a limited series. She also shares the exact pacing mistakes that instantly tank amateur scripts.    If you feel stuck behind a wall of perfectionism or lost in a quiet season of your own creative journey, this episode delivers:  an insider guide to reclaim your voice, how to master the production realities of Hollywood, and how to get your biggest ideas onto the page.  Chapters 00:00 - Redefining the Artist's Struggle  01:23 - Reclaiming Creativity with iCode  02:08 - Writing a Male Cinderella at Nine Years Old  04:17 - Realism over Cartoons: The Influence of Black Cinema  06:35 - Turning Family Tragedy into a Sellable Script  11:15 - Demystifying the Hollywood Table Read  12:47 - Brutal Production Realities from Major Film Sets  17:43 - The Biggest Mistakes Amateurs Make in Action Lines  20:06 - Balancing Mentorship with Personal Creative Output  23:15 - Overcoming the Perfectionism Trap of First Drafts  27:55 - Aleia's Ultimate Dream Project   Listen to the show on your favorite streaming platform! Apple Podcast: http://bit.ly/4fcopgQSpotify: http://bit.ly/4fdkiBsYouTube: https://youtu.be/4ekuzVLC8_M   Connect with Aleia: Follow on Instagram: https://www.instagram.com/aleiakristene/ Website: https://aleiakristene.com/ Support the show Website: Martine SeverinFollow on Instagram: Martine | This Is How We CreateSubscribe to the Newsletter: Martine's Substack This is How We Create is produced by Martine Severin. This episode was edited by Daniel Espinosa. Podcast show art is designed by Violetta Encarnación. Music by Timothy Infinite. show   Subscribe wherever you get your podcasts Leave a review Follow us on social media Share with fellow creatives  

Watch the best scene reading: https://youtu.be/2bNPp1960pk The true story of the trials and tribulations of Dred and Harriet Scott's fight for freedom and the Supreme Court decision that changed America. What is your screenplay about? It's based on the true story of the trials and tribulations of two slaves from Missouri in the 1800s, Dred and Harriet Scott, and their legal fight for freedom in the Supreme Court. What genres does your screenplay fall under? History - all of the characters and facts are real. The creative part came with trying to fill in the gaps on the lives of Dred and Harriet. Why should this screenplay be made into a movie? The story touches on one of the most impactful Supreme Court rulings in US history. Not only did the outcome contribute to the the sectoral division that lead to the Civil War, but it also was the basis for the introduction of the 14th Amendment to the Constitution which guarantees citizenship for anyone born in the United States, yet there's never been a movie about it. How would you describe this script in two words? Courage and Resilience

Watch the best scene reading: https://youtu.be/DO6c1RbZ9zwDuring the Great Depression, a troubled New Orleans beat cop gets a shot at redemption when he becomes the first Black federal agent in the Bureau of Narcotics—only to discover that the price of his status comes at the cost of persecuting his own community. What is your screenplay about?Reefer Madness is a one-hour historical crime drama set in 1933 New Orleans. It follows Gary O'Neill, a troubled but ambitious Black federal narcotics agent, as he becomes one of the first Black agents in the Federal Bureau of Narcotics and is pulled into undercover work inside the city's jazz clubs, dockside networks, and marijuana underworld.At the same time, Commissioner Harry Anslinger begins transforming marijuana into a national panic, using propaganda, racism, and political fear to build the foundation of what would become the War on Drugs. Tonally, we often describe the series as Boardwalk Empire meets Sinners, with the grounded political-crime engine of Narcos: Mexico: a seductive period underworld, a Black music-driven cultural pulse, and a federal propaganda machine colliding in the making of America's drug war.At its core, the story is about what happens when a man's biggest opportunity forces him to help enforce laws that harm his own community. What genres does your screenplay fall under?Historical crime drama and political thriller. Why should this screenplay be made into a movie/tv series?This story should be made because the history behind marijuana prohibition is still shaping lives today. Cannabis is now legal and profitable in many places, yet many people, especially Black and racialized communities, are still living with the consequences of the laws, convictions, stigma, and policing that came before legalization.That contradiction is at the heart of Reefer Madness: the distance between who profits from the plant now and who paid the price for it then. While developing the project, we travelled to New Orleans and saw advertisements for legal weed in a city deeply tied to jazz, race, policing, and survival, knowing that people are still imprisoned for cannabis-related offences.As a series, Reefer Madness offers a rich and entertaining world of jazz, crime, politics, undercover work, family fracture, and moral compromise, while opening a necessary conversation about propaganda, racism, policing, and historical accountability.——Subscribe to the podcast: https://twitter.com/wildsoundpodhttps://www.instagram.com/wildsoundpodhttps://www.facebook.com/wildsoundpod ——Love for for you to try the Indy Film Festival AP.• Daily new film festival of the best new films from around the world. New archived festival to watch anytime.• Library of over 500+ award-winning films to watch anytime.Go to https://www.wildsound.ca and sign up for the free 3-day trial.Check out the daily film festival (and previous ones from last month) at https://www.wildsound.ca/browseAlways an amazing lineup of films. Inspiring for storytellers.

Episode Summary Erin and Rachel follow Lightning McQueen and Mater around the globe in this discussion of Cars 2, a spy-themed sequel with a convoluted plot and disappointing politics.  Episode Bibliography Abg 13. (2021, February 21). Cars 2 Tokyo Race Lap One w/ Film Maker Commentary (Subs Included). YouTube. https://www.youtube.com/watch?v=eB-qsiCs6us&list=PLkVBJymkFErmVjGA_sJvZwr7CFirexCaa&index=1 Abg 13. (2021, February 27). Cars 2: Making Lemon-Aides (Subs Included). YouTube. https://www.youtube.com/watch?v=8WnBgTtuILU&list=PLkVBJymkFErmVjGA_sJvZwr7CFirexCaa&index=12 Barnes, B. (2011, October 17). John Lasseter of Pixar Defends ‘Cars 2'. The New York Times. https://www.nytimes.com/2011/10/18/movies/john-lasseter-of-pixar-defends-cars-2.html Bastoli, M. (2011, March 21). Screenwriter claims Cars was his idea, sues Pixar. The PIXAR Blog. https://web.archive.org/web/20111006214337/http://pixarblog.blogspot.com/2011/03/screenwriter-claims-cars-was-his-idea.html Bastoli, M. (2011, July 28). Victory for Disney/Pixar in Cars lawsuit. Big Screen Animation. https://web.archive.org/web/20120314153029/http://www.bigscreenanimation.com/2011/07/victory-for-disneypixar-in-cars-lawsuit.html Bastoli, M. (2011, July 28). Victory for Disney/Pixar in Cars lawsuit. Big Screen Animation. https://web.archive.org/web/20120314153029/http://www.bigscreenanimation.com/2011/07/victory-for-disneypixar-in-cars-lawsuit.html Billington, A. (2008, September 25). Pixar's Cars 2 Pushed Up to Summer of 2011. FirstShowing. https://www.firstshowing.net/2008/pixars-cars-2-pushed-up-to-summer-of-2011/ Blankenship, M. (2012, October 5). Summer bummer: 5 most disappointing movies. TODAY. https://web.archive.org/web/20121005003851/http://today.msnbc.msn.com/id/44260890/ns/today-entertainment/ Brew, S. (2011, July 24). Denise Ream interview: Eraser, Cars 2, stop motion animation, Star Wars and Pixar. Den of Geek. https://www.denofgeek.com/movies/denise-ream-interview-eraser-cars-2-stop-motion-animation-star-wars-and-pixar/ Cars 2. (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Cars_2 Cars 2. (n.d.). Box Office Mojo. https://www.boxofficemojo.com/release/rl3091760641/ Cars 2 (2011) - Full cast & crew. (n.d.). IMDb. https://www.imdb.com/title/tt1216475/fullcredits/ Chang, J. (2011, June 19). Cars 2. Variety. https://variety.com/2011/film/reviews/cars-2-1117945476/ Child, B. (2011, June 20). Cars 2 premiere - in pictures. The Guardian. https://www.theguardian.com/film/gallery/2011/jun/20/pixar-walt-disney-company cinemajudgetv. (2011, August 16). CARS 2 - In the Studio. YouTube. https://www.youtube.com/watch?v=EP98hbvjc_s Desowitz, B. (2011, April 19). Lasseter Talks 'Cars 2'. Animation World Network. https://www.awn.com/animationworld/lasseter-talks-cars-2 Ebert, R. (2011, June 22). John Lasseter plays with his cars movie review. RogerEbert.com. https://www.rogerebert.com/reviews/cars-2-2011 FILM.TV. (2011, July 27). Cars 2: John Lasseter im Exklusiv-Interview. YouTube. https://www.youtube.com/watch?v=nRBkkuGnL-A Finklea, B.W.  (2014). Examining masculinities in Pixar's feature films: What it means to be a boy, whether  human, fish, car, or toy. [Doctoral dissertation, University of Alabama]. ProQuest Dissertations &  Theses Global.  Greenberg, C. (2011, May 23). State Farm Backs Disney/Pixar's 'Cars 2'. MediaPost. https://www.mediapost.com/publications/article/151040/None Hill, J. (2010, June 24). Hamming it up at Disney's Holiday Showcase. Jim Hill Media. https://limegreen-loris-912771.hostingersite.com/hamming-it-up-at-disneys-holiday-showcase/ Hunter, H. (2010, February 15). Cars 2 Gets A Toon Up... Blue Sky Disney. http://www.blueskydisney.com/2010/02/cars-2-gets-toon-up.html Kabuki. (n.d.). Wikipedia. https://en.wikipedia.org/wiki/Kabuki Lasseter, J. (Director). (2011). Cars 2 [Film]. Pixar Animation Studios. Malouf, M. (2017). Behind the closet door: Pixar and petro-literacy. In S. Wilson, A. Carlson, & I. Szeman  (Eds.), Petrocultures: Oil, politics, culture (pp. 138-161). McGill-Queen's University Press. Maltin, L. (2011, June 24). movie review: CARS 2. Indiewire. https://web.archive.org/web/20140108213426/http://blogs.indiewire.com/leonardmaltin/movie_review_cars_2 Ness, M. (2018, January 4). Pixar's First Minor Roadblock: Cars 2. Reactor. https://reactormag.com/pixars-first-minor-roadblock-cars-2/ O, C. (2011, June 28). Inside CARS 2 with Director John Lasseter. 5 Minutes for Mom. https://www.5minutesformom.com/cars-2-john-lasseter/ obsessedwithfilm. (2011, July 21). John Lasseter talks Cars 2. YouTube. https://www.youtube.com/watch?v=NO76wBgd1D8 O'Connell, M. (2011, October 18). ‘Cars 2' Director John Lasseter Defends Film, Says Sequel Wasn't About Merchandising. The Hollywood Reporter. https://www.hollywoodreporter.com/news/general-news/cars-2-director-john-lasseter-249910/ Parks, T. (2009, August 25). Disney 'hints at Cars sequel title'. Digital Spy. https://www.digitalspy.com/movies/a173720/disney-hints-at-cars-sequel-title/ Pixar boss reveals Cars movie merchandise made $10bn. (2011, July 21). BBC. https://www.bbc.com/news/newsbeat-14209968 Robertson, B. (2011). The World Is Not Enough. Computer Graphics World. https://www.cgw.com/Publications/CGW/2011/Volume-34-Issue-6-June-July-2011-/The-World-Is-Not-Enough.aspx#articletop Rorie, M. (2011, June 27). Was Cars 2 Too Violent For A G-Rating? Screened. https://web.archive.org/web/20110629141858/http://www.screened.com/news/was-cars-2-too-violent-for-a-g-rating/2473/ Saint, J. (2020, April 30). Oops! Disney's Cars Did Eugenics. YouTube. https://www.youtube.com/watch?v=Y6qMgiA-VY0 Slager, B. (2011, June 28). Sell-uloid: The Marketing of CARS 2. chud.com. https://chud.com/58735/sell-uloid-the-marketing-of-cars-2/ Szalai, G. (2011, February 14). Disney: 'Cars' Has Crossed $8 Billion in Global Retail Sales. The Hollywood Reporter. https://www.hollywoodreporter.com/news/general-news/disney-cars-has-crossed-8-99438/ Travers, P. (2011, June 23). Cars 2. Rolling Stone. https://www.rollingstone.com/tv-movies/tv-movie-reviews/cars-2-91198/

EPISODE 144 -  “HOLLYWOOD BLOODLINES: CLASSIC HOLLYWOOD'S LEGENDARY FAMILIES” - 6/15/2026  Hollywood has always been a family affair. In this episode, we explore some of the entertainment industry's most enduring dynasties, from the swashbuckling legacy of the Fairbanks family to the influential Montgomerys to the acclaimed generations of the Fondas and the multi-talented Hustons. Discover how these iconic families shaped the history of film, passed their craft from one generation to the next, and navigated the challenges of living in the shadow of legendary names. Join us as we uncover the stories, triumphs, and lasting influence behind Hollywood's most famous family legacies. SHOW NOTES:  Sources: The First King of Hollywood (2016), by Tracey Goessel; Broken Silence: Conversations with 23 Silent Picture Stars (2011), by Michael G. Ankerich; John Huston Interviews (2001), by Robert Emmet Long; Don't Tell Dad: A Memoir (1998), by Peter Fonda; September Song: An Intimate Biography of Walter Huston (1998), by John Weld; “Elizabeth Montgomery's Secret Heartbreak: How She Found Magic Despite Her Fame,” February 27, 2026, by Ed Gross, Woman's World; “The Fonda Family: All About the Hollywood Dynasty, From Golden Age Star Henry to Living Legend Jane,” September 8, 2025, by Julie Tremaine, People Magazine;  "Peter Fonda, ‘Easy Rider' Actor and Screenwriter, Is Dead at 79,” August 16, 2019, by Anita Gates, New York Times; “The Fonda Factor,” December 1990, by Peter Collier, Vanity Fair; “HENRY FONDA DIES ON COAST AT 77; PLAYED 100 STAGE AND SCREEN ROLES,” August 13, 1982, by Peter B. Flint, New York Times; “Robert Montgomery, Actor, Dies at 77,” September 28, 1981, by David Bird, New York Times; Wikipedia.com TCM.com; IMDBPro.com; IBDB.com; Brittanica.com; Movies Mentioned: The Mark of Zorro (1920); Robin Hood (1922); The Thief of Bagdad (1924); So This Is College (1929);The Divorcee (1930);Inspiration (1931); Little Caesar (1931);Letty Lynton (1932); Rain (1932); Morning Glory (1933);The Farmer Takes a Wife (1935);Petticoat Fever (1936); Dodsworth (1936);Jezebel (1937); The Prisoner of Zenda (1937);Night Must Fall (1937); Of Human Hearts (1938);Young Mister Lincoln (1939); Gunga Din (1939);Earl of Chicago (1940);The Grapes of Wrath (1940);Here Comes Mr. Jordan (1941); The Devil and Daniel Webster (1941) Sergeant York (1941);The Lady Eve (1941); Yankee Doodle Dandy (1942);The Ox-Bow Incident (1943);They Were Expendable (1945);Lady in the Lake (1946);My Darling Clementine (1946);Ride the Pink Horse (1947);Once More, My Darling (1948); The Treasure of the Sierra Madre (1948); Key Largo (1948); The Asphalt Jungle (1950); The African Queen (1951); Mister Roberts (1955);The Desperate Hours (1955);The Court-Martial of Billy Mitchell (1955); Moby Dick (1956);  12 Angry Men (1957); Heaven Knows, Mr. Allison (1957);Tall Story (1960);The Gallant Hours (1960); The Misfits (1961);Period of Adjustment (1962);Calculated Risk (1962);Johnny Cool (1963);Who's Been Sleeping in My Bed (1963);Tammy and the Doctor (1963); Night of the Iguana (1964);Cat Ballou (1964);The Young Lovers (1964);The Wild Angels (1966);Barefoot in the Park (1967);The Trip (1967);Bonnie and Clyde (1967)Once Upon a Time in the West (1968);Rosemary's Baby (1968) Barbarella (1968);Easy Rider (1969);Klute (1971); Fat City (1972); Chinatown (1974);A Case of Rape (1974);Mrs. Sundance (1974); The Man Who Would Be King (1975);The Legend of Lizzie Borden (1975);Coming Home (1978);Wanda Nevada (1979);On Golden Pond (1981);9 to 5 (1982); Prizzi's Honor (1985);Agnes of God (1985);The Morning After (1986); The Dead (1987); Mr. North  (1988); The Grifters (1990); The Adams Family (1991); Adams Family Values (1993);Black Widow Murders: The Blanche Taylor Moore Story (1993);Ulee's Gold (1997); Ever After (1998);The Passion of Ayn Rand (2000); The Aviator (2004); The Constant Gardner (2005); 30 Days of Night (2007);3:10 to Yuma (2008); X-Men Origins: Wolverine (2009); Wonder Woman (2017); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

David Koepp breaks down his writng process and what songs he listened to while wacthing Disclosure DaySee omnystudio.com/listener for privacy information.

What makes a screenplay truly powerful? In this interview, screenwriter Renn Tan (Slamdance winner for The Gift of Rain) shares how deeply personal experiences, identity, isolation, and "conditional love," shape unforgettable stories. From growing up navigating multiple cultures and identities to finding their voice in Hollywood, Renn breaks down how writers can transform pain into authentic, emotionally resonant scripts that connect with audiences. This conversation goes beyond inspiration, it's packed with practical insight on:  - Turning lived experience into compelling characters  - Handling feedback (even when it hurts)  - Choosing the right screenwriting competitions  - Networking without feeling fake  - What the industry is really looking for right now If you've ever struggled with finding your voice or writing something honest, this is a must-watch. Topics Covered: Personal storytelling, screenwriting craft, writing from trauma, identity in storytelling, film festivals, Slamdance, feedback, networking, breaking into the film industry. Renn Tan (https://www.networkisa.org/profile/renn-tan) speaks six languages, but not their mother tongue. Growing up LGBTQ+ in a Muslim country means, of course, they write about conditional love. Across genres, their stories feature characters whose identities directly conflict with their environment. Renn is a graduate of USC's Screenwriting MFA program. Their work has won Best Feature Screenplay at Slamdance and the Dallas International Film Festival, and was one of the top three scripts selected for the ISA Diversity Initiative. They are excited to be one of ISA's Top 25 Screenwriters to Watch in 2026.

Many writers assume that Christian stories are defined by clean content, religious themes, or explicit references to faith. But a Christian worldview is not a genre.In this episode of The Storyteller's Mission, Zena Dell Lowe explains why many faith-based stories feel preachy, emotionally shallow, or dramatically ineffective despite their good intentions. More importantly, she reveals how writers can create stories that communicate biblical truth at a deep structural level without relying on overt religious content.Through examples from Die Hard, Lethal Weapon, Strong Fathers, Strong Daughters, and modern storytelling trends, you'll discover the difference between worldview and genre, truth and signaling, and why some secular stories often resonate more deeply than many faith-based films.Topics Covered:• Christian worldview vs Christian genre • Why faith-based films often struggle • Storytelling and moral truth • Die Hard and biblical morality • Lethal Weapon as moral storytelling • Principles vs rules in story • The problem with preachy writing • Writing stories that resonate • Biblical worldview in screenwriting • Christian storytelling and cultureCHAPTERS00:00 A Secular Story Can Tell More Truth 01:12 What People Mean by "Christian Film" 02:00 Why Die Hard Matters 03:00 Principles vs Rules 05:30 Compassion vs Justice 06:30 What a Worldview Really Is 07:10 Genre vs Worldview 08:20 The Strong Fathers, Strong Daughters Example 10:30 Why Nuance Matters 11:10 Secular Stories and Biblical Truth 11:25 Lethal Weapon vs Modern Storytelling 12:40 The Postmodern Worldview Shift 14:00 What Writing a Christian Worldview Actually Means 15:25 Stop Trying to Write Christian Stories 15:50 Why the Faith-Based Industry Struggles 17:35 What This Means for Writers 19:45 We Need More Truthful StoriesWatch this episode on YouTubeFree Resources for Writers:Seven Deadly Plot Points FREE TRAINING VIDEO Free Video Tutorial for ScreenwritingSign up for The Storyteller's Digest, my exclusive bi-monthly newsletter for writers and storytellers. Each edition delivers an insightful article or practical writing tip straight from me, designed to help you master your craft and tell compelling stories.The Storyteller's Mission Podcast is now on YouTube.  Subscribe to our channel and never miss a new episode or announcement.

In this episode of The Brand Called You, host Ashutosh Garg speaks with acclaimed author, screenwriter, and producer Reenita M. Hora about her powerful novel, Vermilion Harvest: Playtime at the Bagh. Set against the backdrop of the Jallianwala Bagh massacre, Reenita discusses her transition from journalism to fiction, the inspiration behind her book, and the importance of narrating history through diverse perspectives.Discover how Reenita's personal family stories, combined with her love for epic tales and historical detail, led her to craft a layered narrative that explores not just a tragic event but also the simmering unrest, suppressed freedoms, and untold voices of the era. From discussions on the symbolism behind the title to the role of Amritsar as a character, and the challenges of writing about trauma with sensitivity, this episode offers valuable insights for readers and writers alike.Whether you're interested in Indian history, the craft of storytelling, or the lessons we can learn from the past, this conversation is a must-watch.

This week on the Boxoffice podcast, co-hosts Daniel Loria and Rebecca Pahle are joined by Max Evry, author of the upcoming book Stranded on Earth: How Night Skies Became E.T. the Extra Terrestrial (October 6, now available for pre-order), to discuss Spielberg's alien encounters, including his latest—Universal Pictures' Disclosure Day. Then in the feature segment, in advance of the film's June 12 release, Daniel talks to Disclosure Day screenwriter David Koepp.

Host Jeff Goldsmith talks to creator-screenwriter Mike Makowsky about his limited TV series, Death by Lightning. Download my podcast here Copyright © Unlikely Films, Inc. 2026. All rights reserved. For more great content check out Backstory Magazine @ Backstory.net

 You've no doubt heard the story about the ambitious would-be filmmaker who grows up far from Hollywood, but somehowmanages to put together a short film project that launches an exciting new career for someone. For this next guest, this is only part of the story, because his big break came well past most people's  retirement age, and is proof positive that there is no expiration date on your dreams. His debut short “Yard Saleing” is what we will be jumping into this and much more. Let's welcome Michael Tove!Michael ToveWebsite: https://www.emeraldoakproductions.com/Crazy Train RadioFacebook: facebook.com/realctradioInstagram: @crazytrainradioX/Twitter: @realctradioBlueSky: @crazytrainradio.bsky.socialWebsite: crazytrainradio.usYouTube: youtube.com/crazytrainradio

Screenwriter and author Jim Agnew (GIALLO, OFF THE GRID) joins Adam and Joe to discuss his new book TO LIVE AND WRITE IN LA: A STREET LEVEL GUIDE TO SURVIVING AS A SCREENWRITER. Jim's book is a must read! Get it here: https://a.co/d/0i5s1lef Tired of commercials? Support THE MOVIE CRYPT for just $1 a month and start getting every episode commercial-free! Visit www.Patreon.com/TheMovieCrypt to sign-up today!

Welcome to PGX: Raw & Real #189PGX: Raw & Real is simple. I sit with people who've lived through something and/or made it big.This isn't meant to be inspiration or a template for life (for that, you can check out PGX Ideas).This space is different. It's their story, as they experienced it.In this episode, I spoke to Anirudhya Mitra — an Investigative Journalist, Author & Screenwriter.Timestamps:0:00 - Intro3:39 - The Legend Rameshwar Nath Kao (R.N. Kao)16:17 - The Real PNS Ghazi Story26:13 - India's Secret Nuclear Bomb Test34:30 - The PM Who Accidentally Blew India's Cover43:42 - Ravindra Kaushik: The Black Tiger's Mission49:44 - How India Plans Secret Assassinations1:00:27 - The Spy Gear That Saved Siachen Glacier1:08:10 - RAW vs IB vs NIA: Who Does What?1:11:43 - How RAW Was Born To Split Pakistan1:22:12 - India Trained The Wrong Side in Sri Lanka1:28:55 - Rajiv Gandhi's Assassination: What We Know1:39:42 - Do India Really Have Spies Everywhere?1:46:32 - RAW vs CIA vs Mossad: Who Wins?1:50:37 - India's Spies Even Went Into UkraineEnjoy.— Prakhar

Eric and Brad sit down with award winning Author, Screenwriter, Director, Poet Sherman Alexie.You may know his books like The Absolutely True Diary of a Part Time Indian, or his film Smoke Signals but get ready to know him as a Bronson fan, film fanatic and all around funny guy. We talk White Buffalo, Will Sampson, James Woods and so much more.

Send us Fan MailThanks for coming back for the conclusion of my interview with Author, Screenwriter, Producer, and Retired DEA Agent J Todd Scott. Today's episode, we talk DEA stuff and work our way into Hollywood and books, more specifically, him being a producer and writer for the Yellowstone spinoff, Dutton Ranch. Todd spent 30 years as a special agent for the DEA, being assigned to multiple locations across the United States and the world. During his time as a special agent, he took part in investigations leading to tons of seized illegal drugs and millions of dollars in illegal drug proceeds. He was part of the first group of agents to be assigned to Haiti for a long-term mission, where he escaped certain death multiple times by the skin of his teeth. Todd has always had a passion for stories and writing, and pursued this when he retired from federal service. He's authored six critically acclaimed crime and thriller novels. He's also a film/TV producer and screenwriter. His work includes the Lawmen: Bass Reeves, and he is a producer and writer for the spinoff to the massively popular Yellowstone series, Dutton Ranch.It was a pleasure to get the chance to chat with Todd. He has lived and is living a life that books and movies are made of; now he's telling the stories.  In today's episode, we discuss:·      Has legalizing marijuana in some states made things better, worse, or has it made any difference?·      What is the best way to prepare yourself to become a DEA Special Agent, or any other LE officer?·      Writing and being a producer on the new Yellowstone spinoff, Dutton Ranch and Lawmen: Bass Reeves.·      His ‘big break' in his writing career.·      Yellowstone, why was it such a breakout success?.·      What is his role with The Dutton Ranch? ·      How daunting was it to work on Dutton Ranch with all the success of Yellowstone? How he dealt with that.·      Having a full-time snake wrangler on set.·      His advice for anyone wanting to break into the book-writing world or television, or movies. All of this and more on today's episode of the Cops and Writers podcast.Head on over to Todd's website to learn more about him and his work.Check out my newest book! Police Stories: The Rookie Years - True Crime, Chaos & Life as a Big City Cop!Head on over to my website! What's the craziest thing you saw when you were a cop?My first week on the job, a guy running at me with a butcher knife. He'd just killed his brother over the last hot dog.That's chapter 1. There are 33 more.Police Stories: The Rookie Years just launched - available on Amazon. Search 'Police Stories Patrick O'Donnell' or click thSupport the show

Watch the best scene reading: https://www.youtube.com/watch?v=BnpDiGCQBd4 Get to know the writer: What is your screenplay about?A professionally trained chef stuck in a dead-end diner job gets a shot at culinary stardom when he's chosen as a wildcard contestant in a prestigious fine dining competition. As he rises through the ranks, he must confront his self-doubt and the truth he's been hiding about where he comes from. What genres does your screenplay fall under?Drama, with elements of comedy and ensemble-driven storytelling. Why should this screenplay be made into a movie?It fits in a space that is currently underserved. Character-driven, mid-budget stories with a clear hook. The culinary competition world provides a built-in engine and audience familiarity, while the execution focuses on grounded, performance-driven storytelling. It is contained enough to be produced efficiently, while still offering scale through the competition setting. It also offers strong ensemble roles, which creates multiple opportunities from a casting standpoint. From a business perspective, it is the kind of film that can travel well across festivals, streaming platforms, and word-of-mouth audiences who connect with character-first storytelling. —— Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod https://www.facebook.com/wildsoundpod

Watch Today's Reading: https://www.wildsound.ca/videos/esquisse-of-affliction DANNY, a 23-year-old college graduate, returns to his childhood home in Monterey, California, following the sudden passing of his Mother, LORRAINE. After the funeral, Danny, his sister KATY, returned from LA, and their Dad, WAYNE talk about their plans for the immediate future. They run into GAIL, Lorraine's former colleague, who has found Lorraine's body at home. She tells Danny and Katy that Lorraine has some stuff left in her office, advising them to pick it up sometime. —— Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod https://www.facebook.com/wildsoundpod

EPISODE 722 - Andrey Medina - Screenwriter and Author - Sci-Fi storyteller who's fascinated by the questions that don't have easy answersIn this episode, Dave sits down with author and screenwriter Andrey Medina to explore how imagination, movement, and instability as a child sparked a lifelong inner world that eventually led him to science fiction. Andrey explains that he was not so much “called” to authorship as he was found by science fiction itself, discovering in it a way to imagine alternatives to reality. Influences like Tolkien and Asimov did more than shape his taste; they fundamentally shaped how he thinks about worlds, systems, and psychohistory-level questions of how reality can be simulated and reimagined.Andrey shares honest, practical advice for aspiring writers: finish something. Even a three to five page story matters, because reaching the end delivers pride and a deeper sense of catharsis as both writer and reader of your own work. He describes how completing a story can move you to tears or leave you breathless, and why that emotional climax is the best encouragement to keep going. From there, the second crucial step is to show your work to someone. Even if the reader does not fully connect, the simple fact that they speak your character's name out loud proves that someone else now carries a piece of your imagination in their mind. He also talks about setting himself a week-long challenge during Covid to write a short story every day, emphasizing that even “crappy” stories hold fragments of gold worth revisiting later.The conversation turns to craft and career. Andrey talks about mining small but powerful ideas from imperfect drafts, like a story of a boy who believes he is a robot and a father forced to deconstruct life into tiny, teachable truths. He discusses writing both for himself and for readers, consciously merging the stories he loves with clear commercial awareness, particularly in his young adult speculative dystopian thrillers. Drawing on his screenwriting background, he explains how thinking in scenes, locations, conflict, and emotional reaction shapes his novels, and how good dialogue functions as action rooted in motivation and emotional baggage.Andrey introduces his series, beginning with The Conduit Trials, featuring Ren, a sixteen year old rebel in a totalitarian regime whose botched mission leads to a death sentence and a shocking offer to become a fighter pilot for the very system she opposes. He teases themes of moral ambiguity, propaganda, and critical thinking in a world where nothing is fully right or fully wrong, and shares how recent chaotic global events helped fuel the emotional “lava” behind the story. He wants readers to be fully immersed in Ren's world while constantly asking themselves, “What would I do in her place?”He also explains how listeners can currently read The Conduit Trials as a free ARC through BookSprout, join his mailing list via a link at the end of the book, and stay updated on future installments and launches.Key takeaway: Finish something, no matter how small, and let it be seen. Completion gives you emotional proof that you are a storyteller, and every shared story, even an imperfect one, plants your imagined world in another person's mind.https://www.facebook.com/andreymedina84Send us Fan MailSupport the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

Screenwriter and comic creator Rylend Grant joins Chris to talk about the writing process, how he got involved with the Evel Knievel comic, and Kickstarters. Chris and Rylend discuss Shoresy, Spider Noir, Michael, The OC, and more. 

True story: Alie Flierl is one of the most inspiring writers. Yep. Right up there at the top.Listen to our convo with Alie about her "overnight success," which only took over a decade of hard work. We chat about breaking in, building a community, rejection, and ... did Jason Statham really steal her bike? Only our listeners know. So get those earbuds in and get inspired!Resources from this episode: Alie Flierl's LInkTreeSadie's new album, Victory Blvd.Pipeline Podcasts:All OG Pipeline Artists podcasts can be found on pipelineartists.com/listen.YouTube:Watch full (read that as "most ... maybe not any" because Jeanne is tired) episodes on YouTube.Follow us on X:@recklesscr8tive@SadieKDean@jeannevb@pipelineartistsFollow us on IG:@recklesscr8tive@_thesadiedean_@jeannevb_@pipelineartists Dive into our affordable education platform, Symposium, for live events and on-demand.Enter Pipeline's Contests:Script Pipeline—Screenwriting/TV/PitchFilm Pipeline—Short Scripts/FilmsBook Pipeline 

Just-In Time Conversations: Christine Bélanger, Filmmaker Screenwriter & Producer by WNHH Community Radio

Host Jeff Goldsmith talks to writer-producer Aline Brosh McKenna about her latest film, The Devil Wears Prada 2. Download my podcast here Copyright © Unlikely Films, Inc. 2026. All rights reserved. For more great content check out Backstory Magazine @ Backstory.net

Watch best scene reading: https://www.wildsound.ca/videos/crime-mystery-festival-best-scene-flight-17-by-richard-geiwitz-interview After surviving what seems to be a terrorist attack on an airplane, a woman must go under the radar as she stumbles on something much larger. —— Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod https://www.facebook.com/wildsoundpod

The prolific screenwriter, David Silverman, is back on StoryBeat for the second time. David has written for stars like Robin Williams, Bob Newhart, Rosanne Barr, Drew Carey, Sarah Silverman, Pee Wee Herman, and others. David has co-created 5 TV series and written and produced on more than 30 different series, including hugely popular shows like Newhart, Roseanne, One Day at a Time, The Jeffersons, Alice, Dilbert, and South Park.David co-created The Wild Thornberrys, which spawned two feature films: The Wild Thornberrys Movie and Rugrats Go Wild. Other feature films David has co-written include Stepping Out, Purple Haze, and The Flintstones Movie.As a Stanford-educated psychotherapist, David's treated and coached aspiring writers, many of whom have gone on to sell their own feature films and TV shows.David and his wife Rogena, who is also a writer and editor, recently collaborated on their excellent book, How to Be a Rockstar Screenwriter, which contains some of the best advice I've read on the mindset that ambitious screen and TV writers need to succeed. Unlike most books on screenwriting, How to Be a Rockstar Screenwriter is filled with solid advice for those dealing with the challenging psychological issues facing writers who wish to work in Hollywood, as well as for those who are already successful screenwriters.  I urge anyone hoping to make it as a professional writer in Hollywood to check out this very wise book.For the record, David and I have known one another for many decades, connected by our mutual friend, the late, great Steve Sustarsic. David and Steve were a well-known, highly successful sit-com writing team. They wrote and produced hundreds of TV scripts together.

In today's episode, we present a chat with Screenwriter and Entrepreneur, Michael Elliot, creator of Cinema Puzzles! Michael was kind enough to send us a few Jurassic Cinema Puzzles and chat about the creation of the new business. Plus, we dive into the latest Jurassic News around the world! Sit back, relax and ENJOY this episode of The Jurassic Park Podcast!Cinema Puzzles InstagramDavid Koepp's Rebirth ScriptLet's Talk Jurassic featuring Muzzammil ShaikUniversal Kids ResortJurassic World Evolution 3 UpdatePlease check out my Newsletter featured on Substack! You can sign up for the newsletter featuring the latest from Jurassic Park Podcast and other shows I'm featured on - plus other thoughts and feelings towards film, theme parks and more!FOLLOW USWebsite: https://www.jurassicparkpodcast.com/YouTube: https://www.youtube.com/@JurassicParkPodcastInstagram: https://www.instagram.com/jurassicparkpodcast/Bluesky: https://bsky.app/profile/jurassicparkpod.bsky.socialThreads: https://www.threads.net/@jurassicparkpodcastFacebook: https://www.facebook.com/jurassicparkpodcastApple Podcasts: https://apple.co/2VAITXfSpotify:  https://spoti.fi/2Gfl41TDon't forget to give our voicemail line a call at 732-825-7763!Catch us on YouTube with Wednesday night LIVE STREAMS, Toy Hunts, Toy Unboxing and Reviews, Theme Park trips, Jurassic Discussion, Analysis and so much more.

Watch best scene reading: https://youtu.be/IhdiRMQznCY Get to know the writer: What is your screenplay about?When Lizzie Franks, a gorgeous African-American paraplegic, is fired from her job at a company she helped start and her fiance dumps her, she joins The Iron Maiden, a women-only gym to find a reason to go on. But Brandon Wickie, the brilliant, ultra-wealthy owner of the gym kidnaps her. He uses a unique nannite technology he's invented to assemble his ideal mate from the body parts of women bodybuilders he kidnaps from his gym and he attaches Lizzie's head to his creation. Meanwhile, Mathew Tran, a Chicago detective, is hot on Brandon's trail as he tries to discover who has been kidnapping women bodybuilders and who killed George Johnson, the husband of one of the women and also a Chicago Detective. The movie culminates in a fight to the death between Lizzie and Brandon, both of whom have super-human strength and healing powers due to the nannites in their veins. Lizzie, in her unfamiliar body, must find a new inner strength and push herself beyond her limits to save herself and Detective Tran. What genres does your screenplay fall under?Horror/thriller Why should this screenplay be made into a movie?The simplest answer is because it will be a money-maker if it's done right. It can be made as a low-budget horror film, which are extremely popular worldwide. It can also be produced as a high budget superhero origin story with A-list actors such as Zandaya as Lizzy Franks and Michael Cera as Brandon Wickie. It could also be the first in a series of movies following Lizzie's adventures, it could be turned into one or a series of graphic novels, and it would make a great animated film or series. In addition, it has a multi-racial cast of quirky characters, its heroine is uniquely different from any other superhero or female movie lead, the world of female bodybuilding is an unusual environment, and it combines humor with mystery, intense action and a bit of grisly horror, so it will keep an audience emotionally engaged and guessing about what comes next. Finally, it explores important topics such as the danger of tech-bros with too much money (looking at you, Bezos and Musk), the dangers and benefits of AI-based technology, and female empowerment, so it's more engaging than if it were just a whiz-bang popcorn movie. —— Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod https://www.facebook.com/wildsoundpod

ABOUT THE EPISODE --In Episode 270 of Reel Therapy, Daniel and Donavon are joined by UCA Professor of Film, Dr. Bruce Hutchinson, to discuss the 2006 classic, "The Devil Wears Prada". Does it hold up twenty years later? What's the deal with Nate's character? Should Andy have kept her job? Does the script hold up two decades later? We break it all down with the professor before we see the sequel and let us know in the comments below what you thought of the film and what are your thoughts on the "The Devil Wears Prada 2".TABLE OF CONTENTS --00:00:00 - About the Episode00:00:32 - Greetings from Dr. Bruce Hutchinson00:01:01 - The Devil Wears Prada01:56:33 - Before We GoABOUT THE MOVIE --"The Devil Wears Prada" follows Andy Sachs, an aspiring journalist who lands a coveted job as assistant to Miranda Priestly, the powerful and demanding editor-in-chief of a leading fashion magazine. Thrust into the fast-paced world of high fashion, Andy must navigate impossible expectations, office politics, and the growing tension between her career ambitions and personal life. Blending sharp humor, memorable performances, and insightful commentary on work-life balance and ambition, the film has become a modern classic about success, sacrifice, and finding your own path.Before We Go: Additional Reading --"Spinstack" App: https://spinstackios.app"Wuthering Heights" - Directed by Emerald Fennell: https://www.imdb.com/title/tt32897959/"Widow's Bay" on Apple TV: https://www.imdb.com/title/tt33332385/"Scriptnotes: A Book About Screenwriting and Things That Are Interesting to Screenwriters" - Written by John August and Craig Mazin: https://a.co/d/02TyU3FmArt House Cinema: https://www.arthouse-cinema.netFIND US --To learn more about Bruce and follow his work, find him on:Instagram: @bdhutchX: @bdhutchAnd for more movie breakdowns checkout:LINK: https://www.thehutchfiles.com/For everything Reel Therapy and 241 Studios, check out our website:LINK: https://www.241studios.com/Follow us on:Instagram: @reeltherapy_podcastFacebook:   / reeltherapypod  TikTok: @reeltherapy_podcast

Middle Ground with JLE "Where We Treat You Like Family" on MIDDLE GROUND WITH JLE NETWORK YOUTUBE CHANNEL welcomes Best Selling 5x Published Author, Musician, Journalist, Speaker, Screenwriter, CEO & Host 4 JLE BRAND SHOWS Jeffrey L. Edwards(JLE) as discusses latest with THE JLE BRAND and Family Holidays.

Actor/writer Karin delaPena Collison's first feature script Coming of Age won a Nicholl Fellowship. Here, she talks about what led up to it and what came next.

Episode 150: Get Serious About You — A Milestone Roundtable CelebrationWhat happens when you finally decide to get serious about you?In this special milestone episode of the SexyCoolLounge Podcast™, Jimmy IV celebrates 150 episodes, 10,800+ downloads worldwide, and listeners across 112 countries with an inspiring roundtable conversation centered around one powerful idea:Getting Serious About You.Joined by returning guests:Aubrey Johnson — The Road to Rediscovery PodcastJess Marie — Unapologetically Overcoming PodcastStacy Newton — Author, Screenwriter & ActorKate McCauley — Champion WithinThis meaningful conversation explores self-worth, confidence, boundaries, inner peace, healing, and what it truly means to become the best version of yourself.Together, the panel reflects on:• What SexyCool means from their unique perspectives• Protecting your energy and honoring your boundaries• Building confidence through life's challenges• Creating peace within yourself in a world full of distractions• Why getting serious about yourself requires honesty, intention, and self-respectThis milestone episode is reflective, empowering, and designed to help listeners recalibrate their mindset, reconnect with their purpose, and continue moving forward with intention.Plus, this special celebration includes the official debut of:“Hey World, SexyCool”Whether you've been part of the journey from the beginning or are stepping into the Lounge for the very first time —Welcome to Episode 150. Welcome to the VIBESHOW LINKS:To connect with Jimmy IV ✌

We continue Marc's Miserable Marvelous May 4: EVER! with an interview that dives deep into our Nearly New World selection from last week: 1995's BLACK SCORPION! Yes, we talk with screenwriter Craig J. Nevius about his career from writing plays in high school to casting Brad Pitt in his debut feature, 1989's HAPPY TOGETHER, to his beginnings with Roger Corman writing 1991's KISS ME A KILLER to 1994's FANTASTIC FOUR and, of course, the BLACK SCORPION franchise.Along the way we talk about the issues behind the infamous FANTASTIC FOUR production (and dispel some myths), what it was like working with Stan Lee, the difficulty in casting Adam West, what Craig learned from his years working with Corman, and, of course, Underoos. This is an amazing conversation filled with insight and stories never revealed before, so don't miss it! To learn more about Craig's Windmill Entertainment, go to the Facebook page!For more about the New World Pictures Podcast, including previous episodes, t-shirts, mugs, sweatshirts, other merch and more, we DARE YOU to head here: https://newworldpicturespodcast.com/For all the shows in Someone's Favorite Productions Podcast Network, head here:  https://www.someonesfavoriteproductions.com/#fantasticfour #blackscorpion #RogerCorman #AdamWest

In today's episode Nick talks about AI Girlfriend Dumps Celeb, Really Late Term Abortion, Karma Calls Pitcher, FCC & Tranny TV, Mouthwatering Fries, Raymond Money and Amazon Driver Saves Woman! The FULL SHOW is live streaming & FREE-ONLY on Rumble! Join our LIVE CHAT at 6pm ET every Mon-Thu or watch the FULL EPISODE anytime on demand after 7pm ET. Follow my Channel and get notified! https://rumble.com/c/TheNickDiPaoloShow GET TOUR DATES & TICKETS - https://www.nickdip.com/tour NOVEMBER 5TH - The Punchline: ATLANTA, GA NOVEMBER 6TH - Rivers Casino: PHILADELPHIA, PA NOVEMBER 7TH - Soul Joel's: POTTSTOWN, PA MERCH - Grab some mugs, hats, hoodies, shirts, stickers etc… https://shop.nickdip.com/ PERSONAL VIDEO FROM ME – Send someone a personal video from me! Go to https://shoutout.us/nickdipaolo  or www.cameo.com/nickdipaolo SOCIALS/COMEDY- Follow me on Socials or Stream some of my Comedy!  https://nickdipaolo.komi.io/

Australian Kylie Minogue has released 17 studio albums, nearly 100 singles, and sold more than 80 million records worldwide. And yet, most Americans remain largely unaware of this international princess of Pop. While Kylie has had numerous breakthroughs in all of the last five decades, her 2023 dance-pop track “Padam Padam” became one of the biggest hits in her nearly 40-year career, proving that we still can't get Miss Minogue out of our heads. So join the Great Pop Culture Debate as we attempt to name the Best Kylie Minogue Song.Musicals discussed: “Padam Padam,” “The Locomotion,” “Love At First Sight,” “Aphrodite,” “Come Into My World,” “I Should Be So Lucky,” “All the Lovers,” “Slow,” “Can't Get You Out of My Head,” “Your Disco Needs You,” “Confide In Me,” “Spinning Around,” “Get Outta My Way,” “I Believe In You,” “Wow,” “Timebomb”Join host Eric Rezsnyak, GPCD panelists Bob Erlenback and Jonny Minogue, and special guest panelist, Australian screenwriter and director Lee Galea, as they discuss and debate 16 of Kylie Minogue's most enduring songs.For the warm-up to this episode, in which we discuss literally DOZENS of other Kylie Minogue that didn't make the bracket, become a Patreon supporter of the podcast today. EPISODE CREDITS:Host: Eric RezsnyakPanelists: Bob Erlenback, Jonny MinogueSpecial Guest: Lee Galea, Screenwriter & Director, "Single, Out"Producer: Curtis CreekmoreEditor: Bob ErlenbackIntro/Outro Song: "Dance to My Tune" by Marc Torch#kylieminogue #kylie #kylieminoguesongs #popmusic #pop #australia #1980s #1990s #2000s #2010s #2020s #padampadam #cantgetyououtofmyhead #getouttamyway #timebomb #aphrodite #thelocomotion #comeintomyworld #yourdisconeedsyou #loveatfirstsight #ishouldbesolucky #allthelovers #spinningaroundSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Devin KawaokaTake a walk with me down Fascination Street as I get to know Devin Kawaoka. Devin is an actor who can currently be seen on Apple TV's Shrinking; as well as NBC's Chicago Med. In this episode, Devin and I chat about his first love, snow skiing. He was really good too, some say Olympics bound. He shares the story of what happened that turned his attention toward acting. Once he did find acting, he never looked back. Devin has starred on Broadway in the massively acclaimed 'Slave Play' and is realizing huge success on two of the biggest shows on the screen today. (The ones I mentioned above). Devin also shares the reasons that he chose NYU Tisch; not once, but twice. We take a bit of a walk down Memory Lane, as we talk about his favorite TV show, 'Six Feet Under', and why it was so important to him. It was so impactful to a young Devin, that the show has informed his idea of what good writing and acting can do for those watching. Along the way, we talk about his experiences on several shows. Devin plays Dr. Kai Tanaka-Reed on Chicago Med, while simultaneously playing the lovable husband Charlie on Shrinking. We discuss the logistics of filming those two shows at the same time..... nearly 1800 miles apart. I pepper Devin with questions about some of his other projects in film like 'Friend of Dave' & "Under the Lantern Lit Sky' as well as the television show 'Lucifer'. We then dive into Devin's recent foray into screenwriting. He has written pilots for two different TV shows, and he explains both what they are about, and where he is hoping they land. We end the episode by talking about the person who he admires and hopes to model his writing and producing career after.Follow Devin Kawaoka on Instagram to see what he does next!

Watch the Best Scene of THE MEMORY TAX: https://www.youtube.com/watch?v=zDLcReloL8k A 14-year-old girl with an experimental neural implant can access the entirety of human knowledge with her mind, but every ‘download' costs her a piece of her past. While hiding in plain sight from the shadowy corporation that created her, she must decide how much of herself she is willing to forget to save the people she loves. Why should this screenplay be made into a movie? I would clarify that The Memory Tax is actually written as a one-hour television pilot, although I believe the concept is cinematic enough to work in a visual medium. It should be produced because it has a strong, immediately understandable science-fiction hook with deep emotional consequences. The central idea involves a teenage girl who can access unlimited knowledge but loses her memories every time she does is both high-concept and character-driven. The story also speaks to modern anxieties about technology, identity, artificial intelligence, medical ethics, corporate ownership, and the cost of constant access to information. But instead of telling that story through machines or institutions alone, it filters everything through a vulnerable teenage girl who simply wants to live a normal life. That gives the project both genre appeal and emotional accessibility. How would you describe this script in two words? Costly knowledge. What movie have you seen the most times in your life? E.T. is one of the films I've returned to the most. I've always admired how it takes a science-fiction premise and grounds it in childhood, loneliness, friendship, and family. That is something I tried to bring into The Memory Tax. The genre concept matters, but the emotional experience of the child at the center matters even more. —— Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod https://www.facebook.com/wildsoundpod

Watch the best scene reading: https://www.youtube.com/watch?v=c3d7ULGYSPk What is your screenplay about? In 1947 a 19-year-old female genius is rejected for every job she applies to. She gets recruited into a covert military program working alongside peaceful alien refugees. When a test flight goes wrong, she's the only one who can save the two men, including the one who spent months harassing her. She learns the hard way that in order to get respect, she first has to give it. What genres does your screenplay fall under? Soft Sci-Fi and Drama. The alien and technology are just the hooks. It's really about the characters. —— Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod https://www.facebook.com/wildsoundpod

THE G.Y.M. — PILOT, ACT ONE By Dani HanksWelcome to the run-down fitness shithole at the end of the strip mall. Two buildings left standing, a tech repair shop and The G.Y.M., and across the street a brand new chrome-and-barbell luxury chain called Solstice is having its grand opening on the same day Valerie is trying to film her grand re-opening commercial.Valerie inherited her childhood sanctuary the hard way. The previous owner got hauled off in handcuffs as "The Flamingo King," the FBI took the penguins, and she sank her life savings into keeping the bulldozers off the lot. Now the bike handlebars are snapping mid-shoot, the wifi is down, the POS is down, the smoothie blender is wifi-controlled (a mistake), and a real estate vulture in pinstripes will not stop circling the parking lot. Her ragtag crew, an Insta-thirsty trainer, a Finnish golden retriever on a visa, a chaos-gremlin receptionist who cannot swim, a buttoned-up IT guy from next door, a smoothie-bar veteran who misses the cocaine era, and a crystal-worshipping yogi with prison connections, is the only thing standing between Valerie and the wrecking ball.It's a found-family workplace comedy in the bloodline of Cheers, Superstore, and The Bear, but make it the gym. HBO sitcom material with prime-network legs. Dani Hanks' pilot won the 2024 Austin Film Festival Josephson Entertainment Fellowship, the year-long development deal AFF hands to the one teleplay it bets the most on, and ISA named Dani one of the Top 25 Screenwriters to Watch in 2025.We recorded this live at Podcast Movement at SXSW in front of a packed house of our peers, and you can hear it in the room. The energy, the laughs landing in real time, the cast riding the wave together. Video version available on YouTube and across our channels. Lean in with that, then let Act One take you the rest of the way.CASTHeather Foster - Narrator Allison Dunbar - Valerie Yasmine Al-Bustami - Kayla and Spin Client Kensington Tallman - Alexa and White Trash Spin Diva Shaan Sharma - Wade, Bored EMT, and Johnny Joe Nemmers - Gary Hughes, Cocky Newscaster, Television, and Gruff Driver Jacob A. Ware - Bryan and Sam Brian Villalobos - Chris, Weak-Armed Client, and Handyman Amy Bailey - Mary, Gem, Peppy Newscaster, First AC, and Phone Scott Hervey - Client Carlin (special guest appearance, our attorney from Weintraub Tobin)Produced by Manifest Media. Created by Jack Levy, Mark Knell, and Shaan Sharma.This live read benefits Best Friends Animal Society, selected by Allison Dunbar, dedicated to bringing no-kill to every shelter in the country. Save Them All. bestfriends.org/donateSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.